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[PROJECTOR CLICKING, *...]
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Woman: I'VE, YOU KNOW, GONE
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PLACES SINCE I MARRIED HIM.
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I'M NOT WHO I WAS.
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HE'S STILL BOBBY BALLGAME.
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YOU ALWAYS SAY HOW GOOD HE IS
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WITH THE KIDS.
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WELL, THAT'S HIS LIFE,
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RELATING TO CHILDREN.
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THEY MAY BE 20 YEARS OLD AND
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BREAK THE EASTERN CONFERENCE
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PASSING RECORD, BUT THEY'RE
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STILL LITTLE BOYS.
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EXTENDED ADOLESCENCE IN
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AMERICA.
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RIGHT.
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I WANTED TO ASK WHAT'S-HER-NAME,
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PROFESSOR BRENNAN ABOUT THAT IN
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CLASS LAST NIGHT.
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I GET SHY.
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WHAT DO YOU MEAN?
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WELL, I'M JUST IN AWE OF ANY
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WOMAN AROUND HERE WHO ISN'T
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TYPING HER HUSBAND'S DOCTORAL
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THESIS.
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THANKS.
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NO, I DIDN'T MEAN--
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I'VE STILL GOT THE CALLUSES.
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WHEN BOB WAS IN JUNIOR
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COLLEGE I USED TO HAVE TO TUTOR
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HIS ENTIRE STARTING DEFENSIVE
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LINE.
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ALL TOGETHER?
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GUARDS ON MONDAY, TACKLES ON
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WEDNESDAY, AND THIS 350-POUND
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CENTER EVERY FRIDAY.
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IT'S TRUE!
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AND HE FELL IN LOVE WITH ME,
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THIS GUY, WILLIE JOE PURVIS.
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I KNEW IT THE MINUTE HE STARTED
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CALLING ME "SANDY" INSTEAD OF
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"MRS. COACH."
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WHAT HAPPENED?
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WHAT DO YOU MEAN,
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"WHAT HAPPENED?"
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HE WAS IN LOVE WITH THE
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COACH'S WIFE.
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THAT'S LIKE HAVING CARNAL
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DESIGNS ON THE VIRGIN MARY.
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HE PASSED HIS EXAMS AND HE MADE
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ALL-STATE JUNIOR COLLEGE.
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[LAUGHS]
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WHAT'S SO FUNNY?
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I KEEP FLASHING ON HIM
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SITTING IN YOUR KITCHEN WITH THE
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SHOULDER PADS ON, MOONING LIKE
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A CALF WHEN YOU COME IN.
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YOU'RE A REAL SPORT, LIANNA.
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YOU THINK YOUR KIDS ARE OUT YET?
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PROBABLY, WE BETTER GO SEE.
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Woman: * MAYBE I'M RIGHT,
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MAYBE I'M WRONG ♪
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♪ MAYBE I'M WEAK
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AND MAYBE I'M STRONG ♪
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♪ NEVERTHELESS, I'M IN LOVE
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WITH YOU ♪
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[*...]
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♪ MAYBE I'LL WIN,
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MAYBE I'LL LOSE ♪
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♪ MAYBE I'M IN
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FOR CRYING THE BLUES ♪
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♪ NEVERTHELESS, I'M IN LOVE
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WITH YOU ♪
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♪ SOMEHOW I KNOW AT A GLANCE
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THE TERRIBLE CHANCES
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I'M TAKING ♪
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♪ FINE AT THE START,
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THEN LEFT WITH A HEART
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THAT IS BREAKING ♪
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♪ MAYBE I'LL LIVE A
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LIFE OF REGRET ♪
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♪ MAYBE I'LL GIVE
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MUCH MORE THAN I GET ♪
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♪ NEVERTHELESS, I'M IN LOVE
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WITH... YOU... ♪
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[SONG ENDS]
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Man: I'VE HEARD PEOPLE
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COMPLAINING ABOUT FLAHERTY
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STAGING HIS FOOTAGE, ABOUT HOW
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THIS IS SOME KIND OF BETRAYAL,
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THAT THERE'S SUCH A THING AS
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"PURE" DOCUMENTARY.
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WELL, THERE'S A LAW IN PHYSICS
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THAT THE ACT OF OBSERVING AN
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EVENT CAN'T HELP BUT CHANGE THAT
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EVENT, AND A DOCUMENTARY
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FILMMAKER NOT ONLY OBSERVES,
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BUT EDITS.
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NOW, I'M SURE YOU'VE BEEN
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WONDERING ALL THROUGH CLASS WHAT
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THIS, UH, LITTLE MESSAGE ON THE
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BOARD IS ALL ABOUT.
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TAKE A GOOD LOOK.
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"ALLOWING YOUR WORKERS TO BE
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SWAYED BY SUCH PROPAGANDA, YOU
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ARE SURRENDERING THEM TO THE
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FORCES THAT HAVE KEPT EASTERN
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EUROPE IN CHAINS FOR THREE
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DECADES, THE EVIL FORCES OF THE
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WORLD, COMMUNIST CONSPIRACY.
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THESE PEOPLE ARE RUTHLESS, THEY
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HAVE NOTHING TO LOSE.
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BUT IF WE UNITE BEHIND THE
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BANNERS OF CHRISTIANITY AND
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DEMOCRACY, THEY CANNOT PREVAIL."
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WHO DO YOU SUPPOSE WROTE THAT?
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Woman: JERRY FALWELL.
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Woman 2: REVEREND MOON?
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WELL, THE FACT OF THE MATTER
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IS, IT DOESN'T MAKE ANY
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DIFFERENCE.
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THIS IS JUST OUR RAW FOOTAGE.
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FIRST WE SELECT THE PARTS WE
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WANT TO KEEP.
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ANYTHING THAT DOESN'T AGREE WITH
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OUR IDEA OF WHAT THE STORY
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SHOULD BE, IT GOES ON THE
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CUTTING ROOM FLOOR.
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THERE WE GO.
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NOW, WE CHANGE THE ORDER OF OUR
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BITS OF FILM, TAKING IT OUT OF
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REAL TIME AND INTO FILM TIME,
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AND SPLICE THEM TOGETHER FOR
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EFFECT...
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AND NOW WHAT DO WE HAVE?
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"WORKERS OF THE WORLD UNITE.
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YOU HAVE NOTHING TO LOSE BUT
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YOUR CHAINS."
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BUT THAT'S DISTORTION.
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THAT'S LYING.
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[IMITATING PORKY PIG]:
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YADDA-YADDA-YADDA,
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THAT'S ALL, FOLKS.
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[LAUGHTER]
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SEE YOU THURSDAY.
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[GENERAL CONVERSATIONS]
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Lianna: I CAME TO
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PICK YOU UP.
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I NOTICED.
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I KNOW YOU DON'T LIKE ME
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COMING INTO THE CLASSROOM, BUT
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I WAS AFRAID YOU'D GET STUCK
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IN A CONVERSATION WITH SOME
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EAGER BEAVER STUDENT IF YOU
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DIDN'T SEE I WAS HERE.
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UH-HUH.
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WHAT'S THE MATTER, AFRAID TO
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LET THEM SEE YOU PLAYING
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HUSBAND?
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ARE THE KIDS IN THE CAR?
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I DIDN'T THINK YOU'D WANT ME
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TO BRING THEM IN.
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THANK YOU.
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SODIUM PHOSPHATE, SODIUM
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ASCORBATE, SODIUM CARBONATE...
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Girl: DO I HAVE TO EAT
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MY PEAS? >> CALCIUM CARBONATE...
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YES.
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WHY?
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BECAUSE I AM BIGGER THAN YOU
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ARE, THAT'S WHY.
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SPENCE, WHAT'S THAT YOU'RE
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CHATTERING AT US?
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I BROUGHT THE BOXES FROM
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EVERYTHING WE ATE YESTERDAY INTO
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CONSUMER AFFAIRS CLASS.
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THIS IS WHAT WE'VE BEEN EATING.
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DISODIUM INOSINATE,
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DISODIUM... [CONTINUES READING]
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WHAT DID WE DO TO DESERVE
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HIM?
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WE LEARNED THEY WERE SUPPOSED
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TO GROW OUT OF IT BY THE TIME
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THEY WERE 18. >> CITRIC ACID...
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YOU GOING TONIGHT?
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MM-HMM. I'VE GOT TO PICK
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SANDY UP IN A LITTLE WHILE.
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BOB IS USING THEIR CAR.
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...PARTIALLY HYDROGENATED
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VEGETABLE OIL.
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HOW LONG BEFORE YOU'RE 18,
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SPENCE?
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FIVE YEARS.
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DEXTROSE... [CONTINUES READING]
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I THINK I'LL START SCRATCHING
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THE DAYS ON THE WALL LIKE THE
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COUNT OF MONTE CRISTO!
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...CHEESE CULTURE, CAROB BEAN
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GUM... [CONTINUES READING]
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I THOUGHT THAT WAS REALLY
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GOOD IN CLASS, ABOUT THE
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EDITING.
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OH, YEAH.
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THEY WERE GOING ON ABOUT THE
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PURITY OF DOCUMENTARY FILM THE
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OTHER DAY.
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THOUGHT I'D SHAKE THE LITTLE
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BASTARDS UP A BIT.
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CAN I EAT IN FRONT OF THE TV?
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THERE'S A MOVIE I WANT TO SEE.
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NO, FINISH YOUR DINNER.
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BUT THE MOVIE'LL BE OVER IN
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AN HOUR OR SO.
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THE FOOD'LL STILL BE HERE.
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NO. >> [SIGHS]
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HOW'S YOUR HONORS CLASS
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COMING?
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IT'S NOT AN HONORS CLASS.
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THERE ISN'T A FILM MAJOR.
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HOW'S IT GOING ANYHOW?
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MY BEST STUDENT IS DOING HER
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THESIS ON AUDIE MURPHY,
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AMERICA'S TRAGIC HERO.
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THAT'S MY BEST.
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[SPENCE CONTINUES READING]
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SPENCER, GO EAT IN FRONT OF
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THE TV, QUICK.
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Girl: DO I HAVE TO
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EAT MY PEAS?
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YES. >> WHY?
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OURS IS NOT TO REASON WHY,
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OURS IS BUT TO CLAM UP AND EAT.
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PROFESSOR BRENNAN SAID THAT
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THEY HAD THE SAME TROUBLE WITH
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CHILD PSYCHOLOGY AT FIRST.
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ALL THE LEAST PRACTICAL STUDENTS
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WANTED TO GET INTO IT.
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THAT'S RIGHT, SHE'S A
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PROFESSOR.
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WHAT'S THAT MEAN?
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[EXPLOSIONS, GUNSHOTS FROM TV]
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CHILD PSYCH IS AN EASY RIDE.
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SHE MUST'VE GOT INTO IT WHEN IT
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WAS GETTING RESPECTABLE.
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DON'T BE JEALOUS.
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WHEN YOU GET TENURE...
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THE ONLY WAY I GET TENURE
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IS IF A HALF-DOZEN OLD FARTS
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IN THE ENGLISH DEPARTMENT BITE
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THE DUST.
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THEY'D BE CRAZY TO PASS
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YOU OVER.
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YOU KNOW WHO THEY WANT ME TO
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TEACH NEXT SEMESTER?
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WILLIAM DEAN HOWELLS.
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THEY WOULDN'T DO THAT TO SOMEONE
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THEY WERE EXPECTING TO KEEP.
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Girl: DO I HAVE TO EAT
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MY PEAS?
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YES, THEDA.
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YOU HAVE TO EAT YOUR PEAS.
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WHY?
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WHAT IS THIS, THE RIDDLE OF
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THE SPHINX?
265
00:08:04,918 --> 00:08:06,086
HAVE THE PEAS CHANGED FROM WHAT
266
00:08:06,086 --> 00:08:07,888
THEY WERE THREE MINUTES AGO?
267
00:08:07,888 --> 00:08:08,789
THEY GOT A HALF-LIFE OR
268
00:08:08,789 --> 00:08:10,791
SOMETHING?
269
00:08:10,791 --> 00:08:11,559
[EXPLOSION FROM TV]
270
00:08:11,559 --> 00:08:12,560
SPENCE, WHAT'S THAT YOU GOT ON
271
00:08:12,560 --> 00:08:13,827
IN THERE?
272
00:08:13,827 --> 00:08:14,595
Spence: IT'S CALLED
273
00:08:14,595 --> 00:08:15,829
BATTLEGROUND.
274
00:08:15,829 --> 00:08:16,797
IT'S A WILLIAM WELLMAN WE'RE
275
00:08:16,797 --> 00:08:17,565
DOING NEXT WEEK.
276
00:08:17,565 --> 00:08:18,999
I BETTER GIVE IT A LOOK.
277
00:08:18,999 --> 00:08:20,634
[GUNSHOTS AND EXPLOSIONS
278
00:08:20,634 --> 00:08:23,971
CONTINUE FROM TV]
279
00:08:28,075 --> 00:08:29,076
DON'T YOU WANT TO GO WATCH
280
00:08:29,076 --> 00:08:30,644
THE MOVIE?
281
00:08:30,644 --> 00:08:31,645
NO, I WANT TO STAY HERE
282
00:08:31,645 --> 00:08:35,849
WITH YOU.
283
00:08:35,849 --> 00:08:37,084
[WHISPERS] I'LL EAT HALF
284
00:08:37,084 --> 00:08:38,786
YOUR PEAS.
285
00:08:38,786 --> 00:08:44,191
[GUNSHOTS CONTINUE FROM TV]
286
00:08:44,191 --> 00:08:45,125
GOOD.
287
00:08:51,599 --> 00:08:55,302
[HUMMING INDISTINCT MELODY]
288
00:09:03,944 --> 00:09:06,814
HOW MANY IS THAT?
289
00:09:06,814 --> 00:09:08,148
I THOUGHT YOU WERE COUNTING.
290
00:09:08,148 --> 00:09:09,650
NO, YOU HAVE TO.
291
00:09:09,650 --> 00:09:10,751
NOW YOU GOT TO START FROM THE
292
00:09:10,751 --> 00:09:11,785
BEGINNING.
293
00:09:11,785 --> 00:09:12,686
MONKEY, YOU'LL HAVE ME HERE
294
00:09:12,686 --> 00:09:13,787
ALL NIGHT.
295
00:09:13,787 --> 00:09:18,626
LET'S START FROM 50, O.K.?
296
00:09:18,626 --> 00:09:21,895
[HUMMING INDISTINCT MELODY]
297
00:09:21,895 --> 00:09:23,897
O.K.
298
00:09:23,897 --> 00:09:24,832
BETTY, WE HAVEN'T HEARD ANYTHING
299
00:09:24,832 --> 00:09:25,699
FROM YOU.
300
00:09:25,699 --> 00:09:27,034
WHAT DO YOU THINK?
301
00:09:27,034 --> 00:09:28,135
I'VE NEVER READ ANYTHING
302
00:09:28,135 --> 00:09:30,170
ABOUT IT, OR MAYBE I HAVE AND
303
00:09:30,170 --> 00:09:31,038
FORGOT.
304
00:09:31,038 --> 00:09:32,205
WELL, WHAT DO YOU THINK?
305
00:09:32,205 --> 00:09:33,874
HOW MANY CHILDREN DO YOU HAVE?
306
00:09:33,874 --> 00:09:34,908
FIVE.
307
00:09:34,908 --> 00:09:36,043
OLDEST IS 18.
308
00:09:36,043 --> 00:09:36,910
AND THEY'RE ALL PRETTY
309
00:09:36,910 --> 00:09:37,745
GOOD KIDS? >> YEAH.
310
00:09:37,745 --> 00:09:38,779
WELL, THEY DIDN'T GET THAT
311
00:09:38,779 --> 00:09:40,080
WAY ALL BY THEMSELVES.
312
00:09:40,080 --> 00:09:41,148
I'VE GOT AS MUCH TO LEARN FROM
313
00:09:41,148 --> 00:09:43,050
YOU AS YOU HAVE FROM ME.
314
00:09:43,050 --> 00:09:44,752
NOW, HOW WOULD YOU SAY BEING IN
315
00:09:44,752 --> 00:09:45,919
A BIG FAMILY HAS AFFECTED YOUR
316
00:09:45,919 --> 00:09:48,121
CHILDREN?
317
00:09:48,121 --> 00:09:50,257
OH, THEY CAN BLOW OFF STEAM
318
00:09:50,257 --> 00:09:52,192
ON EACH OTHER WITHOUT TURNING IT
319
00:09:52,192 --> 00:09:53,994
ALL ON ME.
320
00:09:53,994 --> 00:09:56,697
AND THEN SOMETIMES THEY'RE LIKE
321
00:09:56,697 --> 00:09:58,065
FRIENDS WITH EACH OTHER, WHICH
322
00:09:58,065 --> 00:09:59,132
IS NICE.
323
00:09:59,132 --> 00:10:01,702
THAT MAKES ME FEEL GOOD.
324
00:10:01,702 --> 00:10:04,204
AND WHEN HERB AND ME FIGHT,
325
00:10:04,204 --> 00:10:06,306
WELL, I THINK THE BUNCH OF THEM
326
00:10:06,306 --> 00:10:08,942
CAN ABSORB IT A LOT BETTER THAN
327
00:10:08,942 --> 00:10:11,011
IF THERE WAS JUST ONE.
328
00:10:11,011 --> 00:10:12,946
WE'LL BE HOLLERIN' AND THEY COME
329
00:10:12,946 --> 00:10:14,214
OUT TO COMPLAIN WE'RE DROWNING
330
00:10:14,214 --> 00:10:15,883
OUT THEIR TV SHOW.
331
00:10:15,883 --> 00:10:17,751
[ALL CHUCKLE]
332
00:10:17,751 --> 00:10:18,886
I HAVE A QUESTION ON THAT.
333
00:10:18,886 --> 00:10:19,853
YES.
334
00:10:19,853 --> 00:10:21,855
UM, IF THE PARENTS OF A CHILD
335
00:10:21,855 --> 00:10:24,224
ARE HAVING PROBLEMS, AND LET'S
336
00:10:24,224 --> 00:10:25,826
SAY THEY'RE REALLY CAREFUL TO,
337
00:10:25,826 --> 00:10:28,161
YOU KNOW, NOT FIGHT IN FRONT OF
338
00:10:28,161 --> 00:10:29,863
THE CHILD... DO YOU THINK IT'S
339
00:10:29,863 --> 00:10:31,832
POSSIBLE THAT THE CHILD WON'T BE
340
00:10:31,832 --> 00:10:32,966
AFFECTED?
341
00:10:32,966 --> 00:10:34,267
IF I HAD AN EX-HUSBAND OR A
342
00:10:34,267 --> 00:10:36,837
LOVER WHO YOU ALL KNEW ABOUT,
343
00:10:36,837 --> 00:10:37,905
AND YOU KNEW WE WERE HAVING A
344
00:10:37,905 --> 00:10:40,007
REAL ROCKY TIME WITH EACH OTHER,
345
00:10:40,007 --> 00:10:41,141
AND HE STARTED COMING INTO
346
00:10:41,141 --> 00:10:43,977
CLASS, JUST SITTING-- NOT SAYING
347
00:10:43,977 --> 00:10:45,946
ANYTHING, JUST BEING HERE,
348
00:10:45,946 --> 00:10:48,882
WATCHING ME ALL THROUGH CLASS--
349
00:10:48,882 --> 00:10:49,883
HOW WOULD YOU FEEL WHEN YOU
350
00:10:49,883 --> 00:10:50,851
WALKED IN HERE?
351
00:10:50,851 --> 00:10:51,985
LITTLE KNOTS IN THE STOMACH.
352
00:10:51,985 --> 00:10:52,886
EXACTLY, AND YOU'RE NOT EVEN
353
00:10:52,886 --> 00:10:53,987
MY CHILDREN.
354
00:10:53,987 --> 00:10:57,124
[LAUGHTER]
355
00:10:57,124 --> 00:10:57,991
Sandy: I THINK YOU'VE GOT
356
00:10:57,991 --> 00:10:59,359
A CRUSH ON HER.
357
00:10:59,359 --> 00:11:00,260
WHAT?
358
00:11:00,260 --> 00:11:01,428
OH, I DON'T MEAN A WILLIE JOE
359
00:11:01,428 --> 00:11:02,329
PURVIS CRUSH.
360
00:11:02,329 --> 00:11:03,864
I MEAN THE KIND THAT ELLIE
361
00:11:03,864 --> 00:11:04,898
AND THEDA HAVE ON THEIR TEACHER
362
00:11:04,898 --> 00:11:06,366
MRS. STRACK.
363
00:11:06,366 --> 00:11:07,868
OH, COME ON, SANDY.
364
00:11:07,868 --> 00:11:09,002
I'M REALLY INTERESTED IN THE
365
00:11:09,002 --> 00:11:09,870
SUBJECT.
366
00:11:09,870 --> 00:11:11,038
UH-HUH.
367
00:11:11,038 --> 00:11:12,205
FOR CHRIST'S SAKE,
368
00:11:12,205 --> 00:11:13,240
I AM 33 YEARS OLD.
369
00:11:13,240 --> 00:11:15,142
I DON'T HAVE CRUSHES.
370
00:11:15,142 --> 00:11:16,009
[SINGSONG] * TEACHER'S PET,
371
00:11:16,009 --> 00:11:17,377
I WANNA BE TEACHER'S PET. ♪
372
00:11:17,377 --> 00:11:18,345
[LAUGHS] GIVE ME A BREAK,
373
00:11:18,345 --> 00:11:19,412
COME ON!
374
00:11:19,412 --> 00:11:20,914
I'M OUT AT CLASS TWO NIGHTS A
375
00:11:20,914 --> 00:11:22,215
WEEK, TWO LOUSY NIGHTS.
376
00:11:22,215 --> 00:11:23,283
WHAT'S WRONG WITH THAT?
377
00:11:23,283 --> 00:11:23,951
NOTHING. IT'S JUST THAT YOU
378
00:11:23,951 --> 00:11:25,418
SAID YOU DIDN'T HAVE TIME TO
379
00:11:25,418 --> 00:11:28,355
LOOK THAT STUFF UP FOR ME.
380
00:11:28,355 --> 00:11:30,090
IT ISN'T THE TIME.
381
00:11:30,090 --> 00:11:32,325
I SAID I'D BE TOO TIRED.
382
00:11:32,325 --> 00:11:33,460
I'M INTERESTED IN THIS,
383
00:11:33,460 --> 00:11:34,427
SO IT WON'T BE TIRING.
384
00:11:34,427 --> 00:11:35,395
YOU'RE NOT INTERESTED IN WHAT
385
00:11:35,395 --> 00:11:37,130
I DO?
386
00:11:37,130 --> 00:11:39,032
[SIGHS] I'M INTERESTED IN
387
00:11:39,032 --> 00:11:40,467
WHAT YOU DO.
388
00:11:40,467 --> 00:11:42,302
BUT I'M NOT INTERESTED IN
389
00:11:42,302 --> 00:11:44,037
LOOKING UP WHO IS THE ASSISTANT
390
00:11:44,037 --> 00:11:45,505
CLAPPER BOY ON THE SILENT
391
00:11:45,505 --> 00:11:47,440
VERSION OF A STAR IS BORN.
392
00:11:47,440 --> 00:11:48,441
THEY DIDN'T HAVE CLAPPER BOYS
393
00:11:48,441 --> 00:11:49,910
ON SILENT PICTURES.
394
00:11:49,910 --> 00:11:50,978
THE PURPOSE OF THE CLAP IS TO
395
00:11:50,978 --> 00:11:54,281
REGISTER ON THE SOUNDTRACK.
396
00:11:54,281 --> 00:11:57,150
YOU KNOW WHAT I MEAN.
397
00:11:57,150 --> 00:11:58,051
WHEN I'M REALLY EXCITED ABOUT
398
00:11:58,051 --> 00:11:58,986
SOMETHING IT GIVES ME MORE
399
00:11:58,986 --> 00:12:04,391
ENERGY.
400
00:12:04,391 --> 00:12:07,227
ENERGY, HUH?
401
00:12:16,436 --> 00:12:17,971
WANT TO WORK SOME OF IT OFF WITH
402
00:12:17,971 --> 00:12:22,375
YOUR OLD MAN?
403
00:12:22,375 --> 00:12:26,079
[CHUCKLES]
404
00:12:26,079 --> 00:12:28,481
I'LL GO PUT THE THING IN.
405
00:12:32,585 --> 00:12:33,821
THE COUNSELOR SAID WE SHOULD
406
00:12:33,821 --> 00:12:35,222
TRY TO DO MORE THINGS TOGETHER,
407
00:12:35,222 --> 00:12:37,090
SO BOB OFFERED TO COME SHOPPING.
408
00:12:37,090 --> 00:12:38,091
IT WASN'T EXACTLY WHAT I HAD
409
00:12:38,091 --> 00:12:39,192
IN MIND.
410
00:12:39,192 --> 00:12:40,193
WELL, AT LEAST HE'S WILLING
411
00:12:40,193 --> 00:12:41,528
TO TRY.
412
00:12:41,528 --> 00:12:42,595
ARE YOU GOING TO THE PARTY AT
413
00:12:42,595 --> 00:12:44,097
THE LOOMISES TONIGHT?
414
00:12:44,097 --> 00:12:45,498
NO. I GET NERVOUS THERE EVER
415
00:12:45,498 --> 00:12:47,100
SINCE ELLIE BROKE HER COLLARBONE
416
00:12:47,100 --> 00:12:49,102
ON THE JUNGLE GYM.
417
00:12:49,102 --> 00:12:50,103
I DOUBT THE FESTIVITIES WILL
418
00:12:50,103 --> 00:12:51,104
USE THE BACKYARD.
419
00:12:51,104 --> 00:12:52,105
YOU WEREN'T AT THEIR LAST
420
00:12:52,105 --> 00:12:52,605
PARTY.
421
00:12:52,605 --> 00:12:54,107
SOME LITTLE GRAD STUDENT CHASED
422
00:12:54,107 --> 00:12:55,108
JERRY CARLSON OUT OF THE
423
00:12:55,108 --> 00:12:56,509
TEETER-TOTTER.
424
00:12:56,509 --> 00:12:57,377
DID SHE CATCH HIM?
425
00:12:57,377 --> 00:12:58,278
JERRY KNOWS WHEN TO SLOW
426
00:12:58,278 --> 00:12:59,079
DOWN.
427
00:12:59,079 --> 00:13:00,147
SO I'VE HEARD.
428
00:13:00,147 --> 00:13:00,547
ANYWAY, WE HAVE CLASS
429
00:13:00,547 --> 00:13:01,514
TONIGHT, REMEMBER?
430
00:13:01,514 --> 00:13:02,549
DICK'S GONNA WANT ME TO BE AT
431
00:13:02,549 --> 00:13:03,616
THE PARTY.
432
00:13:03,616 --> 00:13:04,584
HE THINKS MY MISSING SO MANY
433
00:13:04,584 --> 00:13:06,053
MAKES IT LOOKS LIKE WE'RE HAVING
434
00:13:06,053 --> 00:13:07,387
TROUBLE, AND THAT'S BAD FOR HIS
435
00:13:07,387 --> 00:13:08,521
STANDING IN THE DEPARTMENT.
436
00:13:08,521 --> 00:13:10,190
OH, I HATE THAT.
437
00:13:10,190 --> 00:13:11,258
YOU WOULD THINK HOW HE WAS IN
438
00:13:11,258 --> 00:13:12,893
CLASS WOULD BE ENOUGH.
439
00:13:12,893 --> 00:13:14,127
DOESN'T BOB WANT YOU TO GO
440
00:13:14,127 --> 00:13:15,162
WITH HIM?
441
00:13:15,162 --> 00:13:16,263
BOB? HE HATES FACULTY PARTIES
442
00:13:16,263 --> 00:13:17,397
WORSE THAN I DO.
443
00:13:17,397 --> 00:13:18,565
HE ALWAYS ENDS UP WITH HIS BACK
444
00:13:18,565 --> 00:13:20,167
AGAINST THE WALL, EXPLAINING WHY
445
00:13:20,167 --> 00:13:21,268
FOOTBALL GETS A BIGGER BUDGET
446
00:13:21,268 --> 00:13:22,502
THAN WOMEN'S TRACK.
447
00:13:22,502 --> 00:13:23,536
WHY DOES IT?
448
00:13:23,536 --> 00:13:27,240
SHH!
449
00:13:27,240 --> 00:13:30,310
[GENERAL CONVERSATIONS]
450
00:13:30,310 --> 00:13:31,278
Man: IT IS A DELICATE PIECE
451
00:13:31,278 --> 00:13:32,512
OF MACHINERY.
452
00:13:32,512 --> 00:13:33,881
YOU TREAT IT WELL, IT'LL TREAT
453
00:13:33,881 --> 00:13:35,448
YOU WELL.
454
00:13:35,448 --> 00:13:36,884
TODAY WE'RE GOING...
455
00:13:36,884 --> 00:13:40,520
[CONTINUES, INDISTINCT]
456
00:13:40,520 --> 00:13:41,554
WHAT'S UP?
457
00:13:41,554 --> 00:13:42,589
YOU WANTED ME TO LET YOU KNOW
458
00:13:42,589 --> 00:13:44,457
IF I WAS COMING TONIGHT OR NOT.
459
00:13:44,457 --> 00:13:45,558
YOU WEREN'T IN YOUR OFFICE.
460
00:13:45,558 --> 00:13:47,627
SO?
461
00:13:47,627 --> 00:13:50,463
I WANT TO GO TO CLASS, O.K.?
462
00:13:50,463 --> 00:13:52,165
IT'S YOUR TIME.
463
00:13:52,165 --> 00:13:54,167
PLEASE, DON'T GET MAD.
464
00:13:54,167 --> 00:13:55,302
I GET TO MISS ONE OF THESE
465
00:13:55,302 --> 00:13:56,503
THINGS ONCE IN A WHILE, DON'T I?
466
00:13:56,503 --> 00:13:57,304
I'M NOT MAD.
467
00:13:57,304 --> 00:13:58,338
IT'S JUST THAT I THINK THAT ONCE
468
00:13:58,338 --> 00:13:59,306
IN A WHILE--
469
00:13:59,306 --> 00:14:02,575
[GENERAL CONVERSATIONS]
470
00:14:02,575 --> 00:14:03,944
LIANNA, HI.
471
00:14:03,944 --> 00:14:04,577
COME ON WITH US.
472
00:14:04,577 --> 00:14:05,578
WE'RE GONNA SHOOT SOME FOOTAGE.
473
00:14:05,578 --> 00:14:07,247
YOU CAN BE OUR STAR.
474
00:14:07,247 --> 00:14:07,915
THE LAST STAR
475
00:14:07,915 --> 00:14:08,949
WAS A COCKROACH.
476
00:14:08,949 --> 00:14:09,382
IS THAT CHARACTER STILL
477
00:14:09,382 --> 00:14:10,383
FOLLOWING YOU AROUND?
478
00:14:10,383 --> 00:14:11,418
UH-HUH.
479
00:14:11,418 --> 00:14:12,452
ARE YOU GOING TO THE PARTY
480
00:14:12,452 --> 00:14:13,253
TONIGHT?
481
00:14:13,253 --> 00:14:14,187
I DON'T THINK SO.
482
00:14:14,187 --> 00:14:15,322
IF YOU DON'T COME, WHO AM I
483
00:14:15,322 --> 00:14:16,256
GONNA CORNER IN THE KITCHEN?
484
00:14:16,256 --> 00:14:17,324
FROM WHAT I HEAR YOU'LL FIND
485
00:14:17,324 --> 00:14:17,925
SOMEBODY.
486
00:14:17,925 --> 00:14:19,192
OH, CHILDREN, CHILDREN.
487
00:14:19,192 --> 00:14:20,393
THEY'RE MERE CHILDREN.
488
00:14:20,393 --> 00:14:22,262
I NEED A MATURE WOMAN, SOMEONE
489
00:14:22,262 --> 00:14:23,964
WHO HAS SEEN ENOUGH OF LIFE TO
490
00:14:23,964 --> 00:14:25,298
APPRECIATE ME.
491
00:14:25,298 --> 00:14:26,333
YOU NEED A COLD SHOWER.
492
00:14:26,333 --> 00:14:27,367
AND MAYBE THAT ONE FROM CHILD
493
00:14:27,367 --> 00:14:27,968
PSYCH WILL BE THERE.
494
00:14:27,968 --> 00:14:29,336
I CAN TALK TO HER ABOUT MY EARLY
495
00:14:29,336 --> 00:14:31,671
EXPERIENCES, MY BLANKIE, MY
496
00:14:31,671 --> 00:14:34,341
TEDDY BEAR, MY FIRST WET DREAM.
497
00:14:34,341 --> 00:14:35,475
MY PARENTS HAD IT BRONZED,
498
00:14:35,475 --> 00:14:36,009
YOU KNOW.
499
00:14:36,009 --> 00:14:37,010
YOU'RE OUT OF LUCK, JERRY.
500
00:14:37,010 --> 00:14:38,011
SHE'S TEACHING CLASS TONIGHT.
501
00:14:38,011 --> 00:14:39,246
THAT'S WHERE LIANNA'S GOING.
502
00:14:39,246 --> 00:14:40,013
THE NIGHT SCHOOL THING,
503
00:14:40,013 --> 00:14:40,580
RIGHT.
504
00:14:40,580 --> 00:14:41,548
MAYBE I SHOULD COME WITH YOU.
505
00:14:41,548 --> 00:14:43,516
I COULD LECTURE ON THE PLIGHT OF
506
00:14:43,516 --> 00:14:44,651
THE UNWED FATHER.
507
00:14:44,651 --> 00:14:45,585
SHE SAID WE COULD BRING
508
00:14:45,585 --> 00:14:46,586
CHILDREN IF WE DIDN'T HAVE A
509
00:14:46,586 --> 00:14:47,487
SITTER AROUND.
510
00:14:47,487 --> 00:14:48,588
AHH! YOU JUST BLEW YOUR FILM
511
00:14:48,588 --> 00:14:49,489
CAREER.
512
00:14:57,397 --> 00:15:00,233
HI.
513
00:15:00,233 --> 00:15:01,568
I...
514
00:15:01,568 --> 00:15:02,435
I WROTE DOWN THESE SHORT
515
00:15:02,435 --> 00:15:03,703
STORIES.
516
00:15:03,703 --> 00:15:05,438
THEY HAVE TO DO WITH CHILDREN.
517
00:15:05,438 --> 00:15:06,106
YOU'VE PROBABLY READ MOST OF
518
00:15:06,106 --> 00:15:07,240
THEM, BUT IF YOU HAVEN'T,
519
00:15:07,240 --> 00:15:08,375
I THOUGHT THEY MIGHT BE GOOD TO
520
00:15:08,375 --> 00:15:10,243
USE IN A COURSE SOMETIME OR...
521
00:15:10,243 --> 00:15:10,710
THANK YOU.
522
00:15:10,710 --> 00:15:11,979
I'M NOT FAMILIAR WITH MOST OF
523
00:15:11,979 --> 00:15:12,479
THESE.
524
00:15:12,479 --> 00:15:13,513
YOU READ A LOT?
525
00:15:13,513 --> 00:15:14,447
I STARTED OUT AS AN ENGLISH
526
00:15:14,447 --> 00:15:15,448
MAJOR.
527
00:15:15,448 --> 00:15:16,549
STARTED OUT?
528
00:15:16,549 --> 00:15:17,650
WHAT DID YOU END UP AS?
529
00:15:17,650 --> 00:15:18,718
A WIFE.
530
00:15:18,718 --> 00:15:20,253
AW, COME ON.
531
00:15:20,253 --> 00:15:21,388
A MOTHER?
532
00:15:21,388 --> 00:15:22,522
I DO STAGE LIGHTING FOR A DANCE
533
00:15:22,522 --> 00:15:24,524
COMPANY, AS A VOLUNTEER.
534
00:15:24,524 --> 00:15:26,293
I TAKE CLASSES.
535
00:15:26,293 --> 00:15:27,760
THIS IS MY FAVORITE ONE SO FAR.
536
00:15:27,760 --> 00:15:29,496
THANK YOU.
537
00:15:29,496 --> 00:15:32,065
YOU KNOW, I WAS WONDERING, ON
538
00:15:32,065 --> 00:15:33,700
YOUR STUDY, IF YOU NEED ANY KIND
539
00:15:33,700 --> 00:15:35,002
OF AN ASSISTANT OR...
540
00:15:35,002 --> 00:15:36,003
ARE YOU INTERESTED?
541
00:15:36,003 --> 00:15:36,636
UH-HUH.
542
00:15:36,636 --> 00:15:37,604
GOOD. WE SHOULD TALK ABOUT
543
00:15:37,604 --> 00:15:40,673
IT... HAVE DINNER OR SOMETHING.
544
00:15:40,673 --> 00:15:42,775
SURE.
545
00:15:42,775 --> 00:15:44,978
SEE YOU.
546
00:15:49,016 --> 00:15:51,351
[GENERAL CONVERSATIONS]
547
00:15:51,351 --> 00:15:52,419
I'LL DROP YOU AT THE LOOMISES
548
00:15:52,419 --> 00:15:53,020
AFTER CLASS?
549
00:15:53,020 --> 00:15:54,054
NO. IT'S JUST UP THE HILL.
550
00:15:54,054 --> 00:15:56,023
I'LL CUT THROUGH BACKYARDS.
551
00:15:56,023 --> 00:15:57,557
BE CAREFUL.
552
00:15:57,557 --> 00:15:58,458
IN THIS NEIGHBORHOOD?
553
00:15:58,458 --> 00:15:59,559
NO, I MEAN ONCE YOU GET TO
554
00:15:59,559 --> 00:16:00,560
THE LOOMISES'.
555
00:16:00,560 --> 00:16:01,594
WHO KNOW WHAT POINT THEY'LL HAVE
556
00:16:01,594 --> 00:16:02,429
REACHED?
557
00:16:02,429 --> 00:16:03,430
YEAH, I'LL TRY AND STAY OFF
558
00:16:03,430 --> 00:16:05,765
THE JUNGLE GYM.
559
00:16:05,765 --> 00:16:10,037
[MUSIC FROM DISTANT PARTY...]
560
00:16:17,710 --> 00:16:21,648
[GENERAL PARTY CONVERSATIONS...]
561
00:16:25,585 --> 00:16:29,489
Woman: [LAUGHING DRUNKENLY]
562
00:16:29,489 --> 00:16:31,724
O.K., HERE I COME!
563
00:16:35,062 --> 00:16:41,434
[MAN AND WOMAN LAUGH LOUDLY]
564
00:16:41,434 --> 00:16:42,735
Woman: OOH!
565
00:16:42,735 --> 00:16:43,536
[GENERAL CONVERSATIONS,
566
00:16:43,536 --> 00:16:48,208
PARTY MUSIC CONTINUE...]
567
00:16:48,208 --> 00:16:50,543
Woman: OH! [LAUGHS]
568
00:16:50,543 --> 00:16:51,611
Dick: CHEER UP, CHEER UP,
569
00:16:51,611 --> 00:16:52,779
GAIL.
570
00:16:52,779 --> 00:16:55,082
Gail: WHERE DO I START?
571
00:16:55,082 --> 00:16:56,149
OH, COME ON... [GIGGLES]
572
00:17:00,553 --> 00:17:03,223
HOW WAS CLASS?
573
00:17:03,223 --> 00:17:05,758
I GOT OUT EARLY.
574
00:17:05,758 --> 00:17:07,160
OH?
575
00:17:07,160 --> 00:17:07,627
I FIGURED THE PARTY WOULD
576
00:17:07,627 --> 00:17:09,629
STILL BE GOING.
577
00:17:09,629 --> 00:17:11,198
HMM?
578
00:17:11,198 --> 00:17:12,265
BUT I DIDN'T FEEL LIKE GOING
579
00:17:12,265 --> 00:17:15,335
ANYMORE AND I CAME HOME.
580
00:17:15,335 --> 00:17:18,638
OH.
581
00:17:18,638 --> 00:17:20,640
HOW WAS THE PARTY?
582
00:17:20,640 --> 00:17:22,742
O.K., I GUESS.
583
00:17:22,742 --> 00:17:25,345
THE USUAL.
584
00:17:25,345 --> 00:17:26,879
A LOT OF STUDENTS, LIKE ALWAYS
585
00:17:26,879 --> 00:17:28,548
AT THE LOOMISES', TRYING TO
586
00:17:28,548 --> 00:17:30,250
SCORE THEIR BROWNIE POINTS.
587
00:17:30,250 --> 00:17:32,652
MM-HMM.
588
00:17:32,652 --> 00:17:33,786
HOW MANY DO YOU GET FOR A
589
00:17:33,786 --> 00:17:37,324
FUCK IN THE SANDBOX?
590
00:17:37,324 --> 00:17:39,192
HUH?
591
00:17:39,192 --> 00:17:40,593
BROWNIE POINTS.
592
00:17:40,593 --> 00:17:41,794
HOW MANY DO YOU GET FOR A FUCK
593
00:17:41,794 --> 00:17:44,431
IN THE SANDBOX?
594
00:17:51,404 --> 00:17:55,408
[METAL LID CLATTERING]
595
00:17:55,408 --> 00:17:59,379
[DICK AND LIANNA ARGUING...]
596
00:17:59,379 --> 00:18:04,184
[THEIR VOICES GET LOUDER...]
597
00:18:04,184 --> 00:18:04,684
Lianna: ...YOU PROMISED ME!
598
00:18:04,684 --> 00:18:05,685
Dick: OH, COME ON, LIANNA!
599
00:18:05,685 --> 00:18:06,386
YOU PROMISED ME YOU WEREN'T
600
00:18:06,386 --> 00:18:07,420
GOING TO DO THAT AGAIN.
601
00:18:07,420 --> 00:18:08,921
YOU LIE TO ME AND YOU LIE TO ME!
602
00:18:08,921 --> 00:18:10,290
WE WERE JUST PLAYING AROUND!
603
00:18:10,290 --> 00:18:11,791
YOU ARE SO FULL OF SHIT!
604
00:18:11,791 --> 00:18:13,160
DON'T TALK TO ME THAT WAY!
605
00:18:13,160 --> 00:18:14,161
I'LL TALK TO YOU ANY GODDAMN
606
00:18:14,161 --> 00:18:14,827
WAY I WANT TO!
607
00:18:14,827 --> 00:18:15,662
YOU'RE GONNA WAKE
608
00:18:15,662 --> 00:18:16,829
THE KIDS UP.
609
00:18:16,829 --> 00:18:17,730
...SAYS TO WRITE ABOUT
610
00:18:17,730 --> 00:18:19,266
SOMETHING AND SO I WROTE A PLAY
611
00:18:19,266 --> 00:18:20,933
INSTEAD OF A STORY, AND IT'S
612
00:18:20,933 --> 00:18:23,403
CALLED THE THANKSGIVING TURKEY.
613
00:18:23,403 --> 00:18:24,737
"THE THANKSGIVING TURKEY.
614
00:18:24,737 --> 00:18:26,173
TOM: I THINK IT'S FINE THAT
615
00:18:26,173 --> 00:18:27,674
EVERYBODY COMES TOGETHER
616
00:18:27,674 --> 00:18:28,875
AT THANKSGIVING.
617
00:18:28,875 --> 00:18:30,410
PERSON TWO: BUT AREN'T YOU
618
00:18:30,410 --> 00:18:31,378
WORRIED, TOM?
619
00:18:31,378 --> 00:18:33,180
I MEAN, ABOUT DINNER?
620
00:18:33,180 --> 00:18:35,182
TOM: WHY SHOULD I BE?
621
00:18:35,182 --> 00:18:36,249
I LOVE TO EAT."
622
00:18:36,249 --> 00:18:37,450
AND THEN I SAY MY PART,
623
00:18:37,450 --> 00:18:39,186
"PERSON THREE: YOU DON'T SEEM TO
624
00:18:39,186 --> 00:18:40,687
GET IT, TOM TURKEY.
625
00:18:40,687 --> 00:18:41,454
YOU ARE FOR DINNER ON
626
00:18:41,454 --> 00:18:42,389
THANKSGIVING.
627
00:18:42,389 --> 00:18:43,390
IT'S GOING TO BE YOU THEY
628
00:18:43,390 --> 00:18:44,324
GOBBLE UP.
629
00:18:44,324 --> 00:18:45,458
TOM: WHAT? THEY'RE GOING TO
630
00:18:45,458 --> 00:18:46,859
EAT ME?
631
00:18:46,859 --> 00:18:48,861
WHY DIDN'T YOU TELL ME BEFORE?
632
00:18:48,861 --> 00:18:50,230
WHEN IS THE NEXT TRAIN OUT OF
633
00:18:50,230 --> 00:18:50,830
HERE?"
634
00:18:50,830 --> 00:18:51,731
THEDA, HONEY, COULD YOU READ
635
00:18:51,731 --> 00:18:52,865
THAT A BIT LATER?
636
00:18:52,865 --> 00:18:54,401
YOUR FATHER'S GOT A HEADACHE.
637
00:18:54,401 --> 00:18:55,702
O.K.
638
00:19:06,213 --> 00:19:07,247
YEAH, THAT TIME, YOU SEE, YOU
639
00:19:07,247 --> 00:19:08,748
WALKED SO FAR AWAY THAT I HAD
640
00:19:08,748 --> 00:19:09,682
TO... [CHUCKLES] SORT OF GO LIKE
641
00:19:09,682 --> 00:19:11,251
THAT TO STAY WITH YOU.
642
00:19:11,251 --> 00:19:12,385
THINK OF IT MORE AS DOWN THAN
643
00:19:12,385 --> 00:19:14,321
AWAY, AND THEN ADD AWAY.
644
00:19:14,321 --> 00:19:15,388
AM I SUPPORTING YOU HERE?
645
00:19:15,388 --> 00:19:17,757
NO, JUST LEAN.
646
00:19:17,757 --> 00:19:18,758
[CONVERSATION CONTINUES,
647
00:19:18,758 --> 00:19:19,692
INDISTINCT]
648
00:19:19,692 --> 00:19:20,993
WHEN THEY'RE THROUGH, STICK
649
00:19:20,993 --> 00:19:22,762
REDS IN ALL THE ONES ALONG THE
650
00:19:22,762 --> 00:19:23,996
BACK WALL.
651
00:19:23,996 --> 00:19:25,698
YOU GOT IT.
652
00:19:31,971 --> 00:19:37,244
[DISTANT HAMMERING]
653
00:19:37,244 --> 00:19:38,778
Man: WHAT DO YOU THINK?
654
00:19:38,778 --> 00:19:39,546
Woman: NOPE.
655
00:19:39,546 --> 00:19:46,353
[MUSIC PLAYING IN STORE]
656
00:19:46,353 --> 00:19:47,520
LIANNA?
657
00:19:47,520 --> 00:19:48,955
LIANNA, HI.
658
00:19:48,955 --> 00:19:50,923
PROFESS-- RUTH!
659
00:19:50,923 --> 00:19:52,792
DON'T LOOK SO SURPRISED.
660
00:19:52,792 --> 00:19:54,394
IT'S JUST THE FIRST TIME I'VE
661
00:19:54,394 --> 00:19:57,330
SEEN YOU OUT OF CONTEXT.
662
00:19:57,330 --> 00:19:59,031
OUT OF CONTEXT, AM I?
663
00:19:59,031 --> 00:19:59,832
HMM.
664
00:19:59,832 --> 00:20:00,933
WHAT ARE YOU LOOKING FOR?
665
00:20:00,933 --> 00:20:02,835
HERE? UM, JUST BROWSING
666
00:20:02,835 --> 00:20:04,271
AROUND.
667
00:20:04,271 --> 00:20:05,938
I DON'T THINK I'LL BUY ANYTHING.
668
00:20:05,938 --> 00:20:07,274
SOMETIMES WHEN I'M DEPRESSED IT
669
00:20:07,274 --> 00:20:08,841
HELPS JUST TO LOOK AT STUFF.
670
00:20:08,841 --> 00:20:10,410
YOU MIND IF I JOIN YOU?
671
00:20:10,410 --> 00:20:11,378
BEING DEPRESSED?
672
00:20:11,378 --> 00:20:13,546
[CHUCKLES] BROWSING.
673
00:20:13,546 --> 00:20:14,581
IN MY FRESHMAN YEAR, IT WAS
674
00:20:14,581 --> 00:20:15,815
STILL A BIT OF A SCANDAL.
675
00:20:15,815 --> 00:20:16,949
WE BOTH AGREED IT WOULD BE
676
00:20:16,949 --> 00:20:18,050
AWKWARD FOR HIM BEING MARRIED
677
00:20:18,050 --> 00:20:19,452
TO A STUDENT, SO I STOPPED
678
00:20:19,452 --> 00:20:20,453
BEING A STUDENT.
679
00:20:20,453 --> 00:20:21,454
GETS PRETTY COMPLICATED
680
00:20:21,454 --> 00:20:22,489
SOMETIMES.
681
00:20:22,489 --> 00:20:23,823
I READ YOUR BOOK.
682
00:20:23,823 --> 00:20:24,557
OH-- IT WASN'T REQUIRED
683
00:20:24,557 --> 00:20:25,458
FOR THE COURSE.
684
00:20:25,458 --> 00:20:26,526
I LIKED IT A LOT.
685
00:20:26,526 --> 00:20:29,962
THANK YOU.
686
00:20:29,962 --> 00:20:31,631
DID YOU...
687
00:20:31,631 --> 00:20:34,567
EVER WANT KIDS OF YOUR OWN?
688
00:20:34,567 --> 00:20:35,535
THAT'S JUST ONE OF THOSE
689
00:20:35,535 --> 00:20:36,436
THINGS THAT NEVER WORKED OUT
690
00:20:36,436 --> 00:20:39,406
FOR ME.
691
00:20:39,406 --> 00:20:40,307
IS THERE ANYTHING THAT YOU
692
00:20:40,307 --> 00:20:41,341
ALWAYS WANTED TO DO THAT YOU
693
00:20:41,341 --> 00:20:42,542
HAVEN'T DONE?
694
00:20:42,542 --> 00:20:44,911
[LAUGHING]: WHAT?
695
00:20:44,911 --> 00:20:47,314
NOTHING... JUST A THOUGHT.
696
00:20:47,314 --> 00:20:48,615
COME ON, WHAT IS IT?
697
00:20:48,615 --> 00:20:50,683
I DON'T KNOW.
698
00:20:50,683 --> 00:20:53,486
LOTS OF THINGS.
699
00:21:07,534 --> 00:21:08,668
...DID YOU PACK THE ASPIRIN?
700
00:21:08,668 --> 00:21:10,503
ASPIRIN?
701
00:21:10,503 --> 00:21:11,938
LAST TIME YOU WENT TO A FILM
702
00:21:11,938 --> 00:21:13,473
FESTIVAL, YOU GOT A HEADACHE
703
00:21:13,473 --> 00:21:15,708
DURING THE EASTERN EUROPEANS AND
704
00:21:15,708 --> 00:21:17,377
NOBODY HAD ANY ASPIRIN TO SPARE.
705
00:21:17,377 --> 00:21:21,414
RIGHT, I'LL TAKE SOME.
706
00:21:21,414 --> 00:21:22,449
ARE YOU GOING TO BE STAYING
707
00:21:22,449 --> 00:21:23,583
IN THE SAME PLACE?
708
00:21:23,583 --> 00:21:24,751
NO, IT WAS FULL ALREADY,
709
00:21:24,751 --> 00:21:29,522
BUT THEY'RE ALL THE SAME.
710
00:21:29,522 --> 00:21:30,657
IT'LL GIVE US TIME TO THINK,
711
00:21:30,657 --> 00:21:32,492
LIANNA.
712
00:21:32,492 --> 00:21:33,593
WE HAD TIME TO THINK AFTER
713
00:21:33,593 --> 00:21:34,627
THE LAST TIME THIS HAPPENED,
714
00:21:34,627 --> 00:21:40,500
REMEMBER?
715
00:21:40,500 --> 00:21:41,434
LOOK, IF I WERE GOING TO
716
00:21:41,434 --> 00:21:42,502
LEAVE YOU, I WOULDN'T START
717
00:21:42,502 --> 00:21:44,804
BY GOING TO TORONTO.
718
00:21:44,804 --> 00:21:47,374
SO DON'T WORRY, O.K.?
719
00:21:47,374 --> 00:21:49,041
NO, I WON'T.
720
00:21:52,512 --> 00:21:54,414
...SO, BESIDES BEING BRIGHT AND
721
00:21:54,414 --> 00:21:55,782
WITTY AND LOOKING LIKE ONE OF
722
00:21:55,782 --> 00:21:57,784
CHARLIE'S ANGELS, WHAT ELSE IS
723
00:21:57,784 --> 00:21:59,452
YOUR NEW ENGLISH TEACHER LIKE?
724
00:21:59,452 --> 00:22:00,787
IS SHE MARRIED?
725
00:22:00,787 --> 00:22:03,122
NO, SHE LIVES WITH A GUY.
726
00:22:03,122 --> 00:22:04,056
HOW DO YOU KNOW THAT?
727
00:22:04,056 --> 00:22:05,525
SHE TOLD US.
728
00:22:05,525 --> 00:22:06,393
SEEMS LIKE A STRANGE THING
729
00:22:06,393 --> 00:22:07,660
TO TELL A JUNIOR HIGH CLASS.
730
00:22:07,660 --> 00:22:08,695
IT'S NO BIG DEAL.
731
00:22:08,695 --> 00:22:09,629
I MEAN, IT'S NOT LIKE
732
00:22:09,629 --> 00:22:10,630
BACK IN YOUR DAY.
733
00:22:10,630 --> 00:22:11,598
MY DAY.
734
00:22:11,598 --> 00:22:12,532
AS FAR AS I'M CONCERNED,
735
00:22:12,532 --> 00:22:13,800
IT STILL IS MY DAY.
736
00:22:13,800 --> 00:22:15,134
I WON'T ARGUE WITH YOU.
737
00:22:15,134 --> 00:22:16,403
HOW OLD IS SHE?
738
00:22:16,403 --> 00:22:17,537
26-- SHE SAID SHE JUST GOT
739
00:22:17,537 --> 00:22:19,138
HER MASTER'S.
740
00:22:19,138 --> 00:22:19,839
PROBABLY DID HER THESIS
741
00:22:19,839 --> 00:22:21,541
ON JERRY LEWIS.
742
00:22:21,541 --> 00:22:23,410
THOMAS MAN, WHOEVER HE IS.
743
00:22:23,410 --> 00:22:25,077
MAHN.
744
00:22:25,077 --> 00:22:26,413
THEDA, DINNER'S READY.
745
00:22:26,413 --> 00:22:27,547
COMING!
746
00:22:27,547 --> 00:22:28,448
HOW'D SHE END UP TELLING YOU
747
00:22:28,448 --> 00:22:29,148
ALL THIS?
748
00:22:29,148 --> 00:22:30,517
SHE SAID SHE WANTED US TO BE
749
00:22:30,517 --> 00:22:31,551
OPEN AND HONEST WITH HER AND IT
750
00:22:31,551 --> 00:22:32,619
WOULDN'T BE FAIR IF SHE WASN'T
751
00:22:32,619 --> 00:22:34,086
THE SAME WITH US.
752
00:22:34,086 --> 00:22:34,721
WITH IDEAS LIKE THAT,
753
00:22:34,721 --> 00:22:35,688
HOW'D SHE END UP TEACHING
754
00:22:35,688 --> 00:22:36,556
IN PUBLIC SCHOOL?
755
00:22:36,556 --> 00:22:37,457
THE PAY WAS BETTER.
756
00:22:37,457 --> 00:22:39,058
SHE'S STARTING AT 12,000 A YEAR.
757
00:22:39,058 --> 00:22:40,427
WHAT'S HER BRA SIZE?
758
00:22:40,427 --> 00:22:41,594
[SHOCKED] MOMMY!
759
00:22:41,594 --> 00:22:42,729
SHE DOESN'T WEAR ONE.
760
00:22:42,729 --> 00:22:43,696
SPENCER!
761
00:22:43,696 --> 00:22:44,597
HEY, SHE JUST ASKED ME.
762
00:22:44,597 --> 00:22:45,798
DON'T BE SUCH A PRUDE.
763
00:22:45,798 --> 00:22:46,198
ALL RIGHT, YOU GUYS,
764
00:22:46,198 --> 00:22:47,700
I WANT YOU TO CLEAN UP THE
765
00:22:47,700 --> 00:22:48,134
DISHES WHEN YOU'RE THROUGH.
766
00:22:48,134 --> 00:22:49,669
I'M GOING UPSTAIRS TO CHANGE.
767
00:22:49,669 --> 00:22:50,703
ABOUT TIME WE HAD A CHANGE
768
00:22:50,703 --> 00:22:51,203
AROUND HERE.
769
00:22:51,203 --> 00:22:52,104
SAVE THOSE FOR
770
00:22:52,104 --> 00:22:52,705
WHAT'S-HER-NAME.
771
00:22:52,705 --> 00:22:56,643
I'M SURE THEY'LL GO OVER BIG.
772
00:22:56,643 --> 00:22:59,145
[HUMMING...]
773
00:23:23,836 --> 00:23:29,175
[CONTINUES HUMMING...]
774
00:23:29,175 --> 00:23:30,577
[TV NEWSCAST IN BACKGROUND...]
775
00:23:30,577 --> 00:23:31,611
Theda: NO...
776
00:23:31,611 --> 00:23:32,645
YES.
777
00:23:32,645 --> 00:23:33,580
THEY DON'T.
778
00:23:33,580 --> 00:23:34,547
THEY COULDN'T.
779
00:23:34,547 --> 00:23:35,848
THEY DO-- EVERYONE DOES.
780
00:23:35,848 --> 00:23:36,749
YOU'RE JUST SAYING THAT
781
00:23:36,749 --> 00:23:37,817
TO GET ME.
782
00:23:37,817 --> 00:23:38,985
HEY, DID I WRITE THIS BOOK?
783
00:23:38,985 --> 00:23:40,587
DID I DRAW THESE PICTURES?
784
00:23:40,587 --> 00:23:42,822
THEY'RE JUST DRAWINGS.
785
00:23:42,822 --> 00:23:44,491
[TURNS PAGE]
786
00:23:44,491 --> 00:23:46,626
HERE-- PHOTOGRAPHS.
787
00:23:46,626 --> 00:23:47,827
OH, GROSS.
788
00:23:47,827 --> 00:23:49,696
I'M GONNA BE SICK.
789
00:23:49,696 --> 00:23:50,630
THAT'S WHAT THEY DO-- YOU
790
00:23:50,630 --> 00:23:51,898
MIGHT AS WELL GET USED TO IT.
791
00:23:51,898 --> 00:23:53,032
LIKE THAT? WITH THEIR
792
00:23:53,032 --> 00:23:54,767
TONGUES? ICK...
793
00:23:54,767 --> 00:23:55,768
EVERYONE DOES IT,
794
00:23:55,768 --> 00:23:56,803
EVEN MOM AND DAD.
795
00:23:56,803 --> 00:23:57,904
Lianna: YOU GUYS READY?
796
00:23:57,904 --> 00:23:59,438
SANDY'LL BE HERE ANY MINUTE.
797
00:24:02,008 --> 00:24:03,275
I'M NOT GOING.
798
00:24:03,275 --> 00:24:04,276
THEDA'S GOING
799
00:24:04,276 --> 00:24:05,545
AND YOU'RE GOING.
800
00:24:05,545 --> 00:24:06,613
ELLIE IS THEDA'S BEST FRIEND.
801
00:24:06,613 --> 00:24:07,547
THERE'S NOTHING FOR ME
802
00:24:07,547 --> 00:24:08,548
TO DO THERE.
803
00:24:08,548 --> 00:24:09,582
YOU CAN PLAY WITH TEX.
804
00:24:09,582 --> 00:24:10,583
TEX IS TWO YEARS OLD.
805
00:24:10,583 --> 00:24:11,684
HE'LL BE IN BED.
806
00:24:11,684 --> 00:24:13,620
WELL... BOB LIKES YOU.
807
00:24:13,620 --> 00:24:14,687
EVERY TIME HE SEES ME,
808
00:24:14,687 --> 00:24:15,588
HE PINCHES MY ARM MUSCLE
809
00:24:15,588 --> 00:24:16,789
AND ASKS ME IF I KNOW WHO
810
00:24:16,789 --> 00:24:18,525
ARNOLD SCHWARZENEGGER IS.
811
00:24:18,525 --> 00:24:19,659
COME ON, I'M OLD ENOUGH TO STAY
812
00:24:19,659 --> 00:24:20,927
HOME WITHOUT A BABYSITTER.
813
00:24:20,927 --> 00:24:21,528
WE'LL ASK YOUR FATHER
814
00:24:21,528 --> 00:24:22,629
WHEN HE GETS HOME.
815
00:24:22,629 --> 00:24:23,295
WHAT'S THE MATTER WITH YOU?
816
00:24:23,295 --> 00:24:24,531
CAN'T YOU MAKE A DECISION
817
00:24:24,531 --> 00:24:24,964
BY YOURSELF?
818
00:24:24,964 --> 00:24:25,898
YOU WATCH YOUR TONGUE
819
00:24:25,898 --> 00:24:26,933
WITH ME, SPENCER.
820
00:24:26,933 --> 00:24:29,936
I HAVE MADE A DECISION: NO.
821
00:24:29,936 --> 00:24:31,070
ANOTHER EVENING WITH KNUTE
822
00:24:31,070 --> 00:24:32,672
ROCKNE, ALL-AMERICAN.
823
00:24:32,672 --> 00:24:33,840
SPENCER... >> HE'LL PROBABLY
824
00:24:33,840 --> 00:24:34,907
MAKE ME LIFT WEIGHTS.
825
00:24:34,907 --> 00:24:35,908
HE'S GOT 'EM, YOU KNOW,
826
00:24:35,908 --> 00:24:37,076
EVERY SHAPE AND SIZE.
827
00:24:37,076 --> 00:24:38,077
THEY'RE ALL IN THE CELLAR.
828
00:24:38,077 --> 00:24:39,045
IT'S LIKE A TORTURE CHAMBER
829
00:24:39,045 --> 00:24:39,912
DOWN THERE...
830
00:24:39,912 --> 00:24:42,014
ALL RIGHT, YOU CAN STAY,
831
00:24:42,014 --> 00:24:43,783
BUT... KEEP THE DOORS LOCKED
832
00:24:43,783 --> 00:24:44,684
AND DON'T USE THE STOVE
833
00:24:44,684 --> 00:24:46,653
FOR ANYTHING, YOU HEAR?
834
00:24:46,653 --> 00:24:48,655
[CAR HORN HONKING]
835
00:24:48,655 --> 00:24:49,722
IT'S PROBABLY SANDY.
836
00:24:49,722 --> 00:24:50,990
IT'S HER.
837
00:24:50,990 --> 00:24:52,291
COME ON, THEDA!
838
00:24:52,291 --> 00:24:53,826
DON'T KEEP HER WAITING!
839
00:24:53,826 --> 00:24:56,796
LIAR... SHE NEVER DID THAT.
840
00:24:56,796 --> 00:24:59,265
[TV NEWSCAST CONTINUES...]
841
00:25:04,704 --> 00:25:06,806
THEDA AND SPENCER?
842
00:25:06,806 --> 00:25:08,007
THEDA'S FOR THEDA BARA AND
843
00:25:08,007 --> 00:25:09,876
SPENCER'S FOR SPENCER TRACY.
844
00:25:09,876 --> 00:25:10,810
DICK WAS ALREADY GETTING
845
00:25:10,810 --> 00:25:11,678
INTO HIS MOVIE THING
846
00:25:11,678 --> 00:25:12,612
WHEN WE HAD SPENCE.
847
00:25:12,612 --> 00:25:13,780
AND SPENCER'S HOW OLD?
848
00:25:13,780 --> 00:25:14,981
13.
849
00:25:14,981 --> 00:25:16,616
HE'S IN THE MONKEY GLAND STAGE.
850
00:25:16,616 --> 00:25:17,650
HE'S ALL HOT AND BOTHERED
851
00:25:17,650 --> 00:25:18,851
ABOUT THIS YOUNG GIRL TEACHER
852
00:25:18,851 --> 00:25:19,819
WHO'S COME IN.
853
00:25:19,819 --> 00:25:21,621
HMM... ARE YOU JEALOUS?
854
00:25:21,621 --> 00:25:22,989
I GUESS I AM A LITTLE.
855
00:25:22,989 --> 00:25:24,123
WELL, IT'S NOT AN AGE WHERE
856
00:25:24,123 --> 00:25:25,124
HE'S LIKELY TO WANT HIS MOTHER
857
00:25:25,124 --> 00:25:26,926
TO BE HIS BEST FRIEND.
858
00:25:26,926 --> 00:25:27,994
I'LL GET YOU SOME MORE.
859
00:25:27,994 --> 00:25:28,995
THANKS.
860
00:25:28,995 --> 00:25:30,029
MY MOTHER REALLY WAS MY BEST
861
00:25:30,029 --> 00:25:31,764
FRIEND FOR THE LONGEST TIME.
862
00:25:31,764 --> 00:25:33,600
I WASN'T HERS, THANK GOD, BUT I
863
00:25:33,600 --> 00:25:35,134
KNOW SHE LIKED MY COMPANY.
864
00:25:35,134 --> 00:25:37,103
I'D PRETEND WE WERE SISTERS.
865
00:25:37,103 --> 00:25:38,605
IS YOUR MOTHER STILL LIVING?
866
00:25:38,605 --> 00:25:39,972
UP IN ALBERTA.
867
00:25:39,972 --> 00:25:41,073
WE OFFERED TO FIND HER A PLACE
868
00:25:41,073 --> 00:25:42,141
DOWN HERE, BUT ALL SHE CAN
869
00:25:42,141 --> 00:25:43,743
THINK OF IS STREET CREEPS AND
870
00:25:43,743 --> 00:25:45,177
THE SON OF SAM. >> [CHUCKLES]
871
00:25:45,177 --> 00:25:46,178
SHE PLAYS A LOT OF BRIDGE
872
00:25:46,178 --> 00:25:48,247
AND CALLS ME ONCE A WEEK.
873
00:25:48,247 --> 00:25:49,048
WERE YOU PRETTY
874
00:25:49,048 --> 00:25:50,082
WHEN YOU WERE A GIRL?
875
00:25:50,082 --> 00:25:51,150
I LOOKED LIKE I'D BEEN RAISED
876
00:25:51,150 --> 00:25:53,152
IN A TIN BOX: THESE BIG STARING
877
00:25:53,152 --> 00:25:55,722
EYES AND PALE SKIN.
878
00:25:55,722 --> 00:25:58,625
WELL, YOU'RE VERY PRETTY NOW.
879
00:25:58,625 --> 00:26:00,860
THANK YOU.
880
00:26:00,860 --> 00:26:01,393
[BOTH LAUGHING]
881
00:26:01,393 --> 00:26:03,062
MORE THAN ANYTHING ELSE
882
00:26:03,062 --> 00:26:06,633
IN THE WHOLE WIDE WORLD...
883
00:26:06,633 --> 00:26:08,034
I WANTED TO BE PRO BASKETBALL
884
00:26:08,034 --> 00:26:09,101
PLAYER. >> YOU'RE KIDDING.
885
00:26:09,101 --> 00:26:10,903
OH, IT WAS SO EXCITING--
886
00:26:10,903 --> 00:26:12,739
ALL THOSE BEAUTIFUL ARMS AND
887
00:26:12,739 --> 00:26:14,774
LEGS, EVERYBODY SWEATING,
888
00:26:14,774 --> 00:26:16,108
ALL THE DRAMA...
889
00:26:16,108 --> 00:26:17,777
I USED TO GET TINGLES
890
00:26:17,777 --> 00:26:18,911
WATCHING THE GAMES.
891
00:26:18,911 --> 00:26:19,879
TINGLES?
892
00:26:19,879 --> 00:26:21,113
YOU KNOW, TINGLES.
893
00:26:21,113 --> 00:26:22,248
I WASN'T SURE QUITE WHAT THEY
894
00:26:22,248 --> 00:26:23,816
WERE, BUT I KNEW I SHOULDN'T
895
00:26:23,816 --> 00:26:25,785
TELL THE NUNS ABOUT THEM.
896
00:26:25,785 --> 00:26:27,253
I THINK BEING AN ADULT IS
897
00:26:27,253 --> 00:26:29,055
REALIZING THAT YOU'RE NEVER
898
00:26:29,055 --> 00:26:30,857
GONNA MAKE THE CELTICS.
899
00:26:30,857 --> 00:26:31,891
I GREW UP THE DAY AFTER
900
00:26:31,891 --> 00:26:33,125
I GOT MARRIED. >> REALLY?
901
00:26:33,125 --> 00:26:34,927
MM-HMM.
902
00:26:34,927 --> 00:26:36,028
IT'S FUNNY.
903
00:26:36,028 --> 00:26:37,096
JUST A CEREMONY,
904
00:26:37,096 --> 00:26:38,831
NOTHING PHYSICAL, BUT IT
905
00:26:38,831 --> 00:26:39,899
REALLY CAN CHANGE THE WAY
906
00:26:39,899 --> 00:26:41,300
YOU LOOK AT THINGS.
907
00:26:41,300 --> 00:26:42,301
I GUESS IF YOU HAVEN'T BEEN
908
00:26:42,301 --> 00:26:43,202
THROUGH IT, IT'S HARD TO
909
00:26:43,202 --> 00:26:45,204
FATHOM... >> I'VE BEEN MARRIED.
910
00:26:45,204 --> 00:26:46,005
YOU HAVE?
911
00:26:46,005 --> 00:26:47,239
ONE WHOLE YEAR.
912
00:26:47,239 --> 00:26:49,909
WHAT HAPPENED?
913
00:26:49,909 --> 00:26:51,077
IT WAS JUST A MISTAKE.
914
00:26:51,077 --> 00:26:51,978
WE SAID "I'M SORRY"
915
00:26:51,978 --> 00:26:53,079
TO EACH OTHER AND WENT ON
916
00:26:53,079 --> 00:26:55,782
TO OTHER THINGS.
917
00:26:55,782 --> 00:26:57,316
OH.
918
00:26:57,316 --> 00:26:58,785
SO HOW WAS IT DIFFERENT
919
00:26:58,785 --> 00:27:00,853
AFTER YOU WERE MARRIED?
920
00:27:00,853 --> 00:27:02,889
...MY BIGGEST FANTASY
921
00:27:02,889 --> 00:27:03,890
WAS TO BUILD A RAFT
922
00:27:03,890 --> 00:27:05,725
WHICH ACTUALLY FLOATED.
923
00:27:05,725 --> 00:27:06,726
I WAS ALWAYS MAKING THESE RAFTS
924
00:27:06,726 --> 00:27:08,194
OUT OF 2x4s, CLIMBING ON THEM
925
00:27:08,194 --> 00:27:09,929
AND GETTING SOAKED.
926
00:27:09,929 --> 00:27:11,063
DID YOU HAVE A LOT OF CRUSHES
927
00:27:11,063 --> 00:27:12,832
ON BOYS WHEN YOU WERE THAT AGE?
928
00:27:12,832 --> 00:27:14,834
I SUPPOSE-- DON'T ALL THE
929
00:27:14,834 --> 00:27:16,235
GIRLS? >> DO THEY?
930
00:27:16,235 --> 00:27:17,970
YOU'RE THE CHILD EXPERT.
931
00:27:17,970 --> 00:27:19,238
RIGHT.
932
00:27:19,238 --> 00:27:20,106
DO YOU REMEMBER
933
00:27:20,106 --> 00:27:21,774
YOUR FIRST CRUSH?
934
00:27:21,774 --> 00:27:25,144
MY FIRST CRUSH...
935
00:27:25,144 --> 00:27:27,013
I USED TO GO TO CAMP UP NORTH
936
00:27:27,013 --> 00:27:29,248
IN THE SUMMER.
937
00:27:29,248 --> 00:27:32,251
THERE WAS THIS ONE COUNSELOR.
938
00:27:32,251 --> 00:27:37,957
SHE WAS... 15, MAYBE 16.
939
00:27:37,957 --> 00:27:39,191
I WAS SO GLAD WHEN I GOT
940
00:27:39,191 --> 00:27:40,860
HER SQUAD.
941
00:27:40,860 --> 00:27:43,329
SHE TAUGHT US FIELD HOCKEY.
942
00:27:43,329 --> 00:27:47,166
I HAD A SORT OF CRUSH ON HER.
943
00:27:47,166 --> 00:27:48,400
[SIGHS]
944
00:27:48,400 --> 00:27:52,304
NO...
945
00:27:52,304 --> 00:27:54,807
I WAS IN LOVE WITH HER.
946
00:28:02,281 --> 00:28:04,250
THE GIRL I BUNKED WITH,
947
00:28:04,250 --> 00:28:08,054
HER NAME WAS VIRGINIA DOBBS.
948
00:28:08,054 --> 00:28:10,156
SHE WAS SKINNY.
949
00:28:10,156 --> 00:28:13,025
ABOUT AS UNATTRACTIVE AS I WAS.
950
00:28:13,025 --> 00:28:13,926
SHE DISCOVERED THAT THIS
951
00:28:13,926 --> 00:28:15,527
COUNSELOR WAS SNEAKING OUT OF
952
00:28:15,527 --> 00:28:17,496
THE CABIN LATE EVERY NIGHT,
953
00:28:17,496 --> 00:28:20,967
SO WE STARTED FOLLOWING HER.
954
00:28:20,967 --> 00:28:23,269
SHE'D MEET THIS GUY.
955
00:28:23,269 --> 00:28:24,370
HE WAS A LIFEGUARD FROM THE BOYS
956
00:28:24,370 --> 00:28:27,439
CAMP-- HE CAME IN A CANOE.
957
00:28:27,439 --> 00:28:30,943
VIRGINIA AND I HID BY THE
958
00:28:30,943 --> 00:28:34,413
BOATHOUSE AND WE WATCHED THEM
959
00:28:34,413 --> 00:28:38,450
ON THIS LITTLE STRIP OF BEACH.
960
00:28:38,450 --> 00:28:41,921
WE COULD SEE HIS BARE BOTTOM
961
00:28:41,921 --> 00:28:48,527
SHINING WHITE IN THE MOONLIGHT.
962
00:28:48,527 --> 00:28:52,131
I COULDN'T BELIEVE HER BREASTS.
963
00:28:52,131 --> 00:28:55,301
WE KEPT TRYING NOT TO GIGGLE.
964
00:28:55,301 --> 00:28:57,003
NOT THAT WE THOUGHT ANYTHING WAS
965
00:28:57,003 --> 00:28:58,938
FUNNY, JUST THAT NERVOUS KIND OF
966
00:28:58,938 --> 00:29:00,439
GIGGLING WHEN YOU'RE SCARED AND
967
00:29:00,439 --> 00:29:05,277
FASCINATED AT THE SAME TIME.
968
00:29:05,277 --> 00:29:07,814
WHEN WE GOT BACK TO THE CABIN...
969
00:29:07,814 --> 00:29:09,081
VIRGINIA AND I WOULD SLIP UNDER
970
00:29:09,081 --> 00:29:10,082
THE COVERS TOGETHER IN THE
971
00:29:10,082 --> 00:29:13,219
BOTTOM BUNK-- MY BUNK--
972
00:29:13,219 --> 00:29:16,288
AND WE'D CUDDLE AND WHISPER...
973
00:29:16,288 --> 00:29:17,990
AND VIRGINIA WOULD SHOW ME
974
00:29:17,990 --> 00:29:21,027
HOW THEY DID IT. >> [CHUCKLES]
975
00:29:21,027 --> 00:29:22,061
AND IT WAS LIKE PLAYING AT
976
00:29:22,061 --> 00:29:24,430
FIRST... VIRGINIA CALLING OUT
977
00:29:24,430 --> 00:29:28,835
THE LIFEGUARD'S NAME...
978
00:29:28,835 --> 00:29:31,570
THEN WE'D START TO GET EXCITED
979
00:29:31,570 --> 00:29:33,272
AND I'D PRETEND VIRGINIA
980
00:29:33,272 --> 00:29:35,307
HAD BREASTS.
981
00:29:38,845 --> 00:29:40,379
I HAVEN'T THOUGHT ABOUT THAT
982
00:29:40,379 --> 00:29:42,081
IN A REALLY LONG TIME.
983
00:30:03,635 --> 00:30:05,137
[MIX OF FEMALE VOICES
984
00:30:05,137 --> 00:30:06,238
WHISPERING INDISTINCTLY
985
00:30:06,238 --> 00:30:09,942
IN ENGLISH AND FRENCH ...]
986
00:30:19,351 --> 00:30:20,887
[FAINT MOANING AND SIGHING,
987
00:30:20,887 --> 00:30:23,389
WHISPERING CONTINUES...]
988
00:30:35,434 --> 00:30:37,269
TOUCH ME...
989
00:30:37,269 --> 00:30:41,040
[WHISPERING CONTINUES...]
990
00:31:01,460 --> 00:31:03,629
TOUCH ME...
991
00:31:03,629 --> 00:31:06,365
[WHISPERING CONTINUES...]
992
00:31:39,231 --> 00:31:41,367
[HEARTBEAT THUMPING...]
993
00:31:41,367 --> 00:31:45,237
TOUCH ME... TOUCH ME...
994
00:31:45,237 --> 00:31:47,639
[WHISPERING CONTINUES...]
995
00:32:07,559 --> 00:32:08,760
[SOFTLY]: LIANNA...
996
00:32:08,760 --> 00:32:14,366
YES... YES...
997
00:32:14,366 --> 00:32:15,734
YES...
998
00:32:15,734 --> 00:32:18,637
[WHISPERING CONTINUES...]
999
00:32:29,381 --> 00:32:31,250
[WHISPERING FADES...]
1000
00:32:36,622 --> 00:32:37,589
DO YOU SLEEP WITH
1001
00:32:37,589 --> 00:32:39,025
A LOT OF WOMEN?
1002
00:32:39,025 --> 00:32:42,028
A LOT? NO.
1003
00:32:42,028 --> 00:32:44,730
I'VE BEEN AT IT A WHILE, THOUGH.
1004
00:32:44,730 --> 00:32:46,332
THIS IS MY FIRST.
1005
00:32:46,332 --> 00:32:48,100
[SURPRISED] NO... >> [LAUGHS]
1006
00:32:48,100 --> 00:32:50,069
[BOTH LAUGHING]
1007
00:32:50,069 --> 00:32:51,103
HOW YOU DOING?
1008
00:32:51,103 --> 00:32:52,504
GREAT.
1009
00:32:52,504 --> 00:32:54,106
YOU SLEEPY?
1010
00:32:54,106 --> 00:32:55,474
NO.
1011
00:32:55,474 --> 00:32:58,144
WHAT TIME IS IT?
1012
00:32:58,144 --> 00:33:00,346
3:30.
1013
00:33:00,346 --> 00:33:01,580
OH, MY GOD.
1014
00:33:01,580 --> 00:33:02,581
WHAT'S WRONG?
1015
00:33:02,581 --> 00:33:03,482
I LET SPENCER STAY HOME
1016
00:33:03,482 --> 00:33:04,483
ALONE-- HE'LL KNOW IF I DON'T
1017
00:33:04,483 --> 00:33:05,384
COME BACK!
1018
00:33:05,384 --> 00:33:06,585
HE MUST BE ASLEEP BY NOW.
1019
00:33:06,585 --> 00:33:08,554
OH, NO... OH, GOD, I HOPE
1020
00:33:08,554 --> 00:33:09,721
SO... WHAT IF HE FELL ASLEEP AND
1021
00:33:09,721 --> 00:33:11,057
LEFT THE OVEN ON OR IF SANDY
1022
00:33:11,057 --> 00:33:11,823
CALLED AND I'M STILL NOT HOME...
1023
00:33:11,823 --> 00:33:13,459
SANDY CALLS YOU THIS LATE?
1024
00:33:13,459 --> 00:33:14,093
NO, BUT THERE'S ALWAYS
1025
00:33:14,093 --> 00:33:16,462
A CHANCE...
1026
00:33:16,462 --> 00:33:18,497
[SIGHS] OH, GOD...
1027
00:33:18,497 --> 00:33:19,631
I'M PANICKING, AREN'T I?
1028
00:33:19,631 --> 00:33:20,799
JUST A LITTLE.
1029
00:33:20,799 --> 00:33:21,800
[SIGHS]
1030
00:33:21,800 --> 00:33:22,768
DON'T WORRY, THERE'S NOTHING
1031
00:33:22,768 --> 00:33:24,703
WRITTEN INDELIBLY ON YOUR FACE.
1032
00:33:24,703 --> 00:33:26,738
NO ONE HAS TO KNOW.
1033
00:33:26,738 --> 00:33:29,375
I STILL HAVE TO GET HOME.
1034
00:33:32,278 --> 00:33:34,513
RUTH... >> HMM?
1035
00:33:34,513 --> 00:33:35,814
WHEN YOU FIRST TOUCHED ME
1036
00:33:35,814 --> 00:33:38,717
ON THE COUCH...
1037
00:33:38,717 --> 00:33:39,818
WERE YOU SURE THAT I'D WANT...
1038
00:33:39,818 --> 00:33:41,120
I HAD A FEELING,
1039
00:33:41,120 --> 00:33:43,222
BUT I WASN'T SURE.
1040
00:33:43,222 --> 00:33:44,723
WERE YOU SCARED?
1041
00:33:44,723 --> 00:33:46,225
TERRIFIED.
1042
00:33:46,225 --> 00:33:47,193
IF I HAD BEEN WRONG
1043
00:33:47,193 --> 00:33:49,795
AND IT GOT AROUND CLASS...
1044
00:33:49,795 --> 00:33:51,763
WELL... A LOT OF PEOPLE
1045
00:33:51,763 --> 00:33:54,133
OVERREACT.
1046
00:33:54,133 --> 00:33:57,169
WHY DID YOU TAKE THE CHANCE?
1047
00:33:57,169 --> 00:34:00,172
I REALLY WANTED YOU.
1048
00:34:00,172 --> 00:34:02,674
I WANTED YOU THAT MUCH.
1049
00:34:02,674 --> 00:34:05,444
I'M SO GLAD.
1050
00:34:11,250 --> 00:34:12,784
[DOOR CREAKS SHUT]
1051
00:34:18,690 --> 00:34:19,725
[GASPS]
1052
00:34:19,725 --> 00:34:20,692
MOM...
1053
00:34:20,692 --> 00:34:22,294
SPENCER, YOU SCARED ME.
1054
00:34:22,294 --> 00:34:23,829
WHAT ARE YOU DOING UP?
1055
00:34:23,829 --> 00:34:24,730
I WAS JUST WATCHING
1056
00:34:24,730 --> 00:34:25,831
THE LATE MOVIES.
1057
00:34:25,831 --> 00:34:27,333
MM-HMM.
1058
00:34:27,333 --> 00:34:28,534
WELL, THEY GO ON ALL NIGHT,
1059
00:34:28,534 --> 00:34:29,835
YOU KNOW.
1060
00:34:29,835 --> 00:34:30,636
WELL, IT DIDN'T SEEM
1061
00:34:30,636 --> 00:34:31,670
LIKE YOU WERE GONNA GET HOME
1062
00:34:31,670 --> 00:34:33,639
AFTER IT GOT TO BE 1:00.
1063
00:34:33,639 --> 00:34:34,640
WELL, THESE RESEARCH
1064
00:34:34,640 --> 00:34:35,807
PROJECTS... GET PRETTY
1065
00:34:35,807 --> 00:34:37,776
COMPLICATED SOMETIMES.
1066
00:34:37,776 --> 00:34:38,810
PROFESSOR BRENNAN HAD A LOT OF
1067
00:34:38,810 --> 00:34:40,812
DETAILS TO EXPLAIN TO ME.
1068
00:34:40,812 --> 00:34:42,214
WE GOT PRETTY...
1069
00:34:42,214 --> 00:34:43,815
WRAPPED UP IN IT.
1070
00:34:43,815 --> 00:34:45,151
WHAT WAS ON?
1071
00:34:45,151 --> 00:34:46,852
OH, UH... BATTLEGROUND.
1072
00:34:46,852 --> 00:34:48,287
IT'S A WAR MOVIE.
1073
00:34:48,287 --> 00:34:49,188
I THOUGHT YOU SAW THAT
1074
00:34:49,188 --> 00:34:49,855
LAST WEEK.
1075
00:34:49,855 --> 00:34:50,789
WELL, I MISSED THE BEGINNING.
1076
00:34:50,789 --> 00:34:52,158
I SAW IT FROM THE START TONIGHT.
1077
00:34:52,158 --> 00:34:53,359
THEN THIS OTHER ONE CAME ON.
1078
00:34:53,359 --> 00:34:54,360
JAPANESE HORROR FLICK...
1079
00:34:54,360 --> 00:34:55,294
YOU BETTER GET TO BED.
1080
00:34:55,294 --> 00:34:56,828
YOU'VE GOT SCHOOL TOMORROW.
1081
00:34:56,828 --> 00:34:57,929
I'LL TURN THE TV OFF.
1082
00:34:57,929 --> 00:34:59,198
NO, NO, I'LL GET IT.
1083
00:35:28,794 --> 00:35:29,661
[SIGHS]
1084
00:35:49,415 --> 00:35:52,851
MY GOD, HE'S HAD AN ORGY.
1085
00:35:52,851 --> 00:35:55,321
...SMOKED OYSTERS, ARTICHOKE
1086
00:35:55,321 --> 00:35:57,289
HEARTS, IMPORTED CHOCOLATE...
1087
00:35:57,289 --> 00:35:59,791
OH, MY GOD, MACADAMIA NUTS!
1088
00:35:59,791 --> 00:36:00,692
Ruth: HUH?
1089
00:36:00,692 --> 00:36:01,727
THIS IS ALL THE STUFF YOU
1090
00:36:01,727 --> 00:36:03,495
CAN'T AFFORD ON A FAMILY BUDGET.
1091
00:36:03,495 --> 00:36:04,496
MY ONE BIG INDULGENCE.
1092
00:36:04,496 --> 00:36:05,731
I STARTED WHEN I GAVE UP
1093
00:36:05,731 --> 00:36:07,499
SMOKING.
1094
00:36:07,499 --> 00:36:08,834
WHAT DO PORTUGUESE CUTTLEFISH
1095
00:36:08,834 --> 00:36:09,935
TASTE LIKE?
1096
00:36:09,935 --> 00:36:11,370
TRY ONE.
1097
00:36:11,370 --> 00:36:12,871
LOOK LIKE SQUID.
1098
00:36:12,871 --> 00:36:14,273
HUH?
1099
00:36:14,273 --> 00:36:15,374
I SAID IT'S FUN EATING
1100
00:36:15,374 --> 00:36:17,008
OVER AT YOUR HOUSE.
1101
00:36:17,008 --> 00:36:17,943
WHY DON'T YOU CALL YOUR
1102
00:36:17,943 --> 00:36:19,245
CHILDREN AND ASK IF YOU CAN
1103
00:36:19,245 --> 00:36:21,580
STAY FOR DINNER?
1104
00:36:25,251 --> 00:36:28,854
[WATER SPLASHING]
1105
00:36:28,854 --> 00:36:29,988
Lianna: HI.
1106
00:36:29,988 --> 00:36:32,258
HI.
1107
00:36:32,258 --> 00:36:33,892
I WISH I COULD TOUCH YOU.
1108
00:36:33,892 --> 00:36:35,261
IF WE WERE AT THE BEACH, WE
1109
00:36:35,261 --> 00:36:37,929
COULD PLAY WITH SUNTAN LOTION.
1110
00:36:37,929 --> 00:36:39,030
BE NICE TO HOLD HANDS
1111
00:36:39,030 --> 00:36:40,599
OR SOMETHING.
1112
00:36:40,599 --> 00:36:41,933
I HAVEN'T HELD HANDS WITH ANYONE
1113
00:36:41,933 --> 00:36:45,304
IN YEARS. >> MM-HMM.
1114
00:36:45,304 --> 00:36:47,339
I WANT TO KISS YOU.
1115
00:36:47,339 --> 00:36:48,440
CAN'T HERE-- THAT'S PART
1116
00:36:48,440 --> 00:36:50,309
OF THE PACKAGE.
1117
00:36:50,309 --> 00:36:51,410
WE SHOULD GO TO A BEACH
1118
00:36:51,410 --> 00:36:52,911
WHERE NO ONE CAN SEE US.
1119
00:36:52,911 --> 00:36:54,045
WE WILL SOMETIME.
1120
00:36:54,045 --> 00:36:55,414
WHEN?
1121
00:36:55,414 --> 00:36:57,316
SOMETIME.
1122
00:36:58,817 --> 00:36:59,818
RUTH?
1123
00:36:59,818 --> 00:37:01,353
MM-HMM?
1124
00:37:01,353 --> 00:37:04,623
I'M KISSING YOU.
1125
00:37:04,623 --> 00:37:07,559
I'M KISSING YOU BACK.
1126
00:37:07,559 --> 00:37:09,027
I'M TOUCHING THE BACK OF YOUR
1127
00:37:09,027 --> 00:37:12,864
NECK WITH MY LIPS... LIGHTLY.
1128
00:37:12,864 --> 00:37:14,900
YOU CAN FEEL MY BREATH
1129
00:37:14,900 --> 00:37:18,370
WARM AGAINST YOUR NECK.
1130
00:37:18,370 --> 00:37:21,440
YOU CAN FEEL MY TONGUE...
1131
00:37:21,440 --> 00:37:23,975
MY TEETH...
1132
00:37:23,975 --> 00:37:26,378
YOU FEEL MY FINGERTIPS BRUSHING
1133
00:37:26,378 --> 00:37:28,847
THE BACKS OF YOUR LEGS...
1134
00:37:28,847 --> 00:37:33,319
SOFT... ON THE TENDER PARTS.
1135
00:37:33,319 --> 00:37:34,853
NOW SLIDING UP THE INSIDES
1136
00:37:34,853 --> 00:37:36,588
OF YOUR THIGHS.
1137
00:37:36,588 --> 00:37:38,590
WHEN DO YOUR KIDS GET OUT?
1138
00:37:38,590 --> 00:37:40,025
3:00.
1139
00:37:40,025 --> 00:37:41,026
WOULD YOU LIKE TO COME HOME
1140
00:37:41,026 --> 00:37:42,861
WITH ME RIGHT NOW?
1141
00:37:42,861 --> 00:37:46,432
YES, I WOULD.
1142
00:37:46,432 --> 00:37:52,904
[*.... NO VOICE...]
1143
00:38:17,896 --> 00:38:19,598
AND THIS IS SPENCE.
1144
00:38:19,598 --> 00:38:20,599
HE'S GIVING THE CAMERA HIS
1145
00:38:20,599 --> 00:38:21,600
"LEAVE ME ALONE" LOOK.
1146
00:38:21,600 --> 00:38:22,568
THAT WAS TAKEN A COUPLE OF
1147
00:38:22,568 --> 00:38:23,502
MONTHS AGO.
1148
00:38:23,502 --> 00:38:25,103
HE LOOKS OLDER THAN 13 HERE.
1149
00:38:25,103 --> 00:38:26,472
WELL, ACTUALLY, HE'S BEEN 13
1150
00:38:26,472 --> 00:38:27,539
FOR SIX YEARS NOW.
1151
00:38:27,539 --> 00:38:28,574
THEY'RE KEEPING HIM BACK TILL HE
1152
00:38:28,574 --> 00:38:30,442
FINALLY DOES IT RIGHT.
1153
00:38:30,442 --> 00:38:32,478
HOW DOES HE GET ON WITH DICK?
1154
00:38:32,478 --> 00:38:33,645
LATELY NOT SO WELL.
1155
00:38:33,645 --> 00:38:34,746
THEY BOTH HAVE THE SAME KIND OF
1156
00:38:34,746 --> 00:38:36,147
SENSE OF HUMOR AND IT GETS TO BE
1157
00:38:36,147 --> 00:38:38,116
A BATTLE FOR THE SPOTLIGHT.
1158
00:38:38,116 --> 00:38:39,585
NEITHER ONE WANTS SECOND BILLING
1159
00:38:39,585 --> 00:38:41,553
TO THE OTHER'S ACT.
1160
00:38:41,553 --> 00:38:43,422
DICK WINS, OF COURSE.
1161
00:38:43,422 --> 00:38:44,756
HE GETS BACK TONIGHT?
1162
00:38:44,756 --> 00:38:45,791
MM-HMM.
1163
00:38:45,791 --> 00:38:48,159
AND WE HAVE TO BE AT A PARTY--
1164
00:38:48,159 --> 00:38:49,728
TYPICAL.
1165
00:38:49,728 --> 00:38:51,497
AN ENGLISH DEPARTMENT THING.
1166
00:38:51,497 --> 00:38:52,598
I THOUGHT I'D TRY AND MAKE
1167
00:38:52,598 --> 00:38:56,468
A GESTURE BY GOING WITH HIM.
1168
00:38:56,468 --> 00:38:57,403
ARE YOU GONNA TELL HIM
1169
00:38:57,403 --> 00:38:58,904
ABOUT US?
1170
00:39:01,540 --> 00:39:06,177
I DON'T THINK SO.
1171
00:39:06,177 --> 00:39:09,114
[CLICK, CAMERA WHIRRING...]
1172
00:39:09,114 --> 00:39:14,553
[GENERAL CONVERSATION...]
1173
00:39:14,553 --> 00:39:16,455
WHO ARE THESE PEOPLE?
1174
00:39:16,455 --> 00:39:17,523
SOME OF JERRY KARLSON'S
1175
00:39:17,523 --> 00:39:18,690
STUDENTS-- HE GAVE THEM AN
1176
00:39:18,690 --> 00:39:19,825
ASSIGNMENT TO COME HERE AND
1177
00:39:19,825 --> 00:39:21,460
SHOOT WHATEVER WAS INTERESTING.
1178
00:39:21,460 --> 00:39:22,127
[SCOFFS] >> I THINK
1179
00:39:22,127 --> 00:39:23,161
THEY'RE WASTING THEIR TIME
1180
00:39:23,161 --> 00:39:24,095
WITH THIS BUNCH.
1181
00:39:24,095 --> 00:39:24,996
FROM WHAT I HEAR,
1182
00:39:24,996 --> 00:39:26,064
THEY SHOULD HAVE BEEN AT THE
1183
00:39:26,064 --> 00:39:27,566
LOOMISES' LAST PARTY.
1184
00:39:27,566 --> 00:39:29,134
MM-HMM...
1185
00:39:29,134 --> 00:39:31,102
[GENERAL CONVERSATION...]
1186
00:39:31,102 --> 00:39:32,538
Women on recording: * HE WILL
1187
00:39:32,538 --> 00:39:33,872
PLAY THE PINBALL
1188
00:39:33,872 --> 00:39:35,674
10 TIMES STRAIGHT ♪
1189
00:39:35,674 --> 00:39:36,875
♪ ONE THIN DIME
1190
00:39:36,875 --> 00:39:39,110
ALWAYS KEPT HIM UP LATE ♪
1191
00:39:39,110 --> 00:39:41,913
♪ MR. COOL, WHAT'S THERE TO DO
1192
00:39:41,913 --> 00:39:43,715
WHEN THERE'S NO WORK
1193
00:39:43,715 --> 00:39:46,151
AND THERE'S NO SCHOOL? ♪
1194
00:39:46,151 --> 00:39:47,185
♪ MR. COOL... ♪
1195
00:39:47,185 --> 00:39:48,186
...THE GIRL OBVIOUSLY
1196
00:39:48,186 --> 00:39:49,154
CAN'T DRINK.
1197
00:39:49,154 --> 00:39:50,188
[GENERAL CONVERSATION,
1198
00:39:50,188 --> 00:39:56,828
SONG CONTINUES INDISTINCTLY...]
1199
00:39:56,828 --> 00:39:58,597
[SONG ENDS]
1200
00:39:58,597 --> 00:40:01,099
[PIANO PLAYING...]
1201
00:40:41,773 --> 00:40:43,742
IT'S THE POINT WHERE FILM AND
1202
00:40:43,742 --> 00:40:46,712
REALITY INTERMINGLE, THE POINT
1203
00:40:46,712 --> 00:40:48,046
WHERE THE CELLULOID IS LIFE, BUT
1204
00:40:48,046 --> 00:40:49,615
AT THE SAME TIME IT'S MORE THAN
1205
00:40:49,615 --> 00:40:50,849
LIFE, IT'S MORE THAN A
1206
00:40:50,849 --> 00:40:52,618
REFLECTION OF LIFE.
1207
00:40:52,618 --> 00:40:53,785
IT BECOMES HARD TO TELL
1208
00:40:53,785 --> 00:40:55,253
WHETHER EVENTS AND ATTITUDES IN
1209
00:40:55,253 --> 00:40:56,788
THE REAL WORLD ARE INFLUENCING
1210
00:40:56,788 --> 00:40:58,590
WHAT GOES ON THE SCREEN OR THE
1211
00:40:58,590 --> 00:41:00,258
OTHER WAY AROUND.
1212
00:41:00,258 --> 00:41:01,793
TAKE THE CASE OF AUDIE MURPHY...
1213
00:41:01,793 --> 00:41:03,995
YOU'RE THE ONE!
1214
00:41:03,995 --> 00:41:05,531
WHAT?
1215
00:41:05,531 --> 00:41:06,532
YOU'RE THE ONE--
1216
00:41:06,532 --> 00:41:07,933
MY HUSBAND TOLD ME.
1217
00:41:07,933 --> 00:41:09,801
HE DID?
1218
00:41:09,801 --> 00:41:12,070
AUDIE MURPHY.
1219
00:41:12,070 --> 00:41:15,707
OH... OH, MY THESIS.
1220
00:41:15,707 --> 00:41:17,543
AUDIE MURPHY.
1221
00:41:17,543 --> 00:41:18,777
AUDIE MURPHY WAS THE MOST
1222
00:41:18,777 --> 00:41:19,878
DECORATED SOLDIER
1223
00:41:19,878 --> 00:41:20,979
IN WORLD WAR II.
1224
00:41:20,979 --> 00:41:22,548
HE WAS A SIMPLE, HONEST,
1225
00:41:22,548 --> 00:41:23,649
HOMETOWN BOY WHO WAS BROUGHT
1226
00:41:23,649 --> 00:41:24,716
TO HOLLYWOOD AND DRAGGED
1227
00:41:24,716 --> 00:41:26,017
THROUGH THE WHOLE BIT.
1228
00:41:26,017 --> 00:41:27,719
THE MARRIAGES, THE MONEY
1229
00:41:27,719 --> 00:41:28,820
PROBLEMS, THE LOW-BUDGET
1230
00:41:28,820 --> 00:41:29,955
PICTURES, THE PUBLICITY
1231
00:41:29,955 --> 00:41:31,890
GIMMICKS, AND FINALLY...
1232
00:41:31,890 --> 00:41:33,992
THAT SYMBOLIC PLANE CRASH.
1233
00:41:33,992 --> 00:41:35,727
HE'S AMERICA'S PERFECT
1234
00:41:35,727 --> 00:41:37,328
TRAGIC HERO.
1235
00:41:37,328 --> 00:41:38,296
HE'S THE TRAGIC HERO
1236
00:41:38,296 --> 00:41:39,765
OF YOUR GENERATION.
1237
00:41:39,765 --> 00:41:41,299
MY GENERATION?
1238
00:41:41,299 --> 00:41:43,869
TRY AGAIN.
1239
00:41:43,869 --> 00:41:45,604
JAMES DEAN?
1240
00:41:45,604 --> 00:41:47,105
GIVE ME A BREAK.
1241
00:41:47,105 --> 00:41:48,807
ELVIS.
1242
00:41:48,807 --> 00:41:49,975
WELL, TRAGIC HERO MIGHT BE
1243
00:41:49,975 --> 00:41:50,942
GOING A LITTLE FAR,
1244
00:41:50,942 --> 00:41:51,977
BUT YOU'RE GETTING CLOSER
1245
00:41:51,977 --> 00:41:53,612
IN THE AGE DEPARTMENT.
1246
00:41:53,612 --> 00:41:54,880
WHAT WAS YOUR NAME AGAIN?
1247
00:41:54,880 --> 00:41:55,981
KIM.
1248
00:41:55,981 --> 00:41:59,050
MY FRIENDS CALL ME KIMMY.
1249
00:41:59,050 --> 00:42:01,286
PERFECT.
1250
00:42:04,122 --> 00:42:05,591
I MEAN, IT WAS SORT OF MY
1251
00:42:05,591 --> 00:42:06,792
RESPONSIBILITY TO STAY.
1252
00:42:06,792 --> 00:42:07,826
I'M SORRY, I THOUGHT YOU
1253
00:42:07,826 --> 00:42:08,994
MIGHT WANT TO COME HOME
1254
00:42:08,994 --> 00:42:09,795
AND TALK TO ME.
1255
00:42:09,795 --> 00:42:10,696
I THOUGHT YOU'D BE TIRED
1256
00:42:10,696 --> 00:42:11,630
FROM YOUR TRIP.
1257
00:42:11,630 --> 00:42:12,998
I AM TIRED, BUT IT'S PART OF
1258
00:42:12,998 --> 00:42:15,000
MY JOB, YOU KNOW THAT.
1259
00:42:15,000 --> 00:42:16,001
PARTIES ARE WHERE ALL THE
1260
00:42:16,001 --> 00:42:18,203
TEACHER EVALUATION GOES ON.
1261
00:42:18,203 --> 00:42:19,738
YOU'RE EXAGGERATING.
1262
00:42:19,738 --> 00:42:23,609
I'M NOT EX...
1263
00:42:23,609 --> 00:42:27,145
FORGET IT.
1264
00:42:27,145 --> 00:42:28,647
SO, WHAT DID YOU DO WITH
1265
00:42:28,647 --> 00:42:30,081
YOURSELF WHILE I WAS OFF VIEWING
1266
00:42:30,081 --> 00:42:32,117
LITHUANIAN MASTERPIECES?
1267
00:42:32,117 --> 00:42:35,621
NOTHING.
1268
00:42:35,621 --> 00:42:40,959
I HAD AN AFFAIR.
1269
00:42:40,959 --> 00:42:43,695
OH...
1270
00:42:43,695 --> 00:42:45,063
CONGRATULATIONS.
1271
00:42:45,063 --> 00:42:46,765
ANYONE I KNOW?
1272
00:42:46,765 --> 00:42:49,034
NOT REALLY.
1273
00:42:49,034 --> 00:42:50,869
GOOD.
1274
00:42:50,869 --> 00:42:52,037
JERRY KARLSON WAS ACTING
1275
00:42:52,037 --> 00:42:54,172
KIND OF STRANGE TONIGHT.
1276
00:42:54,172 --> 00:42:55,674
I'D HATE TO THINK THAT HE HAD
1277
00:42:55,674 --> 00:42:58,644
ANYTHING ON ME.
1278
00:42:58,644 --> 00:43:00,946
AN AFFAIR, HUH?
1279
00:43:00,946 --> 00:43:03,181
FEEL LIKE YOU'VE GOTTEN EVEN?
1280
00:43:03,181 --> 00:43:05,116
THAT'S NOT WHY IT HAPPENED.
1281
00:43:05,116 --> 00:43:06,051
WAS IT WORTH IT?
1282
00:43:06,051 --> 00:43:09,054
WAS IT THE MAN OF YOUR DREAMS?
1283
00:43:09,054 --> 00:43:11,089
IT WASN'T A MAN.
1284
00:43:11,089 --> 00:43:13,158
HUH?
1285
00:43:13,158 --> 00:43:17,929
I SAID IT WASN'T A MAN.
1286
00:43:17,929 --> 00:43:19,931
[LAUGHS]
1287
00:43:19,931 --> 00:43:22,901
WHAT'S SO FUNNY?
1288
00:43:22,901 --> 00:43:24,135
YOU'VE COME A LONG WAY
1289
00:43:24,135 --> 00:43:27,706
FROM ALBERTA.
1290
00:43:27,706 --> 00:43:29,074
HOW WAS IT?
1291
00:43:29,074 --> 00:43:30,709
LIKE A DRUGSTORE PAPERBACK?
1292
00:43:30,709 --> 00:43:32,077
NONE OF YOUR BUSINESS.
1293
00:43:32,077 --> 00:43:33,078
I DON'T SEE WHAT YOU'RE FEELING
1294
00:43:33,078 --> 00:43:34,746
SO HUMOROUS ABOUT.
1295
00:43:34,746 --> 00:43:35,246
WELL, IT'S JUST DIFFERENT
1296
00:43:35,246 --> 00:43:36,682
THAN IF IT HAD BEEN A MAN.
1297
00:43:36,682 --> 00:43:37,883
WHY? SHE TOUCHED ME
1298
00:43:37,883 --> 00:43:38,750
THE SAME WAY...
1299
00:43:38,750 --> 00:43:39,250
I DON'T WANT TO HEAR
1300
00:43:39,250 --> 00:43:42,788
WHAT YOU DID IN BED, DAMN IT.
1301
00:43:42,788 --> 00:43:44,990
WHO IS IT?
1302
00:43:44,990 --> 00:43:47,793
RUTH BRENNAN.
1303
00:43:47,793 --> 00:43:50,228
AHA...
1304
00:43:50,228 --> 00:43:51,830
THE PIECES FALL INTO PLACE.
1305
00:43:51,830 --> 00:43:52,798
I ALWAYS THOUGHT THERE WAS
1306
00:43:52,798 --> 00:43:53,799
SOMETHING FISHY ABOUT HER.
1307
00:43:53,799 --> 00:43:54,766
THERE'S NOTHING FISHY
1308
00:43:54,766 --> 00:43:55,300
ABOUT HER.
1309
00:43:55,300 --> 00:43:56,702
SHE ENGAGED IN AN UNNATURAL
1310
00:43:56,702 --> 00:43:57,869
ACT WITH MY WIFE-- I THINK
1311
00:43:57,869 --> 00:44:02,273
THAT'S PRETTY DAMN FISHY.
1312
00:44:02,273 --> 00:44:04,943
PROFESSOR BRENNAN, HUH?
1313
00:44:04,943 --> 00:44:07,178
THAT'S RIGHT.
1314
00:44:07,178 --> 00:44:08,046
SO YOU'RE STILL FUCKING
1315
00:44:08,046 --> 00:44:08,914
YOUR TEACHERS.
1316
00:44:08,914 --> 00:44:09,948
AND YOU'RE STILL FUCKING
1317
00:44:09,948 --> 00:44:10,849
YOUR STUDENTS.
1318
00:44:10,849 --> 00:44:11,382
AT LEAST THEY'RE
1319
00:44:11,382 --> 00:44:12,851
THE RIGHT SEX.
1320
00:44:12,851 --> 00:44:13,952
WHAT DID SHE DO, COME ON TO
1321
00:44:13,952 --> 00:44:15,120
YOU AFTER CLASS, OFFER YOU A
1322
00:44:15,120 --> 00:44:17,856
FRIENDLY SHOULDER TO CRY ON?
1323
00:44:17,856 --> 00:44:18,323
TELL ME-- I'M INTERESTED
1324
00:44:18,323 --> 00:44:19,257
IN HOW THEY OPERATE.
1325
00:44:19,257 --> 00:44:20,225
WHO'S "THEY"?
1326
00:44:20,225 --> 00:44:20,926
THE CAMPFIRE GIRLS-- WHO THE
1327
00:44:20,926 --> 00:44:22,794
HELL DO YOU THINK I MEAN?
1328
00:44:22,794 --> 00:44:23,862
WHY ARE YOU BEING THIS WAY?
1329
00:44:23,862 --> 00:44:25,130
YOU'RE MAKING EVERYTHING WORSE.
1330
00:44:25,130 --> 00:44:26,097
WHAT THE HELL, YOU SAID IT
1331
00:44:26,097 --> 00:44:27,165
WAS NO BIG THING.
1332
00:44:27,165 --> 00:44:29,000
I NEVER SAID THAT, DICK.
1333
00:44:29,000 --> 00:44:30,035
IT IS A BIG THING?
1334
00:44:30,035 --> 00:44:31,002
I KNOW IT'S PROBABLY NEVER
1335
00:44:31,002 --> 00:44:32,037
OCCURRED TO YOU, BUT IT IS
1336
00:44:32,037 --> 00:44:33,138
POSSIBLE THAT I MIGHT FALL
1337
00:44:33,138 --> 00:44:35,206
IN LOVE WITH SOMEBODY.
1338
00:44:35,206 --> 00:44:36,141
WITH SOMEBODY ELSE.
1339
00:44:36,141 --> 00:44:40,879
WITH SOMEBODY.
1340
00:44:40,879 --> 00:44:42,147
WELL, DON'T LET ME
1341
00:44:42,147 --> 00:44:43,148
STAND IN YOUR WAY.
1342
00:44:43,148 --> 00:44:45,416
I DON'T INTEND TO.
1343
00:44:45,416 --> 00:44:47,218
YOU GONNA KEEP SEEING HER?
1344
00:44:47,218 --> 00:44:48,319
IF SHE WANTS ME TO.
1345
00:44:48,319 --> 00:44:50,455
THE HELL YOU ARE!
1346
00:44:50,455 --> 00:44:52,023
NOT WHILE YOU'RE LIVING WITH ME.
1347
00:44:52,023 --> 00:44:53,024
O.K., IF THAT'S WHAT YOU
1348
00:44:53,024 --> 00:44:55,894
WANT, WE'LL GET A SEPARATION.
1349
00:44:55,894 --> 00:44:56,361
WHERE DO YOU THINK YOU'RE
1350
00:44:56,361 --> 00:44:57,195
GONNA LIVE? HOW DO YOU THINK
1351
00:44:57,195 --> 00:44:58,429
YOU'RE GONNA SUPPORT YOURSELF?
1352
00:44:58,429 --> 00:44:59,931
WHAT DO YOU MEAN?
1353
00:44:59,931 --> 00:45:01,032
MOVE IN WITH THE PROFESSOR
1354
00:45:01,032 --> 00:45:03,001
IF YOU WANT, WHATEVER...
1355
00:45:03,001 --> 00:45:04,135
BUT I WANT YOU OUT OF HERE
1356
00:45:04,135 --> 00:45:05,336
TOMORROW. >> THE HELL I WILL.
1357
00:45:05,336 --> 00:45:06,237
DID YOU EVER CONSIDER WHAT
1358
00:45:06,237 --> 00:45:07,906
THE KIDS ARE GONNA THINK?
1359
00:45:07,906 --> 00:45:08,940
OR OUR FRIENDS AND NEIGHBORS
1360
00:45:08,940 --> 00:45:09,975
HERE IN FACULTY LAND?
1361
00:45:09,975 --> 00:45:11,109
YOU'RE NOT TELLING THE KIDS.
1362
00:45:11,109 --> 00:45:13,044
NO.
1363
00:45:13,044 --> 00:45:14,913
I'LL LEAVE THAT UP TO YOU.
1364
00:45:14,913 --> 00:45:15,914
YOU'LL HAVE TO THINK OF
1365
00:45:15,914 --> 00:45:16,447
SOMETHING TO EXPLAIN
1366
00:45:16,447 --> 00:45:17,983
WHY YOU'RE MOVING OUT.
1367
00:45:17,983 --> 00:45:19,317
WHY ARE YOU BEING THIS WAY?
1368
00:45:19,317 --> 00:45:20,318
YOU'VE GIVEN ME A PERFECT
1369
00:45:20,318 --> 00:45:21,186
ESCAPE ROUTE, HONEY.
1370
00:45:21,186 --> 00:45:22,087
I'M TAKING IT, THAT'S ALL.
1371
00:45:22,087 --> 00:45:23,321
YOU FUCKER, YOU PRICK...
1372
00:45:23,321 --> 00:45:24,255
THAT'S IT, LIANNA,
1373
00:45:24,255 --> 00:45:25,323
LET IT ALL OUT.
1374
00:45:25,323 --> 00:45:26,457
YOU ALWAYS HAVE TO WIN,
1375
00:45:26,457 --> 00:45:27,392
DON'T YOU?
1376
00:45:27,392 --> 00:45:28,393
AND IF YOU LOSE, YOU MAKE
1377
00:45:28,393 --> 00:45:29,928
THE OTHER PERSON LOSE MORE.
1378
00:45:29,928 --> 00:45:30,929
VERY GOOD-- YOUR PSYCH
1379
00:45:30,929 --> 00:45:32,263
CLASSES ARE FINALLY PAYING OFF.
1380
00:45:32,263 --> 00:45:33,198
MUST BE ALL THAT
1381
00:45:33,198 --> 00:45:34,232
PRIVATE TUTORING.
1382
00:45:34,232 --> 00:45:35,066
YOU MADE UP YOUR MIND
1383
00:45:35,066 --> 00:45:36,034
IN TORONTO, DIDN'T YOU?
1384
00:45:36,034 --> 00:45:37,135
YOU CAME BACK TO ASK FOR A
1385
00:45:37,135 --> 00:45:38,136
SEPARATION AND THEN I DUMPED IT
1386
00:45:38,136 --> 00:45:39,137
RIGHT IN YOUR LAP.
1387
00:45:39,137 --> 00:45:40,205
I DID A LOT OF THINKING
1388
00:45:40,205 --> 00:45:41,339
WHILE I WAS IN TORONTO.
1389
00:45:41,339 --> 00:45:42,207
YOU'RE NOT TAKING THE KIDS
1390
00:45:42,207 --> 00:45:43,074
FROM ME, DICK.
1391
00:45:43,074 --> 00:45:44,042
THAT DEPENDS ON YOU AND
1392
00:45:44,042 --> 00:45:45,143
WHETHER YOU'RE A TRUE CONVERT TO
1393
00:45:45,143 --> 00:45:46,477
THE FOLD OR JUST HOT FOR THE
1394
00:45:46,477 --> 00:45:48,046
FIRST FRIENDLY PIECE OF ASS...
1395
00:45:48,046 --> 00:45:49,948
GOD DAMN YOU!
1396
00:45:49,948 --> 00:45:52,283
[GRUNTING...]
1397
00:45:57,522 --> 00:45:58,423
[SCREAMS] I'LL HIT YOU BACK,
1398
00:45:58,423 --> 00:45:59,958
LIANNA!
1399
00:45:59,958 --> 00:46:01,392
I WILL!
1400
00:46:01,392 --> 00:46:02,460
NO MATTER HOW MUCH YOU THINK
1401
00:46:02,460 --> 00:46:03,528
YOU CAN HURT ME,
1402
00:46:03,528 --> 00:46:06,231
I CAN HURT YOU MORE!
1403
00:46:06,231 --> 00:46:08,333
UNDERSTAND?
1404
00:46:13,404 --> 00:46:14,439
[DOOR CLOSES]
1405
00:46:14,439 --> 00:46:21,112
[PHONE LINE BEEPING]
1406
00:46:21,112 --> 00:46:23,514
[BEEPING STOPS]
1407
00:46:23,514 --> 00:46:24,549
FOR A WOMAN...
1408
00:46:24,549 --> 00:46:27,018
[GLASS BREAKS]
1409
00:46:46,437 --> 00:46:48,306
Sandy: PROFESSOR BRENNAN?
1410
00:46:48,306 --> 00:46:50,641
MM-HMM.
1411
00:46:50,641 --> 00:46:52,410
AN AFFAIR?
1412
00:46:52,410 --> 00:46:55,080
YES.
1413
00:46:55,080 --> 00:46:56,481
YOU MEAN LIKE A LOVE AFFAIR?
1414
00:46:56,481 --> 00:46:59,417
YES.
1415
00:46:59,417 --> 00:47:01,552
[SHOCKED] OH, GOD.
1416
00:47:01,552 --> 00:47:03,354
WHAT'S THE MATTER?
1417
00:47:03,354 --> 00:47:06,157
[CHILDREN LAUGHING]
1418
00:47:06,157 --> 00:47:06,657
WELL, I'M...
1419
00:47:06,657 --> 00:47:09,560
I'M JUST... SURPRISED.
1420
00:47:09,560 --> 00:47:12,363
I... HOW DID...
1421
00:47:12,363 --> 00:47:14,165
WHAT DID YOU DO?
1422
00:47:14,165 --> 00:47:16,367
WHAT DO YOU MEAN?
1423
00:47:16,367 --> 00:47:19,170
WE GOT TO KNOW EACH OTHER AND...
1424
00:47:19,170 --> 00:47:20,906
YOU KNOW...
1425
00:47:20,906 --> 00:47:25,176
IT HAPPENS.
1426
00:47:25,176 --> 00:47:26,177
YOU'RE NOT...
1427
00:47:26,177 --> 00:47:27,645
TELLING DICK, ARE YOU?
1428
00:47:27,645 --> 00:47:29,214
HE KNOWS.
1429
00:47:29,214 --> 00:47:30,415
I HAVE TO SEE IF I CAN STAY
1430
00:47:30,415 --> 00:47:32,683
WITH RUTH.
1431
00:47:32,683 --> 00:47:33,584
WHAT ARE YOU GONNA DO
1432
00:47:33,584 --> 00:47:35,921
IF YOU CAN'T?
1433
00:47:35,921 --> 00:47:37,622
I HAVEN'T THOUGHT THAT FAR.
1434
00:47:37,622 --> 00:47:42,160
[CHILDREN LAUGHING]
1435
00:47:42,160 --> 00:47:44,395
TEX, GET OFF THAT.
1436
00:47:49,167 --> 00:47:50,301
I HOPE YOU GET TO KNOW HER,
1437
00:47:50,301 --> 00:47:54,605
SANDY-- SHE'S REALLY WONDERFUL.
1438
00:47:54,605 --> 00:47:56,641
YEAH...
1439
00:47:56,641 --> 00:47:58,443
UH-HUH...
1440
00:47:58,443 --> 00:48:00,478
RUTH?
1441
00:48:00,478 --> 00:48:01,479
HI.
1442
00:48:01,479 --> 00:48:02,380
WE'VE GOT TO TALK.
1443
00:48:02,380 --> 00:48:03,614
I TOLD HIM. >> OH, MY GOD...
1444
00:48:03,614 --> 00:48:04,615
I'M MOVING OUT.
1445
00:48:04,615 --> 00:48:05,951
I TOLD HIM, WE HAD A FIGHT
1446
00:48:05,951 --> 00:48:06,617
AND HE KICKED ME OUT.
1447
00:48:06,617 --> 00:48:07,518
WHERE ARE YOU GONNA STAY?
1448
00:48:07,518 --> 00:48:08,954
WELL, I THOUGHT WITH YOU...
1449
00:48:08,954 --> 00:48:09,955
FOR A WHILE, ANYWAY.
1450
00:48:09,955 --> 00:48:11,957
OH, LIANNA, WE CAN'T DO THAT.
1451
00:48:11,957 --> 00:48:12,623
THIS IS WORSE THAN
1452
00:48:12,623 --> 00:48:14,359
A SMALL TOWN HERE.
1453
00:48:14,359 --> 00:48:15,226
I'VE GOT TO WORK
1454
00:48:15,226 --> 00:48:16,227
WITH THESE PEOPLE.
1455
00:48:16,227 --> 00:48:17,362
YOU THINK IT WOULD HURT YOU?
1456
00:48:17,362 --> 00:48:18,563
I HAVE TO TALK PARENTS HERE
1457
00:48:18,563 --> 00:48:19,597
INTO LETTING ME RUN PSYCH
1458
00:48:19,597 --> 00:48:21,332
EXPERIMENTS WITH THEIR CHILDREN.
1459
00:48:21,332 --> 00:48:22,600
WHAT DO YOU THINK WOULD HAPPEN
1460
00:48:22,600 --> 00:48:24,235
IF WORD GOT OUT ABOUT IT?
1461
00:48:24,235 --> 00:48:24,970
I GUESS I HAVEN'T
1462
00:48:24,970 --> 00:48:25,636
THOUGHT IT ALL OUT.
1463
00:48:25,636 --> 00:48:27,472
[SIGHS] RIGHT NOW I WANT TO
1464
00:48:27,472 --> 00:48:29,640
PUT MY ARMS AROUND YOU.
1465
00:48:29,640 --> 00:48:30,641
IF WE WERE STRAIGHT FRIENDS,
1466
00:48:30,641 --> 00:48:31,676
I WOULD HAVE.
1467
00:48:31,676 --> 00:48:32,677
BUT THAT'S NOT THE WAY
1468
00:48:32,677 --> 00:48:34,245
THE WORLD WORKS.
1469
00:48:34,245 --> 00:48:35,713
WHAT AM I GONNA DO?
1470
00:48:35,713 --> 00:48:37,382
I DON'T KNOW.
1471
00:48:37,382 --> 00:48:39,317
I... WHAT DID YOU THINK WAS
1472
00:48:39,317 --> 00:48:41,252
GONNA HAPPEN WHEN YOU TOLD HIM?
1473
00:48:41,252 --> 00:48:42,553
IT FELT RIGHT.
1474
00:48:42,553 --> 00:48:44,255
OH, HONEY...
1475
00:48:44,255 --> 00:48:45,723
I'LL DO WHAT I CAN BUT...
1476
00:48:45,723 --> 00:48:48,459
I REALLY WASN'T READY FOR THIS.
1477
00:48:48,459 --> 00:48:49,527
I THOUGHT WHEN I FOUND
1478
00:48:49,527 --> 00:48:50,996
SOMEBODY, EVERYTHING WOULD BE
1479
00:48:50,996 --> 00:48:52,363
ALL RIGHT.
1480
00:48:52,363 --> 00:48:53,364
OH, LIANNA...
1481
00:48:53,364 --> 00:48:55,933
[*...]
1482
00:49:30,435 --> 00:49:32,670
WE'RE GONNA LIVE APART...
1483
00:49:32,670 --> 00:49:33,671
AND THAT'S WHAT WE DECIDED
1484
00:49:33,671 --> 00:49:36,574
WAS BEST FOR EVERYBODY.
1485
00:49:36,574 --> 00:49:38,809
WE JUST WANT YOU TO KNOW...
1486
00:49:38,809 --> 00:49:41,079
THAT...
1487
00:49:41,079 --> 00:49:42,313
WE STILL LOVE YOU
1488
00:49:42,313 --> 00:49:44,315
AS MUCH AS WE DID BEFORE.
1489
00:49:44,315 --> 00:49:45,116
THIS ISN'T GONNA
1490
00:49:45,116 --> 00:49:47,785
CHANGE THAT, O.K.?
1491
00:49:47,785 --> 00:49:48,719
IT'S A PROBLEM BETWEEN
1492
00:49:48,719 --> 00:49:53,391
THE TWO OF US... AND...
1493
00:49:53,391 --> 00:49:55,593
YOU HAVE TO BE UNDERSTANDING...
1494
00:49:55,593 --> 00:49:57,728
AND HELP US TO WORK IT OUT.
1495
00:49:57,728 --> 00:50:00,465
BUT WHY DO YOU HAVE TO LEAVE?
1496
00:50:00,465 --> 00:50:01,466
IT'S THE WAY YOUR FATHER
1497
00:50:01,466 --> 00:50:03,101
AND I DECIDED TO DO IT.
1498
00:50:03,101 --> 00:50:04,602
I'M NOT LEAVING.
1499
00:50:04,602 --> 00:50:06,471
SEE ME EVERY DAY IF YOU WANT.
1500
00:50:06,471 --> 00:50:08,406
WHY CAN'T I COME WITH YOU?
1501
00:50:08,406 --> 00:50:09,674
BECAUSE I NEED SOME TIME
1502
00:50:09,674 --> 00:50:10,775
ALONE TO THINK ABOUT
1503
00:50:10,775 --> 00:50:12,743
EVERYTHING, HONEY.
1504
00:50:12,743 --> 00:50:14,212
AND I'M GONNA BE BUSY.
1505
00:50:14,212 --> 00:50:16,081
I'LL BE OUT LOOKING FOR A JOB.
1506
00:50:16,081 --> 00:50:17,748
WHY DOESN'T DAD SUPPORT YOU?
1507
00:50:17,748 --> 00:50:19,784
ISN'T THAT THE LAW?
1508
00:50:19,784 --> 00:50:21,086
WE WANTED TO DO THIS
1509
00:50:21,086 --> 00:50:23,454
OUR OWN WAY.
1510
00:50:23,454 --> 00:50:24,622
IT'S NOT GONNA BE AS BAD
1511
00:50:24,622 --> 00:50:27,392
AS IT SEEMS RIGHT NOW...
1512
00:50:27,392 --> 00:50:31,729
I PROMISE.
1513
00:50:31,729 --> 00:50:33,131
YOU'D BETTER GO IN.
1514
00:50:33,131 --> 00:50:33,864
YOUR FATHER'S WAITING
1515
00:50:33,864 --> 00:50:35,166
TO TALK TO YOU.
1516
00:50:35,166 --> 00:50:37,768
WHY CAN'T I STAY WITH YOU?
1517
00:50:37,768 --> 00:50:39,837
YOU CAN'T, HONEY...
1518
00:50:39,837 --> 00:50:41,772
NOT FOR A WHILE.
1519
00:50:41,772 --> 00:50:43,208
NOW, TRY TO HELP ME WITH THIS,
1520
00:50:43,208 --> 00:50:45,276
O.K., PLEASE?
1521
00:50:45,276 --> 00:50:46,811
DO WHAT I ASK YOU.
1522
00:51:10,668 --> 00:51:12,670
YOU A STUDENT?
1523
00:51:12,670 --> 00:51:15,306
NO.
1524
00:51:15,306 --> 00:51:17,842
A TEACHER?
1525
00:51:17,842 --> 00:51:21,546
NO... I GO TO NIGHT SCHOOL.
1526
00:51:27,152 --> 00:51:29,254
DO YOU WORK?
1527
00:51:29,254 --> 00:51:31,156
I'LL BE OUT LOOKING FOR WORK.
1528
00:51:31,156 --> 00:51:34,292
I'M HERE TO BE NEAR MY FAMILY.
1529
00:51:34,292 --> 00:51:35,560
YOU FAMILIAR WITH THIS
1530
00:51:35,560 --> 00:51:36,861
NEIGHBORHOOD?
1531
00:51:36,861 --> 00:51:40,831
NO, NOT REALLY.
1532
00:51:40,831 --> 00:51:42,167
WELL, IT'S THE BEST YOU'LL
1533
00:51:42,167 --> 00:51:43,368
FIND FOR THE SORT OF RENT
1534
00:51:43,368 --> 00:51:45,270
YOU HAVE IN MIND.
1535
00:51:45,270 --> 00:51:46,671
CAN I MOVE IN RIGHT AWAY?
1536
00:51:46,671 --> 00:51:48,606
SOON AS THE INK IS DRY.
1537
00:51:48,606 --> 00:51:50,708
FIRST, LAST AND $100
1538
00:51:50,708 --> 00:51:52,377
SECURITY DEPOSIT.
1539
00:51:52,377 --> 00:51:53,678
NO PETS OR CHILDREN,
1540
00:51:53,678 --> 00:51:55,713
LIKE IT SAYS IN THE AD.
1541
00:51:55,713 --> 00:51:57,815
AND I DON'T WANT NO MEN UP HERE.
1542
00:51:57,815 --> 00:51:59,617
I MAY LIVE ACROSS TOWN
1543
00:51:59,617 --> 00:52:02,387
BUT I KNOW WHAT GOES ON.
1544
00:52:02,387 --> 00:52:04,289
NO MEN.
1545
00:52:11,229 --> 00:52:12,663
...I'VE ALWAYS WANTED
1546
00:52:12,663 --> 00:52:14,865
A ROOM OF MY OWN.
1547
00:52:14,865 --> 00:52:19,737
[BOTH CHUCKLE]
1548
00:52:19,737 --> 00:52:22,940
[SIGHS]
1549
00:52:22,940 --> 00:52:23,908
[JACKHAMMERING...]
1550
00:52:23,908 --> 00:52:25,743
...YES.
1551
00:52:25,743 --> 00:52:29,747
I'VE HAD GAS BEFORE.
1552
00:52:29,747 --> 00:52:30,748
I DON'T KNOW IF IT WAS
1553
00:52:30,748 --> 00:52:34,352
UNDER MY NAME.
1554
00:52:34,352 --> 00:52:36,687
NO... NO, IT WASN'T, BUT I CAN
1555
00:52:36,687 --> 00:52:38,823
GIVE YOU THE ADDRESS.
1556
00:52:38,823 --> 00:52:41,459
YOU WHAT?
1557
00:52:41,459 --> 00:52:44,929
GOOD. GOOD.
1558
00:52:44,929 --> 00:52:45,863
NO, THEY'RE PUTTING THE PHONE
1559
00:52:45,863 --> 00:52:47,698
IN NOW.
1560
00:52:49,234 --> 00:52:50,835
I DON'T KNOW WHAT THE NUMBER'S
1561
00:52:50,835 --> 00:52:52,670
GOING TO BE.
1562
00:52:52,670 --> 00:52:53,838
WHAT?
1563
00:52:55,373 --> 00:52:56,374
...I DON'T KNOW IF I'LL TAKE
1564
00:52:56,374 --> 00:52:57,442
THIS-- THEY'LL BE EATING
1565
00:52:57,442 --> 00:52:58,776
A LOT OF SCRAMBLED EGGS.
1566
00:52:58,776 --> 00:53:00,378
I CAN ALWAYS BUY ANOTHER ONE.
1567
00:53:00,378 --> 00:53:01,779
LET DICK DO THE BUYING.
1568
00:53:01,779 --> 00:53:03,013
I DON'T WANT TO BE LIKE THAT.
1569
00:53:03,013 --> 00:53:04,282
SUIT YOURSELF.
1570
00:53:04,282 --> 00:53:05,916
[TELEPHONE RINGING...]
1571
00:53:05,916 --> 00:53:10,020
I'LL GO GET YOUR BATHROOM STUFF.
1572
00:53:10,020 --> 00:53:12,323
HELLO?
1573
00:53:12,323 --> 00:53:15,260
OH, MOM, HELLO.
1574
00:53:15,260 --> 00:53:18,363
NO, NOTHING'S WRONG.
1575
00:53:18,363 --> 00:53:21,466
NO, I HAVEN'T BEEN IN.
1576
00:53:21,466 --> 00:53:24,402
I WROTE YOU A LETTER, MOM.
1577
00:53:24,402 --> 00:53:27,472
PROBABLY HASN'T GOT TO YOU.
1578
00:53:27,472 --> 00:53:30,541
DICK AND I...
1579
00:53:30,541 --> 00:53:32,343
WE'RE SEPARATING.
1580
00:53:32,343 --> 00:53:33,911
NO.
1581
00:53:33,911 --> 00:53:35,946
NO, WE BOTH DECIDED ON IT.
1582
00:53:35,946 --> 00:53:37,882
Ruth: HI!
1583
00:53:37,882 --> 00:53:38,783
HI.
1584
00:53:38,783 --> 00:53:39,550
I'M HELPING LIANNA
1585
00:53:39,550 --> 00:53:40,885
MOVE HER THINGS.
1586
00:53:40,885 --> 00:53:43,954
I SEE.
1587
00:53:43,954 --> 00:53:47,325
DON'T LET HER FORGET HER TEAPOT.
1588
00:53:47,325 --> 00:53:48,959
SHE DRINKS TEA AFTER LUNCH.
1589
00:53:48,959 --> 00:53:50,961
RIGHT, I'LL REMIND HER.
1590
00:53:50,961 --> 00:53:55,966
WOULD YOU LIKE TO COME IN?
1591
00:53:55,966 --> 00:53:58,836
SEE YOU IN CLASS?
1592
00:53:58,836 --> 00:54:03,441
OF COURSE I'VE GOT FRIENDS.
1593
00:54:03,441 --> 00:54:07,345
RIGHT, SANDY, I'VE GOT SANDY.
1594
00:54:07,345 --> 00:54:08,846
LISTEN, MOM, YOU CAN'T AFFORD
1595
00:54:08,846 --> 00:54:10,881
ALL THIS.
1596
00:54:10,881 --> 00:54:11,849
YOU'VE GOT TO SAVE
1597
00:54:11,849 --> 00:54:15,320
FOR THE PLANE TRIP.
1598
00:54:15,320 --> 00:54:17,855
YOU'LL GET MY LETTER...
1599
00:54:17,855 --> 00:54:19,324
AND I'LL CALL YOU AS SOON AS I
1600
00:54:19,324 --> 00:54:23,494
GET MY NEW PHONE NUMBER, O.K.?
1601
00:54:23,494 --> 00:54:26,831
BYE, NOW.
1602
00:54:26,831 --> 00:54:30,435
YOU TAKE CARE...
1603
00:54:30,435 --> 00:54:31,969
AND DON'T WORRY.
1604
00:54:31,969 --> 00:54:34,539
DON'T YOU WORRY.
1605
00:54:34,539 --> 00:54:37,575
IT'S ALL FINE.
1606
00:54:37,575 --> 00:54:41,011
THAT'S RIGHT, CHRISTMAS.
1607
00:54:41,011 --> 00:54:46,451
BYE, MOM.
1608
00:54:46,451 --> 00:54:48,419
[SIGHS HEAVILY]
1609
00:54:52,723 --> 00:54:54,359
[TYPING IN BACKGROUND...]
1610
00:54:54,359 --> 00:54:56,361
SOCIAL SECURITY NUMBER HERE
1611
00:54:56,361 --> 00:54:57,528
AND AT LEAST TWO REFERENCES.
1612
00:54:57,528 --> 00:54:58,529
THANK YOU.
1613
00:54:58,529 --> 00:55:00,765
MM-HMM.
1614
00:55:11,008 --> 00:55:11,842
[WOMAN CLEARS THROAT]
1615
00:55:18,549 --> 00:55:21,419
[BOTH LAUGH]
1616
00:55:21,419 --> 00:55:22,119
HOW LONG HAVE YOU
1617
00:55:22,119 --> 00:55:23,388
BEEN LOOKING?
1618
00:55:23,388 --> 00:55:24,722
ONLY A FEW DAYS.
1619
00:55:24,722 --> 00:55:25,723
WELL, I HOPE YOU HIT ON
1620
00:55:25,723 --> 00:55:27,124
SOMETHING RIGHT AWAY.
1621
00:55:27,124 --> 00:55:29,159
JOB MARKET'S PRETTY GRIM.
1622
00:55:29,159 --> 00:55:30,027
HOW LONG HAVE YOU
1623
00:55:30,027 --> 00:55:31,061
BEEN LOOKING?
1624
00:55:31,061 --> 00:55:32,797
A MONTH AND A HALF.
1625
00:55:32,797 --> 00:55:34,499
THAT'S TERRIBLE.
1626
00:55:34,499 --> 00:55:36,100
IT'S THIS TOWN.
1627
00:55:36,100 --> 00:55:37,668
ALL THOSE GRADUATE STUDENT WIVES
1628
00:55:37,668 --> 00:55:39,069
FLOATING AROUND PUTTING THEIR
1629
00:55:39,069 --> 00:55:40,571
HUSBANDS THROUGH SCHOOL...
1630
00:55:40,571 --> 00:55:42,573
IT OVERLOADS THE MARKET.
1631
00:55:42,573 --> 00:55:43,708
THERE'S EVEN FACULTY WIVES
1632
00:55:43,708 --> 00:55:44,742
OUT LOOKING.
1633
00:55:44,742 --> 00:55:45,743
THEY DON'T NEED TO WORK, THEY
1634
00:55:45,743 --> 00:55:47,445
JUST... NEED SOMETHING TO DO,
1635
00:55:47,445 --> 00:55:49,079
LIKE A HOBBY.
1636
00:55:49,079 --> 00:55:49,814
THE SCHOOL SHOULD TAKE CARE
1637
00:55:49,814 --> 00:55:50,781
OF THEIR OWN PEOPLE AND LEAVE
1638
00:55:50,781 --> 00:55:52,517
THE REST OF US ALONE.
1639
00:55:52,517 --> 00:55:54,419
YEAH, MAYBE THEY SHOULD.
1640
00:55:57,422 --> 00:55:58,423
[CHUCKLES]
1641
00:55:58,423 --> 00:55:59,490
HOW MANY WORDS DID YOU TYPE
1642
00:55:59,490 --> 00:56:00,525
ON THE TEST?
1643
00:56:00,525 --> 00:56:01,559
73.
1644
00:56:01,559 --> 00:56:03,828
OOH... NOT MUCH HOPE THERE.
1645
00:56:03,828 --> 00:56:05,062
I THINK THEY'RE CUTTING OFF
1646
00:56:05,062 --> 00:56:06,631
AT 100.
1647
00:56:06,631 --> 00:56:08,098
IT'S LIKE A FACTORY HERE.
1648
00:56:08,098 --> 00:56:10,601
INSURANCE FORMS?
1649
00:56:10,601 --> 00:56:12,503
I'VE GOTTA DO SOMETHING.
1650
00:56:12,503 --> 00:56:14,439
DON'T WE ALL?
1651
00:56:14,439 --> 00:56:15,440
AND THAT'S WHEN HE SAID
1652
00:56:15,440 --> 00:56:16,707
SHE RAN OFF WITH ONE OF YOUR
1653
00:56:16,707 --> 00:56:17,842
FILM STUDENTS.
1654
00:56:17,842 --> 00:56:18,843
WHAT ELSE DID HE SAY?
1655
00:56:18,843 --> 00:56:21,846
THAT'S WHEN I POPPED HIM.
1656
00:56:21,846 --> 00:56:23,848
O.K.... YOU'RE GONNA HEAR
1657
00:56:23,848 --> 00:56:26,617
THIS SOONER OR LATER.
1658
00:56:26,617 --> 00:56:31,188
IT MIGHT AS WELL BE FROM ME.
1659
00:56:31,188 --> 00:56:34,792
YOU KNOW HOW SOMETIMES...
1660
00:56:34,792 --> 00:56:36,093
YOU'LL HAVE A REALLY GOOD
1661
00:56:36,093 --> 00:56:38,796
FRIEND, AND, UH...
1662
00:56:38,796 --> 00:56:40,164
THEY'LL BE THE SAME SEX AS YOU,
1663
00:56:40,164 --> 00:56:41,732
LIKE YOU AND RICHIE.
1664
00:56:41,732 --> 00:56:43,668
BEFORE I BUSTED HIS FACE.
1665
00:56:43,668 --> 00:56:45,870
YEAH.
1666
00:56:45,870 --> 00:56:49,507
AND SOMETIMES PEOPLE GET TO BE
1667
00:56:49,507 --> 00:56:52,743
MORE THAN FRIENDS-- GROWNUPS--
1668
00:56:52,743 --> 00:56:54,779
AND, UH, THEY LIVE TOGETHER.
1669
00:56:54,779 --> 00:56:56,714
YOU MEAN LIKE HOMOS.
1670
00:56:56,714 --> 00:56:58,082
WELL, I WOULDN'T PHRASE IT
1671
00:56:58,082 --> 00:57:00,651
THAT WAY, BUT... YEAH, THAT'S
1672
00:57:00,651 --> 00:57:03,621
WHAT I'M GETTING AT.
1673
00:57:03,621 --> 00:57:05,155
AND WHEN THIS HAPPENS
1674
00:57:05,155 --> 00:57:06,857
BETWEEN WOMEN...
1675
00:57:06,857 --> 00:57:09,159
THEY'RE CALLED LESBIANS.
1676
00:57:09,159 --> 00:57:10,528
YEAH, THAT'S RIGHT.
1677
00:57:10,528 --> 00:57:13,831
BUT LET'S NOT USE THAT WORD...
1678
00:57:13,831 --> 00:57:17,935
O.K.?
1679
00:57:17,935 --> 00:57:18,703
THEDA, DO YOU KNOW
1680
00:57:18,703 --> 00:57:20,237
WHAT WE'RE TALKING ABOUT?
1681
00:57:20,237 --> 00:57:22,507
NO.
1682
00:57:22,507 --> 00:57:24,642
O.K., I'M GONNA GO INTO THIS,
1683
00:57:24,642 --> 00:57:26,877
BUT I WANT YOU TO REMEMBER THAT
1684
00:57:26,877 --> 00:57:28,212
YOUR MOTHER IS STILL THE SAME
1685
00:57:28,212 --> 00:57:30,881
PERSON SHE ALWAYS WAS.
1686
00:57:30,881 --> 00:57:32,249
SHE STILL LOVES YOU
1687
00:57:32,249 --> 00:57:34,685
THE WAY SHE ALWAYS HAS.
1688
00:57:34,685 --> 00:57:36,887
IT'S JUST... THINGS BETWEEN HER
1689
00:57:36,887 --> 00:57:39,957
AND ME THAT ARE... DIFFERENT.
1690
00:57:39,957 --> 00:57:41,859
O.K.?
1691
00:57:46,797 --> 00:57:48,032
LIANNA?
1692
00:57:48,032 --> 00:57:50,935
MM-HMM?
1693
00:57:50,935 --> 00:57:52,570
I THINK IT'D BE BETTER IF YOU
1694
00:57:52,570 --> 00:57:55,005
DIDN'T CALL ME RUTH IN CLASS.
1695
00:57:55,005 --> 00:57:56,841
NO?
1696
00:57:56,841 --> 00:57:57,975
IT'S SORT OF A PROFESSIONAL
1697
00:57:57,975 --> 00:57:59,610
THING.
1698
00:57:59,610 --> 00:58:00,711
I HAVE TO KEEP A CERTAIN AMOUNT
1699
00:58:00,711 --> 00:58:03,648
OF... I DON'T KNOW...
1700
00:58:03,648 --> 00:58:04,915
NOT AUTHORITY, BUT...
1701
00:58:04,915 --> 00:58:07,217
DISTANCE?
1702
00:58:07,217 --> 00:58:09,854
THAT'S NOT WHAT I MEAN.
1703
00:58:09,854 --> 00:58:10,788
I DON'T KNOW,
1704
00:58:10,788 --> 00:58:12,757
I GUESS I'M JUST NERVOUS.
1705
00:58:12,757 --> 00:58:14,592
I'LL TRY TO REMEMBER.
1706
00:58:14,592 --> 00:58:15,726
AT LEAST I HAVEN'T CALLED YOU
1707
00:58:15,726 --> 00:58:16,961
RUTHIE.
1708
00:58:16,961 --> 00:58:20,731
THANK YOU.
1709
00:58:20,731 --> 00:58:21,832
I'VE BEEN THINKING ABOUT THE
1710
00:58:21,832 --> 00:58:24,902
RESEARCH... FOR THE BOOK.
1711
00:58:24,902 --> 00:58:26,871
WHAT ABOUT IT?
1712
00:58:26,871 --> 00:58:27,838
I THINK IT'D BE BETTER
1713
00:58:27,838 --> 00:58:29,574
IF YOU DIDN'T DO IT.
1714
00:58:29,574 --> 00:58:30,575
WHY?
1715
00:58:30,575 --> 00:58:31,576
I THINK IT'D BE
1716
00:58:31,576 --> 00:58:32,643
BETTER FOR US.
1717
00:58:32,643 --> 00:58:33,744
I DON'T THINK IT'S GOOD FOR YOU
1718
00:58:33,744 --> 00:58:35,112
TO TAKE ANOTHER POSITION WHERE
1719
00:58:35,112 --> 00:58:37,582
YOU'RE... SUBSERVIENT TO ME.
1720
00:58:37,582 --> 00:58:38,849
LIKE WHAT?
1721
00:58:38,849 --> 00:58:39,817
WELL, I'M YOUR TEACHER,
1722
00:58:39,817 --> 00:58:40,751
I'M OLDER THAN YOU...
1723
00:58:40,751 --> 00:58:41,952
A FEW YEARS.
1724
00:58:41,952 --> 00:58:44,054
I HAVE A PROFESSION.
1725
00:58:44,054 --> 00:58:45,723
IT'S LIKE TOO MANY OF THE THINGS
1726
00:58:45,723 --> 00:58:46,757
THAT YOU SAID WERE WRONG
1727
00:58:46,757 --> 00:58:47,892
WITH YOU AND DICK.
1728
00:58:47,892 --> 00:58:49,326
BUT I WANT TO HELP YOU.
1729
00:58:49,326 --> 00:58:50,828
YEAH, BUT I DON'T FEEL RIGHT
1730
00:58:50,828 --> 00:58:51,862
HAVING YOU WORK FOR ME
1731
00:58:51,862 --> 00:58:53,864
NOW THAT WE'RE LOVERS.
1732
00:58:53,864 --> 00:58:56,901
SOMETHING FEELS WRONG ABOUT IT.
1733
00:58:56,901 --> 00:59:01,806
O.K.... IF YOU THINK SO.
1734
00:59:01,806 --> 00:59:04,274
ANYTHING ELSE I SHOULD KNOW?
1735
00:59:08,779 --> 00:59:14,018
THERE'S A WOMAN BACK HOME.
1736
00:59:14,018 --> 00:59:15,953
HER NAME IS JAN.
1737
00:59:21,826 --> 00:59:25,896
ARE YOU GOING BACK TO HER?
1738
00:59:25,896 --> 00:59:30,635
I DON'T KNOW.
1739
00:59:30,635 --> 00:59:32,970
WE'VE HAD OUR TROUBLES.
1740
00:59:40,745 --> 00:59:43,113
[RUTH SIGHS]
1741
00:59:56,794 --> 00:59:59,930
[PENCIL SCRAPING]
1742
01:00:01,732 --> 01:00:02,767
I DON'T KNOW WHAT I SHOULD
1743
01:00:02,767 --> 01:00:04,201
ASK FOR.
1744
01:00:04,201 --> 01:00:05,836
WHAT DO YOU NEED TO MAKE?
1745
01:00:05,836 --> 01:00:06,871
I JUST CAN'T AFFORD TO DO
1746
01:00:06,871 --> 01:00:08,773
THIS FOR FREE ANYMORE.
1747
01:00:08,773 --> 01:00:09,674
WHAT IF SHE DOESN'T HAVE
1748
01:00:09,674 --> 01:00:11,909
ANYTHING IN THE BUDGET?
1749
01:00:11,909 --> 01:00:12,409
THEN I'LL PROBABLY BE GETTING
1750
01:00:12,409 --> 01:00:17,948
A PROMOTION.
1751
01:00:17,948 --> 01:00:20,050
[MUMBLING] LEDBETTER...
1752
01:00:20,050 --> 01:00:22,219
LEONARD...
1753
01:00:22,219 --> 01:00:24,088
LERMONTOV...
1754
01:00:24,088 --> 01:00:26,891
LERNER...
1755
01:00:26,891 --> 01:00:28,225
LESBIAN.
1756
01:00:28,225 --> 01:00:30,895
SEE "HOMOSEXUAL".
1757
01:00:33,764 --> 01:00:36,100
Woman: * TONIGHT,
1758
01:00:36,100 --> 01:00:39,303
OHH, TONIGHT ♪
1759
01:00:39,303 --> 01:00:41,906
♪ OHH, TONIGHT ♪
1760
01:00:41,906 --> 01:00:44,775
[*...]
1761
01:00:44,775 --> 01:00:48,813
♪ TONIGHT YOU WILL BE MINE,
1762
01:00:48,813 --> 01:00:51,982
SIGNED, SEALED AND DELIVERED ♪
1763
01:00:51,982 --> 01:00:55,285
♪ TONIGHT YOU JUST MIGHT FIND
1764
01:00:55,285 --> 01:00:59,189
THE TAKER, NOT THE GIVER ♪
1765
01:00:59,189 --> 01:01:01,726
♪ TONIGHT ♪
1766
01:01:01,726 --> 01:01:04,294
♪ OHH, TONIGHT... ♪
1767
01:01:04,294 --> 01:01:05,863
BUT THEY'RE ALL WOMEN.
1768
01:01:05,863 --> 01:01:06,864
[LAUGHS]
1769
01:01:06,864 --> 01:01:07,932
COME ON, YOU ASKED ME TO
1770
01:01:07,932 --> 01:01:08,398
SHOW YOU SOMEPLACE.
1771
01:01:08,398 --> 01:01:09,767
I DON'T KNOW IF I CAN
1772
01:01:09,767 --> 01:01:10,334
HANDLE IT. >> WHY NOT?
1773
01:01:10,334 --> 01:01:11,268
I'M, I'M NOT GOOD WITH
1774
01:01:11,268 --> 01:01:12,069
STRANGERS.
1775
01:01:12,069 --> 01:01:13,270
OH, COME ON!
1776
01:01:13,270 --> 01:01:14,271
WHAT IF I MEET SOMEONE WHO
1777
01:01:14,271 --> 01:01:15,139
KNOWS ME?
1778
01:01:15,139 --> 01:01:16,173
I THOUGHT YOU WERE AFRAID OF
1779
01:01:16,173 --> 01:01:17,107
STRANGERS.
1780
01:01:17,107 --> 01:01:21,311
ALL RIGHT.
1781
01:01:21,311 --> 01:01:23,280
Woman: * ...A TIME FOR TAKING
1782
01:01:23,280 --> 01:01:24,949
CHANCES ♪
1783
01:01:24,949 --> 01:01:27,117
♪ TONIGHT ♪
1784
01:01:27,117 --> 01:01:33,390
♪ OHH, TONIGHT ♪
1785
01:01:33,390 --> 01:01:35,993
[*...]
1786
01:01:35,993 --> 01:01:39,329
♪ TONIGHT, OHH...
1787
01:01:39,329 --> 01:01:43,167
WE'RE MAKING LOVE ♪
1788
01:01:43,167 --> 01:01:46,871
♪ TONIGHT IS RIGHT
1789
01:01:46,871 --> 01:01:48,372
FOR LIVING WHAT
1790
01:01:48,372 --> 01:01:50,374
YOU'RE DREAMING OF ♪
1791
01:01:50,374 --> 01:01:54,011
♪ TONIGHT YOU WILL BE MINE... ♪
1792
01:01:54,011 --> 01:01:55,846
EVERYBODY'S STARING AT ME.
1793
01:01:55,846 --> 01:01:56,914
DON'T FLATTER YOURSELF.
1794
01:01:56,914 --> 01:01:58,015
YOU WANT TO DANCE?
1795
01:01:58,015 --> 01:01:59,149
HUH?
1796
01:01:59,149 --> 01:02:01,085
[CHUCKLES] YOU KNOW, ON THE
1797
01:02:01,085 --> 01:02:03,420
FLOOR, TO THE MUSIC, WITH ME?
1798
01:02:03,420 --> 01:02:05,189
OH, DANCE.
1799
01:02:05,189 --> 01:02:06,957
O.K.
1800
01:02:06,957 --> 01:02:10,160
[MUSIC CHANGES]
1801
01:02:10,160 --> 01:02:11,061
YOU'RE RIGHT; THEY ARE ALL
1802
01:02:11,061 --> 01:02:12,062
STARING AT YOU.
1803
01:02:12,062 --> 01:02:13,063
MAYBE IF YOU TRIED BENDING YOUR
1804
01:02:13,063 --> 01:02:14,464
KNEES JUST A LITTLE.
1805
01:02:14,464 --> 01:02:15,332
I'M SORRY.
1806
01:02:15,332 --> 01:02:17,501
I'M REALLY A GOOD DANCER...
1807
01:02:17,501 --> 01:02:20,470
USUALLY.
1808
01:02:20,470 --> 01:02:25,509
[MUSIC CHANGES]
1809
01:02:25,509 --> 01:02:27,144
YOU KNOW... [PANTING]
1810
01:02:27,144 --> 01:02:29,213
I USED TO DO THIS ALL THE TIME,
1811
01:02:29,213 --> 01:02:32,950
IN YOUTH CLUB AT HOME.
1812
01:02:32,950 --> 01:02:35,052
MY FRIEND PATTY.
1813
01:02:35,052 --> 01:02:36,053
I MEAN, I ALWAYS THOUGHT IT
1814
01:02:36,053 --> 01:02:37,087
SHOULD BOTHER ME MORE I DIDN'T
1815
01:02:37,087 --> 01:02:39,957
HAVE A BOY TO DANCE WITH.
1816
01:02:39,957 --> 01:02:40,958
Woman: * LITTLE DARLING,
1817
01:02:40,958 --> 01:02:41,926
MY LITTLE DARLING ♪
1818
01:02:41,926 --> 01:02:43,027
♪ I'M IN LOVE WITH YOU
1819
01:02:43,027 --> 01:02:45,462
AND ONLY YOU ♪
1820
01:02:45,462 --> 01:02:46,363
♪ YOUR EYES
1821
01:02:46,363 --> 01:02:48,498
HAVE GOT ME MESMERIZED ♪
1822
01:02:48,498 --> 01:02:52,469
♪ I DON'T KNOW WHAT TO DO... ♪
1823
01:02:52,469 --> 01:02:54,104
WHAT ARE YOU LOOKING AT?
1824
01:02:54,104 --> 01:02:55,239
HOW DO I KNOW WHAT YOU LIKE?
1825
01:02:55,239 --> 01:02:56,173
YOU DANCED WITH HER.
1826
01:02:56,173 --> 01:02:57,141
HER NAME IS BARBARA AND
1827
01:02:57,141 --> 01:02:58,175
SHE'S...
1828
01:02:58,175 --> 01:02:59,109
OH, MY GOD.
1829
01:02:59,109 --> 01:03:00,244
THAT WOMAN IN THE CORNER, IN THE
1830
01:03:00,244 --> 01:03:01,411
GREEN DRESS, I THINK I KNOW HER.
1831
01:03:01,411 --> 01:03:02,246
SHE SAW ME.
1832
01:03:02,246 --> 01:03:03,280
THE ONE WITH THE RED HAIR
1833
01:03:03,280 --> 01:03:05,149
THAT LOOKS LIKE A DYE JOB?
1834
01:03:05,149 --> 01:03:06,083
MY GOD, THAT'S HER.
1835
01:03:06,083 --> 01:03:07,284
I WAS IN A P.T.A. COMMITTEE
1836
01:03:07,284 --> 01:03:09,153
WITH HER.
1837
01:03:09,153 --> 01:03:10,354
I KNOW THAT SHE SAW ME.
1838
01:03:10,354 --> 01:03:12,056
WHAT'S SHE DOING?
1839
01:03:12,056 --> 01:03:12,622
SHE'S MAKING A BEELINE FOR
1840
01:03:12,622 --> 01:03:13,590
THE RESTROOM.
1841
01:03:13,590 --> 01:03:15,292
SHE'S AFRAID YOU'VE SEEN HER.
1842
01:03:15,292 --> 01:03:16,326
[SIGHS] THIS IS AWFUL.
1843
01:03:16,326 --> 01:03:18,228
WHAT'S SHE DOING HERE?
1844
01:03:18,228 --> 01:03:19,429
[CHUCKLES] SAME THING YOU
1845
01:03:19,429 --> 01:03:20,397
ARE, HONEY.
1846
01:03:20,397 --> 01:03:22,432
THE SAME THING YOU ARE.
1847
01:03:22,432 --> 01:03:26,203
[MUSIC PLAYING IN BAR]
1848
01:03:32,877 --> 01:03:39,516
[NO VOICES, *...]
1849
01:03:39,516 --> 01:03:42,152
Woman: * WOMEN OF THE WORLD,
1850
01:03:42,152 --> 01:03:45,155
AT LAST YOU KNOW THAT YOU ARE
1851
01:03:45,155 --> 01:03:47,124
FREE ♪
1852
01:03:47,124 --> 01:03:49,259
♪ WOMEN OF THE WORLD,
1853
01:03:49,259 --> 01:03:55,399
YOU ARE THE ONLY ONE YOU NEED ♪
1854
01:03:55,399 --> 01:03:57,234
♪ THIS IS THE MOMENT
1855
01:03:57,234 --> 01:04:02,572
THAT YOU MARK AS THE BEGINNING ♪
1856
01:04:02,572 --> 01:04:05,275
♪ THIS IS THE BATTLEGROUND,
1857
01:04:05,275 --> 01:04:09,513
YOU STAND A CHANCE OF WINNING ♪
1858
01:04:09,513 --> 01:04:12,049
♪ WOMEN OF THE WORLD,
1859
01:04:12,049 --> 01:04:14,318
AT LAST YOU KNOW THAT YOU
1860
01:04:14,318 --> 01:04:16,686
ARE FREE ♪
1861
01:04:16,686 --> 01:04:19,323
♪ WOMEN OF THE WORLD,
1862
01:04:19,323 --> 01:04:24,261
YOU ARE THE ONLY ONE YOU NEED ♪
1863
01:04:24,261 --> 01:04:25,262
[*...]
1864
01:04:39,443 --> 01:04:40,244
[NO VOICES, *...]
1865
01:04:40,244 --> 01:04:41,611
♪ THIS IS THE MOMENT
1866
01:04:41,611 --> 01:04:45,615
THAT YOU MARK AS THE BEGINNING ♪
1867
01:04:45,615 --> 01:04:47,384
♪ NOW IS THE TIME... ♪
1868
01:04:47,384 --> 01:04:49,586
♪ THIS IS THE BATTLEGROUND,
1869
01:04:49,586 --> 01:04:54,391
YOU STAND A CHANCE OF WINNING ♪
1870
01:04:54,391 --> 01:04:56,526
♪ (WOMEN OF THE WORLD) ♪
1871
01:04:56,526 --> 01:04:58,228
♪ AT LAST YOU KNOW
1872
01:04:58,228 --> 01:05:01,365
THAT YOU ARE FREE ♪
1873
01:05:01,365 --> 01:05:03,633
♪ (WOMEN OF THE WORLD) ♪
1874
01:05:03,633 --> 01:05:08,238
♪ YOU ARE THE ONLY ONE YOU NEED,
1875
01:05:08,238 --> 01:05:08,973
YEAH ♪
1876
01:05:08,973 --> 01:05:12,909
[*...]
1877
01:05:30,760 --> 01:05:33,563
♪ WOMEN OF THE WORLD... ♪
1878
01:05:33,563 --> 01:05:38,368
♪ ...THE ONLY ONE YOU NEED ♪
1879
01:05:38,368 --> 01:05:41,238
♪ WOMEN OF THE WORLD... ♪
1880
01:05:41,238 --> 01:05:42,372
♪ AT LAST YOU KNOW, YOU KNOW,
1881
01:05:42,372 --> 01:05:44,774
YOU KNOW THAT YOU'RE FREE,
1882
01:05:44,774 --> 01:05:45,642
YEAH ♪
1883
01:05:45,642 --> 01:05:49,546
♪ WOMEN OF THE WORLD... ♪
1884
01:05:49,546 --> 01:05:53,083
♪ FREE AT LAST, AT LAST... ♪
1885
01:05:53,083 --> 01:05:56,420
♪ WOMEN OF THE WORLD... ♪
1886
01:05:56,420 --> 01:06:00,557
♪ OHH... YEAH, YEAH, YEAH ♪
1887
01:06:00,557 --> 01:06:03,660
♪ WOMEN OF THE WORLD... ♪
1888
01:06:03,660 --> 01:06:05,029
♪ YOU KNOW, YOU KNOW
1889
01:06:05,029 --> 01:06:07,297
YOU ARE FREE. ♪
1890
01:06:07,297 --> 01:06:11,501
[MUSIC FADES]
1891
01:06:11,501 --> 01:06:14,371
[TRAFFIC PASSING]
1892
01:06:19,409 --> 01:06:21,445
Woman: * SOMEHOW I KNOW
1893
01:06:21,445 --> 01:06:22,712
AT A GLANCE
1894
01:06:22,712 --> 01:06:24,714
THE TERRIBLE CHANCES
1895
01:06:24,714 --> 01:06:26,383
I'M TAKING ♪
1896
01:06:26,383 --> 01:06:30,320
[*...]
1897
01:06:30,320 --> 01:06:32,122
♪ FINE AT THE START,
1898
01:06:32,122 --> 01:06:34,124
BUT LEFT WITH A HEART
1899
01:06:34,124 --> 01:06:40,364
THAT IS BREAKING ♪
1900
01:06:40,364 --> 01:06:42,599
♪ MAYBE I'LL WIN,
1901
01:06:42,599 --> 01:06:44,634
MAYBE I'LL LOSE ♪
1902
01:06:44,634 --> 01:06:47,071
♪ MAYBE I'M IN FOR
1903
01:06:47,071 --> 01:06:49,206
CRYING THE BLUES ♪
1904
01:06:49,206 --> 01:06:52,776
♪ NEVERTHELESS, I'M IN LOVE
1905
01:06:52,776 --> 01:06:59,083
WITH YOU... ♪
1906
01:06:59,083 --> 01:07:00,084
HI, HOW ARE YOU?
1907
01:07:00,084 --> 01:07:01,185
HI!
1908
01:07:01,185 --> 01:07:02,119
EASY, NOW.
1909
01:07:02,119 --> 01:07:03,620
THIS IS THE REAL WORLD OUT HERE.
1910
01:07:03,620 --> 01:07:04,754
I'M HAPPY TO SEE YOU.
1911
01:07:04,754 --> 01:07:06,190
I KNOW, BUT LET'S TRY TO KEEP
1912
01:07:06,190 --> 01:07:11,295
IT TO OURSELVES A LITTLE, O.K.?
1913
01:07:15,665 --> 01:07:18,168
HI, HOW ARE YOU? >> HI.
1914
01:07:18,168 --> 01:07:19,236
I DIDN'T YOU WERE INTO THIS
1915
01:07:19,236 --> 01:07:20,637
KIND OF STUFF.
1916
01:07:20,637 --> 01:07:22,106
I'M TAKING THE KIDS TO SEE
1917
01:07:22,106 --> 01:07:23,240
THE MATINEE.
1918
01:07:23,240 --> 01:07:24,141
[WHISPERS] CHRIST.
1919
01:07:24,141 --> 01:07:26,110
DICK ASKED ME.
1920
01:07:26,110 --> 01:07:28,112
I GUESS HIS WORK IS BACKED UP.
1921
01:07:28,112 --> 01:07:29,146
HE COULD'VE CALLED ME.
1922
01:07:29,146 --> 01:07:30,214
HE SAID HE DIDN'T WANT TO
1923
01:07:30,214 --> 01:07:31,248
BOTHER YOU.
1924
01:07:31,248 --> 01:07:32,182
MY ASS.
1925
01:07:32,182 --> 01:07:33,150
YOU'RE HELPING HIM GET OFF
1926
01:07:33,150 --> 01:07:34,218
THE HOOK.
1927
01:07:34,218 --> 01:07:35,785
IS HE SUPPOSED TO BE ON ONE?
1928
01:07:35,785 --> 01:07:36,753
HE KEEPS DOING THIS BIG
1929
01:07:36,753 --> 01:07:38,122
NUMBER ABOUT HOW HE CAN PROVIDE
1930
01:07:38,122 --> 01:07:39,756
FOR THE KIDS HIMSELF.
1931
01:07:39,756 --> 01:07:42,592
THEY WANTED TO SEE A MOVIE.
1932
01:07:42,592 --> 01:07:44,128
I TRIED TO CALL YOU AT YOUR
1933
01:07:44,128 --> 01:07:45,495
NEW PLACE LAST NIGHT BUT YOU
1934
01:07:45,495 --> 01:07:48,232
WEREN'T IN.
1935
01:07:48,232 --> 01:07:49,233
LISTEN, I GOT TO GET THE
1936
01:07:49,233 --> 01:07:53,069
TICKETS, IT STARTS IN A MINUTE.
1937
01:07:58,542 --> 01:07:59,209
HI!
1938
01:07:59,209 --> 01:08:01,745
Spence: HI.
1939
01:08:01,745 --> 01:08:02,679
HEY, WHAT'S THE MATTER?
1940
01:08:02,679 --> 01:08:05,349
YOU FORGET ME ALREADY?
1941
01:08:09,819 --> 01:08:10,687
HI, ELLIE.
1942
01:08:10,687 --> 01:08:11,821
WOULD YOU TAKE TEX OVER TO YOUR
1943
01:08:11,821 --> 01:08:12,589
MOTHER FOR A MINUTE?
1944
01:08:12,589 --> 01:08:13,257
I WANT TO TALK TO THEDA AND
1945
01:08:13,257 --> 01:08:14,924
SPENCER, O.K.?
1946
01:08:14,924 --> 01:08:19,696
THANKS.
1947
01:08:19,696 --> 01:08:22,732
WHAT IS THIS?
1948
01:08:22,732 --> 01:08:23,667
DID YOUR FATHER SAY SOMETHING
1949
01:08:23,667 --> 01:08:26,636
ABOUT ME?
1950
01:08:26,636 --> 01:08:28,538
GOD...
1951
01:08:28,538 --> 01:08:32,276
THEDA, HONEY, LET ME--
1952
01:08:32,276 --> 01:08:34,344
[SOFTLY] GODDAMN HIM.
1953
01:08:34,344 --> 01:08:37,581
GODDAMN HIM.
1954
01:08:40,650 --> 01:08:41,385
Spence: SHE KEPT ASKING WHY
1955
01:08:41,385 --> 01:08:42,752
IT WAS YOU WHO HAD TO MOVE OUT.
1956
01:08:42,752 --> 01:08:43,853
SHE ASKED HIM IF YOU WERE IN
1957
01:08:43,853 --> 01:08:44,721
LOVE WITH SOMEONE ELSE.
1958
01:08:44,721 --> 01:08:45,922
HE HAD TO SAY SOMETHING.
1959
01:08:45,922 --> 01:08:46,923
AND WHAT DO YOU SAY?
1960
01:08:46,923 --> 01:08:47,924
SO MY OLD LADY'S A DYKE,
1961
01:08:47,924 --> 01:08:48,892
BIG DEAL.
1962
01:08:48,892 --> 01:08:50,960
SPENCER!
1963
01:08:50,960 --> 01:08:52,696
[SIGHS] I'M NOT YOUR OLD LADY,
1964
01:08:52,696 --> 01:08:53,897
I'M YOUR MOTHER.
1965
01:08:53,897 --> 01:08:56,200
SORRY.
1966
01:08:56,200 --> 01:08:57,967
I'LL...
1967
01:08:57,967 --> 01:08:59,703
TALK TO YOU BOTH ABOUT IT LATER,
1968
01:08:59,703 --> 01:09:00,904
O.K.?
1969
01:09:00,904 --> 01:09:02,339
YEAH, I AM SORRY.
1970
01:09:02,339 --> 01:09:04,841
DON'T WORRY ABOUT IT.
1971
01:09:04,841 --> 01:09:05,942
HURRY UP.
1972
01:09:05,942 --> 01:09:06,743
YOU'LL MISS THE COMING
1973
01:09:06,743 --> 01:09:07,744
ATTRACTIONS AND I KNOW HOW YOU
1974
01:09:07,744 --> 01:09:08,912
HATE TO DO THAT.
1975
01:09:08,912 --> 01:09:13,883
SEE YA.
1976
01:09:13,883 --> 01:09:15,319
THE CHILDREN HAVE BEEN GIVEN
1977
01:09:15,319 --> 01:09:16,286
THE SAME QUESTIONNAIRE THROUGH
1978
01:09:16,286 --> 01:09:17,687
THEIR SCHOOLS.
1979
01:09:17,687 --> 01:09:18,622
I DON'T THINK THERE'S BEEN
1980
01:09:18,622 --> 01:09:19,756
ENOUGH STUDIES MADE OF HOW
1981
01:09:19,756 --> 01:09:22,226
VALUES ARE PASSED ON.
1982
01:09:22,226 --> 01:09:23,360
BE SURE TO ANSWER WHAT YOU
1983
01:09:23,360 --> 01:09:24,828
BELIEVE, NOT WHAT YOU THINK YOU
1984
01:09:24,828 --> 01:09:26,430
SHOULD BELIEVE.
1985
01:09:26,430 --> 01:09:28,398
THIS IS A SURVEY, NOT A TEST.
1986
01:09:28,398 --> 01:09:30,734
ALSO, I HAVE TO BE BACK AT
1987
01:09:30,734 --> 01:09:31,901
SCHOOL TO CLEAR UP SOME THINGS
1988
01:09:31,901 --> 01:09:33,970
WITH MY DEPARTMENT HEAD, SO I
1989
01:09:33,970 --> 01:09:35,372
WON'T BE HERE TUESDAY SESSION
1990
01:09:35,372 --> 01:09:36,506
NEXT WEEK.
1991
01:09:36,506 --> 01:09:37,774
IF YOU CAN JUST FILL THESE OUT
1992
01:09:37,774 --> 01:09:39,509
AND HOLD ONTO THEM, I'LL SEE YOU
1993
01:09:39,509 --> 01:09:41,511
NEXT FRIDAY.
1994
01:09:41,511 --> 01:09:45,215
[GENERAL CONVERSATIONS]
1995
01:09:49,453 --> 01:09:52,256
SO, WHAT'S THIS ABOUT YOU
1996
01:09:52,256 --> 01:09:53,357
LEAVING?
1997
01:09:53,357 --> 01:09:53,957
I'M SORRY.
1998
01:09:53,957 --> 01:09:55,259
I DIDN'T DECIDE ON IT UNTIL THIS
1999
01:09:55,259 --> 01:09:56,426
MORNING.
2000
01:09:56,426 --> 01:09:57,394
YOU MEAN YOU DON'T REALLY
2001
01:09:57,394 --> 01:09:58,862
HAVE TO GO.
2002
01:09:58,862 --> 01:10:00,730
[SIGHS] I... I DO.
2003
01:10:00,730 --> 01:10:02,031
I, UH, HAVE SOME PERSONAL THINGS
2004
01:10:02,031 --> 01:10:03,433
THAT I HAVE TO DEAL WITH.
2005
01:10:03,433 --> 01:10:04,834
THEN THIS ISN'T ABOUT YOUR
2006
01:10:04,834 --> 01:10:06,503
DEPARTMENT HEAD.
2007
01:10:06,503 --> 01:10:07,771
ACTUALLY, IT IS.
2008
01:10:07,771 --> 01:10:09,038
SHE'S WHO I HAVE TO SEE.
2009
01:10:09,038 --> 01:10:09,973
IT'S JAN.
2010
01:10:09,973 --> 01:10:11,541
OH.
2011
01:10:11,541 --> 01:10:12,876
I DIDN'T KNOW YOU WORKED WITH
2012
01:10:12,876 --> 01:10:14,478
HER TOO.
2013
01:10:14,478 --> 01:10:15,512
I DIDN'T THINK THIS WAS GOING
2014
01:10:15,512 --> 01:10:16,513
TO HAPPEN.
2015
01:10:16,513 --> 01:10:17,814
I FIGURED YOU BEING MARRIED AND
2016
01:10:17,814 --> 01:10:18,848
HAVING KIDS--
2017
01:10:18,848 --> 01:10:19,849
WHAT, THAT I'D BE EASIER TO
2018
01:10:19,849 --> 01:10:20,750
LEAVE?
2019
01:10:20,750 --> 01:10:23,820
I DIDN'T THINK THAT I...
2020
01:10:23,820 --> 01:10:24,921
I THOUGHT I COULD KEEP IT UNDER
2021
01:10:24,921 --> 01:10:27,857
CONTROL.
2022
01:10:27,857 --> 01:10:31,795
I'M SCARED.
2023
01:10:31,795 --> 01:10:34,298
SO AM I.
2024
01:10:38,302 --> 01:10:41,905
[SCRAPING]
2025
01:10:45,875 --> 01:10:50,380
[TEAKETTLE WHISTLING...]
2026
01:11:03,527 --> 01:11:08,732
[WHISTLING CONTINUES...]
2027
01:11:23,580 --> 01:11:25,915
[WHISTLING STOPS]
2028
01:11:36,025 --> 01:11:40,029
[INDISTINCT VOICES FROM TV]
2029
01:11:40,029 --> 01:11:41,030
Woman on TV: ...that explains
2030
01:11:41,030 --> 01:11:43,400
the fainting spells...
2031
01:11:43,400 --> 01:11:46,536
the incidents of blindness.
2032
01:11:46,536 --> 01:11:48,505
What are you going to do?
2033
01:11:48,505 --> 01:11:50,374
Man on TV: What can I do?
2034
01:11:50,374 --> 01:11:53,042
I have to stand by her.
2035
01:11:53,042 --> 01:11:54,611
After everything she's put
2036
01:11:54,611 --> 01:11:56,680
you through...
2037
01:11:56,680 --> 01:11:59,449
She's my wife!
2038
01:11:59,449 --> 01:12:01,818
But what about Rachel?
2039
01:12:01,818 --> 01:12:04,488
What are you going to tell her?
2040
01:12:04,488 --> 01:12:05,689
She'll, she'll have to wait,
2041
01:12:05,689 --> 01:12:07,691
that's all.
2042
01:12:07,691 --> 01:12:10,159
She'll understand.
2043
01:12:10,159 --> 01:12:14,030
She can only wait so long.
2044
01:12:14,030 --> 01:12:16,700
I have to take that risk.
2045
01:12:16,700 --> 01:12:18,568
Joan needs me.
2046
01:12:26,142 --> 01:12:28,111
[KNOCKING ON DOOR]
2047
01:12:35,485 --> 01:12:36,486
Jerry: HI, GORGEOUS.
2048
01:12:36,486 --> 01:12:37,654
JERRY, COME IN!
2049
01:12:37,654 --> 01:12:38,788
HI, HOW YOU DOING? [KISS]
2050
01:12:38,788 --> 01:12:39,656
FINE.
2051
01:12:39,656 --> 01:12:40,690
HEY, YOU'VE DONE A REAL NICE
2052
01:12:40,690 --> 01:12:41,691
JOB IN HERE.
2053
01:12:41,691 --> 01:12:42,759
THANKS.
2054
01:12:42,759 --> 01:12:43,727
TAKE A SEAT.
2055
01:12:43,727 --> 01:12:44,561
WHICH ONE?
2056
01:12:44,561 --> 01:12:46,630
[CHUCKLES]
2057
01:12:46,630 --> 01:12:47,631
WOULD YOU LIKE A BEER OR
2058
01:12:47,631 --> 01:12:48,197
SOMETHING?
2059
01:12:48,197 --> 01:12:49,198
YEAH, A BEER WOULD BE GREAT.
2060
01:12:49,198 --> 01:12:51,134
O.K.
2061
01:12:51,134 --> 01:12:51,835
I'M NOT INTERRUPTING
2062
01:12:51,835 --> 01:12:52,836
ANYTHING, AM I?
2063
01:12:52,836 --> 01:12:54,571
NO, I WAS JUST READING.
2064
01:12:54,571 --> 01:12:55,705
READING...
2065
01:12:55,705 --> 01:12:56,573
OH, YEAH, THOSE FUNNY LITTLE
2066
01:12:56,573 --> 01:12:57,741
LINES ON PAPER, WHAT THEY HAD
2067
01:12:57,741 --> 01:12:59,643
BEFORE FILM?
2068
01:12:59,643 --> 01:13:00,677
WHAT ARE YOU READING?
2069
01:13:00,677 --> 01:13:01,978
THE WELL OF LONELINESS.
2070
01:13:01,978 --> 01:13:04,047
SOUNDS LIKE A RIOT.
2071
01:13:04,047 --> 01:13:05,582
HOW MUCH DO YOU PAY FOR THIS?
2072
01:13:05,582 --> 01:13:07,116
TOO MUCH.
2073
01:13:07,116 --> 01:13:10,219
$275 WITHOUT THE UTILITIES.
2074
01:13:10,219 --> 01:13:13,156
I WAS KIND OF PRESSED FOR TIME.
2075
01:13:20,464 --> 01:13:22,666
THANK YOU.
2076
01:13:22,666 --> 01:13:25,602
SO, HOW'S IT BEEN?
2077
01:13:25,602 --> 01:13:27,236
NOT TOO BAD.
2078
01:13:27,236 --> 01:13:28,237
I'VE BEEN A LITTLE LONELY
2079
01:13:28,237 --> 01:13:28,805
LATELY.
2080
01:13:28,805 --> 01:13:30,239
I FELT IT IN MY BONES,
2081
01:13:30,239 --> 01:13:31,140
THAT'S WHY I CAME OVER.
2082
01:13:31,140 --> 01:13:32,141
YOU COULD MAKE A LIVING WITH
2083
01:13:32,141 --> 01:13:34,143
BONES LIKE THAT.
2084
01:13:34,143 --> 01:13:35,512
YOU GET MUCH SUN IN HERE?
2085
01:13:35,512 --> 01:13:36,613
IN THE AFTERNOON.
2086
01:13:36,613 --> 01:13:37,581
IT'S NICE.
2087
01:13:37,581 --> 01:13:38,548
IN THE MORNING IT COMES IN
2088
01:13:38,548 --> 01:13:39,716
THROUGH MY BEDROOM WINDOW.
2089
01:13:39,716 --> 01:13:41,518
GOOD, I LIKE THAT.
2090
01:13:41,518 --> 01:13:42,619
WHAT?
2091
01:13:42,619 --> 01:13:43,720
I SAID I LIKE THAT.
2092
01:13:43,720 --> 01:13:45,789
IT'S A NICE WAY TO WAKE UP.
2093
01:13:45,789 --> 01:13:48,492
OH.
2094
01:13:48,492 --> 01:13:50,126
HAVE YOU BEEN, UM, SEEING
2095
01:13:50,126 --> 01:13:52,529
ANYBODY SINCE YOU AND DICK HAD
2096
01:13:52,529 --> 01:13:55,231
YOUR FALLING OUT?
2097
01:13:55,231 --> 01:13:56,265
IF YOU'RE ASKING DID I LEAVE
2098
01:13:56,265 --> 01:13:58,502
HIM FOR SOMEBODY...
2099
01:13:58,502 --> 01:14:00,203
NO, NOT REALLY.
2100
01:14:00,203 --> 01:14:02,238
I SHOULD'VE DONE IT LONG AGO.
2101
01:14:02,238 --> 01:14:03,740
GOOD.
2102
01:14:03,740 --> 01:14:05,642
[CHUCKLES] JERRY, ARE YOU
2103
01:14:05,642 --> 01:14:07,276
INTIMATING WHAT I THINK YOU ARE?
2104
01:14:07,276 --> 01:14:08,578
I DON'T INTIMATE, LIANNA,
2105
01:14:08,578 --> 01:14:09,779
YOU KNOW THAT.
2106
01:14:09,779 --> 01:14:12,782
I'D LIKE TO SLEEP WITH YOU.
2107
01:14:12,782 --> 01:14:14,217
[CHUCKLES] YOU DON'T WASTE
2108
01:14:14,217 --> 01:14:15,885
ANY TIME, DO YOU?
2109
01:14:15,885 --> 01:14:17,521
I FIGURE IT'S BEEN A WHILE
2110
01:14:17,521 --> 01:14:18,788
SINCE YOU AND DICK SPLIT, AND
2111
01:14:18,788 --> 01:14:19,789
YOU SAID THERE WASN'T ANOTHER
2112
01:14:19,789 --> 01:14:21,257
GUY INVOLVED.
2113
01:14:21,257 --> 01:14:23,560
YOU'RE A GROWN, HEALTHY WOMAN.
2114
01:14:23,560 --> 01:14:25,595
I FIGURED I'D COME OVER AND...
2115
01:14:25,595 --> 01:14:26,596
HELP ME OUT, LIKE THE WELCOME
2116
01:14:26,596 --> 01:14:28,965
WAGON.
2117
01:14:28,965 --> 01:14:30,767
UM...
2118
01:14:30,767 --> 01:14:31,701
YOU KNOW, I'VE BEEN INTERESTED
2119
01:14:31,701 --> 01:14:33,002
IN YOU SINCE I'VE KNOWN YOU AND
2120
01:14:33,002 --> 01:14:34,303
I KNOW YOU'VE BEEN INTERESTED
2121
01:14:34,303 --> 01:14:34,804
IN ME.
2122
01:14:34,804 --> 01:14:36,840
I'M NOT INTERESTED IN YOU.
2123
01:14:36,840 --> 01:14:40,644
NOT IN SLEEPING WITH YOU.
2124
01:14:40,644 --> 01:14:41,545
[LAUGHS NERVOUSLY] I'M SORRY
2125
01:14:41,545 --> 01:14:42,679
IF I CAME AT YOU A LITTLE
2126
01:14:42,679 --> 01:14:44,814
SUDDEN, BUT... MY TECHNIQUE MUST
2127
01:14:44,814 --> 01:14:47,551
BE GETTING RAGGED.
2128
01:14:47,551 --> 01:14:48,952
I REALLY LIKE YOU AND--
2129
01:14:48,952 --> 01:14:50,086
I'M NOT INTERESTED IN YOU,
2130
01:14:50,086 --> 01:14:51,287
JERRY.
2131
01:14:51,287 --> 01:14:52,789
NOT AT ALL.
2132
01:14:52,789 --> 01:14:56,826
O.K.?
2133
01:14:56,826 --> 01:14:59,328
SURE.
2134
01:14:59,328 --> 01:15:00,564
WELCOME WAGON KNOWS WHEN IT'S
2135
01:15:00,564 --> 01:15:01,631
NOT WELCOME.
2136
01:15:01,631 --> 01:15:02,265
OF COURSE YOU'RE WELCOME.
2137
01:15:02,265 --> 01:15:03,266
I'M REALLY GLAD TO SEE YOU.
2138
01:15:03,266 --> 01:15:04,934
I JUST DON'T WANT TO SLEEP WITH
2139
01:15:04,934 --> 01:15:07,637
YOU, O.K.?
2140
01:15:07,637 --> 01:15:11,741
YEAH.
2141
01:15:11,741 --> 01:15:12,642
SO HOW ARE YOUR COURSES
2142
01:15:12,642 --> 01:15:13,577
GOING?
2143
01:15:13,577 --> 01:15:14,343
HAVE ANY OF YOUR STUDENTS
2144
01:15:14,343 --> 01:15:15,579
FINISHED THEIR FILMS?
2145
01:15:15,579 --> 01:15:17,080
OH, THEY'RE FINE, YEAH.
2146
01:15:17,080 --> 01:15:19,716
AS A MATTER OF FACT, I, I...
2147
01:15:19,716 --> 01:15:20,717
SHOULD PROBABLY GO HELP OUT IN
2148
01:15:20,717 --> 01:15:21,851
THE CUTTING ROOM TONIGHT,
2149
01:15:21,851 --> 01:15:23,620
I FORGOT.
2150
01:15:23,620 --> 01:15:24,721
I THOUGHT YOU WERE ALL SET TO
2151
01:15:24,721 --> 01:15:25,889
SPEND TO THE NIGHT.
2152
01:15:25,889 --> 01:15:27,256
WELL, I GOT THIS KID, SHE'S A
2153
01:15:27,256 --> 01:15:28,725
BIT OF A LOOSE WIND,
2154
01:15:28,725 --> 01:15:29,826
SHE COULD USE A HAND.
2155
01:15:29,826 --> 01:15:30,727
JERRY, YOU DON'T HAVE TO--
2156
01:15:30,727 --> 01:15:32,028
I'M SORRY, I, I MADE
2157
01:15:32,028 --> 01:15:36,866
A MISTAKE.
2158
01:15:36,866 --> 01:15:40,637
GOOD NIGHT, JERRY.
2159
01:15:40,637 --> 01:15:42,639
I'LL SEE YOU AROUND, O.K.?
2160
01:15:42,639 --> 01:15:44,340
DICK GAVE ME YOUR NUMBER.
2161
01:15:44,340 --> 01:15:45,609
I'LL GIVE YOU A CALL.
2162
01:15:45,609 --> 01:15:46,610
GOOD NIGHT.
2163
01:15:46,610 --> 01:15:48,277
TAKE CARE.
2164
01:15:51,681 --> 01:15:54,618
[DOOR CLOSES]
2165
01:16:05,895 --> 01:16:07,831
EXCUSE ME.
2166
01:16:13,870 --> 01:16:17,006
GOT ENOUGH SOAP THERE?
2167
01:16:17,006 --> 01:16:18,675
OH... [CHUCKLES]
2168
01:16:18,675 --> 01:16:20,109
I'M USED TO BUYING FOR A FAMILY.
2169
01:16:20,109 --> 01:16:21,044
YOU MOVED TO THE SECOND
2170
01:16:21,044 --> 01:16:22,779
FLOOR, HUH?
2171
01:16:22,779 --> 01:16:23,813
THAT'S RIGHT.
2172
01:16:23,813 --> 01:16:24,914
WE'RE RIGHT ABOVE YOU.
2173
01:16:24,914 --> 01:16:26,049
IF IT GETS TOO LOUD, FEEL FREE
2174
01:16:26,049 --> 01:16:27,917
TO TELL US.
2175
01:16:27,917 --> 01:16:30,153
I WILL, THANK YOU.
2176
01:16:30,153 --> 01:16:31,955
LIZ, THAT'S MY ROOMMATE.
2177
01:16:31,955 --> 01:16:33,056
HER BOYFRIEND COMES OVER AND
2178
01:16:33,056 --> 01:16:34,157
PLAYS MUSIC ON OUR STEREO
2179
01:16:34,157 --> 01:16:35,124
SOMETIMES.
2180
01:16:35,124 --> 01:16:36,760
HE'S INTO VOLUME.
2181
01:16:36,760 --> 01:16:41,831
I THINK HIS EARDRUMS ARE SHOT.
2182
01:16:41,831 --> 01:16:43,066
DOES HE HAVE TO SNEAK IN?
2183
01:16:43,066 --> 01:16:44,433
SNEAK?
2184
01:16:44,433 --> 01:16:45,835
OH, OUR LANDLADY.
2185
01:16:45,835 --> 01:16:47,003
MRS. HENNESSY TALKS A GOOD GAME
2186
01:16:47,003 --> 01:16:48,204
BUT SHE CAN'T BACK IT UP.
2187
01:16:48,204 --> 01:16:49,673
SHE JUST COMES OVER TO RENT A
2188
01:16:49,673 --> 01:16:50,774
PLACE WHEN IT'S VACANT AND SCARE
2189
01:16:50,774 --> 01:16:52,809
YOU WITH THAT "NO MEN" RAP.
2190
01:16:52,809 --> 01:16:53,977
HEY, YOU DON'T RAT ON ME,
2191
01:16:53,977 --> 01:16:56,680
I DON'T RAT ON YOU.
2192
01:16:56,680 --> 01:16:59,448
OH, I... I...
2193
01:16:59,448 --> 01:17:02,018
I...
2194
01:17:02,018 --> 01:17:04,153
I'M GAY.
2195
01:17:04,153 --> 01:17:06,089
OH.
2196
01:17:06,089 --> 01:17:07,957
I'M SHEILA.
2197
01:17:07,957 --> 01:17:11,327
[BOTH LAUGHING]
2198
01:17:11,327 --> 01:17:15,231
WHAT'S SO FUNNY?
2199
01:17:15,231 --> 01:17:17,867
COME ON, LET ME IN ON IT.
2200
01:17:17,867 --> 01:17:18,835
JESUS, YOU'RE NOT GAY,
2201
01:17:18,835 --> 01:17:21,905
YOU'RE HYSTERICAL. [LAUGHS]
2202
01:17:21,905 --> 01:17:23,840
WHAT'S SO FUNNY?
2203
01:17:23,840 --> 01:17:24,874
I...
2204
01:17:24,874 --> 01:17:26,910
[LAUGHING UNCONTROLLABLY]
2205
01:17:26,910 --> 01:17:28,244
I DON'T KNOW WHY I SAID THAT.
2206
01:17:28,244 --> 01:17:30,113
I DON'T EVEN KNOW YOU.
2207
01:17:30,113 --> 01:17:31,114
I'M GOING NUTS.
2208
01:17:31,114 --> 01:17:32,315
IT ISN'T TRUE?
2209
01:17:32,315 --> 01:17:34,150
OH, OH, I THINK IT'S TRUE.
2210
01:17:34,150 --> 01:17:36,853
IT'S TRUE.
2211
01:17:36,853 --> 01:17:38,021
I'M INTO MEN, PHYSICALLY,
2212
01:17:38,021 --> 01:17:38,988
ANYWAYS.
2213
01:17:38,988 --> 01:17:39,989
DON'T APOLOGIZE.
2214
01:17:39,989 --> 01:17:40,957
WELL, IF YOU'D BEEN THROUGH
2215
01:17:40,957 --> 01:17:42,025
SOME OF THE TURKEYS I HAVE YOU'D
2216
01:17:42,025 --> 01:17:44,828
WANT TO APOLOGIZE TOO.
2217
01:17:44,828 --> 01:17:45,995
GAY, HUH?
2218
01:17:45,995 --> 01:17:47,096
OH, JESUS, MRS. HENNESSY WOULD
2219
01:17:47,096 --> 01:17:48,765
FALL OVER DEAD IF SHE FOUND OUT.
2220
01:17:48,765 --> 01:17:49,833
[LAUGHING] I KNOW!
2221
01:17:49,833 --> 01:17:51,100
I DON'T THINK SHE KNOWS IT
2222
01:17:51,100 --> 01:17:52,769
EXISTS.
2223
01:17:52,769 --> 01:17:55,238
YOU'D BE SURPRISED.
2224
01:17:55,238 --> 01:17:56,740
DO YOU GO TO SCHOOL?
2225
01:17:56,740 --> 01:17:57,340
WHEN I CAN'T FIND ANYTHING
2226
01:17:57,340 --> 01:17:58,374
BETTER TO DO.
2227
01:17:58,374 --> 01:18:00,877
I HAVE A FEW CREDITS TO GO.
2228
01:18:00,877 --> 01:18:02,011
LIZ HAS A B.A. IN RELIGION.
2229
01:18:02,011 --> 01:18:02,879
SHE'S WORKING AS A DENTAL
2230
01:18:02,879 --> 01:18:04,213
TECHNICIAN.
2231
01:18:04,213 --> 01:18:05,381
WHAT ELSE DO YOU DO BESIDES YOUR
2232
01:18:05,381 --> 01:18:06,983
LAUNDRY?
2233
01:18:06,983 --> 01:18:08,384
I'M LOOKING FOR WORK.
2234
01:18:08,384 --> 01:18:09,285
I JUST SEPARATED FROM MY
2235
01:18:09,285 --> 01:18:10,286
HUSBAND.
2236
01:18:10,286 --> 01:18:11,988
OH.
2237
01:18:11,988 --> 01:18:13,222
LISTEN, WHAT'S YOUR NAME?
2238
01:18:13,222 --> 01:18:14,390
LIANNA.
2239
01:18:14,390 --> 01:18:16,192
THAT'S PRETTY.
2240
01:18:16,192 --> 01:18:18,361
ANYWAY, YOU NEED ANYTHING, UH...
2241
01:18:18,361 --> 01:18:19,428
A CUP OF SOAP, A BUCKET OF
2242
01:18:19,428 --> 01:18:20,429
SUGAR, WHATEVER, FEEL FREE TO
2243
01:18:20,429 --> 01:18:21,430
CALL ON US.
2244
01:18:21,430 --> 01:18:24,934
I WILL, THANKS.
2245
01:18:24,934 --> 01:18:26,435
[WHISPERS] IT STINKS.
2246
01:18:26,435 --> 01:18:27,837
[WHISPERS] AND NOW I HOLD ALL
2247
01:18:27,837 --> 01:18:29,138
THE CARDS AND IF YOU THROW A
2248
01:18:29,138 --> 01:18:30,439
SCENE IN THERE, I'LL HAVE YOUR
2249
01:18:30,439 --> 01:18:32,441
GIRLFRIEND ON THE WITNESS STAND.
2250
01:18:32,441 --> 01:18:33,442
GODDAMN YOU.
2251
01:18:33,442 --> 01:18:35,178
COME ON.
2252
01:18:35,178 --> 01:18:38,214
AND WATCH YOUR STEP.
2253
01:18:38,214 --> 01:18:38,848
[NORMAL VOICE]: SINCE YOUR
2254
01:18:38,848 --> 01:18:39,916
MOTHER HAS DECIDED TO LEAVE
2255
01:18:39,916 --> 01:18:40,116
HOME...
2256
01:18:40,116 --> 01:18:40,784
Lianna: SINCE I'M LEAVING
2257
01:18:40,784 --> 01:18:41,184
YOUR FATHER AND THIS IS A
2258
01:18:41,184 --> 01:18:41,918
FACULTY HOUSE AND HE'S FACULTY--
2259
01:18:41,918 --> 01:18:42,418
ALTHOUGH SHE'S LEFT US, YOUR
2260
01:18:42,418 --> 01:18:44,020
MOTHER WILL STILL BE VISITING.
2261
01:18:44,020 --> 01:18:44,487
YOU KNOW IF I HAD MY CHOICE
2262
01:18:44,487 --> 01:18:45,421
I'D BE STAYING WITH YOU.
2263
01:18:45,421 --> 01:18:46,389
WE'VE DECIDED ON THURSDAYS
2264
01:18:46,389 --> 01:18:47,156
AND SUNDAYS.
2265
01:18:47,156 --> 01:18:48,858
YOU KNOW THAT, DON'T YOU?
2266
01:18:55,464 --> 01:18:57,801
[BICYCLE GEARS CLICKING]
2267
01:19:01,971 --> 01:19:03,072
HEY, THERE.
2268
01:19:03,072 --> 01:19:04,974
HI.
2269
01:19:04,974 --> 01:19:06,342
HOW HAVE YOU BEEN?
2270
01:19:06,342 --> 01:19:08,912
BUSINESS AS USUAL.
2271
01:19:08,912 --> 01:19:10,146
IS SANDY HOME?
2272
01:19:10,146 --> 01:19:11,114
UH, NO, NO.
2273
01:19:11,114 --> 01:19:15,084
SHE TOOK THE KIDS TO GET SHOES.
2274
01:19:15,084 --> 01:19:16,385
HOW YOU MAKING OUT OVER THERE?
2275
01:19:16,385 --> 01:19:20,089
FINE, I'M MANAGING.
2276
01:19:20,089 --> 01:19:23,226
LIANNA, UH, SANDY TOLD ME
2277
01:19:23,226 --> 01:19:25,094
WHAT'S UP WITH YOU.
2278
01:19:25,094 --> 01:19:26,162
DID SHE?
2279
01:19:26,162 --> 01:19:28,331
YEAH... AND, UH, IT DOESN'T
2280
01:19:28,331 --> 01:19:30,199
MAKE ANY DIFFERENCE TO ME.
2281
01:19:30,199 --> 01:19:33,136
I MEAN, IT'S NOT THE SAME AS...
2282
01:19:33,136 --> 01:19:36,272
IT'S DIFFERENT WHEN IT'S WOMEN.
2283
01:19:36,272 --> 01:19:39,342
SHE MISSES YOU, SANDY DOES.
2284
01:19:39,342 --> 01:19:40,977
SHE DOES?
2285
01:19:40,977 --> 01:19:42,478
A LOT.
2286
01:19:42,478 --> 01:19:45,314
SHE'S AFRAID, THOUGH.
2287
01:19:45,314 --> 01:19:47,516
I DON'T KNOW.
2288
01:19:47,516 --> 01:19:48,985
I HAD A PLAYER ONCE,
2289
01:19:48,985 --> 01:19:51,487
A HALFBACK, A HELL OF A RUNNER.
2290
01:19:51,487 --> 01:19:54,257
ANYHOW, I FOUND OUT IN THE
2291
01:19:54,257 --> 01:19:55,391
MIDDLE OF THE SEASON THAT HE,
2292
01:19:55,391 --> 01:19:58,527
UH, YOU KNOW, HE, UH,
2293
01:19:58,527 --> 01:20:00,563
LIKED GUYS.
2294
01:20:00,563 --> 01:20:01,564
I'D RECRUITED THIS KID OUT OF
2295
01:20:01,564 --> 01:20:03,399
HIGH SCHOOL, WATCHED HIM DEVELOP
2296
01:20:03,399 --> 01:20:06,435
FOUR YEARS AND I HAD NO IDEA.
2297
01:20:06,435 --> 01:20:09,072
I MEAN, HE WAS A BLACK KID.
2298
01:20:09,072 --> 01:20:10,206
I DIDN'T EVEN KNOW THEY HAD 'EM
2299
01:20:10,206 --> 01:20:12,175
THAT WAY.
2300
01:20:12,175 --> 01:20:13,509
THE THING WAS, HE WAS MOST OF
2301
01:20:13,509 --> 01:20:15,144
OUR RUNNING GAME AND DID A GOOD
2302
01:20:15,144 --> 01:20:17,446
HUNK OF THE RECEIVING.
2303
01:20:17,446 --> 01:20:19,115
I DIDN'T WANT TO BOTHER HIM OR
2304
01:20:19,115 --> 01:20:21,217
HURT HIS CONCENTRATION,
2305
01:20:21,217 --> 01:20:22,418
SO I NEVER SAID A THING TO HIM
2306
01:20:22,418 --> 01:20:24,587
ABOUT IT.
2307
01:20:24,587 --> 01:20:26,455
KEPT AN EYE ON HIM, THOUGH.
2308
01:20:26,455 --> 01:20:28,124
YOU KNOW?
2309
01:20:28,124 --> 01:20:29,158
NEVER CHANGED MY OPINION OF THE
2310
01:20:29,158 --> 01:20:30,426
KID, HE WAS STILL A HELL
2311
01:20:30,426 --> 01:20:32,161
OF A KID.
2312
01:20:32,161 --> 01:20:34,497
GIVE YOU 100%, GOOD LEADER,
2313
01:20:34,497 --> 01:20:36,399
EVERYTHING.
2314
01:20:36,399 --> 01:20:38,034
GOES TO SHOW YOU--
2315
01:20:38,034 --> 01:20:38,567
YOU DIDN'T WORRY ABOUT HIM
2316
01:20:38,567 --> 01:20:39,468
WALKING AROUND IN THE SHOWER
2317
01:20:39,468 --> 01:20:40,503
WITH THE OTHER GUYS?
2318
01:20:40,503 --> 01:20:43,239
[SCOFFS] HE HAD MORE
2319
01:20:43,239 --> 01:20:45,108
IMPORTANT THINGS ON HIS MIND.
2320
01:20:45,108 --> 01:20:46,242
WHAT?
2321
01:20:46,242 --> 01:20:48,044
FOOTBALL.
2322
01:21:04,560 --> 01:21:08,965
YUCK.
2323
01:21:17,573 --> 01:21:21,210
[TRAIN WHISTLE IN DISTANCE...]
2324
01:22:24,507 --> 01:22:26,209
[CLICK]
2325
01:23:01,577 --> 01:23:05,314
[KNOCKING]
2326
01:23:07,516 --> 01:23:08,417
OH, HI.
2327
01:23:08,417 --> 01:23:09,518
HI.
2328
01:23:09,518 --> 01:23:10,053
YOU WERE EXPECTING
2329
01:23:10,053 --> 01:23:11,287
SOMEBODY ELSE?
2330
01:23:11,287 --> 01:23:12,055
I THOUGHT IT MIGHT BE ANOTHER
2331
01:23:12,055 --> 01:23:12,688
ONE OF MY HUSBANDS'
2332
01:23:12,688 --> 01:23:14,823
SO-CALLED FRIENDS.
2333
01:23:14,823 --> 01:23:17,060
I'VE HAD TWO CALLS AND A VISIT
2334
01:23:17,060 --> 01:23:19,495
SO FAR OFFERING TO HELP ME OUT.
2335
01:23:19,495 --> 01:23:21,097
DIVORCE VULTURES.
2336
01:23:21,097 --> 01:23:22,465
I REMEMBER WHEN MY PARENTS SPLIT
2337
01:23:22,465 --> 01:23:23,599
UP, MY MOTHER WAS SUDDENLY THE
2338
01:23:23,599 --> 01:23:25,701
MOST POPULAR GIRL IN TOWN.
2339
01:23:25,701 --> 01:23:26,802
WOULD YOU LIKE TO COME IN?
2340
01:23:26,802 --> 01:23:28,104
UH, ACTUALLY, LIZ AND I WERE
2341
01:23:28,104 --> 01:23:29,505
GOING TO GO TO A MOVIE OVER AT
2342
01:23:29,505 --> 01:23:30,473
THE COLLEGE AND WE THOUGHT YOU
2343
01:23:30,473 --> 01:23:32,341
MIGHT WANT TO COME ALONG.
2344
01:23:32,341 --> 01:23:33,476
IS IT "THE MAGNIFICENT
2345
01:23:33,476 --> 01:23:34,477
AMBERSONS?"
2346
01:23:34,477 --> 01:23:35,711
YOU'VE ALREADY SEEN IT.
2347
01:23:35,711 --> 01:23:37,680
NO, BUT MY HUSBAND--
2348
01:23:37,680 --> 01:23:39,148
IT'S FOR HIS FILM COURSE.
2349
01:23:39,148 --> 01:23:40,183
HE'LL BE THERE TO INTRODUCE IT
2350
01:23:40,183 --> 01:23:41,384
AND LEAD A DISCUSSION GROUP
2351
01:23:41,384 --> 01:23:41,850
AND ALL THAT.
2352
01:23:41,850 --> 01:23:44,087
I REALLY DON'T WANT TO SEE HIM
2353
01:23:44,087 --> 01:23:44,753
RIGHT NOW, NOT EVEN
2354
01:23:44,753 --> 01:23:46,522
IN AN AUDITORIUM.
2355
01:23:46,522 --> 01:23:48,424
MASSEY, IS THAT YOUR HUSBAND?
2356
01:23:48,424 --> 01:23:49,092
HAVE YOU TAKEN SOMETHING
2357
01:23:49,092 --> 01:23:49,758
WITH HIM?
2358
01:23:49,758 --> 01:23:51,227
UH, NO, LIZ HAS.
2359
01:23:51,227 --> 01:23:52,661
"RELIGION IN CINEMA".
2360
01:23:52,661 --> 01:23:54,163
SHE SAID HE WAS REALLY GOOD.
2361
01:23:54,163 --> 01:23:54,763
OH, HE'S A REALLY
2362
01:23:54,763 --> 01:23:56,399
GOOD TEACHER.
2363
01:23:56,399 --> 01:23:57,533
AS A HUSBAND, HE LEAVES
2364
01:23:57,533 --> 01:23:59,668
SOMETHING TO BE DESIRED.
2365
01:23:59,668 --> 01:24:00,603
I'M SORRY, MAYBE SOME
2366
01:24:00,603 --> 01:24:01,637
OTHER TIME.
2367
01:24:01,637 --> 01:24:02,871
WELL, WE WERE ACTUALLY JUST
2368
01:24:02,871 --> 01:24:03,806
CASTING AROUND FOR SOMETHING
2369
01:24:03,806 --> 01:24:04,807
TO DO.
2370
01:24:04,807 --> 01:24:06,175
WOULD YOU LIKE TO COME UP AND
2371
01:24:06,175 --> 01:24:07,610
WATCH TV OR SOMETHING?
2372
01:24:07,610 --> 01:24:08,544
OH, DON'T LET ME CHANGE
2373
01:24:08,544 --> 01:24:09,212
YOUR PLANS.
2374
01:24:09,212 --> 01:24:10,846
PLANS? WHAT PLANS?
2375
01:24:10,846 --> 01:24:13,149
COME ON, WE'LL MAKE POPCORN.
2376
01:24:13,149 --> 01:24:14,517
...LIZ, IT'S ALL SETTLED.
2377
01:24:14,517 --> 01:24:15,751
TV AND JUNK FOOD.
2378
01:24:15,751 --> 01:24:16,752
THIS IS LIANNA FROM
2379
01:24:16,752 --> 01:24:17,520
THE LAUNDRY ROOM.
2380
01:24:17,520 --> 01:24:18,454
LIANNA, LIZ.
2381
01:24:18,454 --> 01:24:20,389
HI. SAY, "AH."
2382
01:24:20,389 --> 01:24:20,789
AHH.
2383
01:24:20,789 --> 01:24:22,525
AH, YOU'RE FROM CANADA.
2384
01:24:22,525 --> 01:24:23,526
HOW'D YOU GUESS?
2385
01:24:23,526 --> 01:24:25,528
MIRACLE OF MODERN DENTISTRY.
2386
01:24:25,528 --> 01:24:26,529
PLEASED TO MEET YOU.
2387
01:24:26,529 --> 01:24:27,496
YOU'RE SO QUIET DOWN THERE WE
2388
01:24:27,496 --> 01:24:28,164
THOUGHT YOU MOVED AWAY.
2389
01:24:28,164 --> 01:24:29,465
OH, I'M STILL THERE.
2390
01:24:29,465 --> 01:24:30,433
I THOUGHT WE'D TREAT LIANNA
2391
01:24:30,433 --> 01:24:31,767
TO SOME FINE AMERICAN CUISINE.
2392
01:24:31,767 --> 01:24:32,868
HOW DOES POPCORN SOUND?
2393
01:24:32,868 --> 01:24:33,769
SORT OF LIKE RAIN FALLING
2394
01:24:33,769 --> 01:24:34,637
ON A TENT.
2395
01:24:34,637 --> 01:24:35,904
GET INTO THE KITCHEN, TURKEY.
2396
01:24:35,904 --> 01:24:37,273
IT'S YOUR TURN TO COOK.
2397
01:24:37,273 --> 01:24:38,274
I'LL HAVE TO SEE WHAT CRAIG
2398
01:24:38,274 --> 01:24:39,542
CLAIBORNE SAYS ABOUT THIS.
2399
01:24:39,542 --> 01:24:40,343
USE THE MAZOLA,
2400
01:24:40,343 --> 01:24:43,179
NOT THE OLIVE OIL.
2401
01:24:43,179 --> 01:24:44,280
HAVE A SEAT.
2402
01:24:44,280 --> 01:24:45,148
SEE WHAT THE NETWORKS HAVE
2403
01:24:45,148 --> 01:24:46,182
STACKED AGAINST US.
2404
01:24:46,182 --> 01:24:47,616
Liz: LIANNA, WE'VE GOT BEER,
2405
01:24:47,616 --> 01:24:49,685
TAB, PEPSI AND MILK.
2406
01:24:49,685 --> 01:24:50,653
WHAT WOULD YOU LIKE?
2407
01:24:50,653 --> 01:24:51,720
PEPSI, PLEASE.
2408
01:24:51,720 --> 01:24:52,555
COMING UP.
2409
01:24:52,555 --> 01:24:53,222
Sheila: ANOTHER ASSAULT ON
2410
01:24:53,222 --> 01:24:56,525
THE BRAIN CELLS.
2411
01:24:56,525 --> 01:24:58,827
[LAUGHTER ON TELEVISION]
2412
01:24:58,827 --> 01:25:00,629
HEY, LIGHTEN UP.
2413
01:25:00,629 --> 01:25:04,800
IT'S JUST LAVERNE AND SHIRLEY.
2414
01:25:04,800 --> 01:25:06,302
Woman: * THEY SAY
2415
01:25:06,302 --> 01:25:08,704
LOVE IS MAGIC ♪
2416
01:25:08,704 --> 01:25:10,173
♪ THEY SAY
2417
01:25:10,173 --> 01:25:13,276
LOVE IS TRUE ♪
2418
01:25:13,276 --> 01:25:16,579
♪ BUT IT'S TRUE THAT MAGIC
2419
01:25:16,579 --> 01:25:19,715
CAN END ♪
2420
01:25:19,715 --> 01:25:22,585
♪ I KNOW THAT IT'S MADNESS
2421
01:25:22,585 --> 01:25:26,322
TO KEEP WAITING FOR YOU ♪
2422
01:25:26,322 --> 01:25:28,891
♪ BUT I'M MAD FOR THAT MAGIC
2423
01:25:28,891 --> 01:25:31,660
AGAIN ♪
2424
01:25:31,660 --> 01:25:34,397
♪ SCARLETT O'HARA
2425
01:25:34,397 --> 01:25:36,599
WAITED AT TARA,
2426
01:25:36,599 --> 01:25:40,803
JOSEPHINE WAITED IN FRANCE ♪
2427
01:25:40,803 --> 01:25:43,272
♪ IT'S A SAD STATE
2428
01:25:43,272 --> 01:25:46,209
WHEN ALL YOU DO IS WAIT ♪
2429
01:25:46,209 --> 01:25:47,243
♪ 'CAUSE WAITING CAN
2430
01:25:47,243 --> 01:25:51,614
WASTE A REAL MAN ♪
2431
01:25:51,614 --> 01:25:56,285
♪ SOMETIMES I GET SO LONELY,
2432
01:25:56,285 --> 01:26:01,324
JUST WAITING FOR YOU ♪
2433
01:26:01,324 --> 01:26:02,325
♪ EVERY NIGHT
2434
01:26:02,325 --> 01:26:05,761
FEELS COLD AND DARK ♪
2435
01:26:05,761 --> 01:26:07,730
♪ JUST WANT TO PAINT THE TOWN
2436
01:26:07,730 --> 01:26:14,670
BLUE... HOO... ♪
2437
01:26:28,717 --> 01:26:33,256
[MUSIC PLAYING]
2438
01:26:45,334 --> 01:26:46,935
HI. >> HI.
2439
01:26:46,935 --> 01:26:48,036
CAN I BUY YOU A DRINK OR
2440
01:26:48,036 --> 01:26:48,704
SOMETHING?
2441
01:26:48,704 --> 01:26:49,705
I'VE ALREADY GOT ONE.
2442
01:26:49,705 --> 01:26:50,806
YOU CAN STAY AND TALK IF YOU
2443
01:26:50,806 --> 01:26:53,442
LIKE, THOUGH.
2444
01:26:53,442 --> 01:26:54,343
I'VE BEEN WATCHING YOU FOR
2445
01:26:54,343 --> 01:26:55,911
ABOUT AN HOUR.
2446
01:26:55,911 --> 01:26:56,812
THERE HAVE GOT TO BE
2447
01:26:56,812 --> 01:26:57,813
EASIER WAYS.
2448
01:26:57,813 --> 01:26:59,882
YEAH.
2449
01:26:59,882 --> 01:27:01,049
WHAT'S YOUR NAME?
2450
01:27:01,049 --> 01:27:03,752
LIANNA.
2451
01:27:03,752 --> 01:27:04,987
THAT'S REAL PRETTY.
2452
01:27:04,987 --> 01:27:06,955
THANK YOU.
2453
01:27:06,955 --> 01:27:08,424
MY NAME'S CINDY.
2454
01:27:08,424 --> 01:27:09,758
HELLO, CINDY.
2455
01:27:09,758 --> 01:27:13,962
HELLO, LIANNA.
2456
01:27:13,962 --> 01:27:16,865
CINDY? >> UH-HUH?
2457
01:27:16,865 --> 01:27:19,001
BEFORE WHEN WE WERE TALKING,
2458
01:27:19,001 --> 01:27:20,536
YOU SAID SOMETHING ABOUT BEING
2459
01:27:20,536 --> 01:27:21,904
IN THE SERVICE.
2460
01:27:21,904 --> 01:27:22,971
UH-HUH.
2461
01:27:22,971 --> 01:27:25,341
WHAT DID YOU MEAN, EXACTLY?
2462
01:27:25,341 --> 01:27:26,942
SERVICE.
2463
01:27:26,942 --> 01:27:29,312
YOU KNOW, THE WOMEN'S AIR CORPS.
2464
01:27:29,312 --> 01:27:30,979
OH, THE SERVICE.
2465
01:27:30,979 --> 01:27:32,881
I'M A SECOND LIEUTENANT.
2466
01:27:32,881 --> 01:27:33,816
WE'RE STATIONED IN NEW JERSEY
2467
01:27:33,816 --> 01:27:35,083
RIGHT NOW.
2468
01:27:35,083 --> 01:27:36,552
DO YOU LIKE IT?
2469
01:27:36,552 --> 01:27:38,321
OH, I LOVE IT.
2470
01:27:38,321 --> 01:27:41,390
NOT NEW JERSEY, THE SERVICE.
2471
01:27:47,830 --> 01:27:50,032
I THINK YOU'RE REALLY BEAUTIFUL.
2472
01:27:50,032 --> 01:27:52,468
THANK YOU.
2473
01:27:52,468 --> 01:27:55,338
YOU GOT ANY KIDS OR ANYTHING?
2474
01:27:55,338 --> 01:27:57,105
THEY LIVE WITH THEIR FATHER.
2475
01:27:57,105 --> 01:27:59,342
GOOD.
2476
01:27:59,342 --> 01:28:00,576
I MEAN, YOU KNOW, I'D LIKE IT IF
2477
01:28:00,576 --> 01:28:01,510
YOU COULD STAY THE NIGHT
2478
01:28:01,510 --> 01:28:02,778
WITH ME.
2479
01:28:02,778 --> 01:28:03,712
SURE.
2480
01:28:11,420 --> 01:28:14,022
I'VE NEVER DONE THAT BEFORE.
2481
01:28:14,022 --> 01:28:15,023
COME OVER AND TRIED TO PICK
2482
01:28:15,023 --> 01:28:17,860
SOMEBODY UP.
2483
01:28:17,860 --> 01:28:18,527
USUALLY YOU'RE JUST AROUND
2484
01:28:18,527 --> 01:28:19,862
PEOPLE FOR A WHILE AND THINGS
2485
01:28:19,862 --> 01:28:22,498
HAPPEN, YOU KNOW?
2486
01:28:22,498 --> 01:28:26,902
MOSTLY THEY DON'T HAPPEN.
2487
01:28:26,902 --> 01:28:28,036
WHEN YOU TOLD ME TO STAY AND
2488
01:28:28,036 --> 01:28:30,539
TALK, I JUST ABOUT WET MY PANTS.
2489
01:28:30,539 --> 01:28:33,476
[BOTH LAUGH]
2490
01:28:39,982 --> 01:28:42,551
DO YOU GET CRUSHES ON THE
2491
01:28:42,551 --> 01:28:44,086
OTHER GIRLS, THE WOMEN IN THE
2492
01:28:44,086 --> 01:28:45,020
ARMY WITH YOU?
2493
01:28:45,020 --> 01:28:48,156
AIR CORPS.
2494
01:28:48,156 --> 01:28:50,693
I'M USUALLY STUCK ON SOMEBODY.
2495
01:28:50,693 --> 01:28:51,660
BUT THEN, WHEN YOU WORK
2496
01:28:51,660 --> 01:28:54,463
WITH THEM, IT...
2497
01:28:54,463 --> 01:28:59,535
IT ISN'T PROFESSIONAL.
2498
01:28:59,535 --> 01:29:01,504
JESUS.
2499
01:29:01,504 --> 01:29:03,672
WHAT?
2500
01:29:03,672 --> 01:29:04,573
I CAN'T BELIEVE I REALLY
2501
01:29:04,573 --> 01:29:06,409
GOT YOU.
2502
01:29:06,409 --> 01:29:08,677
WHY?
2503
01:29:08,677 --> 01:29:12,981
WE DON'T HAVE MUCH IN COMMON.
2504
01:29:12,981 --> 01:29:15,083
WE HAVE ENOUGH.
2505
01:29:15,083 --> 01:29:20,055
[SIGHS DEEPLY]
2506
01:29:20,055 --> 01:29:21,023
CINDY?
2507
01:29:21,023 --> 01:29:23,759
YEAH?
2508
01:29:23,759 --> 01:29:24,693
WILL YOU MAKE LOVE WITH
2509
01:29:24,693 --> 01:29:26,695
ME AGAIN?
2510
01:29:26,695 --> 01:29:27,830
YOU LIKE ME, HUH?
2511
01:29:27,830 --> 01:29:31,133
I LIKE YOU A LOT.
2512
01:29:31,133 --> 01:29:33,769
LET'S GO REAL SLOW THIS TIME.
2513
01:29:33,769 --> 01:29:36,472
I WANT TO REMEMBER EVERYTHING.
2514
01:29:44,780 --> 01:29:48,517
[ALARM CLOCK RINGS...
2515
01:29:48,517 --> 01:29:49,117
STOPS]
2516
01:29:51,820 --> 01:29:52,488
Radio announcer: Partially
2517
01:29:52,488 --> 01:29:52,888
cloudy this morning with
2518
01:29:52,888 --> 01:29:54,222
temperatures rising from the
2519
01:29:54,222 --> 01:29:55,458
mid-40s up to--
2520
01:29:55,458 --> 01:29:57,860
LIANNA MASSEY EATS PUSSY.
2521
01:29:57,860 --> 01:29:59,595
MY ERNIE, HE'S GOT A BAD BACK
2522
01:29:59,595 --> 01:30:01,464
AND HE GETS COMPENSATION.
2523
01:30:01,464 --> 01:30:02,831
IT'S NOT LIKE A REAL SALARY AND
2524
01:30:02,831 --> 01:30:03,732
IT MEANS HE'S AROUND THE
2525
01:30:03,732 --> 01:30:04,733
HOUSE ALL DAY.
2526
01:30:04,733 --> 01:30:05,501
IT'S WORSE THAN HAVING
2527
01:30:05,501 --> 01:30:06,702
THE KIDS HOME.
2528
01:30:06,702 --> 01:30:07,135
HAROLD'S BETTER THAN THE
2529
01:30:07,135 --> 01:30:08,704
BOYS, I'LL SAY THAT MUCH
2530
01:30:08,704 --> 01:30:09,605
FOR HIM.
2531
01:30:09,605 --> 01:30:10,706
HE DOESN'T THROW HIS CLOTHES
2532
01:30:10,706 --> 01:30:12,808
ON THE FLOOR OR PUT A JAM KNIFE
2533
01:30:12,808 --> 01:30:13,876
IN THE MAYONNAISE AND HE'S OFF
2534
01:30:13,876 --> 01:30:15,878
TO WORK DAYS.
2535
01:30:15,878 --> 01:30:18,146
"GET ME THIS, GET ME THAT,"
2536
01:30:18,146 --> 01:30:19,682
ALL DAY LONG.
2537
01:30:19,682 --> 01:30:20,816
IT'S A RELIEF TO COME HERE AND
2538
01:30:20,816 --> 01:30:22,551
GET AWAY FROM HIM.
2539
01:30:22,551 --> 01:30:23,486
HE'S GOT THIS THING ABOUT
2540
01:30:23,486 --> 01:30:24,252
HIS UNDERWEAR.
2541
01:30:24,252 --> 01:30:25,554
WANTS 'EM PUT IN THE DRAWERS
2542
01:30:25,554 --> 01:30:27,155
SO THE ELASTIC FACES OUT, SO HE
2543
01:30:27,155 --> 01:30:28,757
CAN JUST STEP RIGHT INTO 'EM.
2544
01:30:28,757 --> 01:30:29,758
THE BOYS ALL GOT THEM DAMN
2545
01:30:29,758 --> 01:30:31,126
SKATEBOARDS NOW.
2546
01:30:31,126 --> 01:30:32,127
TEARS THE HELL OUT OF THEIR
2547
01:30:32,127 --> 01:30:33,829
CLOTHES WHEN THEY FALL.
2548
01:30:33,829 --> 01:30:35,598
YOU GOT ANY KIDS, HONEY?
2549
01:30:35,598 --> 01:30:36,765
YES, TWO.
2550
01:30:36,765 --> 01:30:37,766
THEDA AND SPENCER.
2551
01:30:37,766 --> 01:30:38,834
SPENCER, YOU DON'T HEAR
2552
01:30:38,834 --> 01:30:39,902
THAT MUCH.
2553
01:30:39,902 --> 01:30:41,504
IT'S FOR SPENCER TRACY.
2554
01:30:41,504 --> 01:30:45,240
OH, NOW THERE WAS A MAN.
2555
01:30:45,240 --> 01:30:47,676
[BLOWING WHISTLE]
2556
01:30:47,676 --> 01:30:48,911
ALL RIGHT, TWO MINUTE DRILL.
2557
01:30:48,911 --> 01:30:51,079
LET'S GO!
2558
01:30:51,079 --> 01:30:52,114
Player: DOWN, SET, HUT!
2559
01:30:56,619 --> 01:30:59,722
WATCH THAT LENS!
2560
01:30:59,722 --> 01:31:00,923
THEY THINK THEY CAN DIVE
2561
01:31:00,923 --> 01:31:04,560
FOR FUMBLES WITH A CAMERA.
2562
01:31:04,560 --> 01:31:07,630
SHE SAID IT WASN'T NEW.
2563
01:31:07,630 --> 01:31:09,665
THAT SHE'D ALWAYS FELT THAT WAY.
2564
01:31:09,665 --> 01:31:10,766
YEAH, I CAN SEE WHERE THAT
2565
01:31:10,766 --> 01:31:11,900
WOULD BE A BIT OF A SHOCK,
2566
01:31:11,900 --> 01:31:15,270
ALL RIGHT.
2567
01:31:15,270 --> 01:31:18,707
I THINK ABOUT TIMES LIKE WHEN
2568
01:31:18,707 --> 01:31:21,009
WE'D GO TO THE BEACH AND WE'D
2569
01:31:21,009 --> 01:31:22,711
UNDRESS TOGETHER.
2570
01:31:22,711 --> 01:31:24,913
THAT BOTHERS YOU?
2571
01:31:24,913 --> 01:31:27,816
SURE IT DOES.
2572
01:31:27,816 --> 01:31:29,718
I DIDN'T KNOW.
2573
01:31:29,718 --> 01:31:30,719
YEAH.
2574
01:31:30,719 --> 01:31:33,321
I GUESS.
2575
01:31:33,321 --> 01:31:35,858
WHO'S THE QUARTERBACK?
2576
01:31:35,858 --> 01:31:37,259
SADDLEMEYER.
2577
01:31:37,259 --> 01:31:38,694
HE'S ONLY A SOPHOMORE.
2578
01:31:38,694 --> 01:31:39,695
HE SHOULDN'T DRIFT OUT OF THE
2579
01:31:39,695 --> 01:31:44,299
POCKET LIKE THAT.
2580
01:31:44,299 --> 01:31:47,703
ONE TIME... SHE WAS HAVING A
2581
01:31:47,703 --> 01:31:50,673
ROUGH PERIOD WITH DICK AND WE
2582
01:31:50,673 --> 01:31:53,909
HAD THIS LONG TALK.
2583
01:31:53,909 --> 01:31:57,345
AND AFTERWARD, I WALKED ALL THE
2584
01:31:57,345 --> 01:31:58,847
WAY BACK TO THE STUDENT UNION
2585
01:31:58,847 --> 01:32:00,916
BUILDING HOLDING HER HAND.
2586
01:32:00,916 --> 01:32:02,685
MY GOD, SANDY.
2587
01:32:02,685 --> 01:32:04,587
YOU THINK YOU CAN CATCH IT?
2588
01:32:04,587 --> 01:32:08,090
I'M SERIOUS.
2589
01:32:08,090 --> 01:32:09,758
IT SEEMED SO NICE AND FRIENDLY
2590
01:32:09,758 --> 01:32:11,059
AT THE TIME, BUT I THINK ABOUT
2591
01:32:11,059 --> 01:32:14,062
IT NOW AND I WONDER.
2592
01:32:14,062 --> 01:32:17,132
[WHISTLE BLOWING]
2593
01:32:17,132 --> 01:32:18,801
I DON'T THINK IT'S FAIR TO
2594
01:32:18,801 --> 01:32:24,640
SPENCER AND THEDA.
2595
01:32:24,640 --> 01:32:25,941
I DON'T EVEN LIKE TO THINK OF
2596
01:32:25,941 --> 01:32:28,010
THE TWO OF THEM TOGETHER.
2597
01:32:28,010 --> 01:32:29,745
WELL, I'M FROM CALIFORNIA.
2598
01:32:29,745 --> 01:32:30,646
THAT KIND OF STUFF DOESN'T
2599
01:32:30,646 --> 01:32:32,014
PHASE ME.
2600
01:32:32,014 --> 01:32:34,349
[WHISTLE BLOWING]
2601
01:32:34,349 --> 01:32:38,053
KID'S GOT AN ARM.
2602
01:32:38,053 --> 01:32:39,955
SO HOW DID SHE TAKE IT?
2603
01:32:39,955 --> 01:32:43,626
TAKE WHAT?
2604
01:32:43,626 --> 01:32:46,061
WHEN YOU TOLD HER ABOUT US?
2605
01:32:46,061 --> 01:32:49,297
[SCOFFS] SHE EXPECTED IT.
2606
01:32:49,297 --> 01:32:51,033
BUILT UP HER DEFENSES.
2607
01:32:51,033 --> 01:32:52,034
I WAS THE ONE THAT GOT
2608
01:32:52,034 --> 01:32:54,336
OUT OF CONTROL.
2609
01:32:54,336 --> 01:32:55,270
OH.
2610
01:33:02,778 --> 01:33:03,779
IT'S BEEN SO LONG SINCE
2611
01:33:03,779 --> 01:33:08,784
I'VE BEEN ON MY OWN.
2612
01:33:08,784 --> 01:33:12,387
HOW DID YOU LEAVE THINGS?
2613
01:33:12,387 --> 01:33:15,791
I TOLD HER I WOULD, UH...
2614
01:33:15,791 --> 01:33:19,594
MAKE A DECISION THIS WEEK.
2615
01:33:24,099 --> 01:33:26,434
[WHISPERS] I, I JUST STILL LOVE
2616
01:33:26,434 --> 01:33:29,004
HER SO MUCH.
2617
01:33:40,148 --> 01:33:44,186
OH MY GOD.
2618
01:33:44,186 --> 01:33:45,087
...I'VE NEVER BEEN IN THIS
2619
01:33:45,087 --> 01:33:47,089
POSITION BEFORE.
2620
01:33:47,089 --> 01:33:48,023
I FEEL SO MUCH PRESSURE
2621
01:33:48,023 --> 01:33:48,824
FROM YOU.
2622
01:33:48,824 --> 01:33:50,058
I DON'T MEAN TO PRESSURE YOU,
2623
01:33:50,058 --> 01:33:52,227
I JUST FEEL TOTALLY ISOLATED.
2624
01:33:52,227 --> 01:33:53,261
THERE'S NO NEED FOR YOU TO
2625
01:33:53,261 --> 01:33:54,830
FEEL SO ISOLATED.
2626
01:33:54,830 --> 01:33:55,964
THERE ARE A LOT OF OTHER WOMEN
2627
01:33:55,964 --> 01:33:56,732
YOU CAN TALK TO.
2628
01:33:56,732 --> 01:33:58,166
I DON'T WANT A SUPPORT GROUP.
2629
01:33:58,166 --> 01:34:00,002
I WANT YOU.
2630
01:34:00,002 --> 01:34:00,936
YOU'RE STILL AFRAID OF THE
2631
01:34:00,936 --> 01:34:02,004
WORDS, AREN'T YOU?
2632
01:34:02,004 --> 01:34:03,438
YOU LOVE WOMEN, LIANNA,
2633
01:34:03,438 --> 01:34:05,073
NOT JUST ME.
2634
01:34:05,073 --> 01:34:07,075
LIANNA, HI!
2635
01:34:07,075 --> 01:34:07,843
OH, HI.
2636
01:34:07,843 --> 01:34:09,011
HOW YA DOING?
2637
01:34:09,011 --> 01:34:10,946
FINE, GOOD.
2638
01:34:10,946 --> 01:34:14,717
SEE YA AROUND. >> YEAH.
2639
01:34:14,717 --> 01:34:15,918
WHO'S THAT?
2640
01:34:15,918 --> 01:34:17,853
SOMEONE I KNOW FROM BEFORE.
2641
01:34:17,853 --> 01:34:18,220
OH.
2642
01:34:18,220 --> 01:34:24,693
[*...]
2643
01:34:34,136 --> 01:34:35,137
HEY.
2644
01:34:35,137 --> 01:34:37,773
HI, JERRY.
2645
01:34:37,773 --> 01:34:39,107
LISTEN, I WANTED TO APOLOGIZE
2646
01:34:39,107 --> 01:34:40,208
ABOUT THE OTHER NIGHT.
2647
01:34:40,208 --> 01:34:41,343
DON'T BOTHER.
2648
01:34:41,343 --> 01:34:43,879
I... I FUCKED UP.
2649
01:34:43,879 --> 01:34:45,781
IT'S O.K.
2650
01:34:45,781 --> 01:34:47,750
I, UH, HEARD ABOUT YOU
2651
01:34:47,750 --> 01:34:48,917
AND RUTH.
2652
01:34:48,917 --> 01:34:50,518
WHO HASN'T AROUND HERE?
2653
01:34:50,518 --> 01:34:54,757
SHE SEEMS REAL NICE.
2654
01:34:54,757 --> 01:34:58,160
YOU, UH... REALLY, UH...
2655
01:34:58,160 --> 01:34:59,895
LET THE AIR OUT OF MY TIRES,
2656
01:34:59,895 --> 01:35:02,164
THERE.
2657
01:35:02,164 --> 01:35:03,766
I WANTED YOU TO KNOW IT WASN'T
2658
01:35:03,766 --> 01:35:05,300
JUST A PICK-OFF ATTEMPT OR
2659
01:35:05,300 --> 01:35:06,234
ANYTHING, I REALLY THINK
2660
01:35:06,234 --> 01:35:08,036
A LOT OF YOU.
2661
01:35:08,036 --> 01:35:08,971
I HOPE YOUR THING WITH
2662
01:35:08,971 --> 01:35:10,038
HER WORKS OUT.
2663
01:35:10,038 --> 01:35:14,176
THANK YOU.
2664
01:35:14,176 --> 01:35:15,177
CAN I GO NOW?
2665
01:35:15,177 --> 01:35:17,012
THIS IS MAKING ME REAL NERVOUS.
2666
01:35:17,012 --> 01:35:19,147
BYE, JERRY. >> TAKE CARE.
2667
01:35:19,147 --> 01:35:24,119
O.K.
2668
01:35:24,119 --> 01:35:25,053
Woman: SO, HE'S FOOLING
2669
01:35:25,053 --> 01:35:26,288
AROUND WITH A GIRL HE MET ON THE
2670
01:35:26,288 --> 01:35:28,090
UNEMPLOYMENT LINE AND SHE STILL
2671
01:35:28,090 --> 01:35:29,257
THINKS HE'S THE GREATEST THING
2672
01:35:29,257 --> 01:35:31,126
THAT EVER WORE LEVIS.
2673
01:35:31,126 --> 01:35:32,327
SHE TOOK COURSES ON HOW TO BE A
2674
01:35:32,327 --> 01:35:34,296
VICTIM, THIS GIRL.
2675
01:35:34,296 --> 01:35:35,931
I MEAN, EVERYBODY IN TOWN IS
2676
01:35:35,931 --> 01:35:37,199
WISE TO THE GUY, HE PRACTICALLY
2677
01:35:37,199 --> 01:35:39,034
ADVERTISES.
2678
01:35:39,034 --> 01:35:40,035
SHE WALKS AROUND WITH A BIG
2679
01:35:40,035 --> 01:35:42,938
SMILE ON HER PUSS.
2680
01:35:42,938 --> 01:35:45,207
TELL YA, IGNORANCE IS BLISS.
2681
01:35:45,207 --> 01:35:51,880
[*...]
2682
01:35:57,019 --> 01:35:58,353
Kim: OH, HI, MRS. MASSEY.
2683
01:35:58,353 --> 01:36:00,288
HI.
2684
01:36:07,229 --> 01:36:09,031
DID YOU FORGET SOMETHING?
2685
01:36:09,031 --> 01:36:10,966
HI!
2686
01:36:10,966 --> 01:36:12,334
HI.
2687
01:36:12,334 --> 01:36:14,236
YOU GOT OUT OF WORK EARLY.
2688
01:36:14,236 --> 01:36:16,238
WHAT WERE YOU DOING WITH HER?
2689
01:36:16,238 --> 01:36:17,472
YOU KNOW HER?
2690
01:36:17,472 --> 01:36:19,474
SHE'S A FILM STUDENT.
2691
01:36:19,474 --> 01:36:20,408
WELL, I NEEDED SOMEONE FOR
2692
01:36:20,408 --> 01:36:22,044
THAT BOOK RESEARCH.
2693
01:36:22,044 --> 01:36:23,211
I ADVERTISED IN THE STUDENT
2694
01:36:23,211 --> 01:36:24,512
NEWSPAPER.
2695
01:36:24,512 --> 01:36:26,314
DID YOU SLEEP WITH HER?
2696
01:36:26,314 --> 01:36:29,184
[INCREDULOUSLY] WHAT?
2697
01:36:29,184 --> 01:36:30,919
I'M SORRY.
2698
01:36:30,919 --> 01:36:32,154
I'M GETTING PARANOID.
2699
01:36:32,154 --> 01:36:33,121
DID YOU SLEEP WITH HER?
2700
01:36:33,121 --> 01:36:34,923
NO! WITH HER?
2701
01:36:34,923 --> 01:36:35,490
BUT YOU SLEPT WITH SOMEBODY,
2702
01:36:35,490 --> 01:36:36,524
DIDN'T YOU?
2703
01:36:36,524 --> 01:36:39,527
WHILE I WAS GONE.
2704
01:36:39,527 --> 01:36:43,231
YES.
2705
01:36:43,231 --> 01:36:44,066
WELL.
2706
01:36:44,066 --> 01:36:49,104
HOW WAS IT?
2707
01:36:49,104 --> 01:36:51,239
NICE, EXCITING.
2708
01:36:51,239 --> 01:36:52,140
WE HAVE TO STRAIGHTEN SOME
2709
01:36:52,140 --> 01:36:53,575
THINGS OUT.
2710
01:36:53,575 --> 01:36:55,377
ARE YOU GOING BACK TO HER?
2711
01:36:55,377 --> 01:36:59,081
I DON'T KNOW.
2712
01:36:59,081 --> 01:37:02,184
I HAVE TO THINK.
2713
01:37:02,184 --> 01:37:03,085
I'VE BEEN THROUGH SO MUCH
2714
01:37:03,085 --> 01:37:06,421
WITH HER.
2715
01:37:06,421 --> 01:37:07,489
BESIDES, YOU CAN BE IN LOVE WITH
2716
01:37:07,489 --> 01:37:08,423
MORE THAN ONE PERSON AT
2717
01:37:08,423 --> 01:37:11,526
THE SAME TIME.
2718
01:37:11,526 --> 01:37:12,527
YOU'RE THE ONLY PERSON I'VE
2719
01:37:12,527 --> 01:37:17,432
EVER BEEN IN LOVE WITH.
2720
01:37:17,432 --> 01:37:19,101
WHAT AM I GONNA DO?
2721
01:37:19,101 --> 01:37:20,235
YOU GOT ME INTO THIS AND--
2722
01:37:20,235 --> 01:37:21,436
I GOT YOU INTO THIS?
2723
01:37:21,436 --> 01:37:22,570
I WARNED YOU EVERY STEP
2724
01:37:22,570 --> 01:37:23,338
OF THE WAY.
2725
01:37:23,338 --> 01:37:24,372
AND THE MINUTE I TOLD YOU
2726
01:37:24,372 --> 01:37:25,373
I LOVED YOU, YOU STARTED
2727
01:37:25,373 --> 01:37:26,241
BACKING AWAY.
2728
01:37:26,241 --> 01:37:27,542
HOW COULD YOU DO THAT TO ME?
2729
01:37:27,542 --> 01:37:29,444
LIANNA.
2730
01:37:29,444 --> 01:37:32,314
YOU DON'T UNDERSTAND.
2731
01:37:32,314 --> 01:37:33,681
SOMETIMES WOMEN, STRAIGHT WOMEN,
2732
01:37:33,681 --> 01:37:35,250
THEY'LL HAVE AN AFFAIR WITH
2733
01:37:35,250 --> 01:37:36,451
ANOTHER WOMAN JUST TO SEE WHAT
2734
01:37:36,451 --> 01:37:37,652
IT'S LIKE.
2735
01:37:37,652 --> 01:37:39,454
HOW COULD I TELL?
2736
01:37:39,454 --> 01:37:42,624
I'M PROUD THAT I LOVE YOU.
2737
01:37:42,624 --> 01:37:44,226
NOBODY COULD EVER MAKE ME FEEL
2738
01:37:44,226 --> 01:37:47,695
BAD ABOUT THAT.
2739
01:37:47,695 --> 01:37:49,664
OH, LIANNA.
2740
01:37:49,664 --> 01:37:54,102
I'M SO SORRY.
2741
01:37:54,102 --> 01:37:56,438
DON'T LEAVE ME.
2742
01:37:59,207 --> 01:38:05,513
[MUZAK PLAYS IN STORE...]
2743
01:38:20,662 --> 01:38:22,530
[THUD]
2744
01:38:22,530 --> 01:38:24,266
Lianna: OH, I'M SORRY.
2745
01:38:24,266 --> 01:38:25,167
I DIDN'T EVEN KNOW WHERE
2746
01:38:25,167 --> 01:38:28,670
I WAS GOING.
2747
01:38:28,670 --> 01:38:29,504
[THUD]
2748
01:38:29,504 --> 01:38:30,738
WHAT THE HELL AM I APOLOGIZING
2749
01:38:30,738 --> 01:38:32,374
TO YOU FOR?! >> HUH?
2750
01:38:32,374 --> 01:38:33,675
IS SOMEBODY PAYING YOU TO DO
2751
01:38:33,675 --> 01:38:35,277
THIS OR IS JUST YOUR MISSION IN
2752
01:38:35,277 --> 01:38:37,312
LIFE TO HOUND ME WHEREVER I GO?
2753
01:38:37,312 --> 01:38:38,380
WHAT?
2754
01:38:38,380 --> 01:38:43,551
FORGET IT.
2755
01:38:43,551 --> 01:38:45,453
I AM RESPONSIBLE FOR THE WAY
2756
01:38:45,453 --> 01:38:46,554
THEY TURN OUT!
2757
01:38:46,554 --> 01:38:47,389
WHAT DO YOU MEAN,
2758
01:38:47,389 --> 01:38:48,390
"THE WAY THEY TURN OUT"?
2759
01:38:48,390 --> 01:38:50,558
IT'S A MATTER OF ROLE MODELS.
2760
01:38:50,558 --> 01:38:51,526
YOUR GIRLFRIEND IS A CHILD
2761
01:38:51,526 --> 01:38:52,694
EXPERT, SHE MUST HAVE TAUGHT YOU
2762
01:38:52,694 --> 01:38:54,529
THAT MUCH.
2763
01:38:54,529 --> 01:38:55,998
I CAN'T HAVE THEM AROUND
2764
01:38:55,998 --> 01:38:57,399
WHILE YOU'RE BRINGING WOMEN
2765
01:38:57,399 --> 01:38:57,732
INTO THE HOUSE.
2766
01:38:57,732 --> 01:38:58,533
I BRING A WOMAN
2767
01:38:58,533 --> 01:38:59,234
INTO THE HOUSE?
2768
01:38:59,234 --> 01:39:00,268
WHAT ABOUT YOU?
2769
01:39:00,268 --> 01:39:01,269
WHAT HAPPENS WHEN THE KIDS COME
2770
01:39:01,269 --> 01:39:02,004
HOME EARLY FROM SCHOOL AND
2771
01:39:02,004 --> 01:39:03,338
THERE'S DADDY IN THE SACK WITH
2772
01:39:03,338 --> 01:39:05,207
THE SWEETHEART OF SIGMA CHI?
2773
01:39:05,207 --> 01:39:07,442
I NEVER BROUGHT ANYONE HOME.
2774
01:39:07,442 --> 01:39:08,443
WHERE DID YOU DO IT THEN?
2775
01:39:08,443 --> 01:39:09,344
IN HERE?
2776
01:39:09,344 --> 01:39:10,245
DOES IT LOOK LIKE
2777
01:39:10,245 --> 01:39:10,712
THERE'S ROOM?
2778
01:39:10,712 --> 01:39:11,679
WELL, YOU WAIT TO GET YOUR
2779
01:39:11,679 --> 01:39:12,514
DEPARTMENT HEAD.
2780
01:39:12,514 --> 01:39:13,615
YOU CAN HAVE AN OFFICE WITH A
2781
01:39:13,615 --> 01:39:14,649
FOLD-OUT BED AND MAKE
2782
01:39:14,649 --> 01:39:16,284
EVERYTHING NICE AND COZY.
2783
01:39:16,284 --> 01:39:17,385
DIDN'T YOU HEAR?
2784
01:39:17,385 --> 01:39:18,020
HEAR WHAT?
2785
01:39:18,020 --> 01:39:18,620
THEY ALREADY MADE THE
2786
01:39:18,620 --> 01:39:19,554
ARRANGEMENTS FOR THE DEPARTMENT.
2787
01:39:19,554 --> 01:39:20,722
JERRY CARLSON IS HEADING IT.
2788
01:39:20,722 --> 01:39:22,524
I'M STILL IN ENGLISH.
2789
01:39:22,524 --> 01:39:23,725
OH, DICK.
2790
01:39:23,725 --> 01:39:24,626
THEY DECIDED THEY WANTED A
2791
01:39:24,626 --> 01:39:26,028
DEPARTMENT AS SEPARATE AS
2792
01:39:26,028 --> 01:39:27,495
POSSIBLE FROM ENGLISH.
2793
01:39:27,495 --> 01:39:28,530
JERRY IS BRINGING IN ALL KINDS
2794
01:39:28,530 --> 01:39:29,731
OF TECHNICAL PEOPLE FROM THE
2795
01:39:29,731 --> 01:39:32,300
FILM BUSINESS TO RUN IT.
2796
01:39:32,300 --> 01:39:34,302
NO WAY I GET TENURE NOW.
2797
01:39:34,302 --> 01:39:35,737
YOU DESERVED IT.
2798
01:39:35,737 --> 01:39:38,506
YOU'RE SUCH A GOOD TEACHER.
2799
01:39:38,506 --> 01:39:41,343
DOESN'T MATTER.
2800
01:39:41,343 --> 01:39:42,377
HEY LOOK, I REALLY DON'T THINK
2801
01:39:42,377 --> 01:39:43,578
WE HAVE TO GO TO COURT ON THIS
2802
01:39:43,578 --> 01:39:44,312
THING WITH THE KIDS.
2803
01:39:44,312 --> 01:39:44,712
DON'T WE?
2804
01:39:44,712 --> 01:39:45,613
YOU DESERVE YOUR SHARE OF
2805
01:39:45,613 --> 01:39:46,581
TIME LIVING WITH THEM.
2806
01:39:46,581 --> 01:39:47,482
IN OTHER WORDS, YOU CAN'T
2807
01:39:47,482 --> 01:39:48,450
HANDLE THEM ALONE.
2808
01:39:48,450 --> 01:39:49,451
IF THAT'S WHAT YOU WANT TO
2809
01:39:49,451 --> 01:39:50,618
BELIEVE, GO AHEAD.
2810
01:39:50,618 --> 01:39:51,719
IT'S A REAL DRAG ON YOUR LOVE
2811
01:39:51,719 --> 01:39:52,554
LIFE, ISN'T IT?
2812
01:39:52,554 --> 01:39:53,388
SURE.
2813
01:39:53,388 --> 01:39:54,056
HOW ARE THINGS WITH
2814
01:39:54,056 --> 01:39:55,557
THE CO-ED POPULATION?
2815
01:39:55,557 --> 01:39:58,093
I WANT MY CAREER TO GO WELL.
2816
01:39:58,093 --> 01:40:01,063
I WANT A FAMILY.
2817
01:40:01,063 --> 01:40:02,697
I WANT TO HAVE A RICH AND
2818
01:40:02,697 --> 01:40:04,332
REWARDING SEX LIFE.
2819
01:40:04,332 --> 01:40:05,500
WHAT'S THAT, THE PLAYBOY
2820
01:40:05,500 --> 01:40:06,468
PHILOSOPHY?
2821
01:40:06,468 --> 01:40:07,469
IT'S FROM YOUR GIRLFRIEND'S
2822
01:40:07,469 --> 01:40:09,471
BOOK, THE POTENTIALS OF
2823
01:40:09,471 --> 01:40:12,107
MOTHERHOOD.
2824
01:40:12,107 --> 01:40:13,108
JUST BECAUSE YOU CAN ARGUE
2825
01:40:13,108 --> 01:40:14,109
BETTER DOESN'T MEAN THAT
2826
01:40:14,109 --> 01:40:15,777
YOU'RE RIGHT.
2827
01:40:19,081 --> 01:40:20,348
...I'VE ALREADY TOLD SPENCER
2828
01:40:20,348 --> 01:40:21,816
ABOUT IT.
2829
01:40:21,816 --> 01:40:24,686
HE SAYS IT'S O.K. WITH HIM.
2830
01:40:24,686 --> 01:40:29,357
WHAT DO YOU THINK?
2831
01:40:29,357 --> 01:40:30,858
I'M STILL YOUR MOTHER, YOU KNOW.
2832
01:40:30,858 --> 01:40:33,395
I KNOW.
2833
01:40:33,395 --> 01:40:34,396
YOU'LL BE GOING TO THE SAME
2834
01:40:34,396 --> 01:40:36,198
SCHOOL AND EVERYTHING.
2835
01:40:36,198 --> 01:40:37,499
YOU'LL JUST BE SPENDING A LOT OF
2836
01:40:37,499 --> 01:40:39,167
THE TIME WITH ME, WHEN I GET MY
2837
01:40:39,167 --> 01:40:41,403
NEW PLACE.
2838
01:40:41,403 --> 01:40:45,540
SURE.
2839
01:40:45,540 --> 01:40:46,441
YOUR HAIR LOOKS KIND OF
2840
01:40:46,441 --> 01:40:47,742
SNARLY.
2841
01:40:47,742 --> 01:40:48,876
WOULD YOU LIKE ME TO BRUSH IT
2842
01:40:48,876 --> 01:40:49,777
FOR YOU?
2843
01:40:49,777 --> 01:40:52,280
IF YOU WANT TO.
2844
01:40:56,818 --> 01:40:59,454
I'LL SIT BESIDE YOU.
2845
01:41:11,133 --> 01:41:12,900
WHAT'S THE MATTER, HONEY?
2846
01:41:12,900 --> 01:41:19,674
IT HURTS, THE TANGLES.
2847
01:41:19,674 --> 01:41:22,277
I'LL GO REAL SLOW, AND YOU
2848
01:41:22,277 --> 01:41:25,280
TELL ME WHEN IT STARTS TO PULL.
2849
01:41:25,280 --> 01:41:30,518
WE'LL WORK IT OUT, O.K.?
2850
01:41:41,696 --> 01:41:43,265
AND I HOPE SOME OF YOU WILL
2851
01:41:43,265 --> 01:41:45,533
WANT TO GO ON WITH THE STUDY.
2852
01:41:45,533 --> 01:41:47,202
CHILD PSYCHOLOGY IS STILL OUR
2853
01:41:47,202 --> 01:41:48,503
PSYCHOLOGY.
2854
01:41:48,503 --> 01:41:49,604
IT AFFECTS US NO MATTER HOW OLD
2855
01:41:49,604 --> 01:41:51,206
WE THINK WE ARE.
2856
01:41:51,206 --> 01:41:51,806
WHAT ARE YOU GOING
2857
01:41:51,806 --> 01:41:52,907
TO DO NEXT?
2858
01:41:52,907 --> 01:41:54,576
I'LL BE GOING HOME TO, UH,
2859
01:41:54,576 --> 01:41:55,810
WORK ON MY BOOK, AND THEN IN THE
2860
01:41:55,810 --> 01:41:56,944
FALL, I'LL HAVE MY OLD TEACHING
2861
01:41:56,944 --> 01:41:58,280
JOB BACK AGAIN.
2862
01:41:58,280 --> 01:41:59,781
I WISH YOU COULD STAY HERE.
2863
01:41:59,781 --> 01:42:00,615
THAT'S VERY NICE OF YOU
2864
01:42:00,615 --> 01:42:02,784
TO SAY, THANK YOU.
2865
01:42:02,784 --> 01:42:03,851
BUT THERE ARE PLENTY OF OTHER
2866
01:42:03,851 --> 01:42:06,321
PEOPLE YOU CAN LEARN FROM...
2867
01:42:06,321 --> 01:42:07,422
PLENTY OF OTHER PEOPLE.
2868
01:42:13,295 --> 01:42:14,929
Otis Redding: * I'VE BEEN
2869
01:42:14,929 --> 01:42:21,736
LOVING YOU
2870
01:42:21,736 --> 01:42:26,741
TOO LONG, LONG
2871
01:42:26,741 --> 01:42:31,379
TO STOP NOW ♪
2872
01:42:31,379 --> 01:42:34,782
[*...]
2873
01:42:34,782 --> 01:42:40,722
♪ YOU WERE TIRED
2874
01:42:40,722 --> 01:42:45,760
AND YOU WANT TO BE FREE ♪
2875
01:42:45,760 --> 01:42:50,865
♪ MY LOVE IS GROWING STRONGER
2876
01:42:50,865 --> 01:42:55,370
AS YOU BECOME A HABIT TO ME ♪
2877
01:42:55,370 --> 01:43:01,743
♪ OOH, AND LOVING YOU...
2878
01:43:01,743 --> 01:43:06,281
A LITTLE TOO LONG, LONG ♪
2879
01:43:06,281 --> 01:43:10,618
♪ I DON'T WANT TO STOP NOW ♪
2880
01:43:10,618 --> 01:43:11,853
♪ OH ♪
2881
01:43:11,853 --> 01:43:14,389
[*...]
2882
01:43:14,389 --> 01:43:21,263
♪ WITH YOU, MY LIFE
2883
01:43:21,263 --> 01:43:27,269
HAS BEEN SO WONDERFUL, OH ♪
2884
01:43:27,269 --> 01:43:30,938
♪ I CAN'T STOP NOW ♪
2885
01:43:30,938 --> 01:43:35,743
[*...]
2886
01:43:35,743 --> 01:43:41,849
♪ YOU WERE TIRED
2887
01:43:41,849 --> 01:43:47,289
AND YOUR LOVE IS GROWING COLD ♪
2888
01:43:47,289 --> 01:43:48,055
♪ AND MY LOVE
2889
01:43:48,055 --> 01:43:52,360
IS GROWING STRONGER
2890
01:43:52,360 --> 01:43:54,362
AS OUR AFFAIR,
2891
01:43:54,362 --> 01:43:57,532
AFFAIR GROWS OLD ♪
2892
01:43:57,532 --> 01:44:03,338
♪ I'VE BEEN LOVING YOU...
2893
01:44:03,338 --> 01:44:07,709
A LITTLE TOO LONG, LONG ♪
2894
01:44:07,709 --> 01:44:12,314
♪ I DON'T WANT TO STOP NOW ♪
2895
01:44:12,314 --> 01:44:14,849
♪ OH ♪
2896
01:44:14,849 --> 01:44:17,419
♪ OH, OH ♪
2897
01:44:17,419 --> 01:44:23,391
♪ I'VE BEEN LOVING YOU...
2898
01:44:23,391 --> 01:44:27,929
A LITTLE TOO LONG, LONG ♪
2899
01:44:27,929 --> 01:44:33,000
♪ I DON'T WANT TO STOP NOW ♪
2900
01:44:33,000 --> 01:44:35,803
♪ OH ♪
2901
01:44:35,803 --> 01:44:37,572
♪ OH, OH, OH ♪
2902
01:44:37,572 --> 01:44:43,478
♪ AND DON'T MAKE ME STOP NOW ♪
2903
01:44:43,478 --> 01:44:45,980
♪ OH, BABY ♪
2904
01:44:45,980 --> 01:44:47,915
♪ I'M DOWN ON MY KNEES,
2905
01:44:47,915 --> 01:44:53,588
PLEASE DON'T MAKE ME STOP NOW ♪
2906
01:44:53,588 --> 01:44:55,923
♪ I LOVE YOU,
2907
01:44:55,923 --> 01:44:57,024
I LOVE YOU ♪
2908
01:44:57,024 --> 01:44:59,561
♪ I LOVE YOU WITH ALL MY HEART
2909
01:44:59,561 --> 01:45:01,396
AND I CAN'T STOP NOW ♪
2910
01:45:01,396 --> 01:45:04,098
[NO VOICES, *...]
2911
01:45:04,098 --> 01:45:06,934
♪ PLEASE, PLEASE,
2912
01:45:06,934 --> 01:45:08,603
PLEASE, YEAH ♪
2913
01:45:08,603 --> 01:45:10,071
♪ DON'T MAKE ME STOP NOW,
2914
01:45:10,071 --> 01:45:11,539
YEAH, YEAH, YEAH ♪
2915
01:45:11,539 --> 01:45:13,441
♪ I CRY OUT LOUD
2916
01:45:13,441 --> 01:45:14,609
FROM MY HEART AND SOUL
2917
01:45:14,609 --> 01:45:16,944
THAT I LOVE YA, I LOVE YA,
2918
01:45:16,944 --> 01:45:19,046
I LOVE YA, I LOVE YA ♪
2919
01:45:19,046 --> 01:45:19,914
♪ GOOD GOD, ALMIGHTY,
2920
01:45:19,914 --> 01:45:20,948
I LOVE YA... ♪
2921
01:45:20,948 --> 01:45:23,851
[SONG FADES TO SILENCE]
2922
01:45:26,654 --> 01:45:28,956
WILL YOU WRITE TO ME?
2923
01:45:28,956 --> 01:45:34,161
OF COURSE.
2924
01:45:34,161 --> 01:45:36,898
YOU WANT ME TO WRITE TO YOU?
2925
01:45:36,898 --> 01:45:42,970
YES.
2926
01:45:42,970 --> 01:45:47,575
YOU WON'T FORGET ME?
2927
01:45:47,575 --> 01:45:51,446
NO.
2928
01:45:51,446 --> 01:45:54,015
WILL YOU HOLD ME?
2929
01:46:02,690 --> 01:46:06,928
[REGISTER CLICKING]
2930
01:46:11,966 --> 01:46:13,501
...I'M SORRY, I'LL FIX THAT ON
2931
01:46:13,501 --> 01:46:16,137
THE SLIP.
2932
01:46:16,137 --> 01:46:18,973
[REGISTER CLICKING]
2933
01:46:24,078 --> 01:46:26,781
ARE YOU O.K., DEAR?
2934
01:46:26,781 --> 01:46:31,653
I'M FINE, I'M SORRY.
2935
01:46:31,653 --> 01:46:34,656
[REGISTER CLICKING]
2936
01:46:40,995 --> 01:46:43,431
[KNOCKING ON DOOR]
2937
01:46:47,602 --> 01:46:50,538
SHEILA?
2938
01:46:50,538 --> 01:46:55,209
ARE YOU HOME?
2939
01:46:55,209 --> 01:46:59,413
LIZ?
2940
01:47:14,662 --> 01:47:15,863
["THE STAR-SPANGLED BANNER"
2941
01:47:15,863 --> 01:47:18,700
PLAYING ON TV...]
2942
01:47:38,720 --> 01:47:44,125
[BIRDS CHIRPING]
2943
01:48:07,982 --> 01:48:10,585
Lianna: HI.
2944
01:48:10,585 --> 01:48:13,855
HI.
2945
01:48:13,855 --> 01:48:15,957
COULD I SIT DOWN?
2946
01:48:15,957 --> 01:48:18,760
SURE.
2947
01:48:27,802 --> 01:48:28,703
I HAVEN'T SEEN MUCH OF
2948
01:48:28,703 --> 01:48:31,606
YOU LATELY.
2949
01:48:31,606 --> 01:48:33,240
YEAH.
2950
01:48:38,312 --> 01:48:41,182
I'VE MISSED YOU.
2951
01:48:46,821 --> 01:48:50,858
LISTEN...
2952
01:48:50,858 --> 01:48:54,862
I HAVE THOUGHT ABOUT THIS A LOT
2953
01:48:54,862 --> 01:48:57,064
AND...
2954
01:48:57,064 --> 01:49:01,803
I DON'T WANT...
2955
01:49:01,803 --> 01:49:02,870
I MEAN, I'M NOT INTERESTED IN
2956
01:49:02,870 --> 01:49:06,808
WOMEN, YOU KNOW, FOR SEX.
2957
01:49:06,808 --> 01:49:07,642
AND I DON'T UNDERSTAND
2958
01:49:07,642 --> 01:49:11,345
WOMEN WHO ARE...
2959
01:49:11,345 --> 01:49:17,018
BUT I REALLY LOVE YOU, YOU KNOW.
2960
01:49:17,018 --> 01:49:21,956
I LOVE YOU TOO.
2961
01:49:21,956 --> 01:49:23,725
SHE LEFT YOU?
2962
01:49:23,725 --> 01:49:28,730
[SOFTLY] YES.
2963
01:49:28,730 --> 01:49:34,869
HOW ARE YOU?
2964
01:49:34,869 --> 01:49:37,639
I FEEL AWFUL.
2965
01:49:37,639 --> 01:49:42,409
I JUST FEEL SO AWFUL, I...
2966
01:49:42,409 --> 01:49:48,315
OH, HONEY, HONEY.
2967
01:49:48,315 --> 01:49:50,652
OH, I'M SORRY, I'M SO SORRY.
2968
01:49:50,652 --> 01:49:53,354
Woman: * MAYBE I'M RIGHT,
2969
01:49:53,354 --> 01:49:56,858
MAYBE I'M WRONG ♪
2970
01:49:56,858 --> 01:49:58,893
♪ MAYBE I'M WEAK
2971
01:49:58,893 --> 01:50:02,997
AND MAYBE I'M STRONG ♪
2972
01:50:02,997 --> 01:50:07,802
♪ NEVERTHELESS, I'M IN LOVE
2973
01:50:07,802 --> 01:50:10,071
WITH YOU ♪
2974
01:50:10,071 --> 01:50:13,174
[*...]
2975
01:50:13,174 --> 01:50:15,810
[NO VOICES, *...]
2976
01:50:15,810 --> 01:50:18,713
♪ MAYBE I'LL WIN,
2977
01:50:18,713 --> 01:50:21,849
MAYBE I'LL LOSE ♪
2978
01:50:21,849 --> 01:50:23,818
♪ MAYBE I'M IN
2979
01:50:23,818 --> 01:50:26,120
FOR CRYING THE BLUES ♪
2980
01:50:26,120 --> 01:50:32,694
♪ NEVERTHELESS, I'M IN LOVE
2981
01:50:32,694 --> 01:50:37,131
WITH YOU ♪
2982
01:50:37,131 --> 01:50:43,037
♪ SOMEHOW I KNOW AT A GLANCE
2983
01:50:43,037 --> 01:50:45,239
THE TERRIBLE CHANCES
2984
01:50:45,239 --> 01:50:51,813
I'M TAKING ♪
2985
01:50:51,813 --> 01:50:55,216
♪ FINE AT THE START,
2986
01:50:55,216 --> 01:50:57,151
THEN LEFT WITH A HEART
2987
01:50:57,151 --> 01:51:04,091
THAT IS BREAKING ♪
2988
01:51:04,792 --> 01:51:07,895
♪ MAYBE I'LL LIVE A
2989
01:51:07,895 --> 01:51:10,998
LIFE OF REGRET ♪
2990
01:51:10,998 --> 01:51:13,000
♪ MAYBE I'LL GIVE
2991
01:51:13,000 --> 01:51:17,104
MUCH MORE THAN I GET ♪
2992
01:51:17,104 --> 01:51:21,776
♪ NEVERTHELESS, I'M IN LOVE
2993
01:51:21,776 --> 01:51:25,279
WITH YOU ♪
2994
01:51:25,279 --> 01:51:29,416
[*...]
2995
01:51:51,038 --> 01:51:56,911
♪ SOMEHOW I KNOW AT A GLANCE
2996
01:51:56,911 --> 01:51:58,980
THE TERRIBLE CHANCES
2997
01:51:58,980 --> 01:52:05,286
I'M TAKING ♪
2998
01:52:05,286 --> 01:52:08,990
♪ FINE AT THE START,
2999
01:52:08,990 --> 01:52:10,958
THEN LEFT WITH A HEART
3000
01:52:10,958 --> 01:52:17,899
THAT IS BREAKING ♪
3001
01:52:18,833 --> 01:52:21,869
♪ MAYBE I'LL LIVE A
3002
01:52:21,869 --> 01:52:24,906
LIFE OF REGRET ♪
3003
01:52:24,906 --> 01:52:26,473
♪ MAYBE I'LL GIVE
3004
01:52:26,473 --> 01:52:30,945
MUCH MORE THAN I GET ♪
3005
01:52:30,945 --> 01:52:35,950
♪ NEVERTHELESS, I'M IN LOVE
3006
01:52:35,950 --> 01:52:42,890
WITH... YOU... ♪
3007
01:52:43,157 --> 01:52:48,029
♪ OOH, OOH... ♪
3008
01:52:48,029 --> 01:52:51,866
[MUSIC FADES]
184577
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