All language subtitles for Castle.S02E03.WEB-DL.720p-MaRS

THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT

HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.

I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.

CASTLE.
CASTLE.

I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,

AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.

BECKETT.
BECKETT.

NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.

AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,

I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.

AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?

LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.

(woman)
♪ WE'LL JUST GO HAVE SOME FUN ♪

(woman speaking indistinctly)

♪ IN THE NIGHT ♪

OH, A FOUNTAIN.

I LOVE FOUNTAINS.
WHOA!

COME BACK! COME ON, BABY.

COME ON. IT'LL BE FUN.

NOW?
ARE YOU KIDDING?

IF YOU CATCH ME,
YOU CAN HAVE ME.

OKAY, I'M COMING.

I'M COMING!
I'M COMING OVER.

TAKE YOUR PANTS OFF!

GET OVER HERE!
I'M COMING.

♪♪

(laughing)

(both moaning)

(laughs)

(screaming)

(Martha, with Southern accent)
I SWEAR, JASMINE.

THIS HAS ALWAYS BEEN
THE WAY WITH YOU.

YOU CAN'T JUST GO THROUGH LIFE
ASKING FOR AN EGG IN YOUR BEER

AND YOUR MONEY BACK TWICE.

(normal voice) LINE.

SORRY. "OH, MAMA, IF I'M SUCH
A DISAPPOINTMENT TO YOU,

"I DON'T KNOW WHY YOU EVEN
BOTHER COMING HOME.

ISN'T THAT RIGHT, GRANNY?"
(with Southern accent)
"SHUT UP, BOTH OF YOU.

I'M TRYIN' TO WATCH
MY STORIES."
(with Southern accent) OH,
I WISH I'D NEVER LEFT PARIS.

(normal voice) AND SCENE.
GOOD. GOOD.

ALL RIGHT, LET'S TAKE IT
FROM THE TOP.
UGH!

MNH-MNH.
OH, GUYS, COME ON. DON'T YOU
WANT ME TO LAND THIS ROLE?

OF COURSE WE DO. IT'S--
(Alexis) YEAH.

LOOK, WE ARE TALKING ABOUT
THE LEAD IN A BROADWAY PLAY.

THIS IS
A POTENTIAL GOLD MINE.

IF IT'S A HIT, WHO KNOWS
HOW LONG IT COULD RUN?

THEN I COULD
TAKE IT ON THE ROAD.
YOU MEAN YOU'D LEAVE US?

WELL, ONLY FOR NINE MONTHS
OF THE YEAR.

OH, DON'T LOOK SO SAD. AND YOU,
DON'T LOOK SO HAPPY.

(cell phone rings and beeps)

CASTLE.

I'LL BE RIGHT THERE.
ALL RIGHT.

DEATH, MURDER, MAYHEM--
WHOLE ENCHILADA.

SORRY TO BAIL ON REHEARSAL.

OH, DON'T WORRY.
ALEXIS CAN READ BOTH PARTS.

IT'S ALL RIGHT IF SHE MISSES
A MORNING OF SCHOOL, ISN'T IT?

TAKE ME WITH YOU.
TO A CRIME SCENE?

IT'D BE EDUCATIONAL. PLEASE.

UH...
(speaks indistinctly)

(lowered voice)
FIND YOUR OWN HIDING PLACE.

(sighs)

(siren wails,
camera shutter clicks)
(Esposito) CAUCASIAN FEMALE.

COUPLE OF SKINNY-DIPPERS
FOUND HER THIS MORNING.
BET THAT KILLED THE MOOD.

PURSE IS MISSING, NO I.D.
AND GET THIS--

WE COULDN'T FIND HER SHOES.
I'M GONNA GO WITH "STILL WITH
PRINCE CHARMING AT THE BALL."

(Castle) SHOULD WE LOOK FOR
A PUMPKIN AND SOME MICE?

AH, I GUESS NOT.

CANVASS THE BUILDINGS
SURROUNDING THE PLAZA

AND GET UNIFORMS TO CHECK
TRASH CANS AND DUMPSTERS

FOR HER PURSE.

AYE-AYE.

(police radio chatter)

(Beckett) HI, LANIE.
HEY.

CAUSE OF DEATH?
STABBING.

THERE'S A FATAL WOUND
IN HER BACK.

MAYBE A RIVALRY GONE WRONG?
MAYBE.

WE GOTTA FIND OUT WHO SHE IS

AND WHAT SHE WAS DOING HERE
SO LATE, THOUGH.
WELL, SHE'S TALL,
SHE'S GORGEOUS,

10 POUNDS UNDERWEIGHT,
HER HAIR IS FRIED

AND SHE'S WEARING TOO MUCH
EYE MAKEUP.

SHE'S A MODEL, WHICH MEANS
SHE WAS PROBABLY

AT A CLUB LAST NIGHT.
IT IS, AFTER ALL, FASHION WEEK--

WHEN ALL THE HOTTEST WOMEN
IN THE WORLD

DESCEND UPON THE HIPPEST
NIGHT SPOTS LIKE LOCUSTS.

ONLY LOCUSTS EAT.
CAN YOU TELL ME
WHO KILLED HER?

THEN PIPE DOWN.
THIS WAS ON HER WRIST.

SHE WAS AT A CLUB.

THAT'S TEDDY FARROW'S LOGO.

HE DESIGNS CLOTHES FOR WOMEN--
UPSCALE, EXPENSIVE.
OH, MY CREDIT CARD AND I

ARE PAINFULLY AWARE
OF TEDDY'S DESIGNS.

I ALMOST ASKED FOR CUSTODY
OF THEM AFTER MY LAST DIVORCE.

IS THERE A LABEL
IN HER DRESS?

TEDDY FARROW COLLECTION.

WELL, IF SHE IS
ONE OF HIS MODELS,

MAYBE HE CAN IDENTIFY HER
FOR US. THANK YOU, LANIE.
YOU'RE WELCOME.

I CAN ALREADY SEE THE BLURB
ON MY NEXT BOOK JACKET.

"IT'S FASHION WEEK
IN NEW YORK CITY,

AND THE CLOTHES
ARE TO DIE FOR."

(Madison Park's
"My Personal Moon" playing)

(camera shutter clicks)

(indistinct conversations)

FIVE MINUTES, PEOPLE.

THAT'S JENNA.
JENNA McBOYD.

SHE WAS SUPPOSED TO WALK
FOR ME TODAY.

MY GOD. WHAT HAPPENED.

SHE WAS STABBED
SOME TIME THIS MORNING.
I CAN'T BELIEVE IT.

I MEAN, I SAW HER LAST NIGHT
AT MY PARTY.

DID YOU NOTICE ANYTHING
UNUSUAL AT THE PARTY?
SHE WAS AGITATED,

BUT THAT WASN'T SO UNUSUAL
FOR HER THESE DAYS.
WHICH ONE? OKAY.

ANY IDEA WHAT WAS WRONG?
YEAH, SHE WAS STRESSED OUT.

HEY, NOT THE PINK SASH.
THE BLUE ONE.

(woman) SORRY, SIR.
LOOK, JENNA WAS
A SMALL-TOWN GIRL.

I MEAN, STRAIGHT OFF THE BUS
FROM OHIO.

YOU'RE SAYING
SHE WAS AN INNOCENT.
SHE WAS A RISING STAR,

BUT SHE WASN'T READY FOR WHAT
WAS COMING HER WAY.
WHAT DO YOU MEAN?

(man) FOUR MINUTES, PEOPLE.
FOUR MINUTES.

I MEAN... I WAS THINKING
OF MAKING HER

THE FACE OF MY CAMPAIGN.

THAT WOULD'VE MEANT
PHOTO SHOOTS, MAGAZINES,

BILLBOARDS IN TIMES SQUARE,
TRAVEL,

NOT TO MENTION
A VERY GENEROUS PAYCHECK.

SEEMS TO BE ALL PRETTY HEADY
STUFF FOR A NAIVE YOUNG GIRL.

IN RECENT WEEKS, SHE'D BECOME
SO BAD TEMPERED, UH, PARANOID.

I'D STARTED TO WONDER
IF SHE WASN'T TOO INEXPERIENCED

FOR A MAJOR CAMPAIGN.

YOU SAID
THAT SHE WAS PARANOID.

ANY CHANCE
SHE WAS DOING DRUGS?
NOT HER STYLE.

TEDDY, IF YOU WANT ME
TO SHOOT THE GIRLS,

YOU NEED TO GET THAT
BOY-BAND POSER OUT OF MY SEAT.
WYATT, I'LL TAKE CARE OF IT.

UH, MR. FARROW,
JUST A COUPLE MORE QUESTIONS.

YES.
BUT QUICKLY, PLEASE.

WHO WAS JENNA WITH
LAST NIGHT AT YOUR PARTY?

CASTLE, FOCUS.
I ONLY SAW HER BRIEFLY.

SHE SPENT MOST OF HER TIME
WITH SIERRA, HER BEST FRIEND.

THAT'S SIERRA THERE,
WITH THE WEDDING GOWN.

SO IF THAT'S ALL,
NOW I REALLY MUST TAKE CARE

OF LAST-MINUTE DETAILS.
UH, ONE LAST THING.

WHEN, UH, JENNA LEFT YOUR PARTY,
WAS SHE WEARING SHOES?

YES. UH, CHRISTIAN LOUBOUTIN
PINK SATIN PUMPS

I LENT HER FOR THE EVENING.

THE DRESS SHE WAS WEARING
WAS A ONE OF A KIND.

I DON'T SUPPOSE
WE CAN HAVE IT RETURNED.

IT'S IN EVIDENCE NOW.

AND IT HAS A HOLE IN THE BACK
OF IT WHERE SHE WAS STABBED.

SORRY.

♪ THE MOON
IS MY GUIDING LIGHT ♪

RICK CASTLE.

IT'S SO FUNNY
I RAN INTO YOU TODAY.

I JUST BOUGHT THIS
ON MY WAY IN.

OH, LOOK AT THAT.
IT'S MY COVER.

AND IT'S ON STANDS ALREADY.
"RICHARD CASTLE
GETS THE INSPIRATION

"FOR HIS LATEST NOVEL,
'HEAT WAVE'..."

MM.
"AND HIS NEW CHARACTER
NIKKI HEAT

FROM NEW YORK'S FINEST."
THAT'S NICE, RIGHT?

COULD YOU--
YES, ABSOLUTELY.
WHO SHOULD I MAKE IT OUT TO?

OH. YOU DON'T REMEMBER ME?

NO--YES. OF COURSE I DO.
YEAH. YOU'RE--

RINA.
RINA. YES. WE MET
AT THAT PARTY WITH THAT--

THAT THING THAT WAS LATE,
AND IT WAS CRAZY.

THAT--WOW, WHAT A NIGHT.
(man) LET'S GO, MODELS.
TAKE YOUR PLACES.

I NEED YOU UP HERE
AND IN LINE.

HERE.

♪ ...PERSONAL MOON ♪

CALL ME.

♪ PULLING ME CLOSER ♪

YOU'RE IN HERE, TOO,
YOU KNOW?

MM-HMM.

♪ PULLING ME CLOSER ♪

(camera shutters clicking)

OH, GOD.

I FEEL SICK.

AND I'M WEARING HER GOWN.

SHE WAS SUPPOSED TO CLOSE
THE SHOW TODAY, NOT ME.

I CALLED HER THIS MORNING
LIKE A MILLION TIMES,

BUT IT JUST KEPT GOING
TO VOICE MAIL.
WHEN DID JENNA LEAVE THE PARTY?

UH, AROUND MIDNIGHT.

I ASSUMED
SHE WAS GOING HOME.

MR. FARROW MENTIONED THAT
SHE SEEMED AGITATED LATELY.

TOMORROW, TEDDY'S ANNOUNCING
THE NEW FACE OF HIS COLLECTION.

JENNA WAS UP FOR THE JOB,
AND SHE WAS A LITTLE TENSE.

BUT SHE DIDN'T HAVE
ANY REASON TO BE.
WHY NOT?

SHE WAS A LOCK.
JENNA WAS TEDDY'S FAVORITE.

OH, GOD.

DOES TRAVIS KNOW?

HER HUSBAND?
HE'S GONNA BE DEVASTATED.

THEY WERE SO IN LOVE.

I WENT TO BED AROUND 11:00.

I FIGURED SHE'D WAKE ME
WHEN SHE GOT IN.

BUT AT 3:00 A.M.,
SHE WASN'T HOME.

SO... (sniffles)
I CALLED HER CELL PHONE.

SHE WASN'T THERE.

I CALLED THE COPS.

THEY SAID
I HAD TO WAIT 48 HOURS

TILL I COULD
REPORT HER MISSING.

I TOLD THEM,
"YOU DON'T KNOW MY WIFE.

IF SHE'S NOT HOME BY NOW,
SOMETHING HAPPENED TO HER."

GOD, I SHOULD'VE BEEN THERE.
TH--

THESE PARTIES, YOU KNOW,
THEY'RE JUST--

EVERYONE'S SO PHONY.

TRAVIS, I KNOW
THIS IS DIFFICULT,

BUT I HAVE TO ASK YOU
THIS QUESTION.

WAS THERE ANYONE
THAT YOU CAN THINK OF

THAT WOULD WANT TO DO HARM
TO JENNA?

YOU'RE KIDDING, RIGHT?

WE--WE--WE FILED
THE REPORTS.

DID--DIDN'T THE OTHER COPS
SEND 'EM TO YOU GUYS?

REPORTS?
FOR HARASSMENT.

SOME GUY
WAS SENDING JENNA LETTERS.

LIKE, WRITING
ALL SORTS OF SICK THINGS.

HE WAS TAKING PICTURES
OF HER, TOO.

IT'S LIKE HE WAS WATCHING US
ALL THE TIME.

SHE WAS FALLING APART.
I MEAN, WE BOTH WERE.

HELL,
WE ALMOST MOVED BACK HOME.
AND YOU FILED A REPORT?

YEAH, A DOZEN OF 'EM.

AND EVERY TIME, YOU PEOPLE
SAID THE SAME DAMN THING.

THAT THIS IS NEW YORK,

AND YOU GOT
MORE IMPORTANT THINGS TO DO

THAN TO TRACK DOWN
SOME ANNOYING FAN.

AND NOW SHE'S DEAD.

MY WIFE... IS DEAD.

(Ryan) LETTERS WERE MAILED
FROM THE SOHO POST OFFICE.

NO RETURN ADDRESS,
NO SIGNATURE.

HMM. SO THE ANONYMOUS STALKER
DIDN'T WRITE DOWN

HIS NAME AND NUMBER?
YEAH, I'M JUST SAYIN'.

"I SAW YOU TODAY IN THE SUBWAY.
DID YOU SEE ME?

I WANTED TO TASTE YOU."
THAT'S PRETTY SICK STUFF.

BUT HE DOESN'T MAKE
ANY DIRECT THREATS.

THAT'S WHY JENNA AND TRAVIS
COULDN'T GET THE BEAT COPS

TO TAKE 'EM SERIOUSLY.
BOY, TWO SMALL-TOWN KIDS
GO TO THE BIG CITY

TO FOLLOW THEIR DREAMS,
AND THEN THIS.

NOT THE FAIRY-TALE ENDING
THEY WERE LOOKING FOR, I'M SURE.

YOU KNOW, TO TAKE THESE SHOTS,
HE WOULD'VE HAD TO HAVE BEEN

ON A ROOFTOP
PRETTY CLOSE TO THE APARTMENT.

NO WONDER
SHE WAS FREAKED OUT.

FIND THE ROOF, SEE IF
THERE'S ANYTHING UP THERE

THAT WE CAN USE
TO IDENTIFY HIM.

THOSE COPS LET JENNA DOWN ONCE.
WE'RE NOT GONNA DO IT AGAIN.

♪♪

HELLO. I'M HOME.
AND I BROUGHT CHOW FUN.

HEY, DAD.
HEY.

OH, NICE.

BUT I ALREADY PICKED UP A COPY
ON MY WAY HOME.

WELL, DID YOU READ IT?
WAS SHE KIND?

THE WRITER LOVED YOU.
SHE LOVED DETECTIVE BECKETT.

SHE EVEN LOVED THE BOOK.
IT WAS YOUR BASIC PUFF PIECE.

WELL, I'M SURE MY MOTHER
WILL FIND SOMETHING TO SAY

THAT WILL KEEP ME
FROM GETTING TOO PUFFED.

NOT TONIGHT SHE WON'T.

SHE'S IN HER ROOM, MOURNING
THE DEATH OF HER CAREER.

OH, SHE DIDN'T GET
THAT PLAY?

SHE DID. JUST NOT THE PART
SHE WANTED.

THE PRODUCER SAID SHE'S
NOT RIGHT TO PLAY THE LEAD.

THEY WANT HER TO PLAY
THE CRAZY GRANNY.

OH, THE CRAZY GRANNY.

WHO DIES IN ACT ONE...
OH.

OFFSTAGE.
OH.

(cell phone rings)

NO.
(beep)

YOU EXPECTING A CALL?
A CALLBACK, ACTUALLY.

I MET A NICE YOUNG WOMAN
AT FASHION WEEK.

I LEFT HER A MESSAGE
ABOUT AN HOUR AGO.

A MODEL?
MM-HMM.

GEE, DAD. PICKING UP HOTTIES
WHILE YOU'RE WORKING A CASE?

SHE PICKED ME UP,
AS A MATTER OF FACT.

SHE SAID WE KNEW EACH OTHER
FROM... SOMEWHERE.

IT'S A CURSE,
BEING SO IRRESISTIBLE.
HMM.

WHAT'S THIS ONE'S NAME--
LOLA,

BREE, TATIANA?

RINA.

DID YOU SAY RINA?
YEAH.

BLONDE HAIR?
YEAH.

BAMBI EYES?
YEAH.

CUTE LITTLE OVERBITE?
YEAH.

DAD, YOU KNOW RINA.

SHE USED TO BABYSIT ME.
SHE USED TO WHAT YOU?

BABY... SIT.

REMEMBER? WE WATCHED
"HIGH SCHOOL MUSICAL" TOGETHER,

LIKE, A MILLION TIMES.

I-I VAGUELY REMEMBER A-A--
LIKE, A GANGLY GIRL

WITH STRINGY HAIR AND BRACES
NAMED KATRINA.

THAT'S THE ONE.

SHE DID THE WHOLE
"UGLY DUCKLING TO SWAN" THING,

SHORTENED HER NAME
AND BECAME A MODEL.

THAT'S SO FUNNY
THAT YOU RAN INTO HER.

THE WORLD IS REALLY SMALL.

YEAH, SMALL AND CRUEL.

(Lanie)
I'M PUTTING THE TIME OF DEATH

BETWEEN 2:00 AND 5:00 A.M.
SHE LEFT THE PARTY
AT MIDNIGHT.

SO WHERE WAS SHE
FOR TWO HOURS?

ANY SIGNS
OF SEXUAL ASSAULT?

NO, BUT SHE PUT UP A FIGHT.

THERE'S SOME BRUISING
ON HER ARMS AND HANDS,

HER DRESS WAS TORN.

THERE'S A CUT INSIDE OF
HER CHEEK, INDICATING THAT

SHE WAS SLAPPED, HARD.
BUT HERE'S THE WEIRD PART--

SHE WAS STABBED WITH SOMETHING
LONG AND SHARP.

IT WASN'T YOUR TYPICAL BLADE.

HOW SO?

WELL, BASED ON THE WOUND,
I MADE A RECONSTRUCTION.

IT'S 4-SIDED.
IT'S SLIMMER AT THE TIP

AND GETS PROGRESSIVELY WIDER
AT THE BASE.

ALSO, I FOUND TRACES
OF GLASS IN THE WOUND.

SHE WAS STABBED
WITH THE WASHINGTON MONUMENT?
(cell phone rings)

EXCUSE ME.

(rings and beeps)

ESPOSITO, ANY LUCK?

YEP, ROOFTOP

is right across the street
from the vic's apartment.

Easy access.
YOU FIND ANYTHING?

LOTS OF CIGARETTE BUTTS,
SODA CANS AND AN EMPTY PACKAGE

FOR A DIGITAL CAMERA
MEMORY CARD.

GET IT TO C.S.U. SEE IF
YOU CAN PULL ANY PRINTS.

ON OUR WAY.

(beep)

ANYTHING ELSE?
YEAH.

PRELIMINARY TOX SCREEN INDICATES
HER BLOOD ALCOHOL WAS .02.

AND THERE WERE TRACES
OF ADDMAIR IN HER SYSTEM.

WHAT'S THAT?
IT'S A FORM OF SPEED

USUALLY PRESCRIBED
TO PEOPLE WITH A.D.D.

BUT MODELS HAVE BEEN KNOWN
TO BUY IT OFF THE STREET

AND USE IT FOR WEIGHT LOSS.

SO MUCH FOR HER
BEING ANTIDRUG.

I GUESS
THE JOB AND THE STALKER

WEREN'T THE ONLY THINGS
MAKING HER TENSE.

(elevator bell dings)

DO YOU FIND IT ODD
JENNA HAD A STALKER?

NO, NOT REALLY. WHY?
WELL, SHE WASN'T HEIDI KLUM.

SHE HADN'T EVEN HAD
A NATIONAL CAMPAIGN.

WELL, MAYBE THE GUY FIGURED

HE WAS GETTING IN
ON THE GROUND FLOOR

STALKER-WISE, YOU KNOW?

BEAT THE RUSH.

OH!

YOU COULDN'T RESIST,
COULD YOU?

PRETTY NICE WRITE-UP,
HUH?

YEAH, IF YOU LIKE THOSE SORTS
OF FLUFF PIECES.

FLUFF? THE REPORTER
MADE YOU SOUND LIKE YOU'RE

A CROSS BETWEEN SHERLOCK HOLMES
AND ANGELINA JOLIE.

AND THE PICTURE ISN'T
HALF BAD EITHER.

THOUGH YOU DON'T ALWAYS
NEED TO CROSS YOUR ARMS.
IT'S FINE.

THEN WHY ARE YOU UPSET?

I'M NOT UPSET.

YOU LOOK UPSET.
WELL, I'M NOT.

BUT IF YOU WERE UPSET,
YOU WOULD TELL ME, RIGHT?
I'M NOT.

BUT IF YOU WERE--
IT DOESN'T MATTER
BECAUSE I'M NOT UPSET.

(Esposito)
WELL, WELL, WELL.

RICHARD CASTLE--
THE MAN OF THE HOUR.

OH, DO YOU MEAN THIS?
PRETTY FLATTERING, RIGHT?

AT LEAST I THOUGHT SO.
OLD NEWS, MY FRIEND.

I'M TALKING ABOUT YESTERDAY,
FASHION WEEK.
WORD ON THE STREET

IS YOU BROUGHT BACK
A LITTLE SOUVENIR.

THE DIGITS OF A PARTICULAR
YOUNG HONEY NAMED RINA?

(Ryan, singsongy voice)
RINA.

I MIGHT HAVE MENTIONED IT
TO THEM IN PASSING.

COME ON, CASTLE. TAKE PITY ON
YOUR MODEL-DEPRIVED BROTHERS.

GIVE US THE STATS. WAS SHE
THE SEXY, CURVY LINGERIE TYPE

THAT YOU COULD JUST--
OR THE--THE TONED AND TANNED
BIKINI-WEARING TYPE?

SHE'S MORE LIKE
THE "I'M TOTALLY PSYCHED

I JUST GOT
MY DRIVER'S LICENSE" TYPE.
OKAY, YOU KNOW WHAT?

YOU TWO SO NEED TO EVOLVE,
BECAUSE THAT LITTLE GIRL

YOU'RE TALKING ABOUT
LIKE A PIECE OF MEAT,

THAT'S SOMEBODY'S DAUGHTER,
ALL RIGHT?

SHE'S SOMEBODY'S... BABYSITTER.
YOU GUYS,
C.S.U. MATCHED A PRINT

OFF THE MEMORY CARD
PACKAGING.
WILL JAMES.

(Ryan) UH-HUH. REAL CHARM BOY.
ON PROBATION

FOR DOMESTIC ASSAULT,
COUPLE OF RESTRAINING ORDERS.
SOUNDS LIKE OUR GUY.

(knock on door)

WILL JAMES, NYPD!

(Esposito)
WE'RE ALL CLEAR.

YEAH, CLEAR IN HERE, TOO.

YOU GUYS,
LOOK WHAT I FOUND.

JENNA'S COMP CARD.
COMP CARD?

(Beckett) YEAH, AGENCIES
USE IT TO GET MODELS WORK.
HUH.

A SINGLE COMP CARD?
THAT'S NOT VERY STALKERY.

WHERE'S THE BIG
CREEPY WALL OF JENNA?

BECKETT?
YEAH.

I THINK I GOT SOMETHING--
A CAMERA WITH A TELEPHOTO LENS.
WHAT HAS IT GOT ON IT?

NOTHING.
MAYBE IT'S BEEN ERASED.

(Ryan) UH...

AH. Q-TECH, 4 GIG.

SAME AS THE EMPTY PACKAGE
ON THE ROOF.

GET IT TO C.S.U. SEE IF
THEY CAN RECOVER THE PHOTOS.

IF THIS GUY HAD A THING
FOR JENNA,

HE SURE WAS
SUBTLE ABOUT IT.

DID YOU KNOW
WHAT A COMP CARD IS?

YEAH, ME NEITHER.
(lock clicks)

(door opens)

CAN I HELP YOU, OFFICERS?
(Esposito) WILL JAMES?
GET YOUR HANDS UP.

WE CAN PLACE YOU
ON THE ROOFTOP

OF THE BUILDING
ACROSS FROM HERS,

SO IF YOU WEREN'T TAKING PHOTOS,
WHAT WERE YOU DOING THERE?
I DIDN'T KILL HER, ALL RIGHT?

I WASN'T EVEN HERE SUNDAY.
I WAS WORKIN'.
RIGHT, AT THE CASINO
OVER IN ATLANTIC CITY.

DON'T WORRY.
WE'RE RUNNING IT DOWN NOW.

IN THE MEANTIME,
MAYBE YOU CAN EXPLAIN

HOW THIS GOT
IN YOUR APARTMENT.

HAVING PICTURES OF HOT CHICKS
IS NOT A CRIME.
NO, BUT SENDING THEM
THREATENING LETTERS IS.

IF I MAY... "YOU WERE WEARING
A LOT OF MAKEUP TODAY.

IT MADE YOU
LOOK LIKE A SLUT."

(laughs) OH, YOU GUYS
THINK I WROTE THAT?

THAT GUY IS APTLY NAMED.

HE GIVES ME THE WILLIES.

WE HAVE A PROBLEM.

HIS ALIBI CHECKS OUT.

YOU GOTTA BE KIDDING ME.

MNH-MNH. TALKED TO THE MANAGER
AT THE CASINO WHERE HE WORKS.

SAYS THAT WILL JAMES WAS THERE
THE NIGHT THE GIRL WAS KILLED.

THERE'S GOTTA BE
SOME KIND OF MISTAKE.
MAYBE HIS BOSS IS IN ON IT,
COVERING FOR HIS FRIEND.

I THOUGHT SO. SO THEY SENT OVER
THE SECURITY FOOTAGE.

JAMES WAS PARKING CARS
ALL NIGHT.

HE'S NOT OUR GUY.

OKAY, I DON'T...
I DON'T UNDERSTAND.

WE'RE HOLDING HIM
ON STALKING CHARGES.

BUT HE DIDN'T KILL HER.

HE SENT THOSE LETTERS,
RIGHT? HE TOOK THE PICTURES?

WE WON'T KNOW FOR SURE
UNLESS C.S.U.

IS ABLE TO RECOVER FILES
FROM THE CAMERA CARD.

WHOEVER KILLED JENNA,
WE WILL FIND THEM.

I PROMISE.

(sighs) OKAY. JUST--
WHATEVER I CAN DO.

WELL, THERE IS SOMETHING THAT
WE'RE TRYING TO FIGURE OUT.

THE MEDICAL EXAMINER SAID
THAT SHE FOUND ADDMAIR

IN JENNA'S BLOOD STREAM.

IT'S A TYPE OF AMPHETAMINE.

NO. NO.
JENNA DIDN'T USE DRUGS.

SOME PEOPLE SAY

THAT SHE'D BEEN
ACTING NERVOUS LATELY, EDGY.

SURE.
THAT WAS THE STRESS.

LOOK, THESE LETTERS,
THEY REALLY SCARED HER.

SHE DIDN'T WANT TO TELL PEOPLE
AT WORK ABOUT 'EM.

HOW WERE THINGS GOING
FOR HER AT WORK?

WAS THERE ANYONE
SHE DIDN'T GET ALONG WITH--

MR. FARROW PERHAPS?
NO. LOOK, SHE LOVED TEDDY.

SHE GOT ALONG GOOD
WITH EVERYONE.

I DON'T KNOW.
MAYBE THIS ONE GUY.

A PHOTOGRAPHER.
THEY HAD A FIGHT.

ABOUT WHAT?
I GUESS HE WAS THE GUY

THAT WAS GONNA SHOOT
THE FARROW CAMPAIGN.

SO LAST WEEK, HE AND JENNA,
THEY DID THIS TEST SHOOT.

SHE CAME HOME CRYING,

SAID THAT
HER PICTURES WERE AWFUL.

SHE WAS WORRIED SHE WOULDN'T
GET THE JOB NOW.

DID JENNA SAY
WHAT WENT WRONG?

SHE SAID THAT HE JUST
DIDN'T LIKE HER.

HE WAS TRYING TO RUIN IT FOR HER
BY MAKING HER LOOK BAD.

THIS PHOTOGRAPHER--
DO YOU KNOW HIS NAME?

(Beckett) MR. MONROE,

WHAT HAPPENED
BETWEEN YOU AND JENNA?

LOOK, JENNA WAS A GREAT MODEL
AND A GREAT GIRL,

BUT THAT DAY,
SHE WAS UNFOCUSED, AWKWARD.

WE HAD WORDS,
BUT WE RESOLVED OUR ISSUES.
HOW?

I AGREED TO DO ANOTHER TEST
ON MY TIME AND MY DIME.

WE WERE SUPPOSED TO MEET
YESTERDAY

AFTER THE RUNWAY SHOW, BUT--
CAN YOU CONFIRM WHERE YOU WERE
AT BETWEEN 1:00 AND 5:00 A.M.

THE NIGHT SHE DIED?
I WAS AT THE ZAC POSEN PARTY
UNTIL 3:00,

AND THEN HOME ASLEEP.

THANK YOU, MR. MONROE.

(man) LADIES AND GENTLEMEN--

TEDDY FARROW!

(cheers and applause)

(Teddy) GOOD AFTERNOON.

IT'S BEEN A HARD WEEK
FOR US HERE AT TEDDY FARROW.

AS I'M SURE YOU'VE HEARD,

WE LOST ONE OF OUR OWN
ON SUNDAY NIGHT.

JENNA McBOYD WAS TAKEN
FROM THIS WORLD TOO SOON.

(camera shutters clicking)

BUT EVEN AS WE HONOR HER MEMORY,

SHE WOULD'VE WANTED US
TO CARRY ON.

AND THAT'S WHY
I'VE INVITED YOU HERE,

TO INTRODUCE THE NEW FACE
OF MY COLLECTION.

SHE'S AN EXCITING TALENT.

AND TOGETHER, WE SHALL ACHIEVE
GREAT THINGS.

I GIVE YOU
MISS SIERRA GOODWIN.

(cheers and applause)

(Ultraviolet Sound)
♪ I WANT TO BE A CELEBRITY ♪

♪ SO YOU WILL BE
OBSESSED WITH ME ♪

♪ YOU'LL SWEAT MY STYLE,
WANT MY MAN ♪

♪ TAKE MY PICTURE
WHENEVER YOU CAN ♪

♪ I'M GONNA GET ME
A FAMOUS FACE ♪

♪ AND I'M GONNA DO
WHATEVER IT TAKES ♪

♪ BOTOX, COLLAGEN,
PLASTIC SURGERY ♪

♪ LOSE MORE WEIGHT,
THEN EVERYONE WILL LOVE ME ♪

AND THERE'S SIERRA,

STEPPING IN FOR HER
GOOD FRIEND JENNA AGAIN.

IS IT JUST ME

OR DOES SHE LOOK
REALLY HAPPY?

♪♪

WHAT WAS IT THAT TEDDY WAS
SAYING ABOUT HIS NEW FACE?

A PICTURE IN EVERY MAGAZINE,
A BILLBOARD IN TIMES SQUARE,

A HUGE PAYCHECK--

DEFINITELY WORTH KILLING FOR.

CASTLE, YOU'RE TALKING
ABOUT ONE GIRL

MURDERING ANOTHER FOR A JOB.

IT'S NOT A JOB.
IT'S A CAMPAIGN--

A CAREER-MAKER--AND JEALOUSY'S
A CLASSIC MOTIVE.

YOU'VE SEEN THE FILMS--

"THE TALENTED MR. RIPLEY,"
"DEAD RINGERS," AND, OF COURSE,

THE UNDERRATED CLASSIC
"SHOWGIRLS."
NOBODY MURDERED ANYONE
IN "SHOWGIRLS."

I HEAR.

SIERRA WANTS TO BE
TEDDY'S FAVORITE.

BUT SHE'S ALWAYS
SECOND CHOICE.

SIERRA THINKS,
WHAT IF JENNA WAS GONE?

THEN I'D BE NUMBER ONE.

THEN I WOULD FINALLY GET
EVERYTHING THAT I DESERVE.

AND THEN ONE NIGHT,
SHE SEES HER CHANCE.

SHE LURES JENNA
SOMEWHERE QUIET...

DESERTED.

AND WHEN JENNA TURNS HER BACK,
SIERRA STABS HER.

WITH THE STATUE
OF THE WASHINGTON MONUMENT

THAT SHE CARRIES
IN HER PURSE?

AND THEN STEALS HER SHOES.
MM.

NOT A PERFECT THEORY,
BUT WE'RE HERE ANYWAY.

SO NO HARM IN LEARNING
A LITTLE BIT MORE

ABOUT WHAT MAKES
SIERRA GOODWIN TICK.

(camera shutters clicking)

AND I SEE JUST THE GIRL
TO CLUE US IN.

♪♪

RICK.

UH, THAT'S MR. CASTLE
TO YOU, MISSY.

RINA,
THIS IS DETECTIVE BECKETT.

DETECTIVE BECKETT, RINA.
SHE USED TO BABYSIT FOR ME.

FOR--I MEAN ALEXIS.
YOU DON'T SAY?

ACTUALLY, WE'RE HERE
ABOUT JENNA.

OH. THAT WAS SO TERRIBLE.

YEAH. WAS IT TRUE
THAT SHE AND SIERRA GOODWIN

WERE KINDA B.F.F.s?

I WOULDN'T SAY B.F.F.s.
SIERRA'S MORE OF A FRENEMY.

HOW SO?
SHE DOESN'T PLAY WELL
WITH OTHERS.

SHE EVER PUSH ANYBODY
DOWN THE STAIRS?

NO. STUPID STUFF, REALLY--
LYING ABOUT WHEN A CALL TIME IS,

ITCHING POWDER
IN YOUR UNDERWEAR--

WAIT, AND THIS ONE TIME,
SHE CRUSHED UP A DIET PILL

AND DROPPED IT INTO
ANOTHER MODEL'S CHAMPAGNE.

YOU'RE SAYING
SHE DOSED SOMEONE.

THE GIRL GOT ALL WIRED
AND CALLED CALVIN KLEIN

A BORING, OLD FART...

TO HIS FACE.

OH.

THANK YOU, RINA.
YOU'VE BEEN VERY HELPFUL.

HMM.

♪♪

(mouths words)

(camera shutters clicking)

♪♪

GOT SOMETHING YOU WANT
TO SHARE WITH THE CLASS?

I WAS JUST THINKING...

MAYBE JENNA
DIDN'T USE DRUGS.

MAYBE SIERRA WAS SLIPPING 'EM
INTO HER DRINKS

WHEN TEDDY FARROW WAS AROUND

TO MAKE HER SEEM CRAZY
OR PARANOID.

NOW THAT IS AN EVIL DEED

WORTHY OF THE "SHOWGIRLS"
SPECIAL EDITION.

WHAT ARE THOSE TWO
DOING HERE?

(camera shutters clicking)

OKAY, GUYS,
WHAT'S GOING ON?
TECH MANAGED TO RECOVER

THE DELETED PHOTOS FROM
WILL JAMES' MEMORY CARD.

HE MIGHT NOT HAVE BEEN
JENNA'S KILLER,

BUT HE WAS DEFINITELY
HER STALKER.
AND YOU DROVE ALL THE WAY
DOWN HERE JUST TO SHOW ME THIS?

WE THOUGHT YOU'D WANT 'EM
RIGHT AWAY.

THAT IS SO THOUGHTFUL
OF YOU GUYS.

WHAT DO YOU THINK, BECKETT?
YOU MISSING THE GLAMOROUS LIFE?
THE WHAT LIFE?

CASTLE, HEY, IS YOUR,
UH, YOUR GIRL HERE?

(singsongy) RINA.

RINA USED TO BABYSIT ALEXIS,
FELLAS.

SO AS FAR AS BIG RICK HERE
IS CONCERNED,

SHE MIGHT AS WELL BE WEARING
A CHASTITY BELT.
THANK YOU
FOR THAT VISUAL IMAGE.

THANKS. AND ALSO, THANK YOU
FOR CALLING ME "BIG RICK."
HEY, BY THE WAY,
OUR BUDDY WILL

HAS A GIRLFRIEND
WE MIGHT WANT TO TALK TO.

THERE'S, UH, SOME PHOTOS
OF HER RIGHT HERE IN THE BACK.

MM. NAKED PHOTOS.
CASTLE, CHECK THIS OUT.

LOOK AT NAKED PICTURES?
IF YOU INSIST.

SHE'S WILL JAMES' GIRLFRIEND?

LOOKS LIKE TEDDY FARROW

ISN'T THE ONLY GUY
THAT SIERRA WAS MODELING FOR.

(camera shutters clicking)

HAVE YOU ANY IDEA OF
THE SPECTACLE YOU JUST CAUSED?

I MEAN, WHY THE HELL WOULD YOU
DRAG THE FACE OF MY CAMPAIGN

OUT OF MY LAUNCH PARTY
AND BRING HER DOWN HERE

AS IF SHE WERE SOME SORT
OF CRIMINAL?
BECAUSE SHE IS.

WILL JAMES' CONFESSION.
HE ADMITS SIERRA HIRED HIM

TO TAKE THE STALKER PHOTOS
OF JENNA.

HE EVEN HELPED HER WRITE
THE LETTERS.

AND HE CLAIMS HE WAS SUPPLYING
SIERRA WITH ADDMAIR.
SHE WAS DOSING JENNA.

SHE WAS TRYING TO MAKE HER
SEEM PARANOID AROUND YOU.
WHY WOULD SHE DO THAT?

TO PREY ON THE FEARS
OF A NAIVE COUPLE,

PRESSURE THEM
INTO MOVING BACK TO OHIO

SO SIERRA
COULD TAKE HER PLACE.
MR. FARROW, HAVE YOU
EVER HEARD OF THE EXPRESSION,

"I WOULD KILL FOR THAT JOB"?

BUT SHE WAS MY FACE--
MY FACE.

I MEAN, HAVE YOU ANY IDEA
WHAT THIS WILL DO TO ME,

THE SCANDAL?

IT WILL TAINT
THE ENTIRE SPRING LINE.

A GIRL IS DEAD, MR. FARROW.
DOES THAT MEAN ANYTHING TO YOU?

IT DOESN'T MEAN
MY BUSINESS SHOULD SUFFER.
THEY'RE JUST CLOTHES.

"JUST CLOTHES," DETECTIVE?
CLOTHES ARE CIVILIZATION.

CLOTHES ARE WHAT SEPARATE US
FROM ANIMALS.

NOT ALWAYS.

SHE WAS
YOUR ONLY COMPETITION.

YOU NEEDED HER
OUT OF THE WAY,

AND YOU WERE
RUNNING OUT OF TIME.
NO, NO. I DIDN'T KILL HER.

RIGHT.
YOU JUST DRUGGED HER

AND SENT HER
THREATENING LETTERS.

WHERE WERE YOU AT 2:00 A.M.
ON SUNDAY NIGHT?

SIERRA... YOU ARE FACING
A MURDER CHARGE.

IF YOU HAVE SOMETHING TO SAY,
NOW WOULD BE THE TIME.

SHE WENT TO WYATT'S PLACE.
THE PHOTOGRAPHER?

JENNA WASN'T
JUST BEING PARANOID

WHEN SHE SAID WYATT
SABOTAGED HER PHOTO SHOOT.

HE DID.
WHY?

BECAUSE JENNA
WOULDN'T SLEEP WITH HIM.

IT'S LIKE AN OPEN SECRET
WITH THE GIRLS.

YOU GIVE WYATT WHAT HE WANTS,
HE GIVES YOU GREAT SHOTS.

IF YOU DON'T, HE CAN RUIN YOU.
AND HE WANTED JENNA.

SO HE WAS MAKING HER CHOOSE

BETWEEN HER CAREER
AND HER MARRIAGE VOWS?

NICE GUY.

SHE KNEW THE PHOTOS FROM
THE SECOND TEST HAD TO BE GREAT

OR SHE REALLY WOULD
LOSE THE JOB.

SHE NEEDED HIM
TO DO IT RIGHT THIS TIME.
SO WHAT HAPPENED ON SUNDAY?

SHE TOLD ME SHE HAD A PLAN.

I FIGURED SHE WAS GONNA
GIVE WYATT WHAT HE WANTED.

I JUST TOLD HER, "IT'S NOT
THE WORST THING IN THE WORLD,

"YOU KNOW?

YOU MIGHT EVEN LIKE IT.
I DID."

THAT WAS THE LAST TIME
I SAW HER ALIVE.

YO, BECKETT.
YEAH.

WE JUST GOT THE RUNDOWN
ON WYATT MONROE. NO PRIORS.

BUT TURNS OUT HIS APARTMENT
IS RIGHT NEXT DOOR

TO THE ARTS CENTER,
AND HIS LIVING ROOM OVERLOOKS

THE FOUNTAIN
WHERE JENNA WAS KILLED.
HE LIVES
NEXT TO THE CRIME SCENE?

WE RAN THAT ALIBI
THAT HE GAVE YOU.

WITNESSES AT THE ZAC POSEN PARTY
SAID HE LEFT AROUND 11:30.
HE TOLD US HE LEFT
AT 3:00 A.M.

OH, THERE'S MORE. WE CHECKED
WITH THE TEDDY FARROW PEOPLE.

THEY SAID HE GOT TO THEIR PARTY
JUST BEFORE MIDNIGHT.
HE LIED TO US.

I CAN'T TELL YOU HOW SHOCKED
I WAS WHEN SIERRA WAS ARRESTED.

ARE YOU TWO CLOSE?

I WOULDN'T SAY CLOSE, BUT I DID
A NUMBER OF SESSIONS WITH HER.

SO WE'VE HEARD.

THAT'S A REALLY NICE VIEW.

THANKS.

SO HOW CAN I HELP?
YOU COULD TELL ME WHY
YOU DIDN'T MENTION

GOING TO THE FARROW PARTY
ON SUNDAY NIGHT.
MUST HAVE SLIPPED MY MIND.

IT'S FASHION WEEK.
I GO TO A LOT OF PARTIES.

HEY.

HMM?
WHAT ARE YOU DOING?

OH, DON'T MIND ME.
DID YOU TALK TO JENNA
AT THE PARTY?

I THINK I DID,
BUT JUST TO SAY HELLO.

YOU DIDN'T PLAN ON A RENDEZVOUS
LATER ON AT YOUR PLACE?
(scoffs) NO.

OH, REALLY?
THEN WHOSE ARE THESE?

CHRISTIAN LOUBOUTIN
PINK SATIN PUMPS

ON LOAN FROM TEDDY FARROW.

I DON'T KNOW
WHO THOSE BELONG TO.

WHAT IS THIS AWARD,
MR. MONROE?
IT'S THE HILO.

"FOR EXCELLENCE
IN EDITORIAL PHOTOGRAPHY."

LOOKS LIKE
ONE OF THESE IS MISSING.

MR. MONROE, WHERE IS IT?

THE CLEANING WOMAN,
UH, DROPPED IT...

LAST WEEK.

IT BROKE.

YOU KNOW, IT LOOKS JUST LIKE
THE WASHINGTON MONUMENT.

IT DOES, DOESN'T IT?

OKAY.

LOOK... JENNA WAS AT MY PLACE
ON SUNDAY NIGHT.

BUT SHE WAS ALIVE
WHEN SHE LEFT.
WHY WAS SHE THERE?

SHE FOUND ME AT TEDDY'S PARTY,
SAID SHE HAD A CHANGE OF HEART.

WANTED US TO WORK TOGETHER
FROM NOW ON AS A TEAM.

AND YOU ASSUMED
THAT WAS CODE FOR "DO ME."

(scoffs) WE AGREED
TO MEET BACK AT MY PLACE.

SHE CAME IN,
WE HAD A DRINK,

GOT COMFORTABLE
ON THE COUCH.

I WAS READY
TO GET DOWN TO BUSINESS,

BUT SHE KEPT WANTING
TO TALK ABOUT OUR DEAL.

THAT'S WHAT SHE CALLED IT.

SAID SHE WANTED ME TO TELL HER
EXACTLY WHAT SHE HAD TO DO

TO GET GOOD SHOTS--
EXACTLY.
SHE WAS TRYING TO GET YOU
TO INCRIMINATE YOURSELF.

A MASTER SPY
THIS GIRL WAS NOT.

I GRABBED HER PURSE,
PULLED OUT HER PHONE.

DAMN THING HAD AN APP ON IT
THAT TURNED IT INTO A RECORDER.

SHE TAPED
OUR WHOLE CONVERSATION.
SHE WANTED TO RECORD HIM
DEMANDING SEX FOR GOOD SHOTS

SO SHE COULD PLAY IT
FOR TEDDY FARROW.
YEAH.

SHE GRABBED THE PHONE BACK.
WE STRUGGLED.

SHE PICKED UP MY AWARD
OFF THE SHELF,

STARTED WAVING IT AROUND
AND ACTING CRAZY.

SHE SMACKED THE HILO INTO
A BOOKSHELF. THE TIP BROKE OFF.

I TRIED TO GRAB IT.
SHE CUT ME WITH THE EDGE.

SO I BACKED OFF,
AND SHE LEFT.

YOU KNOW, THAT'S A GREAT STORY,
BUT I DON'T BELIEVE YOU.

JUST LISTEN TO THE RECORDING
ON HER PHONE.

I'M TELLING YOU THE TRUTH.

HER PURSE
WAS NEVER FOUND.

SO IT LOOKS LIKE
THE EVIDENCE THAT'LL CLEAR YOU

IS LYING
IN A LANDFILL SOMEWHERE

ALONG WITH YOUR HILO.

TOUGH BREAK.

HERE I THOUGHT MODELING
WAS GLAMOROUS.

NOT EVERYBODY IN THAT BUSINESS
IS PREDATORY.
(Esposito)
IT SURE SEEMS THAT WAY.

JENNA'S BEST FRIEND
WAS DRUGGING HER,

AND HER PHOTOGRAPHER
KILLED HER.
EVEN HER CLOTHING DESIGNER
SEEMED MORE INTERESTED

IN HIS SHOW
THAN IN HER MURDER.

(Ryan) BUT AT LEAST
WE GOT THE BAD GUY.

THAT'S SOMETHING.

WHAT?

IF WYATT KILLED HER,

WHY DIDN'T HE DO A BETTER JOB
OF CLEANING UP HIS PLACE?

AND WHY WOULD HE LEAVE HER BODY
RIGHT OUTSIDE OF HIS APARTMENT?

MAYBE HE'S NOT THAT BRIGHT.

OR MAYBE HE WAS TELLING
THE TRUTH.

MAYBE HE DIDN'T DO IT.

WHAT'S UP WITH THE STROLL
DOWN MEMORY LANE?

OH, I CALLED MY AGENT

AND TOLD HIM TO PASS
ON THE PLAY.

I SAID, "MARTHA RODGERS
DOES NOT DIE IN THE FIRST ACT,

AND SHE NEVER DIES
OFFSTAGE."

FEEL BETTER?

NO, I FEEL ROTTEN
AND OLD.

I FEEL LIKE
I'M DYING OFFSTAGE.

I WAS ALWAYS THE INGENUE,
THE LEAD, THE STAR.

I LIKED IT THAT WAY.

IT'S A POWERFUL THING,
KIDDO,

TO BE YOUNG,
BEAUTIFUL, TALENTED.

NO WOMAN
WANTS TO GIVE IT UP.

YOU ARE STILL BEAUTIFUL
AND YOU ARE STILL TALENTED.

AND YOU DIDN'T
GIVE UP YOUR YOUTH.

YOU TRADED IT FOR WISDOM.

(whispers) WISDOM.

(chuckles) WISDOM.

(normal voice)
GIMME THAT.

(both laugh)

(cell phone rings)
OH.

(rings and beeps)

RINA. HEY, ARE WE STILL ON
FOR THAT DATE TONIGHT?

ALL RIGHT. YOU REMEMBER
WHERE I LIVE?

I'LL SEE YOU THEN.

(beep)

(cell phone clatters
on table)

WHAT?

ALEXIS TOLD ME
ALL ABOUT IT.

THAT GIRL
IS TOO YOUNG FOR YOU.

OR I SHOULD SAY,
YOU ARE TOO OLD FOR HER.

IT IS NOT WHAT YOU THINK.
OH--

AND UNEMPLOYED DIVAS WHO LIVE
IN GLASS HOUSES RENT FREE

SHOULD NOT THROW STONES.

POINT TAKEN.

WHAT'S THE GOOD WORD?

SUNSHINE ELECTRONICS.

THAT'S TWO WORDS.
NOPE. THAT'S WHERE JENNA McBOYD
BOUGHT HER NEW CELL PHONE.

WHAT?
SO I WAS TALKING
TO HER HUSBAND LAST NIGHT,

AND ON A HUNCH, I ASK HIM
ABOUT HER CELL PHONE.

HE SAID IT WOULDN'T ACCOMMODATE
A RECORDING APP.

SO I CHECKED INTO
HER CREDIT CARD RECEIPTS.

SHE BOUGHT A NEW CELL PHONE
THE DAY SHE DIED,

AND IT HAD GPS IN IT,

WHICH SHE HAD THE FORESIGHT
TO SWITCH ON.

WHOA. YOU FOUND IT?

IN A DUMPSTER ON WEST 81st.
UNIFORMS ARE BRINGING IT IN NOW.

(Jenna) STOP IT, WYATT!
(Wyatt)
GIVE ME THE PHONE!

SO FAR IT'S HAPPENING
JUST LIKE HE SAID IT DID.
MM-HMM.

(Wyatt grunts)
THIS IS WHEN HE SAID
SHE GRABBED THE WEAPON.

GIVE THAT TO ME!

STAY AWAY FROM ME.

BE CAREFUL
WITH THAT THING.

AAH! DAMN IT.

I'M BLEEDING,
YOU CRAZY BITCH.

(Jenna panting)

(Wyatt groans)
(door opens and closes)

SOUNDS LIKE
SHE LEFT THE PLACE ALIVE.
DOESN'T MEAN
HE DIDN'T GO AFTER HER.

YEAH, BUT IF HE WAS
GONNA KILL HER,

HE WOULDN'T LET HER
LEAVE THE APARTMENT.
SHH. IT'S STILL GOING.

(Jenna) I NEED A CAB.
I'VE GOTTA GET OUTTA HERE.

OH, MY GOD!
DID YOU FOLLOW ME?

WAIT. LET GO OF ME. STOP!

SO...
WHAT'S OUR PLAN?

MAKE HIM CONFESS.

I DON'T THINK
HE'S GONNA CRACK THAT EASY.

I MEAN,
WHAT IF HE FIGURES OUT

WE ONLY HAVE
A PARTIAL RECORDING,

THAT THE MEMORY
ON THE PHONE RAN OUT

BEFORE THE ACTUAL MURDER
TOOK PLACE?
HE WON'T.

WE, UH, WE DON'T HAVE
ANY PROOF THAT HE DID IT.

I MEAN, WHAT IF HE SHUTS DOWN
AND DOESN'T TALK?
HE WON'T.

HE'S NOT A STUPID MAN.
HE MIGHT ASK FOR A LAWYER.

HE WON'T. LOOK,
LET ME HANDLE THIS.

YOU CAN GO IN IF YOU WANT,
BUT DON'T SPEAK.

I JUST--
DON'T SPEAK.

(Jenna)
WHY DID YOU FOLLOW ME?
WELL, IT SEEMS LIKE
I HAD A GOOD REASON.

(cell phone beeps)
OKAY, WAIT.
SHE WAS RECORDING ME?

YOU FOLLOWED HER TO
FARROW'S PARTY SUNDAY NIGHT

AND THEN
TO MONROE'S APARTMENT.

YOU DON'T UNDERSTAND.
SHE JUST--

SHE HAD BEEN ACTING
SO STRANGE LATELY.

AND THEN SIERRA TELLS ME
ABOUT THIS PHOTOGRAPHER--
YOU TALKED WITH SIERRA
ABOUT WYATT MONROE?

SHE WAS WORRIED
ABOUT ME AND JENNA,

THAT IT WA-WAS MORE THAN
JUST BUSINESS BETWEEN THEM,

THAT SOMETHING WAS GOING ON.

(exhales)

LOOK, O-ONCE THIS
WAS IN MY HEAD, I--

I COULDN'T
STOP THINKING ABOUT IT.

YEAH, I FOLLOWED HER
TO THE PARTY.

THEY WERE TOGETHER.

WHEN SHE DIDN'T GO HOME

AND SHE WENT
TO HIS PLACE INSTEAD,

I KNEW.

OKAY, SO THEN YOU WAITED.

SHE CAME OUT. HER CLOTHES
WERE ALL MESSED UP.

(sighs)

HER LIPSTICK WAS...

RUBBED OFF.

YOU CALLED HER A WHORE.

I TOLD HER
THAT SHE WAS MY WIFE--

MY WIFE.

AND SHE--SHE JUST
STARTED CRYING.

SHE... SHE SAID
I DIDN'T UNDERSTAND,

THAT I WAS
JUST LIKE EVERYBODY ELSE.

TRAVIS...

I CAN'T HELP YOU
UNLESS YOU TELL ME THE TRUTH.

AND THEN YOU SLAPPED HER,
HARD ENOUGH TO CUT HER CHEEK.

LOOK, I DIDN'T MEAN--
LOOK, I JUST--I COULDN'T--

I COULDN'T SEE STRAIGHT.

IT'S LIKE I WASN'T EVEN
MYSELF ANYMORE.

I WAS SO MAD, I JUST--I DIDN'T
EVEN KNOW WHAT I WAS DOING.
AND SO YOU KILLED HER.

NO. NO.
I DIDN'T KILL HER.

TEDDY DID.
TEDDY FARROW?

AW, MAN. IT WAS ALWAYS TEDDY.
IT WAS TEDDY THIS, TEDDY THAT.

JUST, LIKE,
WHISPERING IN HER EAR.

YOU KNOW, TELLING HER HOW TO
WALK, HOW TO TALK, WHO TO BE.

JUST FEEDING HER MIND
WITH LIES.

I TELL YOU WHAT,
IF ANYONE DID IT,

IT WAS HIM.

IT WAS YOU, TRAVIS,
IN THE PLAZA,

NOT TEDDY...

STANDING BY THE FOUNTAIN

THINKING ABOUT ALL THE THINGS
YOU'D DONE FOR HER,

ABOUT HOW YOU MOVED TO
THIS CITY THAT YOU HATED

ONLY TO BE TREATED
LIKE THIS.

NOW SHE HAD SOMETHING
IN HER HANDS, SOMETHING SHARP.

WHAT WAS IT?

TRAVIS, DO YOU REALLY WANT ME
TO TURN THAT TAPE ON?

DO YOU REALLY WANT

TO LISTEN TO WHAT YOU SAID
AND WHAT YOU DID?

SHE WAS HOLDING
THIS BROKEN GLASS.

TOLD ME TO STAY AWAY.

AND SO YOU TOOK IT
FROM HER.

IT JUST HAPPENED.

WHAT HAPPENED?

(sighs)

(exhales)

I S--

I STABBED HER.

I STABBED HER IN THE BACK.
(exhales)

LOOK, SHE WAS--
SHE WAS TRYING TO LEAVE ME.

I...
OH, I LOVED HER SO MUCH.

I JUST--I COULDN'T
LET HER LEAVE ME.

SHE WASN'T GONNA LEAVE YOU,
TRAVIS.

(beeps and rewinds)

(Wyatt) WHAT THE HELL?
YOU'RE RECORDING ME?!

(Jenna) GIVE IT BACK,
WYATT.

I-I DIDN'T KNOW
WHAT ELSE TO DO.

I-I WANT THE JOB, WYATT.

BUT I LOVE MY HUSBAND.
I CAN'T DO THIS TO HIM.

I WON'T!
YOU'RE HURTING ME!

(crying)

I JUST WANT TO GO HOME.
I WANT TO GO HOME!

(sniffles)
(sobs)

(beep)

HOME.

SHE WAS TRYING TO GO HOME...

TO YOU.

(Travis cries)

(Castle) THAT WAS
A RISKY BLUFF--

THREATENING TO PLAY A RECORDING
WE DIDN'T EVEN HAVE.

IT DIDN'T SEEM LIKE
A RISK TO ME.

HE LOVED HIS WIFE
VERY MUCH.

HE WOULDN'T WANT
TO RELIVE HER DEATH.

WHAT ABOUT SIERRA?
WHAT ABOUT WYATT MONROE?

THEY JUST GO FREE?
DOESN'T SOUND LIKE JUSTICE.

WELL, I SPOKE WITH
TEDDY FARROW THIS MORNING.

NOW THAT HE UNDERSTANDS
WHAT THOSE TWO DID TO JENNA,

HE'S GONNA LAUNCH A VERY
DIFFERENT KIND OF CAMPAIGN.

HE'S GONNA GET THEM BLACKBALLED
IN THE INDUSTRY.

NO ONE WILL HIRE THEM AGAIN.
AH, YOU MEAN POETIC JUSTICE.

MM-HMM.

WELL... AS A WRITER,
I GUESS I CAN LIVE WITH THAT.

I WISH I COULD FEEL
THAT WAY.

I WISH I COULD FEEL
A SENSE OF... VICTORY.

SO WHAT WOULD NIKKI HEAT DO
AFTER A BAD DAY?

SHE'D GO HOME,

POUR A STIFF DRINK,
RUN A HOT BATH,

READ A GOOD BOOK.

TOO BAD I DON'T HAVE
A GOOD BOOK TO READ.

MM. I'D LET YOU HAVE
"HEAT WAVE,"

BUT MY PUBLISHER DOESN'T WANT
ANY COPIES LEAKING OUT.

WHY'D YOU LET THAT "COSMO"
REPORTER READ IT, THEN?
WELL, THAT'S
FOR PUBLICITY PURPOSES.

YOU KNOW, YOU WANT THE PRESS
TO HAVE A LITTLE TASTE OF...

WAIT. WHOA. IS... IS THAT
WHY YOU'VE BEEN SO UPSET,

BECAUSE I LET HER READ IT
BEFORE YOU?
I AM THE INSPIRATION.

I SHOULD BE READING IT
BEFORE A REPORTER DOES.
WHY DIDN'T YOU JUST SAY SO?

WHY DIDN'T YOU
JUST GIVE IT TO ME?
WHY DIDN'T YOU ASK?

WHY DIDN'T IT OCCUR TO YOU?

YOU'LL HAVE IT BY TOMORROW.

GOOD.
GOOD.

(clicks keyboard keys)

(beeps)

LOOKING GOOD,
DETECTIVE BECKETT.

HOW DID YOU GUYS--

WE'RE DETECTIVES.
CALLED YOUR DAD.

OKAY. (chuckles)

OKAY. YOU GUYS
HAVE HAD YOUR FUN.

I WAS 17, AND I THOUGHT THAT...
(whispers) MODELING

(normal voice) WOULD BE
AN EASIER WAY TO MAKE MONEY

THAN WAITRESSING.
RIGHT.

IT WAS ONE SUMMER.
NO BIG DEAL.

(whispering) AND IF YOU GUYS
TELL CASTLE ABOUT THIS,

I WILL KILL YOU.

♪♪

GOOD EVENING, MY DEARS.

(Alexis) HEY THERE.

YOU LOOK
IN BRIGHTER SPIRITS.

WHAT'S CHANGED
SINCE THIS MORNING?

THE PLAY I PASSED ON?

THE PRODUCERS CAME BACK
WITH A BETTER OFFER.

I WAS JUST AT THE DORCHESTER
SIGNING MY CONTRACTS.

SO YOU GOT THE LEAD?

WELL, NO, I STILL PLAY
THE CRAZY GRANNY.

BUT YOU--YOU DON'T DIE.
NO, STILL DIE.

MORE MONEY?
(scoffs) PEANUTS.

ALL RIGHT. SO WHAT'S
THE BETTER OFFER?

THEY HAVE REWRITTEN THE SCRIPT
SO THAT I DIE ONSTAGE.

MY DEATH CLOSES ACT ONE.

IT'S BETTER THAN THE LEAD,
REALLY.

GRANNY'S THE BRAVURA ROLE.

IN ART AS IN LIFE.

OH.

I'M SO PROUD OF YOU.
OH, THANK YOU.

THANK YOU, MY BABY.
(doorbell buzzes)

ARE WE EXPECTING COMPANY?
UH, THAT'S RINA.

OH, OF COURSE, YOUR DATE.

NOT MY DATE.

(squeals)

(laughs) HI!
HEY.

READY FOR

A "HIGH SCHOOL MUSICAL"
MARATHON?
I'M SO READY. (laughs)

HEY, RINA.

OH, HI, MR. CASTLE.
(Alexis) COME ON.

OH, MY GOSH. THAT SHIRT
IS SO CUTE ON YOU.

COLOR ME SHOCKED, BUT APPARENTLY
THE MODELING WORLD

ISN'T ALL SEXY CLOTHES
AND FUN PARTIES.

IT OCCURRED TO ME THAT
IF JENNA McBOYD HAD SOMEONE

LOOKING OUT
FOR HER A LITTLE BIT,

SHE MIGHT STILL BE ALIVE TODAY.

SO IF RINA NEEDS A FRIEND,
SHE KNOWS SHE'S GOT ONE.

OH, MY SON...

THE BIG SOFTIE.

AND DON'T WORRY. I KNOW
YOU HAVE AN IMAGE TO PROTECT.

YOUR SECRET'S SAFE WITH ME.

(woman) ♪ HEART PLACE, HEART ♪