All language subtitles for L Word S01E09 Luck, Next Time.DVDRip.NonHI.cc.en.SHOW

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:36,497 --> 00:01:38,241 WHERE YOU GOING? 2 00:01:38,265 --> 00:01:40,277 UM, I WOULD LIKE TO GO TO THE BATHROOM, 3 00:01:40,301 --> 00:01:42,279 SO... 4 00:01:42,303 --> 00:01:44,347 ARE YOU COMING BACK? 5 00:01:44,371 --> 00:01:47,072 MM-HMM. YEAH. YEAH. 6 00:01:50,577 --> 00:01:52,610 HURRY BACK, LOVER. 7 00:01:55,415 --> 00:01:59,084 WHAT A LEZ. 8 00:02:01,154 --> 00:02:02,399 BABE, I THOUGHT 9 00:02:02,423 --> 00:02:03,466 YOU WERE SUPPOSED TO BE GONE. 10 00:02:03,490 --> 00:02:05,101 NO, I HAVE FIVE MINUTES. 11 00:02:05,125 --> 00:02:06,203 WELL, DO YOU MIND MOVING YOUR CAR? 12 00:02:06,227 --> 00:02:07,203 BECAUSE THE GUYS ARE HERE 13 00:02:07,227 --> 00:02:08,238 WITH THE TANK 14 00:02:08,262 --> 00:02:09,439 AND THEY CAN'T GET THROUGH. 15 00:02:09,463 --> 00:02:10,996 WHAT TANK? 16 00:02:16,903 --> 00:02:18,782 IT'S OKAY. SHE'S... 17 00:02:18,806 --> 00:02:20,766 SHE'S GOING TO MOVE IT IN A MINUTE. 18 00:02:23,310 --> 00:02:24,287 ARE YOU GOING TO MOVE IT OR WHAT? 19 00:02:24,311 --> 00:02:25,255 IS THAT ONE OF THOSE BIRTHING TANKS? 20 00:02:25,279 --> 00:02:26,990 YEAH. 21 00:02:27,014 --> 00:02:28,924 WELL, SINCE WHEN DID WE AGREE TO HAVE THE BABY IN WATER? 22 00:02:28,948 --> 00:02:30,948 SINCE I DECIDED TO GIVE BIRTH THAT WAY. 23 00:02:31,752 --> 00:02:33,062 I DIDN'T WANT TO BOTHER YOU WITH IT. 24 00:02:33,086 --> 00:02:34,430 IT'S SIX MONTHS AWAY. 25 00:02:34,454 --> 00:02:35,965 I DON'T UNDERSTAND WHY YOU'RE BUYING THIS NOW. 26 00:02:35,989 --> 00:02:37,333 BECAUSE I GOT A GOOD DEAL ON IT. 27 00:02:37,357 --> 00:02:39,001 IT WOULD HAVE BEEN MORE TO RENT IT. 28 00:02:39,025 --> 00:02:40,436 AND WHAT IS DR. WILSON SAYING ABOUT THIS? 29 00:02:40,460 --> 00:02:42,104 SHE THINKS IT'S GREAT. 30 00:02:42,128 --> 00:02:43,907 SO YOU TALKED TO HER ABOUT IT 31 00:02:43,931 --> 00:02:44,741 BUT NOT TO ME? 32 00:02:44,765 --> 00:02:47,765 BABY, PLEASE, MOVE YOUR CAR. 33 00:02:58,612 --> 00:03:00,278 YO, WHAT'S UP? 34 00:03:03,684 --> 00:03:04,761 HI, SLIM DADDY. 35 00:03:04,785 --> 00:03:06,062 HEY, HOW YOU DOING TODAY? 36 00:03:06,086 --> 00:03:07,130 PRETTY GOOD. 37 00:03:07,154 --> 00:03:08,631 YOU KNOW, I REALLY WANTED TO THANK YOU 38 00:03:08,655 --> 00:03:10,266 FOR GIVING ME A RIDE TO THE STUDIO. 39 00:03:10,290 --> 00:03:11,534 SHIT. 40 00:03:11,558 --> 00:03:13,469 WHY WOULDN'T I WANT TO RIDE 41 00:03:13,493 --> 00:03:14,738 WITH A BEAUTIFUL WOMAN LIKE YOU? 42 00:03:14,762 --> 00:03:15,805 UH, MS. PORTER, 43 00:03:15,829 --> 00:03:17,440 DO YOU WANT A SMOOTHIE? 44 00:03:17,464 --> 00:03:19,809 UH, YEAH. 45 00:03:19,833 --> 00:03:21,143 WHAT'S IN THEM? 46 00:03:21,167 --> 00:03:22,445 FRUIT. 47 00:03:22,469 --> 00:03:23,513 TELL HER WHAT KIND WE GOT. 48 00:03:23,537 --> 00:03:24,547 WE GOT STRAWBERRY, 49 00:03:24,571 --> 00:03:25,582 ORANGE, 50 00:03:25,606 --> 00:03:26,615 SOME BERRY TYPE THING 51 00:03:26,639 --> 00:03:27,617 AND, UH... 52 00:03:27,641 --> 00:03:28,985 PEANUT BUTTER. 53 00:03:29,009 --> 00:03:29,953 YOU KNOW, 54 00:03:29,977 --> 00:03:31,721 JUST IN CASE. 55 00:03:31,745 --> 00:03:33,445 I WILL TAKE THE STRAWBERRY. 56 00:03:47,193 --> 00:03:48,338 YOU LIKE THAT? 57 00:03:48,362 --> 00:03:49,906 YEAH, IT'S GOOD, 58 00:03:49,930 --> 00:03:53,899 BUT I THINK I'D LIKE IT BETTER IF I COULD DRINK IT MYSELF. 59 00:04:00,841 --> 00:04:02,841 YOU'RE DRINKING THE PEANUT BUTTER ONE. 60 00:04:14,454 --> 00:04:17,466 MR. PIDDLES? 61 00:04:17,490 --> 00:04:20,525 THERE'S SOMETHING IMPORTANT I HAVE TO TELL YOU. 62 00:04:25,932 --> 00:04:28,811 YOU REMEMBER LARA? 63 00:04:28,835 --> 00:04:31,347 YOU REMEMBER HOW... 64 00:04:31,371 --> 00:04:36,018 HOW SHE USED TO COME OVER ALL THE TIME AND... 65 00:04:36,042 --> 00:04:40,423 STAY OVER SOMETIMES AND... 66 00:04:40,447 --> 00:04:44,260 WE'D MOVE AROUND A LOT AND... 67 00:04:44,284 --> 00:04:46,363 TOGETHER. 68 00:04:46,387 --> 00:04:49,053 MR. PIDDLES, LARA'S GAY. 69 00:04:54,360 --> 00:04:57,907 SO AM I. 70 00:04:57,931 --> 00:05:00,398 YOU STILL LOVE ME? 71 00:05:03,436 --> 00:05:05,156 OH, YOU'RE THE BEST CAT IN THE WORLD, MR. P. 72 00:05:08,041 --> 00:05:09,518 SHH. 73 00:05:17,584 --> 00:05:18,961 WHAT ARE YOU DOING HERE? 74 00:05:18,985 --> 00:05:23,433 I HAVE COME TO GET YOU OUT OF BED. 75 00:05:23,457 --> 00:05:25,835 COME ON. LET'S GO. 76 00:05:25,859 --> 00:05:27,603 I'VE HAD ENOUGH OF THIS. 77 00:05:27,627 --> 00:05:29,072 COME ON. 78 00:05:29,096 --> 00:05:30,106 OH, SH... SORRY, 79 00:05:30,130 --> 00:05:32,942 MR. PIDDLES. 80 00:05:32,966 --> 00:05:34,010 OKAY, COME ON. 81 00:05:34,034 --> 00:05:35,544 I DON'T WANT TO GO. 82 00:05:35,568 --> 00:05:37,113 SOME OF US HAVE IT WORSE, DANA, YOU KNOW? 83 00:05:37,137 --> 00:05:38,948 SOME OF US ARE DATING LESBIAN MEN, OKAY? 84 00:05:38,972 --> 00:05:40,005 COME ON. 85 00:05:41,975 --> 00:05:45,087 LOOK AT HER FACE. 86 00:05:45,111 --> 00:05:49,658 SHE'S SEARCHING FOR A FEELING. 87 00:05:49,682 --> 00:05:53,096 IT'S LIKE SHE'S LONGING FOR FAITH. 88 00:05:53,120 --> 00:05:55,586 SHE'D DO ANYTHING TO GET IT. 89 00:05:57,757 --> 00:06:00,470 TO FEEL IT. 90 00:06:00,494 --> 00:06:03,573 I LOVE THIS WORK. 91 00:06:03,597 --> 00:06:07,131 IT IS REALLY COOL. 92 00:06:10,370 --> 00:06:12,715 CAN I HELP YOU? 93 00:06:12,739 --> 00:06:13,949 UH, BETTE PORTER. 94 00:06:13,973 --> 00:06:15,618 I'M BETTE PORTER. 95 00:06:15,642 --> 00:06:18,988 THESE ARE FOR YOU. 96 00:06:19,012 --> 00:06:20,690 THERE'S NO CARD. 97 00:06:20,714 --> 00:06:22,024 WHO ARE THESE FROM? 98 00:06:22,048 --> 00:06:23,626 UH... 99 00:06:23,650 --> 00:06:26,062 IT DOESN'T SAY. 100 00:06:26,086 --> 00:06:27,563 TINA? 101 00:06:27,587 --> 00:06:30,133 NO, TINA'S INTO PRACTICAL GIFT GIVING. 102 00:06:30,157 --> 00:06:31,400 IS THAT SUPPOSED TO BE ART? 103 00:06:31,424 --> 00:06:33,703 IT'S NOT SUPPOSED TO BE. 104 00:06:33,727 --> 00:06:36,205 THEN I GUESS HUSTLER AND PENTHOUSE 105 00:06:36,229 --> 00:06:37,407 HAVE BEEN PUTTING OUT 106 00:06:37,431 --> 00:06:38,563 SOME PRETTY GOOD ART, TOO. 107 00:06:41,235 --> 00:06:43,346 CAN YOU MAKE SURE HE LEAVES THE BUILDING? 108 00:06:43,370 --> 00:06:45,137 YEAH. 109 00:06:58,651 --> 00:07:00,318 WHAT IS GOING TO CHEER YOU UP? 110 00:07:18,405 --> 00:07:19,382 HELLO? 111 00:07:19,406 --> 00:07:20,416 OH, HELLO. YEAH. 112 00:07:20,440 --> 00:07:21,751 I WAS WONDERING 113 00:07:21,775 --> 00:07:23,920 IF YOUR REFRIGERATOR WAS RUNNING. 114 00:07:23,944 --> 00:07:26,555 OH, IT IS? OKAY. 115 00:07:26,579 --> 00:07:27,724 GO, GO. THEY SAID YEAH. 116 00:07:27,748 --> 00:07:30,793 COME ON, DO IT. 117 00:07:30,817 --> 00:07:32,737 WELL, THEN, YOU'D BETTER CATCH IT. 118 00:07:34,654 --> 00:07:35,654 MOM? 119 00:07:40,761 --> 00:07:41,804 YOU HAVE GOT TO TALK TO THIS WOMAN, 120 00:07:41,828 --> 00:07:42,806 AND I MEAN IT. 121 00:07:42,830 --> 00:07:44,140 WHY? 122 00:07:44,164 --> 00:07:46,044 BECAUSE YOU DON'T KNOW IF SHE'S COMING AROUND... 123 00:07:46,766 --> 00:07:47,877 OKAY, IT'S HER. LET'S GO. 124 00:07:47,901 --> 00:07:49,412 NO! 125 00:07:49,436 --> 00:07:51,080 HELLO? 126 00:07:51,104 --> 00:07:52,882 YES. OKAY. 127 00:07:52,906 --> 00:07:54,505 NO, IT WASN'T FUNNY. 128 00:07:56,143 --> 00:07:57,220 YEAH, SHE IS. 129 00:07:57,244 --> 00:07:59,922 SHE WANTS TO TALK. 130 00:07:59,946 --> 00:08:02,613 HELLO? 131 00:08:06,653 --> 00:08:08,230 YEAH. 132 00:08:08,254 --> 00:08:10,333 YEAH, I KNOW. 133 00:08:10,357 --> 00:08:11,400 BUT MOM, I'M NOT. 134 00:08:11,424 --> 00:08:13,124 I... 135 00:08:14,928 --> 00:08:16,905 OKAY. 136 00:08:16,929 --> 00:08:19,008 FINE. 137 00:08:19,032 --> 00:08:20,342 FINE. 138 00:08:20,366 --> 00:08:22,178 FINE. OKAY. 139 00:08:22,202 --> 00:08:24,847 BYE. 140 00:08:24,871 --> 00:08:26,115 WELL? 141 00:08:26,139 --> 00:08:27,917 IT'S LIKE I CAME OUT TO A PIECE OF WOOD. 142 00:08:27,941 --> 00:08:29,485 I MEAN, SHE DIDN'T EVEN MENTION IT. 143 00:08:29,509 --> 00:08:30,720 THAT'S GOOD. 144 00:08:30,744 --> 00:08:32,588 SHE'S ACCEPTING IT THROUGH DENIAL. 145 00:08:32,612 --> 00:08:34,223 SHE'S SETTING ME UP ON A BLIND DATE 146 00:08:34,247 --> 00:08:35,958 WITH HER FRIEND MILDRED'S SON. 147 00:08:35,982 --> 00:08:38,160 AT LEAST IT'S NOT SHOCK THERAPY. 148 00:08:38,184 --> 00:08:39,829 I MEAN... 149 00:08:39,853 --> 00:08:41,719 WHAT? 150 00:08:44,391 --> 00:08:46,435 UH, WHAT ARE YOU DOING? 151 00:08:46,459 --> 00:08:47,570 HELLO. 152 00:08:47,594 --> 00:08:48,738 I'M GETTING COFFEE. 153 00:08:48,762 --> 00:08:50,072 NO, YOU'RE NOT. 154 00:08:50,096 --> 00:08:51,574 CHERIE JAFFE IS YOUR 6:00 155 00:08:51,598 --> 00:08:54,643 AND SHE'S NOT GOING TO WAIT FOR YOU. 156 00:08:54,667 --> 00:08:56,200 BE NICE. 157 00:09:07,113 --> 00:09:08,124 HI. 158 00:09:08,148 --> 00:09:09,458 HI. 159 00:09:09,482 --> 00:09:11,627 UM, I'M LOOKING FOR A SHANE McCUTCHEON. 160 00:09:11,651 --> 00:09:13,429 I'M SHANE. 161 00:09:13,453 --> 00:09:17,866 OKAY, UM, THESE ARE MRS. JAFFE'S RECORDS... 162 00:09:17,890 --> 00:09:19,035 TREATMENTS HER HAIR HAS UNDERGONE 163 00:09:19,059 --> 00:09:20,436 IN THE LAST FIVE YEARS, 164 00:09:20,460 --> 00:09:23,039 A LIST OF PREFERRED PRODUCTS TO BE USED ON HER HAIR, 165 00:09:23,063 --> 00:09:25,708 AND ONES THAT YOU MUST UNDER NO CIRCUMSTANCE USE. 166 00:09:25,732 --> 00:09:28,611 IF YOU'VE READ AND UNDERSTAND ALL THE INFORMATION, 167 00:09:28,635 --> 00:09:30,346 YOU CAN JUST SIGN RIGHT HERE. 168 00:09:30,370 --> 00:09:31,669 THERE YOU GO. 169 00:09:33,740 --> 00:09:34,905 THANK YOU. 170 00:09:37,744 --> 00:09:38,721 OKAY. 171 00:09:38,745 --> 00:09:39,722 THAT'S SHANE. 172 00:09:39,746 --> 00:09:40,790 SORRY, WHAT? 173 00:09:40,814 --> 00:09:41,858 THAT'S SHANE. 174 00:09:41,882 --> 00:09:43,225 GREAT. 175 00:09:43,249 --> 00:09:44,760 HI. 176 00:09:44,784 --> 00:09:48,164 HELLO. 177 00:09:48,188 --> 00:09:50,733 AND FIVE, SIX, SEVEN, EIGHT. 178 00:09:50,757 --> 00:09:53,502 TURN, ONE, TWO, THREE, FOUR, 179 00:09:53,526 --> 00:09:55,404 AND FIVE, SIX, SEVEN, AND EIGHT. 180 00:09:55,428 --> 00:09:57,039 ONE, TWO, 181 00:09:57,063 --> 00:09:58,074 THREE, FOUR, 182 00:09:58,098 --> 00:10:00,343 AND HIT, WALK, FIVE, SIX, 183 00:10:00,367 --> 00:10:01,544 SEVEN, EIGHT. 184 00:10:01,568 --> 00:10:02,644 OKAY, LET'S TRY IT ONE MORE TIME. 185 00:10:02,668 --> 00:10:03,902 LET'S GET BACK IN FORMATION. 186 00:10:13,780 --> 00:10:16,158 YOU A FAN, 187 00:10:16,182 --> 00:10:18,027 OR ARE YOU JUST WATCHING? 188 00:10:18,051 --> 00:10:19,495 OH... 189 00:10:19,519 --> 00:10:22,231 I'M WAITING FOR MY SISTER, 190 00:10:22,255 --> 00:10:23,532 KIT PORTER. 191 00:10:23,556 --> 00:10:24,667 YOU KIT'S SISTER? 192 00:10:24,691 --> 00:10:26,536 HER HALF-SISTER. 193 00:10:26,560 --> 00:10:29,071 THE BEAUTIFUL HALF, I'M SUPPOSING. 194 00:10:29,095 --> 00:10:31,107 MORE LIKE THE GAY HALF. 195 00:10:31,131 --> 00:10:32,397 IS THAT SO? 196 00:10:34,634 --> 00:10:37,113 MM, THAT'S SEXY. 197 00:10:37,137 --> 00:10:38,402 VERY SEXY. 198 00:10:42,475 --> 00:10:44,820 HEY, MAN, WHAT'S THE MATTER WITH Y'ALL PEOPLE? 199 00:10:44,844 --> 00:10:46,155 WE TORTURING Y'ALL OR SOMETHING? 200 00:10:46,179 --> 00:10:48,090 'CAUSE I GOT A GANG OF PEOPLE OUTSIDE 201 00:10:48,114 --> 00:10:49,325 THAT'D LOVE TO BE IN THIS POSITION 202 00:10:49,349 --> 00:10:50,593 THAT Y'ALL ARE IN. 203 00:10:50,617 --> 00:10:52,795 I NEED TO FIX YOUR FACES UP IN HERE. 204 00:10:52,819 --> 00:10:54,130 THERE YOU GO, MY GIRL. 205 00:10:54,154 --> 00:10:55,531 YOU HAVING FUN YET, BABY? 206 00:10:55,555 --> 00:10:58,101 YEAH, IF THAT'S WHAT YOU WANT TO CALL IT. 207 00:10:58,125 --> 00:11:00,469 THESE PEOPLE 208 00:11:00,493 --> 00:11:01,571 ARE TRYING TO KILL ME. 209 00:11:01,595 --> 00:11:02,571 YOU KNOW I CAN'T DANCE 210 00:11:02,595 --> 00:11:03,740 UNLESS I DRINK. 211 00:11:03,764 --> 00:11:05,408 YEAH, THAT'S WHAT I LIKE TO SEE. 212 00:11:05,432 --> 00:11:06,442 JUST LIKE THAT. 213 00:11:06,466 --> 00:11:08,110 YOU KNOW, ME AND YOUR SISTER, 214 00:11:08,134 --> 00:11:09,578 WE HAD A LITTLE TALK. 215 00:11:09,602 --> 00:11:11,414 SHE'S A VERY INTERESTING LADY. 216 00:11:11,438 --> 00:11:12,381 DID SHE TELL YOU 217 00:11:12,405 --> 00:11:13,415 THAT SHE WAS INTO WOMEN? 218 00:11:13,439 --> 00:11:14,417 YEAH. 219 00:11:14,441 --> 00:11:15,417 THAT'S ONE OF THE THINGS 220 00:11:15,441 --> 00:11:16,419 WE HAVE IN COMMON. 221 00:11:16,443 --> 00:11:17,553 MATTER OF FACT, 222 00:11:17,577 --> 00:11:19,021 WHERE YOUR GIRLFRIENDS AT RIGHT NOW? 223 00:11:19,045 --> 00:11:20,223 WE DON'T USUALLY TRAVEL IN PACKS. 224 00:11:20,247 --> 00:11:21,424 IT'D BE NICE 225 00:11:21,448 --> 00:11:22,557 IF YOU HAD THEM COME BY HERE 226 00:11:22,581 --> 00:11:23,759 TOMORROW, YOU KNOW? 227 00:11:23,783 --> 00:11:25,461 BRING SOME EXCITEMENT TO THIS HERE VIDEO. 228 00:11:25,485 --> 00:11:26,996 WAIT A MINUTE, FOR ME OR YOU? 229 00:11:27,020 --> 00:11:28,140 SHIT, I FIGURE WE CAN SHARE. 230 00:11:34,127 --> 00:11:35,804 HE CERTAINLY LIVES UP TO HIS REPUTATION. 231 00:11:35,828 --> 00:11:37,273 WHICH ONE? 232 00:11:37,297 --> 00:11:38,307 HE'S SUCH A FLIRT. 233 00:11:38,331 --> 00:11:39,608 HE'S A PLAYER, 234 00:11:39,632 --> 00:11:40,776 AND I'M TELLING YOU, 235 00:11:40,800 --> 00:11:42,245 HE FLIRTS WITH EVERYBODY. 236 00:11:42,269 --> 00:11:44,280 BELIEVE ME, I DIDN'T THINK 237 00:11:44,304 --> 00:11:45,581 IT WAS BECAUSE I WAS SPECIAL OR ANYTHING. 238 00:11:45,605 --> 00:11:48,117 AW, YOU ARE SPECIAL. 239 00:11:48,141 --> 00:11:50,319 YOU'RE MY SISTER. 240 00:11:50,343 --> 00:11:51,520 AND ALSO, WILL YOU CALL GWYNNIE 241 00:11:51,544 --> 00:11:52,955 AND GET THREE TICKETS TO COLDPLAY 242 00:11:52,979 --> 00:11:54,556 FOR CLEA? 243 00:11:54,580 --> 00:11:56,158 BUT DON'T TELL HER, ALL RIGHT? 244 00:11:56,182 --> 00:11:57,527 I WANT TO SEE IF SHE KEEPS THIS JOB. 245 00:11:57,551 --> 00:12:00,295 I'M NOT ABOUT TO REWARD HER IF SHE QUITS. 246 00:12:00,319 --> 00:12:02,298 OKAY. 247 00:12:02,322 --> 00:12:04,734 I THINK THAT'S IT. 248 00:12:04,758 --> 00:12:09,838 WHY DON'T YOU GO TO NEIMAN'S AND PICK UP MY MANOLOS? 249 00:12:09,862 --> 00:12:10,973 I THINK LONNIE'S HOLDING THEM FOR ME. 250 00:12:10,997 --> 00:12:12,175 NEIMAN'S? 251 00:12:12,199 --> 00:12:13,342 YES, NEIMAN'S. 252 00:12:13,366 --> 00:12:14,443 OKAY. 253 00:12:14,467 --> 00:12:16,645 BYE. 254 00:12:16,669 --> 00:12:17,949 BYE. 255 00:12:21,241 --> 00:12:23,486 TELL ME WHAT YOU WANT. 256 00:12:23,510 --> 00:12:24,687 I WANT SO MANY THINGS, 257 00:12:24,711 --> 00:12:26,689 BUT IN TERMS OF WHAT YOU CAN DO FOR ME, 258 00:12:26,713 --> 00:12:29,392 I WANT A CHANGE. 259 00:12:29,416 --> 00:12:33,417 I WANT SOMETHING NEW. 260 00:12:35,122 --> 00:12:36,132 EXCELLENT. 261 00:12:36,156 --> 00:12:39,635 OKAY. 262 00:12:39,659 --> 00:12:42,638 YEAH. 263 00:12:42,662 --> 00:12:44,973 I KNOW WHAT TO DO. 264 00:12:44,997 --> 00:12:49,111 JUST TAKE THIS OFF. 265 00:12:49,135 --> 00:12:51,669 THERE'S SOME SMOCKS IN THE BACK. 266 00:12:59,645 --> 00:13:01,890 DO YOU LIKE IT? 267 00:13:01,914 --> 00:13:03,392 YES. 268 00:13:03,416 --> 00:13:05,127 IT'S PROSECCO. 269 00:13:05,151 --> 00:13:07,162 IN NORTHERN ITALY, THEY SERVE IT ON TAP. 270 00:13:07,186 --> 00:13:08,830 THANKS. 271 00:13:08,854 --> 00:13:11,701 IT'S LOVELY, ISN'T IT? 272 00:13:11,725 --> 00:13:13,436 MM-HMM. 273 00:13:13,460 --> 00:13:17,006 I LIKE TO START WITH SOMETHING BUBBLY, 274 00:13:17,030 --> 00:13:18,440 BUT I FIND CHAMPAGNE 275 00:13:18,464 --> 00:13:20,776 CAN BE TOO FULL OF EXPECTATION. 276 00:13:20,800 --> 00:13:23,360 I LIKE TO KEEP THINGS SIMPLE. 277 00:13:28,441 --> 00:13:30,486 SO HOW DID YOU MEET HARRY? 278 00:13:30,510 --> 00:13:33,021 THROUGH A FRIEND. 279 00:13:33,045 --> 00:13:34,590 I HAVE TO SAY, 280 00:13:34,614 --> 00:13:37,860 WHEN HE TOLD ME I SHOULD COME SEE YOU, 281 00:13:37,884 --> 00:13:39,896 I THOUGHT HE WAS FULL OF SHIT, 282 00:13:39,920 --> 00:13:42,230 AS USUAL, 283 00:13:42,254 --> 00:13:43,466 BUT THEN ELLIE ZIMMER 284 00:13:43,490 --> 00:13:44,633 WALKED INTO THE LACMA BENEFIT 285 00:13:44,657 --> 00:13:46,302 TWO WEEKS AGO 286 00:13:46,326 --> 00:13:48,437 AND I ALMOST DIDN'T RECOGNIZE HER. 287 00:13:48,461 --> 00:13:49,738 I MEAN, THAT WOMAN HAS NOT LOOKED GOOD 288 00:13:49,762 --> 00:13:51,206 IN 12 YEARS, 289 00:13:51,230 --> 00:13:53,575 BUT THERE SHE WAS, LOOKING STUNNING. 290 00:13:53,599 --> 00:13:55,900 YOU DID AN AMAZING JOB. 291 00:13:58,338 --> 00:14:00,071 THANK YOU. 292 00:14:05,879 --> 00:14:08,323 SO HOW DID YOU GET HARRY TO FALL IN LOVE WITH YOU? 293 00:14:08,347 --> 00:14:12,516 WELL, I DIDN'T SLEEP WITH HIM. 294 00:14:15,654 --> 00:14:16,666 THE GIFT OF THE MAGI 295 00:14:16,690 --> 00:14:18,133 IS ONE OF THE MOST PERFECT STORIES 296 00:14:18,157 --> 00:14:19,735 THAT'S EVER BEEN WRITTEN. 297 00:14:19,759 --> 00:14:21,370 TALK ABOUT ECONOMY OF LANGUAGE. 298 00:14:21,394 --> 00:14:22,371 IF IT'S A SUCCESS, 299 00:14:22,395 --> 00:14:23,405 IT'LL TRAVEL TO NEW YORK, 300 00:14:23,429 --> 00:14:24,473 THEN L.A., 301 00:14:24,497 --> 00:14:25,574 AND IT SHOULD, BECAUSE THERE ARE 302 00:14:25,598 --> 00:14:27,242 EXTRAORDINARY PEOPLE INVOLVED. 303 00:14:27,266 --> 00:14:29,634 ARE YOU REFERRING TO YOURSELF? 304 00:14:31,972 --> 00:14:33,516 AND A FEW OTHERS. 305 00:14:33,540 --> 00:14:35,821 SUCH AS THE PRIMA BALLERINA? 306 00:14:37,210 --> 00:14:38,542 SHE WAS PRETTY TERRIFIC. 307 00:14:42,515 --> 00:14:44,693 FRANCESCA WAS A BIG FAN 308 00:14:44,717 --> 00:14:47,429 OF THE PRIMA BALLERINA. 309 00:14:47,453 --> 00:14:48,464 I HAD SEX WITH HER, 310 00:14:48,488 --> 00:14:49,565 AND NOW MARINA'S 311 00:14:49,589 --> 00:14:50,966 PRETENDING TO BE JEALOUS. 312 00:14:50,990 --> 00:14:52,168 IT'S JUST THE WAY IT HAPPENED. 313 00:14:52,192 --> 00:14:53,903 THERE'S THIS WOMAN, 314 00:14:53,927 --> 00:14:56,005 SHE'S GETTING HER COSTUME FITTING, 315 00:14:56,029 --> 00:14:57,206 AND FRANCESCA 316 00:14:57,230 --> 00:14:59,241 PROCEEDED TO SEDUCE HER, 317 00:14:59,265 --> 00:15:02,878 WHICH I THINK IS A BIT UNETHICAL. 318 00:15:02,902 --> 00:15:05,181 YOU DO? 319 00:15:05,205 --> 00:15:07,682 DO YOU FIND THAT HARD TO BELIEVE? 320 00:15:07,706 --> 00:15:09,085 YEAH. 321 00:15:09,109 --> 00:15:10,386 "ETHICAL" ISN'T REALLY 322 00:15:10,410 --> 00:15:11,720 THE FIRST WORD THAT COMES TO MIND 323 00:15:11,744 --> 00:15:14,557 WHEN I THINK OF MARINA. 324 00:15:14,581 --> 00:15:16,925 YOU SOUND ANGRY. 325 00:15:16,949 --> 00:15:19,996 NO. 326 00:15:20,020 --> 00:15:22,330 WELL, SHE'S BEAUTIFUL, 327 00:15:22,354 --> 00:15:23,332 AND THAT COMPENSATES 328 00:15:23,356 --> 00:15:24,366 FOR A MULTITUDE OF SINS, 329 00:15:24,390 --> 00:15:27,002 DOESN'T IT? 330 00:15:27,026 --> 00:15:28,303 COME ON. 331 00:15:28,327 --> 00:15:30,372 IT'S A COMPLIMENT TO BE THE TOPIC OF CONVERSATION. 332 00:15:30,396 --> 00:15:33,508 ISN'T THAT RIGHT, JENNY? 333 00:15:33,532 --> 00:15:35,232 YES. 334 00:15:37,870 --> 00:15:39,581 HARRY? YOU ASSHOLE. 335 00:15:39,605 --> 00:15:40,716 I'M CALLING YOU TO SAY THANK YOU 336 00:15:40,740 --> 00:15:41,884 FOR BEGGING ME TO GO TO SHANE. 337 00:15:41,908 --> 00:15:43,018 SAY, "HELLO, HARRY." 338 00:15:43,042 --> 00:15:45,053 HELLO, HARRY. 339 00:15:45,077 --> 00:15:46,655 NO, IT'S AMAZING. 340 00:15:46,679 --> 00:15:47,957 SHE'S A GENIUS. 341 00:15:47,981 --> 00:15:49,959 YEAH, FIRST OF ALL, 342 00:15:49,983 --> 00:15:51,026 FOR GIVING ME A GREAT HAIR CUT, 343 00:15:51,050 --> 00:15:52,028 AND SECOND OF ALL 344 00:15:52,052 --> 00:15:53,429 FOR NOT SLEEPING WITH YOU, 345 00:15:53,453 --> 00:15:55,653 SO CALL ME WHEN YOU GET OUT OF YOUR K HOLE, OKAY? 346 00:15:58,725 --> 00:16:01,036 THANK YOU, MRS. JAFFE. 347 00:16:01,060 --> 00:16:02,037 GIVE THAT TO SHANE? 348 00:16:02,061 --> 00:16:03,039 SURE. 349 00:16:03,063 --> 00:16:04,039 I LOVE MY HAIR. 350 00:16:04,063 --> 00:16:05,343 GORGEOUS. 351 00:16:06,232 --> 00:16:08,377 AFTER YOU. 352 00:16:08,401 --> 00:16:10,801 SEE YOU AGAIN. 353 00:16:12,872 --> 00:16:13,849 SHANE... 354 00:16:13,873 --> 00:16:14,883 WHAT? 355 00:16:14,907 --> 00:16:17,419 MRS. JAFFE LEFT THIS FOR YOU. 356 00:16:17,443 --> 00:16:19,221 COOL. 357 00:16:19,245 --> 00:16:20,656 200 BUCKS. NICE WORK. 358 00:16:20,680 --> 00:16:22,847 DON'T FORGET TO SWEEP UP. 359 00:16:29,189 --> 00:16:30,988 DON'T DO THAT. 360 00:16:32,992 --> 00:16:34,470 I WANT YOU TO KNOW HOW DIFFICULT IT'S BEEN 361 00:16:34,494 --> 00:16:36,260 TO GET YOU OUT OF MY MIND. 362 00:16:44,904 --> 00:16:46,248 WHY ARE YOU SAYING THAT? 363 00:16:46,272 --> 00:16:47,649 BECAUSE YOU'RE ACTING 364 00:16:47,673 --> 00:16:50,018 LIKE YOU'RE THE ONLY ONE WITH FEELINGS. 365 00:16:50,042 --> 00:16:52,087 WELL, THAT'S BECAUSE YOU ACT SO COLD. 366 00:16:52,111 --> 00:16:53,155 IF YOU'RE SO ANGRY, 367 00:16:53,179 --> 00:16:54,757 WHY DID YOU ACCEPT THIS INVITATION? 368 00:16:54,781 --> 00:16:55,958 BECAUSE I WANTED TO KNOW 369 00:16:55,982 --> 00:16:57,026 WHY SOMEONE WOULD WORK SO HARD 370 00:16:57,050 --> 00:16:58,527 TO MAKE SOMEONE FALL IN LOVE WITH THEM, 371 00:16:58,551 --> 00:16:59,795 WHEN THEY REALLY DON'T GIVE A FUCK. 372 00:16:59,819 --> 00:17:01,329 "WORK SO HARD." GREAT. 373 00:17:01,353 --> 00:17:03,532 THAT'S A GREAT ASSESSMENT ON WHO I AM. 374 00:17:03,556 --> 00:17:04,799 WELL, YOU TELL ME WHO YOU ARE. 375 00:17:04,823 --> 00:17:06,968 YOU KEEP ASKING ME THAT. 376 00:17:06,992 --> 00:17:10,272 OBVIOUSLY, YOU'RE NOT PAYING ATTENTION. 377 00:17:10,296 --> 00:17:12,073 YOU KNOW, WHAT'S SO SAD 378 00:17:12,097 --> 00:17:14,576 IS THAT YOU DON'T KNOW HOW MUCH YOU MEAN TO ME. 379 00:17:14,600 --> 00:17:15,600 THAT'S... 380 00:17:23,809 --> 00:17:25,220 I THOUGHT IT WAS 381 00:17:25,244 --> 00:17:26,222 A LITTLE QUIET DOWN HERE. 382 00:17:26,246 --> 00:17:27,189 I'M SORRY. 383 00:17:27,213 --> 00:17:28,493 IT'S OKAY. 384 00:17:29,749 --> 00:17:30,749 IS IT? 385 00:17:35,822 --> 00:17:37,166 THE THING ABOUT MARINA 386 00:17:37,190 --> 00:17:39,134 IS WHEN SHE FOCUSES ON YOU, 387 00:17:39,158 --> 00:17:40,235 YOU FEEL LIKE YOU'RE THE ONLY ONE 388 00:17:40,259 --> 00:17:41,303 THAT EXISTS. 389 00:17:41,327 --> 00:17:44,006 IT'S HER GIFT. 390 00:17:44,030 --> 00:17:45,340 I DON'T BLAME YOU 391 00:17:45,364 --> 00:17:48,076 FOR FALLING IN LOVE WITH HER, 392 00:17:48,100 --> 00:17:50,312 BUT MAYBE YOU USE YOUR GIFT A LITTLE TOO FREELY. 393 00:17:50,336 --> 00:17:52,814 WHAT'S THIS? 394 00:17:52,838 --> 00:17:54,850 THAT'S THE WINE JENNY BROUGHT. 395 00:17:54,874 --> 00:17:57,374 I GUESS I'LL OPEN THIS, THEN. 396 00:18:00,546 --> 00:18:02,158 TELL ME ABOUT THE STORY YOU'VE BEEN WRITING. 397 00:18:02,182 --> 00:18:03,459 THE ONE ABOUT THE DEMONS. 398 00:18:03,483 --> 00:18:05,261 MARINA SAYS 399 00:18:05,285 --> 00:18:06,595 IT'S REALLY QUITE GOOD. 400 00:18:06,619 --> 00:18:09,498 IS IT FINISHED? 401 00:18:09,522 --> 00:18:12,356 SO THIS IS WHAT THE TWO OF YOU DO? 402 00:18:14,427 --> 00:18:16,672 YOU GO AND YOU MAKE THESE LITTLE CONQUESTS, 403 00:18:16,696 --> 00:18:20,275 AND THEN YOU GO HOME AND YOU COMPARE NOTES? 404 00:18:20,299 --> 00:18:22,877 YOU TRY TO MAKE EACH OTHER JEALOUS 405 00:18:22,901 --> 00:18:24,846 IN ORDER TO FIND THE OTHER DESIRABLE? 406 00:18:24,870 --> 00:18:27,449 I WOULDN'T BE SO SELF-RIGHTEOUS. 407 00:18:27,473 --> 00:18:30,340 YOU'RE NOT EXACTLY AN INNOCENT BYSTANDER. 408 00:18:47,760 --> 00:18:48,825 CLASSY. 409 00:18:55,969 --> 00:18:58,113 I'M SORRY THE EVENING TURNED OUT LIKE THIS, 410 00:18:58,137 --> 00:19:00,048 BUT THERE'S SOMETHING 411 00:19:00,072 --> 00:19:01,183 YOU HAVE TO UNDERSTAND. 412 00:19:01,207 --> 00:19:02,384 WHEN I GO AWAY, 413 00:19:02,408 --> 00:19:04,186 MARINA CAN DO WHATEVER SHE WANTS, 414 00:19:04,210 --> 00:19:05,887 AS CAN I, 415 00:19:05,911 --> 00:19:08,490 BUT WHEN I COME BACK, 416 00:19:08,514 --> 00:19:12,994 I WANT MY HOME THE WAY I'VE LEFT IT. 417 00:19:13,018 --> 00:19:15,987 I HOPE THAT ISN'T TOO MUCH TO ASK. 418 00:19:24,830 --> 00:19:26,997 THANK YOU. 419 00:20:07,506 --> 00:20:08,817 HI. 420 00:20:08,841 --> 00:20:11,787 HI. 421 00:20:11,811 --> 00:20:12,854 JEN. 422 00:20:12,878 --> 00:20:14,222 MM-HMM? 423 00:20:14,246 --> 00:20:18,749 FEEL LIKE WATCHING A REALLY BAD KUNG FU MOVIE? 424 00:20:23,122 --> 00:20:25,122 YEAH. 425 00:20:33,666 --> 00:20:35,344 IT'S PRETTY STUPID, 426 00:20:35,368 --> 00:20:37,212 BUT IT'S KIND OF WHAT I'M IN THE MOOD FOR. 427 00:20:37,236 --> 00:20:39,336 NO, STUPID IS GOOD. 428 00:21:10,003 --> 00:21:11,702 COME HERE. 429 00:21:33,092 --> 00:21:35,392 I LOVE YOU SO MUCH. 430 00:23:34,780 --> 00:23:36,124 ARE YOU MAD 431 00:23:36,148 --> 00:23:38,708 THAT I MADE A DECISION? 432 00:23:40,319 --> 00:23:42,630 NO. 433 00:23:42,654 --> 00:23:45,801 I JUST... 434 00:23:45,825 --> 00:23:48,625 I JUST FEEL A LITTLE LEFT OUT. 435 00:23:58,070 --> 00:24:01,316 I, UH... 436 00:24:01,340 --> 00:24:03,785 GET THIS FEELING FROM YOU 437 00:24:03,809 --> 00:24:06,988 THAT YOU'RE SO PROUD TO BE WITH ME, 438 00:24:07,012 --> 00:24:09,758 AND IT MAKES ME FEEL 439 00:24:09,782 --> 00:24:14,295 REALLY SAFE AND LOVED. 440 00:24:14,319 --> 00:24:16,720 IT'S GREAT... 441 00:24:22,027 --> 00:24:23,404 BUT LATELY, 442 00:24:23,428 --> 00:24:25,948 I HAVEN'T BEEN FEELING IT... 443 00:24:29,134 --> 00:24:33,081 SO I'VE JUST BEEN TRYING 444 00:24:33,105 --> 00:24:36,317 TO CONCENTRATE ON MYSELF 445 00:24:36,341 --> 00:24:37,853 AND, UH... 446 00:24:37,877 --> 00:24:39,488 I'VE BEEN TRYING 447 00:24:39,512 --> 00:24:41,845 NOT TO GET SCARED ABOUT IT. 448 00:24:50,923 --> 00:24:53,590 HI. MORNING. 449 00:24:56,596 --> 00:24:58,462 MORNING. 450 00:25:04,803 --> 00:25:07,043 I LOVE BEING HERE WITH YOU. 451 00:25:13,779 --> 00:25:17,580 CAN I TELL YOU SOMETHING? 452 00:25:20,219 --> 00:25:22,698 IT'S OVER BETWEEN MARINA AND ME. 453 00:25:22,722 --> 00:25:24,633 I WENT OVER 454 00:25:24,657 --> 00:25:26,001 TO HER AND HER GIRLFRIEND'S HOUSE 455 00:25:26,025 --> 00:25:28,436 LAST NIGHT. 456 00:25:28,460 --> 00:25:30,305 I HAVE NEVER MET ANYBODY LIKE THAT 457 00:25:30,329 --> 00:25:32,373 IN MY LIFE BEFORE. 458 00:25:32,397 --> 00:25:34,375 IT'S ALL ABOUT THEIR OWN EGOS 459 00:25:34,399 --> 00:25:35,744 AND THEY DON'T CARE WHO THEY HURT, 460 00:25:35,768 --> 00:25:37,712 AND THEY JUST DRAW YOU INTO THIS WEB 461 00:25:37,736 --> 00:25:41,116 FOR SOME KIND OF A SPORT. 462 00:25:41,140 --> 00:25:42,250 I'M NOT GOING TO SEE HER 463 00:25:42,274 --> 00:25:44,286 EVER AGAIN. 464 00:25:44,310 --> 00:25:48,045 I THREW A BOTTLE OF WINE AT THEIR HOUSE. 465 00:25:58,256 --> 00:25:59,768 WHAT ARE YOU DOING? 466 00:25:59,792 --> 00:26:00,835 I TOOK 467 00:26:00,859 --> 00:26:06,062 A GIANT FUCKING STEP BACKWARDS. 468 00:26:10,169 --> 00:26:11,713 I DON'T WANT 469 00:26:11,737 --> 00:26:13,682 TO BE BACK TOGETHER WITH YOU, JENNY. 470 00:26:13,706 --> 00:26:16,685 I MEAN, I DON'T KNOW WHO YOU ARE. 471 00:26:16,709 --> 00:26:19,053 YOU KNOW, YOU JUST... 472 00:26:19,077 --> 00:26:22,623 YOU START TALKING ABOUT MARINA AND HER GIRLFRIEND 473 00:26:22,647 --> 00:26:26,227 AND HOW PHONY AND MANIPULATIVE THEY ARE 474 00:26:26,251 --> 00:26:28,329 AND ALL I CAN THINK IS, THAT'S YOU. 475 00:26:28,353 --> 00:26:30,932 THAT'S WHO YOU'VE BECOME. 476 00:26:30,956 --> 00:26:32,834 IT'S LIKE YOU'VE DONE THIS THING 477 00:26:32,858 --> 00:26:35,304 AND YOU CAN'T WASH IT OFF. 478 00:26:35,328 --> 00:26:36,894 IT'S IN YOU... 479 00:26:42,001 --> 00:26:45,035 AND I DON'T WANT IT IN ME. 480 00:26:59,718 --> 00:27:02,831 FUCK YOU, TIM. 481 00:27:02,855 --> 00:27:06,657 I AM NOT APOLOGIZING ANYMORE. 482 00:27:21,073 --> 00:27:22,383 HEY, ARE YOU GOING TO ANSWER THAT? 483 00:27:22,407 --> 00:27:23,751 NO. 484 00:27:23,775 --> 00:27:24,786 IT'S LISA. 485 00:27:24,810 --> 00:27:26,054 HERE. LET ME SEE IT. 486 00:27:26,078 --> 00:27:27,222 GUYS, I NEED I.D.s. 487 00:27:27,246 --> 00:27:28,746 RIGHT. 488 00:27:30,215 --> 00:27:31,225 HELLO? 489 00:27:31,249 --> 00:27:33,595 NO, SHE STEPPED AWAY FROM THE PHONE 490 00:27:33,619 --> 00:27:35,018 FOR JUST A MINUTE. 491 00:27:36,855 --> 00:27:37,999 OKAY. WOW. 492 00:27:38,023 --> 00:27:39,501 ALL RIGHT. HOLD ON A SECOND. 493 00:27:39,525 --> 00:27:41,469 HERE. 494 00:27:41,493 --> 00:27:43,738 HE SAYS HE CAN HEAR YOU BREATHING. 495 00:27:43,762 --> 00:27:45,607 I.D.s? 496 00:27:45,631 --> 00:27:49,577 WE'RE HERE TO SEE KIT PORTER. 497 00:27:49,601 --> 00:27:50,578 I DON'T KNOW. 498 00:27:50,602 --> 00:27:51,612 LET ME ASK THE CAR. 499 00:27:51,636 --> 00:27:53,915 DO YOU GUYS FEEL LIKE SUBCONSCIOUSLY 500 00:27:53,939 --> 00:27:56,418 MAYBE WE POSSIBLY FORGOT TO INVITE LISA 501 00:27:56,442 --> 00:27:57,819 BECAUSE HE'S A LITTLE BIT DIFFERENT? 502 00:27:57,843 --> 00:27:58,587 YES. 503 00:27:58,611 --> 00:27:59,754 DANA... 504 00:27:59,778 --> 00:28:00,855 GIVE ME THE PHONE. 505 00:28:00,879 --> 00:28:02,390 HEY, LEES? 506 00:28:02,414 --> 00:28:04,826 HI. LOOK, IT COMPLETELY SLIPPED OUR MINDS. 507 00:28:04,850 --> 00:28:06,261 LOOK, YOU HAVE TO STOP BEING 508 00:28:06,285 --> 00:28:08,262 SUCH A LESBIAN MAN. 509 00:28:08,286 --> 00:28:09,931 NO, IT'S NOT CUTE, 510 00:28:09,955 --> 00:28:11,099 AND YOU ARE GOING TO CHASE THE GIRLS AWAY, 511 00:28:11,123 --> 00:28:12,700 I PROMISE. 512 00:28:12,724 --> 00:28:13,702 SORRY. 513 00:28:13,726 --> 00:28:14,903 I'M NOT SHOWING ANYTHING HERE. 514 00:28:14,927 --> 00:28:15,937 SHE SHOULD HAVE LEFT OUR NAMES AT THE GATE. 515 00:28:15,961 --> 00:28:17,105 YO. 516 00:28:17,129 --> 00:28:18,373 IS THERE A PROBLEM? 517 00:28:18,397 --> 00:28:20,275 I DON'T MEAN TO HOLD UP MR. DADDY, 518 00:28:20,299 --> 00:28:21,843 BUT I CAN'T LET THESE WOMEN ONTO THE LOT. 519 00:28:21,867 --> 00:28:23,311 SURE YOU CAN. THEY'RE WITH US. 520 00:28:23,335 --> 00:28:25,455 THESE ARE SLIM DADDY'S PEOPLE. 521 00:28:25,637 --> 00:28:26,615 ALL OF THEM? 522 00:28:26,639 --> 00:28:27,782 YEAH. 523 00:28:27,806 --> 00:28:30,040 THIS ONE'S HIS BUSINESS MANAGER, 524 00:28:31,210 --> 00:28:32,320 THAT ONE OVER THERE, THAT'S HIS ACCOUNTANT, 525 00:28:32,344 --> 00:28:33,187 THE LITTLE BLONDIE IN THE BACK, 526 00:28:33,211 --> 00:28:34,477 THAT'S HIS P.R. LADY... 527 00:28:35,748 --> 00:28:37,325 AND THIS ONE HERE, 528 00:28:37,349 --> 00:28:38,915 THIS ONE, SHE'S HIS WHITE LADY... 529 00:28:39,885 --> 00:28:41,451 AND, UH, THIS ONE OVER HERE... 530 00:28:42,688 --> 00:28:45,067 SHE'S A JUST FRIEND OF THEM, 531 00:28:45,091 --> 00:28:46,167 CAME ALONG FOR THE RIDE. 532 00:28:46,191 --> 00:28:47,535 SO WHAT DO YOU SAY, PARTNER? 533 00:28:47,559 --> 00:28:48,803 YOU COOL WITH THAT? 534 00:28:48,827 --> 00:28:51,839 YEAH, I'LL SET THEM UP WITH SOME PASSES. 535 00:28:51,863 --> 00:28:53,007 ALL RIGHT, MAN. THANKS. 536 00:28:53,031 --> 00:28:54,075 APPRECIATE IT. APPRECIATE IT. 537 00:28:54,099 --> 00:28:55,243 THANK YOU. 538 00:28:55,267 --> 00:28:58,480 YO, UM, SLIM DADDY 539 00:28:58,504 --> 00:28:59,748 WOULD LIKE TO DISCUSS 540 00:28:59,772 --> 00:29:00,848 SOME OF HIS BUSINESS PLANS WITH YOU, 541 00:29:00,872 --> 00:29:03,173 IF YOU GOT A MINUTE. 542 00:29:05,344 --> 00:29:08,523 WELL, SURELY HE WOULD WANT HIS ACCOUNTANT TO BE THERE, TOO. 543 00:29:08,547 --> 00:29:10,358 I DON'T KNOW ABOUT ALL OF THAT. 544 00:29:10,382 --> 00:29:13,128 WELL, AS HIS BUSINESS MANAGER, I WOULD HAVE TO INSIST. 545 00:29:13,152 --> 00:29:14,432 ALL RIGHT. 546 00:29:16,154 --> 00:29:17,132 YO, SLIM, 547 00:29:17,156 --> 00:29:18,133 I GOT A LITTLE SOMETHING 548 00:29:18,157 --> 00:29:19,437 HOOKED UP FOR YOU. 549 00:29:20,892 --> 00:29:21,836 HEY. 550 00:29:21,860 --> 00:29:22,860 HEY. 551 00:29:25,397 --> 00:29:26,374 HEY. 552 00:29:26,398 --> 00:29:28,064 'SUP? 553 00:29:32,938 --> 00:29:35,616 SO WHO IS THIS? 554 00:29:35,640 --> 00:29:36,718 THIS IS MY PARTNER, TINA. 555 00:29:36,742 --> 00:29:38,052 HELLO. 556 00:29:38,076 --> 00:29:39,054 WHAT'S UP, TINA? HOW YOU DOING? 557 00:29:39,078 --> 00:29:40,121 I'M GOOD. 558 00:29:40,145 --> 00:29:41,188 SO WHAT, Y'ALL GOT 559 00:29:41,212 --> 00:29:42,390 A LITTLE BUSINESS RELATIONSHIP 560 00:29:42,414 --> 00:29:43,457 OR SOMETHING? 561 00:29:43,481 --> 00:29:45,960 OH, WE'RE LIFE PARTNERS. 562 00:29:45,984 --> 00:29:49,030 WHAT? Y'ALL MARRIED? 563 00:29:49,054 --> 00:29:51,433 HMM, I SEE. 564 00:29:51,457 --> 00:29:53,067 SO YOU GOT YOURSELF A LITTLE COMMITMENT, 565 00:29:53,091 --> 00:29:54,769 HUH? 566 00:29:54,793 --> 00:29:57,138 AND WHAT ABOUT YOUR SISTER? 567 00:29:57,162 --> 00:29:58,539 YOU THINK SHE'D BE INTERESTED, 568 00:29:58,563 --> 00:30:00,408 OR IS SHE WITH A CHICK TOO? 569 00:30:00,432 --> 00:30:01,776 UH, NO, KIT IS NOT GAY. 570 00:30:01,800 --> 00:30:03,478 I THOUGHT YOU SAID SHE WAS. 571 00:30:03,502 --> 00:30:04,801 NO, I SAID I WAS. 572 00:30:07,039 --> 00:30:08,316 SHE'S GOING TO KILL ME 573 00:30:08,340 --> 00:30:12,008 WHEN SHE FIND OUT THE DIRECTION I TOOK ON THIS VIDEO. 574 00:30:26,792 --> 00:30:27,869 SHIT. 575 00:30:27,893 --> 00:30:29,137 I FEEL LIKE I DID THIS. 576 00:30:29,161 --> 00:30:31,306 NO, LOOK, SHE'S HAVING FUN. 577 00:30:31,330 --> 00:30:32,462 SHE'S BEING MOUNTED. 578 00:30:35,801 --> 00:30:36,811 LET'S CUT. 579 00:30:36,835 --> 00:30:38,846 CUT IT. 580 00:30:38,870 --> 00:30:39,881 EVERYONE BACK TO FIRST POSITIONS, 581 00:30:39,905 --> 00:30:40,882 PLEASE. 582 00:30:40,906 --> 00:30:41,916 PLAYBACK. 583 00:30:41,940 --> 00:30:43,073 ACTION. 584 00:30:53,852 --> 00:30:55,430 I WANT TO DO THAT DANCE. 585 00:30:55,454 --> 00:30:56,731 WAIT. 586 00:30:56,755 --> 00:30:59,767 YOU DO NOT WANT TO DO THAT DANCE. 587 00:30:59,791 --> 00:31:00,902 LOOK, THIS IS HARD, SHANE. 588 00:31:00,926 --> 00:31:02,470 DO YOU SEE THIS? 589 00:31:02,494 --> 00:31:03,905 IT'S BECAUSE IT REQUIRES A SENSE OF RHYTHM, ALICE, 590 00:31:03,929 --> 00:31:05,072 THAT YOU DON'T SEEM TO POSSESS. 591 00:31:05,096 --> 00:31:06,074 AT ALL. 592 00:31:06,098 --> 00:31:07,130 OH. 593 00:31:08,933 --> 00:31:10,011 YOU TWO MARRIED TOO? 594 00:31:10,035 --> 00:31:11,512 US? NO. 595 00:31:11,536 --> 00:31:14,448 WE'RE JUST FREE-WHEELING. 596 00:31:14,472 --> 00:31:15,884 WHO IS THIS? 597 00:31:15,908 --> 00:31:17,374 I'M SHANE. 598 00:31:19,011 --> 00:31:21,590 OH, I'M SORRY. 599 00:31:21,614 --> 00:31:24,113 HAVE A SEAT. 600 00:31:26,084 --> 00:31:27,195 IT'S LIKE SOME WEIRD CARNIVAL MIRROR 601 00:31:27,219 --> 00:31:28,263 OR SOMETHING. 602 00:31:28,287 --> 00:31:29,464 I KNOW. 603 00:31:29,488 --> 00:31:30,998 LET'S CUT. CUT IT. 604 00:31:31,022 --> 00:31:32,666 I CAN'T DO THIS. 605 00:31:32,690 --> 00:31:33,768 I CAN'T... 606 00:31:33,792 --> 00:31:35,837 I CAN'T DO THIS. 607 00:31:35,861 --> 00:31:37,038 YOU KNOW, 608 00:31:37,062 --> 00:31:38,806 I LOVE THE SONG, 609 00:31:38,830 --> 00:31:40,208 AND I REALLY WANT TO BE IN THE VIDEO, 610 00:31:40,232 --> 00:31:42,309 BUT I JUST CAN'T BE IN IT 611 00:31:42,333 --> 00:31:43,611 LIKE THIS, YOU KNOW? 612 00:31:43,635 --> 00:31:46,381 WHEN I STOPPED DRINKING, I PROMISED MYSELF 613 00:31:46,405 --> 00:31:49,150 I WOULD NEVER MAKE A FOOL OF MYSELF AGAIN. 614 00:31:49,174 --> 00:31:51,119 LOOK, IT'S MY BAD. 615 00:31:51,143 --> 00:31:52,420 I PUT THE LADIES IN THE VIDEO 616 00:31:52,444 --> 00:31:54,122 BECAUSE I THOUGHT THIS WAS WHAT YOU WANTED. 617 00:31:54,146 --> 00:31:56,427 I THOUGHT THIS WAS YOUR THING. 618 00:31:57,215 --> 00:31:58,559 YOU DID THAT FOR ME? 619 00:31:58,583 --> 00:32:00,462 THAT WAS SWEET. 620 00:32:00,486 --> 00:32:01,663 LOOK, IT'S NOT ABOUT THE GIRLS. 621 00:32:01,687 --> 00:32:02,930 IT REALLY ISN'T. 622 00:32:02,954 --> 00:32:04,832 IT'S JUST THAT, HEY, I AIN'T 20, 623 00:32:04,856 --> 00:32:06,934 AND I AIN'T NOBODY'S HOOCHIE, 624 00:32:06,958 --> 00:32:08,436 AND I JUST SAID TO MYSELF, 625 00:32:08,460 --> 00:32:09,604 "WHY AM I PUTTING MYSELF THROUGH ALL THIS?" 626 00:32:09,628 --> 00:32:10,705 YOU KNOW? 627 00:32:10,729 --> 00:32:11,839 IF THEY DON'T LIKE ME AND MY SONG, 628 00:32:11,863 --> 00:32:14,175 THIS IS NOT GOING TO CONVINCE THEM. 629 00:32:14,199 --> 00:32:16,077 UH, SORRY TO INTERRUPT. 630 00:32:16,101 --> 00:32:17,444 EXCUSE ME, BUT, UH... 631 00:32:17,468 --> 00:32:19,080 I HAVE TO KEEP SHOOTING. 632 00:32:19,104 --> 00:32:20,548 ARE YOU IN OR NOT? 633 00:32:20,572 --> 00:32:22,016 EXCUSE ME, KID. 634 00:32:22,040 --> 00:32:23,150 IF IT WASN'T FOR KIT PORTER, 635 00:32:23,174 --> 00:32:24,252 WOULDN'T NONE OF US BE HERE. 636 00:32:24,276 --> 00:32:25,353 WOULDN'T BE NO SONG, 637 00:32:25,377 --> 00:32:26,987 WOULDN'T BE NO VIDEO FOR YOU TO SHOOT. 638 00:32:27,011 --> 00:32:28,622 SO WHAT YOU MEANT TO SAY WAS, 639 00:32:28,646 --> 00:32:30,191 YOU'RE GOING TO SIT YOUR ASS OVER THERE 640 00:32:30,215 --> 00:32:31,426 AND FIGURE OUT HOW TO GET THIS RIGHT, 641 00:32:31,450 --> 00:32:33,149 RIGHT? 642 00:32:49,133 --> 00:32:50,111 HI. 643 00:32:50,135 --> 00:32:51,415 THERE'S SOMEONE HERE TO SEE YOU. 644 00:32:53,271 --> 00:32:54,315 HI. 645 00:32:54,339 --> 00:32:55,316 HELLO. 646 00:32:55,340 --> 00:32:56,784 UM, CHERIE'S HOSTING A BENEFIT 647 00:32:56,808 --> 00:32:57,819 THIS EVENING 648 00:32:57,843 --> 00:32:58,953 FOR THE WOMEN'S CANCER PROJECT 649 00:32:58,977 --> 00:33:00,254 AND SHE'D LIKE YOU TO DO HER HAIR. 650 00:33:00,278 --> 00:33:01,556 TONIGHT? 651 00:33:01,580 --> 00:33:02,623 YEAH, TONIGHT AT 5:00. 652 00:33:02,647 --> 00:33:04,347 CAN I LET HER KNOW THAT YOU'LL BE THERE? 653 00:33:06,952 --> 00:33:08,396 YEAH. 654 00:33:08,420 --> 00:33:09,563 EXCELLENT CHOICE. 655 00:33:09,587 --> 00:33:11,032 HERE'S THE DIRECTIONS. 656 00:33:11,056 --> 00:33:12,901 THANKS. 657 00:33:12,925 --> 00:33:14,602 PLEASE BE ON TIME. 658 00:33:14,626 --> 00:33:17,260 MRS. JAFFE GETS GRUMPY WHEN SHE'S MADE TO WAIT. 659 00:33:20,966 --> 00:33:22,365 OH, MAN. 660 00:33:46,325 --> 00:33:48,636 BETTE. 661 00:33:48,660 --> 00:33:50,504 COFFEE... 662 00:33:50,528 --> 00:33:52,974 SO, AS FAR AS I'VE FIGURED OUT, 663 00:33:52,998 --> 00:33:54,575 THE PEOPLE RESPONSIBLE 664 00:33:54,599 --> 00:33:58,279 ARE THE COALITION FOR CONCERNED CITIZENS. 665 00:33:58,303 --> 00:33:59,713 THEY'VE KIND OF ALL BUT STOOD UP 666 00:33:59,737 --> 00:34:01,816 AND SAID THAT THEY DID IT. 667 00:34:01,840 --> 00:34:04,352 THEY'VE BEEN TRACKING THE SHOW 668 00:34:04,376 --> 00:34:06,054 SINCE NEW YORK, 669 00:34:06,078 --> 00:34:07,321 BUT THEY'RE ALL READY 670 00:34:07,345 --> 00:34:08,822 TO GET SERIOUS HERE IN L.A. 671 00:34:08,846 --> 00:34:11,893 BECAUSE, AS THEY SEE IT, 672 00:34:11,917 --> 00:34:13,661 L.A. IS THE CAPITAL 673 00:34:13,685 --> 00:34:15,563 OF FILTH AND DEGRADATION. 674 00:34:15,587 --> 00:34:17,465 THEY SENT THESE? 675 00:34:17,489 --> 00:34:18,399 UH, YEAH. 676 00:34:18,423 --> 00:34:20,167 WHEN DID THEY ARRIVE? 677 00:34:20,191 --> 00:34:21,236 A COUPLE OF DAYS AGO. 678 00:34:21,260 --> 00:34:22,420 I THOUGHT IT WAS JUNK MAIL. 679 00:34:24,796 --> 00:34:26,040 OKAY. I JUST... 680 00:34:26,064 --> 00:34:27,975 I WANT YOU TO GET ME AS MUCH INFORMATION AS YOU CAN. 681 00:34:27,999 --> 00:34:30,077 JUST FIND OUT WHO RUNS THE THING AND WHO FUNDS THEM. 682 00:34:30,101 --> 00:34:31,212 I NEED TO KNOW WHAT WE'RE UP AGAINST. 683 00:34:31,236 --> 00:34:32,246 RIGHT. 684 00:34:32,270 --> 00:34:33,280 OKAY? 685 00:34:33,304 --> 00:34:35,572 RUNS AND FUNDS. YEAH. 686 00:34:43,949 --> 00:34:44,959 HELLO, MISS. 687 00:34:44,983 --> 00:34:45,993 HI. 688 00:34:46,017 --> 00:34:48,129 I PARKED THERE. IS THAT OKAY? 689 00:34:48,153 --> 00:34:49,433 YES. 690 00:34:51,123 --> 00:34:52,633 THE MISSUS, 691 00:34:52,657 --> 00:34:54,435 SHE WAIT FOR YOU UPSTAIRS. 692 00:34:54,459 --> 00:34:56,593 OH. 693 00:34:59,764 --> 00:35:01,798 OKAY. 694 00:35:09,741 --> 00:35:10,651 HELLO. 695 00:35:10,675 --> 00:35:12,475 HI. 696 00:35:28,427 --> 00:35:30,071 OKAY, SO, SHOULD I, UM... 697 00:35:30,095 --> 00:35:31,739 SHOULD I DO WHAT I DID LAST TIME? 698 00:35:31,763 --> 00:35:35,977 I WAS HOPING FOR A LITTLE MORE. 699 00:35:36,001 --> 00:35:40,247 OH. WELL, WHAT KIND OF MORE? 700 00:35:40,271 --> 00:35:41,883 LOTS MORE. 701 00:35:41,907 --> 00:35:43,206 OH. 702 00:35:45,576 --> 00:35:47,577 OH, I SEE. 703 00:35:59,691 --> 00:36:01,135 IT'S GOOD FOR YOU. 704 00:36:01,159 --> 00:36:03,037 YOU'RE CONSTANTLY COMPLAINING 705 00:36:03,061 --> 00:36:04,304 ABOUT FEELING SLUGGISH. 706 00:36:04,328 --> 00:36:07,308 NOT CONSTANTLY. 707 00:36:07,332 --> 00:36:08,810 PRETTY CLOSE, 708 00:36:08,834 --> 00:36:10,645 AND LATELY I FEEL 709 00:36:10,669 --> 00:36:13,081 LIKE YOU BRING THAT FATIGUE INTO THE BEDROOM. 710 00:36:13,105 --> 00:36:15,250 I MEAN, I MAKE LOVE TO YOU, 711 00:36:15,274 --> 00:36:16,417 AND THEN, WHEN IT'S MY TURN, 712 00:36:16,441 --> 00:36:17,451 YOU'RE TOO TIRED, 713 00:36:17,475 --> 00:36:19,253 AND I DON'T WANT TO MAKE YOU, 714 00:36:19,277 --> 00:36:20,722 BUT I END UP NOT HAVING AN ORGASM, 715 00:36:20,746 --> 00:36:22,523 AND IT'S FRUSTRATING. 716 00:36:22,547 --> 00:36:23,658 SO YOU'RE PUMPING ME FULL OF SPIRULINA 717 00:36:23,682 --> 00:36:24,725 SO YOU CAN COME? 718 00:36:24,749 --> 00:36:25,660 NO. GOD. 719 00:36:25,684 --> 00:36:26,727 I'M JUST SAYING 720 00:36:26,751 --> 00:36:28,129 THAT YOU DON'T EAT THAT WELL, 721 00:36:28,153 --> 00:36:29,029 AND IF YOU WOULD JUST CUT OUT THE MEAT, 722 00:36:29,053 --> 00:36:30,731 IT MIGHT HELP. 723 00:36:35,860 --> 00:36:37,504 ALL RIGHT. 724 00:36:37,528 --> 00:36:38,639 I'LL BE BACK IN A MINUTE. 725 00:36:38,663 --> 00:36:40,942 HI. I'M DANA FAIRBANKS. 726 00:36:40,966 --> 00:36:42,076 ANDREW. 727 00:36:42,100 --> 00:36:43,077 GOOD. SIT DOWN. 728 00:36:43,101 --> 00:36:44,111 ANDREW. THANKS. 729 00:36:44,135 --> 00:36:45,412 SO... 730 00:36:45,436 --> 00:36:46,814 SO... 731 00:36:46,838 --> 00:36:48,916 I, UH... 732 00:36:48,940 --> 00:36:50,184 I TALKED TO YOUR MOM ON THE PHONE. 733 00:36:50,208 --> 00:36:51,285 OH, YEAH. 734 00:36:51,309 --> 00:36:53,488 SHE, UH... 735 00:36:53,512 --> 00:36:55,022 SHE SAID YOU'RE A TENNIS PLAYER. 736 00:36:55,046 --> 00:36:58,158 OH, YEAH, YEAH. 737 00:36:58,182 --> 00:36:59,961 IT'S FUN, YOU KNOW. 738 00:36:59,985 --> 00:37:00,995 IT'S FUN. 739 00:37:01,019 --> 00:37:02,029 IT'S HARD WORK, THOUGH. 740 00:37:02,053 --> 00:37:03,297 WELL, IT SHOWS. 741 00:37:03,321 --> 00:37:05,241 YOU HAVE A REALLY BEAUTIFUL BODY. 742 00:37:05,657 --> 00:37:09,003 YEAH, OKAY. 743 00:37:09,027 --> 00:37:10,904 YOU KNOW, I DON'T UNDERSTAND 744 00:37:10,928 --> 00:37:12,373 WHY YOU NEED TO BE SET UP. 745 00:37:12,397 --> 00:37:13,975 WHEN YOUR MOTHER SHOWED ME YOUR PICTURE, 746 00:37:13,999 --> 00:37:15,109 I WAS, LIKE... 747 00:37:15,133 --> 00:37:16,543 WAS IT A SUBARU AD, BY ANY CHANCE? 748 00:37:16,567 --> 00:37:18,012 OH, YOU DID A SUBARU AD? 749 00:37:18,036 --> 00:37:19,013 YEAH. 750 00:37:19,037 --> 00:37:20,714 THE SLOGAN WAS, "GET OUT AND STAY OUT." 751 00:37:20,738 --> 00:37:22,483 IS THAT, LIKE, AN OUTDOORSY KIND OF... 752 00:37:22,507 --> 00:37:24,017 GAY THING? 753 00:37:24,041 --> 00:37:25,575 YEAH, LOOK, UM... 754 00:37:28,112 --> 00:37:29,157 THAT'S ME, OKAY? 755 00:37:29,181 --> 00:37:32,081 I'M A LESBIAN. 756 00:37:33,584 --> 00:37:34,562 DON'T LOOK AT ME LIKE THAT, OKAY? 757 00:37:34,586 --> 00:37:35,829 I DON'T WANT TO HAVE SEX 758 00:37:35,853 --> 00:37:37,064 WITH YOU AND ANOTHER WOMAN, OKAY? 759 00:37:37,088 --> 00:37:38,967 I'D JUST WANT TO HAVE SEX WITH THE WOMAN. 760 00:37:38,991 --> 00:37:39,991 I'M THAT GAY. 761 00:37:42,127 --> 00:37:43,137 I'M SORRY 762 00:37:43,161 --> 00:37:44,439 YOU HAD TO COME ALL THE WAY OUT HERE 763 00:37:44,463 --> 00:37:46,907 AND DO THIS. 764 00:37:46,931 --> 00:37:49,610 IT'S OKAY. 765 00:37:49,634 --> 00:37:53,947 GREAT. THAT'S GREAT. 766 00:37:53,971 --> 00:37:56,417 WELL, GOSH, ALL RIGHT, THEN. 767 00:37:56,441 --> 00:37:58,352 WELL, IT WAS GREAT MEETING YOU. 768 00:37:58,376 --> 00:37:59,620 IT WAS GOOD TO MEET YOU. 769 00:37:59,644 --> 00:38:02,189 TAKE CARE. 770 00:38:02,213 --> 00:38:04,024 WAY TO GO. 771 00:38:04,048 --> 00:38:04,993 SCORE. 772 00:38:05,017 --> 00:38:06,561 HI. 773 00:38:06,585 --> 00:38:10,031 ALICE. NICE TO MEET YOU. 774 00:38:10,055 --> 00:38:11,365 ANDREW. 775 00:38:11,389 --> 00:38:13,367 YOU HANDLED THAT REALLY WELL. 776 00:38:13,391 --> 00:38:14,401 HEY. 777 00:38:14,425 --> 00:38:15,703 HOW DID IT GO? 778 00:38:15,727 --> 00:38:17,438 I FEEL GREAT. 779 00:38:17,462 --> 00:38:18,639 WELL, IT ALL HAPPENED SO FAST. 780 00:38:18,663 --> 00:38:20,140 I COULDN'T THINK OF ANYTHING ELSE. 781 00:38:20,164 --> 00:38:22,777 SO, ANDREW... 782 00:38:22,801 --> 00:38:24,278 YOU'RE STRAIGHT, OR... 783 00:38:24,302 --> 00:38:26,547 UH, YES. 784 00:38:26,571 --> 00:38:27,948 COMPLETELY? 785 00:38:27,972 --> 00:38:29,383 NO SHADES OF GRAY OR ANYTHING? 786 00:38:29,407 --> 00:38:31,385 NONE. 787 00:38:31,409 --> 00:38:33,854 WOW. FASCINATING. 788 00:38:33,878 --> 00:38:37,725 SO YOU HAVE NO SEXUAL AMBIGUITY? 789 00:38:37,749 --> 00:38:40,995 NO VARIATION ON YOUR ORIENTATION, OR... 790 00:38:41,019 --> 00:38:42,997 IS SHE FLIRTING WITH HIM? 791 00:38:43,021 --> 00:38:45,600 YOU'RE NOT HIDING A VAGINA IN THERE? 792 00:38:45,624 --> 00:38:48,302 ONE TESTICLE? 793 00:38:48,326 --> 00:38:50,025 YEAH. 794 00:38:51,896 --> 00:38:53,107 I JUST TOLD MY FIRST STRAIGHT GUY 795 00:38:53,131 --> 00:38:54,241 THAT I WAS GAY 796 00:38:54,265 --> 00:38:55,409 AND NOT EVEN TO BOTHER TRYING. 797 00:38:55,433 --> 00:38:56,811 GOOD FOR YOU. 798 00:38:56,835 --> 00:38:58,201 CONGRATULATIONS. 799 00:39:03,007 --> 00:39:04,985 YOU ARE FUCKING AMAZING. 800 00:39:05,009 --> 00:39:06,553 I CAN'T WAIT TO TELL HARRY. 801 00:39:06,577 --> 00:39:08,055 HE'S GOING TO BE SO JEALOUS. 802 00:39:09,881 --> 00:39:12,526 OH, MY GOD. IT'S STEVE. 803 00:39:12,550 --> 00:39:13,694 OH, FUCK. 804 00:39:13,718 --> 00:39:14,829 HERE, TAKE IT. 805 00:39:14,853 --> 00:39:15,996 SHIT. 806 00:39:16,020 --> 00:39:17,131 FUCK. 807 00:39:17,155 --> 00:39:18,132 YOU HAVE EVERYTHING? 808 00:39:18,156 --> 00:39:19,133 YEAH. 809 00:39:19,157 --> 00:39:20,134 YOU'RE GOOD? 810 00:39:20,158 --> 00:39:21,368 GOT IT. 811 00:39:23,962 --> 00:39:24,839 HELLO? 812 00:39:24,863 --> 00:39:26,407 HONEY, 813 00:39:26,431 --> 00:39:28,676 YOU'RE ALWAYS INTERRUPTING ME WHEN I'M NOT READY YET. 814 00:39:28,700 --> 00:39:30,044 I THOUGHT YOU'D BE DRESSED BY NOW. 815 00:39:30,068 --> 00:39:31,278 I'M JUST GETTING MY HAIR DONE. 816 00:39:31,302 --> 00:39:33,013 OH. 817 00:39:33,037 --> 00:39:35,115 LOOKS GOOD. 818 00:39:35,139 --> 00:39:38,218 IT'S THE JUST-FUCKED LOOK. 819 00:39:38,242 --> 00:39:40,242 YEAH, WELL, IT WORKS FOR ME. 820 00:39:42,079 --> 00:39:43,157 HI. 821 00:39:43,181 --> 00:39:45,126 AH, YOU MUST BE SHANE. 822 00:39:45,150 --> 00:39:47,027 MY HANDS ARE WET. 823 00:39:47,051 --> 00:39:48,863 THAT'S OKAY. 824 00:39:48,887 --> 00:39:52,133 YEAH, YOU LOOK GREAT. 825 00:39:52,157 --> 00:39:53,200 IT'S GOOD TO BE ABLE 826 00:39:53,224 --> 00:39:55,135 TO PUT A FACE TO THE NAME. 827 00:39:55,159 --> 00:39:57,772 HARRY WON'T STOP TALKING ABOUT YOU. 828 00:39:57,796 --> 00:39:59,473 SHE'S THE BEST. 829 00:39:59,497 --> 00:40:01,575 YEAH, OKAY. 830 00:40:01,599 --> 00:40:03,977 LET ME SEE... EXCELLENT. 831 00:40:04,001 --> 00:40:05,112 YOU LOOK LOVELY. 832 00:40:05,136 --> 00:40:06,313 IT WAS NICE TO MEET YOU. 833 00:40:06,337 --> 00:40:07,848 SAME HERE. 834 00:40:07,872 --> 00:40:09,283 SO, UM... 835 00:40:09,307 --> 00:40:11,018 IF I NEED A TOUCH-UP, I'LL CALL YOU. 836 00:40:11,042 --> 00:40:12,842 YEAH. YEAH. 837 00:40:28,259 --> 00:40:29,470 YO, HEY, HEY, WHOA, WHOA. 838 00:40:29,494 --> 00:40:32,840 HOLD ON A SECOND THERE. 839 00:40:32,864 --> 00:40:34,775 CHERIE SAID SHE FORGOT TO PAY YOU. 840 00:40:34,799 --> 00:40:36,243 NO, NO, NO. 841 00:40:36,267 --> 00:40:37,444 WHAT ARE YOU TALKING ABOUT? 842 00:40:37,468 --> 00:40:38,679 IT'S YOUR MONEY. YOU EARNED IT. 843 00:40:38,703 --> 00:40:39,880 YOU HAVE A REAL TALENT. 844 00:40:39,904 --> 00:40:40,948 YOU MADE MY WIFE LOOK HOT. 845 00:40:40,972 --> 00:40:42,016 SERIOUS. 846 00:40:42,040 --> 00:40:43,317 I SAW HER, 847 00:40:43,341 --> 00:40:44,352 I THOUGHT I WAS GOING TO BANG HER 848 00:40:44,376 --> 00:40:45,586 RIGHT THERE. 849 00:40:45,610 --> 00:40:46,854 YOU KNOW HOW MANY MARRIED MEN 850 00:40:46,878 --> 00:40:49,657 THINK THAT ABOUT THEIR OWN WIVES? 851 00:40:49,681 --> 00:40:51,525 NONE. 852 00:40:51,549 --> 00:40:55,162 YOU COULD BE A GOLD MINE, YOU KNOW THAT? 853 00:40:55,186 --> 00:40:57,231 THANK YOU. 854 00:40:57,255 --> 00:40:59,088 I'VE GOT MY EYE ON YOU. 855 00:41:12,571 --> 00:41:14,048 OH, GOOD. YOU GOT THEM. 856 00:41:14,072 --> 00:41:15,149 I HAD TO GO 857 00:41:15,173 --> 00:41:16,150 TO THREE DIFFERENT BOOK STORES. 858 00:41:16,174 --> 00:41:20,988 MONKEYS GO ON STRIKE. 859 00:41:21,012 --> 00:41:22,289 MONKEYS GO ON STRIKE IS MY FAVORITE, 860 00:41:22,313 --> 00:41:24,291 SECOND ONLY 861 00:41:24,315 --> 00:41:25,926 TO AARDVARK MAKES PASTA. 862 00:41:25,950 --> 00:41:27,228 THAT'S GREAT. 863 00:41:27,252 --> 00:41:29,196 MY DAD USED TO READ THESE TO ME WHEN I WAS LITTLE. 864 00:41:29,220 --> 00:41:30,464 ARE YOU GOING TO BE ONE OF THOSE MOMS 865 00:41:30,488 --> 00:41:31,665 WHO'S ALWAYS READING 866 00:41:31,689 --> 00:41:33,867 TO TINA'S STOMACH? 867 00:41:33,891 --> 00:41:35,491 IT'S READING TO THE BABY, JAMES. 868 00:41:36,927 --> 00:41:38,139 SHIT, I'M LATE 869 00:41:38,163 --> 00:41:39,406 FOR A DOCTOR'S APPOINTMENT WITH TINA. 870 00:41:39,430 --> 00:41:41,709 CAN YOU FINISH GATHERING THE INFORMATION 871 00:41:41,733 --> 00:41:45,045 AND JUST HAVE IT READY FOR ME IN THE MORNING? 872 00:41:45,069 --> 00:41:46,113 GOT EVERYTHING YOU NEED? 873 00:41:46,137 --> 00:41:47,047 YEAH. 874 00:41:47,071 --> 00:41:48,682 GOOD LUCK. 875 00:41:48,706 --> 00:41:50,946 10 BUCKS SAYS TINA LAUGHS AT MONKEYS GO ON STRIKE. 876 00:41:52,510 --> 00:41:54,755 BYE. SEE YOU TOMORROW. 877 00:41:54,779 --> 00:41:57,324 HELLO. EXCUSE ME. 878 00:41:57,348 --> 00:41:58,459 DO YOU WORK HERE AT THE MUSEUM? 879 00:41:58,483 --> 00:41:59,660 YES, I DO. 880 00:41:59,684 --> 00:42:00,895 GREAT. CAN YOU TELL ME 881 00:42:00,919 --> 00:42:02,396 IF ISABELLA PERNAO'S WORK 882 00:42:02,420 --> 00:42:03,530 HAS ARRIVED YET? 883 00:42:03,554 --> 00:42:04,965 WELL, I'M NOT AT LIBERTY TO SAY 884 00:42:04,989 --> 00:42:06,066 WHETHER MS. PERNAO'S WORK HAS ARRIVED. 885 00:42:06,090 --> 00:42:07,367 BUT YOU'RE EXPECTING IT. 886 00:42:07,391 --> 00:42:09,892 THE WORK BLASPHEMING JESUS CHRIST. 887 00:42:11,596 --> 00:42:12,806 THE PIECE REFERENCES A JESUS FIGURE 888 00:42:12,830 --> 00:42:13,908 IN A SYMBOLIC WAY, 889 00:42:13,932 --> 00:42:15,075 NOT A LITERAL ONE. 890 00:42:15,099 --> 00:42:18,645 HOW IS MS. PERNAO'S WORK RELEVANT TO ANYONE, 891 00:42:18,669 --> 00:42:22,283 EXCEPT TO DEGRADE AND OFFEND ANYONE OF THE CHRISTIAN FAITH? 892 00:42:22,307 --> 00:42:23,784 WELL, IT'S RELEVANT, 893 00:42:23,808 --> 00:42:25,086 BECAUSE WE HAVE TO HAVE OTHER PERSPECTIVES. 894 00:42:25,110 --> 00:42:26,420 NOT EVERYONE IS OF THE CHRISTIAN FAITH. 895 00:42:26,444 --> 00:42:28,522 NOT EVERYONE BELIEVES IN HEAVEN OR HELL. 896 00:42:28,546 --> 00:42:29,890 ART REFLECTS THAT. 897 00:42:29,914 --> 00:42:32,126 IT'S A MIRROR OF THE WORLD WE LIVE IN. 898 00:42:32,150 --> 00:42:33,594 SO ACCORDING TO THE C.A.C., 899 00:42:33,618 --> 00:42:35,496 THE WORLD THAT WE LIVE IN IS A GODLESS ONE? 900 00:42:35,520 --> 00:42:36,630 NO, THAT'S NOT WHAT I SAID. 901 00:42:36,654 --> 00:42:38,398 MS. PORTER, 902 00:42:38,422 --> 00:42:40,701 DO YOU HAVE CHILDREN? 903 00:42:40,725 --> 00:42:43,170 IT'S A SIMPLE QUESTION. 904 00:42:43,194 --> 00:42:46,696 MY PARTNER AND I ARE EXPECTING A BABY. 905 00:42:48,733 --> 00:42:50,144 SHAME ON YOU, MS. PORTER. 906 00:42:50,168 --> 00:42:51,478 SHAME. 907 00:42:51,502 --> 00:42:52,813 YOU ARE MAKING THIS WORLD 908 00:42:52,837 --> 00:42:53,948 A DARKER PLACE 909 00:42:53,972 --> 00:42:55,415 FOR YOUR CHILD TO LIVE IN. 910 00:42:55,439 --> 00:42:57,852 MS. PORTER, 911 00:42:57,876 --> 00:43:00,754 DO YOU THINK THE FACT THAT YOU'RE HOMOSEXUAL 912 00:43:00,778 --> 00:43:03,457 MAKES YOU MORALLY BANKRUPT? 913 00:43:03,481 --> 00:43:05,125 BY YOUR DEFINITION, I'M A PERVERT, 914 00:43:05,149 --> 00:43:06,493 SINCE REALLY WHAT YOU'RE TRYING TO SAY 915 00:43:06,517 --> 00:43:08,550 IS ONLY A PERVERT COULD SHOW THIS WORK. 916 00:43:10,388 --> 00:43:12,366 THANK YOU FOR YOUR FRANKNESS. 917 00:43:12,390 --> 00:43:13,733 OH, AND I HOPE YOU LIKED THE FLOWERS. 918 00:43:13,757 --> 00:43:15,836 THEY'RE JUST MY WAY OF SAYING, 919 00:43:15,860 --> 00:43:19,161 "NOTHING PERSONAL." 920 00:43:21,632 --> 00:43:22,777 FAE BUCKLEY? 921 00:43:22,801 --> 00:43:24,534 BINGO. 922 00:43:27,405 --> 00:43:30,650 I DIDN'T SAY THAT. 923 00:43:30,674 --> 00:43:32,119 I SAID I MADE SOME INTERESTING CHOICES. 924 00:43:32,143 --> 00:43:33,153 IT SOUNDS LIKE YOU'VE MADE 925 00:43:33,177 --> 00:43:35,189 SOME PRETTY BAD ONES. 926 00:43:35,213 --> 00:43:37,391 NOW, WHAT WAS THAT MANDATE? 927 00:43:37,415 --> 00:43:39,260 SIMPLE BOY-ON-GIRL SEX, 928 00:43:39,284 --> 00:43:40,561 WITH NO COMPLICATED STUFF? 929 00:43:41,986 --> 00:43:43,652 ALICE? 930 00:43:45,690 --> 00:43:47,534 FUCK. 931 00:43:47,558 --> 00:43:50,504 OKAY, I MIGHT HAVE TO ASK YOU TO LEAVE. 932 00:43:50,528 --> 00:43:52,195 SHIT. 933 00:44:01,206 --> 00:44:02,538 HI. 934 00:44:15,186 --> 00:44:16,397 HOW CAN YOU DO THIS? 935 00:44:16,421 --> 00:44:17,564 LISA... 936 00:44:17,588 --> 00:44:19,733 DUDE, YOUR NAME'S LISA? 937 00:44:19,757 --> 00:44:20,734 HARSH. 938 00:44:20,758 --> 00:44:21,735 IT'S MY TAKEN NAME, 939 00:44:21,759 --> 00:44:23,103 ALL RIGHT? 940 00:44:23,127 --> 00:44:24,204 OKAY, WE WEREN'T DOING ANYTHING, ALL RIGHT? 941 00:44:24,228 --> 00:44:25,439 HE REPRESENTS 942 00:44:25,463 --> 00:44:26,907 EVERYTHING THAT IS WRONG IN THE WORLD, 943 00:44:26,931 --> 00:44:28,108 AND ALL YOU WANT TO DO IS HAVE SEX WITH HIM. 944 00:44:28,132 --> 00:44:29,243 HEY. 945 00:44:29,267 --> 00:44:30,110 TAKE IT EASY. 946 00:44:30,134 --> 00:44:31,412 I DON'T HAVE TO TAKE IT EASY. 947 00:44:31,436 --> 00:44:33,002 I'M HER LESBIAN LOVER. 948 00:44:34,438 --> 00:44:36,617 WHOA. 949 00:44:36,641 --> 00:44:37,884 IT JUST GOT NOT WORTH IT. 950 00:44:37,908 --> 00:44:39,353 UM... 951 00:44:39,377 --> 00:44:41,088 I'LL CALL YOU. 952 00:44:41,112 --> 00:44:42,122 SURE. 953 00:44:42,146 --> 00:44:43,257 OKAY. GREAT. 954 00:44:43,281 --> 00:44:44,425 IT LOOKS LIKE YOU'VE GOT 955 00:44:44,449 --> 00:44:45,426 YOUR WORK CUT OUT FOR YOU. 956 00:44:45,450 --> 00:44:46,559 YEAH, DYKE DRAMA. 957 00:44:46,583 --> 00:44:47,828 YOU KNOW HOW IT IS. 958 00:44:47,852 --> 00:44:49,518 NO. 959 00:44:57,295 --> 00:44:58,639 YOU KNOW WHAT, LISA? 960 00:44:58,663 --> 00:44:59,906 WHEN I FIRST STARTED SEEING YOU, 961 00:44:59,930 --> 00:45:01,108 I WANTED SOMETHING SIMPLE AND EASY, 962 00:45:01,132 --> 00:45:02,476 AND INSTEAD I END UP 963 00:45:02,500 --> 00:45:04,111 WITH THE MOST COMPLICATED 964 00:45:04,135 --> 00:45:05,312 INTERPRETATION OF SEXUAL IDENTITY 965 00:45:05,336 --> 00:45:07,048 I'VE EVER ENCOUNTERED. 966 00:45:07,072 --> 00:45:09,383 YOU KNOW, I MEAN, YOU DO "LESBIAN" 967 00:45:09,407 --> 00:45:10,817 BETTER THAN ANY LESBIAN I KNOW, OKAY? 968 00:45:10,841 --> 00:45:12,552 AND I DON'T WANT A LESBIAN BOYFRIEND. 969 00:45:12,576 --> 00:45:14,255 I'M SORRY. 970 00:45:14,279 --> 00:45:15,589 I WANT A BOYFRIEND WHO'S STRAIGHT 971 00:45:15,613 --> 00:45:17,747 OR I WANT A LESBIAN WHO'S A GIRL. 972 00:45:19,384 --> 00:45:20,393 HELLO. 973 00:45:20,417 --> 00:45:21,829 SO SORRY. I'M SO LATE. 974 00:45:21,853 --> 00:45:22,930 YOU WOULD NOT BELIEVE WHAT HAPPENED TO ME 975 00:45:22,954 --> 00:45:24,264 IF I TOLD YOU. 976 00:45:24,288 --> 00:45:28,201 IS TINA NOT HERE YET, OR AM I LATER THAN I THOUGHT? 977 00:45:28,225 --> 00:45:29,236 BETTE... 978 00:45:29,260 --> 00:45:30,526 PLEASE... 979 00:45:34,198 --> 00:45:36,110 HAVE A SEAT. 980 00:45:36,134 --> 00:45:37,244 WHERE'S TINA? 981 00:45:37,268 --> 00:45:38,511 BETTE, 982 00:45:38,535 --> 00:45:41,916 I'M AFRAID I HAVE SOME BAD NEWS. 983 00:45:41,940 --> 00:45:43,851 DURING OUR EXAMINATION, 984 00:45:43,875 --> 00:45:45,986 I WAS UNABLE TO LOCATE A HEARTBEAT. 985 00:45:46,010 --> 00:45:50,925 THE FETUS HAS STOPPED THRIVING. 986 00:45:50,949 --> 00:45:53,760 THIS IS USUALLY DUE 987 00:45:53,784 --> 00:45:55,029 TO SOME CONGENITAL PROBLEM. 988 00:45:55,053 --> 00:45:56,497 IT'S KIND OF THE BODY'S OWN WAY 989 00:45:56,521 --> 00:45:58,899 OF ENDING A PREGNANCY. 990 00:45:58,923 --> 00:46:00,668 IT'S REALLY VERY COMMON 991 00:46:00,692 --> 00:46:02,203 WITH FIRST-TIME PREGNANCIES, 992 00:46:02,227 --> 00:46:05,661 MORE SO THAN IS EVEN TALKED ABOUT. 993 00:46:57,481 --> 00:46:58,758 STAY HERE, OKAY? 994 00:46:58,782 --> 00:47:00,742 STAY RIGHT HERE. I'LL BE RIGHT BACK. 995 00:47:19,804 --> 00:47:20,980 EXCUSE ME. 996 00:47:21,004 --> 00:47:22,482 WHAT THE HELL DO YOU THINK YOU'RE DOING? 997 00:47:22,506 --> 00:47:24,185 I'M TELLING PEOPLE THE TRUTH. 998 00:47:24,209 --> 00:47:25,853 YOU SHUT THAT OFF. 999 00:47:25,877 --> 00:47:27,421 YOU HAVE NO RIGHT. YOU SHUT IT OFF. 1000 00:47:27,445 --> 00:47:28,722 THAT STUFF YOU'RE SHOWING 1001 00:47:28,746 --> 00:47:29,723 IN YOUR MUSEUM, IT'S PORNOGRAPHY, 1002 00:47:29,747 --> 00:47:30,724 IT'S FILTH, IT'S DISGUSTING. 1003 00:47:30,748 --> 00:47:31,725 THIS IS MY HOME! 1004 00:47:31,749 --> 00:47:32,759 THIS IS MY FAMILY! 1005 00:47:32,783 --> 00:47:33,793 YOU HAVE NO RIGHT TO COME HERE, 1006 00:47:33,817 --> 00:47:35,029 DO YOU HEAR ME? 1007 00:47:35,053 --> 00:47:36,129 YOU HAVE NO RIGHT TO CORRUPT CHILDREN. 1008 00:47:36,153 --> 00:47:37,364 YOU TAKE THIS BACK TO FAE BUCKLEY. 1009 00:47:37,388 --> 00:47:38,732 AND YOU TELL HER 1010 00:47:38,756 --> 00:47:40,234 IF SHE EVER, EVER TRIES SOMETHING LIKE THIS AGAIN, 1011 00:47:40,258 --> 00:47:41,768 SHE WILL REGRET IT. 1012 00:47:41,792 --> 00:47:43,270 SHUT THAT OFF. 1013 00:47:43,294 --> 00:47:46,995 YOU'RE GOING TO HELL. 63088

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