All language subtitles for Army Of Shadows Extras - Jean-Pierre Melville, Filmmaker_track3
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (SoranĂ®)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,410 --> 00:00:13,615
Sunday, February 23, 1969,
at 8:00 a.m.
2
00:00:13,781 --> 00:00:17,452
The Place Charles de Gaulle
has been cleared for a strange parade.
3
00:00:26,694 --> 00:00:28,229
Army of Shadows
4
00:00:28,396 --> 00:00:31,199
is the title of
Jean-Pierre Melville's 12th film,
5
00:00:31,366 --> 00:00:34,836
which brings back
some unhappy memories.
6
00:00:35,003 --> 00:00:36,971
Courteline said,
7
00:00:37,138 --> 00:00:41,476
“Unhappy memories! Yet I welcome you.
You are my long-lost youth.”
8
00:00:41,643 --> 00:00:45,213
I no longer have “unhappy memories,”
especially of that time.
9
00:00:47,749 --> 00:00:52,153
Jean-Pierre Melville cherishes
paradox as well as free thinking.
10
00:00:52,320 --> 00:00:57,158
The fact I'm an Alsatian Jew
doesn't mean
11
00:00:57,325 --> 00:01:01,262
I should see what I did
during the war as exceptional.
12
00:01:01,429 --> 00:01:06,167
Many of us had a little
something more to defend.
13
00:01:06,334 --> 00:01:09,137
I'd already fought in the war,
14
00:01:09,304 --> 00:01:12,106
and I'd gotten
a taste for action.
15
00:01:12,273 --> 00:01:16,811
One becomes a fighter,
a Warrior, very quickly.
16
00:01:16,978 --> 00:01:18,980
It takes much longer
to stop being one.
17
00:01:19,147 --> 00:01:23,785
If I was drawn to certain books like
Les enfants terribles
18
00:01:23,952 --> 00:01:27,088
or
Léon Morin, prétre,
for example,
19
00:01:27,255 --> 00:01:29,257
after making
I e silence de la mer,
20
00:01:29,424 --> 00:01:34,529
it was because something happens within
these characters that makes them evolve.
21
00:01:34,996 --> 00:01:37,098
Two years after Le samourai,
22
00:01:37,265 --> 00:01:40,001
Jean-Pierre Melville
began shooting Army of Shadows.
23
00:01:40,168 --> 00:01:45,573
One film every two years
is all a director should take on.
24
00:01:45,740 --> 00:01:47,609
More than that is madness.
25
00:01:51,713 --> 00:01:55,216
Melville is the most elusive
of French directors.
26
00:01:55,416 --> 00:01:57,118
I'm a chameleon.
27
00:01:57,285 --> 00:01:59,487
When I work with actors
who like to have fun,
28
00:01:59,654 --> 00:02:04,058
to joke and laugh on the set,
29
00:02:04,225 --> 00:02:06,361
since I'm a chameleon,
30
00:02:06,527 --> 00:02:09,197
I can play along
and even surpass them.
31
00:02:09,364 --> 00:02:13,534
But when I work with actors
who aren't that way,
32
00:02:13,701 --> 00:02:16,738
then I act naturally,
I remain myself,
33
00:02:16,904 --> 00:02:19,240
and I'm not the kind
who's always smiling.
34
00:02:22,010 --> 00:02:25,713
A great director of actors,
he made the following rules:
35
00:02:25,880 --> 00:02:27,582
A character must be created.
36
00:02:27,749 --> 00:02:28,850
You must never play yourself,
37
00:02:29,017 --> 00:02:32,420
wear a fake nose,
nor show yourself bare.
38
00:02:32,587 --> 00:02:36,958
There's no difference between
being behind the camera or in front of it.
39
00:02:37,125 --> 00:02:40,828
I firmly believe that if people
are used to being in the spotlight -
40
00:02:40,995 --> 00:02:43,798
and directors are in the spotlight -
41
00:02:44,165 --> 00:02:47,368
they feel completely at home
behind a camera or in front of it.
42
00:02:47,535 --> 00:02:49,203
It makes no difference.
43
00:02:49,370 --> 00:02:52,373
It's easier being in front
of the camera than behind it.
44
00:02:52,540 --> 00:02:54,542
That much I believe.
45
00:03:00,682 --> 00:03:02,016
With Lino Ventura,
46
00:03:02,183 --> 00:03:03,818
Paul Meurisse
and Jean-Pierre Cassel,
47
00:03:03,985 --> 00:03:07,689
Simone Signorel stars in
Army of Shadows.
48
00:03:08,289 --> 00:03:13,127
But in this case,
isn't the director the real star?
49
00:03:25,540 --> 00:03:30,178
Yet this director, who belongs
to no school, no movement,
50
00:03:30,344 --> 00:03:32,513
and yet has made some
of the best films of his generation,
51
00:03:32,680 --> 00:03:35,616
has a rather cynical opinion
of his an'.
52
00:03:35,917 --> 00:03:39,020
I think art only exists
if the artist is alone,
53
00:03:39,187 --> 00:03:41,489
if the creator is completely
cut off from the world.
54
00:03:41,656 --> 00:03:43,825
That's why cinema isn't an art.
55
00:03:43,991 --> 00:03:47,228
Art is when you're alone
in your room at 3:00 a.m.,
56
00:03:47,395 --> 00:03:48,996
writing a scene.
57
00:03:49,163 --> 00:03:52,100
Yes, that might be called art.
58
00:04:01,909 --> 00:04:04,078
Yes... “artist. ”
59
00:04:05,246 --> 00:04:09,083
No other word fits
when speaking of Melville.
5218
