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action I'm super excited want your
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question are you rolling we were excited
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from the very beginning knowing that we
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were going to get to reunite Carol and
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Daryl on this show go you see Daryl and
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Carol working together again in tandle
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which is something that I missed I was
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so excited to come back most of all
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because Melissa was here working with
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Melissa McBride she's a riot she's
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really funny I really love being able to
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see Carol in Jeopardy that looked great
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I've been waiting to meet her since we
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started season two Melissa
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who where's Carol
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Ben she's been at the
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Commonwealth now that you're gone and
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you should have been back by now all
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these things are starting to stir up
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it's too
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quiet remember 12 years ago when I axed
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my husband's head in I handed you the a
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kind of traumatizing I'd never done that
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as a human being
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before Hey where's my necklace of ears
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by the way right where are they who what
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were you thinking I don't know I was
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into
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[Music]
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accessories it's been nice to have
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Melissa here just getting to see Norman
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again period is you know it's fun I mean
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she was always supposed to be part of
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the show she was part of the show before
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the first script was ever written that
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was a given from the beginning something
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something that I was very eager for the
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writers were very eager for the fans of
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course were very eager
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for just being on set in this whole new
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environment but feeling like Carol don't
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move immediately that was really fun you
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going to shoot
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are you crazy certifiable where is
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he where is my friend they got
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themselves stored on a damn boat a boat
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to where to France okay her journey had
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to feel like classic Walking
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Dead you know I wanted the zombies to be
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a threat I wanted to really get into
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seeing how Carol's brain clicks because
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she finds herself in situation after
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situation where she has to be quick on
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her feet I was really grateful that Greg
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was here because you know this is all
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new to me and everybody's been situated
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already so it was really nice to have
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his familiar face here prob wouldn't
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touch the fence cuz you notice that it's
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electrified
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[Music]
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okay somebody
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help what are you doing snooping on my
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property I'd like to think that we can
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rely on the kindness of
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strangers I was coming into the show
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with no experience in this world at all
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ready to go go working with Greg Niko
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was a real dream he was somebody so
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immersed in this world that I was able
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to really get comfortable here very
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quickly Melissa and and Manish to just
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come in and watch the playback of I met
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with Manish a few times and we just
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thought that he had a great quality for
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the role that he had a great openness a
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great tenderness he brought a different
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color from any other character that we
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had on the show you can spend the night
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here if you
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want now he's Hing it now working with
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Melissa mcbry this season has been so
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much fun we literally just laugh all day
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it was just a tool bus for so many
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scenes we were able to explore and
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figure out how to navigate this journey
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together I never ventured too far you
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could go
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[Music]
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anywhere I have everything
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here for Carol's Journey the external
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journey is I need to find my friend but
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internally it is really about resolving
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grief to the best that she can and
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forgiving herself for some of the things
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she's
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done the season 2 episode where Sophia
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comes out of the bar and I remember
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everything about
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it we did a lighting transition from
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night to day and all of a sudden she
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finds herself standing there and I
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recreated the same
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shots it was fascinating to me because
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it was all right
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there was almost exactly like verbatim
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even the little girl that they cast for
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so yeah the mannerisms the camera angles
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lighting took me back to that
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moment you okay
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yeah fine we were trying to find ways to
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succinctly Echo the past to try to dig
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into the inner life of Carol and
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Cherokee Rose just seemed like a good
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way to do that they represent hope you
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know yeah I know all story behind it
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related back to Daryl and Carol looking
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for a lost loved one I believe this
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one bloom for your little
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girl for Carol Daryl is
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home she feels a little lost without
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[Music]
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him the idea of home on a different
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meaning for
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Daryl do you hope for Daryl to stay
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here yes but I think he misses Carol and
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theis Daryl was torn between two homes
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and you absolutely see Isabelle Daryl
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and lauron as a family unit baseball
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scene of course is meant to sort of
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represent exactly
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that the baseball scene was fun it's
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written laurant knocks the first ball
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out of the park or whatever that didn't
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happen the first time all right I got
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another one scene was really fun because
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it was so loose you know sometimes the
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loose ones with the bus you know you're
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also doing it on the side of a castle in
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a certain style of clothing and the
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baseball bat made out of the leg of a
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table Cricket again no it's Baseball
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American baseball yeah it was funny too
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cuz I think clance didn't quite know
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baseball terms in real life we need a
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catcher what's a catcher cuz we don't
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play baseball in France like it's not a
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thing I could tell she really didn't
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know that what that was we a catcher all
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right we got a catcher it just turned
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into an actual game it was fun to shoot
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cuz you get to add liveit all right
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B you start to know each other's quirks
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and stuff and you can add them in you
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can play with them as you would a family
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I had the video on my phone of me
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hitting it but by mistake and we lost a
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board
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way yeah it went so far away and we
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never found it we actually just got to
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witness Louie realizing he was really
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good at baseball yeah he got really good
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he's like I've never played baseball
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before and then he's like pow that's
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what I'm talking about Norman and I we
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got really close to season sometimes he
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gives me one of a Buds and we just
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listen to music between takes we Bond
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over music we Bond over funny things we
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tell jokes a lot he's a really cool kid
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good job
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Slugger you sure you want to do this if
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you're not moving forward and you're
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done for the premier episode for season
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2 we needed a big finale the lightning
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strikes the generator the generator
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explodes the the Walkers are flooding
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through there's fires everywhere there's
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no choice they have to
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go I've never been up in one of these
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before I have a little bit of experience
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flying plane I've flown a plane twice a
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long time ago so I had some familiarity
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inside the cockpit it's a big leap of
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faith to get on a little plane that been
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Frankenstein together and hope that
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you're going to get across to Europe
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they got to drive the plane through the
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Walkers to get to the runway I wanted
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one gag where Carol gets attacked by a
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walker and swings it into the spinning
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propeller
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blade my little Indiana Jones
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homage then it comes time for them to
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take off how can we do this and be safe
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anytime we're shooting in the front of
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the a plane we to take the propeller off
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so you could push it Sebastian our stunt
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coordinator and he said oh well no
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you'll be fine we'll just have the stunn
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people get hit by the wing and fall
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down he said really he said yeah yeah
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it'll be great don't worry about it the
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stunt team did a fantastic job of
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keeping everybody safe and giving us
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some really spectacular footage there's
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nothing to be afraid of up here
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[Music]
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oh camera we went to a lot of beautiful
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places on this show but I have to say
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the French Ops is top two or three of
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the beautiful places we went the drive
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up to get to the French Alps was
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incredible and then just being on the
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ground in the Alps the visuals were
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stunning and then to see the Drone shots
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when they go over the mountains and
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these huge Vistas
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incredible selfishly I will say I just
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wanted to shoot in the French Alps and
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if we can't shoot the French Alps as the
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French Alps then maybe we can shoot the
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French Alps as Greenland because the
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story really demanded that Ash and Carol
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stop somewhere so we were like how can
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we complicate that in a way that gives
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us some reality and some struggle rather
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than just boom they're in Paris you know
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so Greenland was the logical place and
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it was the the place that real Pilots
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would plan to land if they needed to
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make a
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landing but I was skeptical that we
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would be able to really find the Alps at
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that time of year that would look
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Greenland like
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directors like their toys they like
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their ships and their planes and their
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trains we've had to do aerial
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photography we've had to do onboard
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plane photography some we've done live
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some we've done against Green Screen it
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adds enormous complexity but it's so
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rich in terms of the scale and scope it
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gives us locations did an amazing job
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and it was a very hard logistical thing
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to get everybody up there and we know
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have a big Walker sequence there
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that's you really beautiful amazingly
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executed by this entire crew and team
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and Dan pural who directed that when I
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talked to Dan parol about it I said I
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think it would be really fun if we went
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for a different look with these Walkers
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and that their skin looked more
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preserved and more mummified but again
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it's always about utilizing the
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environment and taking the foliage and
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the growth that was on the mountain side
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there incorporating it into the makeups
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and uh it worked out
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great welcome to
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Greenland you know things happen with
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Carol back where she's at and where darl
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where he's at so it becomes more of a
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dual focus it also injects a lot of new
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energy coming from Melissa as Carol and
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her journey to try to figure out what's
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happened to her friend all right spotted
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at least two of them everyone follow me
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today we're filming the scene where Emil
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Fu Isabelle and the rest of the group
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have been told that lauron might be here
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and are coming to try and rescue him
275
00:11:43,320 --> 00:11:45,360
this was written as a windmill and the
276
00:11:45,360 --> 00:11:47,240
writers had in mind a classic style
277
00:11:47,240 --> 00:11:49,600
windmill but it's a Watermill it's a
278
00:11:49,600 --> 00:11:52,680
beautiful old factory that ground grain
279
00:11:52,680 --> 00:11:54,120
it works really beautifully for our
280
00:11:54,120 --> 00:11:55,800
story because it's hard to find complete
281
00:11:55,800 --> 00:11:57,560
ruins anymore and of course in the
282
00:11:57,560 --> 00:11:59,680
post-apocalyptic world of The Walking
283
00:11:59,680 --> 00:12:03,279
Dead finding ruins is good for us so we
284
00:12:03,279 --> 00:12:05,440
love this but it's very hard to work in
285
00:12:05,440 --> 00:12:07,800
there's one way up and there's one way
286
00:12:07,800 --> 00:12:09,800
down on a spiral staircase and this big
287
00:12:09,800 --> 00:12:12,399
window here you can see very shortly
288
00:12:12,399 --> 00:12:14,240
someone's going to fly out of there so
289
00:12:14,240 --> 00:12:16,519
we're replacing the glass panel with a
290
00:12:16,519 --> 00:12:19,240
breakable glass to put a stunt man
291
00:12:19,240 --> 00:12:21,680
through and he's in a fight with Daryl
292
00:12:21,680 --> 00:12:24,120
Dixon which was a mistake on his behalf
293
00:12:24,120 --> 00:12:26,000
to do the choreography for a fight scene
294
00:12:26,000 --> 00:12:27,639
sometimes gets kind of crammed and it
295
00:12:27,639 --> 00:12:28,800
looks great and you'd never know on
296
00:12:28,800 --> 00:12:29,880
camera
297
00:12:29,880 --> 00:12:32,000
but uh it's a little harder to do than
298
00:12:32,000 --> 00:12:35,279
in a big flat
299
00:12:35,880 --> 00:12:38,600
room that episod I think the first time
300
00:12:38,600 --> 00:12:41,959
that Isabelle killed
301
00:12:42,800 --> 00:12:46,320
somebody lauron is in Jeopardy and so
302
00:12:46,320 --> 00:12:49,360
she has a big change of heart her
303
00:12:49,360 --> 00:12:52,360
realizing all that with Daryl while this
304
00:12:52,360 --> 00:12:54,600
is all happening has really got their
305
00:12:54,600 --> 00:12:58,160
bond in a tight tight place don't worry
306
00:12:58,160 --> 00:13:00,279
when the water goes back out we'll go in
307
00:13:00,279 --> 00:13:02,160
and get
308
00:13:02,160 --> 00:13:05,120
them and then we'll go with you if the
309
00:13:05,120 --> 00:13:07,720
off still
310
00:13:10,279 --> 00:13:12,839
stands Norman and I talked about Let's
311
00:13:12,839 --> 00:13:15,639
do an adult relationship that doesn't
312
00:13:15,639 --> 00:13:19,240
feel TV forced you know there was always
313
00:13:19,240 --> 00:13:22,199
the hope that there would feel like a
314
00:13:22,199 --> 00:13:23,920
dynamic chemistry between the two of
315
00:13:23,920 --> 00:13:25,839
them but it wasn't a given and it wasn't
316
00:13:25,839 --> 00:13:28,120
a necessity and of course it happened
317
00:13:28,120 --> 00:13:31,240
and so it made sense to us to want to
318
00:13:31,240 --> 00:13:33,839
give that more visual realization the
319
00:13:33,839 --> 00:13:35,760
kiss was sort of a way of saying yes
320
00:13:35,760 --> 00:13:37,240
there are feelings between these two
321
00:13:37,240 --> 00:13:40,839
that are deep what does this
322
00:13:40,839 --> 00:13:43,560
mean you could come with me he cares
323
00:13:43,560 --> 00:13:44,639
about her and they've gone through this
324
00:13:44,639 --> 00:13:46,519
journey together they understand each
325
00:13:46,519 --> 00:13:48,000
other there's weaknesses that are
326
00:13:48,000 --> 00:13:50,440
exposed in each other that are shared
327
00:13:50,440 --> 00:13:52,600
between them intimately which just
328
00:13:52,600 --> 00:13:54,720
causes you to get stronger and stronger
329
00:13:54,720 --> 00:13:56,680
and that's really what's happening it
330
00:13:56,680 --> 00:13:58,519
allows to show aside of Daryl that the
331
00:13:58,519 --> 00:14:00,759
audience hasn't seen we were trying to
332
00:14:00,759 --> 00:14:03,000
really keep it real and then yeah we had
333
00:14:03,000 --> 00:14:06,320
a kiss that was mosquito crazy flying in
334
00:14:06,320 --> 00:14:08,399
our mouths and you know bouncing off our
335
00:14:08,399 --> 00:14:10,639
faces during this big romantic Sunset
336
00:14:10,639 --> 00:14:12,800
moment oh my god well the only thing we
337
00:14:12,800 --> 00:14:15,360
were really worried about were all the
338
00:14:15,360 --> 00:14:18,279
insects on each other's faces she's a
339
00:14:18,279 --> 00:14:20,240
trooper and it was it was still fun and
340
00:14:20,240 --> 00:14:24,279
the scene came out super beautiful
341
00:14:29,160 --> 00:14:31,560
I used to work here as a janitor i'
342
00:14:31,560 --> 00:14:33,639
sweep the floors of galleries full of
343
00:14:33,639 --> 00:14:35,120
religious
344
00:14:35,120 --> 00:14:38,000
bings I wonder why the greatest artists
345
00:14:38,000 --> 00:14:40,560
feel compelled to depat the same violent
346
00:14:40,560 --> 00:14:43,160
imagery over and over
347
00:14:43,160 --> 00:14:47,079
again we had a great opportunity to film
348
00:14:47,079 --> 00:14:50,560
outside the Lou in the streets and
349
00:14:50,560 --> 00:14:53,800
inside having the Lou for ourselves it's
350
00:14:53,800 --> 00:14:56,759
one of the greatest memory of work I
351
00:14:56,759 --> 00:15:01,040
have it's a very special place
352
00:15:01,480 --> 00:15:04,680
Place took about a year to plan and be
353
00:15:04,680 --> 00:15:07,279
able to shoot at the L that was a huge
354
00:15:07,279 --> 00:15:09,519
task we had to visit there many times
355
00:15:09,519 --> 00:15:10,920
and sort of talk it through and and
356
00:15:10,920 --> 00:15:15,399
figure out how we were going to do it
357
00:15:35,220 --> 00:15:38,330
[Music]
358
00:15:50,480 --> 00:15:52,360
when we created the character of Jan in
359
00:15:52,360 --> 00:15:54,040
the writer room we had this idea of this
360
00:15:54,040 --> 00:15:57,399
backstory that I always wanted to get to
361
00:15:57,399 --> 00:15:59,480
Jana is this simple
362
00:15:59,480 --> 00:16:02,399
woman working honestly in love with her
363
00:16:02,399 --> 00:16:05,319
husband planning to have a
364
00:16:05,319 --> 00:16:09,360
family and that is taken away from
365
00:16:16,759 --> 00:16:20,959
her the idea was having the opportunity
366
00:16:20,959 --> 00:16:23,680
to tell another perspective of the
367
00:16:23,680 --> 00:16:25,199
breakout of the zombie apocalypse
368
00:16:25,199 --> 00:16:27,880
Through The Eyes of a character it's the
369
00:16:27,880 --> 00:16:29,519
Genesis of Jana
370
00:16:29,519 --> 00:16:31,480
transformation into the character that
371
00:16:31,480 --> 00:16:34,040
she is
372
00:16:35,959 --> 00:16:40,399
now and that comes across by her
373
00:16:40,399 --> 00:16:44,199
witnessing the death of someone that she
374
00:16:47,360 --> 00:16:49,759
loves they don't know exactly where the
375
00:16:49,759 --> 00:16:52,440
danger is and then she sees those
376
00:16:52,440 --> 00:16:54,040
Walkers
377
00:16:54,040 --> 00:16:56,560
coming and there's nothing she can do
378
00:16:56,560 --> 00:16:59,079
about it
379
00:16:59,079 --> 00:17:02,240
looking at her knowing that he's dying
380
00:17:02,240 --> 00:17:05,799
and she's completely helpless that's a
381
00:17:05,799 --> 00:17:09,160
terrible feeling for a character a death
382
00:17:09,160 --> 00:17:11,600
of the one that you love that you could
383
00:17:11,600 --> 00:17:13,720
not imagine in real life those are the
384
00:17:13,720 --> 00:17:15,520
moments that people remember you can
385
00:17:15,520 --> 00:17:18,319
spray blood till the cows come home but
386
00:17:18,319 --> 00:17:21,199
if it's an emotional death then then you
387
00:17:21,199 --> 00:17:23,600
know you got
388
00:17:24,199 --> 00:17:27,799
them the only light that she had was her
389
00:17:27,799 --> 00:17:31,360
husband and when that's gone then
390
00:17:31,360 --> 00:17:33,960
everything is
391
00:17:36,080 --> 00:17:39,600
possible the Mona Lisa is a figure who
392
00:17:39,600 --> 00:17:41,919
represents the idea of women who are
393
00:17:41,919 --> 00:17:44,039
hidden women who are watching women who
394
00:17:44,039 --> 00:17:47,360
are observing and women who are holding
395
00:17:47,360 --> 00:17:50,600
secrets so those three Mona Lisa Jan and
396
00:17:50,600 --> 00:17:54,720
Carol all are of a piece in that
397
00:17:55,159 --> 00:17:59,799
sense what do you see in her expression
398
00:17:59,799 --> 00:18:02,200
she looks sad meeting them in front of
399
00:18:02,200 --> 00:18:03,880
the Mona Lisa that was very fascinating
400
00:18:03,880 --> 00:18:05,320
to put those two characters together
401
00:18:05,320 --> 00:18:06,799
because of some of the similarities that
402
00:18:06,799 --> 00:18:08,840
they have but also the differences Carol
403
00:18:08,840 --> 00:18:12,400
absolutely relates to Jana in how this
404
00:18:12,400 --> 00:18:15,520
world has affected her the losses the
405
00:18:15,520 --> 00:18:18,360
guilt a woman gazed on by millions never
406
00:18:18,360 --> 00:18:19,679
actually
407
00:18:19,679 --> 00:18:22,679
seen But I see a secret in that
408
00:18:22,679 --> 00:18:26,440
smile something withheld those women
409
00:18:26,440 --> 00:18:29,159
they are nearly the same the Apocalypse
410
00:18:29,159 --> 00:18:31,919
made them become someone that they
411
00:18:31,919 --> 00:18:34,400
wouldn't expect you can't imagine what I
412
00:18:34,400 --> 00:18:37,039
have done to get this
413
00:18:37,039 --> 00:18:41,440
far I understand I do they both lost
414
00:18:41,440 --> 00:18:43,360
their reason to leave so they had to
415
00:18:43,360 --> 00:18:46,799
find something else these pains we
416
00:18:46,799 --> 00:18:49,679
carry we women need to learn to let them
417
00:18:49,679 --> 00:18:53,400
go but we have to forgive
418
00:18:53,400 --> 00:18:55,679
ourselves for all the
419
00:18:55,679 --> 00:18:59,000
losses every character who's villainous
420
00:18:59,000 --> 00:19:02,120
has some aspect that you can empathize
421
00:19:02,120 --> 00:19:05,480
with Jana has gone to a very dark place
422
00:19:05,480 --> 00:19:08,360
and Carol has gone to a pained place but
423
00:19:08,360 --> 00:19:10,960
not a dark place Jana is a really
424
00:19:10,960 --> 00:19:13,360
compelling character it just hits
425
00:19:13,360 --> 00:19:15,080
everyone so differently but she's taken
426
00:19:15,080 --> 00:19:18,679
that path of control if you feed a
427
00:19:18,679 --> 00:19:21,400
monster you're going to get a monster
428
00:19:21,400 --> 00:19:23,480
it's the original you
429
00:19:23,480 --> 00:19:27,039
know how are you so sure it's the real
430
00:19:27,039 --> 00:19:31,120
thing cuz I'm the one who took it
431
00:19:34,440 --> 00:19:38,440
out Sy bear with us it's for the best
432
00:19:38,440 --> 00:19:42,440
stop saying that you're going to kill
433
00:19:46,679 --> 00:19:50,600
him the moment where soie dies to me was
434
00:19:50,600 --> 00:19:54,880
the most shocking of season 2 I
435
00:19:54,880 --> 00:19:57,919
gasped we always wanted Sylvie to have a
436
00:19:57,919 --> 00:20:01,200
heroic story where she is fighting to
437
00:20:01,200 --> 00:20:04,120
save L and at the same time we were
438
00:20:04,120 --> 00:20:05,520
figuring out this story about the
439
00:20:05,520 --> 00:20:08,159
ceremony and the test and I said to the
440
00:20:08,159 --> 00:20:10,280
room well if you're going to test a kid
441
00:20:10,280 --> 00:20:12,400
to make sure he is what you think he is
442
00:20:12,400 --> 00:20:13,360
you're not going to just pick some
443
00:20:13,360 --> 00:20:14,840
Walker off the street it would be a
444
00:20:14,840 --> 00:20:16,799
special Walker so who better to confirm
445
00:20:16,799 --> 00:20:19,240
our faith in luron than someone we've
446
00:20:19,240 --> 00:20:22,799
just lost but who loved him
447
00:20:25,480 --> 00:20:27,919
dearly when I found out that Sylvie was
448
00:20:27,919 --> 00:20:30,720
the one to test long honestly I
449
00:20:30,720 --> 00:20:33,559
was a bit shocked I jumped out of my
450
00:20:33,559 --> 00:20:35,039
chair I was reading the script and I was
451
00:20:35,039 --> 00:20:39,280
like no and now her love will deliver us
452
00:20:39,280 --> 00:20:41,480
all Lo song does not think of himself as
453
00:20:41,480 --> 00:20:43,559
a villain and he believes in what he
454
00:20:43,559 --> 00:20:46,360
says okay the way we're handling it is
455
00:20:46,360 --> 00:20:50,280
in a big ceremony loang has slowly been
456
00:20:50,280 --> 00:20:53,520
grinding under the
457
00:20:55,919 --> 00:20:58,880
pressure he has a great faith and that
458
00:20:58,880 --> 00:21:00,520
faith is put to the test and ultimately
459
00:21:00,520 --> 00:21:02,880
his faith buckles does that make him a
460
00:21:02,880 --> 00:21:06,840
bad person that's the big question drink
461
00:21:06,840 --> 00:21:10,760
this it'll relax you I feel relaxed
462
00:21:10,760 --> 00:21:12,640
drink it anyway it's difficult to
463
00:21:12,640 --> 00:21:15,039
navigate sort of spiritual Purity and
464
00:21:15,039 --> 00:21:16,799
the maintenance of power it'll all be
465
00:21:16,799 --> 00:21:18,679
lost if he can't prove that what he's
466
00:21:18,679 --> 00:21:21,080
been saying is right he really has to
467
00:21:21,080 --> 00:21:23,320
feel that he is doing the right thing
468
00:21:23,320 --> 00:21:25,440
with this and that the boy Lal Will
469
00:21:25,440 --> 00:21:28,080
Survive there you go yeah when she
470
00:21:28,080 --> 00:21:30,159
walked up onto the set people were a
471
00:21:30,159 --> 00:21:32,039
little taken a b because you could
472
00:21:32,039 --> 00:21:33,919
really see it's her so you see like her
473
00:21:33,919 --> 00:21:35,559
Humanity in her face there's a moment
474
00:21:35,559 --> 00:21:37,159
she's coming in to deliver this bite
475
00:21:37,159 --> 00:21:39,000
where she stops does she see him does
476
00:21:39,000 --> 00:21:40,679
she know who he is it's just a flash of
477
00:21:40,679 --> 00:21:43,360
a second laon's reaction to seeing
478
00:21:43,360 --> 00:21:46,600
Sylvie was super Starling to him it's
479
00:21:46,600 --> 00:21:49,640
pretty scary and to tell you the truth I
480
00:21:49,640 --> 00:21:51,840
can't even look at her when I saw myself
481
00:21:51,840 --> 00:21:53,559
the first time in the mirror I loved it
482
00:21:53,559 --> 00:21:55,679
some women look really pretty as zombies
483
00:21:55,679 --> 00:21:57,240
I don't know how they pull that off
484
00:21:57,240 --> 00:21:59,640
Jason Hodes who a makeup artist on the
485
00:21:59,640 --> 00:22:02,400
show really did something amazing Jason
486
00:22:02,400 --> 00:22:06,480
made this perfect broken neck and also
487
00:22:06,480 --> 00:22:10,200
uh synthetical Shake Bones the idea of
488
00:22:10,200 --> 00:22:12,640
being transformed and be completely
489
00:22:12,640 --> 00:22:15,960
different from myself I loved it I
490
00:22:15,960 --> 00:22:19,080
laughed yeah I laughed when I saw Leica
491
00:22:19,080 --> 00:22:22,159
and I think even as a walker Leica still
492
00:22:22,159 --> 00:22:24,320
had this look of a beautiful Walker you
493
00:22:24,320 --> 00:22:26,880
know the had this B fil this scene with
494
00:22:26,880 --> 00:22:28,919
Lou just was laughing of the the time
495
00:22:28,919 --> 00:22:31,600
because I was coming really close to him
496
00:22:31,600 --> 00:22:33,559
and just screaming in his ear so we
497
00:22:33,559 --> 00:22:35,400
wanted to love all the time it was sad
498
00:22:35,400 --> 00:22:37,400
to say goodbye to this character we've
499
00:22:37,400 --> 00:22:39,360
come to know so well ultimately she
500
00:22:39,360 --> 00:22:41,600
relished it and she did an amazing job
501
00:22:41,600 --> 00:22:43,840
mer to
502
00:22:43,840 --> 00:22:45,270
all
503
00:22:45,270 --> 00:22:45,850
[Music]
504
00:22:45,850 --> 00:22:48,230
[Applause]
505
00:22:48,230 --> 00:22:50,320
[Music]
506
00:22:50,320 --> 00:22:55,360
byebye get us out of it hurry up hold on
507
00:22:55,360 --> 00:22:58,679
go go
508
00:22:58,840 --> 00:23:01,679
today we are at the Melle it's amazing
509
00:23:01,679 --> 00:23:04,400
it's great location for war getting to
510
00:23:04,400 --> 00:23:06,480
ride on the ATVs was fun getting to
511
00:23:06,480 --> 00:23:09,120
drive it but the rehearsals were I think
512
00:23:09,120 --> 00:23:11,120
maybe more fun than actually shooting it
513
00:23:11,120 --> 00:23:14,120
I had a little more free reain in the
514
00:23:14,120 --> 00:23:16,400
rehearsals Carol's riding an alterrain
515
00:23:16,400 --> 00:23:18,000
vehicle and strapped to the back of the
516
00:23:18,000 --> 00:23:20,640
vehicle is our friend kadon kadon has
517
00:23:20,640 --> 00:23:23,600
been used as a bait it's not very fun to
518
00:23:23,600 --> 00:23:27,080
be used as a bait Kon couldn't run away
519
00:23:27,080 --> 00:23:31,240
so the only thing k to do is to yell go
520
00:23:31,240 --> 00:23:35,120
go so guess what he did he yelled go
521
00:23:35,120 --> 00:23:37,159
these walkers on the show are really
522
00:23:37,159 --> 00:23:39,480
frightening actually I was really scared
523
00:23:39,480 --> 00:23:44,200
when I saw them get me loose the dummy
524
00:23:44,200 --> 00:23:46,240
really looks like me the only thing is
525
00:23:46,240 --> 00:23:48,960
that his head is a bit bigger than mine
526
00:23:48,960 --> 00:23:51,400
so I told them listen okay I have a big
527
00:23:51,400 --> 00:23:55,120
head but not so big you know but it's
528
00:23:55,120 --> 00:23:57,799
amazing I did like the challenge of
529
00:23:57,799 --> 00:23:59,400
being able to DW drive it as quickly as
530
00:23:59,400 --> 00:24:02,159
I could through some very narrow spaces
531
00:24:02,159 --> 00:24:04,600
and the challenge of you know not
532
00:24:04,600 --> 00:24:08,000
hitting anybody
533
00:24:29,279 --> 00:24:31,679
I read that scene my response was was
534
00:24:31,679 --> 00:24:36,679
literally this me the killer me no no no
535
00:24:36,679 --> 00:24:38,520
how I originally pitched it I wanted
536
00:24:38,520 --> 00:24:40,600
them to throw in Isabelle's half dead
537
00:24:40,600 --> 00:24:43,720
body into the cell and as she dies I
538
00:24:43,720 --> 00:24:45,600
noticed there's a key in her hand we've
539
00:24:45,600 --> 00:24:47,480
already established that she used to be
540
00:24:47,480 --> 00:24:50,360
a pickpocket that was one last heroic
541
00:24:50,360 --> 00:24:52,240
thing she did she picked the pocket on
542
00:24:52,240 --> 00:24:54,640
one way
543
00:24:54,960 --> 00:24:59,880
in you free let me out
544
00:25:00,200 --> 00:25:02,159
[Applause]
545
00:25:02,159 --> 00:25:04,320
I remember it was the first time that I
546
00:25:04,320 --> 00:25:06,919
met clemon I've been waiting to meet us
547
00:25:06,919 --> 00:25:09,399
since we started season 2 and we kept
548
00:25:09,399 --> 00:25:10,760
missing each other cuz we were never in
549
00:25:10,760 --> 00:25:14,840
the same locations and I saw her in the
550
00:25:14,840 --> 00:25:17,360
trailers we just had a big long hug and
551
00:25:17,360 --> 00:25:20,240
it was so so nice to meet her I liked it
552
00:25:20,240 --> 00:25:22,080
that they intersected when they did she
553
00:25:22,080 --> 00:25:24,480
was the piece to get Carol to to Daryl
554
00:25:24,480 --> 00:25:26,720
what are you doing here even came for a
555
00:25:26,720 --> 00:25:28,320
friend of mine for the moment when it's
556
00:25:28,320 --> 00:25:31,559
Isabelle dies we wanted a really moving
557
00:25:31,559 --> 00:25:35,159
ending to the character no no no no no
558
00:25:35,159 --> 00:25:37,960
losing her is not only terrible for
559
00:25:37,960 --> 00:25:40,159
Daryl but he knows it's terrible for Lon
560
00:25:40,159 --> 00:25:42,360
it's a personal failure cuz he's a guy
561
00:25:42,360 --> 00:25:43,720
who says I'll do this for you and he
562
00:25:43,720 --> 00:25:46,000
does it and he hasn't done it that's
563
00:25:46,000 --> 00:25:48,120
what he feels he thought he'd keep them
564
00:25:48,120 --> 00:25:50,320
safe and he hasn't kept her safe make
565
00:25:50,320 --> 00:25:52,960
sure he's taken care of I hope fans will
566
00:25:52,960 --> 00:25:55,880
remember the way she keeps her heart and
567
00:25:55,880 --> 00:26:00,039
her mind open
568
00:26:00,039 --> 00:26:02,320
I can see
569
00:26:02,320 --> 00:26:05,559
them the
570
00:26:08,040 --> 00:26:10,039
[Music]
571
00:26:10,039 --> 00:26:12,559
fireflies there was a lot of talk about
572
00:26:12,559 --> 00:26:14,799
how Daryl and Carol reunite cuz
573
00:26:14,799 --> 00:26:16,640
obviously it was one of the centerpieces
574
00:26:16,640 --> 00:26:19,720
of the season for us I'm here to bring
575
00:26:19,720 --> 00:26:22,120
these two characters together again
576
00:26:22,120 --> 00:26:24,640
which the fans seem to like them it was
577
00:26:24,640 --> 00:26:27,120
written that she finds me in jail and
578
00:26:27,120 --> 00:26:29,399
the door opens and I'm kind of like you
579
00:26:29,399 --> 00:26:31,120
know is that you as we were filming
580
00:26:31,120 --> 00:26:33,840
Daryl and Carol scenes as we were seeing
581
00:26:33,840 --> 00:26:35,679
some of the footage we're going like
582
00:26:35,679 --> 00:26:37,120
maybe that doesn't maximize the
583
00:26:37,120 --> 00:26:38,679
opportunity and that's I think what
584
00:26:38,679 --> 00:26:40,320
Norman especially
585
00:26:40,320 --> 00:26:42,600
felt I woke up in the middle of the
586
00:26:42,600 --> 00:26:44,200
night I grabbed my phone and I wrote
587
00:26:44,200 --> 00:26:45,880
down this idea that I had about the
588
00:26:45,880 --> 00:26:47,600
meeting who just came to me and I was
589
00:26:47,600 --> 00:26:50,600
asleep I sent it to David and he and
590
00:26:50,600 --> 00:26:52,840
Jason both liked it and they took that
591
00:26:52,840 --> 00:26:57,360
idea and they just elevated 1,000% that
592
00:26:57,360 --> 00:26:59,159
was Norman's idea yeah then it changed
593
00:26:59,159 --> 00:27:00,960
into something a little bit different to
594
00:27:00,960 --> 00:27:04,679
go from here to here to here to here to
595
00:27:06,360 --> 00:27:09,320
what is such a cool idea you know cuz I
596
00:27:09,320 --> 00:27:10,520
know the fans they're like when you
597
00:27:10,520 --> 00:27:11,440
going to find him when you going to find
598
00:27:11,440 --> 00:27:13,520
him when you going to find him and it
599
00:27:13,520 --> 00:27:18,000
has to be legendary
600
00:27:18,760 --> 00:27:22,010
[Music]
601
00:27:31,039 --> 00:27:33,799
filming the moment when Ash bust into
602
00:27:33,799 --> 00:27:38,159
the van at M man was pretty intense cuz
603
00:27:38,159 --> 00:27:40,200
I'd never been in a scene with that many
604
00:27:40,200 --> 00:27:41,720
Walkers
605
00:27:41,720 --> 00:27:43,919
before they were really committed to
606
00:27:43,919 --> 00:27:46,360
their characters you know you feel
607
00:27:46,360 --> 00:27:52,279
really threatened in that small enclosed
608
00:27:53,120 --> 00:27:57,720
space we spent I think three days with
609
00:27:57,720 --> 00:27:58,720
about
610
00:27:58,720 --> 00:28:01,080
100
611
00:28:01,720 --> 00:28:03,799
Walkers there got to be something alive
612
00:28:03,799 --> 00:28:06,760
in there the choreography of that scene
613
00:28:06,760 --> 00:28:09,159
was pretty amazing with the amped up
614
00:28:09,159 --> 00:28:11,519
Walker surrounding the car camera goes
615
00:28:11,519 --> 00:28:14,360
above and you see just how Wild the
616
00:28:14,360 --> 00:28:15,480
scenario
617
00:28:15,480 --> 00:28:18,799
is kind of reminded me of getting a car
618
00:28:18,799 --> 00:28:20,960
wash you know when you go through a car
619
00:28:20,960 --> 00:28:23,840
wash and they're shaking the car you see
620
00:28:23,840 --> 00:28:26,480
the amazing Prosthetics that Theo's team
621
00:28:26,480 --> 00:28:28,840
has done it brings it to to life in a
622
00:28:28,840 --> 00:28:32,799
way that actually hits
623
00:28:32,799 --> 00:28:35,679
you being inside this car with smashing
624
00:28:35,679 --> 00:28:37,919
up against the windows you know chaos in
625
00:28:37,919 --> 00:28:41,519
every direction it was really intense
626
00:28:41,519 --> 00:28:43,760
Daryl finds the case with the
627
00:28:43,760 --> 00:28:46,919
tranquilizer darts in it and injects
628
00:28:46,919 --> 00:28:50,919
several of the Walkers and the idea is
629
00:28:50,919 --> 00:28:53,200
that they start tearing apart other
630
00:28:53,200 --> 00:28:54,640
walkers around
631
00:28:54,640 --> 00:28:58,760
them we had air mortars blowing blood
632
00:28:58,760 --> 00:29:02,039
onto the windows from different angles
633
00:29:02,039 --> 00:29:03,960
we really wanted it to be once we were
634
00:29:03,960 --> 00:29:06,519
inside the car with them that there was
635
00:29:06,519 --> 00:29:08,720
just Gore all over the
636
00:29:08,720 --> 00:29:11,080
windows you're just wondering waiting
637
00:29:11,080 --> 00:29:12,600
for something to strike and you don't
638
00:29:12,600 --> 00:29:13,919
know where it's going to happen so I
639
00:29:13,919 --> 00:29:16,600
like the suspense of
640
00:29:16,600 --> 00:29:19,200
that as the zombies are also attacking
641
00:29:19,200 --> 00:29:21,880
the car head first running into the car
642
00:29:21,880 --> 00:29:24,840
smash blood everywhere that was pretty
643
00:29:24,840 --> 00:29:26,960
challenging asz there was a lot of stuff
644
00:29:26,960 --> 00:29:29,320
going on you see darl and Carol working
645
00:29:29,320 --> 00:29:31,559
together again in tand which is
646
00:29:31,559 --> 00:29:34,159
something that I
647
00:29:35,679 --> 00:29:38,320
missed my favorite moment from that day
648
00:29:38,320 --> 00:29:40,240
was how much fun we had with the amount
649
00:29:40,240 --> 00:29:42,279
of dead bodies on the ground I mean
650
00:29:42,279 --> 00:29:44,360
there was like hundreds of dead bodies
651
00:29:44,360 --> 00:29:47,600
and it was super sticky super
652
00:29:47,600 --> 00:29:51,840
bloody it was fun I like all that
653
00:29:56,640 --> 00:29:59,919
stuff the trick question a is she has
654
00:29:59,919 --> 00:30:04,440
been a tremendous villain for two
655
00:30:04,440 --> 00:30:08,799
seasons so her death has to live up to
656
00:30:08,799 --> 00:30:13,200
the glory of her evil
657
00:30:20,679 --> 00:30:25,360
doings I was so excited about that
658
00:30:26,039 --> 00:30:29,360
death ium my love devoured by the
659
00:30:29,360 --> 00:30:32,000
monsters theate have you ever known that
660
00:30:32,000 --> 00:30:33,480
kind of
661
00:30:33,480 --> 00:30:36,120
loss she really did believe she was
662
00:30:36,120 --> 00:30:39,880
doing the right thing for the
663
00:30:44,240 --> 00:30:48,480
community but that's it it's
664
00:30:50,960 --> 00:30:55,799
gone the death is so spectacular oh it's
665
00:30:55,799 --> 00:30:58,760
not only what we had to play but it's a
666
00:30:58,760 --> 00:31:00,880
technical challenge as
667
00:31:00,880 --> 00:31:05,519
well we really wanted her death to be
668
00:31:05,519 --> 00:31:08,240
gut-wrenching what niiko and his team
669
00:31:08,240 --> 00:31:10,639
came up with was
670
00:31:10,639 --> 00:31:12,559
horrifying we built this really cool
671
00:31:12,559 --> 00:31:13,720
animatronic head that had all these
672
00:31:13,720 --> 00:31:15,840
little bladders in it so that the eyes
673
00:31:15,840 --> 00:31:18,080
would inflate we put blood tubes in the
674
00:31:18,080 --> 00:31:20,600
nose and the ears and the mouth and it
675
00:31:20,600 --> 00:31:23,200
had like four-way jaw mechanism four-way
676
00:31:23,200 --> 00:31:25,840
neck mechanism so her head goes back and
677
00:31:25,840 --> 00:31:28,000
we open the jaw so wide that the jaw
678
00:31:28,000 --> 00:31:30,480
pour open and split open like her head
679
00:31:30,480 --> 00:31:33,279
just
680
00:31:34,880 --> 00:31:38,159
exploded the makeup and the blood and
681
00:31:38,159 --> 00:31:43,080
the movement I love that that was so
682
00:31:45,480 --> 00:31:48,440
exciting so what we ended up doing was
683
00:31:48,440 --> 00:31:51,440
we scanned her head here in France and
684
00:31:51,440 --> 00:31:54,279
then at K&B in La we sculpted it we
685
00:31:54,279 --> 00:31:56,080
built all the mechanisms we matched the
686
00:31:56,080 --> 00:31:58,120
hair and the costume and everything and
687
00:31:58,120 --> 00:32:00,279
then we shot it as an insert more
688
00:32:00,279 --> 00:32:01,720
movement more movement side to side on
689
00:32:01,720 --> 00:32:03,840
the head there you go there you go it
690
00:32:03,840 --> 00:32:05,600
was funny I would have to call her from
691
00:32:05,600 --> 00:32:08,760
La hey I need really detailed photos of
692
00:32:08,760 --> 00:32:10,919
your teeth she's like I'm on holiday
693
00:32:10,919 --> 00:32:13,000
with my family right now I'm like okay
694
00:32:13,000 --> 00:32:15,840
get a ruler and put it next to your eyes
695
00:32:15,840 --> 00:32:17,799
I'm in the south of France in a very
696
00:32:17,799 --> 00:32:21,320
remote Village and couldn't find a ruler
697
00:32:21,320 --> 00:32:23,559
they didn't have it so we had to go to
698
00:32:23,559 --> 00:32:26,279
the town after my husband was taking
699
00:32:26,279 --> 00:32:28,799
pictures of me going
700
00:32:28,799 --> 00:32:30,519
like that and then we were taking the
701
00:32:30,519 --> 00:32:34,120
measures of you know ahaa okay that was
702
00:32:34,120 --> 00:32:36,279
very funny and of course when she saw it
703
00:32:36,279 --> 00:32:37,399
she's like what are you going to do with
704
00:32:37,399 --> 00:32:40,200
that when when you're done with it I
705
00:32:40,200 --> 00:32:42,039
said I don't know probably end up in
706
00:32:42,039 --> 00:32:44,600
your house somewhere maybe I'm so happy
707
00:32:44,600 --> 00:32:47,360
that I had this
708
00:32:47,750 --> 00:32:50,399
[Music]
709
00:32:50,399 --> 00:32:53,360
head with Isabelle gone Nothing Else
710
00:32:53,360 --> 00:32:55,399
Matters to Daryl but the
711
00:32:55,399 --> 00:32:58,480
boy you know where I'm from
712
00:32:58,480 --> 00:33:00,039
they say you blow on those to set your
713
00:33:00,039 --> 00:33:03,639
wishes free in French it's called peace
714
00:33:03,639 --> 00:33:06,760
on cuz if you eat one makes you pee in
715
00:33:06,760 --> 00:33:09,519
bed p in the
716
00:33:09,519 --> 00:33:13,039
Lee there found this in the trunk of a
717
00:33:13,039 --> 00:33:16,120
car there's this sweet scene where loron
718
00:33:16,120 --> 00:33:18,600
is playing the guitar the hardest part
719
00:33:18,600 --> 00:33:21,360
of that from a writing point of view and
720
00:33:21,360 --> 00:33:24,600
an emotionally was the idea of Daryl
721
00:33:24,600 --> 00:33:28,320
saying goodbye to l
722
00:33:29,200 --> 00:33:31,880
you're not coming are you somebody has
723
00:33:31,880 --> 00:33:34,919
to stay behind it takes me to like a
724
00:33:34,919 --> 00:33:36,760
place in my head where I'm probably
725
00:33:36,760 --> 00:33:38,360
never going to see him again I'll make
726
00:33:38,360 --> 00:33:42,480
it back it was hard cuz I had to be kind
727
00:33:42,480 --> 00:33:45,399
of sad and like
728
00:33:45,399 --> 00:33:48,279
emotional play something I can play
729
00:33:48,279 --> 00:33:51,039
guitar I've been doing it for maybe 2
730
00:33:51,039 --> 00:33:53,799
years but I mean it was kind of hard to
731
00:33:53,799 --> 00:33:56,600
play cuz it wasn't tuned but I think
732
00:33:56,600 --> 00:33:58,760
they wanted it to not be tuned cuz you
733
00:33:58,760 --> 00:34:00,880
know it's the apocalypse and if you
734
00:34:00,880 --> 00:34:03,440
would pick up a Guitar after 12 years
735
00:34:03,440 --> 00:34:05,000
and just strum it and it would be
736
00:34:05,000 --> 00:34:07,880
perfect pitch when we're shooting it I
737
00:34:07,880 --> 00:34:08,960
was like how are we going to do this how
738
00:34:08,960 --> 00:34:10,879
are we going to do this and everybody's
739
00:34:10,879 --> 00:34:13,040
nervous and he was sort of struggling a
740
00:34:13,040 --> 00:34:14,919
little bit I said you know what I'm
741
00:34:14,919 --> 00:34:16,960
going to sing with you which wasn't in
742
00:34:16,960 --> 00:34:19,040
the script but I'm going to sing the
743
00:34:19,040 --> 00:34:20,560
song when you start singing it I'll
744
00:34:20,560 --> 00:34:22,159
start singing it with you and what it
745
00:34:22,159 --> 00:34:25,079
did was it gave two
746
00:34:25,079 --> 00:34:28,599
crackly voices they sort of connected in
747
00:34:28,599 --> 00:34:31,359
a way which made it even
748
00:34:31,359 --> 00:34:36,040
sadder hiy look at me I'm must see you
749
00:34:36,040 --> 00:34:38,130
again all
750
00:34:38,130 --> 00:34:41,369
[Music]
751
00:34:43,919 --> 00:34:45,919
right you ready to
752
00:34:45,919 --> 00:34:49,200
fly you got to go right now come on help
753
00:34:49,200 --> 00:34:50,800
me get this wall
754
00:34:50,800 --> 00:34:53,939
[Music]
755
00:34:55,119 --> 00:34:57,920
down the hippo Drome sequence was was
756
00:34:57,920 --> 00:35:00,359
many days I think it was a full week and
757
00:35:00,359 --> 00:35:02,760
multiple units it was probably the
758
00:35:02,760 --> 00:35:04,280
hardest overall sequence we filmed in
759
00:35:04,280 --> 00:35:07,040
the whole series and two one action I
760
00:35:07,040 --> 00:35:08,359
love having all the cast back together
761
00:35:08,359 --> 00:35:10,040
the hippo Drome scenes it's all the
762
00:35:10,040 --> 00:35:12,640
right flavors in the soup good very good
763
00:35:12,640 --> 00:35:15,400
this is one of the most epic sequences
764
00:35:15,400 --> 00:35:18,040
of the Season getting the wrong out of
765
00:35:18,040 --> 00:35:20,200
here so it's a pretty powerful sequence
766
00:35:20,200 --> 00:35:22,280
with a lot of action a lot of ticking
767
00:35:22,280 --> 00:35:24,240
clocks but also some really big
768
00:35:24,240 --> 00:35:27,079
emotional Stakes hi look at me I'll see
769
00:35:27,079 --> 00:35:30,720
you soon all right I
770
00:35:39,480 --> 00:35:41,880
promise I love the hyp Drome because
771
00:35:41,880 --> 00:35:43,880
it's postapocalyptic hasn't been
772
00:35:43,880 --> 00:35:46,079
renovated for a long long time it was
773
00:35:46,079 --> 00:35:48,240
really hard high level of difficulty
774
00:35:48,240 --> 00:35:50,200
with airplanes and shooting and things
775
00:35:50,200 --> 00:35:52,079
blowing up and
776
00:35:52,079 --> 00:35:54,720
Walkers amazingly shot by Dan pel
777
00:35:54,720 --> 00:35:58,920
amazing stunt work by Seb and his guys
778
00:35:58,920 --> 00:36:01,240
keep the plane really juddering we're
779
00:36:01,240 --> 00:36:03,720
shooting close-ups in the airplane which
780
00:36:03,720 --> 00:36:05,160
of course we can't do while the plane is
781
00:36:05,160 --> 00:36:06,920
taking off down the runway so we have to
782
00:36:06,920 --> 00:36:08,960
shoot against a green screen and it's
783
00:36:08,960 --> 00:36:10,119
really complicated we have a whole bunch
784
00:36:10,119 --> 00:36:11,480
of people shaking the plane to make it
785
00:36:11,480 --> 00:36:13,200
vibrate and all the actors have to
786
00:36:13,200 --> 00:36:14,880
imagine what's going on and I'm talking
787
00:36:14,880 --> 00:36:17,040
them through it more vibration more
788
00:36:17,040 --> 00:36:19,520
violent vibration we got to be in a real
789
00:36:19,520 --> 00:36:22,440
plane which was kind of sick look when
790
00:36:22,440 --> 00:36:24,480
you see the finished film it look seemly
791
00:36:24,480 --> 00:36:25,760
like they're heading down the wrun way
792
00:36:25,760 --> 00:36:28,079
and avoiding all sorts of OB in the way
793
00:36:28,079 --> 00:36:30,880
and taking off and
794
00:36:33,280 --> 00:36:35,560
escaping we had to have uh the best
795
00:36:35,560 --> 00:36:37,920
drivers best Riders and the best pilot
796
00:36:37,920 --> 00:36:40,319
we booked batist sist he's a really good
797
00:36:40,319 --> 00:36:43,160
pilot here in France we are in Paris
798
00:36:43,160 --> 00:36:45,400
area and typically we we don't have the
799
00:36:45,400 --> 00:36:48,200
authorization fly over this area but for
800
00:36:48,200 --> 00:36:49,839
the movie we have the authorization to
801
00:36:49,839 --> 00:36:52,560
do that I think the most important thing
802
00:36:52,560 --> 00:36:54,040
here is with all the violence and all
803
00:36:54,040 --> 00:36:55,640
the action and all the thrill and all
804
00:36:55,640 --> 00:36:57,839
the drama that you never lose sight of
805
00:36:57,839 --> 00:36:59,800
that very simple human emotion of two
806
00:36:59,800 --> 00:37:02,280
people saying farewell potentially for
807
00:37:02,280 --> 00:37:04,280
the last time I
808
00:37:04,280 --> 00:37:06,839
know go I was kind of gripped by that
809
00:37:06,839 --> 00:37:08,079
because I'm like wow he started alone
810
00:37:08,079 --> 00:37:09,200
washing up on a beach and now he's
811
00:37:09,200 --> 00:37:10,720
getting left alone again that's what it
812
00:37:10,720 --> 00:37:13,880
feels like in the moment my fondest
813
00:37:13,880 --> 00:37:15,880
memory of shooting that whole crazy
814
00:37:15,880 --> 00:37:18,480
Hippodrome scene would be Carol laying
815
00:37:18,480 --> 00:37:20,880
in the grass taking that shot and then
816
00:37:20,880 --> 00:37:23,079
looking over and seeing Daryl Daryl
817
00:37:23,079 --> 00:37:25,839
seeing Carol Carol stays behind because
818
00:37:25,839 --> 00:37:27,960
she can't leave Daryl behind it's the
819
00:37:27,960 --> 00:37:32,040
whole reason she came we keep going all
820
00:37:32,040 --> 00:37:35,520
right that's what we
821
00:37:35,940 --> 00:37:37,800
[Music]
822
00:37:37,800 --> 00:37:40,400
do so we end the season in the Chunnel
823
00:37:40,400 --> 00:37:43,880
the Chunnel is a tunnel that connects
824
00:37:43,880 --> 00:37:46,160
France to England and the idea that
825
00:37:46,160 --> 00:37:48,880
we're positing in episode six is that
826
00:37:48,880 --> 00:37:51,280
things in England are better ostensibly
827
00:37:51,280 --> 00:37:53,560
and maybe there's another way to get
828
00:37:53,560 --> 00:37:56,440
some kind of boat or plane or something
829
00:37:56,440 --> 00:37:59,440
to get home I
830
00:38:20,319 --> 00:38:22,920
for if you want a coffee it's like a 30
831
00:38:22,920 --> 00:38:25,040
minute walk it's sort of like being in
832
00:38:25,040 --> 00:38:27,760
in deep space or like low depths of the
833
00:38:27,760 --> 00:38:29,839
ocean we wanted
834
00:38:29,839 --> 00:38:32,160
something a little crazy would also
835
00:38:32,160 --> 00:38:33,920
allow us to sort of break out of just
836
00:38:33,920 --> 00:38:35,680
realism we were talking about bats and
837
00:38:35,680 --> 00:38:36,960
there'd be lots of bats there and then
838
00:38:36,960 --> 00:38:39,000
we talked about guano and the effects of
839
00:38:39,000 --> 00:38:42,240
guano I'd written an episode on ER about
840
00:38:42,240 --> 00:38:44,319
kids who had ingested guano that's how
841
00:38:44,319 --> 00:38:46,560
we went bad crazy and the writers were
842
00:38:46,560 --> 00:38:49,280
no I didn't know that bad can drive you
843
00:38:49,280 --> 00:38:52,480
crazy but it's good to know we've been
844
00:38:52,480 --> 00:38:55,480
testing these bioluminescent walkers for
845
00:38:55,480 --> 00:38:57,880
about a month and a half already what we
846
00:38:57,880 --> 00:39:00,680
really wanted to do was get the sense
847
00:39:00,680 --> 00:39:02,119
that the glowing was happening from
848
00:39:02,119 --> 00:39:06,000
inside the idea is this fungus that gets
849
00:39:06,000 --> 00:39:09,599
underneath the skin glows it's really
850
00:39:09,599 --> 00:39:11,440
really challenging to get lights
851
00:39:11,440 --> 00:39:13,520
underneath a prosthetic makeup so we
852
00:39:13,520 --> 00:39:16,000
opted for some black light activated
853
00:39:16,000 --> 00:39:17,480
paints and we would paint the suits and
854
00:39:17,480 --> 00:39:19,560
then put layers of translucent silicone
855
00:39:19,560 --> 00:39:22,040
over top of them to diffuse them so it
856
00:39:22,040 --> 00:39:24,480
looks like they're actually glowing from
857
00:39:24,480 --> 00:39:26,599
underneath we actually painted some of
858
00:39:26,599 --> 00:39:29,720
the dentures with black light paint so
859
00:39:29,720 --> 00:39:32,000
the mouths will glow and it looks
860
00:39:32,000 --> 00:39:34,319
fantastic he sent me a little bit of the
861
00:39:34,319 --> 00:39:37,760
draft work for some of the Carol Walkers
862
00:39:37,760 --> 00:39:40,800
which is a little disturbing to see he
863
00:39:40,800 --> 00:39:43,359
had taken a whole latex back in season 4
864
00:39:43,359 --> 00:39:45,839
when they were going to kill Carol off I
865
00:39:45,839 --> 00:39:47,760
had gone to his studio and they made a
866
00:39:47,760 --> 00:39:50,960
latex of my face and he used that as
867
00:39:50,960 --> 00:39:53,280
preliminary drafts for what we'll be
868
00:39:53,280 --> 00:39:56,160
seeing in the Chunnel but it's just
869
00:39:56,160 --> 00:39:59,599
enough to not to toally mutilate Carol
870
00:39:59,599 --> 00:40:02,319
in her own mind I think it's very
871
00:40:02,319 --> 00:40:05,760
interesting for the characters in a way
872
00:40:05,760 --> 00:40:09,000
we have to go back in our past to
873
00:40:09,000 --> 00:40:12,800
resolve stuff inside us you know she
874
00:40:12,800 --> 00:40:14,680
thought she' come to terms with the
875
00:40:14,680 --> 00:40:16,880
death of Sophia and she had in so many
876
00:40:16,880 --> 00:40:19,480
ways I think it's a punishment that she
877
00:40:19,480 --> 00:40:23,200
may not even deserve
878
00:40:30,200 --> 00:40:32,240
we don't know we don't know what season
879
00:40:32,240 --> 00:40:34,560
3 is I don't know what the significance
880
00:40:34,560 --> 00:40:37,240
of Ash La Escape is in the big picture I
881
00:40:37,240 --> 00:40:39,079
mean it's the end of one story it's the
882
00:40:39,079 --> 00:40:41,160
beginning of another journey and cut
883
00:40:41,160 --> 00:40:42,119
what are the chances that you're going
884
00:40:42,119 --> 00:40:45,920
to see Ash again he is off to the K yeah
885
00:40:45,920 --> 00:40:48,839
I think we will see lar again I hope
886
00:40:48,839 --> 00:40:52,000
so ah my goodness I hope we see him
887
00:40:52,000 --> 00:40:55,319
again with family kids another adventure
888
00:40:55,319 --> 00:40:57,319
they're still in Europe it's just the
889
00:40:57,319 --> 00:40:59,119
two of them now what there are other
890
00:40:59,119 --> 00:41:01,119
cool places not far from France thanks
891
00:41:01,119 --> 00:41:04,079
everybody knowing that there's a new
892
00:41:04,079 --> 00:41:06,319
journey ahead and that now they're
893
00:41:06,319 --> 00:41:08,240
partnered and they're going to fight it
894
00:41:08,240 --> 00:41:10,040
together it's tremendously exciting I
895
00:41:10,040 --> 00:41:11,440
like hending this season with just the
896
00:41:11,440 --> 00:41:14,319
two of them it's a full circle and
897
00:41:14,319 --> 00:41:17,800
cup thank you that's a wrap thank you
898
00:41:17,800 --> 00:41:20,319
guys
899
00:41:23,480 --> 00:41:27,359
wo what does that mean for season 3 uh I
900
00:41:27,359 --> 00:41:28,680
don't
901
00:41:28,680 --> 00:41:31,920
know we'll be filming in Spain so the
902
00:41:31,920 --> 00:41:34,400
show's going to Spain for season 3 super
903
00:41:34,400 --> 00:41:37,400
cool
904
00:41:37,480 --> 00:41:40,699
[Music]
905
00:41:47,550 --> 00:41:50,629
[Music]
906
00:42:06,890 --> 00:42:12,699
[Music]63471
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