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1
00:00:00,781 --> 00:00:02,101
What's the set-up?
2
00:00:02,101 --> 00:00:04,181
It's perfect.
House is miles from anywhere.
3
00:00:04,181 --> 00:00:07,221
'It's definitely a real Stubbs?'
'Yeah. Worth thousands.'
4
00:00:10,501 --> 00:00:12,181
SHE SCREAMS
Out of my way!
5
00:00:12,181 --> 00:00:14,821
GLASS SMASHES
Move, or I'll blow your brains out!
6
00:00:21,981 --> 00:00:23,621
'You've gotta let me in, Boisie.
7
00:00:23,621 --> 00:00:26,781
'Men have been pushing me around
my whole life.'
8
00:00:26,781 --> 00:00:28,981
I won't have it any more.
9
00:00:28,981 --> 00:00:31,941
I'm still... waiting for a visit
from the social worker.
10
00:00:31,941 --> 00:00:33,821
'I'm desperate
to get my little girl back.'
11
00:00:37,261 --> 00:00:39,861
What do you want, Joan?
A normal life.
12
00:00:41,661 --> 00:00:45,301
Can you act? With you on my arm,
anything's possible.
13
00:00:49,541 --> 00:00:52,741
I want an 18-carat four-claw mount
with the fake set in.
14
00:00:52,741 --> 00:00:54,541
You love all this, don't you?
15
00:00:54,541 --> 00:00:57,861
Dressing up... pretending.
16
00:00:59,581 --> 00:01:02,221
'I can't get that cute little ring
out of my mind.'
17
00:01:02,221 --> 00:01:04,661
It's an exceptional piece.
18
00:01:04,661 --> 00:01:07,261
Thought you really were
a green-eyed monster for a minute.
19
00:01:13,341 --> 00:01:14,621
You like him, though?
20
00:01:14,621 --> 00:01:17,141
Yeah, I do. I think he's great.
21
00:01:18,981 --> 00:01:20,421
Marry me?
22
00:01:21,541 --> 00:01:24,181
Yeah. YES!
23
00:01:24,181 --> 00:01:27,581
Yes. Crack the champers!
24
00:01:35,741 --> 00:01:37,701
I've got something
I need to tell you.
25
00:01:37,701 --> 00:01:39,341
What?
26
00:01:39,341 --> 00:01:42,301
The Ashburys have asked us
if they can adopt Kelly.
27
00:01:42,301 --> 00:01:44,221
It's just a request at the moment.
28
00:01:44,221 --> 00:01:45,501
You're her mother,
29
00:01:45,501 --> 00:01:48,341
and no-one's doing anything
without due process.
30
00:01:48,341 --> 00:01:51,141
We do always try to keep children
with their mothers.
31
00:01:51,141 --> 00:01:53,221
It's really important that Kelly
32
00:01:53,221 --> 00:01:56,701
moves back into a settled,
stable environment.
33
00:01:56,701 --> 00:01:59,141
And right now, we're not convinced
you can provide that.
34
00:02:30,421 --> 00:02:33,141
BOISIE: Come on, then,
let's get you that sparkler.
35
00:02:36,981 --> 00:02:38,461
Morning.
36
00:02:41,701 --> 00:02:45,501
There we are.
Perfect engagement ring.
37
00:02:46,661 --> 00:02:50,141
Nice.
It's gorgeous.
38
00:02:56,261 --> 00:02:57,741
I love it.
39
00:02:59,701 --> 00:03:01,301
Do you think Kelly will like it?
40
00:03:02,741 --> 00:03:06,461
I can't believe she's gonna be here
in a couple of hours.
41
00:03:06,461 --> 00:03:09,421
I can't believe
I handed over good money for it.
42
00:03:09,421 --> 00:03:13,381
I'm not nicking
my own engagement ring, am I?
43
00:03:13,381 --> 00:03:14,741
Forty grand, Joan?
44
00:03:16,341 --> 00:03:19,301
It's bad luck to start marriage
with stolen goods.
45
00:03:19,301 --> 00:03:21,901
Oh, but it's all right if the cash
came from the 65 grand we got
46
00:03:21,901 --> 00:03:23,781
from selling a ring
you did half-inch?
47
00:03:23,781 --> 00:03:25,301
Mm.
Yeah?
48
00:03:25,301 --> 00:03:27,101
Are you saying I'm not worth it?
49
00:03:27,101 --> 00:03:31,061
Hm? Cos we both know I am.
50
00:03:35,661 --> 00:03:37,141
Love that.
51
00:03:37,141 --> 00:03:38,461
MAN: All right, Boisie?
52
00:03:53,941 --> 00:03:56,141
What can I do you for?
53
00:03:56,141 --> 00:03:57,301
DS Harris.
54
00:03:57,301 --> 00:04:01,421
You heard anything about
an art theft in Sussex?
55
00:04:01,421 --> 00:04:03,381
Not a word.
56
00:04:03,381 --> 00:04:06,661
A George Stubbs got nicked,
and a gun was involved.
57
00:04:06,661 --> 00:04:09,501
Oh, yeah?
You won't mind if we look inside?
58
00:04:27,821 --> 00:04:30,661
Don't suppose you've heard any...
whispers?
59
00:04:30,661 --> 00:04:34,021
Me? Why would I?
60
00:04:39,021 --> 00:04:42,101
They must know something, Boisie.
That's just what they do.
61
00:04:42,101 --> 00:04:44,421
They check all the antique shops
in the area.
62
00:04:44,421 --> 00:04:46,941
Yeah,
but how long are they gonna take?
63
00:04:46,941 --> 00:04:49,941
I mean, what if Kelly
comes back early...? Stop.
64
00:04:49,941 --> 00:04:51,301
It's going to be fine.
65
00:04:59,861 --> 00:05:03,061
Don't let the door
hit your arse on the way out.
66
00:05:09,661 --> 00:05:12,061
We've gotta get rid
of that painting.
67
00:05:12,061 --> 00:05:14,901
I'm working on it.
Never mind "working on it".
68
00:05:14,901 --> 00:05:17,421
We can't sell it now, can we?
Just chuck it in the river.
69
00:05:19,341 --> 00:05:22,781
I can't fight Kelly's adoption
with the police sniffing around.
70
00:05:22,781 --> 00:05:24,741
They didn't find anything.
Yeah, but if they do,
71
00:05:24,741 --> 00:05:26,741
it's a direct link between us
and the robbery.
72
00:05:26,741 --> 00:05:29,501
Can you calm down? We carry on
as normal, it'll blow over.
73
00:05:29,501 --> 00:05:33,541
Are you fucking serious?
What do you suggest, Joan?
74
00:05:33,541 --> 00:05:35,341
We go straight.
75
00:05:35,341 --> 00:05:37,381
What?
76
00:05:37,381 --> 00:05:39,341
We run this place
completely legit from now on.
77
00:05:40,821 --> 00:05:43,701
There ain't an antiques shop in
the world that's completely legit.
78
00:05:43,701 --> 00:05:46,421
Yes, but we need the social
to think we're a normal couple.
79
00:05:46,421 --> 00:05:49,261
We're not, though, are we?
I mean it, Boisie.
80
00:05:49,261 --> 00:05:53,981
So, no more diamonds, no more furs?
81
00:05:53,981 --> 00:05:58,301
And what will you do all day?
I'll work in the shop.
82
00:06:10,261 --> 00:06:12,021
DOOR BELL RINGS
83
00:06:13,181 --> 00:06:16,621
Put that out. They'll give her
the third degree when she gets back.
84
00:06:16,621 --> 00:06:18,421
She's a kid.
85
00:06:18,421 --> 00:06:21,381
Well, she ain't stupid,
I'm telling you now.
86
00:06:22,861 --> 00:06:25,261
Hello!
87
00:06:25,261 --> 00:06:28,021
Hi, Kel. Come in, come in.
88
00:06:28,021 --> 00:06:31,021
Hi, sweetheart. How are you?
89
00:06:34,301 --> 00:06:35,981
When did you get that big?
90
00:06:35,981 --> 00:06:38,661
You must be Boisie.
Mrs May.
91
00:06:38,661 --> 00:06:40,741
And you must be Kelly.
92
00:06:40,741 --> 00:06:42,981
Kels, this is Boisie.
93
00:06:42,981 --> 00:06:46,861
Boisie, this is the most beautiful
girl in all the world.
94
00:06:46,861 --> 00:06:49,821
Right, I'll be back later
to get you for your tea.
95
00:06:49,821 --> 00:06:51,661
Oh, don't worry,
I've got loads in for her.
96
00:06:51,661 --> 00:06:54,421
Burgers. Hot dogs.
97
00:06:54,421 --> 00:06:56,701
You still like hot dogs, don't you?
Course she does.
98
00:06:56,701 --> 00:06:58,221
Who doesn't like hot dogs?
99
00:06:58,221 --> 00:07:00,101
CHUCKLES
Bye-bye, Kelly.
100
00:07:00,101 --> 00:07:02,541
Bye. Thank you.
Let me get the door for you.
101
00:07:02,541 --> 00:07:05,301
Thank you. Oops. Ha.
102
00:07:06,661 --> 00:07:07,861
Right.
103
00:07:09,221 --> 00:07:12,941
So, today, we are gonna go
and see Auntie Nancy,
104
00:07:12,941 --> 00:07:17,381
and she has a big treat for you!
105
00:07:17,381 --> 00:07:20,101
MUSIC: 'Love Action'
by The Human League
106
00:07:20,101 --> 00:07:22,261
# When you're in love
You know you're in love... #
107
00:07:22,261 --> 00:07:24,861
And spin! Whoo! Go, Kelly!
108
00:07:24,861 --> 00:07:27,381
# No matter what you try to do... #
109
00:07:27,381 --> 00:07:29,661
Whee-hee!
110
00:07:29,661 --> 00:07:31,981
# Resign yourself
111
00:07:31,981 --> 00:07:35,621
# To what you're going through
112
00:07:35,621 --> 00:07:39,221
# If you're a hard man
Or if you're a child
113
00:07:39,221 --> 00:07:41,781
# It still might get to you... #
114
00:07:44,501 --> 00:07:48,301
Kel. Kelly, say cheese.
115
00:07:48,301 --> 00:07:51,221
Cheese.
Yay!
116
00:07:56,621 --> 00:07:59,421
Kelly! Grab anything you fancy.
117
00:07:59,421 --> 00:08:01,661
Stop fussing.
118
00:08:01,661 --> 00:08:04,021
SIGHS
I need this to go well.
119
00:08:04,021 --> 00:08:05,701
It is going well.
120
00:08:07,061 --> 00:08:08,701
I want her back, Boisie.
121
00:08:08,701 --> 00:08:11,701
We have to go straight.
122
00:08:11,701 --> 00:08:13,341
It's not that simple.
123
00:08:13,341 --> 00:08:15,461
Yes, it is.
I have to do this for her.
124
00:08:15,461 --> 00:08:17,701
You understand that, right?
Yeah. I get it.
125
00:08:17,701 --> 00:08:19,901
So you'll get rid
of that painting, then, yeah?
126
00:08:22,981 --> 00:08:25,621
I got the chocolate one! Look.
Aw.
127
00:08:27,861 --> 00:08:29,541
My goodness.
128
00:08:40,381 --> 00:08:42,261
Do you know what this means?
129
00:08:45,021 --> 00:08:46,861
That Mummy likes diamonds?
130
00:08:46,861 --> 00:08:49,021
THEY CHUCKLE
Clever girl.
131
00:08:50,701 --> 00:08:55,421
But it also means I've asked
your mum if she'll marry me.
132
00:09:01,621 --> 00:09:03,381
And then you'll come
and live with us,
133
00:09:03,381 --> 00:09:05,501
and we'll be a proper family again.
134
00:09:05,501 --> 00:09:07,101
A fresh start.
135
00:09:07,101 --> 00:09:10,021
Am I coming to the wedding?
136
00:09:10,021 --> 00:09:11,981
Of course.
137
00:09:11,981 --> 00:09:14,861
You'll be my chief bridesmaid,
obviously.
138
00:09:14,861 --> 00:09:18,621
You and Aunty Nancy.
You'll have pretty frocks, flowers.
139
00:09:20,581 --> 00:09:22,101
Will I get flowers in my hair?
140
00:09:22,101 --> 00:09:25,101
Well, I mean,
you can't be a bridesmaid
141
00:09:25,101 --> 00:09:28,941
without bloody flowers in your hair,
can you?
142
00:09:28,941 --> 00:09:30,421
CHUCKLES
143
00:09:35,821 --> 00:09:38,381
Well, look...
144
00:09:38,381 --> 00:09:42,181
I might be able to put
a bit more cash in your direction,
145
00:09:42,181 --> 00:09:43,501
if you're interested?
146
00:09:43,501 --> 00:09:46,061
I need a buyer for something.
147
00:09:46,061 --> 00:09:47,861
Sharpish.
All right.
148
00:09:47,861 --> 00:09:50,621
What we talking about?
A Stubbs painting.
149
00:09:51,701 --> 00:09:52,901
You nicked that?
150
00:09:52,901 --> 00:09:54,981
Yeah, me and Joan.
151
00:09:59,101 --> 00:10:02,021
THEY CHUCKLE
152
00:10:02,021 --> 00:10:03,941
Police are asking
a lot of questions about it.
153
00:10:03,941 --> 00:10:06,381
Why I need a buyer.
154
00:10:06,381 --> 00:10:09,261
None of the usual suspects
are gonna touch anything that hot.
155
00:10:09,261 --> 00:10:13,261
Can you think
of any unusual suspects?
156
00:10:20,261 --> 00:10:22,021
Maybe.
Yeah?
157
00:10:22,021 --> 00:10:23,181
For...
158
00:10:24,701 --> 00:10:27,221
..25%.
25?!
159
00:10:27,221 --> 00:10:29,301
Risky.
Do me a favour.
160
00:10:29,301 --> 00:10:32,821
Risky, risky, risky this one, Boise.
Very risky.
161
00:10:32,821 --> 00:10:34,861
All right, all right,
save the spiel, mate,
162
00:10:34,861 --> 00:10:37,421
I know you're broke.
Who've you got in mind?
163
00:10:38,661 --> 00:10:40,141
ALBIE CLEARS THROAT
164
00:10:40,141 --> 00:10:41,381
Darling?
165
00:10:46,821 --> 00:10:48,181
The Irish.
166
00:10:49,581 --> 00:10:50,901
IRA?
167
00:10:54,141 --> 00:10:55,781
They've always got money to spend.
168
00:10:55,781 --> 00:10:57,421
What are a bunch of terrorists
gonna do
169
00:10:57,421 --> 00:11:00,141
with a painting of a fucking horse?
Hang it on their wall?
170
00:11:00,141 --> 00:11:02,221
They always need to buy things
from abroad, right?
171
00:11:02,221 --> 00:11:04,781
Yeah, guns and explosives.
172
00:11:06,581 --> 00:11:10,421
Look, they have trouble
moving money overseas.
173
00:11:10,421 --> 00:11:13,221
But... But art,
it's a different kettle of fish.
174
00:11:15,261 --> 00:11:17,381
You think we can trust people
like that?
175
00:11:21,741 --> 00:11:23,541
I think that we can trust the fact
176
00:11:23,541 --> 00:11:26,421
that they always need things
to shift.
177
00:11:26,421 --> 00:11:28,101
And a Stubbs is perfect.
178
00:11:35,301 --> 00:11:38,981
So, is it yes, or no?
179
00:11:50,741 --> 00:11:54,621
BABY CRYING
180
00:12:00,981 --> 00:12:03,421
What are you doing?
181
00:12:03,421 --> 00:12:06,661
Needs restoration,
but before that,
182
00:12:06,661 --> 00:12:09,941
there can't be a grain of dirt,
or it'll get trapped.
183
00:12:14,821 --> 00:12:18,021
Why don't you clean the tea sets?
There are some special cloths.
184
00:12:19,421 --> 00:12:20,461
Yeah.
185
00:12:20,461 --> 00:12:23,421
Working in the shop was your idea,
remember?
186
00:12:23,421 --> 00:12:25,661
Mm-hm.
187
00:12:25,661 --> 00:12:28,141
Yeah, to make sure I get Kelly back.
188
00:12:35,581 --> 00:12:38,061
You know what we should do?
189
00:12:38,061 --> 00:12:40,501
I'm all ears.
190
00:12:40,501 --> 00:12:42,981
We should turn this place into
a jewellers.
191
00:12:46,901 --> 00:12:50,341
It's not enough to like sparklers
to run a jewellers, Joan.
192
00:12:50,341 --> 00:12:51,901
You have to know about 'em.
193
00:12:51,901 --> 00:12:54,421
And not just that stuff
you learned to parrot.
194
00:12:54,421 --> 00:12:56,981
Proper deep knowledge.
Fine, I'll learn.
195
00:12:58,781 --> 00:13:01,541
How you gonna do that, then?
196
00:13:04,741 --> 00:13:06,421
I want to be fully qualified.
197
00:13:06,421 --> 00:13:08,301
Then you'll have to do
the foundation course
198
00:13:08,301 --> 00:13:11,141
which is £2,250.
199
00:13:11,141 --> 00:13:13,821
Do you take cash?
200
00:13:13,821 --> 00:13:16,021
Ready for the big day tomorrow,
Boisie?
201
00:13:16,021 --> 00:13:18,701
Yeah,
Joan's got it all under control.
202
00:13:18,701 --> 00:13:21,341
Nice place you've got here.
Albie's mate's letting us use it.
203
00:13:21,341 --> 00:13:22,701
Till I get myself sorted.
204
00:13:22,701 --> 00:13:25,021
Won't be long.
Fingers crossed.
205
00:13:25,021 --> 00:13:27,141
Give us a shout
if you want anything else.
206
00:13:27,141 --> 00:13:28,941
Thanks, Val.
207
00:13:31,901 --> 00:13:34,181
Can't believe you spent
five grand on a wedding ring.
208
00:13:34,181 --> 00:13:36,461
And 40 on an engagement ring.
209
00:13:36,461 --> 00:13:38,261
You're going soft, Boise.
210
00:13:38,261 --> 00:13:40,261
EXHALES HEAVILY
211
00:13:40,261 --> 00:13:42,901
Yeah, I couldn't nick 'em -
Joan wants us to go straight.
212
00:13:42,901 --> 00:13:46,181
What women want and what they get
are two different things.
213
00:13:46,181 --> 00:13:48,741
I've been telling Val
I'm going straight for years.
214
00:13:48,741 --> 00:13:50,341
SCOFFS
215
00:13:50,341 --> 00:13:51,901
Joan's different, though.
216
00:13:53,381 --> 00:13:54,861
Too right.
217
00:13:56,061 --> 00:13:58,141
Well, here's a day
I thought I'd never see -
218
00:13:58,141 --> 00:13:59,941
you getting married.
219
00:13:59,941 --> 00:14:02,261
Yeah, and to someone
you actually like.
220
00:14:02,261 --> 00:14:03,461
CHUCKLES
221
00:14:08,861 --> 00:14:10,181
What?
222
00:14:10,181 --> 00:14:12,141
It's just a bit quick.
223
00:14:12,141 --> 00:14:14,701
Do you know him well enough?
224
00:14:14,701 --> 00:14:16,221
I do, yeah.
225
00:14:16,221 --> 00:14:20,501
We can say anything to one another.
There's no... secrets.
226
00:14:21,701 --> 00:14:24,381
So, you're gonna sell the Stubbs
to the Irish?
227
00:14:26,581 --> 00:14:28,341
Yeah.
228
00:14:29,821 --> 00:14:32,421
Well, you'll need someone
to say it's not a fake.
229
00:14:32,421 --> 00:14:35,581
And it's gotta be an expert.
They're no mugs.
230
00:14:35,581 --> 00:14:38,181
Mas cervezas?
ALBIE CHUCKLES
231
00:14:38,181 --> 00:14:39,941
Thanks, Val.
232
00:14:39,941 --> 00:14:42,381
These ones done?
Yeah. Yeah.
233
00:14:42,381 --> 00:14:43,821
Nice one, babe.
234
00:14:48,221 --> 00:14:50,301
I was thinking Hugo at Abney's.
235
00:14:50,301 --> 00:14:53,501
He's the one that gave me
the tip-off in the first place. Hm.
236
00:14:53,501 --> 00:14:55,781
Trust him?
237
00:14:55,781 --> 00:14:57,101
Enough.
238
00:14:58,621 --> 00:15:00,261
'I've got a little something
for you.'
239
00:15:04,821 --> 00:15:05,981
Hmm.
240
00:15:15,261 --> 00:15:18,021
Are they real?
Course they're bloody real.
241
00:15:18,021 --> 00:15:20,941
Got Kelly a necklace, as well.
242
00:15:25,141 --> 00:15:26,581
I wish she was here.
243
00:15:26,581 --> 00:15:29,301
You'd think the social would let her
stay the night.
244
00:15:29,301 --> 00:15:30,581
It's not allowed,
245
00:15:30,581 --> 00:15:35,181
while they're still talking about...
bloody adoption.
246
00:15:38,261 --> 00:15:40,061
Can you imagine what
Mum and Dad would say?
247
00:15:40,061 --> 00:15:41,821
Oh, don't start.
248
00:15:41,821 --> 00:15:43,381
I just wish you'd invited them,
249
00:15:43,381 --> 00:15:45,421
so they could see
how well you're doing, and Kelly.
250
00:15:45,421 --> 00:15:47,821
No, that man is not coming
within a mile of my daughter.
251
00:15:47,821 --> 00:15:49,341
He's too ill to hurt a fly
these days.
252
00:15:49,341 --> 00:15:51,581
It's never gonna happen.
253
00:15:58,341 --> 00:16:00,221
CHINKS GLASS
254
00:16:02,941 --> 00:16:09,181
May I present my beautiful,
talented wife.
255
00:16:09,181 --> 00:16:11,421
Let's hear it for Mrs Hannington.
256
00:16:11,421 --> 00:16:13,621
APPLAUSE, WHOOPING
257
00:16:13,621 --> 00:16:15,541
You're not so bad yourself.
258
00:16:18,421 --> 00:16:21,501
Just don't expect me
to honour and obey, OK?
259
00:16:21,501 --> 00:16:22,901
LAUGHTER
260
00:16:22,901 --> 00:16:25,381
Er, speech, Boise, speech!
261
00:16:25,381 --> 00:16:27,941
ALL CLAMOUR
262
00:16:27,941 --> 00:16:29,541
Come on.
263
00:16:29,541 --> 00:16:31,501
You know, I'm a man of few words.
264
00:16:31,501 --> 00:16:33,621
RONALD: Only when it comes
to the Old Bill, Boisie.
265
00:16:33,621 --> 00:16:34,821
LAUGHTER
266
00:16:34,821 --> 00:16:37,981
Only words he knows down the nick
are "no" and "comment".
267
00:16:37,981 --> 00:16:40,141
So I'll keep it brief.
Thank God for that.
268
00:16:40,141 --> 00:16:42,781
If you'll let me get a word in...
269
00:16:42,781 --> 00:16:45,381
All I want to say is...
270
00:16:45,381 --> 00:16:47,781
I'm very grateful to you all
for coming
271
00:16:47,781 --> 00:16:50,101
and helping us celebrate today.
272
00:16:51,261 --> 00:16:54,941
I can honestly say
I have never been happier.
273
00:16:56,501 --> 00:16:59,181
So, here's to you.
274
00:17:01,381 --> 00:17:03,821
To Boisie and Joan.
275
00:17:03,821 --> 00:17:05,501
ALL: Boisie and Joan.
276
00:17:05,501 --> 00:17:08,181
APPLAUSE
277
00:17:08,181 --> 00:17:11,261
I love you.
I love you.
278
00:17:13,741 --> 00:17:16,141
MUSIC: 'I'm So Excited'
by The Pointer Sisters
279
00:17:21,381 --> 00:17:23,901
LAUGHTER
280
00:17:33,061 --> 00:17:36,861
# Tonight's the night
We're gonna make it happen
281
00:17:38,621 --> 00:17:42,501
# Tonight we'll put
All other things aside
282
00:17:43,821 --> 00:17:47,421
# Give in this time
And show me some affection
283
00:17:49,221 --> 00:17:52,581
# We're goin' for those pleasures
In the night
284
00:17:53,581 --> 00:17:56,781
# I want to love you, feel you
285
00:17:56,781 --> 00:18:01,901
# Wrap myself around you
I want to squeeze you, please you
286
00:18:01,901 --> 00:18:03,981
# I just can't get enough
287
00:18:03,981 --> 00:18:05,821
# And if you move... #
288
00:18:05,821 --> 00:18:08,021
Are you all right?
289
00:18:09,141 --> 00:18:11,741
Lots of noise
and people you don't know, eh?
290
00:18:11,741 --> 00:18:14,301
Joan!
291
00:18:14,301 --> 00:18:16,261
Come on!
Come and dance with us.
292
00:18:16,261 --> 00:18:18,341
SOFTLY: Not gonna leave her
on her own, am I?
293
00:18:22,061 --> 00:18:24,461
Which one's your favourite?
Tell me he hasn't got the hump
294
00:18:24,461 --> 00:18:26,341
cos you've gotta look after
your own daughter?
295
00:18:26,341 --> 00:18:27,381
Oh, mind your own.
296
00:18:27,381 --> 00:18:28,861
Keep your hair on.
297
00:18:28,861 --> 00:18:30,661
How about you keep your nose out?
298
00:18:30,661 --> 00:18:33,101
First off, you're telling me
I don't know him well enough...
299
00:18:33,101 --> 00:18:34,661
And do you?
300
00:18:35,981 --> 00:18:38,501
What was all that crap
about the police and "no comment"?
301
00:18:40,661 --> 00:18:42,981
If you're not banging on
about Boisie,
302
00:18:42,981 --> 00:18:44,181
you are on one about Dad.
303
00:18:44,181 --> 00:18:46,901
He'd be proud of you now.
Proud?
304
00:18:46,901 --> 00:18:48,941
You know as well as I do
that if he were here,
305
00:18:48,941 --> 00:18:50,461
he'd be finding fault in everything,
306
00:18:50,461 --> 00:18:52,421
just like he's done
since the day I was born.
307
00:18:52,421 --> 00:18:55,261
You were the apple of his eye.
Yeah, till I turned 12.
308
00:18:55,261 --> 00:18:57,381
Joan, you were a tearaway,
he was old-fashioned.
309
00:18:57,381 --> 00:18:58,821
He didn't know how to handle you.
310
00:18:58,821 --> 00:19:01,861
I wasn't a tearaway,
I was a runaway, and you know why.
311
00:19:03,941 --> 00:19:06,181
Why do you pretend like
you don't know what he did to me?
312
00:19:06,181 --> 00:19:07,941
I've still got the scars
to prove it.
313
00:19:07,941 --> 00:19:10,821
Not in front of Kelly. Oh, no,
she's gonna grow up understanding
314
00:19:10,821 --> 00:19:13,701
that it's not all right for a man
to behave like he did.
315
00:19:13,701 --> 00:19:15,261
And it's not all right
for other people
316
00:19:15,261 --> 00:19:17,301
to make out like it didn't happen.
317
00:19:17,301 --> 00:19:19,581
You and Mum are as bad
as each other, you know that?
318
00:19:21,341 --> 00:19:23,821
So, you'll dance with Albie
but not your husband?
319
00:19:23,821 --> 00:19:25,701
Kelly needs her. You can see that.
320
00:19:25,701 --> 00:19:27,741
How about you take Kelly
back to the Ashburys', eh?
321
00:19:27,741 --> 00:19:29,221
They're staying nearby.
322
00:19:29,221 --> 00:19:31,461
You don't wanna go yet, do you?
323
00:19:31,461 --> 00:19:33,581
I'm tired.
324
00:19:34,901 --> 00:19:38,381
'Ere you are, ten minutes in a taxi.
No, I want Kel here.
325
00:19:38,381 --> 00:19:41,221
Yeah, but she doesn't wanna be here,
does she?
326
00:19:41,221 --> 00:19:42,901
Nancy?
327
00:19:47,821 --> 00:19:49,301
Give your mum a kiss, Kel.
328
00:19:53,821 --> 00:19:54,981
You all right?
329
00:19:54,981 --> 00:19:57,061
Yeah? Good girl.
330
00:19:59,381 --> 00:20:00,821
Come with Auntie Nancy.
331
00:20:02,261 --> 00:20:04,941
She'll be all right. Come on.
332
00:20:08,621 --> 00:20:11,301
CHEERING
333
00:20:26,701 --> 00:20:30,181
Judging the value of a gem stone
is complex, of course,
334
00:20:30,181 --> 00:20:32,621
and much depends
on the type of stone,
335
00:20:32,621 --> 00:20:37,101
but the number one factor
will always be durability.
336
00:20:37,101 --> 00:20:39,621
No matter how beautiful
a stone looks,
337
00:20:39,621 --> 00:20:43,301
the most important characteristic
is how long it will endure.
338
00:20:43,301 --> 00:20:45,661
And do we know which stones
are the most durable?
339
00:20:46,821 --> 00:20:49,421
Diamonds.
Actually, no.
340
00:20:49,421 --> 00:20:50,701
Anyone else?
341
00:20:53,861 --> 00:20:55,181
At the back.
342
00:20:57,181 --> 00:20:58,301
Jade?
343
00:20:58,301 --> 00:20:59,781
Correct.
344
00:20:59,781 --> 00:21:02,101
Could you tell us why?
345
00:21:02,101 --> 00:21:04,461
Well,
diamonds are the hardest stones,
346
00:21:04,461 --> 00:21:05,941
but they have perfect cleavage,
347
00:21:05,941 --> 00:21:09,501
so they can split in two
more easily than jade.
348
00:21:09,501 --> 00:21:13,941
You'd say, then, that we should look
to avoid cleavage in a diamond?
349
00:21:13,941 --> 00:21:16,621
I wouldn't go that far.
LAUGHTER
350
00:21:16,621 --> 00:21:21,661
So, if we're prepared
to excuse cleavage in our diamonds,
351
00:21:21,661 --> 00:21:23,701
how do we value them?
352
00:21:23,701 --> 00:21:26,421
The first question
we must always ask ourselves
353
00:21:26,421 --> 00:21:29,301
is are these diamonds real?
354
00:21:30,701 --> 00:21:32,941
And if we're talking about
uncut stones,
355
00:21:32,941 --> 00:21:36,701
we're going to answer that
by checking for any tiny inclusions,
356
00:21:36,701 --> 00:21:39,341
or, in layman's terms, flaws.
357
00:21:39,341 --> 00:21:43,461
Because a flawless uncut diamond
is a fake.
358
00:21:49,101 --> 00:21:50,781
BOISIE: All you've got to do
is tell them
359
00:21:50,781 --> 00:21:52,301
the painting's genuine, which it is.
360
00:21:52,301 --> 00:21:53,541
I can't.
361
00:21:53,541 --> 00:21:55,981
You've done it loads of times
before for me.
362
00:21:55,981 --> 00:21:57,061
Not this one.
363
00:21:59,381 --> 00:22:01,821
You'll get your usual fee, plus 10%.
364
00:22:01,821 --> 00:22:04,461
I value my kneecaps more, Boisie.
365
00:22:04,461 --> 00:22:07,301
So, you don't want that grand
for the initial tip-off, then?
366
00:22:09,061 --> 00:22:10,901
You're getting nothing
if I can't sell it.
367
00:22:10,901 --> 00:22:12,101
I know you need that cash.
368
00:22:12,101 --> 00:22:14,861
Just find someone else, Boisie,
for God's sake.
369
00:22:16,181 --> 00:22:19,541
For one thing,
I'd never pull it off. Look at me.
370
00:22:19,541 --> 00:22:21,701
Hm?
HUGO INHALES
371
00:22:21,701 --> 00:22:22,981
I'll screw it up.
372
00:22:22,981 --> 00:22:25,421
They'll see I'm a wreck,
and they won't believe me.
373
00:22:25,421 --> 00:22:27,061
OK.
374
00:22:29,421 --> 00:22:31,421
If I find someone else,
375
00:22:31,421 --> 00:22:33,301
then you need to get them plotted
in here.
376
00:22:33,301 --> 00:22:35,421
The Irish will want to know
they're kosher.
377
00:22:35,421 --> 00:22:36,701
And what will I tell my boss?
378
00:22:36,701 --> 00:22:40,061
Say... I dunno,
they're here to train.
379
00:22:40,061 --> 00:22:43,461
Hugo, you can say anything you like,
I don't care.
380
00:22:43,461 --> 00:22:45,901
If you want that grand,
this is what's happening.
381
00:22:50,461 --> 00:22:52,621
And I need you to tell 'em
everything there is to know
382
00:22:52,621 --> 00:22:53,941
about George fucking Stubbs.
383
00:22:53,941 --> 00:22:56,861
Well, they'll need to be
word-bloody-perfect. Listen...
384
00:22:56,861 --> 00:22:59,101
there is no way
this is coming back on me.
385
00:23:02,781 --> 00:23:04,981
'This is the one
I'm not sure is genuine.'
386
00:23:06,381 --> 00:23:09,421
I think I can see the smallest flaw,
but...
387
00:23:10,421 --> 00:23:13,461
Some inclusions are
extremely hard to detect
388
00:23:13,461 --> 00:23:15,941
with magnification alone,
389
00:23:15,941 --> 00:23:19,621
so checking for fluorescents
with a UV torch
390
00:23:19,621 --> 00:23:21,861
can be very helpful.
391
00:23:23,701 --> 00:23:25,581
Hm?
Hm.
392
00:23:29,341 --> 00:23:30,541
Have another look.
393
00:23:38,901 --> 00:23:40,981
Do you see an inclusion?
394
00:23:40,981 --> 00:23:42,661
I can, yeah.
395
00:23:42,661 --> 00:23:44,421
That means?
396
00:23:47,621 --> 00:23:49,101
It's real.
397
00:24:04,501 --> 00:24:06,461
HE EXHALES
398
00:24:22,581 --> 00:24:25,581
You gonna tell me what's up?
399
00:24:29,341 --> 00:24:31,741
I've found a buyer for the Stubbs.
400
00:24:33,101 --> 00:24:35,141
We agreed that you'd chuck it
in the river.
401
00:24:35,141 --> 00:24:37,221
No, we didn't.
Yes, we did.
402
00:24:37,221 --> 00:24:39,221
Cos I'm only trying to get
my daughter back,
403
00:24:39,221 --> 00:24:42,461
and you stood there, and you told me
that you understood that.
404
00:24:42,461 --> 00:24:43,621
I do understand.
405
00:24:43,621 --> 00:24:46,821
Oh, yeah, provided you can still do
whatever you want, when you want.
406
00:24:46,821 --> 00:24:48,421
A work of art
is not going in the river.
407
00:24:51,101 --> 00:24:52,981
I just need someone to say
they're from Abney's
408
00:24:52,981 --> 00:24:54,061
and sign it off as legit.
409
00:24:54,061 --> 00:24:56,341
I'd ask you to do it, but...
410
00:24:59,621 --> 00:25:01,541
You don't care, do you?
411
00:25:03,301 --> 00:25:05,061
You don't care
if I get her back or not.
412
00:25:38,861 --> 00:25:40,541
Well, married life is suiting you.
413
00:25:42,141 --> 00:25:43,861
How do you know I'm married?
414
00:25:43,861 --> 00:25:46,181
It's my job to know
what you're up to...
415
00:25:46,181 --> 00:25:48,181
what you're thinking.
Hm.
416
00:25:49,461 --> 00:25:51,541
Well, go on, then, clever clogs.
417
00:25:53,141 --> 00:25:55,381
You hungry?
418
00:25:55,381 --> 00:25:56,901
Hungry for what?
419
00:25:56,901 --> 00:25:59,221
Change.
420
00:25:59,221 --> 00:26:00,421
Excitement.
421
00:26:01,861 --> 00:26:03,981
'I know what you really want, Joan.'
422
00:26:05,461 --> 00:26:07,981
To have Kelly back with you.
423
00:26:07,981 --> 00:26:10,221
And I would love for that to happen.
424
00:26:10,221 --> 00:26:13,021
The thing is, I don't think it can.
425
00:26:15,181 --> 00:26:16,341
Not now.
426
00:26:18,261 --> 00:26:19,821
What's this?
427
00:26:25,701 --> 00:26:27,541
That robbery in Sussex.
428
00:26:28,781 --> 00:26:30,581
Don't know what you're on about.
Yes, you do.
429
00:26:30,581 --> 00:26:32,381
Harris and his boys
searched the shop.
430
00:26:33,581 --> 00:26:35,221
That's the woman involved.
431
00:26:36,341 --> 00:26:37,941
Harris has met you.
432
00:26:37,941 --> 00:26:40,381
If he sees this, he's gonna know
straightaway that it's you,
433
00:26:40,381 --> 00:26:43,221
and he'll nick you
for aggravated burglary.
434
00:26:44,621 --> 00:26:46,501
You're looking at years for that,
not months.
435
00:26:46,501 --> 00:26:48,461
It doesn't look anything like me.
436
00:26:51,901 --> 00:26:54,181
The thing is,
I can make sure that doesn't happen.
437
00:26:56,781 --> 00:26:58,421
Why would you do that?
438
00:26:58,421 --> 00:27:02,181
I mean, you don't wear a uniform,
but you've still got a badge.
439
00:27:02,181 --> 00:27:05,101
All you've got to do is work for me.
440
00:27:05,101 --> 00:27:07,541
You be my eyes and ears,
441
00:27:07,541 --> 00:27:10,021
and I'll do a deal,
get the other thing gone.
442
00:27:10,021 --> 00:27:12,781
Think about it, Joan.
443
00:27:12,781 --> 00:27:15,741
You could have a completely
different life.
444
00:27:15,741 --> 00:27:18,261
You're safe, with Kelly.
445
00:27:18,261 --> 00:27:20,341
I'm not a grass, Tom.
446
00:27:20,341 --> 00:27:23,221
Anyway,
I've got nothing to tell you.
447
00:27:27,101 --> 00:27:29,941
CAR PULLING UP
448
00:27:34,821 --> 00:27:36,701
Thanks, I'll keep it.
449
00:27:42,101 --> 00:27:44,021
Here you go, mate.
450
00:27:57,981 --> 00:28:01,021
What's with the Old Bill?
451
00:28:01,021 --> 00:28:03,061
Don't know what you're on about.
452
00:28:04,501 --> 00:28:06,621
That bloke I've just seen you with.
453
00:28:06,621 --> 00:28:10,701
Well, who says he's Old Bill?
We both know bacon when we smell it.
454
00:28:12,861 --> 00:28:15,421
If you must know...
455
00:28:15,421 --> 00:28:17,421
he wanted to show me this.
456
00:28:17,421 --> 00:28:22,461
Apparently, she was involved in
nicking a painting by George Stubbs.
457
00:28:22,461 --> 00:28:24,781
A burglary, Boise.
458
00:28:24,781 --> 00:28:27,421
A burglary where a bloke got clocked
with a gun.
459
00:28:27,421 --> 00:28:28,861
According to who?
460
00:28:28,861 --> 00:28:30,981
The woman who owns the house
and the painting.
461
00:28:30,981 --> 00:28:32,781
What about the fella?
He say anything?
462
00:28:32,781 --> 00:28:34,821
Oh, no, don't worry,
all he can remember
463
00:28:34,821 --> 00:28:36,581
is that whoever hit him
was wearing a mask,
464
00:28:36,581 --> 00:28:38,741
so you are in the clear.
465
00:28:38,741 --> 00:28:39,941
It's just me facing time.
466
00:28:39,941 --> 00:28:43,541
With one witness,
who drinks like George Best?
467
00:28:43,541 --> 00:28:47,141
That'll never stick.
It will if they find the painting.
468
00:28:57,821 --> 00:28:59,221
SHE SIGHS
469
00:29:13,621 --> 00:29:15,141
SHE COUGHS LIGHTLY
470
00:29:25,181 --> 00:29:26,941
DOOR CLOSES
471
00:29:39,501 --> 00:29:41,781
TYRES SCREECH
472
00:30:06,821 --> 00:30:08,701
Oi! Don't.
473
00:30:08,701 --> 00:30:12,261
I'm not going down and losing
my girl over a few quid, Boisie.
474
00:30:16,581 --> 00:30:18,301
It's not about the money.
475
00:30:19,781 --> 00:30:21,141
It's about who the buyer is.
476
00:30:23,941 --> 00:30:26,141
I'm selling it to the Irish.
477
00:30:29,101 --> 00:30:32,221
You've organised a sale
with the IR-fucking-A,
478
00:30:32,221 --> 00:30:33,501
and you didn't tell me?
479
00:30:33,501 --> 00:30:35,661
I know, I know. It was
the only fucking option, so...
480
00:30:35,661 --> 00:30:38,741
I just want Kelly back.
This won't affect that.
481
00:30:38,741 --> 00:30:40,101
Are you mad?
482
00:30:40,101 --> 00:30:42,461
Tell them it can't be done,
tell them the deal's off.
483
00:30:42,461 --> 00:30:45,741
I can't do that with the IRA.
Are you trying to get me killed?
484
00:30:58,421 --> 00:31:00,621
We said we were going straight.
485
00:31:09,101 --> 00:31:12,261
That life's not for the likes of us,
Joan.
486
00:31:25,781 --> 00:31:27,661
I need you, Joan.
487
00:31:31,581 --> 00:31:34,581
I have since the second
I laid eyes on you.
488
00:31:42,301 --> 00:31:44,981
IF I do this...
489
00:31:46,461 --> 00:31:49,221
..it's because we have
no fucking choice.
490
00:32:24,341 --> 00:32:25,941
Can I help you?
491
00:32:25,941 --> 00:32:27,941
Jessica Cunningham
to see Hugo Saxton.
492
00:32:27,941 --> 00:32:30,141
Of course.
Thank you.
493
00:32:36,941 --> 00:32:39,141
Right, tell me about this.
494
00:32:39,141 --> 00:32:41,381
One of a set of three paintings
495
00:32:41,381 --> 00:32:45,101
commissioned in 1759
by the second Duke of Richmond...
496
00:32:45,101 --> 00:32:47,781
The THIRD Duke of Richmond. Jesus!
497
00:32:47,781 --> 00:32:49,861
We've only just been through this.
498
00:32:49,861 --> 00:32:52,461
You do realise how dangerous
these people are?
499
00:32:52,461 --> 00:32:54,101
Of course, I know.
500
00:32:54,101 --> 00:32:56,581
You cannot mess up.
501
00:33:00,061 --> 00:33:02,181
One of a set of three paintings
502
00:33:02,181 --> 00:33:05,541
commissioned in 1759
by the third Duke of Richmond,
503
00:33:05,541 --> 00:33:07,141
who was so pleased with the results
504
00:33:07,141 --> 00:33:09,381
that he encouraged
his fellow dukes and lords
505
00:33:09,381 --> 00:33:10,941
to follow his lead.
TELEPHONE RINGS
506
00:33:16,741 --> 00:33:18,621
Hugo Saxton.
507
00:33:18,621 --> 00:33:20,861
MAN: 'Can I speak
to Jessica Cunningham, please?'
508
00:33:20,861 --> 00:33:23,621
Yes, she's here with me now.
One moment, please.
509
00:33:28,221 --> 00:33:30,701
Jessica Cunningham speaking.
How can I help you?
510
00:33:32,341 --> 00:33:35,181
CLICK,
DISCONNECT TONE
511
00:33:40,701 --> 00:33:42,621
Right.
HE CLEARS HIS THROAT
512
00:33:44,301 --> 00:33:49,101
You'll need to inspect every inch
very carefully.
513
00:33:49,101 --> 00:33:50,821
And you'll need to check
the signature
514
00:33:50,821 --> 00:33:53,101
against photographs
of other examples.
515
00:33:54,101 --> 00:33:56,141
'As for the brush strokes,
516
00:33:56,141 --> 00:33:58,741
'you're assuring yourself
that these are in keeping
517
00:33:58,741 --> 00:34:01,901
'with the artist's
entire body of work.
518
00:34:01,901 --> 00:34:05,021
'Be confident, self-assured.
519
00:34:05,021 --> 00:34:08,021
'Most of all, do not hesitate.'
520
00:34:12,421 --> 00:34:13,821
Good afternoon, everyone.
521
00:34:23,101 --> 00:34:24,341
Jessica Cunningham.
522
00:34:26,101 --> 00:34:28,221
Sean. This is Michael.
523
00:34:29,581 --> 00:34:31,501
You work at Abney's?
524
00:34:31,501 --> 00:34:33,941
I'm sure you've checked,
or I wouldn't be here.
525
00:34:35,541 --> 00:34:37,181
So, how are we gonna do this?
526
00:34:38,581 --> 00:34:39,941
It's not my business,
527
00:34:39,941 --> 00:34:42,261
but I do need a quiet space
to assess the piece.
528
00:34:42,261 --> 00:34:43,621
Right, well...
529
00:34:43,621 --> 00:34:45,421
CLEARS THROAT
..I've got an hotel room.
530
00:34:45,421 --> 00:34:47,301
Not a fucking chance
we're all in the same room
531
00:34:47,301 --> 00:34:49,061
with both the painting
and the money.
532
00:34:50,581 --> 00:34:51,621
Because?
533
00:34:53,661 --> 00:34:55,741
Plausible deniability, sweetheart.
534
00:34:59,821 --> 00:35:02,861
Right, you come to the hotel with me
and do your thing.
535
00:35:02,861 --> 00:35:05,381
You, stay here with Michael.
Hang on.
536
00:35:05,381 --> 00:35:07,981
When, er...
Sorry, what's your name again?
537
00:35:07,981 --> 00:35:09,381
Jessica.
538
00:35:10,781 --> 00:35:13,061
When Jessica confirms
she's happy with what she sees,
539
00:35:13,061 --> 00:35:15,261
I call Michael,
he'll give you the cash.
540
00:35:16,981 --> 00:35:19,141
I'm not just going to hand over
the painting...
541
00:35:19,141 --> 00:35:21,461
We do things our way or not at all.
542
00:35:25,741 --> 00:35:27,781
I'm sure Albie'll be around
to keep an eye out.
543
00:35:33,301 --> 00:35:35,181
It's all right.
Let's just do what he says.
544
00:35:42,741 --> 00:35:44,381
LIFT BELL DINGS
545
00:36:28,781 --> 00:36:29,901
Drink?
546
00:36:31,541 --> 00:36:33,381
No, thank you.
547
00:36:35,101 --> 00:36:36,221
You're tense.
548
00:36:37,541 --> 00:36:38,741
You're armed.
549
00:36:41,341 --> 00:36:44,061
Right, then, shall we take a look?
550
00:37:08,981 --> 00:37:11,301
There's a lot of copies around.
551
00:37:11,301 --> 00:37:13,261
It's a very popular artist.
552
00:37:14,501 --> 00:37:16,341
Big exhibition at the Tate
last year.
553
00:37:16,341 --> 00:37:18,941
I wonder how many of them were fake.
554
00:37:18,941 --> 00:37:21,181
Each painting
will have been authenticated.
555
00:37:22,661 --> 00:37:25,901
By someone like you?
Yes.
556
00:37:25,901 --> 00:37:27,781
You're not exactly honest,
Miss Cunningham,
557
00:37:27,781 --> 00:37:29,261
or you wouldn't be here.
558
00:37:33,621 --> 00:37:36,821
My reputation relies
on my opinions being honest.
559
00:37:36,821 --> 00:37:38,461
If they could be bought,
560
00:37:38,461 --> 00:37:40,501
they wouldn't be worth much,
would they?
561
00:37:44,701 --> 00:37:45,981
What's your opinion on this?
562
00:37:48,261 --> 00:37:50,101
Patience, please.
563
00:37:55,661 --> 00:37:57,221
Interesting.
564
00:38:03,461 --> 00:38:05,261
It hasn't been relined.
565
00:38:06,781 --> 00:38:08,621
And?
566
00:38:08,621 --> 00:38:11,261
And it's highly unusual.
567
00:38:11,261 --> 00:38:14,621
To find a piece in
its original condition, like this,
568
00:38:14,621 --> 00:38:16,861
is... rare.
569
00:38:21,741 --> 00:38:23,261
Let's see.
570
00:38:26,341 --> 00:38:29,301
Ah. Candle wax.
571
00:38:30,981 --> 00:38:34,661
The thing about fakes, good fakes,
572
00:38:34,661 --> 00:38:36,301
is that they're completely perfect.
573
00:38:37,581 --> 00:38:39,541
Every stroke utterly perfect.
574
00:38:41,341 --> 00:38:43,261
But what about the flaws, Sean?
575
00:38:50,141 --> 00:38:53,501
TELEPHONE RINGING
576
00:39:00,061 --> 00:39:01,541
Michael, phone.
577
00:39:41,101 --> 00:39:42,661
Thanks very much for the Stubbs.
578
00:39:44,781 --> 00:39:46,901
Now be on your way.
579
00:39:50,061 --> 00:39:51,341
I think you need to get going.
580
00:39:51,341 --> 00:39:53,101
I want my money.
581
00:39:54,181 --> 00:39:56,101
And I want a free Ireland.
582
00:39:59,301 --> 00:40:00,341
We had a deal.
583
00:40:00,341 --> 00:40:02,941
SCOFFS
Your deal's fucked.
584
00:40:05,541 --> 00:40:07,821
Now, leave.
585
00:40:07,821 --> 00:40:09,381
While you still can.
586
00:40:52,261 --> 00:40:54,821
You do know what we do
with these paintings, don't you?
587
00:40:56,101 --> 00:40:58,301
I stay out of these things, Sean.
588
00:40:59,941 --> 00:41:02,221
We use them as collateral
to buy arms for the struggle.
589
00:41:04,461 --> 00:41:07,981
As I say,
I stay out of these things.
590
00:41:10,341 --> 00:41:12,741
Well, you're a hard bitch,
right enough.
591
00:41:14,461 --> 00:41:17,181
I'll think you'll find I'm not hard,
just practical.
592
00:41:21,341 --> 00:41:23,061
Do you fancy that drink now?
593
00:41:23,061 --> 00:41:25,501
I'm afraid I have
another engagement.
594
00:41:27,421 --> 00:41:29,221
I really do...
595
00:41:29,221 --> 00:41:30,781
GRUNTS
Police! Stay down!
596
00:41:30,781 --> 00:41:32,941
SHE GRUNTS
597
00:41:44,941 --> 00:41:46,981
All right.
Get in.
598
00:41:55,341 --> 00:41:57,141
Good look, Joan.
599
00:41:57,141 --> 00:42:00,181
You been following me
the whole time?
600
00:42:00,181 --> 00:42:02,741
I'm sorry.
I tried to offer you a way out.
601
00:42:04,981 --> 00:42:06,141
Pigs.
602
00:42:07,741 --> 00:42:09,661
You're all the same.
603
00:42:09,661 --> 00:42:11,501
HE SIGHS
Joan...
604
00:42:17,981 --> 00:42:20,341
MAN: 'Joan Hannington,
you are remanded in custody,
605
00:42:20,341 --> 00:42:22,021
'and we are not granting you bail
606
00:42:22,021 --> 00:42:24,421
'because there are
substantial grounds to believe
607
00:42:24,421 --> 00:42:26,141
'that you will not come back
to court,
608
00:42:26,141 --> 00:42:27,941
'or you will commit another offence.
609
00:42:27,941 --> 00:42:30,261
'We believe this because
of the nature and seriousness
610
00:42:30,261 --> 00:42:32,941
'of the offence and how you might be
dealt with for it,
611
00:42:32,941 --> 00:42:34,661
'and because of
your criminal record,
612
00:42:34,661 --> 00:42:36,621
'personal background and character.
613
00:42:36,621 --> 00:42:39,061
'You may apply to the Crown Court
for bail in due course.'
614
00:42:39,061 --> 00:42:40,381
Don't you fucking hang up on me!
615
00:42:40,381 --> 00:42:42,741
No, no, no, no, no, no, no, no!
PRISONER: We're waiting!
616
00:42:42,741 --> 00:42:45,181
I've just arrived.
I need to make some calls.
617
00:42:45,181 --> 00:42:48,141
I need to call my little girl.
No, I need to call MY daughter.
618
00:42:49,261 --> 00:42:50,821
Go on, we're waiting!
619
00:42:58,181 --> 00:42:59,981
RINGING TONE
620
00:42:59,981 --> 00:43:02,901
'Hello, 0-8-2-9?'
Mrs Ashbury? It's me, Joan.
621
00:43:02,901 --> 00:43:04,941
Can I speak to Kelly, please?
622
00:43:04,941 --> 00:43:06,781
SHOUTING
623
00:43:06,781 --> 00:43:10,661
'Joan?
624
00:43:10,661 --> 00:43:12,621
'Joan.'
I said can you please tell...
625
00:43:12,621 --> 00:43:14,621
'I'm truly sorry,
but I think it's better
626
00:43:14,621 --> 00:43:17,661
'if you don't speak to Kelly while
you're in your current environment.'
627
00:43:19,461 --> 00:43:22,901
No, no, you can't do that...
'As I say, I am sorry.
628
00:43:22,901 --> 00:43:26,141
'It's better for Kelly.
You can see that, I'm sure.'
629
00:43:28,821 --> 00:43:31,621
DISCONNECT TONE
630
00:43:31,621 --> 00:43:33,581
GUARD: Calm down! What is going on?
631
00:43:33,581 --> 00:43:36,021
SHOUTING CONTINUES
Calm down!
632
00:43:47,901 --> 00:43:51,141
# Darling, don't you cry
633
00:43:51,141 --> 00:43:53,181
# It's just for a while
634
00:43:53,181 --> 00:43:57,861
# Cos you'll never be the girl
If you let them rule
635
00:43:57,861 --> 00:44:01,101
# Oh, no, you'll never be the girl
636
00:44:01,101 --> 00:44:04,261
# Till you kick those blues
637
00:44:04,261 --> 00:44:06,901
# Go
Go, glitter girl
638
00:44:06,901 --> 00:44:11,341
# Get your glamour on
Don't let the mirror fall
639
00:44:11,341 --> 00:44:14,381
# Don't let them near your soul. #
640
00:44:14,381 --> 00:44:16,421
Subtitles by accessibility@itv.com
641
00:44:16,421 --> 00:44:21,421
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642
00:44:16,421 --> 00:44:26,421
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