Original subtitles

[crowd cheering]

[♪ "Help!" playing]

♪ ...not so self-assured ♪

♪ Now I find I've changed my mind ♪

♪ I've opened up the doors ♪

♪ Help me if you can, I'm feeling down ♪

♪ And I do appreciate you being 'round... ♪

[♪ music concludes]

[airplane engine]

-[fans cheering] -[John] We were like

in the eye of a hurricane.

So we were just in this little goldfish bowl

in the middle. And one didn't really have time

to think what was going on. It was just going on so fast.

[George] Ed Sullivan had seen us in England,

and all the Time and Life and Newsweek had all put

covers of The Beatles

on their magazines prior to us arriving, so...

It was a surprise, though, because we thought

we'd have to work a little bit for this notoriety.

[John] When we arrived here, we knew how to handle press.

The British press are the toughest in the world.

We could handle anything. We were all right.

[crowd clamoring]

[Ringo] The press, they started shouting at us.

They liked being just shouted back at, you know,

and we did do it with humor.

[fan] Would you please sing something?

[all] No!

-Sorry. -[Brian Sommerville] Next question.

[reporter 1] Is there something you can sing?

No, we need money first.

[crowd laughing]

-There's a question here. -[reporter 2] How many are bald

-if you have to wear those wigs? -All of us.

-I'm bald. -[reporter 2] You're bald?

-Oh, we're all bald, yeah. -Don't tell anyone, please.

[reporter 3] I've got a question for you.

Do you plan to get a haircut at all whilst you're...?

[all] No. No thanks.

-I had one yesterday. -[crowd laughing]

-That's no lie. It's the truth. -It's the truth.

[Brian Sommerville] Okay, there's one here.

[reporter 4] What do you think your music does to these people?

-Uh, I don't know. -Well...

-[reporter 4] Makes them spend-- -It pleases them, I think.

Well, it must do 'cause they're buying it.

[reporter 5] Why does it excite them so much?

We don't know, really.

If we did, we'd form another group and be managers.

[George] Everybody in Liverpool thinks they're a comedian,

and, uh, when you just transposed it into New York

or somewhere, it was...

it was great. I mean, we were just being hard-faced,

really, and, uh, they loved it.

[fans cheering]

I remember, for instance, the great moment

of going into the limo

and putting on the radio,

and there we were on American radio.

[♪ "I Saw Her Standing There" playing over radio]

I don't know.

♪ She wouldn't dance with another, ooh... ♪

[DJ over radio] And tomorrow morning,

an exciting morning on WINS as Brad Phillips

has the "Battles of The Beatles".

The Beatles take on all the groups in the world...

[Paul] Yeah! Yeah! [chuckles]

[overlapping chatter]

[DJ over radio] Tomorrow night at 7:00,

the Beatles read their own poetry

on a documentary, Meet The Beatles.

-...all over the world. -Oh?

-Oh really? -[George] I don't get that.

-I don't understand this. -[DJ over radio] Tomorrow night

from 7:00 to 8:00 here at WINS. Don't miss it.

We... We ain't written no poetry.

-On the poster. -[man] It's on a poster.

-[Paul] Is it? -[man] Yeah.

[Paul] Oh yeah. Massive. Ooh, hello!

[man] They've got a tremendous crowd there.

-There's the kids. -[John] How are we gonna get in?

You're missing a fab shot.

[John] Here y'are. You're missing the kids.

[indistinct chatter]

[fans screaming, cheering]

[John] Hey, how are we gonna get in then?

[Paul] Ooh! They practically had her!

-Lock your door. -[John] Lock the doors.

-[Paul] Hey. Hi. -[Ringo] Well done, John.

[Paul] Hi, girls. [chuckles]

[fans clamoring]

[John] There's this old man here goin' potty!

[John] There's an old fella goin' proper crazy, you know.

[screaming continues]

[Paul] Get the horse, come on!

Oh well, it's okay.

He's gonna get the horses behind us.

[indistinct chatter]

[John] Oh, look at 'em all!

I didn't think anybody knew we would come.

[indistinct chatter]

[Paul] There's loads of 'em to keep 'em down.

-[Ringo] Is this it? -[John] Get in, quick!

[Ringo] We had this huge suite of rooms in the Plaza Hotel.

And we had radios with the earpieces,

so we could phone in Murray the K

and we could listen to him talking on the radio.

This was all so fascinating to me.

It was just too far out.

[John] We were so overawed by American radio.

They had to-- Epstein, our manager, had to stop us.

[♪ music concludes]

We phoned every radio in town just saying,

"Will you play the Ronettes doing this?" I mean, we want to hear the music.

We didn't ask for our own records.

We asked for other people's.

[John] Okay, this is John Lennon of The Beatles on 1010 W-I-N-S.

[Murray] Now, we just want to tell everybody,

this was the Beatles station. They're taking over.

They're telling us what to play.

I got one more week of this,

and I'm gonna become the Fifth Beatle, baby.

[Ringo] Well, I liked Murray. He was a real good guy.

There was him and Cousin Bruce.

And he became, uh, the so-called "Fifth Beatle"

because he was really big on our record.

You know, he helped make it a hit.

Paul, suppose you tell 'em what we got next, baby.

We were very impressed with him, and, uh-- so we used to ring

his radio show when he was on, and he'd say,

"And the Beatles are here, and I've got an exclusive interview.

And here we are with Murray the K!"

And we'd be ringing up, "Hello? Excuse me a moment.

Oh, it's George. Hi, George! How're ya doin'?"

And we'd, you know, give him all the exclusives.

It's 'cause we loved him, you know.

[Paul] Okay, this is Paul McCartney from WINS,

1010 W-I-N-S, and it's Marvin Gaye,

and here he is singing "Pride And Joy".

[♪ "Pride And Joy" playing]

Yeah, baby. You got it. [chuckles]

♪ You are my pride and joy ♪

♪ And I just love you, love you, darlin' ♪

♪ Like a baby boy loves his toy ♪

♪ You've got kisses sweeter than honey ♪

♪ And I work seven days a week to give you all my money ♪

♪ And that's why you are my pride and joy ♪

♪ And I'm tellin' the world you're my ♪

♪ Pride and joy... ♪

It's me. You know me. Yes.

-[♪ music concludes] -No. Well, we're waiting

for a very important call from London,

which you're blocking the line on.

-[Brian Matthew] Hello, John. -[John] Hello, Brian.

[Brian Matthew] Well, what are your first impressions

of arrival in America?

[John] Well, I don't know. They're sort of--

They're wild, you know. They're all wild.

They just seem to get--

[Brian Matthew] Wilder than they are here in England?

[Paul] Well, it seemed like it.

Maybe it's just the first impression, you know.

They just seem all out of their minds.

[Brian Matthew chuckles] Did you get home at all, John,

between leaving Paris

and starting again for the States?

[John] Yeah, we were in-- well, we were in London for two days.

You know, we got to England.

[Brian Matthew] You didn't go up to Liverpool, though?

[John] No, th-- George went up there.

-[Brian Matthew] Uh-huh. -[John] Yeah,

but he's regretting it. He still hasn't slept.

[Brian Matthew chuckles] Is George there now?

[John] Yeah, do you wanna speak to him?

[Brian Matthew] Yes, in a moment.

But, uh, John, is there anything you want

to say to the fans back here at home first?

Yeah, well, tell 'em not to forget

we're only away for 10 days.

And we'll be back, you know, and we're thinkin' of 'em.

[Brian Matthew] Now, let's have a word with Ringo, could we?

-Hello, Brian. -[Brian Matthew] Hello, how are you?

[Ringo] Fine.

[Brian Matthew] What was the first thing

you did when you got to your hotel, Ringo?

[Ringo] Um, well, we had this big,

mass press interview with...

oh, about hundred people there, you know.

And then, uh, we got out of that,

and then we... we had a Cadillac each.

[on radio] Marvelous cars.

[Brian Matthew] What sort of things do they want to know

at the press reception?

[Ringo] Oh, all things. Are we bald, you know,

and what do we do with our money?

[on radio] All the usual things.

[Brian Matthew] You proved that you, uh, don't wear wigs, I hope?

-[Ringo] Yes. -[Brian Matthew] And what did you do?

-[Ringo] We took 'em off! -[Brian Matthew chuckles]

[Ringo chuckles]

[Brian Matthew] Well, cheerio, Ringo, and the best of luck to you.

[Ringo] Cheerio. Give our regards to everyone.

-Here's George now. -[Brian Matthew] Hello, George.

[George] Hello. How are you, Brian?

[Brian Matthew] Fine, thanks. How are you?

[George] Uh, not so bad.

[Brian Matthew] Uh, the first thing you'll be doing over there

is The Ed Sullivan Show, isn't it?

[George] Yeah, we rehearse that tomorrow,

and then, uh, do the show on Sunday.

[Brian Matthew] What will you be doing on the show?

Uh, I think we'll be doing, you know,

"I Want To Hold Your Hand", "She Loves You",

"Please Please Me".

-You know, the usual ones. -[Brian Matthew] Uh-huh.

How many of your records

are in the American Hit Parade at the moment?

[George on radio] We've got six in the Hundred.

And, uh, we-- It's-- We've got "I Want To Hold Your Hand",

"She Loves You", "Please Please Me",

"From Me To You", "My Bonnie", which is a laugh,

and "I Saw Her Standing There".

-[♪ music concludes] -You know, in...

in New York, the, um, three records,

uh, "Please Please Me",

"She Loves You", and "I Want To Hold Your Hand",

they're all No. 1.

[Brian Matthew] Well, that's marvelous! And we're all very proud of you.

The very best of luck to all of you.

-[George] Yeah. -[Brian Matthew] And we're looking

forward to seeing you back home again soon.

Yeah, thanks. Well, we'll see you, you know,

in two weeks, I suppose.

I had this throat thing,

because when you see the photographs

that they all went out and did publicity shots

in Central Park,

there's pictures of just the three of them

with the New York skyline behind them.

-[John, Paul, Ringo] Yeah! -[camera shutter clicking]

[Ed Sullivan] Now, yesterday and today, our theater's been jammed

with newspapermen and hundreds of photographers

from all over the nation, and these veterans agree with me

that the city never has witnessed

the excitement stirred by these youngsters

from Liverpool, who call themselves The Beatles.

Now tonight, you're gonna twice be entertained by them...

right now, and again in the second half of our show.

Ladies and gentlemen, The Beatles! Bring 'em on out!

[audience cheering]

Hey! One, two, three, four, five...

-[♪ "All My Loving" playing] -♪ Close your eyes ♪

♪ And I'll kiss you ♪

♪ Tomorrow I'll miss you ♪

♪ Remember I'll always be true ♪

Hey!

♪ And then while I'm away I'll write home every day ♪

♪ And I'll send all my loving to you ♪

♪ I'll pretend that I'm kissing the lips I am missing ♪

♪ And hope that my dreams will come true ♪

♪ And then while I'm away I'll write home every day ♪

♪ And I'll send all my loving to you ♪

♪ All my loving I will send to you ♪

♪ All my loving, darling, I'll be true ♪

Hey! Hey! Whoa, hey!

Hey, hey, hah!

Yeah!

♪ Close your eyes and I'll kiss you ♪

♪ Tomorrow I'll miss you ♪

♪ Remember I'll always be true ♪

♪ And then while I'm away I'll write home every day ♪

♪ And I'll send all my loving to you... ♪

[♪ music continues faintly]

[Paul] Well, it's still supposed to be

the largest viewing audience ever in the States, you know?

And the States being the biggest showbiz town ever,

it was very important, you know.

I still get people talking to me about it now.

You know, it's like "Where were you

when Kennedy was shot?"

♪ All my loving, ooh, ooh... ♪

[George] Later, they said there was the least reported

-or there was no reported crime. -[♪ music concludes]

-[audience cheering] -[George] Even the criminals

had a rest for... for, like, ten minutes

while we were on.

You know, something very nice happened

and the Beatles got a great kick out of it.

We just received a wire, they did,

from Elvis Presley and Colonel Tom Parker

wishing them a tremendous success in our country.

I think that was very, very nice.

[audience cheering]

And then we did the train ride to, uh, Washington.

[♪ "I Should Have Known Better" playing]

♪ I should've known better with a girl like you... ♪

[Ringo] And that's where we got to know

quite a few of the press guys.

And that's where they started to get friendly

and let us know that they were out there

actually to kill us. Because we shouted at them,

they loved us. [chuckles] God knows what would happen

-if we hadn't have shouted. -[♪ music concludes]

Two, four, four.

Two, four, seven.

-Two, five, one. -[man] Roger.

[indistinct chatter]

[indistinct chatter]

Hi, it's great being here in New York. Okay?

-[man] It's Washington. -[chuckles]

Oh, is that the place? I don't know, Washington.

I'm just moving so fast.

[DJ over speaker] There may be a controversy

over the Beatles' apparel and their hairdos,

but there's no debate about one thing,

they sure have got talent.

[crowd cheering]

[Ringo] The Washington gig, there was like 10,

12,000 people.

That was a hell of a lot of people

in those days that you were playing to.

Good evening, how do you do? [chuckles] How are you?

We'd like to thank everybody here in, uh, America,

Washington, America, for--

-[fans screaming, cheering] -Oh, for...

We'd like to thank... We'd like to thank everybody for, uh,

buying this particular record and starting this thing off

in America, and giving us the chance to come here

and see you all in Washington. Thank you! Song!

-One, two. -[♪ "She Loves You" playing]

♪ She loves you, yeah, yeah, yeah ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ Yeah ♪

♪ You think you've lost your love ♪

♪ Well, I saw her yesterday It's you she's thinkin' of ♪

♪ And she told me what to say She says she loves you ♪

♪ And you know that can't be bad ♪

♪ Yes, she loves you ♪

♪ And you know you should be glad ♪

♪ She said you hurt her so ♪

♪ She almost lost her mind ♪

♪ But now she says she knows ♪

♪ You're not the hurtin' kind ♪

♪ She says she loves you ♪

♪ And you know that can't be bad ♪

♪ Yes, she loves you ♪

♪ And you know you should be glad, ooh ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ With a love like that, you know you should be glad ♪

♪ You know it's up to you, I think it's only fair ♪

♪ Pride can hurt you, too ♪

♪ Apologize to her ♪

♪ Because she loves you, and you know that can't be bad ♪

♪ Yes, she loves you ♪

♪ And you know you should be glad, ooh ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ She loves you, yeah, yeah, yeah ♪

♪ With a love like that ♪

♪ You know you should be glad ♪

♪ With a love like that ♪

♪ You know you should be glad ♪

♪ With a love like that ♪

♪ You know you should be glad ♪

♪ Yeah, yeah, yeah ♪

♪ Yeah, yeah, yeah, yeah ♪

-[♪ music concludes] -[fans screaming, cheering]

[Neil Aspinall] We did that Washington show.

It was like a boxing ring...

right, with people all round.

Every song, you'd go

to a different side of the stage, right?

And, uh, so you had to move the mics all the time,

you know? And Ringo was sitting on a--

like this round thing in the middle of the stage

that his drums were on,

so he had to turn that round to face

whichever way the band were playing,

and the bloody thing got stuck!

He's gotta turn his drums round!

[Neil Aspinall] You know, so... [laughs]

...there's all this chaos going on

and whatever. But... But it was a good show.

-[Paul] All right? -[George] Hello, hello, hello.

So, yeah...

The song's called, "I Saw Her Standing There".

-One, two, three. -[fans cheering]

[♪ "I Saw Her Standing There" playing]

♪ Well, she was just seventeen ♪

♪ You know what I mean ♪

♪ And the way she looked ♪

♪ Was way beyond compare, woo! ♪

-♪ How could I dance with another? Ooh! ♪ -♪ Oh ♪

-♪ When I saw her standing there ♪ -♪ Since I saw her standing there ♪

♪ Well, she looked at me ♪

♪ And I, I could see ♪

♪ That before too long I'd fall in love with her ♪

-♪ How could I dance with another? Ooh! ♪ -♪ Oh ♪

-♪ When I saw her standing there ♪ -♪ Since I saw her standing there ♪

♪ Well, my heart went boom when I crossed that room ♪

♪ And I held her hand in mine ♪

♪ Oh, we danced through the night ♪

♪ And we held each other tight ♪

♪ And before too long I fell in love with her ♪

♪ Now I'll never dance with another ♪

-♪ Ooh ♪ -♪ Oh ♪

♪ Since I saw her standing there ♪

♪ Whoah! ♪

♪ We danced through the night ♪

♪ Yeah, and we held each other tight ♪

♪ And before too long I fell in love with her ♪

♪ Now I'll never dance with another ♪

-♪ Ooh ♪ -♪ Oh ♪

♪ Since I saw her standing there ♪

♪ Well, since I saw her standing there ♪

♪ Well, since I saw her... ♪

[Ringo] We were surrounded by the kids,

um, and with it being America,

the parents sort of went along with the kids more than they did

-in England. -[♪ music concludes]

I loved it. I absolutely loved it.

[fans screaming, cheering]

[John] We didn't think if-- whether we're that good or not.

You're gonna think you're good to-- to do

what we did, you know?

The last thing I remember was playing music in a club,

and the next minute, this.

But we never thought about it too much

because it was an ongoing thing... it was happening to us

and it was hard to see, you know.

We were just in the middle being ushered from room to room.

[Paul] Yeah, the British Embassy, it was--

there was a kind of party, you know, so, the--

so this was one of the things that was starting to happen.

Because we now were conquering America,

obviously the British Ambassador could play a role in this,

and it would be good publicity for him probably,

you know, so the, "I know 'em," you know,

um, but... but there were a lot of Hooray Henrys there,

and we'd never really met them yet.

We hadn't played many sort of Arts Balls

or Cambridge May Balls, or that kind of thing.

We'd heard about these guys who got a little bit stroppy

after a few drinks. [in RP accent] "Oh, I say, you know,

play Rachmaninoff's Piano Concerto. Ha-ha-ha!"

We were standing around saying, "Hi, it's very nice," you know,

and having a drink, and, uh, one of them came up behind me

and snipped a piece of my hair off.

-[indistinct chatter] -[Ringo] You know,

which got me angry. So I just swung round,

"What the hell do you think you're doing?"

[in RP accent] "Oh, it's okay, old chap.

We're just, you know..." Bullshit, bullshit.

[John] Some bloody animal cut Ringo's hair,

you know, in the middle of-- I walked out of that, you know,

swearing at all of 'em,

you know. I just left in the middle of it.

[interviewer] What do you have to say about that?

-[John] Really? [laughs] -[crowd laughing]

[♪ "I'll Follow The Sun" playing]

♪ One day you'll look to see... ♪

[Paul] And then we eventually, as you say, got down to Miami,

which was, well, I mean, that was just like paradise.

Because, I mean, we'd never been to anywhere

where there was palm trees.

And, uh, we took a lot of photos.

You know, we were like tourists,

and we had our Pentax cameras.

♪ I was the one ♪

♪ But tomorrow may rain so I'll follow the sun ♪

♪ And now the time has come and so, my love, I must go ♪

♪ And though I lose a friend, in the end you will know ♪

♪ Oh ♪

♪ One day you'll find ♪

♪ That I have gone ♪

♪ But tomorrow may rain so I'll follow the sun ♪

[♪ music concludes]

[Ringo] This was just the most brilliant place

I'd ever been to,

and people were lending us yachts or anything we wanted.

I mean, this family lent us their boat,

and they let me drive a 60-foot yacht.

[chuckles] You know, a speedboat,

which I proceeded to bring in to port head-on... [laughing]

[crashing sound]

...not really knowing much about driving speedboats.

[imitates speedboat] And so, you know,

they have those pretty rails on the front hanging over,

well, this was kkkrrrgg...

and just bent the... the bugger all over the place.

But they didn't seem to mind, you know. They were just happy.

[Paul] We had a great time there.

We... We stayed in a hotel

most of the time and sort of looked down

on the sand, where the kids, the fans, would write,

"I LOVE JOHN" on the sand, you know,

so you could read it from your hotel room.

I remember playing at one of the hotels,

and they always have cabarets.

[George] What's your name?

-[Paul] Which one are you? -[fans screaming]

[Ralph Renick] And now, from the stage of the Deauville Hotel,

here he is... Ed Sullivan!

[♪ "There's No Business Like Show Business" playing]

[audience cheering]

[♪ music concludes]

Thank you very, very much. Thank you.

Well, you know, it's so very nice to be here.

Thank you, Ralph Renick, for that very nice intro.

And now this has happened again.

Last Sunday, on our show in New York,

the Beatles played to the greatest TV audience

that's ever been assembled in the history of American TV.

Now, tonight, here in Miami Beach,

again, the Beatles face a record-busting audience.

[audience cheering]

Ladies and gentlemen...

here are four of the nicest youngsters

we've ever had on our stage... The Beatles! Bring them on out.

[fans screaming, cheering]

[♪ "This Boy" playing]

-♪ That boy ♪ -♪ This boy ♪

♪ Took my love away ♪

♪ He'll regret it someday ♪

♪ But this boy wants you back again ♪

♪ That boy ♪

♪ Isn't good for you ♪

♪ Though he may want you too ♪

♪ This boy wants you back again ♪

-♪ Oh, and this boy ♪ -[both vocalizing]

♪ Could be happy ♪

♪ Just to love you ♪

♪ But, oh my ♪

♪ That boy won't be happy ♪

-♪ Till he's seen you cry ♪ -[crowd cheering]

Excuse the mess, won't you? Packing.

-Well, come on, then. -[George] Hang on.

-[Paul] Come on. -[George] Hang--

[Paul] Ouch!

[George] You've got to stick everything in.

It's all sort of hanging out the edges.

[♪ music continues faintly]

[chuckling]

Huh, where's the zip?

[Ed Sullivan] These youngsters from Liverpool, England,

and their conduct over here

not only as fine professional singers,

but as a group of fine youngsters,

will leave an imprint

with everyone over here who's met 'em!

-Okay, let's go. -[crowd cheering]

[John] But nobody ever sort of made it in America,

and we were dying to be the first.

[George] A lot of people had tried and failed in America.

[Paul] We were just very confident.

Confidence was at an all-time high.

[Ringo] I felt we'd conquered America.

It was sort of an attitude we had,

"Okay, we've conquered Sweden, we've conquered France.

Yeah, so America was ours now."

[♪ "I Want To Hold Your Hand" playing]

[crowd cheering]

[fans screaming]

♪ Oh yeah, I'll tell you something ♪

♪ I think you'll understand ♪

♪ When I say that something ♪

♪ I wanna hold your hand ♪

♪ I wanna hold your hand ♪

♪ I wanna hold your hand ♪

♪ Oh, please... ♪

[interviewer] What did you most like about the trip, Ringo?

Oh, I just loved all of it, you know, especially Miami.

-[interviewer] Yeah. -The sun, you know.

I didn't know what it meant until I went over there.

[interviewer] Don't you get it up in Liverpool?

No, they... they're finished up there, you know.

-[laughs] -Cut it out.

[interviewer] Did you ever have a chance, John,

-to just get away on your own... -Yeah.

...without anybody recognizing you?

We borrowed a couple of millionaires' houses, you know.

-Well... -Well, we did!

You could afford to buy a couple

of millionaires' houses, couldn't you?

No. Not yet. Not yet.

We'd sooner borrow them. It's cheaper.

And we did a bit of water skiing. Well, sort of. And--

Yeah, we had a great time.

[interviewer] Did your wife enjoy it over there?

Uh, she loved it. Who? Who? Who?

[shushes] Don't tell them he's married. It's a secret.

[interviewer] Oh, I'm sorry. I'm sorry about that.

I didn't mean to-- What about the, uh,

taste of the fans over there? Did you find, same stuff?

-He never bit any. -[both chuckle]

Yeah. Uh--

We expected them to be very different,

-but they weren't at all. -[interviewer] Yeah.

[laughs] The... The accent was the only thing, you know.

It was the only difference. Lovely. Yeah.

Did they reckon you sang in an English accent or American one?

No, some fella said, "How come, 'cause you're from Britain,

and you still sing in an American accent?"

or something.

Funny. We'd been trying to explain it to him

-that it's a Liverpool accent. -That we are American, you know,

but he wouldn't believe us.

He kept-- Oh, it was funny.

[interviewer] I hear anyway that the four of you

are going to be millionaires by the end of the year.

-Really? Oh. -Oh, that's nice.

-Thanks. -[interviewer] Have you got time--

-I hope so! -Congratulations.

Have you... Have you got time to actually spend this money?

What money?

[♪ "A Hard Day's Night" playing]

♪ It's been a hard day's night ♪

♪ And I've been working like a dog ♪

♪ It's been a hard day's night ♪

♪ I should be sleeping like a log ♪

♪ But when I get home to you, I find the things that you do ♪

♪ Will make me feel all right... ♪

[Paul] We'd always-- You know,

I'm talking about this progression

with the Beatles from, you know,

little Stevedores and Dockers Union,

Cavern, better clubs, you know, so-and-so...

So, uh, films was one that we'd always thought--

we'd loved The Girl Can't Help It,

and we knew that in rock and roll, you could get in a film.

How do you reckon that one out?

I loved the... the pictures as a kid, you know.

I used to go a hell of a lot to the Beresford

and the Gaumont, you know, up in Liverpool.

[♪ music continues faintly]

Uh, great memories from the Saturday Morning Pictures,

uh, you know, whatever it was.

If it was a pirate movie, I would be a pirate.

You know, if it was a Western,

Saturday morning after the movie I would come home as a cowboy.

I mean, it was... was great fantasy land for me,

movies, as a kid.

Well, we were interested in films,

and what happened was, um,

Brian started talking to people, knowing of our interest...

[♪ music concludes]

...and, um, he came up with Dick Lester's name.

And, well, he did

The Running Jumping & Standing Still Film.

It's a short with Spike Milligan,

classic, little sort of comedy short,

it's about five minutes or something.

But I don't know if it's that funny now,

but it was very funny then.

-[♪ jazzy incidental music playing] -[birds chirping]

-[♪ music concludes] -So they got hold of Dick Lester,

and we... we were really pleased.

And Dick came round. He was a bit of a musician.

He could play a bit of jazz piano.

So, uh, he was even more interesting.

Um... he was American,

but he'd been working in Britain,

and he'd worked with the Goons,

so that was kind of enough for us.

And he got hold of Alun Owen, who was a Welsh, uh, playwright.

And so he was a very likable Welsh bloke,

and he came and he hung out with us for a few days,

which was great, 'cause he picked up

all the little sort of things... "He's very clean, isn't he?"

Picked up all the little sort of jokes and the sarcasm,

you know, the sort of...

the "Beatle way", the humor, you know... John's wit,

and each one of us... Ringo's laconic humor, you know.

So he picked up our characters, which was good.

[John] Normally, in pictures you do things back to front.

Like, the end, you... you make a film of that on one day,

and then the next day, you do the beginning,

but in this one, we almost did it in sequence.

So it was very exciting.

We got on a train at Marylebone Station one day,

and so the train took off, and we were in a film.

[Paul] Excuse me, have you seen

that little old man we were with?

[Paul] And there were these little girls,

schoolgirls in gymslips, who were actually models.

And we, of course, were quite fascinated with them,

-and George married one. -Sorry for disturbing you girls.

[Paul] Pattie. Pattie Boyd was one of the girls on the train.

[♪ "I Should Have Known Better" playing]

♪ So I should have realized a lot of things before ♪

♪ If this is love, you've got to give me more ♪

♪ Give me more ♪

♪ Hey, hey, hey ♪

♪ Give me more ♪

[John] For the whole of the train bit,

we're just in-- going to pieces, you know,

we were so embarrassed about it all.

It was all so romantic, with these lights

and, you know, coming to work in the limo.

I mean, the getting up early in the morning

wasn't the best thing we could do.

And, uh, especially, I mean,

the scene in Hard Day's Night where...

the one I actually got really good credit for,

was the walking on the beach. Uh, "on the beach!" [laughs]

-...by the canal... -[♪ "This Boy" instrumental playing]

...uh, with the camera and that, like, the lonely guy scene.

[Ringo] That came about because, you know,

I came directly to work,

very unprofessional, straight from a nightclub,

and, uh, I was a little hungover,

to say the least. You know, I was just so out of it. So...

we said, "Well, let's do anything!"

And, uh...

My version of it, I said, "Well, just let me walk around,

and film me."

And why I look so cold and dejected

is because I felt like shit...

[laughs] ...you know, so there's no... no acting going on there.

I just felt so bad!

I was less embarrassed than the others,

you know that? But I think John also got into the movie too.

[♪ music concludes]

-Hello. -Hello.

-Oh, wait a minute, don't say you are-- -No, I'm not.

-Oh, you are. -I'm not.

-Oh, you are. I know you are. -I'm not, no.

-Excuse me. -You look just like him.

Do I? You're the first one that's said that, ever.

Yes, you do. Look.

-No, me eyes are lighter. -Excuse me.

All right, Noddy.

-Me nose. -Oh, yes, your nose is very...

-Is it? -Well, I would have said so.

Oh, you know him better, though.

I do not. He's only a casual acquaintance.

-That's what you say. -What have you heard?

-It's all over the place. -Is it? Is it really?

Mm, but I wouldn't have it. I stuck up for you.

-I knew I could rely on you. -Thanks.

You don't look like him at all.

[John] She looks more like him than I do.

[camera shutter clicking]

[George] Alun Owen tried to write a scene

of us being harassed by the press,

which was part of our daily duty, really.

And they were saying things,

you must have seen A Hard Day's Night,

saying things like, "How did you find America?"

Turn left at Greenland.

"What do you call that hairstyle?"

Arthur.

Has success changed your life?

Yeah, I think it did, 'cause, as I say, Alun hung around with us

and, uh, was careful to... to try and put words

into our mouths that he might have heard us

speak or that he thought...

So I think he did a very good script.

[cymbal crashes]

Leave them drums alone.

[floor manager] Oh, surely I could just have a little touch.

You so much as breathe heavy on 'em, and I'm out on strike.

[floor manager] Aren't you being rather arbitrary?

There you go, hiding behind a smoke screen of bourgeois clichés.

I don't go messing about with your earphones, do I?

-Spoilsport. -[Ringo] Well?

He's very fussy about his drums, you know.

They loom large in his legend.

-What's up? -Oh, he's sulking again.

I'll show him.

[♪ "If I Fell" playing]

♪ If I fell in love with you, would you promise to be true ♪

♪ And help me understand? ♪

♪ 'Cause I've been in love before ♪

♪ And I found that love was more... ♪

[George Martin] They didn't really get totally immersed

in record production until later on,

when they stopped touring. There wasn't time.

They would dash into the studio, put down their tracks,

and they'd leave all the work really to us.

[♪ music concludes]

I mean, they were... they were incredibly busy

during those first years.

[♪ "I'm Happy Just To Dance With You" playing]

♪ Before this dance is through I think I'll love you too ♪

♪ I'm so happy when you dance with me ♪

♪ I don't wanna kiss... ♪

[George] If you look at our itinerary,

some of those years, where we--

we did, uh, maybe a tour of England, a tour of Europe,

a tour of America, two albums and about four EPs

and three singles,

and we made a movie all in the same year,

you think, "Jesus! How did we do that?"

-[♪ music concludes] -[John] Okay, ready?

Paul? They're runnin'.

A-one, two, three, four...

-[♪ "I'll Be Back" playing] -♪ You ♪

♪ If you break my heart, I'll go ♪

♪ But I'll be back again ♪

[♪ music continues faintly]

[Brian Matthew] The next few minutes are in the lap of the gods

and the hands of the Beatles, which means anything can happen.

[♪ music concludes]

We're gonna hear shorter versions of, uh...

-[John] Yes. -...songs from their film.

-[John] It's a film, yes. -[Brian Matthew] Gather round,

famous film stars.

-[John] Gather round. -[Brian Matthew] That's them.

-[Paul] Right, Brian. -[Brian Matthew] Now, look,

in my young days, when I was a lad,

they used to have actors in films

-and that. Now they... -[John] Hey, listen ...

-[Paul] It's all changed now, Brian. -[John] It's all changed now.

[Paul] They're not doing that. No actors.

[Brian Matthew] In those days, the actors used to say

their best bits were left on the cutting room floor.

-Did you find that? -[John] No.

No, no, those were the good bits in the film.

-You should have seen the rest! -[Brian Matthew] Yes?

-[John] Rubbish. -[Brian Matthew] Was it really?

-[John] Even worse, yes. -[Brian Matthew] Who was worst?

-[John] Oh, Paul. -[Brian] I see.

[Paul] I think John was about the worst.

-[John] No, it was you. -[Paul] Oh, Ringo was very good.

-[Brian Matthew] He was. -[Paul] He's a good lad, yes.

[Brian Matthew] They're saying he's a new Charlie Chaplin.

-Do you think that's right? -[Paul] New Charlie Chaplin?

[John] Oh aye, yeah. He's an old one!

We're out!

[♪ "Can't Buy Me Love" playing]

♪ Can't buy me love... ♪

I found it exciting. I... I loved it!

Because there was a lot of comedy in it,

people were saying, "Oh, you know,

they're young Marx Brothers.

I think there was nothing else to...

There'd never been a group of four people, I suppose,

doing comedy besides them.

But I think that was part of the thing,

that the Beatles were very funny.

I mean, they actually were funny.

♪ I don't care too much for money ♪

♪ For money can't buy me love... ♪

[John] Well, all of us liked the bit in the field

where we all jump about like lunatics,

because that's pure film, as the director told us.

You know, it's just pure filming,

and we could have been anybody. But we enjoy that.

♪ I don't care too much for money ♪

♪ For money can't buy me love ♪

♪ Can't buy me love ♪

♪ Everybody tells me so ♪

♪ Can't buy me love ♪

♪ No, no, no, no ♪

♪ Say you don't need no diamond rings ♪

♪ And I'll be satisfied ♪

♪ Tell me that you want the kind of things ♪

♪ That money just can't buy ♪

♪ I don't care too much for money ♪

♪ Money can't buy me love ♪

♪ Whaow! ♪

♪ Can't buy me love ♪

♪ Everybody tells me so ♪

♪ Can't buy me love ♪

♪ No, no, no, no ♪

♪ Say you don't need no diamond ring ♪

♪ And I'll be satisfied ♪

♪ Tell me that you want the kind of things ♪

♪ That money just can't buy ♪

♪ 'Cause I don't care too much for money ♪

♪ Money can't buy me love ♪

♪ Can't buy me love, love ♪

♪ Can't buy me love ♪

-[♪ music concludes] -[audience cheering]

[George] Well, John, I believe you've written a book,

and this book's called John Lennon In His Own Write, folks.

John Lennon In His Own Write, W-R-I-T-E, you see,

it's a larf. It's a larf a minute with John Lennon.

Some of you might, uh,

find it a bit difficult to understand

because, you see, it's in a sort of funny lingo.

Well, we get it, you see. It's-- It's full of larfs.

And, uh, I... I don't really know

how you could describe it, but...

[Ringo] I've never read anything like it.

You know, the stories are so funny... ha-ha!

Many little drawings which will make you laugh.

We also have the Wrestling Dog.

Once upon a tom in a far off distant land

far across the sea miles away from anyway

over the hills as the crow bark...

Ow!

...39 peoble lived miles away from anywhere

on a little island on a distant land.

When harvest time came along

all the people celebrated with a mighty feast

and dancing and that. It was Perry's...

-...for Perry was the Loud Mayor... -...job to provide...

...and Perry's great pleasure I might add...

-...a new and exciting... -...and usually it was...

...thrill and spectacular performer...

...sometimes a dwarf was used...

...this year Perry had surpassed himselve

by getting a Wrestling Dog!

But who would fight this wondrous beast?

I wouldn't for a kick-off.

Wouldn't get me fighting it, Dudley!

-[crowd laughing, cheering] -Mr. John Lennon...

But when we said you'd just written it,

have you, in fact, just done it, or did you do it a long time ago?

It's been a long time.

-Long time. -[Keith Fordyce] How long?

About 40 years or so, I think.

[Keith Fordyce] Come off it. How long ago did you write it?

No, it's a couple of years, you know. Some of it's old, some of it's new,

something borrowed, something brown.

-[laughs] -[laughs]

[Keith Fordyce] Is this, uh, the start

of a big literary career for Lennon?

I'm hoping to go straight, yes, aye.

[Keith] I mean, you've heard of "literary lions",

maybe we should have a "literary Lennon" in future.

[crowd laughing]

-[laughs] I get it! -[Keith Fordyce] You with me?

A bit slow... been away.

-[secretary] Yes, 27, 28. -Yes.

-[telephone continues ringing] -Uh, provisionally subject...

[secretary] Hello?

[woman over telephone] Yes, long distance calling

for the manager of the Beatles.

[man over telephone] What is his name?

[woman over telephone] May we have his name, please?

Their manager's name is Mr. Brian Epstein.

[woman over telephone] Brian Epsteen?

[man over telephone] Epsteen? What was the first name?

B-R-Y-A-N? B-R-I-A-N?

The manager's name is Brian Epstein.

Well, he needed someone to write a book.

He needed someone to write what was called his autobiography.

But I mean, he was only 29.

Well, then I went to Torquay with Brian...

-[♪ "No Reply" playing] -...for four days

to write this potboiler with him, A Cellarful of Noise.

And he said, on the third day,

"I've had a lovely, lovely idea, Derek.

I want you to join us." "Well," I thought,

"this is incredible. This is the idea, after all."

And I'd given up on the idea of joining them for the time being,

thinking, "If it happens, it happens."

So, uh, after about 15 years on newspapers,

I just dropped out and joined the Beatles

as his, uh, Brian's personal assistant,

and then, eventually, as their press officer.

I remember we played in Amsterdam

was when Derek first became,

-like, on tour with us. -[♪ music concludes]

It was all very exciting and wonderful,

but, uh, I think only a madman would have volunteered

-to join such a thing. -[♪ "Long Tall Sally" playing]

♪ I'm gonna tell Aunt Mary 'bout Uncle John ♪

♪ He said he had been busy but he got a lot of fun ♪

♪ Oh baby, yeah, now, baby ♪

♪ Woo-ooh-ooh, baby Some fun tonight ♪

[♪ music concludes]

We nearly didn't do that tour.

Yes, I was desperately ill. I, uh, was having my tonsils out.

[chuckles] Yeah.

George is a very loyal person, and he said,

"If Ringo's not part of the group,

well, it's not Beatles."

He said, "I don't see we should do it. I'm not gonna go."

What a guy. I never knew that.

How many Beatles does it take to change a light bulb, see?

Four. And, uh... Anyway, I-- Yeah, I really despise

the way we couldn't ever make a decision for ourselves.

It was always, like, "No. Sorry," you know.

"But Ringo must go with us."

"Sorry! We'll get a new drummer."

[♪ upbeat drum music playing]

Oh, welcome. [whistles]

-Got it! All right, Jimmy? -All right.

-Got it. -Got it, Jimmy.

-We got it. -Got it.

And it was very strange, and, uh,

you know, because I wasn't well and they'd taken Jimmy Nicols

and I thought they didn't love me anymore, you know,

and all that stuff went through my head.

[♪ "Long Tall Sally" playing]

♪ I saw Uncle John with Long Tall Sally ♪

♪ He saw Aunt Mary coming ♪

♪ And he ducked back in the alley ♪

♪ Oh baby, yeah, now, baby ♪

♪ Woo-ooh-ooh, baby ♪

♪ Some fun tonight Ow! ♪

♪ Well, Long Tall Sally's built pretty sweet ♪

♪ She's got everything that Uncle John needs ♪

♪ Oh baby, yeah, now, baby Woo-ooh-ooh, baby ♪

♪ Some fun tonight, ah! ♪

[fans cheering]

[fans cheering]

♪ Well, we're gonna have some fun tonight ♪

♪ Have some fun tonight, wooh! ♪

♪ Everything's all right ♪

♪ Have some fun tonight ♪

♪ Have some fun ♪

♪ Yeah yeah, yeah, wah! ♪

♪ We're gonna have some fun tonight ♪

♪ Have some fun tonight ♪

♪ Everything's all right ♪

♪ Have some fun tonight ♪

♪ Yeah, we'll have some fun, some fun tonight ♪

-[♪ music concludes] -[interviewer] You're on, Jimmy,

whether you'll find it difficult to take over the role of Ringo?

-Uh, no, not really. No. -[laughs]

As far as Ringo, I can never, um, I can never make up for what

Ringo is, you know. I just try my...

[interviewer] How long will you be doing this?

-Um, until next Thursday. -[interviewer] Next Thursday?

-You're sort of understudy? -Yes. Yes, I am.

[interviewer] Do you think it a great break?

-Oh, yes. Excellent. -[laughs]

[interviewer] Are the others treating you good?

-[laughs] -Marvelous.

[interviewer] How is Ringo, by the way?

Your throat is so sore. You're trying to live on jelly

and ice cream. And I was a smoker in those days,

and I was smoking the next day.

And that was pretty rough, you know. [inhales]

[♪ "I'll Be Back" playing]

♪ 'Cause I told you once before ♪

♪ Goodbye ♪

♪ But I came back again ♪

♪ I love you so ♪

♪ I'm the one who wants you ♪

♪ Yes, I'm the one who wants you ♪

♪ Oh-ho, oh-ho ♪

♪ Oh you could find better things to do ♪

♪ Than to break my heart again... ♪

Always good for a gag is John, you know.

What do you expect to do in Hong Kong? [laughs]

Well, Bob... [chuckles] Well, Bob, in Hong Kong, um,

I don't know, just sort of see what's happening.

You know, it's very different, isn't it,

from what I've ever seen before, I should imagine.

Do you think you'll get an opportunity

-to do any sightseeing? -Hope so.

♪ You could find better things to do ♪

♪ Than to break my heart again... ♪

[Paul] Hong Kong was different. It was all army personnel.

It was very funny. We'd expected all Asian people.

It was all British army personnel.

♪ I wanna go... ♪

[George] But it was all these British people.

There weren't any Chinese there at that time.

♪ You know I hate to leave you ♪

♪ Oh-ho, oh-ho, oh you... ♪

[Paul] It was a slightly sort of flat show.

As I say, it was in a smallish place.

They all sort of behaved themselves,

and they all looked like...

they looked like a "khaki" audience, you know,

it was slightly strange. But we just played.

I don't think we enjoyed the show too much.

[♪ "Any Time At All" playing]

♪ Any time at all ♪

♪ Any time at all ♪

♪ Any time at all ♪

♪ All you gotta do is call and I'll be there... ♪

[Paul] We had these capes that were disasters

when we hit Australia, and the rain hit them,

and the dye started coming out.

[Neil Aspinall] And they put the Beatles on the back of this,

you know, uh...

flatback truck, right, with umbrellas,

right, in these-- and they were wearing these...

capes, right? I was okay. I was in the cab.

The driver wouldn't go any faster.

I kept saying, "Go faster. It's pouring down."

And he'd say, "These kids have been waiting here, you know,

for 24 hours to see these guys."

Got to the hotel, and everybody was blue,

'cause the dye had soaked off these coats

that were made in Hong Kong! [chuckles]

♪ ...has faded away ♪

♪ I'll try to make it shine ♪

♪ There is nothing I won't do ♪

♪ When you need a shoulder to cry on ♪

♪ I hope it will be mine ♪

♪ Call me tonight and I'll come to you ♪

[♪ music concludes]

They played Amsterdam, Hong Kong,

and I met them in Australia.

And Australia was great, of course,

because, you know, the flight is just horrendous to Australia.

It still is. It's, you know, they may have shaved

a couple of hours off the flight,

but it's still a hell of a long way.

And I remember getting off the plane

and just feeling like a disaster area.

But Australia was fabulous. I mean, it was great being back

with the boys and back in the band.

And they'd bought me presents in Hong Kong, and, you know,

that... that was a really nice moment in the whole deal.

[fans screaming]

I'd like to say one more thing. It's very nice for all of us

to have back with us now... Ringo!

[crowd cheering]

[Paul] Two, three, four...

-[♪ "All My Loving" playing] -♪ Close your eyes and I'll kiss you ♪

♪ Tomorrow I'll miss you ♪

♪ Remember I'll always be true ♪

♪ And then while I'm away I'll write home every day ♪

♪ And I'll send all my loving to you ♪

♪ I'll pretend that I'm kissing the lips I am missing ♪

♪ And hope that my dreams will come true ♪

♪ And then while I'm away ♪

♪ I'll write home every day ♪

♪ And I'll send all my loving to you ♪

♪ All my loving I will send to you ♪

♪ All my loving, darling, I'll be true ♪

♪ Yeah! ♪

[Brian Matthew] The news from Down Under

is that when the Beatles arrived in Adelaide,

they were greeted by 300,000 fans,

which isn't surprising when you consider

that the Beatles occupy the top six placings

on the Australian chart.

It looks as though Australia is truly in the grip

of Beatlemania. Hurry home, boys!

-[crowd cheering] -[♪ music concludes]

[Paul] That was like heroes' welcome, that was.

That was the kind of thing where you'd go to the town hall

and they'd all be in the center.

We quite enjoyed all that stuff.

Could get a bit wearing, but that, that certainly wasn't.

When there was that many people, you know,

you were just flabbergasted!

[George] Yeah, shocked and stunned.

Just happy that it was-- that, you know,

"Oh, we're still popular down here, too."

Nice feeling. And everybody was saying,

"Oh, there's more people here than came to see the Queen!"

Well, I should think so. She didn't have any hit records!

[John] You know, it's funny, but there was more people

came to see us there than anywhere.

I mean, it looked like that.

I think the whole of Australia was there!

[Ringo] Well, we were on the roof of, uh...

some hotel. I don't know if it was Sydney or Adelaide,

or where it was, but it was Australia,

and there was thousands, thousands and thousands of kids.

And one of the things that stuck out

in my mind was that, uh,

or in my memory, was... there was a...

there was some guy on crutches.

I don't know why I just was focused in

on this guy at the time.

And, uh, he was shouting and getting all excited,

and I actually saw him, like, throw his crutches away,

you know, sort of like he was healed. [chuckles]

And he-- he fell right on his face.

I mean, he just fell over.

So, before we go, we'd like to say,

uh, to all of you here tonight, and to everybody

who's sort of come along to see us on this tour,

we'd like to say thank you all very much

for coming along, because it was lovely.

Thank you. Thank you very much.

-[crowd cheering] -[♪ "You Can't Do That" playing]

♪ I've got something to say that might cause you pain ♪

♪ If I catch you talking to that boy again ♪

♪ I'm gonna let you down and leave you flat ♪

♪ Because I told you before, oh, you can't do that ♪

♪ Aaah! ♪

[crowd cheering]

♪ You can't do that ♪

♪ You can't do that ♪

♪ You can't do that ♪

♪ You can't do that ♪

♪ You can't do that ♪

♪ Everybody's green ♪

♪ 'Cause I'm the one who won your love ♪

♪ But if they'd seen ♪

♪ You talking that way, they'd laugh in my face ♪

♪ So please listen to me if you wanna stay mine ♪

♪ I can't help my feelings, I go out of my mind ♪

♪ I'm gonna let you down ♪

-♪ Let you down ♪ -♪ And leave you flat ♪

♪ Gonna let you down and leave you flat ♪

♪ Because I told you before, oh, you can't do that ♪

-[crowd cheering] -[♪ music concludes]

Even though we felt, yes, we're established,

and we've conquered all these countries,

and, uh, we're selling a lot of records,

and they all love us,

you know, I don't think we--

or I didn't feel like it's still gonna go on forever.

[♪ "A Hard Day's Night" playing]

♪ It's been a hard day's night... ♪

[John] And when you first see yourself on the big screen,

you just watch yourself, you're thinking,

"Oh, look at my... Look at that ear!

Oh, look at me nose," you know.

"Look at me hair stick--" And each one of us did that.

♪ But when I get home to you ♪

♪ I find the things that you do will make me feel all right ♪

♪ You know I work all day ♪

♪ To get you money to buy you things ♪

♪ And it's worth it just to hear you say ♪

♪ You're going to give me everything ♪

♪ So why on earth should I moan? ♪

♪ 'Cause when I get you alone ♪

♪ You know I feel okay ♪

♪ When I'm home, everything seems to be right ♪

♪ When I'm home, feeling you holding me tight ♪

♪ Tight, yeah! ♪

♪ It's been a hard day's night ♪

♪ And I've been working like a dog ♪

♪ It's been a hard day's night ♪

♪ I should be sleeping like a log ♪

♪ But when I get home to you, I find the things that you do ♪

♪ Will make me feel all right, aaah! ♪

[Ringo] They're very supportive, the Liverpool people.

and they loved us getting on, you know.

I think, though, they felt we were traitors when we left.

But the, you know, the whole town was behind us.

[John] We heard that we're finished in Liverpool,

you see. And after a bit, we began to believe it.

We thought, "We don't wanna go home," you know.

"If they're gonna do that, we'll just sneak home

to our houses."

And, you know, they kept going on.

People saying, “Oh, I've been down the Cavern.

They don't like you anymore."

Of course, they're talking to people

that didn't even know us then anyway.

We went back and it was-- it was one of the best ever!

[crowd cheering]

[♪ "Things We Said Today" playing]

♪ You say you will love me if I have to go ♪

♪ You'll be thinking of me, somehow I will know ♪

♪ Someday when I'm lonely ♪

♪ Wishing you weren't so far away ♪

♪ Then I will remember things we said today ♪

♪ You say you'll be mine, girl ♪

♪ Till the end of time ♪

♪ These days such a kind girl ♪

♪ Seems so hard to find ♪

♪ Someday when we're dreaming ♪

♪ Deep in love, not a lot to say ♪

♪ Then we will remember ♪

♪ Things we said today ♪

♪ Me, I'm just the lucky kind ♪

♪ Love to hear you say that love is love ♪

♪ And though we may be blind ♪

♪ Love is here to stay ♪

♪ And that's enough ♪

♪ To make you mine, girl ♪

♪ Be the only one ♪

♪ Love me all the time, girl ♪

♪ We'll go on and on ♪

♪ Someday when we're dreaming ♪

♪ Deep in love, not a lot to say ♪

♪ Then we will remember ♪

♪ Things we said today ♪

♪ Me, I'm just the lucky kind ♪

♪ Love to hear you say ♪

♪ That love is love ♪

♪ And though we may be blind ♪

♪ Love is here to stay ♪

♪ And that's enough ♪

♪ To make you mine, girl ♪

♪ Be the only one ♪

♪ Love me all the time, girl ♪

♪ We'll go on and on ♪

♪ Someday when we're dreaming ♪

♪ Deep in love, not a lot to say ♪

♪ Then we will remember ♪

♪ Things we said today ♪

[♪ music concludes]