All language subtitles for Riverboat S02E13 Listen to the Nightingale

What are you looking at?

Two to one, she makes,
and the dandy doesn't.

You can't afford a band.

Please step aside.

Make me.

Come on, we gotta get back to the boat.

I wonder who he is.

I don't know, but don't you
think he deserves a reward?

I don't think he's the kind of
man who'd be interested in money.

How can you tell?

When you meet a man like that,
uncomplicated, basic, you just know.

With half the hold and
two-thirds of the passenger cabins empty,

if we should be lucky enough to pick up
our usual quota of passengers in Vicksburg,

we ought to only lose
$500 this trip. Any orders?

Now, no order. Just stand by.
Well, it's 15 minutes to sailing time.

If we're going to get moving, I've
got to have steam. Just stand by.

I know what time it is.

Yes, sir.

Did you hear
something? Unless maybe it's...

Gabriel's horn
sounding for the Enterprise.

Oh, there, look.

Am I the honor of addressing the
ship's master? Not quite, but you're close.

You have the honor of addressing
the ship's chief engineer, sir.

Oh, and where would I find
the ship's master? Right here.

I'm Captain Gray Holden of the
Enterprises, my partner and pilot, Mr. Blake.

How do you do? Gentlemen,

can I prevail upon you
to provide transportation

for myself and my entire
company to New Orleans?

Well, uh...

Yes, yes, I think we can
manage it, yes. Splendid, splendid.

Our first class accommodations will
do, of course, for the rest of us,

but my star will require the
deluxe suite. Deluxe suite? Yes.

Well, miracle of miracles, it just so
happens that the deluxe suite is available.

Our capital, gentlemen, capital.

You just tell us how many
there are in your troop.

We'll have the fare figured out in no
time. Well, naturally, during the trip,

we shall require a great many extras.

May I suggest you keep a
running total of each daily account?

Well, you're talking
about an awful lot of money.

Yes.

Gentlemen, one doesn't
move a company this size

without incurring some
rather large expense.

I know, but you wouldn't
object to paying in advance then.

Our usual custom is to settle
at the end of each trade. Well,

our usual custom is to collect in advance.

We'd have to insist.

Gentlemen, you force me to admit.

That I haven't got a penny.

Now I can understand your
need for being cautious.

But if one of you will accompany me,

I will show you why you
need have no doubt of

full payment as soon as we
reach New Orleans. Shall we?

You're the captain.

You know, I just remembered about
that old boy. You know who he is? Who?

Samson J. Binton, the
man who taught P.T. Barnum

everything he knows.
That's Ben. That's him.

I seen him sell snake oil
hair restorer in Ohio. You know,

he can sweet talk the spots off a leopard.

Well, boys, we've got it
made. We have got it made.

Full fare to New Orleans, plus $500 bonus,

plus the band plays in the
salon during dinner. When?

You mean whenever we receive
payment? Well, in New Orleans.

Um, what security?

Well, there's that contract.

That guarantees his shows booking in
New Orleans with a payment in advance.

And you're about to snap
it up. Well, of course.

No deal.

Bill, you've got a lot to learn
about this business. Now, you see,

there are times when a man has
just got to take a chance. Yes.

What makes you think that now
is the time to take that chance?

Instinct, instinct. When the chips are
down, what else has a man got to go?

Instinct. Nothing but instinct.

Takes years to develop. Years. I
forgot. He has a wonderful instinct.

Yes, sir. My instinct tells me
that that man has an honest face.

Well, you just tell
your instinct that that

honest face belongs to a
man named Samson J. Benton.

Samson J. Benton.

Benton, the man who taught
P.T. Barnum everything he knows.

Samson J. Benton.

There's a sucker born every minute.

Well, that settles it.
No cash, no passage.

Mr. Bin! Yes, Captain. May I
present the internationally

renowned English nightingale,

our star attraction, Miss Julie Lang.

Captain Holden, Master of the Enterprise.

Captain?

Is everything arranged?

Well, uh...

Start loading.

Oh, it's beautiful, and
those earrings match perfectly.

I think I'll just wear the earrings.

The necklace is too... too flamboyant.

Whatever it is, it's real pretty.

Good evening, ladies.

Am I early?

Oh, not at all, Captain. Excuse me.

Lovely, lovely, lovely.

They were given to me
by the King of Norway.

No, no, Miss Lang, I wasn't talking
about the necklace. I was referring to you.

I don't think the walls of this cabin
have ever been graced by such charm,

such talent, or such beauty as yours.

Captain, you're sweet.

But whatever happened to that
man of action I met yesterday?

No, did I say something wrong?

No, no, you said it
beautifully, only, well,

it wasn't exactly what I wanted to hear.

You see, Captain, I'm really a very
simple woman with very simple needs.

And I'm so tired of being sweet-talked.

Shall we go? Oh.

I'll judge you on it.

Oh, Gabe, it's lovely.

I had it made especially like you.

Oh, I'll knock him in
the aisles with this.

Would you care to dance?

I'd be telling an untruth if I said no.

Order 28.

Oh, it's lovely out here.

Yes, it certainly is.

What a pity the trip
has to come to an end.

I could go on sailing like this forever.

Why give up your career in a field?

I enjoy that. There's more to
life than taking a curtain call.

Oh, yes, there certainly is.

Captain Holden.

No, no, don't call me Gray.

Gray.

It takes more than
applause to make a woman happy.

Julie, what are you trying to say?

Gray, look at me.

That's not hard to do at all.

What do you see?

I see a very beautiful woman who
could have the world at her feet.

That's not what I want out of life.

What I'm looking for
are the simple things.

I want to get out of my gilded cage
and be like other people for once.

Well, why don't you?

I'm under contract.

Well, whatever it is.

It's the policy of the Enterprise to
fulfill its passengers' every need.

Well, in that case, I
could use some sleep.

Would you take me to my cabin, Captain?

My pleasure.

What does that mean?

That means safe water.

You make me feel safe.

Oh, no!

Are you all right?

Somebody stole my necklace.

Are you sure?

The king of Norway gave me that necklace.

You don't seem very
concerned, Mr. Blake. Should I be?

Of course he's
concerned, Mr. Benton. Now, now,

let's not let our
emotions run away with us here.

Let's be businesslike
about this, shall we?

Yeah, let's find out what
happened and how it happened. Yeah?

Yes, sir. Yeah, yeah.

Now then, Julie, was the key
ever out of your possession?

Yes. We're getting somewhere now.

Who had it?

You.

I had it?

When we left to go to
the main salon, I gave

the key to you, and you locked the door.

I did?

Oh, yes, yes, of course I did, yeah.

Anybody else have it?

Well, when we returned to the
stateroom, I gave it to you again,

and you unlocked the door.

Now, those were the only two times.

What about another key? Is it possible
someone was able to get hold of another key?

No, no, there's only
one key for a stateroom.

Mask key to all the cabins is
kept in a safe in my office.

I'm sure we don't want this
to get out to the newspapers.

We want to keep it nice and quiet.

Oh.

So that's all that's worrying you,
eh? The reputation of your boat. Well,

let me tell you something, gentlemen.

It is my intention to
splash this story across the

front page of every
newspaper in this nation.

The lack of protection
offered your passengers on this...

I thought you'd get around to the lack
of protection given the other passengers.

You seem to have something on your mind
besides the other passengers, Mr. Blake.

I, uh, can sense it.

Only the King of Norway?

I just can't help wondering
how much that necklace cost him.

Well, the insurance company
had it appraised at $10,000.

But you see, it isn't the
monetary worth that I'm concerned about.

It's the sentimental value.

Well, he wouldn't
understand that, Julie. You see,

he's got an account book for a heart.

Well, all in all,
$10,000 is no small loss.

But it isn't a loss, Mr. Blake. I
just told you the necklace was insured.

You see, it's part of my
contract with Mr. Benton.

All of my valuables while traveling
with the show are insured by Mr. Benton.

There. Now, does that satisfy you,
Bill? Then relax, will you? Relax.

All right.

All right.

What company, Mr. Benton?

I beg your pardon?

What company is the necklace insured with?

What company?

Well, uh... Well, you see,
Julie, about the insurance.

Oh.

Samson, now don't tell me
you didn't insure my neck.

I don't believe it. I just
absolutely refuse to believe it.

I couldn't pay the premium. The
insurance is left. How could you? Well,

it was a question of paying the
insurance and moving the company to Memphis.

You are a dishonorable man.

Surely when we open in New
Orleans, I'll make it good, I swear.

Now, you may be opening in
New Orleans, but I'm not.

I won't sing. I will not sing one note
until that necklace is returned to me.

Julie, you can't mean that. You are a
liar, a fraud, a scoundrel, a fraud.

You're not being fair. Not being
fair? Well, now, you just listen to me.

Please, please, Julie, call me
anything you like, but lower your voice.

Why? Are you afraid of
being embarrassed? No, no, no.

Can't you recognize a
publicity stunt when you see one?

Famous singer's necklace given
her by the King of Norway stolen.

Appearing nightly at the majesty.

You mean there never was a
robbery? I've been telling you,

that fella in there taught
Barnum everything he knows.

Are you saying that they're
just pretending that it was wrong?

Can't you get it through your
thick head? It's all a stunt.

Now look, she had the only key.

You locked the door yourself.

Yeah.

Well, how could anyone else get in there?

I don't know, but they got in.

You saw the jewel box. Yeah. Well,
now, if that necklace was worth $10,000,

the rest of the stuff in there
could be worth ten times that much.

So? Then, if a thief did get in the room,

why would he only take the necklace
and leave the rest of the stuff out?

What kind of a ship are you
running where a passenger

can't leave her cabin
without being robbed?

You'd better find that necklace.
Well, it seems to me that's your problem.

It's your problem, too.
No necklace, no jewelry.

No jewelry, no booking.
No booking, no money.

And without money, Captain Holden,

may I ask you how you expect
to get paid for this trip?

You know, that, that, that is, that's
quite a problem. You get after her,

and you get her to agree to sing in New
Orleans. Oh, just like that? Just like that.

She likes you, doesn't she? Well, yes,
that's one thing we both agree on. Now,

will you stop thinking about yourself and
start thinking of saving the enterprise?

You mean save your investment, don't you?

Yours, too.

Now...

Go on, you know you're irresistible.

True, true.

Julie!

Come in.

Oh, Gray, I'm so glad you came back.

Do you see what all this means?

What all what means? Oh, it's fate. Fate.

I never had the courage
before to leave the theater

and find out what life is really like.

But now I'm free. Free to do all
the things I ever wanted to do.

Well, Julia, aren't you
being a little hasty?

It will unfair to Benton.

He stands to lose a great deal of
money if you don't sing in New Orleans.

He lied to me, Gray.

He was in a bind, Julie.
You have to make allowances.

But don't principles count for something?

Principles?

Am I wrong in expecting honor in a man?

Honor?

No, you're right.

How could I ask you to go
against your principles?

Is she going to sing in New Orleans?

Huh?

Is she going to sing in New Orleans?

Well, I didn't ask.

You didn't ask? Here's a more
dignified way of doing it. Oh,

like peeping in keyholes, huh? All I got
to do is find out who stole the necklace.

That's all. Can't you get it through
your head? That was all a publicity stunt.

Look here, look at this.

What is it? A little tiny piece of wax.

It's like somebody took a
wax impression of a key

and scraped it off on the side of
the lawn. Quit playing detective.

What do you think now?

I think it's robbery.

You think it's rough?

Right there, do you see her?

No.

Oh, she's a little piece of
glass. Right there. All right.

Can you see it? No, I can't.

Bend down a little more.

Oh, great.

I could come back later. Yeah.

Oh, I wouldn't hear it,
Mr. Blank. Excuse me.

You couldn't spend all day like this.

Can you think of a better
way to spend the day? Yes,

we could be looking for whoever made
that key to her room. Yeah, where you been?

I've been up talking
with Carney. See if anyone

was using the ship's tools. Any luck? Nah.

See, you know, we've been going about
this all along. What do you mean? Well,

we've been looking for
the thief with the key.

No, no, we should be looking
for the necklace. You see,

if we find Julie's necklace for her, why,

she'll fulfill her
obligation to sing in New Orleans,

and we will collect our
passage fare. Sounds fine,

but how are we going to go about that?

We're going to search all the
cabins of the whole bit and troop.

Why them?

Well, who else would
have seen the necklace?

Might be. Huh? I don't think
any of the passengers saw them,

and I know no one in the crew did.

Well, what are we waiting for, boy?

Forward!

You know, I'm not surprised we
didn't find anything in Gabe's room.

For an escape artist, he
has a very honest face.

I was the only one
dated by an honest face.

Let's see just how
honest the tattooed lady is.

Pay dirt.

Now look, why can't we talk out here?

In my state room.

Look, nothing can be
that secretive. But you do

such a thing. Do such a
thing? Wait a minute.

I don't even know what
you're talking about.

Why, what right are you in here?
Why, this right? Well, get out of here,

both of you. We will just as soon
as we find out how these got here.

Well, that's simple. I gave them to Billy.

You did?

Well, I guess you'd better come
with me, Gabe, up to my cabin. Blake,

you'd better get in this line.

No, wait.

He didn't give them to me.
He's trying to protect me.

I stole it.

She's lying why she never
stole a thing in her life.

What was it doing in
this shoe in her closet?

In her... Wait a minute.

You thought that I stole it.

Darling, there isn't
anything in the world I wouldn't

do for you, but no, I wouldn't steal.

You have nothing to worry
about. I bought that necklace.

Here, give me those.

Take a look at that.

It's paste.

Here, take a look at these.

You can buy any one of
them for 25 cents a piece.

I ought to know I bought them.

Well, it's all I can afford.

Billy likes them.

I don't know if it'll
help to say we're sorry.

Please, get out of here.

We just can't go busting into
people's private lives like that.

I feel cheaper than that paste necklace.

Can you imagine what the people
along the river are going to say

when they hear we've been
searching the passengers' cabins?

Might as well close up shop.

One more incident like
that, and I just may do that.

You might. I can't afford to.

Most people put their money in
banks, but me, I put it all in this boat.

I'll buy you out any time you want,
partner, any time you say the word.

With what?

And since you don't have the with what,

may I urgently suggest
that you persuade that

girl to change her mind and sing for us?

Because if she doesn't, you and I are
both going to end up walking upriver.

Well, where are you going?

Practice my walking.

Oh, Greg, look.

How I wish I were one of those people.

How simple life must be for them.

Simple, yes, but hardly easy.
You know where they're going?

No.

Well, they're probably taking a
whole year's potato crop to market.

Maybe they'll get under dollars tops.

And then they'll break up the
raft and sell it for lumber.

Why should they break up the raft?

Well, a raft can't float up river.

Then they'll walk home. Maybe
take them two, three months.

Sounds wonderfully uncomplicated to me.

No schedules to meet.

No audiences to worry about?

Yeah, well, you just asked
them if they wouldn't like

to trade places with you
and ride home on my boat.

Speaking of my boat,
would you do me a favor?

Of course.

Would you sing in New Orleans?

I'm sorry, Gray, but you
know how I feel about that.

Well, if you don't sing,
I lose the enterprise.

How could that be?

Well, we have a note due
on her when we get back.

We were counting on the
passage fare to pay it off.

Now, if you don't sing
in New Orleans, Benton

doesn't get paid. And
if he doesn't, we don't.

And we lose the Enterprise.

Well, that's terrible.

And yet, losing the Enterprise might
be a blessing in disguise for you.

Are you kidding? I
spent my life on this boat.

Years of blood and sweat.

And what did it get you?

Financial obligations, worries,
responsibilities. What do you need it for?

What would I be without it?

Oh, you'd be free, Gray.

That's what you'd be, free.

Able to lead the simple life like I
want to do, like those people we just saw.

I know they work hard, but I'm sure
they don't worry like you do. Oh, Gray,

someday you'll thank me for this advice.

I just wish I had the
courage to follow it myself.

Your instinct has been wrong before.
Yeah, well, that's right. This time,

I tell you, it's like money
in the bank. That we can use.

She wants a simple, open life so much,
well, I'll give her a full portion of it.

Then where's this simple,
open life going to occur?

There's a Karen back at Chandler's
Creek that she's just going to love.

As a matter of fact, she's
going to love this full,

simple life so much that she
won't be able to wait to get back

on the boat again and be an
opera singer again in New Orleans.

There it is, Julie!

Right beyond the tree.

Great, I'm so excited.

Yeah. You know, I've always wanted
to come up here and settle one day.

Aren't you glad I opened your eyes?

Yes, and aren't you glad
that I firmed up your courage?

We both have a great
deal to be thankful for.

You're both out of your mind.
Julie, what's happened to you?

Nothing that shouldn't happen long ago.

She's just discovered her true
personality, Mr. Benton. That's all,

isn't that right, dear?
Corey, I hate to bring this up,

but I have a contract with you.

You broke it. Speaking of contracts, Mr.
Benton, you have one with the Enterprise.

What you're doing, Captain Holden,
is inducing a breach of contract.

There isn't a court in this
land that would uphold your claim.

You don't care about things
like that anymore, do you, Gray?

Things like that?

Of course not. Julie, if you don't
care anything about your career,

think of your
reputation going off like this.

With this, this.

With him.

Captain Holden is a perfect gentleman.
Besides, we're having separate quarters.

Yes, come on, honey.

Here we are. There we go.

And...

What do I do after I get through
loading the wood? Well, I don't know.

Stick around for a little while,
huh? This shouldn't take too long.

I hope. So do I.

They don't look like much, of course,

but they'll keep the rain
off until I can chop some of

these trees down here and
build us a couple log cabins.

That'll only take, oh, three, four
months or so. Three or four months?

What do you got down here?

Well, now look at that.

See, that looks, uh, that looks wonderful.

Oh, that reminds me. I'd
better go out and find

us a buffalo for you
to milk before dinner.

Me? Milk a buffalo?

Well, of course. You'll
have to do it. You see,

I've got to go out and
check on the trap lines.

Gray, you won't be gone very long.

Oh, no. Don't worry. Around here,
only a few of the snakes are poisonous.

Oh, Gray.

What's wrong, honey?

That howling.

Oh, that. Well, those are just coyotes.
Honey, you'll have to get used to those.

I'll never get used to them.

Well, you'll have to. You
see, they're our only neighbors.

What happened to the stew?

Oh, I'm sorry, Gray, but when I
heard that howling, well, I...

Knocked it over.

Oh, well, don't worry about
that. The wilderness takes

care of its own. You
see, here's our dinner.

Well, here, go on, skin it.

You mean we're going to eat
that? Well, of course, honey.

You have never eaten anything until
you have eaten muskrat mulligan. Here.

Oh, no. Oh.

The simple life is for you, not for me.

Yeah.

Why don't you go back to it?

Me?

Oh, no, never.

Never without you.

Oh, no.

No, nothing you could say
could make me change my

mind about that. Oh,
but it's not your fault.

And it's not my fault
either. It just wouldn't work out.

Well, that's the way you want it.

That's the way.

Well, that's that.

Now, I suppose you'll be going
back to your career now, won't you?

Yes, I suppose so.

Julie, will you do just
one little thing for me?

Anything.

Give me a memory.

Give me a memory that I
can keep with me always.

Invite me to hear you sing in New Orleans.

Oh, I'm not going to sing in New Orleans.

Oh, once he hasn't anything at
all to do with the other. Oh, no,

I will not sing in New Orleans
until my necklace is returned to me.

But, but, but you said that the
necklace didn't mean anything to you.

It means $10,000.

But you're rich. You've got ten times
$10,000 in jewelry here, so you take a loss.

I never take a loss.

Yes, well, no, no, I of course
not, Julie, of course not. Why,

you're too good a businesswoman
for that. You're much too practical.

But you might lose twice $10,000 if you
don't keep that engagement in New Orleans.

Yes, I've given that thought.

And what about, what
about the show must go on?

A trooper like you, all those people just
waiting to hear the English nightingale.

It must warm your heart to realize
how you brighten the drab lives of all

those people up and down the
Mississippi with your glorious golden voice.

Yes.

Yes, it does.

Then you will sing in New Orleans?

No. You won't! Oh, the
money means a great deal to me.

Certainly, the shell
business tradition does.

And my heart goes out to those wonderful
people just waiting to hear me sing. Well,

then. But I won't sing simply because it
might benefit that dirty, double-dealing,

low-down skunk of a Sanson J. Benton.

Well, I don't know.

No, not that. You want to get
caught again? We're gonna have to.

We didn't look in all
the cabins, remember?

Must be something we can do.

If you can get her to sing...

Well, all the people are in here.

They'll stay here, then no
one will catch us back there.

Yeah, wait, is everybody here?

Yeah, I think so. Sure they are.

Well, here goes. You know, you
make me feel like a con man. Well.

Well, Captain Holden, how nice.

You are a ravishing woman.
What a beautiful gown that is.

Well, thank you.

It does do something for me, doesn't it?

Yes, it does.

You know, you could do
something for me if you wanted to. Oh?

I'd like to hear you sing. You
know, I never have, you know. Now,

sing not for Samson J.
Benton, but for your humble,

admiring admirer, Captain Gray Holden.

Well, now, Captain, since you put it
so nicely, how could I possibly refuse?

What would you like to hear?

Well, whatever you choose to sing,
I'm sure I'll be enchanted by it.

I like what I see when I look at you.

I do, I do, I do.

The very first look that I
took at you I knew, I knew,

I knew The preacher
will read from his book to

you Making one from two
and fifty years hence.

It will still be true.

I like what I see in
you. I like what I see.

Check over here. Check
that dress over there.

Making one from two and fifty years hence.

It will still be true.

I like what I see in you.

It's beeswax. What kind
of violins do you use?

Look at that. He's burned a key in it.

Hey, let me see.

Beeswax, aren't they?
What's the difference with

those? They're blanks
for reeds, for clarinet.

Every good clarinetist
carves his own, see? Look.

It looks just like a key. Let me see that.

How about that?

Well, salt me for a match.

Took a wax impression of the key,
and then carved the key out of a reed.

How about that? Well, what are we
waiting for? Let's go get him. Oh, no, no.

We want the necklace, not the
thief. Well, it must be in his cabin.

No, we just searched his cabin.

Well, if it isn't in his
cabin, He must have it on him.

Let's go get it.

Julie, it was lovely.

What do you think of a man who
asks you to sing and then vanishes?

No, I heard every note. You'll
never know what it did for me.

You left the bandstand before
you were finished that number.

Well, I suddenly felt ill. I needed a
breath of fresh air. I'll go back now.

Did this be what's making you ill?

What is that?

You should know. We
found it in your cabin.

Oh, that's one of my reads. Yeah.

Perhaps you can tell me how it
fits the lock to Miss Lang's cap.

Does it? I didn't know.

Let me search him. You better.

You satisfied now? He
doesn't have it on him.

If you gentlemen are through manhandling
me, I'm due to play again. Mr. Blaine,

tell me, is it usual for a
musician to take his instrument

with him every time he
leaves the bandstand?

No, I don't believe it is. No, I
don't believe it is either. Mr. Jeffers,

I think I'd like to take
a look at that clarinet.

What's that old saying about
casting pearls before swine?

I just don't understand it.

How could you do this to me after
everything that I've done for you?

What have you done for me?
Put me in a monkey suit?

Put me on public exhibition? Monkey suit?

That's the finest uniform that money can
buy. That's right. Think of the uniform.

I'm trying to tell you that I've got
talent. And if I could go to Europe,

I might be able to develop
that talent, that's all.

But to steal!

Look, I'm no thief. If I wanted to
steal, I'd take the whole jewel box.

All I wanted was a
chance to study, to work.

That necklace was given to
her by the king of Norway.

I don't care who gave her the
necklace. All I was interested in was,

would it get me to Europe? Well,

I'm afraid the only
place it's gonna get you

is the jail. Bill, throw him in the brig.

Leave him alone.

He's absolutely right. He
could have taken everything.

Who's to say whether he
was justified or not?

Justified?

Can you look at a man and tell
what talent lies within him?

What's the King of Norway to me?

I want him to have the necklace.

What?

He's to go to Europe and study.

Every man deserves the right to
bring out the talent that God gave him.

But Julie, this man is a thief.

And what makes him a thief?

Only if he takes something
that doesn't belong to him.

I give him the necklace.

You can do anything you want with
your own property, but he is a thief,

and he's going to have to stand trial
for attempted murder. Murder? Well,

of course. He tried to kill us.

Oh, look, if I wanted to kill you, I
wouldn't have missed. I'm an expert shot.

I just wanted to scare
you off, that's all.

Well, I'm afraid the only place
that's going to get you is in the jail.

Toss him in the brig, Bill.

Chetford, I'll talk to the captain.

Gentlemen, if either one of you
prosecutes, I won't sing in New Orleans.

I think you should get
something out of all of this.

Oh, well, we'll get our fair
passage, Julie. That'll be sufficient.

But I want to reward you.

You do? Well, you don't
really have to, you know.

With my compliments.

A pass to tonight's performance.

I bet it won't be as good as the
performance she gave on board.