All language subtitles for The.Man.in.the.High.Castle.S01E04.1080p.WEBRip.4xRus.Eng.sergiy_psp_track7_[eng]

* Edelweiss, edelweiss *

*Small and white *

* Clean and bright *

* Blossom of snow,
may you bloom and grow *

*Bloom and grow forever *

* Edelweiss, edelweiss *

*Bless my homeland forever *

[gunshot]

[rifle cocked]

There's no point
in hiding, missy.

I'm going to find you.

Fuck!

Uhh!

Let's go.

Where's the truck?

I don't know. Come on.

Damn, I left my gun
in the truck.

Which way?

Where'd they go?

What's he doing?

I think
he's helping us.

I moved it around back.

Why are you helping us?

Because
he's a fucking maniac.

Why else do you think?

You better get out of here
before he comes back.

We're going, but we need
to talk to somebody first.

Lemuel Washington.

The diner's closed.

Yeah, I see that.
You know where he lives?

[click]

[clicking]

[click]

[clicking]

[gunshots]

[knock on door]

[pounding]

[pounding]

We got to talk, Frank.

I got nothing to say.

How about you tell me
what you're doing with a gun?

Shh! Keep your
damn voice down.

It's for protection.

- Protection?
- Do you blame me?

After what happened?

Do you know
what the Pons will do

if they catch you with a gun?

I got to do something,
Ed. Do you get that?

I can't just do nothing.

Buddy, there's nothing
you can do,

except you take it.

You take it, or you
get yourself killed.

- Frank.
- What?

You're not going to do
something stupid, are you?

- No.
- Then what?

What is it?
Is it revenge?

Are you going
to take a shot

at that cop
that killed Laura
and her kids?

I'm tired, okay?
I'm really tired.

- I don't--
- Go home. Just go home.
Come on.

Out. Come on.
Get out of here.

Ed, leave.

Oh, shit.

You're not going
to take a shot--

- Are you crazy?
- Just fucking leave!

The prince had nothing
to do with what
happened to Laura.

You kill a cop, and a thousand
cops will take his place.

You kill that prince,
their god,

you drive a stake right
through their fucking hearts.

You do that,
and your life is over.

It's already over.

What about Juliana?

Juliana?

She--

She's left me, okay?
She's gone.

No, Frank. That's not true.

Jules loves you,
and you know that.

Now, no matter
what's happened,

she's going to come
back here,

and she's going
to be here for you,

just like you were
there for her

when she needed you.

No.

Frank, please.

Don't give up.

Buddy, please promise me
that you won't give up.

Please promise me.

All right. All right.

I'll get rid of the gun.

I don't know where
I was going to find
bullets for it anyway.

Okay, good. Why don't you
give it to me? I'll do it.

No. No, no.

I'll take care of it.

I promise.

Okay.

Hi.
I like your doll.

What's her name?

Annie.

Annie. That's
my mother's name.

You kids come on inside.

What the hell
are you doing here?

We need to speak
to you.

How do you know where I live?

We came to warn you.

Warn me about what?

We found your name

on a list,
right below my sister's.

This motherfucker
stays by the truck.

You come inside.

Hey, hold on a second.

It's okay.

Hey, honey, take
the kids upstairs.

It's okay.

Sit down.

Your sister's name
is Trudy Walker?

She was supposed
to bring you the film.

They shot her,
and I took her place.

What is your name?

Juliana.

Juliana Crain.

We were half-sisters.

Then you saw my name on what,
some kind of list?

There was a man at the diner,
the one who made paper animals.

And, uh, when no one else
approached me,

I thought he was my contact.

He tried to kill me.

It went the other way.

Where's the body?

In the river.

We sunk it.

You and him?

Look, we found a woman
that this man had tortured.

You knew her?

Uh-huh.

Her name was Linda.

She disappeared
a few days ago.

Well, she must have given
him the list of names.

They were all crossed off
except for my sister's

and yours.

We're dead.

Maybe not.

Nobody's seen the list
except for us.

You were my sister's
contact, Lem,

and you didn't tell me.

I didn't trust you.

I sure as hell
don't trust him.

Have you seen the films?

It's not my job to see them.

I just pass them along.

Then you don't know
what they mean.

I just know
they help kill Nazis.

Now you give me
that goddamn film.

And you get the hell
out of my house.

I'm not giving you
the film,

not anymore.

I'll give it to the man
you give it to.

That ain't how it works.

Look, I'm not here
to kill Nazis.

I'm here because
I need answers,

and I'm not leaving
until I get them.

Who is it, Lem?

Who is it you give
the films to?

Well?

Tomorrow morning,
Spirit Alley Trail.

What's there?

He's going to take me
to meet the man

he's supposed
to give my film to.

Who's that?

The Man
in the High Castle.

[ring]

[ring]

[groan]

[ring]

Hello.

Joe: It's me,
Obergruppenführer.

Joe. It's two hours--

I know, sir.

But I've made contact
with the Resistance
operative.

John.

You hold on, Joe.

Smith: Okay, Helen.

[click]

So this contact,

did he ask for the film?

No, I told him I'd only
give it to his superior.

I suppose
you got a name.

He said it's the Man
in the High Castle.

The Man
in the High Castle?

Yes, sir.

I want you to proceed
with great caution, Joe.

These are very dangerous
men you're dealing with.

I understand.

No. You think you understand.

I know you're very
motivated, Joe,

but you're young.

you suffer from
the arrogance of ignorance.

Yes, sir.

So what are my orders,
sir?

If I do meet the Man
In the High Castle,

do I give him the film?

No.

You leave the film
in the truck.

This is going to be very
hard for you to hear, Joe,

but if you are taken
to the Man In the High Castle,

I want you to put
a bullet in his head...

even if it costs you
your life.

Are you prepared
to do that, Joe?

Yes...

Obergruppenführer.

When's this meeting
due to happen?

Tomorrow morning.

Then I'll await
your call.

If I don't hear
from you, Joe...

no matter what happened...

you'll receive
a hero's funeral...

with full honors.

Thank you, sir.

Heil Hitler.

Heil Hitler.

[speaking Japanese]

I need your guidance,
Tagomi-San.

My husband is troubled.

He fears our grip on
the Empire is loosening.

I have heard these fears
expressed by others,

Your Highness.

Of course.

You speak to people
from many nations

in your work,

but do you feel

that that fear is valid?

One thing is certain:

the Nazis covet
our territories,

none more so
than the Pacific States.

If they perceive weakness,
they will strike.

The generals wish my husband
to make a war cry

to frighten the Nazis
so they back down.

But he--

he believes
such threats are hollow,

that we must seek for peace.

It will be seen as weakness,

but the Prince is not weak.

Peace is not weakness.

Forces may yet emerge

that will allow him
to move toward peace
with strength.

What forces?

I hope you're right,
Tagomi-San.

But I fear these forces
will arrive too late.

Marshal: Closing kind of
early, aren't you?

One of my boys has a fever.

I'm going home
to check on him.

Any sign of that waitress?

Nope.

And if I said that you
were a fucking liar?

You can kill me any time,
Marshal.

That doesn't change
my answer.

You're not afraid to die,
are you, Mr. Washington?

Sure, I am.

Better take care
of those strays of yours.

There's not a lot
of doctors around here,

and kids,
they can die of anything.

You got the film?

[film can clanks]

Yeah.

I can do this on my own.

I can't let you go alone.
I'm going with you.

Let's go.

[knock on door]

Mr. Tagomi. I--

I wasn't expecting you
until later.

It was urgent
I speak to you.

I brought some--

She's just leaving.

You shouldn't
have taken such a risk.

She could be working
for the Kempeitai.

No Japanese spy would do
the things that woman did.

You cope with stress
by throwing sticks,
Mr. Tagomi.

I avail myself
a more earthly means.

The Imperial Guard

has approved the seating
for the speech.

I have you sitting next
to the Science Minister.

Place the envelope
in his coat pocket

while the Prince
is speaking.

After the address,

you'll never have
access to him again.

Joe: How much farther?

Lemuel: Not that far.

Juliana: Can you
explain something to me?

You've never seen a film.

You're risking your life
for them, your family's lives.

Why?

I do my part.
That's all.

And you have no idea
how he makes them?

Who?

The Man In the High Castle.

He doesn't make them,
does he?

You don't think
we'd waste all this time

collecting his films
to give them back
to him, do you?

So why does he want them?
And where do they come from?

We're here.

Where is he?

He's not coming.

[rifle cocked]

What is this, Lem?

Give me the film.

Get on your knees.

Are you going
to shoot us, Lem?

I wouldn't have
if you hadn't brought

this goose-stepping
motherfucker along with you.

The cell he was from
in New York

was hit by the S.S.,

just as he got
in his goddamn truck.

What c-cell? What cell?

I wanted to tell you,
but I couldn't.

- I'm with the Resistance.
- Bullshit.

He's the only one
who got out of that shop,

which means either
the Nazis got sloppy,

which they do not do,

or they wanted him to escape
because he's one of them.

It's real.

Joe: Believe me now?

He helped me.

He tried to warn you
about your name on that list.

He used you.

He used you to get
to the Man In the High Castle.

Why else would he be here?

Okay.

I'm a Nazi...

then why do I bring this?

[rifle cocks]

Film's good.

If you make it back to town,
the Marshal will kill you.

So where do we go?

Cripple Creek.

It's the other side
of that mountain.

That's impossible.

We can never
make that climb.

You have to help us,
Lem.

I can't. I'm sorry.

[speaking Japanese]

[footsteps]

You're not fooling
anybody.

I know you watch
those Japanese shows.

If you've come home for lunch,
you're out of luck.

I haven't gone
to the market yet.

I talked to Bob Perloff.

He has Frank's sister
on his mail route.

Annie,
I've got some bad news.

Good afternoon.
May I help you?

I hope so.

I'm looking for a rather
unusual item.

Well, you've come
to the right place.

American Artistic
Handcrafts

is a veritable cornucopia
of the recherché.

What did you have in mind?

Antique bullets.

The kind that fit
the old Colt .45.

Sir, even if I had
such an item,

I'm sure you're aware

that the sales of ammunition
are restricted

and strictly illegal
to sell to non-Japanese.

Yes. Yeah. Look, I was hoping

you might make an exception
for a highly motivated buyer.

[door opens, bell tinkles]

Pardon me.

[speaking Japanese]

We have passed by your
store many times

and always meant to come in.

I am most honored
by your splendid presence.

Man:
You have such fine pieces.

This mirror, it dates back
to the American War of 1812,

I would guess.

You have a keen eye.

What a pleasure it is

to speak with someone
who has an appreciation

for American traditional
ethnic art.

I'm afraid
I spend my morning

trying to educate a gaggle
of white-sock yokels

- in from the sticks.
- Excuse me.

Excuse me. Sorry.
Sorry to interrupt,

but we were in the middle
of a transaction.

Perhaps we will
come back another time.

Oh, please, that's not--

Uh, I will be waiting.

Close the doors.

Only three?

This is an antique
store, not an armory,

and I can't guarantee
they'll fire.

They're 100 yen apiece.

300.

What is that?

I'm required by law
to keep a registry

of all sales
of restricted items.

So these bullets
were purchased

by Mr. Satoshi Matsuda,

a collector on his way
back to Tibet.

But I will need to see
your identity card

on the chance
I need to revisit
this matter with you,

and that is
non-negotiable.

All right, all right.

Come on.

I suggest

you work on your patience,

Mr. Frink.

Hello?

Frank?

[gasp]

Jesus. Anne.

Did I scare you?
I'm sorry.

No, it's okay, it's okay.

Nobody answered,
so I just used my key.

Where's Juliana?

Uh, at the dojo, I think.

You think she could spend

a little less time
flippin' Japs

and a little more time
doing housework.

This place is a mess.

Frank, what happened
to your face?

Uh, it was
an accident at work.

It's nothing.

I heard about Laura
and the kids.

I'm so sorry.

Who told you?

Arnold heard it.

It's just awful.

That cut.

Frank, they haven't
bothered you, have they?

No, no. I'm fine.

I have work to do.

No.

You're awfully good.

At what?

Lying.

Yeah, well...

Why didn't you tell me?

Because I have orders.

Orders.

We're on the same side,

and your orders say
you can't tell me.

[sigh]

What's it like?

What's what like?

The Resistance.

Not the best man to ask.

It's my first mission.

Oh, yeah?

Yeah.

I'm not off
to a good start.

You got the film where it was
supposed to go, didn't you?

Eventually, I guess.

What did you
think of it?

I didn't watch it.

Come on, Joe.

You're not supposed to.

It's not like I have
a projector in
the truck anyway.

You weren't
even tempted

to hold it
up to the light
or something?

No.

Ahem.

What is it, Captain?

We've completed our review
of the phone records

of the six officers
outside yourself

who had access
to your travel routes

and to the routes of
Hauptsturmführer Lautz.

And?

Sir, there's
absolutely no evidence

of a security breach

of any kind.

And yet we know there was
a security breach?

Yes, sir.

So what you're telling me,
Captain Connolly,

is that you've failed.

Sir--

You're not allowed
to fail, Captain.

Do you understand me?

Not when it involves
a coordinated attack

on the high command.

The Semite I brought in,

the one who shot at me,

did you manage to locate
any members of his family?

Yes. Yes, we did.

He has two brothers,

one in the Neutral Zone

and another
in the Pacific States.

Well, let's pay him
a little visit, shall we?

Why was a prisoner on
suicide watch given a spoon?

He wasn't.

It wasn't on the tray
when I brought it.

It-- It couldn't have been.
I-- I would have seen it.

Place this man
under arrest.

Joe: We'll never make it
over those mountains.

Even if we do,

The Marshal
will probably be waiting

on the other side.

Why do you do it, Joe?

That is your name,
isn't it?

Yeah.

It is.

A guy like you must
have it made in the Reich.

Why risk it all for a film
you haven't even seen?

Is it for him?

For your dad?

All right, what do we do?

If I can get
the origami man's car,

maybe I can draw
the bounty hunter
out of town.

That way, we can
get you on the bus,
get you back home.

- No, he'd catch you.
- No, he won't,

not the way I drive.

He doesn't even want you.

I'm the one
who killed that man.

Hey, I'm just as much
involved as you are.

San Francisco is buzzing
with excitement this morning

about the Crown
Prince's speech

that will take place
later today

at the Nazi Embassy.

It's truly an historic event:

the descendant
of the Sun Goddess,

our glorious Crown Prince,

addressing us in person--

[knock on door]

...in our own city,

and from all indications,

they're expecting
a record turnout.

There are reports
that excited citizens

are traveling
into San Francisco

by the thousands...

- Going somewhere?
- What are you talking about?

Do you think I'm an idiot?
Give it to me, Frank.

I am leaving, Ed, and you're
not going to stop me.

Not till you
give me that gun.

Oh, yeah? Or what?

What the fuck
are you doing?

We're going to sit right here,
just you and me,

until the Crown Prince's
speech is over.

Come on, Ed. You're
not going to shoot me.

[click]

Oh, no? You don't think
I would shoot you

to keep you from killing
somebody else?

From killing yourself?

Because that's what
you'd be doing, Frank.

Aah!

- Oh, shit!
- Oh, God damn it!

Oh, Frank, I'm sorry!
I shot you.

You wasted
one of my bullets.

- You're bleeding.
- Oh, God.

Oh, I'm sorry, Frank.

Just give me the first aid
kit out of the closet.

Frank!

What are you doing?

[thumping]
Let me out!

Don't do this, Frank!

Oh, no.

Frank, please! Don't!

[thumping]

Don't do this!

Let me out!

[thumping]
Frank!

It's weird.

You're white,

which is a good thing,

real good.

But you're too white,

which makes you a freak.

It's like too much
of a good thing.

You're done.

[engine stalls]

You're flooding it!

Take your foot off the gas!

[engine starts]

Leave her the fuck alone.

I'd be worried about
myself if I were you.

Pull that trigger, and you'll
be killing a Nazi agent.

What?

I'm working that girl.
I need her alive.

Why the fuck
should I believe that?

Because I report directly
to Obergruppenführer Smith

in New York.

Why don't you give him a call?

I'll do that once I'm
through talking to the girl.

You stay out of my way
or I'll kill you.

Gene Autry: * I'm back
in the saddle again *

* Out where a friend
is a friend *

* Where the longhorn
cattle feed *

* On the lowly jimson weed *

* Back in the saddle again *

* Ridin' the range
once more *

* Totin' my old .44 *

* Where you sleep out
every night *

* And the only law is right *

* Back in the saddle again *

[panting]

* Back in the saddle again *

- You okay?
- Yeah, yeah.

I'd better get you home.

[security radio chatter]

[chatter in Japanese]

Yes, sir. Passport.

That bus should be
here any minute.

Yeah.

I'm not getting on it.

[sigh] I can't go back
without answers.

Juliana, the bounty hunter
could come back at any second.

I know.

Look, I got to make
a phone call.

Juliana.

I'm going to check
and make sure

we didn't leave
any evidence behind.

Gentlemen,
I have been informed

that the Crown Prince
and Princess

will be arriving shortly.
Please take your seats.

Ah, Mr. Shimura.

A man of your stature should
not be so far in the back.

Thank you, Oberführer.
I am quite content.

I won't hear of it.
Come. Please come.

Here. Right here. Sit.

- Excuse me.
- Sorry.

Thanks.

I'm sorry.

[speaking Japanese]

[applause]

[orders shouted in Japanese]

[rifles cocked]

[music starts]

[cheering]

- [pounding]
- [phone rings]

[ring]

Hello.

Ed?

Is that you?

Jules.

Listen, you got
to get back here.

Frank's about to do
something terrible.

Hurry, you've got to stop him.
Please.

What do you mean?

[police radio chatter]

[Crown Prince
speaking Japanese]

Translator:
Greetings, loyal subjects.

Honored guests
from the Nazi Reich.

[speaking Japanese]

And people of the
American Territories,

or, as they like
to say here--

Howdy.

[laughter]

[speaking Japanese]

Translator: All those
who fought in the Great War

believed they fought on
the side of righteousness,

that the world they sought to
build would be a better one.

[speaking Japanese]

But men are mortal
and imperfect.

They see the world
as they wish to see it,

through the looking glass
of their limited perspective.

[speaking Japanese]

[no audible dialogue]

[no audible dialogue]

[gunshots]

[screaming]

[shouting]