Original subtitles

FITZ: Last night was a bit of a surprise.

- Seems like you’re doing really well here.

- Why don’t we all have dinner? - Totally.

- You want me to have dinner with your ex-wife

and your arch-nemesis?

- You’re pregnant. - I haven’t even told Robert.

ROBERT: What did we miss?

- Excuse me for a sec.

♪

- Not used to you picking me up.

- Oh. I was awake early.

- Meaning...

you didn’t sleep.

- [scoffs]

- Anything you want to talk about?

- No. Not really.

- Does it have something to do with why you left dinner early?

Fun evening, by the way,

trying to make small talk with your ex and O’Brien.

[phones buzzing]

- Are you seeing this? - Yeah.

♪

ARCH: Renuf, what do we know? Natasha okay?

RENUF: Just get to the funeral home

as soon as you can.

♪

ARCH: Natasha, what happened here?

- Hey, stop!

[gasp and thud]

[thud and crash]

- It’s Milo.

My brother.

But it can’t be.

- It can’t be what?

- He’s dead.

He died over a year ago.

[dramatic music]

♪

[theme music]

♪

FITZ: Natasha said her brother died a year ago.

What’s that all about?

- Milo was supposedly killed in a skiing accident.

- Natasha’s been taken to hospital for X-rays.

She claims she thought Milo was an intruder.

- Did she say how the urn was broken?

Was there a struggle?

- According to her, that all happened

when she fell down the stairs and chased after him.

ARCH: She didn’t call it in right away.

See how the blood has coagulated?

RENUF: Once she realized the intruder was her brother,

she tried to help him,

but he died in her arms.

- Ah, she must have been in shock.

- So, with Natasha out of the picture,

I guess we don’t have a coroner?

- We have a backup, but I think he’s in Paris.

You seeing this?

What’s all over him?

- Is he covered in cremation dust?

- Gross.

- We should get it tested just to be sure.

- It’s everywhere.

Even in his wound.

- Yeah, it looks like someone gave him

a pretty heavy crack on the skull.

So, there were no signs of forced entry?

- No. - Right.

Natasha and Milo, they grew up in this house.

Theoretically, they know how to get in here.

- She definitely was caught off guard seeing him.

- So... what if it’s both?

What if he didn’t break in?

- And she didn’t know he was here.

- We should take a poke around.

See what we can find.

♪

Wow.

How would you feel if you lived in a house

that had a basement filled with caskets?

ARCH: Natasha grew up here.

Imagine being kids running around in a place like this.

- As creepy as it is, if you lived here, you’d be used to it.

You’d do kid things, like...

play hide-and-seek.

- This is a pretty good hiding spot.

- So, if Milo wanted to lay low...

- Wait, you don’t actually think...

- I don’t know.

[casket creaks open]

Arch...

♪

- I cannot even think of the nightmares

from sleeping in this.

- This is all Milo’s stuff.

What are these?

ARCH: Milo Bourges, Natasha’s stepbrother.

Her mother remarried when she was a kid

and Milo came with the deal.

- They’re not blood-related.

- So, Milo was dead, and then he wasn’t dead,

but now he’s very dead?

- Milo disappeared a year ago

on a heli-skiing trip in the Alps.

His body wasn’t recovered, but local authorities

ruled it an accidental death.

MARCUS: Clearly, they got that wrong.

- I ran an image search

through airport authority security footage

and got a hit for Milo.

He flew in three days ago from Zagreb via Paris

on a fake Croatian passport under the name Tom Maszk.

ARCH: A faked death? A fake passport?

- We found these stashed in the casket

that Milo was sleeping in in Natasha’s basement.

- Race cards for the horse track in Saint-Pierre

going back several months.

Looks like he was doing some research

before placing a bet.

PATTY: What are all these circles for?

MARCUS: Milo was tracking a group of horses.

Some winners, of course, but what’s weird

is that he’s been consistently tracking horses

with terrible odds.

- All this subterfuge to bet on horses?

- Doesn’t make a lot of sense.

- And there’ll be no clarity coming from the backup coroner

’cause he can’t get on a plane till tomorrow night.

- On that point, Renuf, any luck with forensics?

We need to figure out what this dust all over Milo is.

- Uh, they’re on it. Yeah.

But do we really think Natasha could kill her own brother?

MARCUS: Natasha’s one of us,

but everything about this situation

screams foul play.

ARCH: Why have you barely said a word all day?

Are you messed up by the idea that Natasha

is our prime suspect, or...?

- I don’t love it, but no, that’s not what’s going on with me.

- Mm-hm. Still thinking about how you just randomly got up

and left me at dinner with Meredith?

- I’d had too much to drink.

It was better for everyone that I just left.

- You could just tell us what the issue is.

- No, I-- no. She’s not going anywhere.

I’m not going anywhere.

I would like to speak to your supervisor, please.

FITZ: Hi. Is everything all right?

ANGIE: No, actually.

The officer isn’t letting us in to see our friend.

We have some food and a change of clothes for Natasha.

- And you are...?

- Jane. This is Angie. We’re Natasha’s friends.

Oh!

You are Arch, right?

Natasha literally talks about her all the time.

And Don?

- Fitz is fine.

JANE: Fitz.

Good. I like it.

It suits you. Strong.

ANGIE: Is Natasha in some kind of trouble?

- We can’t talk to you about that.

JANE: Well, can you please make sure

that she gets...

these?

FITZ: Ah, okay, I’m sorry I walked out on dinner,

and I’m sorry I dragged you into my weird personal stuff.

Okay?

Meredith is pregnant.

♪

NATASHA: That’s so sweet of Jane and Angie.

Why couldn’t they drop it off?

Why is there a cop outside my room?

I’m a suspect?

- The more thorough we are, the more by the book we do this,

the better it is for you in the long run.

- Who are those two, anyway?

- Jane’s...

Jane’s the best.

She graciously offered to stay at my place while I recover.

And she, uh, runs the horse racetrack.

She’s nice enough, but a little clingy.

Who is going to examine Milo’s body?

- We are working on it.

- There are a lot of questions around Milo.

He was your stepbrother?

- Never used "step."

He’s my brother.

Milo came into my life when I was little,

so he’s the only...

sibling I have.

We mourned his passing, so when I saw him last night,

I thought I was seeing a ghost.

[crying]

- He travelled here on a fake passport.

Do you have any idea why he faked his own death

or why he was back in Saint-Pierre?

- No.

None. I swear.

- We found evidence that tells us he was camping out

in a casket in your basement for a few days at least.

- [sighs]

You remember I told you I...

thought I was hearing sounds at night?

I thought I was going crazy!

I know how this looks, but there is...

I want to know what happened to Milo more than anyone.

[sombre music]

♪

ARCH: I have a few follow-up questions.

- Me too. Why fake your own death?

- No, Fitz, not that.

- If Milo faked his own death because he was trying

to disappear from something, then why reappear?

We figure that out, maybe we’ll have a better understanding

as to what happened to him.

- Meredith... the baby. Is it...

- Mine?

- Felt kind of tacky to ask, but, um...

the timing works out.

- Oh.

So, you guys, um...

when she came to tell you she was engaged?

- Yeah. And if I’m the father, I mean,

there’s a part of me that hopes that’s true, but...

- But if you’re not the father?

- Then O’Brien is, and well,

I don’t have to tell you what I think about that.

- I just left the guys in Forensics.

They’re trying to figure out what the dust on Milo could be.

- Great, Patty, you come with us.

I don’t wanna talk about this anymore. Come on.

FITZ: Patty, why would you fake your own death?

- I... I wouldn’t.

- No, of course you wouldn’t, ’cause you’re a normal person,

which tells us that Milo... Milo’s not so normal.

- He was running from someone?

- Right? That’s... that’s one possibility.

Another is money.

- Patty, check with Natasha’s funeral home,

the financials, life insurance,

anything that might show if Natasha benefited

from her brother’s disappearance.

- Will do. I’ve been interviewing Milo’s friends

as well to see if anyone else knew he was back.

He kind of isolated himself from them.

But Édouard Croteau

was Milo’s old boss at the tack shop.

He filed charges against Milo for theft.

Milo served jail time. There could be beef there.

- Maybe that drove Milo to return.

FITZ: All right, let’s go talk to Mr. Croteau.

Nice work, Patty.

We’ll drop you back at the station.

[tense music]

ÉDOUARD: I’m confused. So, Milo didn’t die last year?

- No. When was the last time that you saw him?

- At the trial.

Milo worked for me.

- Édouard, you had Milo charged with theft under 2,000.

It’s a bit extreme to go to trial for that amount.

ÉDOUARD: Milo stole a lot more from me,

but I only reported the 2 grand

to ensure he received the least possible sentence.

- Sorry, you’re gonna have to explain that to us.

- I didn’t want to ruin the boy’s life.

Milo and Natasha.

I was friends with their parents,

so they were like family.

When I discovered he was stealing,

I warned him to stop.

- So you wanted to scare him straight?

- Milo had the biggest heart.

I don’t know. He just lost his way.

I hoped a little jail time teach him a lesson,

turn his life around.

And not just for Milo, but for Natasha too.

Given everything she was going through.

- What was Natasha going through?

- Milo put the funeral home in debt,

stole all her savings. Eventually, she kicked him out.

- Milo was an addict?

- Gambling. I tried to help,

but at a certain point, you can lead a horse to water,

but you can’t make him drink.

- What do you make of these?

These betting slips, they were all Milo’s picks,

but not all of them were winners.

- All these horses have the same link.

They’re owned by the same couple.

Sunil and Marielle Sharma.

- Did Milo ever threaten you?

Come after you for the theft charges?

- No.

He never talked to me again.

I got the sense that he was just too ashamed.

And then we all assumed he was dead.

[tense music]

♪

MARIELLE: Well, I can just give you some cash

and then you can let the car go.

MAN: Désolée, madame .

MARIELLE: Oh, come on!

ARCH: Marielle Sharma? Police.

We need to speak to you.

- I cannot believe that jackass called you.

Listen, we are only here for part of the year.

My husband just let the car payment fall through the cracks.

- I just lost track of the accounts. I’m on it. I...

Hardly worth a visit.

- Actually, we have nothing to do with your car.

What’s your relationship with Milo Bourges?

- I think I might have seen him from the track.

I... I don’t know. Sorry, what is this about?

- It’s just that Milo was really, really interested

in your horses.

- Our horses are winners.

Just doing his homework, I’d say.

- Abalone is the odds on favourite to win

the Prix de Saint-Pierre.

- Yeah, now, if you don’t mind, I gotta figure out

a way to get my car back. Yeah? Great.

- [phone ringing] - Yeah, I’m on it.

I’m on it, babe. [into phone] Yeah, yeah.

[engine starts]

♪

PATTY: I looked into Natasha’s financials like you asked.

The funeral home was going into receivership.

Six months before Milo died on his ski trip,

he purchased a 3 million euro life insurance policy.

- You can’t be serious.

- The sole beneficiary...?

- Natasha?

FITZ: So, what, was him faking his own death

like a scam to save the funeral home?

- I just got a call from the officer

guarding Natasha’s room.

She’s escaped somehow.

- What do you mean? - She’s gone.

[dramatic music]

♪

ARCH: What are you doing here?

- I was just bringing Natasha a smoothie.

♪

- "Arch and Fitz, you’d never have let me."

♪

- Arch, we gotta go. Now!

[dramatic music]

♪

- Natasha, wait.

Put the scalpel down gently.

- And step away from your brother.

♪

NATASHA: I know how that looked.

- It looked like you were performing

an autopsy on your brother.

- I was only observing,

looking for evidence.

The scalpel was just to scrape off some dried blood.

- Anything you would have found would have been inadmissible

and you know that.

- I was just looking for answers.

- And so are we.

- It seems the funeral home was in some financial trouble

before Milo disappeared in the Alps.

- Coincidentally, Milo’s very extensive life insurance policy

paid off those debts.

Your debts.

ARCH: You also forgot to mention he went to jail for theft.

- Wow.

So, that’s where we are.

You think I killed my brother.

- What we think doesn’t matter.

What matters is the truth, and the truth is,

your brother faked his death

and you cashed a life insurance policy worth 3 million euro.

- Natasha, did you know that Milo was still alive

when you cashed that policy?

- Milo had a lot of other issues.

So, yes, maybe I suspected

that he might have orchestrated his death

to avoid facing the consequences of his actions.

- You suspected?

- I had nothing to do with whatever he was up to.

And when the investigation to his disappearance closed,

I just, I put it all behind me.

- With your debts magically gone.

- They weren’t my debts!

Milo stole from the funeral home.

I had to take out loans to buy out his share.

I have no idea what he did with the money,

but his creditors are still at my door.

So, no, not exactly a get-rich-quick scheme.

Why do you think I took on being your coroner?

For the glamour?

Milo and I, we...

we had a special bond.

I helped my mom raise him.

This hasn’t been easy for me.

Because the person I loved more than anyone else in this world

had problems that I couldn’t fix.

And believe me, I tried.

♪

ARCH: Whether she’s a part of Milo’s murder or not,

Natasha is grieving.

- Agreed. We need to look at this with fresh eyes

so we can get to the bottom of why Milo came back

and how he died.

- Forensics report is in.

The dust that was all over Milo’s body, in his socks,

shoes, everywhere, it’s limestone.

- It’s a common myth that limestone helps

decompose bodies.

- Natasha, a coroner, would know the difference.

- Mm-hm.

- Besides, why would she cover Milo in limestone

and then call us?

- The quarry.

- There’s a limestone quarry less than a kilometre

from the funeral home.

♪

[seagull calling]

[intriguing music]

♪

- Why would Milo have come here?

- I’m not sure he came willingly.

ARCH: Tire tracks.

They look new, from a car, not a truck or heavy equipment.

- This is a working quarry.

Not just anyone can drive in here.

- It’s the weekend. Someone could have snuck in.

♪

- Look.

- Patty, bag the phone, please.

- Arch, we got some blood.

Some more here.

More...

All the way down.

♪

ARCH: No splatter.

Not enough blood for an initial blow to the head.

He must have crawled out of there.

- These drag marks, what is this, like a botched attempt

to bury a body?

- Messy, unplanned.

Natasha has a cremation chamber in the funeral home.

She’s not dragging her brother’s body out here to dump him.

- Not to mention, Natasha of all people

would have checked his vitals before she left him here.

She’s innocent.

♪

MARCUS: You sure you’re okay to do this?

NATASHA: Of course, yeah.

Um, abrasions and bruising all over his body.

- Indicative of someone who was thrown into a trunk

and then dragged through a quarry.

- Two head injuries. One from the fall and...

this one, this is the one that killed him,

but not instantly.

- So, he receives multiple head contusions,

then gets left at the quarry,

but he still manages to walk to your place?

How?

- Epidural hematoma.

- The talk and die syndrome.

The victim loses consciousness

followed by a period of lucidity before death.

NATASHA: An autopsy will confirm,

but the concussion probably happened

about seven hours before his death.

- Milo made his way to the funeral home

around 5:00 AM, so we’re looking at 10:00.

- The weapon used, it’s...

it’s kind of strange.

It’s curved, it’s got all these dents along the way.

- Yeah, so, you’re getting ahead of me.

The dents, the shape of the injury,

my first guess is something like a horseshoe.

- We found horse racing forms in his bag.

- His biggest vice was betting at the track.

I imagine it’s where he spent my life savings.

He loved to go down to the stables

and check in on the horses and the jockeys.

MARCUS: Hmm.

Well, if Milo was involved with someone shady,

that’s a good place to look.

♪

[horse snorts]

- Gorgeous.

[horse snorts]

ARCH: Abalone.

I need to get in there.

WOMAN: D’accord.

- This is one of Sunil and Marielle Sharma’s horses.

[horse snorts]

♪

[camera clicks]

[horse snorts]

What are you doing here?

- Angie, right? Natasha’s friend?

- Mm-hm. I’m the club administrator.

We have a very big race here this weekend

and guests are already arriving.

You’re causing quite a disruption.

- This is a warrant to search the premises.

We have good cause to believe Milo Bourges was here

prior to his death.

FITZ: Arch?

This look like it could have been caused

by a blow to the head?

- Absolutely. If this is human blood, yes.

- This straw looks fresh.

[straw rustling]

FITZ: Oh...

♪

- Have there been any injured animals in this stall?

- If there had been,

that would have been cleaned out immediately.

- I think we’ve found our crime scene.

- Renuf, seal the perimeter.

- Yeah. Mademoiselle, s’il vous plait.

- You have to be kidding me.

FITZ: Now all we need is a murder weapon.

- I know someone who might be able to help us with that.

ARCH: You see that pattern in the wound?

It looks like it could be from a horseshoe.

- Gruesome stuff. My God.

- You must catalogue all your custom shoes.

- Of course.

- Each shoe is different.

- Ah, you’re a rider.

- Yeah, my happy place.

ÉDOUARD: Hmm.

Different horse, different needs.

Compensatory shoes improve foot flight,

while therapeutic shoeing can treat injury and disease.

- Any way that you could match this pattern

to a specific horse?

- Somewhat.

Those dents you see, they’re from mud nails.

Now, I have a few clients that use them.

- What about Abalone?

- I just fit Abalone.

Now, Abalone is a racehorse.

And recently they’ve banned mud nails in racing.

ARCH: And that pattern doesn’t match the fatal blow.

- Well, if you like, I can make a list of closer matches

and send it to the station.

- We’d appreciate that.

Okay, a horseshoe...

You know, it’s the right shape,

but it doesn’t feel like there’d be enough weight,

heaviness, to cause an injury like that.

[phone chimes]

- What do you got there?

- We gotta go to Veda’s.

♪

PATTY: I was having trouble getting into the phone

we found at the quarry, so I enlisted Veda’s help.

- It’s for sure Milo’s.

And we opened a bit of a wormhole.

- Yeah, before he faked his death,

he was transferring a load of money into a crypto wallet,

random amounts between 5,000 and 15,000 euros.

- The money he stole from Natasha and Édouard.

FITZ: For what? And to who?

VEDA: It’s an anonymous account.

We can trace where the money’s coming from,

but not who holds the account.

- Are you able to... - Hack it?

- Mm-hm. - [chuckles]

It’s possible, but it will take time.

Also, Milo was living in Croatia

while he was pretending to be dead, FYI.

- Not a bad spot to go if you want to disappear.

- He was also exchanging a load of explicit emails with a woman.

VEDA: There are pics.

Some very spicy, but...

- Do you have any with her face?

VEDA: No.

Whoever this gal is, she was supposed to meet Milo in Zagreb,

but then she ghosted him.

- Around the same time,

Milo ran out of money and the deposits stopped.

- Is there a link between the email address

with the racy photos and the crypto account?

- Uh, could be.

PATTY: The dates and times on the emails

and those on the transfers all correlate,

but there’s one more thing.

- Someone else began depositing crypto into the same account

after Milo stopped.

ARCH: Sunil Sharma.

FITZ: If Sunil was transferring all of his money

to this mystery woman, it would explain

why his car was repo-ed yesterday.

- Patty, let’s get a look at Sunil’s financials.

I wonder if Sunil’s wife is aware

of their financial situation.

- Exactly.

♪

- Someone called me to meet you...?

Why is my car in the police impound?

- Oh, we had it brought here.

And it’s not really your car anymore.

Technically, it’s the bank’s.

- I told you that that was a misunderstanding.

Why are they going through it?

- We’ll get to that.

- Have a look.

MARIELLE: These are our bank accounts.

- Not looking great, hey?

- Can you please tell me what’s going on?

- Your husband was sending money to an anonymous crypto wallet.

Do you know why?

- A crypto? I...

I’m pretty sure he doesn’t even know what that means.

- Where was he two nights ago?

- Well, he missed dinner.

Uh, but he came in around 10:00,

and he didn’t leave for the rest of the night.

[phone chimes]

- Sunil, he... - What?

He sent me a text. It was cryptic.

He said he was sorry.

- Fitz...

it reads like a suicide note.

- He’s with the horses.

[dramatic music]

ARCH: There he is!

FITZ: Oh my God...

I got his legs! Hey, come on!

ARCH: Hold him!

[dramatic music]

- I got a pulse. He’s alive.

ARCH: Sunil is still unconscious,

but he’s going to be okay.

- I still can’t believe what he did.

I have no idea what he’s been up to,

but after I saw you, I went through our records.

Everything’s gone.

All our money, it’s transferred out.

- I’m sorry this is happening to you.

- I should have known that he wasn’t being honest.

He wasn’t himself.

I found these stashed in his office.

I had never seen them before.

- What are they for?

- Seems like Sunil rented a storage unit.

I don’t know why, but...

I thought you should know about it.

Whatever you find, just leave me out of it.

[metal rattling]

- It’s women’s clothes.

- Well, it’s not Marielle’s.

Renuf, we’re gonna need the footage from that camera.

She didn’t even know about this place

until she started digging around in her husband’s stuff.

- The woman in the saucy photos Milo had.

- She wore that in...

Arch. She was also blonde.

- Ah, they’re knock-offs.

I know a good handbag when I see one.

Art is art.

Besides, my... my years in customs

taught me a thing or two about picking out the fakes.

- We’ve seen someone recently with a fake designer purse.

- Who?

- I thought I was being an ass

because something about that woman

clearly was getting on my nerves.

Maybe that was you.

- What?

- In the hospital... Jane?

- Natasha’s friend, Jane?

She was flirty, but I thought she was really nice.

- Women instinctually know a certain type of threat.

You’re probably blinded by her charms.

- Prix de Saint-Pierre , 2023.

ARCH: Look, it directly links to the crime scene.

That’s what was missing on the wall.

- So, if Jane is connected to Sunil and Milo,

and this is her stuff, does that mean Jane killed Milo?

- This locker is in Sunil’s name, so if that is the murder weapon,

it points directly at him.

- And he did try to take his life.

ARCH: But Jane... I know in my gut

she has something to do with Milo’s death.

That crypto account has to be hers.

[mysterious music]

♪

- We could go somewhere, right? We could do that.

♪

Hey.

I thought Natasha could do with some company.

You know, away from the house.

You guys find something?

Uh, what do you guys want to drink?

- What’s your relationship to Natasha’s brother?

- Not sure what you mean, Fitz.

ARCH: Before you say another word,

we know about the crypto account.

Milo was making deposits to you.

- What’s she talking about, Jane?

What deposits?

I didn’t even know you knew Milo.

- All the money Milo took from you went to Jane.

We know you were pulling the same scam with Sunil.

The same crypto account.

- Arch.

- Jane.

- I don’t need to listen to this.

[scoffs]

- Hey!

Did you have something to do with my brother’s death?

JANE: Which one?

The one he faked to get away from you, or...

♪

- You’re under arrest.

- For what charge?

- We found the storage unit with all of your knock-off crap.

- I paid for all of those products.

I have the receipts.

I bought them legally in Milan.

- Mm-hm. But here in France,

it’s very illegal to possess counterfeit goods.

So, I think we’ll do the full handcuff treatment.

Turn around.

Now.

♪

[handcuffs clinking]

FITZ: We’ll never be able to hold her with your bluff.

The whole counterfeit thing.

- Oh, it’s not a bluff.

France is home to the greatest fashion houses.

We take the sale of fake designer goods very seriously,

like five years in prison seriously.

- The plaque was wiped clean of any prints.

It’ll take a while to know if there’s any of Milo’s DNA

to prove it’s the murder weapon.

- But Veda was finally able to crack

into that anonymous crypto account.

It’s Jane’s. As is the burner email account.

- We’ve got her.

♪

ARCH: You clearly didn’t know how serious we are here

about counterfeit fashion.

JANE: Oh... [chuckles]

The likelihood of prison time is a joke.

And I’m... I’m more than happy to pay the 30,000 euro fine.

- Oh, and, uh... who are you gonna con for that cash?

We grabbed this from the security camera

outside Sunil’s locker.

ARCH: Look who it is.

Let’s be honest, I want you for a lot more

than knock-off purses.

JANE: Yeah. I had a relationship with two guys

who just thought I was delightful.

They loved sending me money.

I really don’t see the crime.

- Well, one of those men is dead,

and the other tried to commit suicide.

- Why did you ghost Milo?

After he faked his death,

you were supposed to meet him in Croatia.

- Yeah, but that wasn’t the plan, though, was it?

No, and you know what else wasn’t a part of your plan?

You didn’t expect Milo to leave the money

from the insurance policy to Natasha.

See, he felt bad that he left her in so much debt.

- Is that why you were hanging with Natasha?

Trying to find a way to get your hands on that, too?

JANE: So, you think...

Milo was mad I didn’t come meet him in Croatia?

That he came back to get me and I killed him?

- No, we think he came back to get the money

you stole from him.

- Well, even if he did, you saw the size of him.

You think I...

I bashed him over the head and dumped his body?

[laughs] Oh, God.

You’re so gullible.

Natasha told me all the details of Milo’s death.

- Yeah, you’re right. You couldn’t do it on your own.

- Exactly. And I forgot to tell you...

I have an alibi.

Yeah. I was with my friend Angie.

Oh, you met her at the hospital.

Can I go now?

- Not a chance.

ARCH: We need that alibi checked now.

- I heard the whole thing.

I’ll visit with Angie personally.

- If the alibi is legit,

we’re not gonna be able to hold her for long.

- She ruined Milo and Natasha’s lives.

Not to mention Sunil’s, and God knows who else.

- The report is back from the tests we ran on Sunil’s car.

The sand on the tires is limestone.

And the trunk is covered in Milo’s DNA.

- And I don’t know how, but I’m sure Jane

convinced Sunil to kill Milo.

- Well, you might be right,

but we’re gonna need some evidence.

- We’re just trying to understand why you did it.

Milo’s DNA, his blood,

it’s all over the trunk of your car.

Is there an explanation other than you killed him?

ARCH: Unless...

- Unless what?

- We’re not here to judge.

We know you were having an affair.

- We have the rental agreement for the storage unit

you set up for Jane.

That’s very generous of you.

FITZ: The generosity just kept coming, didn’t it?

You sent her all those payments, all that money, the emails.

- I love Jane.

With my debts, I didn’t have anything left.

I couldn’t give her what she wanted, she needed.

But I have a pretty good life insurance policy,

so I named her as the beneficiary, and...

so, that’s why I... tried to...

- There’s no need to feel shame. Jane is a pro.

You’re not the first person she conned.

We’re connecting her to a number of people

she’s defrauded all over Europe.

- Not Jane.

No.

No, you’re mistaken.

This is no con.

Jane loves me.

- Right, right.

How does Milo fit into all of this?

- Jane wanted Milo out of the picture.

She murdered him and asked you to help her move the body?

- Jane didn’t have to tell me to deal with Milo.

Okay? And then...

he tried to come into my stables

and tried to intimidate me,

tried to tell me that Jane had to pay.

So I did what had to be done.

- So, you killed Milo...

and Jane knew nothing about it?

- I wasn’t gonna tell her that I dealt with Milo.

I didn’t want to scare her away.

Jane is kind.

She’s wonderful. She...

And now because of him,

I’m never gonna be able to see her again.

♪

ARCH: Am I tunnel visioning here?

Jane for sure manipulated Sunil into murdering Milo, right?

- You might think that, I might think that,

but right now, we’ve got no evidence

linking Jane to Milo’s murder.

- She’s just playing with us all, like a cat with a mouse.

- Jane’s alibi checked out. We confirmed that with Angie.

I’ve got Renuf tailing her for the time being.

She’s made no attempt to leave the island,

go to the ferry, the airport.

- Yeah, I thought she would immediately try to leave town.

Why hasn’t she left?

We’re closing in and she’s still here.

- She’s not done.

So, what else she want?

- Milo didn’t come back to Saint-Pierre

because he was jilted.

He came back because he was onto something she was up to.

- What else was Milo digging into?

- The horses.

ARCH: You recently fit Sunil’s horse, Abalone,

with new shoes?

- I did.

- Could we look at the file, see the specifics?

- I’m not sure I want to share that information.

There could be vet reports, private medical information.

- It’s for a horse.

- And this is a murder investigation.

- The shoe was for a ligament injury,

not a defect.

ÉDOUARD: Correct.

- Milo wasn’t circling Abalone for a bet.

He was zeroing in on Jane’s next scam.

- What scam?

- Abalone is the favourite to win today.

Sunil didn’t disclose his horse’s injury.

- Which means Jane and Sunil have fixed the Prix.

♪

[announcer speaking in French]

- The race is about to start.

- We can’t arrest her?

- Not until we can prove that she’s benefitting

from a fraud.

[indistinct crowd chatter]

♪

[horse snorts]

♪

[horses whinnying]

RENUF: Abalone is red and Beaches is yellow.

- Abalone is favourite to win, but Jane knows he’s injured.

She will bet on the second best horse.

- Which is Beaches, by a long shot.

[starting bell ringing]

[tense music]

♪

- Abalone is not doing so good.

♪

[music intensifies]

♪

RENUF: I thought Beaches was supposed to win.

- She was.

[indistinct crowd chatter]

♪

- How did she know?

- Where’s my money? - Get away from me.

- No. - Ow! Get your hands off of me!

- You lied to me. - She is assaulting me!

Arrest her!

- Okay...

- You stay away from me.

- Oh, and if she doesn’t,

will you manipulate someone to murder her?

Hey, hey, hey, where do you think you’re going?

- Well, I’ve got a plane to catch.

- No, you cannot just let her leave.

No!

Okay, okay.

It was Jane’s plan.

- What was?

- We rigged the race.

I paid the jockey to hold back Beaches

so that we could split the winnings both ways.

But when I asked for my cut, she refused to hand it over.

Now, can you arrest her?

FITZ: Do you have any evidence?

Any text messages, emails,

proving this conversation happened between you both?

[scoffs]

[chuckles] No.

She insisted on no paper trail and asked that I front the cash,

so I paid the jockey.

I’m an idiot.

- So, Sunil goes down for murder, Angie for fraud.

- And Jane has kept her hands clean.

How much you want to wager she’s flying private?

[sound of airplane]

[siren wailing]

[suspenseful music]

♪

- Natasha.

- I don’t want to hear another lie out of you.

They might not have been able to arrest you for Milo’s murder,

but I know what you did.

Girlfriend...

I am going to send the worst kind of karma your way.

- Well, number one, I really am sorry you feel that way, Tash.

I really do see you as a friend.

- [scoffs] - And, and...

as a friend, I have some advice.

You really, really do need to be more careful

with who you trust, honey,

because there are some real predators out there.

[dramatic music]

♪

[indistinct crowd chatter]

FITZ: How are you doing?

NATASHA: I’ll get there.

Haven’t been hustled before, so that is humbling.

- Arch, we got her.

- Yeah, on that note, Jane has just been arrested.

And my friend graciously sent along video evidence.

FITZ: That’s gotta hurt.

- But how? For what?

MARCUS: I arranged for an unscheduled fuel stop

in England.

FITZ: She had a bunch of warrants against her there

for conning people, various other criminal activity.

- Thank you.

Thank you.

[quiet, mysterious music]

♪

[music intensifies]

♪