All language subtitles for Criminal.minds.S04E22.SAiNTS.English-WWW.MY-SUBS.CO

Translated By The Community Of WWW.MY-SUBS.COM

[INDISTINCT VOICES]

Man: I THOUGHT ABOUT YOU
ALL DAY.

[KISSING SOUNDS]

DON'T STOP.

Woman: WE SHOULDN'T.
VINCENT IS DOWNSTAIRS.

WE'LL JUST BE
REAL QUIET ABOUT IT.

Woman: OH, THIS IS WRONG.

EXCUSE ME.

YOU, UH--YOU--
YOU DROPPED SOMETHING.

HEY, ALMOST DONE.
THINK I GOT A BITE.

A COUPLE.

ONE MORE POTENTIAL,
AND THEN I'M HOME.

WHAT?

HONEY, I'M AT WORK.

[CHUCKLES]

I LOVE YOU, TOO.
GOTTA GO.

[BEEP]

HI! UH...

ROBERT, RIGHT?

OK, I GOTTA TELL YOU,
ROBERT,

OF ALL THE HOUSES
I HAVE ON THE MARKET,

THIS ONE IS MY FAVORITE.

MY NAME'S NOT ROBERT.
NOT ROBERT.

[CLICKS TONGUE TWICE]

I'M SORRY. UH...

UHH!

[GASPING]

WHERE ARE YOU GOING?

WHERE ARE YOU GOING?

[GASPING]

HER NAME'S MICHELLE WATSON,

A REALTOR MURDERED
IN BUFFALO A WEEK AGO.

Hotch: UNTIL YESTERDAY
THEY HAD NOTHING, NO LEADS,
AND THEN THEY GOT THIS.

BUFFALO P.D. RECEIVED IT
FROM AN UNKNOWN SOURCE
YESTERDAY.

Prentiss: THEY ABLE TO TRACE IT?

NO. SENT THROUGH
AN ENCRYPTED SERVER
FROM UKRAINE.

THERE'S NO SOUND.
YEAH, AT FIRST GLANCE

THERE DOESN'T SEEM TO BE
A SINGLE FRAME TO IDENTIFY
WHO SHOT IT.

HE EVEN COVERED UP THE MIRROR.

I'VE SEEN SOME CRAZY THINGS
SITTING AT THIS TABLE,
BUT THAT...

WHY SEND THAT
TO THE POLICE?

WELL,
MAYBE IT'S A TAUNT,

TO SHOW THE POLICE
HOW SMART HE IS.

CATCH ME IF YOU CAN.

Morgan: THE TWO PEOPLE
IN THE VIDEO--

THEY LOOK DIRECTLY AT
THE UNSUB AND NEITHER ONE
SEEMS TO REGISTER

THAT THEY'RE BEING FILMED.

Reid: I THINK IT'S PROBABLY
A HIDDEN CAMERA.

THE WITNESSES WERE ABLE
TO GIVE US ENOUGH
FOR A SKETCH.

WHITE MALE, EARLY 30s,
WEARING GLASSES.

IT LOOKS LIKE
AN EDITING SUITE.

SO HE NOT ONLY FILMS
THE MURDER, HE EDITS IT.

DO WE KNOW WHAT
THIS IS THAT'S PLAYING
ON THE MONITOR?

BUFFALO P.D. IS CONCERNED
THAT IT MIGHT BE ANOTHER
FILMED KILLING.

IF IT IS, THEN WE'RE
NOT LOOKING AT JUST
ONE MURDER, BUT TWO.

BUFFALO IS UNDERFUNDED,
UNDERMANNED, AND THEY
NEED OUR HELP.

BUFFALO'S
A BIG GANG TOWN.

MURDER IN THE LAST YEAR
ALONE WAS OVER 700 PEOPLE.

GARCIA, I NEED YOU
TO GO THROUGH THIS

FRAME BY FRAME
AND PUT EVERYTHING
ON DISKS.

YES, SIR. I'M ON IT.

ALSO, PUT TOGETHER
A GO BAG.

IF WE GET ANY MORE
OF THESE FILMS,

I WANT YOU
ON THE GROUND
TAKING POINT.

IS THAT OK WITH YOU?

YES, SIR. EXCELLENT.

OK.

Hotch: FAST FORWARD...

GO BAG.
I DON'T HAVE A GO BAG.

THERE'S SOMETHING
I WANT EVERYONE TO SEE.

HE'S WRITING SOMETHING.

Hotch: "IN ORDER FOR THE LIGHT
TO SHINE SO BRIGHTLY,

THE DARKNESS MUST BE PRESENT."

FRANCIS BACON.

A SERIAL KILLER
ASKING FOR HELP.

WELL, THAT'S
A NEW ONE ON ME.

ATTEMPT AT SARCASM?

WHAT IF HE'S SINCERE?

THEN HE'S DEEPLY AMBIVALENT.

HE WANTS TO STOP,
BUT LIKE AN ALCOHOLIC,
HE SIMPLY CAN'T.

WHEN WE SEE HIM DRIVING,
HIS POINT OF VIEW
IS ELEVATED.

I'D SAY HE'S DRIVING
A VAN OR AN SUV.

AND THE FILM STOPS
WHERE IT STARTS--AT HIS HOME.

SO WE COULD USE THE FILM
TO TRACE BACK, STREET BY STREET,

FROM THE CRIME SCENE, RIGHT?

IT ONLY LASTS 9 MINUTES.

AND IN THIS FRAME,
HE CLEARLY LOOKS AT A CLOCK,

AND IT'S 9:22.

OK, THE AUTOPSY SAYS
MICHELLE WATSON'S TIME OF DEATH

WAS 4:30 IN THE AFTERNOON.
SO, HE EDITED OUT 7 HOURS.

GARCIA, LOOK FOR UNSOLVED
MURDERS OF WOMEN

IN THEIR EARLY 30s
WHO WERE STABBED,

BUFFALO AND SURROUNDING CITIES.
GO BACK 10 YEARS.

WOULDN'T VICAP HAVE ALREADY
PICKED UP ON THAT?

MM, VICAP ONLY WENT WEB-BASED
ABOUT A MONTH AGO,

AND BUFFALO P.D. ONLY
RECENTLY UPLOADED THE DATA.

THEY SHOW WATSON
HOLDING A DAY PLANNER.

THEY FIND THAT
AT THE CRIME SCENE.

YEAH, THAT, HER WALLET,
AND ALL OF HER JEWELRY,

INCLUDING A 3-CARAT
DIAMOND RING.

SO WE KNOW HE'S NOT
FINANCIALLY MOTIVATED.

FIRST COUNT--I HAVE 22.

22? WE HAD 6.

YOU THINK IT COULD BE
THAT MANY?

WE WENT BACK 10 YEARS AND
INCLUDED SURROUNDING CITIES.

THE UNSUB MAY BE OUT OF
HIS COMFORT ZONE.

NOW, THEY MAY NOT
ALL BE CONNECTED,

BUT THEY ALL MATCH
MICHELLE'S TYPE.

BLOND, WHITE, EARLY 30s.

THE AUTOPSY REPORTS
WILL HELP US DETERMINE

WHICH OF THESE CASES
IS CONNECTED.

I'LL GET THEM HERE
RIGHT AWAY.

WE ALSO NEED TO TAKE A LOOK
AT THE CRIME SCENES,
DETECTIVE HENDERSON.

I'LL STAY AND HELP REID.
OF COURSE.

I'LL TAKE PRENTISS
AND MORGAN.

TELL ME, DO YOU THINK
THIS IS A ONE OFF

OR CAN I EXPECT MORE FILMS?

NOT A ONE OFF.

THE FILMING OF HIS KILLS

MAKES HIM
A SEXUAL PSYCHOPATH.

WE'LL FIND MORE,
MANY MORE...

JUST LIKE THIS ONE.

[CLICKS TONGUE TWICE]

"HELP ME"
IS IN DIRECT CONFLICT

WITH THE PSYCHOLOGY
OF A PSYCHOPATH,

AND IT'S SOMETHING
I'VE NEVER SEEN BEFORE.

PSYCHOPATHS
DON'T HAVE THE CAPACITY

TO FEEL
EMPATHY TOWARDS OTHERS.

THEY CAN MIMIC IT,
BUT THEY CAN'T FEEL IT.

THEN HE DIDN'T MEAN IT?

OR SOMEONE OR SOMETHING
IS SHOWING HIM

WHO HE REALLY IS.

OK, FRIENDS, THE VIDEO
ON THIS FILM IS ANALOG.

IT'S SINCE BEEN DIGITIZED,
BUT IT IS SERIOUSLY DEGRADED.

MEANING WHAT?

MEANING THIS KIND
OF DEGRADATION ONLY HAPPENS

OVER AT LEAST A DECADE AND
THOUSANDS OF REPEATED VIEWINGS.

IT'S THE ONLY WAY
HE CAN GET ANY RELEASE.

THEN YOU'RE RIGHT.
HE'S BEEN DOING THIS
FOR 10 YEARS.

UH, MORE LIKE 20.

THAT WOMAN IN THIS VIDEO--
SHE'S WEARING A SWEATER

I HAVEN'T SEEN SINCE FLASHDANCE.

ON THE DAY OF HER DEATH,
THE 21st,

MICHELLE ENTERED THE NAME
ROBERT AT 4 P.M.

YEAH, WE FOUND NO ONE
CONNECTED TO HER WITH THAT NAME,

AND WE THINK IT'S AN ALIAS.

Reid:
MICHELLE'S HIGHLY ORGANIZED,

SHE'S PRECISE, LIGHT OF HAND,

SO LEFT-HANDED.

HOW CAN YOU TELL?

THE HARDEST POINT
IS WHERE SHE STARTS,

THE LIGHTEST POINT
IS WHERE SHE TAILS OFF.

IN HER CASE, SHE TAILS OFF
TO THE RIGHT.

IT'S WEIRD.

WHAT?
HMM.

I'M NOT SURE, BUT THE NUMBER 29
IS CIRCLED TWICE IN RED INK

AND IT TAILS OFF TO THE LEFT.

WHOEVER WROTE THAT
IS RIGHT-HANDED.

THAT PERSON IS RIGHT-HANDED
AND "HELP ME" IS WRITTEN IN RED.

THE UNSUB WROTE
THE CIRCLED 29.

GUYS...

TOMORROW'S THE 29th.

HOTCH IS IN POSITION,
SO LET'S WALK THROUGH THIS.

[BEEP]

OK, PRENTISS,
MICHELLE STOOD RIGHT HERE...

FACING ME.

OK.

DOOR'S STILL OPEN.

SHE DIDN'T SHUT IT.

AND NOW SHE TURNS
HER BACK TO IT.

THAT'S HER FIRST MISTAKE.

OK, SHE'S ON THE PHONE
WITH HER HUSBAND.

3:55 P.M.

SHE TELLS HIM SHE HAS
ANOTHER CLIENT COMING.

HERE COMES THE UNSUB.

BUT YOU DON'T TURN AROUND.
JUST KEEP TALKING.

NOW THE UNSUB'S
IN THE HOUSE.

YEAH, I HEAR HIM.

YOU HEAR HIM, BUT YOU
DON'T TURN AROUND. NOT YET.

NOW YOU TURN.

BECAUSE IF SHE LEAVES
THE FRONT DOOR OPEN

AND SHE TURNS HER BACK,
SHE MUST HAVE BEEN
EXPECTING ROBERT.

IT'S AN OPEN HOUSE.

THERE'S NO ONE ELSE HERE.
HE KNEW SHE'D BE ALONE.

SHE'S STANDING FACE TO FACE
WITH THE UNSUB, TALKING TO HIM,

AND YET SHE STILL TURNS AWAY.

SECOND MISTAKE.

HE POSES NO THREAT.

YEAH, AND IF SHE'D SEEN
A CAMERA, SHE WOULD HAVE
REGISTERED IT.

NOW SHE TURNS,
FACES THE UNSUB...

HE STRIKES...

RIGHT INTO HER CHEST.

AND THEN HE DRAGS HER
OVER HERE TO THE SOFA...

AND HE FILMS HER DEATH.

HE CHOSE
A CONTROLLED ENVIRONMENT

IN WHICH HE COULD ENSURE
PRIVACY.

NO WITNESSES,
AND MOST IMPORTANTLY,

[CELL PHONE RINGS]
HE DIDN'T HAVE TO DUMP
THE BODY.

GARCIA?

PRENTISS,
THE POINT OF VIEW--

SHE DIDN'T SEE THE CAMERA
BECAUSE THE GLASSES
HAVE TO BE THE CAMERA.

THANKS, GARCIA.

HE LEFT US ANOTHER MESSAGE.

HE CIRCLED THE NUMBER 29
IN MICHELLE'S DAY PLANNER.

SO WE'VE ONLY GOT 24 HOURS
TO STOP HIM.

THANKS.

MORGAN THINKS THE UNSUB'S
GLASSES ARE THE CAMERA.

YOU NEED TO GET A SKETCH
OF THE UNSUB

OUT TO EVERY CAMERA SHOP
IN BUFFALO.

IF HE HUNTS
WITHIN A COMFORT ZONE,

THEN WHICHEVER
OF THESE CAMERA SHOPS
HE VISITS THE MOST,

THAT'S THE ONE
HE'LL LIVE CLOSEST TO.

ALL RIGHT.
YOU HEARD THE MAN.

OK, HOTCH ALSO WANTS US
TO FOCUS ON VICTIMS

FOUND IN CONTROLLED LOCATIONS.

SECURE AREAS WITH
LITTLE CHANCE OF WITNESSES.

AND ONES WHERE HE LEFT
THE BODIES WHERE HE KILLED THEM.

Reid: OK, BASED ON THAT,

JUNE '98, EMILY FLYN,
FOUND IN HER APARTMENT,

STABBED 23 TIMES.

HILLARY HABNER, MARCH 2000,

FOUND IN HER BASEMENT,
STABBED 18 TIMES.

CINDY STAGNAL, APRIL 2001,

STABBED MULTIPLE TIMES,
FOUND IN HER OFFICE.

AND MAY 1999,
VANESSA BRIGHT, 29,

STABBED AND FOUND
IN HER STUDIO.

LADIES AND GENTLEMEN,

IT APPEARS AS THOUGH
WE'VE FOUND OUR TIMELINE.

IT LOOKS LIKE
OUR KILLER STRIKES

ALMOST EXACTLY
EVERY 12 MONTHS.

Henderson: OH, MY GOD.

ALL THESE WOMEN,
AND HE GOT AWAY WITH IT.

I THINK WE NEED
TO INFORM THE MEDIA.

BUFFALO HAS A SERIAL KILLER.

EVERY SO OFTEN, HE'S STOPPING
AND LOOKING DOWN AT THE GROUND.

AT WHAT?

I DON'T KNOW.

BUT IT'S CLEAR
HE'S TRYING TO STEP AROUND

SOME TYPE OF OBJECTS.

THERE AREN'T ANY OBJECTS.

Hotch: WELL, AT LEAST
NOT THE WE CAN SEE.

BUT REMEMBER IN THE FILM,
HE CUT THE SANDWICH
AND TURNED IT TWICE?

Prentiss: AND THE 29th
WAS CIRCLED TWICE IN RED.

SO THIS ISN'T A MESSAGE.
THIS IS SOMETHING
HE HAS TO DO.

IT'S THE CRACKS
IN THE PAVEMENT.

THAT'S WHAT
HE'S STOPPING FOR.

HE'S STEPPING OVER THEM
BECAUSE HE HAS TO.

HE'S OBSESSIVE-COMPULSIVE.

MEANING NO MATTER
HOW HARD HE TRIES,

HE SIMPLY CAN'T STOP HIMSELF.

WELL, IF HE WANTED TO,
HE COULD HAVE
TURNED HIMSELF IN.

BY WRITING "HELP ME,"
HE REALLY MEANS "STOP ME."

ERRR...

AHHH...

[KNOCK ON DOOR]

[DOORBELL RINGS, KNOCKING]

[KNOCKING]

[CLICKS TONGUE TWICE]

[MUTTERING SOFTLY]
GO AWAY, GO AWAY, GO AWAY...

VINCENT, IT'S ALICE.
I KNOW YOU'RE IN THERE.

[KNOCKING]

OK. UM...

JUST A MOMENT.

HI.

HOW YOU DOING?

WHERE HAVE YOU BEEN, VINCENT?

IT'S BEEN WEEKS.

WOW. FOR A SINGLE GUY,
YOU'RE SO NEAT.

WHAT'S IN THERE?

NOTHING.

HOW DID YOU FIND ME?

I DROPPED YOU OFF
AFTER THE CONFERENCE,

REMEMBER?

AREN'T YOU GONNA
OFFER ME A DRINK?

I'M--I'M NOT THIRSTY.

[LAUGHS] I--I MEANT--

YOU'RE WEIRD.

BUT CUTE.

ALICE, YOU KNOW, IT'S--
IT'S NOT REALLY OK.

IT'S NOT REALLY OK THAT YOU
JUST COME BY MY HOME LIKE THIS.

YOU SHOULD--YOU SHOULD GO.

NO, I CAME BECAUSE
THERE'S A WEDDING TOMORROW

AND THEY WANT YOU
TO FILM AND EDIT IT.

I MEAN, YOU'RE THE BEST,
VINCENT.

OH. UH...

WELL, UH, I'M NOT
DOING THAT ANYMORE.

WHY?

IT'S REALLY LATE,
AND I'M TIRED.

YOU SHOULD GO, ALICE,
YES, PLEASE.

[TV PLAYING INDISTINCTLY]

Henderson:
...THE SAME SUSPECT.

KEEP IN MIND...

VINCENT, THAT LOOKS
A LOT LIKE YOU.

Henderson: AND HE MAY
USE HATS OR OTHER MEANS
TO HIDE HIS APPEARANCE.

THIS MAN HAS A TYPE.

HE KILLS WOMEN, BLOND WOMEN,

IN THEIR 30s,

AND HE KILLS THEM
WHERE THEY FEEL SAFE--
IN THEIR HOMES,

IN THEIR WORKSPACE...
VINCENT?

WHEREVER THEY ARE ALONE
AND VULNERABLE...

I HAVE TO CHANGE MY GLASSES.

THERE WAS NO PURSE, NO JEWELRY,
NOTHING TO I.D. HER WITH.

WHEREAS WITH MICHELLE
HE DIDN'T CARE
WHAT HE LEFT BEHIND.

HE KNEW WE COULDN'T
CONNECT HER TO HIM.

WHY DID HE COVER HER UP
AND FOLD HER ARMS
ACROSS HER CHEST?

SHE CAN'T BE MORE THAN 24.

THAT DOESN'T FIT
HIS VICTIMOLOGY.

WELL, THE CHEST WOUND MATCHES
THAT OF MICHELLE WATSON.

THE WAY
HE'S POSITIONED HER,

THE BLANKET,
SHOWS REMORSE.

HE PROBABLY KNEW HER
MORE INTIMATELY
THAN THE OTHERS.

THAT'S SOMEWHAT OF A LEAP.

NOT WHEN YOU CONSIDER
THIS IS THE FIRST TIME
HE DUMPED THE BODY.

UNLIKE THE OTHERS,
HE BROUGHT HER BODY HERE
AND DUMPED IT.

YEAH. SOMEONE WILL BE
MISSING HER SOON.

TODAY'S THE 29th.

HE PROBABLY KILLED HER
LAST NIGHT.

WHATEVER HIS PLANS ARE,
HE STILL HAS THEM.

WE'RE READY
TO GIVE THE PROFILE.

Rossi: WE'VE CONFIRMED
11 KILLS OVER A 10-YEAR PERIOD.

THIS MAKES 12.

ALL BUT ONE BLOND, WHITE
FEMALE, MID- TO LATE 30s.

BE CAREFUL.

TIME ME.

[CLICKING TONGUE]

STANLEY, BE CAREFUL.

[CLICKING TONGUE]

THIS UNSUB HAS EXTREME
OBSESSIVE-COMPULSIVE DISORDER.

THIS WOMAN DOESN'T FIT
HIS VICTIMOLOGY.

HE PROBABLY DIDN'T TARGET

OR EVEN MEAN TO KILL HER.

5 CAMERA SHOPS IN BUFFALO
WERE SHOWN THIS SKETCH.

THE OWNER OF TARQUINIO'S
CAMERA SHOP ON UNION ROAD
RECOGNIZED IT.

HE KNOWS HIM ONLY
AS VINCENT.

HE BOUGHT TWO 3-MILLIMETER
MINI WIRELESS CAMERAS

AND HAD THEM RETROFITTED
TO HIS GLASSES.

HE'S WELL-VERSED
IN CAMERA TECHNOLOGY.

HE PROBABLY GENERATES
INCOME FROM A RELATED FIELD.

SO STAKE OUT THE SHOP,
BUT KEEP A LOW PROFILE.

HE WALKS IN OFF THE STREET,
HE POLITELY WAITS HIS TURN,

HE PAYS IN CASH.

THIS IS HIM.

BLACK OVERCOAT,
BLACK BASEBALL CAP.

YOU'LL GET MORE
FROM YOUR SKETCH.

NOW, THIS LAST KILL
SHOWS THE MOST REMORSE.

THIS GUY'S MOBILE.

MOST LIKELY IN A SUV.

LOW-PROFILE, MUTE IN COLOR.

Hotch: HE'S BEGINNING
TO DEVOLVE.

HIS OCD WILL GET WORSE
AND HE'LL HAVE
A HARD TIME HIDING IT.

HE WILL TAKE BIGGER
AND BIGGER RISKS TO
ACHIEVE HIS ULTIMATE GOAL.

IN MICHELLE'S WATSON'S
DAY PLANNER,

HE CIRCLED THE NUMBER 29.

TODAY IS THE 29th.

SO WE BELIEVE HE MAY HAVE
SOMETHING PLANNED FOR TODAY.

[CLICKING TONGUE]
[TELEPHONE RINGS]

[RING]

DON'T GO ANYWHERE.
I'LL BE RIGHT BACK.

[RING]

[CLICKING TONGUE]

HE SENT US THIS FILM
AS HIS WAY OF REACHING OUT.

HE MAY BE AMBIVALENT,
BUT HIS OCD WON'T LET HIM STOP.

NOW, IF HE SEES A HEAVY
POLICE PRESENCE
AND HE'S NOT DONE,

HE'LL RUN.

THE EAST SIDE
IS HIS COMFORT ZONE.

THIS IS WHERE HE LIVES.

HOWEVER RANDOM,
ANYTHING OUT OF THE ORDINARY,

PLEASE LET US KNOW.

THANK YOU VERY MUCH.

TELL ME AGAIN WHAT
THE AUTOPSY REPORT SAID.

HE SEEMS TO BE KILLING
ONCE A YEAR.

AND THEY WERE ALL,
EXCEPT FOR MICHELLE WATSON,

OVERKILL.

HE STABBED HER JUST ONCE.

AND HERS WAS THE ONLY KILL

HE SENT FOOTAGE OF
TO THE POLICE.

THAT'S A DEFINITIVE CHANGE.

YOU'RE RIGHT.
CALL REID AND PRENTISS.

TELL THEM TO GO OVER
THE AUTOPSY REPORT AGAIN.
WE NEED TO KNOW WHY.

HE SURE DOES LIKE HIS BLONDES.

NOT A GOOD DATE, THOUGH.
TOO STABBY.

LESS SO, THOUGH,
WITH MICHELLE WATSON

AND THE GIRL WE FOUND
THIS MORNING.

EVERY ONE OF THESE MURDERS
HAPPENS DURING
A MONTH OF SPRING.

SO, SPRING FOR THE UNSUB
IS A STRESSOR.

HEY. DO YOU THINK
MY VIDEO WAS DONE
IN THE SPRING?

THERE'S A GOOD CHANCE.

OK. EIGHTIES,
SPRING, BUFFALO.

SEARCH FOR HOMICIDE,
SEE IF I CAN MAKE A CONNECTION.

ALL OF THE VICTIMS
EXCEPT FOR MICHELLE WATSON

WERE KILLED WITHIN
A YEAR OF EACH OTHER.

VICTIM NUMBER 10, JOYCE WOLCOTT,

STABBED 32 TIMES.

AND THEN MICHELLE WATSON
WAS STABBED JUST ONCE
2 YEARS LATER.

WHAT'S MISSING FROM
THE MICHELLE WATSON MURDER

IS ANY SIGN OF RAGE
OR OVERKILL.

YEAH. INSTEAD,
ON THE TAPE WE SEE
SIGNS OF REMORSE.

A COMPLETE AND SUDDEN
EMOTIONAL CHANGE.

IT'S ABSOLUTELY FASCINATING.

I LOVE YOU, REID,
BUT THE STUFF YOU FIND
FASCINATING

IS SAD.

OK. THE WOMAN IN MY VIDEO...

SHE LOOKS A LOT LIKE THE ONES
ON YOUR BOARD, DON'T YOU THINK?

SO HE'S KILLING HER
OVER AND OVER AGAIN.

MAYBE. I DON'T KNOW.
NOT MY JOB.

GUYS, THERE WAS
AN ACTUAL WITNESS

A WITNESS?
IN THE JOYCE WOLCOTT
MURDER.

A BOY. HER SON.

[TONGUE CLICKING]

53 SECONDS. YOU WERE
FASTER THE FIRST TIME.

WHAT HAPPENED?

RAN OVER A CAT.

DID YOU KILL IT?

IT'S A JOKE. I'M JOKING.

I KNOW.

HAPPY BIRTHDAY, STANLEY.

KING FOR THE DAY,
RIGHT, VINCENT?

RIGHT.

HEY, UM...

I MADE YOU A PROMISE.
DO YOU REMEMBER IT?

OF COURSE.

SO HOLD OUT YOUR HAND,
PALM UP.

NO WAY.

FOR REAL?

UH-HUH. TONIGHT.
IT'S HERE TONIGHT.

BUT YOU CAN'T TELL ANYONE, OK?

JUST TELL NO ONE.
YOU PROMISE?

PROMISE. NO ONE.

SO LISTEN OUT FOR ME, OK?

OK.

HEY, VINCENT.

YOU KNOW NOTHING
WILL HAPPEN

IF YOU STEP ON THEM,
RIGHT?

YOU'RE A KID.
WHAT DO YOU KNOW?

NEIGHBORS CALLED THE POLICE
WHEN THEY HEARD HER SON STAN

SCREAMING FOR HIS MOTHER.

LET'S SEE, THEY WERE
FOUND IN THE BACKYARD
AND SHE WAS DEAD.

SO HE SAW THE WHOLE THING?

IF HE DID,
WHY DIDN'T THE UNSUB

KILL THE ONLY LIVING WITNESS?

DID THEY INTERVIEW HIM?

HE WAS TRAUMATIZED.

DID HE SEE THE KILLER?

HE DIDN'T SEE ANYTHING.

WHERE IS THE BOY NOW?

SINGLE MOM, FATHER DEAD
IN A CAR ACCIDENT.

HE WAS FOSTER-HOMED
AFTER HER DEATH.

TELL ME HE'S STILL
IN BUFFALO.

UH...

HE IS.

[FOOTSTEPS APPROACHING]

HOW YOU DOING THERE, KID?

WE'RE LOOKING FOR
STANLEY WOLCOTT.

WHO WANTS TO KNOW?

MY NAME'S DEREK MORGAN.
I'M WITH THE FBI.

FBI? COOL.

TODAY'S YOUR BIRTHDAY,
RIGHT?

CAN I HELP YOU?

FBI.

I'M SORRY TO DO THIS TODAY
OF ALL DAYS,

BUT WE NEED TO TALK
TO STANLEY.

IT'S URGENT.

[SIREN WHELPS]

[SIREN]

STANLEY'S BEEN WITH ME
FOR 9 MONTHS NOW.

THE ADOPTION PAPERS
CAME THROUGH LAST WEEK.

SO WE'RE MOVING
TO CALIFORNIA.

UH, STANLEY'S BEEN
BLIND SINCE BIRTH.

HIS MOM DIDN'T WANT HIM
TO USE A CANE, SO, HE, UH...

[CLICKING TONGUE]

MY WAY AROUND LIFE.

IT'S CALLED ECHOLOCATION.

IT'S WHERE THE SOUND
BOUNCES OFF OBJECTS,

KIND OF LIKE A BAT
USES SONAR.

I'M THE BATMAN.

WELL, HEYA, BATMAN.

MYSELF AND MY COLLEAGUE
HERE, DAVE,

WE NEED TO ASK YOU
SOME QUESTIONS.

[CLICKING TONGUE]

THIS IS ABOUT MY MOM,
ISN'T IT?

YEAH, IT IS.

HAVE YOU FOUND HIM?
AND I NEED TO ASK YOU--

I CAN FEEL A LIE.

WE'RE LOOKING FOR HIM, STAN.

WE COULD USE YOUR HELP.

NOW, WHAT I'M ASKING YOU TO DO
PROBABLY WON'T BE EASY.

WILL IT HELP YOU CATCH HIM?

IT MIGHT.

I'M NOT SURE ABOUT THIS.

IT'S OK.

I WANT TO.

THAT A BOY.

OK.

2 YEARS AGO,

ON THAT NIGHT,

YOU WERE PLAYING
IN THE SNOW WITH YOUR MOM.

SHE SAID MY LIPS
WERE TURNING BLUE.

SHE TOLD ME TO
GO IN AND GET WARM.

SHE SAID
IT WAS GETTING DARK.

SO THEN YOU CAME INSIDE

AND YOU TOOK OFF
YOUR GLOVES.

YOU TOOK OFF YOUR JACKET.

AND YOU GOT WARM.

BUT AFTER A WHILE,
SHE DIDN'T COME BACK IN.

MOM?

MOM?

STANLEY,
WHAT DO YOU HEAR?

THE SNOW IS SO THICK.

IT COVERS THE HOUSE,

THE YARD.

EVERYTHING'S SO QUIET.

YOU CALL OUT FOR HER,
BUT SHE DOESN'T CALL BACK.

MOM?

MOM!

NOW I HEAR SOMETHING.

WHAT DO YOU HEAR?

I THINK I CAN HEAR MY MOM.

IS SHE TALKING?

CRYING.

[MOM CRYING]

NOW WHAT DO YOU DO?

GO OUTSIDE.

STANLEY, WE CAN
STOP DOING THIS NOW
IF YOU WANT.

NO. IT'S OK.

I CAN DO THIS.

YOU'RE DOING GOOD, STANLEY.

YOU'RE DOING REALLY GOOD.

I'M RIGHT HERE, OK?

MOM?

[TONGUE CLICKING]

CAN YOU HEAR HER?

NO.

I NEED TO FIND HER.

[CLICKING]

MOM?

STANLEY...

SOMEONE'S HERE.

I CAN FEEL THEM.

IT'S NOT MY MOM.

THAT'S ENOUGH.

ENOUGH. THAT'S ENOUGH.

HE SAW ME...

DIDN'T HE?

YES, STAN, HE DID.

HEY, WHAT'S UP, MAN?

LOOKS LIKE YOU KNOW
WHERE YOU'RE GOING.

I DON'T WANT ANY TROUBLE.

SEE, I DON'T KNOW YOU.

I DON'T WANT ANY TROUBLE.

LOOK, YOU SAID THAT TWICE.

WHAT YOU DOIN' WALKIN'
AROUND HERE, ANYWAY, HUH?

YOU AIN'T LOST.

[CLICKING]

HEY, MAN.
HEY, LOOK AT ME.

ALL RIGHT, COME ON.

YOU WALK LIKE YOU KNOW
WHERE YOU'RE GOING,

SO YOU GOTTA KNOW
WHAT'S NEXT.

SEE, THIS HERE'S
MY STREET.

AND YOU PAY TO WALK
ON MY STREET.

[GUNSHOT]

Man: I'VE BEEN THINKING
ABOUT YOU ALL DAY.

Woman: YOU SHOULDN'T
HAVE BEEN.

[VOICES CONTINUE INDISTINCT]

Second man:
WHAT THE HELL IS THIS?
GET OUT OF MY HOUSE!

Woman: NO, WAIT.

HOW CAN YOU DO THIS TO ME?

HOW CAN YOU DO THIS
WITH OUR SON IN THE HOUSE?!

Woman: SO WHAT?
I DON'T CARE.

I HATE YOU!

I HATE YOU!

I HATE MY LIFE!

[WOMAN COUGHING]

Boy: MOM?

[GASPING]

MOMMY?

MOM?

HE JUST CAME OUT OF NOWHERE.
HE ROLLED UP ON US.

WHICH WAY
WAS HE WALKING?

THAT WAY.

HE'S HEADING EAST.

Hotch: SO YOUR FRIEND
SHOT HIM,

THE MAN DEFENDED HIMSELF,

AND YOU DID NOTHING?

YOU RAN AWAY
AND CALLED 911?

I'M DONE TALKING, FED.

I AIN'T SAYING NOTHIN'.

I WANT MY LAWYER.

YOU'LL GET A LAWYER.
ANSWER MY QUESTION.

HE SHOT HIM ONCE.

WHERE?

IN THE STOMACH.

WHAT WAS HE DOING
WHEN YOU ROLLED UP ON HIM?

HEAD DOWN, WALKING
REAL FAST, LIKE HE WAS
LATE FOR SOMETHING.

SO YOU JUMPED HIM.

WHEN HE DIDN'T GIVE YOU
WHAT YOU WANTED,

WHAT DID HE DO?

AT FIRST NOTHING.

HE JUST STARTED MAKING
THIS NOISE WITH HIS TONGUE.

WHAT KIND OF NOISE?

OK, LISTEN TO ME.

[CLICKING TONGUE]

YEAH, LIKE THAT.
EXACTLY LIKE THAT.

AND HE SLAMMED JAY
WITH A KNIFE

AND TURNED
AND CAME AFTER ME.

IT'S CALLED ECHOLOCATION.

THE UNSUB'S 10th VICTIM--

SHE LEFT BEHIND
A BLIND SON

WHO USES ECHOLOCATION
TO GET AROUND.

HOW WOULD THE KILLER
KNOW THAT?

BECAUSE HE SAW
THE BOY WAS BLIND

THE NIGHT HE KILLED
HIS MOTHER.

AND I THINK THAT'S WHY
HE DIDN'T KILL THE BOY.

WAIT A SECOND.

TODAY'S THAT KID'S
BIRTHDAY.
HE'S THE EVENT.

HENDERSON, GET UNITS TO MEET US
AT 6518 CANTWELL DRIVE
RIGHT NOW.

[SIREN]

HE'S GONE!
HE'S GONE.

I THOUGHT
HE WAS IN HIS ROOM.

HE SAID HE WAS TIRED.

WHEN WAS THE LAST TIME
YOU CHECKED ON HIM?

DID YOU HEAR ANYTHING?
20 MINUTES AGO.

I JUST DON'T UNDERSTAND.
HE WOULD HAVE HAD TO
PASS ME TO GET OUT.

KATE, THINK.
WHEN YOU CHECKED ON STAN,
HE WAS ASLEEP, YES?

HE WAS UNDER THE COVERS.

YOU CLOSED HIS DOOR.
YOU WENT TO YOUR ROOM.

YOU SETTLED DOWN.

I WATCHED TV.

DID YOU HEAR ANYTHING?

I, UM, I HEARD A CAR HORN
BEEP TWICE.

I LOOKED OUT THE WINDOW,
BUT I DIDN'T SEE ANYTHING.

HE'S GOTTA HAVE
20 MINUTES ON US.

OH, GOD.

OH, MY GOD, HE'S GONNA
KILL HIM, ISN'T HE?

LET'S JUST
TAKE A LOOK INSIDE.

[LABORED BREATHING]

ARE YOU OK?

THE FBI CAME TO MY HOUSE.

WOW.

THE FBI.

THE MAN THAT KILLED MY MOM...

HE STOOD RIGHT NEXT TO ME,

IN THE SNOW.

HE COULD HAVE KILLED ME,
BUT HE DIDN'T.

WELL, MAYBE HE SAW
SOMETHING IN YOU.

WELL, WHAT DID HE SEE?

I DON'T KNOW.

BUT, UH...

YOU KNOW, IT STOPPED HIM.

STOPPED HIM
FROM HURTING YOU.

HE'S BACK.

HE DID A BAD THING.

HE DID A--HE DID A VERY--
A VERY BAD THING, BUT...

WHEN HE SAW YOU,
HE KNEW...

HE KNEW THAT
HE COULDN'T HURT YOU.

HE KNEW THAT.

HE'LL NEVER--

HE'LL NEVER EVER HURT YOU.

I WISH HE'D KILLED ME.

THERE'S BLOOD HERE.

OH, NO, PLEASE.

IT'S NOT STAN.

WE BELIEVE THE MAN
WHO TOOK STAN WAS INJURED.

IT'S HIS BLOOD.

Morgan: WE THINK
HIS NAME IS VINCENT.

VINCENT?

YOU KNOW HIM?

STAN KNEW HIM
BEFORE HE CAME TO ME.

FOR HOW LONG?

FOR OVER A YEAR.
HE WAS A REGISTERED HELPER

IN A MENTORING PROGRAM.

WHICH ONE?

OH, GOD.

STAN HAS BELONGED
TO SO MANY PROGRAMS.

I CAN'T REMEMBER
WHERE HE MET VINCENT.

GARCIA, I GOT A NAME--VINCENT.

MORGAN, I'M GONNA NEED
A SURNAME, HONEY.

SHE CAN'T REMEMBER.

Prentiss: CAN YOU AT LEAST
CROSS-REFERENCE VINCENT'S NAME

WITH ALL OF THE MENTOR
ORGANIZATIONS IN BUFFALO?

I THINK WE'LL GET MORE
FROM THE VIDEO.

WE'RE RUNNING OUT OF TIME.

Morgan: COME ON, GARCIA,
WE GOTTA FIND THIS KID.

TRUST ME, OK?
GIVE ME A SECOND.

THAT'S HER.
THAT'S THE WOMAN
FROM THE FILM.

JUNE 5, 1983.

KIM ROWLINGS
WAS KILLED IN HER HOME.

WHEN POLICE ARRIVED,
THEY FOUND HER SON
VINCENT ROWLINGS. GARCIA--

THANK ME WHEN WE'VE GOT
AN ADDRESS.

VINCENT WAS FOUND
SITTING WITH THE BODY
OF HIS MURDERED MOTHER.

POLICE BELIEVE
THAT HE SAT WITH HER
FOR MORE THAN 24 HOURS.

HE WAS ONLY
9 YEARS OLD.

HE FILMED
HIS MOTHER'S MURDER

AND HID THE TAPE
FROM THE POLICE
ALL THESE YEARS.

VINCENT ROWLINGS,
5605 1/2 PEARL STREET,
EAST SIDE, BUFFALO.

TELL HOTCH WE'RE EN ROUTE.
I LOVE YOU.

FBI!

[FILM PLAYING IN BACKGROUND]

CLEAR.

Vincent's dad:
...WITH OUR SON HERE?!

Vincent's mom: I HATE YOU!

I HATE YOU!
I HATE MY LIFE!

GET OFF OF ME!

GARCIA, I NEED YOU
TO CONFERENCE EVERYBODY NOW.

HOTCH, YOU'VE GOT ROSSI
AND MORGAN.

AND WE HAVE STAN'S
FOSTER MOTHER KATE HERE.

STANLEY IS MISSING,
AND THERE'S BLOOD
ON THE WINDOWSILL.

KATE, DID VINCENT TAKE STAN OUT?

WAS THERE A FAVORITE PLACE
THEY LIKED TO GO?

A PARK? PLAYGROUND?

NO. NO. LIKE I SAID,
I ONLY ALLOW HIM TO SEE STAN

UNDER THIS ROOF,
UNDER MY SUPERVISION.

HE'S BEEN COMING AROUND
MORE SINCE I TOLD HIM
WE WERE MOVING AWAY.

WHEN DID YOU
TELL VINCENT THAT?

LIKE A WEEK AGO. WHY?

WHAT?

HE KILLED MICHELLE WATSON
OVER A WEEK AGO.

Reid: THAT MUST BE
THE STRESSOR THAT TRIGGERED
VINCENT'S BEHAVIOR CHANGE.

KATE, VINCENT'S DRAWN
THE NUMBER 29

WITH A CIRCLE AROUND IT
NUMEROUS TIMES.

TODAY IS THE 29th.

WE BELIEVE THE CIRCLE
MAY REPRESENT
A SPECIFIC LOCATION.

THEY WOULD HAVE TALKED
ABOUT IT, OR HE MIGHT EVEN
HAVE TAKEN HIM THERE BEFORE.

DID VINCENT TALK TO STAN
ABOUT ADVENTURES
THAT THEY COULD TAKE?

PLACES THEY COULD VISIT?

WHAT ARE STANLEY'S
FAVORITE THINGS TO DO?

HE JUST LIKES
TO MAKE THINGS.

TO BUILD THINGS.
VINCENT USED TO HELP HIM.

YEAH.
THE CONSTRUCTION SETS?

FERRIS WHEEL.

IT'S A CIRCLE.

WHEN DID HE BUILD THIS?

OVER THE LAST
COUPLE OF MONTHS.

HE'S BEEN IN HERE
EVERY NIGHT.

GARCIA, CHECK BUFFALO
AND THE SURROUNDING AREAS

FOR ANY THEME PARKS,
PERMANENT OR VISITING.

THEME PARK JUST OUTSIDE
OF BUFFALO.

FERRIS WHEEL?

UM...

YES!

LET'S GO.

YOU BOTH GO.
I'LL STAY HERE
IN CASE HE COMES BACK.

I WANT TO GO OVER EVERYTHING
AND SEE HOW MANY OTHERS
WE'VE MISSED.

Prentiss: GOT IT.

WHAT DO YOU SEE?

TELL ME, VINCENT.

WHAT DO YOU SEE?

SO MANY COLORS.

LIGHTS EVERYWHERE.

IS IT HERE?

THE FERRIS WHEEL?

IT'S HERE. IT'S...

IS IT LIKE
THE ONE WE BUILT? IS IT?

UH-HUH. EXACTLY.

THEN LET'S GO.

ARE YOU OK, BUDDY?

YEAH.

I JUST GET A LITTLE NERVOUS
AT HEIGHTS.

AH. JUST DON'T LOOK DOWN.

HEY, UH...

HE, UH, HE WANTS
TO STOP IT AT THE TOP.

C-CAN YOU DO THAT?

YEAH, SURE.

JUST CLOSE YOUR EYES.

LIKE ME.

IT'S GOING UP.

[SIRENS]

MOVE! FBI! OUT OF THE WAY!

IS IT BEAUTIFUL?

CAN YOU SEE THE STARS,
VINCENT?

CAN YOU SEE THE STARS?

THERE'S THOUSANDS OF THEM.

THEY'RE ALL OVER THE SKY.

I BET IF YOU LEAN FORWARD,
YOU CAN REACH FOR THEM.

OHH--

I GOT YOU.

REMEMBER YOU SAID YOU'D
WISHED HE'D KILLED YOU?

HE'S UP TOP!

OUT OF THE WAY!
OUT OF THE WAY!

YOU CAN NEVER, EVER
WISH TO BE DEAD.

NEVER WISH FOR THAT.

I SAW MY MOM DIE, TOO.

AND LIKE MY FATHER,
I DID SOME BAD THINGS.

I DID SOME BAD THINGS.

WHAT ARE YOU TALKING ABOUT?

[GROANS]

YOU'RE GONNA HEAR THINGS.

YOU'RE GONNA HEAR
BAD THINGS ABOUT ME.

BUT YOU CAN NEVER, EVER
WISH TO DIE, STAN.

BECAUSE YOU'RE SPECIAL.

HOW AM I SPECIAL?

BECAUSE YOU HELPED ME
TO SEE.

TO SEE.

CAN--CAN WE GO AROUND
ONE MORE TIME?

OHH...

Morgan: I NEED YOU TO GET
THIS KID OFF THE WHEEL.
DO IT NOW.

[BREATHING HARD]

I DON'T THINK SO.

I WISH YOU WERE MY DAD.

FORGIVE ME.

Morgan: DO IT NOW!

[WHIRRING]

OK, STOP THE WHEEL.

NOW OPEN IT.

STANLEY, IT'S DEREK
FROM THE FBI. IT'S OK.

SIT TIGHT.

STANLEY--

WHAT'S GOING ON?

IT'S ME, DEREK.

VINCENT, WHAT'S--
WHAT'S GOING ON?

LISTEN TO ME.
I NEED YOU TO COME WITH ME.

LET GO OF VINCENT.

JUST COME WITH ME.

I'M GETTING YOU
OUT OF HERE.

THAT'S RIGHT. THAT'S RIGHT.

IT'S GONNA BE OK.

YOU'RE OK.

VINCENT?

IT'S OK. IT'S FINE.

OH, HONEY!

DEREK.

WHAT'S UP, KID?

DID HE KILL MY MOM?

Morgan: "NO MATTER
HOW DARK THE MOMENT,

LOVE AND HOPE
ARE ALWAYS POSSIBLE."

GEORGE CHAKIRIS.