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1
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[HORSE WHINNIES]
2
00:00:05,139 --> 00:00:07,339
[♪♪♪]
3
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I DIDN'T GET IN.
4
00:00:42,843 --> 00:00:44,321
THEN I'M NOT GOING.
5
00:00:44,345 --> 00:00:45,655
DON'T BE RIDICULOUS.
6
00:00:45,679 --> 00:00:47,156
YOU GET TO GO TO PARIS
AND GERMANY AND SPAIN,
7
00:00:47,180 --> 00:00:49,626
MEET THE BEST DRESSAGE
RIDERS IN THE WORLD.
8
00:00:49,650 --> 00:00:51,361
IT WON'T BE ANY FUN WITHOUT YOU.
9
00:00:51,385 --> 00:00:52,896
YOU'LL PROBABLY
MAKE BEST FRIENDS
10
00:00:52,920 --> 00:00:54,263
WITH SOME SNOBBY
GIRL FROM SPENCE.
11
00:00:54,287 --> 00:00:55,665
YOU WON'T EVEN
WANT TO TALK TO ME
12
00:00:55,689 --> 00:00:56,888
WHEN YOU GET BACK.
13
00:01:04,832 --> 00:01:06,409
WILL YOU GO BACK TO SENECA LAKE?
14
00:01:06,433 --> 00:01:07,577
I THINK I MIGHT STAY HERE.
15
00:01:07,601 --> 00:01:08,612
MY MOM WANTS ME TO CANVASS
16
00:01:08,636 --> 00:01:09,679
FOR NIXON/AGNEW
17
00:01:09,703 --> 00:01:12,971
IN THE CALIFORNIA PRIMARY.
18
00:01:15,509 --> 00:01:17,253
SEND ME POSTCARDS, OKAY?
19
00:01:17,277 --> 00:01:20,157
EVERY DAY.
20
00:01:20,181 --> 00:01:23,014
I'M GOING TO MISS
YOU SO MUCH, LESLIE.
21
00:01:33,360 --> 00:01:34,971
JESUS!
22
00:01:34,995 --> 00:01:36,061
WHAT ARE YOU DOING?
23
00:01:39,733 --> 00:01:41,244
IT JUST...
24
00:01:41,268 --> 00:01:42,779
I DON'T KNOW, IT JUST HAPPENED.
25
00:01:42,803 --> 00:01:43,847
IT FELT RIGHT.
26
00:01:43,871 --> 00:01:45,382
PEOPLE HAVE ALL
KINDS OF FEELINGS.
27
00:01:45,406 --> 00:01:47,450
IT DOESN'T MEAN
28
00:01:47,474 --> 00:01:49,152
WE'RE SUPPOSED TO ACT ON THEM.
29
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[♪♪♪]
30
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[♪♪♪]
31
00:02:07,828 --> 00:02:09,005
I DON'T THINK I WANT TO DO THIS.
32
00:02:09,029 --> 00:02:10,407
TRY.
33
00:02:10,431 --> 00:02:11,674
IF YOU HATE IT,
34
00:02:11,698 --> 00:02:13,009
WE CAN STAND UP AND SAY, "SORRY.
35
00:02:13,033 --> 00:02:14,176
"WE THINK WE'RE BETTER THAN YOU
36
00:02:14,200 --> 00:02:15,612
AND WE'RE OUT OF HERE,"
37
00:02:15,636 --> 00:02:17,147
OR ELSE WE COULD
PASS JUDGMENT ON THEM
38
00:02:17,171 --> 00:02:19,491
WITHOUT EVER EVEN MEETING THEM.
39
00:02:22,643 --> 00:02:23,886
I JUST WANT YOU TO KNOW
40
00:02:23,910 --> 00:02:26,645
THAT I'M ONLY
DOING THIS FOR YOU.
41
00:02:31,351 --> 00:02:34,030
WELCOME...
42
00:02:34,054 --> 00:02:36,688
BETTE AND TINA.
43
00:02:38,591 --> 00:02:40,258
HI.
44
00:02:49,736 --> 00:02:51,402
SO...
45
00:02:58,379 --> 00:02:59,455
[ROCK MUSIC PLAYING]
46
00:02:59,479 --> 00:03:00,456
HEY!
47
00:03:00,480 --> 00:03:01,557
HEY!
48
00:03:01,581 --> 00:03:02,592
WHEN DID YOU GET HERE?
49
00:03:02,616 --> 00:03:04,094
HI, BIG GIRL.
50
00:03:04,118 --> 00:03:06,629
GIVE ME A HUG.
51
00:03:06,653 --> 00:03:07,564
NICE TO SEE YOU.
52
00:03:07,588 --> 00:03:08,431
IT'S NICE TO SEE YOU.
53
00:03:08,455 --> 00:03:09,566
THE BAND...
54
00:03:09,590 --> 00:03:11,368
YEAH. THIS IS THE
BAND. THIS IS ME.
55
00:03:11,392 --> 00:03:12,969
THIS IS MY BAND, THE GARANIMALS!
56
00:03:12,993 --> 00:03:14,003
DO YOU LOVE IT? DO WE ROCK?
57
00:03:14,027 --> 00:03:15,004
IT'S GOOD.
58
00:03:15,028 --> 00:03:16,706
WE ROCK, RIGHT? OH, FORGET IT.
59
00:03:16,730 --> 00:03:18,141
YOU THINK I SOLD OUT
60
00:03:18,165 --> 00:03:19,609
WITH THE REAL ESTATE THING.
61
00:03:19,633 --> 00:03:21,344
NO, I THINK YOU'RE
TURNING INTO A SUIT.
62
00:03:21,368 --> 00:03:23,679
YEAH, I'M A REAL ESTATE BROKER.
63
00:03:23,703 --> 00:03:25,047
LOOK, IT'S COOL
64
00:03:25,071 --> 00:03:26,949
TO DO SOMETHING STUPID
65
00:03:26,973 --> 00:03:28,118
AND MAKE A LOT OF MONEY,
66
00:03:28,142 --> 00:03:29,152
AND THEN YOU CAN DO
67
00:03:29,176 --> 00:03:29,819
WHATEVER THE HELL YOU WANT,
68
00:03:29,843 --> 00:03:31,287
RIGHT?
69
00:03:31,311 --> 00:03:33,044
ALL RIGHT. OKAY. OKAY.
70
00:03:37,318 --> 00:03:39,195
I LOVE YOUR
APARTMENT, BY THE WAY.
71
00:03:39,219 --> 00:03:40,463
YOU DO?
72
00:03:40,487 --> 00:03:42,131
DO YOU THINK IT HAS GOOD ENERGY?
73
00:03:42,155 --> 00:03:45,334
I THINK IT'S A TOOL SHED.
74
00:03:45,358 --> 00:03:47,169
IF I TAKE
75
00:03:47,193 --> 00:03:48,438
MORE RESPONSIBILITY FOR
MY CHOICES AND ACTIONS
76
00:03:48,462 --> 00:03:49,705
TODAY...
77
00:03:49,729 --> 00:03:52,575
I WILL STOP BLAMING CHARLIE
78
00:03:52,599 --> 00:03:55,311
FOR MY LOW SELF-ESTEEM.
79
00:03:55,335 --> 00:03:56,545
SOMETIMES I KEEP MYSELF PASSIVE
80
00:03:56,569 --> 00:03:59,082
WHEN I...
81
00:03:59,106 --> 00:04:02,184
LET BETTE MAKE ALL
THE FINANCIAL DECISIONS
82
00:04:02,208 --> 00:04:03,786
IN OUR LIVES,
83
00:04:03,810 --> 00:04:05,388
EVEN THOUGH WE AGREED THAT...
84
00:04:05,412 --> 00:04:06,823
THAT'S GOOD, TINA.
85
00:04:06,847 --> 00:04:08,558
JUST A SIMPLE
DECLARATIVE STATEMENT.
86
00:04:08,582 --> 00:04:09,759
NO NEED TO ELABORATE
87
00:04:09,783 --> 00:04:11,661
AT THIS STAGE.
88
00:04:11,685 --> 00:04:14,397
WHY COULDN'T I HAVE BEEN
BORN WITH A TRUST FUND?
89
00:04:14,421 --> 00:04:15,665
ALL I WANT TO DO
90
00:04:15,689 --> 00:04:17,366
IS SIT AT THIS DESK
AND JUST WRITE...
91
00:04:17,390 --> 00:04:19,068
THAT'S BECAUSE MOST
PEOPLE WITH TRUST FUNDS
92
00:04:19,092 --> 00:04:21,003
AREN'T TORTURED ENOUGH TO WRITE.
93
00:04:21,027 --> 00:04:22,839
SO, UM...
94
00:04:22,863 --> 00:04:24,740
ARE YOU AND TIM
STILL HAVING SEX?
95
00:04:24,764 --> 00:04:26,575
WERE YOU HAVING SEX
WHEN YOU BROKE UP,
96
00:04:26,599 --> 00:04:27,911
OR DID BREAK UP OUT OF BOREDOM?
97
00:04:27,935 --> 00:04:29,178
OKAY.
98
00:04:29,202 --> 00:04:30,279
DID YOU HAVE A LOT OF ANGRY SEX?
99
00:04:30,303 --> 00:04:31,847
THAT'S KIND OF HOT, ACTUALLY.
100
00:04:31,871 --> 00:04:33,650
CAN WE PLEASE, PLEASE, PLEASE
101
00:04:33,674 --> 00:04:35,018
DON'T TALK ABOUT TIM?
102
00:04:35,042 --> 00:04:36,886
IT'S THE WORST MOOD KILLER.
103
00:04:36,910 --> 00:04:38,621
THANK GOD,
104
00:04:38,645 --> 00:04:39,922
'CAUSE I'VE GOT TO TELL YOU,
105
00:04:39,946 --> 00:04:41,190
BACK IN COLLEGE,
106
00:04:41,214 --> 00:04:43,726
DO YOU HAVE ANY IDEA HOW
HARD IT WAS TO GET ANY SLEEP
107
00:04:43,750 --> 00:04:44,860
IN A BED 10 FEET AWAY
108
00:04:44,884 --> 00:04:46,095
FROM YOU GUYS DOING IT?
109
00:04:46,119 --> 00:04:47,564
I MEAN,
110
00:04:47,588 --> 00:04:49,632
I WAS MILDLY DISGUSTED
BY HIS BULGING MUSCLES
111
00:04:49,656 --> 00:04:51,300
AND HIS LITTLE...
112
00:04:51,324 --> 00:04:54,537
HIS LITTLE GRUNTS OF PLEASURE.
113
00:04:54,561 --> 00:04:55,372
"OH.
114
00:04:55,396 --> 00:04:57,507
"OH.
115
00:04:57,531 --> 00:04:59,609
"OH, JENNY.
116
00:04:59,633 --> 00:05:00,543
OH, JENNY, JENNY."
117
00:05:00,567 --> 00:05:01,544
NO, NO, NO. STOP.
118
00:05:01,568 --> 00:05:02,779
WHAT?
119
00:05:02,803 --> 00:05:03,813
IT'S EVIL TO SAY BAD
THINGS ABOUT TIM.
120
00:05:03,837 --> 00:05:04,881
FOR GOD'S SAKE...
121
00:05:04,905 --> 00:05:06,316
IT IS.
122
00:05:06,340 --> 00:05:08,217
YOU GUYS GOING TO GET
BACK TOGETHER IN A WEEK?
123
00:05:08,241 --> 00:05:09,719
YOU'VE BEEN BANISHED
TO THE TOOL SHED
124
00:05:09,743 --> 00:05:11,053
TO DO YOUR PENANCE,
125
00:05:11,077 --> 00:05:13,189
THEN HE'LL LET YOU BACK
INTO HIS HALLOWED BED?
126
00:05:13,213 --> 00:05:14,924
NO. IT'S DONE. IT'S
OVER. IT'S OVER?
127
00:05:14,948 --> 00:05:16,292
FINI.
128
00:05:16,316 --> 00:05:19,562
MY GREATEST FEAR
ABOUT BEING A PARENT IS...
129
00:05:19,586 --> 00:05:22,765
THAT OUR CHILD WILL
SEEM LIKE AN ALIEN TO US
130
00:05:22,789 --> 00:05:27,570
AND WE'LL SEEM
LIKE AN ALIEN TO HIM...
131
00:05:27,594 --> 00:05:29,605
OR HER.
132
00:05:29,629 --> 00:05:33,576
THAT I'D BE BORED BEING
A STAY-AT-HOME DAD
133
00:05:33,600 --> 00:05:36,912
AND I'LL START TO BLAME CHARLIE.
134
00:05:36,936 --> 00:05:40,250
THAT ALMA WILL NEVER
REALLY ACCEPT HECTOR
135
00:05:40,274 --> 00:05:41,918
AS OUR CHILD.
136
00:05:41,942 --> 00:05:45,822
THAT HECTOR WILL CONTINUE
TO BE A TROUBLED CHILD.
137
00:05:45,846 --> 00:05:49,425
THAT MY DAUGHTER
WILL FEEL ANGRY WITH ME
138
00:05:49,449 --> 00:05:52,016
FOR NOT GIVING HER A FATHER.
139
00:05:55,122 --> 00:05:56,588
AHEM.
140
00:05:58,258 --> 00:05:59,691
AHEM.
141
00:06:01,661 --> 00:06:03,205
PASS.
142
00:06:03,229 --> 00:06:06,109
OKAY.
143
00:06:06,133 --> 00:06:07,577
LET'S MOVE ON.
144
00:06:07,601 --> 00:06:09,011
TINA?
145
00:06:09,035 --> 00:06:10,279
UH...
146
00:06:10,303 --> 00:06:11,614
I KNOW BETTE AND I
147
00:06:11,638 --> 00:06:13,016
MUST HAVE SOME FEARS,
148
00:06:13,040 --> 00:06:14,617
BECAUSE OTHERWISE
149
00:06:14,641 --> 00:06:16,853
WHAT WOULD WE BE
DOING IN THIS GROUP?
150
00:06:16,877 --> 00:06:18,221
BUT WE'RE PRETTY COMFORTABLE
151
00:06:18,245 --> 00:06:20,790
WITH THE WHOLE
LESBIAN PARENT THING.
152
00:06:20,814 --> 00:06:24,427
I GUESS OUR GREATEST
FEAR WOULD BE
153
00:06:24,451 --> 00:06:26,796
WHETHER OR NOT BETTE'S FATHER
154
00:06:26,820 --> 00:06:29,565
WILL ACCEPT OUR CHILD.
155
00:06:29,589 --> 00:06:32,035
YEAH, THAT'S IT,
156
00:06:32,059 --> 00:06:34,137
THAT BETTE'S FATHER
WON'T CONSIDER, UM...
157
00:06:34,161 --> 00:06:37,395
OUR BABY TO BE HIS GRANDCHILD.
158
00:06:39,633 --> 00:06:41,511
NOW, THE NEXT EXERCISE...
159
00:06:41,535 --> 00:06:45,504
MY GREATEST FEAR
ABOUT BEING A PARENT IS...
160
00:06:47,174 --> 00:06:51,654
THAT I WON'T BE A
GOOD ENOUGH PROVIDER.
161
00:06:51,678 --> 00:06:53,723
THAT'S GOOD, BETTE.
162
00:06:53,747 --> 00:06:54,757
IT TAKES TIME
163
00:06:54,781 --> 00:06:56,159
TO BUILD TRUST IN THE GROUP.
164
00:06:56,183 --> 00:06:58,261
EVENTUALLY, IT'LL BE EASIER
165
00:06:58,285 --> 00:07:00,318
TO SAY WHAT YOU
REALLY MEAN TO SAY.
166
00:07:02,622 --> 00:07:04,233
I...
167
00:07:04,257 --> 00:07:05,768
WENT ON A THREE-DAY WINE TOUR.
168
00:07:05,792 --> 00:07:08,638
WINE. GOOD.
169
00:07:08,662 --> 00:07:09,872
THIS IS REALLY YUMMY.
170
00:07:09,896 --> 00:07:11,040
OKAY, WE'VE GOT TO GO TO TIM'S
171
00:07:11,064 --> 00:07:12,174
TO GET THE CORKSCREW.
172
00:07:12,198 --> 00:07:14,611
NO SHIT.
173
00:07:14,635 --> 00:07:15,711
WHERE IS HE?
174
00:07:15,735 --> 00:07:17,046
ON A RECRUITING TRIP.
175
00:07:17,070 --> 00:07:18,047
OH, GOODY.
176
00:07:18,071 --> 00:07:19,048
THIS WILL BE SO MUCH FUN,
177
00:07:19,072 --> 00:07:20,049
BECAUSE WE CAN SNOOP
178
00:07:20,073 --> 00:07:21,083
TO OUR HEART'S CONTENT, RIGHT?
179
00:07:21,107 --> 00:07:22,318
YES.
180
00:07:22,342 --> 00:07:23,219
WE CAN GO THROUGH HIS DRAWERS,
181
00:07:23,243 --> 00:07:24,387
READ HIS MAIL,
182
00:07:24,411 --> 00:07:25,788
PUT ON HIS PANTS.
183
00:07:25,812 --> 00:07:26,889
MAYBE.
184
00:07:26,913 --> 00:07:27,957
WHEE!
185
00:07:27,981 --> 00:07:29,191
I'M GOING TO DANCE TOPLESS
186
00:07:29,215 --> 00:07:30,826
ON HIS TABLE, BABY.
187
00:07:30,850 --> 00:07:32,695
WHAT ARE YOU DOING?
188
00:07:32,719 --> 00:07:33,729
I'M GETTING THE KEY.
189
00:07:33,753 --> 00:07:34,797
OKAY.
190
00:07:34,821 --> 00:07:36,165
THANK YOU, TIM.
191
00:07:36,189 --> 00:07:38,367
SO DO YOU THINK HE'S
REALLY ON A RECRUITING TRIP,
192
00:07:38,391 --> 00:07:40,069
OR YOU THINK HE'S IN
SOME LITTLE LOVE NEST
193
00:07:40,093 --> 00:07:41,070
WITH ANOTHER WOMAN?
194
00:07:41,094 --> 00:07:42,739
NO...
195
00:07:42,763 --> 00:07:43,873
I'M JUST ASKING.
196
00:07:43,897 --> 00:07:46,875
UH-OH.
197
00:07:46,899 --> 00:07:48,678
WHAT...
198
00:07:48,702 --> 00:07:49,946
WHAT IS THIS FACE?
199
00:07:49,970 --> 00:07:51,581
IS THERE ANOTHER WOMAN?
200
00:07:51,605 --> 00:07:53,048
SORT OF.
201
00:07:53,072 --> 00:07:54,283
NOT EVERYTHING'S
202
00:07:54,307 --> 00:07:55,952
ABOUT FURTHERING
MY POLITICAL CAREER.
203
00:07:55,976 --> 00:07:57,120
REALLY?
204
00:07:57,144 --> 00:07:58,087
WELL, YOU WOULDN'T KNOW THAT
205
00:07:58,111 --> 00:07:59,755
TO HEAR YOU SPEAK PUBLICLY.
206
00:07:59,779 --> 00:08:02,057
THESE ARE
207
00:08:02,081 --> 00:08:04,060
TWO VERY SEPARATE ISSUES FOR ME.
208
00:08:04,084 --> 00:08:05,961
THIS KID HAS BEEN BOUNCED AROUND
209
00:08:05,985 --> 00:08:07,997
FROM GROUP HOME
TO THE FOSTER HOME
210
00:08:08,021 --> 00:08:09,331
TO THE SHELTER.
211
00:08:09,355 --> 00:08:11,567
I'VE WORKED WITH HIM
FOR A COUPLE YEARS,
212
00:08:11,591 --> 00:08:13,302
THAT IF HE DOESN'T
GET INTO A GOOD FAMILY,
213
00:08:13,326 --> 00:08:14,904
THEN HE IS A GONER.
214
00:08:14,928 --> 00:08:17,373
I THINK IT'S REALLY ADMIRABLE
TO ADOPT A NEEDY CHILD.
215
00:08:17,397 --> 00:08:19,676
BETTE AND I WANTED
TO ADOPT ORIGINALLY.
216
00:08:19,700 --> 00:08:20,977
SO WHY DIDN'T YOU?
217
00:08:21,001 --> 00:08:22,645
BECAUSE SOME GIRL
FROM THE MIDWEST
218
00:08:22,669 --> 00:08:25,781
WHO HASN'T EVEN MET A LESBIAN
AND WHO THINKS WE HAVE HORNS
219
00:08:25,805 --> 00:08:27,083
ISN'T ABOUT TO CHOOSE US
220
00:08:27,107 --> 00:08:29,118
AS THE ADOPTIVE
PARENTS FOR HER BABY.
221
00:08:29,142 --> 00:08:31,420
IT'S JUST THE WAY THE
SYSTEM WORKS RIGHT NOW.
222
00:08:31,444 --> 00:08:33,388
THAT'S ONLY IF
YOU'RE SET ON GETTING
223
00:08:33,412 --> 00:08:35,091
A NEWBORN WHITE BABY.
224
00:08:35,115 --> 00:08:36,793
WHAT'S WRONG WITH A WHITE
PERSON WANTING A WHITE BABY?
225
00:08:36,817 --> 00:08:38,027
I THINK
226
00:08:38,051 --> 00:08:39,929
MOST PEOPLE WANT
TO HAVE A FAMILY
227
00:08:39,953 --> 00:08:43,054
THAT LOOKS LIKE THE
FAMILY THAT THEY GREW UP IN.
228
00:08:45,124 --> 00:08:46,569
YOLANDA?
229
00:08:46,593 --> 00:08:47,737
DO YOU HAVE SOMETHING
230
00:08:47,761 --> 00:08:50,639
YOU WANT TO SAY TO BETTE?
231
00:08:50,663 --> 00:08:54,543
YOU TALK SO PROUD AND
FORTHRIGHT ABOUT BEING A LESBIAN,
232
00:08:54,567 --> 00:08:57,046
BUT YOU NEVER ONCE
REFERRED TO YOURSELF
233
00:08:57,070 --> 00:08:58,815
AS AN AFRICAN-AMERICAN WOMAN.
234
00:08:58,839 --> 00:09:00,249
ALL I HEAR YOU SAYING
235
00:09:00,273 --> 00:09:03,185
IS THAT WHITE PEOPLE SHOULD
ONLY TAKE CARE OF WHITE BABIES.
236
00:09:03,209 --> 00:09:05,221
I SAID NOTHING OF THE KIND.
237
00:09:05,245 --> 00:09:07,690
IN FACT, I WAS JUST ABOUT TO SAY
238
00:09:07,714 --> 00:09:10,226
THAT TINA AND I CHOSE AN
AFRICAN-AMERICAN DONOR
239
00:09:10,250 --> 00:09:11,661
BECAUSE IT WAS IMPORTANT TO US
240
00:09:11,685 --> 00:09:13,963
TO HAVE A FAMILY THAT
REFLECTS WHO WE ARE.
241
00:09:13,987 --> 00:09:16,398
BEFORE YOU CAN
REFLECT WHO YOU ARE,
242
00:09:16,422 --> 00:09:19,001
YOU HAVE TO BE WHO YOU ARE.
243
00:09:19,025 --> 00:09:20,569
THEY'RE WONDERING WHAT
THE HELL WE'RE TALKING ABOUT,
244
00:09:20,593 --> 00:09:22,838
'CAUSE THEY DIDN'T EVEN
KNOW YOU WERE A BLACK WOMAN.
245
00:09:22,862 --> 00:09:24,307
I THINK BEFORE YOU HAVE A CHILD,
246
00:09:24,331 --> 00:09:25,874
YOU NEED TO REFLECT
247
00:09:25,898 --> 00:09:27,943
ON WHAT IT IS YOU'RE
SAYING TO THE WORLD
248
00:09:27,967 --> 00:09:30,846
BY HIDING SO BEHIND
THE LIGHTNESS
249
00:09:30,870 --> 00:09:32,649
OF YOUR SKIN.
250
00:09:32,673 --> 00:09:34,450
YOU KNOW,
251
00:09:34,474 --> 00:09:37,152
YOU KNOW NOTHING ABOUT ME.
252
00:09:37,176 --> 00:09:40,756
YOU DON'T KNOW HOW I GREW UP.
253
00:09:40,780 --> 00:09:41,991
YOU DON'T KNOW
HOW I LIVE MY LIFE.
254
00:09:42,015 --> 00:09:43,192
THAT'S BECAUSE YOU...
255
00:09:43,216 --> 00:09:44,660
YOLANDA, BETTE.
256
00:09:44,684 --> 00:09:45,828
I'M GOING TO HAVE TO ASK YOU
257
00:09:45,852 --> 00:09:48,130
TO SAVE THIS TILL THURSDAY.
258
00:09:48,154 --> 00:09:50,800
WE'LL PICK IT UP
DURING FREESTYLE.
259
00:09:50,824 --> 00:09:52,256
GOOD WORK, EVERYONE.
260
00:09:55,795 --> 00:09:58,007
HEY.
261
00:09:58,031 --> 00:10:00,176
TELL BETTE NOT TO LET
YOLANDA GET TO HER TOO MUCH.
262
00:10:00,200 --> 00:10:01,443
SHE'S JUST TRYING
TO FIGURE HER OUT,
263
00:10:01,467 --> 00:10:03,379
SEE IF SHE HAS AN ALLY.
264
00:10:03,403 --> 00:10:06,082
STICK AROUND,
265
00:10:06,106 --> 00:10:07,350
AND IN A COUPLE OF WEEKS,
266
00:10:07,374 --> 00:10:08,851
YOU ACTUALLY START
LOOKING FORWARD TO IT.
267
00:10:08,875 --> 00:10:10,085
OH, NO, NO.
268
00:10:10,109 --> 00:10:11,287
WE BOTH THOUGHT IT WAS, UH...
269
00:10:11,311 --> 00:10:12,655
REALLY INTERESTING.
270
00:10:12,679 --> 00:10:13,756
WE?
271
00:10:13,780 --> 00:10:14,824
YOU HAVEN'T EVEN HAD A CHANCE
272
00:10:14,848 --> 00:10:17,288
TO TALK TO BETTE ABOUT IT YET.
273
00:10:18,485 --> 00:10:19,728
OH, YEAH.
274
00:10:19,752 --> 00:10:23,365
UM, I THOUGHT IT WAS
REALLY INTERESTING,
275
00:10:23,389 --> 00:10:25,134
AND I'LL TALK TO BETTE ABOUT IT
276
00:10:25,158 --> 00:10:26,969
AND WE'LL BOTH DECIDE
WHAT WE WANT TO DO.
277
00:10:26,993 --> 00:10:28,237
BETTER?
278
00:10:28,261 --> 00:10:29,972
MM-HMM.
279
00:10:29,996 --> 00:10:32,175
SEE YOU.
280
00:10:32,199 --> 00:10:33,209
OH, MY GOD.
281
00:10:33,233 --> 00:10:34,443
THAT IS...
282
00:10:34,467 --> 00:10:35,944
I MEAN, WELL, I'M SO GLAD
283
00:10:35,968 --> 00:10:37,614
THAT IT WAS YOU AND NOT TIM
284
00:10:37,638 --> 00:10:39,115
WHO WENT OUT AND DID THE NASTY,
285
00:10:39,139 --> 00:10:40,282
YOU KNOW?
286
00:10:40,306 --> 00:10:41,451
SO, LIKE, WHAT DID...
287
00:10:41,475 --> 00:10:43,119
WHERE DID YOU MEET HIM?
288
00:10:43,143 --> 00:10:44,353
WHAT DOES HE DO?
289
00:10:44,377 --> 00:10:45,554
WHAT IS HE... WHAT IS HE?
290
00:10:45,578 --> 00:10:47,322
WHAT DOES HE LOOK LIKE?
291
00:10:47,346 --> 00:10:48,691
AT A PARTY.
292
00:10:48,715 --> 00:10:50,560
YEAH?
293
00:10:50,584 --> 00:10:53,095
OWNS A CAFE.
294
00:10:53,119 --> 00:10:54,630
THAT'S COOL.
295
00:10:54,654 --> 00:10:55,698
ANNETTE,
296
00:10:55,722 --> 00:10:56,765
I'M NOT PROUD OF WHAT I DID.
297
00:10:56,789 --> 00:10:58,600
IT WAS REALLY SHITTY.
298
00:10:58,624 --> 00:11:00,569
WHAT? IS HE FUNNY?
299
00:11:00,593 --> 00:11:03,072
DEFINITELY NOT.
300
00:11:03,096 --> 00:11:04,139
SMART?
301
00:11:04,163 --> 00:11:07,110
I DON'T KNOW.
302
00:11:07,134 --> 00:11:08,134
HOT?
303
00:11:11,138 --> 00:11:13,738
MARINA WAS DEFINITELY HOT.
304
00:11:16,209 --> 00:11:18,054
MARINA?
305
00:11:18,078 --> 00:11:20,256
WHOA.
306
00:11:20,280 --> 00:11:21,524
DUDE, THAT'S THE ONE THING
307
00:11:21,548 --> 00:11:23,359
I HAVEN'T DONE.
308
00:11:23,383 --> 00:11:25,394
SO...
309
00:11:25,418 --> 00:11:26,829
WHAT ARE YOU GOING TO CALL HER
310
00:11:26,853 --> 00:11:28,263
IN THE STORY?
311
00:11:28,287 --> 00:11:31,300
NO, I DIDN'T DO IT
BECAUSE OF THAT.
312
00:11:31,324 --> 00:11:32,635
I DIDN'T DO THIS
313
00:11:32,659 --> 00:11:36,160
FOR SOMETHING TO WRITE ABOUT.
314
00:11:38,197 --> 00:11:41,176
JENNY?
315
00:11:41,200 --> 00:11:43,412
HEY.
316
00:11:43,436 --> 00:11:44,580
WHAT?
317
00:11:44,604 --> 00:11:46,237
LOOK AT ME.
318
00:11:49,976 --> 00:11:51,709
OH, MY GOD.
319
00:11:54,380 --> 00:11:57,181
SHE BROKE YOUR HEART.
320
00:11:59,752 --> 00:12:01,152
FUCK.
321
00:12:05,025 --> 00:12:06,001
YOU LOOK GREAT.
322
00:12:06,025 --> 00:12:06,969
LOOK HOW GOOD YOU LOOK.
323
00:12:06,993 --> 00:12:07,970
I LOVE IT.
324
00:12:07,994 --> 00:12:08,971
DANA, YOU LOOK WICKED.
325
00:12:08,995 --> 00:12:10,172
THAT'S AWESOME.
326
00:12:10,196 --> 00:12:11,573
I WANT YOU TO SIGN IT.
327
00:12:11,597 --> 00:12:14,076
MAKE IT OUT TO FRANCESCA AND I.
328
00:12:14,100 --> 00:12:15,544
SHE'S BACK?
329
00:12:15,568 --> 00:12:17,914
OH, WELL, THEN YOU
SHOULD BRING HER TO TWAT.
330
00:12:17,938 --> 00:12:19,582
YOU HAVE TO TAKE HER.
331
00:12:19,606 --> 00:12:21,083
MAKE IT REALLY SPECIAL.
332
00:12:21,107 --> 00:12:22,585
YEAH, SIGN IT, "DANA FAIRBANKS,
333
00:12:22,609 --> 00:12:24,074
PROFESSIONAL LESBIAN."
334
00:12:26,179 --> 00:12:27,890
OH, COME ON. IT'S
GOING WIDE NEXT WEEK.
335
00:12:27,914 --> 00:12:29,025
IT'S GOING TO BE
336
00:12:29,049 --> 00:12:30,593
IN EVERY MAGAZINE YOU READ.
337
00:12:30,617 --> 00:12:31,827
THAT'S AMAZING.
338
00:12:31,851 --> 00:12:33,395
YOU WON'T BE ABLE TO
KEEP THE GIRLS AWAY.
339
00:12:33,419 --> 00:12:35,252
YOUR PARENTS MUST BE SO PROUD.
340
00:12:37,523 --> 00:12:39,457
DANA?
341
00:12:40,559 --> 00:12:41,926
DID YOU NOT DO IT?
342
00:12:44,363 --> 00:12:45,741
YOU DIDN'T COME OUT
TO YOUR PARENTS YET?
343
00:12:45,765 --> 00:12:48,125
I THINK SUBARU'S
GOING TO DO IT FOR YOU.
344
00:12:48,234 --> 00:12:49,211
YOU DIDN'T TELL THEM.
345
00:12:49,235 --> 00:12:50,813
YOU DIDN'T TELL THEM.
346
00:12:50,837 --> 00:12:52,047
ALL RIGHT, YOU KNOW,
347
00:12:52,071 --> 00:12:53,316
YOU HAVE TO DO
THIS TODAY, 'CAUSE...
348
00:12:53,340 --> 00:12:54,784
I CAN'T DO IT TODAY, AL.
349
00:12:54,808 --> 00:12:56,185
MY MOM'S GETTING THAT AWARD
350
00:12:56,209 --> 00:12:58,588
FROM HER WOMEN'S
GROUP OR WHATEVER.
351
00:12:58,612 --> 00:12:59,621
YOUR MOTHER BELONGS
TO A WOMEN'S GROUP?
352
00:12:59,645 --> 00:13:02,391
THAT'S GOOD.
353
00:13:02,415 --> 00:13:05,895
ORANGE COUNTY REPUBLICAN
WOMEN'S COALITION.
354
00:13:05,919 --> 00:13:07,730
I'M SORRY.
355
00:13:07,754 --> 00:13:09,264
[LAUGHING]
356
00:13:09,288 --> 00:13:10,966
DANA, COME ON.
357
00:13:10,990 --> 00:13:12,701
WE WEREN'T LAUGHING.
358
00:13:12,725 --> 00:13:14,637
OH, MY GOD. DANA, TALK TO ME.
359
00:13:14,661 --> 00:13:15,738
I WANT TO HELP.
360
00:13:15,762 --> 00:13:17,406
I JUST...
361
00:13:17,430 --> 00:13:19,075
I CAN'T BELIEVE MY LIFE
RIGHT NOW, YOU KNOW?
362
00:13:19,099 --> 00:13:20,376
I FUCKED UP SO BAD WITH LAURA
363
00:13:20,400 --> 00:13:21,810
AND YOU GUYS ARE
ALL LAUGHING AT ME.
364
00:13:21,834 --> 00:13:23,612
I JUST... I CAN'T HANDLE IT.
365
00:13:23,636 --> 00:13:24,914
ALL RIGHT. I'M SORRY.
366
00:13:24,938 --> 00:13:27,750
I FEEL LIKE AN ASSHOLE.
367
00:13:27,774 --> 00:13:30,353
I HAVE AN IDEA. READY?
368
00:13:30,377 --> 00:13:31,587
LISTEN TO ME.
369
00:13:31,611 --> 00:13:32,654
I'M GOING TO COME WITH YOU.
370
00:13:32,678 --> 00:13:33,823
I CAN'T DO IT.
371
00:13:33,847 --> 00:13:35,190
NO, I'M COMING.
372
00:13:35,214 --> 00:13:36,591
I'M GOING TO BE WITH YOU
373
00:13:36,615 --> 00:13:37,727
AND YOU'RE TELL YOUR MOM AND DAD
374
00:13:37,751 --> 00:13:39,896
BEFORE YOUR MOTHER
GETS THE AWARD, OKAY?
375
00:13:39,920 --> 00:13:41,297
JUST BLAM, "MOM,
DAD, I'M A LESBIAN."
376
00:13:41,321 --> 00:13:43,466
NO BIG DEAL, JUST LIKE THAT,
377
00:13:43,490 --> 00:13:45,067
BECAUSE THERE'S NO WAY
378
00:13:45,091 --> 00:13:46,268
YOUR PARENTS ARE
GOING TO MAKE A SCENE
379
00:13:46,292 --> 00:13:47,903
IN FRONT OF ALL THOSE PEOPLE.
380
00:13:47,927 --> 00:13:51,173
I CAN LOOK REPUBLICAN.
381
00:13:51,197 --> 00:13:53,142
WHO THE HELL DOES
SHE THINK SHE IS?
382
00:13:53,166 --> 00:13:55,077
I MEAN, I'M A TOTAL
STRANGER TO HER.
383
00:13:55,101 --> 00:13:57,045
SHE KNOWS NOTHING
ABOUT MY RACE POLITICS,
384
00:13:57,069 --> 00:13:58,747
NOTHING ABOUT MY
SELF-IDENTIFICATION,
385
00:13:58,771 --> 00:14:00,082
NOTHING.
386
00:14:00,106 --> 00:14:04,520
SHE'S A WRITER. YOLANDA WATKINS.
387
00:14:04,544 --> 00:14:05,654
I GOOGLED HER.
388
00:14:05,678 --> 00:14:07,123
TEACHES AT UCLA.
389
00:14:07,147 --> 00:14:09,358
SHE'S PUBLISHED THREE
VOLUMES OF POETRY
390
00:14:09,382 --> 00:14:11,460
AND TWO BOOKS OF NON-FICTION,
391
00:14:11,484 --> 00:14:12,962
INCLUDING, UH,
392
00:14:12,986 --> 00:14:15,464
SISTAH, STAND UP.
393
00:14:15,488 --> 00:14:17,466
WE'RE GOING TO HAVE
SOME FUN WITH HER.
394
00:14:17,490 --> 00:14:19,534
WE?
395
00:14:19,558 --> 00:14:22,638
YOU'RE NOT THE ONE
SHE JUMPED ALL OVER.
396
00:14:22,662 --> 00:14:23,806
I WAS JUST AS UPSET ABOUT IT
397
00:14:23,830 --> 00:14:24,873
AS YOU WERE, BABY.
398
00:14:24,897 --> 00:14:26,275
I DON'T THINK SO, TINA.
399
00:14:26,299 --> 00:14:28,911
IT WAS MY WHOLE LIFE
SHE WAS ATTACKING.
400
00:14:28,935 --> 00:14:30,134
MY LIFE.
401
00:14:34,340 --> 00:14:36,151
SO, JEN,
402
00:14:36,175 --> 00:14:37,986
WERE YOU ALWAYS A LESBIAN?
403
00:14:38,010 --> 00:14:41,090
I NEVER SAID I WAS A LESBIAN.
404
00:14:41,114 --> 00:14:43,559
SO IT JUST CAME OUT OF
NOWHERE AND BIT YOU ON THE ASS?
405
00:14:43,583 --> 00:14:46,128
JUST LIKE THAT?
406
00:14:46,152 --> 00:14:49,464
BECAUSE ME, YOU
KNOW, I LOVE WOMEN.
407
00:14:49,488 --> 00:14:51,467
YEAH, FOR COMPANIONSHIP,
408
00:14:51,491 --> 00:14:55,204
I FIGURE I COULD DO WITHOUT
THE COMPANY OF MEN ENTIRELY,
409
00:14:55,228 --> 00:14:59,241
EXCEPT, DUDE, I CAN'T
GET DOWN WITH THE PUSS.
410
00:14:59,265 --> 00:15:00,476
I LOVE A DICK.
411
00:15:00,500 --> 00:15:02,311
I THINK I'M BISEXUAL.
412
00:15:02,335 --> 00:15:03,446
OH, BROTHER.
413
00:15:03,470 --> 00:15:04,914
I DO. I REALLY DO.
414
00:15:04,938 --> 00:15:05,981
JENNY,
415
00:15:06,005 --> 00:15:07,216
IS THIS JUST YOUR
WAY OF TELLING ME
416
00:15:07,240 --> 00:15:08,684
THAT YOU HAD
417
00:15:08,708 --> 00:15:10,887
A HUGE CRUSH ON ME IN COLLEGE?
418
00:15:10,911 --> 00:15:12,243
ANNETTE...
419
00:15:15,014 --> 00:15:16,558
NO.
420
00:15:16,582 --> 00:15:17,927
YOU'RE LYING.
421
00:15:17,951 --> 00:15:19,461
YOU'RE MADLY IN LOVE WITH ME.
422
00:15:19,485 --> 00:15:20,695
WELL,
423
00:15:20,719 --> 00:15:22,998
I'VE GOT TO GET A
LOOK AT THIS MARINA,
424
00:15:23,022 --> 00:15:24,066
SEE IF SHE'S WORTH IT.
425
00:15:24,090 --> 00:15:25,100
NO.
426
00:15:25,124 --> 00:15:26,101
YEAH.
427
00:15:26,125 --> 00:15:27,236
OH, NO.
428
00:15:27,260 --> 00:15:28,303
YEAH, NO, WE'VE
GOT TO STALK HER.
429
00:15:28,327 --> 00:15:29,405
JUST STALK HER A LITTLE BIT,
430
00:15:29,429 --> 00:15:30,406
JUST SO I CAN SEE.
431
00:15:30,430 --> 00:15:31,574
NO, NO. NO STALKING.
432
00:15:31,598 --> 00:15:33,075
WHY?
433
00:15:33,099 --> 00:15:35,010
BECAUSE, UM,
434
00:15:35,034 --> 00:15:37,113
HER GIRLFRIEND'S BACK IN TOWN.
435
00:15:37,137 --> 00:15:38,113
HER GIRLFRIEND?
436
00:15:38,137 --> 00:15:39,114
I KNOW.
437
00:15:39,138 --> 00:15:40,449
I KNOW.
438
00:15:40,473 --> 00:15:41,750
DOES THIS JUST KEEP
GETTING BETTER?
439
00:15:41,774 --> 00:15:42,851
SHE TOLD ME THAT
SHE HAD A GIRLFRIEND
440
00:15:42,875 --> 00:15:44,753
AFTER TIM LEFT ME,
441
00:15:44,777 --> 00:15:46,488
BUT YOU KNOW WHAT?
442
00:15:46,512 --> 00:15:47,690
I WOULD HAVE DONE EVERYTHING
443
00:15:47,714 --> 00:15:49,859
IN THE EXACT SAME
WAY I DID IT NOW.
444
00:15:49,883 --> 00:15:51,794
I WOULD HAVE.
445
00:15:51,818 --> 00:15:54,263
OKAY, IS THERE ANY
MORE TO THIS STORY?
446
00:15:54,287 --> 00:15:55,397
NO.
447
00:15:55,421 --> 00:15:56,532
FINE.
448
00:15:56,556 --> 00:15:58,567
THIS IS WHAT I THINK.
449
00:15:58,591 --> 00:15:59,968
I'VE GOT TO SEE THIS WOMAN
450
00:15:59,992 --> 00:16:01,737
AND YOU'VE GOT TO STAKE
OUT THE COMPETITION.
451
00:16:01,761 --> 00:16:04,173
I'M SERIOUS.
452
00:16:04,197 --> 00:16:05,207
YOU'RE NOT GOING TO
TAKE THIS SITTING DOWN.
453
00:16:05,231 --> 00:16:07,042
IF YOU'RE REALLY IN LOVE...
454
00:16:07,066 --> 00:16:08,177
I DON'T KNOW IF I'M IN LOVE.
455
00:16:08,201 --> 00:16:09,244
WHATEVER.
456
00:16:09,268 --> 00:16:10,579
YOU'VE GOT TO GO
OUT GUNS BLAZING,
457
00:16:10,603 --> 00:16:12,114
YOU KNOW WHAT I MEAN?
458
00:16:12,138 --> 00:16:16,919
YOU'VE GOT TO STAND UP
AND FIGHT FOR THE... THE...
459
00:16:16,943 --> 00:16:18,754
WHATEVER... WHAT'S
THE GIRLFRIEND'S NAME?
460
00:16:18,778 --> 00:16:20,055
FRANCESCA WOLF.
461
00:16:20,079 --> 00:16:21,090
OH, BARF.
462
00:16:21,114 --> 00:16:22,124
I KNOW, RIGHT?
463
00:16:22,148 --> 00:16:23,225
WELL, FINE.
464
00:16:23,249 --> 00:16:24,481
FRANCESCA'S GOING DOWN.
465
00:16:30,022 --> 00:16:32,067
WE'LL BE SHOOTING THE
VIDEO IN ABOUT THREE WEEKS,
466
00:16:32,091 --> 00:16:33,568
SO OUR PEOPLE WILL
BE IN TOUCH WITH YOU
467
00:16:33,592 --> 00:16:34,736
TO WORK ON THE DETAILS.
468
00:16:34,760 --> 00:16:36,405
WOW, THAT'S SWEET, YOU KNOW?
469
00:16:36,429 --> 00:16:37,573
HEY, I'M DOWN WITH IT.
470
00:16:37,597 --> 00:16:38,607
HEY.
471
00:16:38,631 --> 00:16:39,675
HEY, BABY GIRL.
472
00:16:39,699 --> 00:16:41,443
OH, DWAYNE,
473
00:16:41,467 --> 00:16:43,412
I WANT YOU TO MEET
MY LITTLE SISTER, BETTE.
474
00:16:43,436 --> 00:16:44,846
BETTE, THIS IS DWAYNE WASHINGTON
475
00:16:44,870 --> 00:16:46,682
OF BEN'S BOX RECORDS.
476
00:16:46,706 --> 00:16:48,417
NICE TO MEET YOU.
477
00:16:48,441 --> 00:16:50,686
WHAT'S THIS?
478
00:16:50,710 --> 00:16:52,220
I WORK WITH SLIM DADDY,
479
00:16:52,244 --> 00:16:53,222
HE'S GOING TO SAMPLE
"IT'S THE REAL THING"
480
00:16:53,246 --> 00:16:54,289
ON HIS NEXT ALBUM.
481
00:16:54,313 --> 00:16:55,291
WOW.
482
00:16:55,315 --> 00:16:56,759
FANTASTIC.
483
00:16:56,783 --> 00:16:59,561
DO YOU MIND IF I TAKE A LOOK?
484
00:16:59,585 --> 00:17:03,332
HEY, WHO WOULD HAVE THOUGHT
THAT A SONG I WROTE IN 1986
485
00:17:03,356 --> 00:17:06,601
WOULD BE SAMPLED
BY SLIM DADDY IN 2004?
486
00:17:06,625 --> 00:17:09,137
AND $1,000
487
00:17:09,161 --> 00:17:10,372
IS ALL YOU'RE OFFERING MY SISTER
488
00:17:10,396 --> 00:17:11,707
FOR UNLIMITED USE OF HER SONG?
489
00:17:11,731 --> 00:17:13,275
IT'S A STANDARD
CONTRACT FOR A SAMPLE.
490
00:17:13,299 --> 00:17:15,678
HEY, I'M DOWN WITH THE DEAL.
491
00:17:15,702 --> 00:17:16,812
WELL, ARE YOU GOING TO GIVE HER
492
00:17:16,836 --> 00:17:18,380
A PERCENTAGE OF
THE SONG'S REVENUES?
493
00:17:18,404 --> 00:17:20,182
I THINK WE SHOULD HAVE
A LAWYER LOOK AT THIS
494
00:17:20,206 --> 00:17:21,750
AND THEN YOU CAN
GET IT BACK TO DWAYNE
495
00:17:21,774 --> 00:17:22,952
IN A COUPLE OF DAYS.
496
00:17:22,976 --> 00:17:24,286
LOOK,
497
00:17:24,310 --> 00:17:27,878
THIS IS PRETTY MUCH A
NON-NEGOTIABLE OFFER.
498
00:17:30,683 --> 00:17:33,028
HERE YOU GO.
499
00:17:33,052 --> 00:17:35,887
LET ME KNOW WHEN YOU'RE GOING
TO BE DOING THAT VIDEO, OKAY?
500
00:17:39,992 --> 00:17:42,070
NICE TO MEET YOU.
501
00:17:42,094 --> 00:17:43,905
NICE TO MEET YOU.
502
00:17:43,929 --> 00:17:45,040
YOU ALMOST FUCKED
THAT UP FOR ME.
503
00:17:45,064 --> 00:17:46,175
FUCKED THAT UP FOR YOU?
504
00:17:46,199 --> 00:17:47,243
I WAS TRYING TO HELP YOU.
505
00:17:47,267 --> 00:17:48,677
YOU SAID YOURSELF
506
00:17:48,701 --> 00:17:49,711
YOU DON'T ALWAYS
MAKE THE BEST DECISIONS.
507
00:17:49,735 --> 00:17:52,102
WELL, IN THIS CASE,
THANKS BUT NO THANKS.
508
00:17:55,942 --> 00:17:58,486
YOU KNOW, I TALKED
TO DAVID YESTERDAY.
509
00:17:58,510 --> 00:18:00,722
AND WHAT DID HE WANT?
510
00:18:00,746 --> 00:18:02,758
HE SAID HE CAME TO MEET YOU.
511
00:18:02,782 --> 00:18:04,059
HE WALKED IN,
512
00:18:04,083 --> 00:18:05,093
SAW YOU SITTING AT THE BAR,
513
00:18:05,117 --> 00:18:06,094
HAVING A DRINK,
514
00:18:06,118 --> 00:18:07,363
AND HE LEFT.
515
00:18:07,387 --> 00:18:08,497
WHAT?
516
00:18:08,521 --> 00:18:10,532
YOU WERE THERE. YOU
KNOW I WASN'T DRINKING.
517
00:18:10,556 --> 00:18:13,568
I MUST HAVE BEEN IN THE
BATHROOM WHEN HE CAME.
518
00:18:13,592 --> 00:18:16,371
YOU KNOW I WASN'T DRINKING.
519
00:18:16,395 --> 00:18:17,706
OH, NICE.
520
00:18:17,730 --> 00:18:18,840
YOU'VE ALWAYS
521
00:18:18,864 --> 00:18:20,242
GOT TO TAKE ME DOWN A NOTCH,
522
00:18:20,266 --> 00:18:21,343
YOU KNOW, WHY
CAN'T YOU JUST SAY,
523
00:18:21,367 --> 00:18:22,511
"WELL DONE, KIT.
524
00:18:22,535 --> 00:18:23,712
"SLIM DADDY WANTS TO SAMPLE
525
00:18:23,736 --> 00:18:25,046
"ONE OF YOUR SONGS
526
00:18:25,070 --> 00:18:27,149
"AND YOU GOT THROUGH
A TERRIBLE SITUATION
527
00:18:27,173 --> 00:18:28,217
"THE OTHER NIGHT
528
00:18:28,241 --> 00:18:29,518
WITHOUT A DRINK."
529
00:18:29,542 --> 00:18:30,919
YOU CAN'T EVEN GIVE ME THAT,
530
00:18:30,943 --> 00:18:32,643
CAN YOU?
531
00:18:50,629 --> 00:18:53,041
OH, HELLO.
532
00:18:53,065 --> 00:18:55,978
HEY.
533
00:18:56,002 --> 00:18:58,647
I WAS JUST LOOKING
FOR A CIGARETTE.
534
00:18:58,671 --> 00:19:02,084
I GUESS I SHOULD
HAVE ASKED, HUH?
535
00:19:02,108 --> 00:19:03,618
YEAH.
536
00:19:03,642 --> 00:19:05,354
HEY, CLIVE, HAVE YOU NOTICED
537
00:19:05,378 --> 00:19:07,422
ALL THOSE BANNERS
AROUND THE HOUSE
538
00:19:07,446 --> 00:19:09,290
THAT SAY SMOKING KILLS WOMEN?
539
00:19:09,314 --> 00:19:10,492
IF I'M RIGHT,
540
00:19:10,516 --> 00:19:11,560
I THINK THERE'S ONE
OVER THE TOILET, NO?
541
00:19:11,584 --> 00:19:12,717
YEAH.
542
00:19:14,520 --> 00:19:16,486
THEY DON'T SMOKE.
543
00:19:18,757 --> 00:19:20,858
DUH.
544
00:19:32,638 --> 00:19:35,717
BETTE, THERE'S A
CALL ON LINE ONE.
545
00:19:35,741 --> 00:19:36,818
I THINK YOU MIGHT
WANT TO TAKE IT.
546
00:19:36,842 --> 00:19:38,087
TAKE A MESSAGE.
547
00:19:38,111 --> 00:19:39,321
I'M LATE FOR LUNCH.
548
00:19:39,345 --> 00:19:42,590
I THINK YOU SHOULD TAKE IT.
549
00:19:42,614 --> 00:19:44,148
OH, GOD.
550
00:19:51,157 --> 00:19:52,233
THIS IS BETTE PORTER.
551
00:19:52,257 --> 00:19:53,235
[MAN]: ARE YOU THE PERSON
552
00:19:53,259 --> 00:19:55,371
IN CHARGE OF THE MUSEUM?
553
00:19:55,395 --> 00:19:57,339
DO YOU BELIEVE IN
JESUS CHRIST, MA'AM?
554
00:19:57,363 --> 00:19:59,474
BECAUSE GOD WILL PUNISH YOU
555
00:19:59,498 --> 00:20:01,109
FOR PUTTING UP THAT
BLASPHEMOUS FILTH
556
00:20:01,133 --> 00:20:02,844
IN YOUR MUSEUM.
557
00:20:02,868 --> 00:20:04,780
YOU AND ALL THOSE INVOLVED
558
00:20:04,804 --> 00:20:06,114
ARE GOING TO BURN IN HELL.
559
00:20:06,138 --> 00:20:08,616
DO YOU HEAR ME?
560
00:20:08,640 --> 00:20:10,685
YOU'RE ALL GOING
TO BURN IN HELL.
561
00:20:10,709 --> 00:20:12,788
[DIAL TONE]
562
00:20:12,812 --> 00:20:15,057
THAT'S THE FIFTH CALL TODAY.
563
00:20:15,081 --> 00:20:17,226
WE THOUGHT YOU SHOULD KNOW.
564
00:20:17,250 --> 00:20:19,628
JUST KEEP A RECORD OF THE CALLS.
565
00:20:19,652 --> 00:20:21,118
OKAY?
566
00:20:42,341 --> 00:20:43,621
OH, MY GOD!
567
00:20:44,510 --> 00:20:46,688
OH, MY GOD, I KILLED HIM.
568
00:20:46,712 --> 00:20:48,457
FUCKING BITCH! ARE
YOU FUCKING BLIND?
569
00:20:48,481 --> 00:20:49,658
I AM SO SORRY.
570
00:20:49,682 --> 00:20:50,659
GET AWAY FROM ME!
571
00:20:50,683 --> 00:20:53,895
THERE IS NO NEED
TO BE SO AGGRESSIVE.
572
00:20:53,919 --> 00:20:55,196
IT WAS A MISTAKE.
IT WAS A MISTAKE.
573
00:20:55,220 --> 00:20:56,331
FUCK YOU, YOU COW.
574
00:20:56,355 --> 00:20:57,165
FUCK YOU.
575
00:20:57,189 --> 00:20:57,933
NO, FUCKING FUCK YOU.
576
00:20:57,957 --> 00:21:00,002
YOU ARE A FUCKING NUTCASE.
577
00:21:00,026 --> 00:21:02,037
YOU'RE A FUCKING MENACE.
578
00:21:02,061 --> 00:21:03,105
THIS DOESN'T SEEM TO
BE GOING ANYWHERE.
579
00:21:03,129 --> 00:21:04,606
YOU OKAY?
580
00:21:04,630 --> 00:21:05,908
YEAH.
581
00:21:05,932 --> 00:21:07,175
YOU INJURED?
582
00:21:07,199 --> 00:21:09,178
SHOULD WE GET YOU TO A HOSPITAL?
583
00:21:09,202 --> 00:21:10,345
THANK YOU FOR ASKING.
IT'S ABOUT TIME SOMEONE DID.
584
00:21:10,369 --> 00:21:11,880
YOU DIDN'T GIVE US A
CHANCE, YOU FREAK.
585
00:21:11,904 --> 00:21:14,416
HEY.
586
00:21:14,440 --> 00:21:17,752
WE'LL, YOU'RE
OBVIOUSLY IN ONE PIECE.
587
00:21:17,776 --> 00:21:18,921
YOU SURE KNOW HOW TO FALL.
588
00:21:18,945 --> 00:21:20,255
I MEAN, YOU SEEM TO
BE IN AMAZING SHAPE.
589
00:21:20,279 --> 00:21:21,423
THANKS.
590
00:21:21,447 --> 00:21:22,791
YOU SURE YOU CAN RIDE?
591
00:21:22,815 --> 00:21:24,460
YEAH, I CAN.
592
00:21:24,484 --> 00:21:26,924
I'M NOT SURE THEY CAN.
593
00:21:27,787 --> 00:21:29,386
LEARN TO DRIVE.
594
00:21:31,557 --> 00:21:33,101
THANK YOU FOR THAT.
595
00:21:33,125 --> 00:21:34,135
THERE'S NO TALKING
TO PEOPLE LIKE THAT.
596
00:21:34,159 --> 00:21:35,170
APPEAL TO THEIR VANITY.
597
00:21:35,194 --> 00:21:36,237
IT WORKS EVERY TIME.
598
00:21:36,261 --> 00:21:37,795
BE CAREFUL.
599
00:21:43,069 --> 00:21:44,045
[DANA]: OKAY.
600
00:21:44,069 --> 00:21:45,047
[ALICE]: OKAY.
601
00:21:45,071 --> 00:21:46,048
OKAY.
602
00:21:46,072 --> 00:21:47,048
ALL RIGHT.
603
00:21:47,072 --> 00:21:48,049
LET'S REVIEW THE STRATEGY
604
00:21:48,073 --> 00:21:49,051
ONE MORE TIME.
605
00:21:49,075 --> 00:21:50,052
ALL RIGHT.
606
00:21:50,076 --> 00:21:51,419
WE EXCHANGE PLEASANTRIES.
607
00:21:51,443 --> 00:21:53,088
MOM TELLS ME HOW THIN I LOOK.
608
00:21:53,112 --> 00:21:54,323
YOUR FATHER ASKS
HOW MY CAREER'S GOING...
609
00:21:54,347 --> 00:21:55,457
RIGHT.
610
00:21:55,481 --> 00:21:56,458
THEN YOU TELL THEM.
611
00:21:56,482 --> 00:21:57,459
RIGHT, JUST...
612
00:21:57,483 --> 00:21:58,727
JUST BLURT IT OUT.
613
00:21:58,751 --> 00:22:00,428
BEFORE LUNCH. BEFORE
MOM GETS THE AWARD.
614
00:22:00,452 --> 00:22:02,564
RIGHT. SHE'LL KEEP IT TOGETHER.
615
00:22:02,588 --> 00:22:03,732
SHE'S NOT GOING ON THAT STAGE
616
00:22:03,756 --> 00:22:04,900
WITH HER MASCARA RUNNING.
617
00:22:04,924 --> 00:22:05,967
LET'S GO.
618
00:22:05,991 --> 00:22:07,069
COME ON.
619
00:22:07,093 --> 00:22:08,373
OKAY.
620
00:22:18,437 --> 00:22:20,616
OH, LOOK AT THESE
BEAUTIFUL LADIES
621
00:22:20,640 --> 00:22:21,817
WHO'VE COME ALL THE
WAY FROM BEVERLY HILLS
622
00:22:21,841 --> 00:22:23,618
TO BE AT MY LUNCHEON.
623
00:22:23,642 --> 00:22:26,588
I DON'T LIVE IN
BEVERLY HILLS, MOM.
624
00:22:26,612 --> 00:22:27,823
OH, SO THIN.
625
00:22:27,847 --> 00:22:29,758
ALICE, YOU LOOK
WONDERFUL, AS ALWAYS.
626
00:22:29,782 --> 00:22:30,826
SO NICE TO SEE YOU.
627
00:22:30,850 --> 00:22:31,926
CONGRATS, SHARON.
628
00:22:31,950 --> 00:22:33,762
YOU MUST BE GREAT REPUBLICANS.
629
00:22:33,786 --> 00:22:35,097
YOU'VE MISSED THE RECEPTION,
630
00:22:35,121 --> 00:22:36,498
AND WE'LL JUST HAVE TO
GO AND SIT DOWN TO LUNCH.
631
00:22:36,522 --> 00:22:38,634
HOWIE, HAVE YOU SAID
HELLO TO YOUR SISTER?
632
00:22:38,658 --> 00:22:39,667
HEY, D-DOG.
633
00:22:39,691 --> 00:22:40,869
HEY, HOW.
634
00:22:40,893 --> 00:22:42,371
HOW YOU DOING?
635
00:22:42,395 --> 00:22:43,593
HELLO.
636
00:22:46,032 --> 00:22:47,041
OOH.
637
00:22:47,065 --> 00:22:48,110
SHIT.
638
00:22:48,134 --> 00:22:49,378
SHIT, SHIT, SHIT, SHIT.
639
00:22:49,402 --> 00:22:51,168
IT'S OKAY. GO.
640
00:22:59,579 --> 00:23:01,556
SEE, ALL I CAN SEE RIGHT NOW
641
00:23:01,580 --> 00:23:02,858
IS HER BUTT,
642
00:23:02,882 --> 00:23:04,760
WHICH IS NICE FOR A GIRL,
643
00:23:04,784 --> 00:23:06,094
BUT YOU KNOW,
644
00:23:06,118 --> 00:23:08,096
I'M NOT AN EXPERT
ON WOMEN'S ASSES.
645
00:23:08,120 --> 00:23:10,599
COME ON, TURN AROUND.
646
00:23:10,623 --> 00:23:13,067
WOW.
647
00:23:13,091 --> 00:23:14,236
WOW.
648
00:23:14,260 --> 00:23:15,303
OKAY...
649
00:23:15,327 --> 00:23:16,238
CAN WE GO?
650
00:23:16,262 --> 00:23:18,206
KEEP YOUR PANTIES ON.
651
00:23:18,230 --> 00:23:19,274
I'M TRYING TO WRAP
MY HEAD AROUND THIS.
652
00:23:19,298 --> 00:23:20,175
I WANT TO ASK YOU SOMETHING.
653
00:23:20,199 --> 00:23:21,176
WHAT?
654
00:23:21,200 --> 00:23:22,176
YOU HAD SEX WITH THAT WOMAN?
655
00:23:22,200 --> 00:23:23,412
PLEASE, PLEASE...
656
00:23:23,436 --> 00:23:24,679
DID YOU GO DOWN ON
HER AND EVERYTHING?
657
00:23:24,703 --> 00:23:27,015
NO, THIS IS IMPORTANT.
658
00:23:27,039 --> 00:23:28,116
DO GIRLS STILL LOOK PRETTY
659
00:23:28,140 --> 00:23:30,586
WHEN THEY'RE GETTING EATEN OUT?
660
00:23:30,610 --> 00:23:31,619
WHEN YOU'RE GIVING
THEM BLOW JOBS.
661
00:23:31,643 --> 00:23:32,654
HELLO AGAIN.
662
00:23:32,678 --> 00:23:34,678
HI. HI.
663
00:23:36,682 --> 00:23:37,993
OKAY, WE HAVE TO GO NOW.
664
00:23:38,017 --> 00:23:41,964
ANNETTE, NOT FUNNY.
665
00:23:41,988 --> 00:23:43,632
WHAT?
666
00:23:43,656 --> 00:23:44,766
JENNY. JENNY.
667
00:23:44,790 --> 00:23:46,256
WHAT?
668
00:23:50,229 --> 00:23:51,973
OH, MY GOD.
669
00:23:51,997 --> 00:23:54,398
THAT'S FRANCESCA.
670
00:24:09,882 --> 00:24:12,694
DANA,
671
00:24:12,718 --> 00:24:14,496
YOU MUST BE SO
PROUD OF YOUR MOTHER.
672
00:24:14,520 --> 00:24:15,631
DO YOU KNOW
673
00:24:15,655 --> 00:24:16,731
THAT SHE RAISED
MORE MONEY LAST YEAR
674
00:24:16,755 --> 00:24:17,966
FOR OUR CANDIDATES
675
00:24:17,990 --> 00:24:19,434
THAN ANYBODY ELSE IN THE CLUB?
676
00:24:19,458 --> 00:24:23,905
OH, I AM VERY PROUD. YEAH.
677
00:24:23,929 --> 00:24:25,007
WE JUST WANTED TO
SAY CONGRATULATIONS,
678
00:24:25,031 --> 00:24:26,041
SHARON.
679
00:24:26,065 --> 00:24:28,377
THANK YOU SO MUCH.
680
00:24:28,401 --> 00:24:29,678
OH, DAD.
681
00:24:29,702 --> 00:24:32,181
OH, I'LL JUST TAKE
THESE DRINKS...
682
00:24:32,205 --> 00:24:34,016
SORRY ABOUT THAT.
683
00:24:34,040 --> 00:24:35,283
MOM, DAD...
684
00:24:35,307 --> 00:24:38,086
UM, HOW...
685
00:24:38,110 --> 00:24:40,388
THERE'S SOMETHING I WANT
TO TALK TO YOU GUYS ABOUT.
686
00:24:40,412 --> 00:24:42,090
UM...
687
00:24:42,114 --> 00:24:43,358
UH, DANA,
688
00:24:43,382 --> 00:24:44,359
DO YOU HAVE A BOYFRIEND,
689
00:24:44,383 --> 00:24:45,360
BY ANY CHANCE?
690
00:24:45,384 --> 00:24:47,062
HOWIE, DON'T BE A PAIN.
691
00:24:47,086 --> 00:24:49,697
I'M SURE IF DANA HAD A BOYFRIEND
HE'D BE RIGHT HERE WITH US.
692
00:24:49,721 --> 00:24:53,568
NOW, DANA'S LIKE I
WAS WHEN I WAS YOUNG.
693
00:24:53,592 --> 00:24:56,138
WHEN YOU'RE GOOD AT
SOMETHING, MEN ARE INTIMIDATED.
694
00:24:56,162 --> 00:24:58,596
YOU'VE GOT TO WAIT FOR THE
RIGHT ONE TO COME ALONG.
695
00:25:02,068 --> 00:25:03,044
WHAT WAS IT YOU
WERE SAYING, DEAR?
696
00:25:03,068 --> 00:25:04,079
EXCUSE ME.
697
00:25:04,103 --> 00:25:06,247
I WANT AN AUTOGRAPH.
698
00:25:06,271 --> 00:25:08,416
I'M SORRY TO INTERRUPT,
699
00:25:08,440 --> 00:25:10,518
BUT THIS SEEMED
LIKE MY BEST CHANCE.
700
00:25:10,542 --> 00:25:11,686
YOU MUST BE SO PROUD.
701
00:25:11,710 --> 00:25:12,955
OH, DANA, YOU KNOW MARIAN.
702
00:25:12,979 --> 00:25:13,988
HI.
703
00:25:14,012 --> 00:25:15,223
HI. HOW ARE YOU? YEAH.
704
00:25:15,247 --> 00:25:16,391
GOD!
705
00:25:16,415 --> 00:25:17,558
DANA...
706
00:25:17,582 --> 00:25:18,860
IT'S MY SON.
707
00:25:18,884 --> 00:25:19,861
TO YOUR SON.
708
00:25:19,885 --> 00:25:21,028
MY SON BRUCE.
709
00:25:21,052 --> 00:25:22,097
HE GAVE ME THIS MAGAZINE,
710
00:25:22,121 --> 00:25:23,264
AND HE KNEW THAT YOUR MOTHER
711
00:25:23,288 --> 00:25:24,433
WAS FRIENDS WITH ME.
712
00:25:24,457 --> 00:25:26,768
WE'VE COME SUCH A LONG WAY,
713
00:25:26,792 --> 00:25:27,803
HAVEN'T WE?
714
00:25:27,827 --> 00:25:28,836
OH, SHIT.
715
00:25:28,860 --> 00:25:29,738
HOWIE. DANA...
716
00:25:29,762 --> 00:25:30,605
WHAT?
717
00:25:30,629 --> 00:25:34,843
SWEETIE, WHAT WAS THAT?
718
00:25:34,867 --> 00:25:37,368
WHAT WAS THAT?
719
00:25:39,704 --> 00:25:42,350
MY SUBARU AD.
720
00:25:42,374 --> 00:25:45,720
EVERY TIME SOMETHING
WONDERFUL HAPPENS TO YOU,
721
00:25:45,744 --> 00:25:47,155
YOU DOWNPLAY IT.
722
00:25:47,179 --> 00:25:48,990
NOW, THAT AD WAS
VERY IMPRESSIVE.
723
00:25:49,014 --> 00:25:50,259
HONEY...
724
00:25:50,283 --> 00:25:52,794
HONEY, WHEN WERE
YOU GOING TO TELL US?
725
00:25:52,818 --> 00:25:54,328
I MEAN, A FEW MORE
SURPRISES LIKE THAT
726
00:25:54,352 --> 00:25:56,464
AND I COULD KEEL OVER
FROM A HEART ATTACK.
727
00:25:56,488 --> 00:25:58,399
UH... I'VE...
728
00:25:58,423 --> 00:26:00,168
IT'S YOUR DAY.
729
00:26:00,192 --> 00:26:03,472
IT'S YOUR DAY, YOU KNOW?
730
00:26:03,496 --> 00:26:04,573
SHE DIDN'T WANT TO
STEAL THE THUNDER.
731
00:26:04,597 --> 00:26:06,040
SHE DIDN'T WANT TO TAKE IT AWAY.
732
00:26:06,064 --> 00:26:08,543
ALWAYS THINKING OF OTHER PEOPLE.
733
00:26:08,567 --> 00:26:10,145
THAT'S MY GIRL.
734
00:26:10,169 --> 00:26:11,345
I JUST CAN'T WAIT
735
00:26:11,369 --> 00:26:12,781
TO TO TELL YOUR AUNT
SASHA AND THE BOYS.
736
00:26:12,805 --> 00:26:13,982
I'M SURE SHE HASN'T SEEN IT YET,
737
00:26:14,006 --> 00:26:15,316
OTHERWISE SHE
WOULD BE SCREAMING.
738
00:26:15,340 --> 00:26:17,719
I'M SURE SHE WOULD BE.
739
00:26:17,743 --> 00:26:19,087
WHAT DID IT SAY AGAIN, DEAR?
740
00:26:19,111 --> 00:26:20,521
IT SAID, UH...
741
00:26:20,545 --> 00:26:24,392
"GET OUT AND STAY OUT."
742
00:26:24,416 --> 00:26:25,915
YEAH. YEAH.
743
00:26:27,920 --> 00:26:29,164
I'M NOT REALLY SURE
WHAT THAT MEANS.
744
00:26:29,188 --> 00:26:32,567
UM...
745
00:26:32,591 --> 00:26:35,370
IT MEANS, UH...
746
00:26:35,394 --> 00:26:36,838
IT'S A MARKETING CAMPAIGN
747
00:26:36,862 --> 00:26:38,573
FOR WOMEN
748
00:26:38,597 --> 00:26:39,708
WHO ARE LIKE ME.
749
00:26:39,732 --> 00:26:41,443
WHO, UH...
750
00:26:41,467 --> 00:26:43,612
WHO ARE OUT...
751
00:26:43,636 --> 00:26:45,079
DOORSY.
752
00:26:45,103 --> 00:26:47,248
OUTSIDE A LOT.
753
00:26:47,272 --> 00:26:49,284
PLAYING TENNIS, YOU KNOW?
754
00:26:49,308 --> 00:26:50,752
THINGS LIKE THAT.
755
00:26:50,776 --> 00:26:52,019
YOU KNOW,
756
00:26:52,043 --> 00:26:55,156
I'M JUST NOT HUNGRY
ALL OF A SUDDEN.
757
00:26:55,180 --> 00:26:56,191
CAN YOU JUST GIVE ME A MINUTE?
758
00:26:56,215 --> 00:26:57,259
I JUST NEED A MINUTE.
759
00:26:57,283 --> 00:26:58,259
I'M JUST GOING TO...
760
00:26:58,283 --> 00:26:59,327
SURE.
761
00:26:59,351 --> 00:27:01,229
I'LL BE BACK.
762
00:27:01,253 --> 00:27:02,497
OKAY, I'M PRETTY SURE
763
00:27:02,521 --> 00:27:03,531
THEY HAVE NO IDEA WHAT IT MEANS.
764
00:27:03,555 --> 00:27:04,833
YOU THINK?
765
00:27:04,857 --> 00:27:05,934
OR THEY TOTALLY GET IT,
766
00:27:05,958 --> 00:27:07,002
BUT THEY'VE SPUN
767
00:27:07,026 --> 00:27:08,270
INTO SOME BLACK HOLE OF DENIAL
768
00:27:08,294 --> 00:27:11,239
AND TURNED INTO
ROBOTS OR SOMETHING.
769
00:27:11,263 --> 00:27:12,907
YOU DON'T UNDERSTAND
770
00:27:12,931 --> 00:27:14,343
HOW WITHIN THE
REALM OF POSSIBILITY
771
00:27:14,367 --> 00:27:15,610
THAT IS.
772
00:27:15,634 --> 00:27:16,978
LOOK,
773
00:27:17,002 --> 00:27:19,114
MAYBE THE GET IT,
MAYBE THEY DON'T.
774
00:27:19,138 --> 00:27:20,715
BUT RIGHT NOW, THEY'RE
REALLY PROUD OF YOU,
775
00:27:20,739 --> 00:27:22,951
AND I'M THINKING
THIS IS THE MOMENT.
776
00:27:22,975 --> 00:27:24,586
DO YOU WANT TO PRACTICE?
777
00:27:24,610 --> 00:27:25,953
OKAY.
778
00:27:25,977 --> 00:27:29,124
OKAY, THIS WILL BE SHARON
AND THIS WILL BE IRWIN.
779
00:27:29,148 --> 00:27:30,525
OKAY.
780
00:27:30,549 --> 00:27:31,549
GO AHEAD.
781
00:27:34,520 --> 00:27:35,897
THAT'S RETARDED.
782
00:27:35,921 --> 00:27:37,766
WOULD YOU JUST PLAY?
783
00:27:37,790 --> 00:27:39,167
"I'M NOT REALLY SURE
WHAT THAT MEANS, HONEY.
784
00:27:39,191 --> 00:27:40,891
GET OUT AND STAY OUT."
785
00:27:49,101 --> 00:27:50,578
WHAT ARE YOU LOOKING AT?
786
00:27:50,602 --> 00:27:51,779
[APPLAUSE]
787
00:27:51,803 --> 00:27:53,415
THANK YOU.
788
00:27:53,439 --> 00:27:55,016
LADIES AND GENTLEMEN,
789
00:27:55,040 --> 00:27:57,118
WOULD YOU PLEASE JOIN ME
IN WELCOMING TO THE STAGE
790
00:27:57,142 --> 00:27:59,287
OUR OWN WOMAN OF THE YEAR,
791
00:27:59,311 --> 00:28:01,344
SHARON FAIRBANKS.
792
00:28:11,089 --> 00:28:15,036
WHAT A DAY TO BE
PROUD OF MY GIRLS.
793
00:28:15,060 --> 00:28:17,272
THANK YOU SO MUCH.
794
00:28:17,296 --> 00:28:20,542
I FEEL SO HONORED
795
00:28:20,566 --> 00:28:24,379
TO BE STANDING HERE IN
FRONT OF YOU AND MY FAMILY.
796
00:28:24,403 --> 00:28:28,683
I CAN'T TELL YOU WHAT A
PRECIOUS MOMENT THIS IS.
797
00:28:28,707 --> 00:28:30,007
FOR THE LAST EIGHT YEARS...
798
00:28:31,944 --> 00:28:33,755
YOU'RE MAKING YOURSELF CRAZY.
799
00:28:33,779 --> 00:28:35,957
MAYBE WE SHOULD ABORT.
800
00:28:35,981 --> 00:28:37,091
WHO'S SMOKING?
801
00:28:37,115 --> 00:28:39,227
SOMEBODY'S SMOKING.
802
00:28:39,251 --> 00:28:41,396
WHAT UP, LESBOS?
803
00:28:41,420 --> 00:28:42,564
THANK GOD.
804
00:28:42,588 --> 00:28:44,031
SHIT. HOWIE, WHAT ARE YOU DOING?
805
00:28:44,055 --> 00:28:45,100
WHAT?
806
00:28:45,124 --> 00:28:46,267
HERE.
807
00:28:46,291 --> 00:28:47,735
NO, NO, NO, NO.
808
00:28:47,759 --> 00:28:49,070
IT MIGHT HELP YOU
RELAX A LITTLE BIT,
809
00:28:49,094 --> 00:28:50,460
YOU KNOW?
810
00:28:53,766 --> 00:28:56,778
OH, D-DOG, I'VE GOT TO TELL YOU,
811
00:28:56,802 --> 00:28:59,714
WHEN MOM AND DAD
DISOWN YOU AND ALL,
812
00:28:59,738 --> 00:29:03,218
I'LL STILL COME AND VISIT.
813
00:29:03,242 --> 00:29:05,353
THANKS, BRO.
814
00:29:05,377 --> 00:29:07,322
HERE.
815
00:29:07,346 --> 00:29:09,257
OKAY.
816
00:29:09,281 --> 00:29:10,580
YEAH, GO FOR IT.
817
00:29:13,685 --> 00:29:15,062
WAIT A MINUTE, WAIT A MINUTE.
818
00:29:15,086 --> 00:29:16,264
[GASPS]
819
00:29:16,288 --> 00:29:18,834
OH, SHE BOUGHT HER A WATCH.
820
00:29:18,858 --> 00:29:20,701
OH, IT'S A MONT BLANC.
821
00:29:20,725 --> 00:29:21,703
THOSE ARE VERY EXPENSIVE.
822
00:29:21,727 --> 00:29:22,703
ANNETTE,
823
00:29:22,727 --> 00:29:23,705
WE'RE OFFICIALLY
STALKING SOMEONE,
824
00:29:23,729 --> 00:29:24,739
WHICH MAKES US KIND OF CRAZY...
825
00:29:24,763 --> 00:29:25,774
YOU KNOW WHAT?
826
00:29:25,798 --> 00:29:27,342
I THINK YOU CAN TAKE HER DOWN.
827
00:29:27,366 --> 00:29:29,244
LOOK AT HER.
828
00:29:29,268 --> 00:29:31,813
SHE'S FUCKING BEAUTIFUL, MAN.
829
00:29:31,837 --> 00:29:33,748
SHE DRIVES VINTAGE MERCEDES.
830
00:29:33,772 --> 00:29:36,851
SHE'S LIKE BELLE MONDO
831
00:29:36,875 --> 00:29:38,186
IN LIKE, THIS GODARD FILM,
832
00:29:38,210 --> 00:29:39,420
YOU KNOW?
833
00:29:39,444 --> 00:29:40,822
I LIVE OUT OF A GARBAGE BAG.
834
00:29:40,846 --> 00:29:42,924
I LIVE IN A TOOL SHED.
835
00:29:42,948 --> 00:29:45,226
OKAY, BUT HERE'S
WHAT I SEE, OKAY?
836
00:29:45,250 --> 00:29:46,494
WHAT DO YOU SEE?
837
00:29:46,518 --> 00:29:48,363
FRANCESCA IS BUYING
838
00:29:48,387 --> 00:29:49,898
MARINA'S AFFECTIONS.
839
00:29:49,922 --> 00:29:50,565
YOU'RE WAY YOUNGER.
840
00:29:50,589 --> 00:29:51,399
YES.
841
00:29:51,423 --> 00:29:52,800
YOU'RE WAY HOTTER.
842
00:29:52,824 --> 00:29:54,035
WHY DO YOU THINK SHE
CAME LOOKING FOR YOU
843
00:29:54,059 --> 00:29:54,936
IN THE FIRST PLACE?
844
00:29:54,960 --> 00:29:55,971
WHY?
845
00:29:55,995 --> 00:29:56,971
BECAUSE IT'S OVER BETWEEN THEM.
846
00:29:56,995 --> 00:29:58,272
LOOK AT THEM, MAN.
847
00:29:58,296 --> 00:29:59,307
LOOK AT THEM.
848
00:29:59,331 --> 00:30:00,408
THERE'S LOVE IN THEIR EYES.
849
00:30:00,432 --> 00:30:01,709
THEY HAVE THAT, LIKE...
850
00:30:01,733 --> 00:30:02,577
TWAT.
851
00:30:02,601 --> 00:30:03,545
NO MORE TWAT.
852
00:30:03,569 --> 00:30:05,613
NO MORE TWAT FOR ME.
853
00:30:05,637 --> 00:30:07,148
TWAT GETS ME INTO TROUBLE.
854
00:30:07,172 --> 00:30:09,483
TWAT THE NIGHT, YOU IDIOT.
855
00:30:09,507 --> 00:30:11,018
WE GO, TOGETHER, YOU AND ME.
856
00:30:11,042 --> 00:30:12,220
WE LOOK ALL HOT, RIGHT?
857
00:30:12,244 --> 00:30:13,521
WE GET YOU ALL DOLLED UP,
858
00:30:13,545 --> 00:30:15,890
LIKE THE JENNY
THAT I USED TO KNOW.
859
00:30:15,914 --> 00:30:16,924
MARINA SEES US,
860
00:30:16,948 --> 00:30:17,993
MAYBE SHE GETS A
LITTLE BIT JEALOUS,
861
00:30:18,017 --> 00:30:19,460
STARTS TO COMPARISON SHOP.
862
00:30:19,484 --> 00:30:21,162
MAYBE A BAD IDEA. MAYBE...
863
00:30:21,186 --> 00:30:22,897
WORST CASE SCENARIO,
864
00:30:22,921 --> 00:30:23,965
SHE THINKS YOU HAVE
A HOT NEW GIRLFRIEND
865
00:30:23,989 --> 00:30:25,300
AND YOU AND ME GET LOADED,
866
00:30:25,324 --> 00:30:27,302
BUT IF EVERYTHING
GOES ACCORDING TO PLAN,
867
00:30:27,326 --> 00:30:28,403
OL' FRAN WILL BE GETTING
HER WALKING PAPERS
868
00:30:28,427 --> 00:30:29,547
BY THE END OF THE NIGHT.
869
00:30:34,533 --> 00:30:35,543
HOWIE, I WAS AT THIS...
870
00:30:35,567 --> 00:30:38,413
OH, FUCK.
871
00:30:38,437 --> 00:30:39,936
OH, MY GOD.
872
00:30:42,807 --> 00:30:43,818
MOM...
873
00:30:43,842 --> 00:30:45,386
YOU DIDN'T DO ANYTHING, MOM.
874
00:30:45,410 --> 00:30:47,555
DAD, IT'S NOT LIKE THAT.
875
00:30:47,579 --> 00:30:48,656
JUST LET ME EXPLAIN.
876
00:30:48,680 --> 00:30:49,791
PLEASE LET ME EXPLAIN.
877
00:30:49,815 --> 00:30:52,426
I THINK YOU'VE SAID
ENOUGH ALREADY.
878
00:30:52,450 --> 00:30:53,428
I TAKE IT YOU'RE
879
00:30:53,452 --> 00:30:55,230
A PART OF THIS LIFESTYLE TOO?
880
00:30:55,254 --> 00:30:57,587
ME? NO, NO. I HAVE A BOYFRIEND.
881
00:31:03,595 --> 00:31:04,961
A BOYFRIEND? THANKS.
882
00:31:13,005 --> 00:31:14,315
MOM, DAD, WAIT.
883
00:31:14,339 --> 00:31:16,150
WAIT, WAIT, WAIT.
884
00:31:16,174 --> 00:31:18,141
MOM...
885
00:31:19,378 --> 00:31:21,156
I'M SORRY.
886
00:31:21,180 --> 00:31:23,591
I DIDN'T DO THIS TO HURT YOU.
887
00:31:23,615 --> 00:31:27,195
WE ALL HAVE FEELINGS
FOR OUR GIRLFRIENDS, DANA.
888
00:31:27,219 --> 00:31:29,739
IT DOESN'T MEAN YOU
HAVE TO ACT ON THEM.
889
00:31:59,217 --> 00:32:01,417
HEY. YOU ALL RIGHT?
890
00:32:17,702 --> 00:32:18,680
HEY.
891
00:32:18,704 --> 00:32:19,714
[HORN HONKS]
892
00:32:19,738 --> 00:32:20,915
HEY!
893
00:32:20,939 --> 00:32:23,083
WHY ARE YOU DOING
THIS SHIT, CLIVE?
894
00:32:23,107 --> 00:32:24,152
WHAT'S UP?
895
00:32:24,176 --> 00:32:25,186
WHAT AM I SUPPOSED TO DO?
896
00:32:25,210 --> 00:32:27,054
THEY KICKED ME OUT.
897
00:32:27,078 --> 00:32:29,424
I MEAN,
898
00:32:29,448 --> 00:32:32,360
I WAS JUST LOOKING FOR
A FUCKING CIGARETTE.
899
00:32:32,384 --> 00:32:33,428
SO IF I WAS TO LOOK IN
YOUR BAG RIGHT NOW,
900
00:32:33,452 --> 00:32:34,328
I WOULDN'T FIND
901
00:32:34,352 --> 00:32:35,786
MARNIE'S CD PLAYER?
902
00:32:37,122 --> 00:32:40,067
DO NOT THROW THIS SHIT AT ME.
903
00:32:40,091 --> 00:32:42,036
DO NOT FUCKING DO THAT.
904
00:32:42,060 --> 00:32:43,638
IF IT'S NOT THERE,
905
00:32:43,662 --> 00:32:44,940
THAT MEANS YOU SOLD IT
OR TRADED IT FOR DRUGS.
906
00:32:44,964 --> 00:32:46,241
DO NOT BLAME ME.
907
00:32:46,265 --> 00:32:47,274
FUCK YOU.
908
00:32:47,298 --> 00:32:49,944
YOU ARE JUST LIKE THEM.
909
00:32:49,968 --> 00:32:51,245
SHANE, PLEASE,
910
00:32:51,269 --> 00:32:53,281
YOU'VE GOT TO HELP ME.
911
00:32:53,305 --> 00:32:54,582
NO, PLEASE,
PLEASE. YOU'VE GOT...
912
00:32:54,606 --> 00:32:55,750
PLEASE.
913
00:32:55,774 --> 00:32:57,385
DON'T LET THEM
KICK ME OUT, OKAY?
914
00:32:57,409 --> 00:32:59,721
LOOK, TELL THEM
I'M COOL, WHATEVER.
915
00:32:59,745 --> 00:33:01,155
NO, I'M OUT. I'M DONE. I CAN'T.
916
00:33:01,179 --> 00:33:03,525
I CAN'T.
917
00:33:03,549 --> 00:33:05,059
YOU FUCKED IT. I CAN'T.
918
00:33:05,083 --> 00:33:06,060
TAKE THAT.
919
00:33:06,084 --> 00:33:07,761
I CANNOT DO THAT.
920
00:33:07,785 --> 00:33:09,152
OH, GOD.
921
00:33:11,990 --> 00:33:12,990
GODDAMMIT.
922
00:33:16,161 --> 00:33:17,627
ALL RIGHT...
923
00:33:20,499 --> 00:33:21,576
IF YOU TAKE THAT,
924
00:33:21,600 --> 00:33:24,600
YOU CAN STAY AT A
HOTEL FOR A FEW NIGHTS.
925
00:33:27,739 --> 00:33:29,917
YOU KNOW, THE REASON
YOU HAVE THIS MONEY
926
00:33:29,941 --> 00:33:30,751
IS BECAUSE OF ME.
927
00:33:30,775 --> 00:33:31,753
I'M THE ONE
928
00:33:31,777 --> 00:33:33,021
WHO GOT YOU WHERE YOU ARE.
929
00:33:33,045 --> 00:33:34,088
ALL RIGHT?
930
00:33:34,112 --> 00:33:35,089
I'M THE ONE WHO SET YOU UP.
931
00:33:35,113 --> 00:33:36,257
IF IT WASN'T FOR ME,
932
00:33:36,281 --> 00:33:37,591
YOU NEVER WOULD HAVE MET HARRY
933
00:33:37,615 --> 00:33:39,127
AND YOU NEVER WOULD
HAVE ANY CLIENTS.
934
00:33:39,151 --> 00:33:40,928
YOU OWE ME.
935
00:33:40,952 --> 00:33:42,530
THANK YOU.
936
00:33:42,554 --> 00:33:44,965
I THANK YOU FOR SETTING ME UP.
937
00:33:44,989 --> 00:33:48,524
SELFISH PRICK.
938
00:33:51,630 --> 00:33:52,673
SHANE...
939
00:33:52,697 --> 00:33:54,074
FUCK.
940
00:33:54,098 --> 00:33:55,965
WAIT.
941
00:33:59,304 --> 00:34:00,515
ARE YOU HOLDING?
942
00:34:00,539 --> 00:34:02,004
NO!
943
00:34:04,075 --> 00:34:06,643
GODDAMMIT!
944
00:34:17,756 --> 00:34:18,799
JUST TAKE IT.
945
00:34:18,823 --> 00:34:22,537
OH, GOD.
946
00:34:22,561 --> 00:34:24,372
I'M SORRY.
947
00:34:24,396 --> 00:34:26,596
NO, YOU'RE NOT.
948
00:34:35,240 --> 00:34:36,618
JENNY?
949
00:34:36,642 --> 00:34:38,619
[FOOTSTEPS APPROACHING]
950
00:34:38,643 --> 00:34:42,090
HEY, LESBO, IS THAT YOU?
951
00:34:42,114 --> 00:34:43,546
WHOA.
952
00:34:45,951 --> 00:34:47,428
HI, TIM.
953
00:34:47,452 --> 00:34:49,798
HOW LONG ARE YOU GOING TO BE?
954
00:34:49,822 --> 00:34:51,665
IN THE BATHROOM OR IN L.A.?
955
00:34:51,689 --> 00:34:54,168
THE BATHROOM.
956
00:34:54,192 --> 00:34:56,371
I'M ALMOST DONE.
957
00:34:56,395 --> 00:34:57,172
HEY.
958
00:34:57,196 --> 00:34:59,562
HEY, TIM.
959
00:35:03,001 --> 00:35:04,179
I'M SORRY
960
00:35:04,203 --> 00:35:05,713
FOR EVERYTHING
THAT'S BEEN GOING ON.
961
00:35:05,737 --> 00:35:08,549
IT MUST HAVE BEEN REALLY HARD.
962
00:35:08,573 --> 00:35:11,719
YEAH.
963
00:35:11,743 --> 00:35:14,889
WELL, IT STILL IS.
964
00:35:14,913 --> 00:35:17,392
I KNOW YOU'RE HURTING...
965
00:35:17,416 --> 00:35:19,894
BUT...
966
00:35:19,918 --> 00:35:21,329
IF YOU CAN,
967
00:35:21,353 --> 00:35:25,566
WOULD YOU TAKE CARE OF JENNY?
968
00:35:25,590 --> 00:35:27,234
SHE REALLY NEEDS SOMEBODY NOW,
969
00:35:27,258 --> 00:35:29,525
AND I LIVE TOO FAR AWAY.
970
00:35:35,767 --> 00:35:36,744
THANKS.
971
00:35:36,768 --> 00:35:38,534
IT'S ALL YOURS.
972
00:35:43,508 --> 00:35:45,353
IT'S A PETITION OPPOSING
973
00:35:45,377 --> 00:35:46,387
THE CALIFORNIA ART CENTER
974
00:35:46,411 --> 00:35:47,721
FOR DISPLAYING OBSCENE ART.
975
00:35:47,745 --> 00:35:48,990
IT DEPICTS THE VIRGIN MARY
976
00:35:49,014 --> 00:35:50,525
ENGAGED IN A SEX
ACT WITH HERSELF,
977
00:35:50,549 --> 00:35:51,692
IMAGES OF YOUNG CHILDREN
978
00:35:51,716 --> 00:35:52,793
WITH THEIR GENITALS EXPOSED...
979
00:35:52,817 --> 00:35:53,828
EXCUSE ME.
980
00:35:53,852 --> 00:35:55,229
EXCUSE ME, MA'AM,
981
00:35:55,253 --> 00:35:56,797
WOULD YOU BE INTERESTED
IN SIGNING THIS PETITION?
982
00:35:56,821 --> 00:35:58,766
I KNOW SOMETHING
ABOUT THE EXHIBIT.
983
00:35:58,790 --> 00:35:59,901
REALLY?
984
00:35:59,925 --> 00:36:01,302
WELL, THEN YOU MUST BE DISGUSTED
985
00:36:01,326 --> 00:36:02,903
AT THE SICK AND THE
HORRIBLE MATERIAL
986
00:36:02,927 --> 00:36:04,304
THAT THEY'RE CALLING ART.
987
00:36:04,328 --> 00:36:07,175
HAVE YOU SEEN IT?
THIS SO-CALLED ART?
988
00:36:07,199 --> 00:36:08,442
NOT PERSONALLY, NO,
989
00:36:08,466 --> 00:36:10,211
BUT I DON'T FEEL I NEED TO.
990
00:36:10,235 --> 00:36:12,747
WELL, HOW CAN YOU ASK PEOPLE
991
00:36:12,771 --> 00:36:14,883
TO SIGN A PETITION OPPOSING IT?
992
00:36:14,907 --> 00:36:16,250
HOW CAN YOU CONDEMN WORKS OF ART
993
00:36:16,274 --> 00:36:17,518
WITHOUT EVER SEEING THEM
994
00:36:17,542 --> 00:36:18,886
OR TAKING EVEN A
MOMENT TO CONSIDER
995
00:36:18,910 --> 00:36:20,655
WHAT THE ARTIST MIGHT
BE TRYING TO SAY TO YOU?
996
00:36:20,679 --> 00:36:22,223
SIR...
997
00:36:22,247 --> 00:36:23,691
EXCUSE ME.
998
00:36:23,715 --> 00:36:25,248
YOU'RE ON PRIVATE PROPERTY.
999
00:36:39,131 --> 00:36:41,375
NEXT TIME, WE'LL
HAVE LAP DANCERS.
1000
00:36:41,399 --> 00:36:43,277
TOTALLY.
1001
00:36:43,301 --> 00:36:46,648
IS THIS THE TWAT?
1002
00:36:46,672 --> 00:36:47,952
THE NIGHT.
1003
00:36:50,375 --> 00:36:51,352
$15.
1004
00:36:51,376 --> 00:36:53,454
TWO. AWESOME.
1005
00:36:53,478 --> 00:36:55,757
SO DID YOU AND MARINA
HANG OUT HERE A LOT?
1006
00:36:55,781 --> 00:36:58,525
UM, OH, MY GOD.
1007
00:36:58,549 --> 00:37:02,096
NO, WE ACTUALLY
NEVER WENT OUT AT ALL.
1008
00:37:02,120 --> 00:37:03,331
OH, WHY?
1009
00:37:03,355 --> 00:37:05,567
[♪♪♪]
1010
00:37:05,591 --> 00:37:06,567
IT WAS SO AWFUL.
1011
00:37:06,591 --> 00:37:07,568
THEY MADE ME CHASE THEM
1012
00:37:07,592 --> 00:37:08,603
OUT THE FRONT DOOR OF THE HOTEL,
1013
00:37:08,627 --> 00:37:11,205
AND... AND THEN SHE SAID,
1014
00:37:11,229 --> 00:37:12,941
"WE ALL HAVE FEELINGS
FOR OUR GIRLFRIENDS,
1015
00:37:12,965 --> 00:37:15,543
BUT IT DOESN'T MEAN
WE HAVE TO ACT ON THEM."
1016
00:37:15,567 --> 00:37:17,077
WHAT THE HELL IS THAT
SUPPOSED TO MEAN?
1017
00:37:17,101 --> 00:37:19,113
IT PROBABLY MEANS
THAT AT SOME POINT
1018
00:37:19,137 --> 00:37:20,815
SHE FELL IN LOVE WITH
ONE OF HER FRIENDS
1019
00:37:20,839 --> 00:37:21,849
AND GOT HER HEART BROKEN.
1020
00:37:21,873 --> 00:37:23,184
WHAT? NO WAY.
1021
00:37:23,208 --> 00:37:24,251
SHARON FAIRBANKS?
1022
00:37:24,275 --> 00:37:27,221
ORANGE COUNTY REPUBLICAN
WOMAN OF THE YEAR,
1023
00:37:27,245 --> 00:37:28,723
GARDEN GROVE CHAPTER?
1024
00:37:28,747 --> 00:37:29,723
I DON'T THINK SO, SHANE.
1025
00:37:29,747 --> 00:37:32,326
IT TAKES ALL KINDS.
1026
00:37:32,350 --> 00:37:33,694
YEAH, WELL, YOU WOULD KNOW.
1027
00:37:33,718 --> 00:37:34,996
SHE WOULD.
1028
00:37:35,020 --> 00:37:36,497
OH, SO FUCKING TINA TELLS ME
1029
00:37:36,521 --> 00:37:37,932
YOU'RE CUTTING
CHERIE JAFFE'S HAIR.
1030
00:37:37,956 --> 00:37:39,233
YEAH, ON FRIDAY.
1031
00:37:39,257 --> 00:37:40,568
THAT IS SO HUGE.
1032
00:37:40,592 --> 00:37:41,702
YOU KNOW, SHE'S, LIKE,
1033
00:37:41,726 --> 00:37:43,237
THE COOLEST PERSON IN HOLLYWOOD
1034
00:37:43,261 --> 00:37:44,972
WHO DOESN'T HAVE A JOB,
1035
00:37:44,996 --> 00:37:46,341
AND SHE COULD MAKE YOU.
1036
00:37:46,365 --> 00:37:47,408
YOU KNOW WHAT?
1037
00:37:47,432 --> 00:37:48,509
QUIT WITH YOUR COOL STUFF,
1038
00:37:48,533 --> 00:37:49,577
BECAUSE SHE COULD
BREAK YOU, TOO,
1039
00:37:49,601 --> 00:37:50,800
AND YOU KNOW IT.
1040
00:37:59,710 --> 00:38:02,089
I'M A BLACK WOMAN.
THAT'S WHO I AM.
1041
00:38:02,113 --> 00:38:03,891
THAT IS HOW I IDENTIFY.
1042
00:38:03,915 --> 00:38:05,292
NOW, I GET THE IMPRESSION
1043
00:38:05,316 --> 00:38:06,794
THAT YOU DON'T EVEN
THINK OF YOURSELF
1044
00:38:06,818 --> 00:38:07,995
AS AFRICAN-AMERICAN.
1045
00:38:08,019 --> 00:38:10,598
I AM, HALF AFRICAN-AMERICAN,
1046
00:38:10,622 --> 00:38:12,200
AND MY MOTHER IS WHITE.
1047
00:38:12,224 --> 00:38:14,434
BUT LEGALLY, YOU'RE BLACK.
1048
00:38:14,458 --> 00:38:15,837
ISN'T THAT A FACT?
1049
00:38:15,861 --> 00:38:17,438
THAT'S THE WHITE
MAN'S DEFINITION OF ME,
1050
00:38:17,462 --> 00:38:18,506
YES.
1051
00:38:18,530 --> 00:38:19,640
THE "ONE DROP" RULE,
1052
00:38:19,664 --> 00:38:20,875
SO BASICALLY, WHAT YOU'RE SAYING
1053
00:38:20,899 --> 00:38:22,109
IS THAT YOU WOULD LIKE TO SEE
1054
00:38:22,133 --> 00:38:23,645
WHITE AMERICA DEFINE ME.
1055
00:38:23,669 --> 00:38:26,414
NO, THAT IS NOT WHAT I'M SAYING.
1056
00:38:26,438 --> 00:38:29,249
IT FEELS LIKE YOU'RE
RUNNING FROM SOMETHING.
1057
00:38:29,273 --> 00:38:31,418
HOW CAN YOU SAY THAT
1058
00:38:31,442 --> 00:38:34,422
TINA, I DON'T NEED YOU
TO DEFEND ME. OKAY?
1059
00:38:34,446 --> 00:38:36,457
WHAT I WANT TO KNOW
1060
00:38:36,481 --> 00:38:38,159
IS HOW DO YOU JUSTIFY
PUSHING ME SO HARD
1061
00:38:38,183 --> 00:38:40,227
TO COME OUT AS A BLACK WOMAN
1062
00:38:40,251 --> 00:38:41,395
WHEN ALL THE WHILE,
1063
00:38:41,419 --> 00:38:42,863
YOU'VE LET US MISTAKE YOU
1064
00:38:42,887 --> 00:38:43,887
FOR A STRAIGHT WOMAN.
1065
00:38:47,058 --> 00:38:48,402
YOU THOUGHT I WAS STRAIGHT?
1066
00:38:48,426 --> 00:38:50,104
WELL, WHY WOULDN'T I?
1067
00:38:50,128 --> 00:38:53,207
I MEAN, YOU'RE NOT
EXACTLY READABLE
1068
00:38:53,231 --> 00:38:55,075
AND YOU DIDN'T COME OUT
AND DECLARE YOURSELF.
1069
00:38:55,099 --> 00:38:56,344
I MEAN,
1070
00:38:56,368 --> 00:38:57,811
IT WASN'T UNTIL I READ YOUR POEM
1071
00:38:57,835 --> 00:39:03,484
FROM SISTAH STAND UP...
WITH AN "H," MIGHT I ADD...
1072
00:39:03,508 --> 00:39:05,787
"ON BEING A BLACK
SOCIALIST FEMINIST LESBIAN,
1073
00:39:05,811 --> 00:39:07,788
"WORKING TO OVERTHROW
1074
00:39:07,812 --> 00:39:10,290
THE WHITE, MALE,
CAPITALIST PATRIARCHY"
1075
00:39:10,314 --> 00:39:12,626
I NOTICED LESBIAN COMES LAST.
1076
00:39:12,650 --> 00:39:15,496
BUT YOU SEE, I
DID NOT NEGATE IT.
1077
00:39:15,520 --> 00:39:17,398
I DID NOT DENY IT.
1078
00:39:17,422 --> 00:39:18,599
I DID NOT LEAVE IT OUT.
1079
00:39:18,623 --> 00:39:19,499
WELL, NEITHER DO I.
1080
00:39:19,523 --> 00:39:20,968
I MEAN,
1081
00:39:20,992 --> 00:39:22,102
I WOULD NEVER DEFINE MYSELF
1082
00:39:22,126 --> 00:39:23,137
EXCLUSIVELY AS BEING WHITE
1083
00:39:23,161 --> 00:39:24,205
ANY MORE
1084
00:39:24,229 --> 00:39:25,272
THAN I WOULD DEFINE MYSELF
1085
00:39:25,296 --> 00:39:26,407
EXCLUSIVELY AS BEING BLACK.
1086
00:39:26,431 --> 00:39:27,475
I MEAN, REALLY,
1087
00:39:27,499 --> 00:39:28,609
WHY IS IT SO WRONG FOR ME
1088
00:39:28,633 --> 00:39:30,544
TO MOVE MORE FREELY IN THE WORLD
1089
00:39:30,568 --> 00:39:31,913
JUST BECAUSE MY APPEARANCE
1090
00:39:31,937 --> 00:39:34,715
DOESN'T AUTOMATICALLY
ANNOUNCE WHO I AM?
1091
00:39:34,739 --> 00:39:35,783
BECAUSE IT IS A LIE.
1092
00:39:35,807 --> 00:39:38,875
[CLEARS THROAT]
1093
00:39:40,678 --> 00:39:42,189
YOLANDA, I THINK YOU'RE
BEING A LITTLE HARSH.
1094
00:39:42,213 --> 00:39:43,958
I'M BEING A LITTLE HARSH?
1095
00:39:43,982 --> 00:39:45,292
MM-HMM.
1096
00:39:45,316 --> 00:39:46,961
YOU JUST LOOK AT
WHAT YOUR WHITE WORLD
1097
00:39:46,985 --> 00:39:48,663
HAS DONE TO THIS WOMAN.
1098
00:39:48,687 --> 00:39:52,133
SHE DENIES HER BLACKNESS
1099
00:39:52,157 --> 00:39:54,068
BECAUSE IT IS
EASIER, PREFERABLE,
1100
00:39:54,092 --> 00:39:56,003
FOR HER TO GO THROUGH THE WORLD
1101
00:39:56,027 --> 00:39:57,471
HAVING PEOPLE
MISTAKE HER AS WHITE.
1102
00:39:57,495 --> 00:40:02,110
YOU DON'T KNOW HOW I'VE
GONE THROUGH THE WORLD.
1103
00:40:02,134 --> 00:40:06,068
YOU HAVE NO IDEA.
1104
00:40:10,575 --> 00:40:13,120
YOLANDA,
1105
00:40:13,144 --> 00:40:15,425
PERHAPS WE SHOULD TRY TO
REDIRECT THIS CONVERSATION.
1106
00:40:17,415 --> 00:40:22,530
IS THIS BLACK LADY
GETTING OUT OF CONTROL?
1107
00:40:22,554 --> 00:40:23,764
IS THAT
1108
00:40:23,788 --> 00:40:25,533
WHAT YOU'RE TRYING TO SAY, DAN?
1109
00:40:25,557 --> 00:40:26,834
WHY IS IT
1110
00:40:26,858 --> 00:40:28,368
THAT WHENEVER A BLACK WOMAN
1111
00:40:28,392 --> 00:40:29,737
HAS AN OPINION
1112
00:40:29,761 --> 00:40:31,794
SHE'S BEING CONFRONTATIONAL?
1113
00:40:39,370 --> 00:40:42,116
OKAY. THEY'RE NOT HERE.
1114
00:40:42,140 --> 00:40:43,183
WHAT?
1115
00:40:43,207 --> 00:40:44,418
CAN WE PLEASE GO? PLEASE.
1116
00:40:44,442 --> 00:40:45,819
NO, NO, NO, NO.
1117
00:40:45,843 --> 00:40:48,523
WE'RE HERE...
1118
00:40:48,547 --> 00:40:50,113
AND...
1119
00:40:58,556 --> 00:40:59,567
OH, FUCK.
1120
00:40:59,591 --> 00:41:01,135
NO, YOU'RE GOOD. YOU'RE GOOD.
1121
00:41:01,159 --> 00:41:03,293
HI. COULD I HAVE TWO...
1122
00:41:04,596 --> 00:41:06,407
YOU LOOK AMAZING.
1123
00:41:06,431 --> 00:41:07,830
SO...
1124
00:41:15,339 --> 00:41:18,552
YOU TAKE THIS AND COME WITH ME.
1125
00:41:18,576 --> 00:41:20,043
[♪♪♪]
1126
00:41:23,248 --> 00:41:24,714
WHAT? WHEN WAS THAT?
1127
00:41:29,254 --> 00:41:30,397
SO THEN SHE SAYS,
1128
00:41:30,421 --> 00:41:31,732
"YOU WANT MY WHAT WHERE?"
1129
00:41:31,756 --> 00:41:34,101
HE SAYS, "IT'S
NOT GOING TO FIT."
1130
00:41:34,125 --> 00:41:37,638
WHO'S THE FREAK?
1131
00:41:37,662 --> 00:41:39,940
THE CHICK. THE CHICK WITH JENNY.
1132
00:41:39,964 --> 00:41:41,008
NO IDEA.
1133
00:41:41,032 --> 00:41:42,442
NEVER SEEN HER. MUST BE...
1134
00:41:42,466 --> 00:41:44,778
LOOK LIKE YOU'RE
HAVING A GOOD TIME.
1135
00:41:44,802 --> 00:41:46,180
IT MAKES HER WANT YOU BAD.
1136
00:41:46,204 --> 00:41:47,181
ALL RIGHT?
1137
00:41:47,205 --> 00:41:48,181
OKAY.
1138
00:41:48,205 --> 00:41:50,184
OKAY, JUST GIVE ME A SEC, OKAY?
1139
00:41:50,208 --> 00:41:52,353
THERE YOU GO.
1140
00:41:52,377 --> 00:41:53,509
[LAUGHS]
1141
00:41:58,282 --> 00:41:59,660
WHAT WE'VE GOT TO DO
1142
00:41:59,684 --> 00:42:02,563
IS WE'VE GOT TO GET YOU
OVER NEXT TO FRANCESCA THERE
1143
00:42:02,587 --> 00:42:04,131
SO THAT MARINA CAN SEE YOU TWO.
1144
00:42:04,155 --> 00:42:06,200
[♪♪♪]
1145
00:42:06,224 --> 00:42:10,137
SHE'S SO BEAUTIFUL
AND I AM NOT BEAUTIFUL.
1146
00:42:10,161 --> 00:42:12,673
YOU ARE SO BEAUTIFUL.
1147
00:42:12,697 --> 00:42:13,874
BUT SHE IS SOPHISTICATED
1148
00:42:13,898 --> 00:42:16,644
AND I'M NOT.
1149
00:42:16,668 --> 00:42:17,812
YEAH, WELL, JENNY,
1150
00:42:17,836 --> 00:42:19,313
YOU'RE ONE HELL
OF A TRAMP, HONEY,
1151
00:42:19,337 --> 00:42:20,414
AND I'VE SEEN YOU WORK THAT.
1152
00:42:20,438 --> 00:42:21,415
REMEMBER ALL THE PROFESSORS
1153
00:42:21,439 --> 00:42:22,449
IN COLLEGE?
1154
00:42:22,473 --> 00:42:23,550
OKAY.
1155
00:42:23,574 --> 00:42:24,585
YEAH, YEAH.
1156
00:42:24,609 --> 00:42:25,619
REMEMBER THAT, JENNY?
1157
00:42:25,643 --> 00:42:26,654
OKAY,
1158
00:42:26,678 --> 00:42:28,789
SHE'S LOOKING...
1159
00:42:28,813 --> 00:42:30,091
SHE WANTS YOU BAD.
1160
00:42:30,115 --> 00:42:31,258
SERIOUSLY.
1161
00:42:31,282 --> 00:42:33,060
OKAY, WHAT DO I DO?
1162
00:42:33,084 --> 00:42:34,428
UM...
1163
00:42:34,452 --> 00:42:36,797
I DON'T KNOW.
1164
00:42:36,821 --> 00:42:39,400
COME ON, NOW.
1165
00:42:39,424 --> 00:42:40,534
CHANGE OF PLANS.
1166
00:42:40,558 --> 00:42:42,035
OKAY, SHE'S GETTING UP
1167
00:42:42,059 --> 00:42:44,872
AND I THINK SHE'S
GOING TO THE BATHROOM,
1168
00:42:44,896 --> 00:42:46,106
WHICH IS A SIGNAL
1169
00:42:46,130 --> 00:42:48,542
FOR TO YOU TO FOLLOW HER.
1170
00:42:48,566 --> 00:42:49,610
OKAY.
1171
00:42:49,634 --> 00:42:51,745
GO GET HER.
1172
00:42:51,769 --> 00:42:53,246
YOU CAN DO THIS.
YOU'RE A KITTEN OF LOVE.
1173
00:42:53,270 --> 00:42:54,281
NO, NO. SHH.
1174
00:42:54,305 --> 00:42:55,315
WATCH, WATCH.
1175
00:42:55,339 --> 00:42:56,350
SHE WANTS YOU.
1176
00:42:56,374 --> 00:42:58,052
GO GET HER.
1177
00:42:58,076 --> 00:42:59,720
HELLO AGAIN.
1178
00:42:59,744 --> 00:43:01,121
I THINK IT'S TIME
WE MET FORMALLY,
1179
00:43:01,145 --> 00:43:02,656
DON'T YOU?
1180
00:43:02,680 --> 00:43:04,391
FRANCESCA WOLFF.
1181
00:43:04,415 --> 00:43:06,093
I'M JENNY SCHECTER.
1182
00:43:06,117 --> 00:43:08,028
JENNY.
1183
00:43:08,052 --> 00:43:09,664
ANNETTE BISHOP.
1184
00:43:09,688 --> 00:43:11,532
ANNETTE.
1185
00:43:11,556 --> 00:43:13,600
YOU TWO KNOWN EACH
OTHER A LONG TIME?
1186
00:43:13,624 --> 00:43:15,035
UH, YEAH,
1187
00:43:15,059 --> 00:43:17,338
WE'VE KNOWN EACH
OTHER SINCE COLLEGE.
1188
00:43:17,362 --> 00:43:18,405
YEAH, BUT A LOT'S
CHANGED SINCE THEN,
1189
00:43:18,429 --> 00:43:19,740
HASN'T IT, JENNY?
1190
00:43:19,764 --> 00:43:21,208
YEAH, A LOT HAS CHANGED.
1191
00:43:21,232 --> 00:43:23,276
I REMEMBER
1192
00:43:23,300 --> 00:43:26,147
EVERYTHING YOU THOUGHT WAS
TRUE BECAME SOMETHING ELSE.
1193
00:43:26,171 --> 00:43:28,215
I REMEMBER WATCHING
MY GIRLFRIENDS
1194
00:43:28,239 --> 00:43:29,517
TURN INTO THEIR MOTHERS,
1195
00:43:29,541 --> 00:43:30,751
AND SETTLE DOWN
1196
00:43:30,775 --> 00:43:32,619
WITH GUYS LIKE THEIR FATHERS.
1197
00:43:32,643 --> 00:43:33,887
IF YOU WANTED TO DO THINGS
1198
00:43:33,911 --> 00:43:34,955
A LITTLE DIFFERENTLY,
1199
00:43:34,979 --> 00:43:36,123
YOU HAD TO MOVE
TO NEW YORK OR L.A.
1200
00:43:36,147 --> 00:43:37,858
THAT DOESN'T HAPPEN ANYMORE
1201
00:43:37,882 --> 00:43:39,693
WITH OUR GENERATION.
1202
00:43:39,717 --> 00:43:41,061
NO, IT'S TRUE, ANNETTE.
1203
00:43:41,085 --> 00:43:42,463
YOU KNOW, EVERYTHING
YOU THOUGHT WAS TRUE
1204
00:43:42,487 --> 00:43:44,320
DOES BECOME SOMETHING ELSE.
1205
00:43:47,157 --> 00:43:48,369
LISTEN,
1206
00:43:48,393 --> 00:43:50,137
I KNOW THIS CAN
BE A DIFFICULT TIME.
1207
00:43:50,161 --> 00:43:52,373
IT'S GOOD YOU TWO
HAVE EACH OTHER.
1208
00:43:52,397 --> 00:43:53,908
IT'S IMPORTANT TO
TALK TO SOMEBODY
1209
00:43:53,932 --> 00:43:55,042
WHEN YOU'RE GOING THROUGH
1210
00:43:55,066 --> 00:43:56,510
SUCH BIG CHANGES.
1211
00:43:56,534 --> 00:43:57,878
WE'RE GOING TO LEAVE
1212
00:43:57,902 --> 00:43:59,279
THIS ILL-CONCEIVED AFFAIR,
1213
00:43:59,303 --> 00:44:01,582
BUT MARINA AND I WOULD
LOVE TO HAVE YOU OVER
1214
00:44:01,606 --> 00:44:02,983
FOR DINNER SOMETIME.
1215
00:44:03,007 --> 00:44:04,218
OH, THAT'S GREAT.
1216
00:44:04,242 --> 00:44:05,719
SHE'S TOLD ME A LOT ABOUT YOU.
1217
00:44:05,743 --> 00:44:08,556
SILENCE CAN BE VERY PRODUCTIVE.
1218
00:44:08,580 --> 00:44:11,792
LET'S JUST...
1219
00:44:11,816 --> 00:44:13,994
BREATHE IN THIS SILENCE
1220
00:44:14,018 --> 00:44:15,584
AND SEE WHERE IT TAKES US.
1221
00:44:17,922 --> 00:44:21,201
THIS SUCKS, MAN,
1222
00:44:21,225 --> 00:44:22,803
I'LL NEVER GET ALMA
TO STAY IN THE GROUP
1223
00:44:22,827 --> 00:44:26,340
IF EVERYONE KEEPS
FIGHTING LIKE THIS.
1224
00:44:26,364 --> 00:44:28,742
I SHOULD THINK OF
SOMETHING TO SAY.
1225
00:44:28,766 --> 00:44:30,065
GET US ON ANOTHER SUBJECT.
1226
00:44:32,370 --> 00:44:35,149
EXACTLY LIKE MY
MOTHER ALWAYS SAID.
1227
00:44:35,173 --> 00:44:36,984
"THERAPY IS FOR PEOPLE
1228
00:44:37,008 --> 00:44:39,942
WHO HAVE ENOUGH TIME AND
MONEY TO PAY TO MAKE PROBLEMS."
1229
00:44:41,612 --> 00:44:42,757
FUCK THIS GROUP.
1230
00:44:42,781 --> 00:44:44,158
FUCK YOU, DAN.
1231
00:44:44,182 --> 00:44:47,861
FUCK YOU, CHARLIE AND
MATT AND KAREN AND HARLEY.
1232
00:44:47,885 --> 00:44:50,263
YOU WANT AN ANGRY BLACK LADY,
1233
00:44:50,287 --> 00:44:51,787
YOU GOT HER.
1234
00:44:54,325 --> 00:44:55,836
ONE OF THESE DAYS
1235
00:44:55,860 --> 00:44:58,672
I AM GOING TO BRING
UP THE BALTIMORE THING.
1236
00:44:58,696 --> 00:45:00,616
NOW'S PROBABLY
NOT THE BEST TIME.
1237
00:45:02,133 --> 00:45:04,211
I FORGOT TO RETURN
CANTER'S CALL.
1238
00:45:04,235 --> 00:45:05,879
IF I DON'T CLOSE
THAT DEAL TOMORROW,
1239
00:45:05,903 --> 00:45:07,336
SONY'S LIABLE TO PULL OUT.
1240
00:45:09,006 --> 00:45:11,051
TILE WOULD BE BETTER
1241
00:45:11,075 --> 00:45:16,123
IF WE'RE GOING TO GO FOR
THAT SPANISHY TYPE FEEL.
1242
00:45:16,147 --> 00:45:19,226
I WONDER HOW LESBIANS KNOW
WHEN THEY'RE DONE HAVING SEX,
1243
00:45:19,250 --> 00:45:21,829
BECAUSE WOMEN CAN
JUST GO ON AND ON.
1244
00:45:21,853 --> 00:45:24,565
I'LL BET BETTE'S THE MAN.
1245
00:45:24,589 --> 00:45:25,899
UP MY PRICE TO 250 AN HOUR
1246
00:45:25,923 --> 00:45:29,003
AND I COULD...
1247
00:45:29,027 --> 00:45:31,137
I KNOW GROUP WAS HARD TODAY,
1248
00:45:31,161 --> 00:45:33,406
BUT I THINK WE GOT TO TALK
1249
00:45:33,430 --> 00:45:35,409
ABOUT SOME REALLY
IMPORTANT THINGS.
1250
00:45:35,433 --> 00:45:37,845
I THINK TOO OFTEN
PEOPLE ARE AFRAID
1251
00:45:37,869 --> 00:45:39,613
TO SAY WHAT THEY REALLY FEEL.
1252
00:45:39,637 --> 00:45:43,050
THEY'RE AFRAID THEY
MIGHT BE REJECTED.
1253
00:45:43,074 --> 00:45:45,252
WHAT'S HAPPENING TO ME?
1254
00:45:45,276 --> 00:45:49,089
AM I JUST PANICKING?
1255
00:45:49,113 --> 00:45:53,194
IS THIS ABOUT THE BABY,
1256
00:45:53,218 --> 00:45:56,130
OR AM I FALLING OUT OF LOVE?
1257
00:45:56,154 --> 00:45:57,597
IT'S HARD TO BE HONEST,
1258
00:45:57,621 --> 00:45:59,100
BECAUSE PEOPLE DON'T REALLY WANT
1259
00:45:59,124 --> 00:46:00,868
TO HEAR THE TRUTH,
1260
00:46:00,892 --> 00:46:04,771
AND THE TRUTH IS DIFFERENT
1261
00:46:04,795 --> 00:46:06,873
FOR EVERYONE.
1262
00:46:06,897 --> 00:46:08,642
I GUESS THE BEST WE CAN DO
1263
00:46:08,666 --> 00:46:11,000
IS JUST TO SAY WHAT WE FEEL.
1264
00:46:27,752 --> 00:46:28,752
HEY.
1265
00:46:29,587 --> 00:46:30,864
GOOD NIGHT.
1266
00:46:30,888 --> 00:46:31,987
CIAO.
80587
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