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1
00:00:01,602 --> 00:00:04,175
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:04,175 --> 00:00:06,177
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:06,177 --> 00:00:08,609
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,609 --> 00:00:10,641
CASTLE.
CASTLE.
5
00:00:10,641 --> 00:00:13,344
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:13,344 --> 00:00:15,216
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:15,216 --> 00:00:17,318
BECKETT.
BECKETT.
8
00:00:17,318 --> 00:00:19,320
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:19,320 --> 00:00:21,322
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:21,322 --> 00:00:23,794
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:23,794 --> 00:00:27,098
AND TOGETHER...
WE SOLVE CRIMES.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:27,098 --> 00:00:30,701
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:30,701 --> 00:00:33,164
(Junior Senior)
♪ CAN I GET GET GET ♪
14
00:00:33,164 --> 00:00:35,466
♪ TO KNOW KNOW KNOW KNOW
YOU BETTER BETTER, BABY? ♪
15
00:00:35,466 --> 00:00:38,169
♪ CAN I GET GET GET
TO KNOW KNOW KNOW KNOW ♪
16
00:00:38,169 --> 00:00:40,040
♪ YOU BETTER BETTER, BABY? ♪
17
00:00:40,040 --> 00:00:42,373
(man) SEXY, SEXY.
18
00:00:42,373 --> 00:00:44,715
LADIES, I LOVE IT.
I LOVE IT. I LOVE IT.
19
00:00:44,715 --> 00:00:46,817
SEXY SEXY IS NOT A CRIME.
20
00:00:46,817 --> 00:00:49,049
(woman) WHAT'S SO SPECIAL ABOUT
21
00:00:49,049 --> 00:00:51,552
WORLD-FAMOUS MYSTERY NOVELIST
RICHARD CASTLE?
22
00:00:51,552 --> 00:00:53,053
HE'S RICH, HE'S HANDSOME
23
00:00:53,053 --> 00:00:55,686
AND HE'S BASING
HIS NEXT BEST SELLER ON YOU.
24
00:00:55,686 --> 00:00:57,288
TELL ME, DETECTIVE BECKETT,
25
00:00:57,288 --> 00:00:59,290
WHAT'S IT LIKE
BEING THE INSPIRATION FOR
26
00:00:59,290 --> 00:01:01,632
THRILL MASTER RICHARD CASTLE'S
NEW CHARACTER NIKKI HEAT?
27
00:01:01,632 --> 00:01:04,635
ON BEHALF OF THE NYPD,
IT HAS BEEN A PLEASURE
28
00:01:04,635 --> 00:01:07,768
TO OFFER MR. CASTLE
INSIGHT INTO THE PROFESSION.
29
00:01:07,768 --> 00:01:10,271
GIVEN ALL HIS BEST SELLERS,
IT'S OBVIOUS MR. CASTLE
30
00:01:10,271 --> 00:01:12,273
HAS TREMENDOUS INSIGHT
INTO THE CRIMINAL MIND.
31
00:01:12,273 --> 00:01:14,275
I'M TOLD IN MANY OCCASIONS,
HIS PARTICIPATION
32
00:01:14,275 --> 00:01:17,378
WAS ESSENTIAL TO SOLVING
YOUR TOUGHEST CASES.
33
00:01:17,378 --> 00:01:18,849
REALLY?
34
00:01:18,849 --> 00:01:21,452
YOU WERE TOLD THAT?
BY WHO?
35
00:01:21,452 --> 00:01:24,615
BY CASTLE.
(man) TRY UNBUTTONING HIS SHIRT.
JUST--JUST THE FIRST ONE.
36
00:01:24,615 --> 00:01:27,087
RIGHT THERE. YEAH.
COULD YOU EXCUSE ME
FOR A MOMENT?
37
00:01:27,087 --> 00:01:28,389
(man) LOVE IT. I LOVE IT.
38
00:01:28,389 --> 00:01:30,391
SIR, COULD I TALK TO YOU
IN PRIVATE
39
00:01:30,391 --> 00:01:32,163
FOR A MOMENT, PLEASE?
40
00:01:32,163 --> 00:01:34,795
BECKETT, I HAVE A COUPLE--
NOW.
41
00:01:34,795 --> 00:01:38,129
WE HAD A DEAL, BECKETT.
42
00:01:39,830 --> 00:01:41,372
THE DEAL IS OFF.
43
00:01:41,372 --> 00:01:43,704
WHAT'S THE PROBLEM?
NOT ONLY DOES HE HAVE
44
00:01:43,704 --> 00:01:45,706
THE BACHELOR-PARTY COP TWINS
OUT THERE
45
00:01:45,706 --> 00:01:47,708
USING HIM AS A STRIPPER POLE
46
00:01:47,708 --> 00:01:50,110
WHILE I MAKE NICEY-NICE
WITH THE PRESS,
47
00:01:50,110 --> 00:01:52,313
BUT DO YOU KNOW WHAT HE SAID?
NO.
48
00:01:52,313 --> 00:01:55,115
HE SAID THAT HE HAS BEEN
INSTRUMENTAL
49
00:01:55,115 --> 00:01:57,748
IN HELPING US SOLVE CRIMES.
WELL, HASN'T HE?
50
00:01:57,748 --> 00:02:00,751
THAT'S NOT THE POINT.
DO YOU KNOW HOW HARD IT IS
FOR NYPD TO GET GOOD PRESS?
51
00:02:00,751 --> 00:02:03,294
I MEAN, IN A MAGAZINE
THAT PEOPLE ACTUALLY READ.
52
00:02:03,294 --> 00:02:06,157
THIS ARTICLE IS
VERY IMPORTANT TO THE MAYOR.
53
00:02:06,157 --> 00:02:08,359
THEREFORE, WE ARE
GOING TO COOPERATE.
54
00:02:08,359 --> 00:02:11,402
DO I MAKE MYSELF CLEAR?
55
00:02:11,402 --> 00:02:14,235
OKAY. FINE.
56
00:02:14,235 --> 00:02:17,568
IT WAS NICE
TO MEET YOU.
57
00:02:17,568 --> 00:02:19,870
WE SHOULD HAVE
PHOTO SHOOTS HERE MORE OFTEN.
58
00:02:19,870 --> 00:02:22,873
HEY, BECKETT, HOW COME YOU
DON'T WEAR A UNIFORM LIKE THAT?
59
00:02:22,873 --> 00:02:25,916
BECAUSE I DON'T WANT
TO GET PAID IN SINGLES.
60
00:02:25,916 --> 00:02:28,148
HEY.
61
00:02:28,148 --> 00:02:30,181
OH, HEY. UH,
DON'T WE HAVE THAT THING?
62
00:02:30,181 --> 00:02:31,522
NO.
63
00:02:31,522 --> 00:02:34,455
YEAH, YOU KNOW,
THAT THING WITH THE GUY?
64
00:02:34,455 --> 00:02:36,457
OH, YEAH.
THE THING WITH THE GUY.
65
00:02:36,457 --> 00:02:38,158
YEAH, EXCUSE US.
66
00:02:38,158 --> 00:02:41,492
I JUST WANTED YOU TO KNOW,
I HAD NOTHING TO DO WITH THIS.
67
00:02:41,492 --> 00:02:43,494
I MEAN, IT WAS THE MAGAZINE.
68
00:02:43,494 --> 00:02:46,567
AND--AND, WELL, THE MAYOR
THOUGHT IT WOULD BE GOOD PRESS.
69
00:02:46,567 --> 00:02:48,569
YOU DON'T HAVE TO
EXPLAIN YOURSELF.
70
00:02:48,569 --> 00:02:49,870
REALLY?
71
00:02:49,870 --> 00:02:51,872
REALLY. SEE?
I DON'T CARE ANYMORE.
72
00:02:51,872 --> 00:02:54,945
NOW IF YOU'LL EXCUSE ME, I HAVE
AN INTERVIEW TO GET BACK TO.
73
00:02:56,947 --> 00:02:58,949
WHAT DID I DO
THAT WAS SO WRONG?
74
00:02:58,949 --> 00:03:01,212
THE ONE THING
I ASKED YOU NOT TO DO.
OKAY.
75
00:03:01,212 --> 00:03:03,914
SO YOU ASKED ME NOT TO
LOOK INTO YOUR MOTHER'S MURDER,
76
00:03:03,914 --> 00:03:06,757
BUT LOOK AT WHAT I FOUND.
IT DOESN'T MATTER
WHAT YOU FOUND.
77
00:03:06,757 --> 00:03:09,260
I PUT THAT ALL BEHIND ME
A LONG TIME AGO.
78
00:03:09,260 --> 00:03:12,823
WE CAN GET BACK
TO THE INTERVIEW NOW.
NO, GONNA HAVE TO RESCHEDULE.
WE JUST CAUGHT A BODY.
79
00:03:12,823 --> 00:03:15,896
SO SORRY TO STEP OUT
ON YOU, AMY.
OOH, ARE YOU KIDDING?
IT'S PERFECT.
80
00:03:15,896 --> 00:03:18,529
A CHANCE TO SEE CASTLE
IN ACTION.
81
00:03:18,529 --> 00:03:22,373
OUR READERS WILL LOVE IT.
WELL, WE WOULDN'T WANT TO
DISAPPOINT YOUR READERS,
82
00:03:22,373 --> 00:03:24,805
NOW WOULD WE, DETECTIVE?
83
00:03:26,577 --> 00:03:30,711
(siren wailing)
84
00:03:30,711 --> 00:03:32,283
(police radio chatter)
85
00:03:32,283 --> 00:03:34,485
HEY. CAN WE TALK
ABOUT THIS, PLEASE?
86
00:03:34,485 --> 00:03:36,287
THERE'S NOTHING
TO TALK ABOUT.
87
00:03:36,287 --> 00:03:38,289
WELL, JUST AT LEAST
LET ME KNOW
88
00:03:38,289 --> 00:03:41,252
WHAT I CAN DO
TO MAKE IT UP TO YOU.
YOU COULD LEAVE ME ALONE.
89
00:03:41,252 --> 00:03:43,754
YES. WELL, I TRIED THAT,
AND IT DIDN'T WORK.
90
00:03:43,754 --> 00:03:45,756
HEY, I COULD BUY YOU
A PONY.
91
00:03:45,756 --> 00:03:47,958
FOCUS, CASTLE.
CRIME SCENE, OKAY?
92
00:03:52,963 --> 00:03:55,466
IT'S RAINING MEN.
93
00:03:55,466 --> 00:03:59,270
CASTLE,
WHAT ARE YOU DOING HERE?
94
00:03:59,270 --> 00:04:01,912
DON'T WORRY.
WE'RE STILL MAD AT HIM.
GUY IN A TREE,
MOM AND DAD BICKERING--
95
00:04:01,912 --> 00:04:03,914
SEEMS LIKE OLD TIMES.
MM-HMM.
96
00:04:03,914 --> 00:04:05,546
HOW'S IT GOING UP THERE?
97
00:04:05,546 --> 00:04:07,518
I GOT TREE BRANCHES
POKING MY BOOBS
98
00:04:07,518 --> 00:04:09,520
AND SPOTLIGHTS
SHINING UP MY BOOTY.
99
00:04:09,520 --> 00:04:12,383
COULD BE WORSE.
YOU COULD BE WEARING A SKIRT.
100
00:04:12,383 --> 00:04:15,025
WHEN I COME DOWN,
I'M-A SMACK YOU.
101
00:04:15,025 --> 00:04:17,888
I'LL BE LOOKING FORWARD
TO THAT.
HERE.
102
00:04:17,888 --> 00:04:20,260
VIC'S A WHITE MALE,
LATE 30s.
103
00:04:20,260 --> 00:04:22,293
JUDGING FROM
THE CRACKED BRANCHES,
104
00:04:22,293 --> 00:04:25,896
I'M GUESSING HE DID A SUPERMAN
OFF THE TOP OF THAT BUILDING.
105
00:04:25,896 --> 00:04:28,499
(Esposito) VIC'S NAME
IS JOHN ALLEN.
106
00:04:28,499 --> 00:04:30,801
I.D. HAS HIM
ON THE UPPER WEST SIDE.
107
00:04:30,801 --> 00:04:33,674
BUSINESS CARD HAS HIM
IN INSURANCE.
MM.
108
00:04:33,674 --> 00:04:36,677
IS IT A SUICIDE?
(Castle and Beckett)
IT'S NOT A SUICIDE.
109
00:04:36,677 --> 00:04:39,680
HOW DO YOU KNOW?
UM, THE BUILDING
IS TOO SHORT.
110
00:04:39,680 --> 00:04:42,883
HE'D WANT TO KILL HIMSELF,
NOT CRIPPLE HIMSELF.
WELL, IF YOU WANT TO DIE,
YOU'RE GONNA AIM FOR CONCRETE,
111
00:04:42,883 --> 00:04:44,955
NOT A TREE.
112
00:04:44,955 --> 00:04:47,287
JUDGING FROM
THE ANGLE OF DESCENT,
113
00:04:47,287 --> 00:04:49,760
I'D SAY THAT GUY WAS THROWN
OFF THE BUILDING.
114
00:04:49,760 --> 00:04:52,963
SINCE IT CLEARLY WASN'T
A SUICIDE, HOW DID HE DIE?
115
00:04:52,963 --> 00:04:54,995
THERE ARE SIGNS
OF STRANGULATION.
116
00:04:54,995 --> 00:04:57,468
IT LOOKS LIKE
HIS WINDPIPE WAS CRUSHED.
ANY LIGATURE MARKS?
117
00:04:57,468 --> 00:05:00,401
NOPE.
"LIGATURE" REFERS TO
ANYTHING THAT TIES OR BINDS,
118
00:05:00,401 --> 00:05:02,473
LIKE A ROPE OR A BELT.
119
00:05:02,473 --> 00:05:04,935
LACK OF ANY MARKS SUGGESTS
HE WAS STRANGLED BY HAND.
WOW. YOU REALLY KNOW
YOUR STUFF.
120
00:05:04,935 --> 00:05:06,937
NO WONDER THEY LIKE
HAVING YOU AROUND.
121
00:05:06,937 --> 00:05:09,580
YOU KNOW WHAT? HE'S SUCH
AN INCREDIBLE RESOURCE,
122
00:05:09,580 --> 00:05:12,312
IT SEEMS LIKE A SHAME TO WASTE
HIS TALENTS HERE IN THE FIELD.
123
00:05:12,312 --> 00:05:15,015
WOULD YOU MIND GOING BACK
TO THE MORGUE WITH DR. PARISH
124
00:05:15,015 --> 00:05:18,018
TO SEE WHAT ELSE WE CAN
FIND OUT ABOUT THE VIC?
DON'T YOU THINK
125
00:05:18,018 --> 00:05:21,021
I'D BE OF MORE USE
HERE AT THE CRIME SCENE?
OH, NO. WE'RE JUST GONNA
KNOCK ON DOORS
126
00:05:21,021 --> 00:05:22,993
AND SEE WHAT ELSE
WE CAN STIR UP.
127
00:05:22,993 --> 00:05:25,696
YOU KNOW,
BORING POLICE STUFF.
128
00:05:25,696 --> 00:05:28,098
FINE. BUT I WAS SERIOUS
ABOUT THE PONY.
129
00:05:28,098 --> 00:05:32,433
COME ON, I'LL SHOW YOU
THE, UH, MORGUE... MOBILE.
130
00:05:32,433 --> 00:05:33,934
ANYTHING IN THE WALLET?
131
00:05:33,934 --> 00:05:37,508
NOPE. DRY CLEANING TICKET,
I.D., TWO CREDIT CARDS.
132
00:05:37,508 --> 00:05:40,711
CASH WAS MISSING, THOUGH.
133
00:05:40,711 --> 00:05:42,943
THAT'S A LONG WAY TO GO
FOR A ROBBERY.
134
00:05:42,943 --> 00:05:44,645
(siren whoops)
135
00:05:44,645 --> 00:05:46,777
(police radio chatter)
136
00:05:46,777 --> 00:05:49,620
YOU MEAN WE HAVE TO RIDE
WITH THE BODY?
137
00:05:49,620 --> 00:05:51,652
YOU CAN TAKE MY SEAT
UP FRONT.
138
00:05:51,652 --> 00:05:54,054
YOU SURE?
139
00:05:54,054 --> 00:05:55,956
MM-HMM. I'M USED
TO HANGING OUT WITH STIFFS.
140
00:05:55,956 --> 00:05:57,528
(chuckles)
141
00:06:02,463 --> 00:06:05,496
(police radio chatter)
142
00:06:05,496 --> 00:06:06,997
HI.
143
00:06:06,997 --> 00:06:09,139
UNH-UNH. YOU DO NOT
GET TO SAY HI TO ME.
144
00:06:09,139 --> 00:06:11,141
I'M JUST DOING MY GIRL
A FAVOR.
145
00:06:11,141 --> 00:06:13,103
OH, YOU, TOO, HUH?
146
00:06:13,103 --> 00:06:14,775
WELL, WHAT DID YOU EXPECT?
147
00:06:14,775 --> 00:06:16,947
BECKETT SPENT THE FIRST
THREE YEARS OF BEING A COP
148
00:06:16,947 --> 00:06:18,949
TRYING TO SOLVE
HER MOTHER'S MURDER.
149
00:06:18,949 --> 00:06:22,052
IT TOOK EVERYTHING THAT SHE HAD
TO PUT IT BEHIND HER.
150
00:06:22,052 --> 00:06:25,456
YOU COULDN'T RESPECT THAT?
WHAT WAS I SUPPOSED TO DO,
NOT TELL HER WHAT I'D FOUND?
151
00:06:25,456 --> 00:06:28,789
WHAT YOU FOUND?
OH, SHE DIDN'T TELL YOU,
DID SHE?
152
00:06:28,789 --> 00:06:31,792
THREE PEOPLE WERE KILLED
THE SAME WAY HER MOTHER WAS
153
00:06:31,792 --> 00:06:33,794
RIGHT ABOUT THE SAME TIME.
154
00:06:33,794 --> 00:06:36,797
ONE OF 'EM WAS
A FORMER LAW STUDENT OF HERS.
155
00:06:36,797 --> 00:06:38,799
ANOTHER ONE,
A DOCUMENTS CLERK.
156
00:06:38,799 --> 00:06:41,101
THE THIRD ONE,
A LAWYER FOR A NONPROFIT.
157
00:06:41,101 --> 00:06:43,734
WAIT, THE M.E. AT THE TIME
DIDN'T MAKE THE CONNECTION?
158
00:06:43,734 --> 00:06:45,736
IF HE DID,
HE BURIED IT.
159
00:06:45,736 --> 00:06:47,137
DID YOU TALK TO HIM?
160
00:06:47,137 --> 00:06:50,110
HE DIED FOUR YEARS AGO.
161
00:06:50,110 --> 00:06:52,613
SO YOU SEE
WHY I HAD TO TELL HER.
162
00:06:52,613 --> 00:06:54,715
WHAT DID SHE SAY?
163
00:06:56,086 --> 00:06:58,449
THAT WE WERE DONE.
164
00:06:58,449 --> 00:07:00,491
AND THEN SHE JUST WALKED--
(metal crunches)
165
00:07:00,491 --> 00:07:03,053
(tires squeal)
(man) COME ON! GO! GO! GO!
166
00:07:03,053 --> 00:07:05,095
(metal clatters)
167
00:07:05,095 --> 00:07:06,997
DON'T MOVE. DON'T MOVE.
168
00:07:06,997 --> 00:07:08,499
WHOA!
169
00:07:10,030 --> 00:07:11,732
(man) GET THE BODY!
170
00:07:13,103 --> 00:07:14,905
(man grunts)
171
00:07:14,905 --> 00:07:16,006
GO!
172
00:07:16,006 --> 00:07:18,709
DON'T MOVE!
173
00:07:18,709 --> 00:07:20,070
(man) COME ON, MOVE!
COME ON!
174
00:07:20,070 --> 00:07:21,842
(engine revs)
175
00:07:21,842 --> 00:07:25,215
(tires squeal)
176
00:07:25,215 --> 00:07:29,520
IS IT JUST ME, OR WAS THAT
REALLY, REALLY WEIRD?
177
00:07:29,520 --> 00:07:34,885
♪♪
178
00:07:42,132 --> 00:07:44,495
(Montgomery) WELL?
HE'LL LIVE.
179
00:07:44,495 --> 00:07:48,138
WHAT, NO BRAIN DAMAGE?
IF HE HAS SOME, IT HAPPENED
WAY BEFORE TONIGHT,
180
00:07:48,138 --> 00:07:51,001
AND IT WAS PROBABLY
SELF-INFLICTED.
AHH. GOOD TIMES.
181
00:07:51,001 --> 00:07:52,903
HOW'S LOIS LANE?
WHO, REPORTER CHICK?
182
00:07:52,903 --> 00:07:55,906
WE TOOK HER STATEMENT
AND WE SENT HER HOME.
183
00:07:55,906 --> 00:07:58,609
WE GOT AN A.P.B. ON THE SEDAN,
C.S.U.s ARE COMBING THE ROOFTOP,
184
00:07:58,609 --> 00:08:00,681
AND WE GOT UNIs LOOKING FOR
SURVEILLANCE FOOTAGE
185
00:08:00,681 --> 00:08:03,614
OF THE CRASH SITE.
YOU KNOW WHAT I DON'T GET
186
00:08:03,614 --> 00:08:05,616
IS WHO WOULD STEAL
A DEAD BODY?
OH, PLENTY OF PEOPLE--
187
00:08:05,616 --> 00:08:07,618
UH, ORGAN HARVESTERS,
CADAVERLESS MED STUDENTS,
188
00:08:07,618 --> 00:08:08,959
SATANISTS,
189
00:08:08,959 --> 00:08:10,991
MAD SCIENTISTS LOOKING TO
CREATE THEIR OWN MONSTER.
190
00:08:10,991 --> 00:08:12,993
OR THE GUYS WHO KILLED HIM
191
00:08:12,993 --> 00:08:15,125
MIGHT HAVE LEFT
SOME EVIDENCE BEHIND.
BORING.
192
00:08:15,125 --> 00:08:17,127
HOW ABOUT A SPY
193
00:08:17,127 --> 00:08:20,130
HAVING SWALLOWED
A TOP-SECRET MICROCHIP
194
00:08:20,130 --> 00:08:22,673
THAT THE ENEMY FORCES
MURDER HIM OVER
195
00:08:22,673 --> 00:08:25,135
BEFORE THE C.I.A.
CAN GET AHOLD OF HIM?
196
00:08:25,135 --> 00:08:27,137
AS MUCH AS WE ALL APPRECIATE
YOUR INSIGHTFUL
197
00:08:27,137 --> 00:08:28,639
AND INCREDIBLY BELIEVABLE
THEORIES,
198
00:08:28,639 --> 00:08:30,140
MISS "COSMO" IS GONE,
199
00:08:30,140 --> 00:08:31,982
SO I BELIEVE
YOU CAN GO HOME NOW.
200
00:08:31,982 --> 00:08:36,046
HOME? NO. NO, NO, NO.
THIS--THIS CASE JUST GOT GOOD.
201
00:08:36,046 --> 00:08:38,048
AND--AND I'M--
I'M A WITNESS.
202
00:08:42,152 --> 00:08:45,155
ALL RIGHT, I'LL LET YOU WORK
THIS ONE CASE WITH ME
203
00:08:45,155 --> 00:08:48,158
IF YOU PROMISE TO
LEAVE ME ALONE WHEN IT'S OVER
204
00:08:48,158 --> 00:08:50,631
AND NOT TO WEASEL YOUR WAY
BACK IN.
205
00:08:50,631 --> 00:08:51,962
DEAL.
206
00:08:51,962 --> 00:08:53,964
BUT FAIR WARNING,
DETECTIVE.
207
00:08:53,964 --> 00:08:56,667
I WILL MAKE YOU
CHANGE YOUR MIND.
208
00:08:56,667 --> 00:08:58,669
I WON'T.
YOU WILL.
209
00:08:58,669 --> 00:09:02,242
(Castle) SO WHAT'S
THE NEXT STEP, VICTIM'S FAMILY?
210
00:09:02,242 --> 00:09:05,075
HUH. I DIDN'T THINK
SHE'D TAKE HIM BACK.
211
00:09:05,075 --> 00:09:07,147
(knock on door)
212
00:09:07,147 --> 00:09:09,149
MRS. ALLEN?
213
00:09:09,149 --> 00:09:10,280
YES.
214
00:09:10,280 --> 00:09:12,322
IT'S ABOUT YOUR HUSBAND.
215
00:09:12,322 --> 00:09:15,125
HE WAS JUST RIGHT HERE
216
00:09:15,125 --> 00:09:19,660
JUST A COUPLE OF HOURS AGO,
AND NOW HE'S DEAD. I...
217
00:09:21,331 --> 00:09:24,564
DO YOU KNOW OF ANY REASON WHY
HE'D BE IN THAT PART OF TOWN?
218
00:09:24,564 --> 00:09:26,066
NO.
219
00:09:26,066 --> 00:09:28,298
HIS OFFICE IS, UH,
IN MIDTOWN.
220
00:09:28,298 --> 00:09:30,270
IT'S NOWHERE NEAR NINTH.
221
00:09:30,270 --> 00:09:32,272
WHAT TIME DID HE LEAVE
THE APARTMENT?
222
00:09:32,272 --> 00:09:34,104
AROUND 6:00.
223
00:09:34,104 --> 00:09:36,907
HE HAD JUST GOTTEN BACK
FROM HIS TRIP
224
00:09:36,907 --> 00:09:40,010
AND, UH, HE SAID HE NEEDED
TO CATCH UP ON SOME PAPERWORK.
225
00:09:40,010 --> 00:09:43,153
HE SAID HE'D ONLY BE GONE
FOR A COUPLE OF HOURS.
226
00:09:43,153 --> 00:09:44,815
YOU SAID A TRIP?
227
00:09:44,815 --> 00:09:47,117
HE WAS IN ALBUQUERQUE
ON A TRAINING SEMINAR.
228
00:09:47,117 --> 00:09:49,860
IT WAS JUST TWO NIGHTS.
229
00:09:49,860 --> 00:09:52,162
DID YOU NOTICE ANYTHING
UNUSUAL RECENTLY,
230
00:09:52,162 --> 00:09:54,164
ANY STRANGE BEHAVIOR?
231
00:09:54,164 --> 00:09:56,266
WELL, HE--
HE HAD TO WORK LATE
232
00:09:56,266 --> 00:09:59,069
A LITTLE MORE OFTEN
THAN USUAL.
233
00:09:59,069 --> 00:10:02,673
BUT I MEAN, IN THIS ECONOMY,
WHO DOESN'T?
234
00:10:02,673 --> 00:10:06,006
HE HAD TO LAY OFF
HALF HIS DEPARTMENT LAST YEAR.
235
00:10:06,006 --> 00:10:08,909
AND YOU'RE SURE
HE WAS WORKING LATE?
236
00:10:08,909 --> 00:10:11,381
WHAT ARE YOU SAYING,
THAT HE WAS CHEATING?
237
00:10:14,184 --> 00:10:17,818
EVERY NIGHT, HE WOULD
WALK THROUGH THAT DOOR,
238
00:10:17,818 --> 00:10:20,821
AND THE KIDS WOULD JUST
RACE INTO HIS ARMS, OKAY?
239
00:10:20,821 --> 00:10:23,123
AND NOW HE'S GONE.
240
00:10:23,123 --> 00:10:26,296
SO DON'T ASK ME IF HE WAS
REALLY WORKING LATE.
241
00:10:26,296 --> 00:10:28,328
TELL ME WHY HE WAS KILLED.
242
00:10:28,328 --> 00:10:30,160
HE DIDN'T MEAN TO IMPLY--
243
00:10:30,160 --> 00:10:33,804
WHAT ABOUT PHONE CALLS,
MAYBE LATE AT NIGHT?
CASTLE.
244
00:10:33,804 --> 00:10:36,036
YEAH. YEAH. UM...
245
00:10:36,036 --> 00:10:38,038
(sniffles) ONE OF THE GUYS
THAT JOHN FIRED--
246
00:10:38,038 --> 00:10:39,740
MAX HAVERSTOCK.
247
00:10:39,740 --> 00:10:41,742
HE WOULD CALL HIM UP
LATE AT NIGHT,
248
00:10:41,742 --> 00:10:44,044
AND HE WOULD YELL AT HIM,
ALL SORTS OF THINGS.
249
00:10:44,044 --> 00:10:47,047
I GUESS HE WAS HURTING,
HE NEEDED MONEY.
250
00:10:47,047 --> 00:10:50,220
AND I-I TOLD JOHN THAT
HE SHOULD JUST HANG UP ON HIM.
251
00:10:50,220 --> 00:10:53,223
AND JOHN SAID NO, HE--
HE COULDN'T DO THAT.
252
00:10:53,223 --> 00:10:55,225
DID HE EVER GIVE HIM MONEY?
253
00:10:55,225 --> 00:10:57,357
MY HUSBAND DIDN'T BELIEVE
IN HANDOUTS.
254
00:10:57,357 --> 00:11:00,230
HE BELIEVED THAT A MAN
SHOULD MAKE HIS WAY.
255
00:11:02,262 --> 00:11:04,735
WHERE IS HE?
256
00:11:04,735 --> 00:11:07,097
I'D LIKE TO SAY GOOD-BYE.
257
00:11:10,771 --> 00:11:13,243
ABOUT THAT. UM...
258
00:11:16,006 --> 00:11:17,978
THAT WAS AWKWARD.
259
00:11:17,978 --> 00:11:20,280
(scoffs) IT JUST--
IT DOESN'T MAKE ANY SENSE.
260
00:11:20,280 --> 00:11:22,953
THE GUY'S GOT A STABLE,
MIDDLE-CLASS LIFE--
261
00:11:22,953 --> 00:11:24,785
GOOD JOB, GOOD FAMILY.
262
00:11:24,785 --> 00:11:27,117
MAYBE HIS FRIEND MAX
WAS JEALOUS.
(keypad beeps, telephone rings)
263
00:11:27,117 --> 00:11:30,120
YEAH, MAYBE ENOUGH TO KILL HIM,
BUT TO STEAL HIS BODY?
264
00:11:30,120 --> 00:11:33,123
HEY, ESPOSITO. I NEED YOU
TO LOOK UP A FRIEND OF THE VIC.
265
00:11:33,123 --> 00:11:34,825
MAX HAVERSTOCK.
266
00:11:34,825 --> 00:11:36,166
(elevator bell dings)
267
00:11:36,166 --> 00:11:38,068
YEAH.
268
00:11:39,970 --> 00:11:43,133
OKAY, FIND HIM
AND, UH, BRING HIM IN.
269
00:11:47,437 --> 00:11:50,410
(keys jangle)
DAD. THANK GOD YOU'RE HOME.
ARE YOU OKAY?
270
00:11:50,410 --> 00:11:54,144
YEAH, I'M FINE. WHY?
FINE? MASKED GUNMEN,
BODY SNATCHERS?
271
00:11:54,144 --> 00:11:56,146
I TEXTED YOU
LIKE A THOUSAND TIMES.
272
00:11:56,146 --> 00:11:58,148
OH, I'M SORRY.
MY PHONE MUST'VE BEEN OFF.
273
00:11:58,148 --> 00:12:00,020
HOW--HOW DID YOU KNOW?
274
00:12:00,020 --> 00:12:02,052
BECKETT CALLED.
275
00:12:02,052 --> 00:12:05,295
REALLY?
SHE JUST WANTED TO LET US KNOW
YOU WERE ALL RIGHT.
276
00:12:05,295 --> 00:12:07,157
MM-HMM.
277
00:12:07,157 --> 00:12:08,929
SO HAS SHE FORGIVEN YOU?
278
00:12:08,929 --> 00:12:11,161
UH, NOT EXACTLY, MOTHER.
BUT I'M WORKING ON IT.
279
00:12:11,161 --> 00:12:14,164
SHE HAS AGREED
TO LET ME HELP ON THE CASE.
280
00:12:14,164 --> 00:12:16,907
WELL, THAT'S A START,
I SUPPOSE.
281
00:12:16,907 --> 00:12:19,910
IT IS MORE THAN A START.
IT IS AN OPPORTUNITY.
282
00:12:19,910 --> 00:12:22,212
SHE MAY HAVE BUILT A WALL
BETWEEN US,
283
00:12:22,212 --> 00:12:25,415
BUT I AM GOING TO...
BUILD A DOOR IN THAT WALL,
284
00:12:25,415 --> 00:12:28,378
OR PUT UP A LADDER
OR DIG A HOLE.
(keypad beeping)
285
00:12:28,378 --> 00:12:31,421
YOU HAVE A STRATEGY?
BE MY USUAL, CHARMING SELF.
286
00:12:31,421 --> 00:12:33,854
(beeping continues)
287
00:12:33,854 --> 00:12:37,357
UH-HUH.
WHAT ABOUT PLAN "B"?
288
00:12:37,357 --> 00:12:39,960
SO WAS IT AWFUL?
WERE YOU SCARED?
289
00:12:39,960 --> 00:12:42,092
ME, SCARED? NO WAY.
COME ON.
290
00:12:42,092 --> 00:12:45,135
NOW EXCUSE ME
WHILE I CHANGE MY SHORTS.
DAD.
291
00:12:45,135 --> 00:12:47,938
NO, I WAS SCARED. BUT ALL THEY
WERE AFTER WAS THE BODY.
292
00:12:47,938 --> 00:12:50,070
WHY?
WHY INDEED.
293
00:12:50,070 --> 00:12:53,203
(beeping continues)
"DAD, WHERE ARE YOU?
DAD, ARE YOU ALL RIGHT?
294
00:12:53,203 --> 00:12:55,245
"DAD, CALL US RIGHT AWAY.
295
00:12:55,245 --> 00:12:59,409
DAD, CAN I GO SEE 'FAME'
WITH OWEN ON FRIDAY?"
296
00:12:59,409 --> 00:13:03,213
YOUR CONCERN IS TOUCHING.
OKAY, THAT ONE WAS AFTER
I KNEW YOU WERE ALL RIGHT.
297
00:13:03,213 --> 00:13:06,116
YEAH, BUT I THOUGHT WE WERE
GONNA GO SEE THAT TOGETHER.
WE WERE, AND WE STILL CAN.
298
00:13:06,116 --> 00:13:08,989
BUT HE INVITED ME TO GO
SEE IT WITH HIM NEXT FRIDAY.
299
00:13:08,989 --> 00:13:11,922
YOU'D RATHER GO WITH
YOUR BOYFRIEND THAN YOUR DAD?
300
00:13:11,922 --> 00:13:13,924
WHAT IS WRONG WITH YOU?
301
00:13:13,924 --> 00:13:16,296
IF YOU REALLY WANT ME
TO GO WITH YOU, I WILL.
302
00:13:16,296 --> 00:13:19,329
NO, NO. YOU TELL OWEN
HE HAS WON THIS ROUND.
303
00:13:19,329 --> 00:13:21,331
BUT I GOT DIBS
ON "A CHRISTMAS CAROL."
304
00:13:21,331 --> 00:13:23,033
THANKS, DAD.
305
00:13:23,033 --> 00:13:26,136
AND I'M GLAD YOU WEREN'T KILLED
BY BODY SNATCHERS.
ME, TOO.
306
00:13:26,136 --> 00:13:28,408
OH, THEY REMADE "FAME"
AND "A CHRISTMAS CAROL."
307
00:13:28,408 --> 00:13:30,410
HAS HOLLYWOOD TOTALLY
RUN OUT OF IDEAS?
308
00:13:30,410 --> 00:13:33,243
WELL, THEY JUST OPTIONED, UH,
"ASTEROIDS" THE VIDEO GAME.
309
00:13:33,243 --> 00:13:35,085
SO MY GUESS IS YES.
310
00:13:35,085 --> 00:13:37,848
BUT RYAN REYNOLDS IS PLAYING
THE WEE TRIANGLE, AND HE'S GOOD.
(chuckles)
311
00:13:41,952 --> 00:13:44,324
ARE YOU SURE
THIS IS THE GUY?
312
00:13:44,324 --> 00:13:46,096
MAXWELL HAVERSTOCK.
313
00:13:46,096 --> 00:13:48,098
AND HE CONFIRMED
HE KNEW THE VIC.
314
00:13:48,098 --> 00:13:51,101
THIS GUY COULDN'T THROW
A WET SPONGE OFF THE ROOF
315
00:13:51,101 --> 00:13:53,103
LET ALONE A BODY.
316
00:13:57,467 --> 00:13:59,369
(Beckett) MR. HAVERSTOCK.
YES.
317
00:13:59,369 --> 00:14:01,241
DO YOU KNOW
WHY YOU'RE HERE?
318
00:14:01,241 --> 00:14:04,244
NO. UH, THEY JUST TOLD ME
I NEEDED TO COME IN.
319
00:14:04,244 --> 00:14:07,217
IT'S ABOUT JOHN ALLEN.
HE WAS MURDERED LAST NIGHT.
320
00:14:07,217 --> 00:14:09,549
OH, THAT'S TERRIBLE.
321
00:14:09,549 --> 00:14:13,183
YOU AND HE WERE FRIENDS?
UH, WE HAD
ADJOINING CUBICLES.
322
00:14:13,183 --> 00:14:16,086
WHEN WAS THE LAST TIME
YOU SAW HIM?
323
00:14:16,086 --> 00:14:18,088
OH, UH, NOT SINCE "D" DAY.
324
00:14:18,088 --> 00:14:20,090
THAT'S, UH, THAT'S WHAT
WE CALLED IT.
325
00:14:20,090 --> 00:14:22,232
YOU KNOW, "D" FOR DOWNSIZING.
(chuckles)
YOU WERE LET GO?
326
00:14:22,232 --> 00:14:25,495
YEAH.
I BET THAT MADE YOU
PRETTY ANGRY.
327
00:14:25,495 --> 00:14:28,168
YEAH, 15 YEARS,
WE WORKED THERE TOGETHER.
328
00:14:28,168 --> 00:14:30,240
YOU KNOW, YOU'D THINK
THAT WOULD MEAN SOMETHING.
329
00:14:30,240 --> 00:14:32,402
YOU'D THINK THAT LOYALTY
WOULD BE WORTH SOMETHING.
330
00:14:32,402 --> 00:14:35,575
YOU KNOW WHAT IT'S WORTH?
A KICK IN THE TEETH!
DID YOU EVER CALL
AND TELL JOHN THAT?
331
00:14:35,575 --> 00:14:37,577
OH, YEAH, ALL THE TIME.
YEAH, I TOLD HIM
332
00:14:37,577 --> 00:14:40,210
WE DIDN'T DESERVE
TO BE TREATED LIKE THAT.
333
00:14:40,210 --> 00:14:42,512
BUT I PROMISED HIM, ONE DAY,
THE WORM WOULD TURN,
334
00:14:42,512 --> 00:14:45,115
'CAUSE KARMA'S
A NASTY LITTLE BITCH.
335
00:14:45,115 --> 00:14:47,117
IS THAT WHY YOU KILLED HIM?
336
00:14:47,117 --> 00:14:48,258
WHO?
337
00:14:48,258 --> 00:14:50,060
JOHN.
338
00:14:50,060 --> 00:14:52,262
WHY WOULD I WANT
TO KILL JOHN?
339
00:14:52,262 --> 00:14:54,094
FOR FIRING YOU.
340
00:14:54,094 --> 00:14:57,567
HE DIDN'T FIRE ME. WE WERE
LET GO TOGETHER ON "D" DAY.
341
00:14:57,567 --> 00:15:01,431
UH, FORTUNATELY, I WAS ABLE
TO FIND ANOTHER JOB.
342
00:15:01,431 --> 00:15:04,274
HE DIDN'T HAVE A JOB?
343
00:15:04,274 --> 00:15:07,607
I GUESS HE, UH, DOESN'T
HAVE TO LOOK FOR ONE ANYMORE.
344
00:15:07,607 --> 00:15:09,639
(chuckles)
345
00:15:09,639 --> 00:15:13,183
HEY, YO, BECKETT.
STORY CHECKS.
346
00:15:13,183 --> 00:15:15,145
JOHN ALLEN WAS LAID OFF
EIGHT MONTHS AGO
347
00:15:15,145 --> 00:15:17,647
WHEN THE A.I.G. CRISIS HIT.
WHAT ABOUT ALBUQUERQUE?
348
00:15:17,647 --> 00:15:20,150
NO RECORD OF A JOHN ALLEN
COMING BACK FROM ANY FLIGHT
349
00:15:20,150 --> 00:15:23,653
IN THE TRI-STATE AREA.
WELL, IT MAKES YOU WONDER WHAT
ELSE HE LIED TO HIS WIFE ABOUT.
350
00:15:23,653 --> 00:15:27,427
(cell phone rings and beeps)
AND HOW HE PAID
ALL OF HIS BILLS. BECKETT.
351
00:15:27,427 --> 00:15:30,400
ALL RIGHT. UH, THANK YOU.
(beep)
352
00:15:30,400 --> 00:15:32,562
THEY FOUND HIS BODY...
353
00:15:32,562 --> 00:15:34,104
AGAIN.
354
00:15:34,104 --> 00:15:36,936
(camera shutter clicking)
355
00:15:36,936 --> 00:15:38,268
(police radio chatter)
356
00:15:38,268 --> 00:15:40,570
WHAT HAPPENED?
357
00:15:40,570 --> 00:15:42,612
SOMEONE...
358
00:15:42,612 --> 00:15:44,414
OPERATED ON HIM.
359
00:15:44,414 --> 00:15:47,147
OPERATED?
360
00:15:47,147 --> 00:15:50,450
THEY CUT HIM OPEN AND TOOK
ALL OF HIS ORGANS OUT.
(Ryan, Castle and Beckett) OH!
361
00:15:50,450 --> 00:15:52,252
(Esposito) OUCH.
(Ryan) WOW.
362
00:15:52,252 --> 00:15:55,685
SOMEBODY HATED HIS GUTS.
363
00:15:55,685 --> 00:15:58,488
(police radio chatter)
364
00:16:06,096 --> 00:16:08,098
THE GUYS WHO DID THIS
WEREN'T SURGEONS.
365
00:16:08,098 --> 00:16:10,400
THE CUTS ARE SLOPPY--
BOX CUTTERS AND KITCHEN KNIVES.
366
00:16:10,400 --> 00:16:14,104
ANY IDEA WHAT THEY WERE
LOOKING FOR?
I RAN A TOX SCREEN AND FOUND
NOTHING IN THE BLOODSTREAM,
367
00:16:14,104 --> 00:16:15,705
BUT IN THE BODY CAVITY
ITSELF,
368
00:16:15,705 --> 00:16:17,707
THERE WERE TRACE AMOUNTS
OF POWDER COCAINE.
369
00:16:17,707 --> 00:16:19,249
HE WAS THEIR DRUG MULE.
370
00:16:19,249 --> 00:16:21,711
GUESS THEY COULDN'T WAIT
FOR HIM TO PASS THE PACKETS
371
00:16:21,711 --> 00:16:24,114
THE OLD-FASHIONED WAY.
I DON'T BUY IT.
372
00:16:24,114 --> 00:16:26,116
HOW DOES A MIDDLE-AGED
INSURANCE ACTUARY
373
00:16:26,116 --> 00:16:28,058
WITH NO HISTORY
OF SUBSTANCE ABUSE,
374
00:16:28,058 --> 00:16:30,360
NO CRIMINAL RECORD,
BECOME A DRUG MULE?
375
00:16:30,360 --> 00:16:32,562
AND THIS WAS NOT
A BAD GUY.
376
00:16:32,562 --> 00:16:35,495
YOU DON'T JUST FILL OUT
AN AD ON craigslist.
377
00:16:35,495 --> 00:16:39,099
YOU GOTTA--YOU GOTTA
KNOW PEOPLE, BAD PEOPLE.
378
00:16:39,099 --> 00:16:41,101
AS FREAKY AS ALL THIS IS,
379
00:16:41,101 --> 00:16:43,303
LET'S NOT FORGET
IT HAPPENED POSTMORTEM.
380
00:16:43,303 --> 00:16:45,335
THE ACTUAL CAUSE OF DEATH
IS UP HERE.
381
00:16:45,335 --> 00:16:47,337
BRUISE PATTERN INDICATES
382
00:16:47,337 --> 00:16:49,639
THE ASSAILANT STRANGLED HIM
WITH BOTH HANDS.
383
00:16:49,639 --> 00:16:52,642
THE BRUISING IS
A LITTLE LIGHTER RIGHT THERE.
WHAT WOULD ACCOUNT FOR THAT?
384
00:16:52,642 --> 00:16:55,445
DISLOCATED
OR BROKEN FINGER MAYBE.
385
00:16:55,445 --> 00:16:57,617
MAYBE HE'S FANCY.
386
00:16:57,617 --> 00:17:01,351
STRANGLED PEOPLE
WITH HIS PINKIE STICKING OUT.
387
00:17:01,351 --> 00:17:04,124
LIKE TEA.
388
00:17:04,124 --> 00:17:06,326
(Esposito) I JUST GOT OFF
WITH HOMELAND SECURITY.
389
00:17:06,326 --> 00:17:08,328
PASSPORT RECORDS INDICATE
THAT JOHN ALLEN
390
00:17:08,328 --> 00:17:10,360
WAS COMING BACK FROM MEXICO,
NOT NEW MEXICO.
391
00:17:10,360 --> 00:17:13,363
NO CRIMINAL HISTORY, HEALTHY,
WHITE, MIDDLE-CLASS--
392
00:17:13,363 --> 00:17:16,366
THEY WOULDN'T HAVE LOOKED
AT HIM TWICE AT CUSTOMS.
393
00:17:16,366 --> 00:17:19,639
THE GUY HAD SKILLS. WHY WOULD
HE DO SOMETHING SO STUPID?
394
00:17:19,639 --> 00:17:21,371
BECAUSE HE HAD TO.
395
00:17:21,371 --> 00:17:23,813
I JUST WENT OVER FINANCIALS
WITH THE WIFE.
396
00:17:23,813 --> 00:17:25,615
HOW BAD?
THEY'VE BEEN LIVING
397
00:17:25,615 --> 00:17:27,817
ON CREDIT CARDS
THE LAST SIX MONTHS.
398
00:17:27,817 --> 00:17:31,151
SHE HAD NO IDEA. SHE THOUGHT
EVERYTHING WAS FINE.
WELL, IF HE WASN'T
GOING TO WORK EVERY DAY,
399
00:17:31,151 --> 00:17:33,623
WHERE WAS HE GOING?
HE WAS APPLYING FOR JOBS.
400
00:17:33,623 --> 00:17:35,785
I FOUND HUNDREDS OF
COVER LETTERS AND RéSUMéS
401
00:17:35,785 --> 00:17:38,388
ON HIS COMPUTER.
I DON'T UNDERSTAND. WHY DIDN'T
THEY JUST SELL THE APARTMENT?
402
00:17:38,388 --> 00:17:40,830
WASN'T WORTH THE MORTGAGE.
MAN, THAT'S HARSH.
403
00:17:40,830 --> 00:17:42,832
LIFE INSURANCE?
(cell phone ringing)
404
00:17:42,832 --> 00:17:44,834
MM. STOPPED MAKING PAYMENTS
FOUR MONTHS AGO.
405
00:17:44,834 --> 00:17:47,367
GUY WAS BASICALLY WORTHLESS,
ALIVE OR DEAD.
(beep)
406
00:17:47,367 --> 00:17:48,638
YEAH, RYAN HERE.
407
00:17:48,638 --> 00:17:50,300
YOU KNOW,
I GET DESPERATION,
408
00:17:50,300 --> 00:17:53,343
I GET NEEDING THE MONEY,
I EVEN GET BEING A DRUG MULE.
409
00:17:53,343 --> 00:17:56,306
WHAT I DON'T GET IS,
WHERE DID HE GET THE JOB?
410
00:17:56,306 --> 00:17:58,478
YEAH, THANKS, BILL.
411
00:17:58,478 --> 00:18:00,180
THAT WAS C.S.U.
412
00:18:00,180 --> 00:18:02,252
BECAUSE OUR PERPS
WERE WEARING GLOVES,
413
00:18:02,252 --> 00:18:04,384
THE ONLY PRINTS THEY COULD
GRAB OFF THE CAR BELONG TO
414
00:18:04,384 --> 00:18:06,386
THE OWNER, WHO REPORTED IT
STOLEN LAST NIGHT.
415
00:18:06,386 --> 00:18:09,119
LOOKS LIKE WE'RE NOT GONNA
GRAB A BREAK ON THIS ONE.
416
00:18:09,119 --> 00:18:12,562
WHAT ABOUT THE GLOVE
WE FOUND AT THE SCENE?
DUSTED IT, TOO. NOTHING.
417
00:18:12,562 --> 00:18:14,194
DID YOU DUST INSIDE?
INSIDE?
418
00:18:14,194 --> 00:18:16,366
YEAH, INSIDE THE GLOVE.
419
00:18:24,204 --> 00:18:26,736
YOU WANT ME TO PUT ON
SOME MUSIC?
420
00:18:26,736 --> 00:18:29,709
WHENEVER THEY DO THIS SORT
OF THING ON "CSI,"
421
00:18:29,709 --> 00:18:34,714
THEY ALWAYS DO IT TO MUSIC
IN POORLY LIT ROOMS.
422
00:18:34,714 --> 00:18:36,586
KINDA REMINDS ME OF PORN.
423
00:18:36,586 --> 00:18:39,219
ZIP IT, CASTLE.
424
00:18:43,193 --> 00:18:46,256
EVER CONSIDER
BECOMING A MOHEL?
425
00:18:46,256 --> 00:18:49,259
(chuckles) KEEP TALKING,
AND I'LL PRACTICE ON YOU.
426
00:18:58,568 --> 00:19:01,741
GOT YOU,
YOU SON OF A BITCH.
427
00:19:04,614 --> 00:19:06,716
(beeping)
428
00:19:06,716 --> 00:19:09,919
BOOM. GOT A HIT.
429
00:19:09,919 --> 00:19:12,182
OOH, LUTHER WHITEHEAD.
430
00:19:12,182 --> 00:19:14,324
BUSTED TWICE FOR POSSESSION
WITH INTENT.
431
00:19:14,324 --> 00:19:16,826
ONCE ON CONSPIRACY.
PLED OUT ON ALL THREE.
432
00:19:16,826 --> 00:19:19,389
DID A NICKEL UPSTATE
FOR A GUN CHARGE,
433
00:19:19,389 --> 00:19:22,392
AND IS CURRENTLY ON PAROLE
FOR CONSPIRACY TO DISTRIBUTE.
434
00:19:22,392 --> 00:19:24,734
SOMETHING TELLS ME HIS PAROLE'S
ABOUT TO BE REVOKED.
435
00:19:24,734 --> 00:19:26,236
YOU GOT AN ADDRESS?
436
00:19:26,236 --> 00:19:28,538
(man) ONE, TWO, THREE, FOUR.
437
00:19:28,538 --> 00:19:32,242
♪♪
438
00:19:38,308 --> 00:19:41,751
♪♪
439
00:19:43,413 --> 00:19:45,385
(man) WHOA.
440
00:19:45,385 --> 00:19:46,956
HEY...
441
00:19:46,956 --> 00:19:49,359
(grenade crackles, men groan)
442
00:19:49,359 --> 00:19:51,891
(officers all yelling at once)
443
00:19:51,891 --> 00:19:54,894
ON THE GROUND!
GET ON THE GROUND!
HOLD IT RIGHT THERE!
NOBODY MOVE!
444
00:19:54,894 --> 00:19:57,467
(man) HANDS BEHIND YOUR BACK!
(man) HANDS BEHIND
YOUR BACK! HANDS!
445
00:19:57,467 --> 00:19:59,599
COME ON, CREEP.
446
00:19:59,599 --> 00:20:03,273
♪♪
447
00:20:15,214 --> 00:20:17,517
COUNSELOR, I HAVE THEM
DEAD TO RIGHTS ON WEAPONS
448
00:20:17,517 --> 00:20:19,519
POSSESSION, ASSAULT,
DESECRATION OF A BODY
449
00:20:19,519 --> 00:20:21,521
AND ABOUT
A DOZEN OTHER THINGS
450
00:20:21,521 --> 00:20:23,493
I HAVEN'T EVEN BEGUN
TO THINK ABOUT YET.
451
00:20:23,493 --> 00:20:25,755
WHAT IS MY INCENTIVE
TO CUT A DEAL?
452
00:20:25,755 --> 00:20:28,358
YOU DON'T HAVE THEM
ON THE MURDER.
GIVE ME TIME.
453
00:20:28,358 --> 00:20:31,361
YOU DON'T NEED TIME
BECAUSE THEY DIDN'T DO IT.
454
00:20:31,361 --> 00:20:33,603
TEN YEARS CONCURRENT
ON ALL CHARGES,
455
00:20:33,603 --> 00:20:35,305
ELIGIBLE IN FIVE,
456
00:20:35,305 --> 00:20:37,707
AND THEY'LL TELL YOU
EVERYTHING THEY KNOW.
457
00:20:37,707 --> 00:20:39,809
HE WAS COMING TO SEE YOU.
458
00:20:39,809 --> 00:20:41,811
AT A FLOPHOUSE ON NINTH.
459
00:20:41,811 --> 00:20:43,813
HE WAS SUPPOSED TO BE THERE
BY 7:00.
460
00:20:43,813 --> 00:20:46,316
BUT THIS GUY, HE GOT
THREE-QUARTERS OF A MIL WORTH
461
00:20:46,316 --> 00:20:48,748
OF OUR COKE IN HIS STOMACH,
AND HE DON'T SHOW.
462
00:20:48,748 --> 00:20:51,281
SO WHAT'D YOU DO?
WE WERE GONNA FIND HIM.
463
00:20:51,281 --> 00:20:53,783
THAT'S WHEN WE HEARD
THE SIRENS. LOTS OF 'EM.
464
00:20:53,783 --> 00:20:55,855
WE GO DOWNSTAIRS,
WALK UP THE BLOCK,
465
00:20:55,855 --> 00:20:57,857
AND GUESS WHAT WE SEE.
466
00:20:57,857 --> 00:20:59,859
A BUNCH OF COPS
STARING AT A TREE.
467
00:20:59,859 --> 00:21:02,392
A FRIGGIN' TREE.
THE DUDE WAS IN A TREE.
468
00:21:02,392 --> 00:21:04,864
SO YOU WAITED?
THE ONLY WAY
TO GET THE BODY BACK.
469
00:21:04,864 --> 00:21:07,567
WE COULDN'T GET THE PACKETS
VIA THE USUAL METHOD.
470
00:21:07,567 --> 00:21:09,439
SO YOU IMPROVISED?
471
00:21:09,439 --> 00:21:12,302
DOESN'T MATTER.
HE WAS ALREADY DEAD.
472
00:21:12,302 --> 00:21:14,273
SO WHY'D HE START MULING?
473
00:21:14,273 --> 00:21:16,306
SAME AS ANYONE.
DESPERATION.
474
00:21:16,306 --> 00:21:18,277
(Ryan) IT'S JUST...
(clears throat)
475
00:21:18,277 --> 00:21:21,551
HE DOESN'T SEEM THE TYPE.
ANYBODY'S THE TYPE
YOU PUSH 'EM HARD ENOUGH.
476
00:21:21,551 --> 00:21:23,413
I MEAN, THE GUY OWED.
477
00:21:23,413 --> 00:21:26,756
HE WAS, UH, FOURTH AND LONG
WITH THE CLOCK RUNNING OUT.
478
00:21:26,756 --> 00:21:30,320
WHO WAS HE INTO?
DIDN'T SAY,
BUT HE WAS SCARED.
479
00:21:30,320 --> 00:21:33,463
YOU WANT TO KNOW WHO KILLED HIM,
YOU FIND OUT WHO HE OWED.
480
00:21:33,463 --> 00:21:35,965
NO, NO, NO, NO, NO.
I'M GONNA NEED MORE.
481
00:21:35,965 --> 00:21:38,728
I'M GONNA NEED TO KNOW
WHO VOUCHED.
VOUCHED?
482
00:21:38,728 --> 00:21:40,570
FOR JOHN ALLEN--
OUR VIC, YOUR MULE.
483
00:21:40,570 --> 00:21:43,373
SOMEBODY BROUGHT HIM TO YOU,
SOMEBODY YOU TRUSTED.
484
00:21:43,373 --> 00:21:45,935
OR DO YOU JUST DO BUSINESS
WITH EVERY DESPERATE WHITE BOY
485
00:21:45,935 --> 00:21:47,937
WITH NO HISTORY
OF CRIMINAL ACTIVITY?
486
00:21:47,937 --> 00:21:50,880
HELL, MAN. HOW'D YOU KNOW
HE WASN'T A COP?
487
00:21:52,942 --> 00:21:54,944
(Esposito) GOT THE PRINTOUT.
RON BIGBY.
488
00:21:54,944 --> 00:21:56,946
HE'S A FLOOR TRADER
AT GOLDMAN.
489
00:21:56,946 --> 00:22:00,450
VIC'S WIFE NEVER HEARD
THE NAME.
FOR A GUY WHO ASSESSES RISK
FOR A LIVING,
490
00:22:00,450 --> 00:22:03,993
HE SURE DOES SEEM
TO TAKE A LOT OF 'EM.
YEAH, WELL, LOOK WHERE
IT GOT HIM.
491
00:22:03,993 --> 00:22:05,955
PICK HIM UP.
YOU GOT IT.
492
00:22:05,955 --> 00:22:07,457
(indistinct conversations)
493
00:22:07,457 --> 00:22:10,360
(Beckett) CASTLE.
494
00:22:10,360 --> 00:22:13,603
DEAD?
YEAH.
495
00:22:13,603 --> 00:22:16,335
WAIT. DEAD?
MR. BIGBY, YOU CAN ASK
AS OFTEN AS YOU LIKE.
496
00:22:16,335 --> 00:22:18,408
THE ANSWER IS NOT
GONNA CHANGE.
497
00:22:18,408 --> 00:22:22,372
OH. THAT IS A DAMN SHAME.
THAT IS A DAMN, DAMN SHAME.
498
00:22:22,372 --> 00:22:25,375
I MEAN, DO YOU KNOW
WHO JOHN ALLEN IS? HUH?
499
00:22:25,375 --> 00:22:27,016
HE'S THE NEW WILLY LOMAN.
OKAY?
500
00:22:27,016 --> 00:22:28,948
EVERYMAN VICTIM
OF AN APATHETIC WORLD.
501
00:22:28,948 --> 00:22:31,751
GOD, I SWEAR. SOMEONE SHOULD
WRITE A PLAY.
502
00:22:31,751 --> 00:22:33,923
HEY, DO YOU WRITE PLAYS?
UNPRODUCED.
503
00:22:33,923 --> 00:22:36,055
MR. BIGBY, IT'S COME
TO OUR ATTENTION
504
00:22:36,055 --> 00:22:38,758
THAT YOU RECENTLY OBTAINED
EMPLOYMENT FOR MR. ALLEN
505
00:22:38,758 --> 00:22:41,831
AS A DRUG MULE.
506
00:22:41,831 --> 00:22:43,493
YOU KNOW ABOUT THAT?
507
00:22:43,493 --> 00:22:44,694
YEAH.
508
00:22:44,694 --> 00:22:46,396
AND BAD NEWS, RON.
509
00:22:46,396 --> 00:22:48,498
YOU'RE GONNA HAVE TO FIND
A NEW DEALER.
510
00:22:48,498 --> 00:22:51,000
WHAT'D THEY TELL YOU?
THAT YOU GOT HIM
AN INTRODUCTION
511
00:22:51,000 --> 00:22:53,843
AND THAT YOU VOUCHED
FOR MR. ALLEN.
OKAY, LOOK.
512
00:22:53,843 --> 00:22:55,845
HE--HE CAME TO ME DESPERATE,
ALL RIGHT?
513
00:22:55,845 --> 00:22:59,779
HE--HE REMEMBERED A STORY I TOLD
ONE NIGHT AT THE TABLE. (sniffs)
THE TABLE?
514
00:22:59,779 --> 00:23:01,150
YEAH, POKER TABLE.
515
00:23:01,150 --> 00:23:03,913
WE'RE IN ONE OF
THE FLOATING GAMES AROUND TOWN.
516
00:23:03,913 --> 00:23:06,916
YOU KNOW, SMALL STAKES, RIGHT?
BUT GOOD WAY TO BLOW OFF STEAM.
517
00:23:06,916 --> 00:23:09,419
BUT THEN WHEN HE GOT LAID OFF,
IT STOPPED BEING A GAME.
518
00:23:09,419 --> 00:23:11,421
HE STARTED BETTING
TO MAKE UP HIS PAYCHECK,
519
00:23:11,421 --> 00:23:13,423
BUT THE STAKES WERE TOO LOW.
520
00:23:13,423 --> 00:23:15,725
SO HE WENT TO CHINATOWN.
521
00:23:15,725 --> 00:23:20,029
THE MOB-RUN GAMES.
YEAH, TRIADS. HE DID FINE
FOR A BIT, YOU KNOW?
522
00:23:20,029 --> 00:23:22,031
BUT... (scoffs)
LUCK'S A FICKLE BITCH.
523
00:23:22,031 --> 00:23:24,774
HE LOST MORE THAN HE HAD
TO THE WRONG GUY.
524
00:23:24,774 --> 00:23:27,777
HE COULDN'T MAKE ENOUGH
TO COVER HIS LOSSES.
YEAH, THAT'S WHEN HE REMEMBERED
THE NIGHT I TOLD THE STORY
525
00:23:27,777 --> 00:23:30,680
ABOUT MY OWN FISCAL EMERGENCY,
ABOUT HOW I WENT TO MEXICO,
526
00:23:30,680 --> 00:23:32,682
MADE 50 GRAND IN ONE DAY.
(chuckles)
527
00:23:32,682 --> 00:23:35,084
THAT'S WHEN I FIGURED,
HEY, WHAT THE HELL?
528
00:23:35,084 --> 00:23:38,417
JUST PAY IT FORWARD.
ALL RIGHT,
THIS GUY THAT HE OWED--
529
00:23:38,417 --> 00:23:40,419
DID HE GIVE YOU
A DESCRIPTION, NAME?
530
00:23:40,419 --> 00:23:42,121
NO NAME.
531
00:23:42,121 --> 00:23:44,123
JOHN THOUGHT
HE WAS RUSSIAN MAFIA
532
00:23:44,123 --> 00:23:45,955
BECAUSE OF ALL HIS TATTOOS.
533
00:23:45,955 --> 00:23:48,427
(Ryan) IF SOME TATTED-UP
RUSSIAN MOBSTER WAS AFTER ME,
534
00:23:48,427 --> 00:23:51,801
I COULD SEE TAKING A JOB
AS A DRUG MULE.
(Esposito) A TATTOOED RUSSIAN
IN NEW YORK CITY?
535
00:23:51,801 --> 00:23:54,934
WELL, THAT NARROWS IT DOWN.
WE CONDUCT
AN INVESTIGATION
536
00:23:54,934 --> 00:23:56,866
BASED ON THE INFORMATION
WE HAVE,
537
00:23:56,866 --> 00:23:59,869
NOT THE EVIDENCE WE NEED.
WELL, BIGBY SAYS THAT
THE RUSSIAN HANGS OUT
538
00:23:59,869 --> 00:24:02,942
AT THE CLUB AT CHINATOWN.
WHY DON'T WE JUST GO THERE?
539
00:24:02,942 --> 00:24:04,944
THE GAMES ARE
WORD OF MOUTH, BRO.
540
00:24:04,944 --> 00:24:07,617
THEY DON'T JUST SHARE
WITH COPS.
WELL, LUCKILY,
I'M NOT A COP.
541
00:24:07,617 --> 00:24:09,519
CASTLE.
WHAT? IT'S PERFECT.
542
00:24:09,519 --> 00:24:12,552
I GO IN, SCOPE THE PLACE OUT
UNTIL I I.D. THE RUSSIAN.
543
00:24:12,552 --> 00:24:15,024
HEY, YOU KNOW, THAT'S NOT
A BAD PLAN.
544
00:24:15,024 --> 00:24:17,186
WE STILL HAVE TO FIND
THE GAME.
545
00:24:17,186 --> 00:24:18,688
LEAVE THAT TO ME.
546
00:24:18,688 --> 00:24:21,661
(laughs) THAT'S
A PRETTY GOOD STORY, RICKY.
547
00:24:21,661 --> 00:24:23,663
IT'S GOT A BIG OPENING,
MAJOR TWIST.
548
00:24:23,663 --> 00:24:26,666
THOUGH I GOTTA SAY, I SAW THAT
WHOLE DRUG MULE THING COMING.
YEAH.
549
00:24:26,666 --> 00:24:29,168
NICE TRY, CONNELLY. YOU'RE NOT
GONNA GOAD ME INTO RAISING.
550
00:24:29,168 --> 00:24:32,542
STEPHEN, YOU ONCE WROTE ABOUT
AN UNDERGROUND POKER GAME
551
00:24:32,542 --> 00:24:34,574
IN, UH, "KING CON."
YEAH?
552
00:24:34,574 --> 00:24:37,847
AND YOU ONCE HAD HARRY BOSCH
INVESTIGATE THE MURDER
553
00:24:37,847 --> 00:24:41,480
OF A POKER PLAYER.
YEAH, "ONE DOLLAR JACKPOT."
WHY?
554
00:24:41,480 --> 00:24:43,482
WELL, MICHAEL, THIS GUY
THAT WE'RE LOOKING FOR,
555
00:24:43,482 --> 00:24:47,486
HE'S A REGULAR IN THE TRIAD-RUN
GAMES IN CHINATOWN.
556
00:24:47,486 --> 00:24:50,019
I THOUGHT MAYBE ONE OF YOU KNEW
SOMEONE WHO COULD GET ME IN.
WHAT, ARE YOU NUTS?
557
00:24:50,019 --> 00:24:52,021
THOSE ARE CROOKS
AND KILLERS DOWN THERE.
558
00:24:52,021 --> 00:24:54,223
LOOK, RICKY, DOING
THE RESEARCH IS ONE THING,
559
00:24:54,223 --> 00:24:56,125
BUT THE RUSSIAN MAFIA,
THE TRIAD?
560
00:24:56,125 --> 00:24:57,827
YOU TANGLE WITH THOSE PEOPLE,
561
00:24:57,827 --> 00:24:59,699
AND ALL THE BEST SELLERS
IN THE WORLD
562
00:24:59,699 --> 00:25:02,101
ARE NOT GONNA PROTECT YOU.
OH, NO. I DON'T PLAN
ON TANGLING.
563
00:25:02,101 --> 00:25:04,273
I'M JUST GONNA BE ANOTHER
RICH, BORED THRILL SEEKER
564
00:25:04,273 --> 00:25:06,275
LOOKING TO TRY MY LUCK
DOWN THERE.
565
00:25:06,275 --> 00:25:08,608
YOU MUST REALLY LIKE HER.
566
00:25:08,608 --> 00:25:09,879
WHO?
567
00:25:09,879 --> 00:25:11,881
THAT POLICE DETECTIVE
OF YOURS.
568
00:25:11,881 --> 00:25:13,883
LOOK, RICKY,
THERE'S ONLY ONE REASON
569
00:25:13,883 --> 00:25:16,185
THAT YOU'D BE DUMB ENOUGH
TO GO DOWN THERE,
570
00:25:16,185 --> 00:25:18,718
AND THAT'S TO IMPRESS A GIRL.
571
00:25:18,718 --> 00:25:21,090
NOW WHY DON'T YOU
CUT YOURSELF A LITTLE SLACK
572
00:25:21,090 --> 00:25:24,153
AND JUST BUY HER
SOME FLOWERS?
DO YOU KNOW THE PLACE OR NOT?
573
00:25:26,295 --> 00:25:27,727
WELL?
574
00:25:33,563 --> 00:25:37,036
(people speaking
in foreign language)
575
00:25:37,036 --> 00:25:39,038
ARE YOU SURE
THIS IS THE PLACE?
576
00:25:39,038 --> 00:25:41,911
CANNELL HAS NEVER
STEERED ME WRONG.
577
00:25:41,911 --> 00:25:43,613
OKAY.
578
00:25:43,613 --> 00:25:45,915
(Esposito) BUTTON CAM'S
IN PLACE, RYAN.
579
00:25:45,915 --> 00:25:47,917
GOOD FOR PICTURE AND...
580
00:25:47,917 --> 00:25:49,819
(feedback whines)
AH, SOUND.
581
00:25:49,819 --> 00:25:51,320
ALL RIGHT, SO REMEMBER,
582
00:25:51,320 --> 00:25:53,983
WE CAN HEAR YOU,
BUT YOU CAN'T HEAR US.
583
00:25:53,983 --> 00:25:57,587
SO ONCE YOU LEAVE THIS VAN,
YOU'RE ON YOUR OWN, OKAY?
584
00:25:57,587 --> 00:25:59,959
ALL RIGHT, TELL ME
THE PLAN AGAIN.
585
00:25:59,959 --> 00:26:02,031
I GO IN, I FIND
THE TATTOOED RUSSIAN,
586
00:26:02,031 --> 00:26:04,694
I GET A CLEAR PICTURE OF HIM,
AND I GET THE HELL OUT OF THERE.
587
00:26:04,694 --> 00:26:07,867
AND YOU DON'T STAY
ANY LONGER THAN YOU NEED TO.
588
00:26:07,867 --> 00:26:09,899
I'LL BE FINE.
BESIDES, IT'S CHINATOWN.
589
00:26:09,899 --> 00:26:12,201
HOW MANY RUSSIAN POKER PLAYERS
CAN THERE BE?
590
00:26:12,201 --> 00:26:16,345
(people speaking
foreign language)
591
00:26:23,813 --> 00:26:25,955
ANYBODY ELSE HAVE
A BAD FEELING ABOUT THIS?
592
00:26:25,955 --> 00:26:28,217
YEAH.
YEAH,
THAT'S WHAT I THOUGHT.
593
00:26:46,105 --> 00:26:49,108
(man laughing)
594
00:26:53,182 --> 00:26:56,185
(speaking foreign language)
595
00:27:10,299 --> 00:27:12,161
(man speaks
foreign language)
596
00:27:28,347 --> 00:27:30,219
(man speaks foreign language)
597
00:27:30,219 --> 00:27:32,281
GO AHEAD AND DEAL.
598
00:27:32,281 --> 00:27:35,284
(indistinct conversations)
599
00:27:44,734 --> 00:27:46,736
(whispers) I'M IN.
600
00:27:46,736 --> 00:27:50,199
(man speaks foreign language)
601
00:27:50,199 --> 00:27:53,342
(singsongy) TATTOOED RUSSIAN.
(normal voice) PAY DIRT.
602
00:27:53,342 --> 00:27:56,345
(indistinct conversations)
603
00:27:58,107 --> 00:28:00,109
(men speaking foreign language)
604
00:28:00,109 --> 00:28:02,812
UH, THERE'S
ANOTHER TATTOOED RUSSIAN.
605
00:28:02,812 --> 00:28:07,186
THERE'S A WHOLE TABLE
OF TATTOOED RUSSIANS.
606
00:28:07,186 --> 00:28:10,189
APPARENTLY
THERE ARE A LOT MORE RUSSIANS
607
00:28:10,189 --> 00:28:14,293
IN CHINATOWN THAN I THOUGHT.
608
00:28:21,330 --> 00:28:24,734
(indistinct conversations)
609
00:28:24,734 --> 00:28:27,306
SO... THE RUSSIANS
ARE REGULARS HERE,
610
00:28:27,306 --> 00:28:30,309
BUT ONLY A HANDFUL PLAY
AT THE NO-LIMIT TABLE,
611
00:28:30,309 --> 00:28:32,711
WHICH IS WHERE JOHN ALLEN
WOULD'VE GONE.
612
00:28:32,711 --> 00:28:35,785
THE GUY SAID THEY'RE
CARD BULLIES, PUSHING UP POTS,
613
00:28:35,785 --> 00:28:39,118
FORCING THEIR OPPONENTS TO BET
MORE JUST TO STAY IN THE GAME.
614
00:28:39,118 --> 00:28:41,951
YOU THINK HE HAS ANY IDEA
HE'S RECAPPING A CONVERSATION
615
00:28:41,951 --> 00:28:43,993
THAT WE JUST HEARD
IN ITS ENTIRETY?
616
00:28:43,993 --> 00:28:45,995
GIVE THE GUY A GADGET,
HE THINKS HE'S BOND.
617
00:28:45,995 --> 00:28:48,327
LET'S JUST HOPE HE REMEMBERS
HE'S WEARING A CAMERA
618
00:28:48,327 --> 00:28:50,259
BEFORE HE GOES
AND TAKES A LEAK.
WHY WOULD YOU EVEN--
619
00:28:50,259 --> 00:28:52,301
TRUST ME.
...COMING THROUGH,
BUT I GOTTA STIR IT UP.
620
00:28:52,301 --> 00:28:54,303
I'M GONNA GO SIT AT THE TABLE,
621
00:28:54,303 --> 00:28:56,505
SEE IF I CAN FIND
ANYTHING OUT.
622
00:28:58,367 --> 00:29:01,370
WHAT DID HE SAY?
HE JUST SAID
HE'S TAKING A SEAT--
623
00:29:01,370 --> 00:29:03,512
THAT'S NOT THE PLAN.
THAT'S NOT THE PLAN, CASTLE!
624
00:29:03,512 --> 00:29:06,976
HOW'S IT GOING?
625
00:29:06,976 --> 00:29:09,218
THIS IS NO-LIMIT TABLE.
626
00:29:09,218 --> 00:29:12,982
WHICH IS PERFECT, BECAUSE I AM
A NO-LIMIT KINDA GUY.
627
00:29:12,982 --> 00:29:15,384
(chuckles)
CHANGE FOR $20,000, PLEASE.
628
00:29:15,384 --> 00:29:18,387
ALL RIGHT, FELLAS.
DEAL ME IN.
629
00:29:18,387 --> 00:29:20,830
(Beckett) NO, NO, NO, NO,
NO, NO. WHAT'S HE DOING?
630
00:29:20,830 --> 00:29:23,332
DROPPING HALF MY YEARLY SALARY
LIKE IT WAS POCKET CHANGE.
631
00:29:23,332 --> 00:29:25,865
(man chuckles)
632
00:29:25,865 --> 00:29:27,466
NICE TATS.
633
00:29:32,241 --> 00:29:35,344
TA--NO, TATTOOS.
THE TAT--IT'S NICE.
634
00:29:35,344 --> 00:29:37,376
WHAT DO THEY SAY?
635
00:29:37,376 --> 00:29:39,478
IT SAYS
MIND YOUR OWN BUSINESS
636
00:29:39,478 --> 00:29:42,151
AND PLAY CARDS.
SORRY. DON'T MEAN TO PRY.
637
00:29:42,151 --> 00:29:44,153
I'M JUST, UH, I'M ACTUALLY
JUST A WRITER.
638
00:29:44,153 --> 00:29:46,155
I'M JUST DOING
A LITTLE BIT OF RESEARCH.
639
00:29:46,155 --> 00:29:48,988
(man) WRITER, HUH?
640
00:29:48,988 --> 00:29:51,260
ANYTHING, UH,
WE MIGHT HAVE HEARD OF?
641
00:29:51,260 --> 00:29:55,224
UH, "STORM FALL,"
"STORM'S LAST STAND."
642
00:29:55,224 --> 00:29:56,996
DERRICK STORM.
YEAH.
643
00:29:56,996 --> 00:29:59,368
I LOVE THIS GUY.
WHY DID YOU KILL HIM?
644
00:29:59,368 --> 00:30:01,070
IT'S A LONG STORY,
645
00:30:01,070 --> 00:30:03,402
BUT I'M WORKING ON A NEW ONE
ABOUT, UH, UNDERGROUND POKER.
646
00:30:03,402 --> 00:30:05,174
VERY HUSH-HUSH.
647
00:30:05,174 --> 00:30:07,376
JUST KINDA CAME DOWN TO GET
A FEEL FOR THE WORLD, YOU KNOW?
648
00:30:07,376 --> 00:30:10,339
AND YOU'RE--YOU WANT TO TRY
TO BE AUTHENTIC?
649
00:30:10,339 --> 00:30:11,440
EXACTLY.
650
00:30:11,440 --> 00:30:13,282
NO PROBLEM.
651
00:30:13,282 --> 00:30:16,815
(speaking Russian)
652
00:30:18,387 --> 00:30:20,389
(men chuckle)
653
00:30:20,389 --> 00:30:22,291
(man speaks Russian)
654
00:30:22,291 --> 00:30:23,522
(men chuckle)
655
00:30:23,522 --> 00:30:25,594
(chuckles) YEAH.
656
00:30:25,594 --> 00:30:28,427
(Esposito) SEEMS LIKE
HE'S MAKING FRIENDS.
THEY JUST SAID
THEY'RE GONNA TAKE HIM
657
00:30:28,427 --> 00:30:31,260
FOR EVERYTHING HE'S GOT.
WHAT, YOU SPEAK RUSSIAN?
658
00:30:31,260 --> 00:30:34,433
SEMESTER IN KIEV
BETWEEN JUNIOR AND SENIOR YEAR.
659
00:30:34,433 --> 00:30:36,936
(imitates Russian accent)
SOMETIMES WHEN I AM BORED,
660
00:30:36,936 --> 00:30:38,938
I GOT TO GLECHIK CAFé
IN LITTLE ODESSA
661
00:30:38,938 --> 00:30:40,539
AND PRETEND TO BE MUSCOVITE.
662
00:30:40,539 --> 00:30:43,272
NOW THAT'S KINDA HOT.
663
00:30:43,272 --> 00:30:45,344
RAISE.
664
00:30:45,344 --> 00:30:47,246
(chip clatters)
665
00:30:47,246 --> 00:30:49,378
CALL.
(clatters)
666
00:30:49,378 --> 00:30:51,380
I CALL.
(clatters)
667
00:30:53,322 --> 00:30:54,954
(grunts)
668
00:30:57,556 --> 00:30:59,929
(groans)
669
00:30:59,929 --> 00:31:02,331
(joints crack)
670
00:31:02,331 --> 00:31:04,333
CHECK THE PLAYERS' HANDS.
SEE IF THERE'S ANYTHING
671
00:31:04,333 --> 00:31:06,465
THAT'LL EXPLAIN THE BRUISE
PATTERNS ON OUR VIC'S NECK.
672
00:31:06,465 --> 00:31:07,967
(groans)
673
00:31:07,967 --> 00:31:09,438
(sighs)
674
00:31:09,438 --> 00:31:12,071
CALL.
(chip clatters)
675
00:31:12,071 --> 00:31:14,373
(clears throat)
SAY, MR. CASTLE,
676
00:31:14,373 --> 00:31:17,376
TELL ME LITTLE BIT MORE
ABOUT THIS BOOK.
677
00:31:17,376 --> 00:31:20,249
WELL, IT'S ABOUT
A, UH, RUSSIAN MOBSTER
678
00:31:20,249 --> 00:31:22,952
WITH A TASTE FOR CARDS.
679
00:31:22,952 --> 00:31:26,255
HE, UH, PREYS
OFF OF DESPERATION,
680
00:31:26,255 --> 00:31:30,119
LURING PEOPLE IN TO BET HIM
MORE THAN THEY HAVE.
681
00:31:33,062 --> 00:31:36,265
(clicks tongue)
AND WHY WOULD HE DO THIS?
682
00:31:36,265 --> 00:31:39,398
BECAUSE HE'S ALSO
A LOAN SHARK.
683
00:31:41,470 --> 00:31:44,333
SEE, HE FRONTS HIS VICTIMS,
AND MAKES BANK ON...
WHAT THE HELL IS HE DOING?
684
00:31:44,333 --> 00:31:46,335
HE'S PLAYING POKER.
HE'S TRYING TO PROVOKE
685
00:31:46,335 --> 00:31:48,337
ONE OF THESE GUYS
INTO GIVING UP THEIR HAND.
686
00:31:48,337 --> 00:31:51,180
OR HE'S TRYING TO TIP OFF
OUR KILLER.
BUT THERE'S ONE GUY,
687
00:31:51,180 --> 00:31:54,483
A FAMILY GUY, HE GETS IN
A LITTLE TOO DEEP,
688
00:31:54,483 --> 00:31:57,016
CAN'T PAY THE LOAN BACK.
689
00:31:57,016 --> 00:32:00,689
SO THE MOBSTER...
GOT NO CHOICE.
690
00:32:00,689 --> 00:32:03,222
HAS TO KILL HIM,
691
00:32:03,222 --> 00:32:06,225
SEND A MESSAGE
TO ANYONE ELSE WHO OWES HIM.
692
00:32:06,225 --> 00:32:10,359
SO ONE NIGHT... HE LURES HIM
INTO AN ABANDONED BUILDING,
693
00:32:10,359 --> 00:32:14,363
STRANGLES HIM TO DEATH
AND THROWS HIM OFF THE ROOF.
694
00:32:14,363 --> 00:32:17,166
SOUNDS LIKE LOT OF WORK.
695
00:32:17,166 --> 00:32:19,508
WHY NOT JUST PUT BULLET
IN HIS HEAD?
696
00:32:19,508 --> 00:32:21,440
IT'S MUCH MORE SIMPLE.
(laughs)
697
00:32:21,440 --> 00:32:23,612
BANG.
OH, MY...
698
00:32:23,612 --> 00:32:25,244
(laughs)
699
00:32:25,244 --> 00:32:27,076
(laughs)
700
00:32:27,076 --> 00:32:29,418
HEY, RYAN,
CHECK THIS OUT.
701
00:32:29,418 --> 00:32:32,351
WHAT IS HE DOING
WITH HIS FINGER?
702
00:32:32,351 --> 00:32:35,224
(Beckett) PUNCH IN ON THAT.
IT'S A PROSTHETIC.
703
00:32:35,224 --> 00:32:37,326
THAT'S WHY IT DIDN'T LEAVE
A MARK ON OUR VIC.
704
00:32:37,326 --> 00:32:40,429
THAT'S OUR GUY.
HEY, IF HE THINKS CASTLE'S
A THREAT, HE'S--
705
00:32:40,429 --> 00:32:43,432
WE GOTTA GET HIM
OUTTA THERE, NOW.
THEIR SECURITY'S
PRETTY WELL ARMED.
706
00:32:43,432 --> 00:32:46,135
WE GO IN THERE AS COPS,
IT MIGHT GET MESSY.
OH, WHAT ARE YOU DOING?
707
00:32:46,135 --> 00:32:48,137
UH, I'M GONNA GO IN THERE,
708
00:32:48,137 --> 00:32:50,069
AND IF I'M NOT OUT
IN TEN MINUTES,
709
00:32:50,069 --> 00:32:52,441
YOU GUYS CALL FOR BACKUP.
CAN I HAVE MY PURSE, PLEASE?
710
00:32:52,441 --> 00:32:56,175
WHAT ARE YOU GONNA DO,
LIP GLOSS 'EM TO DEATH?
SOMETHING LIKE THAT.
711
00:33:51,260 --> 00:33:54,163
(man speaks foreign language)
712
00:33:54,163 --> 00:33:56,365
(imitating Russian accent)
OH, COME ON, BOYS.
713
00:33:56,365 --> 00:33:59,037
MY BOYFRIEND IS WAITING.
HE IS PLAYER.
714
00:33:59,037 --> 00:34:02,311
IF I DON'T GO INSIDE,
HE WILL LOSE.
715
00:34:02,311 --> 00:34:04,813
I'M HIS LUCKY CHARM, YOU KNOW?
716
00:34:04,813 --> 00:34:06,675
NO?
717
00:34:06,675 --> 00:34:11,049
WELL, MAYBE I CAN BE
A LUCKY CHARM FOR YOU.
718
00:34:11,049 --> 00:34:14,353
WE WIN, AND WHEN I AM IN THERE,
WE ALWAYS WIN,
719
00:34:14,353 --> 00:34:16,355
AND THEN MAYBE I CAN SHARE
720
00:34:16,355 --> 00:34:19,358
SOME OF MY BOYFRIEND'S LUCK
WITH YOU.
721
00:34:19,358 --> 00:34:21,059
HMM.
722
00:34:25,164 --> 00:34:27,736
ALL IN.
723
00:34:27,736 --> 00:34:31,440
IT'S A BIG POT,
MR. WRITER MAN...
724
00:34:31,440 --> 00:34:33,702
ALL THAT MONEY.
725
00:34:33,702 --> 00:34:36,405
BUT THEN, WHAT IS MONEY
TO MILLIONAIRE, HUH?
726
00:34:36,405 --> 00:34:39,408
YOU JUST CAN WRITE IT OFF
ON YOUR TAXES
727
00:34:39,408 --> 00:34:42,181
UH, AS, UH, DOING RESEARCH.
728
00:34:42,181 --> 00:34:44,653
ALL IN.
729
00:34:44,653 --> 00:34:47,156
HMM. (chuckles)
730
00:34:47,156 --> 00:34:49,418
YOU ARE LIKE CHARACTER
IN YOUR BOOK...
731
00:34:49,418 --> 00:34:53,122
IN TOO DEEP.
732
00:34:53,122 --> 00:34:55,424
THREE QUEENS.
733
00:34:57,566 --> 00:35:01,430
THAT'S VERY IMPRESSIVE.
734
00:35:01,430 --> 00:35:05,504
NOT A LOT
CAN BEAT THREE QUEENS.
735
00:35:05,504 --> 00:35:07,506
EXCEPT AN INSIDE STRAIGHT,
MAYBE.
736
00:35:07,506 --> 00:35:09,638
SWEETHEART, THIS IS FOR YOU.
WOULD YOU CHANGE THIS
737
00:35:09,638 --> 00:35:12,511
INTO SOMETHING A LITTLE SMALLER
THAT I CAN CARRY?
738
00:35:12,511 --> 00:35:15,814
NOW THAT
IS A BIG PILE OF MONEY.
739
00:35:15,814 --> 00:35:18,287
BUT WHAT'S MONEY
TO A MOBSTER, RIGHT?
740
00:35:22,391 --> 00:35:24,423
(gun action clicks)
WALK.
741
00:35:24,423 --> 00:35:27,426
WHOA! WHOA! WHOA!
WHOA! WHOA! WHOA!
WHO ARE YOU?
742
00:35:27,426 --> 00:35:31,230
I TOLD YOU,
I'M--I'M A NOVELIST.
THE STORY--THE DEAD MAN,
THE ROOF, WHO TOLD YOU?
743
00:35:31,230 --> 00:35:33,562
WHO KNOWS?
HIS FAMILY KNOWS,
HIS CHILDREN KNOW.
744
00:35:33,562 --> 00:35:36,605
IF HE PAID WHAT HE OWED,
HE'D BE HOME WITH THEM NOW.
745
00:35:36,605 --> 00:35:39,768
BUT HE CROSSED ME.
AND NOW YOU HAVE CROSSED ME.
NO, NO, NO,
I'M JUST A WRITER.
746
00:35:39,768 --> 00:35:43,242
DO NOT LIE. YOU'RE A COP.
(imitating Russian accent)
HIM, A COP?
747
00:35:43,242 --> 00:35:47,346
DON'T MAKE ME LAUGH.
HE'S BARELY EVEN A MAN.
748
00:35:47,346 --> 00:35:49,818
BECKETT?
BUT YOU ARE A MAN,
AREN'T YOU?
749
00:35:49,818 --> 00:35:52,921
A VERY HANDSOME MAN.
750
00:35:52,921 --> 00:35:55,854
RICHARD, ARE YOU BOTHERING
THIS HANDSOME MAN?
751
00:35:55,854 --> 00:35:58,227
GO AWAY.
752
00:35:58,227 --> 00:36:02,361
OKAY, BOYS AND THEIR GUNS.
AM I SUPPOSED TO BE IMPRESSED?
753
00:36:02,361 --> 00:36:05,264
IT DOESN'T CONCERN YOU.
ACTUALLY... (grunts)
754
00:36:05,264 --> 00:36:06,565
AH!
755
00:36:06,565 --> 00:36:08,767
(normal voice) IT DOES.
(groans)
756
00:36:08,767 --> 00:36:10,769
(whispering) IS IT
JUST MY IMAGINATION,
757
00:36:10,769 --> 00:36:12,471
OR DID YOU CHANGE?
758
00:36:12,471 --> 00:36:14,443
CASTLE, COULD YOU GET
SOME BACKUP, PLEASE?
759
00:36:14,443 --> 00:36:16,445
YEAH.
(whispering)
SHH, SHH, SHH. QUIET.
760
00:36:16,445 --> 00:36:18,447
YEAH.
THANK YOU.
761
00:36:21,510 --> 00:36:22,811
THIS WAY.
762
00:36:28,457 --> 00:36:30,719
(exhales deeply)
763
00:36:34,192 --> 00:36:37,426
SO HOW IS SHE?
764
00:36:37,426 --> 00:36:40,599
IT'S HARD WHEN EVERYTHING
YOU THOUGHT YOU KNEW
765
00:36:40,599 --> 00:36:42,631
TURNS OUT TO BE A LIE.
766
00:36:42,631 --> 00:36:45,774
WELL, NOT EVERYTHING
WAS A LIE.
767
00:36:45,774 --> 00:36:47,476
NOT HER HUSBAND'S LOVE.
768
00:36:47,476 --> 00:36:49,578
I MEAN, SOMETIMES
WE DO THE WRONG THINGS
769
00:36:49,578 --> 00:36:51,280
FOR THE RIGHT REASONS.
770
00:36:53,442 --> 00:36:54,743
SO CASE IS CLOSED.
771
00:36:54,743 --> 00:36:57,646
I GUESS YOUR "COSMO" STORY
GETS A HAPPY ENDING.
772
00:36:57,646 --> 00:37:00,819
SPEAKING OF HAPPY ENDINGS...
773
00:37:00,819 --> 00:37:02,591
THANKS FOR SAVING MY LIFE.
774
00:37:02,591 --> 00:37:04,653
I WAS JUST TRYING
TO AVOID PAPERWORK.
775
00:37:04,653 --> 00:37:07,326
YEAH. WE MAKE
A PRETTY GOOD TEAM, YOU KNOW?
776
00:37:07,326 --> 00:37:09,227
LIKE STARSKY AND HUTCH,
777
00:37:09,227 --> 00:37:10,859
TANGO AND CASH,
778
00:37:10,859 --> 00:37:13,001
TURNER AND HOOCH.
779
00:37:13,001 --> 00:37:14,963
YOU KNOW,
NOW THAT YOU MENTION IT,
780
00:37:14,963 --> 00:37:18,006
YOU DO REMIND ME
A LITTLE OF HOOCH.
MM.
781
00:37:20,739 --> 00:37:22,871
IT'S BECAUSE YOU'RE AFRAID,
ISN'T IT?
782
00:37:22,871 --> 00:37:26,575
YOU'RE AFRAID THAT IF YOU LOOK
IN TO YOUR MOTHER'S DEATH,
783
00:37:26,575 --> 00:37:28,817
THAT YOU WILL GO BACK DOWN
THAT RABBIT HOLE
784
00:37:28,817 --> 00:37:30,849
AND LOSE YOURSELF AGAIN.
785
00:37:30,849 --> 00:37:33,422
BUT IT'S DIFFERENT THIS TIME.
786
00:37:33,422 --> 00:37:35,424
WE HAVE GOOD LEADS.
787
00:37:35,424 --> 00:37:38,427
WE HAVE STRONG LEADS.
788
00:37:38,427 --> 00:37:41,660
AND YOU WON'T
HAVE TO DO IT ALONE.
789
00:37:41,660 --> 00:37:45,434
WE CAN DO IT TOGETHER.
790
00:37:45,434 --> 00:37:47,396
WHAT IF I DON'T WANT
TO KNOW?
791
00:37:47,396 --> 00:37:50,439
DID YOU EVER THINK OF THAT?
792
00:37:52,571 --> 00:37:54,573
WHAT IF I'M NOT READY?
793
00:37:54,573 --> 00:37:56,845
WHAT IF THE IDEA OF CATCHING
MY MOM'S MURDERER
794
00:37:56,845 --> 00:37:59,678
AND THEN HAVING TO SIT THERE
AND WATCH AS HE CUTS SOME DEAL
795
00:37:59,678 --> 00:38:02,451
THAT PUTS HIM BACK OUT
ON THE STREET IN TEN YEARS
796
00:38:02,451 --> 00:38:04,913
MAKES ME NAUSEOUS?
797
00:38:04,913 --> 00:38:07,916
YOU DREDGED UP MY PAST
FOR YOU, CASTLE, NOT FOR ME.
798
00:38:07,916 --> 00:38:11,520
AND YOU'RE TOO SELFISH
TO EVEN SEE IT.
799
00:38:11,520 --> 00:38:14,493
THE CASE IS CLOSED, CASTLE.
800
00:38:14,493 --> 00:38:18,727
WE MADE A DEAL,
AND I EXPECT YOU TO HONOR IT.
801
00:38:54,833 --> 00:38:56,435
YOU'RE WRITING.
802
00:38:56,435 --> 00:38:58,637
IT'S TIME.
803
00:39:01,670 --> 00:39:03,512
AND BECKETT?
804
00:39:06,445 --> 00:39:09,017
I'M SORRY, DAD.
805
00:39:09,017 --> 00:39:11,380
SO HOW WAS THE MOVIE?
806
00:39:11,380 --> 00:39:13,522
WE DIDN'T GO.
807
00:39:13,522 --> 00:39:16,525
WHY NOT?
OWEN.
808
00:39:16,525 --> 00:39:18,527
WHAT HAPPENED?
809
00:39:18,527 --> 00:39:20,859
HE WAS PLAYING VIDEO GAMES
AND LOST TRACK OF TIME.
810
00:39:20,859 --> 00:39:23,732
BY THE TIME HE SHOWED UP,
IT WAS TOO LATE.
811
00:39:23,732 --> 00:39:27,696
(sighs) SORRY, SWEETIE.
812
00:39:27,696 --> 00:39:29,698
AND THEN
WHEN HE DID SHOW UP,
813
00:39:29,698 --> 00:39:32,601
HE TRIED TO ACT LIKE
IT'S NO BIG DEAL,
814
00:39:32,601 --> 00:39:34,102
LIKE I'M OVERREACTING.
815
00:39:34,102 --> 00:39:36,905
I MEAN, HE DIDN'T EVEN CALL.
816
00:39:36,905 --> 00:39:39,077
WHY DO BOYS DO THAT?
817
00:39:39,077 --> 00:39:42,551
WHY DO THEY ALWAYS HAVE TO
JUSTIFY EVERYTHING?
818
00:39:42,551 --> 00:39:46,515
WHY CAN'T THEY JUST SAY
THEY'RE SORRY?
819
00:39:46,515 --> 00:39:49,518
(Lex Land's "My Fault.
Your Mistake." playing)
820
00:39:56,465 --> 00:39:58,697
THANK YOU.
821
00:39:58,697 --> 00:40:00,969
FOR WHAT?
822
00:40:00,969 --> 00:40:03,572
FOR JUST... BEING YOU.
823
00:40:19,648 --> 00:40:23,692
♪ YOU GAVE ME GOOD STEPS
TO FOLLOW ♪
824
00:40:23,692 --> 00:40:26,124
♪ AND I WISH I... ♪
825
00:40:26,124 --> 00:40:28,527
I'M SORRY.
826
00:40:28,527 --> 00:40:31,199
WHAT I DID WAS WRONG.
827
00:40:31,199 --> 00:40:34,603
I VIOLATED YOUR TRUST,
I OPENED OLD WOUNDS,
828
00:40:34,603 --> 00:40:37,536
AND I DID NOT RESPECT
YOUR WISHES.
829
00:40:37,536 --> 00:40:40,438
AND IF WE'RE NOT GONNA SEE
EACH OTHER AGAIN,
830
00:40:40,438 --> 00:40:42,511
THEN YOU DESERVE TO KNOW...
831
00:40:42,511 --> 00:40:44,442
♪ AND I'M SORRY THAT I... ♪
832
00:40:44,442 --> 00:40:47,546
I'M VERY, VERY SORRY.
833
00:40:47,546 --> 00:40:51,720
♪ BUT YOUR LITTLE GIRL ♪
834
00:40:51,720 --> 00:40:57,125
♪ IS GONNA CHANGE THE WORLD ♪
835
00:40:57,125 --> 00:41:00,959
♪ YOU'LL SEE ♪
836
00:41:00,959 --> 00:41:02,531
CASTLE.
837
00:41:02,531 --> 00:41:05,534
♪♪
838
00:41:05,534 --> 00:41:07,195
I'LL SEE YOU TOMORROW.
839
00:41:07,195 --> 00:41:09,467
♪ YOU'LL SEE ♪
61243
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