All language subtitles for The.Waiting.Room.2003.WEB-DL.720p.WEBRip.x264.AAC-[YTS.MX]

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Supported by Efes Pilsen

A Mavi Film Production

Screenplay and director

Waiting Room

Ralkolnikov sits on the bank,
staring at the dog...

-Hello?
-What are you doing?

-I'm OK. I'm working.
-On the screenplay?

Yes. What are you doing?

I'm in the studio.
Waiting for the latest news.

-OK then.
-Is Tarçın still gone?

I saw her at noon in the yard
but she hasn't come home.

-How are the kittens?
-The same.

-I just wanted to hear your voice.
-I'll see you in the morning.

OK.

This lost young antelope
becomes an easy target.

Separated from the herd,
it suddenly leaps to the eye.

Come on out of there now.

Come on out!

What were you doing there?

What were you doing?

This time I won't do anything but
I'll cripple you next time. O.K?

Yes

Get out of here.

-Did something happen?
-I don't think I can get out of here.

-Why not?
-I fell. Sprained my ankle.

Don't do anything stupid.

Come out now.

Tarçın, Tarçın.

Tarçın...

Tarçın, see?

Come on girl.

Could I have a coffee?

-İsn't this a nice place?
-Yeah.

Ahmet...

-Are you all right?
-Yeah, I'm OK. Why?

-I don't know.
-I'm fine, just fine...

-Can we talk a little bit?
-About what?

Ahmet, don't do this.

I'm going to ask you
something but please be honest.

Is there somebody else?

I asked you something. Answer me.

I promise not to cause any problem.

What is it you want me to tell you?

Is there somebody else?

Talk to me.

Yes, there is.

Since when?

For the past two months.

-Who is it?
-Nobody you know.

-I still want to know.
-I said nobody you know.

Who is it?

-A doctor at the university.
-Which university?

Serap!

How did you meet her?

I asked you something.
So tell me!

-In a cafe in Nişantaşı.
-How did you meet her!?

-I was waiting for a friend.
-She was at the next table, crying.

-I asked her why she was crying.
-You asked why she was crying?

You son of a bitch!

You can't stand to see another woman crying
but I could die and you wouldn't care a bit.

Why was she crying?

-Why was she crying!
-That's enough!

What do you mean that's enough?
Don't I have the right to know?

Are you in love with her?

I asked you if you're in love with her!

Yes, I am.

I'm leaving...

What did I do to you?

-Good morning Ahmet?
-Good morning Elif, come in.

-I guess I woke you up.
-No, no. Come on in.

-Can I make some tea?
-Yeah, hon, that'd be good.

-Okay, I also brought some warm roll.
-OK.

-You didn't sleep again last night, did you?
-Not realy

Thanks.

-Aren't you going to eat that?
-No, thanks.

-It's really fresh.
-I'm not hungry.

How's it going?

Everything's ready, the location, camera.

Once we decide on the actors
we can start shooting.

-Should we watch the trial shots?
-Let's have a look.

I think they look fine.

-How are you with books?
-Not bad.

-Read a lot?
-Not very much.

-Did you read Crime and Punishment?
-No, but I'll read it if you want.

Why do you want to be an actor?

-I never really wanted to be an actor.
-It's more of a hobby.

How do you feel about acting in a film?

I'd like to try something like that.

-Have you read Crime and Punishment?
-Yes, I have.

-What did you think of it?
-It was good.

-What do you think of Raskolnikov?
-I think he's kind of stupid.

I do a radio show.

I did some TV
and acted in a documentary.

I write some short stories,
stuff like that.

So now, do you want to be an actor?

So what did you think?

Do you think one of these
might work as Raskolnikov?

Elif, do you think that maybe
we shouldn't do this film?

Why not?

It fells like everything's
going to go wrong.

-Why should it go wrong?
-I don't know.

You felt the same way last time,
but everything worked out fine.

If the screenplay's got some problems
we can wait.

I could help you with it.

-No, the script's not the problem.
-What is it then?

It's a feeling I've got.

When I even think about shooting
I get sick all over.

It's only a matter of weeks.

Tell me about it.

Let's say we do finish the film,
what then?

I can't tell you just how sorry
I feel every time I do this.

Is it matter of money?

No. I wish it could be that easy.

What is it then?

I just feel so weak, Elif.

I don't even have the strength
to leave the house.

-No, it's nothing like that.
-So?

There's no so.

- But there's no other way
- You're right.

-Let's say we give up on it.
-What are you going to do then?

I don't know.

Maybe I'll find an easier way
too humiliate myself.

-Don't talk like that!
-Your films receive great respect.

What respect? It's all bullshit.

Anyway, forget about it.

How are you doing?

Like I said we've got everything
ready. Just a couple of actors...

-Forget about the actors.
-I'm asking how you are.

I'm Ok... school and everything
is keeping me pretty busy.

-How's Kerem?
-He's good too, working on his thesis.

What thesis?

He's doing it on
Nietzsche and Heidegger.

-Good for Kerem.
-It's a good subject.

-Ahmet, can I ask you a question?
-Sure.

Is there another reason
for all this?

What kind of a reason?

I don't know. It's like you've
been hurt.

Something that goes beyond
Nietzsche...

-Yes. You're probably right.
-Could I ask what it is?

Sure you can ask.

-Serap and I have split up.
-You've split up?

-Yes, we have.
-But why? You two were so in love!

That's what I thought.

I found out she has
somebody else.

Of course, I beat her up
and then she left home.

The minute I saw you,
I knew something had happened.

Elif, I haven't slept for two days.

We'll talk about
this film stuff later.- OK

-I'll pick up my stuff.
-O.K. hon...

Get some rest for a couple of days.

Everything'll look different
once you pull yourself together.

O.K.

-You want to come over tonight?
-No, I should get some sleep.

-It's Kerem's birthday.
-A couple of friends are coming.

Some are real fans of yours.

No, it would be nice,
but I really need some sleep.

If you change your mind
give me a call, OK?

All right. I will.

-OK. then. Take care of yourself.
-I will. Thanks.

-And say hi to Kerem.
-Will do.

-Ahmet Bey, selam aleyikum.
-Aleyikum selam

Did you see a stranger
around here last night?

No, I didn't. What's happened?

Somebody broke down my door
and robbed me blind.

Ohh, I'm really sorry to hear that.

I called the police and
they're looking into it.

Sorry, I didn't see anything.

-I'm really sorry that I disturbed you.
-No, no, that's O.K.

-Have a good day.
-You too.

Good evening.

A robber came into my house.
I want to report it.

No. He ran away when he saw me.

All right. Good night.

-Do you want to report a robbery?
-Yes.

-Have a seat, I'm just coming back.
-O.K.

Take a look at these photographs.

Tell me if you recognize anybody.-O.K.

-Ex cuse me. Did I wake you up?
-No, it's O.K.

Did something happen?

Come on, tell me.

Elif's been gone for the past three days.

She left without saying a word
and still hasn't called.

I thought she went to her mother's
in lzmir but she's not there.

-Have you asked her friends?
-Yes. They don't know anything either.

I thought maybe you know something.

Come on in...

-I'm really sorry for bothering you.
-No, it's O.K. Come on in.

Have a seat. I'll be right back.

I'm just going to the grocery store.
Do you want anything?

No. Thanks.

-Tea or coffee?
-It doesn't matter.

Where do you suppose
she could have gone?

I don't know.

-I'm afraid something's happened to her.
-What could happen?

I don't know. Anything.

What happened with your thesis?

-I gave up on it.
-Why?

My advisor didn't like it
I'm looking for another subject.

So did you find anything else?

I'm still thinking about it, but I'll
probably do something on Adorno.

-How are you?
-I'm O.K., the same as always.

-Elif told me some stuff.
-I was sorry to hear about it.

You and Serap have separated
Yeaah.

-Nothing I can do about it.
-Right.

And what's happened with
the film? Are you giving it up?

Yes.

-Why?
-I don't know.

Maybe this stuff is just getting
too hard for me.

But the real problem is with the script.

-It really is a difficult screenplay.
-You read it?

-Elif insisted.
-What did you think of it?

Don't hold back.
I decided not to do it anyway.

I don't know much
about this kind of stuff,

...but actually the script
didn't seem very believable.

It was a difficult subject.

You're right. It didn't seem
believable to me either.

-Then why did you choose it?
-I know you like Dostoyevsky, but.

This doesn't really have anything
to do with Dostoyevsky.

I don't know why, but these subjects
appeal to me for some reason.

-Subjects like crime and evil?
-Yeah, things like that.

But Crime and Punishment is a book
about faith and redemption.

People have various interpretations.

While we're on the subject, there's
something I've been curious about.

-Do you mind if I ask?
-Go ahead.

Why are you so interested in
these kinds of subjects?

What kind of subjects?

Things like destruction, evil...

Your other films are like that too,
always about negation, guilt...

From the outside you don't look like
that kind of person.

What kind of person do I look like?

-Well, I don't know really...
-Come on. I'm curious.

First off, you look like you take
everything very seriously.

From what I know you're a really hard
worker, modest, principled.

In fact, you are so idealistic that you
call cinema a religious endeavor.

Do I really seem like that?

-You must be aware of that.
-People never know how they apear.

If that's so, it must be
because I'm arrogant and stuck up.

Aren't those characteristics too
positive for someone who is arrogant?

Not really.

I've known people who ruined their
entire lives being a bit of a show off.

I get the feeling that you are trying
to provoke me but believe me...

...I'm only telling you this as someone
who really respects you.

Thanks. I would be lying if I said
your words didn't please me...

...but still you're exaggerating
too much for...

...I know full well just
who I am and what I'm good for.

No, no, I am only saying that
you are appreciated and...

...that you deserve this appreciation.
That's all.

-A lot of people I know feel the same way.
-Then that must be it.

Take Elif for instance...

You've been working together
for a long time...

-...but she thinks you're a kind of god.
-Now you really are exaggerating.

I'm not. I'm telling you what I experience.

Then I want to tell you something very direct.

Sure.

I don't know what goes on
between Elif and you...

...but I have absolutely nothing
to do with your relationship.

And I didn't even realize that
Elif thinks of me like that.

-No. Don't get me wrong.
-I know nothing is happening.

If I thought this was about you,
I wouldn't have the courage to come.

Then why did you come?

Just to talk. Like I said,
this has nothing to do with you.

-I just wanted to talk to you about this stuff.
-What stuff?

-Stuff to do with this cinema business.
-I don't understand.

Elif's really changed a lot since
she's gotten involved in the film stuff.

-I don't even know her anymore.
-Sorry, but I'm not following you.

Let me explain then.

I've known this girl for four years.

We've been together ever since
she came to Istanbul.

You probably know that
she grew up in the country.

At first glance, you could see
what kind of person she was.

Very open. Honest.
A person with principles and values.

But last year she started to get weird.
Especially after she met you.

When I say 'you', I'm actually
talking about this film stuff.

She turned into a person
that's always threatening...

...looking down on everything,
stuck up, selfish.

Like nothing is good enough
for her anymore.

Like she's better than the rest of us.

That she is so good
just to put up with me.

Even though she's not like that,
she puts on heavy, melancholic airs.

Actually that is what's been
so impossible to put up with.

Anyway, let's forget
about all that stuff.

I just can't describe just how
demeaning she's become.

Makes you want to
punch her in the nose.

-So I just couldn't put up with it anymore.
-What do you mean?

You mean you hit her?

-Did you talk to Elif about all this stuff?
-Sure. A lot of times.

But that's what completely destroys
a person's sense of justice.

I swear she's very smart, but
she's a real idiot when it comes to this.

I can't explain anything to her.

And it's really hard to take
the fact of being jealous.

So forget about it
Let her live and learn.

But it's me who has to live
with threat and fear.

Kerem, These are very
heavy emotions

They are much harder to
put up with than they look.

And you are demanding the last thing
that any person can possibly give.

I'm not asking anybody for anything.

-I just want her to be a little fair.
-But that is the hardest thing.

Then why are we living?

Can't we expect fairness from
the person we love?

The best thing is not to
expect anything from anybody.

The feeling of fairness gets weak in
hands of those asserting their rights.

-Are you telling me to forget about Elif?
-I would never go that far.

Now we're talking about you, not Elif.

-Shall I tell you something even more frank?
-Go ahead...

You're the reason behind all of.

-Elif got this way after she met you.
-Could be, but...

how could I succeed as a stranger at
doing something you couldn't do?

Get off it! You're not being honest.

You should know better
that this is something...

a mysterious stranger can achieve
much better than a lover.

-So what do you want me too do?
-Put an end to this whole film lie.

-As far as Elif is concerned I mean.
-What do you mean?

Stop working with her.

There are a lot of people around
who'd do a much better job for you.

-Can I ask you something as well?
-Ask whatever you want.

I'm asking you not because I am mad.

You can get mad.

-How do you ask such a thing?
-Don't you have any pride at all?

This isn't a matter of pride.

I've been taking care of her
for the past four years.

She hasn't even studied for her exams all
because of that film...

...and I've had to get her ready for them.

And I have a responsibility to her family.

You may not believe in such things but...

...there are families who'd die
just so their kids can study.

I understand.

If that's the problem, I've given up
on the film anyway.

What else could be the problem?

Listen Kerem, I can be mean as well,
but you can't put me down like this.

If you are trying to threaten me or
whatever, just come right out and say it.

-No, please, don't get me wrong.
-I'm not trying to threaten you.

I just feel real bad right now, that's all.

Yeaah, I can understand that.

-You want another tea?
-No. Thanks.

I should leave.

I'm sorry for bothering you.

-But I've got a favor to ask.
-Sure.

-Don't tell Elif I came here.
-No, I won't.

The Police Department wants
you to report there immediately.

-Recognize anybody?
-No.

-You are sure?
-I'm sure.

But you had identified
one person in the photograph.

I thought it was the second
from the left, but it's not him.

Hey, Bro!

-What are you saying?
-Actually what are you saying?

What's all this stuff about a film?

If you don't want it, just say no.

You want another tea?

Hey brother, two more teas.

What's your name?

-Ferit.
-Mine's Ahmet.

-Where are you from?
-From around here.

-What part of town?
-What's it to you?

-What are you getting so mad about?
-I'm just asking.

You sure you're not from MIT?

-What are you talking about MIT?
-I told you I'm a film director.

-What kind of a director are you?!
-What's a director supposed to be like?

-Like a real director of course.
-And do you know any real directors?

-Sure... Sinan Çetin...
-He's what I would call a real director.

Not every director
has to be like Sinan Çetin.

There are other good directors too.

But if you don't believe me
I'm not going to force you.

Just say no and that'll be that.

Thanks.

Here's what I don't understand.

You break into people's houses,

but you don't have the courage to go in
front of a camera.

What are you saying brother!

Let alone a camera, I'd be willing to go on
a stage in front of a bunch of people and act.

Well do it then!

So if you're a director, what
was that in your hand that night?

A gun.

You run around with a gun and expect
me to swallow that you're a director.

Everybody in this country has got a gun.

Anyway... so what do we do next?

Actually you're right.
There's no use dragging this thing out.

Give me a telephone number
and I'll call you in a couple of days.

In the meantime you can think about it.

-I haven't got a telephone.
-What's that on your waist?

I borrowed it from a friend
when I was going to the police station.

Then I'll leave a message
to you friend.

All right then.

Here is my number.
Think about what I've said.

Then if you want to do it give me a call.

You're still not convinced but
don't make up your mind so fast.

Anyway, I'm glad to have met you.
Goodbye.

Come on over here!

You should call Kerem.
The kid's worried sick.

Aren't you going to call?

No.

When you came I realized what I did.
I'm really sorry.

Elif, dinner's ready.

Elif...

-Yes?
-Am I speaking with Mr. Ahmet?

Who's calling?

Excuse me for bothering you.

Something very important has come up.

Yes, it's me.

-Serap's in really bad shape.
-She's in the Hospital, in intensive care.

-Who are you?
-I'm a friend of hers.

-What's wrong with her?
-She attempted suicide.

-Hello?
-So why are you calling me?

Sorry then, I made a mistake.

-What happened?
-Nothing.

-Who was that?
-It wasn't Kerem.

-You want some water?
-No, but turn out the light.

I guess you couldn't sleep.

No, it's still too early for me.

What time is it?

Four.

-I was sound asleep.
-Yes, you were.

-I left some food for you.
-I don't want any.

Where are you going at this hour?

I'll be back in a bit.

-Didn't you go?
-No.

If I'm the reason for something, then I'll go.

Really, I promised my friends I'd come.

It has nothing to do with you. Sit down.

-What are you thinking about?
-Nothing.

Tarçın... come here girl.

Tarçın where are you girl?

Have you been all by yourself?

Come on and eat. Eat this now.

And I could eat you up too.

-What are we going to do with this Tarçın?
-What happened?

She hasn't come yet and
her kittens are hungry.

-There's nothing you can do about Tarçın.
-Whores can never be reformed.

-Sometimes you really surprise me.
-In fact, you scare me.

-Why is that?
-People just don't call their cats whores.

-Well, if the name fits...?
-Why did you take her in then?

-I didn't take her in.
-She forced her way in, the whore.

When I saw she was pregnant
I threw her out and then...

...she had the kittens down there.
Serap felt sorry for them.

Hello, Ahmet?

This is me, Ferit.

I called you about this filming thing.

Hello? Ahmet?

Dear Rodya, it's almost four months
now since your last letter.

I've suffered a lot.
I just keep thinking about you all night.

You and your sister are everything to me.
You're our hope and our future.

I felt real bad when I heard you
dropped out of school...

...because you didn't have any money.

Thanks to God, I'll be able to send
you some money after this.

I am also dying to tell you
about our good news.

It looks like good luck
has come our way again.

Your sister's getting married soon.

You know how much your sister
cares about you.

God has found her destiny.
He is as good as she is.

Mr Abdullah is a real gentleman.
He works in the governor's office.

He's got a really good job.

He's forty five years old
but he is nice looking.

I know you're going to like him
as much as we do.

There's something else
I almost forgot to tell you.

We are planning to come
visit you very soon.

We'll be able to talk about all this then.

My dear Rodya, I embrace
you with all my heart.

All I want for you is to be happy.

Do you still pray every night
like you used to?

Don't ever forget the power of our creator.
He is always with us.

Goodbye for now. We send all our kises.
Your mother and your sister

Elif would you just pick this up?

Would you like some tea?

No. Thanks.

I don't want any either.

-Is it as hard as you thought?
-Well I don't know. If you like it...

I like it.

But you would do a lot better
with Sinan Cetin, right?

O.K. You don't have to keep it up.

-Elif?
-Yes?

You know that photograph of a girl
you showed me? With dark eyes...

-Sanem?
-Can we give her a call...

-...and see how she looks with Ferit?
-OK.

-Ahmet, can I ask you something?
-Go ahead.

-Who is Raskolnikov?
-You know the film is based on the novel?

-Yeah?
-He's the main character.

So that's what we're calling him
right now. It will be changed later.

If you play the role, we can call
him Ferit maybe.

-That would work.
-It would? -Sure.

-Elif!
-Yes?

-Could you give me a tea?
-But you didn't want one?

-Yeah, but I want one now. So what?
-All right.

-I don't want, thanks.
-O.K.

Have one. Give him one too.

-I've been thinking about something.
-Like what?

Could we do that scene one more time?

Why?

I think I've just understood
what he's trying to say.

What's he trying to say?

Well, in moments like this...

...they don't show their feelings
so their kids don't get upset.

So here, she's selling
her daughter to that guy.

Yes?

So, the sister is kind of
sacrificing herself for her family.

Yes?

But in her letter she tells,
"Your sister's just fine...

"...she's going to marry a rich man,
so we're happy" and stuff like that.

She doesn't want his son to feel bad.

I don't think the boy should be
sad or crying here.

-What should he be doing?
-He should be sad, crying.

No no, he shouldn't be crying at all.

Just the opposite. He should
be really mad.

-Will you do it that way this time?
-Yeah.

When somebody's all alone...

...it doesn't even matter if he goes
insane.

Yeah that's right.

You know next
week that girl is going to come here.

-Sanem or something...
-Yeah?

-When she comes, you guys can do it together.
-You're the boss.

All right.

-Elif?
-Yes?

-Forget about the tea.
-But I poured them?

Forget about it. You ready to leave?

-Yes.
-All right then.

-So, should I call Sanem?
-Yeah. Call her.

-When do you want her to come?
-Whenever she wants.

I'll tell Ferit so
they'd be here at the same time.

All right -O.K. That's it.

-Good bye.
-See you.

-Where are you off to?
-The neighborhood.

-Come on. I'll drop you off.
-I'll take a bus. -Ah, come on.

-Ahmet, what's that about?
-Nothing.

-Why did you look at that guy?
-Nothing... just looked.

-I need to get off over there.
-All right.

Could we drink tea together?

-Another time.
-Sorry for bothering you.

No. It was no bother.

-I'll call Elif if something happens.O.K.?
-All right.

-So take care then.
-Goodbye.

-What are you doing here?
-Just sitting.

-Have you eaten?
-I don't feel hungry.

You never eat anything.

I'm going to scramble up some eggs.
Come if you want?

Have you heard anything from Serap?

-Why do you ask?
-Just popped into my mind.

She called a few days ago.

She married that man and moved to lzmir.

-Make you feel bad?
-Yeaah, of course. She was an old love of mine.

Besides, I always feel bad
when women are happy with somebody else.

Why?

-I don't know.
-I've been like that since I was little.

Plus we were planning on moving
to İzmir together.

-Kerem came today.
-I know.

-How do you know?
-I saw him when I was driving with Ferit.

-Is that why you're late?
-No, the work just stretched on.

Aren't you going to ask what happened?

Why are you doing this?

-How do you mean?
-I don't know.

Like your pride's been hurt.

Don't be afraid.
I'm not your enemy or anything like that.

He wants me to go back to him.

-And I've been thinking of going back to him.
-I know.

How do you know?

Splitting up is not the easiest thing.

You're saying that, that's about all
a woman can do in such a case?

You think you know everything
but you don't know shit.

It just makes it easier for you to assume
that I'm one of those silly women of yours.

Now where is this stuff all coming from?

What have you been going through for days?

And who have you made love to?

I tell you that I met with my
old lover and you just say I know.

There's not even a hint of curiosity
on your face.

-Nobody should be humiliated like this!
-What do you mean humiliated?

-Where are you getting all this stuff from?
-What then?

I don't expect you to be jealous of me...

...but couldn't you at least ask
what's going on?

One shouldn't ask a woman cryıing
if she wants scrambled eggs.

You want an award for not doing
what you were supposed to do?

God, you are so cruel!

What else could I expect from a person
who calls his own cat a whore?!

I'm sorry. Come on...

I knew you were no saint or anything,
but I did love you.

And could have loved you forever.

But you're looking for trouble, not for love.

And that's what you deserve.

Elif...

-Leave me alone.
-lt' s OK.

Leave me alone, I said!

-I only said that because I was jealous.
-No!

I don't believe anything you say.

-I love you.
-Don't lie to me.

-I love you.
-Just stop this!

It's O.K.

Hello!

-Hello, it's me...
-Yes?

-Ferit didn't call me.
-He doesn't have a phone.

-I was just going to ask if he called you.
-He didn't call.

All right.

-How are you?
-I'm fine.

-Are you back with Kerem?
-Yes

That's good...

Hello?

I see you've started going
around with a telephone.

-Did I surprise you? It's me, Serap.
-You surprised me of course.

-How are you?
-Can we talk?

Sure. Go ahead.

To tell the truth it's nice
just to hear your voice.

Of course I didn't call to tell you that.

I'd like to meet you. Have you got time?

But if you don't want too see me,
just tell me straight out.

Sure. But right this minute I've
got a little job.

This evening then.

-I won't stay too long anyway.
-O.K.

-Is 8 all right? At the cafe in Hisar?
-Sure.

-See you then. Take care.
-See you.

-Hello auntie.
-Hello.

I'm looking for Ferit. Does he live here?

I don't know anybody named Ferit.

I'm an old lady so don't come
around here asking questions!

-But it's realy important...
-What's it to me!

If Ferit's at home then why should
I be just sitting here?

-Well then where can I find him?
-Get out of here!

-You've made me sick and tired.
-Did something happen?

He's gone... doesn't take care of us!

-But I really do have to find him.
-Then go and find him.

How am I supposed to find Ferit for you!

-Well if he's here, you might call him.
-He's not here.

-So just get out of here. Leave now!
-All right then auntie.

What kind of person are you?

This man has no reason whatsoever!

God forbid! Is he the devil or
just plain trouble!

Hey, excuse me.

Sorry about that.
My mother's gotten a little crazy.

Why are you looking for Ferit?

-I was going to talk to him about a job.
-That film job?

Yes.

-Ferit told me a bit about it.
-He was pretty excited.

-Who are you?
-His brother.

-Really?
-Yeah.

-Where's Ferit?
-In the lockup.

-The lockup?
-Yeah, jail...

-What happened?
-Stole some stuff. The psychopath.

-What's going to happen now?
-What do you mean?

-The film?
-Yeah.

-The film's been canceled. I came to tell him.
-That's too bad.

-Yeah.
-You're the director?

-No. The director's sick.
-I understand.

-Anyway, I'd better go.
-All right.

-If you go visit him, say him hello from me.
-I will.

Sir... If anything changes, well,
I could do Ferit's acting job.

We look a lot alike anyway.

All right. If anything
happens I'll let you know.

All right.

-O.K. then.
-Thanks.

Goodbye - Bye

Hello. Sorry I couldn't make it.

You'll probably think I did it
just to get back at you...

...but I just realized that I don't
want to see you ever again.

You probably won't blame me for this.

I just wish happiness to you
and that crying woman.

For ever and eternity.

-Excuse me. You're Mr. Ahmet, right?
-Yes?

-Sory for bothering you.
-My name's Sanem.

Your assistant Miss. Elif called
me last week. About a trial shot.

We agreed about today and
she gave me this address.

-Have I made a mistake?
-No, no.

You haven't made any mistake,
but I think we have.

We should have called and told you but...

-So, let me apologize.
-It's not important.

Actually, I've been wanting to meet you.

-Maybe we could work some other time.
-No, no. Don't misunderstand.

The project has been cancelled.

-And Elif has quit.
-I'm sorry to hear that.

When you called I was really excited...

...and happy to hear about
your new film.

Anyway.
I'm sure you have your reasons.

Let me not bother you any more.

-Let me apologize again.
-Please, it's O K.

-Take care.
-Goodbye.

-Miss Sanem!
-Yes?

If you've got time,
could we have a tea?

I'd like that...

-...but I don't want to bother you.
-No, please.

-Should I remove my shoes?
-No, no. Come on in.

Waiting room

Ahmet wakes up and listens
to the sounds in the night.

He sits up and looks out the window.

-Have you started, hon?
-Yes, I have.

-Tell me if you want anything.
-I'll be inside watching television.

-O.K. sweetheart.
-O.K.

In memory of F. M. Dostoyevski

Editing and Cinematography

Sound