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1
00:00:00,834 --> 00:00:01,645
WHAT ABOUT ME WHAT?
2
00:00:01,669 --> 00:00:02,545
DESCRIBE YOUR DAD. ONE WORD.
3
00:00:02,569 --> 00:00:04,080
DYING.
4
00:00:04,104 --> 00:00:06,049
THE BOARD WOULD SUPPORT A
TEMPORARY LEAVE OF ABSENCE.
5
00:00:06,073 --> 00:00:07,751
WHAT ABOUT THE ALLEN
BARNES RETROSPECTIVE?
6
00:00:07,775 --> 00:00:08,818
WELL, WE HAVE LEO.
7
00:00:08,842 --> 00:00:11,087
TOWARDS THE END,
8
00:00:11,111 --> 00:00:13,656
IT'LL GET VERY CONFUSING
AND FRIGHTENING,
9
00:00:13,680 --> 00:00:14,958
AND NOT JUST FOR THE PATIENT.
10
00:00:14,982 --> 00:00:17,493
MAMA?
11
00:00:17,517 --> 00:00:18,928
MAMA.
12
00:00:18,952 --> 00:00:19,996
DADDY, SHH...
13
00:00:20,020 --> 00:00:21,164
MAMA.
14
00:00:21,188 --> 00:00:22,165
IS THIS BETTE PORTER'S BABY?
15
00:00:22,189 --> 00:00:22,932
OUR BABY.
16
00:00:22,956 --> 00:00:24,034
HELENA, I'M TIRED.
17
00:00:24,058 --> 00:00:25,702
I JUST WANT TO
GO HOME, BE ALONE.
18
00:00:25,726 --> 00:00:28,171
YOU WON'T BE ALONE, BUT
YOU'LL STILL GET LONELY.
19
00:00:28,195 --> 00:00:29,573
I WAS WONDERING WHEN
I WOULD SEE YOU IN HERE.
20
00:00:29,597 --> 00:00:31,007
YOU HAVEN'T COME IN FOR DINNER.
21
00:00:31,031 --> 00:00:32,341
OH, MY GOD.
22
00:00:32,365 --> 00:00:34,510
YOU DON'T HAVE TO
GET PERMISSION FROM ME
23
00:00:34,534 --> 00:00:35,912
TO GO OUT TO
DINNER WITH YOUR EX.
24
00:00:35,936 --> 00:00:38,414
YOU GUYS SHOULD BE FRIENDS.
25
00:00:38,438 --> 00:00:41,517
WHAT YOU'RE TALKING
ABOUT IS A SECOND DINNER.
26
00:00:41,541 --> 00:00:42,452
KIT!
27
00:00:42,476 --> 00:00:43,619
DADDY?
28
00:00:43,643 --> 00:00:47,056
[SOBBING]
29
00:00:47,080 --> 00:00:48,591
DID JENNY INVITE YOU?
30
00:00:48,615 --> 00:00:49,759
HAVE YOU SEEN HER?
31
00:00:49,783 --> 00:00:51,015
[CHEERING]
32
00:01:06,400 --> 00:01:09,667
[♪♪♪]
33
00:03:02,516 --> 00:03:05,450
[CAR ALARM BLARING IN DISTANCE]
34
00:03:09,557 --> 00:03:12,490
[DANCE MUSIC
THROBBING INSIDE CLUB]
35
00:03:19,066 --> 00:03:20,710
HEY.
36
00:03:20,734 --> 00:03:22,345
HEY, LADY.
37
00:03:22,369 --> 00:03:24,281
WHAT ARE YOU DOING HERE, LADY?
38
00:03:24,305 --> 00:03:25,481
I CAME TO SEE YOU.
39
00:03:25,505 --> 00:03:28,151
WHAT DID YOU THINK?
40
00:03:28,175 --> 00:03:30,887
YOU WERE GOOD.
41
00:03:30,911 --> 00:03:33,757
NO, I WASN'T. I SUCKED.
42
00:03:33,781 --> 00:03:35,058
HERE.
43
00:03:35,082 --> 00:03:37,927
IT DOESN'T MATTER IF I'M GOOD.
44
00:03:37,951 --> 00:03:40,229
BUT WHY... WHY
ARE YOU DOING THIS?
45
00:03:40,253 --> 00:03:42,165
BECAUSE, WHEN I'M IN THERE,
46
00:03:42,189 --> 00:03:45,035
IT'S MY FUCKING CHOICE
WHEN I TAKE OFF MY TOP,
47
00:03:45,059 --> 00:03:46,569
WHEN I WANT TO SHOW MY BREASTS,
48
00:03:46,593 --> 00:03:48,404
AND IT'S MY FUCKING CHOICE
49
00:03:48,428 --> 00:03:51,307
WHEN I TAKE OFF MY
PANTS AND I SHOW MY PUSSY,
50
00:03:51,331 --> 00:03:52,741
AND THEN I STOP
WHEN I WANT TO STOP,
51
00:03:52,765 --> 00:03:55,344
AND IT MAKES ME FEEL
GOOD BECAUSE I'M IN CHARGE,
52
00:03:55,368 --> 00:03:56,645
AND IT HELPS ME REMEMBER
53
00:03:56,669 --> 00:03:59,849
ALL THIS CHILDHOOD
SHIT THAT HAPPENS TO ME.
54
00:03:59,873 --> 00:04:01,084
YOU KNOW, AND I HAVE TO.
55
00:04:01,108 --> 00:04:02,418
IT'S IMPORTANT.
56
00:04:02,442 --> 00:04:05,754
DO YOU REMEMBER WHAT
HAPPENED TO YOU AS A CHILD?
57
00:04:05,778 --> 00:04:06,956
THAT MAKES YOU NOT WANT TO...
58
00:04:06,980 --> 00:04:08,491
WHAT DO YOU MEAN?
59
00:04:08,515 --> 00:04:10,026
NO, SERIOUSLY. NO, NO,
NO. JUST HEAR ME OUT.
60
00:04:10,050 --> 00:04:11,694
DO YOU REMEMBER THE SHIT
THAT HAPPENED TO YOU AS A CHILD
61
00:04:11,718 --> 00:04:15,319
THAT MAKES YOU NOT WANT
TO TRUST PEOPLE AS AN ADULT?
62
00:04:16,890 --> 00:04:18,368
YEAH, I PROBABLY DO.
63
00:04:18,392 --> 00:04:20,992
WELL, THEN, YOU'RE
FUCKING LUCKY.
64
00:04:22,129 --> 00:04:25,341
I DON'T KNOW HOW THAT
MAKES ME SO LUCKY.
65
00:04:25,365 --> 00:04:28,511
BECAUSE YOU CAN GET
ON WITH YOUR FUCKING LIFE,
66
00:04:28,535 --> 00:04:29,879
AND YOU'RE NOT DOGGED DOWN
67
00:04:29,903 --> 00:04:32,315
BY THESE HORRIBLE,
OPPRESSIVE CHILDHOOD MEMORIES,
68
00:04:32,339 --> 00:04:34,217
AND YOU KNOW, YOU STAND A CHANCE
69
00:04:34,241 --> 00:04:37,887
OF BEING A NORMAL,
PRODUCTIVE PERSON.
70
00:04:37,911 --> 00:04:40,846
WELL, DO YOU KNOW
WHAT HAPPENED TO YOU?
71
00:04:41,982 --> 00:04:43,926
I DON'T KNOW.
72
00:04:43,950 --> 00:04:45,595
YOU KNOW, LIKE, I
REMEMBER THINGS,
73
00:04:45,619 --> 00:04:48,365
AND THEN, LIKE, I
THINK, "IS THIS TRUE?
74
00:04:48,389 --> 00:04:50,833
DID THIS STUFF REALLY
HAPPEN, OR AM I MAKING IT UP?"
75
00:04:50,857 --> 00:04:52,902
BECAUSE, YOU KNOW,
THE OLDER I GET,
76
00:04:52,926 --> 00:04:55,472
THINGS, THE MEMORY SORT
OF BECOMES A LITTLE BLURRY,
77
00:04:55,496 --> 00:04:58,608
AND THEN IT'S LIKE...
78
00:04:58,632 --> 00:05:00,810
I DON'T KNOW, BUT...
79
00:05:00,834 --> 00:05:03,445
YOU JUST DON'T KNOW
THE TRUTH ANYMORE.
80
00:05:03,469 --> 00:05:04,781
ALL RIGHT, I GET THAT,
81
00:05:04,805 --> 00:05:07,017
BUT YOU DON'T HAVE
TO DO IT WITH THAT.
82
00:05:07,041 --> 00:05:08,184
I KNOW.
83
00:05:08,208 --> 00:05:09,185
WHAT IS THIS?
84
00:05:09,209 --> 00:05:10,286
I KNOW I DON'T.
85
00:05:10,310 --> 00:05:12,656
JUST KNOW THAT...
86
00:05:12,680 --> 00:05:13,690
I'M JUST SAYING
87
00:05:13,714 --> 00:05:14,924
YOU DON'T HAVE TO.
88
00:05:14,948 --> 00:05:16,192
YOU HAVE ME.
89
00:05:16,216 --> 00:05:17,326
YOU HAVE OTHER PEOPLE.
90
00:05:17,350 --> 00:05:18,427
YOU DON'T HAVE TO DO THIS ALONE.
91
00:05:18,451 --> 00:05:19,596
I KNOW. NO, I KNOW.
92
00:05:19,620 --> 00:05:22,821
I KNOW I'M NOT
ALONE, BUT I WANT TO.
93
00:05:24,558 --> 00:05:26,202
JUST BE CAREFUL.
94
00:05:26,226 --> 00:05:27,506
I KNOW.
95
00:05:29,129 --> 00:05:30,440
ALL RIGHT.
96
00:05:30,464 --> 00:05:31,741
LET'S GO HOME.
97
00:05:31,765 --> 00:05:34,711
NO, I'M GOING
TO... TAKE THE BUS.
98
00:05:34,735 --> 00:05:36,146
PROMISE YOU'RE GOING TO BE SAFE?
99
00:05:36,170 --> 00:05:38,136
I'M GOING TO SEE YOU AT HOME.
100
00:05:45,412 --> 00:05:47,846
[♪♪♪]
101
00:05:55,922 --> 00:05:57,433
I GOT THE BIRTHING TANK,
102
00:05:57,457 --> 00:05:58,902
BUT IT'S THE ONE THAT
YOU HAVE TO PUT TOGETHER.
103
00:05:58,926 --> 00:06:00,637
I KNOW THEY HAVE SOME
104
00:06:00,661 --> 00:06:02,305
WHERE ALL YOU HAVE TO DO
105
00:06:02,329 --> 00:06:04,629
IS PUMP IT UP.
106
00:06:06,200 --> 00:06:07,911
HELLO, GIRLS.
107
00:06:07,935 --> 00:06:10,012
WHAT ARE YOU DOING HERE?
108
00:06:10,036 --> 00:06:11,981
TINA, I NEED TO TALK
TO YOU FOR A MOMENT.
109
00:06:12,005 --> 00:06:13,082
DO YOU MIND?
110
00:06:13,106 --> 00:06:14,583
YES, I DO, ACTUALLY.
111
00:06:14,607 --> 00:06:16,018
TINA...
112
00:06:16,042 --> 00:06:18,487
I NEED YOU TO HAVE
LUNCH WITH ME TODAY.
113
00:06:18,511 --> 00:06:20,757
MY MOTHER'S IN TOWN.
114
00:06:20,781 --> 00:06:22,024
HOW DID YOU KNOW WE WERE HERE?
115
00:06:22,048 --> 00:06:23,092
WHAT, ARE YOU STALKING US?
116
00:06:23,116 --> 00:06:24,360
FOR YOUR INFORMATION,
117
00:06:24,384 --> 00:06:25,695
JAMES TOLD ME
WHERE YOU WOULD BE.
118
00:06:25,719 --> 00:06:27,129
HE SAID YOU HAD A
DOCTOR'S APPOINTMENT,
119
00:06:27,153 --> 00:06:29,765
FOLLOWED BY A TOUR
OF THE MATERNITY UNIT.
120
00:06:29,789 --> 00:06:31,334
I THOUGHT YOU WERE
HAVING YOUR BABY AT HOME.
121
00:06:31,358 --> 00:06:32,835
I'M HAVING A FINAL CHECK-UP,
122
00:06:32,859 --> 00:06:34,070
AND IF EVERYTHING LOOKS GOOD,
123
00:06:34,094 --> 00:06:35,371
I'M HAVING THE BABY AT HOME.
124
00:06:35,395 --> 00:06:36,772
I DON'T BELIEVE
JAMES TOLD YOU THAT.
125
00:06:36,796 --> 00:06:38,474
JAMES KNOWS NOT TO
GIVE OUT MY SCHEDULE.
126
00:06:38,498 --> 00:06:40,910
WHAT JAMES KNOWS
127
00:06:40,934 --> 00:06:42,278
IS THAT HE WANTS
TO KEEP HIS JOB.
128
00:06:42,302 --> 00:06:43,580
HE SEEMED TO HAVE
129
00:06:43,604 --> 00:06:45,515
RELATIVELY FEW QUALMS ABOUT IT.
130
00:06:45,539 --> 00:06:46,616
SO, WE'RE HAVING LUNCH
131
00:06:46,640 --> 00:06:47,817
AT LA TERAZZA.
132
00:06:47,841 --> 00:06:49,452
SHE'S REALLY LOOKING
FORWARD TO MEETING YOU.
133
00:06:49,476 --> 00:06:50,553
WHAT TIME DOES THIS TOUR FINISH?
134
00:06:50,577 --> 00:06:52,622
I'M NOT HAVING LUNCH WITH YOU,
135
00:06:52,646 --> 00:06:54,056
AND I DON'T LIKE THIS.
136
00:06:54,080 --> 00:06:55,691
WE HAVE A DOCTOR'S
APPOINTMENT RIGHT NOW,
137
00:06:55,715 --> 00:06:56,859
SO EXCUSE US.
138
00:06:56,883 --> 00:06:58,483
TINA...
139
00:07:00,486 --> 00:07:02,698
IT'S IMPORTANT, AND I'D
REALLY APPRECIATE IT.
140
00:07:02,722 --> 00:07:04,000
WHY DON'T YOU ASK
141
00:07:04,024 --> 00:07:05,968
ONE OF YOUR OTHER GIRLFRIENDS?
142
00:07:05,992 --> 00:07:07,637
THAT WAS UNCALLED FOR.
143
00:07:07,661 --> 00:07:09,205
I'M SORRY.
144
00:07:09,229 --> 00:07:11,040
MOTHER'S HEARD A LOT ABOUT YOU.
145
00:07:11,064 --> 00:07:12,508
SHE'S LOOKING FORWARD
TO MEETING YOU.
146
00:07:12,532 --> 00:07:15,478
YOU'RE ONE OF THE FEW PEOPLE
WHO CAN HOLD YOUR OWN WITH HER.
147
00:07:15,502 --> 00:07:17,680
EVERYONE ELSE JUST
FAWNS ALL OVER HER.
148
00:07:17,704 --> 00:07:18,715
IT'S TEDIOUS.
149
00:07:18,739 --> 00:07:20,082
NOT AS TEDIOUS AS
THIS IS BECOMING.
150
00:07:20,106 --> 00:07:22,952
WE'RE GOING INSIDE NOW.
151
00:07:22,976 --> 00:07:24,653
FINE.
152
00:07:24,677 --> 00:07:26,422
I'LL MAKE SURE THEY
TAKE GOOD CARE
153
00:07:26,446 --> 00:07:27,857
OF YOU IN THERE.
154
00:07:27,881 --> 00:07:29,001
WHAT?
155
00:07:44,131 --> 00:07:46,809
[GRUNTING, PANTING]
156
00:07:46,833 --> 00:07:48,678
YES.
157
00:07:48,702 --> 00:07:50,012
COME ON. I'M KICKING YOUR ASS.
158
00:07:50,036 --> 00:07:51,447
I'M NOT SURE I WANT IT THIS BAD.
159
00:07:51,471 --> 00:07:53,316
YES, YOU DO.
160
00:07:53,340 --> 00:07:55,451
YOU WANT TO WIN THIS TOURNAMENT.
161
00:07:55,475 --> 00:07:57,220
YOU WANT TO GO OUT A WINNER.
162
00:07:57,244 --> 00:07:59,255
WHY CAN'T I JUST BE A
SECOND-RATE TENNIS PLAYER
163
00:07:59,279 --> 00:08:01,324
WHO'S MORE FAMOUS
FOR BEING A LESBIAN?
164
00:08:01,348 --> 00:08:02,759
THAT'S OKAY WITH
ME, REALLY. IT'S FINE.
165
00:08:02,783 --> 00:08:03,792
BULLSHIT. I KNOW.
166
00:08:03,816 --> 00:08:04,961
[HONK]
167
00:08:04,985 --> 00:08:06,562
HI.
168
00:08:06,586 --> 00:08:07,630
HEY.
169
00:08:07,654 --> 00:08:09,365
WHAT'S UP?
170
00:08:09,389 --> 00:08:10,133
HEY.
171
00:08:10,157 --> 00:08:11,789
AL...
172
00:08:13,226 --> 00:08:14,270
I FOUND THEM IN THE HALLWAY.
173
00:08:14,294 --> 00:08:15,638
I THOUGHT MAYBE YOU FORGOT THEM.
174
00:08:15,662 --> 00:08:18,196
GO AHEAD. PUT THEM ON.
175
00:08:19,800 --> 00:08:22,544
UM, YOU DIDN'T SAY
GOODBYE THIS MORNING.
176
00:08:22,568 --> 00:08:24,914
I WOKE UP, I DIDN'T
KNOW WHERE YOU WERE.
177
00:08:24,938 --> 00:08:27,083
YOU KNEW I WAS TRAINING.
178
00:08:27,107 --> 00:08:29,385
I KNOW, BUT YOU COULD
HAVE WOKEN ME UP, OR SAID...
179
00:08:29,409 --> 00:08:30,720
OR LEFT ME A NOTE, OR...
180
00:08:30,744 --> 00:08:32,087
I MEAN, NOT LIKE I'M NEEDY.
181
00:08:32,111 --> 00:08:33,589
I DON'T NEED YOU
TO WRITE ME A NOTE,
182
00:08:33,613 --> 00:08:35,191
I JUST, UH...
183
00:08:35,215 --> 00:08:38,027
YEAH, I WAS JUST
MENTIONING IT. ANYWAY, SO...
184
00:08:38,051 --> 00:08:40,096
I'M SORRY I DIDN'T
LEAVE YOU A NOTE.
185
00:08:40,120 --> 00:08:43,900
ALL RIGHT, WELL,
LUCIA AND I NEED TO...
186
00:08:43,924 --> 00:08:44,967
GET HER IN SHAPE.
187
00:08:44,991 --> 00:08:47,036
YOU DON'T WANT
MAURESMO MAKING HER
188
00:08:47,060 --> 00:08:48,071
LOOK LIKE A PUSSY.
189
00:08:48,095 --> 00:08:49,472
I THINK AFTER YOU, LUCIA,
190
00:08:49,496 --> 00:08:51,307
MAURESMO'S GOING
TO LOOK LIKE A PUSSY.
191
00:08:51,331 --> 00:08:52,541
ALL RIGHT, UM, SEE
YOU AT THE PLANET?
192
00:08:52,565 --> 00:08:53,877
HUH?
193
00:08:53,901 --> 00:08:55,578
I CAN GET YOU A
SMOOTHIE OR SOMETHING.
194
00:08:55,602 --> 00:08:57,446
YOU KNOW IT'S GOING TO
BE, LIKE, AT LEAST AN HOUR.
195
00:08:57,470 --> 00:08:58,915
OH. I'LL BE WAITING.
196
00:08:58,939 --> 00:09:00,016
OKAY.
197
00:09:00,040 --> 00:09:01,450
DON'T I GET A KISS FOR
BRINGING YOUR GLOVES?
198
00:09:01,474 --> 00:09:02,674
I MEAN, COME ON.
199
00:09:04,077 --> 00:09:05,677
YEAH.
200
00:09:06,980 --> 00:09:08,324
THANK YOU.
201
00:09:08,348 --> 00:09:09,993
WATCH YOURSELF.
202
00:09:10,017 --> 00:09:11,783
BYE.
203
00:09:17,857 --> 00:09:18,857
OKAY.
204
00:09:23,163 --> 00:09:25,041
SHE REALLY LOVES ME, YOU KNOW.
205
00:09:25,065 --> 00:09:27,710
OH, IS THAT WHAT THAT IS?
206
00:09:27,734 --> 00:09:28,845
COME ON. GET YOUR ASS UP THERE.
207
00:09:28,869 --> 00:09:31,035
COME ON. GO, GO.
GO, GO, GO, GO, GO!
208
00:09:36,043 --> 00:09:37,976
[SIGHING]
209
00:09:40,613 --> 00:09:41,624
RIGHT THIS MINUTE,
210
00:09:41,648 --> 00:09:44,816
I'M HATING BEING A LESBIAN.
211
00:09:50,223 --> 00:09:53,202
WELL, I KNOW SOME LESBIANS
THAT ARE REALLY GOOD
212
00:09:53,226 --> 00:09:54,386
AT PUTTING THINGS TOGETHER.
213
00:09:55,495 --> 00:09:56,894
LIKE CARPENTERS?
214
00:09:59,198 --> 00:10:01,232
SORRY. THAT WAS A THROWBACK.
215
00:10:02,835 --> 00:10:06,215
WELL, MAYBE DAVINA CAN DO IT.
216
00:10:06,239 --> 00:10:07,817
SHE SAYS THAT SHE
MAKES A HOME VISIT
217
00:10:07,841 --> 00:10:09,852
ABOUT TWO DAYS
BEFORE THE BABY'S BORN.
218
00:10:09,876 --> 00:10:12,810
NO, I'M JUST GOING TO DO
IT AS A MATTER OF PRIDE.
219
00:10:17,184 --> 00:10:19,028
SO, HAS KIT HEARD FROM HER SON?
220
00:10:19,052 --> 00:10:21,097
MM. DAVID'S FLYING IN TONIGHT.
221
00:10:21,121 --> 00:10:22,498
UNCLE LEROY IS
TOO WEAK TO TRAVEL,
222
00:10:22,522 --> 00:10:24,901
BUT AUNT BECCA'S GOING
TO COME WITH ALL MY COUSINS
223
00:10:24,925 --> 00:10:25,902
TO THE MEMORIAL,
224
00:10:25,926 --> 00:10:27,002
AND MRS. STOUT,
225
00:10:27,026 --> 00:10:28,737
AND DADDY'S NURSE, FIONA.
226
00:10:28,761 --> 00:10:30,606
WHAT ABOUT BENJAMIN?
227
00:10:30,630 --> 00:10:32,108
KIT DOESN'T WANT HIM TO.
228
00:10:32,132 --> 00:10:36,278
SHE'S AFRAID IF SHE SEES
HIM, SHE'LL LOSE HER RESOLVE.
229
00:10:36,302 --> 00:10:37,413
POOR KIT.
230
00:10:37,437 --> 00:10:39,248
SHE'S COMPLETELY THROWN HERSELF
231
00:10:39,272 --> 00:10:40,304
INTO THIS MEMORIAL.
232
00:10:48,915 --> 00:10:51,226
SO, THAT'S... A BIRTHING TANK.
233
00:10:51,250 --> 00:10:52,362
BETTE.
234
00:10:52,386 --> 00:10:55,798
I'M HAVING A HOME BIRTH.
235
00:10:55,822 --> 00:10:57,633
I THINK IT'S GREAT
236
00:10:57,657 --> 00:11:00,335
THAT DR. WILSON
THINKS IT'S SAFE.
237
00:11:00,359 --> 00:11:03,105
I MEAN, THE BABY'S HEALTHY,
AND YOU'RE IN GREAT SHAPE.
238
00:11:03,129 --> 00:11:06,308
WHAT I MEANT IS, I'M
HAVING A HOME BIRTH,
239
00:11:06,332 --> 00:11:09,900
AND I WANT TO
HAVE IT IN MY HOME.
240
00:11:11,571 --> 00:11:14,884
YOU MEAN YOU WANT TO GIVE
BIRTH IN YOUR APARTMENT?
241
00:11:14,908 --> 00:11:15,885
NO.
242
00:11:15,909 --> 00:11:16,886
ARE YOU SURE,
243
00:11:16,910 --> 00:11:18,154
BECAUSE I'VE GOT EVERYTHING
244
00:11:18,178 --> 00:11:19,555
SO WELL-ORGANIZED,
AND I JUST THINK THAT...
245
00:11:19,579 --> 00:11:20,859
NO.
246
00:11:23,116 --> 00:11:25,049
I WANT...
247
00:11:26,786 --> 00:11:29,699
[VOICE BREAKING] TO
MOVE BACK INTO OUR HOUSE,
248
00:11:29,723 --> 00:11:34,871
AND I WANT TO HAVE
OUR BABY IN OUR HOME.
249
00:11:34,895 --> 00:11:38,429
I WANT ALL OF US TO
HAVE A HOME TOGETHER.
250
00:12:03,390 --> 00:12:05,834
HELENA, COME. JOIN US, DEAR.
251
00:12:05,858 --> 00:12:08,103
HEY!
252
00:12:08,127 --> 00:12:09,894
HOW ARE YOU?
253
00:12:11,998 --> 00:12:14,198
HELLO, HELENA.
254
00:12:20,006 --> 00:12:21,718
SEE YOU LATER.
255
00:12:21,742 --> 00:12:22,851
HELENA.
256
00:12:22,875 --> 00:12:24,108
STOP.
257
00:12:25,445 --> 00:12:27,544
COME BACK.
258
00:12:29,382 --> 00:12:30,882
SIT DOWN.
259
00:12:36,322 --> 00:12:38,033
COME AND SIT DOWN.
260
00:12:38,057 --> 00:12:39,524
DON'T BE A PETULANT CHILD.
261
00:12:42,562 --> 00:12:44,040
THERE WE GO.
262
00:12:44,064 --> 00:12:45,508
WHAT ARE THEY DOING HERE?
263
00:12:45,532 --> 00:12:47,443
AREN'T YOU HAPPY
TO SEE US, MUMMY?
264
00:12:47,467 --> 00:12:49,211
[HELENA]: OF COURSE
I AM, SWEETHEART.
265
00:12:49,235 --> 00:12:51,913
PEGGY CALLED ME AND
INVITED ME TO LUNCH,
266
00:12:51,937 --> 00:12:53,916
AND I WAS THRILLED
TO HEAR FROM HER.
267
00:12:53,940 --> 00:12:55,985
I WANTED TO SEE
MY GRANDCHILDREN,
268
00:12:56,009 --> 00:12:57,853
AND I, APPARENTLY,
HAVE MISSED A BIRTHDAY.
269
00:12:57,877 --> 00:12:58,888
YOU COULD HAVE CALLED ME.
270
00:12:58,912 --> 00:13:00,723
I WANTED TO SEE WINNIE, TOO.
271
00:13:00,747 --> 00:13:01,857
I HEAR THINGS ARE GETTING UGLY
272
00:13:01,881 --> 00:13:03,793
BETWEEN THE TWO OF YOU.
273
00:13:03,817 --> 00:13:06,162
I WON'T HAVE THAT, HELENA.
274
00:13:06,186 --> 00:13:08,697
YOU WON'T HAVE IT?
275
00:13:08,721 --> 00:13:12,434
EVERYTHING YOU
DO REFLECTS ON ME.
276
00:13:12,458 --> 00:13:14,236
PLEASE TRY TO REMEMBER THAT.
277
00:13:14,260 --> 00:13:15,972
AFTER VLADIMIR, MUMMY,
278
00:13:15,996 --> 00:13:17,540
I DON'T REALLY THINK THE
STANDARD WAS ALL THAT HIGH.
279
00:13:17,564 --> 00:13:18,975
HIS NAME WAS DRAGOMIR, DARLING,
280
00:13:18,999 --> 00:13:22,177
AND HE WAS NEVER MEANT
TO BE A STANDARD BEARER.
281
00:13:22,201 --> 00:13:24,680
YOUR MOTHER IS ACTUALLY
282
00:13:24,704 --> 00:13:26,048
INCREDIBLY GENEROUS, HELENA.
283
00:13:26,072 --> 00:13:27,249
YOU SHOULD TRY SEEING HER
284
00:13:27,273 --> 00:13:28,885
THE WAY THE REST OF
THE WORLD SEES HER.
285
00:13:28,909 --> 00:13:33,355
AND YOU SHOULD TRY SEEING HER
THE WAY HER CHILDREN SAW HER...
286
00:13:33,379 --> 00:13:36,114
OR RATHER, NEVER SAW HER.
287
00:13:37,450 --> 00:13:39,028
CAN I GET YOU SOMETHING?
288
00:13:39,052 --> 00:13:40,329
HAVE A BELLINI, DARLING.
289
00:13:40,353 --> 00:13:42,364
WE ALL ARE THEM.
290
00:13:42,388 --> 00:13:43,732
DO PLEASE LEAVE
291
00:13:43,756 --> 00:13:44,900
THE "POOR DAMAGED
CHILD" NONSENSE
292
00:13:44,924 --> 00:13:46,134
FOR YOUR PSYCHIATRIST.
293
00:13:46,158 --> 00:13:47,769
NOT THE ONE WHO'S SUING YOU,
294
00:13:47,793 --> 00:13:49,905
THE ONE WHO'S STILL
TAKING YOUR PHONE CALLS.
295
00:13:49,929 --> 00:13:51,239
[SNICKERS]
296
00:13:51,263 --> 00:13:52,575
I'LL HAVE A BLOODY
MARY, THANK YOU,
297
00:13:52,599 --> 00:13:55,277
WITH AN EXTRA SHOT.
298
00:13:55,301 --> 00:13:57,312
OH, I LOVE THESE
LITTLE LAMBY THINGS.
299
00:13:57,336 --> 00:13:58,381
DON'T YOU?
300
00:13:58,405 --> 00:13:59,882
THEY LOVE YOU TOO, PEGGY.
301
00:13:59,906 --> 00:14:00,749
OH, CHRIST.
302
00:14:00,773 --> 00:14:02,251
THEY WERE SO EXCITED
303
00:14:02,275 --> 00:14:03,552
WHEN I TOLD THEM WE
WERE HAVING LUNCH
304
00:14:03,576 --> 00:14:05,710
WITH DAMA TEH TEH.
305
00:14:07,147 --> 00:14:09,825
I'M NOT ABOUT TO
LOSE THEM, HELENA,
306
00:14:09,849 --> 00:14:11,927
SO I'VE MADE A
PROPOSITION TO WINNIE.
307
00:14:11,951 --> 00:14:13,729
YOU PROPOSITIONED EVERYONE ELSE.
308
00:14:13,753 --> 00:14:16,064
YOU MAY AS WELL
PROPOSITION MY EX.
309
00:14:16,088 --> 00:14:18,501
WINNIE IS GOING TO HAVE
THE CO-OP ON GRAMERCY PARK.
310
00:14:18,525 --> 00:14:20,436
MY PRECIOUS LITTLE SQUIRRELYKINS
311
00:14:20,460 --> 00:14:21,570
ARE GOING TO LIVE IN THE MANNER
312
00:14:21,594 --> 00:14:23,839
TO WHICH THEY'VE
BECOME ACCUSTOMED,
313
00:14:23,863 --> 00:14:25,374
AND THEY'RE GOING TO BE ABLE
314
00:14:25,398 --> 00:14:27,518
TO SEE THEIR DAMA TEH
TEH ANYTIME THEY WANT.
315
00:15:13,345 --> 00:15:14,724
[CRYING] DADDY.
316
00:15:14,748 --> 00:15:16,825
♪ SAY HALLELUJAH ♪
317
00:15:16,849 --> 00:15:18,727
♪ THROW UP YOUR HANDS ♪
318
00:15:18,751 --> 00:15:20,963
♪ THE BUCKET IS KICKED ♪
319
00:15:20,987 --> 00:15:23,132
♪ THE BODY IS GONE ♪
320
00:15:23,156 --> 00:15:24,967
♪ CLOSE YOUR EYES ♪
321
00:15:24,991 --> 00:15:26,802
♪ AND BOW YOUR HEAD ♪
322
00:15:26,826 --> 00:15:28,570
♪ TO REST YOUR SOUL ♪
323
00:15:28,594 --> 00:15:31,529
♪ AND PRAISE THE DEAD ♪
324
00:15:37,103 --> 00:15:39,915
♪ SAY HALLELUJAH ♪
325
00:15:39,939 --> 00:15:42,084
♪ THROW UP YOUR HANDS ♪
326
00:15:42,108 --> 00:15:44,153
♪ THE BUCKET IS KICKED ♪
327
00:15:44,177 --> 00:15:45,955
♪ THE BODY IS GONE ♪
328
00:15:45,979 --> 00:15:48,323
♪ DRY YOUR EYES ♪
329
00:15:48,347 --> 00:15:49,792
♪ AND STAND UPRIGHT ♪
330
00:15:49,816 --> 00:15:51,794
♪ PUT A SMILE ON YOUR FACE ♪
331
00:15:51,818 --> 00:15:53,895
♪ HE WOULDN'T WANT US TO CRY ♪
332
00:15:53,919 --> 00:15:55,597
♪ MM ♪
333
00:15:55,621 --> 00:15:57,600
♪ OOH ♪
334
00:15:57,624 --> 00:15:59,668
♪ MM ♪
335
00:15:59,692 --> 00:16:01,536
♪ OOH ♪
336
00:16:01,560 --> 00:16:02,905
♪ THE SUN WILL RISE ♪
337
00:16:02,929 --> 00:16:05,074
♪ THE STARS WILL SHINE ♪
338
00:16:05,098 --> 00:16:08,677
♪ TURNING DAY TO DUSK
AND NIGHT TO DAWN ♪
339
00:16:08,701 --> 00:16:10,446
♪ WE'LL PASS ON ♪
340
00:16:10,470 --> 00:16:12,314
♪ BUT UNTIL THAT TIME ♪
341
00:16:12,338 --> 00:16:14,471
♪ SAY HALLELUJAH ♪
342
00:16:15,542 --> 00:16:18,009
♪ HALLELUJAH ♪
343
00:16:19,779 --> 00:16:22,691
♪ SAY HALLELUJAH ♪
344
00:16:22,715 --> 00:16:25,649
♪ HALLELUJAH ♪♪
345
00:16:26,886 --> 00:16:28,197
I'M SORRY.
346
00:16:28,221 --> 00:16:29,898
THANK YOU.
347
00:16:29,922 --> 00:16:32,468
WHERE'S TINA?
348
00:16:32,492 --> 00:16:35,203
OH, I HAD HER GO HOME.
349
00:16:35,227 --> 00:16:36,706
SHE SHOULDN'T BE ON
HER FEET FOR TOO LONG.
350
00:16:36,730 --> 00:16:38,662
YEAH. OKAY.
351
00:16:41,801 --> 00:16:43,813
WHAT'S GLORIA
STEINEM DOING HERE?
352
00:16:43,837 --> 00:16:46,281
[STEINEM]: YOUR FATHER
WAS A GREAT MAN.
353
00:16:46,305 --> 00:16:47,871
THANKS.
354
00:16:55,848 --> 00:16:58,227
I'M GLORIA.
355
00:16:58,251 --> 00:16:59,728
I WAS A FRIEND OF YOUR FATHER'S.
356
00:16:59,752 --> 00:17:01,897
MY FATHER TALKED
ABOUT YOU A LOT.
357
00:17:01,921 --> 00:17:03,854
[♪♪♪]
358
00:17:08,261 --> 00:17:09,438
THANKS.
359
00:17:09,462 --> 00:17:10,606
HI.
360
00:17:10,630 --> 00:17:11,841
HEY.
361
00:17:11,865 --> 00:17:13,475
EVERYTHING LOOKS BEAUTIFUL.
362
00:17:13,499 --> 00:17:14,576
YOU'VE DONE SUCH
A WONDERFUL JOB.
363
00:17:14,600 --> 00:17:15,745
KIT'S SO LUCKY TO HAVE YOU.
364
00:17:15,769 --> 00:17:18,246
I'M LUCKY. I LOVE MY JOB.
365
00:17:18,270 --> 00:17:20,716
AND YOU'RE GOOD AT IT, SO...
366
00:17:20,740 --> 00:17:22,940
AND YOU LOOK GOOD DOING IT.
367
00:17:27,880 --> 00:17:29,358
WE'RE NOT GOING TO GO THERE.
368
00:17:29,382 --> 00:17:31,293
NO. NO.
369
00:17:31,317 --> 00:17:34,096
NO, WE'RE DEFINITELY
NOT GOING TO GO THERE.
370
00:17:34,120 --> 00:17:35,097
BUT YOU'RE VERY CUTE.
371
00:17:35,121 --> 00:17:37,021
AW, SHUT UP.
372
00:17:39,292 --> 00:17:41,225
[♪♪♪]
373
00:17:44,730 --> 00:17:46,408
I... I GOT TO GO.
374
00:17:46,432 --> 00:17:47,943
OKAY. BYE.
375
00:17:47,967 --> 00:17:49,645
BYE.
376
00:17:49,669 --> 00:17:51,814
SORRY. EXCUSE ME.
377
00:17:51,838 --> 00:17:54,350
HI.
378
00:17:54,374 --> 00:17:55,884
HEY. WHAT'S UP?
379
00:17:55,908 --> 00:17:57,686
NOTHING, YOU KNOW,
JUST TALKING TO LARA.
380
00:17:57,710 --> 00:17:59,421
ABOUT WHAT A NICE
JOB SHE'S DOING, SO...
381
00:17:59,445 --> 00:18:01,457
THIS IS KIND OF OUT OF THE BLUE,
382
00:18:01,481 --> 00:18:02,824
BUT, UM...
383
00:18:02,848 --> 00:18:04,827
THANK YOU VERY MUCH.
384
00:18:04,851 --> 00:18:06,495
WHAT DO YOU THINK
ABOUT MOVING IN WITH ME?
385
00:18:06,519 --> 00:18:07,496
MM-HMM.
386
00:18:07,520 --> 00:18:08,497
REALLY?
387
00:18:08,521 --> 00:18:10,165
WHAT?
388
00:18:10,189 --> 00:18:11,533
BECAUSE I KIND OF
FEEL LIKE MAYBE WE'RE...
389
00:18:11,557 --> 00:18:12,901
WAIT. ARE YOU SERIOUS?
390
00:18:12,925 --> 00:18:14,470
YEAH.
391
00:18:14,494 --> 00:18:16,472
AL, I DON'T KNOW.
392
00:18:16,496 --> 00:18:17,539
YOU DON'T KNOW?
393
00:18:17,563 --> 00:18:19,407
YOU'RE HAVING DOUBTS ABOUT US?
394
00:18:19,431 --> 00:18:21,276
NO.
395
00:18:21,300 --> 00:18:23,111
OH, MY G... NO.
396
00:18:23,135 --> 00:18:24,813
IF ANYTHING, IT'S THE OPPOSITE.
397
00:18:24,837 --> 00:18:25,981
THINGS ARE GOING
SO GOOD RIGHT NOW.
398
00:18:26,005 --> 00:18:27,716
DO YOU WANT TO SEE
OTHER PEOPLE? BECAUSE...
399
00:18:27,740 --> 00:18:29,084
WHAT?
400
00:18:29,108 --> 00:18:31,676
ALICE, WHERE DID YOU GET
THAT FROM WHAT I JUST SAID?
401
00:18:33,546 --> 00:18:35,924
OKAY.
402
00:18:35,948 --> 00:18:38,493
THANK YOU SO MUCH FOR COMING.
403
00:18:38,517 --> 00:18:40,529
IT WAS REALLY KIND OF YOU.
404
00:18:40,553 --> 00:18:41,697
IT WAS A BEAUTIFUL MEMORIAL.
405
00:18:41,721 --> 00:18:43,999
HE CERTAINLY WAS WELL-LOVED.
406
00:18:44,023 --> 00:18:46,101
YOU REALLY HONORED HIM, BETTE.
407
00:18:46,125 --> 00:18:48,058
THANK YOU.
408
00:18:53,499 --> 00:18:55,578
I'D LIKE TO TAKE THE
REST OF THE WEEK OFF
409
00:18:55,602 --> 00:18:56,979
TO SORT THROUGH HIS AFFAIRS,
410
00:18:57,003 --> 00:18:58,847
BUT I'LL BE IN THE
OFFICE ON MONDAY.
411
00:18:58,871 --> 00:19:00,415
I'M COMPLETELY UP TO SPEED.
412
00:19:00,439 --> 00:19:01,439
MM-HMM.
413
00:19:03,142 --> 00:19:04,853
IS THERE SOMETHING WRONG?
414
00:19:04,877 --> 00:19:06,588
UM...
415
00:19:06,612 --> 00:19:08,257
NOW'S NOT THE TIME, BETTE.
416
00:19:08,281 --> 00:19:09,925
COME AND SEE ME ON MONDAY.
417
00:19:09,949 --> 00:19:12,194
IF YOU HAVE
SOMETHING TO TELL ME,
418
00:19:12,218 --> 00:19:13,528
I WOULD RATHER YOU TOLD ME NOW.
419
00:19:13,552 --> 00:19:15,432
IS IT THE ALLEN BARNES EXHIBIT?
420
00:19:17,256 --> 00:19:19,701
UH, BETTE, UM...
421
00:19:19,725 --> 00:19:21,136
IN YOUR ABSENCE, UH...
422
00:19:21,160 --> 00:19:23,205
LEO HAS BEEN DOING A...
423
00:19:23,229 --> 00:19:26,508
A VERY, VERY GOOD JOB
OF FILLING YOUR SHOES.
424
00:19:26,532 --> 00:19:28,410
UH, SO GOOD, IN FACT,
425
00:19:28,434 --> 00:19:30,801
THAT WE'VE DECIDED
TO KEEP HIM ON.
426
00:19:33,539 --> 00:19:35,305
AS MY COEQUAL?
427
00:19:38,511 --> 00:19:40,110
UM...
428
00:19:43,416 --> 00:19:45,694
UH... BETTE, THE
BOARD HAS DECIDED
429
00:19:45,718 --> 00:19:47,351
TO BUY OUT YOUR CONTRACT.
430
00:19:52,024 --> 00:19:54,725
ARE YOU FIRING ME, FRANKLIN?
431
00:19:57,430 --> 00:19:58,774
BECAUSE I HAVE A
BABY ON THE WAY.
432
00:19:58,798 --> 00:19:59,975
THE SETTLEMENT IS
GOING TO GIVE YOU
433
00:19:59,999 --> 00:20:01,610
A NICE LITTLE CUSHION,
434
00:20:01,634 --> 00:20:05,080
AND TIME FOR YOU TO FIGURE OUT
WHAT YOU MIGHT WANT TO DO NEXT.
435
00:20:05,104 --> 00:20:06,548
I'LL TELL YOU WHAT
I'D LIKE TO DO NEXT.
436
00:20:06,572 --> 00:20:08,984
I'D LIKE TO FUCKING
MURDER SOMEBODY.
437
00:20:09,008 --> 00:20:10,652
YOU, MAYBE.
438
00:20:10,676 --> 00:20:12,288
OR YOUR FRIEND HELENA PEABODY.
439
00:20:12,312 --> 00:20:13,722
THAT'S NICE.
440
00:20:13,746 --> 00:20:15,123
THAT'S A REALLY... NICE THING
441
00:20:15,147 --> 00:20:17,593
TO DO TO SOMEONE WHILE
THEIR FATHER'S DYING.
442
00:20:17,617 --> 00:20:21,185
YOU'RE A CLASS ACT, FRANKLIN.
443
00:20:27,994 --> 00:20:29,738
WELL, WE CALL IT
"THE GLORIA PROJECT,"
444
00:20:29,762 --> 00:20:31,673
AND WE'RE COLLECTING AND TAPING
445
00:20:31,697 --> 00:20:32,907
ALL OF HER WORDS AND WORKS.
446
00:20:32,931 --> 00:20:34,410
IT WOULD BE GREAT
447
00:20:34,434 --> 00:20:35,644
IF YOU COULD VIDEOTAPE TONIGHT.
448
00:20:35,668 --> 00:20:36,678
OH, YEAH, WELL,
449
00:20:36,702 --> 00:20:37,880
I MEAN, FOR A FREE TICKET,
450
00:20:37,904 --> 00:20:39,281
I'D BE TOTALLY INTO IT.
451
00:20:39,305 --> 00:20:40,549
WELL, THERE YOU GO, THEN.
452
00:20:40,573 --> 00:20:42,083
8:00 AT THE WILTERN.
453
00:20:42,107 --> 00:20:43,085
WE'RE PLAYING,
454
00:20:43,109 --> 00:20:44,285
KINNIE STARR, AND
HEART IS HEADLINING.
455
00:20:44,309 --> 00:20:45,387
AWESOME.
456
00:20:45,411 --> 00:20:49,057
COOL. SEE YOU TONIGHT.
457
00:20:49,081 --> 00:20:50,592
LOOK, GLORIA,
458
00:20:50,616 --> 00:20:51,793
I'VE BEEN BEGGING
YOU FOR 15 YEARS
459
00:20:51,817 --> 00:20:53,361
TO SLEEP WITH ME,
460
00:20:53,385 --> 00:20:54,563
AND IT'S BECAUSE I CARE
ABOUT YOU AND I LOVE YOU.
461
00:20:54,587 --> 00:20:56,365
I DON'T WANT YOU TO MISS OUT,
462
00:20:56,389 --> 00:20:57,933
AND I KNOW, I KNOW...
463
00:20:57,957 --> 00:21:00,535
NOT EVERY FEMINIST IS A LESBIAN.
464
00:21:00,559 --> 00:21:01,837
'CAUSE I HAVEN'T
SLEPT WITH A WOMAN
465
00:21:01,861 --> 00:21:04,340
AND I AM DEFINITELY A FEMINIST.
466
00:21:04,364 --> 00:21:05,874
DITTO FOR ME.
467
00:21:05,898 --> 00:21:06,908
BUT, YOU KNOW,
468
00:21:06,932 --> 00:21:07,909
WE'RE IN A COUNTRY
469
00:21:07,933 --> 00:21:09,878
WHERE ALL FEMINISTS
ARE LESBIANS, RIGHT?
470
00:21:09,902 --> 00:21:11,146
AND THEY THINK
THAT ALL FEMINISTS
471
00:21:11,170 --> 00:21:13,048
ARE MAN-HATERS, SO, NATURALLY,
472
00:21:13,072 --> 00:21:14,983
THEY'RE LESBIANS, RIGHT?
473
00:21:15,007 --> 00:21:16,885
IT'S REALLY BANANAS, BECAUSE,
474
00:21:16,909 --> 00:21:18,220
IN MY EXPERIENCE,
475
00:21:18,244 --> 00:21:19,921
IT'S THE WOMEN WHO LIVE
WITH MEN WHO HATE MEN.
476
00:21:19,945 --> 00:21:21,423
[LAUGHTER]
477
00:21:21,447 --> 00:21:23,224
THE LESBIANS CAN KIND OF TAKE IT
478
00:21:23,248 --> 00:21:24,360
OR LEAVE IT ALONE.
479
00:21:24,384 --> 00:21:26,328
THEY'RE FRIENDS WITH MEN, RIGHT?
480
00:21:26,352 --> 00:21:28,330
ANOTHER BIG MISCONCEPTION
481
00:21:28,354 --> 00:21:29,364
IS THAT IF YOU'RE A LESBIAN,
482
00:21:29,388 --> 00:21:30,832
YOU'RE AUTOMATICALLY A FEMINIST,
483
00:21:30,856 --> 00:21:32,968
WHEREAS A LOT OF
GAY WOMEN THAT I KNOW
484
00:21:32,992 --> 00:21:35,571
ARE ABSOLUTELY
NOT FEMINISTS, RIGHT?
485
00:21:35,595 --> 00:21:37,294
THAT'S FOR SURE.
486
00:21:38,497 --> 00:21:39,796
WELL, I LIKE WOMEN.
487
00:21:41,434 --> 00:21:44,579
OKAY, BUT YOU HAVE TO ADMIT
THAT THAT'S WHAT GUYS SAY.
488
00:21:44,603 --> 00:21:45,680
"I LOVE WOMEN."
489
00:21:45,704 --> 00:21:46,748
YEAH.
490
00:21:46,772 --> 00:21:47,749
CAN I JUST SAY,
491
00:21:47,773 --> 00:21:48,751
SPEAKING AS SOMEONE
WHO SOMETIMES LIKES
492
00:21:48,775 --> 00:21:49,751
THE YOU-KNOW-WHAT...
493
00:21:49,775 --> 00:21:50,786
"YOU-KNOW-WHAT" MEANS...
494
00:21:50,810 --> 00:21:52,187
SEX WITH MEN, RIGHT?
495
00:21:52,211 --> 00:21:54,356
YEAH, I DIDN'T WANT
TO OFFEND YOU,
496
00:21:54,380 --> 00:21:56,880
BUT I LIKE THE PENIS.
497
00:21:58,217 --> 00:21:59,161
NO, NO, NO.
498
00:21:59,185 --> 00:22:00,094
YOU DON'T OFFEND ME.
499
00:22:00,118 --> 00:22:01,630
I LIKE SEX WITH MEN TOO.
500
00:22:01,654 --> 00:22:05,867
LET'S JUST SAY THAT
I'M PREDISPOSED.
501
00:22:05,891 --> 00:22:08,292
I BET A LOT OF YOU ARE
PREDISPOSED, RIGHT?
502
00:22:09,962 --> 00:22:11,472
PREDISPOSED.
503
00:22:11,496 --> 00:22:13,229
RIGHT HERE!
504
00:22:14,934 --> 00:22:16,745
100%.
505
00:22:16,769 --> 00:22:18,313
AS FAR BACK AS I CAN
REMEMBER, YEAH, ME TOO.
506
00:22:18,337 --> 00:22:20,316
NOT ME.
507
00:22:20,340 --> 00:22:22,584
I FOLLOW THE HEART,
NOT THE ANATOMY.
508
00:22:22,608 --> 00:22:23,719
IT'S ALWAYS SO COMPLICATED,
509
00:22:23,743 --> 00:22:24,719
ISN'T IT?
510
00:22:24,743 --> 00:22:25,888
SOME PEOPLE HAVE A CHOICE,
511
00:22:25,912 --> 00:22:28,090
AND SOME PEOPLE DON'T
ABOUT THIS THING, RIGHT?
512
00:22:28,114 --> 00:22:29,725
MM.
513
00:22:29,749 --> 00:22:32,060
RIGHT.
514
00:22:32,084 --> 00:22:33,228
YOU KNOW WHAT? TO CHOICE.
515
00:22:33,252 --> 00:22:34,396
RIGHT. TO CHOICE.
516
00:22:34,420 --> 00:22:35,685
YES.
517
00:22:39,458 --> 00:22:40,736
CHEERS.
518
00:22:40,760 --> 00:22:42,070
CHEERS.
519
00:22:42,094 --> 00:22:43,238
AND TO MELVIN.
520
00:22:43,262 --> 00:22:44,239
AND TO MELVIN.
521
00:22:44,263 --> 00:22:45,263
TO MELVIN.
522
00:22:51,604 --> 00:22:54,871
[♪♪♪]
523
00:23:06,619 --> 00:23:08,163
[SHANE]: YEAH. THIS
SHOULD BE COOL.
524
00:23:08,187 --> 00:23:11,332
IT'S A BENEFIT FOR
THE MS. FOUNDATION.
525
00:23:11,356 --> 00:23:13,235
GLORIA STEINEM IS HOSTING IT.
526
00:23:13,259 --> 00:23:14,636
AWESOME. THANKS FOR INVITING ME.
527
00:23:14,660 --> 00:23:15,993
ALL RIGHT.
528
00:23:17,463 --> 00:23:19,396
HOLD ON.
529
00:23:25,971 --> 00:23:27,904
WHAT'S THIS?
530
00:23:29,775 --> 00:23:31,453
OKAY.
531
00:23:31,477 --> 00:23:33,188
THANK YOU.
532
00:23:33,212 --> 00:23:35,156
IS IT OKAY?
533
00:23:35,180 --> 00:23:36,558
NO, NO. I'VE GOT IT.
534
00:23:36,582 --> 00:23:38,694
OH. WOW.
535
00:23:38,718 --> 00:23:40,262
SURE. I DON'T KNOW.
536
00:23:40,286 --> 00:23:42,197
I'M JUST NOT USED
TO BEING TREATED
537
00:23:42,221 --> 00:23:44,065
LIKE SUCH A GIRL, I GUESS, SO...
538
00:23:44,089 --> 00:23:46,234
WHAT ARE YOU TALKING ABOUT,
539
00:23:46,258 --> 00:23:49,004
"TREATED LIKE A GIRL?"
540
00:23:49,028 --> 00:23:50,105
NO, I THOUGHT I'D TREAT YOU.
541
00:23:50,129 --> 00:23:52,540
OH. OKAY. RIGHT.
542
00:23:52,564 --> 00:23:55,310
I GET THE DIFFERENCE.
543
00:23:55,334 --> 00:23:57,078
ARE WE READY?
544
00:23:57,102 --> 00:23:58,602
YEAH.
545
00:24:06,579 --> 00:24:08,812
[♪♪♪]
546
00:24:12,051 --> 00:24:14,629
YOU EVER GET A GIRL PREGNANT?
547
00:24:14,653 --> 00:24:16,753
NO. HAVE YOU?
548
00:24:18,557 --> 00:24:22,571
I THINK YOU'D LOOK
AMAZING PREGNANT.
549
00:24:22,595 --> 00:24:25,696
MAYBE WE SHOULD
HAVE A BABY TOGETHER.
550
00:24:30,570 --> 00:24:32,080
YOU REALLY ARE
551
00:24:32,104 --> 00:24:34,304
THE FUCKING SCOURGE OF
THE UNIVERSE, AREN'T YOU?
552
00:24:35,541 --> 00:24:37,052
HELLO, LEIGH.
553
00:24:37,076 --> 00:24:38,220
IT'S NICE TO SEE YOU.
554
00:24:38,244 --> 00:24:39,221
I'M SORRY.
555
00:24:39,245 --> 00:24:40,221
ARE YOU TALKING TO ME?
556
00:24:40,245 --> 00:24:41,390
I DON'T KNOW.
557
00:24:41,414 --> 00:24:43,892
DID YOU EVER EVEN
CARE ABOUT TINA?
558
00:24:43,916 --> 00:24:45,427
YOU WOULDN'T HAVE
DONE WHAT YOU DID TO ME,
559
00:24:45,451 --> 00:24:46,661
BECAUSE IT AFFECTS HER TOO.
560
00:24:46,685 --> 00:24:47,996
DID YOU EVEN STOP
TO THINK ABOUT THAT?
561
00:24:48,020 --> 00:24:49,230
YOU'RE UNDER A MISAPPREHENSION
562
00:24:49,254 --> 00:24:51,233
IF YOU THINK I HAD
ANYTHING TO DO WITH THAT.
563
00:24:51,257 --> 00:24:52,501
THAT'S BULLSHIT.
564
00:24:52,525 --> 00:24:53,701
[LEIGH]: WHAT ARE YOU
TWO TALKING ABOUT?
565
00:24:53,725 --> 00:24:55,036
HELLO.
566
00:24:55,060 --> 00:24:57,205
WHY, BETTE PORTER.
567
00:24:57,229 --> 00:24:58,773
PEGGY PEABODY.
568
00:24:58,797 --> 00:25:00,208
ARE YOU HERE BY
YOURSELF TONIGHT?
569
00:25:00,232 --> 00:25:02,143
BECAUSE I'M SORT OF
FEELING A BIT OF A GOOSEBERRY
570
00:25:02,167 --> 00:25:03,912
BETWEEN THESE TWO
HORNY LOVEBIRDS.
571
00:25:03,936 --> 00:25:06,214
ACTUALLY, I'M HERE
WITH MY PARTNER, TINA.
572
00:25:06,238 --> 00:25:07,616
AH, TINA.
573
00:25:07,640 --> 00:25:09,151
TINA...
574
00:25:09,175 --> 00:25:11,320
DIDN'T YOU JUST HAVE A TINA?
575
00:25:11,344 --> 00:25:12,888
OR IS THAT THE NEW POPULAR NAME
576
00:25:12,912 --> 00:25:14,244
FOR LESBIANS?
577
00:25:15,747 --> 00:25:16,892
ACTUALLY, MUMMY,
578
00:25:16,916 --> 00:25:20,351
IT'S, UM, IT'S THE SAME TINA.
579
00:25:22,321 --> 00:25:24,099
OH, DEAR.
580
00:25:24,123 --> 00:25:27,068
DID ANYONE HAPPEN TO SEE
581
00:25:27,092 --> 00:25:29,104
THE SURREALIST SHOW AT
THE MET A FEW YEARS AGO?
582
00:25:29,128 --> 00:25:31,005
DESIRE UNBOUND.
583
00:25:31,029 --> 00:25:32,306
IT WAS BRILLIANT.
584
00:25:32,330 --> 00:25:33,875
BRILLIANTLY CURATED.
585
00:25:33,899 --> 00:25:35,444
THE MAN RAYS WERE
COMPLETELY BRILLIANT.
586
00:25:35,468 --> 00:25:36,878
FUCK BRILLIANT.
587
00:25:36,902 --> 00:25:38,279
I'M TALKING ABOUT HOW
THOSE PEOPLE FUCKED.
588
00:25:38,303 --> 00:25:39,747
THOSE SURREALISTS
CERTAINLY FUCKED A LOT,
589
00:25:39,771 --> 00:25:42,283
AND IT'S VERY WELL DOCUMENTED.
590
00:25:42,307 --> 00:25:44,886
ELUARD THE POET WAS
WITH THE BEAUTEOUS GALA,
591
00:25:44,910 --> 00:25:46,821
AND THEN GALA SLIPPED
OFF AND SEDUCED MAX ERNST,
592
00:25:46,845 --> 00:25:48,356
WHO THOUGHT HE WAS VERY
MUCH IN LOVE WITH LOUISE
593
00:25:48,380 --> 00:25:49,190
AT THE TIME.
594
00:25:49,214 --> 00:25:51,159
THEN GALA ENDED UP WITH DALI,
595
00:25:51,183 --> 00:25:54,428
AND THAT LEFT ELUARD AND LOUISE
596
00:25:54,452 --> 00:25:55,397
TO SHARE ANOTHER WOMAN,
597
00:25:55,421 --> 00:25:57,766
THE VERY STRANGE DENISE LEVY,
598
00:25:57,790 --> 00:25:59,401
WHO WAS BEING COURTED,
599
00:25:59,425 --> 00:26:01,169
AND BOINKED, I
BELIEVE, AT THE TIME BY...
600
00:26:01,193 --> 00:26:02,203
BRETON.
601
00:26:02,227 --> 00:26:04,239
BRETON, YES, AND
BOINKED BY PERET,
602
00:26:04,263 --> 00:26:06,374
AND BLABBITY-BLABBITY-BLAH.
603
00:26:06,398 --> 00:26:09,844
WELL, AT LEAST THEY
WROTE FABULOUS, TORTURED,
604
00:26:09,868 --> 00:26:11,513
SICK LOVE POEMS TO ONE ANOTHER.
605
00:26:11,537 --> 00:26:12,514
YES, MUMMY, 'CAUSE THAT...
606
00:26:12,538 --> 00:26:14,950
THAT ABSOLUTELY REDEEMED THEM.
607
00:26:14,974 --> 00:26:16,585
WELL, YOU KNOW,
608
00:26:16,609 --> 00:26:18,853
ALL THAT FUCKING, WITH NO ART
609
00:26:18,877 --> 00:26:21,857
IS REALLY RATHER DREARY.
610
00:26:21,881 --> 00:26:23,592
I HOPE YOU GIRLS
611
00:26:23,616 --> 00:26:25,460
WRITE FABULOUS, SICK, NEUROTIC,
612
00:26:25,484 --> 00:26:27,729
TORTURED LOVE
POEMS TO ONE ANOTHER.
613
00:26:27,753 --> 00:26:29,731
I'M ACTUALLY WORKING
ON SEVERAL RIGHT NOW.
614
00:26:29,755 --> 00:26:31,133
SEND ME ONE, WOULD YOU, BETTE?
615
00:26:31,157 --> 00:26:32,200
HEY, BETTE?
616
00:26:32,224 --> 00:26:33,367
HELLO.
617
00:26:33,391 --> 00:26:34,803
I'M SO SORRY TO INTERRUPT.
618
00:26:34,827 --> 00:26:36,705
TINA'S STILL IN THE BATHROOM,
619
00:26:36,729 --> 00:26:39,073
AND, UM, I THINK SHE
NEEDS YOUR HELP.
620
00:26:39,097 --> 00:26:40,809
EXCUSE ME, PEGGY.
621
00:26:40,833 --> 00:26:42,766
YES.
622
00:26:54,914 --> 00:26:57,914
BABY, ARE YOU OKAY?
623
00:26:59,251 --> 00:27:00,651
I THINK MY WATER JUST BROKE.
624
00:27:04,657 --> 00:27:07,257
OH, MY GOD.
625
00:27:10,062 --> 00:27:12,640
[PHONE RINGING]
626
00:27:12,664 --> 00:27:13,842
[BEEP]
627
00:27:13,866 --> 00:27:15,610
HI, DAVINA. IT'S BETTE PORTER.
628
00:27:15,634 --> 00:27:18,079
I AM IN THE BATHROOM
OF THE WILTERN THEATER
629
00:27:18,103 --> 00:27:20,214
WITH TINA AND A HUGE
PUDDLE OF WATER.
630
00:27:20,238 --> 00:27:22,917
[GROANING]
631
00:27:22,941 --> 00:27:23,985
KIT, KIT, KIT.
632
00:27:24,009 --> 00:27:25,253
HI.
633
00:27:25,277 --> 00:27:26,387
HEY.
634
00:27:26,411 --> 00:27:27,688
HOW ARE YOU? GOOD, GIRL.
635
00:27:27,712 --> 00:27:28,690
GOOD. OKAY, UM,
636
00:27:28,714 --> 00:27:30,525
BETTE WANTED ME TO TELL YOU
637
00:27:30,549 --> 00:27:32,026
THAT SHE AND TINA HAVE TO LEAVE,
638
00:27:32,050 --> 00:27:34,117
AND THAT EVERYTHING
IS GOING TO BE OKAY.
639
00:27:35,320 --> 00:27:36,797
WELL, WHAT HAPPENED?
640
00:27:36,821 --> 00:27:38,200
TINA'S WATER BROKE.
641
00:27:38,224 --> 00:27:39,768
OH, MY... OH, MY GOD!
642
00:27:39,792 --> 00:27:41,102
OH, MY GOD. COME
ON, WE'VE GOT TO GO.
643
00:27:41,126 --> 00:27:42,104
WHOA, WHOA, WHOA.
644
00:27:42,128 --> 00:27:43,171
MOM, MOM, MOM, SIT DOWN.
645
00:27:43,195 --> 00:27:44,339
THEY'VE PROBABLY
GOT HOURS TO GO.
646
00:27:44,363 --> 00:27:45,407
YEAH, YEAH, YEAH.
647
00:27:45,431 --> 00:27:46,641
PLUS SHE SAID THAT
SHE WANTS YOU TO STAY,
648
00:27:46,665 --> 00:27:48,843
AND SHE WANTS YOU
TO ENJOY THE CONCERT,
649
00:27:48,867 --> 00:27:50,779
AND... AND THAT SHE'S
GOING TO CALL YOU
650
00:27:50,803 --> 00:27:52,113
AS SOON AS SHE CAN.
651
00:27:52,137 --> 00:27:53,215
OKAY?
652
00:27:53,239 --> 00:27:54,249
OKAY.
653
00:27:54,273 --> 00:27:55,383
OH, CONGRATULATIONS!
654
00:27:55,407 --> 00:27:57,118
[M.C.]: LADIES AND GENTLEMEN,
655
00:27:57,142 --> 00:27:59,721
WELCOME TO A SPECIAL EVENING
OF MUSIC AND PERFORMANCE
656
00:27:59,745 --> 00:28:01,489
TO BENEFIT THE MS.
FOUNDATION FOR WOMEN.
657
00:28:01,513 --> 00:28:02,957
PLEASE WELCOME
THIS EVENING'S HOST,
658
00:28:02,981 --> 00:28:04,014
GLORIA STEINEM.
659
00:28:05,250 --> 00:28:08,063
REMEMBER WHEN EMMA GOLDMAN SAID,
660
00:28:08,087 --> 00:28:09,764
"IF THERE'S NO DANCING
AT THE REVOLUTION,
661
00:28:09,788 --> 00:28:10,999
I'M NOT COMING?"
662
00:28:11,023 --> 00:28:13,402
WELL, TONIGHT WE HAVE BOTH.
663
00:28:13,426 --> 00:28:14,969
THANKS TO BETTY,
THANKS TO HEART,
664
00:28:14,993 --> 00:28:16,371
WE HAVE THE MUSIC,
665
00:28:16,395 --> 00:28:19,341
AND THANKS TO ALL OF YOU,
WE HAVE THE REVOLUTION,
666
00:28:19,365 --> 00:28:21,876
AND WE ARE GOING TO NEED IT,
667
00:28:21,900 --> 00:28:24,212
BECAUSE THERE IS A
GUY IN THE WHITE HOUSE...
668
00:28:24,236 --> 00:28:25,547
[BOOING]
669
00:28:25,571 --> 00:28:27,148
WHO REPRESENTS ALL
THOSE RELIGIOUS EXTREMISTS
670
00:28:27,172 --> 00:28:30,252
THAT PEOPLE CAME TO
THIS COUNTRY TO ESCAPE.
671
00:28:30,276 --> 00:28:31,519
WHOO!
672
00:28:31,543 --> 00:28:33,021
BUT THAT'S BECAUSE
THERE'S A BACKLASH
673
00:28:33,045 --> 00:28:35,657
AGAINST ALL THE GREAT
SOCIAL JUSTICE MOVEMENTS,
674
00:28:35,681 --> 00:28:37,492
AND IF WE HADN'T
HAD A FRONTLASH,
675
00:28:37,516 --> 00:28:40,528
WE WOULDN'T NOW
BE HAVING A BACKLASH.
676
00:28:40,552 --> 00:28:41,996
SO WE'RE JUST
GOING TO KEEP GOING
677
00:28:42,020 --> 00:28:43,798
AND DO IT MORE AND BETTER.
678
00:28:43,822 --> 00:28:47,602
WE'RE GOING TO NOT ONLY VOTE,
BUT REFORM THE WAY WE VOTE.
679
00:28:47,626 --> 00:28:50,672
WE'RE GOING TO CONTRIBUTE
NOT ONLY WHEN WE'RE ASKED,
680
00:28:50,696 --> 00:28:52,940
BUT EVERY TIME WE PAY OUR BILLS.
681
00:28:52,964 --> 00:28:54,942
WE'RE NOT ONLY GOING
TO CHANGE WOMEN
682
00:28:54,966 --> 00:28:55,977
TO FIT THE WORLD,
683
00:28:56,001 --> 00:28:57,812
BUT CHANGE THE
WORLD TO FIT WOMEN,
684
00:28:57,836 --> 00:29:00,115
AND WE ARE GOING TO BECOME
685
00:29:00,139 --> 00:29:02,817
THE CHANGE WE WANT
TO SEE IN THE WORLD.
686
00:29:02,841 --> 00:29:05,887
SO, FIRST TONIGHT,
THEN THE WORLD.
687
00:29:05,911 --> 00:29:08,211
[APPLAUSE]
688
00:29:21,527 --> 00:29:23,805
♪ SHE'S GOT A MOTHER ♪
689
00:29:23,829 --> 00:29:26,774
♪ A DAUGHTER AND A LOVER ♪
690
00:29:26,798 --> 00:29:31,613
♪ YOU TELL ME WHY SHE
SHOULD NOW SAVE COVER ♪
691
00:29:31,637 --> 00:29:35,817
♪ YEAH, SHE'S GOT A MOTHER
A DAUGHTER, AND A LOVER ♪
692
00:29:35,841 --> 00:29:37,718
♪ BOY ON THE
STREET'S GOT HIS EYES ♪
693
00:29:37,742 --> 00:29:39,587
♪ PINNED ONTO ME ♪♪
694
00:29:39,611 --> 00:29:40,589
DO YOU THINK YOU MIGHT WANT
695
00:29:40,613 --> 00:29:42,791
TO COME OVER AFTER THIS?
696
00:29:42,815 --> 00:29:46,827
FOR A LITTLE WHILE?
697
00:29:46,851 --> 00:29:50,098
♪ SHAPE, SIZES,
HANDPRINTS, SHOE FITS ♪
698
00:29:50,122 --> 00:29:52,200
♪ THE SHAPES, SIZES,
HANDPRINTS, SHOE FITS ♪
699
00:29:52,224 --> 00:29:54,691
♪ AND OFF WITH THE UNDERWEAR ♪
700
00:29:55,961 --> 00:29:58,773
FOR A LITTLE BIT.
701
00:29:58,797 --> 00:30:00,842
♪ HE PENETRATES
ME WITH HIS STARE ♪
702
00:30:00,866 --> 00:30:03,345
♪ THIS IS NOT FAIR ♪
703
00:30:03,369 --> 00:30:05,635
♪ 'CAUSE HE PENETRATES
ME WITH HIS STARE ♪
704
00:30:12,877 --> 00:30:16,158
[APPLAUSE]
705
00:30:16,182 --> 00:30:18,115
THANK YOU.
706
00:30:19,752 --> 00:30:22,563
[♪♪♪]
707
00:30:22,587 --> 00:30:27,735
♪ I LIKE THE STORIES
YOU TELL ME ♪
708
00:30:27,759 --> 00:30:30,494
♪ I LIKE THE WAY YOU THINK ♪
709
00:30:31,663 --> 00:30:35,543
♪ I LIKE THE WAY
YOU SPEND MONEY ♪
710
00:30:35,567 --> 00:30:38,112
♪ I LIKE THE BEER YOU DRINK ♪
711
00:30:38,136 --> 00:30:39,681
♪ BUT ♪
712
00:30:39,705 --> 00:30:41,783
♪ I DON'T LIKE I DON'T LIKE ♪
713
00:30:41,807 --> 00:30:43,885
♪ I DON'T LIKE I DON'T LIKE ♪
714
00:30:43,909 --> 00:30:46,487
♪ I DON'T LIKE KISSING YOU ♪
715
00:30:46,511 --> 00:30:48,245
♪ YOU ♪
716
00:30:50,248 --> 00:30:51,926
♪ YOU ♪
717
00:30:51,950 --> 00:30:53,661
♪ YOU ♪
718
00:30:53,685 --> 00:30:56,965
♪ I LIKE THAT YOU
LIKE MY FAMILY ♪
719
00:30:56,989 --> 00:30:58,767
CAN I ASK YOU SOMETHING?
720
00:30:58,791 --> 00:31:03,404
UM, WHEN YOU SAID "TOO
FAST," WHAT'D YOU MEAN, LIKE?
721
00:31:03,428 --> 00:31:05,072
'CAUSE YOU AND TONYA
MOVED IN TOGETHER
722
00:31:05,096 --> 00:31:06,841
AFTER, LIKE, TWO DAYS.
723
00:31:06,865 --> 00:31:10,378
YEAH, I KNOW, THAT WAS
PART OF THE PROBLEM.
724
00:31:10,402 --> 00:31:12,146
I LIKE THIS.
725
00:31:12,170 --> 00:31:13,681
I LIKE... I LIKE...
726
00:31:13,705 --> 00:31:16,751
I LIKE YOU, I LIKE
US, I LIKE THE WAY...
727
00:31:16,775 --> 00:31:18,186
YOU LIKE ME?
728
00:31:18,210 --> 00:31:19,354
I'M CRAZY ABOUT
YOU, YOU KNOW THAT.
729
00:31:19,378 --> 00:31:21,256
I'M JUST, YOU KNOW...
730
00:31:21,280 --> 00:31:22,857
THE OTHER DAY YOU
FREAKED ME OUT.
731
00:31:22,881 --> 00:31:25,159
I CAN'T BELIEVE YOU
JUST SAID YOU LIKE ME.
732
00:31:25,183 --> 00:31:26,862
♪ I'M REALLY SORRY ♪
733
00:31:26,886 --> 00:31:29,230
♪ IF I HURT YOUR FEELINGS ♪
734
00:31:29,254 --> 00:31:33,200
♪ AND IF YOU NEVER
WANT TO SEE ME AGAIN ♪
735
00:31:33,224 --> 00:31:37,372
♪ BEFORE YOU GO CAN
YOU DO ME A FAVOR? ♪
736
00:31:37,396 --> 00:31:40,275
♪ INTRODUCE ME TO
YOUR BEST FRIEND ♪
737
00:31:40,299 --> 00:31:42,109
FREAKED YOU OUT HOW?
738
00:31:42,133 --> 00:31:43,445
WHAT?
739
00:31:43,469 --> 00:31:45,579
YOU SAID I FREAKED YOU
OUT THE OTHER NIGHT.
740
00:31:45,603 --> 00:31:47,115
WHERE? WHEN?
741
00:31:47,139 --> 00:31:48,850
NO, IT WAS WHEN...
742
00:31:48,874 --> 00:31:51,385
WHEN I HAD DINNER
WITH LARA THAT NIGHT,
743
00:31:51,409 --> 00:31:54,255
IT JUST SEEMED
LIKE IT, YOU KNOW...
744
00:31:54,279 --> 00:31:55,556
WHAT?
745
00:31:55,580 --> 00:31:59,126
IT SEEMED LIKE IT MADE
YOU A LITTLE CRAZY.
746
00:31:59,150 --> 00:32:01,796
LADIES AND GENTLEMEN,
PLEASE WELCOME HEART!
747
00:32:01,820 --> 00:32:03,586
[♪♪♪]
748
00:32:18,704 --> 00:32:20,949
♪ WE MAY STILL HAVE TIME ♪
749
00:32:20,973 --> 00:32:22,650
♪ WE MIGHT STILL GET BY ♪
750
00:32:22,674 --> 00:32:27,021
♪ EVERY TIME I THINK
ABOUT IT I WANT TO CRY ♪
751
00:32:27,045 --> 00:32:28,556
♪ WITH THE BOMBS AND THE DEVIL ♪
752
00:32:28,580 --> 00:32:30,391
♪ AND THE KIDS KEEP RUNNING ♪
753
00:32:30,415 --> 00:32:31,860
♪ NO WAY TO BREATHE EASY ♪
754
00:32:31,884 --> 00:32:35,952
♪ NO TIME TO BE YOUNG ♪
755
00:32:41,193 --> 00:32:45,206
♪ BUT I TELL MYSELF
I'M DOING ALL RIGHT ♪
756
00:32:45,230 --> 00:32:48,610
♪ THERE'S NOTHING
LEFT TO DO TONIGHT ♪
757
00:32:48,634 --> 00:32:51,412
♪ BUT GO CRAZY ON YOU ♪
758
00:32:51,436 --> 00:32:56,017
♪ CRAZY ON YOU ♪
759
00:32:56,041 --> 00:32:59,921
♪ LET ME GO CRAZY CRAZY ON YOU ♪
760
00:32:59,945 --> 00:33:01,523
♪ OH ♪
761
00:33:01,547 --> 00:33:05,026
♪ MY LOVE IS THE
EVENING BREEZE ♪
762
00:33:05,050 --> 00:33:06,694
♪ TOUCHING YOUR SKIN ♪
763
00:33:06,718 --> 00:33:11,032
♪ THE GENTLE SWEET SINGING
OF LEAVES IN THE WIND ♪
764
00:33:11,056 --> 00:33:14,202
♪ THE WHISPER THAT CALLS
AFTER YOU IN THE NIGHT ♪
765
00:33:14,226 --> 00:33:16,037
♪ AND KISSES YOUR EAR ♪
766
00:33:16,061 --> 00:33:20,308
♪ IN THE EARLY, EARLY LIGHT ♪
767
00:33:20,332 --> 00:33:22,076
♪ OOH ♪
768
00:33:22,100 --> 00:33:23,667
♪ YEAH ♪
769
00:33:25,904 --> 00:33:29,883
♪ YOU DON'T NEED TO
WONDER YOU'RE DOING FINE ♪
770
00:33:29,907 --> 00:33:31,886
♪ AND MY LOVE THE
PLEASURE'S MINE ♪
771
00:33:31,910 --> 00:33:33,455
♪ OH ♪
772
00:33:33,479 --> 00:33:35,923
♪ LET ME GO CRAZY ON YOU ♪
773
00:33:35,947 --> 00:33:39,326
♪ CRAZY ON YOU ♪
774
00:33:39,350 --> 00:33:44,299
♪ LET ME GO CRAZY CRAZY ON YOU ♪
775
00:33:44,323 --> 00:33:48,903
♪ OH ♪
776
00:33:48,927 --> 00:33:52,140
♪ WILD MAN'S WORLD
IS CRYING IN PAIN ♪
777
00:33:52,164 --> 00:33:55,577
♪ WHAT'RE YOU GONNA DO
WHEN EVERYBODY'S INSANE? ♪
778
00:33:55,601 --> 00:33:59,147
♪ SO AFRAID OF THE ONE
WHO'S SO AFRAID OF YOU ♪
779
00:33:59,171 --> 00:34:01,149
♪ WHAT'RE YOU GONNA DO? ♪
780
00:34:01,173 --> 00:34:03,784
♪ AH ♪
781
00:34:03,808 --> 00:34:06,776
♪ WHAT'RE YOU GONNA DO? ♪
782
00:34:09,814 --> 00:34:14,951
♪ AH... ♪
783
00:34:18,556 --> 00:34:23,705
♪ CRAZY... ON YOU ♪
784
00:34:23,729 --> 00:34:25,828
WHOO!
785
00:34:27,465 --> 00:34:32,847
♪ CRAZY ON YOU ♪
786
00:34:32,871 --> 00:34:34,148
♪ YEAH ♪
787
00:34:34,172 --> 00:34:36,951
♪ YEAH, YEAH ♪
788
00:34:36,975 --> 00:34:38,786
♪ I WANT TO GO CRAZY ♪
789
00:34:38,810 --> 00:34:42,890
♪ CRAZY ON YOU ♪
790
00:34:42,914 --> 00:34:47,495
♪ OH... ♪
791
00:34:47,519 --> 00:34:50,798
♪ YEAH, YEAH, YEAH ♪
792
00:34:50,822 --> 00:34:52,800
♪ YEAH ♪
793
00:34:52,824 --> 00:34:54,257
[APPLAUSE]
794
00:35:15,781 --> 00:35:18,047
[TINA GROANING]
795
00:35:21,353 --> 00:35:23,297
OW. I DON'T THINK I CAN
TAKE ANY MORE OF THIS.
796
00:35:23,321 --> 00:35:25,065
YES, YOU CAN. IT'S
GOING TO BE FINE.
797
00:35:25,089 --> 00:35:26,334
I'M RIGHT HERE,
798
00:35:26,358 --> 00:35:28,002
AND DAVINA'S HERE NOW TOO, OKAY?
799
00:35:28,026 --> 00:35:29,169
YOU MIGHT WANT TO THINK ABOUT
800
00:35:29,193 --> 00:35:30,638
GETTING IN THE TUB, TINA.
801
00:35:30,662 --> 00:35:33,863
COME ON. I'VE GOT YOU.
802
00:35:39,804 --> 00:35:41,649
CAN YOU GET IN?
803
00:35:41,673 --> 00:35:42,917
OKAY.
804
00:35:42,941 --> 00:35:44,385
I'VE GOT YOU.
805
00:35:44,409 --> 00:35:47,255
[GROANING]
806
00:35:47,279 --> 00:35:49,719
THERE YOU GO. LET ME GET THIS.
807
00:36:03,595 --> 00:36:05,406
I JUST HAVE TO SAY YOU
MADE ME FEEL TERRIBLE.
808
00:36:05,430 --> 00:36:06,507
I'M SORRY.
809
00:36:06,531 --> 00:36:07,842
YOU MADE ME FEEL SO BAD.
810
00:36:07,866 --> 00:36:09,611
WELL, I'VE SAID I'M SORRY.
811
00:36:09,635 --> 00:36:11,912
I WAS JUST TELLING
YOU HOW I FEEL.
812
00:36:11,936 --> 00:36:13,448
IT'S NOT LIKE IT'S YOUR FAULT.
813
00:36:13,472 --> 00:36:15,016
IT'S JUST, I MEAN,
814
00:36:15,040 --> 00:36:16,618
MAYBE I'M MAKING
MYSELF FEEL BAD,
815
00:36:16,642 --> 00:36:18,486
BUT I'M TURNING INTO
SOMEONE I CAN'T STAND.
816
00:36:18,510 --> 00:36:20,522
WHO? YOUR MOTHER?
817
00:36:20,546 --> 00:36:21,522
FUCK YOU.
818
00:36:21,546 --> 00:36:23,524
I'M SORRY. AL, AL...
819
00:36:23,548 --> 00:36:25,727
ALICE, COME HERE.
LOOK, I'M SORRY, OKAY?
820
00:36:25,751 --> 00:36:27,395
THAT WAS NOT EVEN
CLOSE TO FUNNY.
821
00:36:27,419 --> 00:36:28,595
I'M SORRY.
822
00:36:28,619 --> 00:36:29,864
LOOK, I DIDN'T EVEN...
823
00:36:29,888 --> 00:36:31,766
I DIDN'T KNOW I WAS
TURNING INTO SOMEONE
824
00:36:31,790 --> 00:36:34,802
WHO WAS ALL SMOTHERY
AND NEEDY AND CODEPENDENT.
825
00:36:34,826 --> 00:36:36,837
I MEAN, GROSS.
826
00:36:36,861 --> 00:36:39,040
I CAN'T THINK OF ANYTHING WORSE.
827
00:36:39,064 --> 00:36:41,542
MAYBE I SHOULDN'T
HAVE SAID ANYTHING.
828
00:36:41,566 --> 00:36:45,078
NO, I'M GLAD YOU SAID SOMETHING.
829
00:36:45,102 --> 00:36:47,849
LOOK, I MEAN, THINGS HAVE GOTTEN
830
00:36:47,873 --> 00:36:50,739
SUPER INTENSE BETWEEN
US SUPER FAST, AND I...
831
00:36:52,810 --> 00:36:54,421
I'VE NEVER FELT THIS WAY.
832
00:36:54,445 --> 00:36:55,890
I DON'T KNOW.
833
00:36:55,914 --> 00:36:59,360
IT'S... IT'S MAKING
ME ACT WEIRD.
834
00:36:59,384 --> 00:37:01,296
I THINK IT'S GOOD.
835
00:37:01,320 --> 00:37:03,630
IT'S NOT IF I GET
TOO ATTACHED TO IT.
836
00:37:03,654 --> 00:37:05,300
WHAT? WHY?
837
00:37:05,324 --> 00:37:07,601
WELL, I FEEL LIKE...
838
00:37:07,625 --> 00:37:10,405
I FEEL LIKE THAT
GUY WITH THE MOUSE,
839
00:37:10,429 --> 00:37:12,240
AND YOU KNOW, HE
LOVES THE MOUSE,
840
00:37:12,264 --> 00:37:13,674
AND HE HOLDS... YOU KNOW...
841
00:37:13,698 --> 00:37:15,209
WHAT ARE YOU TALKING ABOUT?
842
00:37:15,233 --> 00:37:17,278
HE, LIKE, LOVES THE
MOUSE SO MUCH...
843
00:37:17,302 --> 00:37:18,846
OH, THE... YEAH. YEAH.
844
00:37:18,870 --> 00:37:19,914
RIGHT. I DON'T WANT
TO BE LIKE THAT.
845
00:37:19,938 --> 00:37:22,249
WELL, THEN DON'T. DON'T.
846
00:37:22,273 --> 00:37:23,317
DON'T BE LENNY.
847
00:37:23,341 --> 00:37:25,186
DON'T SMOTHER THE MOUSE.
848
00:37:25,210 --> 00:37:26,620
JUST LET IT BREATHE, ALICE.
849
00:37:26,644 --> 00:37:27,689
AND THE WORST THING IS,
850
00:37:27,713 --> 00:37:29,123
I CAN'T EVEN CALL MY BEST FRIEND
851
00:37:29,147 --> 00:37:32,448
AND TALK TO HER ABOUT IT.
852
00:37:33,885 --> 00:37:36,085
I KNOW.
853
00:37:41,192 --> 00:37:44,205
BETTE, YOU CAN PUT
YOUR FINGERS THERE
854
00:37:44,229 --> 00:37:47,029
TO SEE IF YOU CAN FEEL ANYTHING.
855
00:37:49,367 --> 00:37:51,345
OH, MY GOD. I FEEL SOMETHING.
856
00:37:51,369 --> 00:37:53,080
LET'S TAKE A LOOK.
857
00:37:53,104 --> 00:37:55,582
EASY. COME ON.
858
00:37:55,606 --> 00:37:56,684
OKAY.
859
00:37:56,708 --> 00:38:00,388
JUST EASE RIGHT OUT.
860
00:38:00,412 --> 00:38:03,424
THE BABY'S HEAD IS RIGHT THERE.
861
00:38:03,448 --> 00:38:06,049
SHE'S GETTING READY TO JOIN US.
862
00:38:13,625 --> 00:38:15,470
THIS SHOULD PROBABLY BREATHE.
863
00:38:15,494 --> 00:38:17,972
[SETS WINE BOTTLE DOWN]
864
00:38:17,996 --> 00:38:20,374
I'M GOING TO GO.
865
00:38:20,398 --> 00:38:22,009
OKAY? BYE.
866
00:38:22,033 --> 00:38:23,313
NO.
867
00:38:33,010 --> 00:38:35,979
I DON'T WANT YOU TO GO.
868
00:38:46,157 --> 00:38:48,925
I MISS THE WAY YOU SMELL.
869
00:39:30,868 --> 00:39:33,236
[♪♪♪]
870
00:41:42,466 --> 00:41:43,577
LET'S ROLL HER ONTO HER SIDE
871
00:41:43,601 --> 00:41:44,979
TO TAKE SOME
PRESSURE OFF THE NECK.
872
00:41:45,003 --> 00:41:46,580
COME ON, ROLL OVER. COME ON.
873
00:41:46,604 --> 00:41:47,281
YOU CAN DO IT.
874
00:41:47,305 --> 00:41:48,315
YEAH. THERE YOU GO.
875
00:41:48,339 --> 00:41:49,916
OH...
876
00:41:49,940 --> 00:41:51,419
WHAT IS THAT?
877
00:41:51,443 --> 00:41:52,920
THAT'S MECONIUM.
878
00:41:52,944 --> 00:41:54,421
IT MEANS THAT THE
BABY IS IN SOME DISTRESS.
879
00:41:54,445 --> 00:41:55,923
I'M GOING TO HAVE TO RECOMMEND
880
00:41:55,947 --> 00:41:57,858
WE MOVE THIS TO THE HOSPITAL.
881
00:41:57,882 --> 00:41:59,827
TINA, I KNOW THIS IS
NOT WHAT YOU WANT,
882
00:41:59,851 --> 00:42:02,162
BUT FOR THE BABY'S SAFETY,
WE'RE GOING TO HAVE TO GO.
883
00:42:02,186 --> 00:42:04,621
[♪♪♪]
884
00:43:26,804 --> 00:43:29,383
I LOVE YOU.
885
00:43:29,407 --> 00:43:30,840
MM?
886
00:43:55,767 --> 00:43:57,700
[BUS APPROACHING]
887
00:44:10,882 --> 00:44:13,816
[♪♪♪]
888
00:44:54,258 --> 00:44:55,902
HER FEVER IS RISING.
889
00:44:55,926 --> 00:44:57,238
CAN YOU GIVE HER SOMETHING
TO BRING HER FEVER DOWN?
890
00:44:57,262 --> 00:44:58,906
WE'VE GOT EVERYTHING
UNDER CONTROL, OKAY?
891
00:44:58,930 --> 00:45:01,375
DON'T WORRY.
892
00:45:01,399 --> 00:45:02,643
BABY, I'M RIGHT HERE.
IT'S GOING TO BE OKAY.
893
00:45:02,667 --> 00:45:04,545
I PROMISE. I PROMISE.
I SWEAR TO GOD.
894
00:45:04,569 --> 00:45:05,512
IT'S GOING TO BE OKAY.
895
00:45:05,536 --> 00:45:07,536
CAN YOU HURRY UP?
896
00:45:33,931 --> 00:45:37,010
CUTTING AT 0600,
LOWER END RETRACTOR.
897
00:45:37,034 --> 00:45:39,713
IT WASN'T SUPPOSED
TO BE THIS WAY.
898
00:45:39,737 --> 00:45:41,916
I FAILED YOU BOTH. I'M SORRY.
899
00:45:41,940 --> 00:45:44,250
YOU DIDN'T FAIL ANYBODY.
900
00:45:44,274 --> 00:45:46,087
YOU'RE AMAZING. YOU'RE AMAZING.
901
00:45:46,111 --> 00:45:47,121
I'M SORRY.
902
00:45:47,145 --> 00:45:48,255
SHE'S ALMOST HERE. IT'S OKAY.
903
00:45:48,279 --> 00:45:49,723
I'M SORRY.
904
00:45:49,747 --> 00:45:52,715
SHE'S ALMOST HERE.
SHE'S ALMOST HERE.
905
00:45:55,753 --> 00:45:57,163
AND THERE SHE IS.
906
00:45:57,187 --> 00:45:59,967
[INFANT CRYING]
907
00:45:59,991 --> 00:46:02,303
WAIT. I WANT TO CUT THE CORD.
908
00:46:02,327 --> 00:46:03,804
IT'S NOT ALLOWED IN
THE OPERATING ROOM
909
00:46:03,828 --> 00:46:05,272
BECAUSE OF STERILIZATION.
910
00:46:05,296 --> 00:46:06,907
IN THE O.R., THE
CORD HAS TO BE CUT
911
00:46:06,931 --> 00:46:08,775
BY A MEMBER OF
THE SURGICAL TEAM.
912
00:46:08,799 --> 00:46:11,312
I WANT TO CUT THE CORD.
913
00:46:11,336 --> 00:46:13,147
GO AHEAD. LET HER CUT THE CORD.
914
00:46:13,171 --> 00:46:15,104
[INFANT CRYING]
915
00:46:17,875 --> 00:46:19,608
I'M GOING TO CUT THE CORD NOW.
916
00:46:27,051 --> 00:46:28,984
OH, MY GOD, T.
917
00:46:32,457 --> 00:46:33,667
ANGELICA.
918
00:46:33,691 --> 00:46:35,202
WHAT, BABY?
919
00:46:35,226 --> 00:46:41,775
THAT'S WHAT I WANT
TO NAME HER. ANGELICA.
920
00:46:41,799 --> 00:46:44,110
LOSING BLOOD PRESSURE.
921
00:46:44,134 --> 00:46:46,513
[BETTE]: TINA?
922
00:46:46,537 --> 00:46:48,115
TINA!
923
00:46:48,139 --> 00:46:49,215
MOTHER'S TEMP IS 105.
924
00:46:49,239 --> 00:46:51,284
GET THE BABY TO SPECIAL CARE
925
00:46:51,308 --> 00:46:52,887
FOR OBSERVATION,
AND GET HER CULTURED.
926
00:46:52,911 --> 00:46:54,854
SHE MIGHT HAVE AN INFECTION,
927
00:46:54,878 --> 00:46:56,523
AND LET'S GET THE
MOTHER STITCHED UP
928
00:46:56,547 --> 00:46:57,825
AS QUICKLY AS POSSIBLE
929
00:46:57,849 --> 00:47:00,116
AND OVER TO I.C.U.
930
00:48:05,350 --> 00:48:08,996
YEAH, I GOT YOUR MESSAGE,
AND... AND... I DON'T KNOW.
931
00:48:09,020 --> 00:48:10,864
I'M SPEECHLESS.
I CAN'T BELIEVE IT.
932
00:48:10,888 --> 00:48:13,700
YEAH, NO, WE'RE...
WE'RE... WE'RE LEAVING.
933
00:48:13,724 --> 00:48:15,369
WE'LL BE THERE
IN, LIKE, 20 MINUTES,
934
00:48:15,393 --> 00:48:17,304
SO DON'T GO ANYWHERE, OKAY?
935
00:48:17,328 --> 00:48:19,940
ALL RIGHT, TELL BETTE AND
TINA WE'LL BE THERE SOON.
936
00:48:19,964 --> 00:48:23,065
ALL RIGHT. ALL RIGHT.
SEE YOU THERE. BYE.
937
00:48:23,935 --> 00:48:27,514
[GROANING, SOBBING]
938
00:48:27,538 --> 00:48:30,417
JENNY?
939
00:48:30,441 --> 00:48:32,686
[SOBBING]
940
00:48:32,710 --> 00:48:35,811
HOLD ON. JEN?
941
00:48:40,351 --> 00:48:42,451
JENNY!
942
00:48:45,656 --> 00:48:47,756
LET GO.
943
00:48:49,260 --> 00:48:51,372
IT'S ALL RIGHT, JENNY.
944
00:48:51,396 --> 00:48:54,329
HONEY. JENNY...
945
00:49:12,349 --> 00:49:13,649
[SOBBING]
946
00:49:15,019 --> 00:49:16,763
ALL RIGHT.
947
00:49:16,787 --> 00:49:21,502
[SOBBING]
948
00:49:21,526 --> 00:49:23,237
WE'RE GOING TO GET YOU HELP.
949
00:49:23,261 --> 00:49:26,195
WE'LL GET YOU HELP, OKAY?
950
00:49:33,337 --> 00:49:36,350
I NEED HELP...
951
00:49:36,374 --> 00:49:40,054
DON'T I?
952
00:49:40,078 --> 00:49:42,489
I'M REALLY FUCKED UP.
953
00:49:42,513 --> 00:49:44,424
[SNIFFLES]
954
00:49:44,448 --> 00:49:47,661
WE'LL GET YOU HELP.
955
00:49:47,685 --> 00:49:49,718
ALL RIGHT?
956
00:49:52,957 --> 00:49:54,990
OKAY.
957
00:49:59,931 --> 00:50:02,697
I THINK I'LL LEAVE IT
TO STOP THE BLEEDING.
958
00:50:06,837 --> 00:50:09,216
OH, FUCK.
959
00:50:09,240 --> 00:50:12,174
OH... FUCK.
960
00:50:29,861 --> 00:50:31,304
WANT TO HEAR SOME GOOD NEWS?
961
00:50:31,328 --> 00:50:32,373
WHAT?
962
00:50:32,397 --> 00:50:34,362
WHAT?
963
00:50:36,066 --> 00:50:38,078
TINA HAD HER BABY.
964
00:50:38,102 --> 00:50:40,046
SHE DID?
965
00:50:40,070 --> 00:50:41,215
MM-HMM.
966
00:50:41,239 --> 00:50:42,215
NO.
967
00:50:42,239 --> 00:50:44,618
MM-HMM.
968
00:50:44,642 --> 00:50:47,353
ARE YOU SERIOUS?
969
00:50:47,377 --> 00:50:49,522
SHE HAD HER LITTLE BABY GIRL.
970
00:50:49,546 --> 00:50:52,626
OH, MY GOD.
971
00:50:52,650 --> 00:50:54,961
IS SHE OKAY?
972
00:50:54,985 --> 00:50:57,297
MM-HMM.
973
00:50:57,321 --> 00:50:59,521
THAT'S BEAUTIFUL.
974
00:51:02,893 --> 00:51:04,738
THAT'S GREAT.
975
00:51:04,762 --> 00:51:07,941
OH, MY GOD.
976
00:51:07,965 --> 00:51:10,766
COME HERE.
977
00:51:14,238 --> 00:51:17,183
THEY KEPT US OUTSIDE
UNTIL VISITING HOURS.
978
00:51:17,207 --> 00:51:21,588
[GASPING]: OH... MY GOODNESS.
979
00:51:21,612 --> 00:51:23,657
WHERE'S TINA?
980
00:51:23,681 --> 00:51:25,625
SHE'S STILL IN RECOVERY.
981
00:51:25,649 --> 00:51:27,160
IS SHE OKAY?
982
00:51:27,184 --> 00:51:29,896
YEAH, SHE'S GOING TO BE FINE.
983
00:51:29,920 --> 00:51:31,898
YEAH, I'M JUST WAITING FOR
THEM TO BRING HER DOWN HERE
984
00:51:31,922 --> 00:51:33,633
SO SHE CAN SEE HER BABY.
985
00:51:33,657 --> 00:51:37,226
SHE HASN'T EVEN
MET OUR BABY YET.
986
00:51:47,939 --> 00:51:50,372
THIS IS ANGELICA.
987
00:51:53,344 --> 00:51:55,522
HI, ANGELICA.
988
00:51:55,546 --> 00:51:57,458
OH... OH.
989
00:51:57,482 --> 00:52:01,295
OH, HI, SWEETIE.
990
00:52:01,319 --> 00:52:03,063
OH... MM.
991
00:52:03,087 --> 00:52:05,865
[KISSES ANGELICA]
992
00:52:05,889 --> 00:52:07,667
OH, MY GOODNESS.
993
00:52:07,691 --> 00:52:12,072
YOU WANT TO HOLD HER?
994
00:52:12,096 --> 00:52:15,030
[ANGELICA COOING SOFTLY]
995
00:52:29,880 --> 00:52:31,813
[ANGELICA CRIES]
996
00:52:53,104 --> 00:52:55,538
HI, LITTLE ONE.
997
00:52:58,676 --> 00:53:02,211
YOU ARE SO BEAUTIFUL.
998
00:53:06,817 --> 00:53:09,251
[FUSSES]
999
00:53:30,541 --> 00:53:33,475
YOU HAVE TINY FEET.
1000
00:53:42,786 --> 00:53:46,599
OH, ANGELICA.
1001
00:53:46,623 --> 00:53:48,134
OH, SWEETIE, YOU
ARE GOING TO HAVE
1002
00:53:48,158 --> 00:53:50,837
A VERY, VERY INTERESTING LIFE,
1003
00:53:50,861 --> 00:53:52,138
YOU KNOW THAT?
1004
00:53:52,162 --> 00:53:57,532
BECAUSE WE ARE SOME VERY,
VERY INTERESTING PEOPLE.
1005
00:54:06,877 --> 00:54:09,144
OKAY...
1006
00:54:14,986 --> 00:54:18,498
THIS IS YOUR FAMILY.
1007
00:54:18,522 --> 00:54:19,465
[CRYING]
1008
00:54:19,489 --> 00:54:23,203
SHH. SHH, SHH, SHH.
1009
00:54:23,227 --> 00:54:27,807
♪ THERE'S GODLIKE ♪
1010
00:54:27,831 --> 00:54:30,010
♪ AND WARLIKE ♪
1011
00:54:30,034 --> 00:54:34,313
♪ AND STRONG LIKE
ONLY SOME SHOW ♪
1012
00:54:34,337 --> 00:54:37,984
♪ AND THERE ARE SAD
LIKE AND MAD LIKE ♪
1013
00:54:38,008 --> 00:54:40,320
♪ AND HAD LIKE WE KNOW ♪
1014
00:54:40,344 --> 00:54:48,344
♪ BUT BY MY LIFE BE I SPIRIT ♪
1015
00:54:48,753 --> 00:54:56,753
♪ AND BY MY HEART BE I WOMAN ♪
1016
00:54:57,294 --> 00:55:05,294
♪ AND BY MY EYES BE I OPEN ♪
1017
00:55:06,103 --> 00:55:13,887
♪ AND BY MY HANDS BE I WHOLE ♪
1018
00:55:13,911 --> 00:55:17,924
♪ THEY SAY SLOWLY
BRINGS THE LEAST SHOCK ♪
1019
00:55:17,948 --> 00:55:22,095
♪ BUT NO MATTER HOW
SLOW THAT I WALK ♪
1020
00:55:22,119 --> 00:55:26,499
♪ THERE ARE TRACES
EMPTY SPACES ♪
1021
00:55:26,523 --> 00:55:29,469
♪ AND DOORS AND
DOORS ARE LOCKED ♪
1022
00:55:29,493 --> 00:55:37,443
♪ BUT BY MY LIFE BE I SPIRIT ♪
1023
00:55:37,467 --> 00:55:40,280
♪ AND BY MY... ♪
1024
00:55:40,304 --> 00:55:41,881
[MEOW]
1025
00:55:41,905 --> 00:55:42,905
[PURR]
67152
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