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These are the user uploaded subtitles that are being translated: 1 00:00:23,320 --> 00:00:24,155 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:00:24,155 --> 00:00:25,948 CAPTIONING MADE POSSIBLE BY WARNER BROS. 3 00:00:40,504 --> 00:00:41,463 [SCREECHING] 4 00:01:24,965 --> 00:01:25,883 MARIA... 5 00:01:47,196 --> 00:01:48,239 Maria: 01:47.196 --> 01:48.239 align:start 6 00:01:47,196 --> 00:01:48,239 LUIS, NO. 7 00:01:48,239 --> 00:01:48,614 Maria: 01:48.239 --> 01:48.614 align:start 8 00:01:48,239 --> 00:01:48,614 LUIS, NO. 9 00:02:07,216 --> 00:02:08,175 ■LUIS, NO, POR FAVOR! 10 00:02:12,805 --> 00:02:14,098 ■NO, DIOS MIO, NO! 11 00:02:28,487 --> 00:02:30,072 NO! 12 00:02:35,369 --> 00:02:36,287 CESAR. 13 00:02:38,622 --> 00:02:40,291 NO, DIOS MIO. 14 00:02:40,291 --> 00:02:40,541 NO, DIOS MIO. 15 00:02:40,958 --> 00:02:42,293 [SPEAKING SPANISH] 16 00:02:42,293 --> 00:02:42,793 [SPEAKING SPANISH] 17 00:02:45,045 --> 00:02:46,005 CESAR. 18 00:02:53,762 --> 00:02:54,305 POR FAVOR, CESAR, 19 00:02:54,305 --> 00:02:55,389 POR FAVOR, CESAR, 20 00:02:55,806 --> 00:02:56,307 ESCUCHA ME. 21 00:02:56,307 --> 00:02:56,682 ESCUCHA ME. 22 00:03:34,428 --> 00:03:36,347 ■ LUCKY ME TO BE BORN IN HAVANA ■ 23 00:03:36,347 --> 00:03:38,349 ■ LUCKY ME TO BE BORN IN HAVANA ■ 24 00:03:39,058 --> 00:03:40,351 ■ AND THERE I BECAME A SINGER OF SONGS ■ 25 00:03:40,351 --> 00:03:41,977 ■ AND THERE I BECAME A SINGER OF SONGS ■ 26 00:03:43,729 --> 00:03:44,355 ■ FATE LED ME TO THE GREAT MAMBOLEROS ■ 27 00:03:44,355 --> 00:03:46,357 ■ FATE LED ME TO THE GREAT MAMBOLEROS ■ 28 00:03:46,357 --> 00:03:46,690 ■ FATE LED ME TO THE GREAT MAMBOLEROS ■ 29 00:03:47,107 --> 00:03:48,359 ■ IN ALL OF CUBA ■ 30 00:03:48,359 --> 00:03:49,068 ■ IN ALL OF CUBA ■ 31 00:03:49,526 --> 00:03:50,361 ■ THE TOAST OF THE TOWN ■ 32 00:03:50,361 --> 00:03:51,070 ■ THE TOAST OF THE TOWN ■ 33 00:03:52,488 --> 00:03:54,365 ■ SINGING AT THE TROPICANA ■ 34 00:03:54,365 --> 00:03:55,824 ■ SINGING AT THE TROPICANA ■ 35 00:03:56,408 --> 00:03:58,369 ■ MY FANTASIES FINALLY CAME TRUE ■ 36 00:03:58,369 --> 00:03:59,370 ■ MY FANTASIES FINALLY CAME TRUE ■ 37 00:04:00,996 --> 00:04:02,373 ■ IMAGINE GOING TO NEW YORK ■ 38 00:04:02,373 --> 00:04:04,083 ■ IMAGINE GOING TO NEW YORK ■ 39 00:04:04,541 --> 00:04:06,168 ■ SEEING THE GREAT ONES ■ 40 00:04:06,668 --> 00:04:08,003 ■ FILL MY HEART AND SOUL ■ 41 00:04:08,462 --> 00:04:09,630 ME AND MY LITTLE BROTHER, 42 00:04:10,214 --> 00:04:10,381 WE■RE GOING TO NEW YORK, YOU KNOW, 43 00:04:10,381 --> 00:04:11,507 WE■RE GOING TO NEW YORK, YOU KNOW, 44 00:04:11,924 --> 00:04:12,383 TO MAKE AN ORCHESTRA. 45 00:04:12,383 --> 00:04:13,384 TO MAKE AN ORCHESTRA. 46 00:04:14,259 --> 00:04:14,385 BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE-- 47 00:04:14,385 --> 00:04:16,387 BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE-- 48 00:04:16,387 --> 00:04:16,553 BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE-- 49 00:04:16,929 --> 00:04:18,263 NESTOR CASTILLO. 50 00:04:20,599 --> 00:04:21,642 YEAH, WE■RE GOING TO CALL IT 51 00:04:22,059 --> 00:04:22,393 KINGS OF THE MAMBO. 52 00:04:22,393 --> 00:04:23,143 KINGS OF THE MAMBO. 53 00:04:23,685 --> 00:04:24,395 YOU KNOW, SOMETHING LIKE THAT. 54 00:04:24,395 --> 00:04:25,145 YOU KNOW, SOMETHING LIKE THAT. 55 00:04:25,771 --> 00:04:26,397 WE COULD USE A PRETTY GIRL LIKE YOU 56 00:04:26,397 --> 00:04:28,148 WE COULD USE A PRETTY GIRL LIKE YOU 57 00:04:28,649 --> 00:04:30,150 TO POSE FOR THE ALBUM COVER, 58 00:04:30,609 --> 00:04:31,902 IF YOU■D BE INTERESTED. 59 00:04:34,947 --> 00:04:36,407 WE■RE GOING TO SET NEW YORK ON FIRE, BABY. 60 00:04:36,407 --> 00:04:38,283 WE■RE GOING TO SET NEW YORK ON FIRE, BABY. 61 00:04:38,575 --> 00:04:39,410 ■ BA DA ■ 62 00:04:39,743 --> 00:04:40,411 ■ BA DA ■ 63 00:04:40,411 --> 00:04:40,536 ■ BA DA ■ 64 00:04:40,828 --> 00:04:41,537 ■ BA DA ■ 65 00:04:41,829 --> 00:04:42,413 ■ BA DA ■ 66 00:04:42,413 --> 00:04:42,704 ■ BA DA ■ 67 00:04:43,205 --> 00:04:44,415 ■ VARO, VARO, VARO, VARO ■ 68 00:04:44,415 --> 00:04:44,998 ■ VARO, VARO, VARO, VARO ■ 69 00:04:45,499 --> 00:04:46,417 ■ VARO, VARO, VARO, VARO ■ 70 00:04:46,417 --> 00:04:47,251 ■ VARO, VARO, VARO, VARO ■ 71 00:04:47,543 --> 00:04:48,419 [HUMMING] 72 00:04:48,669 --> 00:04:49,586 NO? 73 00:04:49,878 --> 00:04:50,421 [HUMMING] 74 00:04:50,421 --> 00:04:51,422 [HUMMING] 75 00:04:57,970 --> 00:04:58,429 THAT■S FOR YOU, LADY. 76 00:04:58,429 --> 00:04:59,138 THAT■S FOR YOU, LADY. 77 00:05:00,556 --> 00:05:01,432 THANKS. 78 00:05:11,024 --> 00:05:12,359 SO ARE YOU FAMOUS? 79 00:05:12,734 --> 00:05:13,652 ALL OVER CUBA. 80 00:05:14,153 --> 00:05:14,445 HEY, BROTHER, LISTEN TO THIS. 81 00:05:14,445 --> 00:05:15,446 HEY, BROTHER, LISTEN TO THIS. 82 00:05:16,405 --> 00:05:16,447 "THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS." 83 00:05:16,447 --> 00:05:18,449 "THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS." 84 00:05:18,449 --> 00:05:19,408 "THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS." 85 00:05:19,700 --> 00:05:20,451 SUCCESS. 86 00:05:20,868 --> 00:05:21,535 SUCCESS. 87 00:05:21,827 --> 00:05:22,453 SUCCESS. 88 00:05:22,453 --> 00:05:22,703 SUCCESS. 89 00:05:23,162 --> 00:05:24,413 SUCCESS. HELL WITH IT. 90 00:05:24,830 --> 00:05:25,706 "WILL WORK FOR YOU. 91 00:05:26,206 --> 00:05:26,457 "WHETHER YOU■RE RICH OR POOR, 92 00:05:26,457 --> 00:05:27,207 "WHETHER YOU■RE RICH OR POOR, 93 00:05:27,916 --> 00:05:28,459 "CHINAMAN, INDIAN, OR FROM THE PLANET MARS, 94 00:05:28,459 --> 00:05:29,710 "CHINAMAN, INDIAN, OR FROM THE PLANET MARS, 95 00:05:30,294 --> 00:05:30,461 THIS BOOK WILL CHANGE YOUR LIFE." 96 00:05:30,461 --> 00:05:31,462 THIS BOOK WILL CHANGE YOUR LIFE." 97 00:05:32,129 --> 00:05:32,463 SOMETHING TELLS ME I■M GOING TO BE SORRY 98 00:05:32,463 --> 00:05:34,214 SOMETHING TELLS ME I■M GOING TO BE SORRY 99 00:05:34,673 --> 00:05:36,216 I EVER GOT HIM THAT BOOK. 100 00:05:36,717 --> 00:05:37,718 HIS ENGLISH AIN■T SO GOOD. 101 00:05:38,260 --> 00:05:38,469 I THINK CUBAN ACCENTS ARE SEXY. 102 00:05:38,469 --> 00:05:39,720 I THINK CUBAN ACCENTS ARE SEXY. 103 00:05:40,053 --> 00:05:40,471 YOU THINK SO? 104 00:05:40,471 --> 00:05:41,472 YOU THINK SO? 105 00:05:41,763 --> 00:05:42,473 MM-HMM. 106 00:05:42,473 --> 00:05:42,806 MM-HMM. 107 00:05:45,392 --> 00:05:46,477 ■ EH, SARITA ■ 108 00:05:46,477 --> 00:05:46,768 ■ EH, SARITA ■ 109 00:05:47,186 --> 00:05:47,769 LET■S GO. COME ON. 110 00:05:48,312 --> 00:05:48,479 ■ ME LA DIO EL SEÑOR ■ 111 00:05:48,479 --> 00:05:49,229 ■ ME LA DIO EL SEÑOR ■ 112 00:05:49,688 --> 00:05:50,481 ■ EH, SARITA ■ 113 00:05:50,481 --> 00:05:51,231 ■ EH, SARITA ■ 114 00:05:53,192 --> 00:05:54,485 ■ ME LA DIO, 05:53.192 --> 05:54.485 align:start 115 00:05:53,192 --> 00:05:54,485 ME LA DIO EL SEÑOR ■ 116 00:05:54,485 --> 00:05:54,526 ■ ME LA DIO, 05:54.485 --> 05:54.526 align:start 117 00:05:54,485 --> 00:05:54,526 ME LA DIO EL SEÑOR ■ 118 00:05:55,277 --> 00:05:56,487 ■ ME LA DIO, 05:55.277 --> 05:56.487 align:start 119 00:05:55,277 --> 00:05:56,487 ME LA DIO EL SEÑOR ■ 120 00:05:56,487 --> 00:05:56,987 ■ ME LA DIO, 05:56.487 --> 05:56.987 align:start 121 00:05:56,487 --> 00:05:56,987 ME LA DIO EL SEÑOR ■ 122 00:05:57,404 --> 00:05:58,155 ■ CLARITA ■ 123 00:05:58,614 --> 00:06:00,199 ■ EH, SARITA ■ 124 00:06:00,616 --> 00:06:01,492 FORGET MARIA, KID, 125 00:06:02,242 --> 00:06:02,493 ■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK 126 00:06:02,493 --> 00:06:04,495 ■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK 127 00:06:04,495 --> 00:06:04,620 ■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK 128 00:06:05,162 --> 00:06:06,497 ARE WAITING FOR YOU RIGHT NOW! 129 00:06:06,497 --> 00:06:07,122 ARE WAITING FOR YOU RIGHT NOW! 130 00:06:07,539 --> 00:06:08,499 MOVE OVER. COME ON! 131 00:06:08,499 --> 00:06:10,375 MOVE OVER. COME ON! 132 00:06:11,043 --> 00:06:12,503 ■ ME LA DIO, 06:11.043 --> 06:12.503 align:start 133 00:06:11,043 --> 00:06:12,503 ME LA DIO ■ 134 00:06:13,462 --> 00:06:14,254 ■ LA DICHA MIA, 06:13.462 --> 06:14.254 align:start 135 00:06:13,462 --> 00:06:14,254 ME LA DIO EL SEÑOR ■ 136 00:06:14,630 --> 00:06:15,255 ■ AZUGA ■ 137 00:06:15,714 --> 00:06:16,507 ■ EH, SARITA ■ 138 00:06:16,507 --> 00:06:16,840 ■ EH, SARITA ■ 139 00:06:17,424 --> 00:06:18,509 ■ ME LA DIO EL SEÑOR... ■ 140 00:06:18,509 --> 00:06:19,092 ■ ME LA DIO EL SEÑOR... ■ 141 00:06:38,529 --> 00:06:40,531 GET YOUR PAPER HERE! 142 00:06:40,531 --> 00:06:40,989 GET YOUR PAPER HERE! 143 00:06:41,615 --> 00:06:42,533 SCHWEITZER WINS NOBEL PEACE PRIZE! 144 00:06:42,533 --> 00:06:44,409 SCHWEITZER WINS NOBEL PEACE PRIZE! 145 00:06:44,701 --> 00:06:45,327 CAROL! 146 00:06:45,827 --> 00:06:46,537 OH, IT■S SO GOOD TO SEE YOU! 147 00:06:46,537 --> 00:06:46,828 OH, IT■S SO GOOD TO SEE YOU! 148 00:06:47,120 --> 00:06:48,539 PABLO? 149 00:06:48,539 --> 00:06:48,956 PABLO? 150 00:06:49,248 --> 00:06:50,207 NESTOR! 151 00:06:53,293 --> 00:06:54,545 YOU■RE GROWN LIKE A MAN! 152 00:06:54,545 --> 00:06:54,586 YOU■RE GROWN LIKE A MAN! 153 00:06:54,878 --> 00:06:56,171 CESAR! 154 00:06:56,588 --> 00:06:57,714 GIVE ME A BIG HUG! 155 00:06:58,131 --> 00:06:58,549 GIVE ME A BIG HUG. 156 00:06:58,549 --> 00:06:59,550 GIVE ME A BIG HUG. 157 00:07:00,968 --> 00:07:02,219 ■ Y A QUERIDOS ■ 158 00:07:02,636 --> 00:07:03,303 ■ SALO MIO ■ 159 00:07:03,887 --> 00:07:04,555 ■ SE PUEDAS A LA VENDIGA ■ 160 00:07:04,555 --> 00:07:06,306 ■ SE PUEDAS A LA VENDIGA ■ 161 00:07:07,099 --> 00:07:08,559 ■ LA DICHA MIA 07:07.099 --> 07:08.559 align:start 162 00:07:07,099 --> 00:07:08,559 ME LA DIO EL SEÑOR ■ 163 00:07:08,559 --> 00:07:10,310 ■ LA DICHA MIA 07:08.559 --> 07:10.310 align:start 164 00:07:08,559 --> 00:07:10,310 ME LA DIO EL SEÑOR ■ 165 00:07:10,727 --> 00:07:12,271 ■ LA BAN ■ 166 00:07:12,938 --> 00:07:14,565 SURE, NEW YORK IS JUST WAITING FOR YOU! 167 00:07:14,565 --> 00:07:15,274 SURE, NEW YORK IS JUST WAITING FOR YOU! 168 00:07:15,816 --> 00:07:16,567 I■VE BEEN WAITING FOR YOU, BABY. 169 00:07:16,567 --> 00:07:18,569 I■VE BEEN WAITING FOR YOU, BABY. 170 00:07:20,696 --> 00:07:21,655 [RIFLEMAN 07:20.696 --> 07:21.655 align:start THEME PLAYS LOUDLY] 171 00:07:23,156 --> 00:07:23,865 ■NANDO! 172 00:07:24,283 --> 00:07:24,575 [SPEAKING SPANISH] 173 00:07:24,575 --> 00:07:25,576 [SPEAKING SPANISH] 174 00:07:29,830 --> 00:07:30,581 BLANCA, LOOK AT THAT. 175 00:07:30,581 --> 00:07:31,873 BLANCA, LOOK AT THAT. 176 00:07:32,332 --> 00:07:32,583 MAMA EMBROIDERED THAT. 177 00:07:32,583 --> 00:07:34,585 MAMA EMBROIDERED THAT. 178 00:07:35,002 --> 00:07:36,336 [SPEAKING SPANISH] 179 00:07:38,130 --> 00:07:38,589 [BANG] 180 00:07:38,589 --> 00:07:39,047 [BANG] 181 00:07:39,631 --> 00:07:40,591 COME ON, GET THE HELL OUT OF HERE. 182 00:07:40,591 --> 00:07:42,050 COME ON, GET THE HELL OUT OF HERE. 183 00:07:42,384 --> 00:07:42,593 COME ON, EH? 184 00:07:42,593 --> 00:07:43,176 COME ON, EH? 185 00:07:43,552 --> 00:07:44,177 GRACIAS. 186 00:07:44,678 --> 00:07:46,597 AY. Y ESO, ■QUE FUE? 187 00:07:46,597 --> 00:07:47,347 AY. Y ESO, ■QUE FUE? 188 00:07:47,889 --> 00:07:48,599 HOMBRE, 07:47.889 --> 07:48.599 align:start WHAT HAPPENED? 189 00:07:48,599 --> 00:07:49,057 HOMBRE, 07:48.599 --> 07:49.057 align:start WHAT HAPPENED? 190 00:07:49,349 --> 00:07:50,225 NOTHING. 191 00:07:50,642 --> 00:07:51,518 I CUT MYSELF SHAVING. 192 00:07:52,227 --> 00:07:52,603 BROTHER, YOU ARE LUCKY YOU WERE NOT KILLED. 193 00:07:52,603 --> 00:07:53,895 BROTHER, YOU ARE LUCKY YOU WERE NOT KILLED. 194 00:07:54,354 --> 00:07:54,605 WILL YOU STOP, PLEASE? 195 00:07:54,605 --> 00:07:56,023 WILL YOU STOP, PLEASE? 196 00:07:56,523 --> 00:07:56,607 HEY, CESAR, WHAT HAPPENED? 197 00:07:56,607 --> 00:07:57,524 HEY, CESAR, WHAT HAPPENED? 198 00:07:58,191 --> 00:07:58,609 THE MAN WHO OWNED THE CLUB WHERE WE PLAYED 199 00:07:58,609 --> 00:08:00,611 THE MAN WHO OWNED THE CLUB WHERE WE PLAYED 200 00:08:00,611 --> 00:08:01,987 THE MAN WHO OWNED THE CLUB WHERE WE PLAYED 201 00:08:02,446 --> 00:08:02,613 WANTED TO OWN US, TOO. 202 00:08:02,613 --> 00:08:04,156 WANTED TO OWN US, TOO. 203 00:08:04,615 --> 00:08:06,158 THEY GOT INTO A FIGHT. 204 00:08:06,700 --> 00:08:08,619 THAT■S-- THAT■S WHY WE CAME... 205 00:08:09,119 --> 00:08:10,621 Both: TO MAKE A NEW CAREER. 206 00:08:11,330 --> 00:08:12,623 NOBODY OWNS CESAR AND NESTOR CASTILLO, HUH? 207 00:08:12,623 --> 00:08:13,165 NOBODY OWNS CESAR AND NESTOR CASTILLO, HUH? 208 00:08:13,582 --> 00:08:14,625 YOU WRITE THE MUSIC 209 00:08:15,250 --> 00:08:16,627 AND LET ME WORRY ABOUT THE BUSINESS 210 00:08:17,419 --> 00:08:18,629 AND WE■RE ALL GOING TO GET RICH AND HAPPY AND FAMOUS 211 00:08:18,629 --> 00:08:19,588 AND WE■RE ALL GOING TO GET RICH AND HAPPY AND FAMOUS 212 00:08:20,047 --> 00:08:20,631 HERE IN AMERICA, RIGHT? 213 00:08:20,631 --> 00:08:21,632 HERE IN AMERICA, RIGHT? 214 00:08:22,215 --> 00:08:22,633 GET HIM OUT OF HERE 215 00:08:22,633 --> 00:08:23,258 GET HIM OUT OF HERE 216 00:08:23,884 --> 00:08:24,635 WITH THIS STUPID THING. STUPID KID. 217 00:08:24,635 --> 00:08:25,469 WITH THIS STUPID THING. STUPID KID. 218 00:08:28,138 --> 00:08:28,639 SO WHERE SHOULD WE MAKE OUR DEBUT, COUSIN? 219 00:08:28,639 --> 00:08:30,474 SO WHERE SHOULD WE MAKE OUR DEBUT, COUSIN? 220 00:08:31,224 --> 00:08:32,643 COME ON, WHAT■S THE MOST CLASSY JOINT IN TOWN? 221 00:08:32,643 --> 00:08:33,393 COME ON, WHAT■S THE MOST CLASSY JOINT IN TOWN? 222 00:08:33,810 --> 00:08:34,645 BUT WE JUST GOT HERE. 223 00:08:34,645 --> 00:08:34,770 BUT WE JUST GOT HERE. 224 00:08:35,604 --> 00:08:36,647 THE SHRIMP THAT SLEEPS GETS CARRIED AWAY BY A COCKTAIL. 225 00:08:36,647 --> 00:08:37,981 THE SHRIMP THAT SLEEPS GETS CARRIED AWAY BY A COCKTAIL. 226 00:08:38,398 --> 00:08:38,649 LET■S NOT BE STUPID. 227 00:08:38,649 --> 00:08:39,441 LET■S NOT BE STUPID. 228 00:08:40,108 --> 00:08:40,651 YOU HAVEN■T CHANGED. JUST OFF THE BOAT 229 00:08:40,651 --> 00:08:40,817 YOU HAVEN■T CHANGED. JUST OFF THE BOAT 230 00:08:41,485 --> 00:08:42,361 AND YOU THINK YOU■RE GOING TO LAND A GIG 231 00:08:42,819 --> 00:08:43,945 IN A DOWNTOWN CLUB, HUH? 232 00:08:44,696 --> 00:08:46,657 10,000 LATIN GUYS IN JERSEY PLAYING RENT PARTIES, 233 00:08:46,657 --> 00:08:47,199 10,000 LATIN GUYS IN JERSEY PLAYING RENT PARTIES, 234 00:08:47,824 --> 00:08:48,659 AND HE■S GOING TO PLAY THE PALLADIUM? 235 00:08:48,659 --> 00:08:49,618 AND HE■S GOING TO PLAY THE PALLADIUM? 236 00:08:50,202 --> 00:08:50,661 IS THAT A PLACE WHERE A GENTLEMAN 237 00:08:50,661 --> 00:08:51,495 IS THAT A PLACE WHERE A GENTLEMAN 238 00:08:51,995 --> 00:08:52,663 LIKE A DESI ARNAZ WOULD PLAY? 239 00:08:52,663 --> 00:08:53,664 LIKE A DESI ARNAZ WOULD PLAY? 240 00:08:54,039 --> 00:08:54,665 THE ONE AND ONLY. 241 00:08:55,332 --> 00:08:55,999 BLANCA AND ME, WE■RE THERE, 242 00:08:56,583 --> 00:08:56,667 DANCE A LITTLE BIT EVERY WEEKEND. 243 00:08:56,667 --> 00:08:57,167 DANCE A LITTLE BIT EVERY WEEKEND. 244 00:08:57,501 --> 00:08:58,168 THAT■S IT. 245 00:08:58,460 --> 00:08:58,669 LET■S GO. 246 00:08:58,669 --> 00:08:59,670 LET■S GO. 247 00:09:00,087 --> 00:09:00,671 NOW? WE ARE TIRED. 248 00:09:00,671 --> 00:09:01,088 NOW? WE ARE TIRED. 249 00:09:01,588 --> 00:09:02,422 YOU THINK I COME TO NEW YORK 250 00:09:03,131 --> 00:09:04,675 TO SIT WITH MY FEET IN HOT WATER ALL MY LIFE? 251 00:09:04,675 --> 00:09:05,425 TO SIT WITH MY FEET IN HOT WATER ALL MY LIFE? 252 00:09:05,926 --> 00:09:06,677 WE■RE GOING TO THE PALLADIUM. 253 00:09:06,677 --> 00:09:06,968 WE■RE GOING TO THE PALLADIUM. 254 00:09:07,427 --> 00:09:07,969 GET UP. COME ON, NESTOR. 255 00:09:08,261 --> 00:09:08,679 NANDO! 256 00:09:08,679 --> 00:09:09,429 NANDO! 257 00:09:10,138 --> 00:09:10,681 LET■S GO. 09:10.138 --> 09:10.681 align:start 258 00:09:10,138 --> 00:09:10,681 LOS REYES DEL MAMBO, 09:10.138 --> 09:10.681 align:start HUH? 259 00:09:10,681 --> 00:09:12,683 LET■S GO. 09:10.681 --> 09:12.683 align:start 260 00:09:10,681 --> 00:09:12,683 LOS REYES DEL MAMBO, 09:10.681 --> 09:12.683 align:start HUH? 261 00:09:18,772 --> 00:09:20,691 [BAND PLAYS 09:18.772 --> 09:20.691 align:start 262 00:09:18,772 --> 00:09:20,691 RAN KAN KAN] 263 00:09:54,433 --> 00:09:54,725 OH, HOW BEAUTIFUL! 264 00:09:54,725 --> 00:09:56,518 OH, HOW BEAUTIFUL! 265 00:10:02,983 --> 00:10:03,900 HI, RUSS. 266 00:10:04,276 --> 00:10:04,735 I LOVE YOUR--OH. 267 00:10:04,735 --> 00:10:05,736 I LOVE YOUR--OH. 268 00:10:09,197 --> 00:10:10,741 SO WHO■S THE BIG MILLIONAIRE OVER HERE? 269 00:10:10,741 --> 00:10:11,575 SO WHO■S THE BIG MILLIONAIRE OVER HERE? 270 00:10:12,200 --> 00:10:12,743 FERNANDO PEREZ AND HIS WIFE ISMELDA. 271 00:10:12,743 --> 00:10:13,577 FERNANDO PEREZ AND HIS WIFE ISMELDA. 272 00:10:14,119 --> 00:10:14,745 BIGGEST MANAGER IN THE BUSINESS. 273 00:10:14,745 --> 00:10:14,953 BIGGEST MANAGER IN THE BUSINESS. 274 00:10:15,746 --> 00:10:16,747 HE CAN TAKE YOU TO THE TOP OF 10:15.746 --> 10:16.747 align:start   275 00:10:15,746 --> 00:10:16,747 EL MUNDO MAMBO, 276 00:10:16,747 --> 00:10:18,582 HE CAN TAKE YOU TO THE TOP OF 10:16.747 --> 10:18.582 align:start   277 00:10:16,747 --> 00:10:18,582 EL MUNDO MAMBO, 278 00:10:19,040 --> 00:10:20,667 BUT HE■LL OWN YOUR SOUL. 279 00:10:21,209 --> 00:10:22,669 THAT■S CARLO RICCI NEXT TO HIM. 280 00:10:23,211 --> 00:10:24,755 HE OWNS HALF THE CLUBS IN TOWN. 281 00:10:24,755 --> 00:10:25,464 HE OWNS HALF THE CLUBS IN TOWN. 282 00:10:33,430 --> 00:10:34,765 I LOVE IT. 283 00:10:34,765 --> 00:10:35,015 I LOVE IT. 284 00:10:40,437 --> 00:10:40,771 WHO IS THAT? 285 00:10:40,771 --> 00:10:41,646 WHO IS THAT? 286 00:10:42,314 --> 00:10:42,773 MIGUEL MONTOYA, BEST ARRANGER IN THE CITY. 287 00:10:42,773 --> 00:10:44,733 MIGUEL MONTOYA, BEST ARRANGER IN THE CITY. 288 00:10:45,275 --> 00:10:46,777 WITH HIM IS HIS MOTHER EVALINA. 289 00:10:46,777 --> 00:10:46,943 WITH HIM IS HIS MOTHER EVALINA. 290 00:10:47,486 --> 00:10:48,779 SHE OWNS CLUB BABALU IN HARLEM. 291 00:10:48,779 --> 00:10:48,862 SHE OWNS CLUB BABALU IN HARLEM. 292 00:10:49,404 --> 00:10:50,781 I HEARD THEY GOT SHOT AT ONCE, 293 00:10:50,781 --> 00:10:51,615 I HEARD THEY GOT SHOT AT ONCE, 294 00:10:52,407 --> 00:10:52,783 BUT THEIR YORUBA SPIRITS TURNED THEIR BULLETS BACK. 295 00:10:52,783 --> 00:10:54,618 BUT THEIR YORUBA SPIRITS TURNED THEIR BULLETS BACK. 296 00:10:54,910 --> 00:10:55,786 SANTEROS. 297 00:10:56,411 --> 00:10:56,787 WHO■S THE KID NEXT TO HER? 298 00:10:56,787 --> 00:10:57,788 WHO■S THE KID NEXT TO HER? 299 00:10:58,413 --> 00:10:58,789 THEIR GODSON FRANKIE SUAREZ. 300 00:10:58,789 --> 00:11:00,290 THEIR GODSON FRANKIE SUAREZ. 301 00:11:00,582 --> 00:11:00,791 HELLO. 302 00:11:00,791 --> 00:11:01,625 HELLO. 303 00:11:03,376 --> 00:11:04,795 HEY, TWO OF EVERYTHING IN THIS COUNTRY, HUH? 304 00:11:04,795 --> 00:11:05,796 HEY, TWO OF EVERYTHING IN THIS COUNTRY, HUH? 305 00:11:06,087 --> 00:11:06,797 COME ON. 306 00:11:06,797 --> 00:11:06,963 COME ON. 307 00:11:07,339 --> 00:11:08,465 MY KIND OF PLACE. 308 00:11:08,924 --> 00:11:10,467 ONE FOR YOU, ONE FOR ME. 309 00:11:10,884 --> 00:11:12,052 WHERE ARE YOU GOING? 310 00:11:21,186 --> 00:11:21,812 CREEP! 311 00:11:23,480 --> 00:11:24,815 HEY! GET AWAY FROM HER, YOU ANIMAL! 312 00:11:24,815 --> 00:11:25,273 HEY! GET AWAY FROM HER, YOU ANIMAL! 313 00:11:26,983 --> 00:11:28,026 I GOT IT. 314 00:11:28,693 --> 00:11:28,819 I GOT THIS COVERED, PLEASE. THANK YOU. 315 00:11:28,819 --> 00:11:30,654 I GOT THIS COVERED, PLEASE. THANK YOU. 316 00:11:31,071 --> 00:11:32,781 I GOT IT. I GOT IT. 317 00:11:33,323 --> 00:11:34,825 I GOT THIS COVERED, NOW, PLEASE. 318 00:11:34,825 --> 00:11:34,908 I GOT THIS COVERED, NOW, PLEASE. 319 00:11:44,292 --> 00:11:44,835 YOU KNOW, YOU ARE A KNOCKOUT, BABY. 320 00:11:44,835 --> 00:11:45,961 YOU KNOW, YOU ARE A KNOCKOUT, BABY. 321 00:11:46,461 --> 00:11:46,837 I■M JUST GOING TO SIT HERE 322 00:11:46,837 --> 00:11:48,004 I■M JUST GOING TO SIT HERE 323 00:11:48,630 --> 00:11:48,839 AND BUY EVERYTHING YOU GOT TO SELL. 324 00:11:48,839 --> 00:11:50,841 AND BUY EVERYTHING YOU GOT TO SELL. 325 00:11:50,841 --> 00:11:51,341 AND BUY EVERYTHING YOU GOT TO SELL. 326 00:11:54,302 --> 00:11:54,845 THANKS, HONEY, 327 00:11:54,845 --> 00:11:55,470 THANKS, HONEY, 328 00:11:56,346 --> 00:11:56,847 BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS. 329 00:11:56,847 --> 00:11:58,849 BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS. 330 00:11:58,849 --> 00:12:00,141 BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS. 331 00:12:08,483 --> 00:12:08,859 OH, MY GOD. 332 00:12:08,859 --> 00:12:10,026 OH, MY GOD. 333 00:12:10,443 --> 00:12:10,861 OH, MY GOD. 334 00:12:10,861 --> 00:12:12,070 OH, MY GOD. 335 00:12:12,571 --> 00:12:12,863 IF SHE COOKS LIKE SHE WALKS, 336 00:12:12,863 --> 00:12:14,072 IF SHE COOKS LIKE SHE WALKS, 337 00:12:14,739 --> 00:12:14,865 BROTHER, I AM GOING TO LICK HER PLATE. 338 00:12:14,865 --> 00:12:16,867 BROTHER, I AM GOING TO LICK HER PLATE. 339 00:12:16,867 --> 00:12:17,868 BROTHER, I AM GOING TO LICK HER PLATE. 340 00:12:20,579 --> 00:12:20,871 STAY AWAY FROM HER. 341 00:12:20,871 --> 00:12:22,372 STAY AWAY FROM HER. 342 00:12:25,709 --> 00:12:26,877 ■ MAMBO QUE MAMBO 12:25.709 --> 12:26.877 align:start   343 00:12:25,709 --> 00:12:26,877 TIMBALERO ■ 344 00:12:26,877 --> 00:12:27,043 ■ MAMBO QUE MAMBO 12:26.877 --> 12:27.043 align:start   345 00:12:26,877 --> 00:12:27,043 TIMBALERO ■ 346 00:12:27,544 --> 00:12:28,295 ■ YA VA A-EMPEZAR ■ 347 00:12:29,004 --> 00:12:30,714 ■ MAMBO QUE MAMBO 12:29.004 --> 12:30.714 align:start   348 00:12:29,004 --> 00:12:30,714 TIMBALERO ■ 349 00:12:31,214 --> 00:12:32,340 ■ YA VA A-EMPEZAR ■ 350 00:12:32,716 --> 00:12:32,883 BA BA BA BA BA! 351 00:12:32,883 --> 00:12:34,843 BA BA BA BA BA! 352 00:12:35,260 --> 00:12:36,595 PA BA PA PA RA PA PA! 353 00:12:36,970 --> 00:12:38,179 BA BA BA BA BA! 354 00:12:38,889 --> 00:12:40,098 ■ MAMBO QUE MAMBO 12:38.889 --> 12:40.098 align:start   355 00:12:38,889 --> 00:12:40,098 TIMBAL-- ■ 356 00:12:40,348 --> 00:12:40,891 TITO! 357 00:12:40,891 --> 00:12:41,266 TITO! 358 00:12:41,516 --> 00:12:42,267 TITO! 359 00:12:42,601 --> 00:12:42,893 REMEMBER ME? 360 00:12:42,893 --> 00:12:43,560 REMEMBER ME? 361 00:12:43,894 --> 00:12:44,728 TROPICANA! 362 00:12:45,061 --> 00:12:46,605 IN HAVANA! 363 00:12:46,938 --> 00:12:47,939 LET ME PLAY! 364 00:12:48,189 --> 00:12:48,899 TITO! 365 00:12:49,399 --> 00:12:49,983 COME ON. COME ON. 366 00:12:50,400 --> 00:12:50,901 DON■T PUSH ME, MAN! 367 00:12:50,901 --> 00:12:51,735 DON■T PUSH ME, MAN! 368 00:12:52,068 --> 00:12:52,903 STEP OUTSIDE. 369 00:12:52,903 --> 00:12:53,904 STEP OUTSIDE. 370 00:12:54,321 --> 00:12:54,905 LET HIM UP. COME ON. 371 00:12:54,905 --> 00:12:55,864 LET HIM UP. COME ON. 372 00:12:56,197 --> 00:12:56,907 THANK YOU. 373 00:12:56,907 --> 00:12:57,073 THANK YOU. 374 00:13:00,368 --> 00:13:00,911 YEAH, YEAH! 375 00:13:00,911 --> 00:13:01,077 YEAH, YEAH! 376 00:13:01,411 --> 00:13:01,995 THANK YOU. 377 00:13:04,539 --> 00:13:04,915 LOOK AT THAT! 378 00:13:04,915 --> 00:13:05,957 LOOK AT THAT! 379 00:13:18,637 --> 00:13:18,929 HE■S MY BROTHER. HE■S MY BROTHER. 380 00:13:18,929 --> 00:13:20,347 HE■S MY BROTHER. HE■S MY BROTHER. 381 00:13:20,680 --> 00:13:20,931 MY COUSIN. 382 00:13:20,931 --> 00:13:21,264 MY COUSIN. 383 00:13:21,765 --> 00:13:22,933 HIS COUSIN. HE■S MY BROTHER. 384 00:13:22,933 --> 00:13:23,141 HIS COUSIN. HE■S MY BROTHER. 385 00:13:35,236 --> 00:13:35,946 [SPEAKING SPANISH] 386 00:14:02,847 --> 00:14:02,973 ■CABRON! 387 00:14:02,973 --> 00:14:03,515 ■CABRON! 388 00:14:32,335 --> 00:14:33,003 WHERE DID EVERYBODY GO? 389 00:14:33,003 --> 00:14:34,546 WHERE DID EVERYBODY GO? 390 00:14:37,716 --> 00:14:39,009 COME ON, GUYS. INSIDE. LET■S GO! 391 00:14:39,009 --> 00:14:39,426 COME ON, GUYS. INSIDE. LET■S GO! 392 00:14:39,718 --> 00:14:40,719 COME ON. 393 00:14:41,094 --> 00:14:42,303 IT WAS HIS FATE. 394 00:14:42,554 --> 00:14:43,013 BAH. 395 00:14:43,013 --> 00:14:43,221 BAH. 396 00:14:43,722 --> 00:14:45,015 SON OF A BITCH HAD IT COMING. 397 00:14:45,015 --> 00:14:45,932 SON OF A BITCH HAD IT COMING. 398 00:14:46,558 --> 00:14:47,017 THAT SON OF A BITCH RUINED MY NUMBER, 399 00:14:47,017 --> 00:14:47,684 THAT SON OF A BITCH RUINED MY NUMBER, 400 00:14:48,435 --> 00:14:49,019 MAYBE OUR CHANCES OF A JOB HERE WITH TITO PUENTE. 401 00:14:49,019 --> 00:14:49,728 MAYBE OUR CHANCES OF A JOB HERE WITH TITO PUENTE. 402 00:14:50,061 --> 00:14:50,937 IT■S A SHAME. 403 00:14:51,521 --> 00:14:52,230 T■s GOING ON TOUR TOMORROW ANYWAY. 404 00:14:52,897 --> 00:14:53,023 WHAT YOU SHOULD DO IS GO DOWN TO THE UNION 405 00:14:53,023 --> 00:14:53,648 WHAT YOU SHOULD DO IS GO DOWN TO THE UNION 406 00:14:53,982 --> 00:14:54,566 AND JOIN UP. 407 00:14:55,191 --> 00:14:55,942 EVERYBODY CAN JOIN THE UNION, MAN. 408 00:14:56,443 --> 00:14:57,027 WHAT YOU NEED IS A TUNESMITH 409 00:14:57,027 --> 00:14:57,235 WHAT YOU NEED IS A TUNESMITH 410 00:14:57,944 --> 00:14:59,029 TO PLAY MORE THAN A RENT PARTY IN THIS TOWN. 411 00:14:59,029 --> 00:15:00,030 TO PLAY MORE THAN A RENT PARTY IN THIS TOWN. 412 00:15:00,447 --> 00:15:01,031 I■M FRANKIE SUAREZ. 413 00:15:01,740 --> 00:15:02,157 YOU PLAY AN INSTRUMENT, FRANKIE? 414 00:15:02,574 --> 00:15:03,033 SI, LO BONGO. 415 00:15:03,033 --> 00:15:03,199 SI, LO BONGO. 416 00:15:03,658 --> 00:15:04,451 YOU PLAY LIKE YOU DANCE? 417 00:15:04,784 --> 00:15:05,035 MUCH BETTER. 418 00:15:05,035 --> 00:15:05,243 MUCH BETTER. 419 00:15:05,702 --> 00:15:06,661 I WANT TO GET TOGETHER. 420 00:15:06,995 --> 00:15:07,037 SO ALL RIGHT. 421 00:15:07,037 --> 00:15:07,662 SO ALL RIGHT. 422 00:15:08,246 --> 00:15:09,039 CESAR, REMEMBER, TOMORROW■S WORK. 423 00:15:09,748 --> 00:15:10,206 WE GOT TO BE UP WITH THE BIRDIES, HUH? 424 00:15:10,832 --> 00:15:11,041 YOU DIDN■T GET MUCH SLEEP ON THE BUS. 425 00:15:11,041 --> 00:15:11,666 YOU DIDN■T GET MUCH SLEEP ON THE BUS. 426 00:15:12,375 --> 00:15:13,043 THERE■S ENOUGH TIME TO SLEEP WHEN I■M DEAD. 427 00:15:13,418 --> 00:15:14,044 PLEASE GO AWAY. 428 00:15:14,377 --> 00:15:15,045 GOOD NIGHT. 429 00:15:15,045 --> 00:15:15,503 GOOD NIGHT. 430 00:15:16,254 --> 00:15:17,047 CESAR CASTILLO. I■M SO ENCHANTED TO HAVE MET YOU, 431 00:15:17,047 --> 00:15:17,589 CESAR CASTILLO. I■M SO ENCHANTED TO HAVE MET YOU, 432 00:15:17,964 --> 00:15:18,923 I CAN■T TELL YOU. 433 00:15:19,257 --> 00:15:20,050 LANNA LAKE. 434 00:15:20,884 --> 00:15:21,051 HONEY, YOU ARE THE CAT■S MEOW ON STAGE. 435 00:15:21,051 --> 00:15:22,218 HONEY, YOU ARE THE CAT■S MEOW ON STAGE. 436 00:15:22,677 --> 00:15:23,053 I KNOW THAT. THANK YOU. 437 00:15:23,053 --> 00:15:24,220 I KNOW THAT. THANK YOU. 438 00:15:25,013 --> 00:15:25,055 MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE. 439 00:15:25,055 --> 00:15:27,057 MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE. 440 00:15:27,057 --> 00:15:27,932 MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE. 441 00:15:28,558 --> 00:15:29,059 WE COULD USE A PRETTY GIRL LIKE YOU 442 00:15:29,059 --> 00:15:30,393 WE COULD USE A PRETTY GIRL LIKE YOU 443 00:15:30,894 --> 00:15:31,061 TO POSE FOR THE ALBUM COVER. 444 00:15:31,061 --> 00:15:31,728 TO POSE FOR THE ALBUM COVER. 445 00:15:32,395 --> 00:15:33,063 MODELING IS MY CHOSEN PROFESSION, HONEY. 446 00:15:33,063 --> 00:15:34,481 MODELING IS MY CHOSEN PROFESSION, HONEY. 447 00:15:38,943 --> 00:15:39,069 ANYWAY ALL THIS MODELING EVER GOT ME 448 00:15:39,069 --> 00:15:40,361 ANYWAY ALL THIS MODELING EVER GOT ME 449 00:15:40,945 --> 00:15:41,071 WAS A MISS TEENAGE AMERICA PAGEANT 450 00:15:41,071 --> 00:15:42,363 WAS A MISS TEENAGE AMERICA PAGEANT 451 00:15:43,031 --> 00:15:43,073 AND A SPREAD IN 15:43.031 --> 15:43.073 align:start 452 00:15:43,031 --> 00:15:43,073 SEVENTEEN MAGAZINE. 453 00:15:43,073 --> 00:15:45,075 AND A SPREAD IN 15:43.073 --> 15:45.075 align:start 454 00:15:43,073 --> 00:15:45,075 SEVENTEEN MAGAZINE. 455 00:15:45,408 --> 00:15:46,076 A SPREAD. 456 00:15:46,367 --> 00:15:47,077 [LAUGHS] 457 00:15:47,077 --> 00:15:47,285 [LAUGHS] 458 00:15:47,786 --> 00:15:48,995 IN 15:47.786 --> 15:48.995 align:start 459 00:15:47,786 --> 00:15:48,995 SEVENTEEN MAGAZINE. 460 00:15:49,245 --> 00:15:50,080 HMM. 461 00:15:50,580 --> 00:15:51,081 I WAS TICKLED PINK. 462 00:15:51,081 --> 00:15:52,123 I WAS TICKLED PINK. 463 00:15:54,042 --> 00:15:55,001 PINK. 464 00:15:55,460 --> 00:15:56,294 AND THEN I LEFT SANDUSKY 465 00:15:56,836 --> 00:15:57,087 AND I MOVED RIGHT TO NEW YORK. 466 00:15:57,087 --> 00:15:58,546 AND I MOVED RIGHT TO NEW YORK. 467 00:15:58,880 --> 00:15:59,089 BUT, HONEY, 468 00:15:59,089 --> 00:15:59,672 BUT, HONEY, 469 00:16:00,381 --> 00:16:01,091 WHAT THE JUDGES LIKED, THE MAGAZINE DIDN■T. 470 00:16:01,091 --> 00:16:01,841 WHAT THE JUDGES LIKED, THE MAGAZINE DIDN■T. 471 00:16:02,509 --> 00:16:03,093 I WAS JUST A LITTLE TOO BROAD IN THE BEAM. 472 00:16:03,093 --> 00:16:05,095 I WAS JUST A LITTLE TOO BROAD IN THE BEAM. 473 00:16:05,095 --> 00:16:06,304 I WAS JUST A LITTLE TOO BROAD IN THE BEAM. 474 00:16:07,764 --> 00:16:09,099 LUCKY FOR US I■M NOT A MAGAZINE. 475 00:16:09,099 --> 00:16:10,475 LUCKY FOR US I■M NOT A MAGAZINE. 476 00:16:10,767 --> 00:16:11,101 [LAUGHS] 477 00:16:11,101 --> 00:16:12,811 [LAUGHS] 478 00:16:13,269 --> 00:16:14,104 I PLAYED A FEW CHORUSES, 479 00:16:14,646 --> 00:16:15,105 BUT I NEVER MADE THE ROCKETTES. 480 00:16:15,105 --> 00:16:16,106 BUT I NEVER MADE THE ROCKETTES. 481 00:16:16,648 --> 00:16:17,107 I COULDN■T TAKE ALL THE CREEPS 482 00:16:17,107 --> 00:16:18,108 I COULDN■T TAKE ALL THE CREEPS 483 00:16:18,691 --> 00:16:19,109 MAKING PASSES AT ME IN THE CLUBS. 484 00:16:19,109 --> 00:16:20,819 MAKING PASSES AT ME IN THE CLUBS. 485 00:16:21,277 --> 00:16:22,112 WHEN I LANDED THIS JOB 486 00:16:22,612 --> 00:16:23,113 WITH BOUNCERS TO PROTECT ME, 487 00:16:23,113 --> 00:16:23,613 WITH BOUNCERS TO PROTECT ME, 488 00:16:24,072 --> 00:16:25,115 I THANKED MY LUCKY STARS. 489 00:16:25,657 --> 00:16:27,117 I THINK IN CUBA A GIRL LIKE YOU 490 00:16:27,117 --> 00:16:28,118 I THINK IN CUBA A GIRL LIKE YOU 491 00:16:28,743 --> 00:16:29,119 WOULD NEED AN ARMY TO PROTECT YOU. 492 00:16:29,119 --> 00:16:30,120 WOULD NEED AN ARMY TO PROTECT YOU. 493 00:16:30,787 --> 00:16:31,121 YOU KNOW, YOU SHOULDN■T COMPLAIN SO MUCH. 494 00:16:31,121 --> 00:16:32,122 YOU KNOW, YOU SHOULDN■T COMPLAIN SO MUCH. 495 00:16:32,789 --> 00:16:33,123 AND I BET YOU SAY THAT TO ALL THE GIRLS. 496 00:16:33,123 --> 00:16:34,791 AND I BET YOU SAY THAT TO ALL THE GIRLS. 497 00:16:35,333 --> 00:16:36,876 YOU■RE MY FIRST AMERICAN BEAUTY. 498 00:16:37,168 --> 00:16:37,794 REALLY? 499 00:16:38,336 --> 00:16:39,129 AND I■M THE STATUE OF LIBERTY. 500 00:16:39,129 --> 00:16:40,421 AND I■M THE STATUE OF LIBERTY. 501 00:16:53,768 --> 00:16:55,145 YOU KNOW, YOU■RE SO BEAUTIFUL, LANNA. 502 00:16:55,145 --> 00:16:56,146 YOU KNOW, YOU■RE SO BEAUTIFUL, LANNA. 503 00:16:57,814 --> 00:16:59,149 YOU■RE NOT SO BAD YOURSELF. 504 00:16:59,149 --> 00:16:59,607 YOU■RE NOT SO BAD YOURSELF. 505 00:17:15,748 --> 00:17:17,167 STATUE OF LIBERTY, HUH? 506 00:17:17,167 --> 00:17:17,709 STATUE OF LIBERTY, HUH? 507 00:17:21,212 --> 00:17:23,173 OH. 508 00:17:23,464 --> 00:17:24,799 OH, GOD. 509 00:17:25,049 --> 00:17:25,175 OHH. 510 00:17:25,175 --> 00:17:26,509 OHH. 511 00:17:35,476 --> 00:17:36,644 TE QUIERO. 512 00:17:38,521 --> 00:17:39,189 HEY, THAT■S BEAUTIFUL. 513 00:17:39,189 --> 00:17:40,398 HEY, THAT■S BEAUTIFUL. 514 00:17:40,773 --> 00:17:41,191 SAY THAT AGAIN. 515 00:17:41,191 --> 00:17:42,400 SAY THAT AGAIN. 516 00:17:42,859 --> 00:17:43,193 TE QUIERO, 17:42.859 --> 17:43.193 align:start BABY. 517 00:17:43,193 --> 00:17:44,652 TE QUIERO, 17:43.193 --> 17:44.652 align:start BABY. 518 00:17:46,112 --> 00:17:47,155 YEAH. 519 00:17:48,531 --> 00:17:49,199 HEY, AND I■LL 520 00:17:49,199 --> 00:17:49,240 HEY, AND I■LL 521 00:17:49,741 --> 00:17:51,201 "TAKE CARO" YOU, TOO, BABY. 522 00:17:51,201 --> 00:17:51,993 "TAKE CARO" YOU, TOO, BABY. 523 00:17:52,368 --> 00:17:53,203 [BOTH LAUGHING] 524 00:17:53,203 --> 00:17:53,494 [BOTH LAUGHING] 525 00:17:57,540 --> 00:17:58,291 OHH! 526 00:17:58,708 --> 00:17:59,209 I LOVE THIS COUNTRY. 527 00:17:59,209 --> 00:18:01,169 I LOVE THIS COUNTRY. 528 00:18:01,461 --> 00:18:02,629 HA HA HA! 529 00:18:24,567 --> 00:18:25,235 QUERIDA 18:24.567 --> 18:25.235 align:start MARIA, 530 00:18:25,235 --> 00:18:26,402 QUERIDA 18:25.235 --> 18:26.402 align:start MARIA, 531 00:18:27,153 --> 00:18:27,237 I THOUGHT YOU 18:27.153 --> 18:27.237 align:start   532 00:18:27,153 --> 00:18:27,237 BELIEVED IN ME... 533 00:18:27,237 --> 00:18:28,988 I THOUGHT YOU 18:27.237 --> 18:28.988 align:start   534 00:18:27,237 --> 00:18:28,988 BELIEVED IN ME... 535 00:18:29,405 --> 00:18:31,241 IN OUR LOVE. 536 00:18:31,241 --> 00:18:31,449 IN OUR LOVE. 537 00:18:31,866 --> 00:18:33,159 I WAS WRONG. 538 00:18:34,911 --> 00:18:35,245 SINCE YOU MARRIED LUIS, 539 00:18:35,245 --> 00:18:36,246 SINCE YOU MARRIED LUIS, 540 00:18:37,038 --> 00:18:37,247 THERE IS NOTHING 18:37.038 --> 18:37.247 align:start   541 00:18:37,038 --> 00:18:37,247 LEFT FOR ME IN CUBA, 542 00:18:37,247 --> 00:18:39,249 THERE IS NOTHING 18:37.247 --> 18:39.249 align:start   543 00:18:37,247 --> 00:18:39,249 LEFT FOR ME IN CUBA, 544 00:18:40,250 --> 00:18:41,251 AND SO I■VE GONE 18:40.250 --> 18:41.251 align:start 545 00:18:40,250 --> 00:18:41,251 TO AMERICA WITH CESAR. 546 00:18:41,251 --> 00:18:43,253 AND SO I■VE GONE 18:41.251 --> 18:43.253 align:start 547 00:18:41,251 --> 00:18:43,253 TO AMERICA WITH CESAR. 548 00:18:43,253 --> 00:18:43,711 AND SO I■VE GONE 18:43.253 --> 18:43.711 align:start 549 00:18:43,253 --> 00:18:43,711 TO AMERICA WITH CESAR. 550 00:18:44,420 --> 00:18:45,255 A NEW COUNTRY, 18:44.420 --> 18:45.255 align:start 551 00:18:44,420 --> 00:18:45,255 A NEW LIFE... 552 00:18:45,255 --> 00:18:47,048 A NEW COUNTRY, 18:45.255 --> 18:47.048 align:start 553 00:18:45,255 --> 00:18:47,048 A NEW LIFE... 554 00:18:47,465 --> 00:18:48,466 WITHOUT YOU. 555 00:18:49,217 --> 00:18:49,259 BUT SOMEDAY YOU WILL 18:49.217 --> 18:49.259 align:start   556 00:18:49,217 --> 00:18:49,259 HEAR MY SONG, 557 00:18:49,259 --> 00:18:51,094 BUT SOMEDAY YOU WILL 18:49.259 --> 18:51.094 align:start   558 00:18:49,259 --> 00:18:51,094 HEAR MY SONG, 559 00:18:51,803 --> 00:18:53,263 BEAUTIFUL MARIA 18:51.803 --> 18:53.263 align:start 560 00:18:51,803 --> 00:18:53,263 OF MY SOUL, 561 00:18:53,263 --> 00:18:53,972 BEAUTIFUL MARIA 18:53.263 --> 18:53.972 align:start 562 00:18:53,263 --> 00:18:53,972 OF MY SOUL, 563 00:18:54,847 --> 00:18:55,265 AND THEN YOU WILL KNOW  THAT YOU ARE MY DESTINY, 564 00:18:55,265 --> 00:18:57,267 AND THEN YOU WILL KNOW  THAT YOU ARE MY DESTINY, 565 00:18:57,267 --> 00:18:58,226 AND THEN YOU WILL KNOW  THAT YOU ARE MY DESTINY, 566 00:18:58,685 --> 00:18:59,269 AS I AM YOURS. 567 00:18:59,269 --> 00:18:59,727 AS I AM YOURS. 568 00:19:01,646 --> 00:19:03,022 [NO AUDIO] 569 00:19:41,686 --> 00:19:42,729 DON■T WORRY. 570 00:19:43,396 --> 00:19:45,315 IT■S GOING TO HAPPEN FOR US HERE, KID. 571 00:19:45,315 --> 00:19:46,566 IT■S GOING TO HAPPEN FOR US HERE, KID. 572 00:19:46,941 --> 00:19:47,317 I CAN FEEL IT. 573 00:19:47,317 --> 00:19:48,276 I CAN FEEL IT. 574 00:19:55,158 --> 00:19:55,325 IN THE NAME OF THE MAMBO AND THE RUMBA 575 00:19:55,325 --> 00:19:57,327 IN THE NAME OF THE MAMBO AND THE RUMBA 576 00:19:57,327 --> 00:19:57,618 IN THE NAME OF THE MAMBO AND THE RUMBA 577 00:19:58,036 --> 00:19:59,203 AND THE CHA-CHA-CHA. 578 00:20:01,831 --> 00:20:03,291 [BELL RINGS] 579 00:20:23,061 --> 00:20:23,353 WOULD YOU GET TO WORK? 580 00:20:23,353 --> 00:20:24,896 WOULD YOU GET TO WORK? 581 00:20:28,900 --> 00:20:29,359 [SPEAKING SPANISH] 582 00:20:29,359 --> 00:20:31,027 [SPEAKING SPANISH] 583 00:20:33,654 --> 00:20:34,405 YOU CRAZY? 584 00:20:35,114 --> 00:20:35,365 HEY, HEY! AREN■T YOU THAT 20:35.114 --> 20:35.365 align:start   585 00:20:35,114 --> 00:20:35,365 MUSICO LOCO 586 00:20:35,365 --> 00:20:36,991 HEY, HEY! AREN■T YOU THAT 20:35.365 --> 20:36.991 align:start   587 00:20:35,365 --> 00:20:36,991 MUSICO LOCO 588 00:20:37,492 --> 00:20:38,993 THAT GOT UP AT THE PALLADIUM? 589 00:20:39,619 --> 00:20:40,495 THIS IS THE GUY. TELL ME SOMETHING. 590 00:20:41,162 --> 00:20:41,371 HOW DO YOU CROSS YOUR STICKS LIKE THAT? 591 00:20:41,371 --> 00:20:42,705 HOW DO YOU CROSS YOUR STICKS LIKE THAT? 592 00:20:43,456 --> 00:20:45,375 THAT WAS SOME SHOW YOU PUT ON LAST NIGHT, MAN. 593 00:20:45,375 --> 00:20:46,376 THAT WAS SOME SHOW YOU PUT ON LAST NIGHT, MAN. 594 00:20:46,834 --> 00:20:47,377 YOU SAW MY SOLO? 595 00:20:47,377 --> 00:20:48,503 YOU SAW MY SOLO? 596 00:20:48,753 --> 00:20:49,379 SOLO? 597 00:20:49,379 --> 00:20:49,670 SOLO? 598 00:20:50,296 --> 00:20:51,381 YOU ALMOST DID THAT SOLO ON YOUR ASS, 599 00:20:51,381 --> 00:20:52,673 YOU ALMOST DID THAT SOLO ON YOUR ASS, 600 00:20:53,091 --> 00:20:53,383 BUT TITO LIKED YOU. 601 00:20:53,383 --> 00:20:54,133 BUT TITO LIKED YOU. 602 00:20:54,634 --> 00:20:55,385 THEY WERE AT THE PALLADIUM. 603 00:20:55,385 --> 00:20:55,676 THEY WERE AT THE PALLADIUM. 604 00:20:56,260 --> 00:20:57,387 ANYWAY, I■M PITO. THIS IS WILLIE. 605 00:20:57,387 --> 00:20:58,763 ANYWAY, I■M PITO. THIS IS WILLIE. 606 00:20:59,263 --> 00:20:59,389 ARE YOU FELLOWS MUSICIANS? 607 00:20:59,389 --> 00:21:00,390 ARE YOU FELLOWS MUSICIANS? 608 00:21:00,848 --> 00:21:01,391 Pito: WHO ISN■T? 609 00:21:01,391 --> 00:21:01,766 Pito: WHO ISN■T? 610 00:21:02,433 --> 00:21:03,393 LET■S SHOW THEM HOW WE WARM UP OVER HERE. 611 00:21:03,393 --> 00:21:03,726 LET■S SHOW THEM HOW WE WARM UP OVER HERE. 612 00:21:04,060 --> 00:21:04,769 WATCH, MAN. 613 00:21:05,144 --> 00:21:05,395 ■ DO DIN DIN DO ■ 614 00:21:05,395 --> 00:21:06,979 ■ DO DIN DIN DO ■ 615 00:21:07,480 --> 00:21:09,399 ■ BOP BOP DO BOP BOP BOP ■ 616 00:21:09,774 --> 00:21:11,401 I PLAY TIMBALAS. 617 00:21:11,818 --> 00:21:12,902 HE PLAYS THE BASS. 618 00:21:13,444 --> 00:21:15,405 THIS IS NOT THE PALLADIUM, GUYS. 619 00:21:15,405 --> 00:21:15,446 THIS IS NOT THE PALLADIUM, GUYS. 620 00:21:15,822 --> 00:21:16,948 OH, SORRY, MAN. 621 00:21:17,448 --> 00:21:19,409 DID YOU HAVE A BAND IN CUBA? 622 00:21:19,409 --> 00:21:19,951 DID YOU HAVE A BAND IN CUBA? 623 00:21:20,410 --> 00:21:21,411 YEAH, HAVANA MELODY BOYS. 624 00:21:22,078 --> 00:21:23,413 WE USED TO SLAUGHTER MORE THAN A COW. 625 00:21:23,413 --> 00:21:24,705 WE USED TO SLAUGHTER MORE THAN A COW. 626 00:21:26,499 --> 00:21:27,417 WITH A FIRST-CLASS ARRANGER, 627 00:21:27,417 --> 00:21:28,042 WITH A FIRST-CLASS ARRANGER, 628 00:21:28,543 --> 00:21:29,419 SOMEONE WHO KNOWS THE ROPES, 629 00:21:29,419 --> 00:21:29,585 SOMEONE WHO KNOWS THE ROPES, 630 00:21:30,086 --> 00:21:31,421 WE■LL SET NEW YORK ON FIRE. 631 00:21:32,255 --> 00:21:33,423 WHERE YOU GOING TO FIND AN ARRANGER LIKE THAT? 632 00:21:33,423 --> 00:21:33,714 WHERE YOU GOING TO FIND AN ARRANGER LIKE THAT? 633 00:21:34,090 --> 00:21:34,966 I■M TELLING YOU. 634 00:21:35,425 --> 00:21:36,467 HOW YOU GOING TO PAY HIM, 635 00:21:36,968 --> 00:21:37,427 WITH STEAKS AND HAMBURGERS? 636 00:21:37,427 --> 00:21:38,469 WITH STEAKS AND HAMBURGERS? 637 00:21:38,886 --> 00:21:39,429 JUST LEAVE IT TO ME. 638 00:21:39,429 --> 00:21:40,138 JUST LEAVE IT TO ME. 639 00:21:43,141 --> 00:21:43,433 YOU HAVE VERY GOOD TASTE. 640 00:21:43,433 --> 00:21:44,225 YOU HAVE VERY GOOD TASTE. 641 00:21:44,934 --> 00:21:45,435 LECUONA IS THE FINEST COMPOSER ALIVE TODAY. 642 00:21:45,435 --> 00:21:47,437 LECUONA IS THE FINEST COMPOSER ALIVE TODAY. 643 00:21:47,437 --> 00:21:48,062 LECUONA IS THE FINEST COMPOSER ALIVE TODAY. 644 00:21:50,314 --> 00:21:51,441 THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY. 645 00:21:51,441 --> 00:21:53,443 THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY. 646 00:21:53,443 --> 00:21:54,110 THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY. 647 00:21:54,360 --> 00:21:55,445 NAW. 648 00:21:55,445 --> 00:21:55,486 NAW. 649 00:21:55,903 --> 00:21:56,696 SO FRANKIE TELLS ME 650 00:21:57,363 --> 00:21:57,447 YOU AND YOUR BROTHER ARE VERY TALENTED, 651 00:21:57,447 --> 00:21:59,282 YOU AND YOUR BROTHER ARE VERY TALENTED, 652 00:21:59,782 --> 00:22:00,992 THAT YOU HAVE WRITTEN SONGS 653 00:22:01,367 --> 00:22:01,451 WITH A NEW SOUND. 654 00:22:01,451 --> 00:22:03,327 WITH A NEW SOUND. 655 00:22:03,953 --> 00:22:05,329 WE GOT SO MANY, THEY FILL A SUITCASE. 656 00:22:05,913 --> 00:22:07,457 AND YOU■VE JUST COME FROM HAVANA, 657 00:22:07,457 --> 00:22:07,498 AND YOU■VE JUST COME FROM HAVANA, 658 00:22:08,040 --> 00:22:09,208 WHERE YOU PLAYED IN SOME CLUBS? 659 00:22:09,834 --> 00:22:11,294 YES. OUR LAST JOB WAS AT THE TROPICANA 660 00:22:11,627 --> 00:22:12,211 IN HAVANA. 661 00:22:12,837 --> 00:22:13,463 AH, WE PLAYED ALL THE CLUBS IN CUBA, 662 00:22:13,463 --> 00:22:15,465 AH, WE PLAYED ALL THE CLUBS IN CUBA, 663 00:22:15,840 --> 00:22:16,716 ALL THE CLUBS. 664 00:22:17,216 --> 00:22:17,467 AND YOU WOULD LIKE TO KNOW 665 00:22:17,467 --> 00:22:18,217 AND YOU WOULD LIKE TO KNOW 666 00:22:18,676 --> 00:22:19,385 IF I WOULD BE INTERESTED 667 00:22:19,927 --> 00:22:21,262 IN ARRANGING THESE SONGS, HMM? 668 00:22:21,512 --> 00:22:22,472 YES. 669 00:22:22,847 --> 00:22:23,473 YEAH. 670 00:22:23,473 --> 00:22:23,848 YEAH. 671 00:22:24,474 --> 00:22:25,349 MAMA, 22:24.474 --> 22:25.349 align:start 672 00:22:24,474 --> 00:22:25,349 ■QUE TU CREES? 673 00:22:26,058 --> 00:22:27,226 ■QUIERES OIR 22:26.058 --> 22:27.226 align:start 674 00:22:26,058 --> 00:22:27,226 TUS MUCHACHOS? 675 00:22:29,187 --> 00:22:29,479 ONE, THE SON OF CHANGO. 676 00:22:29,479 --> 00:22:31,481 ONE, THE SON OF CHANGO. 677 00:22:31,481 --> 00:22:32,315 ONE, THE SON OF CHANGO. 678 00:22:32,648 --> 00:22:33,483 THE OTHER... 679 00:22:33,483 --> 00:22:34,859 THE OTHER... 680 00:22:42,450 --> 00:22:43,493 THE SON OF IMANJA, GODDESS OF THE SEA. 681 00:22:43,493 --> 00:22:45,495 THE SON OF IMANJA, GODDESS OF THE SEA. 682 00:22:46,037 --> 00:22:47,497 FIRE AND WATER. 683 00:22:47,497 --> 00:22:48,831 FIRE AND WATER. 684 00:22:49,081 --> 00:22:49,499 YES. 685 00:22:49,499 --> 00:22:50,291 YES. 686 00:22:50,750 --> 00:22:51,501 I MUST HEAR THEM PLAY. 687 00:22:51,501 --> 00:22:53,127 I MUST HEAR THEM PLAY. 688 00:22:53,669 --> 00:22:55,505 LET■S GO DOWNSTAIRS TO MY CLUB. 689 00:22:55,505 --> 00:22:55,671 LET■S GO DOWNSTAIRS TO MY CLUB. 690 00:22:56,172 --> 00:22:57,507 YOU PLAY FOR US THERE, OK? 691 00:22:57,507 --> 00:22:58,132 YOU PLAY FOR US THERE, OK? 692 00:22:58,508 --> 00:22:59,509 YEAH. OF COURSE. 693 00:24:50,286 --> 00:24:51,412 EMPIRE BALLROOM! 694 00:24:52,079 --> 00:24:52,955 SATURDAY NIGHT, EMPIRE BALLROOM. PLEASE. 695 00:24:53,456 --> 00:24:53,623 "HAPPINESS THE AMERICAN WAY." 696 00:24:53,623 --> 00:24:54,457 "HAPPINESS THE AMERICAN WAY." 697 00:24:54,874 --> 00:24:55,625 COME TO THE EMPIRE. 698 00:24:55,625 --> 00:24:55,958 COME TO THE EMPIRE. 699 00:24:56,250 --> 00:24:57,126 ■ MAMBO ■ 700 00:24:57,710 --> 00:24:59,128 "THE DEEPEST URGE IN HUMAN NATURE 701 00:24:59,670 --> 00:25:01,631 "IS THE DESIRE TO BE IMPORTANT, 702 00:25:01,964 --> 00:25:03,049 TO BE GREAT." 703 00:25:03,341 --> 00:25:03,633 ■ MAMBO ■ 704 00:25:03,633 --> 00:25:04,425 ■ MAMBO ■ 705 00:25:05,134 --> 00:25:05,635 "THE RARE INDIVIDUAL WHO SATISFIES THIS HUNGER 706 00:25:05,635 --> 00:25:06,719 "THE RARE INDIVIDUAL WHO SATISFIES THIS HUNGER 707 00:25:07,386 --> 00:25:07,637 "WILL HOLD PEOPLE IN THE PALM OF HIS HAND, 708 00:25:07,637 --> 00:25:09,639 "WILL HOLD PEOPLE IN THE PALM OF HIS HAND, 709 00:25:09,639 --> 00:25:09,722 "WILL HOLD PEOPLE IN THE PALM OF HIS HAND, 710 00:25:10,473 --> 00:25:11,641 SO EVEN THE UNDERTAKER WILL REGRET HIS DEATH." 711 00:25:11,641 --> 00:25:11,891 SO EVEN THE UNDERTAKER WILL REGRET HIS DEATH." 712 00:25:12,350 --> 00:25:13,100 I■M GOING TO TELL YOU, 713 00:25:13,768 --> 00:25:15,603 FOR THE UNDERTAKER TO REGRET OUR DEATH, 714 00:25:16,312 --> 00:25:17,647 IT WOULD BE NICE IF HE CAME TO THE SHOW FIRST. 715 00:25:17,647 --> 00:25:17,772 IT WOULD BE NICE IF HE CAME TO THE SHOW FIRST. 716 00:25:18,147 --> 00:25:18,898 YOU KNOW? HERE. 717 00:25:19,649 --> 00:25:20,733 YOU WANT TO GIVE THESE PRETTY FLYERS TO PEOPLE? 718 00:25:21,275 --> 00:25:21,651 I■LL SHOW YOU MY DEEPEST URGE. 719 00:25:21,651 --> 00:25:22,443 I■LL SHOW YOU MY DEEPEST URGE. 720 00:25:22,943 --> 00:25:23,653 PLEASE COME FRIDAY NIGHT, OK? 721 00:25:24,028 --> 00:25:24,445 MAMBO KINGS! 722 00:25:24,862 --> 00:25:25,655 ■ MAMBO, MAMBO KING ■ 723 00:25:25,655 --> 00:25:26,280 ■ MAMBO, MAMBO KING ■ 724 00:25:26,572 --> 00:25:27,615 ■ MAMBO ■ 725 00:25:28,324 --> 00:25:29,659 PLEASE, YOU COME SEE ME, I■LL COME SEE YOU. 726 00:25:30,159 --> 00:25:30,660 OK? PLEASE. 727 00:25:34,121 --> 00:25:35,665 [WHISTLING] 728 00:25:44,757 --> 00:25:45,675 ■ DA DA ■ 729 00:25:46,092 --> 00:25:46,884 ■ DA DA DA DA... ■ 730 00:25:47,259 --> 00:25:47,677 COME ON, NESTOR. 731 00:25:47,677 --> 00:25:48,135 COME ON, NESTOR. 732 00:25:48,511 --> 00:25:49,637 COME ON, NESTOR. 733 00:25:50,054 --> 00:25:51,681 ■ DA DA DA DA DA ■ 734 00:25:51,681 --> 00:25:52,431 ■ DA DA DA DA DA ■ 735 00:25:54,892 --> 00:25:55,685 YOU ARE A MUSICIAN? 736 00:25:55,685 --> 00:25:56,394 YOU ARE A MUSICIAN? 737 00:25:59,980 --> 00:26:00,731 YEAH. 738 00:26:00,981 --> 00:26:01,691 YES. 739 00:26:01,691 --> 00:26:01,899 YES. 740 00:26:02,274 --> 00:26:03,567 I AM A MUSICIAN. 741 00:26:07,321 --> 00:26:07,697 I CAN TELL YOU ARE A GOOD MUSICIAN. 742 00:26:07,697 --> 00:26:09,699 I CAN TELL YOU ARE A GOOD MUSICIAN. 743 00:26:09,699 --> 00:26:09,824 I CAN TELL YOU ARE A GOOD MUSICIAN. 744 00:26:11,033 --> 00:26:11,701 HOW? 745 00:26:11,701 --> 00:26:11,992 HOW? 746 00:26:13,869 --> 00:26:15,705 I MEAN, THANK YOU. 747 00:26:20,960 --> 00:26:21,711 MY NAME IS NESTOR CASTILLO. 748 00:26:21,711 --> 00:26:23,045 MY NAME IS NESTOR CASTILLO. 749 00:26:23,337 --> 00:26:23,713 DELORES. 750 00:26:23,713 --> 00:26:24,714 DELORES. 751 00:26:25,047 --> 00:26:25,631 DELORES. 752 00:26:26,006 --> 00:26:27,717 DELORES FUENTES. 753 00:26:38,269 --> 00:26:39,729 AND THE SONG YOU WERE WHISTLING BEFORE? 754 00:26:39,729 --> 00:26:41,021 AND THE SONG YOU WERE WHISTLING BEFORE? 755 00:26:41,439 --> 00:26:41,731 ES UN BOLERO. 756 00:26:41,731 --> 00:26:42,815 ES UN BOLERO. 757 00:26:43,524 --> 00:26:43,733 I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT. 758 00:26:43,733 --> 00:26:45,735 I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT. 759 00:26:45,735 --> 00:26:46,736 I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT. 760 00:26:48,904 --> 00:26:49,739 IT HAS A NAME? 761 00:26:49,739 --> 00:26:50,072 IT HAS A NAME? 762 00:26:53,242 --> 00:26:53,743 BEAUTIFUL MARIA 26:53.242 --> 26:53.743 align:start 763 00:26:53,242 --> 00:26:53,743 OF MY SOUL. 764 00:26:53,743 --> 00:26:55,119 BEAUTIFUL MARIA 26:53.743 --> 26:55.119 align:start 765 00:26:53,743 --> 00:26:55,119 OF MY SOUL. 766 00:26:55,619 --> 00:26:55,745 WELL, SOMETHING LIKE THAT. 767 00:26:55,745 --> 00:26:57,121 WELL, SOMETHING LIKE THAT. 768 00:27:00,875 --> 00:27:01,751 THIS MARIA... 769 00:27:01,751 --> 00:27:02,793 THIS MARIA... 770 00:27:03,502 --> 00:27:03,753 INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG? 771 00:27:03,753 --> 00:27:05,755 INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG? 772 00:27:05,755 --> 00:27:07,757 INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG? 773 00:27:12,887 --> 00:27:13,763 IT■S JUST A NAME. 774 00:27:13,763 --> 00:27:14,722 IT■S JUST A NAME. 775 00:27:15,431 --> 00:27:15,765 MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD. 776 00:27:15,765 --> 00:27:17,767 MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD. 777 00:27:17,767 --> 00:27:18,058 MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD. 778 00:27:24,148 --> 00:27:25,775 I CLEAN HOUSE FOR A RICH MAN ON 61st. 779 00:27:25,775 --> 00:27:27,777 I CLEAN HOUSE FOR A RICH MAN ON 61st. 780 00:27:27,777 --> 00:27:27,860 I CLEAN HOUSE FOR A RICH MAN ON 61st. 781 00:27:28,360 --> 00:27:29,779 HE■S SO RICH, HE■S UNHAPPY. 782 00:27:29,779 --> 00:27:30,112 HE■S SO RICH, HE■S UNHAPPY. 783 00:27:32,198 --> 00:27:33,783 BUT HE■S ALWAYS SAYS I CAN HELP MYSELF 784 00:27:33,783 --> 00:27:34,575 BUT HE■S ALWAYS SAYS I CAN HELP MYSELF 785 00:27:34,992 --> 00:27:35,785 TO ANY OF HIS BOOKS, 786 00:27:35,785 --> 00:27:36,118 TO ANY OF HIS BOOKS, 787 00:27:36,452 --> 00:27:37,578 SO FOR LUNCH, 788 00:27:38,204 --> 00:27:39,789 I MAKE ROAST BEEF SANDWICHES AND READ. 789 00:27:39,789 --> 00:27:39,914 I MAKE ROAST BEEF SANDWICHES AND READ. 790 00:27:40,581 --> 00:27:41,791 WHAT WILL YOU DO WITH ALL THAT READING? 791 00:27:41,791 --> 00:27:43,000 WHAT WILL YOU DO WITH ALL THAT READING? 792 00:27:45,211 --> 00:27:45,795 I■M STUDYING TO BE A SCHOOL TEACHER. 793 00:27:45,795 --> 00:27:47,797 I■M STUDYING TO BE A SCHOOL TEACHER. 794 00:27:48,339 --> 00:27:49,799 I GO TO SCHOOL TWICE A WEEK... 795 00:27:49,799 --> 00:27:50,966 I GO TO SCHOOL TWICE A WEEK... 796 00:27:51,258 --> 00:27:51,801 AT NIGHT. 797 00:27:51,801 --> 00:27:52,384 AT NIGHT. 798 00:27:52,885 --> 00:27:53,803 YOU ARE VERY AMBITIOUS, NO? 799 00:27:53,803 --> 00:27:53,969 YOU ARE VERY AMBITIOUS, NO? 800 00:27:54,220 --> 00:27:55,137 YES. 801 00:27:57,515 --> 00:27:57,807 I WANT TO MAKE SOMETHING OF MYSELF. 802 00:27:57,807 --> 00:27:59,809 I WANT TO MAKE SOMETHING OF MYSELF. 803 00:27:59,809 --> 00:28:00,559 I WANT TO MAKE SOMETHING OF MYSELF. 804 00:28:04,980 --> 00:28:05,815 IS YOUR FAMILY HERE? 805 00:28:05,815 --> 00:28:06,732 IS YOUR FAMILY HERE? 806 00:28:07,107 --> 00:28:07,817 YES. MY SISTER. 807 00:28:07,817 --> 00:28:09,819 YES. MY SISTER. 808 00:28:09,819 --> 00:28:09,902 YES. MY SISTER. 809 00:28:10,361 --> 00:28:11,821 MY FATHER DIED LAST YEAR. 810 00:28:11,821 --> 00:28:12,655 MY FATHER DIED LAST YEAR. 811 00:28:13,030 --> 00:28:13,823 OH, I■M SORRY. 812 00:28:13,823 --> 00:28:14,156 OH, I■M SORRY. 813 00:28:14,532 --> 00:28:15,825 I■M VERY SORRY. 814 00:28:15,825 --> 00:28:15,950 I■M VERY SORRY. 815 00:28:23,374 --> 00:28:23,833 AND THE SONG AT THE BUS STOP? 816 00:28:23,833 --> 00:28:25,835 AND THE SONG AT THE BUS STOP? 817 00:28:26,544 --> 00:28:27,837 BEAUTIFUL MARIA 28:26.544 --> 28:27.837 align:start 818 00:28:26,544 --> 00:28:27,837 OF MY SOUL. 819 00:28:27,837 --> 00:28:28,170 BEAUTIFUL MARIA 28:27.837 --> 28:28.170 align:start 820 00:28:27,837 --> 00:28:28,170 OF MY SOUL. 821 00:28:30,965 --> 00:28:31,841 MARIA, ES TU NOVIA? 822 00:28:31,841 --> 00:28:33,092 MARIA, ES TU NOVIA? 823 00:28:33,384 --> 00:28:33,843 WELL... 824 00:28:33,843 --> 00:28:34,677 WELL... 825 00:28:35,261 --> 00:28:35,845 WE WERE GOING TO BE MARRIED, YEAH. 826 00:28:35,845 --> 00:28:37,847 WE WERE GOING TO BE MARRIED, YEAH. 827 00:28:37,847 --> 00:28:38,264 WE WERE GOING TO BE MARRIED, YEAH. 828 00:28:38,639 --> 00:28:39,849 WHAT HAPPENED? 829 00:28:39,849 --> 00:28:40,015 WHAT HAPPENED? 830 00:28:40,683 --> 00:28:41,851 SHE MARRIED THE MAN WHO OWNED THE CLUB 831 00:28:41,851 --> 00:28:42,977 SHE MARRIED THE MAN WHO OWNED THE CLUB 832 00:28:43,519 --> 00:28:43,853 WHERE MY BROTHER AND I PLAYED. 833 00:28:43,853 --> 00:28:45,855 WHERE MY BROTHER AND I PLAYED. 834 00:28:45,855 --> 00:28:46,230 WHERE MY BROTHER AND I PLAYED. 835 00:28:48,941 --> 00:28:49,650 I■M SORRY. 836 00:28:49,942 --> 00:28:51,861 IT■S OK. 837 00:29:01,120 --> 00:29:01,871 YOU KNOW, DELORES, 838 00:29:01,871 --> 00:29:01,996 YOU KNOW, DELORES, 839 00:29:02,705 --> 00:29:03,873 I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY. 840 00:29:03,873 --> 00:29:05,875 I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY. 841 00:29:05,875 --> 00:29:06,000 I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY. 842 00:29:06,292 --> 00:29:07,668 YOU SEE? 843 00:29:08,127 --> 00:29:09,503 YOU ARE AMBITIOUS, TOO. 844 00:29:09,837 --> 00:29:09,879 A LITTLE BIT. 845 00:29:09,879 --> 00:29:11,839 A LITTLE BIT. 846 00:29:18,637 --> 00:29:19,889 WHY DON■T YOU COME DANCING WITH ME FRIDAY? 847 00:29:19,889 --> 00:29:21,682 WHY DON■T YOU COME DANCING WITH ME FRIDAY? 848 00:29:22,099 --> 00:29:23,893 YOU CAN SEE US PLAY. 849 00:29:40,659 --> 00:29:41,869 HOW ARE YOU? 850 00:29:42,202 --> 00:29:43,704 HOW ARE YOU? 851 00:29:44,038 --> 00:29:45,789 I LOVE YOU. 852 00:30:15,986 --> 00:30:16,779 YEAH! 853 00:30:17,071 --> 00:30:17,947 COME ON! 854 00:30:17,947 --> 00:30:18,030 COME ON! 855 00:30:46,600 --> 00:30:47,935 WHICH ONE IS HE? 856 00:30:56,694 --> 00:30:57,987 NIÑA, 30:56.694 --> 30:57.987 align:start THE ONE IN THE MIDDLE DANCING? 857 00:30:57,987 --> 00:30:59,405 NIÑA, 30:57.987 --> 30:59.405 align:start THE ONE IN THE MIDDLE DANCING? 858 00:30:59,780 --> 00:30:59,989 NO, 30:59.780 --> 30:59.989 align:start 859 00:30:59,780 --> 00:30:59,989 CHICA, 860 00:30:59,989 --> 00:31:01,156 NO, 30:59.989 --> 31:01.156 align:start 861 00:30:59,989 --> 00:31:01,156 CHICA, 862 00:31:01,615 --> 00:31:01,991 THE ONE WITH THE TRUMPET. 863 00:31:01,991 --> 00:31:03,993 THE ONE WITH THE TRUMPET. 864 00:31:07,663 --> 00:31:07,997 MAMBO! MAMBO! 865 00:31:07,997 --> 00:31:09,373 MAMBO! MAMBO! 866 00:31:11,500 --> 00:31:12,001 THAT CASTILLO, HE LOOKS LIKE TROUBLE. 867 00:31:12,001 --> 00:31:13,377 THAT CASTILLO, HE LOOKS LIKE TROUBLE. 868 00:31:13,711 --> 00:31:14,003 YES, I KNOW, 869 00:31:14,003 --> 00:31:14,878 YES, I KNOW, 870 00:31:15,379 --> 00:31:16,005 BUT I THINK HE IS WORTH IT. 871 00:31:16,005 --> 00:31:18,007 BUT I THINK HE IS WORTH IT. 872 00:31:48,162 --> 00:31:49,038 YEAH! 873 00:32:02,134 --> 00:32:03,677 MAMBO KINGS, LADIES AND GENTLEMEN. 874 00:32:04,386 --> 00:32:06,055 COME ON, LET■S HEAR IT FOR THE MAMBO KINGS. 875 00:32:06,055 --> 00:32:07,431 COME ON, LET■S HEAR IT FOR THE MAMBO KINGS. 876 00:32:09,391 --> 00:32:10,059 AND NOW, LADIES AND GENTLEMEN, 877 00:32:10,059 --> 00:32:10,684 AND NOW, LADIES AND GENTLEMEN, 878 00:32:11,435 --> 00:32:12,061 LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS. 879 00:32:12,061 --> 00:32:14,063 LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS. 880 00:32:14,063 --> 00:32:16,065 LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS. 881 00:32:16,065 --> 00:32:16,440 LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS. 882 00:32:25,199 --> 00:32:26,075 HA HA HA! 883 00:32:26,075 --> 00:32:26,700 HA HA HA! 884 00:32:27,034 --> 00:32:27,951 MAMBO KINGS! 885 00:32:28,368 --> 00:32:29,495 DON■T FORGET THAT! 886 00:32:37,878 --> 00:32:38,087 YOU THOUGHT WE WERE A BUNCH OF FARM BOYS. 887 00:32:38,087 --> 00:32:40,089 YOU THOUGHT WE WERE A BUNCH OF FARM BOYS. 888 00:32:40,089 --> 00:32:40,672 YOU THOUGHT WE WERE A BUNCH OF FARM BOYS. 889 00:32:41,381 --> 00:32:42,091 DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS! 890 00:32:42,091 --> 00:32:44,093 DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS! 891 00:32:44,093 --> 00:32:44,593 DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS! 892 00:33:08,617 --> 00:33:09,535 HEY, HOW ARE YOU? 893 00:33:09,785 --> 00:33:10,119 FINE. 894 00:33:10,119 --> 00:33:10,410 FINE. 895 00:33:11,036 --> 00:33:12,121 THIS IS THE GIRL I TOLD YOU ABOUT-- 896 00:33:12,121 --> 00:33:12,996 THIS IS THE GIRL I TOLD YOU ABOUT-- 897 00:33:13,372 --> 00:33:13,997 DELORES FUENTES. 898 00:33:14,456 --> 00:33:15,165 THIS IS MY BROTHER CESAR. 899 00:33:15,582 --> 00:33:16,125 PLEASED TO MEET YOU. 900 00:33:16,125 --> 00:33:16,416 PLEASED TO MEET YOU. 901 00:33:16,959 --> 00:33:18,043 I■M ANNA MARIA, DELORES■ SISTER. 902 00:33:18,502 --> 00:33:19,211 YOU FELLAS WERE GREAT. 903 00:33:19,545 --> 00:33:20,129 THANK YOU. 904 00:33:20,129 --> 00:33:20,379 THANK YOU. 905 00:33:21,004 --> 00:33:21,630 LANNA LAKE, HONEY. NICE TO MEET YOU. 906 00:33:22,172 --> 00:33:23,048 I THINK I■LL GO POWDER MY NOSE. 907 00:33:23,507 --> 00:33:24,133 I HAVE SOMETHING FOR YOU. 908 00:33:24,133 --> 00:33:24,299 I HAVE SOMETHING FOR YOU. 909 00:33:24,800 --> 00:33:26,135 I■LL BE BACK IN A MINUTE, OK? 910 00:33:26,135 --> 00:33:26,301 I■LL BE BACK IN A MINUTE, OK? 911 00:33:26,718 --> 00:33:28,137 OK. I■LL WAIT HERE. 912 00:34:50,552 --> 00:34:52,221 HE THINKS HE■S THE LAST COCA-COLA IN THE DESERT. 913 00:34:52,221 --> 00:34:54,139 HE THINKS HE■S THE LAST COCA-COLA IN THE DESERT. 914 00:34:54,473 --> 00:34:55,682 HE IS, HONEY. 915 00:35:24,127 --> 00:35:24,253 JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING. 916 00:35:24,253 --> 00:35:26,255 JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING. 917 00:35:26,255 --> 00:35:27,256 JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING. 918 00:35:27,798 --> 00:35:28,257 FROM HERE, ANYTHING YOU WANT-- 919 00:35:28,257 --> 00:35:29,925 FROM HERE, ANYTHING YOU WANT-- 920 00:35:30,425 --> 00:35:32,261 EL MOROCCO, THE PALLADIUM. 921 00:35:32,261 --> 00:35:32,427 EL MOROCCO, THE PALLADIUM. 922 00:35:32,844 --> 00:35:33,929 YOUR FUTURE IS GOLD. 923 00:35:34,596 --> 00:35:36,265 THANK YOU, FERNANDO. I■M VERY GRATEFUL. 924 00:35:36,265 --> 00:35:36,431 THANK YOU, FERNANDO. I■M VERY GRATEFUL. 925 00:35:36,807 --> 00:35:38,267 IT■S MY PLEASURE. 926 00:35:38,267 --> 00:35:38,684 IT■S MY PLEASURE. 927 00:36:15,637 --> 00:36:16,305 LADIES AND GENTS, 928 00:36:16,305 --> 00:36:16,763 LADIES AND GENTS, 929 00:36:17,264 --> 00:36:18,307 IT■S MY PLEASURE TO INTRODUCE 930 00:36:18,307 --> 00:36:18,515 IT■S MY PLEASURE TO INTRODUCE 931 00:36:18,974 --> 00:36:20,309 DIRECT FROM PUERTO RICO, 932 00:36:20,309 --> 00:36:20,517 DIRECT FROM PUERTO RICO, 933 00:36:20,934 --> 00:36:22,311 EL SUAVECITO, 934 00:36:22,311 --> 00:36:23,103 EL SUAVECITO, 935 00:36:23,478 --> 00:36:24,313 JOHNNY CASANOVA! 936 00:36:24,313 --> 00:36:25,230 JOHNNY CASANOVA! 937 00:36:43,665 --> 00:36:44,333 [SINGING IN SPANISH] 938 00:36:44,333 --> 00:36:45,792 [SINGING IN SPANISH] 939 00:36:50,881 --> 00:36:52,341 THIS IS FOR YOU. 940 00:36:52,341 --> 00:36:52,591 THIS IS FOR YOU. 941 00:36:52,966 --> 00:36:54,301 IT■S BEAUTIFUL. 942 00:36:55,594 --> 00:36:56,303 YOU LIKE IT? 943 00:37:00,891 --> 00:37:02,309 LET ME DO IT. 944 00:37:06,688 --> 00:37:08,357 I■M--I■M REALLY HAPPY YOU■RE HERE, DELORITA. 945 00:37:08,357 --> 00:37:10,233 I■M--I■M REALLY HAPPY YOU■RE HERE, DELORITA. 946 00:37:10,650 --> 00:37:11,777 THANK YOU FOR COMING. 947 00:38:04,704 --> 00:38:06,415 [JUKEBOX PLAYS 38:04.704 --> 38:06.415 align:start 948 00:38:04,704 --> 00:38:06,415 YOU BELONG TO ME] 949 00:38:06,415 --> 00:38:07,916 [JUKEBOX PLAYS 38:06.415 --> 38:07.916 align:start 950 00:38:06,415 --> 00:38:07,916 YOU BELONG TO ME] 951 00:38:08,542 --> 00:38:10,085 THEY■VE BEEN ON TOP FOR 40 WEEKS NOW. 952 00:38:10,627 --> 00:38:12,087 WE CAN PLAY CIRCLES AROUND THEM. 953 00:38:12,712 --> 00:38:14,423 MONTOYA SAYS IF WE CLUB THE DIAMONDS, 954 00:38:14,423 --> 00:38:15,132 MONTOYA SAYS IF WE CLUB THE DIAMONDS, 955 00:38:15,590 --> 00:38:16,425 WE■LL PLAY AT ANY CLUB. 956 00:38:16,425 --> 00:38:17,134 WE■LL PLAY AT ANY CLUB. 957 00:38:17,843 --> 00:38:18,427 A MONTH FROM NOW, THEY■LL BE OPENING FOR YOU, 958 00:38:18,427 --> 00:38:19,636 A MONTH FROM NOW, THEY■LL BE OPENING FOR YOU, 959 00:38:20,137 --> 00:38:20,429 YOU■LL GO ON ANOTHER DIET. 960 00:38:20,429 --> 00:38:21,888 YOU■LL GO ON ANOTHER DIET. 961 00:38:24,224 --> 00:38:24,433 VERY, VERY IMPRESSIVE, SEÑOR CASTILLO. 962 00:38:24,433 --> 00:38:26,435 VERY, VERY IMPRESSIVE, SEÑOR CASTILLO. 963 00:38:26,435 --> 00:38:27,727 VERY, VERY IMPRESSIVE, SEÑOR CASTILLO. 964 00:38:28,395 --> 00:38:28,437 I KNEW IT WHEN I SAW YOU AT THE PALLADIUM 965 00:38:28,437 --> 00:38:30,313 I KNEW IT WHEN I SAW YOU AT THE PALLADIUM 966 00:38:30,814 --> 00:38:31,898 THAT YOU WERE VERY TALENTED. 967 00:38:32,315 --> 00:38:32,441 YOU FEEL THE MUSIC, 968 00:38:32,441 --> 00:38:33,400 YOU FEEL THE MUSIC, 969 00:38:34,109 --> 00:38:34,443 AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY. 970 00:38:34,443 --> 00:38:36,445 AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY. 971 00:38:36,445 --> 00:38:36,903 AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY. 972 00:38:37,279 --> 00:38:38,155 CONGRATULATIONS. 973 00:38:38,738 --> 00:38:40,157 GRACIAS. 38:38.738 --> 38:40.157 align:start   974 00:38:38,738 --> 00:38:40,157 GRACIAS. 975 00:38:40,907 --> 00:38:42,451 IT■S A LUCKY COINCIDENCE TO RUN INTO EACH OTHER, 976 00:38:42,451 --> 00:38:43,452 IT■S A LUCKY COINCIDENCE TO RUN INTO EACH OTHER, 977 00:38:44,119 --> 00:38:44,453 BUT I ALWAYS SAY GOD PUTS HIS CHILDREN 978 00:38:44,453 --> 00:38:46,329 BUT I ALWAYS SAY GOD PUTS HIS CHILDREN 979 00:38:46,830 --> 00:38:48,457 EXACTLY WHERE THEY SHOULD BE. 980 00:38:48,457 --> 00:38:48,790 EXACTLY WHERE THEY SHOULD BE. 981 00:38:49,458 --> 00:38:50,459 THAT■S FUNNY. I ALWAYS SAID THAT, TOO. 982 00:38:50,459 --> 00:38:52,043 THAT■S FUNNY. I ALWAYS SAID THAT, TOO. 983 00:38:55,672 --> 00:38:56,465 HAVE A HAVANA WITH ME, CESAR. 984 00:38:56,465 --> 00:38:57,716 HAVE A HAVANA WITH ME, CESAR. 985 00:38:58,258 --> 00:38:58,467 AND LET■S SEE HOW FERNANDO PEREZ 986 00:38:58,467 --> 00:39:00,218 AND LET■S SEE HOW FERNANDO PEREZ 987 00:39:00,844 --> 00:39:02,471 CAN TAKE THE MAMBO KINGS TO THE TOP. 988 00:39:02,471 --> 00:39:03,013 CAN TAKE THE MAMBO KINGS TO THE TOP. 989 00:39:08,810 --> 00:39:10,479 WHO THE HELL ARE YOU ANYWAY, THE MAMBO POPE? 990 00:39:10,479 --> 00:39:10,729 WHO THE HELL ARE YOU ANYWAY, THE MAMBO POPE? 991 00:39:11,229 --> 00:39:12,481 GUY THINKS I CAME TO AMERICA 992 00:39:12,481 --> 00:39:13,023 GUY THINKS I CAME TO AMERICA 993 00:39:13,690 --> 00:39:14,483 TO TRADE ONE THIEF FOR ANOTHER, RIGHT? 994 00:39:14,483 --> 00:39:14,774 TO TRADE ONE THIEF FOR ANOTHER, RIGHT? 995 00:39:15,066 --> 00:39:16,067 CESAR. 996 00:39:16,735 --> 00:39:18,487 I THINK YOU DON■T KNOW WHO I AM, SEÑOR. 997 00:39:19,196 --> 00:39:20,322 WELL, WHOEVER YOU ARE, I KNOW IN HAVANA 998 00:39:20,989 --> 00:39:22,199 LOS MAFIOSOS 39:20.989 --> 39:22.199 align:start WITH BALLS OF STEEL 999 00:39:22,699 --> 00:39:23,950 COULD NOT OWN CESAR CASTILLO, 1000 00:39:24,326 --> 00:39:24,493 SO DON■T YOU TRY. 1001 00:39:24,493 --> 00:39:25,494 SO DON■T YOU TRY. 1002 00:39:27,162 --> 00:39:28,497 YOU HAVE MUCH TO LEARN, MAMBO KING. 1003 00:39:28,497 --> 00:39:29,623 YOU HAVE MUCH TO LEARN, MAMBO KING. 1004 00:39:30,040 --> 00:39:30,499 PRAY GOD YOU LEARN IT 1005 00:39:30,499 --> 00:39:31,041 PRAY GOD YOU LEARN IT 1006 00:39:31,708 --> 00:39:32,501 BEFORE THE BANANA BOAT SAILS BACK TO CUBA. 1007 00:39:32,501 --> 00:39:34,461 BEFORE THE BANANA BOAT SAILS BACK TO CUBA. 1008 00:39:36,880 --> 00:39:38,507 WHAT ARE YOU, THE CAPTAIN? 1009 00:39:38,507 --> 00:39:38,840 WHAT ARE YOU, THE CAPTAIN? 1010 00:39:39,257 --> 00:39:40,217 CESAR, ARE YOU CRAZY? 1011 00:39:40,634 --> 00:39:41,635 [SPEAKING SPANISH] 1012 00:39:42,344 --> 00:39:42,511 YEAH, I■M CRAZY, AND YOUR BRAIN■S SO SOFT, 1013 00:39:42,511 --> 00:39:43,637 YEAH, I■M CRAZY, AND YOUR BRAIN■S SO SOFT, 1014 00:39:44,095 --> 00:39:44,513 ALREADY YOU FORGET LUIS. 1015 00:39:44,513 --> 00:39:45,013 ALREADY YOU FORGET LUIS. 1016 00:39:45,680 --> 00:39:46,431 IT■S A LUCKY THING I GOT TO WALK AROUND 1017 00:39:47,182 --> 00:39:47,599 WITH THAT AS A REMINDER FOR THE REST OF MY LIFE. 1018 00:39:48,266 --> 00:39:48,517 COME ON. LET■S GET THE HELL OUT OF HERE 1019 00:39:48,517 --> 00:39:49,267 COME ON. LET■S GET THE HELL OUT OF HERE 1020 00:39:49,976 --> 00:39:50,519 BEFORE THESE 39:49.976 --> 39:50.519 align:start 1021 00:39:49,976 --> 00:39:50,519 PENDEJOS  1022 00:39:49,976 --> 00:39:50,519 GIVE ME A STROKE. 1023 00:39:50,519 --> 00:39:50,810 BEFORE THESE 39:50.519 --> 39:50.810 align:start 1024 00:39:50,519 --> 00:39:50,810 PENDEJOS  1025 00:39:50,519 --> 00:39:50,810 GIVE ME A STROKE. 1026 00:39:51,228 --> 00:39:52,312 HERE. PAY THE BILL. 1027 00:39:53,104 --> 00:39:54,523 LEAVE THE BUSINESS TO ME AND STICK TO YOUR MUSIC, KID. 1028 00:39:54,523 --> 00:39:56,358 LEAVE THE BUSINESS TO ME AND STICK TO YOUR MUSIC, KID. 1029 00:39:57,108 --> 00:39:58,276 "IT WAS A FABULOUS NIGHT AT THE EMPIRE BALLROOM 1030 00:39:58,985 --> 00:40:00,111 "RECENTLY AS A NEW BAND CAME ON THE SCENE. 1031 00:40:00,695 --> 00:40:02,280 "THE LATIN RHYTHMS FILLED THE AIR 1032 00:40:02,906 --> 00:40:03,782 "AS, UNDER THE STERLING HIP-SWINGING, 1033 00:40:04,282 --> 00:40:04,533 "PELVIS-GRINDING ADMIRALSHIP 1034 00:40:04,533 --> 00:40:05,283 "PELVIS-GRINDING ADMIRALSHIP 1035 00:40:05,825 --> 00:40:06,535 "OF THEIR SINGER CESAR CASTILLO, 1036 00:40:06,535 --> 00:40:07,285 "OF THEIR SINGER CESAR CASTILLO, 1037 00:40:08,036 --> 00:40:08,537 THE FABULOUS MAMBO KINGS MADE A FABULOUS DEBUT." 1038 00:40:08,537 --> 00:40:10,288 THE FABULOUS MAMBO KINGS MADE A FABULOUS DEBUT." 1039 00:40:10,664 --> 00:40:11,289 THAT■S BEAUTIFUL. 1040 00:40:11,790 --> 00:40:12,541 HEY, AS MR. VANDERBILT SAYS, 1041 00:40:12,541 --> 00:40:12,582 HEY, AS MR. VANDERBILT SAYS, 1042 00:40:13,250 --> 00:40:14,543 "HE WHO CAN HAS THE WHOLE WORLD WITH HIM. 1043 00:40:14,543 --> 00:40:16,545 "HE WHO CAN HAS THE WHOLE WORLD WITH HIM. 1044 00:40:16,545 --> 00:40:16,586 "HE WHO CAN HAS THE WHOLE WORLD WITH HIM. 1045 00:40:17,212 --> 00:40:18,547 HE WHO CANNOT WALKS THE WORLD ALONE." 1046 00:40:18,547 --> 00:40:20,298 HE WHO CANNOT WALKS THE WORLD ALONE." 1047 00:40:20,674 --> 00:40:21,299 MISS ENCHANTMENT, 1048 00:40:21,758 --> 00:40:22,551 YOU WANT TO COME UPTOWN 1049 00:40:23,301 --> 00:40:24,010 WITH THE MAMBO KING AFTER THE SHOW, 1050 00:40:24,678 --> 00:40:26,054 I■LL SHOW YOU A LITTLE PIECE OF HAVANA. 1051 00:40:26,555 --> 00:40:27,722 YEAH. A VERY LITTLE PIECE. 1052 00:40:28,056 --> 00:40:28,557 [ALL LAUGH] 1053 00:40:28,557 --> 00:40:28,848 [ALL LAUGH] 1054 00:40:29,432 --> 00:40:30,559 BIGGER THAN YOUR PEASHOOTER, JERK. 1055 00:40:30,559 --> 00:40:30,600 BIGGER THAN YOUR PEASHOOTER, JERK. 1056 00:40:33,311 --> 00:40:34,563 MR. RICCI, YOU HAVEN■T SEEN THIS FABULOUS NIGHT 1057 00:40:34,563 --> 00:40:35,855 MR. RICCI, YOU HAVEN■T SEEN THIS FABULOUS NIGHT 1058 00:40:36,356 --> 00:40:36,565 AT THE EMPIRE BALLROOM DEBUT? 1059 00:40:36,565 --> 00:40:37,732 AT THE EMPIRE BALLROOM DEBUT? 1060 00:40:38,149 --> 00:40:38,567 YEAH, I KNOW. I KNOW. 1061 00:40:38,567 --> 00:40:39,234 YEAH, I KNOW. I KNOW. 1062 00:40:39,985 --> 00:40:40,569 EVERYBODY LOVE YOU GUYS, BUT IT■S SUCH A SHAME. 1063 00:40:40,569 --> 00:40:41,361 EVERYBODY LOVE YOU GUYS, BUT IT■S SUCH A SHAME. 1064 00:40:41,736 --> 00:40:42,571 WHAT■S A SHAME? 1065 00:40:42,571 --> 00:40:42,862 WHAT■S A SHAME? 1066 00:40:43,405 --> 00:40:44,364 MY GIRL LUISA, SHE NO CALL YOU? 1067 00:40:44,948 --> 00:40:45,657 NO, I GOT NO CALL. WHO GOT A CALL? 1068 00:40:46,408 --> 00:40:46,575 SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS. 1069 00:40:46,575 --> 00:40:48,577 SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS. 1070 00:40:48,577 --> 00:40:48,660 SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS. 1071 00:40:49,411 --> 00:40:50,579 NOW, I THINK MAYBE THERE IS ONE PLACE FOR YOU, 1072 00:40:50,579 --> 00:40:51,371 NOW, I THINK MAYBE THERE IS ONE PLACE FOR YOU, 1073 00:40:52,122 --> 00:40:52,581 BUT I■M SORRY, I MAKE A MISTAKE WITH THE BOOKING. 1074 00:40:52,581 --> 00:40:53,248 BUT I■M SORRY, I MAKE A MISTAKE WITH THE BOOKING. 1075 00:40:53,665 --> 00:40:54,583 YOU MADE A MISTAKE? 1076 00:40:55,083 --> 00:40:55,667 I■M SORRY. I GOT PARTNERS. 1077 00:40:56,167 --> 00:40:56,585 I CAN■T DO ANYTHING ABOUT IT. 1078 00:40:56,585 --> 00:40:57,919 I CAN■T DO ANYTHING ABOUT IT. 1079 00:40:58,295 --> 00:40:58,587 COME HERE. HEY. 1080 00:40:58,587 --> 00:40:59,170 COME HERE. HEY. 1081 00:40:59,504 --> 00:41:00,171 HEY, CESAR. 1082 00:41:00,547 --> 00:41:00,589 WE HAD A DEAL! 1083 00:41:00,589 --> 00:41:01,673 WE HAD A DEAL! 1084 00:41:02,048 --> 00:41:02,591 WE HAD A DEAL! 1085 00:41:02,591 --> 00:41:02,924 WE HAD A DEAL! 1086 00:41:03,341 --> 00:41:04,342 THE CLUB IS BOOKED. 1087 00:41:04,801 --> 00:41:05,844 DON■T TOUCH MY BROTHER! 1088 00:41:06,261 --> 00:41:06,595 [SPEAKING SPANISH] 1089 00:41:06,595 --> 00:41:06,845 [SPEAKING SPANISH] 1090 00:41:07,220 --> 00:41:08,346 DON■T PUSH HIM! 1091 00:41:08,805 --> 00:41:09,347 THAT■S IT! IT■S FINISHED! 1092 00:41:09,764 --> 00:41:10,599 I KNEW IT! I KNEW IT! 1093 00:41:10,599 --> 00:41:11,850 I KNEW IT! I KNEW IT! 1094 00:41:12,225 --> 00:41:12,601 I TOLD YOU SO! 1095 00:41:12,601 --> 00:41:13,602 I TOLD YOU SO! 1096 00:41:13,977 --> 00:41:14,603 HA HA HA HA! 1097 00:41:14,603 --> 00:41:15,186 HA HA HA HA! 1098 00:41:15,854 --> 00:41:16,605 ■ JUST WHEN YOU THOUGHT YOU FOUND IT ■ 1099 00:41:16,605 --> 00:41:18,607 ■ JUST WHEN YOU THOUGHT YOU FOUND IT ■ 1100 00:41:18,607 --> 00:41:18,648 ■ JUST WHEN YOU THOUGHT YOU FOUND IT ■ 1101 00:41:19,190 --> 00:41:20,609 ■ BUILDING YOUR LIFE AROUND IT ■ 1102 00:41:20,609 --> 00:41:22,360 ■ BUILDING YOUR LIFE AROUND IT ■ 1103 00:41:22,861 --> 00:41:24,613 ■ YOU DIDN■T PLAY THE GAME ■ 1104 00:41:24,613 --> 00:41:25,614 ■ YOU DIDN■T PLAY THE GAME ■ 1105 00:41:26,197 --> 00:41:26,615 ■ ONLY YOURSELF TO BLAME ■ 1106 00:41:26,615 --> 00:41:28,617 ■ ONLY YOURSELF TO BLAME ■ 1107 00:41:29,117 --> 00:41:30,619 ■ NIGHTS GROW A LITTLE LONG ■ 1108 00:41:30,619 --> 00:41:31,244 ■ NIGHTS GROW A LITTLE LONG ■ 1109 00:41:31,578 --> 00:41:32,370 ■ OOH LA LA ■ 1110 00:41:32,871 --> 00:41:34,623 ■ DANCING TO OTHERS■ SONGS ■ 1111 00:41:34,623 --> 00:41:35,665 ■ DANCING TO OTHERS■ SONGS ■ 1112 00:41:36,166 --> 00:41:36,625 ■ ALL OF THE BETS YOU PLAY ■ 1113 00:41:36,625 --> 00:41:38,627 ■ ALL OF THE BETS YOU PLAY ■ 1114 00:41:38,627 --> 00:41:38,918 ■ ALL OF THE BETS YOU PLAY ■ 1115 00:41:39,377 --> 00:41:40,629 ■ ONLY GOOD YESTERDAY ■ 1116 00:41:40,629 --> 00:41:42,422 ■ ONLY GOOD YESTERDAY ■ 1117 00:41:42,922 --> 00:41:44,633 ■ GOING■S A LITTLE ROUGH ■ 1118 00:41:44,633 --> 00:41:45,675 ■ GOING■S A LITTLE ROUGH ■ 1119 00:41:46,176 --> 00:41:46,635 ■ TIME FOR THE REALLY TOUGH ■ 1120 00:41:46,635 --> 00:41:48,637 ■ TIME FOR THE REALLY TOUGH ■ 1121 00:41:48,637 --> 00:41:49,429 ■ TIME FOR THE REALLY TOUGH ■ 1122 00:41:49,971 --> 00:41:50,639 [SINGING 41:49.971 --> 41:50.639 align:start 1123 00:41:49,971 --> 00:41:50,639 HAVAH NAGILAH] 1124 00:41:50,639 --> 00:41:52,182 [SINGING 41:50.639 --> 41:52.182 align:start 1125 00:41:50,639 --> 00:41:52,182 HAVAH NAGILAH] 1126 00:42:03,276 --> 00:42:04,653 ■ YOU■D LIKE TO SING YOUR SONG ■ 1127 00:42:04,653 --> 00:42:05,695 ■ YOU■D LIKE TO SING YOUR SONG ■ 1128 00:42:06,237 --> 00:42:06,655 ■ IN PLACES WHERE YOU BELONG ■ 1129 00:42:06,655 --> 00:42:08,657 ■ IN PLACES WHERE YOU BELONG ■ 1130 00:42:08,657 --> 00:42:09,658 ■ IN PLACES WHERE YOU BELONG ■ 1131 00:42:49,906 --> 00:42:50,699 [SINGING IN SPANISH] 1132 00:42:50,699 --> 00:42:52,033 [SINGING IN SPANISH] 1133 00:43:02,335 --> 00:43:02,711 HA HA! 1134 00:43:02,711 --> 00:43:03,712 HA HA! 1135 00:43:04,129 --> 00:43:04,713 OOH LA LA! 1136 00:43:04,713 --> 00:43:05,004 OOH LA LA! 1137 00:43:09,509 --> 00:43:10,635 ■ OOH LA LA ■ 1138 00:43:11,052 --> 00:43:12,721 HA HA HA HA HA HA! 1139 00:43:16,891 --> 00:43:17,767 COME ON, WILL YOU? 1140 00:43:18,560 --> 00:43:18,727 SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE. 1141 00:43:18,727 --> 00:43:20,729 SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE. 1142 00:43:20,729 --> 00:43:21,312 SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE. 1143 00:43:21,938 --> 00:43:22,731 SMILE, WILL YOU? WE■RE IN AMERICA. 1144 00:43:22,731 --> 00:43:24,023 SMILE, WILL YOU? WE■RE IN AMERICA. 1145 00:43:24,441 --> 00:43:24,733 [SPEAKING SPANISH] 1146 00:43:24,733 --> 00:43:25,775 [SPEAKING SPANISH] 1147 00:43:26,484 --> 00:43:26,735 NO, NO, I DON■T HEAR YOU. I DON■T HEAR YOU. 1148 00:43:26,735 --> 00:43:28,528 NO, NO, I DON■T HEAR YOU. I DON■T HEAR YOU. 1149 00:43:29,028 --> 00:43:30,530 TALK AMERICAN TO ME, PLEASE. 1150 00:43:31,072 --> 00:43:32,031 IT■S NOT MY LANGUAGE, AMERICAN. 1151 00:43:32,449 --> 00:43:32,741 IT■S NOT MY COUNTRY. 1152 00:43:32,741 --> 00:43:33,533 IT■S NOT MY COUNTRY. 1153 00:43:34,242 --> 00:43:34,743 WELL, IT■S ALL THE COUNTRY WE GOT RIGHT NOW. 1154 00:43:34,743 --> 00:43:36,077 WELL, IT■S ALL THE COUNTRY WE GOT RIGHT NOW. 1155 00:43:36,494 --> 00:43:36,745 NOW, COME ON, SMILE. 1156 00:43:36,745 --> 00:43:37,537 NOW, COME ON, SMILE. 1157 00:43:38,204 --> 00:43:38,747 SMILE. WANT ME TO WASTE ANOTHER 25 CENTS? 1158 00:43:38,747 --> 00:43:40,749 SMILE. WANT ME TO WASTE ANOTHER 25 CENTS? 1159 00:43:41,332 --> 00:43:42,751 COME ON. COME ON. SMILE, SMILE. 1160 00:43:42,751 --> 00:43:43,501 COME ON. COME ON. SMILE, SMILE. 1161 00:43:44,043 --> 00:43:44,753 IT■S ALL RIGHT? IT■S ALL RIGHT. 1162 00:43:44,753 --> 00:43:45,086 IT■S ALL RIGHT? IT■S ALL RIGHT. 1163 00:43:45,462 --> 00:43:46,755 IT■S OK? IT■S OK. 1164 00:43:48,798 --> 00:43:49,591 COME ON. 1165 00:43:50,049 --> 00:43:50,759 WE HAVE TO WORK, CESAR. 1166 00:43:50,759 --> 00:43:51,593 WE HAVE TO WORK, CESAR. 1167 00:43:52,093 --> 00:43:52,761 WE■RE WORKING OUR ASSES OFF. 1168 00:43:52,761 --> 00:43:53,762 WE■RE WORKING OUR ASSES OFF. 1169 00:43:55,847 --> 00:43:56,514 TALK TO PEREZ. 1170 00:43:56,848 --> 00:43:57,599 NO. PLEASE. 1171 00:43:58,099 --> 00:43:58,767 PLEASE. HE■S NOT LIKE LUIS. 1172 00:43:58,767 --> 00:43:59,601 PLEASE. HE■S NOT LIKE LUIS. 1173 00:44:00,226 --> 00:44:00,769 HAVEN■T YOU LEARNED ANYTHING FROM ME? 1174 00:44:00,769 --> 00:44:00,852 HAVEN■T YOU LEARNED ANYTHING FROM ME? 1175 00:44:01,394 --> 00:44:02,771 TALK TO HIM. COME ON. APOLOGIZE. 1176 00:44:02,771 --> 00:44:03,605 TALK TO HIM. COME ON. APOLOGIZE. 1177 00:44:04,063 --> 00:44:04,773 YOU WANT TO KISS HIS ASS? 1178 00:44:04,773 --> 00:44:05,064 YOU WANT TO KISS HIS ASS? 1179 00:44:05,482 --> 00:44:06,316 WE■LL MAKE A DEAL. 1180 00:44:07,066 --> 00:44:07,859 HE■LL SLIT BOTH OUR THROATS LIKE LUIS CUT MINE. 1181 00:44:08,318 --> 00:44:08,777 COME ON. DON■T BE STUPID. 1182 00:44:08,777 --> 00:44:09,235 COME ON. DON■T BE STUPID. 1183 00:44:09,736 --> 00:44:10,779 HE CUT MORE THAN YOUR THROAT. 1184 00:44:10,779 --> 00:44:10,862 HE CUT MORE THAN YOUR THROAT. 1185 00:44:11,362 --> 00:44:12,781 I SHOULD■VE STAYED IN HAVANA. 1186 00:44:12,781 --> 00:44:12,864 I SHOULD■VE STAYED IN HAVANA. 1187 00:44:13,656 --> 00:44:14,783 STAYED FOR WHAT, SOME WHORE WHO NEVER EVEN LOVED YOU? 1188 00:44:15,575 --> 00:44:16,785 IS THAT WHAT YOU■RE TALKING ABOUT NOW? 1189 00:44:16,785 --> 00:44:16,868 IS THAT WHAT YOU■RE TALKING ABOUT NOW? 1190 00:44:17,368 --> 00:44:18,578 I■M NOT TALKING ABOUT MARIA. 1191 00:44:19,245 --> 00:44:20,580 A WHORE WHO SOLD HERSELF TO ANOTHER MAN. 1192 00:44:20,997 --> 00:44:22,123 I■M TALKING ABOUT US. 1193 00:44:22,540 --> 00:44:22,791 WE DON■T BELONG HERE. 1194 00:44:22,791 --> 00:44:23,082 WE DON■T BELONG HERE. 1195 00:44:23,708 --> 00:44:24,751 YOU DON■T GET IT THROUGH YOUR HEAD! 1196 00:44:25,418 --> 00:44:26,377 SHE■S NOT WAITING FOR YOU. THAT■S A DREAM! 1197 00:44:27,170 --> 00:44:28,797 NOW, HOW LONG BEFORE YOU■RE GOING TO GIVE THAT UP? 1198 00:44:28,797 --> 00:44:29,631 NOW, HOW LONG BEFORE YOU■RE GOING TO GIVE THAT UP? 1199 00:44:29,923 --> 00:44:30,799 HOW LONG? 1200 00:44:33,968 --> 00:44:34,803 AND YOU, CESAR? 1201 00:44:34,803 --> 00:44:34,886 AND YOU, CESAR? 1202 00:44:35,553 --> 00:44:36,805 HOW LONG BEFORE YOU GIVE UP YOUR DREAM? 1203 00:44:36,805 --> 00:44:38,807 HOW LONG BEFORE YOU GIVE UP YOUR DREAM? 1204 00:44:51,027 --> 00:44:52,821 THAT■S NO DREAM, MAN. 1205 00:44:59,536 --> 00:45:00,829 IT■S OUR LIFE. 1206 00:45:00,829 --> 00:45:00,954 IT■S OUR LIFE. 1207 00:45:01,412 --> 00:45:02,831 COME ON, SMILE, WILL YOU? 1208 00:45:02,831 --> 00:45:03,706 COME ON, SMILE, WILL YOU? 1209 00:45:04,165 --> 00:45:04,833 NO. THIS IS YOUR LIFE. 1210 00:45:04,833 --> 00:45:06,626 NO. THIS IS YOUR LIFE. 1211 00:45:06,876 --> 00:45:08,127 YEAH. 1212 00:45:08,545 --> 00:45:08,837 I FEEL LIKE A GHOST. 1213 00:45:08,837 --> 00:45:10,129 I FEEL LIKE A GHOST. 1214 00:45:21,975 --> 00:45:22,851 CESAR IS WRONG. 1215 00:45:22,851 --> 00:45:23,184 CESAR IS WRONG. 1216 00:45:23,560 --> 00:45:24,853 WE WON■T MAKE IT. 1217 00:45:24,853 --> 00:45:24,936 WE WON■T MAKE IT. 1218 00:45:25,603 --> 00:45:26,855 EVEN IF WE DID, THAT■S NOT WHAT I WANT. 1219 00:45:26,855 --> 00:45:28,439 EVEN IF WE DID, THAT■S NOT WHAT I WANT. 1220 00:45:28,940 --> 00:45:30,859 I■D BE HAPPY WRITING MUSIC, 1221 00:45:30,859 --> 00:45:31,943 I■D BE HAPPY WRITING MUSIC, 1222 00:45:32,610 --> 00:45:32,861 PLAYING LOVE SONGS IN MY OWN LITTLE CLUB. 1223 00:45:32,861 --> 00:45:34,863 PLAYING LOVE SONGS IN MY OWN LITTLE CLUB. 1224 00:45:34,863 --> 00:45:35,697 PLAYING LOVE SONGS IN MY OWN LITTLE CLUB. 1225 00:45:36,072 --> 00:45:36,865 THAT IS MY DREAM. 1226 00:45:36,865 --> 00:45:36,948 THAT IS MY DREAM. 1227 00:45:37,699 --> 00:45:38,867 A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD 1228 00:45:38,867 --> 00:45:40,869 A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD 1229 00:45:40,869 --> 00:45:40,952 A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD 1230 00:45:41,411 --> 00:45:42,871 AND LISTEN TO GOOD MUSIC. 1231 00:45:42,871 --> 00:45:43,872 AND LISTEN TO GOOD MUSIC. 1232 00:45:45,582 --> 00:45:46,875 CIGOÑIA. 45:45.582 --> 45:46.875 align:start THAT■S WHAT I WANT. 1233 00:45:46,875 --> 00:45:47,709 CIGOÑIA. 45:46.875 --> 45:47.709 align:start THAT■S WHAT I WANT. 1234 00:45:48,126 --> 00:45:48,877 NESTOR...THEN DO IT. 1235 00:45:48,877 --> 00:45:50,712 NESTOR...THEN DO IT. 1236 00:45:51,212 --> 00:45:52,881 JUST OPEN YOUR LITTLE CLUB. 1237 00:45:52,881 --> 00:45:53,715 JUST OPEN YOUR LITTLE CLUB. 1238 00:45:54,007 --> 00:45:54,883 DO IT. 1239 00:45:54,883 --> 00:45:55,258 DO IT. 1240 00:45:57,176 --> 00:45:58,887 LISTEN, WHY KEEP DREAMING? 1241 00:45:58,887 --> 00:45:59,262 LISTEN, WHY KEEP DREAMING? 1242 00:45:59,679 --> 00:46:00,889 MAKE IT COME TRUE. 1243 00:46:00,889 --> 00:46:01,639 MAKE IT COME TRUE. 1244 00:46:02,056 --> 00:46:02,891 DO YOU BELIEVE IN ME? 1245 00:46:02,891 --> 00:46:03,933 DO YOU BELIEVE IN ME? 1246 00:46:05,435 --> 00:46:06,895 OH, YES. 1247 00:46:06,895 --> 00:46:07,020 OH, YES. 1248 00:46:08,438 --> 00:46:08,897 YOU DO? 1249 00:46:08,897 --> 00:46:09,814 YOU DO? 1250 00:46:10,148 --> 00:46:10,899 YES, I DO. 1251 00:46:10,899 --> 00:46:11,900 YES, I DO. 1252 00:46:13,943 --> 00:46:14,903 DON■T... 1253 00:46:17,572 --> 00:46:18,907 [SINGING IN SPANISH] 1254 00:46:18,907 --> 00:46:19,198 [SINGING IN SPANISH] 1255 00:46:46,643 --> 00:46:46,935 I DIDN■T WANT TO COME TO AMERICA, BUT... 1256 00:46:46,935 --> 00:46:48,937 I DIDN■T WANT TO COME TO AMERICA, BUT... 1257 00:46:48,937 --> 00:46:50,939 I DIDN■T WANT TO COME TO AMERICA, BUT... 1258 00:46:50,939 --> 00:46:51,064 I DIDN■T WANT TO COME TO AMERICA, BUT... 1259 00:46:51,481 --> 00:46:52,941 MY BROTHER WAS RIGHT. 1260 00:46:52,941 --> 00:46:53,274 MY BROTHER WAS RIGHT. 1261 00:46:55,568 --> 00:46:56,945 IF I HADN■T COME TO AMERICA... 1262 00:46:56,945 --> 00:46:58,321 IF I HADN■T COME TO AMERICA... 1263 00:46:58,655 --> 00:46:58,947 I WOULDN■T... 1264 00:46:58,947 --> 00:46:59,322 I WOULDN■T... 1265 00:46:59,656 --> 00:47:00,782 HAVE MET ME. 1266 00:47:01,074 --> 00:47:02,951 EXACTLY. 1267 00:47:44,075 --> 00:47:44,993 [SPEAKING SPANISH] 1268 00:47:44,993 --> 00:47:46,411 [SPEAKING SPANISH] 1269 00:48:09,100 --> 00:48:09,809 DON■T MOVE. 1270 00:48:10,143 --> 00:48:11,019 DON■T MOVE. 1271 00:48:13,479 --> 00:48:15,023 [SPEAKING IN SPANISH] 1272 00:48:15,023 --> 00:48:15,356 [SPEAKING IN SPANISH] 1273 00:48:32,248 --> 00:48:33,041 WHY ARE YOU LAUGHING? 1274 00:48:33,041 --> 00:48:33,374 WHY ARE YOU LAUGHING? 1275 00:48:47,138 --> 00:48:49,057 ■ FOR HE■S A JOLLY GOOD FELLOW ■ 1276 00:48:49,057 --> 00:48:51,059 ■ FOR HE■S A JOLLY GOOD FELLOW ■ 1277 00:48:51,059 --> 00:48:52,935 ■ FOR HE■S A JOLLY GOOD FELLOW ■ 1278 00:48:53,394 --> 00:48:55,063 ■ THAT NOBODY CAN DENY ■ 1279 00:48:55,063 --> 00:48:57,065 ■ THAT NOBODY CAN DENY ■ 1280 00:48:57,065 --> 00:48:59,067 ■ THAT NOBODY CAN DENY ■ 1281 00:48:59,067 --> 00:49:00,068 ■ THAT NOBODY CAN DENY ■ 1282 00:49:05,656 --> 00:49:06,199 THANKS. 1283 00:49:06,574 --> 00:49:07,075 HAPPY BIRTHDAY. 1284 00:49:07,075 --> 00:49:07,909 HAPPY BIRTHDAY. 1285 00:49:08,326 --> 00:49:09,077 THANK YOU, DARLING. 1286 00:49:09,077 --> 00:49:09,202 THANK YOU, DARLING. 1287 00:49:09,577 --> 00:49:10,495 CONGRATULATIONS. 1288 00:49:17,376 --> 00:49:19,087 GIVE ME A RUM STRAIGHT UP. 1289 00:49:20,546 --> 00:49:21,089 I NEED SCOTCH. 1290 00:49:21,089 --> 00:49:22,006 I NEED SCOTCH. 1291 00:49:22,590 --> 00:49:23,091 NOT BAD FOR MONTCLAIR, NEW JERSEY. 1292 00:49:23,091 --> 00:49:24,217 NOT BAD FOR MONTCLAIR, NEW JERSEY. 1293 00:49:24,675 --> 00:49:25,093 100 SEÑOR WASHINGTONS. 1294 00:49:25,093 --> 00:49:25,718 100 SEÑOR WASHINGTONS. 1295 00:49:26,302 --> 00:49:27,095 LIFE COULD BE WORSE. THERE YOU GO. 1296 00:49:27,095 --> 00:49:28,221 LIFE COULD BE WORSE. THERE YOU GO. 1297 00:49:28,554 --> 00:49:29,097 SWEAR TO GOD. 1298 00:49:29,097 --> 00:49:30,098 SWEAR TO GOD. 1299 00:49:32,725 --> 00:49:33,101 LISTEN, CESAR, WE GOT TO TALK. 1300 00:49:33,101 --> 00:49:34,477 LISTEN, CESAR, WE GOT TO TALK. 1301 00:49:36,813 --> 00:49:37,105 MARIO■S GOT THIS GIG WITH TITO PUENTE. 1302 00:49:37,105 --> 00:49:39,107 MARIO■S GOT THIS GIG WITH TITO PUENTE. 1303 00:49:39,107 --> 00:49:39,273 MARIO■S GOT THIS GIG WITH TITO PUENTE. 1304 00:49:39,857 --> 00:49:41,109 KEYS HAS GOT A SHOT WITH MACHITO. 1305 00:49:41,109 --> 00:49:42,276 KEYS HAS GOT A SHOT WITH MACHITO. 1306 00:49:42,819 --> 00:49:43,111 WE WANT TO STICK TOGETHER, MAN, 1307 00:49:43,111 --> 00:49:44,278 WE WANT TO STICK TOGETHER, MAN, 1308 00:49:44,737 --> 00:49:45,113 BUT WE■RE FALLING APART. 1309 00:49:45,113 --> 00:49:46,072 BUT WE■RE FALLING APART. 1310 00:49:46,489 --> 00:49:47,115 CAN■T YOU SEE THAT? 1311 00:49:47,115 --> 00:49:48,282 CAN■T YOU SEE THAT? 1312 00:49:48,699 --> 00:49:49,117 I DON■T WANT TO CARRY 1313 00:49:49,117 --> 00:49:50,284 I DON■T WANT TO CARRY 1314 00:49:50,785 --> 00:49:51,119 A BUNCH OF LOSERS, EITHER. 1315 00:49:51,119 --> 00:49:52,870 A BUNCH OF LOSERS, EITHER. 1316 00:49:55,289 --> 00:49:56,457 I■M GOING TO BABALU. 1317 00:49:56,916 --> 00:49:57,125 THAT AIN■T A REAL GIG. 1318 00:49:57,125 --> 00:49:58,292 THAT AIN■T A REAL GIG. 1319 00:49:58,918 --> 00:49:59,127 DON■T YOU TELL ME WHAT A REAL GIG IS. 1320 00:49:59,127 --> 00:50:00,128 DON■T YOU TELL ME WHAT A REAL GIG IS. 1321 00:50:00,586 --> 00:50:01,129 HEY, CESAR. CESAR. 1322 00:50:01,129 --> 00:50:01,295 HEY, CESAR. CESAR. 1323 00:50:01,921 --> 00:50:03,131 UH, MANNY AND I WANT TO OPEN A CLUB. 1324 00:50:03,131 --> 00:50:05,133 UH, MANNY AND I WANT TO OPEN A CLUB. 1325 00:50:05,133 --> 00:50:05,299 UH, MANNY AND I WANT TO OPEN A CLUB. 1326 00:50:05,925 --> 00:50:07,135 DON■T BE A CHILD, WILL YOU, PLEASE? 1327 00:50:07,135 --> 00:50:08,970 DON■T BE A CHILD, WILL YOU, PLEASE? 1328 00:50:09,387 --> 00:50:10,179 MR. VANDERBILT SAYS-- 1329 00:50:10,888 --> 00:50:11,139 WHAT THE HELL YOU KNOW ABOUT RUNNING A CLUB? 1330 00:50:11,139 --> 00:50:12,306 WHAT THE HELL YOU KNOW ABOUT RUNNING A CLUB? 1331 00:50:12,640 --> 00:50:13,141 HE CAN LEARN. 1332 00:50:13,141 --> 00:50:13,724 HE CAN LEARN. 1333 00:50:14,392 --> 00:50:15,143 DELORES, IT■S MEN■S BUSINESS, YOU KNOW. 1334 00:50:15,143 --> 00:50:15,476 DELORES, IT■S MEN■S BUSINESS, YOU KNOW. 1335 00:50:16,310 --> 00:50:17,145 IT■S REALLY NOT YOUR WORTH GETTING INVOLVED IN IT, PLEASE. 1336 00:50:17,145 --> 00:50:17,353 IT■S REALLY NOT YOUR WORTH GETTING INVOLVED IN IT, PLEASE. 1337 00:50:17,895 --> 00:50:19,063 MEN■S BUSINESS HAS YOU PLAYING 1338 00:50:19,647 --> 00:50:20,648 THE SORENTO LOUNGE IN NEW JERSEY. 1339 00:50:21,482 --> 00:50:22,650 WHEN I WANT YOUR OPINION, HONEY, I■M GOING TO ASK FOR IT. 1340 00:50:23,317 --> 00:50:24,152 CESAR, YOU HAVE TO THINK OF THE FUTURE. 1341 00:50:24,902 --> 00:50:25,153 WHO THE HELL ARE YOU? DON■T TELL ME WHAT TO THINK. 1342 00:50:25,153 --> 00:50:25,528 WHO THE HELL ARE YOU? DON■T TELL ME WHAT TO THINK. 1343 00:50:26,070 --> 00:50:26,904 DON■T TALK TO DELORES THAT WAY. 1344 00:50:27,363 --> 00:50:28,197 WELL, YOU KEEP HER QUIET. 1345 00:50:28,865 --> 00:50:29,157 SHE GOING TO FIGHT YOUR BATTLES FOR YOU? 1346 00:50:29,157 --> 00:50:29,949 SHE GOING TO FIGHT YOUR BATTLES FOR YOU? 1347 00:50:30,408 --> 00:50:30,867 LIKE A CHILD! PRECISELY! 1348 00:50:31,409 --> 00:50:32,201 DON■T TALK TO DELORES LIKE THAT. 1349 00:50:32,702 --> 00:50:33,161 DON■T TEACH ME HOW TO TALK. 1350 00:50:33,161 --> 00:50:33,703 DON■T TEACH ME HOW TO TALK. 1351 00:50:34,203 --> 00:50:35,163 SHE■S GOING TO BE MY WIFE! 1352 00:50:35,163 --> 00:50:35,705 SHE■S GOING TO BE MY WIFE! 1353 00:50:38,040 --> 00:50:39,167 NESTOR. 1354 00:50:39,167 --> 00:50:39,292 NESTOR. 1355 00:50:39,667 --> 00:50:40,376 ■COMO? 1356 00:50:40,710 --> 00:50:41,169 I■M SORRY. 1357 00:50:41,169 --> 00:50:41,711 I■M SORRY. 1358 00:50:42,211 --> 00:50:43,171 SORRY, DELORES, SORRY. I KNOW 1359 00:50:43,171 --> 00:50:43,254 SORRY, DELORES, SORRY. I KNOW 1360 00:50:44,005 --> 00:50:45,173 THIS IS NOT THE WAY WE WERE GOING TO TELL THEM, 1361 00:50:45,173 --> 00:50:47,175 THIS IS NOT THE WAY WE WERE GOING TO TELL THEM, 1362 00:50:47,175 --> 00:50:47,216 THIS IS NOT THE WAY WE WERE GOING TO TELL THEM, 1363 00:50:47,884 --> 00:50:49,177 BUT DELORES HAS CONSENTED TO BE MY WIFE. 1364 00:50:49,177 --> 00:50:51,179 BUT DELORES HAS CONSENTED TO BE MY WIFE. 1365 00:50:51,179 --> 00:50:51,470 BUT DELORES HAS CONSENTED TO BE MY WIFE. 1366 00:50:57,935 --> 00:50:58,436 MY GOD. 1367 00:50:58,853 --> 00:50:59,187 I FEEL LIKE AN IDIOT. 1368 00:50:59,187 --> 00:50:59,854 I FEEL LIKE AN IDIOT. 1369 00:51:00,479 --> 00:51:01,189 NO. AN ANIMAL. YOU■RE AN ANIMAL, MAN. 1370 00:51:01,189 --> 00:51:02,857 NO. AN ANIMAL. YOU■RE AN ANIMAL, MAN. 1371 00:51:05,610 --> 00:51:07,195 [HUMMING] 1372 00:51:07,195 --> 00:51:07,612 [HUMMING] 1373 00:51:14,452 --> 00:51:15,203 HEY, YOU OK? 1374 00:51:15,203 --> 00:51:16,287 HEY, YOU OK? 1375 00:51:16,579 --> 00:51:17,205 [HUMMING] 1376 00:51:17,205 --> 00:51:18,581 [HUMMING] 1377 00:51:18,956 --> 00:51:19,207 YEAH, YOU■RE OK. 1378 00:51:19,207 --> 00:51:20,374 YEAH, YOU■RE OK. 1379 00:51:24,420 --> 00:51:25,129 HONK, HONK. 1380 00:51:29,592 --> 00:51:31,135 UH, I HAVE TO TALK TO YOU. 1381 00:51:31,385 --> 00:51:32,136 WHAT? 1382 00:51:32,386 --> 00:51:33,221 YEAH. 1383 00:51:33,221 --> 00:51:33,387 YEAH. 1384 00:51:35,765 --> 00:51:37,141 DELORES, UH... 1385 00:51:39,352 --> 00:51:41,229 SHE■S GOING TO HAVE A BABY. 1386 00:51:41,229 --> 00:51:42,313 SHE■S GOING TO HAVE A BABY. 1387 00:51:49,779 --> 00:51:50,321 HERMANITO. 1388 00:51:50,571 --> 00:51:51,239 DAMN. 1389 00:51:51,239 --> 00:51:51,739 DAMN. 1390 00:51:53,741 --> 00:51:55,243 HELL OF A GOOD REASON TO MARRY HER, TOO, KID. 1391 00:51:55,243 --> 00:51:55,576 HELL OF A GOOD REASON TO MARRY HER, TOO, KID. 1392 00:51:56,118 --> 00:51:57,245 WHAT ARE YOU SAYING? I LOVE HER. 1393 00:51:57,245 --> 00:51:58,162 WHAT ARE YOU SAYING? I LOVE HER. 1394 00:51:58,537 --> 00:51:59,247 I LOVE DELORES. 1395 00:51:59,789 --> 00:52:01,249 IS MARIA OUT OF YOUR HEART NOW? 1396 00:52:01,249 --> 00:52:02,333 IS MARIA OUT OF YOUR HEART NOW? 1397 00:52:05,503 --> 00:52:07,255 WELL, LET■S JUST THANK GOD FOR THAT, 1398 00:52:07,255 --> 00:52:09,257 WELL, LET■S JUST THANK GOD FOR THAT, 1399 00:52:09,590 --> 00:52:10,675 HMM? 1400 00:52:12,510 --> 00:52:13,261 OK, YOU KNOW, CESAR, 1401 00:52:13,261 --> 00:52:13,427 OK, YOU KNOW, CESAR, 1402 00:52:13,928 --> 00:52:15,263 I WAS THINKING ABOUT THAT. 1403 00:52:15,263 --> 00:52:15,429 I WAS THINKING ABOUT THAT. 1404 00:52:15,763 --> 00:52:16,430 ABOUT WHAT? 1405 00:52:16,764 --> 00:52:17,265 WITH MARIA. 1406 00:52:17,265 --> 00:52:18,224 WITH MARIA. 1407 00:52:18,474 --> 00:52:19,267 WHAT? 1408 00:52:19,267 --> 00:52:19,433 WHAT? 1409 00:52:19,976 --> 00:52:21,269 I HAVE WRITTEN HER MANY LETTERS, 1410 00:52:21,269 --> 00:52:22,436 I HAVE WRITTEN HER MANY LETTERS, 1411 00:52:22,812 --> 00:52:23,271 BUT SHE NEVER... 1412 00:52:23,271 --> 00:52:25,273 BUT SHE NEVER... 1413 00:52:25,273 --> 00:52:25,439 BUT SHE NEVER... 1414 00:52:25,856 --> 00:52:27,275 NEVER ANSWERED THEM. 1415 00:52:27,275 --> 00:52:28,025 NEVER ANSWERED THEM. 1416 00:52:28,317 --> 00:52:29,277 ANYWAY... 1417 00:52:29,277 --> 00:52:30,194 ANYWAY... 1418 00:52:32,613 --> 00:52:33,281 I THINK MARIA WAS RIGHT. 1419 00:52:33,281 --> 00:52:34,740 I THINK MARIA WAS RIGHT. 1420 00:52:36,575 --> 00:52:37,285 I WASN■T HER DESTINY. 1421 00:52:37,285 --> 00:52:37,660 I WASN■T HER DESTINY. 1422 00:52:38,369 --> 00:52:39,287 COME ON, WHAT THE HELL ARE WE TALKING ABOUT? 1423 00:52:39,287 --> 00:52:40,997 COME ON, WHAT THE HELL ARE WE TALKING ABOUT? 1424 00:52:41,539 --> 00:52:43,291 A WOMAN LIKE THAT FOR YOU, HUH? 1425 00:52:43,291 --> 00:52:43,499 A WOMAN LIKE THAT FOR YOU, HUH? 1426 00:52:43,916 --> 00:52:45,293 THAT■S POISON, KID. 1427 00:52:45,293 --> 00:52:46,544 THAT■S POISON, KID. 1428 00:52:49,797 --> 00:52:50,798 POISON. 1429 00:52:53,968 --> 00:52:55,303 BUT DO YOU REALLY KNOW NOW? 1430 00:52:55,303 --> 00:52:55,511 BUT DO YOU REALLY KNOW NOW? 1431 00:52:55,761 --> 00:52:57,305 WHAT? 1432 00:52:57,847 --> 00:52:59,265 HOW LUCKY YOU ARE... 1433 00:53:00,975 --> 00:53:01,309 TO HAVE A WOMAN LIKE DELORES? 1434 00:53:01,309 --> 00:53:03,311 TO HAVE A WOMAN LIKE DELORES? 1435 00:53:03,311 --> 00:53:03,686 TO HAVE A WOMAN LIKE DELORES? 1436 00:53:04,103 --> 00:53:05,313 YES, I KNOW, I KNOW. 1437 00:53:05,313 --> 00:53:06,647 YES, I KNOW, I KNOW. 1438 00:53:07,064 --> 00:53:07,315 THEN WHAT IS THIS? 1439 00:53:07,315 --> 00:53:08,399 THEN WHAT IS THIS? 1440 00:53:08,858 --> 00:53:09,317 YOU SAVE YOUR PENNIES. 1441 00:53:09,317 --> 00:53:09,984 YOU SAVE YOUR PENNIES. 1442 00:53:10,735 --> 00:53:11,319 YOU KNOW, YOU■RE LIKE A LITTLE 53:10.735 --> 53:11.319 align:start 1443 00:53:10,735 --> 00:53:11,319 HORMIGUITA. 1444 00:53:11,319 --> 00:53:11,986 YOU KNOW, YOU■RE LIKE A LITTLE 53:11.319 --> 53:11.986 align:start 1445 00:53:11,319 --> 00:53:11,986 HORMIGUITA. 1446 00:53:12,486 --> 00:53:13,321 YOU■RE GOING TO OPEN A CLUB. 1447 00:53:13,321 --> 00:53:13,988 YOU■RE GOING TO OPEN A CLUB. 1448 00:53:14,780 --> 00:53:15,323 I WANT TO HAVE SOMETHING TO SHOW MY WIFE AND MY BABY. 1449 00:53:15,323 --> 00:53:17,033 I WANT TO HAVE SOMETHING TO SHOW MY WIFE AND MY BABY. 1450 00:53:17,491 --> 00:53:19,243 BUT YOU DON■T COME TO ME? 1451 00:53:19,618 --> 00:53:20,536 YES, I DO, BUT... 1452 00:53:21,037 --> 00:53:21,329 WELL, COME ON. THAT IS IT. 1453 00:53:21,329 --> 00:53:23,039 WELL, COME ON. THAT IS IT. 1454 00:53:23,748 --> 00:53:25,333 A MAN WITHOUT A FAMILY, WHO THE HELL IS THAT? 1455 00:53:25,333 --> 00:53:26,959 A MAN WITHOUT A FAMILY, WHO THE HELL IS THAT? 1456 00:53:29,837 --> 00:53:31,005 IT■S NOBODY. 1457 00:53:31,255 --> 00:53:31,339 HMM? 1458 00:53:31,339 --> 00:53:32,173 HMM? 1459 00:53:33,507 --> 00:53:35,176 YEAH. 1460 00:53:36,510 --> 00:53:37,345 YOU KNOW HOW MUCH I LOVE YOU? 1461 00:53:37,345 --> 00:53:38,971 YOU KNOW HOW MUCH I LOVE YOU? 1462 00:53:39,221 --> 00:53:39,347 YES. 1463 00:53:39,347 --> 00:53:40,306 YES. 1464 00:53:40,681 --> 00:53:41,349 I LOVE YOU, TOO. 1465 00:53:41,349 --> 00:53:42,475 I LOVE YOU, TOO. 1466 00:53:42,933 --> 00:53:43,351 YOU DON■T FORGET THAT. 1467 00:53:43,351 --> 00:53:45,311 YOU DON■T FORGET THAT. 1468 00:53:47,521 --> 00:53:48,314 NO. 1469 00:53:53,944 --> 00:53:55,363 HA HA HA! 1470 00:53:55,363 --> 00:53:55,863 HA HA HA! 1471 00:53:58,699 --> 00:53:59,367 GOOD WORK, KID. 1472 00:53:59,367 --> 00:53:59,909 GOOD WORK, KID. 1473 00:54:02,828 --> 00:54:03,371 ■ GUANTANAMERA ■ 1474 00:54:03,371 --> 00:54:04,330 ■ GUANTANAMERA ■ 1475 00:54:05,706 --> 00:54:07,375 ■ GUAJIRA GUANTANAMERA ■ 1476 00:54:07,375 --> 00:54:08,626 ■ GUAJIRA GUANTANAMERA ■ 1477 00:54:10,086 --> 00:54:11,379 ■ GUANTANAMERA ■ 1478 00:54:11,379 --> 00:54:13,381 ■ GUANTANAMERA ■ 1479 00:54:13,381 --> 00:54:13,589 ■ GUANTANAMERA ■ 1480 00:54:14,131 --> 00:54:15,383 ■ GUAJIRA GUANTANAMERA ■ 1481 00:54:15,383 --> 00:54:17,385 ■ GUAJIRA GUANTANAMERA ■ 1482 00:54:17,385 --> 00:54:17,635 ■ GUAJIRA GUANTANAMERA ■ 1483 00:54:18,344 --> 00:54:19,387 ■ YO SOY 54:18.344 --> 54:19.387 align:start 1484 00:54:18,344 --> 00:54:19,387 UN HOMBRE SINCERO ■ 1485 00:54:19,387 --> 00:54:21,389 ■ YO SOY 54:19.387 --> 54:21.389 align:start 1486 00:54:19,387 --> 00:54:21,389 UN HOMBRE SINCERO ■ 1487 00:54:21,389 --> 00:54:21,680 ■ YO SOY 54:21.389 --> 54:21.680 align:start 1488 00:54:21,389 --> 00:54:21,680 UN HOMBRE SINCERO ■ 1489 00:54:22,306 --> 00:54:23,391 ■ DE DONDE CRECE LA PALMA ■ 1490 00:54:23,391 --> 00:54:25,393 ■ DE DONDE CRECE LA PALMA ■ 1491 00:54:25,393 --> 00:54:25,768 ■ DE DONDE CRECE LA PALMA ■ 1492 00:54:26,477 --> 00:54:27,395 ■ YO SOY 54:26.477 --> 54:27.395 align:start 1493 00:54:26,477 --> 00:54:27,395 UN HOMBRE SINCERO ■ 1494 00:54:27,395 --> 00:54:29,397 ■ YO SOY 54:27.395 --> 54:29.397 align:start 1495 00:54:27,395 --> 00:54:29,397 UN HOMBRE SINCERO ■ 1496 00:54:29,397 --> 00:54:30,106 ■ YO SOY 54:29.397 --> 54:30.106 align:start 1497 00:54:29,397 --> 00:54:30,106 UN HOMBRE SINCERO ■ 1498 00:54:30,731 --> 00:54:31,399 ■ DE DONDE CRECE LA PALMA ■ 1499 00:54:31,399 --> 00:54:33,401 ■ DE DONDE CRECE LA PALMA ■ 1500 00:54:33,401 --> 00:54:34,360 ■ DE DONDE CRECE LA PALMA ■ 1501 00:54:35,111 --> 00:54:35,403 ■ YANTES DE 54:35.111 --> 54:35.403 align:start 1502 00:54:35,111 --> 00:54:35,403 MORIRME YO QUIERO ■ 1503 00:54:35,403 --> 00:54:37,405 ■ YANTES DE 54:35.403 --> 54:37.405 align:start 1504 00:54:35,403 --> 00:54:37,405 MORIRME YO QUIERO ■ 1505 00:54:37,405 --> 00:54:38,280 ■ YANTES DE 54:37.405 --> 54:38.280 align:start 1506 00:54:37,405 --> 00:54:38,280 MORIRME YO QUIERO ■ 1507 00:54:39,031 --> 00:54:39,407 ■ CANTARE DE VERSOS 54:39.031 --> 54:39.407 align:start   1508 00:54:39,031 --> 00:54:39,407 DEL ALMA ■ 1509 00:54:39,407 --> 00:54:41,409 ■ CANTARE DE VERSOS 54:39.407 --> 54:41.409 align:start   1510 00:54:39,407 --> 00:54:41,409 DEL ALMA ■ 1511 00:54:41,409 --> 00:54:42,076 ■ CANTARE DE VERSOS 54:41.409 --> 54:42.076 align:start   1512 00:54:41,409 --> 00:54:42,076 DEL ALMA ■ 1513 00:54:43,828 --> 00:54:45,413 ■ GUANTANAMERA ■ 1514 00:54:47,373 --> 00:54:47,415 ■ GUAJIRA GUANTANAMERA ■ 1515 00:54:47,415 --> 00:54:49,417 ■ GUAJIRA GUANTANAMERA ■ 1516 00:54:49,417 --> 00:54:49,834 ■ GUAJIRA GUANTANAMERA ■ 1517 00:54:52,169 --> 00:54:53,421 ■ GUANTANAMERA ■ 1518 00:54:53,421 --> 00:54:54,964 ■ GUANTANAMERA ■ 1519 00:54:55,506 --> 00:54:57,425 ■ GUAJIRA GUANTANAMERA ■ 1520 00:54:57,425 --> 00:54:59,009 ■ GUAJIRA GUANTANAMERA ■ 1521 00:55:00,261 --> 00:55:01,429 ■ GUANTANAMERA ■ 1522 00:55:01,429 --> 00:55:02,179 ■ GUANTANAMERA ■ 1523 00:55:03,764 --> 00:55:05,433 ■ GUAJIRA GUANTANAMERA ■ 1524 00:55:05,433 --> 00:55:06,183 ■ GUAJIRA GUANTANAMERA ■ 1525 00:55:34,003 --> 00:55:35,463 MARIA. 1526 00:55:35,463 --> 00:55:35,546 MARIA. 1527 00:55:35,880 --> 00:55:37,465 OH, MARIA. 1528 00:56:03,908 --> 00:56:05,493 DELORES IS ON THE TELEPHONE. IT■S HER TIME. 1529 00:56:05,493 --> 00:56:06,494 DELORES IS ON THE TELEPHONE. IT■S HER TIME. 1530 00:56:07,077 --> 00:56:07,411 [SPEAKING SPANISH] 1531 00:56:07,870 --> 00:56:09,497 IT■S THE BABY! COME ON! 1532 00:56:09,497 --> 00:56:10,498 IT■S THE BABY! COME ON! 1533 00:56:10,789 --> 00:56:11,499 COME ON! 1534 00:56:11,874 --> 00:56:13,501 [BELL RINGS] 1535 00:56:15,920 --> 00:56:17,505 COME ON, CESAR! COME ON! 1536 00:56:17,505 --> 00:56:18,088 COME ON, CESAR! COME ON! 1537 00:56:20,049 --> 00:56:20,925 HE■S BEAUTIFUL, HUH? 1538 00:56:21,217 --> 00:56:21,509 ISN■T HE? 1539 00:56:21,509 --> 00:56:21,926 ISN■T HE? 1540 00:56:22,301 --> 00:56:23,302 HE■S BEAUTIFUL. 1541 00:56:23,761 --> 00:56:25,513 I--I GOT THESE FOR YOU. 1542 00:56:25,513 --> 00:56:26,305 I--I GOT THESE FOR YOU. 1543 00:56:26,722 --> 00:56:27,515 I HOPE THEY■RE GOOD. 1544 00:56:27,515 --> 00:56:28,849 I HOPE THEY■RE GOOD. 1545 00:56:29,183 --> 00:56:29,517 OH, CESAR. 1546 00:56:29,517 --> 00:56:30,351 OH, CESAR. 1547 00:56:32,228 --> 00:56:33,521 "JANE EYRE... 1548 00:56:33,521 --> 00:56:34,188 "JANE EYRE... 1549 00:56:34,730 --> 00:56:35,523 CRIME AND PUNISHMENT." 1550 00:56:35,523 --> 00:56:37,525 CRIME AND PUNISHMENT." 1551 00:56:37,525 --> 00:56:38,025 CRIME AND PUNISHMENT." 1552 00:56:38,567 --> 00:56:39,527 HOW DID YOU KNOW WHAT TO CHOOSE? 1553 00:56:39,527 --> 00:56:40,861 HOW DID YOU KNOW WHAT TO CHOOSE? 1554 00:56:41,445 --> 00:56:41,529 THE FELLOW AT THE STORE, YOU KNOW. 1555 00:56:41,529 --> 00:56:43,531 THE FELLOW AT THE STORE, YOU KNOW. 1556 00:56:43,531 --> 00:56:44,114 THE FELLOW AT THE STORE, YOU KNOW. 1557 00:56:46,242 --> 00:56:47,535 I HOPE THEY■RE GOOD. 1558 00:56:47,535 --> 00:56:48,536 I HOPE THEY■RE GOOD. 1559 00:56:53,290 --> 00:56:53,541 IT■S THE MOST WONDERFUL PRESENT. 1560 00:56:53,541 --> 00:56:55,042 IT■S THE MOST WONDERFUL PRESENT. 1561 00:56:55,376 --> 00:56:55,543 THANK YOU. 1562 00:56:55,543 --> 00:56:56,293 THANK YOU. 1563 00:56:58,254 --> 00:56:59,547 I■M SO HAPPY FOR YOU. 1564 00:56:59,547 --> 00:57:00,047 I■M SO HAPPY FOR YOU. 1565 00:57:02,341 --> 00:57:03,551 HEY, LET ME SEE HIM, HUH? 1566 00:57:06,262 --> 00:57:07,555 HE■S A CASTILLO. 1567 00:57:07,555 --> 00:57:07,596 HE■S A CASTILLO. 1568 00:57:08,264 --> 00:57:09,557 LOOK AT THE EXPRESSION ON HIS FACE, HUH? 1569 00:57:09,557 --> 00:57:10,849 LOOK AT THE EXPRESSION ON HIS FACE, HUH? 1570 00:57:11,225 --> 00:57:11,559 LIKE A HEADACHE. 1571 00:57:11,559 --> 00:57:12,560 LIKE A HEADACHE. 1572 00:57:12,893 --> 00:57:13,561 HA HA HA HA! 1573 00:57:13,561 --> 00:57:15,229 HA HA HA HA! 1574 00:57:15,771 --> 00:57:17,565 LOOK AT THIS LITTLE ANGEL, HUH? 1575 00:57:17,565 --> 00:57:19,567 LOOK AT THIS LITTLE ANGEL, HUH? 1576 00:57:19,567 --> 00:57:19,608 LOOK AT THIS LITTLE ANGEL, HUH? 1577 00:57:19,984 --> 00:57:21,569 [TRUMPET PLAYS] 1578 00:57:21,569 --> 00:57:21,610 [TRUMPET PLAYS] 1579 00:57:47,011 --> 00:57:47,595 GOOD EVENING. 1580 00:57:47,595 --> 00:57:47,720 GOOD EVENING. 1581 00:57:48,137 --> 00:57:49,597 IT■S GOOD TO SEE YOU. 1582 00:57:49,597 --> 00:57:49,722 IT■S GOOD TO SEE YOU. 1583 00:58:00,983 --> 00:58:01,609 ■ AUNQUE ESTEMOS 58:00.983 --> 58:01.609 align:start   1584 00:58:00,983 --> 00:58:01,609 SEPARADOS ■ 1585 00:58:01,609 --> 00:58:03,611 ■ AUNQUE ESTEMOS 58:01.609 --> 58:03.611 align:start   1586 00:58:01,609 --> 00:58:03,611 SEPARADOS ■ 1587 00:58:03,611 --> 00:58:05,237 ■ AUNQUE ESTEMOS 58:03.611 --> 58:05.237 align:start   1588 00:58:03,611 --> 00:58:05,237 SEPARADOS ■ 1589 00:58:05,904 --> 00:58:07,615 ■ EN UN SUEÑO 58:05.904 --> 58:07.615 align:start   1590 00:58:05,904 --> 00:58:07,615 ANGELICAL ■ 1591 00:58:07,615 --> 00:58:09,617 ■ EN UN SUEÑO 58:07.615 --> 58:09.617 align:start   1592 00:58:07,615 --> 00:58:09,617 ANGELICAL ■ 1593 00:58:09,617 --> 00:58:10,367 ■ EN UN SUEÑO 58:09.617 --> 58:10.367 align:start   1594 00:58:09,617 --> 00:58:10,367 ANGELICAL ■ 1595 00:58:11,076 --> 00:58:11,619 ■ SI LLEGO 58:11.076 --> 58:11.619 align:start 1596 00:58:11,076 --> 00:58:11,619 DE NUEVO AMAR ■ 1597 00:58:11,619 --> 00:58:13,370 ■ SI LLEGO 58:11.619 --> 58:13.370 align:start 1598 00:58:11,619 --> 00:58:13,370 DE NUEVO AMAR ■ 1599 00:58:13,829 --> 00:58:15,581 ■ NO HAY RAZON ■ 1600 00:58:16,081 --> 00:58:17,625 ■ PORQUE CAMBIAR ■ 1601 00:58:17,625 --> 00:58:19,627 ■ PORQUE CAMBIAR ■ 1602 00:58:19,627 --> 00:58:20,294 ■ PORQUE CAMBIAR ■ 1603 00:58:20,836 --> 00:58:21,629 ■ AND THE TASTE OF YOU REMAINS ■ 1604 00:58:21,629 --> 00:58:23,631 ■ AND THE TASTE OF YOU REMAINS ■ 1605 00:58:23,631 --> 00:58:25,424 ■ AND THE TASTE OF YOU REMAINS ■ 1606 00:58:25,966 --> 00:58:27,635 Both: ■ CLINGING TO PARADISE ■ 1607 00:58:27,635 --> 00:58:29,637 Both: ■ CLINGING TO PARADISE ■ 1608 00:58:29,637 --> 00:58:30,429 Both: ■ CLINGING TO PARADISE ■ 1609 00:58:31,055 --> 00:58:31,639 ■ BUT AS THE DISTANCE FROM YOU GROWS ■ 1610 00:58:31,639 --> 00:58:33,641 ■ BUT AS THE DISTANCE FROM YOU GROWS ■ 1611 00:58:33,641 --> 00:58:35,267 ■ BUT AS THE DISTANCE FROM YOU GROWS ■ 1612 00:58:35,684 --> 00:58:37,645 ■ ALL THAT MY HEART ■ 1613 00:58:37,645 --> 00:58:38,270 ■ ALL THAT MY HEART ■ 1614 00:58:38,646 --> 00:58:39,647 ■ EVER KNOWS ■ 1615 00:58:39,647 --> 00:58:40,272 ■ EVER KNOWS ■ 1616 00:58:40,731 --> 00:58:41,649 ■ HUNGER FOR YOUR KISS ■ 1617 00:58:41,649 --> 00:58:42,441 ■ HUNGER FOR YOUR KISS ■ 1618 00:58:43,108 --> 00:58:43,651 MIGUEL, GOOD TO SEE YOU AGAIN, MY FRIEND. 1619 00:58:43,651 --> 00:58:45,110 MIGUEL, GOOD TO SEE YOU AGAIN, MY FRIEND. 1620 00:58:45,402 --> 00:58:45,653 WELCOME. 1621 00:58:45,653 --> 00:58:46,403 WELCOME. 1622 00:58:47,112 --> 00:58:47,655 YOU REMEMBER MIKE WELLS, MY BUSINESS MANAGER? 1623 00:58:47,655 --> 00:58:48,781 YOU REMEMBER MIKE WELLS, MY BUSINESS MANAGER? 1624 00:58:49,156 --> 00:58:49,657 GOOD TO SEE YOU. 1625 00:58:49,657 --> 00:58:49,823 GOOD TO SEE YOU. 1626 00:58:50,240 --> 00:58:50,741 ALWAYS A PLEASURE. 1627 00:58:51,367 --> 00:58:51,659 MIGUEL, THESE FELLAS ARE FANTASTIC. 1628 00:58:51,659 --> 00:58:52,493 MIGUEL, THESE FELLAS ARE FANTASTIC. 1629 00:58:53,202 --> 00:58:53,661 I■D LIKE TO INVITE THEM OVER TO OUR TABLE. 1630 00:58:53,661 --> 00:58:54,161 I■D LIKE TO INVITE THEM OVER TO OUR TABLE. 1631 00:58:54,787 --> 00:58:55,663 WOULD YOU ASK THEM TO JOIN US, PLEASE? 1632 00:58:55,663 --> 00:58:55,996 WOULD YOU ASK THEM TO JOIN US, PLEASE? 1633 00:58:56,372 --> 00:58:57,206 WITH PLEASURE. 1634 00:58:57,665 --> 00:58:58,666 GRACIAS, MIGUEL. 1635 00:59:27,319 --> 00:59:27,695 THANK YOU. 1636 00:59:27,695 --> 00:59:28,195 THANK YOU. 1637 00:59:28,821 --> 00:59:29,697 HOLA. 59:28.821 --> 59:29.697 align:start 1638 00:59:28,821 --> 00:59:29,697 HOLA, AMIGOS. 1639 00:59:29,697 --> 00:59:29,738 HOLA. 59:29.697 --> 59:29.738 align:start 1640 00:59:29,697 --> 00:59:29,738 HOLA, AMIGOS. 1641 00:59:30,072 --> 00:59:31,365 DESI ARNAZ. 1642 00:59:33,200 --> 00:59:33,701 OHH, MY GOD! 1643 00:59:33,701 --> 00:59:34,410 OHH, MY GOD! 1644 00:59:34,743 --> 00:59:35,703 HOLA. 1645 00:59:36,245 --> 00:59:37,705 THIS IS MY MANAGER MIKE WELLS. 1646 00:59:37,705 --> 00:59:37,955 THIS IS MY MANAGER MIKE WELLS. 1647 00:59:38,455 --> 00:59:39,206 PLEASURE TO MEET YOU BOTH. 1648 00:59:39,498 --> 00:59:39,707 HI, MIKE. 1649 00:59:39,707 --> 00:59:40,457 HI, MIKE. 1650 00:59:40,916 --> 00:59:41,709 HOW ARE YOU, MIKE? HELLO. 1651 00:59:41,709 --> 00:59:42,710 HOW ARE YOU, MIKE? HELLO. 1652 00:59:43,293 --> 00:59:43,711 I AM SO PLEASED TO MEET YOU. 1653 00:59:43,711 --> 00:59:44,837 I AM SO PLEASED TO MEET YOU. 1654 00:59:45,212 --> 00:59:45,713 ME, TOO. ME, TOO. 1655 00:59:45,713 --> 00:59:46,004 ME, TOO. ME, TOO. 1656 00:59:46,422 --> 00:59:47,256 MUCHO GUSTO. 1657 00:59:47,673 --> 00:59:47,715 I■M CESAR CASTILLO. 1658 00:59:47,715 --> 00:59:48,799 I■M CESAR CASTILLO. 1659 00:59:49,216 --> 00:59:49,717 I AM HIS BROTHER... 1660 00:59:49,717 --> 00:59:49,925 I AM HIS BROTHER... 1661 00:59:50,300 --> 00:59:51,218 NESTOR. NESTOR. 1662 00:59:51,927 --> 00:59:53,721 OH, 59:51.927 --> 59:53.721 align:start 1663 00:59:51,927 --> 00:59:53,721 GRACIAS, GRACIAS.  1664 00:59:51,927 --> 00:59:53,721 WHAT A SURPRISE. 1665 00:59:53,721 --> 00:59:54,096 OH, 59:53.721 --> 59:54.096 align:start 1666 00:59:53,721 --> 00:59:54,096 GRACIAS, GRACIAS.  1667 00:59:53,721 --> 00:59:54,096 WHAT A SURPRISE. 1668 00:59:54,471 --> 00:59:55,556 WHAT A SURPRISE. 1669 00:59:55,973 --> 00:59:57,099 WHAT A NICE SURPRISE. 1670 00:59:57,474 --> 00:59:57,725 PLEASE SIT DOWN. 1671 00:59:57,725 --> 00:59:58,726 PLEASE SIT DOWN. 1672 00:59:59,101 --> 00:59:59,727 OH, GOD. 1673 00:59:59,727 --> 01:00:00,602 OH, GOD. 1674 01:00:00,978 --> 01:00:01,729 HOW ABOUT THAT. 1675 01:00:01,729 --> 01:00:01,854 HOW ABOUT THAT. 1676 01:00:02,479 --> 01:00:03,439 MIKE AND I WANTED TO COMPLIMENT YOU 1677 01:00:03,856 --> 01:00:04,606 ON YOUR PERFORMANCE. 1678 01:00:05,107 --> 01:00:05,733 THAT WAS A WONDERFUL SONG. 1679 01:00:05,733 --> 01:00:06,608 THAT WAS A WONDERFUL SONG. 1680 01:00:07,317 --> 01:00:07,735 BEAUTIFUL MARIA 01:00:07.317 --> 01:00:07.735 align:start 1681 01:00:07,317 --> 01:00:07,735 OF MY SOUL. 1682 01:00:07,735 --> 01:00:09,737 BEAUTIFUL MARIA 01:00:07.735 --> 01:00:09.737 align:start 1683 01:00:07,735 --> 01:00:09,737 OF MY SOUL. 1684 01:00:10,362 --> 01:00:11,280 I HAVE WRITTEN MANY DIFFERENT SONGS 1685 01:00:11,697 --> 01:00:11,739 OF THE FIRST NAME-- 1686 01:00:11,739 --> 01:00:12,698 OF THE FIRST NAME-- 1687 01:00:13,449 --> 01:00:13,741 MANY DIFFERENT VERSIONS OF THIS SONG. EXCUSE ME. 1688 01:00:13,741 --> 01:00:14,616 MANY DIFFERENT VERSIONS OF THIS SONG. EXCUSE ME. 1689 01:00:15,200 --> 01:00:15,743 HAVE YOU WRITTEN ANY OTHER SONGS? 1690 01:00:15,743 --> 01:00:17,161 HAVE YOU WRITTEN ANY OTHER SONGS? 1691 01:00:17,536 --> 01:00:17,745 YES, A FEW SONGS. 1692 01:00:17,745 --> 01:00:18,620 YES, A FEW SONGS. 1693 01:00:19,079 --> 01:00:19,747 HE GOT A SUITCASE FULL. 1694 01:00:19,747 --> 01:00:20,497 HE GOT A SUITCASE FULL. 1695 01:00:22,082 --> 01:00:23,751 SO WHERE WERE YOU FELLAS FROM IN CUBA? 1696 01:00:23,751 --> 01:00:24,084 SO WHERE WERE YOU FELLAS FROM IN CUBA? 1697 01:00:24,501 --> 01:00:25,419 LAS PIÑAS. LAS PIÑAS. 1698 01:00:26,211 --> 01:00:27,755 THAT■S THE SUGAR MILL TOWN IN ORIENTE, YOU KNOW THAT. 1699 01:00:27,755 --> 01:00:28,672 THAT■S THE SUGAR MILL TOWN IN ORIENTE, YOU KNOW THAT. 1700 01:00:29,214 --> 01:00:29,757 HA! SO AM I FROM ORIENTE, TOO. 1701 01:00:29,757 --> 01:00:30,841 HA! SO AM I FROM ORIENTE, TOO. 1702 01:00:31,133 --> 01:00:31,759 SANTIAGO! 1703 01:00:31,759 --> 01:00:31,884 SANTIAGO! 1704 01:00:33,552 --> 01:00:33,761 IF YOU PUT A COUPLE OF CUBANOS TOGETHER, 1705 01:00:33,761 --> 01:00:35,679 IF YOU PUT A COUPLE OF CUBANOS TOGETHER, 1706 01:00:36,138 --> 01:00:37,639 WE■RE ALL RELATED, RIGHT? 1707 01:00:40,058 --> 01:00:41,769 THIS CALLS FOR A CELEBRATION, HUH? 1708 01:00:41,769 --> 01:00:42,770 THIS CALLS FOR A CELEBRATION, HUH? 1709 01:00:43,312 --> 01:00:43,771 SALUD. 1710 01:00:43,771 --> 01:00:44,605 SALUD. 1711 01:00:45,105 --> 01:00:45,773 [PLAYING 01:00:45.105 --> 01:00:45.773 align:start COMO FUE] 1712 01:00:45,773 --> 01:00:47,608 [PLAYING 01:00:45.773 --> 01:00:47.608 align:start COMO FUE] 1713 01:00:48,025 --> 01:00:48,692 QUE SABROSO! 1714 01:00:49,193 --> 01:00:49,777 YOU DON■T KNOW HOW NICE IT IS 1715 01:00:49,777 --> 01:00:50,778 YOU DON■T KNOW HOW NICE IT IS 1716 01:00:51,278 --> 01:00:51,779 TO JUST RELAX FOR A CHANGE. 1717 01:00:51,779 --> 01:00:52,780 TO JUST RELAX FOR A CHANGE. 1718 01:00:53,405 --> 01:00:53,781 YOU■RE PROBABLY TIRED OF DINING OUT 1719 01:00:53,781 --> 01:00:54,782 YOU■RE PROBABLY TIRED OF DINING OUT 1720 01:00:55,407 --> 01:00:55,783 WITH THE ROCKEFELLERS ALL THE TIME. 1721 01:00:55,783 --> 01:00:57,034 WITH THE ROCKEFELLERS ALL THE TIME. 1722 01:00:57,367 --> 01:00:57,785 ROCKEFELLER? 1723 01:00:57,785 --> 01:00:58,035 ROCKEFELLER? 1724 01:00:58,327 --> 01:00:59,787 [COUGHS] 1725 01:00:59,787 --> 01:01:00,037 [COUGHS] 1726 01:01:03,499 --> 01:01:03,791 WE GET TIRED OF EATING WITH THEM, TOO, YOU KNOW? 1727 01:01:03,791 --> 01:01:05,793 WE GET TIRED OF EATING WITH THEM, TOO, YOU KNOW? 1728 01:01:11,089 --> 01:01:11,799 DO YOU FELLAS HAVE 01:01:11.089 --> 01:01:11.799 align:start 1729 01:01:11,089 --> 01:01:11,799 UN CONJUNTO? 1730 01:01:11,799 --> 01:01:12,800 DO YOU FELLAS HAVE 01:01:11.799 --> 01:01:12.800 align:start 1731 01:01:11,799 --> 01:01:12,800 UN CONJUNTO? 1732 01:01:13,300 --> 01:01:13,801 YEAH. WE■RE THE MAMBO KINGS. 1733 01:01:13,801 --> 01:01:15,803 YEAH. WE■RE THE MAMBO KINGS. 1734 01:01:16,386 --> 01:01:17,179 MAMBO KINGS. MAMBO KINGS. 1735 01:01:17,805 --> 01:01:18,806 WHERE■VE YOU, YOU KNOW, BEEN PLAYING? 1736 01:01:19,556 --> 01:01:19,807 WE HAVEN■T PLAYED A GIG IN MONTHS, YOU KNOW. 1737 01:01:19,807 --> 01:01:21,099 WE HAVEN■T PLAYED A GIG IN MONTHS, YOU KNOW. 1738 01:01:21,475 --> 01:01:21,809 WE ARE BUTCHERS. 1739 01:01:21,809 --> 01:01:21,892 WE ARE BUTCHERS. 1740 01:01:22,392 --> 01:01:23,811 WHAT A STUPID THING TO SAY. 1741 01:01:23,811 --> 01:01:24,603 WHAT A STUPID THING TO SAY. 1742 01:01:25,062 --> 01:01:25,813 BUT IT■S TRUE, BROTHER. 1743 01:01:25,813 --> 01:01:26,146 BUT IT■S TRUE, BROTHER. 1744 01:01:26,480 --> 01:01:27,564 IT■S TRUE. 1745 01:01:28,065 --> 01:01:29,566 HE WORRIES HIMSELF TO DEATH. 1746 01:01:30,192 --> 01:01:31,819 I TELL HIM EVERYONE STARTS THIS WAY. 1747 01:01:31,819 --> 01:01:32,361 I TELL HIM EVERYONE STARTS THIS WAY. 1748 01:01:33,111 --> 01:01:33,821 HE DON■T LISTEN TO ME. YOU DON■T LISTEN, YOU KNOW? 1749 01:01:33,821 --> 01:01:34,446 HE DON■T LISTEN TO ME. YOU DON■T LISTEN, YOU KNOW? 1750 01:01:34,863 --> 01:01:35,572 UNTIL I GOT STARTED, 1751 01:01:36,073 --> 01:01:36,615 I DID ALL SORTS OF THINGS. 1752 01:01:36,949 --> 01:01:37,825 I KNOW THAT. 1753 01:01:37,825 --> 01:01:38,158 I KNOW THAT. 1754 01:01:38,575 --> 01:01:39,660 CLEANED BIRD CAGES. 1755 01:01:40,285 --> 01:01:41,829 MR. ARNAZ, THIS IS OUR BOY EUGENIO. 1756 01:01:42,412 --> 01:01:43,705 OH, PLEASE CALL ME DESI. 1757 01:01:43,956 --> 01:01:45,833 DESI. 1758 01:01:45,833 --> 01:01:46,333 DESI. 1759 01:01:46,959 --> 01:01:47,835 VA SER 01:01:46.959 --> 01:01:47.835 align:start 1760 01:01:46,959 --> 01:01:47,835 UN BUEN MACHO! 1761 01:01:47,835 --> 01:01:48,001 VA SER 01:01:47.835 --> 01:01:48.001 align:start 1762 01:01:47,835 --> 01:01:48,001 UN BUEN MACHO! 1763 01:01:48,585 --> 01:01:49,837 HOLA, NENE. 01:01:48.585 --> 01:01:49.837 align:start HOW WONDERFUL 1764 01:01:49,837 --> 01:01:49,878 HOLA, NENE. 01:01:49.837 --> 01:01:49.878 align:start HOW WONDERFUL 1765 01:01:50,420 --> 01:01:51,839 YOUR FAMILY IS, SEÑORA CASTILLO. 1766 01:01:51,839 --> 01:01:53,006 YOUR FAMILY IS, SEÑORA CASTILLO. 1767 01:01:53,382 --> 01:01:53,841 BUENO. 1768 01:01:54,383 --> 01:01:55,259 TOMORROW■S WORK. 1769 01:01:55,592 --> 01:01:55,843 ALWAYS WORK. 1770 01:01:55,843 --> 01:01:57,761 ALWAYS WORK. 1771 01:01:58,178 --> 01:01:59,847 SORRY I HAVE TO GO. 1772 01:02:01,515 --> 01:02:01,849 YOU KNOW, I, UH... 1773 01:02:01,849 --> 01:02:02,057 YOU KNOW, I, UH... 1774 01:02:02,683 --> 01:02:03,851 I WANT TO SAY SOMETHING BEFORE I DO. 1775 01:02:03,851 --> 01:02:04,518 I WANT TO SAY SOMETHING BEFORE I DO. 1776 01:02:05,352 --> 01:02:05,853 THAT 01:02:05.352 --> 01:02:05.853 align:start 1777 01:02:05,352 --> 01:02:05,853 CANCION 01:02:05.352 --> 01:02:05.853 align:start YOU FELLAS PLAYED AT THE CLUB TONIGHT, 1778 01:02:05,853 --> 01:02:06,770 THAT 01:02:05.853 --> 01:02:06.770 align:start 1779 01:02:05,853 --> 01:02:06,770 CANCION 01:02:05.853 --> 01:02:06.770 align:start YOU FELLAS PLAYED AT THE CLUB TONIGHT, 1780 01:02:07,271 --> 01:02:07,771 BEAUTIFUL MARIA... 1781 01:02:08,188 --> 01:02:08,856 OF MY SOUL. 1782 01:02:09,439 --> 01:02:09,857 THAT■S A GREAT SONG. 1783 01:02:09,857 --> 01:02:10,148 THAT■S A GREAT SONG. 1784 01:02:10,524 --> 01:02:11,149 I REALLY LIKE IT. 1785 01:02:11,483 --> 01:02:11,859 THANK YOU. 1786 01:02:11,859 --> 01:02:11,984 THANK YOU. 1787 01:02:12,526 --> 01:02:13,402 I WANT YOU TO COME ON MY SHOW. 1788 01:02:13,819 --> 01:02:13,861 DO IT FOR ME THERE. 1789 01:02:13,861 --> 01:02:14,444 DO IT FOR ME THERE. 1790 01:02:14,820 --> 01:02:15,863 OH, THAT■S NICE. 1791 01:02:16,405 --> 01:02:17,155 THE NIGHTCLUB SHOW? 1792 01:02:17,865 --> 01:02:19,616 OH, NO. I MEAN THE 01:02:17.865 --> 01:02:19.616 align:start 1793 01:02:17,865 --> 01:02:19,616 I LOVE LUCY 01:02:17.865 --> 01:02:19.616 align:start SHOW. 1794 01:02:19,950 --> 01:02:20,617 IN HOLLYWOOD? 1795 01:02:21,118 --> 01:02:21,869 THE 01:02:21.118 --> 01:02:21.869 align:start 1796 01:02:21,118 --> 01:02:21,869 I LOVE LUCY 01:02:21.118 --> 01:02:21.869 align:start SHOW! 1797 01:02:21,869 --> 01:02:22,870 THE 01:02:21.869 --> 01:02:22.870 align:start 1798 01:02:21,869 --> 01:02:22,870 I LOVE LUCY 01:02:21.869 --> 01:02:22.870 align:start SHOW! 1799 01:02:23,287 --> 01:02:23,871 NO! 1800 01:02:24,329 --> 01:02:25,455 YES, HOLLYWOOD! 1801 01:02:25,789 --> 01:02:25,873 I MEAN, YES. 1802 01:02:25,873 --> 01:02:26,874 I MEAN, YES. 1803 01:02:27,291 --> 01:02:27,875 YES! 1804 01:02:28,208 --> 01:02:29,710 OH, MY GOD! 1805 01:02:30,168 --> 01:02:31,879 HE■S COMING! HE■S COMING! 1806 01:02:31,879 --> 01:02:32,379 HE■S COMING! HE■S COMING! 1807 01:02:33,755 --> 01:02:33,881 [CROWD APPLAUDS] 1808 01:02:33,881 --> 01:02:34,882 [CROWD APPLAUDS] 1809 01:02:50,063 --> 01:02:51,148 TAKE CARE OF YOURSELF. 1810 01:02:51,523 --> 01:02:51,899 ADIOS! 1811 01:02:51,899 --> 01:02:52,149 ADIOS! 1812 01:02:52,524 --> 01:02:53,358 ADIOS! 1813 01:03:01,408 --> 01:03:01,909 MY GOD, THIS IS SOMETHING, HUH? 1814 01:03:01,909 --> 01:03:03,911 MY GOD, THIS IS SOMETHING, HUH? 1815 01:03:03,911 --> 01:03:05,162 MY GOD, THIS IS SOMETHING, HUH? 1816 01:03:05,787 --> 01:03:05,913 DIDN■T I TELL YOU THIS WOULD HAPPEN? 1817 01:03:05,913 --> 01:03:07,748 DIDN■T I TELL YOU THIS WOULD HAPPEN? 1818 01:03:07,998 --> 01:03:08,790 HUH? 1819 01:03:09,124 --> 01:03:09,833 [CHUCKLING] 1820 01:03:10,334 --> 01:03:11,793 IT■S A MIRACLE, EH, CESAR? 1821 01:03:12,085 --> 01:03:12,794 UH-HUH. 1822 01:03:13,253 --> 01:03:13,921 THAT■S WHAT YOU WANTED. 1823 01:03:13,921 --> 01:03:15,797 THAT■S WHAT YOU WANTED. 1824 01:03:21,470 --> 01:03:21,929 [HUMMING THEME FROM 01:03:21.470 --> 01:03:21.929 align:start 1825 01:03:21,470 --> 01:03:21,929 I LOVE LUCY] 1826 01:03:21,929 --> 01:03:23,931 [HUMMING THEME FROM 01:03:21.929 --> 01:03:23.931 align:start 1827 01:03:21,929 --> 01:03:23,931 I LOVE LUCY] 1828 01:03:27,976 --> 01:03:29,937 WE■RE JUST ABOUT READY TO GET STARTED. 1829 01:03:29,937 --> 01:03:30,354 WE■RE JUST ABOUT READY TO GET STARTED. 1830 01:03:30,979 --> 01:03:31,939 TONIGHT WE HAVE A SPECIAL SHOW FOR YOU 1831 01:03:31,939 --> 01:03:33,106 TONIGHT WE HAVE A SPECIAL SHOW FOR YOU 1832 01:03:33,607 --> 01:03:33,941 ENTITLED 01:03:33.607 --> 01:03:33.941 align:start 1833 01:03:33,607 --> 01:03:33,941 CUBAN PALS. 1834 01:03:33,941 --> 01:03:34,942 ENTITLED 01:03:33.941 --> 01:03:34.942 align:start 1835 01:03:33,941 --> 01:03:34,942 CUBAN PALS. 1836 01:03:35,776 --> 01:03:35,943 SO SIT BACK, RELAX, AND ENJOY THE SHOW. 1837 01:03:35,943 --> 01:03:37,861 SO SIT BACK, RELAX, AND ENJOY THE SHOW. 1838 01:03:38,403 --> 01:03:38,946 OH, MY STOMACH-- IT■S NO GOOD. 1839 01:03:39,488 --> 01:03:39,947 YOUR STOMACH IS FINE. COME ON. 1840 01:03:39,947 --> 01:03:40,781 YOUR STOMACH IS FINE. COME ON. 1841 01:03:41,448 --> 01:03:41,949 WE NEVER LOOKED THIS GOOD IN OUR LIVES. 1842 01:03:42,449 --> 01:03:43,325 TAKE IT EASY, HUH? 1843 01:03:43,867 --> 01:03:43,951 JUST BE YOURSELVES. DON■T WORRY. 1844 01:03:43,951 --> 01:03:44,993 JUST BE YOURSELVES. DON■T WORRY. 1845 01:03:45,827 --> 01:03:45,953 EVEN IF YOU FLUB YOUR DIALOGUE, WE■LL TAKE CARE OF IT. 1846 01:03:45,953 --> 01:03:47,955 EVEN IF YOU FLUB YOUR DIALOGUE, WE■LL TAKE CARE OF IT. 1847 01:03:48,288 --> 01:03:49,498 WE NO FLUB. 1848 01:03:49,998 --> 01:03:50,958 PERO NO SE PREOCUPEN. 1849 01:03:51,249 --> 01:03:51,959 LET■S GO! 1850 01:03:51,959 --> 01:03:52,250 LET■S GO! 1851 01:03:52,876 --> 01:03:53,710 OK, LET■S GO. WHAT THE HELL IS THAT? 1852 01:03:54,044 --> 01:03:55,963 OH, JESUS! 1853 01:03:56,505 --> 01:03:56,964 I■M ALL RIGHT. 1854 01:03:57,464 --> 01:03:57,965 ARE YOU SURE? 1855 01:03:58,548 --> 01:03:58,966 I■M SURE. I WON■T. 1856 01:03:59,549 --> 01:03:59,967 DON■T WORRY ABOUT IT. 1857 01:03:59,967 --> 01:04:00,425 DON■T WORRY ABOUT IT. 1858 01:04:01,009 --> 01:04:01,969 [I LOVE LUCY 01:04:01.009 --> 01:04:01.969 align:start THEME PLAYS] 1859 01:04:01,969 --> 01:04:02,094 [I LOVE LUCY 01:04:01.969 --> 01:04:02.094 align:start THEME PLAYS] 1860 01:04:02,678 --> 01:04:03,637 I WON■T. YOU GOT TO BE KIDDING ME. 1861 01:04:07,557 --> 01:04:07,975 COME ON! LUCY■S ON! 1862 01:04:07,975 --> 01:04:09,977 COME ON! LUCY■S ON! 1863 01:04:09,977 --> 01:04:10,102 COME ON! LUCY■S ON! 1864 01:04:10,602 --> 01:04:11,979 THE LIGHT! CARMEN, THE LIGHT. 1865 01:04:11,979 --> 01:04:12,896 THE LIGHT! CARMEN, THE LIGHT. 1866 01:04:13,230 --> 01:04:13,981 I■M SO PROUD. 1867 01:04:13,981 --> 01:04:14,982 I■M SO PROUD. 1868 01:04:19,987 --> 01:04:21,989 HA HA! LUCY... 1869 01:04:24,700 --> 01:04:25,993 CESAR, NESTOR, 01:04:24.700 --> 01:04:25.993 align:start 1870 01:04:24,700 --> 01:04:25,993 THIS IS LUCY. 1871 01:04:26,451 --> 01:04:27,995 Lucy: HOW DO YOU DO? 1872 01:04:27,995 --> 01:04:29,413 Lucy: HOW DO YOU DO? 1873 01:04:30,789 --> 01:04:31,581 Shh. 1874 01:04:32,040 --> 01:04:32,624 WHAT KIND OF GIRL 1875 01:04:33,375 --> 01:04:34,001 DID YOU THINK 01:04:33.375 --> 01:04:34.001 align:start 1876 01:04:33,375 --> 01:04:34,001 RICKY WOULD MARRY? 1877 01:04:34,001 --> 01:04:35,168 DID YOU THINK 01:04:34.001 --> 01:04:35.168 align:start 1878 01:04:34,001 --> 01:04:35,168 RICKY WOULD MARRY? 1879 01:04:37,963 --> 01:04:38,005 DON■T TELL ME. I SHOULDN■T 01:04:37.963 --> 01:04:38.005 align:start 1880 01:04:37,963 --> 01:04:38,005 HAVE ASKED THAT. 1881 01:04:38,005 --> 01:04:40,007 DON■T TELL ME. I SHOULDN■T 01:04:38.005 --> 01:04:40.007 align:start 1882 01:04:38,005 --> 01:04:40,007 HAVE ASKED THAT. 1883 01:04:41,842 --> 01:04:42,009 RICKY TOLD ME ABOUT 01:04:41.842 --> 01:04:42.009 align:start   1884 01:04:41,842 --> 01:04:42,009 YOUR SUCCESS IN CUBA. 1885 01:04:42,009 --> 01:04:44,011 RICKY TOLD ME ABOUT 01:04:42.009 --> 01:04:44.011 align:start   1886 01:04:42,009 --> 01:04:44,011 YOUR SUCCESS IN CUBA. 1887 01:04:45,012 --> 01:04:46,013 WHERE DO YOU THINK 01:04:45.012 --> 01:04:46.013 align:start   1888 01:04:45,012 --> 01:04:46,013 YOU■LL GO FROM HERE? 1889 01:04:46,013 --> 01:04:47,431 WHERE DO YOU THINK 01:04:46.013 --> 01:04:47.431 align:start   1890 01:04:46,013 --> 01:04:47,431 YOU■LL GO FROM HERE? 1891 01:04:49,683 --> 01:04:50,017 THEY DON■T UNDERSTAND LUCY. 1892 01:04:50,017 --> 01:04:51,643 THEY DON■T UNDERSTAND LUCY. 1893 01:04:52,477 --> 01:04:54,021 DO YOU KNOW WHERE 01:04:52.477 --> 01:04:54.021 align:start   1894 01:04:52,477 --> 01:04:54,021 YOU■LL GO FROM HERE? 1895 01:04:54,021 --> 01:04:54,062 DO YOU KNOW WHERE 01:04:54.021 --> 01:04:54.062 align:start   1896 01:04:54,021 --> 01:04:54,062 YOU■LL GO FROM HERE? 1897 01:05:02,821 --> 01:05:04,031 I THINK LUCY LIKES NESTOR, DELORES. 1898 01:05:04,031 --> 01:05:05,741 I THINK LUCY LIKES NESTOR, DELORES. 1899 01:05:05,991 --> 01:05:06,033 YES. 1900 01:05:06,033 --> 01:05:07,034 YES. 1901 01:05:07,743 --> 01:05:08,035 SHE■S MAKING 01:05:07.743 --> 01:05:08.035 align:start 1902 01:05:07,743 --> 01:05:08,035 OJITOS 01:05:07.743 --> 01:05:08.035 align:start AT HIM. 1903 01:05:08,035 --> 01:05:08,827 SHE■S MAKING 01:05:08.035 --> 01:05:08.827 align:start 1904 01:05:08,035 --> 01:05:08,827 OJITOS 01:05:08.035 --> 01:05:08.827 align:start AT HIM. 1905 01:05:09,244 --> 01:05:10,037 WE DO NUT. 1906 01:05:10,037 --> 01:05:10,287 WE DO NUT. 1907 01:05:11,455 --> 01:05:12,039 WEEDONUT? 1908 01:05:12,039 --> 01:05:12,372 WEEDONUT? 1909 01:05:13,165 --> 01:05:14,041 SOUNDS LIKE SOME PLACE  IN ARKANSAS. 1910 01:05:14,041 --> 01:05:16,043 SOUNDS LIKE SOME PLACE  IN ARKANSAS. 1911 01:05:17,753 --> 01:05:18,045 AHH. 1912 01:05:18,045 --> 01:05:18,503 AHH. 1913 01:05:21,840 --> 01:05:22,049 "WE DO NOT... 1914 01:05:22,049 --> 01:05:23,258 "WE DO NOT... 1915 01:05:23,717 --> 01:05:24,051 SPEAK ENGLISH." 1916 01:05:24,051 --> 01:05:25,552 SPEAK ENGLISH." 1917 01:05:29,681 --> 01:05:30,057 OH, YOU DON■T 01:05:29.681 --> 01:05:30.057 align:start 1918 01:05:29,681 --> 01:05:30,057 SPEAK ENGLISH? 1919 01:05:30,057 --> 01:05:30,891 OH, YOU DON■T 01:05:30.057 --> 01:05:30.891 align:start 1920 01:05:30,057 --> 01:05:30,891 SPEAK ENGLISH? 1921 01:05:31,308 --> 01:05:32,059 OH, WELL... 1922 01:05:35,145 --> 01:05:36,063 WELL. 1923 01:05:37,898 --> 01:05:38,065 CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE? 1924 01:05:38,065 --> 01:05:40,067 CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE? 1925 01:05:40,067 --> 01:05:40,317 CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE? 1926 01:05:40,859 --> 01:05:42,069 I CAN■T BELIEVE I MISSED THAT. 1927 01:05:42,069 --> 01:05:42,319 I CAN■T BELIEVE I MISSED THAT. 1928 01:05:42,861 --> 01:05:44,071 Lucy: 01:05:42.861 --> 01:05:44.071 align:start 1929 01:05:42,861 --> 01:05:44,071 I HAD A NICE TALK. 1930 01:05:44,071 --> 01:05:44,905 Lucy: 01:05:44.071 --> 01:05:44.905 align:start 1931 01:05:44,071 --> 01:05:44,905 I HAD A NICE TALK. 1932 01:05:45,405 --> 01:05:46,073 [SPEAKING SPANISH] 1933 01:05:46,073 --> 01:05:47,282 [SPEAKING SPANISH] 1934 01:05:47,824 --> 01:05:48,075 Desi: 01:05:47.824 --> 01:05:48.075 align:start 1935 01:05:47,824 --> 01:05:48,075 GRACIAS, GRACIAS. 1936 01:05:48,075 --> 01:05:48,283 Desi: 01:05:48.075 --> 01:05:48.283 align:start 1937 01:05:48,075 --> 01:05:48,283 GRACIAS, GRACIAS. 1938 01:05:48,784 --> 01:05:50,077 [SPEAKING SPANISH] 1939 01:05:50,077 --> 01:05:51,369 [SPEAKING SPANISH] 1940 01:05:51,870 --> 01:05:52,079 [SPEAKING SPANISH] 1941 01:05:52,079 --> 01:05:54,081 [SPEAKING SPANISH] 1942 01:05:54,081 --> 01:05:54,331 [SPEAKING SPANISH] 1943 01:05:54,748 --> 01:05:56,041 NO, NO. VERDAD. SI. 1944 01:05:56,458 --> 01:05:58,085 ■ES SU COLOR NATURAL? 1945 01:05:58,085 --> 01:06:00,087 ■ES SU COLOR NATURAL? 1946 01:06:00,087 --> 01:06:00,212 ■ES SU COLOR NATURAL? 1947 01:06:00,670 --> 01:06:02,089 UH...BEG PARDON? 1948 01:06:02,089 --> 01:06:02,839 UH...BEG PARDON? 1949 01:06:03,298 --> 01:06:04,091 HE WANTS TO KNOW 1950 01:06:04,091 --> 01:06:04,132 HE WANTS TO KNOW 1951 01:06:04,925 --> 01:06:06,093 IF THE COLOR OF YOUR 01:06:04.925 --> 01:06:06.093 align:start   1952 01:06:04,925 --> 01:06:06,093 HAIR IS NATURAL. 1953 01:06:06,093 --> 01:06:07,219 IF THE COLOR OF YOUR 01:06:06.093 --> 01:06:07.219 align:start   1954 01:06:06,093 --> 01:06:07,219 HAIR IS NATURAL. 1955 01:06:08,095 --> 01:06:09,179 OH, WELL, CERTAINLY 01:06:08.095 --> 01:06:09.179 align:start   1956 01:06:08,095 --> 01:06:09,179 TELL HIM IT■S NATURAL, 1957 01:06:10,055 --> 01:06:10,097 AND MY FATHER AND MOTHER  BOTH HAD RED HAIR. 1958 01:06:10,097 --> 01:06:12,099 AND MY FATHER AND MOTHER  BOTH HAD RED HAIR. 1959 01:06:12,099 --> 01:06:12,849 AND MY FATHER AND MOTHER  BOTH HAD RED HAIR. 1960 01:06:15,685 --> 01:06:16,103 MY PARENTS HAD BLOND HAIR, TOO. 1961 01:06:16,103 --> 01:06:18,105 MY PARENTS HAD BLOND HAIR, TOO. 1962 01:06:18,355 --> 01:06:19,106 SURE. 1963 01:06:19,397 --> 01:06:20,107 THEY DID! 1964 01:06:20,107 --> 01:06:20,273 THEY DID! 1965 01:06:21,024 --> 01:06:22,109 RICKY, GO AHEAD 01:06:21.024 --> 01:06:22.109 align:start 1966 01:06:21,024 --> 01:06:22,109 AND TELL THEM. 1967 01:06:22,109 --> 01:06:22,943 RICKY, GO AHEAD 01:06:22.109 --> 01:06:22.943 align:start 1968 01:06:22,109 --> 01:06:22,943 AND TELL THEM. 1969 01:06:23,276 --> 01:06:23,944 UH... 1970 01:06:24,444 --> 01:06:26,113 [SPEAKING SPANISH] 1971 01:06:29,616 --> 01:06:30,117 CON UNA 01:06:29.616 --> 01:06:30.117 align:start 1972 01:06:29,616 --> 01:06:30,117 HENNA RINSE. 1973 01:06:30,117 --> 01:06:31,326 CON UNA 01:06:30.117 --> 01:06:31.326 align:start 1974 01:06:30,117 --> 01:06:31,326 HENNA RINSE. 1975 01:06:31,785 --> 01:06:32,119 AHH. 01:06:31.785 --> 01:06:32.119 align:start 1976 01:06:31,785 --> 01:06:32,119 AHH. 1977 01:06:32,119 --> 01:06:32,327 AHH. 01:06:32.119 --> 01:06:32.327 align:start 1978 01:06:32,119 --> 01:06:32,327 AHH. 1979 01:06:32,953 --> 01:06:34,121 Both: 01:06:32.953 --> 01:06:34.121 align:start 1980 01:06:32,953 --> 01:06:34,121 HENNA RINSE. 1981 01:06:34,121 --> 01:06:35,831 Both: 01:06:34.121 --> 01:06:35.831 align:start 1982 01:06:34,121 --> 01:06:35,831 HENNA RINSE. 1983 01:06:43,713 --> 01:06:44,131 I HAVE AN IDEA 1984 01:06:44,131 --> 01:06:44,798 I HAVE AN IDEA 1985 01:06:45,590 --> 01:06:46,133 MY HAIR SUFFERED 01:06:45.590 --> 01:06:46.133 align:start 1986 01:06:45,590 --> 01:06:46,133 IN THE TRANSLATION. 1987 01:06:46,133 --> 01:06:48,135 MY HAIR SUFFERED 01:06:46.133 --> 01:06:48.135 align:start 1988 01:06:46,133 --> 01:06:48,135 IN THE TRANSLATION. 1989 01:06:53,682 --> 01:06:54,141 I SAW LUCY ONCE, STANDING OUTSIDE 1990 01:06:54,141 --> 01:06:54,933 I SAW LUCY ONCE, STANDING OUTSIDE 1991 01:06:55,642 --> 01:06:56,143 THE LORD AND TAYLOR■S DURING CHRISTMASTIME. 1992 01:06:56,143 --> 01:06:58,145 THE LORD AND TAYLOR■S DURING CHRISTMASTIME. 1993 01:06:58,145 --> 01:06:58,395 THE LORD AND TAYLOR■S DURING CHRISTMASTIME. 1994 01:06:58,854 --> 01:07:00,147 OH, SHE SEEMED VERY NICE. 1995 01:07:00,147 --> 01:07:00,605 OH, SHE SEEMED VERY NICE. 1996 01:07:00,939 --> 01:07:01,857 OH, SHE IS. 1997 01:07:02,482 --> 01:07:04,151 YOU CAN TELL JUST BY LOOKING AT HER. 1998 01:07:04,151 --> 01:07:05,110 YOU CAN TELL JUST BY LOOKING AT HER. 1999 01:07:05,569 --> 01:07:06,153 COME ON! IT■S STARTING! 2000 01:07:06,153 --> 01:07:06,486 COME ON! IT■S STARTING! 2001 01:07:10,282 --> 01:07:12,159 WELL, FOLKS, TONIGHT I HAVE 01:07:10.282 --> 01:07:12.159 align:start 2002 01:07:10,282 --> 01:07:12,159 A SPECIAL TREAT FOR YOU. 2003 01:07:12,701 --> 01:07:13,410 LADIES AND GENTLEMEN, 2004 01:07:14,202 --> 01:07:14,536 IT■S MY PLEASURE 01:07:14.202 --> 01:07:14.536 align:start 2005 01:07:14,202 --> 01:07:14,536 TO PRESENT TO YOU 2006 01:07:15,120 --> 01:07:16,163 DIRECT FROM HAVANA, CUBA, 2007 01:07:16,830 --> 01:07:17,497 CESAR AND NESTOR CASTILLO, 2008 01:07:18,373 --> 01:07:20,167 SINGING A BOLERO 01:07:18.373 --> 01:07:20.167 align:start 2009 01:07:18,373 --> 01:07:20,167 OF THEIR OWN COMPOSITION-- 2010 01:07:20,167 --> 01:07:20,876 SINGING A BOLERO 01:07:20.167 --> 01:07:20.876 align:start 2011 01:07:20,167 --> 01:07:20,876 OF THEIR OWN COMPOSITION-- 2012 01:07:21,376 --> 01:07:22,169 BEAUTIFUL MARIA OF MY SOUL. 2013 01:07:22,169 --> 01:07:23,336 BEAUTIFUL MARIA OF MY SOUL. 2014 01:07:33,555 --> 01:07:34,181 ■ IN THE SUNLIGHT 01:07:33.555 --> 01:07:34.181 align:start 2015 01:07:33,555 --> 01:07:34,181 OF YOUR SMILE ■ 2016 01:07:34,181 --> 01:07:36,183 ■ IN THE SUNLIGHT 01:07:34.181 --> 01:07:36.183 align:start 2017 01:07:34,181 --> 01:07:36,183 OF YOUR SMILE ■ 2018 01:07:36,183 --> 01:07:36,933 ■ IN THE SUNLIGHT 01:07:36.183 --> 01:07:36.933 align:start 2019 01:07:36,183 --> 01:07:36,933 OF YOUR SMILE ■ 2020 01:07:38,935 --> 01:07:40,187 ■ IN THE SUMMER 01:07:38.935 --> 01:07:40.187 align:start 2021 01:07:38,935 --> 01:07:40,187 OF OUR LIFE ■ 2022 01:07:40,187 --> 01:07:41,188 ■ IN THE SUMMER 01:07:40.187 --> 01:07:41.188 align:start 2023 01:07:40,187 --> 01:07:41,188 OF OUR LIFE ■ 2024 01:07:43,899 --> 01:07:44,191 ■ IN THE MAGIC 01:07:43.899 --> 01:07:44.191 align:start 2025 01:07:43,899 --> 01:07:44,191 OF LOVE ■ 2026 01:07:44,191 --> 01:07:46,193 ■ IN THE MAGIC 01:07:44.191 --> 01:07:46.193 align:start 2027 01:07:44,191 --> 01:07:46,193 OF LOVE ■ 2028 01:07:46,193 --> 01:07:46,276 ■ IN THE MAGIC 01:07:46.193 --> 01:07:46.276 align:start 2029 01:07:46,193 --> 01:07:46,276 OF LOVE ■ 2030 01:07:46,735 --> 01:07:48,195 ■ STORMS ABOVE ■ 2031 01:07:48,195 --> 01:07:48,445 ■ STORMS ABOVE ■ 2032 01:07:48,945 --> 01:07:50,197 ■ SCATTERED AWAY ■ 2033 01:07:50,197 --> 01:07:51,948 ■ SCATTERED AWAY ■ 2034 01:07:53,825 --> 01:07:54,201 ■ LOVERS DREAMING 01:07:53.825 --> 01:07:54.201 align:start 2035 01:07:53,825 --> 01:07:54,201 IN THE NIGHT ■ 2036 01:07:54,201 --> 01:07:56,203 ■ LOVERS DREAMING 01:07:54.201 --> 01:07:56.203 align:start 2037 01:07:54,201 --> 01:07:56,203 IN THE NIGHT ■ 2038 01:07:56,203 --> 01:07:58,205 ■ LOVERS DREAMING 01:07:56.203 --> 01:07:58.205 align:start 2039 01:07:56,203 --> 01:07:58,205 IN THE NIGHT ■ 2040 01:07:58,205 --> 01:07:58,288 ■ LOVERS DREAMING 01:07:58.205 --> 01:07:58.288 align:start 2041 01:07:58,205 --> 01:07:58,288 IN THE NIGHT ■ 2042 01:07:58,872 --> 01:08:00,207 ■ REACHING FOR PARADISE ■ 2043 01:08:00,207 --> 01:08:02,209 ■ REACHING FOR PARADISE ■ 2044 01:08:02,209 --> 01:08:03,168 ■ REACHING FOR PARADISE ■ 2045 01:08:04,002 --> 01:08:04,211 ■ BUT AS THE DISTANCE  FROM YOU GROWS ■ 2046 01:08:04,211 --> 01:08:06,213 ■ BUT AS THE DISTANCE  FROM YOU GROWS ■ 2047 01:08:06,213 --> 01:08:08,215 ■ BUT AS THE DISTANCE  FROM YOU GROWS ■ 2048 01:08:08,215 --> 01:08:08,798 ■ BUT AS THE DISTANCE  FROM YOU GROWS ■ 2049 01:08:09,549 --> 01:08:10,217 ■ ALL THAT MY HEART 01:08:09.549 --> 01:08:10.217 align:start   2050 01:08:09,549 --> 01:08:10,217 EVER KNOWS ■ 2051 01:08:10,217 --> 01:08:12,219 ■ ALL THAT MY HEART 01:08:10.217 --> 01:08:12.219 align:start   2052 01:08:10,217 --> 01:08:12,219 EVER KNOWS ■ 2053 01:08:12,219 --> 01:08:13,762 ■ ALL THAT MY HEART 01:08:12.219 --> 01:08:13.762 align:start   2054 01:08:12,219 --> 01:08:13,762 EVER KNOWS ■ 2055 01:08:14,304 --> 01:08:16,223 ■ HUNGER FOR YOUR KISS ■ 2056 01:08:16,223 --> 01:08:16,640 ■ HUNGER FOR YOUR KISS ■ 2057 01:08:19,392 --> 01:08:20,227 ■ LONGING 01:08:19.392 --> 01:08:20.227 align:start 2058 01:08:19,392 --> 01:08:20,227 FOR YOUR TOUCH ■ 2059 01:08:20,227 --> 01:08:21,519 ■ LONGING 01:08:20.227 --> 01:08:21.519 align:start 2060 01:08:20,227 --> 01:08:21,519 FOR YOUR TOUCH ■ 2061 01:08:24,231 --> 01:08:26,233 ■ BEAUTIFUL MARIA ■ 2062 01:08:26,233 --> 01:08:27,609 ■ BEAUTIFUL MARIA ■ 2063 01:08:28,068 --> 01:08:28,235 ■ OF MY SOUL ■ 2064 01:08:28,235 --> 01:08:30,237 ■ OF MY SOUL ■ 2065 01:08:30,237 --> 01:08:32,239 ■ OF MY SOUL ■ 2066 01:08:32,239 --> 01:08:34,241 ■ OF MY SOUL ■ 2067 01:08:34,950 --> 01:08:36,243 ■ FILLING ALL MY NIGHTS ■ 2068 01:08:36,243 --> 01:08:36,618 ■ FILLING ALL MY NIGHTS ■ 2069 01:08:39,371 --> 01:08:40,247 ■ HAUNTING ALL MY DAYS ■ 2070 01:08:40,247 --> 01:08:41,957 ■ HAUNTING ALL MY DAYS ■ 2071 01:08:44,751 --> 01:08:46,253 ■ BEAUTIFUL MARIA 01:08:44.751 --> 01:08:46.253 align:start 2072 01:08:44,751 --> 01:08:46,253 OF MY SOUL ■ 2073 01:08:46,253 --> 01:08:48,255 ■ BEAUTIFUL MARIA 01:08:46.253 --> 01:08:48.255 align:start 2074 01:08:46,253 --> 01:08:48,255 OF MY SOUL ■ 2075 01:08:48,255 --> 01:08:50,257 ■ BEAUTIFUL MARIA 01:08:48.255 --> 01:08:50.257 align:start 2076 01:08:48,255 --> 01:08:50,257 OF MY SOUL ■ 2077 01:08:50,257 --> 01:08:52,259 ■ BEAUTIFUL MARIA 01:08:50.257 --> 01:08:52.259 align:start 2078 01:08:50,257 --> 01:08:52,259 OF MY SOUL ■ 2079 01:08:52,259 --> 01:08:54,135 ■ BEAUTIFUL MARIA 01:08:52.259 --> 01:08:54.135 align:start 2080 01:08:52,259 --> 01:08:54,135 OF MY SOUL ■ 2081 01:08:55,553 --> 01:08:56,263 Man: TELEPHONE FOR MR. BLITZEN. 2082 01:08:56,263 --> 01:08:57,264 Man: TELEPHONE FOR MR. BLITZEN. 2083 01:08:57,722 --> 01:08:58,265 TELEPHONE. 2084 01:08:58,265 --> 01:08:58,932 TELEPHONE. 2085 01:09:49,566 --> 01:09:50,317 I WAS IN A MOVIE ONCE WITH RICARDO MONTALBAN-- 2086 01:09:50,317 --> 01:09:52,027 I WAS IN A MOVIE ONCE WITH RICARDO MONTALBAN-- 2087 01:09:52,902 --> 01:09:54,321 DESPERADOS FROM THE LAND  OF THE GOLDEN SUN. 2088 01:09:54,321 --> 01:09:55,447 DESPERADOS FROM THE LAND  OF THE GOLDEN SUN. 2089 01:09:55,947 --> 01:09:56,323 OH, RICARDO WAS A DREAMBOAT. 2090 01:09:56,323 --> 01:09:58,074 OH, RICARDO WAS A DREAMBOAT. 2091 01:09:58,783 --> 01:10:00,076 YOU ARE A FLEET OF DREAMBOATS, YOU KNOW THAT? 2092 01:10:00,744 --> 01:10:02,329 I■M GOING TO PUT YOU IN MY NEXT MOVIE. 2093 01:10:02,329 --> 01:10:02,912 I■M GOING TO PUT YOU IN MY NEXT MOVIE. 2094 01:10:03,371 --> 01:10:04,331 IS THERE A PART FOR ME? 2095 01:10:04,331 --> 01:10:04,414 IS THERE A PART FOR ME? 2096 01:10:04,664 --> 01:10:05,457 HEY! 2097 01:10:05,957 --> 01:10:06,333 LET■S NOT GET STINGY, HUH? 2098 01:10:06,333 --> 01:10:07,334 LET■S NOT GET STINGY, HUH? 2099 01:10:07,792 --> 01:10:08,335 Man: PAGING MR. CASTILLO! 2100 01:10:09,085 --> 01:10:10,337 I■M GOING TO FORM AN ALL-GIRLS ORCHESTRA 2101 01:10:10,754 --> 01:10:11,421 ONE OF THESE DAYS. 2102 01:10:11,838 --> 01:10:12,339 I■LL BE RIGHT BACK. 2103 01:10:12,339 --> 01:10:12,756 I■LL BE RIGHT BACK. 2104 01:10:13,298 --> 01:10:14,341 I■M GOING TO TUNE YOUSE ALL UP. 2105 01:10:14,341 --> 01:10:14,924 I■M GOING TO TUNE YOUSE ALL UP. 2106 01:10:15,383 --> 01:10:16,343 OH, DON■T GO. DON■T GO. 2107 01:10:16,343 --> 01:10:17,594 OH, DON■T GO. DON■T GO. 2108 01:10:18,261 --> 01:10:18,345 YOU WAIT FOR ME, 01:10:18.261 --> 01:10:18.345 align:start   2109 01:10:18,261 --> 01:10:18,345 MUCHACHAS, 01:10:18.261 --> 01:10:18.345 align:start HUH? 2110 01:10:18,345 --> 01:10:20,347 YOU WAIT FOR ME, 01:10:18.345 --> 01:10:20.347 align:start   2111 01:10:18,345 --> 01:10:20,347 MUCHACHAS, 01:10:18.345 --> 01:10:20.347 align:start HUH? 2112 01:10:20,347 --> 01:10:20,889 YOU WAIT FOR ME, 01:10:20.347 --> 01:10:20.889 align:start   2113 01:10:20,347 --> 01:10:20,889 MUCHACHAS, 01:10:20.347 --> 01:10:20.889 align:start HUH? 2114 01:10:21,306 --> 01:10:22,349 DON■T YOU GO AWAY. 2115 01:10:22,349 --> 01:10:23,266 DON■T YOU GO AWAY. 2116 01:10:25,185 --> 01:10:26,269 COME ON. DELORES IS ON THE PHONE. 2117 01:10:26,895 --> 01:10:28,063 SHE WANTS TO TELL YOU THAT SHE LOVES. 2118 01:10:28,355 --> 01:10:28,938 SORRY. 2119 01:10:29,481 --> 01:10:30,357 YOUR PHONE HAS BEEN BUSY THERE. 2120 01:10:30,357 --> 01:10:32,150 YOUR PHONE HAS BEEN BUSY THERE. 2121 01:10:34,903 --> 01:10:36,363 NO, NO, NO, NO, NO. 2122 01:10:36,363 --> 01:10:38,365 NO, NO, NO, NO, NO. 2123 01:10:38,948 --> 01:10:40,367 SEE--SEE YOU LATER. 2124 01:10:43,495 --> 01:10:44,371 AH, SHIT! 2125 01:10:44,371 --> 01:10:44,621 AH, SHIT! 2126 01:10:55,924 --> 01:10:56,383 [DOOR CLOSES] 2127 01:10:56,383 --> 01:10:57,092 [DOOR CLOSES] 2128 01:11:02,722 --> 01:11:04,391 WHAT THE HELL ARE YOU LOOKING AT? 2129 01:11:05,225 --> 01:11:06,393 YOU FOLLOW YOUR 01:11:05.225 --> 01:11:06.393 align:start 2130 01:11:05,225 --> 01:11:06,393 PINGA  2131 01:11:05,225 --> 01:11:06,393 WHEREVER IT GOES. 2132 01:11:06,393 --> 01:11:06,601 YOU FOLLOW YOUR 01:11:06.393 --> 01:11:06.601 align:start 2133 01:11:06,393 --> 01:11:06,601 PINGA  2134 01:11:06,393 --> 01:11:06,601 WHEREVER IT GOES. 2135 01:11:07,227 --> 01:11:08,103 WHAT■S THE MATTER WITH YOU, BROTHER? 2136 01:11:08,853 --> 01:11:10,397 HEY, I DON■T HAVE NO WIFE, NO SON WHO LOVES ME. 2137 01:11:10,397 --> 01:11:11,481 HEY, I DON■T HAVE NO WIFE, NO SON WHO LOVES ME. 2138 01:11:11,940 --> 01:11:12,399 YOU WORRYING ABOUT ME? 2139 01:11:12,399 --> 01:11:12,982 YOU WORRYING ABOUT ME? 2140 01:11:13,400 --> 01:11:14,401 THANK YOU, BROTHER. 2141 01:11:14,401 --> 01:11:14,734 THANK YOU, BROTHER. 2142 01:11:15,360 --> 01:11:16,403 YOU■RE TURNING INTO A 01:11:15.360 --> 01:11:16.403 align:start   2143 01:11:15,360 --> 01:11:16,403 CABRON. 2144 01:11:16,403 --> 01:11:17,404 YOU■RE TURNING INTO A 01:11:16.403 --> 01:11:17.404 align:start   2145 01:11:16,403 --> 01:11:17,404 CABRON. 2146 01:11:18,196 --> 01:11:18,405 A 01:11:18.196 --> 01:11:18.405 align:start 2147 01:11:18,196 --> 01:11:18,405 CABRON 01:11:18.196 --> 01:11:18.405 align:start WOULD HAVE GONE BACK TO CUBA BY NOW. 2148 01:11:18,405 --> 01:11:20,407 A 01:11:18.405 --> 01:11:20.407 align:start 2149 01:11:18,405 --> 01:11:20,407 CABRON 01:11:18.405 --> 01:11:20.407 align:start WOULD HAVE GONE BACK TO CUBA BY NOW. 2150 01:11:20,740 --> 01:11:21,408 BACK TO CUBA? 2151 01:11:21,658 --> 01:11:22,409 YES. 2152 01:11:22,826 --> 01:11:23,410 BACK TO CUBA, HUH? 2153 01:11:23,827 --> 01:11:24,369 YES. YOU ARE THE ONE 2154 01:11:24,911 --> 01:11:26,037 THAT WANTED TO COME TO NEW YORK. 2155 01:11:26,830 --> 01:11:28,415 YOU KNOW, YOU■RE A BIG SHOT RIGHT NOW ON TELEVISION 2156 01:11:28,415 --> 01:11:28,832 YOU KNOW, YOU■RE A BIG SHOT RIGHT NOW ON TELEVISION 2157 01:11:29,249 --> 01:11:30,125 WITH MR. DESI ARNAZ. 2158 01:11:30,667 --> 01:11:32,419 DO YOU WANT TO GO BACK TO CUBA? 2159 01:11:32,419 --> 01:11:32,502 DO YOU WANT TO GO BACK TO CUBA? 2160 01:11:33,044 --> 01:11:34,421 I NEVER WANTED TO BE A BIG SHOT. 2161 01:11:34,421 --> 01:11:34,546 I NEVER WANTED TO BE A BIG SHOT. 2162 01:11:34,796 --> 01:11:35,797 NO? 2163 01:11:36,464 --> 01:11:37,590 WHY DO I ALWAYS HAVE TO DO WHAT YOU WANT? 2164 01:11:37,924 --> 01:11:38,425 WHY, BROTHER? 2165 01:11:38,425 --> 01:11:39,050 WHY, BROTHER? 2166 01:11:39,759 --> 01:11:40,385 I DON■T KNOW, NESTOR. MAYBE WITHOUT ME THOUGH 2167 01:11:40,927 --> 01:11:41,678 YOU■D BE SINGING YOUR LOVE SONGS 2168 01:11:42,220 --> 01:11:42,429 IN A SHOWER SOMEWHERE, YOU KNOW? 2169 01:11:42,429 --> 01:11:43,138 IN A SHOWER SOMEWHERE, YOU KNOW? 2170 01:11:43,638 --> 01:11:44,431 THAT COULD BE GOOD ENOUGH. 2171 01:11:44,431 --> 01:11:45,140 THAT COULD BE GOOD ENOUGH. 2172 01:11:45,682 --> 01:11:46,433 YOU CAN■T KEEP USING ME, CESAR. 2173 01:11:46,433 --> 01:11:47,642 YOU CAN■T KEEP USING ME, CESAR. 2174 01:11:48,309 --> 01:11:48,435 WHAT ARE YOU TALKING ABOUT, I USE YOU? 2175 01:11:48,435 --> 01:11:48,643 WHAT ARE YOU TALKING ABOUT, I USE YOU? 2176 01:11:49,102 --> 01:11:50,145 TO FULFILL YOUR DREAMS! 2177 01:11:50,687 --> 01:11:52,272 NO, NO, NO. NO. I DO IT FOR YOU! 2178 01:11:52,981 --> 01:11:54,441 I DO IT FOR YOU, AND I 01:11:52.981 --> 01:11:54.441 align:start   2179 01:11:52,981 --> 01:11:54,441 DID 01:11:52.981 --> 01:11:54.441 align:start IT FOR YOU! 2180 01:11:54,441 --> 01:11:54,816 I DO IT FOR YOU, AND I 01:11:54.441 --> 01:11:54.816 align:start   2181 01:11:54,441 --> 01:11:54,816 DID 01:11:54.441 --> 01:11:54.816 align:start IT FOR YOU! 2182 01:11:55,275 --> 01:11:56,109 GET THE HELL OUT OF HERE. 2183 01:11:56,776 --> 01:11:57,444 YOU DON■T EVEN KNOW HOW LUCKY YOU ARE. 2184 01:11:57,902 --> 01:11:58,278 YOU KNOW THAT? 2185 01:11:58,736 --> 01:12:00,405 LUCKY IN CUBA WITH MARIA! 2186 01:12:00,738 --> 01:12:01,322 NO OTHER WAY! 2187 01:12:01,823 --> 01:12:02,449 YOU WANT TO TALK ABOUT MARIA? 2188 01:12:02,449 --> 01:12:02,532 YOU WANT TO TALK ABOUT MARIA? 2189 01:12:02,866 --> 01:12:03,533 YES, WHY NOT? 2190 01:12:04,033 --> 01:12:04,451 GET THE HELL OUT OF MY LIFE. 2191 01:12:04,451 --> 01:12:04,534 GET THE HELL OUT OF MY LIFE. 2192 01:12:05,034 --> 01:12:05,577 YOU KNOW, YOU MAKE ME SICK. 2193 01:12:06,077 --> 01:12:06,453 YOUR STUPID MISERABLE LIFE 2194 01:12:06,453 --> 01:12:06,578 YOUR STUPID MISERABLE LIFE 2195 01:12:06,995 --> 01:12:07,579 WASN■T WORTH SAVING. 2196 01:12:07,871 --> 01:12:08,455 SAVING? 2197 01:12:08,455 --> 01:12:08,830 SAVING? 2198 01:12:09,456 --> 01:12:09,831 YOU DON■T KNOW ANYTHING ABOUT MARIA. 2199 01:12:10,331 --> 01:12:10,457 WHAT ARE YOU TALKING ABOUT? 2200 01:12:10,457 --> 01:12:11,082 WHAT ARE YOU TALKING ABOUT? 2201 01:12:11,708 --> 01:12:12,459 IF I HADN■T BROUGHT YOU TO AMERICA, 2202 01:12:13,251 --> 01:12:14,461 YOU■D BE PLAYING TRUMPET WITH THE ANGELS, KID. 2203 01:12:14,461 --> 01:12:14,711 YOU■D BE PLAYING TRUMPET WITH THE ANGELS, KID. 2204 01:12:15,086 --> 01:12:16,045 WHAT DO YOU MEAN? 2205 01:12:16,671 --> 01:12:18,465 STAY THE HELL OUT OF MY WAY TODAY. 2206 01:12:19,007 --> 01:12:19,716 YOU TELL ME, BROTHER! 2207 01:12:20,216 --> 01:12:20,467 YOU WANT TO TALK ABOUT MARIA? 2208 01:12:20,467 --> 01:12:21,718 YOU WANT TO TALK ABOUT MARIA? 2209 01:12:22,260 --> 01:12:22,469 MARIA BEGGED ME-- SHE BEGGED ME 2210 01:12:22,469 --> 01:12:23,219 MARIA BEGGED ME-- SHE BEGGED ME 2211 01:12:23,720 --> 01:12:24,471 TO TAKE YOU OUT OF CUBA. YES! 2212 01:12:24,471 --> 01:12:25,472 TO TAKE YOU OUT OF CUBA. YES! 2213 01:12:25,722 --> 01:12:26,473 LIAR! 2214 01:12:27,223 --> 01:12:27,932 LUIS WOULD HAVE SLIT YOUR FUCKING THROAT 2215 01:12:28,391 --> 01:12:28,475 IF HE EVER SAW YOU AGAIN! 2216 01:12:28,475 --> 01:12:28,933 IF HE EVER SAW YOU AGAIN! 2217 01:12:29,309 --> 01:12:30,018 IT■S NOT TRUE. 2218 01:12:30,518 --> 01:12:31,436 IF SHE HADN■T MARRIED HIM, 2219 01:12:32,061 --> 01:12:32,479 HE■D HAVE KILLED YOU! SHE SAVED YOU! 2220 01:12:32,479 --> 01:12:32,812 HE■D HAVE KILLED YOU! SHE SAVED YOU! 2221 01:12:33,229 --> 01:12:33,897 ENTIENDES? 2222 01:12:34,522 --> 01:12:35,815 AND I CALLED HER A WHORE--A WHORE? 2223 01:12:36,274 --> 01:12:36,483 SHE■S TOO GOOD FOR YOU! 2224 01:12:36,483 --> 01:12:37,442 SHE■S TOO GOOD FOR YOU! 2225 01:12:37,942 --> 01:12:38,485 DELORES IS TOO GOOD FOR YOU! 2226 01:12:38,485 --> 01:12:39,235 DELORES IS TOO GOOD FOR YOU! 2227 01:12:39,986 --> 01:12:40,487 WE■RE ALL TOO GOOD FOR YOU... 01:12:39.986 --> 01:12:40.487 align:start   2228 01:12:39,986 --> 01:12:40,487 HERMANITO! 2229 01:12:40,487 --> 01:12:41,488 WE■RE ALL TOO GOOD FOR YOU... 01:12:40.487 --> 01:12:41.488 align:start   2230 01:12:40,487 --> 01:12:41,488 HERMANITO! 2231 01:12:41,863 --> 01:12:42,489 STOP! 2232 01:12:42,489 --> 01:12:42,906 STOP! 2233 01:12:57,754 --> 01:12:58,505 YOU KNEW THIS ABOUT MARIA 2234 01:12:58,505 --> 01:12:59,339 YOU KNEW THIS ABOUT MARIA 2235 01:12:59,756 --> 01:13:00,507 AND DIDN■T TELL ME? 2236 01:13:00,507 --> 01:13:01,508 AND DIDN■T TELL ME? 2237 01:13:01,841 --> 01:13:02,509 WHY, BROTHER? 2238 01:13:02,509 --> 01:13:03,801 WHY, BROTHER? 2239 01:13:04,052 --> 01:13:04,511 OHH. 2240 01:13:04,511 --> 01:13:05,512 OHH. 2241 01:13:05,845 --> 01:13:06,513 WHY? 2242 01:13:06,513 --> 01:13:07,180 WHY? 2243 01:13:10,934 --> 01:13:12,393 TO SAVE YOUR LIFE. 2244 01:13:12,685 --> 01:13:14,395 MY LIFE? 2245 01:13:15,772 --> 01:13:16,523 WHAT DO YOU THINK, WHY, HMM? 2246 01:13:16,523 --> 01:13:18,107 WHAT DO YOU THINK, WHY, HMM? 2247 01:13:19,943 --> 01:13:20,527 YOU DIDN■T SAVE MY LIFE, CESAR. 2248 01:13:20,527 --> 01:13:22,529 YOU DIDN■T SAVE MY LIFE, CESAR. 2249 01:13:22,529 --> 01:13:22,862 YOU DIDN■T SAVE MY LIFE, CESAR. 2250 01:13:23,279 --> 01:13:24,531 YOU RUINED MY LIFE. 2251 01:13:24,531 --> 01:13:26,032 YOU RUINED MY LIFE. 2252 01:13:40,880 --> 01:13:41,923 [CRYING] 2253 01:13:42,173 --> 01:13:42,549 NO! 2254 01:13:42,549 --> 01:13:43,466 NO! 2255 01:13:46,886 --> 01:13:48,555 OH, MAN! 2256 01:13:48,555 --> 01:13:49,097 OH, MAN! 2257 01:13:49,389 --> 01:13:50,473 OH, MAN! 2258 01:14:04,153 --> 01:14:04,571 [LINDA RONSTADT SINGS 01:14:04.153 --> 01:14:04.571 align:start   2259 01:14:04,153 --> 01:14:04,571 PERFIDIA] 2260 01:14:04,571 --> 01:14:06,197 [LINDA RONSTADT SINGS 01:14:04.571 --> 01:14:06.197 align:start   2261 01:14:04,571 --> 01:14:06,197 PERFIDIA] 2262 01:14:17,667 --> 01:14:18,585 5,000 BUCKS FROM DESILU PRODUCTIONS! 2263 01:14:18,585 --> 01:14:20,336 5,000 BUCKS FROM DESILU PRODUCTIONS! 2264 01:14:20,753 --> 01:14:22,213 [SPEAKING SPANISH] 2265 01:14:22,714 --> 01:14:24,465 AND GOD BLESS THIS COUNTRY! 2266 01:14:25,133 --> 01:14:26,593 NOT BAD FOR ONE LITTLE BOLERO, EH, BRO? 2267 01:14:26,593 --> 01:14:27,594 NOT BAD FOR ONE LITTLE BOLERO, EH, BRO? 2268 01:14:27,969 --> 01:14:28,595 EH? 2269 01:14:28,595 --> 01:14:29,053 EH? 2270 01:14:29,470 --> 01:14:30,555 NOW LET■S SEE PEREZ 2271 01:14:31,264 --> 01:14:32,390 TRY TO KEEP US FROM PLAYING THE PALLADIUM. 2272 01:14:32,849 --> 01:14:34,559 OH, DELORES, BY THE WAY, 2273 01:14:35,226 --> 01:14:35,893 THE SALESMAN SAYS HE■S GOING TO SEND YOU 2274 01:14:36,436 --> 01:14:36,603 A NEW ENCYCLOPEDIA EVERY MONTH. 2275 01:14:36,603 --> 01:14:37,395 A NEW ENCYCLOPEDIA EVERY MONTH. 2276 01:14:37,812 --> 01:14:38,396 THAT■S SO BEAUTIFUL. 2277 01:14:38,896 --> 01:14:39,647 I WANT TO SHOW YOU SOMETHING. 2278 01:14:39,981 --> 01:14:40,607 LOOK AT THAT. 2279 01:14:40,607 --> 01:14:40,940 LOOK AT THAT. 2280 01:14:41,399 --> 01:14:42,317 IT■S GOT POWER STEERING, 2281 01:14:42,984 --> 01:14:44,611 IT■S GOT POWER BRAKES, POWER EVERYTHING. 2282 01:14:44,902 --> 01:14:46,613 WOW, HUH? 2283 01:14:51,242 --> 01:14:52,493 YOU■RE CRAZY. 2284 01:14:53,161 --> 01:14:54,621 I GUESS MR. VANDERBILT WAS RIGHT, EH, BRO? 2285 01:14:54,621 --> 01:14:55,455 I GUESS MR. VANDERBILT WAS RIGHT, EH, BRO? 2286 01:14:56,164 --> 01:14:56,623 CHINAMAN, INDIAN OR FROM THE PLANET CUBA... 2287 01:14:56,623 --> 01:14:58,625 CHINAMAN, INDIAN OR FROM THE PLANET CUBA... 2288 01:14:58,625 --> 01:14:58,708 CHINAMAN, INDIAN OR FROM THE PLANET CUBA... 2289 01:14:59,042 --> 01:14:59,792 CUBA! CUBA! 2290 01:15:00,501 --> 01:15:00,627 A MAN CAN FIND HAPPINESS THE AMERICAN WAY... 2291 01:15:00,627 --> 01:15:02,629 A MAN CAN FIND HAPPINESS THE AMERICAN WAY... 2292 01:15:02,629 --> 01:15:03,046 A MAN CAN FIND HAPPINESS THE AMERICAN WAY... 2293 01:15:03,296 --> 01:15:04,047 YEAH! 2294 01:15:04,547 --> 01:15:04,631 WHETHER HE LIKES IT OR NOT! 2295 01:15:04,631 --> 01:15:06,549 WHETHER HE LIKES IT OR NOT! 2296 01:15:07,258 --> 01:15:08,635 COME ON. CUT THE CAKE AND POUR THE CHAMPAGNE. 2297 01:15:08,635 --> 01:15:09,469 COME ON. CUT THE CAKE AND POUR THE CHAMPAGNE. 2298 01:15:09,886 --> 01:15:10,637 DON■T WET THE CHECK. 2299 01:15:10,637 --> 01:15:10,970 DON■T WET THE CHECK. 2300 01:15:11,471 --> 01:15:12,639 DON■T WET THAT CHECK, PLEASE. 2301 01:15:12,639 --> 01:15:13,348 DON■T WET THAT CHECK, PLEASE. 2302 01:15:21,981 --> 01:15:22,649 FELICIDADES, EH? 01:15:21.981 --> 01:15:22.649 align:start 2303 01:15:21,981 --> 01:15:22,649 TE VA BIEN. 2304 01:15:22,649 --> 01:15:23,316 FELICIDADES, EH? 01:15:22.649 --> 01:15:23.316 align:start 2305 01:15:22,649 --> 01:15:23,316 TE VA BIEN. 2306 01:15:23,816 --> 01:15:24,651 YOU■RE ON TOP OF THE WORLD. 2307 01:15:24,651 --> 01:15:25,443 YOU■RE ON TOP OF THE WORLD. 2308 01:15:25,943 --> 01:15:26,653 DON■T BE SO 01:15:25.943 --> 01:15:26.653 align:start 2309 01:15:25,943 --> 01:15:26,653 MODESTO. 2310 01:15:26,653 --> 01:15:28,655 DON■T BE SO 01:15:26.653 --> 01:15:28.655 align:start 2311 01:15:26,653 --> 01:15:28,655 MODESTO. 2312 01:15:28,655 --> 01:15:28,821 DON■T BE SO 01:15:28.655 --> 01:15:28.821 align:start 2313 01:15:28,655 --> 01:15:28,821 MODESTO. 2314 01:15:29,197 --> 01:15:30,657 WE ARE WORKING. 2315 01:15:30,657 --> 01:15:30,990 WE ARE WORKING. 2316 01:15:31,532 --> 01:15:32,659 NOTHING THAT WILL MAKE US RICH, 2317 01:15:32,659 --> 01:15:33,493 NOTHING THAT WILL MAKE US RICH, 2318 01:15:34,202 --> 01:15:34,661 BUT WE ARE BRINGING IN A FEW DOLLARS AND... 2319 01:15:34,661 --> 01:15:36,663 BUT WE ARE BRINGING IN A FEW DOLLARS AND... 2320 01:15:36,663 --> 01:15:37,497 BUT WE ARE BRINGING IN A FEW DOLLARS AND... 2321 01:15:37,997 --> 01:15:38,665 WELL, YOU SEEM IN GOOD SHAPE. 2322 01:15:38,665 --> 01:15:39,999 WELL, YOU SEEM IN GOOD SHAPE. 2323 01:15:40,416 --> 01:15:40,667 IS A GOOD BEGINNING. 2324 01:15:40,667 --> 01:15:42,251 IS A GOOD BEGINNING. 2325 01:15:42,502 --> 01:15:42,669 NO. 2326 01:15:42,669 --> 01:15:43,419 NO. 2327 01:15:43,961 --> 01:15:44,671 IT--IT■S OK FOR THE TIME BEING, 2328 01:15:44,671 --> 01:15:45,672 IT--IT■S OK FOR THE TIME BEING, 2329 01:15:46,297 --> 01:15:46,673 BUT WE HAVE A LONG WAY TO GO. 2330 01:15:46,673 --> 01:15:47,507 BUT WE HAVE A LONG WAY TO GO. 2331 01:15:48,049 --> 01:15:48,675 THEN WE SHOULDN■T LOSE MORE TIME 2332 01:15:48,675 --> 01:15:49,092 THEN WE SHOULDN■T LOSE MORE TIME 2333 01:15:49,550 --> 01:15:50,677 IN OUR FRIENDSHIP, EH? 2334 01:15:50,677 --> 01:15:51,427 IN OUR FRIENDSHIP, EH? 2335 01:15:51,761 --> 01:15:52,679 SO, NESTOR... 2336 01:15:52,679 --> 01:15:53,012 SO, NESTOR... 2337 01:15:53,513 --> 01:15:54,681 WHAT IS IT I CAN DO FOR YOU? 2338 01:15:54,681 --> 01:15:56,057 WHAT IS IT I CAN DO FOR YOU? 2339 01:15:56,391 --> 01:15:56,683 DIME. 2340 01:15:56,683 --> 01:15:57,600 DIME. 2341 01:15:58,017 --> 01:15:58,685 DO YOU NEED MONEY? 2342 01:15:58,685 --> 01:15:59,143 DO YOU NEED MONEY? 2343 01:15:59,519 --> 01:16:00,687 PLEASE TELL ME. 2344 01:16:00,687 --> 01:16:01,521 PLEASE TELL ME. 2345 01:16:01,979 --> 01:16:02,689 I WANT TO OPEN A CLUB. 2346 01:16:02,689 --> 01:16:03,690 I WANT TO OPEN A CLUB. 2347 01:16:04,023 --> 01:16:04,649 GOOD, GOOD. 2348 01:16:05,108 --> 01:16:06,192 MY BROTHER DOESN■T THINK 2349 01:16:06,734 --> 01:16:08,695 THIS IS THE TIME TO SETTLE DOWN. 2350 01:16:08,695 --> 01:16:09,112 THIS IS THE TIME TO SETTLE DOWN. 2351 01:16:09,654 --> 01:16:10,697 HE THINKS THAT WE WILL BE STARS. 2352 01:16:10,697 --> 01:16:12,115 HE THINKS THAT WE WILL BE STARS. 2353 01:16:12,407 --> 01:16:12,699 BUT... 2354 01:16:12,699 --> 01:16:14,409 BUT... 2355 01:16:15,076 --> 01:16:16,703 YOU ARE THE ONE WHO WRITES THE SONGS, NO? 2356 01:16:16,703 --> 01:16:17,912 YOU ARE THE ONE WHO WRITES THE SONGS, NO? 2357 01:16:18,287 --> 01:16:18,705 AND YOUR BROTHER, 2358 01:16:18,705 --> 01:16:19,414 AND YOUR BROTHER, 2359 01:16:20,039 --> 01:16:20,707 HE DOESN■T WANT ANYONE TO OWN HIM. 2360 01:16:20,707 --> 01:16:22,709 HE DOESN■T WANT ANYONE TO OWN HIM. 2361 01:16:22,709 --> 01:16:22,792 HE DOESN■T WANT ANYONE TO OWN HIM. 2362 01:16:26,713 --> 01:16:28,715 BUT HE THINKS HE OWNS YOU. 2363 01:16:28,715 --> 01:16:29,465 BUT HE THINKS HE OWNS YOU. 2364 01:16:37,014 --> 01:16:38,558 NO. 2365 01:16:39,016 --> 01:16:40,727 CESAR DOES NOT OWN ME. 2366 01:16:40,727 --> 01:16:41,102 CESAR DOES NOT OWN ME. 2367 01:16:41,436 --> 01:16:42,729 NOBODY DOES. 2368 01:16:42,729 --> 01:16:43,771 NOBODY DOES. 2369 01:16:44,063 --> 01:16:44,731 NOBODY. 2370 01:16:44,731 --> 01:16:45,523 NOBODY. 2371 01:16:46,190 --> 01:16:46,733 THEN YOU SIGN WITH ME, 01:16:46.190 --> 01:16:46.733 align:start 2372 01:16:46,190 --> 01:16:46,733 MI AMIGO, 2373 01:16:46,733 --> 01:16:48,526 THEN YOU SIGN WITH ME, 01:16:46.733 --> 01:16:48.526 align:start 2374 01:16:46,733 --> 01:16:48,526 MI AMIGO, 2375 01:16:48,985 --> 01:16:50,737 AND YOUR FUTURE IS GOLD. 2376 01:16:51,237 --> 01:16:52,739 EL MOROCCO, THE PALLADIUM, 2377 01:16:52,739 --> 01:16:54,115 EL MOROCCO, THE PALLADIUM, 2378 01:16:54,657 --> 01:16:54,741 AND THEN YOUR OWN LITTLE CLUB. 2379 01:16:54,741 --> 01:16:56,743 AND THEN YOUR OWN LITTLE CLUB. 2380 01:16:56,743 --> 01:16:58,453 AND THEN YOUR OWN LITTLE CLUB. 2381 01:16:58,786 --> 01:17:00,747 PALLADIUM. 2382 01:17:03,166 --> 01:17:04,459 YES. 2383 01:17:07,503 --> 01:17:08,755 Nestor: LET■S DRINK TO MY FREEDOM. 2384 01:17:08,755 --> 01:17:08,838 Nestor: LET■S DRINK TO MY FREEDOM. 2385 01:17:09,380 --> 01:17:10,465 I■M GOING TO PLAY THE PALLADIUM. 2386 01:17:11,215 --> 01:17:12,759 I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA... 2387 01:17:12,759 --> 01:17:14,761 I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA... 2388 01:17:14,761 --> 01:17:16,763 I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA... 2389 01:17:16,763 --> 01:17:18,723 I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA... 2390 01:17:19,098 --> 01:17:20,767 WITHOUT CESAR. 2391 01:17:20,767 --> 01:17:20,850 WITHOUT CESAR. 2392 01:17:21,559 --> 01:17:22,769 HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS. 2393 01:17:22,769 --> 01:17:24,771 HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS. 2394 01:17:24,771 --> 01:17:26,230 HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS. 2395 01:17:26,481 --> 01:17:26,773 NO. 2396 01:17:26,773 --> 01:17:27,774 NO. 2397 01:17:30,985 --> 01:17:32,779 ADIOS, MAMBO KINGS. 2398 01:17:32,779 --> 01:17:33,654 ADIOS, MAMBO KINGS. 2399 01:17:34,989 --> 01:17:36,783 ADIOS, CESAR. 2400 01:17:36,783 --> 01:17:38,159 ADIOS, CESAR. 2401 01:17:38,618 --> 01:17:38,785 NESTOR, WHAT HAPPENED? 2402 01:17:38,785 --> 01:17:40,661 NESTOR, WHAT HAPPENED? 2403 01:17:41,162 --> 01:17:42,789 LET■S DRINK TO MY FREEDOM. 2404 01:17:42,789 --> 01:17:43,623 LET■S DRINK TO MY FREEDOM. 2405 01:17:44,123 --> 01:17:44,791 LET■S DRINK TO MY FREEDOM. 2406 01:17:44,791 --> 01:17:45,958 LET■S DRINK TO MY FREEDOM. 2407 01:17:47,502 --> 01:17:48,795 UH, BARTENDER. 2408 01:17:48,795 --> 01:17:49,170 UH, BARTENDER. 2409 01:17:49,504 --> 01:17:50,797 NO COFFEE. 2410 01:17:50,797 --> 01:17:50,880 NO COFFEE. 2411 01:17:51,172 --> 01:17:52,173 TWO... 2412 01:17:52,632 --> 01:17:52,799 NESTOR LIBRES. 2413 01:17:52,799 --> 01:17:53,883 NESTOR LIBRES. 2414 01:18:00,264 --> 01:18:00,807 CESAR CAN■T KEEP USING ME. 2415 01:18:00,807 --> 01:18:02,350 CESAR CAN■T KEEP USING ME. 2416 01:18:02,725 --> 01:18:02,809 I TOLD HIM THAT. 2417 01:18:02,809 --> 01:18:04,060 I TOLD HIM THAT. 2418 01:18:04,560 --> 01:18:04,811 NESTOR, HE■S YOUR BROTHER. 2419 01:18:04,811 --> 01:18:06,187 NESTOR, HE■S YOUR BROTHER. 2420 01:18:06,562 --> 01:18:06,813 YOU■RE FAMILY. 2421 01:18:06,813 --> 01:18:07,772 YOU■RE FAMILY. 2422 01:18:08,314 --> 01:18:08,815 WHAT■S A GUY WITHOUT A FAMILY? 2423 01:18:08,815 --> 01:18:10,817 WHAT■S A GUY WITHOUT A FAMILY? 2424 01:18:10,817 --> 01:18:10,858 WHAT■S A GUY WITHOUT A FAMILY? 2425 01:18:12,443 --> 01:18:12,819 NOTHING. 2426 01:18:12,819 --> 01:18:13,736 NOTHING. 2427 01:18:16,113 --> 01:18:16,823 DOUBLE NOTHING WITHOUT LOVE. 2428 01:18:16,823 --> 01:18:18,825 DOUBLE NOTHING WITHOUT LOVE. 2429 01:18:19,492 --> 01:18:20,827 YOU KNOW HOW THAT IS, DON■T YOU? 2430 01:18:20,827 --> 01:18:22,286 YOU KNOW HOW THAT IS, DON■T YOU? 2431 01:18:25,248 --> 01:18:26,833 TO LOVE SOMEONE SO MUCH. 2432 01:18:26,833 --> 01:18:28,835 TO LOVE SOMEONE SO MUCH. 2433 01:18:37,885 --> 01:18:38,845 NESTOR, CAN■T YOU SEE HOW CESAR FEELS? 2434 01:18:38,845 --> 01:18:40,513 NESTOR, CAN■T YOU SEE HOW CESAR FEELS? 2435 01:18:40,888 --> 01:18:42,056 ABOUT DELORES? 2436 01:18:53,526 --> 01:18:54,861 COME ON. 2437 01:18:54,861 --> 01:18:54,986 COME ON. 2438 01:19:01,117 --> 01:19:02,869 STOP BEING A BIG JERK, HUH? 2439 01:19:02,869 --> 01:19:03,369 STOP BEING A BIG JERK, HUH? 2440 01:19:06,455 --> 01:19:06,873 HE■D DO ANYTHING FOR YOU. 2441 01:19:06,873 --> 01:19:08,749 HE■D DO ANYTHING FOR YOU. 2442 01:19:10,459 --> 01:19:10,877 PLEASE DON■T BREAK HIS HEART. 2443 01:19:10,877 --> 01:19:12,879 PLEASE DON■T BREAK HIS HEART. 2444 01:19:12,879 --> 01:19:13,421 PLEASE DON■T BREAK HIS HEART. 2445 01:19:52,418 --> 01:19:52,919 NESTOR... 2446 01:19:52,919 --> 01:19:53,794 NESTOR... 2447 01:19:54,295 --> 01:19:54,921 I WANT TO GO BACK TO SCHOOL 2448 01:19:54,921 --> 01:19:56,505 I WANT TO GO BACK TO SCHOOL 2449 01:19:56,881 --> 01:19:56,923 AND BE A TEACHER. 2450 01:19:56,923 --> 01:19:58,049 AND BE A TEACHER. 2451 01:20:04,472 --> 01:20:04,931 I WANT TO GO BACK TO SCHOOL 2452 01:20:04,931 --> 01:20:06,933 I WANT TO GO BACK TO SCHOOL 2453 01:20:07,516 --> 01:20:08,935 AND MAKE SOMETHING OF MYSELF. 2454 01:20:08,935 --> 01:20:09,060 AND MAKE SOMETHING OF MYSELF. 2455 01:20:09,310 --> 01:20:10,853 YEAH. 2456 01:20:11,312 --> 01:20:12,939 YEAH, YOU SHOULD DO THAT. 2457 01:20:12,939 --> 01:20:13,940 YEAH, YOU SHOULD DO THAT. 2458 01:20:16,442 --> 01:20:16,943 THAT■S WHAT YOU WANTED BEFORE YOU... 2459 01:20:16,943 --> 01:20:18,945 THAT■S WHAT YOU WANTED BEFORE YOU... 2460 01:20:18,945 --> 01:20:19,862 THAT■S WHAT YOU WANTED BEFORE YOU... 2461 01:20:20,154 --> 01:20:20,947 MET ME. 2462 01:20:20,947 --> 01:20:21,322 MET ME. 2463 01:20:26,702 --> 01:20:26,953 OH, DELORES. 2464 01:20:26,953 --> 01:20:28,371 OH, DELORES. 2465 01:20:28,788 --> 01:20:28,955 DELORITA MIA. 2466 01:20:28,955 --> 01:20:30,957 DELORITA MIA. 2467 01:20:33,459 --> 01:20:34,961 I KNOW IT■S BEEN VERY HARD FOR YOU. 2468 01:20:34,961 --> 01:20:36,963 I KNOW IT■S BEEN VERY HARD FOR YOU. 2469 01:20:36,963 --> 01:20:37,964 I KNOW IT■S BEEN VERY HARD FOR YOU. 2470 01:20:38,506 --> 01:20:38,965 I NEVER MEANT IT TO BE THAT WAY. 2471 01:20:38,965 --> 01:20:40,967 I NEVER MEANT IT TO BE THAT WAY. 2472 01:20:40,967 --> 01:20:42,218 I NEVER MEANT IT TO BE THAT WAY. 2473 01:20:44,762 --> 01:20:44,971 BUT YOU MUST KNOW IN MY OWN WAY... 2474 01:20:44,971 --> 01:20:46,973 BUT YOU MUST KNOW IN MY OWN WAY... 2475 01:20:46,973 --> 01:20:48,975 BUT YOU MUST KNOW IN MY OWN WAY... 2476 01:20:48,975 --> 01:20:49,767 BUT YOU MUST KNOW IN MY OWN WAY... 2477 01:20:50,142 --> 01:20:50,977 I HAVE LOVED YOU. 2478 01:20:50,977 --> 01:20:51,227 I HAVE LOVED YOU. 2479 01:20:53,187 --> 01:20:54,605 I HAVE LOVED YOU. 2480 01:21:03,656 --> 01:21:04,991 [DOOR SLAMS] 2481 01:21:05,533 --> 01:21:06,993 I LOVE THIS COUNTRY! 2482 01:21:06,993 --> 01:21:07,368 I LOVE THIS COUNTRY! 2483 01:21:07,702 --> 01:21:08,828 HA HA HA HA! 2484 01:21:09,245 --> 01:21:10,162 WHERE IS EVERYBODY? 2485 01:21:10,621 --> 01:21:10,997 HA HA HA HA HA HA HA HA! 2486 01:21:10,997 --> 01:21:12,999 HA HA HA HA HA HA HA HA! 2487 01:21:12,999 --> 01:21:13,416 HA HA HA HA HA HA HA HA! 2488 01:21:13,833 --> 01:21:14,583 I LOVE THIS COUNTRY! 2489 01:21:14,917 --> 01:21:15,001 COME HERE. 2490 01:21:15,001 --> 01:21:15,835 COME HERE. 2491 01:21:16,335 --> 01:21:17,003 YOU WANT TO SEE SOMETHING? 2492 01:21:17,003 --> 01:21:18,004 YOU WANT TO SEE SOMETHING? 2493 01:21:20,339 --> 01:21:21,007 COMPLIMENTS OF MR. RICCI, 2494 01:21:21,007 --> 01:21:21,924 COMPLIMENTS OF MR. RICCI, 2495 01:21:22,591 --> 01:21:23,009 WITH AN INVITATION TO PLAY THE PALLADIUM. 2496 01:21:23,009 --> 01:21:25,011 WITH AN INVITATION TO PLAY THE PALLADIUM. 2497 01:21:31,267 --> 01:21:33,019 DID I TELL YOU THIS WAS GOING TO HAPPEN? 2498 01:21:33,019 --> 01:21:33,185 DID I TELL YOU THIS WAS GOING TO HAPPEN? 2499 01:21:33,936 --> 01:21:35,021 DIDN■T I TELL YOU WE■D MAKE IT ON OUR OWN? DID I? 2500 01:21:35,021 --> 01:21:37,023 DIDN■T I TELL YOU WE■D MAKE IT ON OUR OWN? DID I? 2501 01:21:43,487 --> 01:21:44,905 COME ON, 01:21:43.487 --> 01:21:44.905 align:start 2502 01:21:43,487 --> 01:21:44,905 TOMA. 2503 01:21:45,322 --> 01:21:46,657 TOMA. TOMA. 2504 01:21:48,284 --> 01:21:49,035 TOMA. 2505 01:21:49,035 --> 01:21:49,118 TOMA. 2506 01:21:54,415 --> 01:21:55,041 BEBE. 2507 01:21:55,041 --> 01:21:55,666 BEBE. 2508 01:22:10,306 --> 01:22:11,057 THAT■S FOR REAL. 2509 01:22:11,057 --> 01:22:11,515 THAT■S FOR REAL. 2510 01:22:12,099 --> 01:22:13,059 FROM NOW ON, WE GET WHAT WE WANT. 2511 01:22:13,059 --> 01:22:14,643 FROM NOW ON, WE GET WHAT WE WANT. 2512 01:22:15,269 --> 01:22:17,063 MAYBE EVEN OUR OWN TELEVISION SHOW. 2513 01:22:17,063 --> 01:22:17,188 MAYBE EVEN OUR OWN TELEVISION SHOW. 2514 01:22:17,688 --> 01:22:19,065 I MEAN, WHAT THE HELL, HUH? 2515 01:22:19,065 --> 01:22:19,190 I MEAN, WHAT THE HELL, HUH? 2516 01:22:19,899 --> 01:22:21,067 WHAT THE HELL DID WE COME TO THIS COUNTRY FOR 2517 01:22:21,067 --> 01:22:22,026 WHAT THE HELL DID WE COME TO THIS COUNTRY FOR 2518 01:22:22,401 --> 01:22:23,069 IF NOT FOR THAT? 2519 01:22:23,069 --> 01:22:24,278 IF NOT FOR THAT? 2520 01:22:24,820 --> 01:22:25,071 COME ON. LET■S CALL THE FELLAS. 2521 01:22:25,071 --> 01:22:25,780 COME ON. LET■S CALL THE FELLAS. 2522 01:22:26,530 --> 01:22:27,073 COME ON. CAN YOU IMAGINE WE CALL THE FELLAS NOW 2523 01:22:27,073 --> 01:22:28,282 COME ON. CAN YOU IMAGINE WE CALL THE FELLAS NOW 2524 01:22:28,949 --> 01:22:29,075 AND WE TELL THEM THE KINGS OF THE MAMBO 2525 01:22:29,075 --> 01:22:31,077 AND WE TELL THEM THE KINGS OF THE MAMBO 2526 01:22:31,077 --> 01:22:31,327 AND WE TELL THEM THE KINGS OF THE MAMBO 2527 01:22:31,911 --> 01:22:33,079 ARE GOING TO PLAY PALLADIUM? HUH? 2528 01:22:33,079 --> 01:22:33,788 ARE GOING TO PLAY PALLADIUM? HUH? 2529 01:22:34,455 --> 01:22:35,081 I THINK I■M HAVING A HEART ATTACK TODAY. 2530 01:22:35,081 --> 01:22:36,332 I THINK I■M HAVING A HEART ATTACK TODAY. 2531 01:22:36,874 --> 01:22:37,083 I GOT TO FIND US A CIGAR STORE. 2532 01:22:37,083 --> 01:22:38,459 I GOT TO FIND US A CIGAR STORE. 2533 01:22:39,043 --> 01:22:39,085 HOW MANY TIMES-- HOW MANY TIMES-- 2534 01:22:39,085 --> 01:22:40,044 HOW MANY TIMES-- HOW MANY TIMES-- 2535 01:22:40,544 --> 01:22:41,087 DID I KEEP MY PROMISE TO YOU? 2536 01:22:41,087 --> 01:22:43,089 DID I KEEP MY PROMISE TO YOU? 2537 01:22:43,631 --> 01:22:45,091 DID I KEEP MY PROMISE? 2538 01:22:45,091 --> 01:22:46,133 DID I KEEP MY PROMISE? 2539 01:23:10,741 --> 01:23:11,117 AND NOW, LADIES AND GENTLEMEN, 2540 01:23:11,117 --> 01:23:11,992 AND NOW, LADIES AND GENTLEMEN, 2541 01:23:12,785 --> 01:23:13,119 A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY. 2542 01:23:13,119 --> 01:23:15,121 A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY. 2543 01:23:15,121 --> 01:23:15,871 A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY. 2544 01:23:22,795 --> 01:23:23,129 I PREDICT THAT NESTOR CASTILLO 2545 01:23:23,129 --> 01:23:25,131 I PREDICT THAT NESTOR CASTILLO 2546 01:23:25,131 --> 01:23:25,214 I PREDICT THAT NESTOR CASTILLO 2547 01:23:25,840 --> 01:23:27,133 WILL BE REMEMBERED AMONG THE GREATS 2548 01:23:27,133 --> 01:23:27,716 WILL BE REMEMBERED AMONG THE GREATS 2549 01:23:28,259 --> 01:23:29,135 WITH MACHITO, PUENTE, BENY MORE, 2550 01:23:29,135 --> 01:23:29,635 WITH MACHITO, PUENTE, BENY MORE, 2551 01:23:30,010 --> 01:23:30,719 TITO RODRIGUEZ-- 2552 01:23:31,387 --> 01:23:33,139 I NEVER TOLD MY BROTHER ABOUT THE DEAL. 2553 01:23:33,139 --> 01:23:33,973 I NEVER TOLD MY BROTHER ABOUT THE DEAL. 2554 01:23:34,390 --> 01:23:35,141 OH, BELIEVE YOU ME, 2555 01:23:35,141 --> 01:23:35,266 OH, BELIEVE YOU ME, 2556 01:23:35,891 --> 01:23:37,143 YOUR BROTHER WILL THANK YOU FOR IT 2557 01:23:37,143 --> 01:23:37,268 YOUR BROTHER WILL THANK YOU FOR IT 2558 01:23:37,685 --> 01:23:38,978 IN HIS SUNSET YEARS. 2559 01:23:39,395 --> 01:23:40,729 NO, SEÑOR PEREZ. NO. 2560 01:23:41,313 --> 01:23:43,149 A PROMOTER I KNOW, AN ENGLISHMAN, 2561 01:23:43,149 --> 01:23:44,275 A PROMOTER I KNOW, AN ENGLISHMAN, 2562 01:23:44,984 --> 01:23:45,151 WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM. 2563 01:23:45,151 --> 01:23:47,153 WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM. 2564 01:23:47,153 --> 01:23:48,112 WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM. 2565 01:23:48,654 --> 01:23:49,155 OF COURSE I TOLD HIM ABOUT YOU. 2566 01:23:49,155 --> 01:23:50,823 OF COURSE I TOLD HIM ABOUT YOU. 2567 01:23:51,407 --> 01:23:53,117 IT■S ALL BEING PLANNED RIGHT NOW. 2568 01:23:53,492 --> 01:23:54,410 AND WHO KNOWS? 2569 01:23:54,869 --> 01:23:55,161 STOP, SEÑOR PEREZ, STOP. 2570 01:23:55,161 --> 01:23:56,912 STOP, SEÑOR PEREZ, STOP. 2571 01:23:57,329 --> 01:23:59,165 I■VE MADE A MISTAKE. 2572 01:23:59,165 --> 01:23:59,832 I■VE MADE A MISTAKE. 2573 01:24:01,292 --> 01:24:03,169 I CAN■T DO IT. 2574 01:24:03,460 --> 01:24:04,170 I CAN■T. 2575 01:24:06,797 --> 01:24:07,173 NOBODY OWNS THE CASTILLO BROTHERS. 2576 01:24:07,173 --> 01:24:08,174 NOBODY OWNS THE CASTILLO BROTHERS. 2577 01:24:08,674 --> 01:24:09,175 ALL RIGHT, NESTOR. 2578 01:24:09,175 --> 01:24:10,259 ALL RIGHT, NESTOR. 2579 01:24:11,927 --> 01:24:13,179 THEN TONIGHT■S YOUR LAST NIGHT. 2580 01:24:13,179 --> 01:24:14,138 THEN TONIGHT■S YOUR LAST NIGHT. 2581 01:24:14,638 --> 01:24:15,181 TELL THAT TO YOUR BROTHER. 2582 01:24:15,181 --> 01:24:16,849 TELL THAT TO YOUR BROTHER. 2583 01:24:19,685 --> 01:24:21,187 ■ BEAUTIFUL MARIA ■ 2584 01:24:21,187 --> 01:24:23,063 ■ BEAUTIFUL MARIA ■ 2585 01:24:23,355 --> 01:24:25,191 ■ OF MY ■ 2586 01:24:25,191 --> 01:24:25,441 ■ OF MY ■ 2587 01:24:25,733 --> 01:24:27,193 ■ SOUL ■ 2588 01:24:27,193 --> 01:24:29,195 ■ SOUL ■ 2589 01:24:29,195 --> 01:24:29,445 ■ SOUL ■ 2590 01:24:29,820 --> 01:24:31,197 ■ OF MY SOUL ■ 2591 01:24:31,197 --> 01:24:33,199 ■ OF MY SOUL ■ 2592 01:24:33,199 --> 01:24:33,949 ■ OF MY SOUL ■ 2593 01:24:45,252 --> 01:24:47,213 ■ THOUGH WE■LL ALWAYS BE APART ■ 2594 01:24:47,213 --> 01:24:48,339 ■ THOUGH WE■LL ALWAYS BE APART ■ 2595 01:24:50,424 --> 01:24:51,217 ■ LOCKED FOREVER ■ 2596 01:24:51,217 --> 01:24:51,342 ■ LOCKED FOREVER ■ 2597 01:24:51,717 --> 01:24:53,219 ■ IN A DREAM ■ 2598 01:24:53,219 --> 01:24:53,469 ■ IN A DREAM ■ 2599 01:24:55,763 --> 01:24:57,223 ■ IF I EVER LOVE AGAIN ■ 2600 01:24:57,223 --> 01:24:58,515 ■ IF I EVER LOVE AGAIN ■ 2601 01:24:58,849 --> 01:24:59,225 ■ EVEN THEN ■ 2602 01:24:59,225 --> 01:25:00,851 ■ EVEN THEN ■ 2603 01:25:01,310 --> 01:25:03,229 ■ NOTHING WILL CHANGE ■ 2604 01:25:03,229 --> 01:25:04,772 ■ NOTHING WILL CHANGE ■ 2605 01:25:06,315 --> 01:25:07,233 ■ AND THE TASTE OF YOU REMAINS ■ 2606 01:25:07,233 --> 01:25:09,235 ■ AND THE TASTE OF YOU REMAINS ■ 2607 01:25:09,235 --> 01:25:10,444 ■ AND THE TASTE OF YOU REMAINS ■ 2608 01:25:11,779 --> 01:25:13,239 ■ CLINGING TO PARADISE ■ 2609 01:25:13,239 --> 01:25:15,241 ■ CLINGING TO PARADISE ■ 2610 01:25:15,241 --> 01:25:16,617 ■ CLINGING TO PARADISE ■ 2611 01:25:17,076 --> 01:25:17,243 ■ BUT AS THE DISTANCE ■ 2612 01:25:17,243 --> 01:25:19,245 ■ BUT AS THE DISTANCE ■ 2613 01:25:19,245 --> 01:25:19,495 ■ BUT AS THE DISTANCE ■ 2614 01:25:19,912 --> 01:25:21,247 ■ FROM YOU GROWS ■ 2615 01:25:21,247 --> 01:25:21,705 ■ FROM YOU GROWS ■ 2616 01:25:22,122 --> 01:25:23,249 ■ ALL THAT MY HEART ■ 2617 01:25:23,249 --> 01:25:25,209 ■ ALL THAT MY HEART ■ 2618 01:25:25,584 --> 01:25:27,253 ■ EVER KNOWS... ■ 2619 01:25:27,670 --> 01:25:29,255 HA HA HA! HA HA HA! 2620 01:25:29,255 --> 01:25:30,756 HA HA HA! HA HA HA! 2621 01:25:31,507 --> 01:25:33,259 OH, GOD. DELORES SHOULD BE WITH US TONIGHT, HUH? 2622 01:25:33,259 --> 01:25:33,759 OH, GOD. DELORES SHOULD BE WITH US TONIGHT, HUH? 2623 01:25:34,176 --> 01:25:35,261 THE BABY HAS A FEVER. 2624 01:25:35,261 --> 01:25:35,761 THE BABY HAS A FEVER. 2625 01:25:36,387 --> 01:25:37,263 LISTEN TO HIM, SEÑOR SENSIBLE HERE. 2626 01:25:37,263 --> 01:25:37,763 LISTEN TO HIM, SEÑOR SENSIBLE HERE. 2627 01:25:38,389 --> 01:25:39,265 BROTHER, I HAVE SOMETHING TO TELL YOU. 2628 01:25:39,265 --> 01:25:40,266 BROTHER, I HAVE SOMETHING TO TELL YOU. 2629 01:25:40,849 --> 01:25:41,267 IT■S A LONG WAY FROM HAVANA, KID. 2630 01:25:41,267 --> 01:25:43,018 IT■S A LONG WAY FROM HAVANA, KID. 2631 01:25:43,352 --> 01:25:44,270 YOU SEE THAT? 2632 01:25:44,687 --> 01:25:45,271 MAMBO KINGS, BABY. 2633 01:25:45,271 --> 01:25:46,272 MAMBO KINGS, BABY. 2634 01:25:46,689 --> 01:25:47,273 MAMBO KINGS FOREVER. 2635 01:25:47,273 --> 01:25:47,523 MAMBO KINGS FOREVER. 2636 01:25:47,898 --> 01:25:49,275 GIVE ME THE KEYS. 2637 01:25:49,566 --> 01:25:50,276 MM-MMM. 2638 01:25:50,693 --> 01:25:51,277 GIVE HIM THE KEYS. 2639 01:25:51,277 --> 01:25:51,527 GIVE HIM THE KEYS. 2640 01:25:51,986 --> 01:25:53,279 NO, I■M GOING TO DRIVE. 2641 01:25:53,696 --> 01:25:54,571 GIVE HIM THE KEYS. 2642 01:25:55,114 --> 01:25:55,281 ALL RIGHT. I■LL GET IN THE CAR 2643 01:25:55,281 --> 01:25:56,573 ALL RIGHT. I■LL GET IN THE CAR 2644 01:25:57,116 --> 01:25:57,283 BEFORE I TURN INTO A POPSICLE. 2645 01:25:57,283 --> 01:25:58,575 BEFORE I TURN INTO A POPSICLE. 2646 01:25:59,034 --> 01:25:59,285 YOU■D PROBABLY LOVE THAT. 2647 01:25:59,285 --> 01:26:00,536 YOU■D PROBABLY LOVE THAT. 2648 01:26:08,961 --> 01:26:09,295 YOU GOING TO TURN ME 2649 01:26:09,295 --> 01:26:10,296 YOU GOING TO TURN ME 2650 01:26:10,879 --> 01:26:11,297 INTO A ROAST PORK SANDWICH? 2651 01:26:11,297 --> 01:26:12,756 INTO A ROAST PORK SANDWICH? 2652 01:26:13,007 --> 01:26:13,299 HMM? 2653 01:26:13,299 --> 01:26:13,507 HMM? 2654 01:26:13,799 --> 01:26:15,301 I MIGHT. 2655 01:26:15,676 --> 01:26:17,052 WELL, GET GOING. 2656 01:26:23,767 --> 01:26:25,019 YOU KNOW, BROTHER, 2657 01:26:25,686 --> 01:26:27,313 WE DIDN■T GET THE JOB THE WAY YOU THINK. 2658 01:26:27,313 --> 01:26:28,022 WE DIDN■T GET THE JOB THE WAY YOU THINK. 2659 01:26:28,564 --> 01:26:29,315 THERE■S PLENTY OF TIME TO TALK. 2660 01:26:29,315 --> 01:26:29,565 THERE■S PLENTY OF TIME TO TALK. 2661 01:26:30,149 --> 01:26:31,317 WE■RE ON TOP, KID. JUST ENJOY IT. 2662 01:26:31,317 --> 01:26:31,942 WE■RE ON TOP, KID. JUST ENJOY IT. 2663 01:26:44,580 --> 01:26:45,331 [CRASH] 2664 01:26:45,664 --> 01:26:47,333 [HORN HONKS] 2665 01:26:50,419 --> 01:26:51,337 WHAT THE HELL YOU DOING? 2666 01:26:51,337 --> 01:26:52,004 WHAT THE HELL YOU DOING? 2667 01:26:52,588 --> 01:26:53,339 YOU■RE CHOKING ME. ARE YOU CRAZY? 2668 01:26:53,339 --> 01:26:54,131 YOU■RE CHOKING ME. ARE YOU CRAZY? 2669 01:26:54,506 --> 01:26:55,341 COME ON, HONEY. 2670 01:26:55,341 --> 01:26:55,424 COME ON, HONEY. 2671 01:26:55,716 --> 01:26:57,176 COME ON. 2672 01:26:57,509 --> 01:26:58,594 GOD, HELP ME. 2673 01:27:01,221 --> 01:27:01,347 WHERE THE HELL ARE WE? 2674 01:27:01,347 --> 01:27:03,057 WHERE THE HELL ARE WE? 2675 01:27:03,390 --> 01:27:04,641 OH, JESUS. 2676 01:27:05,100 --> 01:27:05,351 WHAT THE HELL DID HE DO? 2677 01:27:05,351 --> 01:27:06,643 WHAT THE HELL DID HE DO? 2678 01:27:07,186 --> 01:27:07,353 HE SMASHED UP THE GODDAMN CAR. 2679 01:27:07,353 --> 01:27:09,104 HE SMASHED UP THE GODDAMN CAR. 2680 01:27:09,813 --> 01:27:11,315 WHAT THE HELL YOU PEOPLE THINK I■M MADE OF? 2681 01:27:11,732 --> 01:27:12,066 COME ON, SWEETHEART. 2682 01:27:12,566 --> 01:27:13,359 LOOK AT THAT. WHAT A WASTE. 2683 01:27:13,359 --> 01:27:14,318 LOOK AT THAT. WHAT A WASTE. 2684 01:27:16,945 --> 01:27:17,363 THE INSURANCE COMPANY WILL BUY ANOTHER ONE. 2685 01:27:17,363 --> 01:27:19,365 THE INSURANCE COMPANY WILL BUY ANOTHER ONE. 2686 01:27:19,365 --> 01:27:20,240 THE INSURANCE COMPANY WILL BUY ANOTHER ONE. 2687 01:27:23,702 --> 01:27:24,370 WHAT HAPPENED? 2688 01:27:27,539 --> 01:27:28,207 WHAT HAPPENED? 2689 01:27:53,315 --> 01:27:53,399 OH, GOD. 2690 01:27:53,399 --> 01:27:55,275 OH, GOD. 2691 01:27:55,567 --> 01:27:56,402 [CRYING] 2692 01:28:01,740 --> 01:28:02,950 NESTOR. 2693 01:28:08,455 --> 01:28:09,289 NESTOR. 2694 01:28:12,709 --> 01:28:13,419 NESTOR. 2695 01:28:18,882 --> 01:28:19,425 NESTOR! 2696 01:28:19,425 --> 01:28:21,427 NESTOR! 2697 01:28:21,427 --> 01:28:22,428 NESTOR! 2698 01:28:43,657 --> 01:28:44,950 CESAR! 2699 01:28:47,953 --> 01:28:49,246 CESAR! 2700 01:28:54,877 --> 01:28:55,461 CESAR! 2701 01:29:01,008 --> 01:29:01,467 HEY, MISTER. 2702 01:29:01,467 --> 01:29:02,009 HEY, MISTER. 2703 01:29:02,509 --> 01:29:03,469 MISTER, THROW ME THE BALL. 2704 01:29:03,469 --> 01:29:04,261 MISTER, THROW ME THE BALL. 2705 01:29:04,928 --> 01:29:05,471 Boy: OK, COME ON. LET■S GO. LET■S PLAY. 2706 01:29:05,471 --> 01:29:06,472 Boy: OK, COME ON. LET■S GO. LET■S PLAY. 2707 01:29:06,889 --> 01:29:07,473 ALL RIGHT. READY? 2708 01:29:07,473 --> 01:29:07,764 ALL RIGHT. READY? 2709 01:29:08,182 --> 01:29:09,475 READY? HERE WE GO. 2710 01:29:09,475 --> 01:29:09,975 READY? HERE WE GO. 2711 01:29:11,477 --> 01:29:12,519 CESAR? 2712 01:29:12,811 --> 01:29:13,479 CESAR. 2713 01:29:13,479 --> 01:29:14,146 CESAR. 2714 01:29:15,814 --> 01:29:17,483 CESAR. 2715 01:29:17,816 --> 01:29:19,485 OH, EVALINA. 2716 01:29:19,818 --> 01:29:21,487 OH, MY GOD. 2717 01:29:21,487 --> 01:29:22,070 OH, MY GOD. 2718 01:29:22,738 --> 01:29:23,489 YOU KNOW, I THOUGHT YOU WERE MY MOTHER. 2719 01:29:23,489 --> 01:29:25,073 YOU KNOW, I THOUGHT YOU WERE MY MOTHER. 2720 01:29:25,741 --> 01:29:27,493 CESAR, MIGUEL TELLS ME YOU LEFT THE BAND? 2721 01:29:27,493 --> 01:29:28,660 CESAR, MIGUEL TELLS ME YOU LEFT THE BAND? 2722 01:29:29,161 --> 01:29:29,495 YEAH, IT■S BETTER THIS WAY. 2723 01:29:29,495 --> 01:29:30,662 YEAH, IT■S BETTER THIS WAY. 2724 01:29:31,121 --> 01:29:31,497 COME. SIT, SIT, SIT, SIT. 2725 01:29:31,497 --> 01:29:33,499 COME. SIT, SIT, SIT, SIT. 2726 01:29:34,875 --> 01:29:35,459 MY GOD. 2727 01:29:35,959 --> 01:29:37,503 I THOUGHT YOU WERE MY MOTHER. 2728 01:29:37,503 --> 01:29:37,961 I THOUGHT YOU WERE MY MOTHER. 2729 01:29:38,253 --> 01:29:39,505 CESAR... 2730 01:29:39,505 --> 01:29:39,671 CESAR... 2731 01:29:40,130 --> 01:29:41,507 WHEN MY MOTHER DIED... 2732 01:29:41,507 --> 01:29:42,299 WHEN MY MOTHER DIED... 2733 01:29:42,925 --> 01:29:43,509 I WANTED ONLY TO LIVE IN MY SADNESS. 2734 01:29:43,509 --> 01:29:45,511 I WANTED ONLY TO LIVE IN MY SADNESS. 2735 01:29:45,511 --> 01:29:46,094 I WANTED ONLY TO LIVE IN MY SADNESS. 2736 01:29:46,762 --> 01:29:47,513 IT WAS ALL I THOUGHT I HAD LEFT OF HER. 2737 01:29:47,513 --> 01:29:49,515 IT WAS ALL I THOUGHT I HAD LEFT OF HER. 2738 01:29:49,515 --> 01:29:50,641 IT WAS ALL I THOUGHT I HAD LEFT OF HER. 2739 01:29:52,267 --> 01:29:53,519 BUT THE MUSIC WITHIN ME 2740 01:29:53,519 --> 01:29:55,521 BUT THE MUSIC WITHIN ME 2741 01:29:55,521 --> 01:29:55,854 BUT THE MUSIC WITHIN ME 2742 01:29:56,271 --> 01:29:57,523 WOULD NOT BE SILENT. 2743 01:29:57,523 --> 01:29:58,023 WOULD NOT BE SILENT. 2744 01:29:58,482 --> 01:29:59,525 AND WHEN I FINALLY SANG, 2745 01:29:59,525 --> 01:30:00,526 AND WHEN I FINALLY SANG, 2746 01:30:01,068 --> 01:30:01,527 I FOUND MY MOTHER 2747 01:30:01,527 --> 01:30:02,861 I FOUND MY MOTHER 2748 01:30:03,403 --> 01:30:03,529 IN THE HAPPINESS OF THE PEOPLE. 2749 01:30:03,529 --> 01:30:04,905 IN THE HAPPINESS OF THE PEOPLE. 2750 01:30:05,239 --> 01:30:05,531 I KILLED HIM. 2751 01:30:05,531 --> 01:30:07,533 I KILLED HIM. 2752 01:30:10,953 --> 01:30:11,537 HE WAS THE MUSIC. 2753 01:30:11,537 --> 01:30:11,870 HE WAS THE MUSIC. 2754 01:30:12,246 --> 01:30:13,539 AND SO ARE YOU. 2755 01:30:13,539 --> 01:30:14,665 AND SO ARE YOU. 2756 01:30:15,040 --> 01:30:15,541 FIRE AND WATER. 2757 01:30:15,541 --> 01:30:17,543 FIRE AND WATER. 2758 01:30:17,543 --> 01:30:18,377 FIRE AND WATER. 2759 01:30:18,835 --> 01:30:19,545 BOTH BEAUTIFUL, CESAR, 2760 01:30:19,545 --> 01:30:21,046 BOTH BEAUTIFUL, CESAR, 2761 01:30:21,547 --> 01:30:23,549 BUT THEY HAVE DIFFERENT LIFE. 2762 01:30:23,549 --> 01:30:24,633 BUT THEY HAVE DIFFERENT LIFE. 2763 01:30:30,222 --> 01:30:31,557 "IN TODAY■S AMERICA, 2764 01:30:31,557 --> 01:30:31,932 "IN TODAY■S AMERICA, 2765 01:30:32,432 --> 01:30:33,559 "EVERY OBSTACLE IS TEMPORARY. 2766 01:30:33,559 --> 01:30:35,561 "EVERY OBSTACLE IS TEMPORARY. 2767 01:30:35,561 --> 01:30:35,936 "EVERY OBSTACLE IS TEMPORARY. 2768 01:30:36,436 --> 01:30:37,563 "EVERY PROBLEM CAN BE SOLVED. 2769 01:30:37,563 --> 01:30:38,605 "EVERY PROBLEM CAN BE SOLVED. 2770 01:30:40,816 --> 01:30:41,567 "WHERE THERE IS A WILL, 2771 01:30:41,567 --> 01:30:42,568 "WHERE THERE IS A WILL, 2772 01:30:43,068 --> 01:30:43,569 THERE IS A WAY..." 2773 01:30:43,569 --> 01:30:45,153 THERE IS A WAY..." 2774 01:30:46,697 --> 01:30:47,573 "FOR THE MAN OF TOMORROW..." 2775 01:30:47,573 --> 01:30:49,032 "FOR THE MAN OF TOMORROW..." 2776 01:30:50,325 --> 01:30:51,577 "IN TODAY■S AMERICA." 2777 01:30:51,577 --> 01:30:52,119 "IN TODAY■S AMERICA." 2778 01:30:55,247 --> 01:30:55,581 [LAUGHING] 2779 01:30:55,581 --> 01:30:56,582 [LAUGHING] 2780 01:31:11,013 --> 01:31:11,597 WE GOT TO TAKE A VACATION, YOU AND ME. 2781 01:31:11,597 --> 01:31:13,432 WE GOT TO TAKE A VACATION, YOU AND ME. 2782 01:31:13,974 --> 01:31:15,601 WE GOT TO GO DOWN TO MIAMI, HUH? 2783 01:31:15,601 --> 01:31:15,934 WE GOT TO GO DOWN TO MIAMI, HUH? 2784 01:31:16,476 --> 01:31:17,436 AND IF WE■RE TOO BIG IN MIAMI, 2785 01:31:18,103 --> 01:31:19,605 WE■LL GO STRAIGHT BACK TO HOLLYWOOD, HUH? 2786 01:31:19,605 --> 01:31:20,939 WE■LL GO STRAIGHT BACK TO HOLLYWOOD, HUH? 2787 01:31:21,398 --> 01:31:21,607 WE■LL GO SEE DESI, HUH? 2788 01:31:21,607 --> 01:31:22,941 WE■LL GO SEE DESI, HUH? 2789 01:31:23,400 --> 01:31:23,609 REMEMBER WHAT HE TOLD US? 2790 01:31:23,609 --> 01:31:24,943 REMEMBER WHAT HE TOLD US? 2791 01:31:25,485 --> 01:31:25,611 WE COULD ALWAYS JUST...DROP BY. 2792 01:31:25,611 --> 01:31:27,613 WE COULD ALWAYS JUST...DROP BY. 2793 01:31:27,613 --> 01:31:28,280 WE COULD ALWAYS JUST...DROP BY. 2794 01:31:41,543 --> 01:31:41,627 WHAT■S THE MATTER, HUH? 2795 01:31:41,627 --> 01:31:43,253 WHAT■S THE MATTER, HUH? 2796 01:31:44,254 --> 01:31:45,422 I KNOW. 2797 01:31:47,257 --> 01:31:47,633 I KNOW. 2798 01:31:47,633 --> 01:31:48,634 I KNOW. 2799 01:32:00,979 --> 01:32:01,647 [CRYING] 2800 01:32:01,647 --> 01:32:01,897 [CRYING] 2801 01:32:06,068 --> 01:32:06,735 [NOT CRYING] 2802 01:32:08,570 --> 01:32:09,655 "CHINAMAN, INDIAN, OR FROM THE PLANET MARS... 2803 01:32:09,655 --> 01:32:11,657 "CHINAMAN, INDIAN, OR FROM THE PLANET MARS... 2804 01:32:11,657 --> 01:32:12,449 "CHINAMAN, INDIAN, OR FROM THE PLANET MARS... 2805 01:32:13,158 --> 01:32:13,659 A MAN CAN FIND HAPPINESS THE AMERICAN WAY." 2806 01:32:13,659 --> 01:32:15,661 A MAN CAN FIND HAPPINESS THE AMERICAN WAY." 2807 01:32:15,661 --> 01:32:16,662 A MAN CAN FIND HAPPINESS THE AMERICAN WAY." 2808 01:32:21,333 --> 01:32:21,667 I GUESS YOU COULDN■T FIND HAPPINESS AFTER ALL. 2809 01:32:21,667 --> 01:32:23,669 I GUESS YOU COULDN■T FIND HAPPINESS AFTER ALL. 2810 01:32:24,044 --> 01:32:25,253 [THUNDER] 2811 01:33:02,541 --> 01:33:03,709 [MUSIC PLAYS] 2812 01:33:03,709 --> 01:33:04,710 [MUSIC PLAYS] 2813 01:33:12,384 --> 01:33:13,719 WE WANT TO MAKE A TOAST TO OUR FRIEND 2814 01:33:13,719 --> 01:33:14,845 WE WANT TO MAKE A TOAST TO OUR FRIEND 2815 01:33:15,637 --> 01:33:15,721 WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB-- 2816 01:33:15,721 --> 01:33:17,723 WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB-- 2817 01:33:17,723 --> 01:33:19,433 WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB-- 2818 01:33:19,808 --> 01:33:20,934 NESTOR CASTILLO. 2819 01:33:21,351 --> 01:33:21,727 [AUDIENCE CHEERING] 2820 01:33:21,727 --> 01:33:22,853 [AUDIENCE CHEERING] 2821 01:33:23,270 --> 01:33:23,729 MAY HE REST IN PEACE. 2822 01:33:23,729 --> 01:33:24,896 MAY HE REST IN PEACE. 2823 01:33:27,357 --> 01:33:27,733 BUT AS NOT TO LET THIS LITTLE GATHERING 2824 01:33:27,733 --> 01:33:29,735 BUT AS NOT TO LET THIS LITTLE GATHERING 2825 01:33:29,735 --> 01:33:29,985 BUT AS NOT TO LET THIS LITTLE GATHERING 2826 01:33:30,402 --> 01:33:31,737 SLIP INTO SADNESS, 2827 01:33:31,737 --> 01:33:32,112 SLIP INTO SADNESS, 2828 01:33:32,487 --> 01:33:33,739 I MAKE A TOAST 2829 01:33:33,739 --> 01:33:34,281 I MAKE A TOAST 2830 01:33:34,740 --> 01:33:35,741 TO ALL THE LOVELY LADIES 2831 01:33:35,741 --> 01:33:36,283 TO ALL THE LOVELY LADIES 2832 01:33:36,825 --> 01:33:37,743 WHO HAVE BROUGHT US WARM SMILES. 2833 01:33:37,743 --> 01:33:39,161 WHO HAVE BROUGHT US WARM SMILES. 2834 01:33:39,661 --> 01:33:39,745 TO THE FABULOUS MAMBO KINGS. 2835 01:33:39,745 --> 01:33:40,662 TO THE FABULOUS MAMBO KINGS. 2836 01:33:41,204 --> 01:33:41,747 TO MARIO BAUZA AND TITO PUENTE. 2837 01:33:41,747 --> 01:33:42,664 TO MARIO BAUZA AND TITO PUENTE. 2838 01:33:43,123 --> 01:33:43,749 AND TO CESAR CASTILLO. 2839 01:33:43,749 --> 01:33:44,166 AND TO CESAR CASTILLO. 2840 01:33:44,499 --> 01:33:45,459 TO AMERICA. 2841 01:33:45,834 --> 01:33:46,460 SALUD. 2842 01:33:46,960 --> 01:33:47,753 SALUD! 01:33:46.960 --> 01:33:47.753 align:start 2843 01:33:46,960 --> 01:33:47,753 SALUD! 2844 01:33:48,295 --> 01:33:49,755 AND NOW, LADIES AND GENTLEMEN, 2845 01:33:49,755 --> 01:33:49,963 AND NOW, LADIES AND GENTLEMEN, 2846 01:33:50,714 --> 01:33:51,757 A LITTLE 01:33:50.714 --> 01:33:51.757 align:start 2847 01:33:50,714 --> 01:33:51,757 CANCION 01:33:50.714 --> 01:33:51.757 align:start THAT WILL LIVE FOREVER-- 2848 01:33:51,757 --> 01:33:52,841 A LITTLE 01:33:51.757 --> 01:33:52.841 align:start 2849 01:33:51,757 --> 01:33:52,841 CANCION 01:33:51.757 --> 01:33:52.841 align:start THAT WILL LIVE FOREVER-- 2850 01:33:53,550 --> 01:33:53,759 BEAUTIFUL MARIA 01:33:53.550 --> 01:33:53.759 align:start 2851 01:33:53,550 --> 01:33:53,759 OF MY SOUL. 2852 01:33:53,759 --> 01:33:55,761 BEAUTIFUL MARIA 01:33:53.759 --> 01:33:55.761 align:start 2853 01:33:53,759 --> 01:33:55,761 OF MY SOUL. 2854 01:33:59,347 --> 01:33:59,765 CESAR, COME ON UP HERE. 2855 01:33:59,765 --> 01:34:01,767 CESAR, COME ON UP HERE. 2856 01:34:01,767 --> 01:34:02,142 CESAR, COME ON UP HERE. 2857 01:34:02,517 --> 01:34:03,769 NO. YOU PLAY NOW. 2858 01:34:04,144 --> 01:34:04,770 CESAR. 2859 01:34:05,228 --> 01:34:05,729 GO ON. 2860 01:34:06,188 --> 01:34:07,773 SING IT FOR NESTOR, HUH? 2861 01:34:07,773 --> 01:34:08,148 SING IT FOR NESTOR, HUH? 2862 01:34:10,233 --> 01:34:10,817 [APPLAUSE] 2863 01:34:24,372 --> 01:34:25,540 HE WORSHIPPED YOU, CESAR. 2864 01:34:25,957 --> 01:34:26,792 HE WAS ALWAYS HAPPY 2865 01:34:27,334 --> 01:34:27,793 TO GO WITH YOU TO PLACES 2866 01:34:27,793 --> 01:34:29,586 TO GO WITH YOU TO PLACES 2867 01:34:30,045 --> 01:34:31,797 TO PLAY FOR THE PEOPLE. 2868 01:34:32,380 --> 01:34:33,799 THOSE WERE GOOD TIMES. 2869 01:34:36,259 --> 01:34:37,803 NOBODY CAN TAKE THAT AWAY. 2870 01:34:37,803 --> 01:34:38,470 NOBODY CAN TAKE THAT AWAY. 2871 01:34:39,012 --> 01:34:39,805 I HURT HIM IN SO MANY WAYS, NO? 2872 01:34:39,805 --> 01:34:41,807 I HURT HIM IN SO MANY WAYS, NO? 2873 01:34:41,807 --> 01:34:42,641 I HURT HIM IN SO MANY WAYS, NO? 2874 01:34:43,016 --> 01:34:43,809 OH, NO, CESAR. 2875 01:34:43,809 --> 01:34:44,810 OH, NO, CESAR. 2876 01:34:46,478 --> 01:34:47,813 YOU DIDN■T HURT HIM. 2877 01:34:47,813 --> 01:34:47,854 YOU DIDN■T HURT HIM. 2878 01:34:50,565 --> 01:34:51,817 NESTOR... 2879 01:34:51,817 --> 01:34:51,858 NESTOR... 2880 01:34:54,611 --> 01:34:55,821 NESTOR HURT HIMSELF. 2881 01:34:55,821 --> 01:34:56,571 NESTOR HURT HIMSELF. 2882 01:34:59,741 --> 01:34:59,825 NOBODY COULD SAVE HIM. 2883 01:34:59,825 --> 01:35:00,826 NOBODY COULD SAVE HIM. 2884 01:35:01,743 --> 01:35:01,827 BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE... 2885 01:35:01,827 --> 01:35:03,829 BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE... 2886 01:35:03,829 --> 01:35:05,747 BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE... 2887 01:35:06,206 --> 01:35:07,249 IT WAS BECAUSE OF HIM. 2888 01:35:11,586 --> 01:35:11,837 I WOULD CHANGE PLACES WITH HIM RIGHT NOW... 2889 01:35:11,837 --> 01:35:13,839 I WOULD CHANGE PLACES WITH HIM RIGHT NOW... 2890 01:35:13,839 --> 01:35:15,841 I WOULD CHANGE PLACES WITH HIM RIGHT NOW... 2891 01:35:15,841 --> 01:35:16,216 I WOULD CHANGE PLACES WITH HIM RIGHT NOW... 2892 01:35:16,550 --> 01:35:17,843 IF I COULD. 2893 01:35:20,762 --> 01:35:21,847 IT■S HIS CLUB, HMM? 2894 01:35:22,347 --> 01:35:23,849 CESAR, THIS IS YOUR CLUB. 2895 01:35:23,849 --> 01:35:24,850 CESAR, THIS IS YOUR CLUB. 2896 01:35:27,644 --> 01:35:27,853 NOW SING THE BOLERO. 2897 01:35:27,853 --> 01:35:28,603 NOW SING THE BOLERO. 2898 01:35:29,229 --> 01:35:29,855 I DON■T HAVE IT IN ME ANYMORE TO SING. 2899 01:35:29,855 --> 01:35:31,857 I DON■T HAVE IT IN ME ANYMORE TO SING. 2900 01:35:31,857 --> 01:35:32,190 I DON■T HAVE IT IN ME ANYMORE TO SING. 2901 01:35:37,070 --> 01:35:37,863 SING IT FOR ME? 2902 01:35:37,863 --> 01:35:38,822 SING IT FOR ME? 2903 01:36:08,685 --> 01:36:09,895 ■ THOUGH WE■LL ALWAYS BE APART ■ 2904 01:36:09,895 --> 01:36:11,271 ■ THOUGH WE■LL ALWAYS BE APART ■ 2905 01:36:14,316 --> 01:36:15,901 ■ LOCKED FOREVER IN A DREAM ■ 2906 01:36:15,901 --> 01:36:16,276 ■ LOCKED FOREVER IN A DREAM ■ 2907 01:36:19,404 --> 01:36:19,905 ■ IF I EVER LOVE AGAIN ■ 2908 01:36:19,905 --> 01:36:21,907 ■ IF I EVER LOVE AGAIN ■ 2909 01:36:21,907 --> 01:36:22,365 ■ IF I EVER LOVE AGAIN ■ 2910 01:36:22,699 --> 01:36:23,909 ■ EVEN THEN ■ 2911 01:36:23,909 --> 01:36:25,076 ■ EVEN THEN ■ 2912 01:36:25,535 --> 01:36:25,911 ■ NOTHING WILL CHANGE ■ 2913 01:36:25,911 --> 01:36:27,162 ■ NOTHING WILL CHANGE ■ 2914 01:36:29,789 --> 01:36:29,915 ■ AND THE TASTE OF YOU REMAINS ■ 2915 01:36:29,915 --> 01:36:31,917 ■ AND THE TASTE OF YOU REMAINS ■ 2916 01:36:31,917 --> 01:36:33,251 ■ AND THE TASTE OF YOU REMAINS ■ 2917 01:36:35,462 --> 01:36:35,921 ■ CLINGING TO PARADISE ■ 2918 01:36:35,921 --> 01:36:37,923 ■ CLINGING TO PARADISE ■ 2919 01:36:37,923 --> 01:36:39,925 ■ CLINGING TO PARADISE ■ 2920 01:36:40,383 --> 01:36:41,927 ■ BUT AS THE DISTANCE ■ 2921 01:36:41,927 --> 01:36:42,928 ■ BUT AS THE DISTANCE ■ 2922 01:36:43,386 --> 01:36:43,929 ■ FROM YOU GROWS ■ 2923 01:36:43,929 --> 01:36:45,513 ■ FROM YOU GROWS ■ 2924 01:36:45,931 --> 01:36:47,933 ■ ALL THAT MY HEART ■ 2925 01:36:47,933 --> 01:36:48,475 ■ ALL THAT MY HEART ■ 2926 01:36:48,850 --> 01:36:49,935 ■ EVER KNOWS ■ 2927 01:36:49,935 --> 01:36:50,936 ■ EVER KNOWS ■ 2928 01:36:51,394 --> 01:36:51,937 ■ HUNGER FOR YOUR KISS ■ 2929 01:36:51,937 --> 01:36:53,355 ■ HUNGER FOR YOUR KISS ■ 2930 01:36:56,566 --> 01:36:57,943 ■ LONGING FOR YOUR TOUCH ■ 2931 01:36:57,943 --> 01:36:58,360 ■ LONGING FOR YOUR TOUCH ■ 2932 01:37:01,529 --> 01:37:01,947 ■ BEAUTIFUL MARIA ■ 2933 01:37:01,947 --> 01:37:03,949 ■ BEAUTIFUL MARIA ■ 2934 01:37:03,949 --> 01:37:05,575 ■ BEAUTIFUL MARIA ■ 2935 01:37:07,035 --> 01:37:07,953 ■ OF MY SOUL ■ 2936 01:37:07,953 --> 01:37:09,955 ■ OF MY SOUL ■ 2937 01:37:09,955 --> 01:37:11,873 ■ OF MY SOUL ■ 2938 01:37:12,332 --> 01:37:13,959 ■ FILLING ALL MY NIGHTS ■ 2939 01:37:13,959 --> 01:37:14,292 ■ FILLING ALL MY NIGHTS ■ 2940 01:37:17,504 --> 01:37:17,963 ■ HAUNTING ALL MY DAYS ■ 2941 01:37:17,963 --> 01:37:19,965 ■ HAUNTING ALL MY DAYS ■ 2942 01:37:22,467 --> 01:37:23,969 ■ BEAUTIFUL MARIA ■ 2943 01:37:23,969 --> 01:37:25,971 ■ BEAUTIFUL MARIA ■ 2944 01:37:25,971 --> 01:37:26,346 ■ BEAUTIFUL MARIA ■ 2945 01:37:28,890 --> 01:37:29,975 ■ OF MY SOUL ■ 2946 01:37:29,975 --> 01:37:30,350 ■ OF MY SOUL ■ 2947 01:37:37,148 --> 01:37:37,983 [APPLAUSE] 2948 01:37:37,983 --> 01:37:38,984 [APPLAUSE] 2949 01:37:49,285 --> 01:37:49,995 ■ DESTINY ■ 2950 01:37:49,995 --> 01:37:50,870 ■ DESTINY ■ 2951 01:37:51,246 --> 01:37:51,997 ■ IN HER HOUSE ■ 2952 01:37:51,997 --> 01:37:52,580 ■ IN HER HOUSE ■ 2953 01:37:52,998 --> 01:37:53,999 ■ BUILT OF SHADOWS ■ 2954 01:37:53,999 --> 01:37:55,500 ■ BUILT OF SHADOWS ■ 2955 01:37:56,084 --> 01:37:58,003 ■ MAKES HER NEST, SPIN HER WEBS ■ 2956 01:37:58,003 --> 01:37:58,628 ■ MAKES HER NEST, SPIN HER WEBS ■ 2957 01:37:59,045 --> 01:38:00,005 ■ TOUCHING US ALL ■ 2958 01:38:00,005 --> 01:38:01,006 ■ TOUCHING US ALL ■ 2959 01:38:02,382 --> 01:38:04,009 ■ REALITY STANDS ■ 2960 01:38:04,551 --> 01:38:06,011 ■ WITH ILLUSION ■ 2961 01:38:06,011 --> 01:38:06,845 ■ WITH ILLUSION ■ 2962 01:38:07,220 --> 01:38:08,013 ■ AND CONFUSION ■ 2963 01:38:08,013 --> 01:38:09,097 ■ AND CONFUSION ■ 2964 01:38:09,556 --> 01:38:10,015 ■ I THOUGHT IT WAS WAR ■ 2965 01:38:10,015 --> 01:38:12,017 ■ I THOUGHT IT WAS WAR ■ 2966 01:38:12,017 --> 01:38:12,892 ■ I THOUGHT IT WAS WAR ■ 2967 01:38:13,268 --> 01:38:14,019 ■ YOU■LL FIND ■ 2968 01:38:14,019 --> 01:38:14,144 ■ YOU■LL FIND ■ 2969 01:38:14,644 --> 01:38:16,021 ■ IN THE BEAT OF THE MAMBO ■ 2970 01:38:16,021 --> 01:38:18,023 ■ IN THE BEAT OF THE MAMBO ■ 2971 01:38:18,481 --> 01:38:19,774 ■ STEPS AND PATTERNS ■ 2972 01:38:20,275 --> 01:38:22,027 ■ THAT LEAD TO PLACES NEW ■ 2973 01:38:22,027 --> 01:38:23,486 ■ THAT LEAD TO PLACES NEW ■ 2974 01:38:24,195 --> 01:38:26,031 ■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■ 2975 01:38:26,031 --> 01:38:28,033 ■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■ 2976 01:38:28,033 --> 01:38:28,783 ■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■ 2977 01:38:29,200 --> 01:38:30,035 ■ BRINGING SUNSHINE ■ 2978 01:38:30,035 --> 01:38:31,036 ■ BRINGING SUNSHINE ■ 2979 01:38:31,703 --> 01:38:32,037 ■ TO BUILD THE DREAM IN YOU ■ 2980 01:38:32,037 --> 01:38:34,039 ■ TO BUILD THE DREAM IN YOU ■ 2981 01:38:34,039 --> 01:38:35,040 ■ TO BUILD THE DREAM IN YOU ■ 2982 01:38:35,540 --> 01:38:36,041 [SINGING IN SPANISH] 2983 01:38:36,041 --> 01:38:37,167 [SINGING IN SPANISH] 2984 01:41:34,260 --> 01:41:36,221 ■ IN THE SUNLIGHT OF YOUR SMILE ■ 2985 01:41:36,221 --> 01:41:36,763 ■ IN THE SUNLIGHT OF YOUR SMILE ■ 2986 01:41:38,973 --> 01:41:40,225 ■ IN THE SUMMER OF OUR LIFE ■ 2987 01:41:40,225 --> 01:41:41,768 ■ IN THE SUMMER OF OUR LIFE ■ 2988 01:41:43,645 --> 01:41:44,229 ■ IN THE MAGIC OF LOVE ■ 2989 01:41:44,229 --> 01:41:46,231 ■ IN THE MAGIC OF LOVE ■ 2990 01:41:46,731 --> 01:41:48,233 ■ STORMS ABOVE ■ 2991 01:41:48,233 --> 01:41:48,441 ■ STORMS ABOVE ■ 2992 01:41:48,858 --> 01:41:50,235 ■ SCATTERED AWAY ■ 2993 01:41:50,235 --> 01:41:52,237 ■ SCATTERED AWAY ■ 2994 01:41:52,237 --> 01:41:53,029 ■ SCATTERED AWAY ■ 2995 01:41:53,571 --> 01:41:54,239 ■ LOVERS DREAMING IN THE NIGHT ■ 2996 01:41:54,239 --> 01:41:55,782 ■ LOVERS DREAMING IN THE NIGHT ■ 2997 01:41:58,660 --> 01:42:00,245 ■ REACHING FOR PARADISE ■ 2998 01:42:00,245 --> 01:42:02,247 ■ REACHING FOR PARADISE ■ 2999 01:42:02,247 --> 01:42:02,747 ■ REACHING FOR PARADISE ■ 3000 01:42:03,289 --> 01:42:04,249 ■ BUT AS THE DARK SHADOWS FADE ■ 3001 01:42:04,249 --> 01:42:06,251 ■ BUT AS THE DARK SHADOWS FADE ■ 3002 01:42:06,251 --> 01:42:07,669 ■ BUT AS THE DARK SHADOWS FADE ■ 3003 01:42:08,086 --> 01:42:08,253 ■ LOVE SLIPS AWAY ■ 3004 01:42:08,253 --> 01:42:10,255 ■ LOVE SLIPS AWAY ■ 3005 01:42:10,255 --> 01:42:10,755 ■ LOVE SLIPS AWAY ■ 3006 01:42:12,423 --> 01:42:14,259 ■ ON AN EMPTY STRETCH OF BEACH ■ 3007 01:42:14,259 --> 01:42:14,926 ■ ON AN EMPTY STRETCH OF BEACH ■ 3008 01:42:17,345 --> 01:42:18,263 ■ IN THE PATTERN OF THE WAVES ■ 3009 01:42:18,263 --> 01:42:19,931 ■ IN THE PATTERN OF THE WAVES ■ 3010 01:42:22,225 --> 01:42:22,267 ■ DRAWING PICTURES WITH MY HAND ■ 3011 01:42:22,267 --> 01:42:24,269 ■ DRAWING PICTURES WITH MY HAND ■ 3012 01:42:24,269 --> 01:42:24,602 ■ DRAWING PICTURES WITH MY HAND ■ 3013 01:42:24,978 --> 01:42:26,271 ■ IN THE SAND ■ 3014 01:42:26,271 --> 01:42:26,771 ■ IN THE SAND ■ 3015 01:42:27,188 --> 01:42:28,273 ■ I SEE YOUR FACE ■ 3016 01:42:28,273 --> 01:42:29,941 ■ I SEE YOUR FACE ■ 3017 01:42:31,526 --> 01:42:32,277 ■ SKIPPING PEBBLES ON THE SEA ■ 3018 01:42:32,277 --> 01:42:34,279 ■ SKIPPING PEBBLES ON THE SEA ■ 3019 01:42:36,781 --> 01:42:38,283 ■ WISHING FOR PARADISE ■ 3020 01:42:38,283 --> 01:42:40,285 ■ WISHING FOR PARADISE ■ 3021 01:42:40,285 --> 01:42:40,868 ■ WISHING FOR PARADISE ■ 3022 01:42:41,327 --> 01:42:42,287 ■ SAND CASTLES CRUMBLE ■ 3023 01:42:42,287 --> 01:42:44,289 ■ SAND CASTLES CRUMBLE ■ 3024 01:42:44,580 --> 01:42:45,665 ■ BELOW ■ 3025 01:42:46,124 --> 01:42:46,291 ■ THE RESTLESS TIDES ■ 3026 01:42:46,291 --> 01:42:48,293 ■ THE RESTLESS TIDES ■ 3027 01:42:48,668 --> 01:42:50,295 ■ EBB AND FLOW ■ 3028 01:42:50,295 --> 01:42:50,461 ■ EBB AND FLOW ■ 3029 01:42:50,920 --> 01:42:52,297 ■ LISTENING TO A SHELL ■ 3030 01:42:52,297 --> 01:42:52,505 ■ LISTENING TO A SHELL ■ 3031 01:42:55,717 --> 01:42:56,301 ■ HOPING FOR YOUR VOICE ■ 3032 01:42:56,301 --> 01:42:57,510 ■ HOPING FOR YOUR VOICE ■ 3033 01:43:00,054 --> 01:43:00,305 ■ BEAUTIFUL MARIA ■ 3034 01:43:00,305 --> 01:43:02,307 ■ BEAUTIFUL MARIA ■ 3035 01:43:02,307 --> 01:43:03,516 ■ BEAUTIFUL MARIA ■ 3036 01:43:03,891 --> 01:43:04,309 ■ OF MY SOUL ■ 3037 01:43:04,309 --> 01:43:06,311 ■ OF MY SOUL ■ 3038 01:43:06,311 --> 01:43:07,478 ■ OF MY SOUL ■ 3039 01:43:09,605 --> 01:43:10,315 ■ OF MY SOUL ■ 3040 01:43:10,315 --> 01:43:11,816 ■ OF MY SOUL ■ 3041 01:43:13,901 --> 01:43:14,319 ■ OF MY SOUL ■ 3042 01:43:14,319 --> 01:43:16,321 ■ OF MY SOUL ■ 3043 01:43:16,321 --> 01:43:18,031 ■ OF MY SOUL ■ 3044 01:43:18,698 --> 01:43:20,325 CAPTIONING MADE POSSIBLE BY WARNER BROS. 3045 01:43:20,325 --> 01:43:21,075 CAPTIONING MADE POSSIBLE BY WARNER BROS. 3046 01:43:22,035 --> 01:43:22,327 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 3047 01:43:22,327 --> 01:43:24,078 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 3048 01:43:24,746 --> 01:43:26,331 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3049 01:43:26,331 --> 01:43:28,333 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3050 01:43:28,333 --> 01:43:30,335 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3051 01:43:30,335 --> 01:43:32,337 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3052 01:43:32,337 --> 01:43:34,339 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3053 01:43:34,339 --> 01:43:36,341 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3054 01:43:36,341 --> 01:43:38,343 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3055 01:43:38,343 --> 01:43:40,345 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3056 01:43:40,345 --> 01:43:42,347 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3057 01:43:42,347 --> 01:43:44,349 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3058 01:43:44,349 --> 01:43:46,351 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3059 01:43:46,351 --> 01:43:48,353 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3060 01:43:48,353 --> 01:43:50,355 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3061 01:43:50,355 --> 01:43:52,357 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 3062 01:43:52,357 --> 01:43:54,316 CAPTIONS COPYRIGHT 1992 WARNER BROS. INC. 209853

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