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1
00:00:02,269 --> 00:00:04,146
YOU DID IT, DIDN'T
YOU? YOU AND DANA.
2
00:00:04,170 --> 00:00:06,382
YEAH.
3
00:00:06,406 --> 00:00:08,384
YOU KISSED JENNY?
4
00:00:08,408 --> 00:00:09,919
I-I DIDN'T THINK THAT
YOU WOULD MIND.
5
00:00:09,943 --> 00:00:11,854
THEN, NO, AND, HEY, AND I DON'T.
6
00:00:11,878 --> 00:00:13,390
STARTING A NEW PROJECT.
7
00:00:13,414 --> 00:00:15,491
THIS JOURNAL OF MY LIFE
WITH THE TWO OF YOU GUYS.
8
00:00:15,515 --> 00:00:16,959
BASICALLY, IT'S JUST
GOING TO BE INTERVIEWS.
9
00:00:16,983 --> 00:00:19,729
WOW.
10
00:00:19,753 --> 00:00:21,531
OKAY, I TAKE YOUR POINT, MAN.
11
00:00:21,555 --> 00:00:22,698
YEAH, HIDDEN CAMERAS, MAN.
12
00:00:22,722 --> 00:00:24,701
IT'S THE WAY TO DO THIS.
13
00:00:24,725 --> 00:00:26,303
SINCE MY WORK IN T.O.E.,
14
00:00:26,327 --> 00:00:28,871
THE PLANET HAS GONE FROM
BEING IN THE RED TO BLACK.
15
00:00:28,895 --> 00:00:30,006
AND...
16
00:00:30,030 --> 00:00:31,508
AND BENJAMIN
17
00:00:31,532 --> 00:00:34,143
IS THE BEST THING THAT'S
EVER HAPPENED TO ME.
18
00:00:34,167 --> 00:00:35,745
SO I'M GOING TO STAY
IN THE GUEST ROOM
19
00:00:35,769 --> 00:00:37,214
UNTIL I FIND A PLACE OF MY OWN.
20
00:00:37,238 --> 00:00:39,049
WELCOME HOME.
21
00:00:39,073 --> 00:00:41,051
HELENA PEABODY IS
ON HER WAY OVER HERE.
22
00:00:41,075 --> 00:00:42,085
RIGHT NOW?
23
00:00:42,109 --> 00:00:43,219
WE GOT THE BIGGEST GRANT
24
00:00:43,243 --> 00:00:44,254
THAT THEY GAVE.
25
00:00:44,278 --> 00:00:45,421
NOBODY ELSE GOT AS MUCH MONEY.
26
00:00:45,445 --> 00:00:47,089
WHAT IS GOING ON HERE?
WHAT ARE YOU DOING?
27
00:00:47,113 --> 00:00:49,659
I'M HERE TO PUBLICIZE
OUR GRANT ANNOUNCEMENT.
28
00:00:49,683 --> 00:00:51,695
WHAT ARE YOU DOING
WITH MY GIRLFRIEND?
29
00:00:51,719 --> 00:00:53,162
DID YOU KNOW THAT
TINA WAS PREGNANT?
30
00:00:53,186 --> 00:00:54,230
BETTE, YOU DIDN'T KNOW?
31
00:00:54,254 --> 00:00:55,165
OH, MY GOD.
32
00:00:55,189 --> 00:00:56,599
HOW DID YOU NOT KNOW?
33
00:00:56,623 --> 00:00:58,234
BECAUSE I AM JUST THE
BIGGEST FUCKING ASSHOLE
34
00:00:58,258 --> 00:00:59,235
IN THE UNIVERSE.
35
00:00:59,259 --> 00:01:00,259
I GUESS THAT'S HOW.
36
00:01:06,166 --> 00:01:07,144
THANKS FOR JOINING ME.
37
00:01:07,168 --> 00:01:09,178
I DON'T USUALLY DO THIS,
38
00:01:09,202 --> 00:01:11,114
SOCIALIZE WITH MY STUDENTS.
39
00:01:11,138 --> 00:01:15,251
I'M GLAD YOU'RE MAKING
AN EXCEPTION FOR ME.
40
00:01:15,275 --> 00:01:17,787
IT GETS KIND OF LONELY
ON THE ROAD SOMETIMES.
41
00:01:17,811 --> 00:01:19,088
YEAH.
42
00:01:19,112 --> 00:01:20,272
YOU MUST MISS YOUR FAMILY.
43
00:01:23,317 --> 00:01:25,161
I-I'M SORRY.
44
00:01:25,185 --> 00:01:26,629
DID I OVERSTEP?
45
00:01:26,653 --> 00:01:29,332
I'M TRYING TO DO
THE RIGHT THING, KIT.
46
00:01:29,356 --> 00:01:33,170
I'M AWAY FROM THEM NINE
MONTHS OUT OF THE YEAR,
47
00:01:33,194 --> 00:01:35,638
SLEEPING ALONE IN HOTEL ROOMS...
48
00:01:35,662 --> 00:01:37,440
[LAUGHS]
49
00:01:37,464 --> 00:01:38,842
YEAH, BACK IN THE
DAY, I DEALT WITH IT
50
00:01:38,866 --> 00:01:41,478
BY JUST GETTING
HAMMERED EVERY NIGHT
51
00:01:41,502 --> 00:01:43,780
AND WAKING UP
WITH A DIFFERENT MAN
52
00:01:43,804 --> 00:01:44,836
EVERY MORNING.
53
00:01:46,807 --> 00:01:48,718
WELL, I'M GLAD YOU
DON'T FEEL THE NEED
54
00:01:48,742 --> 00:01:50,019
TO DO THAT ANYMORE.
55
00:01:50,043 --> 00:01:51,455
I CAN'T SAY
56
00:01:51,479 --> 00:01:55,458
THAT I DON'T FEEL THE NEED.
57
00:01:55,482 --> 00:01:58,149
I JUST DON'T ACT
ON IT LIKE I USED TO.
58
00:02:01,822 --> 00:02:05,735
WELL, I GUESS IT'S
GOODBYE, THEN.
59
00:02:05,759 --> 00:02:08,138
YEAH, YEAH, WELL, LOOK...
60
00:02:08,162 --> 00:02:09,239
THANKS FOR KEEPING ME COMPANY.
61
00:02:09,263 --> 00:02:10,307
I REALLY APPRECIATE IT.
62
00:02:10,331 --> 00:02:12,964
OH, IT WAS MY PLEASURE.
63
00:02:38,192 --> 00:02:39,669
SHIT.
64
00:02:39,693 --> 00:02:44,206
UH, UM... I THINK I SHOULD GO.
65
00:02:44,230 --> 00:02:45,675
YEAH, YEAH, OKAY.
66
00:02:45,699 --> 00:02:46,676
OKAY?
67
00:02:46,700 --> 00:02:49,045
YEAH, OKAY.
68
00:02:49,069 --> 00:02:51,169
OKAY.
69
00:02:58,078 --> 00:02:59,589
OH, YEAH.
70
00:02:59,613 --> 00:03:02,325
OH, YEAH.
71
00:03:02,349 --> 00:03:04,283
OH, YEAH.
72
00:04:06,146 --> 00:04:08,224
[MUSIC BLASTING]
73
00:04:08,248 --> 00:04:10,660
I DON'T EVEN LIKE
THIS STUPID PICTURE.
74
00:04:10,684 --> 00:04:12,061
IT'S JUST THE ONLY THING I HAVE
75
00:04:12,085 --> 00:04:14,931
THAT ISN'T FROM
BETTE OR OF BETTE.
76
00:04:14,955 --> 00:04:16,366
[♪♪♪]
77
00:04:16,390 --> 00:04:17,834
OH, MY GOD.
78
00:04:17,858 --> 00:04:19,736
I LOVE THIS SONG.
79
00:04:19,760 --> 00:04:21,270
♪ BEST SHOT... ♪
80
00:04:21,294 --> 00:04:25,708
♪ WHY DON'T YOU HIT ME
WITH YOUR BEST SHOT ♪
81
00:04:25,732 --> 00:04:28,644
IS THAT STRAIGHT?
82
00:04:28,668 --> 00:04:30,045
♪ FIRE AWAY... ♪
83
00:04:30,069 --> 00:04:31,936
NO, IT'S CROOKED.
84
00:04:33,873 --> 00:04:36,286
[HUMMING]
85
00:04:36,310 --> 00:04:37,753
OH, GUITAR SOLO.
86
00:04:37,777 --> 00:04:39,243
I'M DRUMS.
87
00:04:40,948 --> 00:04:42,025
TINA, HELLO?
88
00:04:42,049 --> 00:04:43,882
I'M DOING THE SOLO.
89
00:04:46,053 --> 00:04:47,564
OH, JEEZ.
90
00:04:47,588 --> 00:04:48,697
OKAY.
91
00:04:48,721 --> 00:04:51,156
OKAY, NOT A PROBLEM.
92
00:04:58,298 --> 00:04:59,442
OH!
93
00:04:59,466 --> 00:05:01,033
OH, HI.
94
00:05:04,471 --> 00:05:05,782
I... I DID RING THE BELL,
95
00:05:05,806 --> 00:05:07,583
BUT I GUESS YOU COULDN'T
HEAR ME OVER THE CACOPHONY.
96
00:05:07,607 --> 00:05:09,385
HOW ARE YOU?
97
00:05:09,409 --> 00:05:11,020
I'M... GOD.
98
00:05:11,044 --> 00:05:12,755
I'M NOT...
99
00:05:12,779 --> 00:05:13,957
IT'S KIND OF A MESS.
100
00:05:13,981 --> 00:05:16,759
I'M NOT REALLY
PREPARED FOR COMPANY.
101
00:05:16,783 --> 00:05:17,894
I WAS JUST ON MY WAY TO BRUNCH,
102
00:05:17,918 --> 00:05:18,895
AND I THOUGHT
103
00:05:18,919 --> 00:05:20,796
I'D DROP OFF THIS PAPERWORK.
104
00:05:20,820 --> 00:05:21,798
NOW, THE HEADQUARTERS
FOR SOCIAL JUSTICE
105
00:05:21,822 --> 00:05:22,632
HAS MONEY IN THE BANK.
106
00:05:22,656 --> 00:05:24,133
WOW. WHERE DO I SIGN UP?
107
00:05:24,157 --> 00:05:25,268
HI.
108
00:05:25,292 --> 00:05:26,603
THANK YOU.
109
00:05:26,627 --> 00:05:28,972
UM... CAN I MAKE
YOU A CUP OF TEA?
110
00:05:28,996 --> 00:05:31,941
NO, NO, NOT TODAY.
111
00:05:31,965 --> 00:05:32,976
I'LL SEE YOU THURSDAY.
112
00:05:33,000 --> 00:05:33,977
OKAY.
113
00:05:34,001 --> 00:05:36,346
SEE YOU THEN.
114
00:05:36,370 --> 00:05:38,103
THANKS FOR COMING BY.
115
00:05:42,242 --> 00:05:43,453
WHAT'S THURSDAY?
116
00:05:43,477 --> 00:05:44,787
[SIGHS]
117
00:05:44,811 --> 00:05:46,422
IT'S THE PEABODY
FOUNDATION DINNER
118
00:05:46,446 --> 00:05:49,325
FOR ALL THEIR GRANT RECIPIENTS.
119
00:05:49,349 --> 00:05:50,626
I CAN'T BELIEVE SHE
SAW ME LIKE THIS.
120
00:05:50,650 --> 00:05:51,994
LIKE WHAT?
121
00:05:52,018 --> 00:05:53,829
LIKE A PREGNANT WOMAN AT
HOME DOING NORMAL THINGS
122
00:05:53,853 --> 00:05:54,831
IN HER APARTMENT?
123
00:05:54,855 --> 00:05:57,066
LIKE A NORMAL PERSON
124
00:05:57,090 --> 00:05:58,735
SHE WAS ALWAYS DRESSED
PERSONALLY BY YVES ST. LAURENT?
125
00:05:58,759 --> 00:06:00,637
I THINK I'VE PUT HER OFF.
126
00:06:00,661 --> 00:06:01,704
DID YOU SEE THE WAY
SHE LOOKED AT ME?
127
00:06:01,728 --> 00:06:03,539
YEAH, I DID.
128
00:06:03,563 --> 00:06:05,603
IT WAS A LITTLE BIT SCARY.
129
00:06:08,035 --> 00:06:09,779
ARE YOU SLEEPING WITH HER?
130
00:06:09,803 --> 00:06:11,281
NO.
131
00:06:11,305 --> 00:06:13,438
NO, I HAVEN'T.
132
00:06:15,375 --> 00:06:16,786
ARE YOU GOING TO?
133
00:06:16,810 --> 00:06:18,354
I DON'T KNOW.
134
00:06:18,378 --> 00:06:20,723
I-I DON'T THINK I'M READY.
135
00:06:20,747 --> 00:06:21,791
I MEAN, BESIDES, LOOK...
136
00:06:21,815 --> 00:06:24,126
WITH THIS...
137
00:06:24,150 --> 00:06:25,695
ALICE, DON'T BE RIDICULOUS.
138
00:06:25,719 --> 00:06:27,630
SHE'S NOT EVEN INTERESTED IN ME.
139
00:06:27,654 --> 00:06:30,288
HA.
140
00:06:34,327 --> 00:06:36,105
I DON'T KNOW. I CAN'T TELL.
141
00:06:36,129 --> 00:06:38,674
OKAY, DO YOU THINK
CARMEN IS INTO ME, HONESTLY?
142
00:06:38,698 --> 00:06:42,011
OKAY, WHEN YOU WENT
OUT WITH HER, LIKE...
143
00:06:42,035 --> 00:06:43,979
WAS SHE JUST KIND
OF, LIKE, YOU KNOW,
144
00:06:44,003 --> 00:06:45,415
I DON'T KNOW...
145
00:06:45,439 --> 00:06:47,349
RETICENT?
146
00:06:47,373 --> 00:06:48,384
WAIT A MINUTE.
147
00:06:48,408 --> 00:06:49,418
YOU WENT OUT
148
00:06:49,442 --> 00:06:50,820
WITH THIS GIRL?
149
00:06:50,844 --> 00:06:51,854
THE GIRL YOU'RE...
150
00:06:51,878 --> 00:06:53,222
FUCK YOU, MARK.
151
00:06:53,246 --> 00:06:55,057
[LAUGHS]
152
00:06:55,081 --> 00:06:56,326
AND NOW YOU'RE GOING
OUT WITH THE SAME GIRL.
153
00:06:56,350 --> 00:06:58,161
I AM DEFINITELY NOT
GOING OUT WITH HER.
154
00:06:58,185 --> 00:06:59,328
AND THAT'S COOL?
155
00:06:59,352 --> 00:07:00,963
YOU GUYS... IS THAT COMMON?
156
00:07:00,987 --> 00:07:03,221
YOU GUYS JUST SHARE
CHICKS AND SHIT?
157
00:07:05,526 --> 00:07:06,335
WE DON'T SHARE.
158
00:07:06,359 --> 00:07:07,203
I DON'T DATE CARMEN ANYMORE.
159
00:07:07,227 --> 00:07:08,604
OH, RIGHT, RIGHT.
160
00:07:08,628 --> 00:07:10,740
OF COURSE, YOU HAVE
YOUR TWO-FUCK LIMIT, RIGHT?
161
00:07:10,764 --> 00:07:12,742
SHANE, HOW DO YOU
EVEN CONVINCE A GIRL
162
00:07:12,766 --> 00:07:14,577
TO GO HOME WITH YOU?
163
00:07:14,601 --> 00:07:15,778
DOESN'T YOUR REPUTATION
164
00:07:15,802 --> 00:07:16,780
PRECEDE YOU BY THIS POINT?
165
00:07:16,804 --> 00:07:17,780
HOW DO YOU?
166
00:07:17,804 --> 00:07:18,781
I DON'T KNOW.
167
00:07:18,805 --> 00:07:21,150
I MAKE A LOT OF EYE CONTACT,
168
00:07:21,174 --> 00:07:22,752
LAUGH AT THEIR JOKES...
169
00:07:22,776 --> 00:07:25,588
OH, AND WHAT SIGNS
AND SEALS THE DEAL
170
00:07:25,612 --> 00:07:28,491
IS I TELL A TRAGIC
CHILDHOOD STORY.
171
00:07:28,515 --> 00:07:29,759
OH, MARK...
172
00:07:29,783 --> 00:07:32,094
YOU'RE SO FULL OF SHIT.
173
00:07:32,118 --> 00:07:33,962
YOU KNOW IT'S TRUE.
174
00:07:33,986 --> 00:07:35,565
LOOK, FROM WHAT I KNOW,
175
00:07:35,589 --> 00:07:38,701
THE MOST IMPORTANT
THING IS TO LISTEN.
176
00:07:38,725 --> 00:07:39,969
YOU GET THEM TALKING,
177
00:07:39,993 --> 00:07:41,370
AND YOU START HEARING
ABOUT THEIR LIFE,
178
00:07:41,394 --> 00:07:42,906
AND THEN YOU FIGURE
OUT WHAT THEY WANT.
179
00:07:42,930 --> 00:07:43,906
YEAH, IT'S TRUE.
180
00:07:43,930 --> 00:07:46,409
CHICKS DO LIKE TO TALK A LOT.
181
00:07:46,433 --> 00:07:48,277
BUT YOU DO NOT TALK TOO MUCH.
182
00:07:48,301 --> 00:07:49,545
THAT'S THE THING.
183
00:07:49,569 --> 00:07:50,547
TALKING TOO MUCH CAN KILL IT.
184
00:07:50,571 --> 00:07:51,614
YOU DON'T TELL YOUR LIFE STORY,
185
00:07:51,638 --> 00:07:52,782
AND YOU DON'T HAVE
THEM TELL THEIRS.
186
00:07:52,806 --> 00:07:55,117
THAT'S IT.
187
00:07:55,141 --> 00:07:56,686
YOU SHOULD JUST SHOW HER, SHANE.
188
00:07:56,710 --> 00:07:57,754
THINK ABOUT IT.
189
00:07:57,778 --> 00:07:59,121
I MEAN, YOU KNOW THIS GIRL.
190
00:07:59,145 --> 00:08:00,623
YOU'VE DATED HER, RIGHT?
191
00:08:00,647 --> 00:08:02,391
WHAT A TIME SAVER IT
WOULD BE FOR POOR JENNY
192
00:08:02,415 --> 00:08:04,460
JUST TO HAVE A LITTLE THREE-WAY.
193
00:08:04,484 --> 00:08:06,295
DON'T YOU THINK, JENNY?
194
00:08:06,319 --> 00:08:08,464
I HATE TO TELL YOU THIS, MARK,
195
00:08:08,488 --> 00:08:11,255
BUT I DON'T FUCK MY ROOMMATES.
196
00:08:12,492 --> 00:08:14,759
OH... DAMN.
197
00:08:24,838 --> 00:08:26,148
HEY. HEY.
198
00:08:26,172 --> 00:08:27,517
WHERE HAVE YOU BEEN?
199
00:08:27,541 --> 00:08:29,586
TONYA'S MEETING IS
ONLY A COUPLE OF HOURS.
200
00:08:29,610 --> 00:08:30,954
I WAS AT TINA'S.
201
00:08:30,978 --> 00:08:33,622
WHAT MEETING?
202
00:08:33,646 --> 00:08:35,024
THE HEINEKEN CELEBRITY
SLAMMIN' JAMMIN' TOURNAMENT.
203
00:08:35,048 --> 00:08:37,415
SO CAN WE GO BACK
TO YOUR PLACE NOW?
204
00:08:40,687 --> 00:08:41,998
DANA... YEAH?
205
00:08:42,022 --> 00:08:43,332
I'M NOT GOING TO
DO THIS WITH YOU.
206
00:08:43,356 --> 00:08:44,834
YOU'RE NOT GOING TO DO WHAT?
207
00:08:44,858 --> 00:08:46,669
I'M NOT GOING TO
SNEAK AROUND WITH YOU.
208
00:08:46,693 --> 00:08:48,071
I'M NOT GOING TO BE
YOUR SECRET LOVER,
209
00:08:48,095 --> 00:08:48,838
YOUR BACK-DOOR WOMAN.
210
00:08:48,862 --> 00:08:52,341
WH-WHAT HAPPENED?
211
00:08:52,365 --> 00:08:53,610
I WANT YOU...
212
00:08:53,634 --> 00:08:54,844
I WANT YOU TO LEAVE HER.
213
00:08:54,868 --> 00:08:57,413
AL, I CAN'T DO THAT RIGHT NOW.
214
00:08:57,437 --> 00:08:58,414
WHY?
215
00:08:58,438 --> 00:08:59,348
BECAUSE...
216
00:08:59,372 --> 00:09:02,385
THE TOURNAMENT TOMORROW.
217
00:09:02,409 --> 00:09:04,020
BECAUSE TONYA SET
UP THE WHOLE THING,
218
00:09:04,044 --> 00:09:06,689
AND IT'S A REALLY
BIG DEAL FOR ME.
219
00:09:06,713 --> 00:09:09,692
OKAY, THAT'S IT FOR US.
220
00:09:09,716 --> 00:09:10,692
WHAT? NO, AL.
221
00:09:10,716 --> 00:09:11,694
ALICE. ALICE!
222
00:09:11,718 --> 00:09:12,861
WHAT?
223
00:09:12,885 --> 00:09:16,888
[WHISPERS]: AL.
COME HERE, PLEASE.
224
00:09:19,960 --> 00:09:21,892
PLEASE.
225
00:09:24,030 --> 00:09:25,462
AL...
226
00:09:27,934 --> 00:09:29,512
LOOK AT ME.
227
00:09:29,536 --> 00:09:31,580
ALICE, LOOK AT ME.
228
00:09:31,604 --> 00:09:33,716
I REALLY...
229
00:09:33,740 --> 00:09:36,408
REALLY WANT TO BE WITH YOU.
230
00:09:39,245 --> 00:09:40,223
YOU DO?
231
00:09:40,247 --> 00:09:42,580
YES.
232
00:09:46,152 --> 00:09:49,865
WELL... WELL, THEN, WILL
YOU BREAK UP WITH HER
233
00:09:49,889 --> 00:09:52,958
AFTER THE TOURNAMENT?
234
00:10:22,322 --> 00:10:24,267
HI.
235
00:10:24,291 --> 00:10:25,957
WHAT'S UP?
236
00:10:29,095 --> 00:10:30,272
YOU LOOK GOOD.
237
00:10:30,296 --> 00:10:31,541
[SCOFFS]
238
00:10:31,565 --> 00:10:33,631
I'M A MESS.
239
00:10:35,635 --> 00:10:38,047
ARE YOU GOING TO INVITE ME IN?
240
00:10:38,071 --> 00:10:39,582
TO TELL YOU THE TRUTH,
241
00:10:39,606 --> 00:10:40,583
I'M NOT REALLY IN THE MOOD
242
00:10:40,607 --> 00:10:41,750
FOR COMPANY RIGHT NOW.
243
00:10:41,774 --> 00:10:44,153
I'D RATHER YOU CALLED FIRST.
244
00:10:44,177 --> 00:10:46,422
WELL, IS THE APARTMENT OKAY?
245
00:10:46,446 --> 00:10:48,157
I MEAN, ARE YOU
COMFORTABLE HERE?
246
00:10:48,181 --> 00:10:49,157
IT'S FINE.
247
00:10:49,181 --> 00:10:51,794
I'M FINE.
248
00:10:51,818 --> 00:10:53,738
IS THERE SOMETHING
IN PARTICULAR?
249
00:11:04,664 --> 00:11:05,941
WE SHOULD TALK, TINA.
250
00:11:05,965 --> 00:11:07,410
I MEAN, I CAN'T CARRY ON
251
00:11:07,434 --> 00:11:09,544
AND PRETEND LIKE IT'S ALL FINE,
252
00:11:09,568 --> 00:11:11,147
AND THAT I'M NOT AS
CONFUSED AS HELL
253
00:11:11,171 --> 00:11:13,582
BY THE WHOLE THING.
254
00:11:13,606 --> 00:11:14,817
LOOK, I AM...
255
00:11:14,841 --> 00:11:16,385
I'M JUST GOING TO SAY
WHAT I HAVE TO SAY,
256
00:11:16,409 --> 00:11:19,321
AND I HOPE THAT
YOU'RE ABLE TO HEAR IT.
257
00:11:19,345 --> 00:11:21,078
OKAY.
258
00:11:28,488 --> 00:11:29,832
I DON'T KNOW
259
00:11:29,856 --> 00:11:31,701
HOW YOU COULD KEEP THIS
BABY A SECRET FROM ME.
260
00:11:31,725 --> 00:11:34,236
I DON'T KNOW HOW
YOU COULD LIE TO ME
261
00:11:34,260 --> 00:11:35,271
FOR NEARLY FOUR MONTHS.
262
00:11:35,295 --> 00:11:36,272
I MEAN, WE WERE STILL TOGETHER.
263
00:11:36,296 --> 00:11:37,407
WE WERE A COUPLE,
264
00:11:37,431 --> 00:11:39,775
AND YOU WERE PREGNANT,
AND I HAD NO IDEA.
265
00:11:39,799 --> 00:11:41,643
I PLANNED TO TELL YOU,
AND THEN YOU FUCKED OFF.
266
00:11:41,667 --> 00:11:42,645
I FUCKED UP.
267
00:11:42,669 --> 00:11:43,712
I DID NOT FUCK OFF.
268
00:11:43,736 --> 00:11:44,747
I DID NOT LEAVE.
269
00:11:44,771 --> 00:11:46,848
I AM STILL HERE.
270
00:11:46,872 --> 00:11:51,854
I WANT TO HAVE A
PLACE IN THIS BABY'S LIFE.
271
00:11:51,878 --> 00:11:54,189
THIS IS OUR BABY, TINA.
272
00:11:54,213 --> 00:11:55,591
OKAY, I KNOW THAT
IT'S COMPLICATED.
273
00:11:55,615 --> 00:11:57,059
I KNOW THAT THERE
ARE NO EASY ANSWERS.
274
00:11:57,083 --> 00:11:58,360
THERE'S PROBABLY
NO LEGAL PRECEDENT,
275
00:11:58,384 --> 00:11:59,861
AND, IF YOU PREFER,
WE CAN HIRE LAWYERS
276
00:11:59,885 --> 00:12:00,863
AND MAKE UP DOCUMENTS...
277
00:12:00,887 --> 00:12:02,247
I DON'T EVEN HAVE
A LAWYER ANYMORE.
278
00:12:03,490 --> 00:12:06,335
OKAY, FINE. I...
279
00:12:06,359 --> 00:12:07,703
I WOULD RATHER THAT WE
WORK IT OUT OURSELVES.
280
00:12:07,727 --> 00:12:09,072
WELL, I'M NOT SURE I
WANT TO WORK IT OUT,
281
00:12:09,096 --> 00:12:11,462
NOT IN THE WAY THAT YOU WANT IT.
282
00:12:13,600 --> 00:12:16,112
[SIGHS]
283
00:12:16,136 --> 00:12:17,680
DID YOU USE OUR SPERM?
284
00:12:17,704 --> 00:12:20,048
I USED THE SPERM WE HAD
STORED AT THE CRYOBANK, YES.
285
00:12:20,072 --> 00:12:21,818
THEN THIS IS OUR BABY, TINA.
286
00:12:21,842 --> 00:12:23,719
I CAN'T BELIEVE THAT
YOU'RE DOING THIS.
287
00:12:23,743 --> 00:12:24,720
YOU KNOW WHAT?
288
00:12:24,744 --> 00:12:25,821
WE CONCEIVED OF
THIS BABY TOGETHER.
289
00:12:25,845 --> 00:12:26,989
WE SEARCHED FOR
A DONOR TOGETHER.
290
00:12:27,013 --> 00:12:28,023
IN FACT, YOU KNOW
WHAT? I FOUND THE DONOR.
291
00:12:28,047 --> 00:12:29,725
MARCUS ALLENWOOD
IS A FRIEND OF MINE,
292
00:12:29,749 --> 00:12:30,726
AND IF WE WERE HUSBAND AND WIFE,
293
00:12:30,750 --> 00:12:33,095
THIS WOULD BE MY BABY.
294
00:12:33,119 --> 00:12:34,597
LOOK, I JUST NEED
TO THINK ABOUT IT!
295
00:12:34,621 --> 00:12:35,621
OKAY?
296
00:12:36,923 --> 00:12:39,123
JUST GIVE ME SOME TIME.
297
00:12:41,594 --> 00:12:42,994
OKAY.
298
00:12:51,338 --> 00:12:53,749
OH, LAST ONE.
299
00:12:53,773 --> 00:12:54,750
DO YOU WANT THIS?
300
00:12:54,774 --> 00:12:56,886
NO, IT'S ALL YOURS.
301
00:12:56,910 --> 00:12:57,986
OH, THANK YOU.
302
00:12:58,010 --> 00:13:00,611
YOU'RE SO VERY WELCOME.
303
00:13:07,253 --> 00:13:10,365
MM, MM.
304
00:13:10,389 --> 00:13:11,901
MM.
305
00:13:11,925 --> 00:13:13,269
IS IT GOOD?
306
00:13:13,293 --> 00:13:14,759
MM-HMM.
307
00:13:16,896 --> 00:13:18,107
MM...
308
00:13:18,131 --> 00:13:19,674
YOU'RE SUCH A TEASE.
309
00:13:19,698 --> 00:13:21,277
WELL, THEN, KEEP GOING.
310
00:13:21,301 --> 00:13:23,112
I KNOW THIRST.
311
00:13:23,136 --> 00:13:24,914
IT'S SO INTENSE.
312
00:13:24,938 --> 00:13:27,616
OH, SHIT. OH.
313
00:13:27,640 --> 00:13:28,784
WHOO, GOD, YOU STINK.
314
00:13:28,808 --> 00:13:29,785
OH, GOD, REALLY?
315
00:13:29,809 --> 00:13:30,786
YEAH.
316
00:13:30,810 --> 00:13:31,787
OH, SHIT.
317
00:13:31,811 --> 00:13:33,088
OH, NOW YOU ARE, TOO.
318
00:13:33,112 --> 00:13:34,790
YOU'RE GOING TO STINK.
319
00:13:34,814 --> 00:13:36,658
I CAN'T BELIEVE
YOU JUST DID THAT.
320
00:13:36,682 --> 00:13:38,126
NO, I DIDN'T MEAN TO.
321
00:13:38,150 --> 00:13:39,128
OF COURSE I DIDN'T.
322
00:13:39,152 --> 00:13:41,097
I DON'T KNOW ANYMORE.
323
00:13:41,121 --> 00:13:42,097
HI.
324
00:13:42,121 --> 00:13:43,599
HEY.
325
00:13:43,623 --> 00:13:44,967
OH, HOW ARE YOU?
326
00:13:44,991 --> 00:13:48,003
I JUST WANTED TO SAY
THAT MARK IS OUT THERE
327
00:13:48,027 --> 00:13:49,005
FILMING WITH HIS VIDEO CAMERA.
328
00:13:49,029 --> 00:13:50,606
WHAT?
329
00:13:50,630 --> 00:13:52,341
YEAH.
330
00:13:52,365 --> 00:13:54,276
OKAY, WHO WOULD
MAKE OUT WITH A GUY
331
00:13:54,300 --> 00:13:56,045
FOR A MILLION DOLLARS?
332
00:13:56,069 --> 00:13:57,168
WHO WOULDN'T?
333
00:13:58,238 --> 00:13:59,415
WOULD YOU?
334
00:13:59,439 --> 00:14:01,083
HELL, YEAH. A LOT LESS
THAN THAT, ACTUALLY.
335
00:14:01,107 --> 00:14:02,387
[LAUGHS]
336
00:14:05,311 --> 00:14:06,455
WHAT ABOUT YOU?
337
00:14:06,479 --> 00:14:07,657
WOULD YOU MAKE OUT WITH A GUY
338
00:14:07,681 --> 00:14:10,325
FOR A MILLION DOLLARS?
339
00:14:10,349 --> 00:14:11,693
A MILLION AND A HALF DOLLARS?
340
00:14:11,717 --> 00:14:13,028
OOH!
341
00:14:13,052 --> 00:14:17,866
I... I WOULD MAKE OUT
WITH A REPUBLICAN
342
00:14:17,890 --> 00:14:19,257
FOR A MILLION DOLLARS.
343
00:14:20,860 --> 00:14:21,904
WHAT? I THINK...
344
00:14:21,928 --> 00:14:23,305
I THINK THE
REPUBLICANS CAN BE HOT.
345
00:14:23,329 --> 00:14:24,873
TAKE IT BACK.
346
00:14:24,897 --> 00:14:26,108
WHY?
347
00:14:26,132 --> 00:14:30,612
BECAUSE REPUBLICANS
ARE FUCKING SCARY.
348
00:14:30,636 --> 00:14:33,382
SCARY CAN SOMETIMES BE...
349
00:14:33,406 --> 00:14:35,584
SEXY.
350
00:14:35,608 --> 00:14:36,585
THEY'RE NOT SCARY.
351
00:14:36,609 --> 00:14:37,719
THEY'RE STUPID.
352
00:14:37,743 --> 00:14:38,721
THAT'S RIGHT,
353
00:14:38,745 --> 00:14:40,111
AND STUPID, SHANE...
354
00:14:41,814 --> 00:14:43,859
CAN BE EVEN SEXIER.
355
00:14:43,883 --> 00:14:45,127
OKAY, BUT WOULD YOU
356
00:14:45,151 --> 00:14:46,996
MAKE OUT WITH A FRIEND?
357
00:14:47,020 --> 00:14:47,997
SURE.
358
00:14:48,021 --> 00:14:49,030
WHAT ABOUT TWO FRIENDS
359
00:14:49,054 --> 00:14:50,999
AT THE SAME TIME?
360
00:14:51,023 --> 00:14:52,101
WHAT?
361
00:14:52,125 --> 00:14:53,135
OH, TWO FRIENDS
AT THE SAME TIME?
362
00:14:53,159 --> 00:14:54,870
NO, I WOULDN'T.
363
00:14:54,894 --> 00:14:56,505
COME ON, YEAH.
364
00:14:56,529 --> 00:14:57,540
NO, NO, NO.
365
00:14:57,564 --> 00:14:59,041
NOT FOR SOME
HORNY GUY'S BENEFIT.
366
00:14:59,065 --> 00:15:00,576
ABSOLUTELY NOT.
367
00:15:00,600 --> 00:15:02,132
I WOULD NOT.
368
00:15:03,569 --> 00:15:04,735
[CLEARS THROAT]
369
00:15:09,408 --> 00:15:10,887
JENNY!
370
00:15:10,911 --> 00:15:12,087
LET'S GO GET SOME MORE BEER.
371
00:15:12,111 --> 00:15:14,245
BYE.
372
00:15:16,082 --> 00:15:18,060
YEAH, WE'RE OUT.
373
00:15:18,084 --> 00:15:20,896
COME ON.
374
00:15:20,920 --> 00:15:22,319
NO. DON'T.
375
00:15:41,908 --> 00:15:43,841
NO, THANK YOU.
376
00:15:57,056 --> 00:15:59,690
HELLO, BETTE.
377
00:16:01,827 --> 00:16:03,538
HELENA.
378
00:16:03,562 --> 00:16:05,707
CONGRATULATIONS, BY THE WAY.
379
00:16:05,731 --> 00:16:06,942
ON?
380
00:16:06,966 --> 00:16:08,511
LEO HERRERA.
381
00:16:08,535 --> 00:16:10,879
HE'S GOING TO BE
WONDERFUL FOR THE C.A.C.
382
00:16:10,903 --> 00:16:13,549
LEO'S SUCH A GEM.
383
00:16:13,573 --> 00:16:15,618
BETTE'S GOING TO BE
WORKING WITH LEO HERRERA.
384
00:16:15,642 --> 00:16:16,618
HE'S COMING TO LOS ANGELES
385
00:16:16,642 --> 00:16:17,753
FOR SIX MONTHS TO
HELP RAISE MONEY
386
00:16:17,777 --> 00:16:19,544
FOR THE CALIFORNIA ART CENTER.
387
00:16:43,069 --> 00:16:44,046
HELLO?
388
00:16:44,070 --> 00:16:46,871
IT'S BETTE PORTER.
389
00:16:53,713 --> 00:16:54,690
BETTE.
390
00:16:54,714 --> 00:16:55,557
IS SOMETHING WRONG?
391
00:16:55,581 --> 00:16:56,692
LEO HERRERA.
392
00:16:56,716 --> 00:16:59,795
I WAS PLANNING ON TALKING
ABOUT THIS TOMORROW.
393
00:16:59,819 --> 00:17:01,497
DID HELENA PEABODY HAVE
SOMETHING TO DO WITH THIS?
394
00:17:01,521 --> 00:17:03,198
BETTE, I REALLY DON'T THINK
THIS IS THE TIME OR PLACE.
395
00:17:03,222 --> 00:17:04,833
NOW, I'D LIKE TO TALK TO YOU
ABOUT THIS TOMORROW MORNING.
396
00:17:04,857 --> 00:17:07,269
I ASKED YOU A
QUESTION, FRANKLIN.
397
00:17:07,293 --> 00:17:08,371
IT'S IRRELEVANT.
398
00:17:08,395 --> 00:17:09,705
WE'RE HEMORRHAGING, BETTE.
399
00:17:09,729 --> 00:17:11,006
YOU YOURSELF SAID THAT THIS IS
400
00:17:11,030 --> 00:17:12,107
THE MOST DIFFICULT
FUNDRAISING CLIMATE
401
00:17:12,131 --> 00:17:14,176
YOU'VE EVER FACED.
402
00:17:14,200 --> 00:17:15,811
AND HIRED A FUNDRAISER
WITHOUT CONSULTING ME,
403
00:17:15,835 --> 00:17:16,879
IN VIOLATION OF MY CONTRACT?
404
00:17:16,903 --> 00:17:20,015
WE HIRED LEO AS A CONSULTANT.
405
00:17:20,039 --> 00:17:21,450
I SUGGEST YOU TAKE A
LOOK AT YOUR CONTRACT,
406
00:17:21,474 --> 00:17:24,019
AND YOU'LL SEE THAT IT'S
WELL WITHIN OUR PURVIEW.
407
00:17:24,043 --> 00:17:25,387
NOW, IF YOU WANT TO
DISCUSS THIS WITH ME FURTHER,
408
00:17:25,411 --> 00:17:26,589
PLEASE SET UP AN APPOINTMENT
409
00:17:26,613 --> 00:17:27,890
TO TALK TO ME
410
00:17:27,914 --> 00:17:30,274
DURING THE DAY TOMORROW.
411
00:17:37,023 --> 00:17:38,455
[SIGHS]
412
00:17:50,803 --> 00:17:52,314
HI, IT'S ME.
413
00:17:52,338 --> 00:17:54,550
I'M JUST HAVING A
ROUGH TIME, AND IT'S...
414
00:17:54,574 --> 00:17:56,218
CAN YOU TALK, OR ARE YOU BUSY?
415
00:17:56,242 --> 00:17:57,419
WHAT'S UP?
416
00:17:57,443 --> 00:17:59,221
FUCKING FRANKLIN WENT
AND HIRED LEO HERRERA
417
00:17:59,245 --> 00:18:00,689
TO COME RAISE
MONEY FOR THE C.A.C.
418
00:18:00,713 --> 00:18:01,891
HE'S ACTUALLY MOVING HIM OUT
419
00:18:01,915 --> 00:18:03,292
FROM NEW YORK.
420
00:18:03,316 --> 00:18:05,060
WITHOUT CONSULTING YOU?
421
00:18:05,084 --> 00:18:06,228
YEAH...
422
00:18:06,252 --> 00:18:07,630
AND THEN I WENT TO
HIS HOUSE UNANNOUNCED
423
00:18:07,654 --> 00:18:10,032
AND WENT OFF ON
HIM IN HIS DRIVEWAY.
424
00:18:10,056 --> 00:18:12,167
OH, NO, NO, NO.
425
00:18:12,191 --> 00:18:13,202
YOU DIDN'T.
426
00:18:13,226 --> 00:18:14,837
YEAH, I DID,
427
00:18:14,861 --> 00:18:15,837
AND YOU KNOW WHO'S
RESPONSIBLE FOR THIS?
428
00:18:15,861 --> 00:18:17,773
YOUR BUDDY HELENA PEABODY.
429
00:18:17,797 --> 00:18:19,241
THE WOMAN IS A FUCKING DRAGON,
430
00:18:19,265 --> 00:18:21,231
AND SHE'S MAKING
MY LIFE A LIVING HELL.
431
00:18:23,235 --> 00:18:25,514
OH, PLEASE TELL ME YOU'RE
NOT SLEEPING WITH HER, TINA.
432
00:18:25,538 --> 00:18:26,415
BETTE.
433
00:18:26,439 --> 00:18:27,716
ARE YOU SLEEPING WITH HER?
434
00:18:27,740 --> 00:18:29,852
ARE YOU FUCKING
SLEEPING WITH HER?
435
00:18:29,876 --> 00:18:30,919
IT'S NONE OF YOUR
FUCKING BUSINESS.
436
00:18:30,943 --> 00:18:31,920
DON'T DO IT, TINA.
437
00:18:31,944 --> 00:18:33,422
THAT WOMAN WILL EAT YOU ALIVE.
438
00:18:33,446 --> 00:18:34,423
SHE IS A VAMPIRE.
439
00:18:34,447 --> 00:18:35,924
YEAH, AND A DRAGON.
440
00:18:35,948 --> 00:18:37,459
THAT'S RIGHT, SHE IS A MONSTER,
441
00:18:37,483 --> 00:18:38,627
HOWEVER YOU WANT
TO CHARACTERIZE IT.
442
00:18:38,651 --> 00:18:39,895
SHE LIKES TO FUCK
WITH PEOPLE FOR SPORT...
443
00:18:39,919 --> 00:18:40,896
BETTE!
444
00:18:40,920 --> 00:18:42,932
LOOK, YOU WERE IN DISTRESS,
445
00:18:42,956 --> 00:18:44,500
AND YOU NEEDED
SOMEONE TO TALK TO,
446
00:18:44,524 --> 00:18:46,702
AND I'M WILLING TO LISTEN,
447
00:18:46,726 --> 00:18:47,770
BUT I'M NOT GOING
TO DO THIS WITH YOU.
448
00:18:47,794 --> 00:18:49,371
DO WHAT? WHAT ARE WE DOING?
449
00:18:49,395 --> 00:18:51,206
YOU'RE TRYING TO
CONTROL ME, AND YOU CAN'T.
450
00:18:51,230 --> 00:18:53,208
I'M NOT GOING TO TALK TO
YOU ABOUT HELENA PEABODY.
451
00:18:53,232 --> 00:18:54,631
OH, PLEASE.
452
00:19:00,239 --> 00:19:01,383
[SIGHS]
453
00:19:01,407 --> 00:19:04,007
FUCK.
454
00:19:09,314 --> 00:19:10,959
HI!
455
00:19:10,983 --> 00:19:11,960
HI.
456
00:19:11,984 --> 00:19:14,463
HOW'S MY LITTLE BRIDE-TO-BE?
457
00:19:14,487 --> 00:19:15,797
READY TO PLAY THE
BEST TENNIS OF HER LIFE?
458
00:19:15,821 --> 00:19:18,400
FINE.
459
00:19:18,424 --> 00:19:20,169
OKAY, WELL, IN ORDER
TO GET OUT OF HERE,
460
00:19:20,193 --> 00:19:21,637
WE NEED TO LEAVE IN
ABOUT FIVE MINUTES,
461
00:19:21,661 --> 00:19:22,838
TO BE ON THE SAFE SIDE.
462
00:19:22,862 --> 00:19:23,672
SO I'M JUST GOING TO
PHONE ANNA KOURNIKOVA
463
00:19:23,696 --> 00:19:24,873
AND MARTINA'S PEOPLE,
464
00:19:24,897 --> 00:19:26,274
MAKE SURE EVERYTHING'S
OKAY IN LA JOLLA,
465
00:19:26,298 --> 00:19:27,276
AND THEN WE'RE OFF, OKAY?
466
00:19:27,300 --> 00:19:28,276
OKAY.
467
00:19:28,300 --> 00:19:29,311
OKAY.
468
00:19:29,335 --> 00:19:31,780
[CELL PHONE RINGS]
469
00:19:31,804 --> 00:19:32,982
HELLO?
470
00:19:33,006 --> 00:19:33,982
NO, ALICE,
471
00:19:34,006 --> 00:19:35,017
I HAVEN'T TOLD HER YET.
472
00:19:35,041 --> 00:19:37,219
STOP PRESSURING ME!
473
00:19:37,243 --> 00:19:38,587
HONEY, WHO IS THAT?
474
00:19:38,611 --> 00:19:40,822
MY MOM.
475
00:19:40,846 --> 00:19:41,846
IT'S MY MOM.
476
00:19:43,850 --> 00:19:45,961
SHE MAKES ME FEEL SO PRESSURED
477
00:19:45,985 --> 00:19:48,663
WHEN SHE CALLS ME
TO WISH ME GOOD LUCK.
478
00:19:48,687 --> 00:19:52,935
OH, OKAY. SORRY.
479
00:19:52,959 --> 00:19:54,636
SO, YEAH,
480
00:19:54,660 --> 00:19:56,405
I JUST WANTED TO MAKE SURE...
481
00:19:56,429 --> 00:19:58,362
I WILL CALL YOU BACK LATER.
482
00:20:09,408 --> 00:20:11,053
[KNOCKING]
483
00:20:11,077 --> 00:20:12,609
[♪♪♪]
484
00:20:18,885 --> 00:20:19,861
HI.
485
00:20:19,885 --> 00:20:20,862
HI.
486
00:20:20,886 --> 00:20:22,597
ARE YOU SHANE McCOUCHIN?
487
00:20:22,621 --> 00:20:23,621
McCUTCHEON.
488
00:20:27,392 --> 00:20:30,573
I NEED YOU TO SIGN THIS.
489
00:20:30,597 --> 00:20:32,374
WHO ARE THEY FROM?
490
00:20:32,398 --> 00:20:34,209
MAYBE YOU HAVE A SECRET ADMIRER.
491
00:20:34,233 --> 00:20:36,412
JUST RIGHT THERE.
492
00:20:36,436 --> 00:20:40,104
IS THAT GOOD FOR YOU?
493
00:20:41,841 --> 00:20:43,975
YES, MA'AM, THAT'S GOOD FOR ME.
494
00:20:46,412 --> 00:20:47,555
WOW.
495
00:20:47,579 --> 00:20:49,539
DON'T YOU WANT TO
PUT THEM IN WATER?
496
00:20:52,418 --> 00:20:54,563
UM, YEAH.
497
00:20:54,587 --> 00:20:56,865
MM-HMM, I DO,
498
00:20:56,889 --> 00:20:59,369
BUT I DON'T KNOW
IF WE HAVE A VASE.
499
00:21:13,739 --> 00:21:15,039
I THINK THIS MIGHT WORK.
500
00:21:17,210 --> 00:21:19,287
YEAH, YOU'RE RIGHT.
501
00:21:19,311 --> 00:21:21,278
IT COULD WORK.
502
00:21:24,050 --> 00:21:26,484
THANK YOU.
503
00:21:44,737 --> 00:21:46,948
YOUR DESCRIPTIVE
TECHNIQUE IS BETTER,
504
00:21:46,972 --> 00:21:49,084
BUT YOU'RE STILL
SKATING ON THE SURFACE.
505
00:21:49,108 --> 00:21:50,419
HOW DO YOU MEAN
506
00:21:50,443 --> 00:21:52,854
THAT I'M "SKATING
OVER THE SURFACE?"
507
00:21:52,878 --> 00:21:54,456
JUST THINK ABOUT IT,
508
00:21:54,480 --> 00:21:56,858
AND THEN TAKE ANOTHER PASS.
509
00:21:56,882 --> 00:21:58,560
AND REMEMBER...
510
00:21:58,584 --> 00:22:00,061
YOU'RE NOT CLEA.
511
00:22:00,085 --> 00:22:01,964
I KNOW THAT I'M NOT CLEA.
512
00:22:01,988 --> 00:22:03,665
HAVE YOU EVER READ
513
00:22:03,689 --> 00:22:05,967
ANY OF THE STORIES
FROM MY RODEO DAYS?
514
00:22:05,991 --> 00:22:07,969
YES, I'VE, ACTUALLY, I'VE...
515
00:22:07,993 --> 00:22:09,171
I'VE READ ALL OF YOUR STORIES.
516
00:22:09,195 --> 00:22:12,441
I THOUGHT SO.
517
00:22:12,465 --> 00:22:14,476
YOU'VE GOT TO FIND
YOUR OWN VOICE, JENNY.
518
00:22:14,500 --> 00:22:16,845
IMITATION MAY BE
519
00:22:16,869 --> 00:22:18,480
THE SINCEREST FORM OF FLATTERY,
520
00:22:18,504 --> 00:22:20,949
BUT IT'S NOT THE
BEST FORM OF WRITING.
521
00:22:20,973 --> 00:22:23,986
UM, OKAY, BUT...
522
00:22:24,010 --> 00:22:25,987
WITH ALL DUE RESPECT,
523
00:22:26,011 --> 00:22:28,356
I DON'T THINK THAT I'M
IMITATING YOU, ACTUALLY.
524
00:22:28,380 --> 00:22:29,425
I'M NOT INTO THE WHOLE...
525
00:22:29,449 --> 00:22:31,960
STUDENT-TEACHER
TRANSFERENCE THING.
526
00:22:31,984 --> 00:22:33,928
I'D PREFER TO KEEP
THE BOUNDARIES
527
00:22:33,952 --> 00:22:37,599
BETWEEN US CRISP AND CLEAR.
528
00:22:37,623 --> 00:22:40,469
OKAY, I WILL...
529
00:22:40,493 --> 00:22:41,603
I WILL KEEP THAT IN MIND.
530
00:22:41,627 --> 00:22:42,638
THANK YOU.
531
00:22:42,662 --> 00:22:43,942
HEY, JENNY.
532
00:22:46,032 --> 00:22:47,008
HEY, HUNTER.
533
00:22:47,032 --> 00:22:48,032
YOU READY?
534
00:22:49,702 --> 00:22:51,513
YES.
535
00:22:51,537 --> 00:22:54,683
I'LL SEE YOU LATER.
536
00:22:54,707 --> 00:22:56,484
YOU KNOW, JENNY...
537
00:22:56,508 --> 00:22:58,675
HOLD ON. I HAVE AN
ASSIGNMENT FOR YOU.
538
00:23:00,412 --> 00:23:01,589
OKAY, READY?
539
00:23:01,613 --> 00:23:03,258
DEEP BREATHS.
540
00:23:03,282 --> 00:23:04,259
[BREATHING DEEPLY]
541
00:23:04,283 --> 00:23:08,330
ONE. GOOD.
542
00:23:08,354 --> 00:23:09,331
TWO.
543
00:23:09,355 --> 00:23:11,399
GOOD.
544
00:23:11,423 --> 00:23:12,668
KEEP BREATHING.
545
00:23:12,692 --> 00:23:14,536
THREE...
546
00:23:14,560 --> 00:23:16,593
[♪♪♪]
547
00:23:21,501 --> 00:23:25,347
SHE IS UNBELIEVABLE.
548
00:23:25,371 --> 00:23:27,949
YOU ARE A GOD, MAN.
549
00:23:27,973 --> 00:23:30,786
I MEAN, THAT'S WHAT I
CALL GOOD FILMMAKING.
550
00:23:30,810 --> 00:23:32,977
[INHALES DEEPLY]
551
00:23:34,580 --> 00:23:35,891
OH...
552
00:23:35,915 --> 00:23:38,360
OH, GOODNESS.
553
00:23:38,384 --> 00:23:40,562
THAT BLONDE IS
UNBELIEVABLE, MAN.
554
00:23:40,586 --> 00:23:42,764
HOW DO YOU KNOW GIRLS LIKE THIS?
555
00:23:42,788 --> 00:23:44,432
FOR $200, YOU COULD KNOW
GIRLS LIKE THAT, GOMEY.
556
00:23:44,456 --> 00:23:45,968
[LAUGHS]
557
00:23:45,992 --> 00:23:48,503
SEE, I TOLD YOU, MAN.
558
00:23:48,527 --> 00:23:50,894
REALITY JUST NEEDS A
LITTLE HELP SOMETIMES.
559
00:24:03,742 --> 00:24:04,720
WHAT ARE YOU DOING, MAN?
560
00:24:04,744 --> 00:24:06,088
HOLD ON.
561
00:24:06,112 --> 00:24:07,222
PAN BACK.
562
00:24:07,246 --> 00:24:09,057
DUDE, HOLD ON A SECOND.
563
00:24:09,081 --> 00:24:12,861
I JUST... I WANT TO KNOW
WHAT SHE'S FEELING.
564
00:24:12,885 --> 00:24:16,520
WHO GIVES A FUCK
WHAT SHE'S FEELING?
565
00:24:21,660 --> 00:24:23,872
TRY NOT SPEAKING FOR
THE REST OF THE DAY.
566
00:24:23,896 --> 00:24:25,674
NOT A WORD.
567
00:24:25,698 --> 00:24:28,143
TRY COMMUNICATING ALL YOUR NEEDS
568
00:24:28,167 --> 00:24:30,112
WITHOUT USING AUDIBLE LANGUAGE.
569
00:24:30,136 --> 00:24:31,446
WHY?
570
00:24:31,470 --> 00:24:32,481
DON'T ASK WHY.
571
00:24:32,505 --> 00:24:34,716
JUST TRY IT...
572
00:24:34,740 --> 00:24:36,451
AND THEN WRITE ME AN ESSAY
573
00:24:36,475 --> 00:24:39,076
ABOUT YOUR EXPERIENCE.
574
00:24:41,514 --> 00:24:42,724
I CAN'T BELIEVE
575
00:24:42,748 --> 00:24:44,492
I LET YOU TAKE ME
TO LA JOLLA FOR THIS.
576
00:24:44,516 --> 00:24:46,127
OKAY, YOU NEED TO TELL HER
577
00:24:46,151 --> 00:24:47,796
TO CALL THIS THING OFF,
578
00:24:47,820 --> 00:24:48,797
AND JUST EXPLAIN
579
00:24:48,821 --> 00:24:50,231
THAT THE LONGER SHE WAITS,
580
00:24:50,255 --> 00:24:51,532
THE MORE PAINFUL
IT'S GOING TO GET,
581
00:24:51,556 --> 00:24:53,067
BECAUSE SHE DOESN'T
UNDERSTAND THAT,
582
00:24:53,091 --> 00:24:54,436
AND, JUST, LIKE, TELL HER IF...
583
00:24:54,460 --> 00:24:56,104
ALICE, WHY DO I
HAVE TO TELL HER?
584
00:24:56,128 --> 00:24:57,171
SHE SAID SHE'D SAY SOMETHING
585
00:24:57,195 --> 00:24:58,973
AFTER THE GAME.
586
00:24:58,997 --> 00:25:01,509
HONEY, MELLOW OUT, PLEASE.
587
00:25:01,533 --> 00:25:02,710
[DOOR OPENS]
588
00:25:02,734 --> 00:25:03,946
THERE'S TONYA.
589
00:25:03,970 --> 00:25:05,147
[TONYA]: I JUST WANTED
TO CALL AND SAY
590
00:25:05,171 --> 00:25:07,616
THANK YOU SO MUCH FOR TODAY.
591
00:25:07,640 --> 00:25:08,650
I KNOW.
592
00:25:08,674 --> 00:25:09,651
MELISSA RIVERS.
593
00:25:09,675 --> 00:25:10,752
I AM DYING!
594
00:25:10,776 --> 00:25:11,819
I KNOW.
595
00:25:11,843 --> 00:25:13,088
I CAN'T BELIEVE
596
00:25:13,112 --> 00:25:16,324
SHE'S ACTUALLY
HOSTING THE EVENT.
597
00:25:16,348 --> 00:25:17,992
SHE DOESN'T EVEN KNOW
WE'RE HERE, DOES SHE?
598
00:25:18,016 --> 00:25:19,127
OKAY, NO.
599
00:25:19,151 --> 00:25:22,064
UM, OKAY, HERE'S THE PLAN, STAN.
600
00:25:22,088 --> 00:25:23,231
YOU'RE GOING TO CALL
ME ON THIS PHONE...
601
00:25:23,255 --> 00:25:24,333
TAKE THIS...
602
00:25:24,357 --> 00:25:25,467
IF YOU SEE TONYA COMING, OKAY?
603
00:25:25,491 --> 00:25:26,467
THAT'S JUST DUMB.
604
00:25:26,491 --> 00:25:27,803
ALL RIGHT.
605
00:25:27,827 --> 00:25:30,187
I DON'T HAVE TIME
FOR THIS, SHANE, OKAY?
606
00:25:31,998 --> 00:25:32,974
[KNOCKING]
607
00:25:32,998 --> 00:25:35,377
[WHISPERS]: DANA.
608
00:25:35,401 --> 00:25:36,378
HI.
609
00:25:36,402 --> 00:25:37,682
HI. HI.
610
00:25:40,339 --> 00:25:41,771
HI.
611
00:25:43,876 --> 00:25:45,053
OKAY, LISTEN,
612
00:25:45,077 --> 00:25:46,755
IF YOU DON'T PROMISE
TO DO THIS TONIGHT,
613
00:25:46,779 --> 00:25:48,779
THEN I REFUSE TO
LEAVE THIS ROOM.
614
00:25:51,216 --> 00:25:53,094
WAIT, WAIT.
615
00:25:53,118 --> 00:25:53,862
WAIT, WAIT, WAIT.
THAT'S NOT FAIR.
616
00:25:53,886 --> 00:25:54,562
I SAID I WOULD DO IT AFTER.
617
00:25:54,586 --> 00:25:56,865
BESIDES, WHAT DO I SAY?
618
00:25:56,889 --> 00:25:58,666
MM... HOW ABOUT...
619
00:25:58,690 --> 00:26:01,269
HOW ABOUT, "HI, TONYA,
YOU'RE A SCARY ROBOT,
620
00:26:01,293 --> 00:26:03,305
AND I'M NOT GOING TO MARRY YOU,"
621
00:26:03,329 --> 00:26:04,329
AND...
622
00:26:06,298 --> 00:26:08,376
"BUT YOU CAN STILL
BE MY "MANAGER.
623
00:26:08,400 --> 00:26:09,711
OKAY.
624
00:26:09,735 --> 00:26:11,212
[CELL PHONE RINGS]
625
00:26:11,236 --> 00:26:12,213
OH, GOD.
626
00:26:12,237 --> 00:26:13,214
THAT'S SHANE.
627
00:26:13,238 --> 00:26:14,416
THAT MEANS TONYA'S COMING, SO...
628
00:26:14,440 --> 00:26:16,518
WHAT WAS YOUR ESCAPE PLAN, AL?
629
00:26:16,542 --> 00:26:17,886
I DIDN'T REALLY THINK
ABOUT THAT ONE.
630
00:26:17,910 --> 00:26:19,220
ALICE!
631
00:26:19,244 --> 00:26:21,756
HI...
632
00:26:21,780 --> 00:26:24,081
[LAUGHS NERVOUSLY]
633
00:26:27,286 --> 00:26:29,665
HOW ARE YOU?
634
00:26:29,689 --> 00:26:30,665
SURPRISE!
635
00:26:30,689 --> 00:26:31,666
ALICE.
636
00:26:31,690 --> 00:26:32,667
HI!
637
00:26:32,691 --> 00:26:34,436
TENNIS, ANYONE?
638
00:26:34,460 --> 00:26:35,536
[ALICE AND DANA LAUGH]
639
00:26:35,560 --> 00:26:36,805
WOW, DID YOU...
640
00:26:36,829 --> 00:26:39,407
DID YOU COME UP HERE JUST...
TO SUPPORT YOUR FRIEND?
641
00:26:39,431 --> 00:26:40,609
I DID.
642
00:26:40,633 --> 00:26:41,609
[TONYA]: THAT IS SO SWEET.
643
00:26:41,633 --> 00:26:42,910
AH, YES.
644
00:26:42,934 --> 00:26:43,912
[GASPS]
645
00:26:43,936 --> 00:26:45,847
MELISSA RIVERS IS GREAT.
646
00:26:45,871 --> 00:26:47,282
IT IS SUCH A COUP TO GET HER.
647
00:26:47,306 --> 00:26:48,283
I CAN'T EVEN TELL YOU.
648
00:26:48,307 --> 00:26:49,551
HEINEKEN IS THRILLED.
649
00:26:49,575 --> 00:26:53,321
YEAH, YOU'RE A FANTASTIC
PROMOTER, TONYA.
650
00:26:53,345 --> 00:26:54,923
YOU ARE.
651
00:26:54,947 --> 00:26:57,525
I MEAN, DANA'S REALLY LUCKY
TO HAVE YOU AS HER MANAGER.
652
00:26:57,549 --> 00:26:59,527
AND I AM SO GLAD THAT YOU CAME,
653
00:26:59,551 --> 00:27:00,762
BECAUSE OUR LITTLE
MISS FAIRBANKS
654
00:27:00,786 --> 00:27:01,896
HAS BEEN A BUNDLE OF NERVES.
655
00:27:01,920 --> 00:27:02,898
OH.
656
00:27:02,922 --> 00:27:03,932
HAVEN'T YOU, BABY?
657
00:27:03,956 --> 00:27:05,233
OH, HAVE YOU?
658
00:27:05,257 --> 00:27:08,970
OH, BOO-DOO-DOO-DOO-DOO.
659
00:27:08,994 --> 00:27:10,138
JUST ONE MORE LITTLE MATCH
660
00:27:10,162 --> 00:27:11,506
TILL WE CAN GO BACK
661
00:27:11,530 --> 00:27:12,273
AND SLEEP IN OUR
OWN LITTLE BEDDY-BYE,
662
00:27:12,297 --> 00:27:13,775
RIGHT, POOKIE PIE?
663
00:27:13,799 --> 00:27:17,078
YEAH... OKAY.
664
00:27:17,102 --> 00:27:18,413
WELL, I'M GOING TO
LEAVE YOU GUYS ALONE...
665
00:27:18,437 --> 00:27:19,481
OKAY.
666
00:27:19,505 --> 00:27:21,816
BUT I AM EXCITED TO SEE YOU
667
00:27:21,840 --> 00:27:23,584
KICK SOME BUTT.
668
00:27:23,608 --> 00:27:24,586
YEAH!
669
00:27:24,610 --> 00:27:25,553
ALL RIGHT.
670
00:27:25,577 --> 00:27:26,821
LATER, GIRL.
671
00:27:26,845 --> 00:27:28,456
BYE.
672
00:27:28,480 --> 00:27:32,382
ALICE... CRAZY.
673
00:27:35,420 --> 00:27:38,833
SO WHEN DOES YOUR
SILENCE ASSIGNMENT END?
674
00:27:38,857 --> 00:27:40,735
I HAD A REALLY
GREAT TIME WITH YOU,
675
00:27:40,759 --> 00:27:44,038
BUT... I THINK I
WANT TO DO IT AGAIN
676
00:27:44,062 --> 00:27:48,509
WHEN YOU'RE A LITTLE
BIT MORE VERBAL.
677
00:27:48,533 --> 00:27:50,500
MAYBE.
678
00:27:52,838 --> 00:27:55,572
IS THAT COOL WITH YOU?
679
00:28:25,938 --> 00:28:28,605
OKAY.
680
00:28:47,726 --> 00:28:49,592
[KEYBOARD CLICKING]
681
00:28:55,434 --> 00:28:57,412
HURRY, HURRY, HURRY.
682
00:28:57,436 --> 00:29:00,248
STEP RIGHT UP,
LADIES AND GENTLEMEN,
683
00:29:00,272 --> 00:29:04,886
BOYS AND GIRLS, GIRLY
BOYS AND BOYISH GIRLS,
684
00:29:04,910 --> 00:29:09,590
TOPS, BOTTOMS, QUEERS,
BIS, TRANSGENDERS,
685
00:29:09,614 --> 00:29:13,895
AND LABEL-FREE PEOPLE OF
EVERY STRIPE AND VARIETY...
686
00:29:13,919 --> 00:29:17,431
COME AND SEE THE AMAZING
TRIO OF HUMAN FREAKS,
687
00:29:17,455 --> 00:29:19,567
BROUGHT BEFORE YOU
688
00:29:19,591 --> 00:29:21,569
FOR ENTERTAINMENT AND AMUSEMENT.
689
00:29:21,593 --> 00:29:24,839
ON THE HIGH WIRE, WE
HAVE OUR FIRST SPECIMEN,
690
00:29:24,863 --> 00:29:27,063
THE SILENT BALLERINA...
691
00:29:29,101 --> 00:29:30,411
AND BEHIND ME,
692
00:29:30,435 --> 00:29:34,348
OUR SECOND SPECIMEN,
THE BEAUTIFUL TEMPTRESS!
693
00:29:34,372 --> 00:29:37,785
WHO COULD RESIST HER CHARMS?
694
00:29:37,809 --> 00:29:41,389
AND TO MY LEFT,
OUR THIRD SPECIMEN...
695
00:29:41,413 --> 00:29:46,283
THE TEMPTRESS TAMER!
696
00:29:49,855 --> 00:29:51,354
[WHIP CRACKS]
697
00:30:32,231 --> 00:30:35,509
HERE IT IS...
698
00:30:35,533 --> 00:30:37,834
BUT... I'M GOING TO NEED
YOU TO SIGN FOR IT FIRST.
699
00:30:39,271 --> 00:30:41,983
[MOCKING]: IS THAT GOOD FOR YOU?
700
00:30:42,007 --> 00:30:43,818
NO, KELLY,
701
00:30:43,842 --> 00:30:45,286
YOU WERE GENIUS IN THIS.
702
00:30:45,310 --> 00:30:47,188
NO, REALLY, IT'S...
703
00:30:47,212 --> 00:30:48,190
IT'S PRETTY FUCKING HOT.
704
00:30:48,214 --> 00:30:49,824
I THINK YOU'RE
GOING TO ENJOY IT.
705
00:30:49,848 --> 00:30:51,459
THANKS.
706
00:30:51,483 --> 00:30:53,895
HEY, WHAT'S UP?
707
00:30:53,919 --> 00:30:55,330
ARE YOU SORRY YOU DID IT?
708
00:30:55,354 --> 00:30:56,865
BECAUSE IF YOU DON'T WANT ME TO,
709
00:30:56,889 --> 00:30:58,421
I WON'T USE IT.
710
00:31:00,759 --> 00:31:01,969
I DON'T WANT YOU TO USE IT.
711
00:31:01,993 --> 00:31:05,306
BUT... KEL, IT'S GOOD.
712
00:31:05,330 --> 00:31:07,776
I MEAN, IT'S PROVOCATIVE,
BUT IT'S NOT CHEESY.
713
00:31:07,800 --> 00:31:09,277
IT'S GOING TO WORK REALLY
WELL IN THE NARRATIVE
714
00:31:09,301 --> 00:31:10,544
OF MY FILM.
715
00:31:10,568 --> 00:31:12,313
YOUR FILM?
716
00:31:12,337 --> 00:31:14,482
LESBIANS GONE WILD?
717
00:31:14,506 --> 00:31:15,684
NO.
718
00:31:15,708 --> 00:31:17,252
THAT'S ACTUALLY NOT
WHAT I HAVE IN MIND.
719
00:31:17,276 --> 00:31:19,454
I'M MAKING A DOCUMENTARY.
720
00:31:19,478 --> 00:31:22,190
I DON'T KNOW.
721
00:31:22,214 --> 00:31:23,294
SHANE MIGHT GET UPSET.
722
00:31:25,316 --> 00:31:27,236
YOU'RE SURE SHE'S
NOT HOME, RIGHT?
723
00:31:28,854 --> 00:31:31,633
YEAH, I'M SURE.
724
00:31:31,657 --> 00:31:33,067
WHAT?
725
00:31:33,091 --> 00:31:34,135
I DON'T WANT TO HURT HER.
726
00:31:34,159 --> 00:31:35,236
THAT'S ALL.
727
00:31:35,260 --> 00:31:37,038
SHE WAS REALLY NICE TO ME.
728
00:31:37,062 --> 00:31:38,706
THAT'S IT?
729
00:31:38,730 --> 00:31:41,176
SHE WAS... SHE WAS
REALLY NICE TO YOU?
730
00:31:41,200 --> 00:31:43,678
WHAT DOES THAT MEAN, EXACTLY?
731
00:31:43,702 --> 00:31:44,979
SHE TURNED YOU ON?
732
00:31:45,003 --> 00:31:46,047
SHE MADE YOU COME REAL HARD?
733
00:31:46,071 --> 00:31:47,649
SCREW YOU, MARK.
734
00:31:47,673 --> 00:31:48,650
I'M SORRY.
735
00:31:48,674 --> 00:31:51,019
THAT WASN'T APPROPRIATE.
736
00:31:51,043 --> 00:31:53,554
IT'S JUST IT'S GOOD,
737
00:31:53,578 --> 00:31:56,580
AND I GUESS I'M JUST
A LITTLE JEALOUS.
738
00:32:00,152 --> 00:32:01,362
OF ME OR HER?
739
00:32:01,386 --> 00:32:03,453
SHUT UP.
740
00:32:05,457 --> 00:32:06,534
IT'S JUST...
741
00:32:06,558 --> 00:32:08,269
IT'S REALLY
UNBELIEVABLE, THOUGH.
742
00:32:08,293 --> 00:32:10,304
THAT CHICK MUST HAVE
SOME KIND OF POWER
743
00:32:10,328 --> 00:32:11,339
OR SOMETHING.
744
00:32:11,363 --> 00:32:13,575
I'VE NEVER SEEN A GIRL
745
00:32:13,599 --> 00:32:16,244
HAVE THAT KIND OF
EFFECT ON OTHER GIRLS.
746
00:32:16,268 --> 00:32:17,244
SOUNDS LIKE
747
00:32:17,268 --> 00:32:19,714
SHE'S WORKING ON YOU, TOO.
748
00:32:19,738 --> 00:32:21,649
NOT.
749
00:32:21,673 --> 00:32:26,621
I'M JUST INTRIGUED BY HER.
750
00:32:26,645 --> 00:32:28,685
SO DOES SHANE SLEEP
WITH A LOT OF GIRLS?
751
00:32:50,768 --> 00:32:52,113
MELISSA RIVERS IS OUT OF WATER,
752
00:32:52,137 --> 00:32:53,447
AND HER CELEBRITY HANDLER
753
00:32:53,471 --> 00:32:54,916
IS JUST SITTING THERE?
754
00:32:54,940 --> 00:32:58,153
WHAT IS WRONG WITH THESE PEOPLE?
755
00:32:58,177 --> 00:33:00,088
I WILL BE RIGHT BACK.
756
00:33:00,112 --> 00:33:01,392
EXCUSE ME.
757
00:33:04,249 --> 00:33:05,694
OKAY, QUICK. SHANE...
758
00:33:05,718 --> 00:33:08,629
I NEED YOU TO READ THIS
AND TELL ME WHAT YOU THINK.
759
00:33:08,653 --> 00:33:09,897
WHAT IS IT?
760
00:33:09,921 --> 00:33:11,066
IT'S A SCRIPT.
761
00:33:11,090 --> 00:33:12,367
I WROTE IT FOR DANA
TO BREAK UP WITH TONYA
762
00:33:12,391 --> 00:33:14,631
BECAUSE SHE WAS HAVING
TROUBLE FINDING THE WORDS.
763
00:33:16,295 --> 00:33:17,839
[SIGHS]
764
00:33:17,863 --> 00:33:21,709
"TONYA, THERE'S SOMETHING
I NEED TO SAY TO YOU.
765
00:33:21,733 --> 00:33:22,843
"THIS ISN'T EASY FOR ME,
766
00:33:22,867 --> 00:33:23,845
"BECAUSE YOU'VE
WORKED REALLY HARD
767
00:33:23,869 --> 00:33:26,047
AND DONE SO MUCH FOR MY CAREER."
768
00:33:26,071 --> 00:33:27,071
ALICE.
769
00:33:29,341 --> 00:33:31,019
IT'S KARMICALLY WRONG,
770
00:33:31,043 --> 00:33:32,520
AND IT'S GOING TO
COME BACK AT YOU
771
00:33:32,544 --> 00:33:34,424
IF YOU AND DANA
WIND UP TOGETHER.
772
00:33:38,350 --> 00:33:39,493
ALL RIGHT,
773
00:33:39,517 --> 00:33:40,829
YODA NEEDS TO GIVE ME
SOME BETTER ADVICE HERE,
774
00:33:40,853 --> 00:33:43,286
OR YODA NEEDS TO
SHUT THE FUCK UP.
775
00:33:46,791 --> 00:33:48,936
I'M SO GLAD
776
00:33:48,960 --> 00:33:49,938
YOU DECIDED TO
COME, BABY SISTER.
777
00:33:49,962 --> 00:33:51,239
I THINK IT WILL BE GOOD FOR YOU.
778
00:33:51,263 --> 00:33:52,873
I'M JUST DOING THIS
TO SUPPORT YOU, KIT.
779
00:33:52,897 --> 00:33:54,174
I'M NOT DOING THIS FOR MYSELF.
780
00:33:54,198 --> 00:33:55,776
OH, YOU MAY SAY THAT NOW,
781
00:33:55,800 --> 00:33:57,045
BUT IT'S TRANSFORMATIVE,
782
00:33:57,069 --> 00:33:58,546
AND IF YOU DON'T MIND ME SAYING,
783
00:33:58,570 --> 00:34:00,047
YOU COULD USE A
LITTLE TRANSFORMING
784
00:34:00,071 --> 00:34:01,115
RIGHT ABOUT NOW.
785
00:34:01,139 --> 00:34:02,116
PLEASE DO NOT USE
786
00:34:02,140 --> 00:34:03,151
THAT SELF-HELP JARGON ON ME.
787
00:34:03,175 --> 00:34:04,151
I WILL BARF.
788
00:34:04,175 --> 00:34:05,219
I'M NOT A MOONIE.
789
00:34:05,243 --> 00:34:06,721
HE JUST SAYS A LOT OF THINGS
790
00:34:06,745 --> 00:34:08,523
THAT MAKE SENSE.
791
00:34:08,547 --> 00:34:11,392
IF YOU SAY SO.
792
00:34:11,416 --> 00:34:14,561
DON'T YOU THINK HE'S FINE?
793
00:34:14,585 --> 00:34:16,730
WAIT UNTIL YOU HEAR HIM SPEAK.
794
00:34:16,754 --> 00:34:17,866
THERE'S SOMETHING ABOUT THE WAY
795
00:34:17,890 --> 00:34:21,291
HE MOVES HIS BODY ON STAGE.
796
00:34:29,801 --> 00:34:32,213
YOU'VE BEGGED, PLEADED,
797
00:34:32,237 --> 00:34:35,816
PLOTTED, SCREAMED, AND FLAILED,
798
00:34:35,840 --> 00:34:40,988
AND YET YOU'VE STILL
NOT GOT THAT THING,
799
00:34:41,012 --> 00:34:43,892
THAT ONE THING
THAT YOU MOST WANT,
800
00:34:43,916 --> 00:34:47,228
THAT YOU CAN'T LIVE WITHOUT,
801
00:34:47,252 --> 00:34:54,068
BUT... HAVE YOU TAKEN...
802
00:34:54,092 --> 00:34:58,973
THE ULTIMATE RISK?
803
00:34:58,997 --> 00:35:03,444
HAVE YOU MADE
YOURSELF VULNERABLE?
804
00:35:03,468 --> 00:35:05,914
SAY TO YOURSELF,
805
00:35:05,938 --> 00:35:10,517
"WHAT IS THE MOST
VULNERABLE POSITION FOR ME?
806
00:35:10,541 --> 00:35:13,588
"HOW CAN I PUT MYSELF AT RISK
807
00:35:13,612 --> 00:35:18,059
TO LOSE EVERYTHING
THAT I HAVE TO LOSE?"
808
00:35:18,083 --> 00:35:22,463
BECAUSE WHEN YOU
RISK LOSING EVERYTHING,
809
00:35:22,487 --> 00:35:28,291
YOU INVARIABLY STAND
TO GAIN EVERYTHING.
810
00:35:30,195 --> 00:35:33,274
OKAY.
811
00:35:33,298 --> 00:35:35,309
NOW'S THE TIME.
812
00:35:35,333 --> 00:35:36,577
[SIGHS]
813
00:35:36,601 --> 00:35:37,779
OH, I WROTE YOU A SCRIPT.
814
00:35:37,803 --> 00:35:38,813
A SCRIPT?
815
00:35:38,837 --> 00:35:40,381
YEAH, SO YOU KNOW WHAT TO SAY.
816
00:35:40,405 --> 00:35:42,516
UM, DO YOU WANT TO PRACTICE?
817
00:35:42,540 --> 00:35:43,884
OKAY, "TONYA,
818
00:35:43,908 --> 00:35:45,019
THERE IS SOMETHING I
NEED TO SAY TO YOU..."
819
00:35:45,043 --> 00:35:47,122
[MUMBLING]
820
00:35:47,146 --> 00:35:48,356
I CAN'T SAY THIS, AL.
821
00:35:48,380 --> 00:35:49,946
IT'S HORRIBLE!
822
00:35:51,416 --> 00:35:52,993
HOW IS "THIS ISN'T EASY FOR ME
823
00:35:53,017 --> 00:35:54,062
"BECAUSE YOU'VE
WORKED REALLY HARD
824
00:35:54,086 --> 00:35:55,730
AND DONE SO MUCH FOR
MY CAREER" HORRIBLE?
825
00:35:55,754 --> 00:35:57,198
I'M TRYING TO SOFTEN
THE BLOW HERE.
826
00:35:57,222 --> 00:35:58,333
"BECAUSE I DON'T KNOW
WHAT I WAS THINKING
827
00:35:58,357 --> 00:35:59,701
WHEN I AGREED TO MARRY YOU?"
828
00:35:59,725 --> 00:36:01,769
THAT'S A HIDEOUS THING
TO SAY TO ANYBODY, AL.
829
00:36:01,793 --> 00:36:03,771
FINE, NO SCRIPTS.
830
00:36:03,795 --> 00:36:04,872
IT'S OKAY.
831
00:36:04,896 --> 00:36:05,973
JUST IMPROV.
832
00:36:05,997 --> 00:36:07,041
I CAN'T DO THIS.
833
00:36:07,065 --> 00:36:08,042
YES, YOU CAN.
834
00:36:08,066 --> 00:36:09,244
NO, I CAN'T.
835
00:36:09,268 --> 00:36:12,079
I BELIEVE IN YOU.
836
00:36:12,103 --> 00:36:13,747
YOU DO?
837
00:36:13,771 --> 00:36:16,184
YEAH.
838
00:36:16,208 --> 00:36:17,451
DANA, GO.
839
00:36:17,475 --> 00:36:18,586
OKAY, OKAY.
840
00:36:18,610 --> 00:36:19,890
I'LL GO.
841
00:36:30,121 --> 00:36:32,054
[VOICES MURMURING]
842
00:36:35,494 --> 00:36:36,537
KIT.
843
00:36:36,561 --> 00:36:37,838
DR. BRADSHAW.
844
00:36:37,862 --> 00:36:40,608
OH, IT'S SO LOVELY TO SEE YOU...
845
00:36:40,632 --> 00:36:42,844
AND BETTE, I'M GLAD YOU DECIDED
846
00:36:42,868 --> 00:36:44,111
TO OPEN YOURSELF UP.
847
00:36:44,135 --> 00:36:45,335
DID YOU FIND IT ENLIGHTENING?
848
00:36:46,772 --> 00:36:48,616
ACTUALLY, YOU SAID A FEW THINGS
849
00:36:48,640 --> 00:36:50,018
THAT HIT HOME.
850
00:36:50,042 --> 00:36:52,220
ONLY A FEW THINGS?
851
00:36:52,244 --> 00:36:53,287
WELL, IT'S A FEW MORE
THAN I WAS EXPECTING,
852
00:36:53,311 --> 00:36:54,122
TO BE PERFECTLY HONEST.
853
00:36:54,146 --> 00:36:55,323
WELL, TELL ME YOUR THOUGHTS.
854
00:36:55,347 --> 00:36:57,347
WHAT IN PARTICULAR
RESONATED FOR YOU?
855
00:36:59,952 --> 00:37:01,762
I GUESS THE COMMENTS
THAT YOU MADE
856
00:37:01,786 --> 00:37:04,298
ABOUT MAKING
YOURSELF VULNERABLE.
857
00:37:04,322 --> 00:37:05,533
MM-HMM, YOU WANT TO KNOW
858
00:37:05,557 --> 00:37:07,501
HOW TO MAKE YOURSELF
VULNERABLE TO TINA
859
00:37:07,525 --> 00:37:09,703
SO THAT YOU AND SHE CAN
RAISE A CHILD TOGETHER?
860
00:37:09,727 --> 00:37:11,572
JESUS, HAVE YOU
TOLD HIM EVERYTHING
861
00:37:11,596 --> 00:37:12,640
THAT'S GOING ON IN MY LIFE?
862
00:37:12,664 --> 00:37:14,275
WELL, I WAS WORRIED ABOUT YOU.
863
00:37:14,299 --> 00:37:15,576
I JUST WANTED TO HELP.
864
00:37:15,600 --> 00:37:16,577
GO TO HER TONIGHT,
865
00:37:16,601 --> 00:37:19,213
WHEREVER SHE IS.
866
00:37:19,237 --> 00:37:20,547
BRING HER FLOWERS...
867
00:37:20,571 --> 00:37:22,683
IF POSSIBLE, FLOWERS
YOU PICKED YOURSELF
868
00:37:22,707 --> 00:37:24,518
RATHER THAN BOUGHT.
869
00:37:24,542 --> 00:37:26,554
GIVE TINA THE FLOWERS
870
00:37:26,578 --> 00:37:30,358
AND SAY, "YOU HOLD
ALL THE CARDS."
871
00:37:30,382 --> 00:37:32,493
NO MATTER WHAT SHE SAYS, SAY,
872
00:37:32,517 --> 00:37:37,398
"YOU HOLD ALL THE CARDS."
873
00:37:37,422 --> 00:37:38,399
IT IS MY PERSONAL BUSINESS.
874
00:37:38,423 --> 00:37:39,400
I DON'T WANT SOME STRANGER
875
00:37:39,424 --> 00:37:40,768
KNOWING MY PERSONAL BUSINESS,
876
00:37:40,792 --> 00:37:42,803
ESPECIALLY SOMEBODY
LIKE BENJAMIN BRADSHAW.
877
00:37:42,827 --> 00:37:44,205
WELL, IF THERE'S ANYONE
YOU SHOULD TRUST,
878
00:37:44,229 --> 00:37:45,473
IT SHOULD BE BENJAMIN, HONEY.
879
00:37:45,497 --> 00:37:46,473
HE'S A GOOD PERSON.
880
00:37:46,497 --> 00:37:47,975
HE'S A FUCKING CIRCUS PERFORMER.
881
00:37:47,999 --> 00:37:49,343
I THOUGHT YOU SAID
882
00:37:49,367 --> 00:37:51,512
HE SAID SOMETHING THAT HIT HOME.
883
00:37:51,536 --> 00:37:53,781
IT'S THE TECHNIQUE
OF PEOPLE LIKE HIM.
884
00:37:53,805 --> 00:37:55,782
THERE'S BOUND TO BE
SOMETHING FOR EVERYBODY.
885
00:37:55,806 --> 00:37:57,785
YOU KNOW, I FIND
SOMETHING FOR ME
886
00:37:57,809 --> 00:38:00,221
THAT DOESN'T MEAN
IT'S NOT BULLSHIT.
887
00:38:00,245 --> 00:38:01,555
DOES THAT MEAN
888
00:38:01,579 --> 00:38:03,860
YOU'RE NOT GOING TO
DO THE ASSIGNMENT?
889
00:38:15,326 --> 00:38:17,672
[TONYA]: POOKIE, WHERE ARE YOU?
890
00:38:17,696 --> 00:38:19,173
GOD, YOUR LOCKER'S,
LIKE, IN SIBERIA.
891
00:38:19,197 --> 00:38:20,975
WE ARE GOING TO HAVE TO
HAVE A HARSH CONVERSATION
892
00:38:20,999 --> 00:38:22,176
WITH SOMEBODY ABOUT THAT...
893
00:38:22,200 --> 00:38:23,944
TONYA, THERE'S
SOMETHING I NEED TO SAY.
894
00:38:23,968 --> 00:38:25,146
ME TOO.
895
00:38:25,170 --> 00:38:26,314
WHY DON'T YOU GO FIRST?
896
00:38:26,338 --> 00:38:27,803
OKAY, TONYA.
897
00:38:34,312 --> 00:38:36,812
YOU ARE AN AMAZING WOMAN.
898
00:38:39,684 --> 00:38:42,629
YOU CAME INTO MY LIFE AT A TIME
899
00:38:42,653 --> 00:38:47,801
WHEN I WAS TRYING TO FIGURE
OUT WHO I REALLY WAS, AND...
900
00:38:47,825 --> 00:38:53,240
YOU MADE ME FEEL SO
WELL TAKEN CARE OF.
901
00:38:53,264 --> 00:38:55,976
YOU HAD SUCH RESPECT FOR ME
902
00:38:56,000 --> 00:39:01,148
THAT I STARTED LEARNING
TO RESPECT MYSELF,
903
00:39:01,172 --> 00:39:03,250
AND I'LL NEVER FORGET THAT,
904
00:39:03,274 --> 00:39:07,321
OR STOP BEING THANKFUL...
905
00:39:07,345 --> 00:39:12,293
BUT I THINK I CONFUSED
IT WITH SOMETHING ELSE.
906
00:39:12,317 --> 00:39:19,533
I KNOW I CONFUSED
GRATITUDE WITH LOVE,
907
00:39:19,557 --> 00:39:23,337
WHICH MEANS I CARE
SO MUCH ABOUT YOU.
908
00:39:23,361 --> 00:39:25,673
I CARE SO MUCH ABOUT YOU, BUT...
909
00:39:25,697 --> 00:39:30,033
BUT I KNOW IN MY HEART THAT
WE DON'T BELONG TOGETHER...
910
00:39:32,103 --> 00:39:35,049
AND IN THE LONG RUN, I THINK...
911
00:39:35,073 --> 00:39:40,754
I THINK WE'LL BOTH BE GLAD
THAT WE REALIZED IT IN TIME,
912
00:39:40,778 --> 00:39:44,146
BEFORE MAKING A HUGE
MISTAKE LIKE GETTING MARRIED.
913
00:39:46,217 --> 00:39:49,830
[RIVERS]: TONYA, TONYA, BABY,
914
00:39:49,854 --> 00:39:50,898
I AM SO SORRY.
915
00:39:50,922 --> 00:39:51,799
I HOPE YOU HAVEN'T
BEEN WAITING LONG.
916
00:39:51,823 --> 00:39:53,133
A FAN CORNERED
ME IN THE HALLWAY.
917
00:39:53,157 --> 00:39:55,035
COULD YOU GIVE US
A MINUTE, PLEASE?
918
00:39:55,059 --> 00:39:56,637
[SNIFFLES]
919
00:39:56,661 --> 00:39:57,638
OH, MY GOD.
920
00:39:57,662 --> 00:39:58,972
YOU TOLD HER?
921
00:39:58,996 --> 00:40:00,374
TOLD ME WHAT?
922
00:40:00,398 --> 00:40:02,276
SHE SEEMS TO BE TAKING IT WELL,
923
00:40:02,300 --> 00:40:03,944
BUT THEN AGAIN,
924
00:40:03,968 --> 00:40:05,846
PROFESSIONAL ATHLETES
ARE SO EMOTIONLESS.
925
00:40:05,870 --> 00:40:07,881
TONYA TOLD ME YOU WERE
THE STRONG, STOIC TYPE
926
00:40:07,905 --> 00:40:09,250
IN A SITUATION LIKE THIS,
927
00:40:09,274 --> 00:40:10,250
BUT I THINK IT'S GOOD.
928
00:40:10,274 --> 00:40:11,852
IN WHAT SITUATION?
929
00:40:11,876 --> 00:40:13,520
[CLEARS THROAT]
930
00:40:13,544 --> 00:40:15,511
DANA.
931
00:40:17,348 --> 00:40:19,059
WELL, THIS IS WHAT I WANTED
TO TALK TO YOU ABOUT.
932
00:40:19,083 --> 00:40:25,666
I AM SO SORRY.
933
00:40:25,690 --> 00:40:26,934
I DON'T EVEN KNOW
HOW IT HAPPENED.
934
00:40:26,958 --> 00:40:27,935
I COULDN'T HELP IT. IT JUST...
935
00:40:27,959 --> 00:40:29,003
IT HAPPENED.
936
00:40:29,027 --> 00:40:30,003
WHAT?
937
00:40:30,027 --> 00:40:31,105
IT JUST HAPPENED.
938
00:40:31,129 --> 00:40:32,106
LIGHTNING STRUCK.
939
00:40:32,130 --> 00:40:33,841
THE SKIES PARTED.
940
00:40:33,865 --> 00:40:35,876
I'VE SEEN THE LIGHT.
941
00:40:35,900 --> 00:40:40,047
MISSY, NOW, YOU ARE
GOING TO MAKE ME CRY.
942
00:40:40,071 --> 00:40:41,682
OH, MY GOD.
943
00:40:41,706 --> 00:40:43,851
ARE YOU EVEN GAY, MELISSA?
944
00:40:43,875 --> 00:40:46,020
WELL, I LIKE TO THINK OF MYSELF
945
00:40:46,044 --> 00:40:47,354
AS LABEL-FREE.
946
00:40:47,378 --> 00:40:48,622
I MEAN, LOVE IS LOVE,
947
00:40:48,646 --> 00:40:51,192
AND I'VE FALLEN IN LOVE
WITH TONYA THE PERSON,
948
00:40:51,216 --> 00:40:52,715
NOT THE GENDER.
949
00:40:54,585 --> 00:40:58,165
OH, SEE...
950
00:40:58,189 --> 00:40:59,933
NOW, WE HAVE A LOT
WE NEED TO TALK ABOUT,
951
00:40:59,957 --> 00:41:02,002
BUT I THINK AT THIS POINT,
952
00:41:02,026 --> 00:41:03,037
IT'S BEST TO LEAVE YOU
953
00:41:03,061 --> 00:41:04,894
TO HAVE SOME TIME TO
YOURSELF TO ABSORB.
954
00:41:06,798 --> 00:41:07,741
AND I AM SO GRATEFUL
955
00:41:07,765 --> 00:41:08,910
THAT ALICE AND SHANE ARE HERE
956
00:41:08,934 --> 00:41:10,378
SO I DON'T NEED TO
WORRY ABOUT YOU.
957
00:41:10,402 --> 00:41:11,979
I MEAN, A GIRL NEEDS HER FRIENDS
958
00:41:12,003 --> 00:41:13,213
AT TIMES LIKE THIS.
959
00:41:13,237 --> 00:41:14,215
YEAH.
960
00:41:14,239 --> 00:41:15,939
OKAY.
961
00:41:17,676 --> 00:41:20,743
NOW, I CAN'T WAIT TO
MEET YOUR MOTHER.
962
00:41:28,119 --> 00:41:30,085
[VOICES MURMURING]
963
00:41:37,962 --> 00:41:38,972
TELL ME,
964
00:41:38,996 --> 00:41:40,107
WHO WROTE YOUR GRANT PROPOSAL?
965
00:41:40,131 --> 00:41:41,642
IT WAS SO MOVING.
966
00:41:41,666 --> 00:41:43,110
I THINK I'M GOING TO COPY IT
967
00:41:43,134 --> 00:41:44,945
FOR THE PEABODY
FOUNDATION MISSION STATEMENT.
968
00:41:44,969 --> 00:41:46,780
MY WIFE AND I WROTE IT.
969
00:41:46,804 --> 00:41:48,382
MY EX-WIFE.
970
00:41:48,406 --> 00:41:50,985
WE'VE BEEN DIVORCED
FOR THREE YEARS.
971
00:41:51,009 --> 00:41:53,588
HMM, AND YOU STILL
WORK TOGETHER.
972
00:41:53,612 --> 00:41:54,788
HOW PROGRESSIVE.
973
00:41:54,812 --> 00:41:57,992
HELENA'S BEEN ON A RAMPAGE
974
00:41:58,016 --> 00:42:00,194
ABOUT HEADQUARTERS
FOR SOCIAL JUSTICE.
975
00:42:00,218 --> 00:42:01,294
SHE'S ENCOURAGING US ALL
976
00:42:01,318 --> 00:42:02,730
TO COME AND TAKE A
TOUR OF YOUR FACILITIES.
977
00:42:02,754 --> 00:42:05,499
AH.
978
00:42:05,523 --> 00:42:08,069
WOULD YOU JUST EXCUSE ME?
979
00:42:08,093 --> 00:42:09,373
MM-HMM.
980
00:42:23,207 --> 00:42:24,718
[CELL PHONE RINGS]
981
00:42:24,742 --> 00:42:26,676
EXCUSE ME.
982
00:42:29,447 --> 00:42:32,993
OH, I HAVE TO TAKE THIS.
983
00:42:33,017 --> 00:42:34,694
HELLO?
984
00:42:34,718 --> 00:42:36,496
DON'T THESE BORING,
PRETENTIOUS DINNERS
985
00:42:36,520 --> 00:42:39,333
MAKE YOU REALLY HORNY?
986
00:42:39,357 --> 00:42:40,400
WHERE ARE YOU?
987
00:42:40,424 --> 00:42:41,502
WAITING FOR YOU TO COME
988
00:42:41,526 --> 00:42:43,571
AND SHOW ME
ANOTHER SIDE OF TINA.
989
00:42:43,595 --> 00:42:45,706
AND WHAT SIDE WOULD THAT BE?
990
00:42:45,730 --> 00:42:46,974
THE SIDE THAT WANTS TO
WALK AWAY FROM THAT TABLE
991
00:42:46,998 --> 00:42:49,143
RIGHT THIS VERY SECOND.
992
00:42:49,167 --> 00:42:51,134
I'LL BE WAITING FOR
YOU BY THE POOL.
993
00:42:54,639 --> 00:42:56,383
WHAT'S MY EXCUSE?
994
00:42:56,407 --> 00:42:58,686
WHY DO YOU NEED AN EXCUSE?
995
00:42:58,710 --> 00:42:59,787
WELL, BECAUSE...
996
00:42:59,811 --> 00:43:00,888
NEVER APOLOGIZE.
997
00:43:00,912 --> 00:43:03,245
NEVER EXPLAIN, TINA.
998
00:43:56,467 --> 00:43:57,611
YOU KNOW,
999
00:43:57,635 --> 00:43:59,946
I WAS SO FUCKING BORED UP THERE.
1000
00:43:59,970 --> 00:44:01,782
YOU WERE THE ONLY THING
1001
00:44:01,806 --> 00:44:04,484
THAT WASN'T BORING ME TO TEARS.
1002
00:44:04,508 --> 00:44:07,921
COME ON.
1003
00:44:07,945 --> 00:44:09,345
LET'S GO FOR A SWIM.
1004
00:44:13,551 --> 00:44:14,962
I DON'T HAVE A BATHING SUIT.
1005
00:44:14,986 --> 00:44:17,219
AND?
1006
00:44:22,493 --> 00:44:24,938
YOU'RE NOT TIMID, ARE YOU?
1007
00:44:24,962 --> 00:44:27,402
I HADN'T PEGGED
YOU FOR BEING TIMID.
1008
00:44:30,134 --> 00:44:32,568
NO, I'M NOT TIMID.
1009
00:44:34,706 --> 00:44:36,517
IS IT BECAUSE OF BETTE?
1010
00:44:36,541 --> 00:44:38,875
I DON'T KNOW.
1011
00:44:41,079 --> 00:44:42,278
ALTHOUGH...
1012
00:44:45,450 --> 00:44:48,217
I'VE NEVER DONE THIS BEFORE.
1013
00:44:51,523 --> 00:44:54,801
WELL, THAT'S GOOD.
1014
00:44:54,825 --> 00:44:57,671
I LIKE THE IDEA OF
BEING YOUR FIRST.
1015
00:44:57,695 --> 00:45:01,208
YOU KNOW, I WANTED
TO SLEEP WITH YOU
1016
00:45:01,232 --> 00:45:02,543
FROM THE FIRST MOMENT
1017
00:45:02,567 --> 00:45:04,500
I SAW YOU.
1018
00:45:09,106 --> 00:45:12,108
I FIND THAT HARD TO BELIEVE.
1019
00:45:17,482 --> 00:45:21,150
THIS IS WHAT I FIND
THE MOST BEAUTIFUL.
1020
00:47:21,105 --> 00:47:22,771
[KNOCKS]
1021
00:47:42,393 --> 00:47:44,438
[CELL PHONE RINGING]
1022
00:47:44,462 --> 00:47:46,595
[♪♪♪]
1023
00:49:17,722 --> 00:49:20,122
[SNICKERS]
65367
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