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1
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[♪♪♪]
2
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[WHOOPING AND CHEERING]
3
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CHECK IT OUT.
4
00:00:29,363 --> 00:00:30,896
HO, HO, HO, YEAH!
5
00:00:33,634 --> 00:00:36,179
COME ON.
6
00:00:36,203 --> 00:00:37,546
PLEASE?
7
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[ALL BEGGING]
8
00:00:46,647 --> 00:00:48,847
YEAH, ALL THE WAY!
9
00:01:01,761 --> 00:01:02,939
I WAS THINKING ABOUT ASKING
10
00:01:02,963 --> 00:01:04,140
YOLANDA'S EX-GIRLFRIEND
11
00:01:04,164 --> 00:01:05,808
TO BID ON THE PROVOCATIONS JOB.
12
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IS SHE A CONTRACTOR?
13
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A CARPENTER.
14
00:01:08,068 --> 00:01:09,245
SHE'S GOT AN ALL-WOMAN CREW.
15
00:01:09,269 --> 00:01:10,513
THAT'S COOL.
16
00:01:10,537 --> 00:01:11,380
YOU SHOULD DEFINITELY HIRE HER.
17
00:01:11,404 --> 00:01:12,582
HEY.
18
00:01:12,606 --> 00:01:13,750
OH, HEY, GUYS.
19
00:01:13,774 --> 00:01:14,817
HELLO.
20
00:01:14,841 --> 00:01:16,086
HELLO.
21
00:01:16,110 --> 00:01:17,520
GOOD MORNING.
22
00:01:17,544 --> 00:01:18,888
THE MOST IMPORTANT
THING ARE HIS PILLS.
23
00:01:18,912 --> 00:01:21,791
HE GETS THEM THREE TIMES A DAY.
24
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IT'S RIGHT HERE, SEE?
25
00:01:23,250 --> 00:01:24,527
THREE TIMES A DAY WITH WET FOOD,
26
00:01:24,551 --> 00:01:26,596
AND IT'S BEST TO SORT OF LET HIM
27
00:01:26,620 --> 00:01:27,630
WAKE UP ON HIS OWN,
28
00:01:27,654 --> 00:01:29,132
BECAUSE HE'S LESS CRABBY
29
00:01:29,156 --> 00:01:30,800
ABOUT TAKING THEM THAT WAY,
30
00:01:30,824 --> 00:01:32,569
BUT HE SHOULD...
31
00:01:32,593 --> 00:01:34,571
HE SHOULD BE OKAY, RIGHT, P.?
32
00:01:34,595 --> 00:01:37,006
RIGHT, MR. P.?
33
00:01:37,030 --> 00:01:38,941
WOW, YOU ARE UP SO EARLY, BETTE.
34
00:01:38,965 --> 00:01:39,976
YEAH, WELL, I GUESS
35
00:01:40,000 --> 00:01:41,344
IT'S JUST THE
EXCITEMENT OF THE TRIP.
36
00:01:41,368 --> 00:01:42,845
THAT SHE'S TOO BUSY TO GO ON.
37
00:01:42,869 --> 00:01:44,347
YEAH, BUT SOMEONE'S
READY TO PARTY
38
00:01:44,371 --> 00:01:45,782
FOR THE BOTH OF US.
39
00:01:45,806 --> 00:01:46,949
THAT'S RIGHT. RIGHT ON, HUH?
40
00:01:46,973 --> 00:01:47,951
YEAH, LET'S GO.
41
00:01:47,975 --> 00:01:49,686
YES.
42
00:01:49,710 --> 00:01:51,954
WAS JENNY'S A REGULAR LATTE?
43
00:01:51,978 --> 00:01:54,290
IS JENNY GOING WITH YOU?
44
00:01:54,314 --> 00:01:56,326
I INVITED HER.
45
00:01:56,350 --> 00:01:58,161
I FELT BAD FOR HER.
46
00:01:58,185 --> 00:01:59,428
SHE'S ALL ALONE.
47
00:01:59,452 --> 00:02:00,530
WELL, THAT'S GOOD.
48
00:02:00,554 --> 00:02:02,688
I GUESS.
49
00:02:05,058 --> 00:02:06,236
SAY, "BYE, EVERYBODY.
50
00:02:06,260 --> 00:02:07,403
"I'M GOING TO STAY
WITH AUNTIE KIT
51
00:02:07,427 --> 00:02:08,671
"WHILE MOM GOES AWAY
52
00:02:08,695 --> 00:02:10,606
WITH ALL OF HER FRIENDS," RIGHT?
53
00:02:10,630 --> 00:02:12,742
SAY, "BYE, SHANE. BYE, LENORE.
54
00:02:12,766 --> 00:02:14,310
"BYE, BETTE AND TINA.
55
00:02:14,334 --> 00:02:15,545
HAVE FUN IN PALM SPRINGS."
56
00:02:15,569 --> 00:02:16,846
YES, MR. P.
57
00:02:16,870 --> 00:02:18,715
AUNTIE KIT WILL WATCH YOUR BACK.
58
00:02:18,739 --> 00:02:20,249
THANK YOU SO MUCH, KIT.
59
00:02:20,273 --> 00:02:21,384
[ALICE]: WHOO-HOO.
CONGRATULATE ME.
60
00:02:21,408 --> 00:02:24,354
I GOT MY PERIOD.
61
00:02:24,378 --> 00:02:26,289
SO WHY ARE WE
CONGRATULATING YOU?
62
00:02:26,313 --> 00:02:28,880
HUH?
63
00:02:31,284 --> 00:02:32,995
BECAUSE I LOVE
GETTING MY PERIOD.
64
00:02:33,019 --> 00:02:34,097
SHE DOES.
65
00:02:34,121 --> 00:02:35,198
EVER SINCE SHE WAS A KID.
66
00:02:35,222 --> 00:02:36,599
RIGHT.
67
00:02:36,623 --> 00:02:38,501
YEAH, NO, BECAUSE IT
REAFFIRMS MY WOMANHOOD.
68
00:02:38,525 --> 00:02:40,770
I LIKE TO CELEBRATE IT
69
00:02:40,794 --> 00:02:42,205
TO, YOU KNOW,
70
00:02:42,229 --> 00:02:43,907
SHOW WOMEN
EVERYWHERE IT'S A BLESSING,
71
00:02:43,931 --> 00:02:45,242
IT'S NOT A CURSE.
72
00:02:45,266 --> 00:02:47,344
OKAY, YOU GUYS, ROAD TRIP?
73
00:02:47,368 --> 00:02:48,444
LET'S GO.
74
00:02:48,468 --> 00:02:50,702
[SHANE]: SEE YOU,
KIT. BYE, BETTE.
75
00:02:54,041 --> 00:02:55,084
I'LL CALL YOU.
76
00:02:55,108 --> 00:02:56,186
HAVE A SLIPPERY NIPPLE FOR ME.
77
00:02:56,210 --> 00:02:57,186
YEP.
78
00:02:57,210 --> 00:02:58,521
[DANA]: GOODBYE, P. MAN.
79
00:02:58,545 --> 00:02:59,789
BYE.
80
00:02:59,813 --> 00:03:00,845
BYE.
81
00:03:02,149 --> 00:03:05,027
BY THE WAY, YOU WERE AMAZING
82
00:03:05,051 --> 00:03:06,529
ON INSIGHT WITH GEORGE PARSON.
83
00:03:06,553 --> 00:03:08,130
I MEAN, ABSOLUTELY AMAZING.
84
00:03:08,154 --> 00:03:11,201
I REALLY APPLAUD YOUR CAUSE
AND YOUR COMMITMENT AND...
85
00:03:11,225 --> 00:03:13,436
OH, GOD, THAT
BITCH, FAE BUCKLEY,
86
00:03:13,460 --> 00:03:14,537
YOU SHOULD HAVE DECKED HER.
87
00:03:14,561 --> 00:03:15,638
THANK YOU.
88
00:03:15,662 --> 00:03:17,195
IT WAS GREAT.
89
00:03:26,506 --> 00:03:27,851
SO IS THIS A GOLF TOURNAMENT?
90
00:03:27,875 --> 00:03:28,884
YEAH.
91
00:03:28,908 --> 00:03:30,186
IT'S THE KRAFT-NABISCO
92
00:03:30,210 --> 00:03:32,121
PROFESSIONAL WOMEN'S
GOLF TOURNAMENT.
93
00:03:32,145 --> 00:03:33,256
OTHERWISE KNOWN
94
00:03:33,280 --> 00:03:34,423
AS THE DINAH SHORE WEEKEND.
95
00:03:34,447 --> 00:03:35,559
IS SHE GAY?
96
00:03:35,583 --> 00:03:37,327
NO, DINAH SHORE'S DEAD.
97
00:03:37,351 --> 00:03:38,761
SHE DIED BACK IN '94,
98
00:03:38,785 --> 00:03:40,396
AND, ACTUALLY, THE WORD IS
99
00:03:40,420 --> 00:03:41,697
THAT SHE HATED
100
00:03:41,721 --> 00:03:42,999
HER SNOOTY LITTLE
GOLF TOURNAMENT
101
00:03:43,023 --> 00:03:44,467
TURNED INTO A SPRING
BREAK FOR LESBIANS,
102
00:03:44,491 --> 00:03:45,902
REFUSED TO ACKNOWLEDGE IT.
103
00:03:45,926 --> 00:03:48,538
THERE'S SUPPOSED TO BE,
LIKE, 10,000 WOMEN THERE.
104
00:03:48,562 --> 00:03:49,271
WOW.
105
00:03:49,295 --> 00:03:51,474
OH, GOD.
106
00:03:51,498 --> 00:03:53,409
YEAH, I'M DOING A STORY
ON IT FOR THE WEEKLY.
107
00:03:53,433 --> 00:03:55,712
GOT TO MAKE SOMETHING OUT
OF THIS LAME-ASSED WEEKEND.
108
00:03:55,736 --> 00:03:59,482
AND DANA'S GETTING
AN H.R.C. AWARD.
109
00:03:59,506 --> 00:04:00,983
YEAH, AND WE'RE
TOTALLY PROUD OF HER.
110
00:04:01,007 --> 00:04:02,585
WHAT'S THAT?
111
00:04:02,609 --> 00:04:04,153
IT'S THE HUMAN RIGHTS CAMPAIGN.
112
00:04:04,177 --> 00:04:06,022
IT'S THE BIGGEST GAY
CIVIL RIGHTS ORGANIZATION
113
00:04:06,046 --> 00:04:07,123
IN THE COUNTRY.
114
00:04:07,147 --> 00:04:08,224
IT'S A HUGE DEAL.
115
00:04:08,248 --> 00:04:09,225
CONGRATULATIONS.
116
00:04:09,249 --> 00:04:10,827
THANK YOU.
117
00:04:10,851 --> 00:04:13,562
♪ I LOOK TO THE CHILDREN ♪
118
00:04:13,586 --> 00:04:16,700
♪ I DRANK FROM THE FOUNTAINS ♪
119
00:04:16,724 --> 00:04:20,203
♪ THERE'S MORE THAN ONE
ANSWER TO THESE QUESTIONS ♪
120
00:04:20,227 --> 00:04:23,606
♪ POINTING ME IN
A CROOKED LINE ♪
121
00:04:23,630 --> 00:04:25,041
♪ YEAH ♪
122
00:04:25,065 --> 00:04:29,312
♪ THE LESS I SEEK MY
SOURCE FOR SOME DEFINITIVE ♪
123
00:04:29,336 --> 00:04:33,983
♪ THE CLOSER I AM TO FINE YEAH ♪
124
00:04:34,007 --> 00:04:40,456
♪ CLOSER I AM TO FINE, YEAH ♪♪
125
00:04:40,480 --> 00:04:43,448
[ALL WHISTLING]
126
00:04:51,258 --> 00:04:52,568
THANK GOD.
127
00:04:52,592 --> 00:04:55,138
DO YOU KNOW HOW MANY
TIMES I HAD TO HEAR THAT SONG
128
00:04:55,162 --> 00:04:58,207
WHEN ALICE WAS FIRST
COMING OUT OF THE CLOSET?
129
00:04:58,231 --> 00:05:00,376
IT WAS A NIGHTMARE.
130
00:05:00,400 --> 00:05:02,312
IT WAS ALL ABOUT ANNIE FLAHERTY.
131
00:05:02,336 --> 00:05:05,047
OH, TELL THEM
132
00:05:05,071 --> 00:05:08,585
YOUR COMING-OUT STORY, HONEY.
133
00:05:08,609 --> 00:05:09,986
FIRST OF ALL, IT'S NOT
MY COMING-OUT STORY.
134
00:05:10,010 --> 00:05:12,589
IT WAS JUST A DRUNK
HIGH SCHOOL GROPE.
135
00:05:12,613 --> 00:05:14,490
TELL US YOUR COMING-OUT STORY.
136
00:05:14,514 --> 00:05:16,726
WELL, THEY GOT HAMMERED,
THE TWO OF THEM,
137
00:05:16,750 --> 00:05:20,429
AND THEN THEY SCAMPERED
UNDER THE BLEACHERS
138
00:05:20,453 --> 00:05:21,831
FOR A SMOKE,
139
00:05:21,855 --> 00:05:23,599
WHICH, OF COURSE, SHE
WAS NOT ALLOWED TO DO,
140
00:05:23,623 --> 00:05:26,402
AND THEN, JUST AS THEY
WERE ABOUT TO KISS...
141
00:05:26,426 --> 00:05:27,503
[LAUGHING]
142
00:05:27,527 --> 00:05:29,739
ANNIE VOMITED ALL OVER ALICE.
143
00:05:29,763 --> 00:05:32,842
OH... OH! OH.
144
00:05:32,866 --> 00:05:35,812
NOW, MY REAL COMING-OUT
STORY HAPPENED IN COLLEGE.
145
00:05:35,836 --> 00:05:38,648
MY BOYFRIEND GREG AND I
HAD THIS BAND CALLED BUTTER.
146
00:05:38,672 --> 00:05:41,083
WE PLAYED EVERY
WEEKEND AT THE TAP ROOM,
147
00:05:41,107 --> 00:05:43,586
WHICH WAS, LIKE, OUR,
YOU KNOW, BAR ON CAMPUS.
148
00:05:43,610 --> 00:05:45,043
BUTTER RULES!
149
00:05:48,782 --> 00:05:51,261
[SHOUTS]
150
00:05:51,285 --> 00:05:52,762
IT WAS THREE GUYS AND ME.
151
00:05:52,786 --> 00:05:54,931
I DON'T KNOW, I
WASN'T THAT INTO IT,
152
00:05:54,955 --> 00:05:57,099
BUT GREG THOUGHT WE WERE
GOING TO GO ALL THE WAY.
153
00:05:57,123 --> 00:05:58,100
[MUSIC STOPS]
154
00:05:58,124 --> 00:05:59,268
HEY!
155
00:05:59,292 --> 00:06:02,172
WHERE'S BRAD?
156
00:06:02,196 --> 00:06:04,807
BUT, ANYWAY, OUR BASS
PLAYER QUITS ONE DAY, RIGHT,
157
00:06:04,831 --> 00:06:06,876
SO WE HAD THREE
DAYS TO FIND A NEW ONE,
158
00:06:06,900 --> 00:06:09,579
SO WE HOLD THESE AUDITIONS,
159
00:06:09,603 --> 00:06:11,113
AND THEY COULDN'T PLAY
BASS TO SAVE THEIR LIVES.
160
00:06:11,137 --> 00:06:13,182
GET YOUR FEET OFF THE TABLE.
161
00:06:13,206 --> 00:06:15,307
SHOW SOME RESPECT.
162
00:06:21,381 --> 00:06:24,794
DAVE, GIVE ME MY LAST
FUCKING CIGARETTE!
163
00:06:24,818 --> 00:06:27,886
FUCKING COCK.
164
00:06:36,429 --> 00:06:40,631
AND THEN... TAYO WALKS ON STAGE.
165
00:06:51,178 --> 00:06:52,622
DON'T FUCKING TOUCH ME.
166
00:06:52,646 --> 00:06:54,845
GOD. GET AWAY FROM ME.
167
00:07:03,056 --> 00:07:04,266
WE WERE FAMOUS
168
00:07:04,290 --> 00:07:05,502
IN OUR LITTLE COLLEGE UNIVERSE.
169
00:07:05,526 --> 00:07:07,537
I MEAN, PEOPLE WERE
COMING JUST TO SEE US.
170
00:07:07,561 --> 00:07:09,706
[CROWD SHOUTING]
171
00:07:09,730 --> 00:07:11,941
AND ME AND TAYO,
172
00:07:11,965 --> 00:07:15,566
WE HAD AMAZING
CHEMISTRY ON STAGE.
173
00:07:17,004 --> 00:07:18,937
[CROWD CHEERING]
174
00:07:36,189 --> 00:07:38,701
[CHEERING CONTINUES]
175
00:07:38,725 --> 00:07:40,525
[♪♪♪]
176
00:07:44,297 --> 00:07:46,242
TAYO AND I ONLY LASTED
ABOUT TWO MONTHS.
177
00:07:46,266 --> 00:07:47,977
AFTER ME, SHE WENT THROUGH
178
00:07:48,001 --> 00:07:49,912
EVERY GAY, LESBIAN, BISEXUAL,
179
00:07:49,936 --> 00:07:53,783
AND TRANSGENDERED
ORGANIZATION ON CAMPUS.
180
00:07:53,807 --> 00:07:55,847
THAT'S WHY YOU'RE A
DIRTY BISEXUAL, HUH?
181
00:07:59,145 --> 00:08:00,923
LET'S HEAR YOUR STORY.
182
00:08:00,947 --> 00:08:02,391
OH, THAT'S NICE. YOU
KNOW I CAN'T DO THAT.
183
00:08:02,415 --> 00:08:04,494
WHY?
184
00:08:04,518 --> 00:08:05,828
IT'S PROBABLY FRESH WOUNDS.
185
00:08:05,852 --> 00:08:07,830
IT WAS 12 YEARS AGO, MOM.
186
00:08:07,854 --> 00:08:10,455
GOD, SHE WAS BEAUTIFUL.
187
00:08:13,727 --> 00:08:16,705
IT WAS AT TENNIS CAMP.
188
00:08:16,729 --> 00:08:17,907
I WAS 16,
189
00:08:17,931 --> 00:08:18,941
SHE WAS 17.
190
00:08:18,965 --> 00:08:20,275
EVERYBODY, OUT ON THE COURTS.
191
00:08:20,299 --> 00:08:21,644
COME ON. LET'S GO.
192
00:08:21,668 --> 00:08:24,213
SHE WAS MY COUNSELOR.
193
00:08:24,237 --> 00:08:26,549
BUT SHE'S FAMOUS
NOW, SO I CAN'T.
194
00:08:26,573 --> 00:08:29,452
I'LL JUST CALL HER RALPH.
195
00:08:29,476 --> 00:08:32,488
AREN'T YOU READY YET?
196
00:08:32,512 --> 00:08:34,858
GOD, SHE HAD THE
MOST BEAUTIFUL EYES
197
00:08:34,882 --> 00:08:38,049
YOU'VE EVER SEEN.
198
00:08:49,129 --> 00:08:50,473
I LOVE YOU, [BEEP].
199
00:08:50,497 --> 00:08:52,430
I LOVE YOU MORE.
200
00:08:54,701 --> 00:08:56,345
WHAT HAPPENED NEXT?
201
00:08:56,369 --> 00:08:58,013
SHE NEEDED TO TELL
SOMEBODY ABOUT IT, RIGHT?
202
00:08:58,037 --> 00:08:59,515
SO SHE WROTE HER
BEST FRIEND AT HOME
203
00:08:59,539 --> 00:09:02,986
AND TOLD HER ABOUT US
AND HOW IN LOVE WE WERE...
204
00:09:03,010 --> 00:09:06,355
AND HER FRIEND
TOLD HER PARENTS...
205
00:09:06,379 --> 00:09:09,313
AND HER PARENTS YANKED HER
OUT OF TENNIS CAMP, LIKE THAT.
206
00:09:10,650 --> 00:09:12,128
[FATHER]: HONEY,
WE'LL TALK IN A MINUTE.
207
00:09:12,152 --> 00:09:14,197
[MOTHER]: I DON'T WANT TO
TALK ABOUT IT RIGHT NOW.
208
00:09:14,221 --> 00:09:16,888
JUST GO, PLEASE.
209
00:09:26,066 --> 00:09:30,046
AFTER THAT, I RAN INTO
HER AT A FEW MATCHES,
210
00:09:30,070 --> 00:09:33,048
AND SHE WOULDN'T
EVEN LOOK AT ME.
211
00:09:33,072 --> 00:09:35,339
SO ANYWAY, THAT'S IT.
212
00:09:36,576 --> 00:09:40,056
TENNIS PLAYERS ARE
LIKE GIRLS IN COLLEGE...
213
00:09:40,080 --> 00:09:41,758
GAY UNTIL GRADUATION.
214
00:09:41,782 --> 00:09:43,515
[LAUGHTER]
215
00:09:45,586 --> 00:09:46,929
[KNOCKING]
216
00:09:46,953 --> 00:09:48,731
HEY, I'M SORRY TO BOTHER YOU.
217
00:09:48,755 --> 00:09:49,731
JAMES...
218
00:09:49,755 --> 00:09:50,867
YOU DON'T HAVE TO SAY SORRY
219
00:09:50,891 --> 00:09:52,535
EVERY TIME YOU HAVE
SOMETHING TO TELL ME.
220
00:09:52,559 --> 00:09:54,136
OKAY, WELL, I'M SORRY.
221
00:09:54,160 --> 00:09:56,005
A CANDACE JEWELL
IS HERE FOR YOU.
222
00:09:56,029 --> 00:09:57,707
CAN YOU TELL HER
223
00:09:57,731 --> 00:09:59,174
I'LL MEET HER IN THE
CONFERENCE ROOM?
224
00:09:59,198 --> 00:10:00,465
OKAY.
225
00:10:09,109 --> 00:10:10,386
SO I THINK WE'LL DEDICATE
226
00:10:10,410 --> 00:10:12,087
THIS GALLERY TO TWO ARTISTS.
227
00:10:12,111 --> 00:10:13,589
ISABELLA PERNAO,
228
00:10:13,613 --> 00:10:14,757
WHO DOES THESE AMAZING
229
00:10:14,781 --> 00:10:16,659
LARGE-SCREEN
VIDEO INSTALLATIONS,
230
00:10:16,683 --> 00:10:18,127
WHO I THINK SHOULD
BE ON THIS WALL,
231
00:10:18,151 --> 00:10:19,762
AND RAY FIELD'S WORK
232
00:10:19,786 --> 00:10:21,030
SHOULD BE ON THE OTHER WALL.
233
00:10:21,054 --> 00:10:23,065
HE DOES HAND-DRAWN,
LETTERED BOOKS,
234
00:10:23,089 --> 00:10:24,767
SO WE'RE GOING TO NEED
235
00:10:24,791 --> 00:10:26,769
TO CONSTRUCT SOME
DISPLAY CASES FOR THOSE.
236
00:10:26,793 --> 00:10:28,871
IT'S JUST LIKE THEATER-SET
CONSTRUCTION.
237
00:10:28,895 --> 00:10:30,106
IS THAT A GOOD THING?
238
00:10:30,130 --> 00:10:31,273
WELL, I DID IT IN COLLEGE.
239
00:10:31,297 --> 00:10:32,275
I LOVED IT.
240
00:10:32,299 --> 00:10:33,276
OH.
241
00:10:33,300 --> 00:10:35,878
LOOK, WHAT IF, INSTEAD
OF WALL MOUNTING,
242
00:10:35,902 --> 00:10:37,346
WE WERE TO CONSTRUCT
243
00:10:37,370 --> 00:10:38,747
SOME FREE-STANDING
SCAFFOLDING HERE?
244
00:10:38,771 --> 00:10:39,848
YOU KNOW, IT WOULD WORK
245
00:10:39,872 --> 00:10:41,017
SOMETHING LIKE SHOJI SCREENS.
246
00:10:41,041 --> 00:10:42,117
I THINK IT WOULD REALLY
247
00:10:42,141 --> 00:10:43,219
MAKE THE SPACE MORE DYNAMIC
248
00:10:43,243 --> 00:10:44,554
FOR DISPLAYING THE WORK.
249
00:10:44,578 --> 00:10:45,821
HMM.
250
00:10:45,845 --> 00:10:47,023
WELL, HOW LONG WOULD IT TAKE YOU
251
00:10:47,047 --> 00:10:48,791
TO GET ME A BID?
252
00:10:48,815 --> 00:10:50,493
I DON'T KNOW. TODAY?
253
00:10:50,517 --> 00:10:52,228
THAT WOULD BE GREAT.
254
00:10:52,252 --> 00:10:53,763
OKAY.
255
00:10:53,787 --> 00:10:55,932
OKAY, THEN.
256
00:10:55,956 --> 00:10:58,334
MY COMING-OUT STORY ALSO
INVOLVES SOMEONE FAMOUS.
257
00:10:58,358 --> 00:11:01,504
IT WAS THE '70s,
258
00:11:01,528 --> 00:11:03,573
AND EVERY WEEKEND I WENT
259
00:11:03,597 --> 00:11:05,742
TO ONE OF THESE
PARTIES AT THE MANSION...
260
00:11:05,766 --> 00:11:06,909
WHICH, OF COURSE,
261
00:11:06,933 --> 00:11:10,112
WAS FULL OF SWINGERS
AND ORGIES AND DRUGS,
262
00:11:10,136 --> 00:11:12,982
AS I AM SURE YOU GIRLS KNOW.
263
00:11:13,006 --> 00:11:15,117
SO, ONE NIGHT,
264
00:11:15,141 --> 00:11:16,419
THERE WAS AN EX OF MINE
265
00:11:16,443 --> 00:11:17,920
THAT I HADN'T SEEN IN YEARS,
266
00:11:17,944 --> 00:11:20,756
AND HE WAS SITTING RIGHT
THERE IN THE LIVING ROOM,
267
00:11:20,780 --> 00:11:24,127
AND ALL I COULD THINK
OF TO SAY TO HIM WAS...
268
00:11:24,151 --> 00:11:26,461
"I THOUGHT I TOLD YOU
TO WAIT IN THE CAR."
269
00:11:26,485 --> 00:11:28,998
MOM, THAT IS STRAIGHT
270
00:11:29,022 --> 00:11:30,533
OUT OF TALLULAH
BANKHEAD'S BIOGRAPHY.
271
00:11:30,557 --> 00:11:34,737
THAT DOESN'T MEAN
THAT I DIDN'T SAY IT.
272
00:11:34,761 --> 00:11:38,140
ANYWAY, WHERE WAS I?
273
00:11:38,164 --> 00:11:39,842
MM-HMM! THE POOL.
274
00:11:39,866 --> 00:11:42,278
WELL, I DON'T WANT
TO BE INDISCREET HERE,
275
00:11:42,302 --> 00:11:44,580
BUT THERE WAS AN
INCIDENT IN A POOL
276
00:11:44,604 --> 00:11:47,650
WITH TWO GIRLS, AND, UM...
277
00:11:47,674 --> 00:11:49,719
I MEAN, THESE GIRLS
278
00:11:49,743 --> 00:11:51,687
WERE REAL KNOCKOUTS.
279
00:11:51,711 --> 00:11:53,923
I MEAN, MOST OF THE GIRLS
THAT WENT TO THOSE PARTIES
280
00:11:53,947 --> 00:11:55,358
WERE KNOCKOUTS,
281
00:11:55,382 --> 00:11:57,860
BUT THEY WERE GIVING EACH
OTHER A TONSIL INSPECTION
282
00:11:57,884 --> 00:12:00,763
THAT WOULD HAVE
MADE A DOCTOR BLUSH.
283
00:12:00,787 --> 00:12:02,965
SO I DECIDED, "OH,
WHAT THE HEY?"
284
00:12:02,989 --> 00:12:04,367
AND JOINED IN...
285
00:12:04,391 --> 00:12:06,435
[CHUCKLING]
286
00:12:06,459 --> 00:12:08,971
AND WHAT CAN I SAY?
287
00:12:08,995 --> 00:12:13,476
ONE THING LED TO ANOTHER, AND...
288
00:12:13,500 --> 00:12:16,101
IT WAS HOT.
289
00:12:21,341 --> 00:12:23,085
OKAY. SHANE.
290
00:12:23,109 --> 00:12:24,152
DO YOU WANT TO SHARE
291
00:12:24,176 --> 00:12:25,588
YOUR STORY?
292
00:12:25,612 --> 00:12:28,023
YEAH, UM...
293
00:12:28,047 --> 00:12:29,325
THAT'S EASY.
294
00:12:29,349 --> 00:12:31,326
TIFFANY GARDNER.
295
00:12:31,350 --> 00:12:34,230
SHE WAS THIS GORGEOUS BLONDE
WHO LIVED DOWN THE STREET...
296
00:12:34,254 --> 00:12:38,834
AND I USED TO SIT FOR HOURS
AND WATCH HER PLAY IN THE PARK.
297
00:12:38,858 --> 00:12:40,036
THEN, ONE DAY, I THOUGHT,
298
00:12:40,060 --> 00:12:41,503
"YOU KNOW WHAT? FUCK THIS.
299
00:12:41,527 --> 00:12:42,704
"ENOUGH'S ENOUGH.
300
00:12:42,728 --> 00:12:44,840
I'M GOING TO MEET THIS CHICK."
301
00:12:44,864 --> 00:12:48,711
SO, I PACK UP MY SUNSHINE
MEAL AND I WALK OVER TO HER...
302
00:12:48,735 --> 00:12:50,579
AND SHE'S JUST SITTING
THERE IN THE SAND
303
00:12:50,603 --> 00:12:51,913
PLAYING HARD TO GET...
304
00:12:51,937 --> 00:12:53,916
AND I KNOW I WAS HOOKED.
305
00:12:53,940 --> 00:12:55,751
THAT GIRL TOOK MY
SUNSHINE MEAL TOY,
306
00:12:55,775 --> 00:12:58,588
AND THEN SHE TOOK MY HEART.
307
00:12:58,612 --> 00:13:00,623
OKAY. PERFECT TIMING.
308
00:13:00,647 --> 00:13:02,024
HERE WE ARE.
309
00:13:02,048 --> 00:13:03,525
JENNY, WILL YOU OPEN
THE DOOR FOR MY MOM?
310
00:13:03,549 --> 00:13:05,060
THAT REMINDS ME
311
00:13:05,084 --> 00:13:07,563
OF THIS BEAUTIFUL
BUT TRAGIC LESBIAN
312
00:13:07,587 --> 00:13:09,498
WHO ONCE PASSED OUT
ON MY KITCHEN FLOOR...
313
00:13:09,522 --> 00:13:10,599
AND I'LL NEVER FORGET.
314
00:13:10,623 --> 00:13:12,134
JOHN CASSAVETES
AND GENA ROWLANDS
315
00:13:12,158 --> 00:13:13,602
HAD COME FOR LUNCH THAT DAY
316
00:13:13,626 --> 00:13:15,638
AND, OF COURSE, THEY'D HAD
A COUPLE OF DRINKS, AS HAD I,
317
00:13:15,662 --> 00:13:17,607
AND JUST AS THEY
WALK IN THE KITCHEN,
318
00:13:17,631 --> 00:13:19,441
SHE WAKES UP...
319
00:13:19,465 --> 00:13:20,943
MOM, I THINK YOUR
PHONE'S RINGING.
320
00:13:20,967 --> 00:13:22,311
OH, LET ME JUST FINISH MY STORY.
321
00:13:22,335 --> 00:13:24,380
SO SHE WAKES UP,
JUST AT THAT MOMENT...
322
00:13:24,404 --> 00:13:25,781
MAYBE IT'S YOUR NEW AGENT.
323
00:13:25,805 --> 00:13:27,449
OH, MY GOD. YOU'RE RIGHT.
324
00:13:27,473 --> 00:13:29,084
[TELEPHONE RINGING]
325
00:13:29,108 --> 00:13:30,085
BYE, LENORE.
326
00:13:30,109 --> 00:13:31,120
BYE, LENORE.
327
00:13:31,144 --> 00:13:32,921
BYE, LENORE.
328
00:13:32,945 --> 00:13:34,423
YOU KNOW WHAT, DANA? HELP ME.
329
00:13:34,447 --> 00:13:35,424
WHAT?
330
00:13:35,448 --> 00:13:37,426
JUST HELP ME. JUST
HELP... GRAB A BAG.
331
00:13:37,450 --> 00:13:38,427
I CAN GET THAT ONE.
332
00:13:38,451 --> 00:13:38,961
JUST GRAB A BAG.
333
00:13:38,985 --> 00:13:39,562
I CAN GET IT.
334
00:13:39,586 --> 00:13:40,718
COME ON.
335
00:13:49,495 --> 00:13:51,607
MOM, I LEFT THE
BAG ON THE PORCH!
336
00:13:51,631 --> 00:13:52,608
GET IN THE CAR!
337
00:13:52,632 --> 00:13:53,632
BYE, LENORE.
338
00:13:55,969 --> 00:13:58,947
GO, GO, GO, GO, GO.
339
00:13:58,971 --> 00:14:00,283
OH, MY GOD.
340
00:14:00,307 --> 00:14:02,151
AM I GOING TO HELL FOR THAT?
341
00:14:02,175 --> 00:14:04,119
ALL RIGHT, THANK YOU, GUYS.
342
00:14:04,143 --> 00:14:07,423
YOUR ASSES WERE IN
THIS VAN SO FAST. COME ON.
343
00:14:07,447 --> 00:14:09,380
POOR LENORE.
344
00:14:10,917 --> 00:14:12,628
[CELLPHONE RINGING]
345
00:14:12,652 --> 00:14:14,296
AW, FUCK.
346
00:14:14,320 --> 00:14:16,565
HELLO?
347
00:14:16,589 --> 00:14:19,735
NO, MA... HI. NO.
348
00:14:19,759 --> 00:14:21,971
NO, IT'S JUST, WE DIDN'T KNOW
HOW LONG YOU WERE GOING TO BE,
349
00:14:21,995 --> 00:14:26,342
AND DANA HAS GOT TO
REGISTER FOR THE EVENT...
350
00:14:26,366 --> 00:14:28,410
SO, YEAH.
351
00:14:28,434 --> 00:14:29,511
OKAY, YEAH. OF COURSE.
352
00:14:29,535 --> 00:14:30,579
OF COURSE.
353
00:14:30,603 --> 00:14:31,714
I WILL.
354
00:14:31,738 --> 00:14:33,149
OKAY. I'LL TALK TO YOU SOON.
355
00:14:33,173 --> 00:14:34,516
OKAY. BYE.
356
00:14:34,540 --> 00:14:36,418
[PHONE BEEPS]
357
00:14:36,442 --> 00:14:38,086
SHE WAS MAKING US CRAZY, RIGHT?
358
00:14:38,110 --> 00:14:39,222
I MEAN...
359
00:14:39,246 --> 00:14:41,157
RIGHT?
360
00:14:41,181 --> 00:14:42,546
YEAH, YEAH.
361
00:15:07,107 --> 00:15:09,952
DANA? DANA FAIRBANKS.
362
00:15:09,976 --> 00:15:10,953
SO, SO GLAD TO MEET YOU.
363
00:15:10,977 --> 00:15:12,154
I'M TONYA, GUEST LIAISON.
364
00:15:12,178 --> 00:15:13,889
I'M HERE TO TAKE CARE
OF ALL YOUR NEEDS.
365
00:15:13,913 --> 00:15:14,890
OH.
366
00:15:14,914 --> 00:15:15,991
LET ME GET THIS FOR YOU.
367
00:15:16,015 --> 00:15:16,992
EXCUSE ME.
368
00:15:17,016 --> 00:15:18,394
THIS IS DANA FAIRBANKS, OKAY?
369
00:15:18,418 --> 00:15:19,695
WE NEED SOMEONE
TO TAKE HER STUFF
370
00:15:19,719 --> 00:15:22,064
TO HER ROOM, SUITE 251.
371
00:15:22,088 --> 00:15:23,365
SO ARE YOU ALONE?
372
00:15:23,389 --> 00:15:24,533
UH, NO, I'M WITH FRIENDS.
373
00:15:24,557 --> 00:15:25,568
DID YOU WANT TO BRING THEM
374
00:15:25,592 --> 00:15:26,568
TO THE DINNER?
375
00:15:26,592 --> 00:15:27,903
I'M SURE I CAN GET THEM TICKETS.
376
00:15:27,927 --> 00:15:30,072
I NEED YOU AT A PHOTO
SHOOT IN ABOUT AN HOUR, BUT...
377
00:15:30,096 --> 00:15:31,374
I JUST NEED TO MAKE A FEW CALLS.
378
00:15:31,398 --> 00:15:32,675
UH, WE'LL BE FINE.
379
00:15:32,699 --> 00:15:34,009
YEAH, WE DON'T WANT
TO CRAMP DANA'S STYLE.
380
00:15:34,033 --> 00:15:35,243
OH, OKAY.
381
00:15:35,267 --> 00:15:36,512
SO... GLAD TO HAVE YOU HERE.
382
00:15:36,536 --> 00:15:37,946
I'M GOING TO HAVE TO PROTECT YOU
383
00:15:37,970 --> 00:15:39,648
FROM SOME OF THE STAFF.
384
00:15:39,672 --> 00:15:40,649
SERIOUSLY, THOUGH.
385
00:15:40,673 --> 00:15:42,251
I AM HERE TO ACT AS A BUFFER
386
00:15:42,275 --> 00:15:43,318
BETWEEN YOU AND YOUR FANS, OKAY?
387
00:15:43,342 --> 00:15:44,053
THAT IS PART MY JOB.
388
00:15:44,077 --> 00:15:45,354
OKAY.
389
00:15:45,378 --> 00:15:49,224
NOW, I'M GOING TO GIVE
YOU THE KEY TO YOUR ROOM...
390
00:15:49,248 --> 00:15:50,226
THANKS.
391
00:15:50,250 --> 00:15:52,461
AND HERE'S MY CARD.
392
00:15:52,485 --> 00:15:53,929
I'M GOING TO GIVE YOU
MY CELLPHONE NUMBER,
393
00:15:53,953 --> 00:15:55,864
AND I WANT YOU TO USE IT IF
YOU NEED ANYTHING AT ALL.
394
00:15:55,888 --> 00:15:57,766
I'M TALKING ABOUT
A SECOND OPINION
395
00:15:57,790 --> 00:15:59,068
ON WHAT PAIR OF SHOES TO WEAR.
396
00:15:59,092 --> 00:16:01,036
YOU JUST CALL ME, OKAY?
397
00:16:01,060 --> 00:16:02,037
OKAY.
398
00:16:02,061 --> 00:16:03,039
AND I'LL SEE YOU IN AN HOUR.
399
00:16:03,063 --> 00:16:04,039
OKAY. OKAY.
400
00:16:04,063 --> 00:16:04,774
BYE, LADIES.
401
00:16:04,798 --> 00:16:06,609
BYE.
402
00:16:06,633 --> 00:16:07,776
BYE-BYE.
403
00:16:07,800 --> 00:16:09,011
WOW.
404
00:16:09,035 --> 00:16:10,045
DOES THAT THING
405
00:16:10,069 --> 00:16:11,113
COME WITH BATTERIES, DANA?
406
00:16:11,137 --> 00:16:12,170
HUH?
407
00:16:16,409 --> 00:16:17,620
OH, MY GOD.
408
00:16:17,644 --> 00:16:20,589
I'VE NEVER SEEN SO
MANY WOMEN IN ONE PLACE
409
00:16:20,613 --> 00:16:22,157
IN MY WHOLE LIFE.
410
00:16:22,181 --> 00:16:23,426
AND EVERY ONE OF
THEM'S GREASED UP
411
00:16:23,450 --> 00:16:24,459
AND READY TO GO.
412
00:16:24,483 --> 00:16:26,962
WE SHOULD GO DOWN
THERE, YOU GUYS.
413
00:16:26,986 --> 00:16:28,686
[♪♪♪]
414
00:17:05,057 --> 00:17:06,935
GUYS? GUYS.
415
00:17:06,959 --> 00:17:09,338
IS THIS SUIT TOO CONSERVATIVE?
416
00:17:09,362 --> 00:17:10,806
I BROUGHT A DRESS.
417
00:17:10,830 --> 00:17:12,262
TELL ME WHAT YOU THINK.
418
00:17:15,568 --> 00:17:16,478
THE SUIT'S GREAT.
419
00:17:16,502 --> 00:17:18,547
THANKS.
420
00:17:18,571 --> 00:17:21,005
[KNOCKING]
421
00:17:24,410 --> 00:17:26,388
HI. IS DANA HERE?
422
00:17:26,412 --> 00:17:28,057
UH-HUH. YEAH.
423
00:17:28,081 --> 00:17:29,992
EXCELLENT. WOW.
YOU LOOK PHENOMENAL.
424
00:17:30,016 --> 00:17:31,326
BUT I BET YOU WOULD IN
ANYTHING THAT YOU WORE.
425
00:17:31,350 --> 00:17:33,829
HERE'S SOME PASSES
426
00:17:33,853 --> 00:17:35,130
TO SOME OF THE EVENTS
427
00:17:35,154 --> 00:17:36,832
AND A CHANCE TO
WIN AN OLIVIA CRUISE.
428
00:17:36,856 --> 00:17:39,067
THANKS, TONYA.
429
00:17:39,091 --> 00:17:40,368
SO ARE YOU READY TO GO?
430
00:17:40,392 --> 00:17:42,237
UH-HUH. EXCELLENT.
431
00:17:42,261 --> 00:17:45,174
WELL, I'VE GOT MY
WORK CUT OUT FOR ME
432
00:17:45,198 --> 00:17:47,709
PEOPLE ARE GOING TO
BE ALL OVER YOU TONIGHT.
433
00:17:47,733 --> 00:17:49,078
BYE, GIRLS.
434
00:17:49,102 --> 00:17:50,245
OH, YEAH.
435
00:17:50,269 --> 00:17:51,346
HAVE FUN. THANK YOU.
436
00:17:51,370 --> 00:17:52,348
THANK YOU AGAIN.
437
00:17:52,372 --> 00:17:53,682
BYE. THANK YOU.
438
00:17:53,706 --> 00:17:56,640
LET ME SEE THOSE.
439
00:17:58,177 --> 00:17:59,655
OH.
440
00:17:59,679 --> 00:18:00,879
I HAVE YOUR ESTIMATE FOR YOU.
441
00:18:07,720 --> 00:18:12,501
OKAY, UM, THIS IS $50 MORE
THAN THE HIGHEST BIDDER.
442
00:18:12,525 --> 00:18:14,625
MAY I?
443
00:18:18,564 --> 00:18:20,097
HAVE YOU EVER SEEN THIS?
444
00:18:24,636 --> 00:18:27,282
THERE ARE THREE SIDES
TO THE TRIANGLE, SEE?
445
00:18:27,306 --> 00:18:28,283
FAST. GOOD. CHEAP.
446
00:18:28,307 --> 00:18:29,284
YEAH.
447
00:18:29,308 --> 00:18:30,352
YOU CAN HAVE ANY
TWO OF THE THREE
448
00:18:30,376 --> 00:18:31,520
IN COMBINATION,
449
00:18:31,544 --> 00:18:32,487
BUT YOU CAN NEVER
HAVE ALL THREE TOGETHER.
450
00:18:32,511 --> 00:18:33,856
OF COURSE YOU CAN.
451
00:18:33,880 --> 00:18:35,057
I MEAN, IF YOU HAVE
ENOUGH MONEY...
452
00:18:35,081 --> 00:18:36,425
OH, RIGHT, THEN IT
WOULDN'T BE CHEAP.
453
00:18:36,449 --> 00:18:37,459
OKAY.
454
00:18:37,483 --> 00:18:38,961
YOU CAN HAVE FAST AND GOOD,
455
00:18:38,985 --> 00:18:40,529
BUT THAT TAKES A BIG CREW OF
SKILLED, HIGHLY PAID WORKERS.
456
00:18:40,553 --> 00:18:42,030
AND I CAN HAVE FAST AND CHEAP,
457
00:18:42,054 --> 00:18:44,600
BUT THEN THE END PRODUCT
WOULD PROBABLY LOOK LIKE SHIT.
458
00:18:44,624 --> 00:18:45,767
YOU CAN HAVE CHEAP AND GOOD...
459
00:18:45,791 --> 00:18:47,302
THAT'S THE ONE I WANT.
460
00:18:47,326 --> 00:18:48,970
BUT YOU'LL PROBABLY
461
00:18:48,994 --> 00:18:50,906
BE BUMPING UP AGAINST
THAT CARPENTER
462
00:18:50,930 --> 00:18:54,232
FOR THE BETTER PART OF A YEAR.
463
00:18:56,635 --> 00:18:58,981
UM, OH, OKAY.
464
00:18:59,005 --> 00:19:00,415
ARE YOU HERE FOR A
LITTLE WHILE LONGER?
465
00:19:00,439 --> 00:19:01,550
BECAUSE I LOVE THAT CUBAN PLACE
466
00:19:01,574 --> 00:19:02,918
UP THE STREET FROM HERE.
467
00:19:02,942 --> 00:19:04,186
I COULD PICK US UP SOME
TAKE-OUT, IF YOU WANT.
468
00:19:04,210 --> 00:19:05,421
I'LL DRAW YOU SOME
ROUGH SKETCHES
469
00:19:05,445 --> 00:19:07,522
OF WHAT I'M THINKING
470
00:19:07,546 --> 00:19:09,190
WHILE WE EAT.
471
00:19:09,214 --> 00:19:10,959
OKAY.
472
00:19:10,983 --> 00:19:12,761
GOOD. I'LL PUT THE ORDER IN.
473
00:19:12,785 --> 00:19:15,853
YOU LOOK AT THAT WHILE I'M GONE.
474
00:19:25,398 --> 00:19:27,776
WOW, ALICE. WHO KNEW?
475
00:19:27,800 --> 00:19:29,711
I'M THINKING NOT DINAH SHORE.
476
00:19:29,735 --> 00:19:31,413
CAN I HAVE ONE?
477
00:19:31,437 --> 00:19:33,682
OH, WAIT. AL...
478
00:19:33,706 --> 00:19:35,083
WHAT?
479
00:19:35,107 --> 00:19:38,587
WHAT ABOUT YOU, JENNY?
480
00:19:38,611 --> 00:19:39,621
UM, MAYBE IF I HAVE
481
00:19:39,645 --> 00:19:40,822
A FEW MORE OF THESE SHOTS.
482
00:19:40,846 --> 00:19:41,790
OH, WAIT. HOLD ON. HOLD ON.
483
00:19:41,814 --> 00:19:44,527
PRESENT FOR BETTE?
484
00:19:44,551 --> 00:19:46,262
OH, MY GOD.
485
00:19:46,286 --> 00:19:47,196
THAT'S GOOD.
486
00:19:47,220 --> 00:19:48,497
WHAT, SHOULD I CALL HER
487
00:19:48,521 --> 00:19:50,432
AND ASK HER IF I SHOULD
WEAR ONE OF THESE T-SHIRTS
488
00:19:50,456 --> 00:19:51,467
WHILE I'M HERE?
489
00:19:51,491 --> 00:19:52,701
MAKE IT A SURPRISE.
490
00:19:52,725 --> 00:19:56,071
WE JUST FOUGHT ALL THE TIME.
491
00:19:56,095 --> 00:19:57,639
I MEAN, YOU KNOW HOW YOLANDA IS.
492
00:19:57,663 --> 00:19:58,640
MM-HMM.
493
00:19:58,664 --> 00:19:59,641
SHE ISN'T HAPPY
494
00:19:59,665 --> 00:20:01,476
UNLESS SHE'S RANTING
ABOUT SOMETHING.
495
00:20:01,500 --> 00:20:04,246
YOU KNOW, SHE CAN'T ABIDE
YOU IF YOU DISAGREE WITH HER,
496
00:20:04,270 --> 00:20:05,380
SHE WON'T RESPECT YOU
497
00:20:05,404 --> 00:20:06,415
IF YOU DON'T CHALLENGE HER.
498
00:20:06,439 --> 00:20:07,816
THAT IS SO TRUE.
499
00:20:07,840 --> 00:20:09,760
SHE SHOULD HAVE
STAYED IN THERAPY.
500
00:20:10,476 --> 00:20:12,520
[CELLPHONE VIBRATING]
501
00:20:12,544 --> 00:20:14,045
EXCUSE ME.
502
00:20:18,784 --> 00:20:21,184
EXCUSE ME FOR A SECOND.
503
00:20:23,689 --> 00:20:24,666
HEY.
504
00:20:24,690 --> 00:20:25,667
[TINA]: HI.
505
00:20:25,691 --> 00:20:27,036
OH, MY GOD.
506
00:20:27,060 --> 00:20:28,771
THIS IS INSANE.
507
00:20:28,795 --> 00:20:29,905
I WISH YOU COULD SEE IT.
508
00:20:29,929 --> 00:20:31,206
IT'S TOTALLY CRAZY.
509
00:20:31,230 --> 00:20:32,308
SAY HI TO THE GIRLS.
510
00:20:32,332 --> 00:20:33,609
[GIRLS]: HEY, BETTE.
511
00:20:33,633 --> 00:20:35,110
HI, BETTE.
512
00:20:35,134 --> 00:20:36,345
SEE?
513
00:20:36,369 --> 00:20:37,746
EVERYBODY MISSES YOU.
514
00:20:37,770 --> 00:20:38,947
I'M GLAD YOU'RE
HAVING FUN, BABY.
515
00:20:38,971 --> 00:20:40,215
YOU DESERVE IT.
516
00:20:40,239 --> 00:20:42,550
I'M JUST HERE HAVING
SOME FOOD WITH CANDACE.
517
00:20:42,574 --> 00:20:43,919
SHE'S STILL TAKING
SOME MEASUREMENTS.
518
00:20:43,943 --> 00:20:46,054
WHAT, BABE? IT'S SO LOUD HERE.
519
00:20:46,078 --> 00:20:48,557
I CAN'T HEAR YOU.
520
00:20:48,581 --> 00:20:51,026
ARE YOU STILL AT WORK?
521
00:20:51,050 --> 00:20:52,394
YOU KNOW, YOU SHOULD
TRY TO GET SOME REST
522
00:20:52,418 --> 00:20:54,596
BEFORE THE ARTISTS GET THERE.
523
00:20:54,620 --> 00:20:56,064
YEAH, I'LL TRY. TINA,
CAN YOU HEAR ME?
524
00:20:56,088 --> 00:20:57,198
WHAT, BABE?
525
00:20:57,222 --> 00:20:58,534
HELLO?
526
00:20:58,558 --> 00:20:59,534
OH, BABE, IT'S BREAKING UP.
527
00:20:59,558 --> 00:21:00,602
I CAN'T HEAR YOU.
528
00:21:00,626 --> 00:21:02,804
LOOK, I'M GOING TO
CALL YOU BACK LATER.
529
00:21:02,828 --> 00:21:04,295
BYE.
530
00:21:12,271 --> 00:21:13,648
IS EVERYTHING OKAY?
531
00:21:13,672 --> 00:21:14,817
I HEARD SOME OF THE ARTWORK
532
00:21:14,841 --> 00:21:16,184
WAS BEING HELD UP AT CUSTOMS.
533
00:21:16,208 --> 00:21:19,088
NO, NOTHING LIKE THAT.
534
00:21:19,112 --> 00:21:21,957
IT WAS MY GIRLFRIEND.
535
00:21:21,981 --> 00:21:23,324
OH.
536
00:21:23,348 --> 00:21:25,393
I DIDN'T KNOW YOU HAD ONE.
537
00:21:25,417 --> 00:21:27,351
WHY WOULD YOU?
538
00:21:41,100 --> 00:21:42,244
WELL, AT LEAST I CAN
HAVE A DRINK NOW.
539
00:21:42,268 --> 00:21:43,245
CHEERS.
540
00:21:43,269 --> 00:21:45,981
OKAY, ALL RIGHT.
LOOK, RIGHT THERE.
541
00:21:46,005 --> 00:21:47,716
THAT'S WHAT I CALL
A HUNDRED-FOOTER.
542
00:21:47,740 --> 00:21:49,250
WHAT'S THAT?
543
00:21:49,274 --> 00:21:50,786
IT MEANS YOU CAN
TELL SHE'S A LESBIAN
544
00:21:50,810 --> 00:21:51,920
FROM A HUNDRED FEET AWAY.
545
00:21:51,944 --> 00:21:53,455
IS IT HER HAIR?
546
00:21:53,479 --> 00:21:54,923
IS IT HER JOGBRA?
547
00:21:54,947 --> 00:21:56,392
I DON'T KNOW.
548
00:21:56,416 --> 00:21:58,060
I CAN TELL SHE'S A LESBO FROM
ACROSS THE FOOTBALL FIELD.
549
00:21:58,084 --> 00:21:59,094
YOU GUYS?
550
00:21:59,118 --> 00:22:00,595
WHAT AM I?
551
00:22:00,619 --> 00:22:02,397
NO. YOU'RE IN TRANSITION.
552
00:22:02,421 --> 00:22:03,599
IT'S IMPOSSIBLE.
553
00:22:03,623 --> 00:22:04,666
NO, COME ON.
554
00:22:04,690 --> 00:22:06,735
NO, YOU NEED, LIKE, A
GUY OR A GIRL WITH YOU
555
00:22:06,759 --> 00:22:08,069
TO TIP YOU ONE WAY OR THE OTHER.
556
00:22:08,093 --> 00:22:09,338
IT'S NOT, IT'S... RIGHT?
557
00:22:09,362 --> 00:22:10,605
YEP. MM-HMM.
558
00:22:10,629 --> 00:22:11,928
FUCK.
559
00:22:13,499 --> 00:22:16,945
WELL, I GUESS I'D BETTER
GET BACK TO WORK
560
00:22:16,969 --> 00:22:19,882
SO I CAN GET BACK TO
BED SOMETIME TONIGHT.
561
00:22:19,906 --> 00:22:21,583
I HAVE A PHONE MEETING
562
00:22:21,607 --> 00:22:23,485
AT 7:00 A.M. WITH NEW YORK.
563
00:22:23,509 --> 00:22:24,986
OH. I MISS IT.
564
00:22:25,010 --> 00:22:26,454
I'M FROM BROOKLYN.
565
00:22:26,478 --> 00:22:27,589
I GREW UP THERE.
566
00:22:27,613 --> 00:22:28,757
OLD-SCHOOL BROOKLYN.
567
00:22:28,781 --> 00:22:29,958
YOU KNOW, BEFORE
IT WAS FASHIONABLE.
568
00:22:29,982 --> 00:22:30,959
NORTH PHILLY,
569
00:22:30,983 --> 00:22:32,794
BEFORE IT WAS A WAR ZONE.
570
00:22:32,818 --> 00:22:34,017
RIGHT.
571
00:22:52,972 --> 00:22:55,283
THIS IS TOTALLY A
WHITE PARTY, YOU GUYS.
572
00:22:55,307 --> 00:22:58,353
I'M GOING TO GO
HAVE ANOTHER DRINK.
573
00:22:58,377 --> 00:22:59,854
BYE.
574
00:22:59,878 --> 00:23:01,156
ALL RIGHT. SEE YOU LATER.
575
00:23:01,180 --> 00:23:02,613
BYE.
576
00:23:19,732 --> 00:23:21,510
ONE, TWO, THREE...
577
00:23:21,534 --> 00:23:23,033
OH, FUCK.
578
00:23:26,104 --> 00:23:27,538
GOOD GIRL.
579
00:23:30,676 --> 00:23:31,953
OKAY, SO THEN WHAT HAPPENED?
580
00:23:31,977 --> 00:23:33,521
[JENNY]: SO I GO
OVER TO HER HOUSE,
581
00:23:33,545 --> 00:23:34,656
LIKE A FUCKING IDIOT,
582
00:23:34,680 --> 00:23:36,658
AND I'M STANDING THERE,
583
00:23:36,682 --> 00:23:38,694
AND I'M WATCHING HER
WITH HER REAL GIRLFRIEND,
584
00:23:38,718 --> 00:23:40,862
WHICH, BY THE WAY, I KNOW
ABSOLUTELY NOTHING ABOUT,
585
00:23:40,886 --> 00:23:42,630
AND THEY'RE WATCHING ME
586
00:23:42,654 --> 00:23:44,900
LIKE I'M THIS LITTLE
SORT OF AMUSEMENT,
587
00:23:44,924 --> 00:23:46,534
SORT OF LIKE THIS
LITTLE PLAYTHING.
588
00:23:46,558 --> 00:23:48,202
MEANWHILE, BACK AT THE RANCH,
589
00:23:48,226 --> 00:23:51,106
MY BOY... NO, I'M
SORRY, MY HUSBAND...
590
00:23:51,130 --> 00:23:55,677
MY... MY LIFE... MY LIFE
IS COMPLETELY RUINED.
591
00:23:55,701 --> 00:23:56,845
YOU KNOW, SHE MANAGED
592
00:23:56,869 --> 00:24:00,215
TO FUCKING DESTROY
MY RELATIONSHIP
593
00:24:00,239 --> 00:24:03,218
WHILE LEAVING HERS
COMPLETELY INTACT.
594
00:24:03,242 --> 00:24:07,556
WAIT, SO THIS IS THE FIRST
WOMAN YOU WERE EVER WITH?
595
00:24:07,580 --> 00:24:10,014
OH, MY GOD.
596
00:24:11,918 --> 00:24:13,829
THIS IS MY COMING-OUT STORY.
597
00:24:13,853 --> 00:24:17,466
LADIES, I AM TELLING
ALL OF YOU GUYS
598
00:24:17,490 --> 00:24:18,266
MY COMING-OUT STORY.
599
00:24:18,290 --> 00:24:19,535
TELL IT! TELL IT!
600
00:24:19,559 --> 00:24:21,203
TELL IT! TELL IT!
601
00:24:21,227 --> 00:24:23,071
TELL IT! TELL IT!
602
00:24:23,095 --> 00:24:25,240
OKAY, OKAY, OKAY, OKAY.
603
00:24:25,264 --> 00:24:28,677
OKAY, I GO TO A PARTY
AT MY NEIGHBORS',
604
00:24:28,701 --> 00:24:30,212
BETTE AND TINA'S HOUSE.
605
00:24:30,236 --> 00:24:32,614
BETTE AND TINA!
606
00:24:32,638 --> 00:24:34,049
YES. OKAY.
607
00:24:34,073 --> 00:24:38,253
I'M AT THE PARTY,
AND THERE SHE IS.
608
00:24:38,277 --> 00:24:40,254
I SEE MARINA.
609
00:24:40,278 --> 00:24:42,991
SHE WAS POSSIBLY
610
00:24:43,015 --> 00:24:45,516
THE MOST BEAUTIFUL
WOMAN I'D EVER SEEN...
611
00:24:47,586 --> 00:24:49,597
LATER ON THAT NIGHT,
612
00:24:49,621 --> 00:24:52,222
SHE FOLLOWED ME
INTO THE BATHROOM.
613
00:24:54,427 --> 00:24:56,772
AND THEN SHE
DOES IT... THE THING.
614
00:24:56,796 --> 00:24:59,074
"AM I CRAZY? AM I DRUNK?
615
00:24:59,098 --> 00:25:00,375
AM I HALLUCINATING?"
616
00:25:00,399 --> 00:25:01,443
AND I WAS THINKING
617
00:25:01,467 --> 00:25:03,412
"AM I CRAZY?
618
00:25:03,436 --> 00:25:04,846
"AM I DRUNK?
619
00:25:04,870 --> 00:25:06,781
AM I HALLUCINATING?"
620
00:25:06,805 --> 00:25:07,982
AND THEN SHE DOES IT...
621
00:25:08,006 --> 00:25:14,289
THE THING THAT WOULD
GO ON TO CONFUSE ME
622
00:25:14,313 --> 00:25:20,429
AND FUCK WITH ALL
THINGS STABLE IN MY LIFE...
623
00:25:20,453 --> 00:25:22,631
THEN I'M WALKING OUT THE DOOR
AND I'M THINKING, "OH, MY GOD,
624
00:25:22,655 --> 00:25:28,269
"I HAVE JUST HAD
THE BEST FUCKING SEX
625
00:25:28,293 --> 00:25:30,305
IN MY WHOLE FUCKING LIFE, MAN!"
626
00:25:30,329 --> 00:25:33,941
NO, NO, NO, YOU GUYS,
GUYS, I'M SERIOUS.
627
00:25:33,965 --> 00:25:36,077
THIS IS PROBABLY THE BEST SEX
628
00:25:36,101 --> 00:25:39,614
THAT ANYBODY CAN HAVE ON
THE FUCKING PLANET EARTH,
629
00:25:39,638 --> 00:25:42,551
AND THEN SHE DOES IT.
630
00:25:42,575 --> 00:25:44,319
SHE DOES THIS FUCKING
THING. COME HERE.
631
00:25:44,343 --> 00:25:45,319
NO, I'M GOING TO SHOW YOU.
632
00:25:45,343 --> 00:25:46,621
OKAY, WAIT. I'VE GOT TO BE HER.
633
00:25:46,645 --> 00:25:47,645
OKAY.
634
00:25:51,817 --> 00:25:53,862
JENNY...
635
00:25:53,886 --> 00:25:57,265
I HOPE THIS DOESN'T
MAKE IT WORSE...
636
00:25:57,289 --> 00:26:00,902
BUT I THINK I COULD
FALL IN LOVE WITH YOU.
637
00:26:00,926 --> 00:26:02,737
OH!
638
00:26:02,761 --> 00:26:03,738
SO CHEESY!
639
00:26:03,762 --> 00:26:05,140
THAT'S FUCKED.
640
00:26:05,164 --> 00:26:06,574
FUCK HER.
641
00:26:06,598 --> 00:26:09,377
NOTICE, IT'S NOT "I'M
FALLING IN LOVE WITH YOU",
642
00:26:09,401 --> 00:26:11,813
IT'S "I THINK I'M FALLING
IN LOVE WITH YOU."
643
00:26:11,837 --> 00:26:12,847
SHE SAID, "I THINK
644
00:26:12,871 --> 00:26:15,750
I COULD FALL IN LOVE WITH YOU."
645
00:26:15,774 --> 00:26:17,185
THAT'S EVEN WORSE.
646
00:26:17,209 --> 00:26:19,955
YOU DON'T HEAR THE
"I THINK I COULD" PART,
647
00:26:19,979 --> 00:26:21,389
BECAUSE YOU'RE NOT SUPPOSED TO.
648
00:26:21,413 --> 00:26:25,193
IT'S A TRICK, IT'S A
FUCKING LOOPHOLE.
649
00:26:25,217 --> 00:26:30,431
SHE WRECKED MY FUCKING
LIFE WITH SUPPOSITION.
650
00:26:30,455 --> 00:26:31,599
HERE.
651
00:26:31,623 --> 00:26:32,467
WHAT?
652
00:26:32,491 --> 00:26:33,701
GO AHEAD. CALL HER UP.
653
00:26:33,725 --> 00:26:36,371
TELL HER WHAT A
FUCKING FUCKER SHE IS.
654
00:26:36,395 --> 00:26:38,206
YOU NEED TO SAY IT.
655
00:26:38,230 --> 00:26:39,340
GO ON. DO IT.
656
00:26:39,364 --> 00:26:40,475
IT'LL CLEANSE YOU.
657
00:26:40,499 --> 00:26:41,743
YOU THINK I SHOULD CALL HER UP?
658
00:26:41,767 --> 00:26:43,244
YES.
659
00:26:43,268 --> 00:26:44,712
CALL HER! CALL HER!
660
00:26:44,736 --> 00:26:49,251
CALL HER! CALL HER! CALL HER!
661
00:26:49,275 --> 00:26:52,019
I'M GOING TO CALL HER UP.
662
00:26:52,043 --> 00:26:53,388
I'M GOING TO TELL HER WHAT
A FUCKING FUCKER SHE IS
663
00:26:53,412 --> 00:26:55,724
FOR FUCKING WITH MY LIFE...
664
00:26:55,748 --> 00:26:58,059
FOR LEAVING HER LIFE
EXACTLY THE WAY IT IS.
665
00:26:58,083 --> 00:27:00,729
I'M GOING TO SET
THAT FUCKING BITCH...
666
00:27:00,753 --> 00:27:01,963
YES, YOU GO GIRL!
667
00:27:01,987 --> 00:27:02,964
STRAIGHT.
668
00:27:02,988 --> 00:27:03,965
DO IT!
669
00:27:03,989 --> 00:27:04,966
SHE'LL NEVER KNOW
UNLESS YOU TELL HER.
670
00:27:04,990 --> 00:27:06,301
SHH. PLEASE, PLEASE, PLEASE.
671
00:27:06,325 --> 00:27:07,325
OKAY, IT'S RINGING.
672
00:27:11,096 --> 00:27:13,664
OH, MY GOSH. IT'S HER.
673
00:27:16,068 --> 00:27:17,412
I GOT YOU.
674
00:27:17,436 --> 00:27:18,579
HI!
675
00:27:18,603 --> 00:27:21,816
IS THOMAS THERE?
676
00:27:21,840 --> 00:27:24,085
OH, THIS ISN'T TOM'S HOUSE?
677
00:27:24,109 --> 00:27:26,354
HELLO?
678
00:27:26,378 --> 00:27:29,223
BITCH HUNG UP ON ME. PERFECT.
679
00:27:29,247 --> 00:27:31,180
I'LL TAKE THAT.
680
00:27:33,318 --> 00:27:35,886
THAT WAS VERY NICE OF YOU.
681
00:27:37,255 --> 00:27:38,733
WELL...
682
00:27:38,757 --> 00:27:40,668
THAT WAS VERY KIND.
683
00:27:40,692 --> 00:27:42,092
IT WAS MY PLEASURE.
684
00:27:46,098 --> 00:27:47,075
OH, MY GOD.
685
00:27:47,099 --> 00:27:48,243
YOU WERE SO AMAZING IN THERE.
686
00:27:48,267 --> 00:27:49,411
YOU SHOULD BE SO
PROUD OF YOURSELF.
687
00:27:49,435 --> 00:27:50,612
OH, THANK YOU.
688
00:27:50,636 --> 00:27:51,579
YOU KNOW, THAT STORY
ABOUT YOUR MOTHER...
689
00:27:51,603 --> 00:27:52,948
HI! HI. HOW ARE YOU?
690
00:27:52,972 --> 00:27:53,714
TRULY WAS HYSTERICAL, OKAY?
691
00:27:53,738 --> 00:27:55,083
HI! HI.
692
00:27:55,107 --> 00:27:56,384
AND YOUR SUBARU
COMING-OUT STORY?
693
00:27:56,408 --> 00:27:57,585
OH, MY GOD.
694
00:27:57,609 --> 00:27:58,587
IT BROKE MY HEART.
695
00:27:58,611 --> 00:27:59,754
IT DID?
696
00:27:59,778 --> 00:28:01,522
TELL ME, DID YOU AND LAR...
697
00:28:01,546 --> 00:28:02,524
WERE YOU ABLE TO WORK IT OUT?
698
00:28:02,548 --> 00:28:03,525
HOW ARE YOU? HI.
699
00:28:03,549 --> 00:28:04,592
NO, I TOTALLY BLEW...
700
00:28:04,616 --> 00:28:06,028
DANA! DANA!
701
00:28:06,052 --> 00:28:07,863
I KNOW I'M BEING A
TOTAL GEEK RIGHT NOW,
702
00:28:07,887 --> 00:28:09,997
BUT WOULD YOU SIGN
MY UNDERWEAR FOR ME?
703
00:28:10,021 --> 00:28:11,700
MISS FAIRBANKS HAS
AN APPOINTMENT, OKAY?
704
00:28:11,724 --> 00:28:12,867
PLEASE? EXCUSE ME.
705
00:28:12,891 --> 00:28:14,035
I... I... I...
706
00:28:14,059 --> 00:28:15,370
UNBELIEVABLE.
707
00:28:15,394 --> 00:28:16,638
HI.
708
00:28:16,662 --> 00:28:18,072
WE HAVE THIS BET ON OVER HERE
709
00:28:18,096 --> 00:28:19,640
AND, UH, DO YOU
HAVE A GIRLFRIEND?
710
00:28:19,664 --> 00:28:21,209
I REALLY DON'T THINK THAT'S
ANY OF YOUR BUSINESS.
711
00:28:21,233 --> 00:28:22,210
NO.
712
00:28:22,234 --> 00:28:23,277
OH, MY GOD.
713
00:28:23,301 --> 00:28:24,713
NOW, WE NEED TO
GET YOU OUT OF HERE
714
00:28:24,737 --> 00:28:26,181
BECAUSE YOUR FANS ARE
GETTING OUT OF CONTROL.
715
00:28:26,205 --> 00:28:28,105
[♪♪♪]
716
00:28:56,701 --> 00:28:58,346
IT IS FLYING THROUGH THE AIR.
717
00:28:58,370 --> 00:29:00,848
I WOULD LOVE TO KNOW
WHAT THAT FEELS LIKE.
718
00:29:00,872 --> 00:29:03,385
WELL, WHEN YOU'RE
WORKING WITH SOMEONE ELSE,
719
00:29:03,409 --> 00:29:04,819
IT'S ALL ABOUT TRUST.
720
00:29:04,843 --> 00:29:06,855
YOU'RE LIKE, "IS THIS
PERSON MAD AT ME TODAY?"
721
00:29:06,879 --> 00:29:09,357
"DID I GIVE THEM A REASON TO
NOT TO CATCH ME RIGHT NOW?"
722
00:29:09,381 --> 00:29:10,859
IF I WERE A TRAPEZE ARTIST,
723
00:29:10,883 --> 00:29:12,226
I DON'T THINK THAT ANYBODY
724
00:29:12,250 --> 00:29:13,294
WOULD CATCH ME.
725
00:29:13,318 --> 00:29:15,329
I THINK THAT I WOULD
PROBABLY NEED,
726
00:29:15,353 --> 00:29:17,732
LIKE, THIS MASSIVE
NET OR SOMETHING.
727
00:29:17,756 --> 00:29:19,534
YOU KNOW, THAT'S,
LIKE, THE THIRD TIME
728
00:29:19,558 --> 00:29:22,170
YOU'VE REFERRED
YOURSELF AS WORTHLESS?
729
00:29:22,194 --> 00:29:24,872
I MEAN, IS THIS YOUR BIG
LEAVING LAS VEGAS MOMENT?
730
00:29:24,896 --> 00:29:26,208
YOU COME TO DINAH SHORE
731
00:29:26,232 --> 00:29:28,543
TO GET ALCOHOL
POISONING AND DIE?
732
00:29:28,567 --> 00:29:31,046
NO. I'M NOT... I'M NOT SUICIDAL.
733
00:29:31,070 --> 00:29:34,716
I'VE JUST FUCKED UP
MY LIFE JUST A LITTLE BIT.
734
00:29:34,740 --> 00:29:35,716
YOU KNOW?
735
00:29:35,740 --> 00:29:37,252
SO CAN I TELL YOU SOMETHING?
736
00:29:37,276 --> 00:29:38,553
WHAT?
737
00:29:38,577 --> 00:29:41,022
WORKING ON THE
TRAPEZE IS LIKE FUCKING UP.
738
00:29:41,046 --> 00:29:42,424
I MEAN, YOU'RE UP THERE,
739
00:29:42,448 --> 00:29:44,092
50 FEET ABOVE THE
GROUND, YOU KNOW,
740
00:29:44,116 --> 00:29:47,695
AND YOU DELIBERATELY LET GO
OF THE ONLY SECURITY YOU HAVE
741
00:29:47,719 --> 00:29:48,863
TO GO FLYING THROUGH THE AIR.
742
00:29:48,887 --> 00:29:51,332
IN THAT MOMENT,
EVERYTHING'S LOST.
743
00:29:51,356 --> 00:29:53,168
YOU COULD LIVE OR YOU COULD DIE,
744
00:29:53,192 --> 00:29:55,069
BUT YOU'VE TAKEN THAT RISK,
745
00:29:55,093 --> 00:29:57,672
AND GRABBING THAT BAR AGAIN
IS LIKE GETTING A SECOND CHANCE.
746
00:29:57,696 --> 00:30:00,308
SO YOU GRAB IT, AND
YOU FUCKING SWING ON IT,
747
00:30:00,332 --> 00:30:03,967
AND YOU DO IT ALL OVER
AGAIN, JENNY, YOU KNOW?
748
00:30:06,605 --> 00:30:08,082
THANKS. NO, I REALLY...
749
00:30:08,106 --> 00:30:09,084
NO PROBLEM.
750
00:30:09,108 --> 00:30:10,452
I REALLY APPRECIATE THIS.
751
00:30:10,476 --> 00:30:11,652
THERE ARE PROBABLY TONS
OF PEOPLE IN MY ROOM...
752
00:30:11,676 --> 00:30:12,920
DANA, I'VE GOT TO
BE HONEST WITH YOU.
753
00:30:12,944 --> 00:30:13,922
YEAH?
754
00:30:13,946 --> 00:30:16,026
I WANT TO MAKE LOVE TO YOU.
755
00:30:17,115 --> 00:30:19,082
OH. OKAY.
756
00:30:21,119 --> 00:30:23,565
UM... HI.
757
00:30:23,589 --> 00:30:25,656
MAGNIFICENT.
758
00:30:27,959 --> 00:30:30,605
[TV PLAYING]
759
00:30:30,629 --> 00:30:32,440
[WOMAN]: I LOVE YOU
SO MUCH, DARLING,
760
00:30:32,464 --> 00:30:34,609
MORE THAN YOU SEEM
ABLE TO UNDERSTAND.
761
00:30:34,633 --> 00:30:35,677
OH...
762
00:30:35,701 --> 00:30:36,377
I NEVER REALLY KNEW HAPPINESS
763
00:30:36,401 --> 00:30:37,612
UNTIL I LOVED YOU.
764
00:30:37,636 --> 00:30:39,113
SOMETIMES, WHEN I
USED TO BE AFRAID...
765
00:30:39,137 --> 00:30:40,248
HI.
766
00:30:40,272 --> 00:30:42,083
HEY.
767
00:30:42,107 --> 00:30:43,251
HEY.
768
00:30:43,275 --> 00:30:45,620
I'VE JUST NEVER SEEN
SO MUCH DEBAUCHERY
769
00:30:45,644 --> 00:30:47,288
IN MY WHOLE LIFE.
770
00:30:47,312 --> 00:30:49,290
I HAD SO MUCH TEQUILA...
771
00:30:49,314 --> 00:30:51,092
I HAVE NO IDEA
772
00:30:51,116 --> 00:30:53,395
WHY I'M STILL
STANDING RIGHT NOW,
773
00:30:53,419 --> 00:30:55,096
AND THEN I HAD TO, LIKE,
774
00:30:55,120 --> 00:30:56,965
STEP OVER ALL
THESE... ALL THESE...
775
00:30:56,989 --> 00:30:59,200
WOMEN-BODIES
776
00:30:59,224 --> 00:31:02,637
IN ORDER TO GET TO THIS
ROOM, WHICH WAS SORT OF CRAZY,
777
00:31:02,661 --> 00:31:03,905
YOU KNOW.
778
00:31:03,929 --> 00:31:05,273
WHAT HAPPENED WITH THE LADY?
779
00:31:05,297 --> 00:31:06,497
ANYTHING?
780
00:31:09,101 --> 00:31:11,680
I HAVE A DATE ON
WEDNESDAY NIGHT IN L.A.
781
00:31:11,704 --> 00:31:12,580
WOW. WOW.
782
00:31:12,604 --> 00:31:13,648
HEY.
783
00:31:13,672 --> 00:31:15,706
ALL RIGHT. GOOD JOB.
784
00:31:22,013 --> 00:31:24,091
OOH, IT'S ON VIBRATE.
785
00:31:24,115 --> 00:31:25,192
I LIKE IT.
786
00:31:25,216 --> 00:31:27,195
OH, HERE, LET ME... I'LL JUST...
787
00:31:27,219 --> 00:31:29,152
SORRY... GET THIS.
788
00:31:31,122 --> 00:31:32,600
HELLO?
789
00:31:32,624 --> 00:31:34,068
YEAH. OOH, SORRY.
790
00:31:34,092 --> 00:31:37,338
HI, AL, YEAH.
791
00:31:37,362 --> 00:31:38,573
DO YOU LIKE THAT?
792
00:31:38,597 --> 00:31:40,574
NO, IT'S, YEAH...
793
00:31:40,598 --> 00:31:43,177
AT THE HOTEL. MM-HMM.
794
00:31:43,201 --> 00:31:46,781
PEOPLE.
795
00:31:46,805 --> 00:31:48,616
YEAH. SOON. I'VE GOT TO GO.
796
00:31:48,640 --> 00:31:51,074
GOT TO GO. BYE.
797
00:31:53,212 --> 00:31:56,591
YOU GUYS, DANA'S HOOKING UP.
798
00:31:56,615 --> 00:31:57,925
OH, MY GOD.
799
00:31:57,949 --> 00:31:58,926
HO...
800
00:31:58,950 --> 00:32:00,395
OH, NO.
801
00:32:00,419 --> 00:32:01,729
IT'S NOT THAT WEIRD
HOSPITALITY CHICK,
802
00:32:01,753 --> 00:32:02,864
IS IT?
803
00:32:02,888 --> 00:32:04,132
OKAY, CALL ME A HIPPIE,
804
00:32:04,156 --> 00:32:07,402
BUT THAT GIRL HAS
BAD FUCKING VIBES.
805
00:32:07,426 --> 00:32:08,803
I MEAN, AND, DANA'S
JUDGEMENT SUCKS,
806
00:32:08,827 --> 00:32:09,870
RIGHT? EXCEPT FOR LARA.
807
00:32:09,894 --> 00:32:10,938
OH, LOOK WHO'S TALKING.
808
00:32:10,962 --> 00:32:12,340
OKAY.
809
00:32:12,364 --> 00:32:16,878
WHY IS IT SO DIFFICULT TO
MEET THE RIGHT PERSON?
810
00:32:16,902 --> 00:32:18,012
YOU KNOW?
811
00:32:18,036 --> 00:32:20,715
ALL OF YOUR STORIES
ARE ABOUT CONFUSION
812
00:32:20,739 --> 00:32:23,150
AND UNFULFILLED DESIRE
813
00:32:23,174 --> 00:32:25,052
AND DISAPPOINTMENT, RIGHT?
814
00:32:25,076 --> 00:32:27,054
YEAH, BUT THAT
PRETTY MUCH HAPPENS
815
00:32:27,078 --> 00:32:30,324
TO EVERYONE WHO TRIES
TO BE IN A RELATIONSHIP.
816
00:32:30,348 --> 00:32:32,227
BUT I THINK IT'S TIME FOR
YOU TO BUST OUT YOUR STORY.
817
00:32:32,251 --> 00:32:33,228
NO...
818
00:32:33,252 --> 00:32:34,428
YEAH, GIVE THESE
WOMEN SOME HOPE.
819
00:32:34,452 --> 00:32:35,563
SIT DOWN. SIT.
820
00:32:35,587 --> 00:32:37,465
THANK YOU.
821
00:32:37,489 --> 00:32:38,466
SPEAK.
822
00:32:38,490 --> 00:32:40,067
OKAY.
823
00:32:40,091 --> 00:32:42,771
WELL, I WAS DATING THIS
ENTERTAINMENT LAWYER...
824
00:32:42,795 --> 00:32:44,739
ERIC.
825
00:32:44,763 --> 00:32:46,040
WHAT?
826
00:32:46,064 --> 00:32:47,274
I WAS THERE.
827
00:32:47,298 --> 00:32:48,543
ALL RIGHT, IT WAS RIGHT AFTER
828
00:32:48,567 --> 00:32:49,844
ME AND BETTE STOPPED DATING,
829
00:32:49,868 --> 00:32:51,078
AND WE WERE IN THAT
"BEST FRIEND" STAGE,
830
00:32:51,102 --> 00:32:53,615
AND ERIC WAS PRETTY
HOT, I HAVE TO SAY.
831
00:32:53,639 --> 00:32:54,916
HE'S A BIG ART COLLECTOR,
832
00:32:54,940 --> 00:32:58,486
AND ONE NIGHT HE TOOK
ME TO THIS ART OPENING
833
00:32:58,510 --> 00:32:59,754
AT THE BETTE PORTER GALLERY.
834
00:32:59,778 --> 00:33:00,888
I HELPED HER FIND
THAT SPACE, YOU KNOW.
835
00:33:00,912 --> 00:33:02,323
I KNOW.
836
00:33:02,347 --> 00:33:06,561
ANYWAY, SHE HAD THIS
AMAZING REPUTATION
837
00:33:06,585 --> 00:33:08,262
FOR PICKING ALL
THE GREAT ARTISTS,
838
00:33:08,286 --> 00:33:10,732
AND SHE WAS SMART, AND TOUGH.
839
00:33:10,756 --> 00:33:11,833
EXCUSE ME, BETTE.
840
00:33:11,857 --> 00:33:13,068
AND UNBELIEVABLY BEAUTIFUL.
841
00:33:13,092 --> 00:33:14,268
THIS IS MY GIRLFRIEND,
842
00:33:14,292 --> 00:33:15,369
TINA KENNARD.
843
00:33:15,393 --> 00:33:16,737
SHE HEADS UP DEVELOPMENT
844
00:33:16,761 --> 00:33:17,605
AT ALPHAVILLE.
845
00:33:17,629 --> 00:33:20,075
TINA, BETTE PORTER.
846
00:33:20,099 --> 00:33:21,442
NICE TO MEET YOU.
847
00:33:21,466 --> 00:33:22,443
HEY. NICE TO MEET YOU.
848
00:33:22,467 --> 00:33:23,578
BETTE, WE WERE WONDERING.
849
00:33:23,602 --> 00:33:24,979
HOW WOULD CATHERINE OPIE FEEL
850
00:33:25,003 --> 00:33:26,280
ABOUT US BLOWING UP
851
00:33:26,304 --> 00:33:27,449
THAT PRINT THERE
852
00:33:27,473 --> 00:33:28,750
TO ABOUT FIVE-BY-SIX FEET?
853
00:33:28,774 --> 00:33:30,084
WELL, WHY DON'T YOU
ASK HER YOURSELF?
854
00:33:30,108 --> 00:33:31,174
SHE'S RIGHT OVER THERE.
855
00:33:32,778 --> 00:33:34,622
I THINK I'LL JUST STAY HERE.
856
00:33:34,646 --> 00:33:37,458
OKAY. EXCELLENT.
857
00:33:37,482 --> 00:33:39,694
AND SO THEN ERIC
AND I GOT INVITED
858
00:33:39,718 --> 00:33:41,495
TO ONE OF HER ARTIST DINNERS,
859
00:33:41,519 --> 00:33:44,432
AND HER ARTIST DINNERS
WERE REALLY, REALLY FAMOUS.
860
00:33:44,456 --> 00:33:45,833
THERE WERE
861
00:33:45,857 --> 00:33:48,703
ALL THESE PEOPLE THERE
FROM PARIS AND NEW YORK...
862
00:33:48,727 --> 00:33:52,107
SOME CELEBRATED
INTELLECTUAL, YOU KNOW,
863
00:33:52,131 --> 00:33:54,174
SOME BIG-SHOT CRITIC.
864
00:33:54,198 --> 00:33:56,577
IT WAS, UH, INTIMIDATING,
865
00:33:56,601 --> 00:34:01,982
BUT SHE WAS SO
WARM AND GRACIOUS.
866
00:34:02,006 --> 00:34:04,552
ARE YOU COMING TO SIT DOWN?
867
00:34:04,576 --> 00:34:06,621
YEAH. YEAH...
868
00:34:06,645 --> 00:34:08,489
I JUST REALLY LIKE THIS ONE.
869
00:34:08,513 --> 00:34:10,291
AND THEN, UM,
870
00:34:10,315 --> 00:34:14,461
AND THEN THE EARRING
THING HAPPENED.
871
00:34:14,485 --> 00:34:16,497
OH.
872
00:34:16,521 --> 00:34:20,156
YOU'VE LOST YOUR
EARRING IN YOUR HAIR.
873
00:34:21,526 --> 00:34:22,659
THANK YOU.
874
00:34:25,830 --> 00:34:26,875
THANK YOU SO MUCH.
875
00:34:26,899 --> 00:34:28,209
I'M REALLY, REALLY EXCITED
876
00:34:28,233 --> 00:34:29,244
TO GET STARTED.
877
00:34:29,268 --> 00:34:30,745
NO, THANK YOU.
878
00:34:30,769 --> 00:34:32,914
IT'S A DREAM PROJECT,
EVERYTHING ABOUT IT.
879
00:34:32,938 --> 00:34:33,915
GOOD NIGHT.
880
00:34:33,939 --> 00:34:35,219
GOOD NIGHT.
881
00:34:38,110 --> 00:34:39,620
[JENNY]: TINA, I DIDN'T KNOW
882
00:34:39,644 --> 00:34:40,821
THAT BETTE WAS
YOUR FIRST GIRLFRIEND.
883
00:34:40,845 --> 00:34:41,823
YEAH.
884
00:34:41,847 --> 00:34:42,790
FIRST, LAST, AND FOREVER.
885
00:34:42,814 --> 00:34:44,525
AREN'T YOU KIND OF
CURIOUS, THOUGH,
886
00:34:44,549 --> 00:34:46,360
TO BE WITH SOMEONE ELSE?
887
00:34:46,384 --> 00:34:47,828
YEAH, DEFINITELY.
888
00:34:47,852 --> 00:34:50,298
I THINK, "GOD, AM I
GOING TO GO TO MY GRAVE
889
00:34:50,322 --> 00:34:52,333
AND BETTE WILL BE THE ONLY
WOMAN I'VE EVER SLEPT WITH?"
890
00:34:52,357 --> 00:34:53,768
BUT THEN I LOOK AT HER
891
00:34:53,792 --> 00:34:54,836
AND I THINK,
892
00:34:54,860 --> 00:34:56,637
"WHAT MORE COULD I WANT?"
893
00:34:56,661 --> 00:34:58,473
WELL, TELL THEM THE REST.
894
00:34:58,497 --> 00:35:01,208
OKAY, SO THEN, THAT NIGHT,
895
00:35:01,232 --> 00:35:02,210
I GO HOME,
896
00:35:02,234 --> 00:35:03,544
AND I REALIZE
897
00:35:03,568 --> 00:35:05,179
I LEFT THE EARRING
AT HER GALLERY,
898
00:35:05,203 --> 00:35:09,083
EVEN THOUGH I COULD HAVE
SWORN THAT I PUT IT BACK ON MY EAR.
899
00:35:09,107 --> 00:35:10,718
CALL IT FATE.
900
00:35:10,742 --> 00:35:11,853
OR CALL IT
901
00:35:11,877 --> 00:35:14,277
THE OLDEST TRICK IN THE BOOK.
902
00:35:19,617 --> 00:35:21,062
I COULD HAVE SWORN
903
00:35:21,086 --> 00:35:23,519
I WATCHED YOU PUT THIS BACK ON.
904
00:35:51,115 --> 00:35:52,593
I FORGOT SOMETHING.
905
00:35:52,617 --> 00:35:55,051
YEAH. YOU DID.
906
00:35:58,223 --> 00:36:00,968
I FORGOT...
907
00:36:00,992 --> 00:36:02,870
THAT I WON'T BE ABLE
TO SLEEP TONIGHT
908
00:36:02,894 --> 00:36:04,038
IF I DON'T TELL YOU
909
00:36:04,062 --> 00:36:05,707
THAT ALL I'VE WANTED
TO DO ALL DAY LONG
910
00:36:05,731 --> 00:36:07,063
IS KISS YOU.
911
00:36:12,070 --> 00:36:14,537
PLEASE TELL ME IF
YOU DON'T WANT ME TO.
912
00:36:45,102 --> 00:36:48,082
I SHOULD GO, SHOULDN'T I?
913
00:36:48,106 --> 00:36:51,140
YEAH, YOU SHOULD.
914
00:37:05,557 --> 00:37:07,990
[SOBBING]
915
00:37:24,141 --> 00:37:25,775
[CELLPHONE DIALING]
916
00:37:28,179 --> 00:37:30,458
HELLO?
917
00:37:30,482 --> 00:37:33,094
HEY, YOU.
918
00:37:33,118 --> 00:37:36,664
YEAH. I'LL BE BACK TOMORROW.
919
00:37:36,688 --> 00:37:39,166
YEAH.
920
00:37:39,190 --> 00:37:41,702
OKAY, THAT SOUNDS NICE.
921
00:37:41,726 --> 00:37:43,738
ALL RIGHT.
922
00:37:43,762 --> 00:37:45,239
YOU'RE HOT.
923
00:37:45,263 --> 00:37:46,874
THANK YOU.
924
00:37:46,898 --> 00:37:48,642
SHE'S SO CUTE.
925
00:37:48,666 --> 00:37:50,711
NO, IT'S OKAY. GO.
926
00:37:50,735 --> 00:37:54,036
OKAY. OKAY. CHERIE...
927
00:37:57,276 --> 00:37:59,753
NO, NOTHING, NOTHING.
928
00:37:59,777 --> 00:38:01,022
NOTHING. I'M OKAY.
929
00:38:01,046 --> 00:38:03,524
I'LL SEE YOU TOMORROW.
930
00:38:03,548 --> 00:38:06,483
OKAY. BYE.
931
00:38:24,102 --> 00:38:25,880
I CAN'T BELIEVE
932
00:38:25,904 --> 00:38:28,004
I'M ABOUT TO GO DOWN
ON DANA FAIRBANKS.
933
00:38:42,620 --> 00:38:45,733
OH...
934
00:38:45,757 --> 00:38:46,801
OH, GOD.
935
00:38:46,825 --> 00:38:49,025
I SLEPT IN MY CLOTHES.
936
00:39:00,105 --> 00:39:01,203
[DOOR UNLOCKING]
937
00:39:19,257 --> 00:39:22,203
TELL ME EVERYTHING!
TELL ME EVERYTHING!
938
00:39:22,227 --> 00:39:24,293
TELL ME EVERYTHING.
WHERE WERE YOU?
939
00:39:27,732 --> 00:39:30,333
[PHONE RINGING]
940
00:39:43,081 --> 00:39:44,058
HI, BABY.
941
00:39:44,082 --> 00:39:45,392
[TINA]: THERE YOU ARE.
942
00:39:45,416 --> 00:39:47,327
OH, YOU SOUND EXHAUSTED.
943
00:39:47,351 --> 00:39:48,696
DID YOU WORK LATE LAST NIGHT?
944
00:39:48,720 --> 00:39:50,231
YEAH, YEAH, I DID.
945
00:39:50,255 --> 00:39:51,498
WELL, YOU'RE NOT THE ONLY ONE...
946
00:39:51,522 --> 00:39:55,636
'CAUSE DANA JUST
CRAWLED IN THIS MORNING.
947
00:39:55,660 --> 00:39:58,272
I CAN'T WAIT TO HEAR ABOUT IT.
948
00:39:58,296 --> 00:40:00,674
SO WHEN ARE YOU COMING HOME?
949
00:40:00,698 --> 00:40:02,009
I'LL TRY TO GET THE
GIRLS ON THE ROAD,
950
00:40:02,033 --> 00:40:03,010
BUT I DON'T THINK
951
00:40:03,034 --> 00:40:04,011
WE'RE REALLY GOING TO MAKE IT
952
00:40:04,035 --> 00:40:05,246
UNTIL THIS AFTERNOON
953
00:40:05,270 --> 00:40:07,382
BECAUSE DANA HAS
SOME AUTOGRAPH THING.
954
00:40:07,406 --> 00:40:09,183
OKAY. MISS YOU.
955
00:40:09,207 --> 00:40:11,152
BYE.
956
00:40:11,176 --> 00:40:12,909
DANA!
957
00:40:20,885 --> 00:40:22,330
WHERE'S DANA?
958
00:40:22,354 --> 00:40:24,887
SAYING GOODBYE TO HER FANS.
959
00:40:28,459 --> 00:40:29,437
SHIT.
960
00:40:29,461 --> 00:40:31,505
WHAT?
961
00:40:31,529 --> 00:40:33,608
SHE IS NOT...
962
00:40:33,632 --> 00:40:34,831
SHE'S NOT!
963
00:40:36,401 --> 00:40:37,544
HEY, GUYS!
964
00:40:37,568 --> 00:40:38,546
HEY.
965
00:40:38,570 --> 00:40:39,546
YOU REMEMBER TONYA, RIGHT?
966
00:40:39,570 --> 00:40:41,749
UH-HUH.
967
00:40:41,773 --> 00:40:44,285
SHE'S COMING WITH
US. I'LL GET YOUR BAG.
968
00:40:44,309 --> 00:40:45,686
LET'S GO.
969
00:40:45,710 --> 00:40:46,854
[TONYA]: OH, MY GOD! ME TOO!
970
00:40:46,878 --> 00:40:47,888
I AM TOTALLY A MORNING PERSON.
971
00:40:47,912 --> 00:40:49,023
MY EX-GIRLFRIEND USED TO THINK
972
00:40:49,047 --> 00:40:50,091
I WAS COMPLETELY PSYCHOTIC
973
00:40:50,115 --> 00:40:51,692
BECAUSE I'D GET UP SO
EARLY, BUT WHATEVER.
974
00:40:51,716 --> 00:40:52,893
I SAY, CARPE DIEM, RIGHT?
975
00:40:52,917 --> 00:40:54,528
YEAH, YOU MUST
976
00:40:54,552 --> 00:40:55,796
HAVE TO GET UP SO
EARLY TO TRAIN, HUH?
977
00:40:55,820 --> 00:40:56,864
I DO.
978
00:40:56,888 --> 00:40:57,964
I BET YOU DO.
979
00:40:57,988 --> 00:40:58,966
NOW, BROTHERS OR SISTERS?
980
00:40:58,990 --> 00:41:00,768
I HAVE A BROTHER, HOWIE, 16.
981
00:41:00,792 --> 00:41:02,036
HE'S A TOTAL PAIN IN MY ASS.
982
00:41:02,060 --> 00:41:03,503
I'LL BET HE'S CUTE, THOUGH.
983
00:41:03,527 --> 00:41:05,539
HE'D HAVE TO BE. HE'S
FROM YOUR FAMILY, RIGHT?
984
00:41:05,563 --> 00:41:06,741
AW, SHUT UP.
985
00:41:06,765 --> 00:41:07,908
OKAY, CAT OR DOG PERSON?
986
00:41:07,932 --> 00:41:09,476
PLEASE SAY DOG,
BECAUSE I HATE CATS.
987
00:41:09,500 --> 00:41:11,579
I KNOW THAT'S NOT
VERY LESBIAN OF ME
988
00:41:11,603 --> 00:41:12,580
AND STUFF,
989
00:41:12,604 --> 00:41:13,580
BUT I THINK
990
00:41:13,604 --> 00:41:14,915
THEY'RE SO COLD AND UNFEELING.
991
00:41:14,939 --> 00:41:16,583
WELL, I GUESS SOME
OF THEM CAN BE, YEAH,
992
00:41:16,607 --> 00:41:17,985
BUT SOME OF THEM
ARE ALMOST HUMAN.
993
00:41:18,009 --> 00:41:19,086
YOU THINK?
994
00:41:19,110 --> 00:41:20,254
WELL, MINE IS.
995
00:41:20,278 --> 00:41:21,923
I REALLY LOVE MR. PIDDLES.
996
00:41:21,947 --> 00:41:23,424
MR. PIDDLES?
997
00:41:23,448 --> 00:41:25,159
YEAH. HE'S DANA'S CAT.
998
00:41:25,183 --> 00:41:27,295
WELL, I THINK THAT'S GREAT,
999
00:41:27,319 --> 00:41:28,596
AND I TOTALLY AGREE
WITH YOU, YOU KNOW?
1000
00:41:28,620 --> 00:41:29,930
THESE KIND OF DECISIONS
1001
00:41:29,954 --> 00:41:31,264
HAVE TO BE MADE ON
A CAT-BY-CAT BASIS.
1002
00:41:31,288 --> 00:41:32,266
RIGHT.
1003
00:41:32,290 --> 00:41:34,101
I CANNOT WAIT TO
MEET MR. PIDDLES.
1004
00:41:34,125 --> 00:41:35,769
SEE? OKAY, I KNEW YOU'D GET IT.
1005
00:41:35,793 --> 00:41:36,803
DO YOU WANT TO SEE A PICTURE?
1006
00:41:36,827 --> 00:41:38,773
I WOULD LOVE TO.
1007
00:41:38,797 --> 00:41:39,807
OKAY.
1008
00:41:39,831 --> 00:41:41,275
YOU HAVE A PICTURE OF YOUR CAT?
1009
00:41:41,299 --> 00:41:43,344
THAT'S SO CUTE.
1010
00:41:43,368 --> 00:41:44,811
MR. PIDDLES.
1011
00:41:44,835 --> 00:41:48,515
SENOR PIDDLES,
INTERNATIONAL CAT OF MYSTERY.
1012
00:41:48,539 --> 00:41:50,450
MY MYSTERIOUS ONE-MAN SHOW.
1013
00:41:50,474 --> 00:41:51,619
HE'S MY SPECIAL FURRY MAN.
1014
00:41:51,643 --> 00:41:52,920
SEE?
1015
00:41:52,944 --> 00:41:54,121
[KISSING]
1016
00:41:54,145 --> 00:41:55,122
MEOW.
1017
00:41:55,146 --> 00:41:56,290
BYE! BYE!
1018
00:41:56,314 --> 00:41:56,957
BYE.
1019
00:41:56,981 --> 00:41:58,915
WE'LL SEE YOU, GUYS.
1020
00:42:02,654 --> 00:42:05,232
WHAT THE FUCK
ARE WE GOING TO DO?
1021
00:42:05,256 --> 00:42:07,034
WHAT ARE WE GOING
TO DO ABOUT WHAT?
1022
00:42:07,058 --> 00:42:08,402
YOU GUYS, DON'T TELL ME
1023
00:42:08,426 --> 00:42:09,770
YOU DON'T THINK SHE'S TROUBLE.
1024
00:42:09,794 --> 00:42:11,739
WELL, YEAH, THE CAT THING
1025
00:42:11,763 --> 00:42:12,773
WAS A BIT MUCH.
1026
00:42:12,797 --> 00:42:13,908
YEAH, AND THAT STORY
1027
00:42:13,932 --> 00:42:15,075
ABOUT MEETING ANNE HECHE
1028
00:42:15,099 --> 00:42:16,276
IN THE RESTAURANT?
1029
00:42:16,300 --> 00:42:17,411
I MEAN, WHAT WAS THAT ABOUT?
1030
00:42:17,435 --> 00:42:18,545
AND YOU GUYS,
1031
00:42:18,569 --> 00:42:20,114
I GAVE HER 50
BUCKS FOR THE GAS...
1032
00:42:20,138 --> 00:42:22,416
AND I WATCHED THE
METER, NOT TO BE CRAZY,
1033
00:42:22,440 --> 00:42:24,318
BUT IT WAS $32.50,
AND SHE DIDN'T GIVE ME
1034
00:42:24,342 --> 00:42:25,786
ANY FUCKING CHANGE. WHAT?
1035
00:42:25,810 --> 00:42:27,187
WELL, WHY DIDN'T
YOU SAY ANYTHING?
1036
00:42:27,211 --> 00:42:28,322
WELL, I DON'T KNOW.
1037
00:42:28,346 --> 00:42:30,991
I GUESS I NEED MORE
EVIDENCE OR SOMETHING...
1038
00:42:31,015 --> 00:42:32,326
AND WHAT AM I SUPPOSED TO SAY?
1039
00:42:32,350 --> 00:42:33,894
"DANA, YOUR
GIRLFRIEND'S A GRIFTER?"
1040
00:42:33,918 --> 00:42:35,496
I MEAN, SHE'S HAPPY.
1041
00:42:35,520 --> 00:42:37,453
I CAN'T.
1042
00:42:44,362 --> 00:42:46,173
HEY.
1043
00:42:46,197 --> 00:42:47,408
I JUST THOUGHT
1044
00:42:47,432 --> 00:42:48,843
I'D LET YOU KNOW I'M
OUT HERE WORKING.
1045
00:42:48,867 --> 00:42:50,266
THANK YOU.
1046
00:43:18,263 --> 00:43:22,476
I'M SORRY. I CAN'T.
1047
00:43:22,500 --> 00:43:25,033
YOU CAN'T WHAT, BABE?
1048
00:43:28,072 --> 00:43:29,539
HEY.
1049
00:43:31,609 --> 00:43:32,953
UM, I... I'M... I JUST
WAS THINKING
1050
00:43:32,977 --> 00:43:34,120
THAT I'M NOT SURE
1051
00:43:34,144 --> 00:43:38,091
THAT I CAN GET THE SHOW
READY IN THREE WEEKS.
1052
00:43:38,115 --> 00:43:39,882
YOU CAN DO IT.
1053
00:43:41,752 --> 00:43:45,766
THAT PARTY WAS SO CRAZY.
1054
00:43:45,790 --> 00:43:47,801
GOD, IT JUST MADE
ME WANT TO GO HOME
1055
00:43:47,825 --> 00:43:49,725
AND CURL UP IN BED WITH YOU.
68622
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