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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,005 --> 00:00:09,509 GOOD EVENING, AND WELCOME TO THE 67TH ANNUAL 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:09,576 --> 00:00:10,610 GRAMMY AWARDS. 5 00:00:10,677 --> 00:00:13,313 WE ARE COMING TO LIVE FROM LOS ANGELES, BUT WHAT IS 6 00:00:13,380 --> 00:00:15,949 UNUSUAL ARE OUR CIRCUMSTANCES THIS EVENING. 7 00:00:16,015 --> 00:00:19,018 JUST A FEW YEARS AGO, WE WERE NOT SURE TONIGHT THAT 8 00:00:21,054 --> 00:00:22,222 THIS SHOW WOULD EVEN HAPPEN. 9 00:00:22,288 --> 00:00:23,990 I MEAN, YOU DON'T NEED ME TO TELL YOU THIS, BUT THIS CITY 10 00:00:24,057 --> 00:00:26,459 HAS BEEN THROUGH ONE OF THE LARGEST NATURAL DISASTERS IN 11 00:00:26,526 --> 00:00:27,761 AMERICAN HISTORY. 12 00:00:27,827 --> 00:00:29,796 TENS OF THOUSANDS OF PEOPLE HAVE LOST THEIR HOMES, 13 00:00:29,863 --> 00:00:33,266 ENTIRE NEIGHBORHOODS HAVE BEEN ERASED, SCHOOLS, LOCAL 14 00:00:33,333 --> 00:00:35,902 BUSINESSES, AND ENTIRE COMMUNITIES HAVE BURNED TO 15 00:00:35,969 --> 00:00:36,870 THE GROUND. 16 00:00:36,936 --> 00:00:39,105 THANKFULLY, DUE TO THEIR HEROIC EFFORTS OF 17 00:00:39,172 --> 00:00:42,776 FIREFIGHTERS, THE FIRES HAVE BEEN CONTAINED. 18 00:00:42,842 --> 00:00:45,311 DESPITE ALL THE DEVASTATION, 19 00:00:45,378 --> 00:00:48,348 THE SPIRIT OF THE CITY HAS EMERGED. 20 00:00:48,415 --> 00:00:50,884 NEIGHBORS WHO HAD NEVER SPOKEN BEFORE ARE HELPING 21 00:00:50,950 --> 00:00:52,018 EACH OTHER. 22 00:00:52,085 --> 00:00:54,387 COMMUNITY CENTERS ARE OVERFLOWING WITH DONATIONS. 23 00:00:54,454 --> 00:00:56,689 FAMILIES ARE WELCOMING STRANGERS INTO THEIR HOMES 24 00:00:56,756 --> 00:00:58,324 SO THEY TOO HAVE A PLACE TO SLEEP. 25 00:00:58,391 --> 00:01:01,895 IT'S OFTEN SAID THAT IN THE DARKEST OF TIMES, THE BEST 26 00:01:01,961 --> 00:01:03,797 OF HUMANITY SHINES THROUGH, AND THE PEOPLE OF LOS 27 00:01:03,863 --> 00:01:06,299 ANGELES RIGHT NOW ARE A PERFECT EXAMPLE OF THAT. 28 00:01:06,366 --> 00:01:07,901 TENANT, WE DECIDED WE ARE NOT JUST GOING TO BE 29 00:01:07,967 --> 00:01:11,938 CELEBRATE YOUR FAVORITE MUSIC: WE ARE ALS SUPPORTING 30 00:01:12,005 --> 00:01:13,973 THE CITY THAT BROUGHT US SO MUCH ABOUT MUSIC. 31 00:01:14,040 --> 00:01:16,709 I MEAN, JUST LOOK AT SOME OF THE PERFORMANCE HERE 32 00:01:16,776 --> 00:01:17,510 TONIGHT. 33 00:01:17,577 --> 00:01:18,311 L.A. 34 00:01:18,745 --> 00:01:21,448 IS WHERE BILLIE EILISH AND FINNEAS TURNED A SMALL 35 00:01:21,514 --> 00:01:24,250 BEDROOM IN HIGHLAND PARK INTO A GRAMMY AWARD-WINNING 36 00:01:24,317 --> 00:01:24,951 STUDIO. 37 00:01:25,018 --> 00:01:26,953 THE REAL CLUBS OF L.A. 38 00:01:27,020 --> 00:01:30,290 INSPIRED CHAPPELL ROAN TO CREATE THE ANTHEM THAT IS 39 00:01:30,356 --> 00:01:31,658 "PINK PONY CLUB." 40 00:01:31,724 --> 00:01:35,829 IT WAS HERE IN LOS ANGELES THAT STEVIE WONDER RODE AND 41 00:01:35,895 --> 00:01:38,531 RECORDED ARGUABLY THE 42 00:01:38,598 --> 00:01:42,035 "SONGS AND THE KEY OF LIFE." 43 00:01:42,101 --> 00:01:42,702 L.A. 44 00:01:43,269 --> 00:01:45,572 WAS THE CITY WHERE SNOOP FIRST MIXED GIN AND JUICE, 45 00:01:45,638 --> 00:01:48,741 AND HIP-HOP HAS NEVER BEEN THE SAME. 46 00:01:48,808 --> 00:01:50,777 SO, TO KICK OFF TONIGHT'S SHOW IN A REALLY SPECIAL 47 00:01:50,844 --> 00:01:54,447 WAY, ALLOW ME TO TELL YOU ABOUT A BAND THAT HAS L.A. 48 00:01:54,514 --> 00:01:56,382 IN THE DNA. 49 00:01:56,449 --> 00:01:59,452 TAYLOR AND GRIFFIN GOLDSMITH ARE TWO BROTHERS BORN AND 50 00:01:59,519 --> 00:02:02,355 RAISED IN THE CITY WHO MAKE UP THE BAND DAWES. 51 00:02:02,422 --> 00:02:04,858 THEY, LIKE SO MANY OTHERS HAVE LOST SO MUCH IN THESE 52 00:02:04,924 --> 00:02:05,592 FIRES. 53 00:02:06,092 --> 00:02:07,794 GRIFFIN'S HOME, THEIR CHILDHOOD HOME, THEIR HOME 54 00:02:07,861 --> 00:02:10,129 MUSIC STUDIO, AND ALMOST ALL THEIR INSTRUMENTS. 55 00:02:10,196 --> 00:02:15,702 DESPITE THEIR TRAGIC LOSS, DAWES HAVE HELPED RAISE 56 00:02:15,768 --> 00:02:18,438 MONEY FOR NEARLY 100 OTHER FAMILIES ALSO AFFECTED BY 57 00:02:18,505 --> 00:02:19,606 THE DISASTER. 58 00:02:19,672 --> 00:02:22,308 THEY TRULY EPITOMIZE THE UNIQUE 59 00:02:22,375 --> 00:02:24,310 SPIRIT WE ARE SEEING IN L.A. 60 00:02:24,377 --> 00:02:25,011 RIGHT NOW. 61 00:02:25,645 --> 00:02:29,382 THIS YEAR, WHAT BETTER WAY TO START THE GRAMMY AWARDS? 62 00:02:29,449 --> 00:02:32,952 JOINED BY AN ALL-STAR BRAND OF GRAMMY AWARD-WINNING 63 00:02:33,019 --> 00:02:35,688 ARTISTS REPRESENT IN YOUR MUSIC COMMUNITY, COMING 64 00:02:35,755 --> 00:02:39,092 TOGETHER: JOHN LEGEND, SHERYL CROW, BRAD PAISLEY, 65 00:02:39,158 --> 00:02:40,660 BRITTANY HOWARD, AND ST. 66 00:02:40,727 --> 00:02:41,628 VINCENT TO OPEN THE GRAMMYS. 67 00:02:41,694 --> 00:02:44,597 WELCOME DAWES. 68 00:03:03,583 --> 00:03:09,389 ♪ ROLLIN' DOWN THE IMPERIAL HIGHWAY ♪ ♪ A BIG NASTY 69 00:03:09,455 --> 00:03:12,292 REDHEAD AT MY SIDE ♪ ♪ SANTA ANA WINDS BLOWING HOT FROM 70 00:03:12,358 --> 00:03:15,228 THE NORTH ♪ ♪ THAT WE WILL TAKE IN STRIDE ♪ ♪ ROLL DOWN 71 00:03:15,295 --> 00:03:25,338 THE WINDOW, PUT DOWN THE TOP ♪ ♪ CRANK UP THE BEACH BOYS, 72 00:03:26,039 --> 00:03:30,577 BABY ♪ ♪ DON'T LET THE MUSIC STOP ♪ ♪ WE'RE GONNA RIDE IT 73 00:03:30,643 --> 00:03:36,282 TILL ♪ ♪ WE JUST CAN'T RIDE IT NO MORE ♪ ♪ FROM THE 74 00:03:36,349 --> 00:03:40,653 SOUTH BAY TO THE VALLEY ♪ ♪ FROM THE WEST SIDE TO THE 75 00:03:40,720 --> 00:03:46,526 EAST SIDE ♪ ♪ EVERYBODY'S VERY HAPPY ♪ ♪ 'CAUSE THE 76 00:03:46,593 --> 00:03:51,798 SUN IS SHINING ALL THE TIME ♪ ♪ LOOKS LIKE ANOTHER 77 00:03:51,864 --> 00:03:58,338 PERFECT DAY ♪ ♪ I LOVE L.A. 78 00:03:58,404 --> 00:04:04,911 ♪ ♪ I LOVE L.A. 79 00:04:13,519 --> 00:04:23,529 ♪ ♪ ♪ ♪ ♪ LOOK AT THAT MOUNTAIN ♪ ♪ LOOK AT THOSE 80 00:04:30,103 --> 00:04:32,872 TREES ♪ ♪ LOOK AT THIS CITY ♪ ♪ GETTING BACK UP OFF IT'S 81 00:04:32,939 --> 00:04:35,875 KNEES ♪ ♪ LOOK AT THE FIREFIGHTERS ♪ ♪ AIN'T 82 00:04:35,942 --> 00:04:43,282 NOTHIN' LIKE 'EM NOWHERE ♪ ♪ CENTURY BOULEVARD (WE LOVE 83 00:04:43,349 --> 00:04:49,922 IT) ♪ ♪ VICTORY BOULEVARD ♪ ♪ SANTA 84 00:04:49,989 --> 00:04:53,126 MONICA BOULEVARD ♪ ♪ SIXTH STREET (WE 85 00:04:53,192 --> 00:05:03,202 LOVE IT, WE LOVE IT) ♪ ♪ WE LOVE L.A ♪ ♪ ♪ ♪ ♪ 86 00:05:30,329 --> 00:05:32,632 ♪ I LOVE L.A. 87 00:05:32,699 --> 00:05:42,742 ♪ ♪ I LOVE L.A. 88 00:06:04,464 --> 00:06:05,331 >> THAT'S RIGHT, PEOPLE. 89 00:06:05,398 --> 00:06:11,204 GIVE IT UP -- KEEP IT GOING FOR DAWES. 90 00:06:11,270 --> 00:06:13,473 DAWES OPENING THE GRAMMYS FEATURING THE GREATEST 91 00:06:13,539 --> 00:06:16,309 BACKING BAND OF ALL TIME: JOHN LEGEND, SHERYL CROW, 92 00:06:16,375 --> 00:06:21,180 BRAD PAISLEY, BRITTANY BRITTBRENAY HOWARD, AND ST. 93 00:06:21,247 --> 00:06:21,981 VIN. 94 00:06:22,348 --> 00:06:24,117 WITH THAT, WE HAVE OFFICIALLY KICKED OFF THE 95 00:06:24,183 --> 00:06:25,084 67TH ANNUAL GRAMMY AWARDS. 96 00:06:25,151 --> 00:06:27,320 GIVE IT UP FOR THEM. 97 00:06:27,386 --> 00:06:29,622 MY NAME IS TREVOR NOAH. 98 00:06:29,689 --> 00:06:32,158 AS YOU CAN SEE, THE SHOW HAS STARTED. 99 00:06:32,225 --> 00:06:32,792 THANK YOU, TEDDY. 100 00:06:32,859 --> 00:06:34,026 THANK YOU SO MUCH. 101 00:06:34,093 --> 00:06:35,194 TAKE A SEAT, EVERYBODY. 102 00:06:35,261 --> 00:06:36,863 WELCOME TO MUSIC'S BIGGEST NIGHT. 103 00:06:36,929 --> 00:06:39,599 WHEN I MEAN BIGGEST, I MEAN BIGGEST NIGHT. 104 00:06:39,665 --> 00:06:43,035 WITH THE SUPER BOWL AS TO THE NFL, WHAT VALENTINE'S 105 00:06:43,102 --> 00:06:46,105 DAY IS TO ROMANCE, WHAT FATHER'S DAY IS TO NICK 106 00:06:46,172 --> 00:06:47,006 CANNON. 107 00:06:47,073 --> 00:06:48,040 THAT'S WHAT THE GRAMMYS IS TO MUSIC. 108 00:06:48,107 --> 00:06:50,309 IF YOU WATCH THE GRAMMYS BEFORE, WELCOME BACK. 109 00:06:50,376 --> 00:06:51,577 IT'S GOOD TO SEE YOU. 110 00:06:51,644 --> 00:06:52,779 IF THIS IS YOUR FIRST TIME, LET ME TELL YOU WHAT THIS 111 00:06:52,845 --> 00:06:54,480 WE ARE GOING TO BE HONORING THE BEST IN MUSIC AS VOTED 112 00:06:54,547 --> 00:06:57,383 ON BY THE 13,000 MEMBERS OF THE RECORDING ACADEMY. 113 00:06:57,450 --> 00:07:00,553 AND, 20 MILLION ILLEGAL IMMIGRANTS. 114 00:07:00,620 --> 00:07:02,722 TONIGHT, NO MATTER WHAT HAPPENS, HISTORY WILL BE 115 00:07:02,789 --> 00:07:03,322 MADE. 116 00:07:04,056 --> 00:07:07,627 SOME ARTISTS, LIKE SABRINA CARPENTER, OR CHAPPELL ROAN, 117 00:07:07,693 --> 00:07:10,463 WHO I SAW OVER THERE, MAY BECOME FIRST TIME GRAMMY 118 00:07:10,530 --> 00:07:11,664 WINNERS. 119 00:07:11,731 --> 00:07:15,868 OTHERS, LIKE TAYLOR SWIFT, ANDRE 3000, AND BEYONCE CAN 120 00:07:15,935 --> 00:07:18,471 FURTHER SOME OF THEMSELVES IN GRAMMY HISTORY. 121 00:07:18,538 --> 00:07:22,141 YES, BEYONCE WILL BE HERE TONIGHT. 122 00:07:22,208 --> 00:07:23,142 I HOPE SHE'LL BE. 123 00:07:23,209 --> 00:07:24,343 I CAN'T MAKE HER DO ANYTHING. 124 00:07:24,410 --> 00:07:27,046 I'M JUST SAYING, I HOPE -- IF SHE DOESN'T SHOW UP, WE 125 00:07:27,113 --> 00:07:27,947 WILL JUST EDIT THIS OUT. 126 00:07:28,014 --> 00:07:28,714 IT'S NOT LIFE. 127 00:07:28,781 --> 00:07:29,382 IT IS. 128 00:07:29,448 --> 00:07:30,183 THERE'S NOTHING I CAN DO. 129 00:07:30,249 --> 00:07:31,651 BUT THINK ABOUT. 130 00:07:31,717 --> 00:07:34,720 QUEEN B IS BACK AT THE GRAMMYS WITH 11 NOMINATIONS 131 00:07:34,787 --> 00:07:36,022 THIS YEAR, PEOPLE. 132 00:07:36,088 --> 00:07:38,257 BEYONCE, 11 NOMINATIONS THIS YEAR. 133 00:07:38,324 --> 00:07:42,128 SHE COULD WIN ALBUM OF THE YEAR FOR THE FIRST TIME 134 00:07:42,195 --> 00:07:45,131 EVER, FOR HER SMASH COUNTRY ALBUM "COWBOY CARTER." 135 00:07:45,198 --> 00:07:47,567 I DON'T CARE WHAT ANYBODY SAYS: THAT'S HOW YOU KNOW 136 00:07:47,633 --> 00:07:48,701 YOU HAVE CLOCKED THE GAME. 137 00:07:48,768 --> 00:07:51,804 WHEN YOU CAN GO INTO ANY GENRE AND STILL BE ONE OF 138 00:07:51,871 --> 00:07:52,738 THE BEST. 139 00:07:53,039 --> 00:07:54,841 TWO YEARS AGO, BEYONCE WON FOR BEST DANCE ALBUM. 140 00:07:54,907 --> 00:07:58,377 TONIGHT ALONE, SHE IS NOMINATED AND BEST COUNTRY, 141 00:07:58,444 --> 00:08:01,581 BEST POP, BEST AMERICANA, AND BEST MELODIC RAP. 142 00:08:01,647 --> 00:08:02,648 ANDRE 3000 BETTER WATCH OUR. 143 00:08:02,715 --> 00:08:05,651 NEXT YEAR, SHE IS COMING FOR THAT FLUTE THROWN. 144 00:08:05,718 --> 00:08:08,421 THAT'S PROBABLY WHY SHE'S NOT HERE: SHE IS PRACTICING 145 00:08:08,487 --> 00:08:09,021 HER SCALES IN THE CAR. 146 00:08:09,088 --> 00:08:10,556 NO MESS WITH BEYONCE. 147 00:08:10,623 --> 00:08:15,695 YESTERDAY, BEYONCE ANNOUNCED HER NEW TOUR. 148 00:08:15,761 --> 00:08:17,163 I WILL SAY, THERE'S TARIFFS. 149 00:08:17,230 --> 00:08:19,065 WE CANNOT AFFORD A NEW TOUR. 150 00:08:19,131 --> 00:08:21,534 MAPLE SYRUP IS ABOUT TO BE $50. 151 00:08:21,601 --> 00:08:24,837 SPEAKING OF HISTORY, THE BEATLES ARE NOMINATED 152 00:08:24,904 --> 00:08:26,439 TONIGHT FOR RECORD OF THE YEAR. 153 00:08:26,505 --> 00:08:29,175 YES, THE LEGENDARY BAND FROM LIVERPOOL USED AI TO PUT OUT 154 00:08:29,242 --> 00:08:33,980 A NEW SONG AFTER 53 YEARS, WHICH IS A MUCH BETTER USE 155 00:08:34,046 --> 00:08:36,415 OF AI THAN THAT THING YOU DID WITH THE SPAGHETTI, WILL 156 00:08:36,482 --> 00:08:36,883 SMITH. 157 00:08:36,949 --> 00:08:37,550 THAT WAS WEIRD. 158 00:08:37,617 --> 00:08:38,651 GOOD LUCK TO THE BEATLES. 159 00:08:38,718 --> 00:08:40,920 IF THEY WOULD MAKE THIS COULD OPEN UP A FEW DOORS 160 00:08:40,987 --> 00:08:41,320 FOR THEM. 161 00:08:41,387 --> 00:08:42,388 WHO KNOWS? 162 00:08:42,655 --> 00:08:45,224 THROUGH THE POWER OF AI, ONE DAY, WE COULD GET ANOTHER 163 00:08:45,291 --> 00:08:45,858 RIHANNA ALBUM. 164 00:08:45,925 --> 00:08:46,492 YOU NEVER KNOW. 165 00:08:46,559 --> 00:08:50,730 PRAISE BE NVIDIA. 166 00:08:50,796 --> 00:08:52,798 I CAN'T GET OVER HOW MANY STARS ARE GOING TO BE 167 00:08:52,865 --> 00:08:53,900 SITTING IN THESE SEATS. 168 00:08:53,966 --> 00:08:56,035 WE GOT QUEEN LATIFAH IN THE HOUSE, HER MAJESTY. 169 00:08:56,102 --> 00:08:58,938 WE HAVE ALICIA KEYS. 170 00:08:59,005 --> 00:08:59,872 I MEAN, JUST LOOK AT THIS ROOM. 171 00:08:59,939 --> 00:09:06,479 EVERY -- OH, MY GOD, IT'S MUSTAAAARD! 172 00:09:06,545 --> 00:09:08,681 ASK YOUR BLACK FRIENDS. 173 00:09:08,748 --> 00:09:11,017 THREE TIME GRAMMY WINNER SHAKIRA IS IN THE HOUSE. 174 00:09:11,083 --> 00:09:14,420 THE GREATESTTHING OUT OF COLUMBIA THAT IS DECLASSE 175 00:09:14,487 --> 00:09:15,021 FELONY. 176 00:09:15,721 --> 00:09:18,824 WE HAVE LADY GAGA IN THE WE HAVE LADY GAGA IN TH THE 177 00:09:18,891 --> 00:09:19,692 HOU! 178 00:09:20,092 --> 00:09:21,193 SHE'S GOING TO BE PERFORMING TONIGHT, AND SHE JUST 179 00:09:21,260 --> 00:09:27,533 ANNOUNCED HER NEW ALBUM "MAYHEM," WHICH IS REALLY 180 00:09:27,600 --> 00:09:28,901 IMPRESSIVE, DROPPING NEXT MONTH. 181 00:09:28,968 --> 00:09:32,238 I DON'T KNOW HOW YOU KNEW THE THEME OF 2025 WHEN YOU 182 00:09:32,305 --> 00:09:32,939 NAMED YOUR ALBUM. 183 00:09:33,005 --> 00:09:36,108 I WAS PRESCIENT OF YOU. 184 00:09:36,175 --> 00:09:36,976 CONGRATULATIONS. 185 00:09:37,343 --> 00:09:37,710 TAYLOR SWIFT IS HERE, JACK ANTONOFF -- LOOK AT THIS 186 00:09:37,777 --> 00:09:38,277 TABLE! 187 00:09:38,344 --> 00:09:39,412 ARE YOU KIDDING ME? 188 00:09:39,478 --> 00:09:42,214 TAYLOR SWIFT, FRESH OFF THE BIGGEST WORLD TOUR IN 189 00:09:42,281 --> 00:09:42,848 HISTORY. 190 00:09:42,915 --> 00:09:44,850 IN HISTORY, PEOPLE. 191 00:09:44,917 --> 00:09:48,721 NOT ONLY DID TAYLOR CRUSH THE RECORD BOOKS: SHE GOT 192 00:09:48,788 --> 00:09:50,656 MORE AMERICANS TRAVELING IN THOSE TURKISH HAIR 193 00:09:50,723 --> 00:09:51,524 TRANSPLANTS. 194 00:09:51,590 --> 00:09:53,192 PEOPLE ARE FLYING EVERYWHERE FOR HER. 195 00:09:53,259 --> 00:09:54,260 TONIGHT, SHE'S BACK WITH ANOTHER SIX NOMINATIONS FOR 196 00:09:54,327 --> 00:09:58,297 THE ALBUM SHE ANNOUNCED WHEN SHE WON LAST YEAR. 197 00:09:58,364 --> 00:09:59,332 THAT WAS LIKE GRAMMY INCEPTION. 198 00:09:59,398 --> 00:10:00,967 I LIKE HOW YOU DID AT. 199 00:10:01,033 --> 00:10:05,738 PLUS, IF TAYLOR WIND, SHE COULD BOTH BCOULD -- BECOME 200 00:10:05,805 --> 00:10:08,307 THE FIRST ARTIST EVER TO WIN ALBUM OF THE YEAR FIVE 201 00:10:08,374 --> 00:10:08,641 TIMES. 202 00:10:08,708 --> 00:10:09,842 YEAH. 203 00:10:09,909 --> 00:10:12,078 WHICH MEANS SHE WOULD BREAK THE 204 00:10:12,144 --> 00:10:16,248 RECORD OF FOUR WINS, SET IN 2024 BY... 205 00:10:16,315 --> 00:10:18,117 TAYLOR SWIFT. 206 00:10:18,184 --> 00:10:19,785 IF YOU BREAK TAYLOR'S RECORD, YOU KNOW THE 207 00:10:19,852 --> 00:10:20,720 SWIFTIES ARE GOING TO COME FOR YOU. 208 00:10:20,786 --> 00:10:21,821 YOU DON'T WANT TO MESS WITH THEM. 209 00:10:21,887 --> 00:10:26,959 THEY ARE LIKE AN ORANGE ARMY OF KENDRICK LAMAR'S. 210 00:10:27,026 --> 00:10:28,060 WE'RE GOING TO DO SOMETHING DIFFERENT. 211 00:10:28,127 --> 00:10:30,162 I DON'T KNOW IF YOU'VE NOTICED, THERE'S BEEN A FEW 212 00:10:30,229 --> 00:10:31,397 CHANGES IN WASHINGTON. 213 00:10:31,464 --> 00:10:33,132 I'M GOING TO ENJOY TONIGHT, BECAUSE THIS MAY BE THE LAST 214 00:10:33,199 --> 00:10:35,434 TIME I GET TO HOST ANYTHING IN THIS COUNTRY. 215 00:10:35,501 --> 00:10:36,535 TONIGHT'S JUST NOT ABOUT MUSIC. 216 00:10:36,602 --> 00:10:40,673 ALL NIGHT LONG, WE WILL BE RAISING FUNDS FOR MUSIC 217 00:10:40,740 --> 00:10:45,745 CARES FIRE RELIEF, SUPPOTING THE WORK OF MUSICARES AND 218 00:10:45,811 --> 00:10:48,147 OTHER FANTASTIC CHERRIES. 219 00:10:48,214 --> 00:10:50,383 DIRECT RELIEF IS PROVIDING CARE TO FIRST RESPONDERS, 220 00:10:50,449 --> 00:10:54,086 RESIDENTS, LOCAL HEALTH CENTERS. 221 00:10:54,153 --> 00:10:55,955 TELEPHONE COMMUNITY FOUNDATION HAS DISBURSED 222 00:10:56,022 --> 00:10:59,091 FIRE EIGHT TO MORE THAN 130 LOCAL NONPROFITS, AND 223 00:10:59,158 --> 00:11:00,459 PASADENA COMMITTEE FOUNDATION, SUPPORTING THOSE 224 00:11:00,526 --> 00:11:04,163 HARDEST HIT IN ALTADENA AND PASADENA. 225 00:11:04,230 --> 00:11:07,199 FOR EVERY SINGLE PERSON IN THIS ROOM, THERE 226 00:11:07,266 --> 00:11:10,302 IS A QR CODE ON YOUR SEAT, AT YOUR TABLES, IN YOUR CUP 227 00:11:10,369 --> 00:11:10,870 HOLDERS. 228 00:11:11,537 --> 00:11:15,808 THERE IS A QUEUE THERE IS A QUE QR CODE CRYPTO.COM 229 00:11:15,875 --> 00:11:16,342 ARENA. 230 00:11:16,976 --> 00:11:18,944 WE WANT YOU TO GIVE AS GENEROUSLY AS YOU CAN. 231 00:11:19,011 --> 00:11:20,579 AND IT'S NOT JUST THE INDIVIDUALS IN THIS ROOM. 232 00:11:20,646 --> 00:11:22,148 I KNOW THOSE CORPORATE SPONSORS OUT THERE IN THE 233 00:11:22,214 --> 00:11:22,615 BOXES. 234 00:11:22,681 --> 00:11:23,349 ALL OF THE CEOs. 235 00:11:23,416 --> 00:11:24,316 ALL THE PEOPLE UP THERE. 236 00:11:24,383 --> 00:11:27,520 I WOULD LOVE A DONATION FROM YOU AS WELL. 237 00:11:27,586 --> 00:11:29,121 YEAH, ALL THE MUSIC COMPANIES AS WELL. 238 00:11:29,188 --> 00:11:30,256 EVERYONE HERE. 239 00:11:30,322 --> 00:11:32,291 EVEN THE NETWORK WE ARE WATCHING COME OF THE NETWORK 240 00:11:32,358 --> 00:11:34,960 WE ARE ON, YEAH, CBS. 241 00:11:35,027 --> 00:11:36,829 YOU'VE GOT THAT "EQUALIZER" MONEY. 242 00:11:36,896 --> 00:11:37,296 COME ON. 243 00:11:37,363 --> 00:11:38,264 DO SOMETHING. 244 00:11:38,330 --> 00:11:39,965 AT HOME, YOU CAN CONTRIBUTE IN ANY WAY. 245 00:11:40,032 --> 00:11:42,568 THERE IS A QR CODE ON THE SCREEN. 246 00:11:42,635 --> 00:11:44,770 NO PRESSURE, JUST SCAN IT AND JOIN IN. 247 00:11:44,837 --> 00:11:46,539 ALL RIGHT, IT'S TIME FOR SOME MUSIC. 248 00:11:46,605 --> 00:11:48,507 HOW APPROPRIATE? 249 00:11:48,574 --> 00:11:49,675 IT'S FROM ONE OF L.A.'S 250 00:11:49,742 --> 00:11:52,578 S MOST FAMOUS EXPORTS, AT THE AGE OF JUST 23 SHE IS 251 00:11:52,645 --> 00:11:57,016 ALREADY A NINE TIME GRAMMY AWARD WINNER, WAS SVEN MORE 252 00:11:57,083 --> 00:11:58,717 NOMINATIONS THIS YEAR, INCLUDING SONG, RECORD, AND 253 00:11:58,784 --> 00:12:01,921 ALBUM OF THE YEAR. 254 00:12:01,987 --> 00:12:04,390 PLEASE WELCOME BILLIE EILISH. 255 00:12:04,457 --> 00:12:10,296 . 256 00:12:10,362 --> 00:12:10,663 . 257 00:12:11,797 --> 00:12:21,607 ♪ ♪ ♪ I WANT YOU TO STAY ♪ ♪ 'TIL I'M IN THE GRAVE ♪ ♪ 258 00:12:21,674 --> 00:12:27,680 'TIL I ROT AWAY, DEAD AND BURIED ♪ ♪ 'TIL I'M IN THE 259 00:12:27,746 --> 00:12:34,320 CASKET YOU CARRY ♪ ♪ IF YOU GO, I'M GOING TOO, UH ♪ ♪ 260 00:12:34,386 --> 00:12:39,692 'CAUE IT WAS ALWAYS YOU, ALRIGHT ♪ ♪ AND IF I'M 261 00:12:39,758 --> 00:12:45,164 TURNING BLUE, PLEASE DON'T SAVE ME ♪ ♪ NOTHING LEFT TO 262 00:12:45,231 --> 00:12:52,304 LOSE WITHOUT MY BABY ♪ ♪ BIRDS OF A FEATHER, WE 263 00:12:52,371 --> 00:12:56,108 SHOULD STICK TOGETHER, I KNOW ♪ ♪ I SAID I'D NEVER 264 00:12:56,175 --> 00:13:00,379 THINK I WASN'T BETTER ALONE ♪ ♪ CAN'T CHANGE THE 265 00:13:00,446 --> 00:13:04,950 WEATHER, MIGHT NOT BE FOREVER ♪ ♪ BUT IF IT'S 266 00:13:05,017 --> 00:13:11,824 FOREVER, IT'S EVEN BETTER ♪ ♪ AND I DON'T KNOW WHAT I'M 267 00:13:11,891 --> 00:13:18,497 CRYING FOR ♪ ♪ I DON'T THINK I COULD LOVE YOU MORE ♪ ♪ IT 268 00:13:18,564 --> 00:13:25,838 MIGHT NOT BE LONG, BUT BABY, I ♪ ♪ I'LL LOVE YOU 'TIL THE 269 00:13:25,905 --> 00:13:33,245 DAY THAT I DIE ♪ ♪ 'TIL THE DAY THAT I DIE ♪ ♪ 'TIL THE 270 00:13:33,312 --> 00:13:43,355 LIGHT LEAVES MY EYES ♪ ♪ 'TIL THE DAY THAT I DIE ♪ ♪ 271 00:13:44,190 --> 00:13:53,465 I WANT YOU TO SEE, HM ♪ ♪ HOW YOU LOOK TO ME, HM ♪ ♪ 272 00:13:53,532 --> 00:13:58,504 YOU WOULDN'T BELIEVE IF I TOLD YA ♪ ♪ YOU WOULD KEEP 273 00:13:58,571 --> 00:14:08,113 THE COMPLIMENTS I THROW YA ♪ ♪ BUT YOU'RE SO FULL OF IT, 274 00:14:08,180 --> 00:14:11,217 UH ♪ ♪ TELL ME IT'S A BIT, OH ♪ ♪ SAY YOU DON'T SEE IT, 275 00:14:11,283 --> 00:14:14,153 YOUR MIND'S POLLUTED ♪ ♪ SAY YOU WANNA QUIT, DON'T BE 276 00:14:14,220 --> 00:14:24,230 STUPID ♪ ♪ AND I DON'T KNOW WHAT I'M CRYING FOR ♪ MORE ♪ 277 00:14:31,070 --> 00:14:39,979 ♪ MIGHT NOT BE LONG, BUT BABY, I ♪ ♪ DON'T WANNA SAY 278 00:14:40,045 --> 00:14:42,348 GOODBYE ♪ ♪ BIRDS OF A FEATHER, WE SHOULD STICK 279 00:14:42,414 --> 00:14:49,355 TOGETHER, I KNOW ♪ ♪ I SAID 280 00:14:49,421 --> 00:14:52,091 I'D NEVER THINK I WASN'T BETTER ALONE ('TIL THE LIGHT 281 00:14:52,157 --> 00:14:55,160 LEAVES MY EYES) ♪ ♪ CAN'T CHANGE THE WEATHER, MIGHT 282 00:14:55,227 --> 00:14:58,764 NOT BE FOREVER ♪ ♪ BUT IF IT'S 283 00:14:58,831 --> 00:15:08,173 FOREVER, IT'S EVEN BETTER ♪ ♪ I KNEW YOU IN ANOTHER LIFE 284 00:15:08,240 --> 00:15:12,478 ♪ ♪ YOU HAD THAT SAME LOOK IN YOUR EYES ♪ ♪ I LOVE YOU, 285 00:15:12,544 --> 00:15:22,554 DON'T ACT SO SURPRISED ♪ ♪ ♪ . 286 00:15:26,992 --> 00:15:27,293 . 287 00:15:27,693 --> 00:15:37,670 ♪ ♪ I LOVE YOU, L.A. 288 00:15:41,206 --> 00:15:43,742 THANK YOU. 289 00:15:56,955 --> 00:15:58,324 THAT'S RIGHT. 290 00:15:58,390 --> 00:16:01,060 KEEP IT GOING FOR BILLIE EILISH, EVERYBODY. 291 00:16:01,126 --> 00:16:04,463 ABSOLUTELY AMAZING. 292 00:16:04,530 --> 00:16:06,432 TONIGHT, THE GRAMMYS IS ALL ABOUT SUPPORTING LOCAL 293 00:16:06,498 --> 00:16:07,533 BUSINESSES. 294 00:16:07,599 --> 00:16:09,902 THE FLOWERS ON THE TABLE WE HAVE COME FROM A LOCAL 295 00:16:09,968 --> 00:16:11,103 FLORIST. 296 00:16:11,170 --> 00:16:12,905 THE FOOD ON OUR TABLES COME FROM LAUREN, WHO RECENTLY 297 00:16:12,971 --> 00:16:15,074 STARTED A SMALL CATERING COMPANY IN L.A. 298 00:16:15,140 --> 00:16:17,910 THAT COMMITMENT IS GOING TO EXTEND TO OUR COMMERCIALS. 299 00:16:17,976 --> 00:16:20,813 FOR THOSE OF YOU GEN Z-ARS WHO DON'T KNOW WHAT TV 300 00:16:20,879 --> 00:16:24,516 COMMERCIALS ARE, THEY ARE LIKE ADS ON TO TALK -- ADS 301 00:16:24,583 --> 00:16:27,619 ON TIKTOK BUT YOU CANNOT SWIPE THEM AWAY. 302 00:16:27,686 --> 00:16:30,923 THESE COMMERCIALS CAN BE VERY EXPENSIVE. 303 00:16:30,989 --> 00:16:34,259 TONIGHT, THE GRAMMYS ARE GIVING SOME OF ITS AIRTIME 304 00:16:34,326 --> 00:16:35,627 TO LOCAL L.A. 305 00:16:35,694 --> 00:16:37,129 BUSINESSES. 306 00:16:37,196 --> 00:16:38,697 HIT HARDEST BY THE DISASTER. 307 00:16:38,764 --> 00:16:40,032 THEY CAN USE OUR SUPPORT. 308 00:16:40,099 --> 00:16:41,800 THERE IS A LITTLE BIT SOMETHING SPECIAL IN THEM. 309 00:16:41,867 --> 00:16:42,735 TAKE A LOOK. 310 00:16:42,801 --> 00:16:46,004 WE WILL BE RIGHT BACK. 311 00:16:46,071 --> 00:16:48,173 >> ORLA FLORAL STUDIO IS MY BUSINESS AND ENTIRE LIFE. 312 00:16:48,240 --> 00:16:53,078 I HAVE BEEN CREATING ALL ARRANGEMENTS FOR MY LIFE. 313 00:16:53,145 --> 00:16:55,514 UNTIL A FEW WEEKS AGO, WE WERE IN ALTADENA. 314 00:16:55,581 --> 00:17:00,819 EVEN THOUGH MY HOME AND FLORAL STUDIO -- I AM IN A 315 00:17:00,886 --> 00:17:04,056 TEMPORARY SPACE -- WHEN I HEARD THE GRAMMYS WAS 316 00:17:04,123 --> 00:17:06,258 SUPPORTING LOCAL BUSINESSES, I DID NOT REALIZE THEY WOULD 317 00:17:06,325 --> 00:17:07,860 SEND STAFF AS WELL. 318 00:17:07,926 --> 00:17:10,362 >> WE ARE FULL-SERVICE. 319 00:17:10,429 --> 00:17:13,599 VISIT ORLA FLORAL STUDIO ON INSTAGRAM OR GO TO 320 00:17:13,665 --> 00:17:18,003 OrLowFloor -- . 321 00:17:18,070 --> 00:17:18,404 . 322 00:17:18,871 --> 00:17:19,638 >> DO YOU LIKE HOW THIS LOOKS? 323 00:17:26,979 --> 00:17:27,913 ALL RIGHT, EVERYBODY. 324 00:17:27,980 --> 00:17:29,481 LET'S GET TO OUR SEATS. 325 00:17:29,548 --> 00:17:30,616 WELCOME BACK TO THE GRAMMYS. 326 00:17:30,682 --> 00:17:34,019 OUR NEXT PERFORMER IS NOMINATED IN ALL FOUR MAJOR 327 00:17:34,086 --> 00:17:35,220 CATEGORIES TONIGHT. 328 00:17:35,287 --> 00:17:38,457 AFTER A MASSIVE YEAR FOR THE SHORT AND SWEET SUPERSTAR. 329 00:17:38,524 --> 00:17:43,529 LET'S TAKE A LITTLE LOOK AT 330 00:17:43,595 --> 00:17:49,034 SABRINA CARPENTER. 331 00:17:49,101 --> 00:17:49,735 >> HELLO. 332 00:17:50,335 --> 00:17:53,405 I'M SABRINA CARPENTER, AND I'M NO NEED -- I CAN'T SAY 333 00:17:53,472 --> 00:17:55,808 , CAN I? 334 00:17:55,874 --> 00:17:57,242 I'M NOMINATED FOR 6 GRAMMYS. 335 00:17:57,309 --> 00:18:03,282 ♪ ♪ ♪ ♪ >> BLOW OUT ROUTINE. 336 00:18:03,348 --> 00:18:04,616 THE GIRLS GOT TO KNOW. 337 00:18:04,683 --> 00:18:05,651 >> I WOKE UP LIKE THIS. 338 00:18:05,717 --> 00:18:10,155 IT'S FRUSTRATING FOR YOU GUYS, BUT FOR ME, IT'S 339 00:18:10,222 --> 00:18:11,156 GREAT. 340 00:18:11,223 --> 00:18:17,863 PLEASE, PLEASE PLEASE PLAY "ESPRESSO." 341 00:18:17,930 --> 00:18:20,866 I NEVER EXPECTED "ESPRESSO" TO ESSENTIALLY BECOME WHAT 342 00:18:20,933 --> 00:18:21,600 IT BECAME. 343 00:18:22,201 --> 00:18:24,970 SOME SONGS YOU TRY TO FLESH OUT AN IDEA, AND THIS WAS 344 00:18:25,037 --> 00:18:26,104 ALMOST POSSESSED THROUGH ME. 345 00:18:26,171 --> 00:18:29,575 IT CAME OUT THE OTHER -- WAIT, NOT GOING TO SAY THAT. 346 00:18:29,641 --> 00:18:37,616 ♪ ♪ ♪ ♪ I REMEMBER SITTING IN THE STUDIO, PLAYING IT 347 00:18:37,683 --> 00:18:40,652 REALLY OBNOXIOUSLY LOUD, JUST DANCING AROUND BEING 348 00:18:40,719 --> 00:18:43,689 LIKE "I DON'T KNOW HOW ANYBODY CANNOT LIKE THE 349 00:18:43,755 --> 00:18:45,924 SONG." 350 00:18:45,991 --> 00:18:47,993 EVERYWHERE I SEE AN ESPRESSO SIGN AND I ASSUME THEY ARE 351 00:18:48,060 --> 00:18:48,861 ALL ABOUT MY SONG. 352 00:18:48,927 --> 00:18:50,562 THE DAY OF THE GRAMMY NOMINATIONS. 353 00:18:50,629 --> 00:18:52,965 WHEN THEY CAME OUT, I WAS ON MY TOUR BUS. 354 00:18:53,031 --> 00:18:58,303 IT WAS AN EXPLOSION OF HAPPINESS, TEARS, LAUGHTER. 355 00:18:58,370 --> 00:19:00,072 IT WAS EUPHORIC. 356 00:19:00,138 --> 00:19:02,941 THIS ALBUM DOING WHAT IT'S DONE HAS BEEN FULFILLING TO 357 00:19:03,008 --> 00:19:07,546 ME BECAUSE I AM JUST BEING MYSELF WITH MAY BE BIGGER 358 00:19:07,613 --> 00:19:08,547 HAIR. 359 00:19:37,342 --> 00:19:37,709 . 360 00:19:38,277 --> 00:19:48,253 ♪ I CAN'T RELATE TO DESPERATION ♪ 361 00:19:53,659 --> 00:19:58,330 ♪ MY GIVE-A-- ARE ON VACATION ♪ ♪ AND I GOT THIS 362 00:19:58,397 --> 00:20:07,940 ONE BOY AND HE WON'T STOP CALLIN' ♪ ♪ WHEN THEY ACT 363 00:20:08,006 --> 00:20:16,181 THIS WAY, I KNOW I GOT 'EM ♪ ♪ TOO BAD YOUR EX DON'T DO 364 00:20:16,248 --> 00:20:20,118 IT FOR YA ♪ ♪ WALKED IN AND DREAM-CAME-TRUED IT FOR YA ♪ 365 00:20:20,185 --> 00:20:26,558 ♪ SOFT SKIN AND I PERFUMED IT FOR YA ♪ ♪ I KNOW I 366 00:20:26,625 --> 00:20:28,527 MOUNTAIN DEW IT FOR YA ♪ ♪ THAT MORNING COFFEE, 367 00:20:28,594 --> 00:20:32,464 BREWED IT FOR YA ♪ ♪ ONE TOUCH AND I BRAND-NEWED 368 00:20:32,531 --> 00:20:35,767 IT FOR YA ♪ ♪ NOW HE'S THINKIN' 'BOUT ME EVERY 369 00:20:35,834 --> 00:20:38,136 NIGHT, OH ♪ ♪ IS IT THAT SWEET? 370 00:20:38,203 --> 00:20:42,541 I GUESS SO ♪ ♪ SAY YOU CAN'T SLEEP, BABY, I KNOW ♪ ♪ 371 00:20:42,608 --> 00:20:52,618 THAT'S THAT ME ESPRESSO ♪ ♪ 372 00:21:28,353 --> 00:21:28,720 . 373 00:21:29,621 --> 00:21:30,889 ♪ WELL, I HAVE A FUN IDEA, BABE, MAYBE JUST 374 00:21:30,956 --> 00:21:34,359 STAY INSIDE♪ ♪ I KNOW YOU'RE CRAVING SOME FRESH AIR ♪ ♪ 375 00:21:34,426 --> 00:21:39,064 BUT THE CEILING FAN IS SO NICE 376 00:21:39,131 --> 00:21:40,365 ♪ ♪ AND WE COULD LIVE SO HAPPILY IF NO ONE KNOWS THAT 377 00:21:40,432 --> 00:21:48,040 YOU'RE WITH ME ♪ ♪ I'M JUST KIDDING, BUT REALLY REALLY, 378 00:21:48,106 --> 00:21:54,880 REALLY ♪ ♪ PLEASE, PLEASE, PLEASE DON'T PROVE I'M RIGHT 379 00:21:54,946 --> 00:21:58,684 ♪ ♪ AND PLEASE, PLEASE, PLEASE ♪ ♪ DON'T BRING ME TO 380 00:21:58,750 --> 00:22:04,856 TEARS WHEN I JUST DID MY MAKEUP SO NICE ♪ ♪ 381 00:22:04,923 --> 00:22:06,792 HEARTBREAK IS ONE THING , 382 00:22:06,858 --> 00:22:11,063 MY EGO'S ANOTHER ♪ ♪ I BEG YOU, 383 00:22:11,129 --> 00:22:21,139 DON'T EMBARRASS ME,ER, AH ♪ ♪ PLEASE, PLEASE, 384 00:22:23,108 --> 00:22:33,118 PLEASE ♪ ♪ ♪ I'M WORKING 385 00:22:35,854 --> 00:22:40,058 LATE ♪ ♪ BECAUSE I'M A SINGER ♪ ♪ BUT HE LOOKS SO 386 00:22:40,125 --> 00:22:42,928 CUTE ♪ ♪ WRAPPED AROUND MY FINGER ♪ ♪ THAT TWISTED 387 00:22:42,994 --> 00:22:51,002 HUMOR ♪ ♪ YOU LOVE SO OFTEN ♪ ♪ YOUR HONEY BEE ♪ ♪ COME 388 00:22:51,069 --> 00:22:54,573 GET THIS POLLEN ♪ ♪ ♪ TOO BAD YOUR EX DON'T DO IT FOR 389 00:22:54,639 --> 00:22:55,874 YA ♪ ♪ WALKED IN AND DREAM-CAME-TRUED IT FOR YA ♪ 390 00:22:55,941 --> 00:22:57,109 ♪ SOFT SKIN AND I PERFUMED IT FOR YA ♪ ♪ I KNOW I 391 00:22:57,175 --> 00:23:01,913 MOUNTAIN DEW IT FOR YA ♪ ♪ THAT MORNING COFFEE, 392 00:23:01,980 --> 00:23:06,251 BREWED IT FOR YA ♪ ♪ ONE TOUCH AND I BRAND-NEWED 393 00:23:06,318 --> 00:23:08,887 IT FOR YA ♪ ♪ NOW HE'S THINKIN' 'BOUT ME EVERY 394 00:23:08,954 --> 00:23:11,123 NIGHT, OH ♪ ♪ IS IT THAT SWEET? 395 00:23:11,189 --> 00:23:14,793 I GUESS SO ♪ ♪ SAY YOU CAN'T SLEEP, BABY, I KNOW ♪ ♪ 396 00:23:14,860 --> 00:23:19,464 THAT'S THAT ME ESPRESSO ♪ ♪ MOVE IT UP, DOWN, LEFT, 397 00:23:19,531 --> 00:23:23,135 RIGHT, OH ♪ ♪ SWITCH IT UP LIKE NINTENDO ♪ ♪ SAY YOU 398 00:23:23,201 --> 00:23:33,211 CAN'T SLEEP, BABY, I KNOW ♪ >> Secretary Leavitt: ♪ ♪ ♪ 399 00:23:37,082 --> 00:23:47,092 ♪ NO ♪ ♪ OH, NO, ♪ ♪ THAT'S THAT ME ESPRESSO ♪ [CHEERS 400 00:23:50,262 --> 00:23:56,668 AND APPLAUSE] 401 00:24:03,408 --> 00:24:04,242 THAT'S RIGHT. 402 00:24:04,309 --> 00:24:07,412 NOW YOU SEE WHAT ALL THE HYPE IS ABOUT. 403 00:24:07,479 --> 00:24:08,780 SABRINA CARPENTER, EVERYBODY. 404 00:24:08,847 --> 00:24:10,916 THAT WAS AMAZING. 405 00:24:10,982 --> 00:24:11,650 AND FUNNY. 406 00:24:12,017 --> 00:24:14,152 YOU ARE GOING TO DO FUNNY TOO, SABRINA? 407 00:24:14,219 --> 00:24:15,754 YOU'RE GOING TO TAKE MY JOB LIKE THAT? 408 00:24:15,821 --> 00:24:18,990 IT'S TIME FOR OUR FIRST AWARD OF THE NIGHT. 409 00:24:19,057 --> 00:24:20,225 I SHOULD MENTION TO ALL POTENTIAL WINNERS. 410 00:24:20,292 --> 00:24:23,428 YOU CAN SPEAK FOR AS LONG AS YOU LIKE. 411 00:24:23,495 --> 00:24:25,630 ANYTHING OVER 90 SECONDS AND WILL CHARGE $1,000 A SECOND 412 00:24:25,697 --> 00:24:29,034 FOR THE GREAT CAUSES THAT WE ARE -- SO PLEASE SPEAK ALL 413 00:24:29,100 --> 00:24:29,935 YOU LIKE. 414 00:24:30,235 --> 00:24:33,972 THE REST OF YOU, USE YOUR QR CODE AND JOIN IN. 415 00:24:34,039 --> 00:24:35,841 OUR FIRST PRESENTER IS A GRAMMY-WINNING RAP ICON 416 00:24:35,907 --> 00:24:38,977 AGAIN NOMINATED THIS YEAR HERE TO PRESENT THE GRAMMY 417 00:24:39,044 --> 00:24:42,113 FOR BEST RAP ALBUM. 418 00:24:42,180 --> 00:24:44,916 PLEASE WELCOME CARDI B. 419 00:25:12,878 --> 00:25:16,882 >> WHAT'S UP, GRAMMYS? 420 00:25:16,948 --> 00:25:21,820 HOW Y'ALL DOING? 421 00:25:21,887 --> 00:25:22,387 GOOD. 422 00:25:23,188 --> 00:25:26,658 THE LAST TIME I WAS ON THIS STAGE, IT WAS TO ACCEPT THE 423 00:25:26,725 --> 00:25:30,729 VERY AWARD I'M PRESENTING TODAY. 424 00:25:30,795 --> 00:25:32,030 YEAH, I WAS OVERWHELMED. 425 00:25:32,097 --> 00:25:34,699 I COULDN'T EVEN FIND THE WORDS TO EXPRESS HOW 426 00:25:34,766 --> 00:25:38,970 GRATEFUL I WAS, AND HOW GRATEFUL I AM FOR THIS 427 00:25:39,037 --> 00:25:39,938 GENRE. 428 00:25:40,005 --> 00:25:43,275 TONIGHT, I WON'T BE HAVING THOSE PROBLEMS. 429 00:25:43,341 --> 00:25:47,012 I KNOW EXACTLY WHAT I WANT TO SAY. 430 00:25:47,078 --> 00:25:48,980 RAP HELPED ME FIND MY VOICE. 431 00:25:49,047 --> 00:25:55,587 RAP HELPED ME TELL MY STORY, AND MOST IMPORTANTLY, RAP 432 00:25:55,654 --> 00:25:58,223 CHANGED MY LIFE. 433 00:25:58,290 --> 00:25:59,024 OKAY, SORRY. 434 00:25:59,357 --> 00:26:02,627 THE NOMINEES IN THIS CATEGORY HAVE SHAPED RAP 435 00:26:02,694 --> 00:26:04,462 HISTORY AND ARE SHAPING RAP'S FUTURE. 436 00:26:04,529 --> 00:26:09,868 HERE OTHER NOMINEES FOR BEST RAP ALBUM. 437 00:26:09,935 --> 00:26:19,945 "MIGHT DELETE LATER," J. 438 00:26:22,447 --> 00:26:23,081 COLE. 439 00:26:23,148 --> 00:26:24,649 "THE AUDITORIUM, VOL. 440 00:26:24,716 --> 00:26:30,922 ONE," COMMON AND PETE ROCK. 441 00:26:30,989 --> 00:26:32,390 "ALLIGATOR BITES NEVER HEAL" "ALLIGATOR BITES NEVER 442 00:26:32,457 --> 00:26:33,892 HEAL," "ALLIGATOR BITES NEVER HEAL," DOECHII."T 443 00:26:33,959 --> 00:26:42,100 THE DEATH OF SLIM SHADP DE GRACE)," EMINEM. 444 00:26:42,167 --> 00:26:52,010 "WE DON'T TRUST YOU," FUTURE AND METRO BOOMIN'. 445 00:26:52,077 --> 00:26:56,481 AND THE WINNER IS... 446 00:26:56,548 --> 00:27:01,820 "ALLIGATOR BITES NEVER HEAL" BY DOECHII! 447 00:27:40,992 --> 00:27:50,068 >> I DON'T WANT TO 448 00:27:50,135 --> 00:27:53,772 MAKE THIS LONG. 449 00:27:53,838 --> 00:28:01,780 BUT, THIS CATEGORY WAS% INTRODUCED IN 1989, AND TWO 450 00:28:01,846 --> 00:28:06,284 - WOMEN HAVE WON: LAURYN HILL - - THREE WOMEN HAVE WON. 451 00:28:06,351 --> 00:28:13,425 LAURYN HILL, CARDI B, AND DOECHII. 452 00:28:13,491 --> 00:28:19,831 I PUT MY HEART IN MY SOUL INTO 453 00:28:19,898 --> 00:28:22,967 THIS MIX TAPE. 454 00:28:23,034 --> 00:28:24,169 I BURIED MY LIFE. 455 00:28:24,235 --> 00:28:26,738 I WENT THROUGH SO MUCH. 456 00:28:26,805 --> 00:28:29,474 I DEDICATED MYSELF TO SOBRIETY, AND GOD TOLD ME 457 00:28:29,541 --> 00:28:34,212 THAT I WOULD BE REWARDED, AND THAT HE WOULD SHOW ME 458 00:28:34,279 --> 00:28:40,518 JUST HOW GOOD IT CAN GET. 459 00:28:40,585 --> 00:28:41,653 I HAVE TO THANK GOD. 460 00:28:41,719 --> 00:28:46,124 I HAVE TO THANK MY BEAUTIFUL MOTHER FOR COACHING ME. 461 00:28:46,191 --> 00:28:53,131 I WANT TO THANK MY LABEL, MY ENGINEER JAYDA, MY FANS. 462 00:28:53,198 --> 00:28:54,299 TO THE SWAMP. 463 00:28:54,365 --> 00:28:58,336 THERE'S SO MANY PEOPLE OUT THERE THAT PROBABLY DON'T 464 00:28:58,403 --> 00:28:59,437 KNOW. 465 00:28:59,504 --> 00:29:02,907 I AND CALLED THE SWAN PRINCESS BECAUSE I'M FROM 466 00:29:02,974 --> 00:29:03,775 TAMPA, FLORIDA. 467 00:29:04,142 --> 00:29:04,709 THERE'S SO MUCH CULTURE IN 468 00:29:04,776 --> 00:29:05,844 TAMPA. 469 00:29:05,910 --> 00:29:07,812 WHENEVER PEOPLE THINK ABOUT% FLORIDA, THEY ONLY THINK 470 00:29:07,879 --> 00:29:10,648 ABOUT LIKE MIAMI, BUT THEY HAVE SO MANY TALENT LABELS. 471 00:29:10,715 --> 00:29:12,750 THERE'S TALENT THERE, OKAY? 472 00:29:12,817 --> 00:29:19,591 THANK YOU SO MUCH TO MY LABEL,, AND EVERY BUDDY WHO 473 00:29:19,657 --> 00:29:20,425 HELPED PUT THIS TOGETHER. 474 00:29:20,492 --> 00:29:22,894 THANK YOU. 475 00:29:22,961 --> 00:29:24,929 THANK YOU TO HIP-HOP. 476 00:29:24,996 --> 00:29:28,600 THERE'S SO -- SORRY. 477 00:29:28,666 --> 00:29:31,336 I KNOW THAT THERE IS SOME BLACK GIRL OUT THERE, SO 478 00:29:31,402 --> 00:29:33,771 MANY BLACK WOMEN OUT THERE THAT ARE WATCHING ME RIGHT 479 00:29:33,838 --> 00:29:37,575 NOW, AND I WANT TO TELL YOU: YOU CAN DO IT. 480 00:29:37,642 --> 00:29:39,978 ANYTHING IS POSSIBLE. 481 00:29:40,044 --> 00:29:41,112 ANYTHING IS POSSIBLE. 482 00:29:41,312 --> 00:29:43,414 DON'T ALLOW, DON'T ALLOW ANYBODY 483 00:29:43,481 --> 00:29:47,785 TO PROJECT ANY STEREOTYPES ON YOU, THAT TELL YOU THAT 484 00:29:47,852 --> 00:29:50,155 YOU CAN'T BE HERE, THAT TELL YOU THAT YOU ARE TOO DARK OR 485 00:29:50,221 --> 00:29:53,525 THAT YOU ARE NOT SMART ENOUGH OR THAT YOU ARE TOO 486 00:29:53,591 --> 00:29:58,229 LOUD YOU ARE EXACTLY WHO YOU NEED TO BE, TO BE RIGHT 487 00:29:58,296 --> 00:29:58,763 WHERE YOU ARE. 488 00:29:58,830 --> 00:30:00,765 I AM A TESTIMONY. 489 00:30:00,832 --> 00:30:10,842 PRAISE GOD. 490 00:30:13,178 --> 00:30:17,815 COMING UP, THE AWARD FOR BEST POP VOCAL 491 00:30:17,882 --> 00:30:18,783 ALBUM. 492 00:30:19,150 --> 00:30:20,952 OLIVIA RODRIGO INTRODUCES THE DEBUT GRAMMY PERFORMANCE 493 00:30:21,019 --> 00:30:22,754 OF SIX-TIME NOMINEE CHAPPELL ROAN. 494 00:30:22,820 --> 00:30:25,390 AND, TAYLOR SWIFT PRESENTS THE WORD FOR BEST COUNTRY 495 00:30:25,456 --> 00:30:26,124 ALBUM. 496 00:30:26,591 --> 00:30:29,194 LATER, BRUNO MARS AND LADY GAGA PAGER BE TO LOS 497 00:30:29,260 --> 00:30:29,894 ANGELES. 498 00:30:31,429 --> 00:30:36,034 THIS IS CBS. 499 00:30:36,100 --> 00:30:36,968 >> MY HUSBAND AND I FOUNDED TWO DRAGON'S MARTIAL ARTS 500 00:30:37,035 --> 00:30:38,469 STUDIO OVER 30 YEARS AGO. 501 00:30:38,536 --> 00:30:40,371 STUDENTS CAME TO US AND THEIR LIVES WERE CHANGED 502 00:30:40,438 --> 00:30:41,072 FOREVER. 503 00:30:41,639 --> 00:30:47,879 WHEN MY HUSBAND PASSED AWAY, MY CHILDREN AND I WERE 504 00:30:47,946 --> 00:30:51,649 DETERMINED TO CARRY ON THE FAMILY LEGACY. 505 00:30:51,716 --> 00:30:52,617 I AM THANKFUL FOR THIS TEMPORARY SPACE AS WE RISE 506 00:30:52,684 --> 00:30:54,185 FROM THE ASHES TO REBUILD OUR COMMUNITY. 507 00:30:54,252 --> 00:30:55,453 >> WHERE CAN I SIGN UP? 508 00:30:55,520 --> 00:30:58,356 I WOULD LOVE A MARTIAL ARTS LESSON. 509 00:30:58,423 --> 00:30:59,224 >> OKAY. 510 00:30:59,290 --> 00:31:02,360 FIRST LESSON COMPLETE. 511 00:31:02,427 --> 00:31:06,931 NEVER INTERRUPT A MARTIAL ARTS MASTER WHEN SHE'S 512 00:31:06,998 --> 00:31:07,665 TALKING. 513 00:31:08,132 --> 00:31:10,501 >> IF YOU LIKE TO SUPPORT THIS INCREDIBLE FAMILY 514 00:31:10,568 --> 00:31:12,570 BUSINESS, GO TO TwoDragon'sMA.com . 515 00:31:33,024 --> 00:31:34,192 ♪ ♪ ♪ ♪ WELCOME BACK. 516 00:31:34,259 --> 00:31:37,562 DURING THE BREAK -- I DON'T KNOW HOW TO SAY THIS: TREVOR 517 00:31:37,629 --> 00:31:39,631 NOAH WAS TRADED TO THE DALLAS MAVERICKS. 518 00:31:39,697 --> 00:31:45,603 I KNOW THIS IS A SHOCK, BUT I AM NOW YOUR HOST. 519 00:31:45,670 --> 00:31:50,141 AND IT IS AN HONOR TO PRESENT THE NEXT 520 00:31:50,208 --> 00:31:51,376 AWARD. 521 00:31:51,442 --> 00:31:55,313 TO INTRODUCE TWO MEMBERS OF ONE OF THE GREATEST BANDS IN 522 00:31:55,380 --> 00:32:01,052 HISTORY, WHO ARE SYNONYMOUS WITH LOS ANGELES AND 523 00:32:01,119 --> 00:32:04,956 CALIFORNICATION: FROM THE GRAMMY-WINNING RED HOT CHILI 524 00:32:05,023 --> 00:32:11,462 PEPPERS, ANTHONY KIEDIS AND CHAD SMITH. 525 00:32:11,529 --> 00:32:19,904 ♪ ♪ >> THIS IS MY BROTHER, 526 00:32:19,971 --> 00:32:23,941 AND WE LOVE L.A. 527 00:32:24,008 --> 00:32:24,942 I LOVE YOU. 528 00:32:25,009 --> 00:32:26,344 I LOVE YOU. 529 00:32:26,411 --> 00:32:26,811 A LOT. 530 00:32:26,878 --> 00:32:27,612 YOU LOOK GREAT. 531 00:32:27,679 --> 00:32:28,613 YOU TOO. 532 00:32:28,680 --> 00:32:31,683 HIT IT, FRANK. 533 00:32:31,749 --> 00:32:36,054 AS THE SONG ONCE SAID... 534 00:32:36,120 --> 00:32:40,825 ♪ SOMETIMES I FEEL LIKE MY ONLY FRIEND ♪ ♪ IS THE CITY 535 00:32:40,892 --> 00:32:46,864 I LIVE IN ♪ ♪ THE CITY OF ANGELS ♪ ♪ THE LONELY AS I 536 00:32:46,931 --> 00:32:53,204 AM MOMENT TOGETHER WE CRY ♪ ♪ ♪WAS 537 00:32:53,271 --> 00:32:56,040 SO MANY OF HER FRIENDS -- HELLO -- AND THE NEIGHBORS 538 00:32:56,107 --> 00:32:58,042 - LOSING SO MUCH OVER THE PAST - - WITH SO MANY OF OUR 539 00:32:58,109 --> 00:33:00,111 FRIENDS -- HELLO, AND NEIGHBORS LOSING SO MUCH 540 00:33:00,178 --> 00:33:02,447 OVER THE PAST MONTH, THERE HAVE BEEN A LOT OF 541 00:33:02,513 --> 00:33:03,581 HEARTBREAK AND A LOT OF TEARS. 542 00:33:03,648 --> 00:33:06,351 NONE OF US HAVE SEEN THE DEVASTATION LIKE 543 00:33:06,417 --> 00:33:11,022 THE WILDFIRES THAT HAVE COME IN WITH OUR CITY AND DONE SO 544 00:33:11,089 --> 00:33:12,790 MUCH DEVASTATION. 545 00:33:12,857 --> 00:33:14,892 BUT, WE HAVE ALSO SEEN THE AMAZING WAYS THAT EVERYONE 546 00:33:14,959 --> 00:33:18,062 HAS COME TOGETHER TO HELP ONE ANOTHER. 547 00:33:18,129 --> 00:33:21,733 >> SO TONIGHT, LET'S 548 00:33:21,799 --> 00:33:26,938 GET IT ON, AND LET'S ALL GET VOCAL ABOUT SUPPORTING OUR 549 00:33:27,004 --> 00:33:28,973 FRIENDS AND NEIGHBORS REBUILDING THEIR LIVES. 550 00:33:29,040 --> 00:33:36,481 THESE ARE THIS YEAR'S NOMINEES FOR BEST POP VOCAL 551 00:33:36,547 --> 00:33:38,249 ALBUM. 552 00:33:38,316 --> 00:33:48,326 "SHORT N' SWEET," SABRINA CARPENTER. 553 00:33:49,227 --> 00:33:58,202 "HIT ME HARD AND SOFT," BILLIE EILISH. 554 00:33:58,269 --> 00:34:03,975 "ETERNAL SUNSHINE," ARIANA GRANDE."C 555 00:34:04,041 --> 00:34:09,380 CHAPPELL ROAN: TD 556 00:34:12,450 --> 00:34:15,219 FALL OF A MIDWEST PRINCESS," CHAPPELL ROAN. 557 00:34:15,286 --> 00:34:21,192 "THE TORTURED POETS DEPARTMENT," TAYLOR SWIFT. 558 00:34:21,259 --> 00:34:23,327 YOU READY? 559 00:34:23,394 --> 00:34:29,967 AND THE 'GRAM GOES TO... 560 00:34:30,034 --> 00:34:40,044 "SHORT N' SWEET," SABRINA CARPENTER. 561 00:34:52,457 --> 00:34:56,394 24/7 protection for all of my...things. 562 00:34:57,495 --> 00:35:07,472 >> 563 00:35:09,006 --> 00:35:11,709 HELLO. 564 00:35:11,776 --> 00:35:15,480 I'M STILL OUT OF BREATH FROM THE PERFORMANCE, SO I REALLY 565 00:35:15,546 --> 00:35:20,918 WAS NOT EXPECTING THIS, AND ALL THOSE NOMINEES THAT WERE 566 00:35:20,985 --> 00:35:24,322 JUST ON THE SCREEN ARE SOME OF MY FAVORITE ARTISTS IN 567 00:35:24,388 --> 00:35:25,790 THE WORLD, AND I CAN'T BELIEVE I'M NOMINATED 568 00:35:25,857 --> 00:35:27,225 AGAINST THEM OR EVEN IN THIS ROOM. 569 00:35:27,291 --> 00:35:31,395 THIS IS MY FIRST RAMIE, SO I'M GOING TO CRY, BUT -- 570 00:35:31,629 --> 00:35:35,199 THIS IS MY FIRST GRAMMY, SOME 571 00:35:35,266 --> 00:35:38,669 GOING TO CRY, BUT -- I WROTE MY 572 00:35:38,736 --> 00:35:39,337 NAME. 573 00:35:39,403 --> 00:35:41,172 IT'S PROBABLY A MESSED UP. 574 00:35:41,239 --> 00:35:43,140 THANK YOU TO THE RECORDING ACADEMY FOR HAVING ME, AND 575 00:35:43,207 --> 00:35:46,677 HAVING EVERYONE HERE TONIGHT. 576 00:35:46,744 --> 00:35:49,247 IN CELEBRATION IN HONOR OF EVERYTHING THAT'S HAPPENED. 577 00:35:49,313 --> 00:35:51,749 I FEEL SO LUCKY TO BE ABLE TO COME TOGETHER AND DO 578 00:35:51,816 --> 00:35:55,052 SOMETHING SO SPECIAL AND BEAUTIFUL, AND CELEBRATE 579 00:35:55,119 --> 00:35:55,887 MUSIC. 580 00:35:56,387 --> 00:35:58,756 I WANT TO THANK ALL THE FANS THAT LET MY MUSIC BE HEARD 581 00:35:58,823 --> 00:35:59,957 BY THE RECORDING ACADEMY. 582 00:36:00,024 --> 00:36:03,694 I WANT TO THANK MY MOM FOR DRIVING ME TO EVERY VOICE 583 00:36:03,761 --> 00:36:04,629 LESSON. 584 00:36:04,695 --> 00:36:06,264 I WANT TO THANK MY DAD AND MY SISTERS. 585 00:36:06,330 --> 00:36:13,604 I WANT TO THANK MY TEAM -- BILL, JANEL, AMY, MERCE, 586 00:36:13,671 --> 00:36:17,508 SARAH, DARCY -- ISLAND RECORDS -- WHAT THE HELL -- 587 00:36:17,575 --> 00:36:23,080 I DON'T KNOW IF I'M ALLOWED TO SAY HELL BUT I HAVE SAID 588 00:36:23,147 --> 00:36:25,349 IT THREE TIMES NOW -- "SHORT N' SWEET" MEANS THE WORLD, 589 00:36:25,416 --> 00:36:27,018 THANK YOU TO THE PRODUCERS AND WRITERS WHO MADE THE 590 00:36:27,084 --> 00:36:27,552 ALBUM. 591 00:36:28,319 --> 00:36:34,592 THANK YOU JACK, JOHN, AMY, JULIAN, STEPH, THANK YOU, 592 00:36:34,659 --> 00:36:40,631 YOU HAVE NO IDEA HOW MUCH THIS ALBUM MEANS TO ME. 593 00:36:40,698 --> 00:36:43,167 THANK YOU. 594 00:36:43,234 --> 00:36:49,206 >> COMING UP, OLIVIA 595 00:36:49,273 --> 00:36:51,008 RODRIGO INTRODUCES THE GRAMMY DEBUT PERFORMANCE OF 596 00:36:51,075 --> 00:36:51,842 CHAPPELL ROAN. 597 00:36:52,209 --> 00:36:54,412 TAYLOR SWIFT PRESENTS THE AWARD FOR BEST COUNTRY 598 00:36:54,478 --> 00:36:55,112 ALBUM. 599 00:36:55,613 --> 00:36:58,482 LATER, BRUNO MARS AND LADY GAGA PAGER BE TO LOS 600 00:36:58,549 --> 00:36:59,317 ANGELES. 601 00:37:13,564 --> 00:37:13,898 MUSIC STORE. 602 00:37:38,089 --> 00:37:39,590 SWEATSHIRT, HATS, OR SUPPORTING THEM AT THEIR 603 00:38:19,964 --> 00:38:22,900 WELCOME BACK TO THE 67TH GRAMMY AWARDS, 604 00:38:22,967 --> 00:38:24,568 COMING TO LIVE FROM LOS ANGELES. 605 00:38:24,635 --> 00:38:25,770 IT'S A BEAUTIFUL NIGHT. 606 00:38:25,836 --> 00:38:27,204 EVERYONE'S HAVING A GOOD TIME. 607 00:38:27,271 --> 00:38:28,839 EVERYONE'S CHILL, WHICH I APPRECIATE. 608 00:38:28,906 --> 00:38:31,075 YOU ARE HAVING FUN, YES? 609 00:38:31,142 --> 00:38:32,209 THAT'S ALL THAT MATTERS. 610 00:38:32,276 --> 00:38:35,746 IF YOU SAID NO, I DIDN'T KNOW WHAT I WAS GOING TO DO. 611 00:38:35,813 --> 00:38:36,280 BILLIE EILISH. 612 00:38:36,347 --> 00:38:37,481 THAT WAS AMAZING. 613 00:38:37,548 --> 00:38:43,688 I DON'T LIKE THAT YOU SAID "UH-OH" WHEN I CAME OVER THE 614 00:38:43,754 --> 00:38:44,255 TABLE. 615 00:38:44,922 --> 00:38:47,258 LIKE I'M A NICE PERSON AND BILLIE, YOU SAID THAT. 616 00:38:47,324 --> 00:38:48,192 WHAT AM I GOING TO SAY? 617 00:38:48,259 --> 00:38:50,661 I'M NOT GOING TO SAY ANYTHING. 618 00:38:50,728 --> 00:38:51,729 I CAN'T SAY ANYTHING. 619 00:38:51,796 --> 00:38:53,898 I MEAN, I COULD SAY SOMETHING, BUT I WON'T SAY 620 00:38:53,964 --> 00:38:54,498 ANYTHING. 621 00:38:54,565 --> 00:38:55,599 THERE IS NOTHING TO SAY. 622 00:38:55,666 --> 00:38:57,668 THERE IS SOMETHING I WILL SAY. 623 00:38:57,735 --> 00:38:58,836 NICE THINGS. 624 00:38:58,903 --> 00:39:00,504 FOR INSTANCE, THE DONATINS ARE COMING IN. 625 00:39:00,571 --> 00:39:02,106 THANK YOU SO MUCH EVERY SINGLE ONE OF YOU. 626 00:39:02,173 --> 00:39:04,241 IF YOU HAVE BEEN SCANNING THE CORE CODE THOMAS 627 00:39:04,308 --> 00:39:06,744 HENNIGAN -- IT DOESN'T MATTER HOW MUCH IT IS, IT 628 00:39:06,811 --> 00:39:07,812 JUST -- BUT YOU ARE GIVING. 629 00:39:07,878 --> 00:39:13,984 WE ALSO HAVE A LIST OF SOME OF THE PEOPLE. 630 00:39:14,051 --> 00:39:16,387 AMAZON MUSIC, AEG HAS DONATED. 631 00:39:16,454 --> 00:39:18,422 THE Crypto.com ARENA HAS DONATED. 632 00:39:18,489 --> 00:39:19,523 THAT'S FANTASTIC. 633 00:39:19,590 --> 00:39:20,524 CBS THEMSELVES. 634 00:39:20,591 --> 00:39:21,225 WOW. 635 00:39:21,292 --> 00:39:22,493 THAT WAS JUST A JOKE I MADE. 636 00:39:22,560 --> 00:39:23,194 THANK YOU VERY MUCH. 637 00:39:23,260 --> 00:39:27,264 MASTERCARD HAS DONATED. 638 00:39:27,331 --> 00:39:32,803 YOU CAN SEND YOUR SUPPORT, ANYTHING, WE APPRECIATE. 639 00:39:32,870 --> 00:39:33,738 QR CODE ON THE SCREEN. 640 00:39:33,804 --> 00:39:35,272 YOU TAKE THE PICTURE WITH YOUR PHONE. 641 00:39:35,339 --> 00:39:38,642 THE PHONE IS THE THING YOUR GRANDPARENTS BOUGHT FOR YOU. 642 00:39:38,709 --> 00:39:40,277 ONE OF THE MOST EXCITING YOUNG ARTISTS TODAY. 643 00:39:40,344 --> 00:39:45,916 WE HAVE ANOTHER ONE OF THE MOST EXCITING YOUNG ARTISTS 644 00:39:45,983 --> 00:39:46,984 IN MUSIC. 645 00:39:47,051 --> 00:39:50,554 PLEASE WELCOME THREE-TIME GRAMMY WINNER OLIVIA 646 00:39:50,621 --> 00:39:52,456 RODRIGO. 647 00:39:52,523 --> 00:40:00,564 ♪ ♪ >> OUR NEXT PERFORMER 648 00:40:00,631 --> 00:40:03,968 IS A MIDWEST PRINCESS, WHO ARRIVED HERE WITH BIG DREAMS 649 00:40:04,034 --> 00:40:08,773 AND A VOICE ALL HER OWN. 650 00:40:08,839 --> 00:40:10,741 TODAY, SHE'S IN SENSATION ALL AROUND THE WORLD. 651 00:40:10,808 --> 00:40:13,410 I WAS HER FRIEND AND A BIG FAN BACK WHEN I WAS WORKING 652 00:40:13,477 --> 00:40:17,047 AT A DOUGHNUT SHOP IN HIGHLAND PARK NOT SO LONG 653 00:40:17,114 --> 00:40:17,548 AGO. 654 00:40:18,415 --> 00:40:20,584 WHAT AN HONOR IT IS TO WATCH THE WORLD EMBRACE THE TALENT 655 00:40:20,651 --> 00:40:23,754 AND VISION OF MY EXTRAORDINARY FRIEND, 656 00:40:23,821 --> 00:40:27,224 CHAPPELL ROAN! 657 00:40:27,291 --> 00:40:28,993 >> CHAPPELL ROAN'S THURSDAY 658 00:40:29,059 --> 00:40:31,695 PEFORMANCE WAS THE BIGGEST DAYTIME SET IN FESTIVAL 659 00:40:31,762 --> 00:40:41,806 HISTORY, MAY BE THE BIGGEST LOLLA' CROWD EVER. 660 00:40:42,506 --> 00:40:44,441 >> WHEN MY STOMACH DROPPED THE MOST THIS YEAR WAS 661 00:40:44,508 --> 00:40:52,183 LOOKING OUT AND SEEING 110,000 PEOPLE. 662 00:40:52,249 --> 00:40:54,985 MY FIRST PERFORMANCE WAS AT MY EIGHTH GRADE TALENT SHOW. 663 00:40:55,052 --> 00:40:56,353 I PLAYED PIANO AND SAYING. 664 00:40:56,420 --> 00:40:57,488 I GOT FIRST PLACE. 665 00:40:57,555 --> 00:41:02,860 I WAS LIKE "WAIT, AM I GOOD AT THIS? 666 00:41:02,927 --> 00:41:07,164 ♪ I KNOW YOU WANTED ME TO STAY ♪ ♪ BUT I CAN'T IGNORE 667 00:41:07,231 --> 00:41:12,536 THE CRAZY VISIONS OF ME IN L.A. 668 00:41:12,603 --> 00:41:13,938 ♪ I GREW UP IN A SMALL TOWN, WILLARD. 669 00:41:14,004 --> 00:41:14,805 I FELT ISOLATED. 670 00:41:15,206 --> 00:41:17,708 IT FELT LIKE I WAS NEVER GOOD ENOUGH BECAUSE I WAS 671 00:41:17,775 --> 00:41:18,509 GAY. 672 00:41:18,876 --> 00:41:21,412 I THINK MY YOUNGER SELF NEEDED A GIRL LIKE ME TO 673 00:41:21,478 --> 00:41:22,813 LOOK UP TO. 674 00:41:22,880 --> 00:41:25,216 "PINK PONY CLUB" IS MY LOVE LETTER TO L.A. 675 00:41:25,282 --> 00:41:26,083 I LOVE THIS CITY. 676 00:41:26,150 --> 00:41:26,851 L.A. 677 00:41:27,418 --> 00:41:30,054 GAVE ME THE COURAGE TO BE MYSELF, BECAUSE ULTIMATELY, 678 00:41:30,120 --> 00:41:38,162 IT IS WHERE I FEEL THE MOST FREE. 679 00:41:55,446 --> 00:41:55,646 . 680 00:41:55,713 --> 00:41:56,013 . 681 00:41:57,047 --> 00:42:01,118 ♪ I KNOW YOU WANTED ME TO STAY ♪ ♪ BUT I CAN'T IGNORE 682 00:42:01,185 --> 00:42:05,189 THE CRAZY VISIONS OF ME IN LA ♪ ♪ AND I HEARD THAT 683 00:42:05,256 --> 00:42:09,693 THERE'S A SPECIAL PLACE ♪ ♪ WHERE BOYS AND GIRLS CAN ALL 684 00:42:09,760 --> 00:42:19,770 BE QUEENS EVERY SINGLE DAY ♪ ♪ I'M HAVING WICKED DREAMS 685 00:42:22,006 --> 00:42:26,810 OF LEAVING TENNESSEE ♪ ♪ HEAR SANTA MONICA, I SWEAR 686 00:42:26,877 --> 00:42:29,947 IT'S CALLING ME ♪ ♪ WON'T MAKE MY MAMA PROUD, IT'S 687 00:42:30,014 --> 00:42:34,852 GONNA CAUSE A SCENE ♪ ♪ SHE SEES HER BABY GIRL, I KNOW 688 00:42:34,919 --> 00:42:40,858 SHE'S GONNA CREAM ♪ ♪ GOD, WHAT HAVE YOU DONE? 689 00:42:40,925 --> 00:42:44,561 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 690 00:42:44,628 --> 00:42:50,868 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 691 00:42:50,935 --> 00:42:56,273 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 692 00:42:56,340 --> 00:43:00,311 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 693 00:43:00,377 --> 00:43:04,515 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 694 00:43:04,581 --> 00:43:09,420 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 695 00:43:09,486 --> 00:43:16,393 PONY CLUB, PINK PONY CLUB ♪ ♪ I'M UP AND JAWS ARE ON THE 696 00:43:16,460 --> 00:43:22,166 FLOOR ♪ ♪ LOVERS IN THE BATHROOM AND A LINE OUTSIDE 697 00:43:22,232 --> 00:43:27,271 THE DOOR ♪ ♪ BLACKLIGHTS AND A MIRRORED DISCO BALL ♪ ♪ 698 00:43:27,338 --> 00:43:32,176 EVERY NIGHT'S ANOTHER REASON WHY I LEFT IT ALL ♪ ♪ I 699 00:43:32,242 --> 00:43:35,913 THANK MY WICKED DREAMS A YEAR FROM TENNESSEE ♪ ♪ OH, 700 00:43:35,980 --> 00:43:40,718 SANTA MONICA, YOU'VE BEEN TOO GOOD TO ME ♪ ♪ WON'T 701 00:43:40,784 --> 00:43:45,456 MAKE MY MAMA PROUD, IT'S GONNA CAUSE A SCENE ♪ ♪ SHE 702 00:43:45,522 --> 00:43:50,127 SEES HER BABY GIRL, I KNOW SHE'S GONNA SCREAM ♪ ♪ GOD, 703 00:43:50,194 --> 00:43:51,328 WHAT HAVE YOU DONE? 704 00:43:51,528 --> 00:43:56,900 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 705 00:43:56,967 --> 00:44:01,972 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 706 00:44:02,039 --> 00:44:09,246 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 707 00:44:09,313 --> 00:44:16,186 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 708 00:44:16,253 --> 00:44:18,689 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 709 00:44:18,756 --> 00:44:21,258 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 710 00:44:21,325 --> 00:44:31,335 PONY CLUB, PINK PONY CLUB ♪ ♪ ♪ ♪ ♪ ♪ DON'T THINK I'VE 711 00:44:42,212 --> 00:44:44,615 LEFT YOU ALL BEHIND ♪ ♪ STILL LOVE YOU AND TENNESSEE 712 00:44:44,681 --> 00:44:49,019 ♪ ♪ YOU'RE ALWAYS ON MY MIND ♪ ♪ AND MAMA, EVERY SATURDAY 713 00:44:49,086 --> 00:44:53,157 ♪ ♪ I CAN HEAR YOUR SOUTHERN DRAWL A THOUSAND MILES AWAY, 714 00:44:53,223 --> 00:44:57,127 SAYING ♪ ♪ GOD, WHAT HAVE YOU DONE? 715 00:44:57,194 --> 00:45:01,031 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 716 00:45:01,098 --> 00:45:07,471 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 717 00:45:07,538 --> 00:45:12,342 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 718 00:45:12,409 --> 00:45:15,879 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 719 00:45:15,946 --> 00:45:20,951 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 720 00:45:21,018 --> 00:45:25,055 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 721 00:45:25,122 --> 00:45:35,132 PONY CLUB, PINK PONY CLUB ♪ 722 00:46:05,496 --> 00:46:08,265 ♪ I'M GONNA KEEP ON DANCING ♪ ♪ I'M GONNA KEEP ON 723 00:46:08,332 --> 00:46:18,342 DANCING ♪ 724 00:46:29,987 --> 00:46:32,122 THAT'S RIGHT, PEOPLE. 725 00:46:32,189 --> 00:46:34,057 KEEP IT GOING FOR CHAPPELL ROAN. 726 00:46:34,124 --> 00:46:36,560 WOW. 727 00:46:36,627 --> 00:46:40,898 THE WHOLE TIME I WAS LIKE "WOW, "MY LITTLE PONY" GREW 728 00:46:40,964 --> 00:46:41,298 UP." 729 00:46:41,598 --> 00:46:42,232 ARE YOU KIDDING ME? 730 00:46:42,299 --> 00:46:44,434 THAT WAS ABSOLUTELY AMAZING. 731 00:46:44,501 --> 00:46:47,037 WHAT AN AMAZING NIGHT THIS IS. 732 00:46:47,104 --> 00:46:48,772 EVERYONE IS DONATING, GIVING. 733 00:46:48,839 --> 00:46:49,706 THANK YOU AGAIN. 734 00:46:49,773 --> 00:46:51,241 WHEN I SAID ANYTHING, I MEAN ANYTHING. 735 00:46:51,308 --> 00:46:56,647 IT CAN BE $1, $10, IT CAN BE CENTS. 736 00:46:56,713 --> 00:47:00,184 EXCEPT NONE OF THESE COINS, WE HAVE BEEN BURNED. 737 00:47:00,250 --> 00:47:03,320 NOW TO PRESENTS THE GRAMMY AWARD FOR BEST COUNTRY 738 00:47:03,387 --> 00:47:06,557 ALBUM, PLEASE WELCOME TO THE STAGE TAYLOR SWIFT. 739 00:47:22,739 --> 00:47:23,840 HI! 740 00:47:23,907 --> 00:47:25,576 THEY SAY YOU NEVER FORGET WHERE YOU CAME FROM, AND I 741 00:47:25,642 --> 00:47:30,881 WILL NEVER FORGET STANDING HERE RIGHT ON THE SPOT 742 00:47:30,948 --> 00:47:36,420 ALMOST EXACTLY 15 YEARS AGO ACCEPTING THE GRAMMY AWARD 743 00:47:36,486 --> 00:47:40,924 FOR BEST COUNTRY ALBUM. 744 00:47:40,991 --> 00:47:44,962 IT IS AN HONOR THAT HAS GONE TO GREAT ARTISTS THAT I 745 00:47:45,028 --> 00:47:48,899 ADMIRE SO MUCH LIKE THE CHICKS, JOHNNY CASH, LORETTA 746 00:47:48,966 --> 00:47:53,437 LYNN, GEORGE STRAIT, FAITH HILL, VINCE GILL, ALISON 747 00:47:53,503 --> 00:47:57,040 KRAUSS, AND SHANIA TWAIN. 748 00:47:57,107 --> 00:48:00,244 THESE ARE THIS YEAR'S OUTSTANDING NOMINEES FOR 749 00:48:00,310 --> 00:48:04,481 BEST COUNTRY ALBUM. 750 00:48:04,548 --> 00:48:14,591 "COWBOY CARTER," BEYONCE. 751 00:48:14,858 --> 00:48:20,964 "F-1 TRILLION," POST MALONE. 752 00:48:21,031 --> 00:48:29,106 DEEPER WELL, KACEY MUSGRAVES. 753 00:48:29,172 --> 00:48:35,979 "HIGHER," CHRIS STAPLETON. 754 00:48:36,046 --> 00:48:45,589 "WHIRLWIND," LAINEY WILSON. 755 00:48:45,656 --> 00:48:48,792 AND THE GRANDMA GOES TO... 756 00:48:48,992 --> 00:48:57,901 AND THE GRAMMY GOES TO... 757 00:48:57,968 --> 00:49:05,742 BEYONCE, "COWBOY CARTER." 758 00:49:31,835 --> 00:49:34,404 >> OH, MY GOD. 759 00:49:34,471 --> 00:49:35,472 WOW. 760 00:49:35,539 --> 00:49:39,776 I REALLY WAS NOT EXPECTING THIS. 761 00:49:39,843 --> 00:49:40,344 WOW. 762 00:49:40,410 --> 00:49:42,679 I WANT TO THANK GOD. 763 00:49:42,746 --> 00:49:46,483 OH, MY GOD. 764 00:49:46,550 --> 00:49:50,587 THAT I AM ABLE TO STILL DO WHAT I LOVE AFTER SO MANY 765 00:49:50,654 --> 00:49:51,421 YEARS. 766 00:49:51,488 --> 00:49:53,457 OH, MY GOD, OH, MY GOD. 767 00:49:53,523 --> 00:49:53,990 OH, MY GOD. 768 00:49:54,725 --> 00:49:57,861 I WOULD LIKE TO THANK ALL OF THE INCREDIBLE COUNTRY 769 00:49:57,928 --> 00:50:00,130 ARTISTS THAT ACCEPTED THIS ALBUM. 770 00:50:00,197 --> 00:50:02,332 WE WORK SO HARD ON IT. 771 00:50:02,399 --> 00:50:08,071 I THINK SOMETIMES, GENRE IS A COLD WORD TO KEEP US IN 772 00:50:08,138 --> 00:50:11,475 OUR PLACE AS ARTISTS, AND I JUST WANT TO ENCOURAGE 773 00:50:11,541 --> 00:50:16,413 PEOPLE TO DO WHAT THEY'RE PASSIONATE ABOUT. 774 00:50:16,480 --> 00:50:19,916 AND TO STAY PERSISTENT. 775 00:50:19,983 --> 00:50:20,884 WOW. 776 00:50:20,951 --> 00:50:22,853 I'D LIKE TO THANK MY BEAUTIFUL FAMILY. 777 00:50:22,919 --> 00:50:27,824 ALL OF THE ARTISTS THAT WERE COLLABORATORS. 778 00:50:27,891 --> 00:50:28,725 THANK YOU. 779 00:50:28,925 --> 00:50:31,495 THIS ONES HAVE BEEN THIS ALBUM WITHOUT YOU. 780 00:50:31,561 --> 00:50:34,898 I'D LIKE TO THANK GOD, AGAIN, AND MY FANS. 781 00:50:34,965 --> 00:50:37,801 I STILL AM IN SHOCK, SO THANK YOU SO MUCH FOR THIS 782 00:50:37,868 --> 00:50:39,836 HONOR. 783 00:50:39,903 --> 00:50:47,377 ♪ ♪ >> COMING UP, A 784 00:50:47,444 --> 00:50:50,313 SURPRISE SUPERSTAR PERFORMANCE. 785 00:50:50,380 --> 00:50:52,983 AND I'LL START TRIBUTE TO THE LEGENDARY QUINCY JONES, 786 00:50:53,049 --> 00:50:57,020 WITH CYNTHIA ERIVO, STEVIE WONDER, HERBIE HANCOCK, 787 00:50:57,087 --> 00:51:01,425 LAINEY WILSON, JACOB CALLIER, WILL SMITH, AND 788 00:51:01,491 --> 00:51:02,259 JANELLE MONAE. 789 00:51:02,659 --> 00:51:07,531 AND LATER, THE GRAMMYS GO BRAT WITH CHARLI XCX. 790 00:51:07,597 --> 00:51:11,735 THIS IS CBS PERIODS AGO DEEPER WITH THE GRAMMIES, 791 00:51:11,802 --> 00:51:13,804 FOLLOW US ON YOUTUBE AND INSTAGRAM, AND VISIT 792 00:51:55,045 --> 00:52:01,952 ♪ HOPING FOR THE RAIN ♪ ♪ A MEMORY HELD TOO LONG ♪ ♪ 793 00:52:05,989 --> 00:52:15,065 JUST ANOTHER DAY ♪ ♪ OH, WHAT IT COULD BE ♪ ♪ OH, 794 00:52:15,131 --> 00:52:25,141 WHAT A DREAM TO ME ♪ ♪ MEMORY BURNED AND GONE ♪ ♪ A 795 00:52:25,976 --> 00:52:34,651 MULTICOLORED GRAY ♪ 796 00:52:35,652 --> 00:52:45,629 ♪ WAITING FOR MAY TO COME ♪ ♪ HAPPY FOR THE RAIN ♪ ♪ ♪ ♪ 797 00:52:55,372 --> 00:52:59,576 THAT'S RIGHT. 798 00:52:59,643 --> 00:53:01,344 KEEP IT GOING FOR KHRUANGBIN, EVERYBODY. 799 00:53:01,411 --> 00:53:02,946 ON THE AMAZING? 800 00:53:03,013 --> 00:53:06,683 ONE OF THE NOMINEES FOR BEST NEW ARTIST TONIGHT -- AND 801 00:53:06,750 --> 00:53:09,753 YES, THE EDIBLE YOU TOOK IS KICKING IN AT THE PERFECT 802 00:53:09,819 --> 00:53:10,554 MOMENT. 803 00:53:11,054 --> 00:53:13,089 HOW AMAZING ARE ALL OF THE BEST NEW ARTIST NOMINEES? 804 00:53:13,156 --> 00:53:16,426 THIS YEAR'S FIELD IS PHENOMENAL. 805 00:53:16,493 --> 00:53:23,667 YOU SAW CHAPPELL ROAN ANNA SABRINA CARPENTER EARLY ON. 806 00:53:23,733 --> 00:53:24,868 DOECHII, CONGRATULATIONS. 807 00:53:24,935 --> 00:53:26,603 OH, YOU CAN APPLAUD AGAIN. 808 00:53:26,670 --> 00:53:27,304 DON'T BE AFRAID. 809 00:53:27,370 --> 00:53:30,373 WHAT ABOUT BEST NEW ARTIST? 810 00:53:30,440 --> 00:53:38,682 BEST RAP ALBUM -- A LESSON MY UNCLE LEARNED THE HARD 811 00:53:38,748 --> 00:53:39,316 WAY. 812 00:53:39,849 --> 00:53:42,586 AND ARTIST IN FIVE CATEGORIES, INCLUDING BEST 813 00:53:42,652 --> 00:53:44,220 NEW ARTIST TODAY. 814 00:53:44,287 --> 00:53:49,926 HE TOPPED THE COUNTRY AND HOT 100 CHARTS FOR 19 WEEKS 815 00:53:49,993 --> 00:53:52,896 WITH "A BAR SONG, TIPSY" BAR SONG, TIPSY." 816 00:53:52,963 --> 00:53:53,930 SHABOOZEY. 817 00:53:53,997 --> 00:53:58,868 THE ONE AND ONLY RAYE, AMAZING ARTIST, GREAT TO 818 00:53:58,935 --> 00:53:59,669 HAVE YOU HERE. 819 00:54:05,976 --> 00:54:08,244 TEDDY SWIMS FROM GEORGIA. 820 00:54:08,311 --> 00:54:11,615 HIS GLOBAL SMASH "LOSE CONTROL" COMPLETED ITS RISE 821 00:54:11,681 --> 00:54:14,417 TO NUMBER ONE OVE 32 WEEKS, AN ALL-TIME RECORD FOR A 822 00:54:16,987 --> 00:54:17,921 MALE ARTIST. 823 00:54:17,988 --> 00:54:20,790 GOOD TO SEE YOU, TEDDY, THANK YOU SO MUCH. 824 00:54:20,857 --> 00:54:26,429 LAST BUT DEFINITELY NOT LEAST, IT'S BENSON BOONE. 825 00:54:26,496 --> 00:54:29,265 LOOK AT THIS YOUNG MAN. 826 00:54:29,332 --> 00:54:32,569 THIS SONG "BEAUTIFUL THINGS" WAS THE MOST EXTREME SONG IN 827 00:54:32,636 --> 00:54:37,207 THE WORLD LAST YEAR WITH OVER 5 BILLION STREAMS ON 828 00:54:37,273 --> 00:54:38,141 SPOTIFY. 829 00:54:38,541 --> 00:54:40,543 ALSO, HE HAD THAT MUSTACHE AT FIRST, TIMOTHEE CHALAMET. 830 00:54:40,610 --> 00:54:42,178 YEAH, WE KNOW WHO STARTED IT ALL. 831 00:54:42,245 --> 00:54:43,113 WHAT A GROUP OF NOMINEES. 832 00:54:43,179 --> 00:54:46,016 GIVE IT UP FOR ALL OF THESE NOMINEES. 833 00:54:46,082 --> 00:54:47,851 BEST NEW ARTIST. 834 00:54:47,917 --> 00:54:50,720 LET'S TAKE A LOOK AND LISTEN TO THE MUSIC OF THESE 835 00:54:50,787 --> 00:54:57,694 OPPRESSIVE NOMINEES. 836 00:54:57,761 --> 00:55:05,802 ♪ ♪ ♪ AND I THANK GOD EVERY DAY ♪ ♪ FOR THE GIRL HE SENT 837 00:55:05,869 --> 00:55:10,340 MY WAY ♪ ♪ BUT I KNOW THE THINGS HE GIVES ME ♪ ♪ HE 838 00:55:10,407 --> 00:55:13,276 CAN TAKE AWAY ♪ ♪ AND I HOLD YOU EVERY NIGHT ♪ ♪ AND 839 00:55:13,343 --> 00:55:19,082 THAT'S A FEELING I WANNA GET USED TO ♪ ♪ BUT THERE'S NO 840 00:55:19,149 --> 00:55:29,159 MAN AS TERRIFIED ♪ ♪ AS THE MAN WHO STANDS TO LOSE YOU ♪ 841 00:55:40,937 --> 00:55:43,606 ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD ♪ ♪ 842 00:55:43,673 --> 00:55:51,881 DON'T TAKE ♪ ♪ THESE BEAUTIFUL THINGS THAT I'VE 843 00:55:51,948 --> 00:55:56,986 GOT ♪ ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD 844 00:55:57,053 --> 00:56:04,561 ♪ ♪ DON'T TAKE ♪ ♪ THESE BEAUTIFUL THINGS THAT I'VE 845 00:56:04,627 --> 00:56:14,637 GOT ♪ ♪ OH ♪ ♪ OOH ♪ ♪ PLEASE DON'T TAKE ♪ ♪ I 846 00:56:16,272 --> 00:56:23,546 FOUND MY MIND, I'M FEELIN' SANE ♪ ♪ IT'S BEEN A WHILE, 847 00:56:23,613 --> 00:56:25,782 BUT I'M FINDING MY FAITH ♪ ♪ IF EVERYTHING'S GOOD AND 848 00:56:25,849 --> 00:56:28,718 IT'S GREAT ♪ ♪ WHY DO I SIT AND WAIT 'TIL IT'S GONE? 849 00:56:28,785 --> 00:56:32,522 ♪ ♪ OH, I'LL TELL YA, I KNOW I'VE GOT ENOUGH ♪ ♪ I'VE GOT 850 00:56:32,589 --> 00:56:39,662 PEACE AND I'VE GOT LOVE ♪ ♪ BUT I'M UP AT NIGHT THINKIN' 851 00:56:39,729 --> 00:56:49,773 ♪ ♪ I JUST MIGHT LOSE IT ALL ♪ ♪ PLEASE STAY ♪ ♪ I WANT 852 00:56:50,039 --> 00:56:55,645 YOU, I NEED YOU, OH GOD ♪ ♪ DON'T TAKE ♪ ♪ THESE 853 00:56:55,712 --> 00:57:05,722 BEAUTIFUL THINGS THAT I'VE GOT ♪ ♪ OH ♪ ♪ OOH ♪ 854 00:57:15,398 --> 00:57:25,408 ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD ♪ ♪ 855 00:57:27,043 --> 00:57:32,549 I NEED ♪ THE GRAMMIES, BABY! 856 00:57:32,615 --> 00:57:33,583 THESE BEAUTIFUL THINGS THAT 857 00:57:33,650 --> 00:57:37,086 I'VE GOT ♪ THANK YOU. 858 00:57:37,153 --> 00:57:42,859 I LOVE YOU, L.A. 859 00:58:06,115 --> 00:58:10,220 ♪ FREAKY LITTLE, SNEAKY LITTLE, CREEPY LITTLE WHACK 860 00:58:10,286 --> 00:58:11,521 ♪ ♪ CREEPIN' ON ME, SPEAKIN' ON ME, SLEEPIN' ON 861 00:58:11,588 --> 00:58:12,722 ME, MATTRESS ♪ ♪ NOW I GOT SOME BANDS TO BURN AND BARS 862 00:58:12,789 --> 00:58:13,957 TO BEND 'EM BACKWARDS ♪ ♪ IT'S TIME TO WAKE 'EM UP, 863 00:58:14,023 --> 00:58:16,159 'CAUSE THEY BEEN SLEEPIN' ON THE TRACKLIST ♪ ♪ BODY SO 864 00:58:16,226 --> 00:58:18,962 ATTRACTIVE, Y'ALL BE GIVING CATFISH ♪ ♪ LOG 'EM OFF THE 865 00:58:19,028 --> 00:58:20,997 WEB, AND EVERY GANGSTER'S GIVING ACTRESS ♪ ♪ 866 00:58:21,064 --> 00:58:24,634 GANGSTER'S GIVING ACTRESS AND ALL THESE FAKE ACTIVISTS 867 00:58:24,701 --> 00:58:34,711 ♪ ♪ LEAVE ME BAFFLED, BEWILDERED, RELAX A BIT ♪ 868 00:58:52,528 --> 00:58:54,497 ♪ MAKE A FEW BANDS AND SWITCH TRIBES, THEY SWITCH 869 00:58:54,564 --> 00:58:55,832 SIDES ♪ ♪S FLIP SCRIPTS LIKE B SIDES, WHO 870 00:58:55,899 --> 00:58:56,566 THESE GUYS? 871 00:58:57,233 --> 00:58:58,334 ♪ ♪ ONLY THING SWITCHIN' ON ME IS THICK THIGHS ♪ ♪ I 872 00:58:58,401 --> 00:58:59,769 BEEN DID THE BLACK SLUGS, THEN I DID THE CLOWN FACE 873 00:58:59,836 --> 00:59:02,438 ♪ ♪ TOOK 'EM TO THE SWAMP MEET, THAT WAS ON A 874 00:59:02,505 --> 00:59:05,909 SATURDAY ♪ ♪ MUD ON THE PRADA BOOT AND THAT WAS ON A 875 00:59:05,975 --> 00:59:09,178 BAD DAY ♪ ♪ I'M 876 00:59:09,245 --> 00:59:13,917 THE HARDEST RAPPER ♪ PUT YOUR HANDS UP! 877 00:59:13,983 --> 00:59:23,993 ♪ ♪ ♪ ♪ >> IT'S OH, DOECHII? 878 00:59:25,929 --> 00:59:29,899 WHY DON'T YOU TELL THE GRAMMYS WHAT'S BEEN GOING 879 00:59:29,966 --> 00:59:30,833 ON? 880 00:59:31,267 --> 00:59:32,468 ♪ REMEMBER OLD DUDE FROM 2019 ♪ ♪ NICE CLEAN 881 00:59:32,535 --> 00:59:33,670 DID ME DIRTIER THAN LAUNDRY ♪ ♪ TOOK A 882 00:59:33,736 --> 00:59:35,571 SCROLL THROUGH HIS IG ♪ ♪ JUST TO GET A DM FROM HIS 883 00:59:35,638 --> 00:59:37,307 WIFEY ♪ ♪ I WAS SO CONFUSED, WHAT 884 00:59:37,373 --> 00:59:38,608 SHOULD DOECHII DO? 885 00:59:38,675 --> 00:59:41,311 ♪ ♪ SHE DIDN'T KNOW ABOUT ME AND I DIDN'T KNOW 'BOUT SUE 886 00:59:41,377 --> 00:59:43,112 ♪ ♪ I OPEN UP THE MESSAGES, THEN HAD TO HIT THE ZOOM ♪ ♪ 887 00:59:43,179 --> 00:59:48,551 TURNS OUT THE GIRL WAS REALLY A DUDE () ♪ >> 888 00:59:48,618 --> 00:59:50,553 OKAY, I JUST FEEL LIKE THIS IS THE PERFECT OPPORTUNITY 889 00:59:50,620 --> 00:59:56,659 FOR US TO TAKE A SECOND AND UNPACK. 890 00:59:56,726 --> 00:59:58,328 ♪ PLATINUM RECORD THIS, VIRAL RECORD THAT ♪ ♪ I'M 891 00:59:58,394 --> 00:59:59,595 MAKIN' SO MUCH MONEY, I'M ALL OVER THE NET ♪ ♪ I'M 892 00:59:59,662 --> 01:00:02,231 MOVIN' SO FAST, NO TIME TO PROCESS ♪ ♪ AND, NO, I'M NOT 893 01:00:02,298 --> 01:00:03,466 IN A ANG, BUT I'M ALWAYS ON SET ♪ ♪ WRISCH, 894 01:00:03,533 --> 01:00:04,534 DRIP DROP, LABELS WANT THE TIKTOKS ♪ ♪ NOW I'M MAKIN' 895 01:00:04,600 --> 01:00:05,868 TIKTOK MUSIC, WHAT THE ? 896 01:00:05,935 --> 01:00:10,473 ♪ ♪ I NEED A CLEANSE, NEED A DETOX ♪ ♪ BUT WE AIN'T GOT 897 01:00:10,540 --> 01:00:16,646 TIME TO STOP, PAUL GRAMMYS NEED IS ♪ ♪ ♪ I MEAN, 898 01:00:16,713 --> 01:00:18,915 I LIKE PILLS, I LIKE DRUGS ♪ ♪ I LIKE GETTIN' MONEY, I 899 01:00:18,982 --> 01:00:20,850 LIKE STRIPPERS, I LIKE TO ♪ ♪ I LIKE 900 01:00:20,917 --> 01:00:22,085 DAY-DRINKIN' AND DAY PARTIES AND HOLLYWOOD ♪ ♪ I LIKE 901 01:00:22,151 --> 01:00:23,886 DOIN' HOLLYWOOD, SNORT IT, PROBABLY WOULD ♪ 902 01:00:23,953 --> 01:00:24,854 ♪ WHAT CAN I SAY? 903 01:00:25,288 --> 01:00:26,456 THE WORKS, IT FEELS GOOD ♪ ♪ AND MY SELF-WORTH'S 904 01:00:26,522 --> 01:00:28,691 AT AN ALL TIME LOW ♪ ♪ AND JUST WHEN IT COULDN'T GET 905 01:00:28,758 --> 01:00:31,361 WORSE ♪ ♪ MY EX CRASHED MY PLACE AND DESTROYED ALL I 906 01:00:31,427 --> 01:00:38,368 OWNED ♪ ♪ WHOOPSIE, MADE A OOPSIE ♪ ♪ ♪ $100,000 907 01:00:38,434 --> 01:00:40,703 HOOPS MADE ME LOOPY ♪ ♪ I AIN'T A KILLER, BUT DON'T 908 01:00:40,770 --> 01:00:44,007 PUSH ME ♪ ♪ DON'T WANNA HAVE TO TURN A GUTS INTO 909 01:00:44,073 --> 01:00:47,243 SOUP BEANS ♪ >> OKAY, DOECHII. 910 01:00:47,310 --> 01:00:57,320 ♪ ♪ ♪ ♪ WHOO-SAH ♪ 911 01:01:10,033 --> 01:01:13,736 ♪ ♪ ♪ SOMETHING'S GOT A HOLD OF ME LATELY ♪ ♪ NO, I DON'T 912 01:01:13,803 --> 01:01:16,839 KNOW MYSELF ANYMORE ♪ ♪ FEELS LIKE THE WALLS ARE ALL 913 01:01:16,906 --> 01:01:26,949 CLOSIN' IN ♪ ♪ AND THE DEVIL'S KNOCKIN' AT MY DOOR, 914 01:01:27,350 --> 01:01:29,752 WHOA ♪ ♪ OUT OF MY MIND, HOW MANY TIMES ♪ ♪ DID I TELL 915 01:01:29,819 --> 01:01:37,293 YOU I'M NO GOOD AT BEIN' ALONE? 916 01:01:37,360 --> 01:01:39,896 ♪ ♪ YEAH, IT'S TAKIN' A TOLL ON ME, TRYIN' MY BEST TO 917 01:01:39,962 --> 01:01:43,733 KEEP ♪ ♪ FROM TEARIN' THE SKIN OFF MY BONES, DON'T YOU 918 01:01:43,800 --> 01:01:53,810 KNOW ♪ ♪ I LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME ♪ 919 01:01:56,946 --> 01:02:03,286 I'M FALLIN' APART RIGHT IN FRONT OF YOU, CAN'T YOU SEE? 920 01:02:03,352 --> 01:02:13,362 ♪ ♪ I LOSE CONTROL ♪ 921 01:02:17,366 --> 01:02:20,069 ♪ WHEN YOU'RE NOT NEXT TO ME, MM-HM ♪ ♪ YEAH, YOU'RE 922 01:02:20,136 --> 01:02:22,071 BREAKIN' MY HEART, BABY ♪ ♪ YOU MAKE A MESS OF ME ♪ ♪ 923 01:02:22,138 --> 01:02:25,541 PROBLEMATIC ♪ ♪ PROBLEM IS I WANT YOUR BODY LIKE A FIEND, 924 01:02:25,608 --> 01:02:28,544 LIKE A BAD HABIT ♪ ♪ BAD HABITS HARD TO BREAK WHEN 925 01:02:28,611 --> 01:02:34,350 I'M WITH YOU ♪ ♪ YEAH, I KNOW, I COULD DO IT ON MY 926 01:02:34,417 --> 01:02:40,056 OWN ♪ ♪ BUT I WANT THAT REAL FULL MOON BLACK MAGIC AND IT 927 01:02:40,123 --> 01:02:45,027 TAKES TWO ♪ ♪ PROBLEMATIC ♪ ♪ PROBLEM IS WHEN I'M WITH 928 01:02:45,094 --> 01:02:49,832 YOU, I'M AN ADDICT ♪ ♪ AND I NEED SOME RELIEF, MY SKIN IN 929 01:02:49,899 --> 01:02:55,972 YOUR TEETH ♪ ♪ CAN'T SEE THE FOREST THROUGH THE TREES ♪ ♪ 930 01:02:56,038 --> 01:02:59,976 GOT ME DOWN ON MY KNEES, DARLIN' PLEASE, OH ♪ ♪ I 931 01:03:00,042 --> 01:03:08,784 LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME (WHEN YOU'RE 932 01:03:08,851 --> 01:03:14,423 NOT HERE WITH ME) ♪ ♪ I'M FALLIN' APART RIGHT IN FRONT 933 01:03:14,490 --> 01:03:15,758 OF YOU, CAN'T YOU SEE? 934 01:03:15,825 --> 01:03:25,334 ♪ ♪ I LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME, MM-HM 935 01:03:25,401 --> 01:03:33,609 ♪ ♪ YEAH, YOU'RE BREAKIN' MY HEART, BABY ♪ ♪ YOU MAKE A 936 01:03:33,676 --> 01:03:40,449 MESS OF ME, YEAH ♪ THANK YOU SO 937 01:03:40,516 --> 01:03:40,917 MUCH. 938 01:03:40,983 --> 01:03:42,919 I'M SO HONORED. 939 01:03:57,967 --> 01:03:59,168 ♪ I NEED SOME GOOD NEWS ♪ ♪ SITTIN' HERE, SIPPIN' ON 940 01:03:59,235 --> 01:04:02,205 COLD TRUTH9♪ ♪ NOBODY KNOWS WHAT I'M GOIN' ♪ BET THE 941 01:04:02,271 --> 01:04:06,976 DEVIL WOULDN'T WALK IN MY SHOES ♪ ♪ WISH SOMEONE TOLD 942 01:04:07,043 --> 01:04:08,411 ME ♪ ♪ LIVIN' THIS LIFE WOULD BE LONELY ♪ ♪ TRYNA 943 01:04:08,477 --> 01:04:10,913 GET AWAY FROM THE OLD ME ♪ ♪ STILL STUCK SINGIN' THESE 944 01:04:10,980 --> 01:04:20,990 BLUES ♪ ♪ ALL I REALLY NEED IS A LITTLE GOOD NEWS ♪ 945 01:04:30,600 --> 01:04:32,068 ♪ MY BABY WANT A BIRKIN, SHE'S BEEN TELLIN' ME ALL 946 01:04:32,134 --> 01:04:34,770 NIGHT LONG ♪ ♪ GASOLINE AND GROCERIES, THE LIST GOES ON 947 01:04:43,946 --> 01:04:46,882 AND ON ♪ ♪ THIS 9 TO 5 AIN'T WORKIN', WHY THE HELL DO I 948 01:04:46,949 --> 01:04:49,719 WORK SO HARD? 949 01:04:49,785 --> 01:04:52,455 ♪ ♪ I CAN'T WORRY 'BOUT MY PROBLEMS, I CAN'T TAKE 'EM 950 01:04:52,521 --> 01:04:57,793 WHEN I'M GONE, UH ♪ ♪ ONE, HERE COMES THE TWO TO THE 951 01:04:57,860 --> 01:05:01,030 THREE TO THE FOUR ♪ ♪ TELL 'EM BRING ANOTHER OUT, WE 952 01:05:01,097 --> 01:05:03,666 NEED PLENTY MORE ♪ ♪ TWO STEPPIN' ON THE TABLE, SHE 953 01:05:03,733 --> 01:05:08,004 DON'T NEED A DANCEFLOOR ♪ ♪ OH MY, GOOD LORD ♪ ♪ SOMEONE 954 01:05:08,070 --> 01:05:14,043 POUR ME UP A DOUBLE SHOT OF WHISKEY ♪ ♪ THEY KNOW ME AND 955 01:05:14,110 --> 01:05:16,345 JACK DANIELS GOT A HISTORY ♪ ♪ THERE'S A PARTY DOWNTOWN 956 01:05:16,412 --> 01:05:18,547 NEAR FIFTH STREET ♪ ♪ EVERYBODY AT THE BAR GETTIN' 957 01:05:18,614 --> 01:05:28,524 TIPSY ♪ ♪ ♪ ♪ EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ 958 01:05:28,591 --> 01:05:31,927 EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ I'VE BEEN BOOZEY 959 01:05:31,994 --> 01:05:34,297 SINCE I'VE LEFT, I AIN'T CHANGIN' FOR A CHECK ♪ ♪ 960 01:05:34,363 --> 01:05:40,736 TELL MY MA I AIN'T FORGET ♪ ♪ WOKE UP DRUNK 961 01:05:40,803 --> 01:05:44,040 AT 10AM, WE GON' DO THIS ALL AGAIN ♪ ♪ TELL YOUR GIRL TO 962 01:05:44,106 --> 01:05:45,508 BRING A FRIEND ♪ ♪ ONE, HERE COMES THE TWO TO 963 01:05:45,574 --> 01:05:48,611 THE THREE TO THE FOUR ♪ ♪ TELL 'EM BRING ANOTHER OUT, 964 01:05:48,678 --> 01:05:50,880 WE NEED PLENTY MORE ♪ ♪ TWO STEPPIN' ON THE TABLE, SHE 965 01:05:50,946 --> 01:05:57,386 DON'T NEED A DANCEFLOOR ♪ ♪ OH MY, GOOD LORD ♪ ♪ SOMEONE 966 01:05:57,453 --> 01:05:59,755 POUR ME UP A DOUBLE SHOT OF WHISKEY (DOUBLE SHOT OF 967 01:05:59,822 --> 01:06:00,956 WHISKEY) ♪ ♪ THEY KNOW ME AND JACK DANIELS GOT A 968 01:06:01,023 --> 01:06:02,124 HISTORY ♪ ♪ THERE'S A PARTY DOWNTOWN 969 01:06:02,191 --> 01:06:05,428 NEAR FIFTH STREET ♪ ♪ EVERYBODY AT 970 01:06:05,494 --> 01:06:12,868 THE BAR GETTIN' TIPSY ♪ ♪ EVERYBODY AT THE BAR GETTIN' 971 01:06:12,935 --> 01:06:14,070 ♪ SOMEONE POUR ME UP A DOUBLE SHOT OF WHISKEY 972 01:06:14,136 --> 01:06:15,271 THEY KNOW ME AND JACK 973 01:06:15,338 --> 01:06:17,306 DANIELS GOT A HISTORY ♪ ♪ THERE'S A 974 01:06:17,373 --> 01:06:18,641 PARTY DOWNTOWN NEAR FIFTH STREET ♪ ♪ 975 01:06:18,708 --> 01:06:25,748 EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ ♪ ♪ EVERYBODY AT 976 01:06:25,815 --> 01:06:30,186 THE BAR GETTIN' TIPSY ♪ ♪ EVERYBODY AT THE BAR GETTIN' 977 01:06:30,252 --> 01:06:38,828 TIPSY ♪ WE LOVE YOU, L.A. 978 01:06:55,277 --> 01:06:59,882 ♪ ♪ ♪ ♪ >> HELLO, GRAMMYS. 979 01:06:59,949 --> 01:07:01,517 ♪ LADIES AND GENTLEMEN, I'M GONNA TELL YOU 'BOUT ♪ ♪ ONE 980 01:07:01,584 --> 01:07:02,818 OF THE MANY MEN, NAME IS IRRELEVANT, HEIGHT IS 981 01:07:02,885 --> 01:07:05,054 IRRELEVANT ♪ ♪ HE WAS A ONE OUT OF A TEN, I WISH THAT I 982 01:07:05,121 --> 01:07:06,555 KNEW IT THEN ♪ ♪ I'M STILL RECOVERING ♪ ♪ TRULY, I'M 983 01:07:06,622 --> 01:07:08,424 VULNERABLE, I LOVE A SENTIMENT ♪ ♪ QUICKLY I 984 01:07:12,962 --> 01:07:14,363 OPENED UP, I LEARNED MY LESSON THEN ♪ ♪ THOUGHT I 985 01:07:14,430 --> 01:07:19,468 WAS SAFE AGAIN, THOUGHT HE WAS INNOCENT ♪ ♪ I WAS SO 986 01:07:19,535 --> 01:07:23,406 WRONG ♪ ♪ I CAN'T DENY ♪ ♪ I WAS STUCK IN THE DAZE, 987 01:07:23,472 --> 01:07:28,010 TERRIBLE PHASE ♪ ♪ YOU WAS CONVINCING, THOUGH ♪ ♪ VERY 988 01:07:28,077 --> 01:07:31,747 BELIEVABLE, THE ROLE THAT YOU PLAYED ♪ ♪ SO I'LL TAKE 989 01:07:31,814 --> 01:07:36,952 THIS FRONT ROW SEAT ♪ ♪ AND, BABY, BABY, YOU CAN GO AHEAD 990 01:07:37,019 --> 01:07:44,093 ♪ ♪ CRY THOSE OSCAR-WINNING TEARS ♪ ♪ POPCORN AND I 991 01:07:44,160 --> 01:07:48,864 SCREAM ♪ ♪ BABY, BABY, YOU CAN GO AHEAD ♪ ♪ CRY THOSE 992 01:07:48,931 --> 01:07:58,941 OSCAR-WINNING TEARS, BABY, HMM ♪ 993 01:08:04,146 --> 01:08:08,918 ♪ ♪ I CAN SEE RIGHT THROUGH YOUR TEARS BABE ♪ ♪ YOUR 994 01:08:08,984 --> 01:08:13,289 TEARS, BABY ♪ ♪ NINE O'CLOCK ENTERTINMENT ♪ ♪ OH, MAN, I 995 01:08:13,355 --> 01:08:17,660 WISH I COULD TAPE IT ♪ ♪ NO STRING SECTION, NO TINY 996 01:08:17,726 --> 01:08:24,133 VIOLIN ♪ ♪ FOR THE LAST TIME, I'M YOUR AUDIENCE ♪ ♪ 997 01:08:24,200 --> 01:08:28,604 I'LL TAKE THIS FRONT ROW SEAT ♪ ♪ AND BABY, BABY, YOU 998 01:08:28,671 --> 01:08:38,681 CAN GO AHEAD AND CRY THOSE, BABY ♪ 999 01:08:53,062 --> 01:08:54,930 ♪ AND WOULD YOU GO AHEAD AND , FOR ME GO AHEAD ♪ ♪ GO 1000 01:08:54,997 --> 01:09:04,874 AHEAD AND CRY ♪ ♪ GO AHEAD AND CRY THOSE OSCAR-WINNING 1001 01:09:04,940 --> 01:09:14,950 TEARS ♪ 1002 01:09:22,591 --> 01:09:28,931 I MEAN, YOU DON'T MEAN MENEED ME TYPE THIS UP. 1003 01:09:28,998 --> 01:09:30,199 KEEP GOING FOR RAYE, EVERYBODY. 1004 01:09:30,266 --> 01:09:33,202 EVERY SINGLE PERSON WE SAW, BEST NEW ARTIST, BEST 1005 01:09:33,269 --> 01:09:39,909 ARTIST. 1006 01:09:39,975 --> 01:09:41,043 STAY TUNED AFTER THE BREAK. 1007 01:09:41,110 --> 01:09:44,513 WE ARE GOING TO FIND OUT WHO IS WINNING THIS HOTLY 1008 01:09:44,580 --> 01:09:45,614 CONTESTED CATEGORY. 1009 01:09:45,681 --> 01:09:47,750 WE WILL BE RIGHT BACK. 1010 01:09:47,816 --> 01:09:48,918 THE 67TH ANNUAL GRAMMY AWARDS IS 1011 01:09:48,984 --> 01:09:51,287 BROUGHT TO YOU BY JORDAN BRAND: YOU CAN'T BAN 1012 01:09:51,353 --> 01:09:51,453 GREATNESS. 1013 01:10:01,463 --> 01:10:05,935 WELCOME BACK TO THE GRAMMYS. 1014 01:10:06,001 --> 01:10:08,837 HERE TO PRESENT THIS YEAR'S AWARD FOR BEST NEW ARTIST, 1015 01:10:08,904 --> 01:10:11,941 WE WELCOME LAST YEAR'S 1016 01:10:12,007 --> 01:10:13,175 VICTORIA MONET. 1017 01:10:28,490 --> 01:10:30,559 BEING RECOGNIZED AS BEST NEW 1018 01:10:30,626 --> 01:10:34,430 ARTIST DOES NOT HAPPEN OVERNIGHT. 1019 01:10:34,496 --> 01:10:38,133 MANY OF US PUT IN YEARS OF HARD WORK BEFORE THIS 1020 01:10:38,200 --> 01:10:39,368 BREAKTHROUGH MOMENT. 1021 01:10:39,435 --> 01:10:42,905 THAT WAS DEFINITELY THE CASE FOR ME, AND THAT'S ALSO TRUE 1022 01:10:42,972 --> 01:10:45,608 FOR ALL OF THE EXTRAORDINARY NOMINEES WE HAVE SEEN 1023 01:10:45,674 --> 01:10:47,610 PERFORM TONIGHT. 1024 01:10:47,676 --> 01:10:51,413 IT'S MY COMPLETE HONOR TO PRESENT THE BEST NEW ARTIST 1025 01:10:51,480 --> 01:10:55,050 AWARD TO ONE OF THIS YEAR'S NOMINEES, WHO ARE ALL 1026 01:10:55,117 --> 01:10:57,987 EQUALLY AND ABSOLUTELY WORTHY OF THIS RECOGNITION. 1027 01:10:58,053 --> 01:11:07,596 BENSON BOONE. 1028 01:11:07,663 --> 01:11:10,899 ♪ ♪ SABRINA CARPENTER. 1029 01:11:10,966 --> 01:11:14,970 ♪ ♪ DOECHII. 1030 01:11:15,037 --> 01:11:21,577 ♪ ♪ KHRUANGBIN. 1031 01:11:21,644 --> 01:11:25,514 ♪ ♪ RAYE. 1032 01:11:25,581 --> 01:11:31,353 ♪ ♪ CHAPPELL ROAN. 1033 01:11:31,420 --> 01:11:32,354 ♪ ♪ SHABOOZEY. 1034 01:11:32,421 --> 01:11:38,794 ♪ ♪ TEDDY SWIMS. 1035 01:11:38,861 --> 01:11:48,237 THAT'S A TOUGH CATEGORY RIGHT THERE. 1036 01:11:48,303 --> 01:11:51,840 AS SELECTED BY THE 13,000 VOTING MEMBERS OF THE 1037 01:11:51,907 --> 01:11:56,245 RECORDING ACADEMY, THE GRAMMY AWARD FOR BEST NEW 1038 01:11:56,311 --> 01:12:00,749 ARTIST GOES TO... 1039 01:12:00,816 --> 01:12:02,751 CHAPPELL ROAN! 1040 01:12:47,763 --> 01:12:48,831 HELLO. 1041 01:12:48,897 --> 01:12:51,200 THANK YOU TO MY FELLOW NOMINEES, WHOSE MUSIC GOT ME 1042 01:12:51,266 --> 01:12:52,267 THROUGH THIS LAST YEAR. 1043 01:12:52,334 --> 01:12:55,437 BEST NIGHT OF MY NIGHT -- BEST NIGHT OF MY LIFE. 1044 01:12:55,504 --> 01:12:57,940 MY HEAD IS GOING TO FALL OFF, IT'S GOING TO BE OKAY. 1045 01:12:58,006 --> 01:13:01,744 THANK YOU TO ALL WHO LISTENS TO GET ME HERE 1046 01:13:01,810 --> 01:13:02,478 TODAY. 1047 01:13:02,978 --> 01:13:05,013 DAN AND ISLAND RECORDS, MY FRIENDS, MY FAMILY, AND 1048 01:13:05,080 --> 01:13:12,688 ABOVE ALL MY PAPA, CHAPPELL, WHO I NAMED MYSELF AFTER. 1049 01:13:12,755 --> 01:13:15,791 I TOLD MYSELF THAT IF I EVER WON A GRAMMY AND GOT TO 1050 01:13:15,858 --> 01:13:18,927 STAND UP HERE BEFORE THE MOST POWERFUL PEOPLE IN 1051 01:13:18,994 --> 01:13:21,430 MUSIC, I WOULD DEMAND THAT LABELS IN THE INDUSTRY 1052 01:13:21,497 --> 01:13:24,466 PROFITING MILLIONS OF DOLLARS OFF OF ARTISTS WOULD 1053 01:13:24,533 --> 01:13:28,170 OFFER A LIVABLE WAGE AND HEALTH CARE, ESPECIALLY 1054 01:13:28,237 --> 01:13:29,772 DEVELOPING ARTISTS. 1055 01:13:29,838 --> 01:13:37,980 BECAUSE... 1056 01:13:38,046 --> 01:13:43,051 BECAUSE I GOT SIGNED SO YOUNG, I GOT SIGNEDAS A 1057 01:13:43,118 --> 01:13:44,186 MINOR. 1058 01:13:44,386 --> 01:13:48,123 WHEN I GOT DROPPED, I HAD ZERO JOB EXPERIENCE UNDER MY 1059 01:13:48,190 --> 01:13:50,893 BELT, AND LIKE MOST PEOPLE, I HAD A DIFFICULT JOB 1060 01:13:50,959 --> 01:13:53,662 FINDING -- -- QUITE A DIFFICULT TIME FINDING A JOB 1061 01:13:53,729 --> 01:13:55,397 IN THE PANDEMIC AND CANNOT AFFORD INSURANCE. 1062 01:13:55,464 --> 01:13:58,467 IT WAS DEVASTATING TO FEEL SO COMMITTED TO MY ART AND 1063 01:13:58,534 --> 01:14:03,672 FEEL SO BETRAYED BY THE SYSTEM AND DEHUMANIZED TO 1064 01:14:03,739 --> 01:14:10,779 NOT HAVE -- IF MY LABEL HAD PRIORITIZED IT, I COULD HAVE 1065 01:14:10,846 --> 01:14:13,482 BEEN PROVIDED CARE FOR A COMPANY I WAS GIVING 1066 01:14:13,549 --> 01:14:15,083 EVERYTHING TO. 1067 01:14:15,150 --> 01:14:20,589 RECORD LABELS NEED TO TREAT THEIR 1068 01:14:20,656 --> 01:14:22,925 ARTISTS AS VALUABLE EMPLOYEES WITH A LIVABLE 1069 01:14:22,991 --> 01:14:26,028 WAGE AND HEALTH INSURANCE AND PROTECTION. 1070 01:14:26,094 --> 01:14:30,299 LABELS, WE GOT YOU, BUT DO YOU GOT US? 1071 01:14:30,365 --> 01:14:37,806 THANK YOU. 1072 01:14:37,873 --> 01:14:47,883 ♪ ♪ >> MAN, I DON'T EVEN 1073 01:14:54,957 --> 01:14:56,792 KNOW WHAT TO SAY. 1074 01:14:56,859 --> 01:14:58,627 THAT'S AMAZING. 1075 01:14:58,694 --> 01:15:00,762 AND THAT, I WANT TO REMIND OF HER BODY THAT TONIGHT IS 1076 01:15:04,032 --> 01:15:06,602 NOT JUST ABOUT GETTING THE WORDS: IT'S ALSO ABOUT 1077 01:15:06,668 --> 01:15:07,402 GIVING BACK. 1078 01:15:07,469 --> 01:15:08,971 I LOVE WHAT CHAPPELL SAID THERE. 1079 01:15:09,037 --> 01:15:11,707 EVERYBODY IN LOS ANGELES, AND THIS BUILDING TONIGHT, 1080 01:15:11,773 --> 01:15:15,143 WORKING ON STAGE AND OFF, NO SOMEBODY WHO HAS LOST THEIR 1081 01:15:15,210 --> 01:15:19,147 HOME, THEIR BUSINESS, OR THE LIVES THAT THEY KNEW -- LESS 1082 01:15:19,214 --> 01:15:22,050 THAN A MONTH AGO. 1083 01:15:22,117 --> 01:15:24,887 I DON'T NEED TO REMIND YOU, FOR THOSE THAT HAVE NOT 1084 01:15:24,953 --> 01:15:28,290 SEEN, TAKE A LOOK AT THE DEVASTATION. 1085 01:15:28,357 --> 01:15:32,094 >> OH MY GOSH. 1086 01:15:32,160 --> 01:15:34,563 JESUS CHRIST. 1087 01:15:34,630 --> 01:15:36,965 >> YOU ARE GOING TO BE OKAY. 1088 01:15:37,032 --> 01:15:38,600 >> OH, NO. 1089 01:15:38,667 --> 01:15:40,002 >> 911. 1090 01:15:40,068 --> 01:15:42,104 >> EVACUATIONS ARE IN PLACE. 1091 01:15:42,170 --> 01:15:45,073 >> I'VE NEVER SEEN ANYTHING LIKE THIS IN MY 1092 01:15:45,140 --> 01:15:45,540 LIFE. 1093 01:15:45,607 --> 01:15:48,911 >> OH MY GOSH. 1094 01:15:48,977 --> 01:15:49,745 >> HEY! 1095 01:15:49,811 --> 01:15:51,546 YOU GUYS -- THIS ONE HERE. 1096 01:15:51,613 --> 01:15:52,748 >> A SERIOUS FIGHT RIGHT NOW. 1097 01:15:52,814 --> 01:15:57,286 WE'VE GOT TO SAVE THIS HOUSE RIGHT HERE. 1098 01:15:57,352 --> 01:16:00,889 >> THE FIRE IS BURNING AGGRESSIVELY. 1099 01:16:00,956 --> 01:16:02,324 MULTIPLE STRUCTURES. 1100 01:16:02,391 --> 01:16:05,594 >> GOT TO SAVE OUR HOUSE. 1101 01:16:05,661 --> 01:16:06,528 >> A LIFETIME -- BEING SWALLOWED BY FLAMES. 1102 01:16:06,595 --> 01:16:09,498 >> OH MY GOSH. 1103 01:16:09,564 --> 01:16:19,574 ♪ ♪ ♪ ♪ ♪ ♪ >> IN LESS THAN 24 HOURS, THE 1104 01:16:27,115 --> 01:16:32,921 WHOLE NEIGHBORHOOD IS ASHES AND RUBBLE. 1105 01:16:32,988 --> 01:16:38,593 >> THIS MORNING WHEN WE CAME HERE, THE WHOLE ROAD WAS 1106 01:16:38,660 --> 01:16:39,995 BURNED. 1107 01:16:40,062 --> 01:16:41,763 YOU WOULD ENTER THE HOUSE THROUGH HERE. 1108 01:16:41,830 --> 01:16:45,267 THAT WAS OUR KITCHEN. 1109 01:16:45,334 --> 01:16:48,036 WE HAD JUST BUILT A BENCH, BECAUSE IT WAS A VERY SMALL 1110 01:16:48,103 --> 01:16:48,437 KITCHEN. 1111 01:16:48,503 --> 01:16:51,840 JUST GONE. 1112 01:16:51,907 --> 01:16:54,343 WE KNOW THESE PEOPLE, AND THESE PEOPLE LOST 1113 01:16:54,409 --> 01:16:55,243 EVERYTHING. 1114 01:16:55,310 --> 01:16:57,379 IT'S NOT JUST US. 1115 01:16:57,446 --> 01:17:03,018 IT'S EVERYBODY. 1116 01:17:03,085 --> 01:17:05,787 I DIDN'T TAKE ANYTHING. 1117 01:17:05,854 --> 01:17:09,291 >> IT REALLY HITS YOU HARD. 1118 01:17:09,358 --> 01:17:14,663 >> I HAD 60 YEARS OF MEMORIES IN THAT HOUSE, AND 1119 01:17:14,730 --> 01:17:18,500 THREE CHILDREN. 1120 01:17:18,567 --> 01:17:23,638 >> THE HOUSE I GREW UP IN RIGHT HERE. 1121 01:17:23,705 --> 01:17:24,606 >> WHERE'S YOUR CLASSROOM? 1122 01:17:24,673 --> 01:17:25,207 >> RIGHT THERE. 1123 01:17:25,273 --> 01:17:27,442 >> I'M JUST REALLY SAD. 1124 01:17:27,509 --> 01:17:29,778 I LOVE THAT SCHOOL. 1125 01:17:29,845 --> 01:17:32,514 >> EVERYBODY HERE, WE WERE JUST SO TIGHT AND IT. 1126 01:17:32,581 --> 01:17:35,984 >> IT WAS SUCH A BEAUTIFUL HOUSE. 1127 01:17:36,051 --> 01:17:36,818 >> DEVASTATED. 1128 01:17:36,885 --> 01:17:41,023 OUR FAMILIES -- TIED TO US HERE. 1129 01:17:41,089 --> 01:17:41,490 >> ASHES. 1130 01:17:41,556 --> 01:17:43,892 THIS IS THE URN. 1131 01:17:43,959 --> 01:17:46,962 THAT IS HER REMAINS RIGHT HERE. 1132 01:17:47,029 --> 01:17:47,863 >> THAT'S IT? 1133 01:17:47,929 --> 01:17:50,098 >> ALL MY -- >> OH MY GOD! 1134 01:17:50,165 --> 01:17:50,799 OH, MY GOD! 1135 01:17:50,866 --> 01:17:51,266 WANT TO? 1136 01:17:51,333 --> 01:17:55,170 >> OH MY GOD! 1137 01:17:55,237 --> 01:18:01,343 ♪ ♪ >> WE KNOW IT'S GOING TO BE A HARD AND LONG ROAD, BUT 1138 01:18:01,410 --> 01:18:02,177 WE ARE L.A. 1139 01:18:02,511 --> 01:18:07,015 WE ARE TOUGH, AND WE WILL FIND OUR WAY BACK. 1140 01:18:07,082 --> 01:18:09,885 >> WE ARE GOING TO NEED EACH OTHER. 1141 01:18:09,951 --> 01:18:12,921 WE ARE GOING TO NEED EVERYONE. 1142 01:18:12,988 --> 01:18:17,526 WE ARE GOING TO -- KNOWING THAT WE ARE NOT ALONE MAKES 1143 01:18:17,592 --> 01:18:19,628 ALL THE DIFFERENCE. 1144 01:18:19,694 --> 01:18:29,704 ♪ ♪ ♪ ♪ ♪ ALL THE LEAVES ARE BROWN (ALL ♪ AND 1145 01:18:44,286 --> 01:18:52,894 THE SKY IS GRAY ♪ ♪ ♪ I'VE BEEN FOR A WALK ♪ ♪ ON A 1146 01:18:52,961 --> 01:19:02,938 WINTER'S DAY ♪ ♪ I'D BE SAFE AND WARM (I'D BE SAFE AND 1147 01:19:03,004 --> 01:19:05,474 CALIFORNIA DREAMIN' 1148 01:19:05,540 --> 01:19:13,949 ♪ ♪ ON SUCH A WINTER'S DAY ♪ ♪ 1149 01:19:14,015 --> 01:19:19,187 STOPPED INTO A CHURCH ♪ ♪ I PASSED ALONG THE WAY ♪ ♪ 1150 01:19:19,254 --> 01:19:25,160 WELL, I GOT DOWN ON MY KNEES 1151 01:19:25,227 --> 01:19:30,332 AND I PRETEND TO PRAY ♪ ♪ YOU 1152 01:19:30,398 --> 01:19:34,169 KNOW THE PREACHER LIKE THE COLD (PREACHER LIKE THE 1153 01:19:34,236 --> 01:19:38,106 COLD) ♪ ♪ HE KNOWS I'M GONNA STAY 1154 01:19:38,173 --> 01:19:44,813 ♪ ♪ CALIFORNIA DREAMIN' ♪ ♪ ON 1155 01:19:44,880 --> 01:19:52,654 SUCH A WINTER'S DAY ♪ ♪ ALL THE LEAVES ARE BROWN (ALL 1156 01:19:52,721 --> 01:19:58,627 THE LEAVES ARE BROWN) ♪ ♪ AND THE SKY IS GRAY (AND THE 1157 01:19:58,693 --> 01:20:07,068 SKY IS GRAY) ♪ ♪ I'VE BEEN FOR A WALK (I'VE BEEN FOR A 1158 01:20:07,135 --> 01:20:17,145 WALK) ♪ ♪ ON A WINTER'S DAY 1159 01:20:26,655 --> 01:20:27,923 ♪ I'D BE SAFE AND WARM ♪ ♪ IF I 1160 01:20:27,989 --> 01:20:28,657 WAS IN L.A. 1161 01:20:29,124 --> 01:20:30,158 CALIFORNIA DREAMIN' 1162 01:20:30,225 --> 01:20:31,259 CALIFORNIA DREAMIN' 1163 01:20:31,326 --> 01:20:33,562 CALIFORNIA DREAMIN' 1164 01:20:33,628 --> 01:20:43,638 ♪ ♪ ON SUCH A WINTER'S DAY ♪ ♪ ♪ 1165 01:20:46,007 --> 01:20:53,048 CALIFORNIA DREAMIN' ♪ >> WE LOVE YOU. 1166 01:21:05,994 --> 01:21:08,830 LADY GAGA AND BRUNO MARS, EVERYONE. 1167 01:21:08,897 --> 01:21:10,465 I JUST WANTED TO REMIND YOU ONE 1168 01:21:10,532 --> 01:21:14,269 MORE TIME: TONIGHT, WE ARE ASKING YOU TO DONATE WHAT 1169 01:21:14,336 --> 01:21:18,707 YOU CAN TO MUSICARES FIRE RELIEF WHICH GIVES TO 1170 01:21:18,773 --> 01:21:21,576 MUSICARES: THE CALIFORNIA COMMUNITY FOUNDATION, DIRECT 1171 01:21:21,643 --> 01:21:23,478 RELIEF, AND THE PASADENA COMMUNITY FOUNDATION. 1172 01:21:23,545 --> 01:21:26,448 YOU WILL SEE ON YOUR SCREEN AT HOME A QR CODE YOU CAN 1173 01:21:26,514 --> 01:21:27,549 USE TO DONATE. 1174 01:21:27,616 --> 01:21:30,051 EVERYONE IN THE ARENA, YOU HAVE A QR CODE AT YOUR 1175 01:21:30,118 --> 01:21:33,221 SEATS, CUP HOLDER, OR ON YOUR TABLE, AND YOU CAN GIVE 1176 01:21:33,288 --> 01:21:34,522 WHATEVER YOU CAN. 1177 01:22:55,036 --> 01:22:56,971 THIS YEAR'S TECHNICAL GRAMMY AWARD 1178 01:22:57,038 --> 01:22:58,506 HONOREE IS THE GREAT DR. 1179 01:22:58,573 --> 01:23:01,209 LEO BERANEK, WHOSE VISIONARY WORK IN ACOUSTICS HELPED 1180 01:23:01,276 --> 01:23:03,044 CREATE THE FOUNDATION FOR MODERN ENGINEERING. 1181 01:23:03,111 --> 01:23:06,181 AND THIS YEAR'S LIFETIME ACHIEVEMENT GRAMMY HONOREES 1182 01:23:06,247 --> 01:23:09,217 ARE FRANKIE BEVERLY, LONGTIME LEADER OF THIS 1183 01:23:09,284 --> 01:23:10,218 GROUP. 1184 01:23:10,285 --> 01:23:12,220 GROUNDBREAKING REDDISH ROCK BAND THE CLASH. 1185 01:23:12,287 --> 01:23:15,457 GOSPEL SINGER, TV AND RADIO HOST, DR. 1186 01:23:15,523 --> 01:23:16,591 BOBBY JONES. 1187 01:23:16,658 --> 01:23:19,461 MUSIC PIONEER TAJ MAHAL. 1188 01:23:19,527 --> 01:23:22,297 THE ARTIST FOREVER KNOWN AS PRINCE. 1189 01:23:22,364 --> 01:23:23,465 ROXANNE SHANTE. 1190 01:23:23,531 --> 01:23:26,334 THE ICONIC LEAD SINGER OF THE FOUR SEASONS, AND SOLO 1191 01:23:26,401 --> 01:23:27,535 ARTIST FRANKIE VALLI. 1192 01:23:27,602 --> 01:23:31,506 THE ACADEMY'S TRUSTEES AWARD HONOREES ARE THE GLOBALLY 1193 01:23:31,573 --> 01:23:36,211 CELEBRATE IT PIANIST, ARTIST RIGHTS ADVOCATE ERROLL 1194 01:23:36,277 --> 01:23:37,278 GARNER. 1195 01:23:37,479 --> 01:23:39,314 LEGENDARY RECORD PRODUCER AND ENGINEER GLYN JOHNS. 1196 01:23:39,381 --> 01:23:44,252 COMPOSER, CONDUCTOR, ENGINEER, TANYA LYONS. 1197 01:23:44,319 --> 01:23:48,690 CONGRATULATIONS TO THE ACCORDING ACADEMY'S 2025 1198 01:23:48,757 --> 01:23:50,358 SPECIAL MERIT HONOREES. 1199 01:23:50,425 --> 01:23:52,127 THAT'S RIGHT, CONGRATULATIONS TO ALL OF 1200 01:23:52,193 --> 01:23:54,195 THIS YEAR'S HONOREES. 1201 01:23:54,262 --> 01:23:58,867 I'M HAPPY TO REPORT THAT WE ARE GETTING ALL KINDS OF 1202 01:23:58,933 --> 01:24:01,469 GENEROUS DONATIONS FROM THESE TABLES P FRONT. 1203 01:24:01,536 --> 01:24:02,370 THANK YOU SO MUCH. 1204 01:24:02,437 --> 01:24:04,539 FROM THE PEOPLE UP THERE, THANK YOU. 1205 01:24:04,606 --> 01:24:07,008 FOR EVERYONE HERE, WE REALLY APPRECIATE IT. 1206 01:24:07,075 --> 01:24:08,209 TY DOLLA $IGN, THANK YOU. 1207 01:24:08,276 --> 01:24:10,278 I SAW THE DOLLARS PICKETED PRESSURE HIM BECAUSE OF THE 1208 01:24:10,345 --> 01:24:11,179 NAME, BUT IT WORKS. 1209 01:24:11,246 --> 01:24:13,481 HOW ARE YOU DOING TONIGHT, YOU GOOD? 1210 01:24:13,548 --> 01:24:14,215 I APPRECIATE IT, MAN. 1211 01:24:14,282 --> 01:24:16,217 I APPRECIATE IT. 1212 01:24:16,284 --> 01:24:18,386 WE'RE GOING TO KEEP THE SHOW MOVING. 1213 01:24:18,453 --> 01:24:19,287 EVERYONE IS GETTING BACK INTO THEIR SEATS. 1214 01:24:19,354 --> 01:24:20,255 I LIKE THIS. 1215 01:24:20,321 --> 01:24:21,923 THE ENERGY IS COMING BACK UP SLOWLY. 1216 01:24:21,990 --> 01:24:23,124 PEOPLE ARE FEELING IT. 1217 01:24:23,191 --> 01:24:25,960 YOU ARE GOING TO WANT TO BE SAT FOR THIS. 1218 01:24:26,027 --> 01:24:27,662 THIS IS A SPECIAL MOMENT THAT I THINK A LOT OF PEOPLE 1219 01:24:27,729 --> 01:24:31,900 NEVER THOUGHT WE WOULD SEE AT THE GRAMMYS. 1220 01:24:31,966 --> 01:24:35,270 PLEASE WELCOME SONGWRITER, MUSIC PRODUCER, AND THE CEO 1221 01:24:35,336 --> 01:24:42,410 OF THE RECORDING ACADEMY AND MUSICARES, HARVEY MASON JR. 1222 01:24:42,477 --> 01:24:51,219 ♪ ♪ >> THANK YOU, TREVOR, 1223 01:24:51,286 --> 01:24:53,955 AND THANK YOU TO EVERYONE HERE AND EVERYONE WATCHING, 1224 01:24:54,022 --> 01:24:57,459 FOR YOUR GENEROSITY TONIGHT. 1225 01:24:57,525 --> 01:25:01,329 THIS IS THE POWER OF MUSIC, AND WHAT I ALWAYS KNEW THIS 1226 01:25:01,396 --> 01:25:02,497 ACADEMY COULD DO. 1227 01:25:02,564 --> 01:25:05,700 WHEN I TOOK ON THIS ROLE BACK IN 2020, I WANT TO THE 1228 01:25:05,767 --> 01:25:08,970 ORGANIZATION TO CHANGE AND MODERNIZE, SO WE COULD BE 1229 01:25:09,037 --> 01:25:11,606 BETTER AND SERVE THIS DYNAMIC IN GLOBAL MUSIC 1230 01:25:11,673 --> 01:25:16,277 COMMUNITY, BUT MY EARLY DAYS WERE NOT EXACTLY 1231 01:25:16,344 --> 01:25:17,145 STRAIGHTFORWARD. 1232 01:25:17,612 --> 01:25:20,148 THE ACADEMY FACED SOME REAL CRITICISM FROM MANY IN OUR 1233 01:25:20,215 --> 01:25:21,449 MUSIC COMMUNITY. 1234 01:25:21,516 --> 01:25:23,251 SOME ARTISTS WERE PRETTY VOCAL WITH THEIR COMPLAINTS. 1235 01:25:23,318 --> 01:25:29,057 I REMEMBER WAKING UP TO THE HEADLINES THAT THE WEEKND 1236 01:25:29,123 --> 01:25:32,227 CALLED OUT THE ACADEMY FOR A LACK OF TRANSPARENCY IN OUR 1237 01:25:32,293 --> 01:25:32,794 WORDS. 1238 01:25:33,461 --> 01:25:36,064 HE WENT SO FAR TO ANNOUNCE HE WAS BOYCOTTING THE 1239 01:25:36,130 --> 01:25:37,031 GRAMMYS. 1240 01:25:37,098 --> 01:25:38,733 THAT MADE FOR SOME INTERESTING READING OVER 1241 01:25:38,800 --> 01:25:39,267 BREAKFAST. 1242 01:25:39,334 --> 01:25:40,969 YOU KNOW WHAT? 1243 01:25:41,035 --> 01:25:43,505 CRITICISM IS OKAY. 1244 01:25:43,571 --> 01:25:44,138 I HEARD HIM. 1245 01:25:44,205 --> 01:25:46,374 I FELT HIS CONVICTION. 1246 01:25:46,441 --> 01:25:50,979 WHAT WE ALL WANT IS AN ORGANIZATION DEDICATED TO 1247 01:25:51,045 --> 01:25:53,348 THE WELL-BEING OF ALL MUSIC MAKERS, AND ONE THAT 1248 01:25:53,414 --> 01:25:55,850 REFLECTS THE ENTIRE MUSIC HUMANITY, FOR NOW AND FOR 1249 01:25:55,917 --> 01:25:58,953 FUTURE GENERATIONS. 1250 01:25:59,020 --> 01:26:02,524 OVER THE PAST FEW YEARS, WE HAVE LISTENED. 1251 01:26:02,590 --> 01:26:05,393 WE HAVE ACTED, AND WE'VE CHANGE WE HAVE ACTED, AND 1252 01:26:05,460 --> 01:26:06,261 WE'VE CHAN CHANGED. 1253 01:26:06,594 --> 01:26:08,263 WE'VE LAUNCHED INITIATIVES LIKE THE BLACK MUSIC 1254 01:26:08,329 --> 01:26:13,601 COLLECTIVE, WOMEN IN THE MIX, ACADEMY PROUD, AND 1255 01:26:13,668 --> 01:26:14,569 OTHERS. 1256 01:26:14,969 --> 01:26:16,437 WE'VE COMPLETELY REMADE OUR MEMBERSHIP, ADDING MORE THAN 1257 01:26:16,504 --> 01:26:18,773 3,000 WOMEN VOTING MEMBERS. 1258 01:26:18,840 --> 01:26:23,344 THE GRAMMY ELECTORATE IS NOW YOUNGER. 1259 01:26:23,411 --> 01:26:24,679 NEARLY 40% PEOPLE OF COLOR. 1260 01:26:24,746 --> 01:26:28,516 66% OF OUR MEMBERS ARE NEW SINCE WE STARTED OUR 1261 01:26:28,583 --> 01:26:29,684 TRANSFORMATION. 1262 01:26:29,751 --> 01:26:33,955 THIS YEAR, THE 13,000 VOTING NUMBERS OF THE ACADEMY 1263 01:26:34,022 --> 01:26:37,292 NOMINATED THEIR PEERS AND VOTED FOR THE WINNERS THAT 1264 01:26:37,358 --> 01:26:39,661 YOU ARE SEEING ON THIS STAGE TONIGHT. 1265 01:26:39,727 --> 01:26:43,498 IT'S A SYSTEM ROOTED IN FAIRNESS, INTEGRITY, AND THE 1266 01:26:43,565 --> 01:26:47,702 PRINCIPAL THAT EVERY VOICE IN OUR COMMUNITY MATTERS. 1267 01:26:47,769 --> 01:26:50,538 CHARTING A NEW COURSE IS NEVER EASY. 1268 01:26:50,605 --> 01:26:52,907 THERE'S STILL WORK TO BE DONE. 1269 01:26:52,974 --> 01:26:57,445 I FIRMLY BELIEVE WE ARE ON THE RIGHT PATH. 1270 01:26:57,512 --> 01:27:00,481 AS WE'VE SEEN TODAY, MUSIC IS A POWERFUL FORCE FOR 1271 01:27:00,548 --> 01:27:00,949 GOOD. 1272 01:27:01,015 --> 01:27:01,516 IT HEALS US. 1273 01:27:01,583 --> 01:27:02,917 IT UNITES US. 1274 01:27:02,984 --> 01:27:06,854 WE NEED THAT IN THE CITY RIGHT NOW. 1275 01:27:06,921 --> 01:27:09,591 WITH THAT IN MIND, ON A TRULY SPECIAL NIGHT, WHAT 1276 01:27:09,657 --> 01:27:14,829 BETTER WAY TO BRING US TOGETHER THAN THIS NEXT 1277 01:27:14,896 --> 01:27:15,663 ARTIST? 1278 01:27:16,030 --> 01:27:18,466 SOMEONE WHO IS SEEN WORKED ACADEMY HAS PUT IN. 1279 01:27:18,533 --> 01:27:21,202 I MONITOR LEAVE YOU WITH A SENTENCE THAT I WASN'T SURE 1280 01:27:21,269 --> 01:27:24,706 WHATEVER BE SET ON THE GRAMMY STAGE AGAIN. 1281 01:27:24,772 --> 01:27:27,208 MY FRIENDS, MY FELLOW MUSIC MAKERS, PLEASE JOIN MAKERS, 1282 01:27:27,275 --> 01:27:31,512 PLEASE JO JOINING THE -- JOIN ME IN WELCOMING BACK 1283 01:27:31,579 --> 01:27:34,048 NONE OTHER THAN THE GRAMMY-WINNING ARTIST AND 1284 01:27:34,115 --> 01:27:39,087 GLOBAL SUPERSTAR THE WEEKND. 1285 01:27:39,153 --> 01:27:49,163 OOH-YEAH ♪ ♪ I CAN FEEL IT ♪ 1286 01:27:53,368 --> 01:28:01,442 ♪ GIRL, PICK UP YOUR PHONE, I CAN'T BELIEVE IT ♪ ♪ I CAN 1287 01:28:01,509 --> 01:28:07,749 SEE MY SPIRIT SLOWLY LEAVIN' ♪ ♪ I CAN'T HEAR MYSELF AND 1288 01:28:07,815 --> 01:28:10,018 I'M NOT BREATHIN' ♪ ♪ I'M NOT BREATHIN' (I'M NOT 1289 01:28:10,084 --> 01:28:12,120 BREATHIN') ♪ ♪ SLOWLY BLEEDIN' ♪ ♪ I 1290 01:28:12,186 --> 01:28:14,722 WISH THAT I TOLD YOU ALL MY FEELINGS ♪ ♪ I 1291 01:28:14,789 --> 01:28:18,226 HOPE THAT I LIVED LIFE FOR A REASON ♪ ♪ BUT AT 1292 01:28:18,292 --> 01:28:23,264 LEAST YOU'LL PLAY THIS SONG ♪ ♪ WHEN I'M GONE ♪ ♪ AND I 1293 01:28:23,331 --> 01:28:27,835 OPE YOU CRY FOR ME ♪ ♪ LIKE I CRY FOR YOU ♪ ♪ EVERY 1294 01:28:27,902 --> 01:28:33,775 NIGHT FOR YOU ♪ ♪ TAKE IT EASY ON ME, BABY, 'CAUSE I 1295 01:28:33,841 --> 01:28:38,846 TRIED WITH YOU ♪ ♪ SAW MY LIFE WITH YOU ♪ ♪ END OF 1296 01:28:38,913 --> 01:28:40,581 TIME WITH YOU ♪ ♪ NOW WE'RE STRANGERS ♪ ♪ AND I HOPE 1297 01:28:40,648 --> 01:28:43,751 THAT YOU STILL CRY FOR ME ♪ ♪ LIKE I CRY FOR YOU ♪ ♪ 1298 01:28:43,818 --> 01:28:46,187 EVERY NIGHT FOR YOU ♪ ♪ I'VE BEEN LIVIN' WITH THIS LIE, 1299 01:28:46,254 --> 01:28:53,895 NOW I CAN'T HIDE THE TRUTH ♪ MAKE SOME NOISE! 1300 01:28:53,961 --> 01:28:56,798 ♪ GIRL, I'LL CRY FOR YOU ♪ ♪ GIRL, I'LL CRY FOR YOU, 1301 01:28:56,864 --> 01:29:06,874 OOH-YEAH ♪ ♪ ♪ ♪ ♪ COME ON! 1302 01:29:17,852 --> 01:29:27,862 ♪ ♪ ♪ XO ♪ ♪ EVER SINCE I WAS A JIT, KNEW I WAS THE -- 1303 01:29:37,105 --> 01:29:38,740 ♪ ♪ SHORTY KEEP WANNA COME 'ROUND, SHE WANNA 1304 01:29:38,806 --> 01:29:40,174 GET HIT ♪ ♪ SHE THINK SHE THE 1305 01:29:40,241 --> 01:29:43,578 MAIN BECAUSE I KEEP HER BY MY SIDE ♪ ♪ DOUBLE-O, BUST 1306 01:29:43,644 --> 01:29:47,181 DOWN THE WATCH, SHE KNOW THAT I'M TIMELESS 1307 01:29:47,248 --> 01:29:50,785 ♪ ♪ I PUT MY SON IN SOME RICK ♪ ♪ I PULL THAT GUN OFF 1308 01:29:50,852 --> 01:29:55,089 THE HIP ♪ ♪ POCKETS HOLD TWENTY-TWO CLIPS ♪ ♪ I 1309 01:29:55,156 --> 01:29:57,692 BREAK HER HEART, COMME GARÇONS ♪ ♪ PUT ON A SHIRT, 1310 01:29:57,759 --> 01:30:02,063 GET PUT ON A BLIMP ♪ ♪ LIKE A STAIN, GET READY TO LICK ♪ 1311 01:30:02,130 --> 01:30:05,733 ♪ I HAD TO TELL HER THAT EVER SINCE I WAS A JIT, KNEW 1312 01:30:05,800 --> 01:30:08,736 I WAS THE -- ♪ ♪ SHE SINGIN' MY SONGS, SHE WANNA 1313 01:30:08,803 --> 01:30:14,142 DIE LIT, TRYNA GET HIT ♪ ♪ HOUSE LIKE A BANK, DEPOSIT 1314 01:30:14,208 --> 01:30:19,714 THIS BIT, DEPOSIT THAT CHECK ♪ ♪ SMILE ON MY FACE, AIN'T 1315 01:30:19,781 --> 01:30:21,616 PLAYING -- COME AND GET CHECKED ♪ ♪ ICE ON MY 1316 01:30:21,682 --> 01:30:23,885 NECK, DOUBLE-O WRIST ♪ ♪ SHE IN THE SCAT, HELL OF A 'CAT 1317 01:30:23,951 --> 01:30:26,087 ♪ ♪ FRESH OUT THE TRENCH, FOUR HUNDRED PACKS ♪ ♪ UH, 1318 01:30:26,154 --> 01:30:29,157 YEAH, I'M SPINNIN' IN PARIS ♪ ♪ DRESS FOR THESE -- 1319 01:30:29,223 --> 01:30:31,659 THEY FINNA FLOCK ♪ ♪ JUST POURED A FOUR IN A SODA, IT 1320 01:30:31,726 --> 01:30:34,295 POP ♪ ♪ THEM DRUGS FINNA HIT, I'M FEELIN' ILL ♪ ♪ I'M 1321 01:30:34,362 --> 01:30:36,697 WRESTLIN' ALL OF MY DEMONS, I FEEL LIKE THE ROCK ♪ ♪ 1322 01:30:36,764 --> 01:30:40,735 EVER SINCE I WAS A KID, I BEEN LEGIT ♪ ♪ IF I WAS YOU, 1323 01:30:40,802 --> 01:30:44,906 I WOULD CUT UP MY WRIST ♪ ♪ XO TATTED ALL OVER HER BODY, 1324 01:30:44,972 --> 01:30:52,213 OH ♪ ♪ SHE JUST WANNA ROLL AND I DON'T MIND IT, YEAH ♪ 1325 01:30:52,280 --> 01:30:58,352 ♪ EVER SINCE I WAS JIT, I BEEN LEGIT ♪ ♪ YOU SHOULD 1326 01:30:58,419 --> 01:31:00,755 LET HER GO, SHE WANNA BE IT ♪ ♪ DOUBLE-O TATTED ON HER 1327 01:31:00,822 --> 01:31:10,064 BODY, YEAH ♪ TALK TO ME! 1328 01:31:10,131 --> 01:31:10,765 I SAID... 1329 01:31:11,499 --> 01:31:21,475 ♪ TIMELESS, TIMELESS ♪ ♪ TIMELESS, TIMELESS ♪ ♪ ♪ OH! 1330 01:31:27,448 --> 01:31:37,458 ♪ >> THAT'S RIGHT, 1331 01:31:38,159 --> 01:31:38,993 EVERYBODY. 1332 01:31:39,360 --> 01:31:45,032 BACK AT THE GRAMMYS, KEEP IT GOING FOR THE WEEKND! 1333 01:31:45,099 --> 01:31:46,234 HOW INCREDIBLE WAS THAT? 1334 01:31:46,300 --> 01:31:49,303 THAT'S RIGHT, WE ARE BACK, AND WE ARE IN THE SAME ROOM 1335 01:31:49,370 --> 01:31:49,871 END. 1336 01:31:49,937 --> 01:31:50,605 TAKE THAT, INTERNET. 1337 01:31:50,671 --> 01:31:52,773 WE ARE NOT THE SAME PERSON. 1338 01:31:52,840 --> 01:31:55,443 WE WERE GOING TO TAKE A BREAK, BUT WHEN WE COME 1339 01:31:55,509 --> 01:31:57,245 BACK, MORE MUSIC AND WORDS. 1340 01:31:57,311 --> 01:31:59,113 >> AS A CHILD LIFE SPECIALIST AND MOM OF 2, I 1341 01:31:59,180 --> 01:32:02,583 WAS DEVASTATED THINKING ABOUT ALL THESE KIDS LOST -- 1342 01:32:02,650 --> 01:32:04,952 ALL THAT THESE KIDS LOST IN THE FIRES. 1343 01:32:05,019 --> 01:32:07,622 >> I DIDN'T KNOW THAT OUR CATS WEREN'T COMING IN. 1344 01:32:07,688 --> 01:32:10,191 I HAD THOSE STUFFIS IN MY BED. 1345 01:32:10,258 --> 01:32:13,294 >> SO MANY KIDS LOST THEIR FAVORITE STUFFED ANIMALS, 1346 01:32:13,361 --> 01:32:15,196 THE THINGS THAT THEY TAKE COMFORT IN. 1347 01:32:15,263 --> 01:32:17,498 >> WE DID EVERYTHING WE CAN TO REPLACE THE 1348 01:32:17,565 --> 01:32:18,366 IRREPLACEABLE. 1349 01:32:18,866 --> 01:32:21,168 WE WERE ABLE TO REUNITE HIS KIDS WITH THEIR STUFFIS THAT 1350 01:32:21,235 --> 01:32:22,503 THEY THOUGHT WERE GONE FOREVER. 1351 01:32:22,570 --> 01:32:28,643 WHAT COULD BE CUTER THAN REUNITING A KID WITH HIS 1352 01:32:28,709 --> 01:32:30,211 STUFFY? 1353 01:32:30,278 --> 01:32:32,780 >> AS DADS, WE LOVE WHAT THE LOST STUFFY PROJECT IS 1354 01:32:32,847 --> 01:32:33,381 DOING. 1355 01:32:33,781 --> 01:32:36,617 WE ARE DONATING OUR PERSONAL STUFFY. 1356 01:32:36,684 --> 01:32:39,654 TO TO @Lost Stuffy ProjectIfYouWantTo Support 1357 01:32:39,720 --> 01:32:40,755 - IF YOU WANT TO SUPPORT THIS ORGANIZATION. 1358 01:32:40,821 --> 01:32:47,828 ♪ OPEN >> PRESENTEDBYMASTERCARD. 1359 01:32:47,895 --> 01:32:48,229 BRINGSEVERYONECLOSE 1360 01:33:00,041 --> 01:33:01,976 THE AWARD FOR BEST LATIN POP ALBUM, >> NOS ENCANTA LOS 1361 01:33:21,062 --> 01:33:26,267 ÁNGELES HERE IS THE TRUTH. 1362 01:33:26,334 --> 01:33:29,704 IN ANY LANGUAGE, MUSIC'S BIGGEST NIGHT ONLY GETS 1363 01:33:29,770 --> 01:33:33,107 BETTER WHEN IT BRINGS US A WHOLE WORLD OF MUSIC. 1364 01:33:33,174 --> 01:33:37,345 THESE ARE THIS YEAR'S EXCEPTIONAL NOMINEES FOR 1365 01:33:37,411 --> 01:33:42,950 BEST LATIN POP ALBUM. 1366 01:33:43,017 --> 01:33:53,027 "FUNK GENERATION," ANITTA. 1367 01:33:56,564 --> 01:34:00,968 ♪ ♪ "EL VIAJE," LUIS FONSI. 1368 01:34:01,035 --> 01:34:05,473 ♪ ♪ "GARCIA," KANY GARCIA. 1369 01:34:05,539 --> 01:34:14,348 ♪ ♪ "LAS MUJERES YA NO LLORAN," SHAKIRA. 1370 01:34:14,415 --> 01:34:19,053 ♪ ♪ "ORQUIDEAS," KALI UCHIS. 1371 01:34:19,120 --> 01:34:29,130 AND THE GRAMMY GOES TO... 1372 01:34:33,100 --> 01:34:33,634 SHAKIRA! 1373 01:35:07,968 --> 01:35:09,036 WOW. 1374 01:35:09,103 --> 01:35:09,570 THIS IS INCREDIBLE. 1375 01:35:09,637 --> 01:35:11,338 THANK YOU SO MUCH. 1376 01:35:11,405 --> 01:35:15,943 THANK YOU SO MUCH. 1377 01:35:16,010 --> 01:35:21,482 I WANT TO DEDICATE THIS AWARD TO ALL MY IMMIGRANT 1378 01:35:21,549 --> 01:35:23,250 BROTHERS AND SISTERS. 1379 01:35:23,317 --> 01:35:31,158 IN THIS COUNTRY. 1380 01:35:31,225 --> 01:35:31,692 YOU ARE LOVED. 1381 01:35:31,759 --> 01:35:32,426 YOU ARE WORTH IT. 1382 01:35:32,493 --> 01:35:34,562 I WILL ALWAYS FIGHT WITH YOU. 1383 01:35:34,628 --> 01:35:40,634 TO ALL OF THOSE WOMEN WHO WORKED REALLY HARD EVERY DAY 1384 01:35:40,701 --> 01:35:44,238 TO PROVIDE FOR THEIR FAMILIES, YOU ARE THE TRUE 1385 01:35:44,305 --> 01:35:47,041 - SO THIS IS FOR YOU TOO. 1386 01:35:47,108 --> 01:35:50,010 I WANT TO SHARE THIS AWARD WITH MY KIDS. 1387 01:35:50,077 --> 01:35:52,847 THEY ARE HERE WITH ME. 1388 01:35:52,913 --> 01:35:56,550 I'M SO PROUD OF YOU GUYS, OF YOUR KIND HEARTS. 1389 01:35:56,617 --> 01:35:58,085 THANK YOU SO MUCH FOR SUPPORTING ME THE WAY YOU 1390 01:35:58,152 --> 01:35:58,519 DO. 1391 01:35:58,586 --> 01:35:59,286 I LOVE YOU. 1392 01:35:59,353 --> 01:36:01,755 THANK YOU. 1393 01:36:01,822 --> 01:36:08,863 >> CONGRATULATIONS, 1394 01:36:08,929 --> 01:36:10,998 ONCE AGAIN, TO SHAKIRA. 1395 01:36:11,065 --> 01:36:13,601 WE'VE GOT A FEW MORE NUMBERS THAT HAVE BEEN UPDATED. 1396 01:36:13,667 --> 01:36:15,769 THANK YOU AGAIN TO EVERYONE THAT'S BEEN GIVING. 1397 01:36:15,836 --> 01:36:17,204 THE BOX IS UP THERE. 1398 01:36:17,271 --> 01:36:20,474 THE CORPORATIONS, IBM, SONY PRO AUDIO. 1399 01:36:20,541 --> 01:36:22,343 THANK YOU VERY MUCH. 1400 01:36:22,409 --> 01:36:27,848 COKE, HELTON, AND -- THANK YOU VERY MUCH. 1401 01:36:27,915 --> 01:36:30,251 YOU CAN WRITE YOUR NAME ON A PIECE OF PAPER AND I WILL 1402 01:36:30,317 --> 01:36:32,753 READ THEM, WHY NOT? 1403 01:36:32,820 --> 01:36:36,223 WHAT'S COMING UP NEXT, AN ALL STAR SALUTE TO QUINCY 1404 01:36:36,290 --> 01:36:39,126 JONES, WITH CYNTHIA ERIVO, STEVIE WONDER, HERBIE 1405 01:36:39,193 --> 01:36:42,229 HANCOCK, LAINEY WILSON, WILL SMITH, JACOB COLLIER, AND 1406 01:36:42,296 --> 01:36:43,297 JANELLE MONAE. 1407 01:36:43,364 --> 01:36:43,731 DON'T GO ANYWHERE. 1408 01:36:43,797 --> 01:36:46,634 THIS IS CBS. 1409 01:36:46,700 --> 01:36:51,906 >> PALISKATES IS THE LONGEST RUNNING FEMALE OWNED SKATE 1410 01:36:51,972 --> 01:36:52,907 SHOP IN THE COUNTRY. 1411 01:36:52,973 --> 01:36:55,242 >> BEEN AROUND SINCE THE 1990s. 1412 01:36:55,309 --> 01:36:56,577 THE STORE IS LIKE REALLY OLD. 1413 01:36:56,644 --> 01:36:59,180 >> PALISKATES IS MORE THAN A PLACE TO JUST GET COOL GEAR. 1414 01:36:59,246 --> 01:37:01,515 IT'S LIKE OUR SECOND HOME. 1415 01:37:01,582 --> 01:37:05,152 >> WHEN IT BURNED DOWN, IT FELT LIKE WE LOST A PART OF 1416 01:37:05,219 --> 01:37:06,220 OUR COMMUNITY. 1417 01:37:06,287 --> 01:37:07,087 >> WE MAY NOT HAVE A PHYSICAL LOCATION ANYMORE, 1418 01:37:07,154 --> 01:37:08,222 BUT WE WILL REBUILD. 1419 01:37:08,289 --> 01:37:11,559 YOU CAN SUPPORT US ONLINE BY SHOPPING OUR NEW WEBSITE 1420 01:37:11,625 --> 01:37:14,261 WITH OUR NEW MERCHANDISE, AND WE EVEN HIRED A NEW 1421 01:37:14,328 --> 01:37:15,029 MODEL. 1422 01:37:15,496 --> 01:37:20,167 >> YOU GUYS CAN GO TO Paliskates.net TO SUPPORT 1423 01:37:20,234 --> 01:37:22,436 THIS AMAZING SMALL BUSINESS, SKATER BOYS AND SKATER 1424 01:37:22,503 --> 01:37:23,037 GIRLS. 1425 01:37:23,103 --> 01:37:27,841 >> WE LOVE PALISKATES! 1426 01:37:27,908 --> 01:37:29,910 >> EVERY PURCHASE OF GRAMMY AWARDS MERCHANDISE HELPS 1427 01:37:29,977 --> 01:37:33,714 SUPPORT THE RECORDING ACADEMY'S MENTION TO SERVE 1428 01:37:33,781 --> 01:37:34,682 - MISSION TO SERVE MUSIC RATERS YEAR-ROUND. 1429 01:37:56,003 --> 01:38:00,941 THE GREAT HERBIE HANCOCK, EVERYBODY, 1430 01:38:01,008 --> 01:38:02,142 PLAYING "KILLER JOE." 1431 01:38:02,209 --> 01:38:08,215 THIS PAST YEAR, WE LOST ONE OF THE MOST GROUNDBREAKING 1432 01:38:08,282 --> 01:38:11,552 AND INFLUENTIAL FIGURES OF OUR TIMES: QUINCY JONES. 1433 01:38:11,619 --> 01:38:18,726 KNOWN TO FRIENDS AROUND THE WORLD SIMPLY AS Q. 1434 01:38:18,792 --> 01:38:25,165 A BRILLIANT 28 TIME GRAMMY AWARD-WINNING PRODUCER, 1435 01:38:25,232 --> 01:38:29,403 ARRANGER, FILM AND TELEVISION COMPOSER, 1436 01:38:29,470 --> 01:38:33,540 CONDUCTOR, TRUMPET PLAYER, RECORDING ARTIST, AND 1437 01:38:33,607 --> 01:38:34,908 HUMANITARIAN. 1438 01:38:34,975 --> 01:38:44,618 IN HIS 91 YEARS, Q TOUCHED COUNTLESS LIVES, BUT I HAVE 1439 01:38:44,685 --> 01:38:49,156 TO SAY, HE CHANGED MINE FOREVER. 1440 01:38:49,223 --> 01:38:53,093 YOU PROBABLY WOULDN'T EVEN KNOW WHO WILL SMITH WAS IF 1441 01:38:53,160 --> 01:38:56,163 IT WASN'T FOR QUINCY JONES. 1442 01:38:56,230 --> 01:39:01,835 QUINCY MADE SO MANY MUSIC RATES FOR CRESTMONT -- MUSIC 1443 01:39:01,902 --> 01:39:05,172 GREATS ACROSS MULTIPLE GENRES SOUND EVEN GREATER, 1444 01:39:05,239 --> 01:39:08,942 BRINGING THE BEST OUT IN LEGENDS, FROM BROTHER RAY 1445 01:39:09,009 --> 01:39:13,781 CHARLES TO ELLA FITZGERALD, COUNT BASIE TO ARETHA 1446 01:39:13,847 --> 01:39:17,151 FRANKLIN, JUST TO NAME A FEW. 1447 01:39:17,217 --> 01:39:21,955 NOW, WE START TO DISTRIBUTE WHERE QUINCY'S ENDURING 1448 01:39:22,022 --> 01:39:29,763 PASSION FOR MUSIC BEGAN: WITH JAZZ. 1449 01:39:29,830 --> 01:39:34,768 WHICH, EVENTUALLY BROUGHT Q TOGETHER WITH FRANK SINATRA 1450 01:39:34,835 --> 01:39:39,573 FOR A MUSICAL PARTNERSHIP THAT OPENS DOORS AND TOOK 1451 01:39:39,640 --> 01:39:42,743 BOTH MEN TO NEW HEIGHTS. 1452 01:39:42,810 --> 01:39:45,679 ACCOMPANIED BY HERR HERBIE HANCOCK, PLEASE WELCOME 1453 01:39:45,746 --> 01:39:51,085 CYNTHIA ERIVO. 1454 01:39:51,151 --> 01:40:01,161 ♪ ♪ FLY ME TO THE MOON ♪ ♪ 1455 01:40:15,876 --> 01:40:25,886 LET ME PLAY AMONG THE STARS ♪ ♪ LET ME SEE WHAT SPRING 1456 01:40:28,622 --> 01:40:38,632 IS LIKE ♪ ♪ ON JUPITER AND MARS ♪ ♪ IN OTHER WORDS, 1457 01:40:46,273 --> 01:40:50,911 HOLD MY HAND ♪ 1458 01:40:56,617 --> 01:41:06,627 ♪ IN OTHER WORDS, BABY, KISS ME ♪ 1459 01:41:11,198 --> 01:41:21,208 ♪ FILL MY HEART WITH SONG ♪ ♪ AND LET ME SING FOR EVER 1460 01:41:27,014 --> 01:41:37,024 MORE ♪ ♪ YOU ARE ALL I LONG FOR ♪ ♪ ALL I WORSHIP AND 1461 01:41:44,932 --> 01:41:54,942 ADORE ♪ ♪ IN OTHER WORDS, PLEASE BE TRUE ♪ 1462 01:42:05,652 --> 01:42:15,662 ♪ IN OTHER WORDS, I LOVE YOU 1463 01:42:51,965 --> 01:42:53,200 ♪ FILL MY HEART WITH SONG ♪ ♪ AND LET ME SING FOR EVER 1464 01:42:53,267 --> 01:43:03,110 MORE ♪ ♪ YOU ARE ALL I LONG FOR ♪ ♪ ALL I WORSHIP AND 1465 01:43:03,176 --> 01:43:11,218 ADORE ♪ ♪ IN OTHER WORDS, PLEASE BE TRUE ♪ ♪ IN OTHER 1466 01:43:11,285 --> 01:43:21,295 WORDS, IN OTHER WORDS ♪ ♪ I LOVE YOU ♪ [CHEERS AND 1467 01:43:32,339 --> 01:43:34,942 APPLAUSE] THANK YOU. 1468 01:43:35,008 --> 01:43:44,251 ♪ ♪ PUT YOUR HANDS TOGETHER FOR LAINEY WILSON AND JACOB 1469 01:43:44,318 --> 01:43:44,952 COLLIER. 1470 01:43:45,018 --> 01:43:49,156 >> WHAT'S GOING ON, GRAMMYS? 1471 01:43:49,222 --> 01:43:59,266 ♪ ♪ ♪ HEY EVERYBODY ♪ ♪ LET'S HAVE SOME FUN ♪ ♪ YOU 1472 01:43:59,733 --> 01:44:05,739 ONLY LIVE BUT ONCE ♪ ♪ AND WHEN YOU'RE DEAD YOU'RE DONE 1473 01:44:05,806 --> 01:44:15,816 ♪ ♪ SO LET THE GOOD TIMES ROLL ♪ ♪ I SAID LET THE GOOD 1474 01:44:17,317 --> 01:44:19,686 TIMES ROLL ♪ ♪ I DON'T CARE IFYOU'RE YOUNG OR OLD ♪ ♪ 1475 01:44:19,753 --> 01:44:21,321 YOU OUGHTTA GET TOGETHER AND LET THE GOOD TIMES ROLL ♪ ♪ 1476 01:44:21,388 --> 01:44:24,992 DON'T SIT THERE MUMBLING ♪ ♪ TALKIN' TRASH ♪ ♪ IF YOU 1477 01:44:25,058 --> 01:44:29,863 WANT TO HAVE A BALL ♪ ♪ ♪ YOU WANT TO HAVE A BALL, YOU 1478 01:44:29,930 --> 01:44:31,598 GOT TO LOSE SOME CASH ♪ ♪ AND LET THE GOOD TIMES ROLL 1479 01:44:31,665 --> 01:44:38,538 NOW ♪ ♪ I'M TALKIN' 'BOUT THE GOOD TIMES ♪ ♪ ♪ I DON'T 1480 01:44:38,605 --> 01:44:42,843 CARE IF YOU'RE YOUNG OR YOUR OLD ♪ ♪ LET THE GOOD TIMES 1481 01:44:42,909 --> 01:44:50,517 ROLL ♪ ♪ HEY Y'ALL, TELL EVERYBODY LAINEY WILSON IN 1482 01:44:50,584 --> 01:44:52,085 TOWN ♪ ♪ I GOT A DOLLAR AND A QUARTER AND I'M JUST 1483 01:44:52,152 --> 01:44:55,088 RINGING THE CLOCK ♪ ♪ BUT DON'T LET NO FEMALE, PLAY ME 1484 01:44:55,155 --> 01:44:57,424 CHEAP ♪ ♪ I GOT FIFTY CENTS MORE THAN I'M GONNA KEEP ♪ ♪ 1485 01:44:57,491 --> 01:45:06,967 SO LET THE GOOD TIMES ROLL NOW ♪ ♪ ♪ I DON'T CARE IF 1486 01:45:07,034 --> 01:45:17,077 YOU'RE YOUNG OR YOUR OLD, LET THE GOOD TIMES ROLL ♪ 1487 01:45:17,511 --> 01:45:24,484 THE ONE AND ONLY STEVIE WONDER! 1488 01:48:17,424 --> 01:48:27,300 >> I REMEMBER YOU WHEN 1489 01:48:27,367 --> 01:48:28,735 I WAS THREE YEARS OLD. 1490 01:48:28,802 --> 01:48:35,308 WELL, NOT REALLY 3, BUT I REMEMBER. 1491 01:48:35,375 --> 01:48:43,083 I SAID "WHEN I GROW UP, IMMA BE LIKE YOU, PLAY PIANO AND 1492 01:48:43,149 --> 01:48:43,850 EVERYTHING." 1493 01:48:44,384 --> 01:48:47,087 THEN HE PLAYED WITH ME ON THIS SONG, AND WE ARE HERE 1494 01:48:47,153 --> 01:48:48,488 AGAIN TOGETHER. 1495 01:48:48,555 --> 01:48:49,155 THAT WAS FUN. 1496 01:48:49,222 --> 01:48:50,790 YOU KNOW WHAT? 1497 01:48:50,857 --> 01:48:54,027 QUINCY WAS ALWAYS THERE TO HELP, LIKE WHEN HE PRODUCED 1498 01:48:54,094 --> 01:48:56,930 THIS NEXT ANTHEM, WRITTEN BY MICHAEL JACKSON AND LIONEL 1499 01:48:56,997 --> 01:48:58,231 RICHIE. 1500 01:48:58,298 --> 01:49:02,135 THIS SONG FED MILLIONS OF PEOPLE 1501 01:49:02,202 --> 01:49:06,106 IN ETHIOPIA WHO SPEAK, BY THE WAY, AMHARIC -- NOT 1502 01:49:06,172 --> 01:49:13,280 SWAHILI, AS SOMEONE SAID. 1503 01:49:13,346 --> 01:49:21,321 SOMEBODY SAID I SAID, WHICH I DID NOT. 1504 01:49:21,388 --> 01:49:23,924 AND I WANT TO SAY TO QUINCY, EWDESHALEHU, WHICH MEANS "I 1505 01:49:23,990 --> 01:49:31,731 LOVE YOU." 1506 01:49:31,798 --> 01:49:34,034 YOU SEE THOSE PEOPLE ON THE SCREEN? 1507 01:49:34,100 --> 01:49:40,407 THAT DAY, QUINCY TOLD US TO KEEP OUR EGOS OUT AND AT THE 1508 01:49:40,473 --> 01:49:41,474 DOOR. 1509 01:49:41,741 --> 01:49:43,877 WE ARE STILL THE WORLD, AND I SAY TO YOU, WE ARE STILL 1510 01:49:43,944 --> 01:49:44,811 THE CHILDREN. 1511 01:49:45,245 --> 01:49:47,814 WE ARE STILL THE PEOPLE WHO FIGHT AND WILL DIE FOR THIS 1512 01:49:47,881 --> 01:49:50,717 NATION, SO WE DEFINITELY HAVE TO BE ABLE TO CELEBRATE 1513 01:49:50,784 --> 01:49:54,154 EACH OTHER'S CULTURES ALL THE TIME. 1514 01:49:54,220 --> 01:49:56,856 YOU FEEL ME? 1515 01:49:56,923 --> 01:50:03,630 THERE COMES A TIME ♪ ♪ WHEN 1516 01:50:03,697 --> 01:50:06,700 WE HEED A CERTAIN CALL ♪ ♪ WHEN THE WORLD MUST COME 1517 01:50:06,766 --> 01:50:16,776 TOGETHER AS ONE ♪ 1518 01:50:19,546 --> 01:50:23,383 ♪ WE ARE ALL A PART OF GOD'S GREAT BIG FAMILY ♪ ♪ AND THE 1519 01:50:23,450 --> 01:50:27,954 TRUTH, YOU KNOW, LOVE -- THE TRUTH IS ALL WE NEED. 1520 01:50:28,021 --> 01:50:34,961 ♪ ♪ WE ARE THE WORLD ♪ ♪ WE ARE THE CHILDREN ♪ ♪ WE ARE 1521 01:50:35,028 --> 01:50:39,032 THE ONES WHO MAKE A BRIGHTER DAY, SO LET'S START GIVING ♪ 1522 01:50:39,099 --> 01:50:43,570 ♪ THERE'S A CHOICE WE'RE MAKING ♪ ♪ WE'RE SAVING OUR 1523 01:50:43,636 --> 01:50:45,538 OWN LIVES ♪ ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, 1524 01:50:45,605 --> 01:50:49,843 JUST YOU AND ME ♪ MODULATE! 1525 01:50:49,909 --> 01:50:57,450 ♪ WELL, SEND THEM YOUR HEART ♪ ♪ ♪ WE ARE THE WORLD ♪ ♪ 1526 01:50:57,517 --> 01:51:02,822 WHERE THE CHILDREN ♪ ♪ WE ARE THE ONES WHO MAKE A 1527 01:51:02,889 --> 01:51:05,992 BRIGHTER DAY, SO LET'S START GIVING ♪ ♪ OH, THERE'S A 1528 01:51:06,059 --> 01:51:09,362 CHOICE WE'RE MAKING ♪ ♪ WE'RE SAVING OUR OWN LIVES ♪ 1529 01:51:09,429 --> 01:51:19,439 ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, JUST YOU AND ME 1530 01:51:20,874 --> 01:51:27,714 ♪ ♪ ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, JUST YOU AND ME 1531 01:51:39,492 --> 01:51:45,465 >> STEVIE WONDER AND HERBIE HANCOCK, LADIES AND 1532 01:51:45,532 --> 01:51:47,400 GENTLEMEN. 1533 01:51:47,467 --> 01:51:54,974 AND ALSO, LET'S GIVE IT UP FOR THE AMAZING STUDENT 1534 01:51:55,041 --> 01:52:01,014 SINGERS FROM TWO SCHOOLS THAT WERE LOST IN THE RECENT 1535 01:52:01,081 --> 01:52:04,284 WILD FIRES. 1536 01:52:04,350 --> 01:52:08,221 PASADENA WALDORF SCHOOL, ALTADENA, PALISADES CHARTER 1537 01:52:08,288 --> 01:52:13,893 HIGH SCHOOL. 1538 01:52:13,960 --> 01:52:23,970 QUINCY JONES WAS A MENTOR, FRIEND, 1539 01:52:26,673 --> 01:52:29,776 FATHER FIGURE. 1540 01:52:29,843 --> 01:52:32,112 WANT TO SHARE A LITTLE STORY ABOUT QUINCY. 1541 01:52:32,178 --> 01:52:37,650 QUINCY WAS THE EXECUTIVE PRODUCER OF ""THE FRESH 1542 01:52:37,717 --> 01:52:38,318 PRINCE OF BEL-AIR"" FRESH PRINCE OF BEL-AIR"." 1543 01:52:38,384 --> 01:52:38,918 FRESH PRINCE OF BEL-AIR"." 1544 01:52:38,985 --> 01:52:40,787 WE ARE ONSET ONE DAY. 1545 01:52:40,854 --> 01:52:42,922 I'M 22 YEARS OLD. 1546 01:52:42,989 --> 01:52:46,626 QUINCY GAVE ME A SHOT WITH THE SHOW. 1547 01:52:46,693 --> 01:52:49,929 I'M ON SET, AND HIM HAVING A REALLY HARD TIME, BECAUSE 1548 01:52:49,996 --> 01:52:52,832 Y'ALL SAW THE EARLY EPISODES SO Y'ALL KNOW I COULDN'T 1549 01:52:52,899 --> 01:52:53,733 REALLY ACT. 1550 01:52:53,800 --> 01:52:56,369 I'M HAVING A HARD TIME ONSET. 1551 01:52:56,436 --> 01:52:58,905 I'M WORKING THROUGH A SCENE.% SOMEBODY SAYS "WILL, 1552 01:52:58,972 --> 01:53:02,475 QUINCY WANTS TO SEE YOU." 1553 01:53:02,542 --> 01:53:05,345 AND I SAID "I'M IN THE MIDDLE OF THE SCENE." 1554 01:53:05,411 --> 01:53:09,115 AND HE SAID "NO, HE SAID COME RIGHT NOW." 1555 01:53:09,182 --> 01:53:09,682 SO I GO. 1556 01:53:09,749 --> 01:53:10,884 QUINCY'S STANDING. 1557 01:53:10,950 --> 01:53:13,153 HE'S GOT HIS HANDS ON HIS HIPS, AND HE'S AT THE SNACK 1558 01:53:13,219 --> 01:53:13,853 TABLE. 1559 01:53:13,920 --> 01:53:15,922 HE'S LOOKING AT THE SNACKS. 1560 01:53:15,989 --> 01:53:17,991 I WAS LIKE "WHAT'S UP, Q?" 1561 01:53:18,057 --> 01:53:22,228 AND HE SAID "DOES THE FOOD YOU THINK THE PEOPLE ON YOUR 1562 01:53:22,295 --> 01:53:23,463 SESSION EAT?" 1563 01:53:23,530 --> 01:53:26,699 AND I SAID "QUINCY, I DON'T DO THE SNACKS ON THE SHOW." 1564 01:53:26,766 --> 01:53:31,237 AND HE SAID "WHOSE NAME IS ON THE SCRIPT?" 1565 01:53:31,304 --> 01:53:32,505 AND I SAID "IT'S A FRESH PRINCE, QUINCY. 1566 01:53:32,572 --> 01:53:34,073 IT'S ME." 1567 01:53:34,140 --> 01:53:36,276 AND HE SAID "SO LET ME GET THIS STRAIGHT: YOU WANT 1568 01:53:36,342 --> 01:53:39,913 THESE PEOPLE TO WORK 16 OR 18 HOURS A DAY SO YOU CAN 1569 01:53:39,979 --> 01:53:43,950 REALIZE YOUR DREAMS, AND THIS IS THE FOOD YOU THINK 1570 01:53:44,017 --> 01:53:45,151 THEY SHOULD EAT? 1571 01:53:45,218 --> 01:53:47,253 I DON'T CARE IF IT'S NOT IN THE BUDGET: YOU PAY FOR IT 1572 01:53:47,320 --> 01:53:51,457 OUT OF YOUR OWN POCKET." 1573 01:53:51,524 --> 01:53:57,964 AND HE SAID SOMETHING TO ME THAT 1574 01:53:58,031 --> 01:54:01,801 BECAME THE ABSOLUTE CENTER OF HOW I WANTED TO HAVE MY 1575 01:54:01,868 --> 01:54:05,672 CAREER, HOW I WANTED TO LIVE MY LIFE. 1576 01:54:05,738 --> 01:54:10,610 HE LOOKED RIGHT AT MY FACE AND HE SAID "IT IS YOUR JOB 1577 01:54:10,677 --> 01:54:13,646 TO TAKE CARE OF THESE PEOPLE," AND HAVE DONE 1578 01:54:13,713 --> 01:54:17,550 EVERYTHING I CAN FOR MY CAREER TO TRY TO LIVE UP TO 1579 01:54:17,617 --> 01:54:23,156 QUINCY'S DEMAND. 1580 01:54:23,223 --> 01:54:27,393 ALL OF Q'S CHILDREN AND ALL OF US 1581 01:54:27,460 --> 01:54:34,467 WHO LOVED HIM LIKE HE WAS OUR FATHER KNOW THIS: QUINCY 1582 01:54:34,534 --> 01:54:38,271 JONES ALWAYS TOOK CARE OF PEOPLE, AND THAT'S HOW HE 1583 01:54:38,338 --> 01:54:43,009 FED THE WORLD. 1584 01:54:43,076 --> 01:54:48,548 QUINCY THOMAS HALL THAT LIFE IS A FEAST -- QUINCY TAUGHT 1585 01:54:48,615 --> 01:54:49,015 US ALL THAT LIFE IS A FEAST, AND YOU DON'T STOP 'UNTIL 1586 01:54:49,082 --> 01:54:50,216 YOU GET ENOUGH. 1587 01:54:50,283 --> 01:54:52,752 AND BECAUSE Q WAS ALWAYS THE LAST AT THE PARTY, WE ARE 1588 01:54:52,819 --> 01:54:58,625 ENDING OUR LIVING TRIBUTE 1589 01:54:58,691 --> 01:55:00,627 JANELLE MONAE. 1590 01:55:00,693 --> 01:55:05,865 YOU KNOW, I WAS ♪ ♪ I WAS 1591 01:55:05,932 --> 01:55:08,701 WONDERING, YOU KNOW ♪ ♪ IF YOU COULD KEEP ON ♪ ♪ 1592 01:55:08,768 --> 01:55:14,274 BECAUSE THE FORCE ♪ ♪ IT'S GOT A LOT OF POWER ♪ ♪ AND 1593 01:55:14,340 --> 01:55:22,949 IT MAKE ME FEEL LIKE, AH ♪ ♪ ♪ ♪ ♪ I LOVE YOU SO MUCH, 1594 01:55:23,016 --> 01:55:24,284 QUINCY JONE I LOVE YOU SO MUCH, QUINCY JON JONES! 1595 01:55:24,350 --> 01:55:34,360 ♪ ♪ ♪ LOVELY IS THE FEELIN' NOW ♪ ♪ FEVER, TEMPERATURES 1596 01:55:35,295 --> 01:55:45,305 RISIN' NOW ♪ 1597 01:55:48,741 --> 01:55:50,710 ♪ SO LET LOVE TAKE US THROUGH THE HOURS ♪ ♪ I 1598 01:55:50,777 --> 01:55:52,478 WON'T BE COMPLAININ' ♪ ♪ 'CAUSE THIS IS LOVE POWER 1599 01:55:52,545 --> 01:55:58,017 ♪ ♪ KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T 1600 01:55:58,084 --> 01:55:59,719 STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, 1601 01:55:59,786 --> 01:56:03,790 DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP 1602 01:56:03,856 --> 01:56:07,660 ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU 1603 01:56:07,727 --> 01:56:12,865 GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ 1604 01:56:12,932 --> 01:56:16,302 DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE 1605 01:56:16,369 --> 01:56:20,039 FORCE, DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ 1606 01:56:20,106 --> 01:56:21,741 KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T STOP 1607 01:56:21,808 --> 01:56:23,776 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, DON'T 1608 01:56:23,843 --> 01:56:33,853 STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ ♪ ♪ ♪ 1609 01:56:54,640 --> 01:56:58,711 I LOVE YOU SO MUCH, QUINCY JONE I LOVE YOU SO MUCH, 1610 01:56:58,778 --> 01:56:59,712 QUINCY JON JONES! 1611 01:56:59,779 --> 01:57:00,313 I LOVE YOU! 1612 01:57:00,380 --> 01:57:04,117 THANK YOU FOR HAVING ME! 1613 01:57:36,015 --> 01:57:39,519 UP NEXT, SZA PRESENT. 1614 01:57:39,585 --> 01:57:42,655 AND, CHRIS MARTIN HELPS US REMEMBER THE MUSIC LEGENDS 1615 01:57:42,722 --> 01:57:44,557 WE LOST THIS PAST YEAR. 1616 01:57:44,624 --> 01:57:46,826 SHAKIRA PERFORMS ON THE GRAMMY STAGE. 1617 01:57:46,893 --> 01:57:50,963 AND, QUEEN LATIFAH HONORS ALICIA KEYS WITH THE DR. 1618 01:57:51,030 --> 01:57:51,631 DRE GLOBAL IMPACT AWARD. 1619 01:57:51,697 --> 01:57:55,902 THIS IS CBS. 1620 01:57:55,968 --> 01:58:00,039 GRAMMY CAMP IS NOW IN LOS ANGELES, MIAMI, AND NEW YORK 1621 01:58:00,106 --> 01:58:00,573 CITY. 1622 01:58:01,007 --> 01:58:01,707 HIGH SCHOOL STUDENTS CAN APPLY NOW. 1623 01:58:01,774 --> 01:58:03,342 LEARN MORE AT GrammyCamp.com. 1624 01:58:23,629 --> 01:58:24,964 FIVE TIME GRAMMY WINNER, INCLUDING A 1625 01:58:25,031 --> 01:58:27,133 NEW AWARD TODAY: SZA. 1626 01:58:27,200 --> 01:58:37,210 ♪ ♪ >> SZA: HEY. 1627 01:58:38,311 --> 01:58:40,780 THE GRAMMYS BRING PEOPLE TOGETHER, AND SO DOES THIS 1628 01:58:40,847 --> 01:58:43,983 NEXT CATEGORY. 1629 01:58:44,050 --> 01:58:47,820 LAST YEAR, I WAS ON HER TO WIN THE THTHE GRAMMY FOR 1630 01:58:47,887 --> 01:58:49,489 BEST POP DUO GROUP PERFORMANCE WITH THE VERY 1631 01:58:49,555 --> 01:58:52,658 COOL PHOEBE BRIDGERS. 1632 01:58:52,725 --> 01:58:56,529 THESE ARE THIS YEAR'S EXCELLENT NOMINEES. 1633 01:58:56,596 --> 01:59:03,936 "US.," GRACIE ABRAMS FEATURING 1634 01:59:04,003 --> 01:59:06,873 TAYLOR SWIFT. 1635 01:59:06,939 --> 01:59:15,114 ♪ ♪ "LEVII'S JEANS," BEYONCE FEATURING POST MALONE. 1636 01:59:15,181 --> 01:59:22,255 ♪ ♪ "GUESS," CHARLI XCX AND BILLIE EILISH. 1637 01:59:22,321 --> 01:59:30,863 ♪ ♪ "THE BOY IS MINE," ARIANA GRANDE, BRANDY & 1638 01:59:30,930 --> 01:59:32,331 MONICA. 1639 01:59:32,398 --> 01:59:39,105 ♪ ♪ "DIE WITH A SMILE," LADY GAGA AND BRUNO MARS. 1640 01:59:39,171 --> 01:59:48,848 ♪ ♪ >> SZA: AND THE GRAMMY GOES TO... 1641 01:59:48,915 --> 01:59:53,185 "DIE WITH A SMILE," LADY GAGA AND BRUNO MARS. 1642 02:00:24,216 --> 02:00:34,226 >> THANK YOU. 1643 02:00:39,966 --> 02:00:43,235 GAGA, I'M SO HONORED TO PART OF THE SONG WITH YOU. 1644 02:00:43,302 --> 02:00:46,706 I'M SO HONORED TO BE I'M SO HONORED TO B BE A SMALL PART 1645 02:00:46,772 --> 02:00:48,407 OF YOUR JOINT MUSICAL LEGACY, AND I TRULY BELIEVE 1646 02:00:48,474 --> 02:00:53,145 THAT GOD GAVE US THIS SONG TO SING TOGETHER, SO THANK 1647 02:00:53,212 --> 02:00:55,047 YOU SO MUCH. 1648 02:00:55,114 --> 02:00:56,983 >> BRUNO, YOU ARE AN 1649 02:00:57,049 --> 02:00:57,917 INCREDIBLE HUMAN BEING. 1650 02:00:57,984 --> 02:01:00,086 YOU ARE A MUSICIAN FOR THE AGES. 1651 02:01:00,152 --> 02:01:04,156 I DON'T KNOW MUSIC WITHOUT BRUNO. 1652 02:01:04,223 --> 02:01:05,725 >> THANK YOU. 1653 02:01:05,791 --> 02:01:07,560 MICHAEL, I LOVE YOU SO MUCH. 1654 02:01:07,627 --> 02:01:11,397 ALL YOUR SUPPORT AND LOVE EVERY SINGLE DAY. 1655 02:01:11,464 --> 02:01:16,168 IT IS A PRIVILEGE TO BE A SONGWRITER AND PRODUCER, A 1656 02:01:16,235 --> 02:01:18,938 MUSICIAN. 1657 02:01:19,005 --> 02:01:21,540 IT'S SUCH AN HONOR TO SING FOR ALL OF YOU. 1658 02:01:21,607 --> 02:01:27,079 I JUST WANT TO SAY TONIGHT THAT TRANS PEOPLE ARE NOT 1659 02:01:27,146 --> 02:01:28,180 INVISIBLE. 1660 02:01:28,247 --> 02:01:30,449 TRANS PEOPLE DESERVE LOVE. 1661 02:01:30,516 --> 02:01:37,823 THE QUEER COMMUNITY DESERVES TO BE LIFTED UP. 1662 02:01:37,890 --> 02:01:38,491 MUSIC IS LOVE. 1663 02:01:38,557 --> 02:01:40,459 THANK YOU. 1664 02:01:40,526 --> 02:01:50,536 ♪ ♪ >> THAT'S RIGHT, 1665 02:01:52,271 --> 02:01:57,009 EVERYBODY, KEEP IT GOING FOR LADY GAGA AND BRUNO MARS. 1666 02:01:57,076 --> 02:01:58,711 CONGRATULATIONS ONCE AGAIN. 1667 02:01:58,778 --> 02:02:03,315 TONIGHT, AS WE REFLECT ON THE THIS MONTH, WE ALSO WANT 1668 02:02:03,382 --> 02:02:06,419 TO SEND OUR THOUGHTS TO ALL THOSE IMPACTED BY THE 1669 02:02:06,485 --> 02:02:08,754 TRAGEDIES THAT OCCURRED RECENTLY IN WASHINGTON AND 1670 02:02:08,821 --> 02:02:10,756 PHILADELPHIA JUST THIS PAST WEEK. 1671 02:02:10,823 --> 02:02:13,993 AND NOW, LET'S TAKE A MOMENT OF REFLECTION WITH MUSIC 1672 02:02:14,060 --> 02:02:18,431 FROM CHRIS MARTIN, WITH GRACE BOWERS, AND REMEMBER 1673 02:02:18,497 --> 02:02:21,567 THOSE WE LOST FROM THE MUSIC COMMUNITY THIS LAST YEAR. 1674 02:02:21,634 --> 02:02:31,644 ZACH MAXEY -- ♪ ♪ ♪ ♪ >> WE NEVER EXPECT IN 1675 02:02:39,418 --> 02:02:45,124 ANY OF THIS TO HAPPEN -- >> WE NEVER EXPECTED ANY OF 1676 02:02:45,191 --> 02:02:48,561 THIS TO HAPPEN. 1677 02:02:48,627 --> 02:02:53,766 >> WE HAVE DONE SOME AMAZING THINGS. 1678 02:02:53,833 --> 02:03:03,843 ♪ ♪ ♪ WE'VE BEEN THROUGH LOW ♪ ♪ BEEN THROUGH SUNSHINE, 1679 02:03:05,711 --> 02:03:15,755 BEEN THROUGH SNOW ♪ ♪ ALL THE COLORS OF THE WEATHER ♪ 1680 02:03:16,322 --> 02:03:24,196 ♪ WE'VE BEEN THROUGH HIGH ♪ ♪ EVERY CORNER OF THE SKY ♪ 1681 02:03:24,263 --> 02:03:33,038 ♪ AND STILL WE'RE HOLDING ON TOGETHER ♪ ♪ YOU GOT ALL MY 1682 02:03:33,105 --> 02:03:43,115 LOVE ♪ ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ 1683 02:03:44,884 --> 02:03:54,894 YOU'VE GOT ALL MY LOVE ♪ ♪ WHETHER IT RAINS, IT REMAINS 1684 02:03:57,096 --> 02:04:07,106 ♪ ♪ YOU'VE GOT ALL MY LOVE ♪ 1685 02:04:22,254 --> 02:04:25,991 ♪ UNTIL I DIE ♪ ♪ LET ME HOLD YOU IF YOU CRY ♪ ♪ BE 1686 02:04:26,058 --> 02:04:36,001 MY ONE, TWO, THREE, FOREVER ♪ ♪ 'CAUSE YOU GOT ALL MY 1687 02:04:36,068 --> 02:04:46,078 LOVE ♪ ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ 1688 02:04:49,882 --> 02:04:59,892 YOU'VE GOT ALL MY LOVE ♪ ♪ WHETHER IT RAINS, IT REMAINS 1689 02:05:02,161 --> 02:05:12,137 ♪ YOU'VE GOT ALL MY LOVE ♪ ♪ ♪ ♪ LA-LA, LA-LA, LA, LAY ♪ 1690 02:05:26,785 --> 02:05:36,829 ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ LA-LA, 1691 02:05:37,997 --> 02:05:47,973 LA-LA, LA, LAY ♪ ♪ THAT'S ALL, ALL I CAN SAY ♪ ♪ ♪ ♪ ♪ 1692 02:06:20,773 --> 02:06:30,783 ♪ YOU GOT ALL MY LOVE ♪ ♪ YOU'VE GOT ALL MY LOVE ♪ 1693 02:06:57,009 --> 02:06:58,143 THE GRAMMY AWARDS. 1694 02:06:58,210 --> 02:06:59,812 THANK YOU SO MUCH AGAIN TO EVERYONE WHO HAS BEEN USING 1695 02:06:59,878 --> 02:07:02,047 A QR CODE AND GIVING. 1696 02:07:02,114 --> 02:07:02,982 THERE IS STILL TIME LEFT. 1697 02:07:03,048 --> 02:07:05,184 THERE IS NO AMOUNT THAT IS TOO SMALL. 1698 02:07:05,250 --> 02:07:07,086 IT IS NOT TOO LATE TO DONATE. 1699 02:07:07,152 --> 02:07:09,488 THANK YOU SO MUCH, EVERYBODY. 1700 02:07:09,555 --> 02:07:11,590 AND NOW, TO PRESENT THE GRAMMY AWARD FOR RECORD OF 1701 02:07:11,657 --> 02:07:15,594 THE YEAR, LET'S HEAR IT FOR LAST YEAR'S WINNER, WHO ALSO 1702 02:07:15,661 --> 02:07:22,501 WON A NEW GRAMMY AWARD TODAY WITH BEYONCE: MILEY CYRUS. 1703 02:07:22,568 --> 02:07:32,578 >> 1704 02:07:36,382 --> 02:07:39,518 GOOD EVENING, GRAMMYS. 1705 02:07:39,585 --> 02:07:43,288 WE WON, BEYONCE! 1706 02:07:43,355 --> 02:07:44,590 THAN YOU. 1707 02:07:44,656 --> 02:07:48,861 I AM HERE FOR TWO VERY IMPORTANT REASONS TONIGHT. 1708 02:07:48,927 --> 02:07:54,633 NUMBER ONE, LOOK AT THIS GALLON. 1709 02:07:54,700 --> 02:07:57,703 HOW COULD I TELL MY CUSTOM 1710 02:07:57,770 --> 02:08:03,876 MALIGN -- LOOK AT THIS GOWN. 1711 02:08:03,942 --> 02:08:06,678 - HOW COULD I TELL MY CUSTOM - - AND TO ANNOUNCE THIS 1712 02:08:06,745 --> 02:08:08,247 YEAR'S WINNER FOR RECORD OF THE YEAR. 1713 02:08:08,313 --> 02:08:10,182 YOU CREATED SOMETHING BEAUTIFUL, SHARED IT WITH 1714 02:08:10,249 --> 02:08:12,084 THE WORLD, AND THAT'S A WIN. 1715 02:08:12,151 --> 02:08:18,057 THESE ARE THE NOMINEES FOR RECORD OF THE YEAR. 1716 02:08:18,123 --> 02:08:25,998 ♪ ♪ >> "NOW AND THEN," 1717 02:08:26,065 --> 02:08:27,199 THE BEATLES. 1718 02:08:27,266 --> 02:08:33,405 "TEXAS HOLD 'EM," BEYONCE. 1719 02:08:33,472 --> 02:08:40,446 "ESPRESSO," SABRINA CARPENTER. 1720 02:08:40,512 --> 02:08:46,218 "360", CHARLI XCX. 1721 02:08:46,285 --> 02:08:51,623 "BIRDS OF A FEATHER," BILLIE EILISH. 1722 02:08:51,690 --> 02:08:58,630 "NOT LIKE US," KENDRICK LAMAR. 1723 02:08:58,697 --> 02:09:05,337 "GOOD LUCK, BABE!," CHAPPELL ROAN. 1724 02:09:05,404 --> 02:09:10,275 "FORTNIGHT," TAYLOR SWIFT FEATURING POST MALONE. 1725 02:09:10,342 --> 02:09:19,284 AS SELECTED BY THE 13,000 VOTING MEMBERS OF 1726 02:09:19,351 --> 02:09:23,422 THE RECORDING ACADEMY, THE GRAMMY GOES TO... 1727 02:09:23,489 --> 02:09:27,259 EVEN IF IT'S NOT YOU, BEYONCE, I MIGHT JUST SAY IT 1728 02:09:27,326 --> 02:09:29,995 IS -- "NOT LIKE US," KENDRICK LAMAR. 1729 02:10:18,477 --> 02:10:20,712 WHAT'S UP WITH IT? 1730 02:10:20,779 --> 02:10:22,114 WHAT THE DEAL? 1731 02:10:22,181 --> 02:10:22,814 WHAT'S UP? 1732 02:10:23,482 --> 02:10:25,350 FIRST AND FOREMOST, ALL PRAISE TO 1733 02:10:25,417 --> 02:10:26,385 THE MOST HIGH. 1734 02:10:26,451 --> 02:10:31,957 WE WOKE UP THIS MORNING. 1735 02:10:32,024 --> 02:10:34,893 REST IN PARADISE -- SHEET TRANSITION YESTERDAY, SO 1736 02:10:34,960 --> 02:10:37,496 THIS A SPECIAL RIGHT NOW, YOU KNOW? 1737 02:10:37,563 --> 02:10:40,966 SHE PROBABLY WATCHING IT FROM UP THERE. 1738 02:10:41,033 --> 02:10:44,303 MAKE SURE Y'ALL GOT YELL SMILES ON, MAKE HER FEEL 1739 02:10:44,369 --> 02:10:44,903 GOOD. 1740 02:10:44,970 --> 02:10:48,507 DRE, WHAT'S UP? 1741 02:10:48,574 --> 02:10:50,809 SWIZZ, WHAT'S UP? 1742 02:10:50,876 --> 02:10:54,680 WE ARE GOING TO DEDICATE THIS ONE TO THE CITY, 1743 02:10:54,746 --> 02:10:56,615 COMPTON, WATTS. 1744 02:10:56,682 --> 02:10:58,150 YEAH. 1745 02:10:58,217 --> 02:10:59,751 YEAH. 1746 02:10:59,818 --> 02:11:03,488 LONG BEACH, INGLEWOOD, HOLLYWOOD, OUT TO THE 1747 02:11:03,555 --> 02:11:12,497 VALLEY, PACOIMA, IE, SAN BERNARDINO, ALL THAT. 1748 02:11:12,564 --> 02:11:15,968 YOU KNOW, THIS IS MY NECK OF THE WOODS THAT'S HELD ME 1749 02:11:16,034 --> 02:11:21,940 DOWN SINCE A YOUNG PUP, YOU KNOW, SINCE I WAS IN THE 1750 02:11:22,007 --> 02:11:28,647 STUDIO SCRAPPING TO WRITE THE BEST RAPS, AND TO 1751 02:11:28,714 --> 02:11:29,681 RECORDS LIKE THESE. 1752 02:11:29,881 --> 02:11:34,820 I CAN'T GIVE ENOUGH THANKS TO THESE PLACES THAT I 1753 02:11:34,886 --> 02:11:36,955 ROLLED AROUND SINCE HIGH SCHOOL. 1754 02:11:37,022 --> 02:11:39,925 MOST IMPORTANTLY, THE PEOPLE AND THE FAMILIES OUT IN THE 1755 02:11:39,992 --> 02:11:43,128 PALISADES AND ALTADENA. 1756 02:11:43,195 --> 02:11:45,163 THIS IS A TRUE TESTAMENT THAT WE 1757 02:11:45,230 --> 02:11:51,036 CAN CONTIUE TO RESTORE THE CITY CAN CONTIUE TO RESTORE 1758 02:11:51,103 --> 02:11:51,503 THE CIT CITY. 1759 02:11:51,570 --> 02:11:52,237 AND, YET. 1760 02:11:52,304 --> 02:11:56,908 WE GON' KEEP ROCKING, MY BOY. 1761 02:11:56,975 --> 02:12:00,746 MUSTARD, WHAT'S UP? 1762 02:12:00,812 --> 02:12:06,051 >> I AND GOT NOTHING 1763 02:12:06,118 --> 02:12:08,253 TO SAY BUT WESTSIDE ! 1764 02:12:08,320 --> 02:12:08,620 ! 1765 02:12:09,421 --> 02:12:13,825 - I AIN'T GOT NOTHING TO SAY BUT WESTSIDE! 1766 02:12:13,892 --> 02:12:15,794 >> KENDRICK LAMAR, 1767 02:12:15,861 --> 02:12:18,830 EVERYBODY, AND MUSTARD ON THE BEAT. 1768 02:12:18,897 --> 02:12:21,667 NOW, PLEASE WELCOME A BELOVED GRAMMY AND LATIN 1769 02:12:21,733 --> 02:12:24,736 GRAMMY AWARD-WINNING ARTIST WHO WON A NEW GRAMMY AWARD 1770 02:12:24,803 --> 02:12:25,804 JUST TODAY. 1771 02:12:25,871 --> 02:12:27,806 SHE WAS TEACHING WHITE PEOPLE SPANISH WAY BEFORE 1772 02:12:27,873 --> 02:12:28,607 DOUBLING UP. 1773 02:12:28,674 --> 02:12:34,379 PLEASE WELCOME GLORIA ESTEFAN. 1774 02:12:34,446 --> 02:12:43,822 ♪ ♪ >> THANK YOU, TREVOR. 1775 02:12:43,889 --> 02:12:45,490 I KNOW WHAT A POWERFUL COMBINATION LATIN MUSIC AND 1776 02:12:45,557 --> 02:12:46,992 THE GRAMMYS CAN BE. 1777 02:12:47,059 --> 02:12:51,663 25 YEARS AGO, THE LATIN RECORDING ACADEMY CREATED 1778 02:12:51,730 --> 02:12:55,567 THE FIRST EVER LATIN GRAMMY AWARDS, WHICH I WAS HONORED 1779 02:12:55,634 --> 02:12:59,237 TO COHOST, AND FOR A QUARTER-CENTURY NOW, IT'S 1780 02:12:59,304 --> 02:13:02,341 BEEN AN IMPORTANT SHOW, GIVING SO MANY LATIN ARTISTS 1781 02:13:02,407 --> 02:13:05,911 A CHANCE TO SHINE IN THE GRAMMY SPOTLIGHT. 1782 02:13:05,977 --> 02:13:06,411 YES. 1783 02:13:06,645 --> 02:13:07,245 THAT DESERVES APPLAUSE. 1784 02:13:07,312 --> 02:13:08,647 YES. 1785 02:13:08,714 --> 02:13:11,717 SO MANY. 1786 02:13:11,783 --> 02:13:16,388 ONE OF THOSE ARTISTS WHO ALWAYS SHINES THE BRIGHTEST 1787 02:13:16,455 --> 02:13:17,522 AS OUR NEXT PERFORMER. 1788 02:13:17,589 --> 02:13:20,759 25 YEARS AGO, I HAD THE HONOR OF INTRODUCING HER TO 1789 02:13:20,826 --> 02:13:24,196 AMERICA AND COLLABORATE IN WITH HER, SO THIS IS A REAL 1790 02:13:24,262 --> 02:13:25,397 FULL CIRCLE MOMENT. 1791 02:13:25,464 --> 02:13:30,102 SHE'S A 15 TIME LATIN GRAMMY WINNER, A FOUR TIME GRAMMY 1792 02:13:30,168 --> 02:13:34,973 WINNER, AND A WINNER TONIGHT FOR BEST LATIN POP ALBUM, 1793 02:13:35,040 --> 02:13:36,842 AND IN ANY LANGUAGE, SHE IS A GLOBAL SUPERSTAR. 1794 02:13:36,908 --> 02:13:41,680 HERE'S A CLOSER LOOK AT THE SINGULAR STORY OF THE ONE 1795 02:13:41,747 --> 02:13:51,757 AND ONLY >> LA INCOMPARABLE SHAKIRA >> LAST TIME I 1796 02:13:54,493 --> 02:13:56,762 PERFORMED ON THE STAGE WAS 2007. 1797 02:13:56,828 --> 02:13:58,263 70 THINGS HAVE HAPPENED SINCE THEN. 1798 02:13:58,330 --> 02:14:01,600 I'VE LIVED NINE LIVES. 1799 02:14:01,666 --> 02:14:11,710 ♪ ♪ >> LOOKING BACK AT THE PAST, MY CAREER, I WOULD 1800 02:14:13,011 --> 02:14:13,979 ♪ ♪ >> LOOKING BACK AT THE PAST, MY CAREER, I WOULD CHANGE ANYTHING -- THE STRUGGLES I HAD TO GO 1801 02:14:14,045 --> 02:14:15,847 CHANGE ANYTHING -- THE STRUGGLES I HAD TO GO 1802 02:14:15,914 --> 02:14:18,083 THROUGH IN ORDER TO GET MY MUSIC PLAYED ON AMERICAN 1803 02:14:18,150 --> 02:14:18,617 RADIO. 1804 02:14:19,451 --> 02:14:23,221 I SEE THAT NOW THAT IT'S NOT AS HARD FOR SPANISH ARTISTS 1805 02:14:23,288 --> 02:14:24,289 TO BE HEARD. 1806 02:14:24,556 --> 02:14:29,995 IT MAKES ME HAPPY TO HAVE BEEN A PART OF THAT PROCESS. 1807 02:14:30,061 --> 02:14:32,731 SEVEN YEARS HAVE PASSED SINCE MY LAST ALBUM. 1808 02:14:32,798 --> 02:14:35,333 WHEN I WROTE THIS ALBUM, I WAS GOING THROUGH MY 1809 02:14:35,400 --> 02:14:40,305 SEPARATION, BUT THAT WASN'T THE ONLY LOSS I WAS 1810 02:14:40,372 --> 02:14:41,139 EXPERIENCING. 1811 02:14:41,673 --> 02:14:43,775 EVERYTHING I FEAR THAT WOULD HAPPEN TO ME HAPPENED TO ME. 1812 02:14:43,842 --> 02:14:47,746 I HAD TO FIND A WAY TO PUT MYSELF BACK TOGETHER. 1813 02:14:47,813 --> 02:14:52,517 MUSIC PLAYED A SUPER IMPORTANT ROLE TO TRANSFORM 1814 02:14:52,584 --> 02:14:55,787 ALL THE PAIN, THE ANGER, INTO SOMETHING PRECIOUS. 1815 02:14:55,854 --> 02:15:02,093 IT WAS A WAY OF ALMOST SEEING MY TEARS BECOME 1816 02:15:02,160 --> 02:15:03,462 DIAMONDS. 1817 02:15:37,896 --> 02:15:42,901 ♪ AYER CONOCÍ UN CIELO SIN SOL Y UN HOMBRE SIN SUELO ♪ 1818 02:15:42,968 --> 02:15:52,978 ♪ UN SANTO EN PRISIÓN Y UNA CANCIÓN TRISTE SIN DUEÑO ♪ ♪ 1819 02:15:55,313 --> 02:16:05,323 YEAH, HEY, YEAH-HEY, YEAH-YEAH, HEY ♪ 1820 02:16:19,704 --> 02:16:29,714 ♪ ♪ ♪ LE PIDO AL CIELO SOLO UN DESEO ♪ ♪ ♪ ♪ FUI DESDE 1821 02:16:39,057 --> 02:16:40,659 EL NORTE HASTA EL POLO SUR ♪ ♪ Y NO ENCONTRÉ OJOS ASÍ ♪ ♪ 1822 02:16:40,725 --> 02:16:50,735 COMO LOS QUE TIENES TÚ ♪ ♪ ♪ 1823 02:17:23,768 --> 02:17:33,812 ♪ CON LA PRENSA EN LA PUERTA Y LA DEUDA EN HACIENDA ♪ ♪ 1824 02:17:34,212 --> 02:17:36,114 TE CREÍSTE QUE ME HERISTE Y ME VOLVISTE MÁS DURA ♪ ♪ LAS 1825 02:17:36,181 --> 02:17:46,191 MUJERES YA NO LLORAN, LAS MUJERES FACTURAN ♪ ♪ ♪ ♪ ♪ 1826 02:18:15,353 --> 02:18:25,363 >> ♪CTIENE NOMBRE DE PERSONA BUENA ♪ >> 1827 02:19:04,002 --> 02:19:06,471 ♪ ME DEJASTE DE VECINA A LA SUEGRA ♪ ♪ CON LA PRENSA EN 1828 02:19:06,538 --> 02:19:08,239 LA PUERTA Y LA DEUDA EN HACIENDA ♪ ♪ TE CREÍSTE QUE 1829 02:19:08,306 --> 02:19:10,775 ME HERISTE Y ME VOLVISTE MÁS DURA ♪ ♪ LAS MUJERES YA NO 1830 02:19:10,842 --> 02:19:20,852 LLORAN, LAS MUJERES FACTURAN 1831 02:19:26,057 --> 02:19:36,067 ♪ ♪ >> 1832 02:19:37,769 --> 02:19:47,779 Secretary Leavitt: ♪ ♪ ♪ ♪ ♪ 1833 02:19:49,214 --> 02:19:52,650 THANK YOU! 1834 02:19:52,717 --> 02:20:00,925 >> MUCHAS GRACIAS MI GENTE NEXT 1835 02:20:00,992 --> 02:20:08,533 , NEXT, QUEEN LATIFAH, AND A PERFORMANCE FROM CHARLI XCX. 1836 02:20:08,600 --> 02:20:11,703 WHICH GREAT ARTIST WILL TAKE ON THE GRAMMY AWARD FOR 1837 02:20:11,770 --> 02:20:12,670 ALBUM OF THE YEAR? 1838 02:20:12,737 --> 02:20:13,404 FOUND OUT -- FIND OUT. 1839 02:20:13,471 --> 02:20:17,008 THIS IS CBS. 1840 02:20:18,443 --> 02:20:20,912 MUSICARES IS PROVIDING CRITICAL RELIEF FOR MUSIC 1841 02:20:20,979 --> 02:20:22,680 PROFESSIONALS AFFECTED BY THE GREATER LOS ANGELES 1842 02:20:22,747 --> 02:20:23,314 WILDFIRES. 1843 02:20:23,748 --> 02:20:25,817 PLEASE DONATE AT GRAMMY.COM/FIRE RELIEF. 1844 02:20:47,906 --> 02:20:50,008 WELCOME BACK TO THE GRAMMY AWARDS. 1845 02:20:50,074 --> 02:20:52,911 AS YOUR HOST, IT'S ON MY HONOR TO ACKNOWLEDGE ON 1846 02:20:52,977 --> 02:20:56,147 BEHALF OF THE RECORDING ACADEMY, THE MUSIC EDUCATOR 1847 02:20:56,214 --> 02:20:57,348 OF THE YEAR. 1848 02:20:57,415 --> 02:21:06,524 THIS YEAR, IT IS ADRIAN ELL MACKLIN, CHOIR DIRECTOR IN 1849 02:21:06,591 --> 02:21:10,595 MEMPHIS, TENNESSEE, -- ADRIAN MACLIN, CHOIR 1850 02:21:10,662 --> 02:21:11,629 DIRECTOR IN TENNESSEE. 1851 02:21:11,696 --> 02:21:15,500 THE -- IS JODY GERSON. 1852 02:21:15,567 --> 02:21:21,072 THE HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD 1853 02:21:21,139 --> 02:21:27,679 GOES TO TO -- "DELIVER CLOSE TIE WRITTEN BY IMAN JORDAN, 1854 02:21:27,745 --> 02:21:33,685 ROY GARTRELL, TAM JONES, AND ARIEL LOH. 1855 02:21:33,751 --> 02:21:34,719 TO PRESENT THE DR. 1856 02:21:34,786 --> 02:21:38,623 DRE IMPACT AWARD, PLEASE WELCOME A GRAMMY WINNER, 1857 02:21:38,690 --> 02:21:43,795 - FORMER GRAMMY HOST, AN AND - - QUEEN LATIFAH. 1858 02:21:57,809 --> 02:22:00,678 WHAT'S GOOD? 1859 02:22:00,745 --> 02:22:03,982 I'VE HAD THE PLEASURE OF KNOWING ALICIA KEYS FOR A 1860 02:22:04,048 --> 02:22:04,816 LONG. 1861 02:22:05,250 --> 02:22:11,122 FROM THE START, WE ALL HEARD THE IMMENSE POWER OF HER 1862 02:22:11,189 --> 02:22:12,156 VOICE. 1863 02:22:12,223 --> 02:22:16,261 OVER THE YEARS, WE HAVE WATCHED HER CONTINUOUSLY 1864 02:22:16,327 --> 02:22:16,995 TRANSFORM. 1865 02:22:17,495 --> 02:22:21,532 SHE BECAME AN ACTOR, INCREDIBLE WIFE, INCREDIBLE 1866 02:22:21,599 --> 02:22:23,101 MOTHER. 1867 02:22:23,167 --> 02:22:27,372 AFTER OVER 13 YEARS IN THE MAKING, SHE WAS FINALLY ABLE 1868 02:22:27,438 --> 02:22:30,708 TO BRING HER LIFE STORY TO BROADWAY IN THE SMASH HIT 1869 02:22:30,775 --> 02:22:33,811 "HELL'S KITCHE IN THE SMASH HIT "HELL'S KI "HELL'S 1870 02:22:33,878 --> 02:22:35,046 KITCHEN." 1871 02:22:35,113 --> 02:22:36,681 IF YOU HAVEN'T MADE IT TO NEW YORK, 1872 02:22:36,748 --> 02:22:39,884 MAKE SURE YOU GO TO BROADWAY AND SEE THAT. 1873 02:22:39,951 --> 02:22:42,220 THAT'S RIGHT. 1874 02:22:42,287 --> 02:22:47,625 SHE IS A CONSTANT INSPIRATION THROUGH HER 1875 02:22:47,692 --> 02:22:52,063 VOICE, TALENT, BUT MOST IMPORTANTLY, THROUGH HER 1876 02:22:52,130 --> 02:22:52,697 HEART. 1877 02:22:53,431 --> 02:22:54,632 IF YOU KNOW ALICIA, YOU ALSO KNOW HOW FUNNY AND SARCASTIC 1878 02:22:54,699 --> 02:22:55,400 SHE CAN BE. 1879 02:22:55,466 --> 02:22:59,504 SHE'S A 17 TIME GRAMMY WINNER. 1880 02:22:59,570 --> 02:23:05,643 INCLUDING A NEW WIN TODAY 1881 02:23:05,710 --> 02:23:06,544 FOR MUSICAL THEATER ALBUM. 1882 02:23:06,611 --> 02:23:08,947 LET'S GO! 1883 02:23:09,013 --> 02:23:15,386 ALICIA IS A GLOBAL FORCE, DEEPLY 1884 02:23:15,453 --> 02:23:20,024 IMPACTING MUSIC, CULTURE, AND HUMANITY TO BECOME ONE 1885 02:23:20,091 --> 02:23:22,393 OF THE MOST INSPIRING ARTISTS OF OUR TIME, BUT 1886 02:23:22,460 --> 02:23:25,396 SHE'S ALSO JUST ALICI TIME, BUT SHE'S ALSO JUST ALI 1887 02:23:25,463 --> 02:23:25,997 ALICIA. 1888 02:23:26,431 --> 02:23:28,866 SHE'S ALWAYS THERE WHEN WE NEED HER. 1889 02:23:28,933 --> 02:23:32,103 HERE'S A LOOK AT THE EXTRAORDINARY IMPACT OF THE 1890 02:23:32,170 --> 02:23:33,905 PROFOUNDLY TALENTED ALICIA KEYS. 1891 02:23:33,972 --> 02:23:40,945 ALICIA KEYS' JOURNEY BEGAN 1892 02:23:41,012 --> 02:23:44,983 WITH THE PIANO, HER VOICE, AND AN UNDENIABLE SPIRIT. 1893 02:23:45,049 --> 02:23:50,755 BY 20, SHE CAPTIVATED THE WORLD WITH "SONGS IN A 1894 02:23:50,822 --> 02:23:55,560 MINOR," A DEBUT THAT SOLD 20 MILLION RECORDS AND WON FIVE 1895 02:23:55,626 --> 02:23:56,294 GRAMMYS. 1896 02:23:56,794 --> 02:23:59,931 HER MUSIC RECENTLY MADE ITS WAY TO BROADWAY IN THE 1897 02:23:59,998 --> 02:24:01,265 MUSICAL "HELL'S KITCHEN." 1898 02:24:01,332 --> 02:24:06,070 ALICIA IS THE FIRST FEMALE SOLO WRITER, PRODUCER, AND 1899 02:24:06,137 --> 02:24:10,108 PERFORMANCE YOU HAVE A SONG HIT 1 BILLION STREAMS. 1900 02:24:10,174 --> 02:24:11,709 ALICIA'S IMPACT EXTENDS FAR BEYOND HER MUSIC. 1901 02:24:11,776 --> 02:24:17,882 AS COFOUNDER OF "KEEP A CHILD ALIVE," SHE HAS RAISED 1902 02:24:17,949 --> 02:24:22,453 MILLIONS HER ANTHEMS OF EMPOWERMENT INSPIRE VOICES 1903 02:24:22,520 --> 02:24:23,654 WORLDWIDE. 1904 02:24:23,721 --> 02:24:26,624 IN ORIGINAL FOUNDER OF "SHE IS THE MUSIC," ALICIA HAS 1905 02:24:26,691 --> 02:24:31,162 CREATED A NONPROFIT THAT OFFERS SUPPORT, GUIDANCE, 1906 02:24:31,229 --> 02:24:33,431 AND OPPORTUNITIES TO WOMEN IN THE MUSIC INDUSTRY. 1907 02:24:33,498 --> 02:24:38,536 THE RECORDING ACADEMY IS PROUD TO HONOR A VISIONARY, 1908 02:24:38,603 --> 02:24:45,343 A TRAILBLAZER, AND A INSPIRATION: ALICIA KEYS. 1909 02:24:45,410 --> 02:24:52,917 >> STAND UP, 1910 02:24:52,984 --> 02:24:53,985 STAND UP! 1911 02:24:54,052 --> 02:24:57,522 IT'S MY HONOR TO PRESENT THE 2025 DR. 1912 02:24:57,588 --> 02:25:05,863 DRE GLOBAL IMPACT AWARD TO THE ONE, THE ONLY, ALICIA 1913 02:25:05,930 --> 02:25:07,365 KEYS! 1914 02:25:07,432 --> 02:25:17,108 COME ON, Y'ALL, MAKE SOME 1915 02:25:17,175 --> 02:25:17,708 NOISE! 1916 02:25:17,775 --> 02:25:20,144 THIS GIRL IS ON FIRE! 1917 02:25:20,211 --> 02:25:23,915 Y'ALL GOT TO RECOGNIZE A WOMAN'S 1918 02:25:23,981 --> 02:25:28,252 COME ON, Y'ALL, MAKE SOME NOISE! 1919 02:25:28,319 --> 02:25:37,261 >> Secretary Leavitt: ♪ ♪ >> 1920 02:25:37,328 --> 02:25:39,263 GIVE IT UP FRONT -- >> GIVE IT UP FOR THE 1921 02:25:39,330 --> 02:25:39,864 QUEEN. 1922 02:25:39,931 --> 02:25:44,001 ULTIMATE TRAILBLAZER. 1923 02:25:44,068 --> 02:25:46,838 THIS IS SUCH A BEAUTIFUL, BEAUTIFUL NIGHT. 1924 02:25:46,904 --> 02:25:49,040 I'M SO GRATEFUL BE HERE TONIGHT. 1925 02:25:49,107 --> 02:25:53,311 I'M SO GRATEFUL FOR THIS ENERGY, THE ROOM TONIGHT, 1926 02:25:53,377 --> 02:25:54,479 THE LOVE IN THE COMMUNITY. 1927 02:25:54,545 --> 02:25:55,813 IT'S A REAL THING. 1928 02:25:55,880 --> 02:25:59,383 TONIGHT IS A BEAUTIFUL, POWERFUL THING THAT WE ARE 1929 02:25:59,450 --> 02:26:00,585 CULTIVATING. 1930 02:26:00,651 --> 02:26:04,222 I JUST WANT TO GIVE BIG LOVE TO MY BROTHER, DR. 1931 02:26:04,288 --> 02:26:05,123 DRE. 1932 02:26:05,556 --> 02:26:07,859 WHO CREATED A SOUND THAT BEGAN A 1933 02:26:07,925 --> 02:26:08,559 MOVEMENT. 1934 02:26:09,160 --> 02:26:13,598 YOUR SOUND TOLD ME THAT IF YOU ARE A CREATIVE GROWING 1935 02:26:13,664 --> 02:26:16,534 UP IN COMPTON OR HELL'S KITCHEN, YOU CAN TOUCH THE 1936 02:26:16,601 --> 02:26:17,602 WORLD. 1937 02:26:17,902 --> 02:26:20,571 I ALWAYS HAD TO FIGHT FOR A CERTAIN LEVEL OF RESPECT AS 1938 02:26:20,638 --> 02:26:24,275 A SONGWRITER, COMPOSER, AND ESPECIALLY A PRODUCER. 1939 02:26:24,342 --> 02:26:28,346 IT'S STRANGE THAT WE DON'T THINK OF WOMEN AS PRODUCERS 1940 02:26:28,412 --> 02:26:38,422 LIKE QUINCY OR DRE OR SWIZZY, BUT FEMALES HAVE 1941 02:26:40,591 --> 02:26:44,962 ALWAYS POWER THE INDUSTRY MISSY ELLIOTT, LINDA PERRY, 1942 02:26:45,029 --> 02:26:47,865 SOLANGE, SO MANY MORE. 1943 02:26:47,932 --> 02:26:51,302 WE STAND TOGETHER, SO IT'S A BEAUTIFUL FEELING TO BE 1944 02:26:51,369 --> 02:26:54,939 ACKNOWLEDGED FOR THE THING I ALWAYS THOUGHT PEOPLE DIDN'T 1945 02:26:55,006 --> 02:26:56,440 REALLY RECOGNIZE ABOUT ME. 1946 02:26:56,507 --> 02:26:57,575 THIS IS A BEAUTIFUL THING. 1947 02:26:57,642 --> 02:27:03,881 I'VE BEEN BLESSED TO CREATE WITH SOME OF THE MOST 1948 02:27:03,948 --> 02:27:08,152 SUPERPOWERED GROUNDBREAKING RISK TAKERS LIKE VICTORIA 1949 02:27:08,219 --> 02:27:12,890 JOSEPH, MY MAMA, AND -- DESIREE PEREZ, JODI GERSHON. 1950 02:27:12,957 --> 02:27:16,928 THEY SAW IN ME WHAT I DIDN'T SEE MYSELF. 1951 02:27:16,994 --> 02:27:19,330 SHEET -- AT THE MUSIC TO OPEN THE DOORS FOR OTHER 1952 02:27:19,397 --> 02:27:21,432 WOMEN WHO DIDN'T GET THE OPPORTUNITIES OR CREDIT THEY 1953 02:27:21,499 --> 02:27:21,966 DESERVE. 1954 02:27:22,767 --> 02:27:24,835 THIS IS FOR ALL THE LADIES THAT NO THE MAGIC THAT THEY 1955 02:27:24,902 --> 02:27:27,638 BRING TO THE ROOM. 1956 02:27:27,705 --> 02:27:36,981 THIS IS NOT THE TIME TO SHUT DOWN 1957 02:27:37,048 --> 02:27:39,517 THE DIVERSITY OF VOICES. 1958 02:27:39,584 --> 02:27:43,754 WE HAVE SEEN ON THIS STAGE TALENTED, HARDWORKING PEOPLE 1959 02:27:43,821 --> 02:27:47,291 FROM DIFFERENT BACKGROUNDS WITH DIFFERENT POINTS OF 1960 02:27:47,358 --> 02:27:49,894 VIEW, AND IT CHANGES THE GAME. 1961 02:27:49,961 --> 02:27:57,168 DER IS NOT A THREAT: IT'S A GIFT -- DEI IS NOT A THREAT: 1962 02:27:57,235 --> 02:27:58,269 IT'S A GIFT. 1963 02:27:58,336 --> 02:28:02,873 THE MORE VOICES, THE MORE 1964 02:28:02,940 --> 02:28:03,908 POWERFUL THE SOUND. 1965 02:28:03,975 --> 02:28:06,143 WHEN DESTRUCTIVE FORCES TRY TO BURN US DOWN. 1966 02:28:06,210 --> 02:28:10,381 WE RISE FROM THE ASHES LIKE A PHOENIX, AND AS YOU SEE 1967 02:28:10,448 --> 02:28:14,285 TONIGHT, MUSIC IS THE UNSTOPPABLE LANGUAGE THAT 1968 02:28:14,352 --> 02:28:14,819 CONNECTS US ALL. 1969 02:28:14,885 --> 02:28:18,456 IT'S SO BEAUTIFUL. 1970 02:28:18,522 --> 02:28:22,260 SO, LET'S KEEP SHOWING UP WITH 1971 02:28:22,326 --> 02:28:23,461 COMPASSION, WITH EMPATHY. 1972 02:28:23,527 --> 02:28:24,662 WHAT I CALL SOUL CARE. 1973 02:28:24,729 --> 02:28:28,065 KEEP OPENING THE DOORS. 1974 02:28:28,132 --> 02:28:30,001 THE DREAMS THAT THE WORLD IS OUGHT TO BE. 1975 02:28:30,067 --> 02:28:33,704 THE DREAM OF THE WORLD AS IT OUGHT TO BE, AS THE GREAT 1976 02:28:33,771 --> 02:28:35,673 TONI MORRISON SAID. 1977 02:28:35,740 --> 02:28:40,511 THANK YOU FOR THIS MASSIVE AWARD, THIS MASSIVE HONOR TO 1978 02:28:40,578 --> 02:28:42,413 THE ACADEMY, TO THE BLACK MUSIC COLLECTIVE, TO 1979 02:28:42,480 --> 02:28:45,049 EVERYONE WHO HAS EVER BEEN TOUCHED BY THE MUSIC AND THE 1980 02:28:45,116 --> 02:28:46,484 MESSAGE. 1981 02:28:46,550 --> 02:28:51,722 CLAUDE DAVIS, AK W, MY BROTHER JAY-Z, TEAM ROCK, 1982 02:28:51,789 --> 02:28:56,027 ADAM BLACKSTONE, HELL'S KITCHEN, THE MOST HIGH. 1983 02:28:56,093 --> 02:28:57,628 MY MAGNIFICENT MOTHER, WHO GAVE ME LIFE. 1984 02:28:57,695 --> 02:29:07,738 MY BEAUTIFUL KIDS, EGYPT, GENESIS, KJ, NIKKI, NAS, FOR 1985 02:29:08,472 --> 02:29:11,942 SHARING ME WITH THE WORLD, AND MY HUSBAND, MY ULTIMATE 1986 02:29:12,009 --> 02:29:16,681 SOULMATE, DREAM WEAVER, SWIZZY. 1987 02:29:16,747 --> 02:29:18,849 AND MOST IMPORTANTLY, TO EVERY 1988 02:29:18,916 --> 02:29:21,319 ARTIST OUT HERE TONIGHT: YOU ARE BRILLIANT. 1989 02:29:21,385 --> 02:29:24,121 LOOK WHAT'S HAPPENING IN THIS ROOM TONIGHT. 1990 02:29:24,188 --> 02:29:25,756 THIS ROOM IS UNSTOPPABLE. 1991 02:29:25,823 --> 02:29:26,524 IT'S POWERFUL. 1992 02:29:26,590 --> 02:29:29,193 IT'S UNIQUENESS AT ITS FINEST. 1993 02:29:29,260 --> 02:29:33,464 NEVER STOP BEING JUST LIKE YOU. 1994 02:29:33,531 --> 02:29:35,266 THIS IS AMAZING. 1995 02:29:35,333 --> 02:29:42,506 BIG LOVE, AND HAPPY BIRTHDAY TO MY SISTER, YOLEE. 1996 02:29:42,573 --> 02:29:43,708 THANK YOU FOR SEEING ME. 1997 02:29:43,774 --> 02:29:44,742 I LOVE YOU! 1998 02:29:45,142 --> 02:29:51,482 ♪ ♪ >> THAT WAS ONE OF THE 1999 02:29:51,549 --> 02:29:53,918 MOST SPECIAL MOMENTS I'VE EVER BEEN PART OF. 2000 02:29:53,984 --> 02:29:57,254 CONGRATULATIONS WILL MORE TIME, ALICIA KEYS, 2001 02:29:57,321 --> 02:29:58,489 EVERYBODY. 2002 02:29:58,556 --> 02:29:59,523 THIS IS AMAZING. 2003 02:29:59,757 --> 02:30:01,726 YOU ASK PEOPLE AND YOU HOPE PEOPLE WILL CONTRIBUTE. 2004 02:30:01,792 --> 02:30:06,931 - JUST FROM THE PEOPLE AT HOME - - WE HAVEN'T TOLD YOU 2005 02:30:06,997 --> 02:30:08,032 WHAT'S IN THE ROOM YET, BUT JUST FROM THE PEOPLE 2006 02:30:08,099 --> 02:30:11,602 WATCHING AT HOME, WE'VE ALREADY RAISED $7 MILLION 2007 02:30:11,669 --> 02:30:14,772 FOR ALL THESE AMAZING CAUSES COME ALL THE PEOPLE WHO HAVE 2008 02:30:14,839 --> 02:30:17,241 LOST THEIR HOMES IN L.A., THAT ARE REBUILDING IN L.A. 2009 02:30:17,308 --> 02:30:19,777 THINK YOU'D EVER SINGLE ONE OF YOU. 2010 02:30:19,844 --> 02:30:21,078 EVERYONE OF THE ROOM REMEMBER, IT'S NOT TOO LATE. 2011 02:30:21,145 --> 02:30:23,381 WE ARE COUNTING ON YOU AS WELL. 2012 02:30:23,447 --> 02:30:25,015 LATER ON, CHARLI XCX IS STILL GOING TO BE 2013 02:30:25,082 --> 02:30:25,616 PERFORMING. 2014 02:30:25,683 --> 02:30:26,250 WE HAVE A GREAT SHOW. 2015 02:30:26,317 --> 02:30:27,685 IT'S UP AND DOWN. 2016 02:30:27,752 --> 02:30:30,688 THERE IS EMOTIONS, EVERYTHING, BUT THIS IS THE 2017 02:30:30,755 --> 02:30:31,522 GRAMMYS. 2018 02:30:32,022 --> 02:30:34,759 NOW, TO PRESENT THE GRAMMY FOR SONG OF THE YEAR, PLEASE 2019 02:30:34,825 --> 02:30:37,928 WELCOME -- AND I CAN'T BELIEVE I'M SAYING THIS -- 2020 02:30:37,995 --> 02:30:41,665 GRAMMY LIFETIME ACHIEVEMENT AWARD HONOREE, THE SUPREMELY 2021 02:30:41,732 --> 02:30:45,136 WONDERFUL DIANA ROSS. 2022 02:31:05,256 --> 02:31:11,228 WOO YOU LOOK SO BEAUTIFUL. 2023 02:31:11,295 --> 02:31:13,831 HAVE BEEN THINKING ABOUT HOW CAN WE HAVE THE BALANCE 2024 02:31:13,898 --> 02:31:18,569 BETWEEN CELEBRATING AND BEING FILLED WITH SORROW? 2025 02:31:18,636 --> 02:31:24,375 EVEN AS WE FACE TRIALS AND TRIBUTES WITH OUR SOUL, 2026 02:31:24,442 --> 02:31:33,484 MUSIC BRINGS US HOME. 2027 02:31:33,551 --> 02:31:37,755 I AM PROVIDING US ALL WITH LOVE AND HOPE AND COURAGE 2028 02:31:37,822 --> 02:31:40,291 FOR THOSE WHO ARE HURTING TONIGHT, ESPECIALLY THE 2029 02:31:40,357 --> 02:31:46,664 CHILDREN WHO MIGHT BE FRIGHTENED. 2030 02:31:46,730 --> 02:31:47,398 WE STAND WITH YOU. 2031 02:31:47,465 --> 02:31:55,306 MY HEART REACHES OUT TO YOU. 2032 02:31:55,372 --> 02:31:59,977 THE POWER THAT WE HOLD TO REBUILD, TO RELIFT, AND TO 2033 02:32:00,044 --> 02:32:07,918 COME TOGETHER WITH COMPASSION, AND BY REMINDING 2034 02:32:07,985 --> 02:32:18,195 OUR FUTURE GENERATIONS 2035 02:32:19,029 --> 02:32:22,933 THESE ARE THE NOMINATIONS TONIGHT FOR A SONG OF THE 2036 02:32:23,000 --> 02:32:25,002 YEAR. 2037 02:32:29,974 --> 02:32:34,044 "A BAR SONG ." 2038 02:32:34,111 --> 02:32:43,821 ♪ ♪ "BIRDS OF A FEATHER." 2039 02:32:43,888 --> 02:32:47,024 ♪ ♪ "DIE WITH A SMILE." 2040 02:32:47,091 --> 02:32:52,463 ♪ ♪ "FORTNIGHT." 2041 02:32:52,530 --> 02:32:57,568 ♪ ♪ "GOOD LUCK, BABE!." 2042 02:32:57,635 --> 02:33:04,942 ♪ ♪ "NOT LIKE US." 2043 02:33:05,009 --> 02:33:15,052 >> Secretary Leavitt: ♪ ♪ ♪ ♪ "PLEASE PLEASE PLEASE." 2044 02:33:15,653 --> 02:33:21,191 ♪ ♪ "TEXAS HOLD 'EM" "TEXAS HOLD 'EM." 2045 02:33:21,258 --> 02:33:21,825 "TEXAS HOLD 'EM." 2046 02:33:22,593 --> 02:33:32,570 AS SELECTED BY 13,000 VOTING MEMBERS, THE 2047 02:33:35,039 --> 02:33:39,610 GRAMMY GOES TO... 2048 02:33:39,677 --> 02:33:42,246 KENDRICK LAMAR. 2049 02:33:42,313 --> 02:33:44,782 "NOT LIKE US." 2050 02:33:44,848 --> 02:33:50,087 >> LET MEET -- OKAY? 2051 02:33:50,154 --> 02:34:00,164 WHAT'S UP, 2052 02:34:20,150 --> 02:34:21,185 MAN? 2053 02:34:21,251 --> 02:34:22,419 COME ON, MAN. 2054 02:34:22,486 --> 02:34:23,787 DIANA ROSS. 2055 02:34:23,854 --> 02:34:24,254 COME ON, MAN. 2056 02:34:24,321 --> 02:34:31,462 I AM STARSTRUCK. 2057 02:34:31,528 --> 02:34:33,230 >> IT'S FOR COMPTON, STRAIGHT UP. 2058 02:34:33,297 --> 02:34:34,965 ME AND HIM BOTH FROM COMPTON. 2059 02:34:35,032 --> 02:34:36,400 YOU NOTICING? 2060 02:34:36,467 --> 02:34:37,434 COMPTON HIGH SCHOOL, COMPTON COLLEGE. 2061 02:34:37,501 --> 02:34:39,236 ALL THAT. 2062 02:34:39,303 --> 02:34:42,706 I KNOW MY MOM IS OUT THERE. 2063 02:34:42,773 --> 02:34:45,609 MY MOM AND POP OUT THERE ON THE COUCH WITH THERE. 2064 02:34:45,676 --> 02:34:46,777 MY SON, SIX YEARS OLD. 2065 02:34:46,844 --> 02:34:47,978 GO TO SLEEP. 2066 02:34:48,045 --> 02:34:49,747 IT'S PAST YOUR BEDTIME RIGHT NOW, YOU KNOW I'M SAYING? 2067 02:34:49,813 --> 02:34:52,816 YOU AND I'VE GOT TO DO IT, RIGHT? 2068 02:34:52,883 --> 02:34:55,252 MUSTARD! 2069 02:34:55,319 --> 02:34:58,956 >> MY MAMA AND MY SISTER HERE. 2070 02:34:59,023 --> 02:35:00,391 THIS THEY FIRST AWARDS SHOW. 2071 02:35:00,457 --> 02:35:02,493 MY GIRL BRITNEY. 2072 02:35:02,559 --> 02:35:05,362 SOMEBODY GET THE BROOM OUT! 2073 02:35:05,429 --> 02:35:07,865 AT THE BROOM OUT! 2074 02:35:07,931 --> 02:35:14,104 >> HER TWO -- "TEXAS HOLD 'EM." 2075 02:35:14,171 --> 02:35:18,008 WHITNEY IN THE VIDEO CRIP WALKING. 2076 02:35:18,075 --> 02:35:19,743 WE GOING TO DEDICATE THAT ONE. 2077 02:35:19,810 --> 02:35:22,312 JAY LIKE THEM WALKS. 2078 02:35:22,379 --> 02:35:27,351 ALL THE WEST COAST ARTIST MAN EARLY. 2079 02:35:27,418 --> 02:35:31,889 JAY MALONE, PROBLEM, MATLOCK, THESE THE CATS THAT 2080 02:35:31,955 --> 02:35:35,125 INSPIRED ME TO BE THE MC I AM TODAY. 2081 02:35:35,192 --> 02:35:39,563 úSCHOOLBOY, JAY ROCK, ABSOLVE. 2082 02:35:39,630 --> 02:35:40,831 THIS IS WHAT IT'S ABOUT. 2083 02:35:40,898 --> 02:35:44,001 AT THE END OF THE DAY, NOTHING MORE POWERFUL THAN 2084 02:35:44,068 --> 02:35:44,935 RAP MUSIC. 2085 02:35:45,002 --> 02:35:46,370 I DON'T CARE WHAT IT IS. 2086 02:35:46,437 --> 02:35:47,337 WHERE THE CULTURE. 2087 02:35:47,404 --> 02:35:50,174 IT'S ALWAYS GOING TO STAY HERE FOREVER. 2088 02:35:50,240 --> 02:35:52,509 TO THE YOUNG ARTIST LIKE MY MEN PUNCH -- I HOPE YOU 2089 02:35:52,576 --> 02:35:53,110 RESPECT THE ART FORM. 2090 02:35:53,177 --> 02:35:55,379 THAT'S ALL. 2091 02:35:55,446 --> 02:35:58,482 RESPECTS THE ART FORM. 2092 02:35:58,549 --> 02:36:00,117 I APPRECIATE Y'ALL. 2093 02:36:00,184 --> 02:36:01,919 LOVE Y'ALL. 2094 02:36:01,985 --> 02:36:11,028 ♪ ♪ >> KENDRICK LAMAR, 2095 02:36:11,095 --> 02:36:12,196 SWEEPING HIS CATEGORIES. 2096 02:36:12,262 --> 02:36:13,063 CONGRATULATIONS. 2097 02:36:13,530 --> 02:36:15,365 HERE'S A LOOK AT ONE OF THE MOST TALKED ABOUT SUCCESS 2098 02:36:15,432 --> 02:36:18,402 STORIES OF THE PAST YEAR. 2099 02:36:18,469 --> 02:36:21,472 THIS IS THE STORY OF THREE-TIME GRAMMY AWARD 2100 02:36:21,538 --> 02:36:24,641 WINNER TODAY, CHARLI XCX. 2101 02:36:24,708 --> 02:36:32,516 ♪ ♪ >> QUOTE "BRETT: YOU'RE JUST 2102 02:36:32,583 --> 02:36:36,920 THAT GIRL WHO WAS A LITTLE MESSY AND LIKES TO PARTY, 2103 02:36:36,987 --> 02:36:42,426 AND MAYBE SAYS SOME DUMB THINGS SOMETIMES SAYS SOME 2104 02:36:42,493 --> 02:36:44,461 DUMB THINGS SOMETI SOMETIMES," END QUOTE. 2105 02:36:44,528 --> 02:36:46,530 >> OH GOD. 2106 02:36:46,597 --> 02:36:52,936 I THINK THE REASON PEOPLE RELATE TO 2107 02:36:53,003 --> 02:36:56,774 THIS RECORD AS PEOPLE WANTED TO BE A LITTLE BIT MESSY, 2108 02:36:56,840 --> 02:37:01,211 AND ON THE IMPERFECT PARTS OF THEMSELVES. 2109 02:37:01,278 --> 02:37:09,253 PERHAPS, SOME PEOPLE KIND OF SAW THAT IN ME. 2110 02:37:09,319 --> 02:37:12,055 WHAT IS A CHARLI XCX PARTY LIKE? 2111 02:37:12,122 --> 02:37:17,294 ♪ ♪ WHOLESOME. 2112 02:37:17,361 --> 02:37:21,799 ♪ ♪ NOTHING ILLEGAL. 2113 02:37:21,865 --> 02:37:27,938 I'M GOING O PERFORM THE, SORT OF, LIKE, LEAST 2114 02:37:28,005 --> 02:37:30,040 GRAMMY-APPROPRIATE SONGS. 2115 02:37:30,107 --> 02:37:32,309 UP DOMINIC EXPECTED TO BE A LITTLE UPSET, HONESTLY. 2116 02:37:32,376 --> 02:37:38,649 I DON'T KNOW IF THAT WILL MAKE IT INTO THE EDIT. 2117 02:37:38,715 --> 02:37:47,925 IT'S OKAY TO JUST ADMIT THAT 2118 02:37:51,995 --> 02:37:54,598 YOU'RE JEALOUS OF ME ♪ ♪ YEAH, I HEARD YOU TALK ABOUT 2119 02:37:54,665 --> 02:37:57,935 ME, THAT'S THE WORD ON THE STREET ♪ ♪ YOU'RE OBSESSIN', 2120 02:37:58,001 --> 02:38:01,305 JUST CONFESS IT, PUT YOUR HANDS UP ♪ ♪ IT'S OBVIOUS, 2121 02:38:01,371 --> 02:38:05,008 I'M YOUR NUMBER ONE ♪ ♪ IT'S ALRIGHT TO JUST ADMIT THAT 2122 02:38:05,075 --> 02:38:08,045 I'M THE FANTASY ♪ ♪ YOU'RE OBSESSIN', JUST CONFESS IT 2123 02:38:08,111 --> 02:38:17,221 'CAUSE IT'S OBVIOUS ♪ 2124 02:38:19,056 --> 02:38:22,159 ♪ ♪ I'M YOUR NUMBER ONE, I'M YOUR NUMBER ONE ♪ ♪ I'M YOUR 2125 02:38:22,226 --> 02:38:25,729 NUMBER ONE, YEAH, I'M JUST LIVIN' THAT LIFE ♪ ♪ VON 2126 02:38:25,796 --> 02:38:27,097 DUTCH, CULT CLASSIC BUT I STILL POP ♪ ♪ I GET MONEY, 2127 02:38:27,164 --> 02:38:28,999 YOU GET MAD BECAUSE THE BANK SHUT ♪ ♪ YEAH, I KNOW YOUR 2128 02:38:29,066 --> 02:38:30,234 LITTLE SECRET, PUT YOUR HANDS UP ♪ ♪ IT'S SO 2129 02:38:30,300 --> 02:38:33,537 OBVIOUS, I'M YOUR NUMBER ONE, LIFE ♪ ♪ VON DUTCH, 2130 02:38:33,604 --> 02:38:38,642 CULT CLASSIC IN YOUR EARDRUMS ♪ ♪ WHY YOU LYIN'? 2131 02:38:38,709 --> 02:38:40,744 YOU WON'T -- UNLESS HE'S FAMOUS ♪ ♪ DO THAT LITTLE 2132 02:38:40,811 --> 02:38:42,079 DANCE, WITHOUT IT, YOU'D BE NAMELESS ♪ ♪ IT'S SO 2133 02:38:42,145 --> 02:38:52,155 OBVIOUS, I'M YOUR NUMBER ONE 2134 02:39:13,043 --> 02:39:14,811 ♪ I GET MONEY, YOU GET MAD BECAUSE THE BANK'S SHUT ♪ ♪ 2135 02:39:14,878 --> 02:39:17,247 YEAH, I KNOW YOUR LITTLE SECRET, PUT YOUR HANDS UP ♪ 2136 02:39:17,314 --> 02:39:27,324 ♪ IT'S SO OBVIOUS, I'M YOUR NUMBER ONE ♪ ♪ ♪ ♪ ♪ [CHEERS 2137 02:39:29,559 --> 02:39:33,931 AND APPLAUSE] ♪ YOU WANNA GUESS THE COLOR OF MY 2138 02:39:33,997 --> 02:39:37,901 UNDERWEAR ♪ ♪ YOU WANNA KNOW WHAT I GOT GOING ON DOWN 2139 02:39:37,968 --> 02:39:42,005 THERE ♪ ♪ IS IT PRETTY IN PINK OR ALL SEE-THROUGH? 2140 02:39:42,072 --> 02:39:45,876 ♪ ♪ IS IT SHOWING OFF MY BRAND NEW LOWER BACK TATTOO? 2141 02:39:45,943 --> 02:39:55,652 ♪ ♪ YOU WANNA PUT 'EM IN YOUR -- -- PULL 'EM ALL DOWN 2142 02:39:55,719 --> 02:39:57,888 SOUTH ♪ ♪ YOU WANNA TURN THIS -- OUT, THAT'S WHAT I'M 2143 02:39:57,955 --> 02:40:00,991 TALKING ABOUT ♪ ♪ PU-PU-PUT 'EM IN YOUR MOUTH, PULL 'EM 2144 02:40:01,058 --> 02:40:05,462 ALL DOWN SOUTH ♪ ♪ YOU WANNA TURN THIS -- OUT, THAT'S 2145 02:40:05,529 --> 02:40:11,768 WHAT I'M TALKING ABOUT ♪ ♪ ♪ ♪ ♪ ♪ ♪ GUESS ♪ 2146 02:40:33,824 --> 02:40:34,191 . 2147 02:40:34,558 --> 02:40:44,534 ♪ GUESS ♪ ♪ GUESS ♪ 2148 02:40:57,180 --> 02:40:59,750 ♪ ♪ GUESS WITH ME AND BILLY HAVE BEEN TEXTING ABOUT ♪ ♪ 2149 02:40:59,816 --> 02:41:02,652 STILL TRYING TO GUESS THE PASSWORD TO MY GOOGLE DRIVE 2150 02:41:02,719 --> 02:41:04,721 ♪ ♪ YOU WANT TO GUESS THE ADDRESS OF THE PARTY WERE AT 2151 02:41:04,788 --> 02:41:05,989 ♪ ♪ HE WANT TO GUESS IF YOU'RE SERIOUS ABOUT SONG ♪ 2152 02:41:18,001 --> 02:41:18,935 STILL TO COME, WHO WILL WIN THE GRAMMY FOR ALBUM OF THE 2153 02:41:19,002 --> 02:41:19,636 YEAR? 2154 02:41:20,170 --> 02:41:24,074 WILLOUGHBY ANDRE 3000, BEYONCE, SABRINA CARPENTER, 2155 02:41:24,141 --> 02:41:26,109 CHARLI XCX, JACOB COLLIER, BILLIE EILISH, CHAPPELL 2156 02:41:26,176 --> 02:41:26,843 ROAN, OR TAYLOR SWIFT? 2157 02:41:26,910 --> 02:41:28,912 FIND OUT HERE 2158 02:41:44,027 --> 02:41:45,095 WELCOME BACK. 2159 02:41:45,162 --> 02:41:48,598 WE ARE ABOUT TO GIVE OUT THE GRAMMY FOR ALBUM OF THE 2160 02:41:48,665 --> 02:41:51,535 YEAR, BUT BEFORE WE DO THAT, THE RECORDING ACADEMY WANTS 2161 02:41:51,601 --> 02:41:53,537 TO ACKNOWLEDGE A FEW OTHER OWNERS. 2162 02:41:53,603 --> 02:42:00,010 THE PRODUCER OF THE YEAR, NONCLASSICAL, IS DANIEL 2163 02:42:00,077 --> 02:42:01,211 NIGRO. 2164 02:42:01,278 --> 02:42:05,348 OUR MUSICARES PERSON OF THE YEAR 2165 02:42:05,415 --> 02:42:12,155 IS ALL OF THE MEMBERS OF THE GRATEFUL DEAD. 2166 02:42:12,222 --> 02:42:17,194 NOW, TO PRESENT THE BIGGEST AWARD 2167 02:42:17,260 --> 02:42:19,796 IN MUSIC, WE WANTED TO INVITE THE BIGGEST HEROES IN 2168 02:42:19,863 --> 02:42:20,964 TOWN. 2169 02:42:21,031 --> 02:42:23,867 HERE TO DO THE EASIEST JOB THEY'VE EVER BEEN ASKED TO 2170 02:42:23,934 --> 02:42:27,537 DO, PLEASE WELCOME MEMBERS OF THE COUNTY OF LOS ANGELES 2171 02:42:27,604 --> 02:42:30,807 FIRE DEPARTMENT. 2172 02:43:04,641 --> 02:43:14,651 >> 2173 02:43:22,959 --> 02:43:30,800 THANK YOU. 2174 02:43:31,501 --> 02:43:32,435 >> WOW. 2175 02:43:32,502 --> 02:43:33,170 THANK YOU. 2176 02:43:33,770 --> 02:43:36,773 THANK YOU FOR SUPPORTING ALL OF US AND RECOGNIZING THE 2177 02:43:36,840 --> 02:43:40,877 HEROES THAT ARE STANDING BEHIND ME, AN THAT ARE 2178 02:43:40,944 --> 02:43:47,918 STANDING BEHIND ME, A AND -- ON BEHALF OF THE MEMBERS OF 2179 02:43:47,984 --> 02:43:51,855 THE COUNTY OF LOS ANGELES FIRE DEPARTMENT, I LIKE TO 2180 02:43:51,922 --> 02:43:54,491 THANK THE RECORDING ACADEMY FOR HAVING US HERE THIS 2181 02:43:54,558 --> 02:43:55,792 EVENING. 2182 02:43:55,859 --> 02:44:00,497 THIS IS A TREMENDOUS HONOR AND PRIVILEGE TO BE HERE IN 2183 02:44:00,564 --> 02:44:03,934 THE COMPANY OF SUCH TALENTED MUSIC INDUSTRY 2184 02:44:04,000 --> 02:44:04,734 PROFESSIONALS. 2185 02:44:05,302 --> 02:44:08,004 AS FIRE CHIEF, I WOULD LIKE TO TAKE THIS OPPORTUNITY TO 2186 02:44:08,071 --> 02:44:11,841 RECOGNIZE AND THINK FIRST RESPONDERS WHO CAME FROM 2187 02:44:11,908 --> 02:44:19,382 NEAR AND FAR TO BATTLE THIS WILDFIRE SIEGE. 2188 02:44:19,449 --> 02:44:25,689 IN THE MIDST OF UNPRECEDENTED FIRE 2189 02:44:25,755 --> 02:44:29,926 CONDITIONS, THEIR SELFLESS ACTS OF COURAGE WERE NOTHING 2190 02:44:29,993 --> 02:44:32,629 SHORT OF INSPIRING. 2191 02:44:32,696 --> 02:44:35,632 OUR HEARTFELT CONDOLENCES AND PRAYERS REMAIN WITH ALL 2192 02:44:35,699 --> 02:44:39,803 THE FAMILIES WHO HAVE LOST LOVED ONES, FRIENDS, AND 2193 02:44:39,869 --> 02:44:44,741 NEIGHBORS, ALONG WITH EVERYONE WHO HAS LOST HOMES, 2194 02:44:44,808 --> 02:44:47,143 BUSINESSES, AND BEEN DISPLACED. 2195 02:44:47,210 --> 02:44:53,817 WE ARE THANKFUL TO OUR MANY PARTNERS, INCLUDING ALL OF 2196 02:44:53,883 --> 02:44:56,586 YOU FOR STANDING ALONGSIDE OUR RESIDENTS AND 2197 02:44:56,653 --> 02:45:01,091 COMMUNITIES TO OFFERED CONTINUED SUPPORT. 2198 02:45:01,157 --> 02:45:04,761 I'M CONFIDENT WE WILL RECOVER. 2199 02:45:04,828 --> 02:45:07,897 WE ARE L.A. 2200 02:45:07,964 --> 02:45:09,699 STRONG. 2201 02:45:09,766 --> 02:45:19,776 >> AND NOW, THE NOMINEE FOR ALBUM 2202 02:45:24,981 --> 02:45:29,286 OF THE YEAR. 2203 02:45:29,352 --> 02:45:34,791 "NEW BLUE SUN," ANDRE 3000. 2204 02:45:34,858 --> 02:45:39,262 ♪ ♪ "COWBOY CARTER," BEYONCE. 2205 02:45:39,329 --> 02:45:44,601 ♪ ♪ "SHORT N' SWEET," SABRINA CARPENTER. 2206 02:45:44,668 --> 02:45:49,272 ♪ ♪ "BRAT" "BRAT." 2207 02:45:49,339 --> 02:45:49,706 "BRAT." 2208 02:45:49,939 --> 02:45:54,044 ♪ ♪ "DJESSE VOL. 2209 02:45:54,110 --> 02:45:54,778 4". 2210 02:45:54,844 --> 02:46:01,818 ♪ ♪ "HIT ME HARD AND SOFT." 2211 02:46:01,885 --> 02:46:09,826 ♪ ♪"CHAPPELL ROAN: THE RISE AND FALL OF A MIDWEST 2212 02:46:09,893 --> 02:46:10,560 PRINCESS." 2213 02:46:10,627 --> 02:46:16,266 CHAPPELL ROAN. 2214 02:46:16,333 --> 02:46:19,469 "THE TORTURED POETS DEPARTMENT," TAYLOR SWIFT. 2215 02:46:19,536 --> 02:46:26,209 ♪ ♪ >> THIS IS GOING TO BE A TOUGH ONE. 2216 02:46:26,276 --> 02:46:30,146 >> AS SELECTED BY THE 13,000 VOTING MEMBERS OF THE 2217 02:46:30,213 --> 02:46:40,056 RECORDING ACADEMY, THE GRAMMY GOES TO... 2218 02:46:40,123 --> 02:46:42,192 "COWBOY CARTER," BEYONCE. 2219 02:46:42,258 --> 02:46:44,728 BEYONCE. 2220 02:47:40,550 --> 02:47:42,852 I'D LIKE TO THANK AND ACKNOWLEDGE AND 2221 02:47:42,919 --> 02:47:46,022 PRAISE ALL THE FIREFIGHTERS FOR KEEPING US SAFE. 2222 02:47:46,089 --> 02:47:48,892 I JUST FEEL VERY FULL AND VERY HONORED. 2223 02:47:48,958 --> 02:47:52,061 IT'S BEEN MANY, MANY YEARS. 2224 02:47:52,128 --> 02:47:59,335 AND I JUST WANT TO THANK THE 2225 02:47:59,402 --> 02:48:02,505 GRAMMYS, EVERY SONGWRITER, EVERY COLLABORATOR, EVERY 2226 02:48:02,572 --> 02:48:04,841 PRODUCER, ALL OF THE HARD WORK. 2227 02:48:04,908 --> 02:48:12,515 I WANT TO DEDICATE THIS TO MS. 2228 02:48:12,582 --> 02:48:15,118 MARTELL, AND JUST KEEP PUSHING FORWARD, OPENING 2229 02:48:15,185 --> 02:48:15,518 DOORS. 2230 02:48:15,585 --> 02:48:16,119 GOD BLESS. 2231 02:48:16,186 --> 02:48:17,353 THANK YOU SO MUCH. 2232 02:48:17,420 --> 02:48:18,188 THANK YOU. 2233 02:48:37,640 --> 02:48:40,910 WELL, WE FINALLY SAW IT HAPPEN, EVERYONE. 2234 02:48:40,977 --> 02:48:44,314 BEYONCE HAS JUST WON ALBUM OF THE YEAR. 2235 02:48:44,380 --> 02:48:47,183 WOW. 2236 02:48:47,250 --> 02:48:47,851 THAT'S INSANE. 2237 02:48:47,917 --> 02:48:48,651 THAT'S PRETTY CRAZY. 2238 02:48:48,718 --> 02:48:50,553 I WAS THINKING ABOUT IT EARLIER. 2239 02:48:50,620 --> 02:48:55,492 SHE HAD 99 NOMINATIONS, AND NOW AN ALBUM WIN IS ONE. 2240 02:48:55,558 --> 02:48:57,494 THANK YOU SO MUCH FOR BEING HERE TONIGHT. 2241 02:48:57,560 --> 02:49:00,663 TO EVERYONE WHO DONATED IN THE ROOM, THANK YOU SO MUCH. 2242 02:49:00,730 --> 02:49:03,433 TO EVERYONE AT HOME, WE APPRECIATE YOU JOINING US 2243 02:49:03,500 --> 02:49:04,234 TONIGHT. 2244 02:49:04,501 --> 02:49:05,869 IT WAS A SPECIAL AND MEMORABLE EVENING. 2245 02:49:05,935 --> 02:49:08,037 TO LOS ANGELES, THANK YOU FOR HOSTING US. 2246 02:49:08,104 --> 02:49:08,705 MY NAME IS TREVOR NOAH. 2247 02:49:08,771 --> 02:49:12,609 GOOD NIGHT, EVERYBDY. 2248 02:49:12,675 --> 02:49:14,811 ♪ ♪ >> FROM HOSTING THE 2249 02:49:14,878 --> 02:49:18,181 FIRST EVER GRAMMY AWARDS TO TODAY, HILTON HAS ALWAYS 2250 02:49:18,248 --> 02:49:19,649 BEEN WHERE MUSIC STAYS. 2251 02:49:19,716 --> 02:49:22,819 OFFICIAL HOTEL PARTNER OF THE GRAMMY AWARDS. 2252 02:49:22,886 --> 02:49:29,425 HILTON: HILTOHILTON: FOR THE STAY. 2253 02:49:47,844 --> 02:49:50,413 ♪ ROLLIN' DOWN THE IMPERIAL HIGHWAY ♪ ♪ A BIG NASTY 2254 02:49:50,480 --> 02:49:54,017 REDHEAD AT MY SIDE ♪ ♪ SANTA ANA WINDS BLOWING HOT FROM 2255 02:49:54,083 --> 02:49:57,720 THE NORTH ♪ ♪ ♪ THAT WE WAS BORN TO RIDE ♪ ♪ ROLL DOWN 2256 02:49:57,787 --> 02:50:00,123 THE WINDOW, PUT DOWN THE TOP ♪ ♪ CRANK UP THE BEACH BOYS, 2257 02:50:02,992 --> 02:50:04,527 BABY ♪ ♪ DON'T LET THE MUSIC STOP ♪ ♪ WE'RE GONNA RIDE IT 2258 02:50:04,594 --> 02:50:12,769 TILL ♪ ♪ WE JUST CAN'T RIDE IT NO MORE ♪ ♪ FROM THE 2259 02:50:12,835 --> 02:50:16,940 SOUTH BAY TO THE VALLEY ♪ ♪ FROM THE WEST SIDE TO THE 2260 02:50:17,006 --> 02:50:22,812 EAST SIDE ♪ ♪ EVERYBODY'S VERY HAPPY ♪ ♪ 'CAUSE THE 2261 02:50:22,879 --> 02:50:26,349 SUN IS SHINING ALL THE TIME ♪ ♪ LOOKS LIKE ANOTHER 2262 02:50:26,416 --> 02:50:32,689 PERFECT DAY ♪ ♪ I LOVE L.A. 2263 02:50:32,755 --> 02:50:42,799 ♪ ♪ ♪ ♪ I LOVE L.A. 2264 02:50:43,199 --> 02:50:44,167 ♪ ♪ ♪ WE LOVE IT ♪ ♪ ♪ ♪ ♪ 167963