All language subtitles for 2024 The Walking Dead Daryl Dixon The Return 1080p Eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,719 --> 00:00:03,200 action I'm super excited want your 2 00:00:03,200 --> 00:00:05,640 question are you rolling we were excited 3 00:00:05,640 --> 00:00:06,960 from the very beginning knowing that we 4 00:00:06,960 --> 00:00:08,760 were going to get to reunite Carol and 5 00:00:08,760 --> 00:00:11,719 Daryl on this show go you see Daryl and 6 00:00:11,719 --> 00:00:14,000 Carol working together again in tandle 7 00:00:14,000 --> 00:00:16,640 which is something that I missed I was 8 00:00:16,640 --> 00:00:18,880 so excited to come back most of all 9 00:00:18,880 --> 00:00:20,920 because Melissa was here working with 10 00:00:20,920 --> 00:00:23,039 Melissa McBride she's a riot she's 11 00:00:23,039 --> 00:00:25,480 really funny I really love being able to 12 00:00:25,480 --> 00:00:27,840 see Carol in Jeopardy that looked great 13 00:00:27,840 --> 00:00:29,599 I've been waiting to meet her since we 14 00:00:29,599 --> 00:00:34,000 started season two Melissa 15 00:00:38,719 --> 00:00:41,360 who where's Carol 16 00:00:41,360 --> 00:00:43,640 Ben she's been at the 17 00:00:43,640 --> 00:00:46,559 Commonwealth now that you're gone and 18 00:00:46,559 --> 00:00:48,600 you should have been back by now all 19 00:00:48,600 --> 00:00:50,120 these things are starting to stir up 20 00:00:50,120 --> 00:00:51,120 it's too 21 00:00:51,120 --> 00:00:55,480 quiet remember 12 years ago when I axed 22 00:00:55,480 --> 00:00:58,559 my husband's head in I handed you the a 23 00:00:58,559 --> 00:01:00,160 kind of traumatizing I'd never done that 24 00:01:00,160 --> 00:01:02,719 as a human being 25 00:01:02,719 --> 00:01:05,680 before Hey where's my necklace of ears 26 00:01:05,680 --> 00:01:08,119 by the way right where are they who what 27 00:01:08,119 --> 00:01:10,439 were you thinking I don't know I was 28 00:01:10,439 --> 00:01:12,400 into 29 00:01:12,400 --> 00:01:14,680 [Music] 30 00:01:14,680 --> 00:01:16,920 accessories it's been nice to have 31 00:01:16,920 --> 00:01:19,759 Melissa here just getting to see Norman 32 00:01:19,759 --> 00:01:23,280 again period is you know it's fun I mean 33 00:01:23,280 --> 00:01:24,640 she was always supposed to be part of 34 00:01:24,640 --> 00:01:25,880 the show she was part of the show before 35 00:01:25,880 --> 00:01:28,000 the first script was ever written that 36 00:01:28,000 --> 00:01:29,920 was a given from the beginning something 37 00:01:29,920 --> 00:01:31,680 something that I was very eager for the 38 00:01:31,680 --> 00:01:33,600 writers were very eager for the fans of 39 00:01:33,600 --> 00:01:35,399 course were very eager 40 00:01:35,399 --> 00:01:39,439 for just being on set in this whole new 41 00:01:39,439 --> 00:01:42,000 environment but feeling like Carol don't 42 00:01:42,000 --> 00:01:44,640 move immediately that was really fun you 43 00:01:44,640 --> 00:01:47,040 going to shoot 44 00:01:47,040 --> 00:01:50,399 are you crazy certifiable where is 45 00:01:50,399 --> 00:01:52,360 he where is my friend they got 46 00:01:52,360 --> 00:01:55,200 themselves stored on a damn boat a boat 47 00:01:55,200 --> 00:01:58,479 to where to France okay her journey had 48 00:01:58,479 --> 00:02:01,719 to feel like classic Walking 49 00:02:01,719 --> 00:02:04,000 Dead you know I wanted the zombies to be 50 00:02:04,000 --> 00:02:06,399 a threat I wanted to really get into 51 00:02:06,399 --> 00:02:09,879 seeing how Carol's brain clicks because 52 00:02:09,879 --> 00:02:12,200 she finds herself in situation after 53 00:02:12,200 --> 00:02:14,640 situation where she has to be quick on 54 00:02:14,640 --> 00:02:17,720 her feet I was really grateful that Greg 55 00:02:17,720 --> 00:02:19,640 was here because you know this is all 56 00:02:19,640 --> 00:02:21,640 new to me and everybody's been situated 57 00:02:21,640 --> 00:02:23,800 already so it was really nice to have 58 00:02:23,800 --> 00:02:27,680 his familiar face here prob wouldn't 59 00:02:27,680 --> 00:02:29,239 touch the fence cuz you notice that it's 60 00:02:29,239 --> 00:02:31,820 electrified 61 00:02:31,820 --> 00:02:34,400 [Music] 62 00:02:34,400 --> 00:02:38,000 okay somebody 63 00:02:38,400 --> 00:02:42,040 help what are you doing snooping on my 64 00:02:42,040 --> 00:02:44,440 property I'd like to think that we can 65 00:02:44,440 --> 00:02:47,319 rely on the kindness of 66 00:02:47,319 --> 00:02:49,800 strangers I was coming into the show 67 00:02:49,800 --> 00:02:53,519 with no experience in this world at all 68 00:02:53,519 --> 00:02:56,080 ready to go go working with Greg Niko 69 00:02:56,080 --> 00:03:00,400 was a real dream he was somebody so 70 00:03:00,400 --> 00:03:02,519 immersed in this world that I was able 71 00:03:02,519 --> 00:03:05,480 to really get comfortable here very 72 00:03:05,480 --> 00:03:08,280 quickly Melissa and and Manish to just 73 00:03:08,280 --> 00:03:10,480 come in and watch the playback of I met 74 00:03:10,480 --> 00:03:12,640 with Manish a few times and we just 75 00:03:12,640 --> 00:03:14,400 thought that he had a great quality for 76 00:03:14,400 --> 00:03:16,519 the role that he had a great openness a 77 00:03:16,519 --> 00:03:19,080 great tenderness he brought a different 78 00:03:19,080 --> 00:03:20,519 color from any other character that we 79 00:03:20,519 --> 00:03:22,400 had on the show you can spend the night 80 00:03:22,400 --> 00:03:24,440 here if you 81 00:03:24,440 --> 00:03:27,799 want now he's Hing it now working with 82 00:03:27,799 --> 00:03:30,040 Melissa mcbry this season has been so 83 00:03:30,040 --> 00:03:32,959 much fun we literally just laugh all day 84 00:03:32,959 --> 00:03:35,439 it was just a tool bus for so many 85 00:03:35,439 --> 00:03:37,879 scenes we were able to explore and 86 00:03:37,879 --> 00:03:40,799 figure out how to navigate this journey 87 00:03:40,799 --> 00:03:44,000 together I never ventured too far you 88 00:03:44,000 --> 00:03:44,790 could go 89 00:03:44,790 --> 00:03:45,920 [Music] 90 00:03:45,920 --> 00:03:48,239 anywhere I have everything 91 00:03:48,239 --> 00:03:51,040 here for Carol's Journey the external 92 00:03:51,040 --> 00:03:52,959 journey is I need to find my friend but 93 00:03:52,959 --> 00:03:55,879 internally it is really about resolving 94 00:03:55,879 --> 00:03:57,959 grief to the best that she can and 95 00:03:57,959 --> 00:03:59,879 forgiving herself for some of the things 96 00:03:59,879 --> 00:04:01,799 she's 97 00:04:01,799 --> 00:04:04,840 done the season 2 episode where Sophia 98 00:04:04,840 --> 00:04:06,439 comes out of the bar and I remember 99 00:04:06,439 --> 00:04:08,000 everything about 100 00:04:08,000 --> 00:04:11,120 it we did a lighting transition from 101 00:04:11,120 --> 00:04:13,360 night to day and all of a sudden she 102 00:04:13,360 --> 00:04:16,639 finds herself standing there and I 103 00:04:16,639 --> 00:04:19,400 recreated the same 104 00:04:19,400 --> 00:04:22,360 shots it was fascinating to me because 105 00:04:22,360 --> 00:04:24,040 it was all right 106 00:04:24,040 --> 00:04:27,680 there was almost exactly like verbatim 107 00:04:27,680 --> 00:04:29,400 even the little girl that they cast for 108 00:04:29,400 --> 00:04:32,520 so yeah the mannerisms the camera angles 109 00:04:32,520 --> 00:04:36,680 lighting took me back to that 110 00:04:39,240 --> 00:04:43,000 moment you okay 111 00:04:43,000 --> 00:04:46,479 yeah fine we were trying to find ways to 112 00:04:46,479 --> 00:04:49,759 succinctly Echo the past to try to dig 113 00:04:49,759 --> 00:04:51,960 into the inner life of Carol and 114 00:04:51,960 --> 00:04:53,800 Cherokee Rose just seemed like a good 115 00:04:53,800 --> 00:04:56,759 way to do that they represent hope you 116 00:04:56,759 --> 00:05:00,520 know yeah I know all story behind it 117 00:05:00,520 --> 00:05:04,000 related back to Daryl and Carol looking 118 00:05:04,000 --> 00:05:08,759 for a lost loved one I believe this 119 00:05:08,759 --> 00:05:12,600 one bloom for your little 120 00:05:18,400 --> 00:05:22,319 girl for Carol Daryl is 121 00:05:22,319 --> 00:05:25,190 home she feels a little lost without 122 00:05:25,190 --> 00:05:27,680 [Music] 123 00:05:27,680 --> 00:05:30,280 him the idea of home on a different 124 00:05:30,280 --> 00:05:31,400 meaning for 125 00:05:31,400 --> 00:05:34,360 Daryl do you hope for Daryl to stay 126 00:05:34,360 --> 00:05:37,840 here yes but I think he misses Carol and 127 00:05:37,840 --> 00:05:40,520 theis Daryl was torn between two homes 128 00:05:40,520 --> 00:05:43,160 and you absolutely see Isabelle Daryl 129 00:05:43,160 --> 00:05:45,720 and lauron as a family unit baseball 130 00:05:45,720 --> 00:05:47,919 scene of course is meant to sort of 131 00:05:47,919 --> 00:05:49,479 represent exactly 132 00:05:49,479 --> 00:05:52,400 that the baseball scene was fun it's 133 00:05:52,400 --> 00:05:54,319 written laurant knocks the first ball 134 00:05:54,319 --> 00:05:56,680 out of the park or whatever that didn't 135 00:05:56,680 --> 00:05:58,199 happen the first time all right I got 136 00:05:58,199 --> 00:05:59,800 another one scene was really fun because 137 00:05:59,800 --> 00:06:01,639 it was so loose you know sometimes the 138 00:06:01,639 --> 00:06:03,160 loose ones with the bus you know you're 139 00:06:03,160 --> 00:06:05,919 also doing it on the side of a castle in 140 00:06:05,919 --> 00:06:08,120 a certain style of clothing and the 141 00:06:08,120 --> 00:06:09,759 baseball bat made out of the leg of a 142 00:06:09,759 --> 00:06:13,160 table Cricket again no it's Baseball 143 00:06:13,160 --> 00:06:15,160 American baseball yeah it was funny too 144 00:06:15,160 --> 00:06:17,319 cuz I think clance didn't quite know 145 00:06:17,319 --> 00:06:20,000 baseball terms in real life we need a 146 00:06:20,000 --> 00:06:22,440 catcher what's a catcher cuz we don't 147 00:06:22,440 --> 00:06:24,280 play baseball in France like it's not a 148 00:06:24,280 --> 00:06:26,120 thing I could tell she really didn't 149 00:06:26,120 --> 00:06:28,440 know that what that was we a catcher all 150 00:06:28,440 --> 00:06:30,800 right we got a catcher it just turned 151 00:06:30,800 --> 00:06:33,560 into an actual game it was fun to shoot 152 00:06:33,560 --> 00:06:35,840 cuz you get to add liveit all right 153 00:06:35,840 --> 00:06:38,759 B you start to know each other's quirks 154 00:06:38,759 --> 00:06:40,360 and stuff and you can add them in you 155 00:06:40,360 --> 00:06:43,199 can play with them as you would a family 156 00:06:43,199 --> 00:06:46,280 I had the video on my phone of me 157 00:06:46,280 --> 00:06:49,560 hitting it but by mistake and we lost a 158 00:06:49,560 --> 00:06:51,520 board 159 00:06:51,520 --> 00:06:55,039 way yeah it went so far away and we 160 00:06:55,039 --> 00:06:57,160 never found it we actually just got to 161 00:06:57,160 --> 00:06:59,280 witness Louie realizing he was really 162 00:06:59,280 --> 00:07:03,000 good at baseball yeah he got really good 163 00:07:03,000 --> 00:07:04,280 he's like I've never played baseball 164 00:07:04,280 --> 00:07:06,280 before and then he's like pow that's 165 00:07:06,280 --> 00:07:08,479 what I'm talking about Norman and I we 166 00:07:08,479 --> 00:07:10,840 got really close to season sometimes he 167 00:07:10,840 --> 00:07:13,440 gives me one of a Buds and we just 168 00:07:13,440 --> 00:07:16,080 listen to music between takes we Bond 169 00:07:16,080 --> 00:07:18,560 over music we Bond over funny things we 170 00:07:18,560 --> 00:07:21,199 tell jokes a lot he's a really cool kid 171 00:07:21,199 --> 00:07:23,599 good job 172 00:07:25,280 --> 00:07:28,080 Slugger you sure you want to do this if 173 00:07:28,080 --> 00:07:30,360 you're not moving forward and you're 174 00:07:30,360 --> 00:07:33,039 done for the premier episode for season 175 00:07:33,039 --> 00:07:36,720 2 we needed a big finale the lightning 176 00:07:36,720 --> 00:07:39,080 strikes the generator the generator 177 00:07:39,080 --> 00:07:42,280 explodes the the Walkers are flooding 178 00:07:42,280 --> 00:07:45,000 through there's fires everywhere there's 179 00:07:45,000 --> 00:07:48,479 no choice they have to 180 00:07:50,680 --> 00:07:53,039 go I've never been up in one of these 181 00:07:53,039 --> 00:07:55,159 before I have a little bit of experience 182 00:07:55,159 --> 00:07:57,479 flying plane I've flown a plane twice a 183 00:07:57,479 --> 00:07:59,800 long time ago so I had some familiarity 184 00:07:59,800 --> 00:08:01,479 inside the cockpit it's a big leap of 185 00:08:01,479 --> 00:08:03,759 faith to get on a little plane that been 186 00:08:03,759 --> 00:08:05,720 Frankenstein together and hope that 187 00:08:05,720 --> 00:08:07,879 you're going to get across to Europe 188 00:08:07,879 --> 00:08:09,960 they got to drive the plane through the 189 00:08:09,960 --> 00:08:13,000 Walkers to get to the runway I wanted 190 00:08:13,000 --> 00:08:15,159 one gag where Carol gets attacked by a 191 00:08:15,159 --> 00:08:17,080 walker and swings it into the spinning 192 00:08:17,080 --> 00:08:18,159 propeller 193 00:08:18,159 --> 00:08:21,879 blade my little Indiana Jones 194 00:08:21,879 --> 00:08:24,280 homage then it comes time for them to 195 00:08:24,280 --> 00:08:27,680 take off how can we do this and be safe 196 00:08:27,680 --> 00:08:28,960 anytime we're shooting in the front of 197 00:08:28,960 --> 00:08:31,280 the a plane we to take the propeller off 198 00:08:31,280 --> 00:08:34,599 so you could push it Sebastian our stunt 199 00:08:34,599 --> 00:08:36,399 coordinator and he said oh well no 200 00:08:36,399 --> 00:08:38,279 you'll be fine we'll just have the stunn 201 00:08:38,279 --> 00:08:40,839 people get hit by the wing and fall 202 00:08:40,839 --> 00:08:43,399 down he said really he said yeah yeah 203 00:08:43,399 --> 00:08:45,480 it'll be great don't worry about it the 204 00:08:45,480 --> 00:08:47,800 stunt team did a fantastic job of 205 00:08:47,800 --> 00:08:49,920 keeping everybody safe and giving us 206 00:08:49,920 --> 00:08:52,800 some really spectacular footage there's 207 00:08:52,800 --> 00:08:56,880 nothing to be afraid of up here 208 00:08:58,960 --> 00:09:01,360 [Music] 209 00:09:01,360 --> 00:09:03,839 oh camera we went to a lot of beautiful 210 00:09:03,839 --> 00:09:05,399 places on this show but I have to say 211 00:09:05,399 --> 00:09:07,440 the French Ops is top two or three of 212 00:09:07,440 --> 00:09:09,480 the beautiful places we went the drive 213 00:09:09,480 --> 00:09:11,320 up to get to the French Alps was 214 00:09:11,320 --> 00:09:14,519 incredible and then just being on the 215 00:09:14,519 --> 00:09:16,760 ground in the Alps the visuals were 216 00:09:16,760 --> 00:09:19,200 stunning and then to see the Drone shots 217 00:09:19,200 --> 00:09:21,160 when they go over the mountains and 218 00:09:21,160 --> 00:09:23,760 these huge Vistas 219 00:09:23,760 --> 00:09:26,720 incredible selfishly I will say I just 220 00:09:26,720 --> 00:09:28,279 wanted to shoot in the French Alps and 221 00:09:28,279 --> 00:09:29,720 if we can't shoot the French Alps as the 222 00:09:29,720 --> 00:09:31,519 French Alps then maybe we can shoot the 223 00:09:31,519 --> 00:09:33,079 French Alps as Greenland because the 224 00:09:33,079 --> 00:09:36,160 story really demanded that Ash and Carol 225 00:09:36,160 --> 00:09:37,880 stop somewhere so we were like how can 226 00:09:37,880 --> 00:09:39,200 we complicate that in a way that gives 227 00:09:39,200 --> 00:09:41,480 us some reality and some struggle rather 228 00:09:41,480 --> 00:09:43,320 than just boom they're in Paris you know 229 00:09:43,320 --> 00:09:45,000 so Greenland was the logical place and 230 00:09:45,000 --> 00:09:46,720 it was the the place that real Pilots 231 00:09:46,720 --> 00:09:48,160 would plan to land if they needed to 232 00:09:48,160 --> 00:09:49,079 make a 233 00:09:49,079 --> 00:09:51,120 landing but I was skeptical that we 234 00:09:51,120 --> 00:09:53,680 would be able to really find the Alps at 235 00:09:53,680 --> 00:09:55,360 that time of year that would look 236 00:09:55,360 --> 00:09:59,079 Greenland like 237 00:10:06,200 --> 00:10:07,920 directors like their toys they like 238 00:10:07,920 --> 00:10:09,200 their ships and their planes and their 239 00:10:09,200 --> 00:10:10,480 trains we've had to do aerial 240 00:10:10,480 --> 00:10:11,959 photography we've had to do onboard 241 00:10:11,959 --> 00:10:14,240 plane photography some we've done live 242 00:10:14,240 --> 00:10:16,160 some we've done against Green Screen it 243 00:10:16,160 --> 00:10:18,160 adds enormous complexity but it's so 244 00:10:18,160 --> 00:10:19,880 rich in terms of the scale and scope it 245 00:10:19,880 --> 00:10:22,440 gives us locations did an amazing job 246 00:10:22,440 --> 00:10:24,640 and it was a very hard logistical thing 247 00:10:24,640 --> 00:10:26,720 to get everybody up there and we know 248 00:10:26,720 --> 00:10:31,240 have a big Walker sequence there 249 00:10:31,279 --> 00:10:33,959 that's you really beautiful amazingly 250 00:10:33,959 --> 00:10:36,440 executed by this entire crew and team 251 00:10:36,440 --> 00:10:39,240 and Dan pural who directed that when I 252 00:10:39,240 --> 00:10:42,360 talked to Dan parol about it I said I 253 00:10:42,360 --> 00:10:45,360 think it would be really fun if we went 254 00:10:45,360 --> 00:10:47,279 for a different look with these Walkers 255 00:10:47,279 --> 00:10:49,200 and that their skin looked more 256 00:10:49,200 --> 00:10:51,560 preserved and more mummified but again 257 00:10:51,560 --> 00:10:54,000 it's always about utilizing the 258 00:10:54,000 --> 00:10:56,200 environment and taking the foliage and 259 00:10:56,200 --> 00:10:58,839 the growth that was on the mountain side 260 00:10:58,839 --> 00:11:01,880 there incorporating it into the makeups 261 00:11:01,880 --> 00:11:04,880 and uh it worked out 262 00:11:08,160 --> 00:11:11,360 great welcome to 263 00:11:11,360 --> 00:11:13,560 Greenland you know things happen with 264 00:11:13,560 --> 00:11:16,040 Carol back where she's at and where darl 265 00:11:16,040 --> 00:11:18,480 where he's at so it becomes more of a 266 00:11:18,480 --> 00:11:20,680 dual focus it also injects a lot of new 267 00:11:20,680 --> 00:11:22,920 energy coming from Melissa as Carol and 268 00:11:22,920 --> 00:11:24,920 her journey to try to figure out what's 269 00:11:24,920 --> 00:11:27,320 happened to her friend all right spotted 270 00:11:27,320 --> 00:11:31,240 at least two of them everyone follow me 271 00:11:31,440 --> 00:11:35,639 today we're filming the scene where Emil 272 00:11:35,639 --> 00:11:37,839 Fu Isabelle and the rest of the group 273 00:11:37,839 --> 00:11:40,279 have been told that lauron might be here 274 00:11:40,279 --> 00:11:43,320 and are coming to try and rescue him 275 00:11:43,320 --> 00:11:45,360 this was written as a windmill and the 276 00:11:45,360 --> 00:11:47,240 writers had in mind a classic style 277 00:11:47,240 --> 00:11:49,600 windmill but it's a Watermill it's a 278 00:11:49,600 --> 00:11:52,680 beautiful old factory that ground grain 279 00:11:52,680 --> 00:11:54,120 it works really beautifully for our 280 00:11:54,120 --> 00:11:55,800 story because it's hard to find complete 281 00:11:55,800 --> 00:11:57,560 ruins anymore and of course in the 282 00:11:57,560 --> 00:11:59,680 post-apocalyptic world of The Walking 283 00:11:59,680 --> 00:12:03,279 Dead finding ruins is good for us so we 284 00:12:03,279 --> 00:12:05,440 love this but it's very hard to work in 285 00:12:05,440 --> 00:12:07,800 there's one way up and there's one way 286 00:12:07,800 --> 00:12:09,800 down on a spiral staircase and this big 287 00:12:09,800 --> 00:12:12,399 window here you can see very shortly 288 00:12:12,399 --> 00:12:14,240 someone's going to fly out of there so 289 00:12:14,240 --> 00:12:16,519 we're replacing the glass panel with a 290 00:12:16,519 --> 00:12:19,240 breakable glass to put a stunt man 291 00:12:19,240 --> 00:12:21,680 through and he's in a fight with Daryl 292 00:12:21,680 --> 00:12:24,120 Dixon which was a mistake on his behalf 293 00:12:24,120 --> 00:12:26,000 to do the choreography for a fight scene 294 00:12:26,000 --> 00:12:27,639 sometimes gets kind of crammed and it 295 00:12:27,639 --> 00:12:28,800 looks great and you'd never know on 296 00:12:28,800 --> 00:12:29,880 camera 297 00:12:29,880 --> 00:12:32,000 but uh it's a little harder to do than 298 00:12:32,000 --> 00:12:35,279 in a big flat 299 00:12:35,880 --> 00:12:38,600 room that episod I think the first time 300 00:12:38,600 --> 00:12:41,959 that Isabelle killed 301 00:12:42,800 --> 00:12:46,320 somebody lauron is in Jeopardy and so 302 00:12:46,320 --> 00:12:49,360 she has a big change of heart her 303 00:12:49,360 --> 00:12:52,360 realizing all that with Daryl while this 304 00:12:52,360 --> 00:12:54,600 is all happening has really got their 305 00:12:54,600 --> 00:12:58,160 bond in a tight tight place don't worry 306 00:12:58,160 --> 00:13:00,279 when the water goes back out we'll go in 307 00:13:00,279 --> 00:13:02,160 and get 308 00:13:02,160 --> 00:13:05,120 them and then we'll go with you if the 309 00:13:05,120 --> 00:13:07,720 off still 310 00:13:10,279 --> 00:13:12,839 stands Norman and I talked about Let's 311 00:13:12,839 --> 00:13:15,639 do an adult relationship that doesn't 312 00:13:15,639 --> 00:13:19,240 feel TV forced you know there was always 313 00:13:19,240 --> 00:13:22,199 the hope that there would feel like a 314 00:13:22,199 --> 00:13:23,920 dynamic chemistry between the two of 315 00:13:23,920 --> 00:13:25,839 them but it wasn't a given and it wasn't 316 00:13:25,839 --> 00:13:28,120 a necessity and of course it happened 317 00:13:28,120 --> 00:13:31,240 and so it made sense to us to want to 318 00:13:31,240 --> 00:13:33,839 give that more visual realization the 319 00:13:33,839 --> 00:13:35,760 kiss was sort of a way of saying yes 320 00:13:35,760 --> 00:13:37,240 there are feelings between these two 321 00:13:37,240 --> 00:13:40,839 that are deep what does this 322 00:13:40,839 --> 00:13:43,560 mean you could come with me he cares 323 00:13:43,560 --> 00:13:44,639 about her and they've gone through this 324 00:13:44,639 --> 00:13:46,519 journey together they understand each 325 00:13:46,519 --> 00:13:48,000 other there's weaknesses that are 326 00:13:48,000 --> 00:13:50,440 exposed in each other that are shared 327 00:13:50,440 --> 00:13:52,600 between them intimately which just 328 00:13:52,600 --> 00:13:54,720 causes you to get stronger and stronger 329 00:13:54,720 --> 00:13:56,680 and that's really what's happening it 330 00:13:56,680 --> 00:13:58,519 allows to show aside of Daryl that the 331 00:13:58,519 --> 00:14:00,759 audience hasn't seen we were trying to 332 00:14:00,759 --> 00:14:03,000 really keep it real and then yeah we had 333 00:14:03,000 --> 00:14:06,320 a kiss that was mosquito crazy flying in 334 00:14:06,320 --> 00:14:08,399 our mouths and you know bouncing off our 335 00:14:08,399 --> 00:14:10,639 faces during this big romantic Sunset 336 00:14:10,639 --> 00:14:12,800 moment oh my god well the only thing we 337 00:14:12,800 --> 00:14:15,360 were really worried about were all the 338 00:14:15,360 --> 00:14:18,279 insects on each other's faces she's a 339 00:14:18,279 --> 00:14:20,240 trooper and it was it was still fun and 340 00:14:20,240 --> 00:14:24,279 the scene came out super beautiful 341 00:14:29,160 --> 00:14:31,560 I used to work here as a janitor i' 342 00:14:31,560 --> 00:14:33,639 sweep the floors of galleries full of 343 00:14:33,639 --> 00:14:35,120 religious 344 00:14:35,120 --> 00:14:38,000 bings I wonder why the greatest artists 345 00:14:38,000 --> 00:14:40,560 feel compelled to depat the same violent 346 00:14:40,560 --> 00:14:43,160 imagery over and over 347 00:14:43,160 --> 00:14:47,079 again we had a great opportunity to film 348 00:14:47,079 --> 00:14:50,560 outside the Lou in the streets and 349 00:14:50,560 --> 00:14:53,800 inside having the Lou for ourselves it's 350 00:14:53,800 --> 00:14:56,759 one of the greatest memory of work I 351 00:14:56,759 --> 00:15:01,040 have it's a very special place 352 00:15:01,480 --> 00:15:04,680 Place took about a year to plan and be 353 00:15:04,680 --> 00:15:07,279 able to shoot at the L that was a huge 354 00:15:07,279 --> 00:15:09,519 task we had to visit there many times 355 00:15:09,519 --> 00:15:10,920 and sort of talk it through and and 356 00:15:10,920 --> 00:15:15,399 figure out how we were going to do it 357 00:15:35,220 --> 00:15:38,330 [Music] 358 00:15:50,480 --> 00:15:52,360 when we created the character of Jan in 359 00:15:52,360 --> 00:15:54,040 the writer room we had this idea of this 360 00:15:54,040 --> 00:15:57,399 backstory that I always wanted to get to 361 00:15:57,399 --> 00:15:59,480 Jana is this simple 362 00:15:59,480 --> 00:16:02,399 woman working honestly in love with her 363 00:16:02,399 --> 00:16:05,319 husband planning to have a 364 00:16:05,319 --> 00:16:09,360 family and that is taken away from 365 00:16:16,759 --> 00:16:20,959 her the idea was having the opportunity 366 00:16:20,959 --> 00:16:23,680 to tell another perspective of the 367 00:16:23,680 --> 00:16:25,199 breakout of the zombie apocalypse 368 00:16:25,199 --> 00:16:27,880 Through The Eyes of a character it's the 369 00:16:27,880 --> 00:16:29,519 Genesis of Jana 370 00:16:29,519 --> 00:16:31,480 transformation into the character that 371 00:16:31,480 --> 00:16:34,040 she is 372 00:16:35,959 --> 00:16:40,399 now and that comes across by her 373 00:16:40,399 --> 00:16:44,199 witnessing the death of someone that she 374 00:16:47,360 --> 00:16:49,759 loves they don't know exactly where the 375 00:16:49,759 --> 00:16:52,440 danger is and then she sees those 376 00:16:52,440 --> 00:16:54,040 Walkers 377 00:16:54,040 --> 00:16:56,560 coming and there's nothing she can do 378 00:16:56,560 --> 00:16:59,079 about it 379 00:16:59,079 --> 00:17:02,240 looking at her knowing that he's dying 380 00:17:02,240 --> 00:17:05,799 and she's completely helpless that's a 381 00:17:05,799 --> 00:17:09,160 terrible feeling for a character a death 382 00:17:09,160 --> 00:17:11,600 of the one that you love that you could 383 00:17:11,600 --> 00:17:13,720 not imagine in real life those are the 384 00:17:13,720 --> 00:17:15,520 moments that people remember you can 385 00:17:15,520 --> 00:17:18,319 spray blood till the cows come home but 386 00:17:18,319 --> 00:17:21,199 if it's an emotional death then then you 387 00:17:21,199 --> 00:17:23,600 know you got 388 00:17:24,199 --> 00:17:27,799 them the only light that she had was her 389 00:17:27,799 --> 00:17:31,360 husband and when that's gone then 390 00:17:31,360 --> 00:17:33,960 everything is 391 00:17:36,080 --> 00:17:39,600 possible the Mona Lisa is a figure who 392 00:17:39,600 --> 00:17:41,919 represents the idea of women who are 393 00:17:41,919 --> 00:17:44,039 hidden women who are watching women who 394 00:17:44,039 --> 00:17:47,360 are observing and women who are holding 395 00:17:47,360 --> 00:17:50,600 secrets so those three Mona Lisa Jan and 396 00:17:50,600 --> 00:17:54,720 Carol all are of a piece in that 397 00:17:55,159 --> 00:17:59,799 sense what do you see in her expression 398 00:17:59,799 --> 00:18:02,200 she looks sad meeting them in front of 399 00:18:02,200 --> 00:18:03,880 the Mona Lisa that was very fascinating 400 00:18:03,880 --> 00:18:05,320 to put those two characters together 401 00:18:05,320 --> 00:18:06,799 because of some of the similarities that 402 00:18:06,799 --> 00:18:08,840 they have but also the differences Carol 403 00:18:08,840 --> 00:18:12,400 absolutely relates to Jana in how this 404 00:18:12,400 --> 00:18:15,520 world has affected her the losses the 405 00:18:15,520 --> 00:18:18,360 guilt a woman gazed on by millions never 406 00:18:18,360 --> 00:18:19,679 actually 407 00:18:19,679 --> 00:18:22,679 seen But I see a secret in that 408 00:18:22,679 --> 00:18:26,440 smile something withheld those women 409 00:18:26,440 --> 00:18:29,159 they are nearly the same the Apocalypse 410 00:18:29,159 --> 00:18:31,919 made them become someone that they 411 00:18:31,919 --> 00:18:34,400 wouldn't expect you can't imagine what I 412 00:18:34,400 --> 00:18:37,039 have done to get this 413 00:18:37,039 --> 00:18:41,440 far I understand I do they both lost 414 00:18:41,440 --> 00:18:43,360 their reason to leave so they had to 415 00:18:43,360 --> 00:18:46,799 find something else these pains we 416 00:18:46,799 --> 00:18:49,679 carry we women need to learn to let them 417 00:18:49,679 --> 00:18:53,400 go but we have to forgive 418 00:18:53,400 --> 00:18:55,679 ourselves for all the 419 00:18:55,679 --> 00:18:59,000 losses every character who's villainous 420 00:18:59,000 --> 00:19:02,120 has some aspect that you can empathize 421 00:19:02,120 --> 00:19:05,480 with Jana has gone to a very dark place 422 00:19:05,480 --> 00:19:08,360 and Carol has gone to a pained place but 423 00:19:08,360 --> 00:19:10,960 not a dark place Jana is a really 424 00:19:10,960 --> 00:19:13,360 compelling character it just hits 425 00:19:13,360 --> 00:19:15,080 everyone so differently but she's taken 426 00:19:15,080 --> 00:19:18,679 that path of control if you feed a 427 00:19:18,679 --> 00:19:21,400 monster you're going to get a monster 428 00:19:21,400 --> 00:19:23,480 it's the original you 429 00:19:23,480 --> 00:19:27,039 know how are you so sure it's the real 430 00:19:27,039 --> 00:19:31,120 thing cuz I'm the one who took it 431 00:19:34,440 --> 00:19:38,440 out Sy bear with us it's for the best 432 00:19:38,440 --> 00:19:42,440 stop saying that you're going to kill 433 00:19:46,679 --> 00:19:50,600 him the moment where soie dies to me was 434 00:19:50,600 --> 00:19:54,880 the most shocking of season 2 I 435 00:19:54,880 --> 00:19:57,919 gasped we always wanted Sylvie to have a 436 00:19:57,919 --> 00:20:01,200 heroic story where she is fighting to 437 00:20:01,200 --> 00:20:04,120 save L and at the same time we were 438 00:20:04,120 --> 00:20:05,520 figuring out this story about the 439 00:20:05,520 --> 00:20:08,159 ceremony and the test and I said to the 440 00:20:08,159 --> 00:20:10,280 room well if you're going to test a kid 441 00:20:10,280 --> 00:20:12,400 to make sure he is what you think he is 442 00:20:12,400 --> 00:20:13,360 you're not going to just pick some 443 00:20:13,360 --> 00:20:14,840 Walker off the street it would be a 444 00:20:14,840 --> 00:20:16,799 special Walker so who better to confirm 445 00:20:16,799 --> 00:20:19,240 our faith in luron than someone we've 446 00:20:19,240 --> 00:20:22,799 just lost but who loved him 447 00:20:25,480 --> 00:20:27,919 dearly when I found out that Sylvie was 448 00:20:27,919 --> 00:20:30,720 the one to test long honestly I 449 00:20:30,720 --> 00:20:33,559 was a bit shocked I jumped out of my 450 00:20:33,559 --> 00:20:35,039 chair I was reading the script and I was 451 00:20:35,039 --> 00:20:39,280 like no and now her love will deliver us 452 00:20:39,280 --> 00:20:41,480 all Lo song does not think of himself as 453 00:20:41,480 --> 00:20:43,559 a villain and he believes in what he 454 00:20:43,559 --> 00:20:46,360 says okay the way we're handling it is 455 00:20:46,360 --> 00:20:50,280 in a big ceremony loang has slowly been 456 00:20:50,280 --> 00:20:53,520 grinding under the 457 00:20:55,919 --> 00:20:58,880 pressure he has a great faith and that 458 00:20:58,880 --> 00:21:00,520 faith is put to the test and ultimately 459 00:21:00,520 --> 00:21:02,880 his faith buckles does that make him a 460 00:21:02,880 --> 00:21:06,840 bad person that's the big question drink 461 00:21:06,840 --> 00:21:10,760 this it'll relax you I feel relaxed 462 00:21:10,760 --> 00:21:12,640 drink it anyway it's difficult to 463 00:21:12,640 --> 00:21:15,039 navigate sort of spiritual Purity and 464 00:21:15,039 --> 00:21:16,799 the maintenance of power it'll all be 465 00:21:16,799 --> 00:21:18,679 lost if he can't prove that what he's 466 00:21:18,679 --> 00:21:21,080 been saying is right he really has to 467 00:21:21,080 --> 00:21:23,320 feel that he is doing the right thing 468 00:21:23,320 --> 00:21:25,440 with this and that the boy Lal Will 469 00:21:25,440 --> 00:21:28,080 Survive there you go yeah when she 470 00:21:28,080 --> 00:21:30,159 walked up onto the set people were a 471 00:21:30,159 --> 00:21:32,039 little taken a b because you could 472 00:21:32,039 --> 00:21:33,919 really see it's her so you see like her 473 00:21:33,919 --> 00:21:35,559 Humanity in her face there's a moment 474 00:21:35,559 --> 00:21:37,159 she's coming in to deliver this bite 475 00:21:37,159 --> 00:21:39,000 where she stops does she see him does 476 00:21:39,000 --> 00:21:40,679 she know who he is it's just a flash of 477 00:21:40,679 --> 00:21:43,360 a second laon's reaction to seeing 478 00:21:43,360 --> 00:21:46,600 Sylvie was super Starling to him it's 479 00:21:46,600 --> 00:21:49,640 pretty scary and to tell you the truth I 480 00:21:49,640 --> 00:21:51,840 can't even look at her when I saw myself 481 00:21:51,840 --> 00:21:53,559 the first time in the mirror I loved it 482 00:21:53,559 --> 00:21:55,679 some women look really pretty as zombies 483 00:21:55,679 --> 00:21:57,240 I don't know how they pull that off 484 00:21:57,240 --> 00:21:59,640 Jason Hodes who a makeup artist on the 485 00:21:59,640 --> 00:22:02,400 show really did something amazing Jason 486 00:22:02,400 --> 00:22:06,480 made this perfect broken neck and also 487 00:22:06,480 --> 00:22:10,200 uh synthetical Shake Bones the idea of 488 00:22:10,200 --> 00:22:12,640 being transformed and be completely 489 00:22:12,640 --> 00:22:15,960 different from myself I loved it I 490 00:22:15,960 --> 00:22:19,080 laughed yeah I laughed when I saw Leica 491 00:22:19,080 --> 00:22:22,159 and I think even as a walker Leica still 492 00:22:22,159 --> 00:22:24,320 had this look of a beautiful Walker you 493 00:22:24,320 --> 00:22:26,880 know the had this B fil this scene with 494 00:22:26,880 --> 00:22:28,919 Lou just was laughing of the the time 495 00:22:28,919 --> 00:22:31,600 because I was coming really close to him 496 00:22:31,600 --> 00:22:33,559 and just screaming in his ear so we 497 00:22:33,559 --> 00:22:35,400 wanted to love all the time it was sad 498 00:22:35,400 --> 00:22:37,400 to say goodbye to this character we've 499 00:22:37,400 --> 00:22:39,360 come to know so well ultimately she 500 00:22:39,360 --> 00:22:41,600 relished it and she did an amazing job 501 00:22:41,600 --> 00:22:43,840 mer to 502 00:22:43,840 --> 00:22:45,270 all 503 00:22:45,270 --> 00:22:45,850 [Music] 504 00:22:45,850 --> 00:22:48,230 [Applause] 505 00:22:48,230 --> 00:22:50,320 [Music] 506 00:22:50,320 --> 00:22:55,360 byebye get us out of it hurry up hold on 507 00:22:55,360 --> 00:22:58,679 go go 508 00:22:58,840 --> 00:23:01,679 today we are at the Melle it's amazing 509 00:23:01,679 --> 00:23:04,400 it's great location for war getting to 510 00:23:04,400 --> 00:23:06,480 ride on the ATVs was fun getting to 511 00:23:06,480 --> 00:23:09,120 drive it but the rehearsals were I think 512 00:23:09,120 --> 00:23:11,120 maybe more fun than actually shooting it 513 00:23:11,120 --> 00:23:14,120 I had a little more free reain in the 514 00:23:14,120 --> 00:23:16,400 rehearsals Carol's riding an alterrain 515 00:23:16,400 --> 00:23:18,000 vehicle and strapped to the back of the 516 00:23:18,000 --> 00:23:20,640 vehicle is our friend kadon kadon has 517 00:23:20,640 --> 00:23:23,600 been used as a bait it's not very fun to 518 00:23:23,600 --> 00:23:27,080 be used as a bait Kon couldn't run away 519 00:23:27,080 --> 00:23:31,240 so the only thing k to do is to yell go 520 00:23:31,240 --> 00:23:35,120 go so guess what he did he yelled go 521 00:23:35,120 --> 00:23:37,159 these walkers on the show are really 522 00:23:37,159 --> 00:23:39,480 frightening actually I was really scared 523 00:23:39,480 --> 00:23:44,200 when I saw them get me loose the dummy 524 00:23:44,200 --> 00:23:46,240 really looks like me the only thing is 525 00:23:46,240 --> 00:23:48,960 that his head is a bit bigger than mine 526 00:23:48,960 --> 00:23:51,400 so I told them listen okay I have a big 527 00:23:51,400 --> 00:23:55,120 head but not so big you know but it's 528 00:23:55,120 --> 00:23:57,799 amazing I did like the challenge of 529 00:23:57,799 --> 00:23:59,400 being able to DW drive it as quickly as 530 00:23:59,400 --> 00:24:02,159 I could through some very narrow spaces 531 00:24:02,159 --> 00:24:04,600 and the challenge of you know not 532 00:24:04,600 --> 00:24:08,000 hitting anybody 533 00:24:29,279 --> 00:24:31,679 I read that scene my response was was 534 00:24:31,679 --> 00:24:36,679 literally this me the killer me no no no 535 00:24:36,679 --> 00:24:38,520 how I originally pitched it I wanted 536 00:24:38,520 --> 00:24:40,600 them to throw in Isabelle's half dead 537 00:24:40,600 --> 00:24:43,720 body into the cell and as she dies I 538 00:24:43,720 --> 00:24:45,600 noticed there's a key in her hand we've 539 00:24:45,600 --> 00:24:47,480 already established that she used to be 540 00:24:47,480 --> 00:24:50,360 a pickpocket that was one last heroic 541 00:24:50,360 --> 00:24:52,240 thing she did she picked the pocket on 542 00:24:52,240 --> 00:24:54,640 one way 543 00:24:54,960 --> 00:24:59,880 in you free let me out 544 00:25:00,200 --> 00:25:02,159 [Applause] 545 00:25:02,159 --> 00:25:04,320 I remember it was the first time that I 546 00:25:04,320 --> 00:25:06,919 met clemon I've been waiting to meet us 547 00:25:06,919 --> 00:25:09,399 since we started season 2 and we kept 548 00:25:09,399 --> 00:25:10,760 missing each other cuz we were never in 549 00:25:10,760 --> 00:25:14,840 the same locations and I saw her in the 550 00:25:14,840 --> 00:25:17,360 trailers we just had a big long hug and 551 00:25:17,360 --> 00:25:20,240 it was so so nice to meet her I liked it 552 00:25:20,240 --> 00:25:22,080 that they intersected when they did she 553 00:25:22,080 --> 00:25:24,480 was the piece to get Carol to to Daryl 554 00:25:24,480 --> 00:25:26,720 what are you doing here even came for a 555 00:25:26,720 --> 00:25:28,320 friend of mine for the moment when it's 556 00:25:28,320 --> 00:25:31,559 Isabelle dies we wanted a really moving 557 00:25:31,559 --> 00:25:35,159 ending to the character no no no no no 558 00:25:35,159 --> 00:25:37,960 losing her is not only terrible for 559 00:25:37,960 --> 00:25:40,159 Daryl but he knows it's terrible for Lon 560 00:25:40,159 --> 00:25:42,360 it's a personal failure cuz he's a guy 561 00:25:42,360 --> 00:25:43,720 who says I'll do this for you and he 562 00:25:43,720 --> 00:25:46,000 does it and he hasn't done it that's 563 00:25:46,000 --> 00:25:48,120 what he feels he thought he'd keep them 564 00:25:48,120 --> 00:25:50,320 safe and he hasn't kept her safe make 565 00:25:50,320 --> 00:25:52,960 sure he's taken care of I hope fans will 566 00:25:52,960 --> 00:25:55,880 remember the way she keeps her heart and 567 00:25:55,880 --> 00:26:00,039 her mind open 568 00:26:00,039 --> 00:26:02,320 I can see 569 00:26:02,320 --> 00:26:05,559 them the 570 00:26:08,040 --> 00:26:10,039 [Music] 571 00:26:10,039 --> 00:26:12,559 fireflies there was a lot of talk about 572 00:26:12,559 --> 00:26:14,799 how Daryl and Carol reunite cuz 573 00:26:14,799 --> 00:26:16,640 obviously it was one of the centerpieces 574 00:26:16,640 --> 00:26:19,720 of the season for us I'm here to bring 575 00:26:19,720 --> 00:26:22,120 these two characters together again 576 00:26:22,120 --> 00:26:24,640 which the fans seem to like them it was 577 00:26:24,640 --> 00:26:27,120 written that she finds me in jail and 578 00:26:27,120 --> 00:26:29,399 the door opens and I'm kind of like you 579 00:26:29,399 --> 00:26:31,120 know is that you as we were filming 580 00:26:31,120 --> 00:26:33,840 Daryl and Carol scenes as we were seeing 581 00:26:33,840 --> 00:26:35,679 some of the footage we're going like 582 00:26:35,679 --> 00:26:37,120 maybe that doesn't maximize the 583 00:26:37,120 --> 00:26:38,679 opportunity and that's I think what 584 00:26:38,679 --> 00:26:40,320 Norman especially 585 00:26:40,320 --> 00:26:42,600 felt I woke up in the middle of the 586 00:26:42,600 --> 00:26:44,200 night I grabbed my phone and I wrote 587 00:26:44,200 --> 00:26:45,880 down this idea that I had about the 588 00:26:45,880 --> 00:26:47,600 meeting who just came to me and I was 589 00:26:47,600 --> 00:26:50,600 asleep I sent it to David and he and 590 00:26:50,600 --> 00:26:52,840 Jason both liked it and they took that 591 00:26:52,840 --> 00:26:57,360 idea and they just elevated 1,000% that 592 00:26:57,360 --> 00:26:59,159 was Norman's idea yeah then it changed 593 00:26:59,159 --> 00:27:00,960 into something a little bit different to 594 00:27:00,960 --> 00:27:04,679 go from here to here to here to here to 595 00:27:06,360 --> 00:27:09,320 what is such a cool idea you know cuz I 596 00:27:09,320 --> 00:27:10,520 know the fans they're like when you 597 00:27:10,520 --> 00:27:11,440 going to find him when you going to find 598 00:27:11,440 --> 00:27:13,520 him when you going to find him and it 599 00:27:13,520 --> 00:27:18,000 has to be legendary 600 00:27:18,760 --> 00:27:22,010 [Music] 601 00:27:31,039 --> 00:27:33,799 filming the moment when Ash bust into 602 00:27:33,799 --> 00:27:38,159 the van at M man was pretty intense cuz 603 00:27:38,159 --> 00:27:40,200 I'd never been in a scene with that many 604 00:27:40,200 --> 00:27:41,720 Walkers 605 00:27:41,720 --> 00:27:43,919 before they were really committed to 606 00:27:43,919 --> 00:27:46,360 their characters you know you feel 607 00:27:46,360 --> 00:27:52,279 really threatened in that small enclosed 608 00:27:53,120 --> 00:27:57,720 space we spent I think three days with 609 00:27:57,720 --> 00:27:58,720 about 610 00:27:58,720 --> 00:28:01,080 100 611 00:28:01,720 --> 00:28:03,799 Walkers there got to be something alive 612 00:28:03,799 --> 00:28:06,760 in there the choreography of that scene 613 00:28:06,760 --> 00:28:09,159 was pretty amazing with the amped up 614 00:28:09,159 --> 00:28:11,519 Walker surrounding the car camera goes 615 00:28:11,519 --> 00:28:14,360 above and you see just how Wild the 616 00:28:14,360 --> 00:28:15,480 scenario 617 00:28:15,480 --> 00:28:18,799 is kind of reminded me of getting a car 618 00:28:18,799 --> 00:28:20,960 wash you know when you go through a car 619 00:28:20,960 --> 00:28:23,840 wash and they're shaking the car you see 620 00:28:23,840 --> 00:28:26,480 the amazing Prosthetics that Theo's team 621 00:28:26,480 --> 00:28:28,840 has done it brings it to to life in a 622 00:28:28,840 --> 00:28:32,799 way that actually hits 623 00:28:32,799 --> 00:28:35,679 you being inside this car with smashing 624 00:28:35,679 --> 00:28:37,919 up against the windows you know chaos in 625 00:28:37,919 --> 00:28:41,519 every direction it was really intense 626 00:28:41,519 --> 00:28:43,760 Daryl finds the case with the 627 00:28:43,760 --> 00:28:46,919 tranquilizer darts in it and injects 628 00:28:46,919 --> 00:28:50,919 several of the Walkers and the idea is 629 00:28:50,919 --> 00:28:53,200 that they start tearing apart other 630 00:28:53,200 --> 00:28:54,640 walkers around 631 00:28:54,640 --> 00:28:58,760 them we had air mortars blowing blood 632 00:28:58,760 --> 00:29:02,039 onto the windows from different angles 633 00:29:02,039 --> 00:29:03,960 we really wanted it to be once we were 634 00:29:03,960 --> 00:29:06,519 inside the car with them that there was 635 00:29:06,519 --> 00:29:08,720 just Gore all over the 636 00:29:08,720 --> 00:29:11,080 windows you're just wondering waiting 637 00:29:11,080 --> 00:29:12,600 for something to strike and you don't 638 00:29:12,600 --> 00:29:13,919 know where it's going to happen so I 639 00:29:13,919 --> 00:29:16,600 like the suspense of 640 00:29:16,600 --> 00:29:19,200 that as the zombies are also attacking 641 00:29:19,200 --> 00:29:21,880 the car head first running into the car 642 00:29:21,880 --> 00:29:24,840 smash blood everywhere that was pretty 643 00:29:24,840 --> 00:29:26,960 challenging asz there was a lot of stuff 644 00:29:26,960 --> 00:29:29,320 going on you see darl and Carol working 645 00:29:29,320 --> 00:29:31,559 together again in tand which is 646 00:29:31,559 --> 00:29:34,159 something that I 647 00:29:35,679 --> 00:29:38,320 missed my favorite moment from that day 648 00:29:38,320 --> 00:29:40,240 was how much fun we had with the amount 649 00:29:40,240 --> 00:29:42,279 of dead bodies on the ground I mean 650 00:29:42,279 --> 00:29:44,360 there was like hundreds of dead bodies 651 00:29:44,360 --> 00:29:47,600 and it was super sticky super 652 00:29:47,600 --> 00:29:51,840 bloody it was fun I like all that 653 00:29:56,640 --> 00:29:59,919 stuff the trick question a is she has 654 00:29:59,919 --> 00:30:04,440 been a tremendous villain for two 655 00:30:04,440 --> 00:30:08,799 seasons so her death has to live up to 656 00:30:08,799 --> 00:30:13,200 the glory of her evil 657 00:30:20,679 --> 00:30:25,360 doings I was so excited about that 658 00:30:26,039 --> 00:30:29,360 death ium my love devoured by the 659 00:30:29,360 --> 00:30:32,000 monsters theate have you ever known that 660 00:30:32,000 --> 00:30:33,480 kind of 661 00:30:33,480 --> 00:30:36,120 loss she really did believe she was 662 00:30:36,120 --> 00:30:39,880 doing the right thing for the 663 00:30:44,240 --> 00:30:48,480 community but that's it it's 664 00:30:50,960 --> 00:30:55,799 gone the death is so spectacular oh it's 665 00:30:55,799 --> 00:30:58,760 not only what we had to play but it's a 666 00:30:58,760 --> 00:31:00,880 technical challenge as 667 00:31:00,880 --> 00:31:05,519 well we really wanted her death to be 668 00:31:05,519 --> 00:31:08,240 gut-wrenching what niiko and his team 669 00:31:08,240 --> 00:31:10,639 came up with was 670 00:31:10,639 --> 00:31:12,559 horrifying we built this really cool 671 00:31:12,559 --> 00:31:13,720 animatronic head that had all these 672 00:31:13,720 --> 00:31:15,840 little bladders in it so that the eyes 673 00:31:15,840 --> 00:31:18,080 would inflate we put blood tubes in the 674 00:31:18,080 --> 00:31:20,600 nose and the ears and the mouth and it 675 00:31:20,600 --> 00:31:23,200 had like four-way jaw mechanism four-way 676 00:31:23,200 --> 00:31:25,840 neck mechanism so her head goes back and 677 00:31:25,840 --> 00:31:28,000 we open the jaw so wide that the jaw 678 00:31:28,000 --> 00:31:30,480 pour open and split open like her head 679 00:31:30,480 --> 00:31:33,279 just 680 00:31:34,880 --> 00:31:38,159 exploded the makeup and the blood and 681 00:31:38,159 --> 00:31:43,080 the movement I love that that was so 682 00:31:45,480 --> 00:31:48,440 exciting so what we ended up doing was 683 00:31:48,440 --> 00:31:51,440 we scanned her head here in France and 684 00:31:51,440 --> 00:31:54,279 then at K&B in La we sculpted it we 685 00:31:54,279 --> 00:31:56,080 built all the mechanisms we matched the 686 00:31:56,080 --> 00:31:58,120 hair and the costume and everything and 687 00:31:58,120 --> 00:32:00,279 then we shot it as an insert more 688 00:32:00,279 --> 00:32:01,720 movement more movement side to side on 689 00:32:01,720 --> 00:32:03,840 the head there you go there you go it 690 00:32:03,840 --> 00:32:05,600 was funny I would have to call her from 691 00:32:05,600 --> 00:32:08,760 La hey I need really detailed photos of 692 00:32:08,760 --> 00:32:10,919 your teeth she's like I'm on holiday 693 00:32:10,919 --> 00:32:13,000 with my family right now I'm like okay 694 00:32:13,000 --> 00:32:15,840 get a ruler and put it next to your eyes 695 00:32:15,840 --> 00:32:17,799 I'm in the south of France in a very 696 00:32:17,799 --> 00:32:21,320 remote Village and couldn't find a ruler 697 00:32:21,320 --> 00:32:23,559 they didn't have it so we had to go to 698 00:32:23,559 --> 00:32:26,279 the town after my husband was taking 699 00:32:26,279 --> 00:32:28,799 pictures of me going 700 00:32:28,799 --> 00:32:30,519 like that and then we were taking the 701 00:32:30,519 --> 00:32:34,120 measures of you know ahaa okay that was 702 00:32:34,120 --> 00:32:36,279 very funny and of course when she saw it 703 00:32:36,279 --> 00:32:37,399 she's like what are you going to do with 704 00:32:37,399 --> 00:32:40,200 that when when you're done with it I 705 00:32:40,200 --> 00:32:42,039 said I don't know probably end up in 706 00:32:42,039 --> 00:32:44,600 your house somewhere maybe I'm so happy 707 00:32:44,600 --> 00:32:47,360 that I had this 708 00:32:47,750 --> 00:32:50,399 [Music] 709 00:32:50,399 --> 00:32:53,360 head with Isabelle gone Nothing Else 710 00:32:53,360 --> 00:32:55,399 Matters to Daryl but the 711 00:32:55,399 --> 00:32:58,480 boy you know where I'm from 712 00:32:58,480 --> 00:33:00,039 they say you blow on those to set your 713 00:33:00,039 --> 00:33:03,639 wishes free in French it's called peace 714 00:33:03,639 --> 00:33:06,760 on cuz if you eat one makes you pee in 715 00:33:06,760 --> 00:33:09,519 bed p in the 716 00:33:09,519 --> 00:33:13,039 Lee there found this in the trunk of a 717 00:33:13,039 --> 00:33:16,120 car there's this sweet scene where loron 718 00:33:16,120 --> 00:33:18,600 is playing the guitar the hardest part 719 00:33:18,600 --> 00:33:21,360 of that from a writing point of view and 720 00:33:21,360 --> 00:33:24,600 an emotionally was the idea of Daryl 721 00:33:24,600 --> 00:33:28,320 saying goodbye to l 722 00:33:29,200 --> 00:33:31,880 you're not coming are you somebody has 723 00:33:31,880 --> 00:33:34,919 to stay behind it takes me to like a 724 00:33:34,919 --> 00:33:36,760 place in my head where I'm probably 725 00:33:36,760 --> 00:33:38,360 never going to see him again I'll make 726 00:33:38,360 --> 00:33:42,480 it back it was hard cuz I had to be kind 727 00:33:42,480 --> 00:33:45,399 of sad and like 728 00:33:45,399 --> 00:33:48,279 emotional play something I can play 729 00:33:48,279 --> 00:33:51,039 guitar I've been doing it for maybe 2 730 00:33:51,039 --> 00:33:53,799 years but I mean it was kind of hard to 731 00:33:53,799 --> 00:33:56,600 play cuz it wasn't tuned but I think 732 00:33:56,600 --> 00:33:58,760 they wanted it to not be tuned cuz you 733 00:33:58,760 --> 00:34:00,880 know it's the apocalypse and if you 734 00:34:00,880 --> 00:34:03,440 would pick up a Guitar after 12 years 735 00:34:03,440 --> 00:34:05,000 and just strum it and it would be 736 00:34:05,000 --> 00:34:07,880 perfect pitch when we're shooting it I 737 00:34:07,880 --> 00:34:08,960 was like how are we going to do this how 738 00:34:08,960 --> 00:34:10,879 are we going to do this and everybody's 739 00:34:10,879 --> 00:34:13,040 nervous and he was sort of struggling a 740 00:34:13,040 --> 00:34:14,919 little bit I said you know what I'm 741 00:34:14,919 --> 00:34:16,960 going to sing with you which wasn't in 742 00:34:16,960 --> 00:34:19,040 the script but I'm going to sing the 743 00:34:19,040 --> 00:34:20,560 song when you start singing it I'll 744 00:34:20,560 --> 00:34:22,159 start singing it with you and what it 745 00:34:22,159 --> 00:34:25,079 did was it gave two 746 00:34:25,079 --> 00:34:28,599 crackly voices they sort of connected in 747 00:34:28,599 --> 00:34:31,359 a way which made it even 748 00:34:31,359 --> 00:34:36,040 sadder hiy look at me I'm must see you 749 00:34:36,040 --> 00:34:38,130 again all 750 00:34:38,130 --> 00:34:41,369 [Music] 751 00:34:43,919 --> 00:34:45,919 right you ready to 752 00:34:45,919 --> 00:34:49,200 fly you got to go right now come on help 753 00:34:49,200 --> 00:34:50,800 me get this wall 754 00:34:50,800 --> 00:34:53,939 [Music] 755 00:34:55,119 --> 00:34:57,920 down the hippo Drome sequence was was 756 00:34:57,920 --> 00:35:00,359 many days I think it was a full week and 757 00:35:00,359 --> 00:35:02,760 multiple units it was probably the 758 00:35:02,760 --> 00:35:04,280 hardest overall sequence we filmed in 759 00:35:04,280 --> 00:35:07,040 the whole series and two one action I 760 00:35:07,040 --> 00:35:08,359 love having all the cast back together 761 00:35:08,359 --> 00:35:10,040 the hippo Drome scenes it's all the 762 00:35:10,040 --> 00:35:12,640 right flavors in the soup good very good 763 00:35:12,640 --> 00:35:15,400 this is one of the most epic sequences 764 00:35:15,400 --> 00:35:18,040 of the Season getting the wrong out of 765 00:35:18,040 --> 00:35:20,200 here so it's a pretty powerful sequence 766 00:35:20,200 --> 00:35:22,280 with a lot of action a lot of ticking 767 00:35:22,280 --> 00:35:24,240 clocks but also some really big 768 00:35:24,240 --> 00:35:27,079 emotional Stakes hi look at me I'll see 769 00:35:27,079 --> 00:35:30,720 you soon all right I 770 00:35:39,480 --> 00:35:41,880 promise I love the hyp Drome because 771 00:35:41,880 --> 00:35:43,880 it's postapocalyptic hasn't been 772 00:35:43,880 --> 00:35:46,079 renovated for a long long time it was 773 00:35:46,079 --> 00:35:48,240 really hard high level of difficulty 774 00:35:48,240 --> 00:35:50,200 with airplanes and shooting and things 775 00:35:50,200 --> 00:35:52,079 blowing up and 776 00:35:52,079 --> 00:35:54,720 Walkers amazingly shot by Dan pel 777 00:35:54,720 --> 00:35:58,920 amazing stunt work by Seb and his guys 778 00:35:58,920 --> 00:36:01,240 keep the plane really juddering we're 779 00:36:01,240 --> 00:36:03,720 shooting close-ups in the airplane which 780 00:36:03,720 --> 00:36:05,160 of course we can't do while the plane is 781 00:36:05,160 --> 00:36:06,920 taking off down the runway so we have to 782 00:36:06,920 --> 00:36:08,960 shoot against a green screen and it's 783 00:36:08,960 --> 00:36:10,119 really complicated we have a whole bunch 784 00:36:10,119 --> 00:36:11,480 of people shaking the plane to make it 785 00:36:11,480 --> 00:36:13,200 vibrate and all the actors have to 786 00:36:13,200 --> 00:36:14,880 imagine what's going on and I'm talking 787 00:36:14,880 --> 00:36:17,040 them through it more vibration more 788 00:36:17,040 --> 00:36:19,520 violent vibration we got to be in a real 789 00:36:19,520 --> 00:36:22,440 plane which was kind of sick look when 790 00:36:22,440 --> 00:36:24,480 you see the finished film it look seemly 791 00:36:24,480 --> 00:36:25,760 like they're heading down the wrun way 792 00:36:25,760 --> 00:36:28,079 and avoiding all sorts of OB in the way 793 00:36:28,079 --> 00:36:30,880 and taking off and 794 00:36:33,280 --> 00:36:35,560 escaping we had to have uh the best 795 00:36:35,560 --> 00:36:37,920 drivers best Riders and the best pilot 796 00:36:37,920 --> 00:36:40,319 we booked batist sist he's a really good 797 00:36:40,319 --> 00:36:43,160 pilot here in France we are in Paris 798 00:36:43,160 --> 00:36:45,400 area and typically we we don't have the 799 00:36:45,400 --> 00:36:48,200 authorization fly over this area but for 800 00:36:48,200 --> 00:36:49,839 the movie we have the authorization to 801 00:36:49,839 --> 00:36:52,560 do that I think the most important thing 802 00:36:52,560 --> 00:36:54,040 here is with all the violence and all 803 00:36:54,040 --> 00:36:55,640 the action and all the thrill and all 804 00:36:55,640 --> 00:36:57,839 the drama that you never lose sight of 805 00:36:57,839 --> 00:36:59,800 that very simple human emotion of two 806 00:36:59,800 --> 00:37:02,280 people saying farewell potentially for 807 00:37:02,280 --> 00:37:04,280 the last time I 808 00:37:04,280 --> 00:37:06,839 know go I was kind of gripped by that 809 00:37:06,839 --> 00:37:08,079 because I'm like wow he started alone 810 00:37:08,079 --> 00:37:09,200 washing up on a beach and now he's 811 00:37:09,200 --> 00:37:10,720 getting left alone again that's what it 812 00:37:10,720 --> 00:37:13,880 feels like in the moment my fondest 813 00:37:13,880 --> 00:37:15,880 memory of shooting that whole crazy 814 00:37:15,880 --> 00:37:18,480 Hippodrome scene would be Carol laying 815 00:37:18,480 --> 00:37:20,880 in the grass taking that shot and then 816 00:37:20,880 --> 00:37:23,079 looking over and seeing Daryl Daryl 817 00:37:23,079 --> 00:37:25,839 seeing Carol Carol stays behind because 818 00:37:25,839 --> 00:37:27,960 she can't leave Daryl behind it's the 819 00:37:27,960 --> 00:37:32,040 whole reason she came we keep going all 820 00:37:32,040 --> 00:37:35,520 right that's what we 821 00:37:35,940 --> 00:37:37,800 [Music] 822 00:37:37,800 --> 00:37:40,400 do so we end the season in the Chunnel 823 00:37:40,400 --> 00:37:43,880 the Chunnel is a tunnel that connects 824 00:37:43,880 --> 00:37:46,160 France to England and the idea that 825 00:37:46,160 --> 00:37:48,880 we're positing in episode six is that 826 00:37:48,880 --> 00:37:51,280 things in England are better ostensibly 827 00:37:51,280 --> 00:37:53,560 and maybe there's another way to get 828 00:37:53,560 --> 00:37:56,440 some kind of boat or plane or something 829 00:37:56,440 --> 00:37:59,440 to get home I 830 00:38:20,319 --> 00:38:22,920 for if you want a coffee it's like a 30 831 00:38:22,920 --> 00:38:25,040 minute walk it's sort of like being in 832 00:38:25,040 --> 00:38:27,760 in deep space or like low depths of the 833 00:38:27,760 --> 00:38:29,839 ocean we wanted 834 00:38:29,839 --> 00:38:32,160 something a little crazy would also 835 00:38:32,160 --> 00:38:33,920 allow us to sort of break out of just 836 00:38:33,920 --> 00:38:35,680 realism we were talking about bats and 837 00:38:35,680 --> 00:38:36,960 there'd be lots of bats there and then 838 00:38:36,960 --> 00:38:39,000 we talked about guano and the effects of 839 00:38:39,000 --> 00:38:42,240 guano I'd written an episode on ER about 840 00:38:42,240 --> 00:38:44,319 kids who had ingested guano that's how 841 00:38:44,319 --> 00:38:46,560 we went bad crazy and the writers were 842 00:38:46,560 --> 00:38:49,280 no I didn't know that bad can drive you 843 00:38:49,280 --> 00:38:52,480 crazy but it's good to know we've been 844 00:38:52,480 --> 00:38:55,480 testing these bioluminescent walkers for 845 00:38:55,480 --> 00:38:57,880 about a month and a half already what we 846 00:38:57,880 --> 00:39:00,680 really wanted to do was get the sense 847 00:39:00,680 --> 00:39:02,119 that the glowing was happening from 848 00:39:02,119 --> 00:39:06,000 inside the idea is this fungus that gets 849 00:39:06,000 --> 00:39:09,599 underneath the skin glows it's really 850 00:39:09,599 --> 00:39:11,440 really challenging to get lights 851 00:39:11,440 --> 00:39:13,520 underneath a prosthetic makeup so we 852 00:39:13,520 --> 00:39:16,000 opted for some black light activated 853 00:39:16,000 --> 00:39:17,480 paints and we would paint the suits and 854 00:39:17,480 --> 00:39:19,560 then put layers of translucent silicone 855 00:39:19,560 --> 00:39:22,040 over top of them to diffuse them so it 856 00:39:22,040 --> 00:39:24,480 looks like they're actually glowing from 857 00:39:24,480 --> 00:39:26,599 underneath we actually painted some of 858 00:39:26,599 --> 00:39:29,720 the dentures with black light paint so 859 00:39:29,720 --> 00:39:32,000 the mouths will glow and it looks 860 00:39:32,000 --> 00:39:34,319 fantastic he sent me a little bit of the 861 00:39:34,319 --> 00:39:37,760 draft work for some of the Carol Walkers 862 00:39:37,760 --> 00:39:40,800 which is a little disturbing to see he 863 00:39:40,800 --> 00:39:43,359 had taken a whole latex back in season 4 864 00:39:43,359 --> 00:39:45,839 when they were going to kill Carol off I 865 00:39:45,839 --> 00:39:47,760 had gone to his studio and they made a 866 00:39:47,760 --> 00:39:50,960 latex of my face and he used that as 867 00:39:50,960 --> 00:39:53,280 preliminary drafts for what we'll be 868 00:39:53,280 --> 00:39:56,160 seeing in the Chunnel but it's just 869 00:39:56,160 --> 00:39:59,599 enough to not to toally mutilate Carol 870 00:39:59,599 --> 00:40:02,319 in her own mind I think it's very 871 00:40:02,319 --> 00:40:05,760 interesting for the characters in a way 872 00:40:05,760 --> 00:40:09,000 we have to go back in our past to 873 00:40:09,000 --> 00:40:12,800 resolve stuff inside us you know she 874 00:40:12,800 --> 00:40:14,680 thought she' come to terms with the 875 00:40:14,680 --> 00:40:16,880 death of Sophia and she had in so many 876 00:40:16,880 --> 00:40:19,480 ways I think it's a punishment that she 877 00:40:19,480 --> 00:40:23,200 may not even deserve 878 00:40:30,200 --> 00:40:32,240 we don't know we don't know what season 879 00:40:32,240 --> 00:40:34,560 3 is I don't know what the significance 880 00:40:34,560 --> 00:40:37,240 of Ash La Escape is in the big picture I 881 00:40:37,240 --> 00:40:39,079 mean it's the end of one story it's the 882 00:40:39,079 --> 00:40:41,160 beginning of another journey and cut 883 00:40:41,160 --> 00:40:42,119 what are the chances that you're going 884 00:40:42,119 --> 00:40:45,920 to see Ash again he is off to the K yeah 885 00:40:45,920 --> 00:40:48,839 I think we will see lar again I hope 886 00:40:48,839 --> 00:40:52,000 so ah my goodness I hope we see him 887 00:40:52,000 --> 00:40:55,319 again with family kids another adventure 888 00:40:55,319 --> 00:40:57,319 they're still in Europe it's just the 889 00:40:57,319 --> 00:40:59,119 two of them now what there are other 890 00:40:59,119 --> 00:41:01,119 cool places not far from France thanks 891 00:41:01,119 --> 00:41:04,079 everybody knowing that there's a new 892 00:41:04,079 --> 00:41:06,319 journey ahead and that now they're 893 00:41:06,319 --> 00:41:08,240 partnered and they're going to fight it 894 00:41:08,240 --> 00:41:10,040 together it's tremendously exciting I 895 00:41:10,040 --> 00:41:11,440 like hending this season with just the 896 00:41:11,440 --> 00:41:14,319 two of them it's a full circle and 897 00:41:14,319 --> 00:41:17,800 cup thank you that's a wrap thank you 898 00:41:17,800 --> 00:41:20,319 guys 899 00:41:23,480 --> 00:41:27,359 wo what does that mean for season 3 uh I 900 00:41:27,359 --> 00:41:28,680 don't 901 00:41:28,680 --> 00:41:31,920 know we'll be filming in Spain so the 902 00:41:31,920 --> 00:41:34,400 show's going to Spain for season 3 super 903 00:41:34,400 --> 00:41:37,400 cool 904 00:41:37,480 --> 00:41:40,699 [Music] 905 00:41:47,550 --> 00:41:50,629 [Music] 906 00:42:06,890 --> 00:42:12,699 [Music]63471

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.