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These are the user uploaded subtitles that are being translated: 1 00:00:02,035 --> 00:00:03,036 >> HERE THEY COME. 2 00:00:03,036 --> 00:00:03,069 >> HERE THEY COME. 3 00:00:03,069 --> 00:00:04,203 >> Narrator: IT BEGAN AS A 4 00:00:04,204 --> 00:00:04,237 >> Narrator: IT BEGAN AS A 5 00:00:04,237 --> 00:00:07,406 SIMPLE TALE OF GOOD VERSUS EVIL 6 00:00:07,407 --> 00:00:07,473 SIMPLE TALE OF GOOD VERSUS EVIL 7 00:00:07,474 --> 00:00:09,776 AND BECAME A WORLDWIDE 8 00:00:09,776 --> 00:00:09,809 AND BECAME A WORLDWIDE 9 00:00:09,809 --> 00:00:10,609 PHENOMENON. 10 00:00:10,610 --> 00:00:10,643 PHENOMENON. 11 00:00:10,643 --> 00:00:11,577 >> Colbert: "STAR WARS" CAME 12 00:00:11,578 --> 00:00:11,611 >> Colbert: "STAR WARS" CAME 13 00:00:11,611 --> 00:00:13,379 OUT, AND WE WENT TO SCHOOL THE 14 00:00:13,380 --> 00:00:13,413 OUT, AND WE WENT TO SCHOOL THE 15 00:00:13,413 --> 00:00:15,948 NEXT DAY UNABLE TO EXPLAIN TO 16 00:00:15,949 --> 00:00:15,982 NEXT DAY UNABLE TO EXPLAIN TO 17 00:00:15,982 --> 00:00:18,017 OUR FRIENDS HOW EVERYTHING WAS 18 00:00:18,018 --> 00:00:18,051 OUR FRIENDS HOW EVERYTHING WAS 19 00:00:18,051 --> 00:00:20,253 DIFFERENT NOW. 20 00:00:20,253 --> 00:00:20,286 DIFFERENT NOW. 21 00:00:20,286 --> 00:00:21,320 >> Smith: SO MUCH OF MY 22 00:00:21,321 --> 00:00:21,354 >> Smith: SO MUCH OF MY 23 00:00:21,354 --> 00:00:23,222 CHILDHOOD WAS SPENT THINKING, 24 00:00:23,223 --> 00:00:23,256 CHILDHOOD WAS SPENT THINKING, 25 00:00:23,256 --> 00:00:24,557 DREAMING, WATCHING, PLAYING 26 00:00:24,557 --> 00:00:24,590 DREAMING, WATCHING, PLAYING 27 00:00:24,591 --> 00:00:25,792 "STAR WARS." 28 00:00:25,792 --> 00:00:25,825 "STAR WARS." 29 00:00:25,825 --> 00:00:27,526 >> Narrator: "STAR WARS" EVOLVED 30 00:00:27,527 --> 00:00:27,560 >> Narrator: "STAR WARS" EVOLVED 31 00:00:27,560 --> 00:00:28,961 INTO A SIX-CHAPTER CINEMATIC 32 00:00:28,962 --> 00:00:28,995 INTO A SIX-CHAPTER CINEMATIC 33 00:00:28,995 --> 00:00:31,397 SAGA, ONE THAT RESONATES WITH 34 00:00:31,398 --> 00:00:31,431 SAGA, ONE THAT RESONATES WITH 35 00:00:31,431 --> 00:00:33,166 SOME OF THE MOST ENDURING THEMES 36 00:00:33,166 --> 00:00:33,199 SOME OF THE MOST ENDURING THEMES 37 00:00:33,199 --> 00:00:34,600 FOUND IN LITERATURE... 38 00:00:34,601 --> 00:00:34,634 FOUND IN LITERATURE... 39 00:00:34,634 --> 00:00:36,068 MYTHOLOGY... 40 00:00:36,069 --> 00:00:36,102 MYTHOLOGY... 41 00:00:36,102 --> 00:00:37,169 RELIGION... 42 00:00:37,170 --> 00:00:37,236 RELIGION... 43 00:00:37,237 --> 00:00:38,171 AND HISTORY. 44 00:00:38,171 --> 00:00:38,204 AND HISTORY. 45 00:00:38,204 --> 00:00:40,039 >> Rather: WHAT "STAR WARS" DID 46 00:00:40,040 --> 00:00:40,073 >> Rather: WHAT "STAR WARS" DID 47 00:00:40,073 --> 00:00:41,874 WAS BRING THEM RIGHT UP TO DATE 48 00:00:41,875 --> 00:00:41,908 WAS BRING THEM RIGHT UP TO DATE 49 00:00:41,908 --> 00:00:44,810 AND REACH A NEW GENERATION. 50 00:00:44,811 --> 00:00:44,877 AND REACH A NEW GENERATION. 51 00:00:44,878 --> 00:00:46,079 >> Pelosi: IT BROKE NEW GROUND 52 00:00:46,079 --> 00:00:46,112 >> Pelosi: IT BROKE NEW GROUND 53 00:00:46,112 --> 00:00:47,713 IN TERMS OF COMMUNICATING A 54 00:00:47,714 --> 00:00:47,780 IN TERMS OF COMMUNICATING A 55 00:00:47,781 --> 00:00:48,515 MESSAGE. 56 00:00:48,515 --> 00:00:48,581 MESSAGE. 57 00:00:48,581 --> 00:00:50,316 >> HELP ME, OBI-WAN KENOBI. 58 00:00:50,316 --> 00:00:50,349 >> HELP ME, OBI-WAN KENOBI. 59 00:00:50,350 --> 00:00:51,884 >> Connelly: I WAS WITNESSING 60 00:00:51,885 --> 00:00:51,918 >> Connelly: I WAS WITNESSING 61 00:00:51,918 --> 00:00:54,253 THE CREATION OF MODERN MYTH. 62 00:00:54,254 --> 00:00:54,320 THE CREATION OF MODERN MYTH. 63 00:00:54,320 --> 00:00:55,621 >> Narrator: BUT JUST WHY IS 64 00:00:55,622 --> 00:00:55,655 >> Narrator: BUT JUST WHY IS 65 00:00:55,655 --> 00:00:57,523 "STAR WARS" CONSIDERED THE EPIC 66 00:00:57,524 --> 00:00:57,557 "STAR WARS" CONSIDERED THE EPIC 67 00:00:57,557 --> 00:00:58,958 TALE OF OUR TIME? 68 00:00:58,958 --> 00:00:58,991 TALE OF OUR TIME? 69 00:00:58,992 --> 00:01:00,093 >> Brokaw: FUTURE GENERATIONS 70 00:01:00,093 --> 00:01:00,159 >> Brokaw: FUTURE GENERATIONS 71 00:01:00,160 --> 00:01:02,128 WILL STILL BE ENTHRALLED BY IT. 72 00:01:02,128 --> 00:01:02,161 WILL STILL BE ENTHRALLED BY IT. 73 00:01:02,162 --> 00:01:03,530 >> Narrator: FIND OUT AS THE 74 00:01:03,530 --> 00:01:03,596 >> Narrator: FIND OUT AS THE 75 00:01:03,596 --> 00:01:05,731 "STAR WARS" LEGACY IS FINALLY 76 00:01:05,732 --> 00:01:05,765 "STAR WARS" LEGACY IS FINALLY 77 00:01:05,765 --> 00:01:07,166 REVEALED. 78 00:01:10,937 --> 00:01:12,905 [crowd chanting] 79 00:01:12,906 --> 00:01:12,972 [crowd chanting] 80 00:01:12,972 --> 00:01:14,974 "STAR WARS" WAS CONCEIVED BY 81 00:01:14,974 --> 00:01:15,007 "STAR WARS" WAS CONCEIVED BY 82 00:01:15,008 --> 00:01:16,275 WRITER AND DIRECTOR GEORGE 83 00:01:16,276 --> 00:01:16,342 WRITER AND DIRECTOR GEORGE 84 00:01:16,342 --> 00:01:18,911 LUCAS DURING THE EARLY 1970s, 85 00:01:18,912 --> 00:01:18,945 LUCAS DURING THE EARLY 1970s, 86 00:01:18,945 --> 00:01:20,646 A TIME OF INTENSE POLITICAL 87 00:01:20,647 --> 00:01:20,713 A TIME OF INTENSE POLITICAL 88 00:01:20,713 --> 00:01:22,881 UPHEAVAL AND SOCIAL UNREST, 89 00:01:22,882 --> 00:01:22,915 UPHEAVAL AND SOCIAL UNREST, 90 00:01:22,916 --> 00:01:24,784 ESPECIALLY IN AMERICA. 91 00:01:24,784 --> 00:01:24,817 ESPECIALLY IN AMERICA. 92 00:01:24,818 --> 00:01:26,186 >> Ellerbee: IT WAS NOT A 93 00:01:26,186 --> 00:01:26,219 >> Ellerbee: IT WAS NOT A 94 00:01:26,219 --> 00:01:28,354 HOPEFUL TIME IN AMERICA. 95 00:01:28,354 --> 00:01:28,387 HOPEFUL TIME IN AMERICA. 96 00:01:28,388 --> 00:01:30,156 WE WERE CYNICAL. 97 00:01:30,156 --> 00:01:30,189 WE WERE CYNICAL. 98 00:01:30,190 --> 00:01:31,257 WE WERE DISAPPOINTED. 99 00:01:31,257 --> 00:01:31,290 WE WERE DISAPPOINTED. 100 00:01:31,291 --> 00:01:32,892 OIL PRICES WERE THROUGH THE 101 00:01:32,892 --> 00:01:32,925 OIL PRICES WERE THROUGH THE 102 00:01:32,926 --> 00:01:33,660 ROOF. 103 00:01:33,660 --> 00:01:33,726 ROOF. 104 00:01:33,726 --> 00:01:35,260 OUR GOVERNMENT HAD LET US DOWN. 105 00:01:35,261 --> 00:01:35,294 OUR GOVERNMENT HAD LET US DOWN. 106 00:01:35,295 --> 00:01:36,195 >> Nixon: I SHALL RESIGN THE 107 00:01:36,196 --> 00:01:36,262 >> Nixon: I SHALL RESIGN THE 108 00:01:36,262 --> 00:01:37,997 PRESIDENCY EFFECTIVE AT NOON 109 00:01:37,997 --> 00:01:38,030 PRESIDENCY EFFECTIVE AT NOON 110 00:01:38,031 --> 00:01:38,631 TOMORROW. 111 00:01:38,631 --> 00:01:38,664 TOMORROW. 112 00:01:38,665 --> 00:01:39,632 >> Brokaw: AMERICA HAD BECOME 113 00:01:39,632 --> 00:01:39,665 >> Brokaw: AMERICA HAD BECOME 114 00:01:39,666 --> 00:01:41,000 UNHINGED IN A WAY, FOR GOOD OR 115 00:01:41,000 --> 00:01:41,033 UNHINGED IN A WAY, FOR GOOD OR 116 00:01:41,034 --> 00:01:42,268 FOR BAD, DEPENDING ON YOUR 117 00:01:42,268 --> 00:01:42,301 FOR BAD, DEPENDING ON YOUR 118 00:01:42,302 --> 00:01:44,103 POINT OF VIEW. 119 00:01:44,104 --> 00:01:44,137 POINT OF VIEW. 120 00:01:44,137 --> 00:01:45,471 EVERYTHING FROM DRESS TO THE 121 00:01:45,472 --> 00:01:45,505 EVERYTHING FROM DRESS TO THE 122 00:01:45,505 --> 00:01:47,707 USE OF DRUGS TO RELATIONSHIPS. 123 00:01:47,707 --> 00:01:47,740 USE OF DRUGS TO RELATIONSHIPS. 124 00:01:47,740 --> 00:01:49,341 THE CULTURE IN THIS COUNTRY HAD 125 00:01:49,342 --> 00:01:49,375 THE CULTURE IN THIS COUNTRY HAD 126 00:01:49,375 --> 00:01:50,743 BEEN TURNED UPSIDE DOWN. 127 00:01:50,743 --> 00:01:50,776 BEEN TURNED UPSIDE DOWN. 128 00:01:50,777 --> 00:01:51,944 >> Gingrich: THE COUNTRY WAS 129 00:01:51,945 --> 00:01:51,978 >> Gingrich: THE COUNTRY WAS 130 00:01:51,978 --> 00:01:53,346 DESPERATELY GROPING FOR REAL 131 00:01:53,346 --> 00:01:53,379 DESPERATELY GROPING FOR REAL 132 00:01:53,379 --> 00:01:53,946 CHANGE. 133 00:01:53,947 --> 00:01:54,013 CHANGE. 134 00:01:54,013 --> 00:01:55,748 "STAR WARS" CAME ALONG, AND IT 135 00:01:55,748 --> 00:01:55,781 "STAR WARS" CAME ALONG, AND IT 136 00:01:55,782 --> 00:01:58,651 REVALIDATED A CORE MYTHOLOGY, 137 00:01:58,651 --> 00:01:58,684 REVALIDATED A CORE MYTHOLOGY, 138 00:01:58,685 --> 00:02:00,286 THAT THERE IS GOOD AND EVIL, 139 00:02:00,286 --> 00:02:00,319 THAT THERE IS GOOD AND EVIL, 140 00:02:00,320 --> 00:02:02,455 THAT EVIL HAS TO BE DEFEATED. 141 00:02:02,455 --> 00:02:02,488 THAT EVIL HAS TO BE DEFEATED. 142 00:02:02,489 --> 00:02:05,925 >> [laughs] 143 00:02:05,925 --> 00:02:05,991 >> [laughs] 144 00:02:05,992 --> 00:02:07,560 >> Narrator: "STAR WARS" WAS 145 00:02:07,560 --> 00:02:07,626 >> Narrator: "STAR WARS" WAS 146 00:02:07,627 --> 00:02:08,928 FILLED WITH IMAGERY AND 147 00:02:08,928 --> 00:02:08,994 FILLED WITH IMAGERY AND 148 00:02:08,995 --> 00:02:10,663 CHARACTERS THAT HARKENED BACK TO 149 00:02:10,663 --> 00:02:10,729 CHARACTERS THAT HARKENED BACK TO 150 00:02:10,730 --> 00:02:12,465 MANY OF THE MOVIES AND BOOKS 151 00:02:12,465 --> 00:02:12,531 MANY OF THE MOVIES AND BOOKS 152 00:02:12,532 --> 00:02:14,367 THAT HAD CAPTIVATED GEORGE LUCAS 153 00:02:14,367 --> 00:02:14,400 THAT HAD CAPTIVATED GEORGE LUCAS 154 00:02:14,400 --> 00:02:15,934 DURING HIS CHILDHOOD IN MODESTO, 155 00:02:15,935 --> 00:02:16,001 DURING HIS CHILDHOOD IN MODESTO, 156 00:02:16,002 --> 00:02:17,937 CALIFORNIA. 157 00:02:17,937 --> 00:02:17,970 CALIFORNIA. 158 00:02:17,971 --> 00:02:19,539 AND AS THE SAGA CONTINUED TO 159 00:02:19,539 --> 00:02:19,572 AND AS THE SAGA CONTINUED TO 160 00:02:19,572 --> 00:02:22,174 UNFOLD, EACH NEW CHAPTER BECAME 161 00:02:22,175 --> 00:02:22,208 UNFOLD, EACH NEW CHAPTER BECAME 162 00:02:22,208 --> 00:02:23,909 RICHER AND DEEPER BY 163 00:02:23,910 --> 00:02:23,943 RICHER AND DEEPER BY 164 00:02:23,943 --> 00:02:25,210 INCORPORATING REFERENCES TO 165 00:02:25,211 --> 00:02:25,277 INCORPORATING REFERENCES TO 166 00:02:25,278 --> 00:02:26,679 POLITICS... 167 00:02:26,679 --> 00:02:26,712 POLITICS... 168 00:02:26,713 --> 00:02:27,914 PHILOSOPHY... 169 00:02:27,914 --> 00:02:27,947 PHILOSOPHY... 170 00:02:27,947 --> 00:02:29,315 RELIGION... 171 00:02:29,315 --> 00:02:29,348 RELIGION... 172 00:02:29,349 --> 00:02:30,383 HISTORY... 173 00:02:30,383 --> 00:02:30,416 HISTORY... 174 00:02:30,416 --> 00:02:31,650 AND MYTHOLOGY. 175 00:02:31,651 --> 00:02:31,684 AND MYTHOLOGY. 176 00:02:31,684 --> 00:02:32,751 >> Connelly: WHAT'S SO EXCITING 177 00:02:32,752 --> 00:02:32,785 >> Connelly: WHAT'S SO EXCITING 178 00:02:32,785 --> 00:02:34,219 ABOUT APPROACHING THE "STAR 179 00:02:34,220 --> 00:02:34,286 ABOUT APPROACHING THE "STAR 180 00:02:34,287 --> 00:02:36,022 WARS" CYCLE, IT'S VERY MUCH LIKE 181 00:02:36,022 --> 00:02:36,055 WARS" CYCLE, IT'S VERY MUCH LIKE 182 00:02:36,055 --> 00:02:38,123 AN ARCHAEOLOGICAL EXCAVATION. 183 00:02:38,124 --> 00:02:38,157 AN ARCHAEOLOGICAL EXCAVATION. 184 00:02:38,158 --> 00:02:39,659 ON THE SURFACE, ALL OF US CAN 185 00:02:39,659 --> 00:02:39,692 ON THE SURFACE, ALL OF US CAN 186 00:02:39,692 --> 00:02:42,494 SAY, "AH-HA, EXCALIBUR IS TO BE 187 00:02:42,495 --> 00:02:42,528 SAY, "AH-HA, EXCALIBUR IS TO BE 188 00:02:42,529 --> 00:02:44,330 SEEN IN THE LIGHT SABER." 189 00:02:44,330 --> 00:02:44,363 SEEN IN THE LIGHT SABER." 190 00:02:44,364 --> 00:02:45,865 IF YOU GO TO A DEEPER LEVEL, 191 00:02:45,865 --> 00:02:45,931 IF YOU GO TO A DEEPER LEVEL, 192 00:02:45,932 --> 00:02:47,833 YOU MAY COME TO THE ENTERING 193 00:02:47,834 --> 00:02:47,867 YOU MAY COME TO THE ENTERING 194 00:02:47,867 --> 00:02:50,469 INTO THE DEATH STAR AND SAY, 195 00:02:50,470 --> 00:02:50,503 INTO THE DEATH STAR AND SAY, 196 00:02:50,503 --> 00:02:52,505 "AH-HA, LET US REMEMBER THE 197 00:02:52,505 --> 00:02:52,571 "AH-HA, LET US REMEMBER THE 198 00:02:52,572 --> 00:02:53,673 GREEK HERO ODYSSEUS IN THE 199 00:02:53,673 --> 00:02:53,706 GREEK HERO ODYSSEUS IN THE 200 00:02:53,706 --> 00:02:54,973 UNDERWORLD." 201 00:02:54,974 --> 00:02:55,040 UNDERWORLD." 202 00:02:55,041 --> 00:02:56,142 >> THIS IS RED FIVE, I'M GOING 203 00:02:56,142 --> 00:02:56,175 >> THIS IS RED FIVE, I'M GOING 204 00:02:56,176 --> 00:02:58,044 IN. 205 00:02:58,044 --> 00:02:58,110 IN. 206 00:02:58,111 --> 00:02:59,045 >> Connelly: BUT THEN YOU CAN GO 207 00:02:59,045 --> 00:02:59,078 >> Connelly: BUT THEN YOU CAN GO 208 00:02:59,078 --> 00:03:00,679 DEEPER IN THE STRATOGRAPHIC 209 00:03:00,680 --> 00:03:00,713 DEEPER IN THE STRATOGRAPHIC 210 00:03:00,713 --> 00:03:01,513 LEVELS. 211 00:03:01,514 --> 00:03:01,580 LEVELS. 212 00:03:01,581 --> 00:03:03,316 AND WHAT'S FUN FOR ME PERSONALLY 213 00:03:03,316 --> 00:03:03,349 AND WHAT'S FUN FOR ME PERSONALLY 214 00:03:03,349 --> 00:03:04,750 IS WHEN I GET TO A POINT WHERE 215 00:03:04,751 --> 00:03:04,784 IS WHEN I GET TO A POINT WHERE 216 00:03:04,784 --> 00:03:08,687 I SAY, "DID GEORGE LUCAS MEAN 217 00:03:08,688 --> 00:03:08,721 I SAY, "DID GEORGE LUCAS MEAN 218 00:03:08,721 --> 00:03:10,522 FOR THIS CONNECTION TO BE MADE, 219 00:03:10,523 --> 00:03:10,589 FOR THIS CONNECTION TO BE MADE, 220 00:03:10,590 --> 00:03:11,524 OR AM I MAKING IT?" 221 00:03:11,524 --> 00:03:11,557 OR AM I MAKING IT?" 222 00:03:11,558 --> 00:03:13,593 AM I PARTICIPATING AS PART OF 223 00:03:13,593 --> 00:03:13,659 AM I PARTICIPATING AS PART OF 224 00:03:13,660 --> 00:03:15,595 THE POET, THE CREATOR IN SEEING 225 00:03:15,595 --> 00:03:15,661 THE POET, THE CREATOR IN SEEING 226 00:03:15,662 --> 00:03:16,696 CONNECTIONS?" 227 00:03:16,696 --> 00:03:16,729 CONNECTIONS?" 228 00:03:16,729 --> 00:03:18,230 AND THAT IS THE MYTHOLOGICAL 229 00:03:18,231 --> 00:03:18,264 AND THAT IS THE MYTHOLOGICAL 230 00:03:18,264 --> 00:03:21,767 PROCESS: EVERYONE SEES THEMSELF. 231 00:03:21,768 --> 00:03:21,801 PROCESS: EVERYONE SEES THEMSELF. 232 00:03:21,801 --> 00:03:23,135 >> Jackson: MYTHIC STORIES WERE 233 00:03:23,136 --> 00:03:23,169 >> Jackson: MYTHIC STORIES WERE 234 00:03:23,169 --> 00:03:24,336 ORIGINALLY DESIGNED AS 235 00:03:24,337 --> 00:03:24,403 ORIGINALLY DESIGNED AS 236 00:03:24,404 --> 00:03:25,671 CAUTIONARY TALES. 237 00:03:25,672 --> 00:03:25,705 CAUTIONARY TALES. 238 00:03:25,705 --> 00:03:28,808 THEY'RE STORIES WHICH INSTRUCT 239 00:03:28,808 --> 00:03:28,874 THEY'RE STORIES WHICH INSTRUCT 240 00:03:28,875 --> 00:03:30,676 US HOW WE SHOULD BEHAVE, HOW WE 241 00:03:30,677 --> 00:03:30,710 US HOW WE SHOULD BEHAVE, HOW WE 242 00:03:30,710 --> 00:03:32,244 SHOULD CONDUCT OURSELVES. 243 00:03:32,245 --> 00:03:32,311 SHOULD CONDUCT OURSELVES. 244 00:03:32,312 --> 00:03:34,981 >> ATTACHMENT LEADS TO JEALOUSY. 245 00:03:34,981 --> 00:03:35,047 >> ATTACHMENT LEADS TO JEALOUSY. 246 00:03:35,048 --> 00:03:38,351 TRAIN YOURSELF TO LET GO OF 247 00:03:38,351 --> 00:03:38,384 TRAIN YOURSELF TO LET GO OF 248 00:03:38,384 --> 00:03:41,420 EVERYTHING YOU FEAR TO LOSE. 249 00:03:41,421 --> 00:03:41,454 EVERYTHING YOU FEAR TO LOSE. 250 00:03:41,454 --> 00:03:42,421 >> Paglia: MYTHS IN EVERY 251 00:03:42,422 --> 00:03:42,455 >> Paglia: MYTHS IN EVERY 252 00:03:42,455 --> 00:03:44,523 CULTURE EMERGED OUT OF RELIGION. 253 00:03:44,524 --> 00:03:44,590 CULTURE EMERGED OUT OF RELIGION. 254 00:03:44,591 --> 00:03:46,092 THEY WERE WAYS TO MAKE SENSE 255 00:03:46,092 --> 00:03:46,125 THEY WERE WAYS TO MAKE SENSE 256 00:03:46,125 --> 00:03:48,360 OF THE UNIVERSE. 257 00:03:48,361 --> 00:03:48,427 OF THE UNIVERSE. 258 00:03:48,428 --> 00:03:50,363 THEN OVER TIME, MYTHS BEGAN TO 259 00:03:50,363 --> 00:03:50,429 THEN OVER TIME, MYTHS BEGAN TO 260 00:03:50,430 --> 00:03:53,733 ACCRUE AROUND WARRIOR FIGURES, 261 00:03:53,733 --> 00:03:53,799 ACCRUE AROUND WARRIOR FIGURES, 262 00:03:53,800 --> 00:03:55,501 HERO FIGURES. 263 00:03:55,501 --> 00:03:55,534 HERO FIGURES. 264 00:03:55,535 --> 00:03:57,069 AND I BELIEVE THAT IN ALL SIX 265 00:03:57,070 --> 00:03:57,136 AND I BELIEVE THAT IN ALL SIX 266 00:03:57,136 --> 00:03:58,537 "STAR WARS" FILMS, YOU JUST FEEL 267 00:03:58,538 --> 00:03:58,571 "STAR WARS" FILMS, YOU JUST FEEL 268 00:03:58,571 --> 00:04:00,272 THE SENSE OF THE WHOLE HISTORY 269 00:04:00,273 --> 00:04:00,306 THE SENSE OF THE WHOLE HISTORY 270 00:04:00,306 --> 00:04:01,774 OF MYTH AND ARCHETYPE. 271 00:04:01,774 --> 00:04:01,807 OF MYTH AND ARCHETYPE. 272 00:04:01,808 --> 00:04:02,909 >> Narrator: THE CONNECTION 273 00:04:02,909 --> 00:04:02,975 >> Narrator: THE CONNECTION 274 00:04:02,976 --> 00:04:04,177 BETWEEN "STAR WARS" AND 275 00:04:04,177 --> 00:04:04,243 BETWEEN "STAR WARS" AND 276 00:04:04,244 --> 00:04:06,012 MYTHOLOGY IS ALSO STRENGTHENED 277 00:04:06,012 --> 00:04:06,078 MYTHOLOGY IS ALSO STRENGTHENED 278 00:04:06,079 --> 00:04:07,647 BY THE DIRECT INFLUENCE OF 279 00:04:07,647 --> 00:04:07,713 BY THE DIRECT INFLUENCE OF 280 00:04:07,714 --> 00:04:09,449 FAMED MYTHOLOGICAL HISTORIAN 281 00:04:09,449 --> 00:04:09,515 FAMED MYTHOLOGICAL HISTORIAN 282 00:04:09,515 --> 00:04:10,716 JOSEPH CAMPBELL. 283 00:04:10,717 --> 00:04:10,783 JOSEPH CAMPBELL. 284 00:04:10,783 --> 00:04:12,084 >> Henderson: JOSEPH CAMPBELL 285 00:04:12,085 --> 00:04:12,118 >> Henderson: JOSEPH CAMPBELL 286 00:04:12,118 --> 00:04:15,988 WAS A PROFESSOR, AND HE WROTE A 287 00:04:15,989 --> 00:04:16,055 WAS A PROFESSOR, AND HE WROTE A 288 00:04:16,055 --> 00:04:18,624 VERY IMPORTANT BOOK ABOUT MYTH. 289 00:04:18,625 --> 00:04:18,658 VERY IMPORTANT BOOK ABOUT MYTH. 290 00:04:18,658 --> 00:04:21,093 AND THIS BOOK WAS USED ON 291 00:04:21,094 --> 00:04:21,160 AND THIS BOOK WAS USED ON 292 00:04:21,160 --> 00:04:23,095 COLLEGE CAMPUSES ACROSS THE 293 00:04:23,096 --> 00:04:23,129 COLLEGE CAMPUSES ACROSS THE 294 00:04:23,129 --> 00:04:24,797 COUNTRY. 295 00:04:24,797 --> 00:04:24,830 COUNTRY. 296 00:04:24,831 --> 00:04:26,799 AND THIS WAS A BOOK THAT GEORGE 297 00:04:26,799 --> 00:04:26,832 AND THIS WAS A BOOK THAT GEORGE 298 00:04:26,833 --> 00:04:28,267 LUCAS READ. 299 00:04:28,268 --> 00:04:28,301 LUCAS READ. 300 00:04:28,301 --> 00:04:31,170 IN IT, JOSEPH CAMPBELL SAID MYTH 301 00:04:31,170 --> 00:04:31,203 IN IT, JOSEPH CAMPBELL SAID MYTH 302 00:04:31,204 --> 00:04:34,106 IS A METAPHOR FOR THE EXPERIENCE 303 00:04:34,107 --> 00:04:34,140 IS A METAPHOR FOR THE EXPERIENCE 304 00:04:34,140 --> 00:04:35,207 OF LIFE. 305 00:04:35,208 --> 00:04:35,274 OF LIFE. 306 00:04:35,275 --> 00:04:36,476 >> Campbell: MYTHS AND DREAMS 307 00:04:36,476 --> 00:04:36,542 >> Campbell: MYTHS AND DREAMS 308 00:04:36,542 --> 00:04:37,476 COME FROM THE SAME PLACE. 309 00:04:37,477 --> 00:04:37,543 COME FROM THE SAME PLACE. 310 00:04:37,543 --> 00:04:40,178 THEY COME FROM REALIZATIONS OF 311 00:04:40,179 --> 00:04:40,212 THEY COME FROM REALIZATIONS OF 312 00:04:40,213 --> 00:04:43,649 SOME KIND THAT HAVE THEN TO FIND 313 00:04:43,650 --> 00:04:43,683 SOME KIND THAT HAVE THEN TO FIND 314 00:04:43,683 --> 00:04:45,818 EXPRESSION IN SYMBOLIC FORM. 315 00:04:45,818 --> 00:04:45,851 EXPRESSION IN SYMBOLIC FORM. 316 00:04:45,852 --> 00:04:46,986 >> Young: JOSEPH CAMPBELL WAS 317 00:04:46,986 --> 00:04:47,019 >> Young: JOSEPH CAMPBELL WAS 318 00:04:47,020 --> 00:04:49,489 VERY INFLUENCED BY CARL JUNG. 319 00:04:49,489 --> 00:04:49,555 VERY INFLUENCED BY CARL JUNG. 320 00:04:49,555 --> 00:04:50,989 AND JUNG'S THEORIES OF 321 00:04:50,990 --> 00:04:51,023 AND JUNG'S THEORIES OF 322 00:04:51,024 --> 00:04:53,126 PSYCHOLOGY EXPLAIN THAT WE 323 00:04:53,126 --> 00:04:53,192 PSYCHOLOGY EXPLAIN THAT WE 324 00:04:53,192 --> 00:04:55,294 PROCESS EXPERIENCE VISUALLY, 325 00:04:55,295 --> 00:04:55,328 PROCESS EXPERIENCE VISUALLY, 326 00:04:55,328 --> 00:04:56,762 THAT DEEPER THAN IDEAS OR 327 00:04:56,763 --> 00:04:56,796 THAT DEEPER THAN IDEAS OR 328 00:04:56,796 --> 00:04:58,130 FEELINGS, THERE'S A VISUAL FLOW, 329 00:04:58,131 --> 00:04:58,164 FEELINGS, THERE'S A VISUAL FLOW, 330 00:04:58,164 --> 00:04:59,665 VERY MUCH LIKE A MOVIE. 331 00:04:59,666 --> 00:04:59,699 VERY MUCH LIKE A MOVIE. 332 00:04:59,699 --> 00:05:00,933 >> Henderson: GEORGE LUCAS 333 00:05:00,933 --> 00:05:00,966 >> Henderson: GEORGE LUCAS 334 00:05:00,967 --> 00:05:02,568 STUDIED THE WORK OF JOSEPH 335 00:05:02,568 --> 00:05:02,634 STUDIED THE WORK OF JOSEPH 336 00:05:02,635 --> 00:05:05,137 CAMPBELL, AND, OF COURSE, HE 337 00:05:05,138 --> 00:05:05,204 CAMPBELL, AND, OF COURSE, HE 338 00:05:05,204 --> 00:05:06,738 WAS ALSO A FILMMAKER. 339 00:05:06,739 --> 00:05:06,772 WAS ALSO A FILMMAKER. 340 00:05:06,773 --> 00:05:09,041 AND IN THE "STAR WARS" FILMS, 341 00:05:09,042 --> 00:05:09,108 AND IN THE "STAR WARS" FILMS, 342 00:05:09,108 --> 00:05:11,043 GEORGE LUCAS HAS MADE A VERY 343 00:05:11,044 --> 00:05:11,110 GEORGE LUCAS HAS MADE A VERY 344 00:05:11,110 --> 00:05:13,946 COMPELLING USE OF ONE OF THE 345 00:05:13,946 --> 00:05:13,979 COMPELLING USE OF ONE OF THE 346 00:05:13,980 --> 00:05:15,948 MYTH FORMS, WHICH IS THE HERO'S 347 00:05:15,948 --> 00:05:16,014 MYTH FORMS, WHICH IS THE HERO'S 348 00:05:16,015 --> 00:05:17,816 JOURNEY, AND THIS IS BY FAR THE 349 00:05:17,817 --> 00:05:17,850 JOURNEY, AND THIS IS BY FAR THE 350 00:05:17,850 --> 00:05:21,320 MOST COMMONLY FOUND FORM IN THE 351 00:05:21,321 --> 00:05:21,354 MOST COMMONLY FOUND FORM IN THE 352 00:05:21,354 --> 00:05:23,489 HISTORY OF MYTHOLOGY. 353 00:05:26,826 --> 00:05:28,828 >> Young: "STAR WARS" IS WHAT'S 354 00:05:28,828 --> 00:05:28,861 >> Young: "STAR WARS" IS WHAT'S 355 00:05:28,861 --> 00:05:29,928 SOMETIMES CALLED THE HERO'S 356 00:05:29,929 --> 00:05:29,962 SOMETIMES CALLED THE HERO'S 357 00:05:29,962 --> 00:05:30,595 JOURNEY. 358 00:05:30,596 --> 00:05:30,629 JOURNEY. 359 00:05:30,630 --> 00:05:32,765 IT'S THE INITIATORY PATTERN 360 00:05:32,765 --> 00:05:32,798 IT'S THE INITIATORY PATTERN 361 00:05:32,799 --> 00:05:34,734 THAT IS A JOURNEY STORY THAT 362 00:05:34,734 --> 00:05:34,767 THAT IS A JOURNEY STORY THAT 363 00:05:34,767 --> 00:05:37,136 REPRESENTS A TRANSITION, MOVING 364 00:05:37,136 --> 00:05:37,202 REPRESENTS A TRANSITION, MOVING 365 00:05:37,203 --> 00:05:39,405 FROM ONE IDENTITY, SAY, YOUNG 366 00:05:39,405 --> 00:05:39,471 FROM ONE IDENTITY, SAY, YOUNG 367 00:05:39,472 --> 00:05:40,773 ADULTHOOD, INTO ANOTHER 368 00:05:40,773 --> 00:05:40,839 ADULTHOOD, INTO ANOTHER 369 00:05:40,840 --> 00:05:44,043 IDENTITY, SAY, FULL ADULTHOOD. 370 00:05:44,043 --> 00:05:44,109 IDENTITY, SAY, FULL ADULTHOOD. 371 00:05:44,110 --> 00:05:45,511 >> Narrator: OVER THE COURSE OF 372 00:05:45,511 --> 00:05:45,544 >> Narrator: OVER THE COURSE OF 373 00:05:45,545 --> 00:05:47,246 THE "STAR WARS" SAGA, TWO 374 00:05:47,246 --> 00:05:47,312 THE "STAR WARS" SAGA, TWO 375 00:05:47,313 --> 00:05:49,315 CHARACTERS SET OUT ON THE HERO'S 376 00:05:49,315 --> 00:05:49,348 CHARACTERS SET OUT ON THE HERO'S 377 00:05:49,349 --> 00:05:51,617 JOURNEY, ANAKIN SKYWALKER AND 378 00:05:51,617 --> 00:05:51,683 JOURNEY, ANAKIN SKYWALKER AND 379 00:05:51,684 --> 00:05:53,152 HIS SON, LUKE. 380 00:05:53,152 --> 00:05:53,218 HIS SON, LUKE. 381 00:05:53,219 --> 00:05:54,320 >> Lyden: EACH OF THEM IS 382 00:05:54,320 --> 00:05:54,386 >> Lyden: EACH OF THEM IS 383 00:05:54,387 --> 00:05:57,523 CALLED TO AN ADVENTURE. 384 00:05:57,523 --> 00:05:57,556 CALLED TO AN ADVENTURE. 385 00:05:57,557 --> 00:05:59,425 EACH OF THEM DOES NOT EXPECT 386 00:05:59,425 --> 00:05:59,458 EACH OF THEM DOES NOT EXPECT 387 00:05:59,459 --> 00:06:02,328 TO BE A HERO. 388 00:06:02,328 --> 00:06:02,394 TO BE A HERO. 389 00:06:02,395 --> 00:06:04,430 EACH OF THEM BECOMES DRAWN INTO 390 00:06:04,430 --> 00:06:04,463 EACH OF THEM BECOMES DRAWN INTO 391 00:06:04,464 --> 00:06:06,299 THIS STRUGGLE BETWEEN GOOD AND 392 00:06:06,299 --> 00:06:06,332 THIS STRUGGLE BETWEEN GOOD AND 393 00:06:06,332 --> 00:06:08,233 EVIL WHERE THEY HAVE TO CHOOSE 394 00:06:08,234 --> 00:06:08,267 EVIL WHERE THEY HAVE TO CHOOSE 395 00:06:08,267 --> 00:06:09,801 WHAT SIDE THEY WILL ALIGN 396 00:06:09,802 --> 00:06:09,868 WHAT SIDE THEY WILL ALIGN 397 00:06:09,869 --> 00:06:11,337 THEMSELVES WITH. 398 00:06:11,337 --> 00:06:11,370 THEMSELVES WITH. 399 00:06:11,371 --> 00:06:13,139 >> Narrator: FOR ANAKIN, THE 400 00:06:13,139 --> 00:06:13,172 >> Narrator: FOR ANAKIN, THE 401 00:06:13,172 --> 00:06:14,873 JOURNEY WILL BE A TRAGIC ONE, 402 00:06:14,874 --> 00:06:14,907 JOURNEY WILL BE A TRAGIC ONE, 403 00:06:14,907 --> 00:06:16,708 AS HIS ARROGANCE... 404 00:06:16,709 --> 00:06:16,775 AS HIS ARROGANCE... 405 00:06:16,776 --> 00:06:17,676 FEAR... 406 00:06:17,677 --> 00:06:17,710 FEAR... 407 00:06:17,710 --> 00:06:19,144 >> I WON'T LOSE YOU, PADME. 408 00:06:19,145 --> 00:06:19,178 >> I WON'T LOSE YOU, PADME. 409 00:06:19,178 --> 00:06:20,212 >> Narrator: AND DESIRE FOR 410 00:06:20,213 --> 00:06:20,246 >> Narrator: AND DESIRE FOR 411 00:06:20,246 --> 00:06:21,780 POWER ULTIMATELY TURN HIM FROM 412 00:06:21,781 --> 00:06:21,814 POWER ULTIMATELY TURN HIM FROM 413 00:06:21,814 --> 00:06:24,349 THE HERO'S PATH AND LEAD HIM TO 414 00:06:24,350 --> 00:06:24,383 THE HERO'S PATH AND LEAD HIM TO 415 00:06:24,384 --> 00:06:26,219 THE DARK SIDE, WHERE HE BECOMES 416 00:06:26,219 --> 00:06:26,252 THE DARK SIDE, WHERE HE BECOMES 417 00:06:26,252 --> 00:06:28,254 THE EVIL DARTH VADER. 418 00:06:28,254 --> 00:06:28,320 THE EVIL DARTH VADER. 419 00:06:28,321 --> 00:06:30,523 >> IF YOU ONLY KNEW THE POWER 420 00:06:30,523 --> 00:06:30,556 >> IF YOU ONLY KNEW THE POWER 421 00:06:30,556 --> 00:06:32,724 OF THE DARK SIDE. 422 00:06:32,725 --> 00:06:32,791 OF THE DARK SIDE. 423 00:06:32,792 --> 00:06:34,093 >> Narrator: AND LUKE'S JOURNEY 424 00:06:34,093 --> 00:06:34,159 >> Narrator: AND LUKE'S JOURNEY 425 00:06:34,160 --> 00:06:36,629 ULTIMATELY BECOMES A QUEST TO 426 00:06:36,629 --> 00:06:36,695 ULTIMATELY BECOMES A QUEST TO 427 00:06:36,696 --> 00:06:38,597 REDEEM HIS FATHER. 428 00:06:38,598 --> 00:06:38,631 REDEEM HIS FATHER. 429 00:06:38,631 --> 00:06:41,433 >> [deep mechanical breathing] 430 00:06:41,434 --> 00:06:41,467 >> [deep mechanical breathing] 431 00:06:41,467 --> 00:06:42,334 >> LUKE! 432 00:06:42,335 --> 00:06:42,368 >> LUKE! 433 00:06:42,368 --> 00:06:43,268 TAKE THESE TWO OVER TO THE 434 00:06:43,269 --> 00:06:43,302 TAKE THESE TWO OVER TO THE 435 00:06:43,302 --> 00:06:43,802 GARAGE. 436 00:06:43,803 --> 00:06:43,869 GARAGE. 437 00:06:43,870 --> 00:06:44,704 I WANT THEM CLEANED UP BEFORE 438 00:06:44,704 --> 00:06:44,737 I WANT THEM CLEANED UP BEFORE 439 00:06:44,737 --> 00:06:45,170 DINNER. 440 00:06:45,171 --> 00:06:45,237 DINNER. 441 00:06:45,238 --> 00:06:47,173 >> Henderson: LUKE STARTS OUT AS 442 00:06:47,173 --> 00:06:47,206 >> Henderson: LUKE STARTS OUT AS 443 00:06:47,206 --> 00:06:48,240 BEING NOBODY. 444 00:06:48,241 --> 00:06:48,274 BEING NOBODY. 445 00:06:48,274 --> 00:06:50,542 AND WHAT HE NEEDS IS A CALL TO 446 00:06:50,543 --> 00:06:50,576 AND WHAT HE NEEDS IS A CALL TO 447 00:06:50,576 --> 00:06:52,911 ADVENTURE TO GET HIM STARTED. 448 00:06:52,912 --> 00:06:52,978 ADVENTURE TO GET HIM STARTED. 449 00:06:52,979 --> 00:06:55,181 >> Help me, Obi-Wan Kenobi. 450 00:06:55,181 --> 00:06:55,247 >> Help me, Obi-Wan Kenobi. 451 00:06:55,248 --> 00:06:56,716 You're my only hope. 452 00:06:56,716 --> 00:06:56,749 You're my only hope. 453 00:06:56,749 --> 00:06:57,616 >> WHAT'S THIS? 454 00:06:57,617 --> 00:06:57,650 >> WHAT'S THIS? 455 00:06:57,650 --> 00:06:58,784 >> [beeping and whistling] 456 00:06:58,785 --> 00:06:58,818 >> [beeping and whistling] 457 00:06:58,818 --> 00:07:00,019 >> HE SAYS THAT HE IS THE 458 00:07:00,019 --> 00:07:00,085 >> HE SAYS THAT HE IS THE 459 00:07:00,086 --> 00:07:02,154 PROPERTY OF OBI-WAN KENOBI, A 460 00:07:02,155 --> 00:07:02,188 PROPERTY OF OBI-WAN KENOBI, A 461 00:07:02,188 --> 00:07:03,455 RESIDENT OF THESE PARTS, AND 462 00:07:03,456 --> 00:07:03,522 RESIDENT OF THESE PARTS, AND 463 00:07:03,523 --> 00:07:05,558 IT'S A PRIVATE MESSAGE FOR HIM. 464 00:07:05,558 --> 00:07:05,624 IT'S A PRIVATE MESSAGE FOR HIM. 465 00:07:05,625 --> 00:07:07,460 >> REST EASY, SON. 466 00:07:07,460 --> 00:07:07,493 >> REST EASY, SON. 467 00:07:07,493 --> 00:07:08,827 YOU'VE HAD A BUSY DAY. 468 00:07:08,828 --> 00:07:08,861 YOU'VE HAD A BUSY DAY. 469 00:07:08,861 --> 00:07:09,928 >> Young: THE CALL IS AN EVENT 470 00:07:09,929 --> 00:07:09,995 >> Young: THE CALL IS AN EVENT 471 00:07:09,996 --> 00:07:11,831 THAT PULLS US AWAY FROM FAMILIAR 472 00:07:11,831 --> 00:07:11,864 THAT PULLS US AWAY FROM FAMILIAR 473 00:07:11,864 --> 00:07:12,731 COMFORTS. 474 00:07:12,732 --> 00:07:12,798 COMFORTS. 475 00:07:12,799 --> 00:07:14,000 >> BEN? 476 00:07:14,000 --> 00:07:14,066 >> BEN? 477 00:07:14,066 --> 00:07:15,067 BEN KENOBI? 478 00:07:15,067 --> 00:07:15,100 BEN KENOBI? 479 00:07:15,101 --> 00:07:16,202 >> Young: IT PULLS US AWAY FROM 480 00:07:16,202 --> 00:07:16,235 >> Young: IT PULLS US AWAY FROM 481 00:07:16,235 --> 00:07:17,569 EVERYTHING THAT IS FAMILIAR TO 482 00:07:17,570 --> 00:07:17,603 EVERYTHING THAT IS FAMILIAR TO 483 00:07:17,603 --> 00:07:19,905 US, INCLUDING WHAT WE KNOW HOW 484 00:07:19,906 --> 00:07:19,972 US, INCLUDING WHAT WE KNOW HOW 485 00:07:19,972 --> 00:07:20,973 TO DO. 486 00:07:20,973 --> 00:07:21,006 TO DO. 487 00:07:21,007 --> 00:07:21,841 >> This is our most desperate 488 00:07:21,841 --> 00:07:21,874 >> This is our most desperate 489 00:07:21,874 --> 00:07:22,641 hour. 490 00:07:22,642 --> 00:07:22,708 hour. 491 00:07:22,708 --> 00:07:23,842 >> Young: WE'RE OUT IN A 492 00:07:23,843 --> 00:07:23,876 >> Young: WE'RE OUT IN A 493 00:07:23,876 --> 00:07:25,911 SITUATION THAT IS ENORMOUSLY 494 00:07:25,912 --> 00:07:25,945 SITUATION THAT IS ENORMOUSLY 495 00:07:25,945 --> 00:07:26,912 CHALLENGING. 496 00:07:26,913 --> 00:07:26,979 CHALLENGING. 497 00:07:26,979 --> 00:07:28,180 >> YOU MUST LEARN THE WAYS OF 498 00:07:28,181 --> 00:07:28,214 >> YOU MUST LEARN THE WAYS OF 499 00:07:28,214 --> 00:07:30,182 THE FORCE IF YOU'RE TO COME WITH 500 00:07:30,183 --> 00:07:30,216 THE FORCE IF YOU'RE TO COME WITH 501 00:07:30,216 --> 00:07:31,383 ME TO ALDERAAN. 502 00:07:31,384 --> 00:07:31,417 ME TO ALDERAAN. 503 00:07:31,417 --> 00:07:33,118 >> Jackson: LUKE FULFILLS A ROLE 504 00:07:33,119 --> 00:07:33,152 >> Jackson: LUKE FULFILLS A ROLE 505 00:07:33,152 --> 00:07:34,620 AS A MYTHIC HERO BECAUSE THEY 506 00:07:34,620 --> 00:07:34,653 AS A MYTHIC HERO BECAUSE THEY 507 00:07:34,654 --> 00:07:36,989 USUALLY START OUT AS BEING VERY 508 00:07:36,989 --> 00:07:37,022 USUALLY START OUT AS BEING VERY 509 00:07:37,023 --> 00:07:38,657 SIMPLE, SLIGHTLY INSECURE 510 00:07:38,658 --> 00:07:38,691 SIMPLE, SLIGHTLY INSECURE 511 00:07:38,691 --> 00:07:39,558 CHARACTERS. 512 00:07:39,559 --> 00:07:39,625 CHARACTERS. 513 00:07:39,625 --> 00:07:41,460 FOR EXAMPLE, CHARACTERS LIKE 514 00:07:41,461 --> 00:07:41,494 FOR EXAMPLE, CHARACTERS LIKE 515 00:07:41,494 --> 00:07:43,462 DOROTHY FROM "THE WIZARD OF OZ," 516 00:07:43,463 --> 00:07:43,496 DOROTHY FROM "THE WIZARD OF OZ," 517 00:07:43,496 --> 00:07:45,197 LIKE HARRY POTTER, LIKE KING 518 00:07:45,198 --> 00:07:45,264 LIKE HARRY POTTER, LIKE KING 519 00:07:45,264 --> 00:07:47,532 ARTHUR, THEY ARE WHAT'S CALLED 520 00:07:47,533 --> 00:07:47,566 ARTHUR, THEY ARE WHAT'S CALLED 521 00:07:47,567 --> 00:07:48,100 EVERYMAN. 522 00:07:48,100 --> 00:07:48,133 EVERYMAN. 523 00:07:48,134 --> 00:07:49,101 THEY'RE US. 524 00:07:49,101 --> 00:07:49,134 THEY'RE US. 525 00:07:49,135 --> 00:07:50,402 THEY HAVE THE SAME INSECURITIES 526 00:07:50,403 --> 00:07:50,469 THEY HAVE THE SAME INSECURITIES 527 00:07:50,470 --> 00:07:51,671 AND FEARS AS WE DO. 528 00:07:51,671 --> 00:07:51,737 AND FEARS AS WE DO. 529 00:07:51,737 --> 00:07:53,205 >> I CAN'T GET INVOLVED. 530 00:07:53,206 --> 00:07:53,239 >> I CAN'T GET INVOLVED. 531 00:07:53,239 --> 00:07:55,107 I'VE GOT WORK TO DO. 532 00:07:55,107 --> 00:07:55,173 I'VE GOT WORK TO DO. 533 00:07:55,174 --> 00:07:57,109 IT'S NOT THAT I LIKE THE EMPIRE. 534 00:07:57,109 --> 00:07:57,142 IT'S NOT THAT I LIKE THE EMPIRE. 535 00:07:57,143 --> 00:07:58,210 I HATE IT, BUT THERE'S NOTHING I 536 00:07:58,211 --> 00:07:58,244 I HATE IT, BUT THERE'S NOTHING I 537 00:07:58,244 --> 00:07:59,778 CAN DO ABOUT IT RIGHT NOW. 538 00:07:59,779 --> 00:07:59,845 CAN DO ABOUT IT RIGHT NOW. 539 00:07:59,846 --> 00:08:01,314 >> YOU MUST DO WHAT YOU FEEL IS 540 00:08:01,314 --> 00:08:01,347 >> YOU MUST DO WHAT YOU FEEL IS 541 00:08:01,347 --> 00:08:02,848 RIGHT, OF COURSE. 542 00:08:02,849 --> 00:08:02,882 RIGHT, OF COURSE. 543 00:08:02,882 --> 00:08:03,749 >> Young: THERE IS THE 544 00:08:03,749 --> 00:08:03,815 >> Young: THERE IS THE 545 00:08:03,816 --> 00:08:05,317 POSSIBILITY OF REJECTING THE 546 00:08:05,318 --> 00:08:05,384 POSSIBILITY OF REJECTING THE 547 00:08:05,384 --> 00:08:06,118 CALL. 548 00:08:06,118 --> 00:08:06,151 CALL. 549 00:08:06,152 --> 00:08:07,920 THAT IS, YOU SEE WHAT IS ASKED 550 00:08:07,920 --> 00:08:07,953 THAT IS, YOU SEE WHAT IS ASKED 551 00:08:07,954 --> 00:08:09,588 OF YOU, YOU SEE WHAT YOU COULD 552 00:08:09,589 --> 00:08:09,622 OF YOU, YOU SEE WHAT YOU COULD 553 00:08:09,622 --> 00:08:11,490 RISE TO AND YOU SAY, "I DON'T 554 00:08:11,491 --> 00:08:11,557 RISE TO AND YOU SAY, "I DON'T 555 00:08:11,557 --> 00:08:12,758 WANT TO GO." 556 00:08:12,758 --> 00:08:12,791 WANT TO GO." 557 00:08:12,792 --> 00:08:14,193 BUT MORE OFTEN, IT'S A KIND OF 558 00:08:14,193 --> 00:08:14,226 BUT MORE OFTEN, IT'S A KIND OF 559 00:08:14,227 --> 00:08:15,595 STRUGGLE, AND THERE'S A 560 00:08:15,595 --> 00:08:15,661 STRUGGLE, AND THERE'S A 561 00:08:15,661 --> 00:08:17,295 PREPARATORY TIME THERE, A KIND 562 00:08:17,296 --> 00:08:17,329 PREPARATORY TIME THERE, A KIND 563 00:08:17,330 --> 00:08:18,597 OF DRESS REHEARSAL WHILE A 564 00:08:18,598 --> 00:08:18,664 OF DRESS REHEARSAL WHILE A 565 00:08:18,664 --> 00:08:20,132 PERSON IS SAYING, "I'M NOT DOING 566 00:08:20,132 --> 00:08:20,198 PERSON IS SAYING, "I'M NOT DOING 567 00:08:20,199 --> 00:08:20,966 THIS." 568 00:08:20,967 --> 00:08:21,000 THIS." 569 00:08:21,000 --> 00:08:21,967 IN FACT, MENTALLY THEY'RE 570 00:08:21,968 --> 00:08:22,034 IN FACT, MENTALLY THEY'RE 571 00:08:22,034 --> 00:08:23,668 BRACING THEMSELVES. 572 00:08:23,669 --> 00:08:23,702 BRACING THEMSELVES. 573 00:08:23,703 --> 00:08:24,870 >> IF THEY TRACED THE ROBOTS 574 00:08:24,871 --> 00:08:24,904 >> IF THEY TRACED THE ROBOTS 575 00:08:24,904 --> 00:08:26,071 HERE, THEY MAY HAVE LEARNED WHO 576 00:08:26,072 --> 00:08:26,138 HERE, THEY MAY HAVE LEARNED WHO 577 00:08:26,138 --> 00:08:27,205 THEY SOLD THEM TO, AND THAT 578 00:08:27,206 --> 00:08:27,239 THEY SOLD THEM TO, AND THAT 579 00:08:27,240 --> 00:08:29,675 WOULD LEAD THEM BACK... HOME. 580 00:08:29,675 --> 00:08:29,741 WOULD LEAD THEM BACK... HOME. 581 00:08:29,742 --> 00:08:30,776 >> WAIT, LUKE! 582 00:08:30,776 --> 00:08:30,842 >> WAIT, LUKE! 583 00:08:30,843 --> 00:08:35,781 IT'S TOO DANGEROUS! 584 00:08:35,781 --> 00:08:35,847 IT'S TOO DANGEROUS! 585 00:08:35,848 --> 00:08:37,049 >> Galipeau: THE JOURNEY OF LUKE 586 00:08:37,049 --> 00:08:37,115 >> Galipeau: THE JOURNEY OF LUKE 587 00:08:37,116 --> 00:08:39,485 IS AN ARCHETYPAL JOURNEY, LIKE 588 00:08:39,485 --> 00:08:39,518 IS AN ARCHETYPAL JOURNEY, LIKE 589 00:08:39,519 --> 00:08:42,154 ODYSSEUS, FOR INSTANCE, OR EVEN 590 00:08:42,154 --> 00:08:42,220 ODYSSEUS, FOR INSTANCE, OR EVEN 591 00:08:42,221 --> 00:08:44,756 BIBLICAL FIGURES LIKE MOSES. 592 00:08:44,757 --> 00:08:44,790 BIBLICAL FIGURES LIKE MOSES. 593 00:08:44,790 --> 00:08:46,057 THEY DON'T NECESSARILY EVEN 594 00:08:46,058 --> 00:08:46,091 THEY DON'T NECESSARILY EVEN 595 00:08:46,092 --> 00:08:47,793 WANT TO DO WHAT THEY ARE CALLED 596 00:08:47,793 --> 00:08:47,826 WANT TO DO WHAT THEY ARE CALLED 597 00:08:47,827 --> 00:08:50,863 TO DO, BUT LIFE CONTRIVES TO 598 00:08:50,863 --> 00:08:50,896 TO DO, BUT LIFE CONTRIVES TO 599 00:08:50,897 --> 00:08:53,432 SEND THEM ON THE JOURNEY. 600 00:08:53,432 --> 00:08:53,465 SEND THEM ON THE JOURNEY. 601 00:08:53,466 --> 00:08:54,400 >> UNCLE OWEN?! 602 00:08:54,400 --> 00:08:54,433 >> UNCLE OWEN?! 603 00:08:54,433 --> 00:08:55,434 >> Abrams: AT THE HEART OF THE 604 00:08:55,434 --> 00:08:55,467 >> Abrams: AT THE HEART OF THE 605 00:08:55,468 --> 00:08:59,138 STORY IS SOME KID WHO IS BEING 606 00:08:59,138 --> 00:08:59,171 STORY IS SOME KID WHO IS BEING 607 00:08:59,171 --> 00:09:01,673 CALLED TO SERVICE, TO DEAL WITH 608 00:09:01,674 --> 00:09:01,707 CALLED TO SERVICE, TO DEAL WITH 609 00:09:01,707 --> 00:09:03,408 SOMETHING THAT IS SO MUCH BIGGER 610 00:09:03,409 --> 00:09:03,442 SOMETHING THAT IS SO MUCH BIGGER 611 00:09:03,442 --> 00:09:08,880 THAN HIM. 612 00:09:08,881 --> 00:09:08,914 THAN HIM. 613 00:09:08,915 --> 00:09:10,716 SUDDENLY THERE'S THIS VIOLENT, 614 00:09:10,716 --> 00:09:10,749 SUDDENLY THERE'S THIS VIOLENT, 615 00:09:10,750 --> 00:09:12,885 HEARTBREAKING MURDER OF HIS 616 00:09:12,885 --> 00:09:12,918 HEARTBREAKING MURDER OF HIS 617 00:09:12,919 --> 00:09:14,253 AUNT AND UNCLE, AND ALL OF A 618 00:09:14,253 --> 00:09:14,286 AUNT AND UNCLE, AND ALL OF A 619 00:09:14,287 --> 00:09:18,157 SUDDEN, THIS KID'S LIFE CHANGES. 620 00:09:18,157 --> 00:09:18,190 SUDDEN, THIS KID'S LIFE CHANGES. 621 00:09:18,190 --> 00:09:19,457 >> THERE'S NOTHING YOU COULD 622 00:09:19,458 --> 00:09:19,524 >> THERE'S NOTHING YOU COULD 623 00:09:19,525 --> 00:09:21,093 HAVE DONE, LUKE. 624 00:09:21,093 --> 00:09:21,159 HAVE DONE, LUKE. 625 00:09:21,160 --> 00:09:22,261 >> I WANT TO COME WITH YOU TO 626 00:09:22,261 --> 00:09:22,327 >> I WANT TO COME WITH YOU TO 627 00:09:22,328 --> 00:09:23,896 ALDERAAN. 628 00:09:23,896 --> 00:09:23,929 ALDERAAN. 629 00:09:23,930 --> 00:09:29,435 THERE'S NOTHING FOR ME HERE NOW. 630 00:09:29,435 --> 00:09:29,501 THERE'S NOTHING FOR ME HERE NOW. 631 00:09:29,502 --> 00:09:31,637 >> MOS EISLEY SPACE PORT. 632 00:09:31,637 --> 00:09:31,703 >> MOS EISLEY SPACE PORT. 633 00:09:31,704 --> 00:09:33,172 YOU WILL NEVER FIND A MORE 634 00:09:33,172 --> 00:09:33,205 YOU WILL NEVER FIND A MORE 635 00:09:33,205 --> 00:09:35,440 WRETCHED HIVE OF SCUM AND 636 00:09:35,441 --> 00:09:35,507 WRETCHED HIVE OF SCUM AND 637 00:09:35,508 --> 00:09:36,876 VILLAINY. 638 00:09:36,876 --> 00:09:36,909 VILLAINY. 639 00:09:36,909 --> 00:09:39,811 WE MUST BE CAUTIOUS. 640 00:09:39,812 --> 00:09:39,878 WE MUST BE CAUTIOUS. 641 00:09:39,879 --> 00:09:45,551 [lively music playing] 642 00:09:45,551 --> 00:09:45,617 [lively music playing] 643 00:09:45,618 --> 00:09:47,453 >> Young: THE CANTINA SCENE IS 644 00:09:47,453 --> 00:09:47,486 >> Young: THE CANTINA SCENE IS 645 00:09:47,486 --> 00:09:49,154 WHAT JOSEPH CAMPBELL REFERRED TO 646 00:09:49,155 --> 00:09:49,188 WHAT JOSEPH CAMPBELL REFERRED TO 647 00:09:49,188 --> 00:09:52,191 AS THE THRESHOLD CROSSING. 648 00:09:52,191 --> 00:09:52,257 AS THE THRESHOLD CROSSING. 649 00:09:52,258 --> 00:09:53,993 THIS IS A MOMENT WHEN YOU ARE 650 00:09:53,993 --> 00:09:54,059 THIS IS A MOMENT WHEN YOU ARE 651 00:09:54,060 --> 00:09:55,561 PROFOUNDLY AWARE THAT YOU'RE 652 00:09:55,561 --> 00:09:55,627 PROFOUNDLY AWARE THAT YOU'RE 653 00:09:55,628 --> 00:09:58,163 NOT IN KANSAS ANYMORE. 654 00:09:58,164 --> 00:09:58,197 NOT IN KANSAS ANYMORE. 655 00:09:58,197 --> 00:10:00,365 YOU ARE GOING INTO A BIZARRE 656 00:10:00,366 --> 00:10:00,399 YOU ARE GOING INTO A BIZARRE 657 00:10:00,399 --> 00:10:03,735 PLACE, AND IT'S VERY DANGEROUS. 658 00:10:03,736 --> 00:10:03,802 PLACE, AND IT'S VERY DANGEROUS. 659 00:10:03,803 --> 00:10:06,906 >> [growling gutturally] 660 00:10:06,906 --> 00:10:06,972 >> [growling gutturally] 661 00:10:06,973 --> 00:10:08,074 >> Young: AND THE CHARACTERS YOU 662 00:10:08,074 --> 00:10:08,107 >> Young: AND THE CHARACTERS YOU 663 00:10:08,107 --> 00:10:09,475 WILL BE DEALING WITH ARE NOT 664 00:10:09,475 --> 00:10:09,508 WILL BE DEALING WITH ARE NOT 665 00:10:09,508 --> 00:10:11,543 LIKE THE FOLKS BACK HOME. 666 00:10:11,544 --> 00:10:11,577 LIKE THE FOLKS BACK HOME. 667 00:10:11,577 --> 00:10:13,278 >> HE DOESN'T LIKE YOU. 668 00:10:13,279 --> 00:10:13,312 >> HE DOESN'T LIKE YOU. 669 00:10:13,312 --> 00:10:15,647 >> I'M SORRY. 670 00:10:15,648 --> 00:10:15,714 >> I'M SORRY. 671 00:10:15,715 --> 00:10:18,117 >> I DON'T LIKE YOU EITHER. 672 00:10:18,117 --> 00:10:18,183 >> I DON'T LIKE YOU EITHER. 673 00:10:18,184 --> 00:10:19,652 YOU JUST WATCH YOURSELF. 674 00:10:19,652 --> 00:10:19,718 YOU JUST WATCH YOURSELF. 675 00:10:19,719 --> 00:10:21,554 >> I'LL BE CAREFUL. 676 00:10:21,554 --> 00:10:21,620 >> I'LL BE CAREFUL. 677 00:10:21,621 --> 00:10:22,655 >> YOU'LL BE DEAD! 678 00:10:22,655 --> 00:10:22,688 >> YOU'LL BE DEAD! 679 00:10:22,688 --> 00:10:26,124 RAGH! 680 00:10:26,125 --> 00:10:26,158 RAGH! 681 00:10:26,158 --> 00:10:27,559 [blasters firing] 682 00:10:27,560 --> 00:10:27,593 [blasters firing] 683 00:10:27,593 --> 00:10:33,298 >> AAAGH! 684 00:10:33,299 --> 00:10:33,332 >> AAAGH! 685 00:10:33,332 --> 00:10:34,566 >> Whedon: LUKE SKYWALKER'S 686 00:10:34,567 --> 00:10:34,600 >> Whedon: LUKE SKYWALKER'S 687 00:10:34,600 --> 00:10:36,201 JOURNEY IS THE SIMPLE, CLASSIC 688 00:10:36,202 --> 00:10:36,268 JOURNEY IS THE SIMPLE, CLASSIC 689 00:10:36,268 --> 00:10:37,936 HERO THING OF, "I AM AN 690 00:10:37,937 --> 00:10:38,003 HERO THING OF, "I AM AN 691 00:10:38,004 --> 00:10:40,573 ADOLESCENT WHO IS ABOUT TO BREAK 692 00:10:40,573 --> 00:10:40,639 ADOLESCENT WHO IS ABOUT TO BREAK 693 00:10:40,640 --> 00:10:42,908 FROM A MUCH SMALLER VIEW OF THE 694 00:10:42,908 --> 00:10:42,941 FROM A MUCH SMALLER VIEW OF THE 695 00:10:42,942 --> 00:10:44,843 WORLD TO A MUCH LARGER ONE. 696 00:10:44,844 --> 00:10:44,910 WORLD TO A MUCH LARGER ONE. 697 00:10:44,910 --> 00:10:45,744 AND I'M GONNA GO THROUGH A 698 00:10:45,745 --> 00:10:45,778 AND I'M GONNA GO THROUGH A 699 00:10:45,778 --> 00:10:47,112 REALLY PAINFUL JOURNEY IN ORDER 700 00:10:47,113 --> 00:10:47,179 REALLY PAINFUL JOURNEY IN ORDER 701 00:10:47,179 --> 00:10:50,482 TO DO THAT." 702 00:10:50,483 --> 00:10:50,516 TO DO THAT." 703 00:10:50,516 --> 00:10:52,384 >> Lyden: JUST AS HERCULES AND 704 00:10:52,385 --> 00:10:52,418 >> Lyden: JUST AS HERCULES AND 705 00:10:52,418 --> 00:10:53,852 OTHER HEROES OF CLASSIC 706 00:10:53,853 --> 00:10:53,886 OTHER HEROES OF CLASSIC 707 00:10:53,886 --> 00:10:56,054 MYTHOLOGY HAD TO UNDERGO CERTAIN 708 00:10:56,055 --> 00:10:56,121 MYTHOLOGY HAD TO UNDERGO CERTAIN 709 00:10:56,122 --> 00:10:59,391 TASKS TO PROVE THEIR WORTH, SO 710 00:10:59,392 --> 00:10:59,425 TASKS TO PROVE THEIR WORTH, SO 711 00:10:59,425 --> 00:11:01,093 LUKE DEVELOPS AS A CHARACTER 712 00:11:01,093 --> 00:11:01,126 LUKE DEVELOPS AS A CHARACTER 713 00:11:01,127 --> 00:11:03,496 THROUGH THE TASKS HE UNDERTAKES. 714 00:11:06,532 --> 00:11:07,566 >> FOR LUCK. 715 00:11:07,566 --> 00:11:07,599 >> FOR LUCK. 716 00:11:07,600 --> 00:11:09,301 >> Lyden: HE RESCUES PRINCESS 717 00:11:09,301 --> 00:11:09,334 >> Lyden: HE RESCUES PRINCESS 718 00:11:09,335 --> 00:11:11,770 LEIA. 719 00:11:11,771 --> 00:11:11,804 LEIA. 720 00:11:11,804 --> 00:11:13,605 HE HELPS TO ATTACK THE DEATH 721 00:11:13,606 --> 00:11:13,639 HE HELPS TO ATTACK THE DEATH 722 00:11:13,639 --> 00:11:15,607 STAR, WHERE HE IS A KEY PLAYER. 723 00:11:15,608 --> 00:11:15,674 STAR, WHERE HE IS A KEY PLAYER. 724 00:11:15,675 --> 00:11:16,475 >> ARE YOU ALRIGHT?! 725 00:11:16,475 --> 00:11:16,508 >> ARE YOU ALRIGHT?! 726 00:11:16,509 --> 00:11:17,510 >> I GOT A LITTLE COOKED, BUT 727 00:11:17,510 --> 00:11:17,576 >> I GOT A LITTLE COOKED, BUT 728 00:11:17,576 --> 00:11:21,413 I'M OKAY. 729 00:11:21,414 --> 00:11:21,480 I'M OKAY. 730 00:11:21,480 --> 00:11:23,315 >> Lyden: HE'S SWEPT UP IN THE 731 00:11:23,315 --> 00:11:23,381 >> Lyden: HE'S SWEPT UP IN THE 732 00:11:23,382 --> 00:11:25,517 BATTLE ON HOTH AND IS ABLE TO 733 00:11:25,518 --> 00:11:25,551 BATTLE ON HOTH AND IS ABLE TO 734 00:11:25,551 --> 00:11:27,419 DEAL WITH THAT. 735 00:11:33,359 --> 00:11:35,160 [Chewbacca roars] 736 00:11:35,161 --> 00:11:35,227 [Chewbacca roars] 737 00:11:35,227 --> 00:11:36,695 >> AIIGH! 738 00:11:36,696 --> 00:11:36,729 >> AIIGH! 739 00:11:36,729 --> 00:11:38,063 >> Lyden: HE RESCUES HIS FRIENDS 740 00:11:38,064 --> 00:11:38,130 >> Lyden: HE RESCUES HIS FRIENDS 741 00:11:38,130 --> 00:11:39,965 FROM JABBA THE HUTT. 742 00:11:39,965 --> 00:11:40,031 FROM JABBA THE HUTT. 743 00:11:40,032 --> 00:11:41,333 >> LET'S GO, AND DON'T FORGET 744 00:11:41,333 --> 00:11:41,399 >> LET'S GO, AND DON'T FORGET 745 00:11:41,400 --> 00:11:42,067 THE DROIDS. 746 00:11:42,068 --> 00:11:42,101 THE DROIDS. 747 00:11:42,101 --> 00:11:44,303 >> WE'RE ON OUR WAY. 748 00:11:44,303 --> 00:11:44,336 >> WE'RE ON OUR WAY. 749 00:11:44,336 --> 00:11:45,303 >> Lyden: ALL OF THESE THINGS 750 00:11:45,304 --> 00:11:45,337 >> Lyden: ALL OF THESE THINGS 751 00:11:45,337 --> 00:11:47,872 ARE PART OF HIS PROVING HIMSELF. 752 00:11:47,873 --> 00:11:47,939 ARE PART OF HIS PROVING HIMSELF. 753 00:11:47,940 --> 00:11:51,343 ALTHOUGH HIS BIGGEST STRUGGLE IS 754 00:11:51,343 --> 00:11:51,409 ALTHOUGH HIS BIGGEST STRUGGLE IS 755 00:11:51,410 --> 00:11:52,878 WITH HIS OWN FATHER. 756 00:11:52,878 --> 00:11:52,911 WITH HIS OWN FATHER. 757 00:11:52,912 --> 00:11:57,349 >> HOW DID MY FATHER DIE? 758 00:11:57,349 --> 00:11:57,415 >> HOW DID MY FATHER DIE? 759 00:11:57,416 --> 00:11:59,518 >> A YOUNG JEDI NAMED DARTH 760 00:11:59,518 --> 00:11:59,584 >> A YOUNG JEDI NAMED DARTH 761 00:11:59,585 --> 00:12:01,620 VADER, HE BETRAYED AND MURDERED 762 00:12:01,620 --> 00:12:01,653 VADER, HE BETRAYED AND MURDERED 763 00:12:01,654 --> 00:12:03,155 YOUR FATHER. 764 00:12:13,866 --> 00:12:15,133 >> LUKE. 765 00:12:15,134 --> 00:12:15,167 >> LUKE. 766 00:12:15,167 --> 00:12:16,234 [deep mechanical breathing] 767 00:12:16,235 --> 00:12:16,268 [deep mechanical breathing] 768 00:12:16,268 --> 00:12:17,535 >> Paglia: THE WAY DARTH VADER 769 00:12:17,536 --> 00:12:17,569 >> Paglia: THE WAY DARTH VADER 770 00:12:17,570 --> 00:12:19,805 LOOMS AS THIS DARK, FACELESS 771 00:12:19,805 --> 00:12:19,838 LOOMS AS THIS DARK, FACELESS 772 00:12:19,839 --> 00:12:23,075 FIGURE OVER HIM IS EXACTLY THE 773 00:12:23,075 --> 00:12:23,108 FIGURE OVER HIM IS EXACTLY THE 774 00:12:23,109 --> 00:12:26,145 WAY THE DEAD FATHER OF HAMLET 775 00:12:26,145 --> 00:12:26,178 WAY THE DEAD FATHER OF HAMLET 776 00:12:26,178 --> 00:12:29,281 LOOMS IN THE PLAY "HAMLET" AS A 777 00:12:29,281 --> 00:12:29,314 LOOMS IN THE PLAY "HAMLET" AS A 778 00:12:29,315 --> 00:12:32,418 WALKING GHOST, A GHOST CLAD IN 779 00:12:32,418 --> 00:12:32,451 WALKING GHOST, A GHOST CLAD IN 780 00:12:32,451 --> 00:12:35,287 ARMOR WITH A SEPULCHRAL VOICE. 781 00:12:35,287 --> 00:12:35,320 ARMOR WITH A SEPULCHRAL VOICE. 782 00:12:35,321 --> 00:12:37,723 >> YOUR DESTINY LIES WITH ME, 783 00:12:37,723 --> 00:12:37,789 >> YOUR DESTINY LIES WITH ME, 784 00:12:37,790 --> 00:12:40,359 SKYWALKER. 785 00:12:40,359 --> 00:12:40,425 SKYWALKER. 786 00:12:40,426 --> 00:12:41,627 >> Rubino: THE STRUGGLE BETWEEN 787 00:12:41,627 --> 00:12:41,660 >> Rubino: THE STRUGGLE BETWEEN 788 00:12:41,660 --> 00:12:43,294 FATHER AND SON IS VERY PRESENT 789 00:12:43,295 --> 00:12:43,361 FATHER AND SON IS VERY PRESENT 790 00:12:43,362 --> 00:12:46,465 IN GREEK MYTH. 791 00:12:46,465 --> 00:12:46,498 IN GREEK MYTH. 792 00:12:46,499 --> 00:12:48,634 FOR EXAMPLE, ZEUS CAME TO POWER 793 00:12:48,634 --> 00:12:48,667 FOR EXAMPLE, ZEUS CAME TO POWER 794 00:12:48,667 --> 00:12:50,935 BY STRUGGLING WITH HIS FATHER, 795 00:12:50,936 --> 00:12:51,002 BY STRUGGLING WITH HIS FATHER, 796 00:12:51,003 --> 00:12:52,337 AND HIS FATHER BEFORE HIM 797 00:12:52,338 --> 00:12:52,371 AND HIS FATHER BEFORE HIM 798 00:12:52,371 --> 00:12:53,972 STRUGGLED WITH HIS FATHER. 799 00:12:53,973 --> 00:12:54,006 STRUGGLED WITH HIS FATHER. 800 00:12:54,006 --> 00:12:55,741 HIS WEAPON IS A THUNDERBOLT, 801 00:12:55,741 --> 00:12:55,807 HIS WEAPON IS A THUNDERBOLT, 802 00:12:55,808 --> 00:12:57,075 LIGHTNING. 803 00:12:57,076 --> 00:12:57,109 LIGHTNING. 804 00:12:57,109 --> 00:12:59,544 SO WHEN I SAW DARTH VADER 805 00:12:59,545 --> 00:12:59,611 SO WHEN I SAW DARTH VADER 806 00:12:59,612 --> 00:13:01,013 FIGHTING WITH LUKE SKYWALKER 807 00:13:01,013 --> 00:13:01,046 FIGHTING WITH LUKE SKYWALKER 808 00:13:01,046 --> 00:13:02,914 WITH THESE LIGHT BEAMS, I 809 00:13:02,915 --> 00:13:02,981 WITH THESE LIGHT BEAMS, I 810 00:13:02,982 --> 00:13:04,283 THOUGHT OF THE THUNDERBOLT OF 811 00:13:04,283 --> 00:13:04,316 THOUGHT OF THE THUNDERBOLT OF 812 00:13:04,316 --> 00:13:06,384 ZEUS. 813 00:13:06,385 --> 00:13:06,418 ZEUS. 814 00:13:06,418 --> 00:13:08,353 >> Galipeau: THE LUKE/VADER 815 00:13:08,354 --> 00:13:08,387 >> Galipeau: THE LUKE/VADER 816 00:13:08,387 --> 00:13:09,721 RELATIONSHIP, IT'S ACTUALLY A 817 00:13:09,722 --> 00:13:09,755 RELATIONSHIP, IT'S ACTUALLY A 818 00:13:09,755 --> 00:13:11,389 BIBLICAL THEME IN THE SENSE THAT 819 00:13:11,390 --> 00:13:11,456 BIBLICAL THEME IN THE SENSE THAT 820 00:13:11,457 --> 00:13:13,125 THE BIBLE TALKS ABOUT THE SINS 821 00:13:13,125 --> 00:13:13,158 THE BIBLE TALKS ABOUT THE SINS 822 00:13:13,159 --> 00:13:15,294 OF THE FATHERS WILL BE PASSED ON 823 00:13:15,294 --> 00:13:15,327 OF THE FATHERS WILL BE PASSED ON 824 00:13:15,327 --> 00:13:16,928 TO THE SONS AND DAUGHTERS TO THE 825 00:13:16,929 --> 00:13:16,995 TO THE SONS AND DAUGHTERS TO THE 826 00:13:16,996 --> 00:13:19,031 FIFTH AND SIXTH GENERATION. 827 00:13:19,031 --> 00:13:19,064 FIFTH AND SIXTH GENERATION. 828 00:13:19,064 --> 00:13:20,832 >> YOU ARE BEATEN. 829 00:13:20,833 --> 00:13:20,899 >> YOU ARE BEATEN. 830 00:13:20,900 --> 00:13:22,835 IT IS USELESS TO RESIST. 831 00:13:22,835 --> 00:13:22,868 IT IS USELESS TO RESIST. 832 00:13:22,868 --> 00:13:24,569 DON'T LET YOURSELF BE DESTROYED 833 00:13:24,570 --> 00:13:24,603 DON'T LET YOURSELF BE DESTROYED 834 00:13:24,603 --> 00:13:27,572 AS OBI-WAN DID. 835 00:13:27,573 --> 00:13:27,639 AS OBI-WAN DID. 836 00:13:27,640 --> 00:13:28,674 >> Mitchell: THERE'S ALWAYS A 837 00:13:28,674 --> 00:13:28,707 >> Mitchell: THERE'S ALWAYS A 838 00:13:28,707 --> 00:13:30,208 SENSE THAT, BASICALLY, EVIL IS 839 00:13:30,209 --> 00:13:30,242 SENSE THAT, BASICALLY, EVIL IS 840 00:13:30,242 --> 00:13:31,476 INESCAPABLE IN ALL OF US AND 841 00:13:31,477 --> 00:13:31,543 INESCAPABLE IN ALL OF US AND 842 00:13:31,544 --> 00:13:32,945 GUILT IS INESCAPABLE IN ALL OF 843 00:13:32,945 --> 00:13:33,011 GUILT IS INESCAPABLE IN ALL OF 844 00:13:33,012 --> 00:13:34,747 US, AND WE HAVE TO ACKNOWLEDGE 845 00:13:34,747 --> 00:13:34,780 US, AND WE HAVE TO ACKNOWLEDGE 846 00:13:34,780 --> 00:13:35,580 THAT. 847 00:13:35,581 --> 00:13:35,647 THAT. 848 00:13:35,648 --> 00:13:36,582 >> WE'LL TAKE HIM TOGETHER. 849 00:13:36,582 --> 00:13:36,615 >> WE'LL TAKE HIM TOGETHER. 850 00:13:36,615 --> 00:13:37,582 YOU GO IN SLOWLY-- 851 00:13:37,583 --> 00:13:37,649 YOU GO IN SLOWLY-- 852 00:13:37,650 --> 00:13:38,751 >> NO, I'M TAKING HIM NOW! 853 00:13:38,751 --> 00:13:38,784 >> NO, I'M TAKING HIM NOW! 854 00:13:38,784 --> 00:13:42,587 >> NO, ANAKIN, NO! 855 00:13:42,588 --> 00:13:42,621 >> NO, ANAKIN, NO! 856 00:13:42,621 --> 00:13:43,855 >> Mitchell: LUKE'S FATHER IS 857 00:13:43,856 --> 00:13:43,922 >> Mitchell: LUKE'S FATHER IS 858 00:13:43,923 --> 00:13:45,024 SCARRED. 859 00:13:45,024 --> 00:13:45,057 SCARRED. 860 00:13:45,057 --> 00:13:47,959 >> AAH! 861 00:13:47,960 --> 00:13:47,993 >> AAH! 862 00:13:47,993 --> 00:13:49,327 >> Mitchell: AND PASSES THE SCAR 863 00:13:49,328 --> 00:13:49,394 >> Mitchell: AND PASSES THE SCAR 864 00:13:49,395 --> 00:13:51,597 ON TO HIS SON. 865 00:13:51,597 --> 00:13:51,630 ON TO HIS SON. 866 00:13:51,630 --> 00:13:52,831 IT'S A PASSING DOWN OF THE MARK 867 00:13:52,832 --> 00:13:52,865 IT'S A PASSING DOWN OF THE MARK 868 00:13:52,865 --> 00:13:53,765 OF CAIN. 869 00:13:53,766 --> 00:13:53,799 OF CAIN. 870 00:13:53,799 --> 00:13:57,202 >> AGGGGH!! 871 00:13:57,203 --> 00:13:57,236 >> AGGGGH!! 872 00:13:57,236 --> 00:13:58,770 >> Mitchell: FINALLY, ALL THIS 873 00:13:58,771 --> 00:13:58,837 >> Mitchell: FINALLY, ALL THIS 874 00:13:58,838 --> 00:14:01,240 COMES TO REST IN LUKE SKYWALKER. 875 00:14:01,240 --> 00:14:01,273 COMES TO REST IN LUKE SKYWALKER. 876 00:14:01,273 --> 00:14:03,775 >> OBI-WAN NEVER TOLD YOU WHAT 877 00:14:03,776 --> 00:14:03,842 >> OBI-WAN NEVER TOLD YOU WHAT 878 00:14:03,843 --> 00:14:05,411 HAPPENED TO YOUR FATHER. 879 00:14:05,411 --> 00:14:05,477 HAPPENED TO YOUR FATHER. 880 00:14:05,477 --> 00:14:07,245 >> HE TOLD ME YOU KILLED HIM. 881 00:14:07,246 --> 00:14:07,312 >> HE TOLD ME YOU KILLED HIM. 882 00:14:07,313 --> 00:14:08,747 >> NO. 883 00:14:08,747 --> 00:14:08,780 >> NO. 884 00:14:08,781 --> 00:14:11,517 I AM YOUR FATHER. 885 00:14:11,517 --> 00:14:11,550 I AM YOUR FATHER. 886 00:14:11,550 --> 00:14:14,219 >> NO!! 887 00:14:14,220 --> 00:14:14,253 >> NO!! 888 00:14:14,253 --> 00:14:16,054 NO! 889 00:14:16,055 --> 00:14:16,121 NO! 890 00:14:16,121 --> 00:14:18,056 >> Mitchell: LUKE HAS TO REALIZE 891 00:14:18,057 --> 00:14:18,090 >> Mitchell: LUKE HAS TO REALIZE 892 00:14:18,090 --> 00:14:19,958 THAT HE'S A PART OF A FAMILY AND 893 00:14:19,959 --> 00:14:19,992 THAT HE'S A PART OF A FAMILY AND 894 00:14:19,992 --> 00:14:21,960 TO NOT CARRY ON THE SINS OF THE 895 00:14:21,961 --> 00:14:22,027 TO NOT CARRY ON THE SINS OF THE 896 00:14:22,027 --> 00:14:23,228 FATHER. 897 00:14:23,229 --> 00:14:23,262 FATHER. 898 00:14:23,262 --> 00:14:25,664 >> JOIN ME, AND TOGETHER WE CAN 899 00:14:25,664 --> 00:14:25,697 >> JOIN ME, AND TOGETHER WE CAN 900 00:14:25,698 --> 00:14:28,400 RULE THE GALAXY AS FATHER AND 901 00:14:28,400 --> 00:14:28,433 RULE THE GALAXY AS FATHER AND 902 00:14:28,434 --> 00:14:29,401 SON. 903 00:14:29,401 --> 00:14:29,434 SON. 904 00:14:29,435 --> 00:14:31,804 [wind whistling] 905 00:14:34,840 --> 00:14:35,874 >> Young: IN A DRAMA, THERE 906 00:14:35,875 --> 00:14:35,941 >> Young: IN A DRAMA, THERE 907 00:14:35,941 --> 00:14:37,342 WILL BE A SERIOUS BATTLE AND A 908 00:14:37,343 --> 00:14:37,409 WILL BE A SERIOUS BATTLE AND A 909 00:14:37,409 --> 00:14:39,878 SERIOUS WOUNDING. 910 00:14:39,879 --> 00:14:39,912 SERIOUS WOUNDING. 911 00:14:39,912 --> 00:14:41,146 >> UGH... 912 00:14:41,146 --> 00:14:41,179 >> UGH... 913 00:14:41,180 --> 00:14:42,247 >> Young: THROUGHOUT THE REST OF 914 00:14:42,248 --> 00:14:42,314 >> Young: THROUGHOUT THE REST OF 915 00:14:42,314 --> 00:14:43,615 THE DRAMA, THE EFFECT OF THAT 916 00:14:43,616 --> 00:14:43,682 THE DRAMA, THE EFFECT OF THAT 917 00:14:43,682 --> 00:14:46,685 WOUND WILL SHAPE THE ACTIONS OF 918 00:14:46,685 --> 00:14:46,718 WOUND WILL SHAPE THE ACTIONS OF 919 00:14:46,719 --> 00:14:48,053 THE HERO. 920 00:14:48,053 --> 00:14:48,086 THE HERO. 921 00:14:48,087 --> 00:14:48,887 >> ANAKIN! 922 00:14:48,888 --> 00:14:48,921 >> ANAKIN! 923 00:14:48,921 --> 00:14:50,355 >> Young: IT IS LETTING US KNOW 924 00:14:50,356 --> 00:14:50,389 >> Young: IT IS LETTING US KNOW 925 00:14:50,389 --> 00:14:52,157 THE DANGERS OF ADULTHOOD. 926 00:14:52,157 --> 00:14:52,190 THE DANGERS OF ADULTHOOD. 927 00:14:52,191 --> 00:14:54,326 >> LEIA... 928 00:14:54,326 --> 00:14:54,359 >> LEIA... 929 00:14:54,360 --> 00:14:55,894 >> Young: THE REAL INJURIES OF 930 00:14:55,895 --> 00:14:55,928 >> Young: THE REAL INJURIES OF 931 00:14:55,928 --> 00:14:58,430 LIFE ADD UP AS WE GO ALONG. 932 00:15:03,335 --> 00:15:06,271 THAT IS THE MAKING OF CHARACTER. 933 00:15:06,272 --> 00:15:06,338 THAT IS THE MAKING OF CHARACTER. 934 00:15:06,338 --> 00:15:07,439 >> OW. 935 00:15:07,439 --> 00:15:07,505 >> OW. 936 00:15:07,506 --> 00:15:08,907 >> Young: THAT IS WHAT MAKES US 937 00:15:08,908 --> 00:15:08,941 >> Young: THAT IS WHAT MAKES US 938 00:15:08,941 --> 00:15:11,610 HUMAN AND ADULT AND, IN A WAY, 939 00:15:11,610 --> 00:15:11,643 HUMAN AND ADULT AND, IN A WAY, 940 00:15:11,644 --> 00:15:13,078 WISE. 941 00:15:23,188 --> 00:15:25,023 [high-pitched scream] 942 00:15:25,024 --> 00:15:25,057 [high-pitched scream] 943 00:15:25,057 --> 00:15:27,559 >> [beeps] 944 00:15:35,467 --> 00:15:38,503 [beeps] 945 00:15:38,504 --> 00:15:38,570 [beeps] 946 00:15:38,570 --> 00:15:40,572 >> HELLO, THERE. 947 00:15:45,311 --> 00:15:46,412 >> Narrator: YODA. 948 00:15:46,412 --> 00:15:46,445 >> Narrator: YODA. 949 00:15:46,445 --> 00:15:48,780 >> YOU MUST UNLEARN WHAT YOU 950 00:15:48,781 --> 00:15:48,814 >> YOU MUST UNLEARN WHAT YOU 951 00:15:48,814 --> 00:15:50,248 HAVE LEARNED. 952 00:15:50,249 --> 00:15:50,315 HAVE LEARNED. 953 00:15:50,316 --> 00:15:51,383 >> Narrator: QUI-GON. 954 00:15:51,383 --> 00:15:51,416 >> Narrator: QUI-GON. 955 00:15:51,417 --> 00:15:53,519 >> FEEL, DON'T THINK. 956 00:15:53,519 --> 00:15:53,585 >> FEEL, DON'T THINK. 957 00:15:53,585 --> 00:15:55,153 USE YOUR INSTINCTS. 958 00:15:55,154 --> 00:15:55,220 USE YOUR INSTINCTS. 959 00:15:55,220 --> 00:15:56,688 >> Narrator: OBI-WAN. 960 00:15:56,689 --> 00:15:56,722 >> Narrator: OBI-WAN. 961 00:15:56,722 --> 00:15:58,490 >> REMEMBER, A JEDI CAN FEEL THE 962 00:15:58,490 --> 00:15:58,523 >> REMEMBER, A JEDI CAN FEEL THE 963 00:15:58,524 --> 00:16:00,759 FORCE FLOWING THROUGH HIM. 964 00:16:00,759 --> 00:16:00,792 FORCE FLOWING THROUGH HIM. 965 00:16:00,793 --> 00:16:01,794 >> Narrator: IN MYTHIC 966 00:16:01,794 --> 00:16:01,860 >> Narrator: IN MYTHIC 967 00:16:01,860 --> 00:16:03,695 TRADITION, THESE THREE 968 00:16:03,696 --> 00:16:03,729 TRADITION, THESE THREE 969 00:16:03,729 --> 00:16:05,297 CHARACTERS SHARE THE ROLE OF 970 00:16:05,297 --> 00:16:05,330 CHARACTERS SHARE THE ROLE OF 971 00:16:05,331 --> 00:16:06,332 MENTOR. 972 00:16:06,332 --> 00:16:06,398 MENTOR. 973 00:16:06,398 --> 00:16:08,500 >> THE FORCE WILL BE WITH YOU... 974 00:16:08,500 --> 00:16:08,533 >> THE FORCE WILL BE WITH YOU... 975 00:16:08,534 --> 00:16:11,169 ALWAYS. 976 00:16:11,170 --> 00:16:11,236 ALWAYS. 977 00:16:11,236 --> 00:16:13,304 >> Narrator: PART WIZARD... 978 00:16:13,305 --> 00:16:13,338 >> Narrator: PART WIZARD... 979 00:16:13,339 --> 00:16:15,140 PART PRIEST... 980 00:16:15,140 --> 00:16:15,173 PART PRIEST... 981 00:16:15,174 --> 00:16:16,975 PART SURROGATE PARENT... 982 00:16:16,976 --> 00:16:17,042 PART SURROGATE PARENT... 983 00:16:17,042 --> 00:16:18,977 MENTORS GIVE PHILOSOPHICAL AND 984 00:16:18,978 --> 00:16:19,011 MENTORS GIVE PHILOSOPHICAL AND 985 00:16:19,011 --> 00:16:21,413 SPIRITUAL GUIDANCE TO THE HERO. 986 00:16:21,413 --> 00:16:21,446 SPIRITUAL GUIDANCE TO THE HERO. 987 00:16:21,447 --> 00:16:23,248 >> I DON'T UNDERSTAND. 988 00:16:23,248 --> 00:16:23,314 >> I DON'T UNDERSTAND. 989 00:16:23,315 --> 00:16:24,783 >> WITH TIME AND TRAINING, ANI, 990 00:16:24,783 --> 00:16:24,816 >> WITH TIME AND TRAINING, ANI, 991 00:16:24,817 --> 00:16:26,151 YOU WILL. 992 00:16:26,151 --> 00:16:26,217 YOU WILL. 993 00:16:26,218 --> 00:16:27,519 >> Narrator: THEY OFTEN POSSESS 994 00:16:27,519 --> 00:16:27,585 >> Narrator: THEY OFTEN POSSESS 995 00:16:27,586 --> 00:16:29,154 ALMOST MAGICAL POWERS THAT 996 00:16:29,154 --> 00:16:29,187 ALMOST MAGICAL POWERS THAT 997 00:16:29,188 --> 00:16:31,423 REFLECT A LIFETIME OF STUDY, 998 00:16:31,423 --> 00:16:31,456 REFLECT A LIFETIME OF STUDY, 999 00:16:31,457 --> 00:16:33,792 DISCIPLINE, AND ACQUIRED WISDOM. 1000 00:16:33,792 --> 00:16:33,858 DISCIPLINE, AND ACQUIRED WISDOM. 1001 00:16:33,859 --> 00:16:34,860 >> LET ME SEE YOUR 1002 00:16:34,860 --> 00:16:34,893 >> LET ME SEE YOUR 1003 00:16:34,893 --> 00:16:35,793 IDENTIFICATION. 1004 00:16:35,794 --> 00:16:35,860 IDENTIFICATION. 1005 00:16:35,861 --> 00:16:37,362 >> YOU DON'T NEED TO SEE HIS 1006 00:16:37,363 --> 00:16:37,429 >> YOU DON'T NEED TO SEE HIS 1007 00:16:37,429 --> 00:16:38,730 IDENTIFICATION. 1008 00:16:38,731 --> 00:16:38,797 IDENTIFICATION. 1009 00:16:38,797 --> 00:16:39,898 >> WE DON'T NEED TO SEE HIS 1010 00:16:39,898 --> 00:16:39,964 >> WE DON'T NEED TO SEE HIS 1011 00:16:39,965 --> 00:16:41,266 IDENTIFICATION. 1012 00:16:41,266 --> 00:16:41,332 IDENTIFICATION. 1013 00:16:41,333 --> 00:16:42,434 >> THESE AREN'T THE DROIDS 1014 00:16:42,434 --> 00:16:42,500 >> THESE AREN'T THE DROIDS 1015 00:16:42,501 --> 00:16:43,735 YOU'RE LOOKING FOR. 1016 00:16:43,736 --> 00:16:43,802 YOU'RE LOOKING FOR. 1017 00:16:43,802 --> 00:16:44,903 >> THESE AREN'T THE DROIDS 1018 00:16:44,903 --> 00:16:44,969 >> THESE AREN'T THE DROIDS 1019 00:16:44,970 --> 00:16:46,271 WE'RE LOOKING FOR. 1020 00:16:46,271 --> 00:16:46,337 WE'RE LOOKING FOR. 1021 00:16:46,338 --> 00:16:49,007 >> HE CAN GO ABOUT HIS BUSINESS. 1022 00:16:49,008 --> 00:16:49,041 >> HE CAN GO ABOUT HIS BUSINESS. 1023 00:16:49,041 --> 00:16:50,342 >> YOU CAN GO ABOUT YOUR 1024 00:16:50,342 --> 00:16:50,375 >> YOU CAN GO ABOUT YOUR 1025 00:16:50,376 --> 00:16:51,276 BUSINESS. 1026 00:16:51,276 --> 00:16:51,342 BUSINESS. 1027 00:16:51,343 --> 00:16:52,977 >> MOVE ALONG. 1028 00:16:52,978 --> 00:16:53,011 >> MOVE ALONG. 1029 00:16:53,012 --> 00:16:54,179 >> MOVE ALONG. 1030 00:16:54,179 --> 00:16:54,245 >> MOVE ALONG. 1031 00:16:54,246 --> 00:16:57,082 MOVE ALONG. 1032 00:16:57,082 --> 00:16:57,148 MOVE ALONG. 1033 00:16:57,149 --> 00:16:58,550 >> Smith: OBI-WAN KENOBI, WHILE, 1034 00:16:58,550 --> 00:16:58,616 >> Smith: OBI-WAN KENOBI, WHILE, 1035 00:16:58,617 --> 00:17:00,352 YOU KNOW, THE LEAST-PLAYED-WITH 1036 00:17:00,352 --> 00:17:00,385 YOU KNOW, THE LEAST-PLAYED-WITH 1037 00:17:00,386 --> 00:17:02,287 ACTION FIGURE IN MY COLLECTION, 1038 00:17:02,287 --> 00:17:02,353 ACTION FIGURE IN MY COLLECTION, 1039 00:17:02,354 --> 00:17:04,155 WAS ESSENTIAL TO HAVE BECAUSE 1040 00:17:04,156 --> 00:17:04,189 WAS ESSENTIAL TO HAVE BECAUSE 1041 00:17:04,189 --> 00:17:05,557 YOU NEED SOMEBODY WHO'S GONNA 1042 00:17:05,557 --> 00:17:05,623 YOU NEED SOMEBODY WHO'S GONNA 1043 00:17:05,624 --> 00:17:06,825 INSTRUCT YOU IN THE WAYS OF THE 1044 00:17:06,825 --> 00:17:06,858 INSTRUCT YOU IN THE WAYS OF THE 1045 00:17:06,859 --> 00:17:07,559 FORCE. 1046 00:17:07,559 --> 00:17:07,625 FORCE. 1047 00:17:07,626 --> 00:17:08,693 >> I CAN'T UNDERSTAND HOW WE GOT 1048 00:17:08,694 --> 00:17:08,727 >> I CAN'T UNDERSTAND HOW WE GOT 1049 00:17:08,727 --> 00:17:09,561 BY THOSE TROOPS. 1050 00:17:09,561 --> 00:17:09,627 BY THOSE TROOPS. 1051 00:17:09,628 --> 00:17:11,830 >> THE FORCE CAN HAVE A STRONG 1052 00:17:11,830 --> 00:17:11,863 >> THE FORCE CAN HAVE A STRONG 1053 00:17:11,864 --> 00:17:13,866 INFLUENCE ON THE WEAK-MINDED. 1054 00:17:13,866 --> 00:17:13,899 INFLUENCE ON THE WEAK-MINDED. 1055 00:17:13,899 --> 00:17:15,267 >> Smith: WITHOUT OBI-WAN 1056 00:17:15,267 --> 00:17:15,333 >> Smith: WITHOUT OBI-WAN 1057 00:17:15,334 --> 00:17:17,069 KENOBI, LUKE SKYWALKER HAS NO 1058 00:17:17,069 --> 00:17:17,102 KENOBI, LUKE SKYWALKER HAS NO 1059 00:17:17,102 --> 00:17:18,636 IDEA ABOUT HIS ORIGINS. 1060 00:17:18,637 --> 00:17:18,670 IDEA ABOUT HIS ORIGINS. 1061 00:17:18,670 --> 00:17:19,637 >> NO, MY FATHER DIDN'T FIGHT 1062 00:17:19,638 --> 00:17:19,704 >> NO, MY FATHER DIDN'T FIGHT 1063 00:17:19,705 --> 00:17:20,272 IN THE WARS. 1064 00:17:20,272 --> 00:17:20,338 IN THE WARS. 1065 00:17:20,339 --> 00:17:21,373 HE WAS A NAVIGATOR ON A SPICE 1066 00:17:21,373 --> 00:17:21,406 HE WAS A NAVIGATOR ON A SPICE 1067 00:17:21,407 --> 00:17:22,107 FREIGHTER. 1068 00:17:22,107 --> 00:17:22,173 FREIGHTER. 1069 00:17:22,174 --> 00:17:23,375 >> THAT'S WHAT YOUR UNCLE TOLD 1070 00:17:23,375 --> 00:17:23,441 >> THAT'S WHAT YOUR UNCLE TOLD 1071 00:17:23,442 --> 00:17:24,109 YOU. 1072 00:17:24,109 --> 00:17:24,142 YOU. 1073 00:17:24,143 --> 00:17:25,110 >> Smith: HE DOESN'T KNOW THAT 1074 00:17:25,110 --> 00:17:25,176 >> Smith: HE DOESN'T KNOW THAT 1075 00:17:25,177 --> 00:17:26,378 HIS FATHER WAS A JEDI. 1076 00:17:26,378 --> 00:17:26,444 HIS FATHER WAS A JEDI. 1077 00:17:26,445 --> 00:17:27,846 >> YOU FOUGHT IN THE CLONE WARS? 1078 00:17:27,846 --> 00:17:27,879 >> YOU FOUGHT IN THE CLONE WARS? 1079 00:17:27,880 --> 00:17:29,181 >> YES. 1080 00:17:29,181 --> 00:17:29,214 >> YES. 1081 00:17:29,214 --> 00:17:30,848 I WAS ONCE A JEDI KNIGHT, THE 1082 00:17:30,849 --> 00:17:30,882 I WAS ONCE A JEDI KNIGHT, THE 1083 00:17:30,883 --> 00:17:32,184 SAME AS YOUR FATHER. 1084 00:17:32,184 --> 00:17:32,217 SAME AS YOUR FATHER. 1085 00:17:32,217 --> 00:17:33,351 >> Abrams: IN MOMENTS OF 1086 00:17:33,352 --> 00:17:33,385 >> Abrams: IN MOMENTS OF 1087 00:17:33,385 --> 00:17:36,554 ABSOLUTE DISCONNECT AND LOSS AND 1088 00:17:36,555 --> 00:17:36,588 ABSOLUTE DISCONNECT AND LOSS AND 1089 00:17:36,588 --> 00:17:39,190 CONFUSION AND FEAR, 1090 00:17:39,191 --> 00:17:39,224 CONFUSION AND FEAR, 1091 00:17:39,224 --> 00:17:41,926 THESE CHARACTERS ARRIVED THAT 1092 00:17:41,927 --> 00:17:41,960 THESE CHARACTERS ARRIVED THAT 1093 00:17:41,960 --> 00:17:44,495 GAVE PURPOSE AND CONFIDENCE TO 1094 00:17:44,496 --> 00:17:44,562 GAVE PURPOSE AND CONFIDENCE TO 1095 00:17:44,563 --> 00:17:45,931 OUR MAIN CHARACTER. 1096 00:17:45,931 --> 00:17:45,997 OUR MAIN CHARACTER. 1097 00:17:45,998 --> 00:17:47,132 >> Narrator: THE FIGURE OF THE 1098 00:17:47,132 --> 00:17:47,198 >> Narrator: THE FIGURE OF THE 1099 00:17:47,199 --> 00:17:48,667 MENTOR CONTINUES A MYTHIC 1100 00:17:48,667 --> 00:17:48,700 MENTOR CONTINUES A MYTHIC 1101 00:17:48,700 --> 00:17:49,901 TRADITION THAT SPANS FROM 1102 00:17:49,902 --> 00:17:49,935 TRADITION THAT SPANS FROM 1103 00:17:49,935 --> 00:17:51,102 GANDALF IN "THE LORD OF THE 1104 00:17:51,103 --> 00:17:51,136 GANDALF IN "THE LORD OF THE 1105 00:17:51,136 --> 00:17:53,004 RINGS" TO THE STORIES OF THE 1106 00:17:53,005 --> 00:17:53,038 RINGS" TO THE STORIES OF THE 1107 00:17:53,038 --> 00:17:55,040 ANCIENT GREEKS, LIKE HOMER'S 1108 00:17:55,040 --> 00:17:55,073 ANCIENT GREEKS, LIKE HOMER'S 1109 00:17:55,074 --> 00:17:57,409 EPIC POEM, "THE ODYSSEY." 1110 00:17:57,409 --> 00:17:57,442 EPIC POEM, "THE ODYSSEY." 1111 00:17:57,443 --> 00:17:58,777 >> Young: WHEN ODYSSEUS GOES 1112 00:17:58,777 --> 00:17:58,843 >> Young: WHEN ODYSSEUS GOES 1113 00:17:58,844 --> 00:18:00,478 OFF ON HIS LONG JOURNEYS, HE IS 1114 00:18:00,479 --> 00:18:00,545 OFF ON HIS LONG JOURNEYS, HE IS 1115 00:18:00,546 --> 00:18:02,114 CONCERNED ABOUT THE WELL-BEING 1116 00:18:02,114 --> 00:18:02,180 CONCERNED ABOUT THE WELL-BEING 1117 00:18:02,181 --> 00:18:03,849 OF HIS SON, TELEMACHUS. 1118 00:18:03,849 --> 00:18:03,915 OF HIS SON, TELEMACHUS. 1119 00:18:03,916 --> 00:18:05,651 SO HE ASKS A FAMILY FRIEND, AN 1120 00:18:05,651 --> 00:18:05,684 SO HE ASKS A FAMILY FRIEND, AN 1121 00:18:05,684 --> 00:18:08,219 OLDER FRIEND NAMED MENTOR, TO 1122 00:18:08,220 --> 00:18:08,253 OLDER FRIEND NAMED MENTOR, TO 1123 00:18:08,253 --> 00:18:10,021 LOOK IN ON HIS SON. 1124 00:18:10,022 --> 00:18:10,055 LOOK IN ON HIS SON. 1125 00:18:10,055 --> 00:18:11,656 AND FROM THIS, WE GET OUR WORD 1126 00:18:11,657 --> 00:18:11,690 AND FROM THIS, WE GET OUR WORD 1127 00:18:11,690 --> 00:18:13,391 "MENTOR." 1128 00:18:13,392 --> 00:18:13,458 "MENTOR." 1129 00:18:13,459 --> 00:18:14,860 >> Narrator: IN "STAR WARS," AS 1130 00:18:14,860 --> 00:18:14,893 >> Narrator: IN "STAR WARS," AS 1131 00:18:14,893 --> 00:18:16,194 IN MANY ANCIENT MYTHS... 1132 00:18:16,195 --> 00:18:16,228 IN MANY ANCIENT MYTHS... 1133 00:18:16,228 --> 00:18:17,128 >> I FEEL LIKE... 1134 00:18:17,129 --> 00:18:17,195 >> I FEEL LIKE... 1135 00:18:17,196 --> 00:18:18,397 >> FEEL LIKE WHAT? 1136 00:18:18,397 --> 00:18:18,463 >> FEEL LIKE WHAT? 1137 00:18:18,464 --> 00:18:19,565 >> Narrator: THE MENTOR DOES 1138 00:18:19,565 --> 00:18:19,598 >> Narrator: THE MENTOR DOES 1139 00:18:19,598 --> 00:18:20,865 NOT ALWAYS APPEAR IN WHAT SEEMS 1140 00:18:20,866 --> 00:18:20,899 NOT ALWAYS APPEAR IN WHAT SEEMS 1141 00:18:20,899 --> 00:18:21,866 A NORMAL SHAPE. 1142 00:18:21,867 --> 00:18:21,900 A NORMAL SHAPE. 1143 00:18:21,900 --> 00:18:23,835 >> I AM WONDERING, WHY ARE YOU 1144 00:18:23,836 --> 00:18:23,869 >> I AM WONDERING, WHY ARE YOU 1145 00:18:23,869 --> 00:18:24,769 HERE? 1146 00:18:24,770 --> 00:18:24,803 HERE? 1147 00:18:24,803 --> 00:18:26,004 >> Narrator: OR SIZE. 1148 00:18:26,004 --> 00:18:26,037 >> Narrator: OR SIZE. 1149 00:18:26,038 --> 00:18:28,306 >> I'M LOOKING FOR SOMEONE. 1150 00:18:28,307 --> 00:18:28,340 >> I'M LOOKING FOR SOMEONE. 1151 00:18:28,340 --> 00:18:28,940 >> LOOKING?! 1152 00:18:28,941 --> 00:18:28,974 >> LOOKING?! 1153 00:18:28,974 --> 00:18:30,408 FOUND SOMEONE, YOU HAVE, I WOULD 1154 00:18:30,409 --> 00:18:30,475 FOUND SOMEONE, YOU HAVE, I WOULD 1155 00:18:30,476 --> 00:18:31,577 SAY, HMM? 1156 00:18:31,577 --> 00:18:31,610 SAY, HMM? 1157 00:18:31,610 --> 00:18:33,111 [laughs] 1158 00:18:33,112 --> 00:18:33,145 [laughs] 1159 00:18:33,145 --> 00:18:34,479 >> RIGHT. 1160 00:18:34,480 --> 00:18:34,513 >> RIGHT. 1161 00:18:34,513 --> 00:18:35,580 >> Rubino: IN MYTHOLOGY, THE 1162 00:18:35,581 --> 00:18:35,614 >> Rubino: IN MYTHOLOGY, THE 1163 00:18:35,614 --> 00:18:37,482 STORY OF ACHILLES TELLS US THAT 1164 00:18:37,483 --> 00:18:37,516 STORY OF ACHILLES TELLS US THAT 1165 00:18:37,516 --> 00:18:39,651 HE WAS SENT TO STUDY WITH CHIRON 1166 00:18:39,651 --> 00:18:39,684 HE WAS SENT TO STUDY WITH CHIRON 1167 00:18:39,685 --> 00:18:42,054 THE CENTAUR, WHO WAS A HALF-MAN, 1168 00:18:42,054 --> 00:18:42,120 THE CENTAUR, WHO WAS A HALF-MAN, 1169 00:18:42,121 --> 00:18:43,889 HALF-HORSE BEING WHO LIVED IN 1170 00:18:43,889 --> 00:18:43,955 HALF-HORSE BEING WHO LIVED IN 1171 00:18:43,956 --> 00:18:45,791 AN ISOLATED SPOT ON MT. PELION. 1172 00:18:45,791 --> 00:18:45,824 AN ISOLATED SPOT ON MT. PELION. 1173 00:18:45,824 --> 00:18:47,892 AND ACHILLES LEARNED EVERYTHING 1174 00:18:47,893 --> 00:18:47,959 AND ACHILLES LEARNED EVERYTHING 1175 00:18:47,960 --> 00:18:49,795 HE KNEW FROM CHIRON, INCLUDING 1176 00:18:49,795 --> 00:18:49,861 HE KNEW FROM CHIRON, INCLUDING 1177 00:18:49,862 --> 00:18:51,697 NOT ONLY WARFARE BUT MUSIC, 1178 00:18:51,697 --> 00:18:51,763 NOT ONLY WARFARE BUT MUSIC, 1179 00:18:51,763 --> 00:18:52,797 SPEECH. 1180 00:18:52,798 --> 00:18:52,864 SPEECH. 1181 00:18:52,865 --> 00:18:54,333 HE GOT A COMPLETE HERO'S 1182 00:18:54,333 --> 00:18:54,366 HE GOT A COMPLETE HERO'S 1183 00:18:54,366 --> 00:18:56,134 EDUCATION FROM THIS COMPOSITE 1184 00:18:56,135 --> 00:18:56,168 EDUCATION FROM THIS COMPOSITE 1185 00:18:56,168 --> 00:18:58,403 BEING, FAR MORE STRANGE THAN 1186 00:18:58,403 --> 00:18:58,436 BEING, FAR MORE STRANGE THAN 1187 00:18:58,437 --> 00:19:00,138 YODA. 1188 00:19:00,139 --> 00:19:00,172 YODA. 1189 00:19:00,172 --> 00:19:01,806 >> YOU'RE A JEDI KNIGHT, AREN'T 1190 00:19:01,807 --> 00:19:01,840 >> YOU'RE A JEDI KNIGHT, AREN'T 1191 00:19:01,840 --> 00:19:03,942 YOU? 1192 00:19:03,942 --> 00:19:03,975 YOU? 1193 00:19:03,976 --> 00:19:05,344 >> WHAT MAKES YOU THINK THAT? 1194 00:19:05,344 --> 00:19:05,410 >> WHAT MAKES YOU THINK THAT? 1195 00:19:05,410 --> 00:19:06,878 >> I SAW YOUR LASER SWORD. 1196 00:19:06,879 --> 00:19:06,945 >> I SAW YOUR LASER SWORD. 1197 00:19:06,945 --> 00:19:08,446 ONLY JEDIS CARRY THAT KIND OF 1198 00:19:08,447 --> 00:19:08,513 ONLY JEDIS CARRY THAT KIND OF 1199 00:19:08,514 --> 00:19:09,515 WEAPON. 1200 00:19:09,515 --> 00:19:09,581 WEAPON. 1201 00:19:09,581 --> 00:19:11,349 >> Narrator: USUALLY, THE MENTOR 1202 00:19:11,350 --> 00:19:11,416 >> Narrator: USUALLY, THE MENTOR 1203 00:19:11,416 --> 00:19:13,217 PERFORMS ANOTHER IMPORTANT DUTY 1204 00:19:13,218 --> 00:19:13,251 PERFORMS ANOTHER IMPORTANT DUTY 1205 00:19:13,252 --> 00:19:14,620 EARLY IN THE HERO'S JOURNEY. 1206 00:19:14,620 --> 00:19:14,653 EARLY IN THE HERO'S JOURNEY. 1207 00:19:14,653 --> 00:19:15,720 >> I HAVE SOMETHING HERE FOR 1208 00:19:15,721 --> 00:19:15,787 >> I HAVE SOMETHING HERE FOR 1209 00:19:15,787 --> 00:19:16,587 YOU. 1210 00:19:16,588 --> 00:19:16,621 YOU. 1211 00:19:16,622 --> 00:19:17,623 >> Narrator: HE MUST PRESENT HIM 1212 00:19:17,623 --> 00:19:17,689 >> Narrator: HE MUST PRESENT HIM 1213 00:19:17,689 --> 00:19:18,790 WITH A SPECIAL GIFT. 1214 00:19:18,790 --> 00:19:18,823 WITH A SPECIAL GIFT. 1215 00:19:18,824 --> 00:19:19,891 >> YOUR FATHER WANTED YOU TO 1216 00:19:19,892 --> 00:19:19,925 >> YOUR FATHER WANTED YOU TO 1217 00:19:19,925 --> 00:19:21,159 HAVE THIS WHEN YOU WERE OLD 1218 00:19:21,160 --> 00:19:21,193 HAVE THIS WHEN YOU WERE OLD 1219 00:19:21,193 --> 00:19:21,993 ENOUGH. 1220 00:19:21,994 --> 00:19:22,027 ENOUGH. 1221 00:19:22,027 --> 00:19:23,428 >> Young: THE MOMENT IS CRUCIAL, 1222 00:19:23,428 --> 00:19:23,494 >> Young: THE MOMENT IS CRUCIAL, 1223 00:19:23,495 --> 00:19:25,163 AND IN THE STORIES, IT IS A 1224 00:19:25,164 --> 00:19:25,197 AND IN THE STORIES, IT IS A 1225 00:19:25,197 --> 00:19:27,899 SWORD OR A LIGHT SABER, OFTEN 1226 00:19:27,900 --> 00:19:27,933 SWORD OR A LIGHT SABER, OFTEN 1227 00:19:27,933 --> 00:19:29,968 SOMETHING USEFUL IN THE 1228 00:19:29,968 --> 00:19:30,001 SOMETHING USEFUL IN THE 1229 00:19:30,002 --> 00:19:31,169 STRUGGLES TO COME. 1230 00:19:31,170 --> 00:19:31,236 STRUGGLES TO COME. 1231 00:19:31,236 --> 00:19:32,337 >> WHAT IS IT? 1232 00:19:32,337 --> 00:19:32,370 >> WHAT IS IT? 1233 00:19:32,371 --> 00:19:33,538 >> IT'S YOUR FATHER'S 1234 00:19:33,539 --> 00:19:33,572 >> IT'S YOUR FATHER'S 1235 00:19:33,572 --> 00:19:35,073 LIGHT SABER. 1236 00:19:35,073 --> 00:19:35,106 LIGHT SABER. 1237 00:19:35,107 --> 00:19:36,775 THIS IS THE WEAPON OF A JEDI 1238 00:19:36,775 --> 00:19:36,808 THIS IS THE WEAPON OF A JEDI 1239 00:19:36,808 --> 00:19:37,809 KNIGHT. 1240 00:19:37,809 --> 00:19:37,842 KNIGHT. 1241 00:19:37,843 --> 00:19:39,811 NOT AS CLUMSY OR RANDOM AS A 1242 00:19:39,811 --> 00:19:39,844 NOT AS CLUMSY OR RANDOM AS A 1243 00:19:39,845 --> 00:19:41,880 BLASTER. 1244 00:19:41,880 --> 00:19:41,913 BLASTER. 1245 00:19:41,914 --> 00:19:45,450 AN ELEGANT WEAPON FOR A MORE 1246 00:19:45,450 --> 00:19:45,483 AN ELEGANT WEAPON FOR A MORE 1247 00:19:45,484 --> 00:19:46,985 CIVILIZED AGE. 1248 00:19:46,985 --> 00:19:47,051 CIVILIZED AGE. 1249 00:19:47,052 --> 00:19:48,720 >> Young: IN OUR EXPERIENCES, A 1250 00:19:48,720 --> 00:19:48,786 >> Young: IN OUR EXPERIENCES, A 1251 00:19:48,787 --> 00:19:50,922 MENTOR GIVES US A GIFT OF AN 1252 00:19:50,923 --> 00:19:50,956 MENTOR GIVES US A GIFT OF AN 1253 00:19:50,956 --> 00:19:52,824 IDEA, OF WISDOM, OF SOME 1254 00:19:52,824 --> 00:19:52,857 IDEA, OF WISDOM, OF SOME 1255 00:19:52,858 --> 00:19:53,925 DISCERNMENT. 1256 00:19:53,926 --> 00:19:53,992 DISCERNMENT. 1257 00:19:53,992 --> 00:19:57,462 >> LET GO YOUR CONSCIENCE SELF 1258 00:19:57,462 --> 00:19:57,495 >> LET GO YOUR CONSCIENCE SELF 1259 00:19:57,496 --> 00:20:01,633 AND ACT ON INSTINCT. 1260 00:20:01,633 --> 00:20:01,699 AND ACT ON INSTINCT. 1261 00:20:01,700 --> 00:20:03,001 >> Young: THE LIGHT SABER CAN 1262 00:20:03,001 --> 00:20:03,067 >> Young: THE LIGHT SABER CAN 1263 00:20:03,068 --> 00:20:04,069 CUT. 1264 00:20:04,069 --> 00:20:04,102 CUT. 1265 00:20:04,102 --> 00:20:05,570 SO CAN DISCERNMENT. 1266 00:20:05,571 --> 00:20:05,637 SO CAN DISCERNMENT. 1267 00:20:05,637 --> 00:20:07,538 THIS IS SORTING OUT LIFE. 1268 00:20:07,539 --> 00:20:07,572 THIS IS SORTING OUT LIFE. 1269 00:20:07,573 --> 00:20:08,707 >> STRETCH OUT WITH YOUR 1270 00:20:08,707 --> 00:20:08,740 >> STRETCH OUT WITH YOUR 1271 00:20:08,740 --> 00:20:09,640 FEELINGS. 1272 00:20:09,641 --> 00:20:09,707 FEELINGS. 1273 00:20:09,708 --> 00:20:10,742 >> Young: BEING ABLE TO MAKE 1274 00:20:10,742 --> 00:20:10,775 >> Young: BEING ABLE TO MAKE 1275 00:20:10,776 --> 00:20:12,344 THOSE DISTINCTIONS ALLOWS THE 1276 00:20:12,344 --> 00:20:12,377 THOSE DISTINCTIONS ALLOWS THE 1277 00:20:12,377 --> 00:20:14,278 HERO TO MOVE FORWARD IN THE 1278 00:20:14,279 --> 00:20:14,312 HERO TO MOVE FORWARD IN THE 1279 00:20:14,313 --> 00:20:15,647 STORY. 1280 00:20:15,647 --> 00:20:15,713 STORY. 1281 00:20:15,714 --> 00:20:17,182 >> Lyden: LUKE IS REMINISCENT OF 1282 00:20:17,182 --> 00:20:17,215 >> Lyden: LUKE IS REMINISCENT OF 1283 00:20:17,216 --> 00:20:19,117 KING ARTHUR IN A WAY. 1284 00:20:19,117 --> 00:20:19,183 KING ARTHUR IN A WAY. 1285 00:20:19,184 --> 00:20:21,553 KING ARTHUR IS GIVEN THE SWORD 1286 00:20:21,553 --> 00:20:21,619 KING ARTHUR IS GIVEN THE SWORD 1287 00:20:21,620 --> 00:20:24,923 EXCALIBUR AS PART OF HIS ROLE 1288 00:20:24,923 --> 00:20:24,989 EXCALIBUR AS PART OF HIS ROLE 1289 00:20:24,990 --> 00:20:26,925 TO BE KING AND TO LEAD. 1290 00:20:26,925 --> 00:20:26,958 TO BE KING AND TO LEAD. 1291 00:20:26,959 --> 00:20:29,628 SO ALSO LUKE RECEIVES HIS 1292 00:20:29,628 --> 00:20:29,661 SO ALSO LUKE RECEIVES HIS 1293 00:20:29,661 --> 00:20:31,629 FATHER'S LIGHT SABER FROM 1294 00:20:31,630 --> 00:20:31,663 FATHER'S LIGHT SABER FROM 1295 00:20:31,663 --> 00:20:33,464 OBI-WAN, AND IT'S REALLY AT THAT 1296 00:20:33,465 --> 00:20:33,531 OBI-WAN, AND IT'S REALLY AT THAT 1297 00:20:33,532 --> 00:20:35,400 POINT THAT LUKE REALIZES THERE 1298 00:20:35,400 --> 00:20:35,433 POINT THAT LUKE REALIZES THERE 1299 00:20:35,434 --> 00:20:37,369 IS SOMETHING SPECIAL ABOUT HIM. 1300 00:20:37,369 --> 00:20:37,402 IS SOMETHING SPECIAL ABOUT HIM. 1301 00:20:37,402 --> 00:20:38,469 >> YOU KNOW, I DID FEEL 1302 00:20:38,470 --> 00:20:38,536 >> YOU KNOW, I DID FEEL 1303 00:20:38,537 --> 00:20:39,304 SOMETHING. 1304 00:20:39,304 --> 00:20:39,337 SOMETHING. 1305 00:20:39,338 --> 00:20:40,572 I COULD ALMOST SEE THE REMOTE. 1306 00:20:40,572 --> 00:20:40,605 I COULD ALMOST SEE THE REMOTE. 1307 00:20:40,606 --> 00:20:41,540 >> THAT'S GOOD. 1308 00:20:41,540 --> 00:20:41,573 >> THAT'S GOOD. 1309 00:20:41,573 --> 00:20:43,041 YOU'VE TAKEN YOUR FIRST STEP 1310 00:20:43,041 --> 00:20:43,107 YOU'VE TAKEN YOUR FIRST STEP 1311 00:20:43,108 --> 00:20:46,044 INTO A LARGER WORLD. 1312 00:20:46,044 --> 00:20:46,077 INTO A LARGER WORLD. 1313 00:20:46,078 --> 00:20:47,412 >> Narrator: IN "STAR WARS," 1314 00:20:47,412 --> 00:20:47,478 >> Narrator: IN "STAR WARS," 1315 00:20:47,479 --> 00:20:49,314 THE LESSONS THE HERO MUST LEARN 1316 00:20:49,314 --> 00:20:49,380 THE LESSONS THE HERO MUST LEARN 1317 00:20:49,381 --> 00:20:51,383 ARE THOSE OF THE JEDI MASTER. 1318 00:20:51,383 --> 00:20:51,416 ARE THOSE OF THE JEDI MASTER. 1319 00:20:51,416 --> 00:20:54,018 >> USE YOUR FEELINGS, YOU MUST. 1320 00:20:54,019 --> 00:20:54,052 >> USE YOUR FEELINGS, YOU MUST. 1321 00:20:54,052 --> 00:20:55,119 >> Narrator: THEY COMBINE 1322 00:20:55,120 --> 00:20:55,186 >> Narrator: THEY COMBINE 1323 00:20:55,187 --> 00:20:57,856 MORALITY, SPIRITUAL FAITH, AND 1324 00:20:57,856 --> 00:20:57,922 MORALITY, SPIRITUAL FAITH, AND 1325 00:20:57,923 --> 00:21:00,558 STRICT PHYSICAL DISCIPLINE. 1326 00:21:00,559 --> 00:21:00,592 STRICT PHYSICAL DISCIPLINE. 1327 00:21:00,592 --> 00:21:01,960 >> ALL RIGHT, I'LL GIVE IT A 1328 00:21:01,960 --> 00:21:02,026 >> ALL RIGHT, I'LL GIVE IT A 1329 00:21:02,027 --> 00:21:02,594 TRY. 1330 00:21:02,594 --> 00:21:02,660 TRY. 1331 00:21:02,661 --> 00:21:03,662 >> NO! 1332 00:21:03,662 --> 00:21:03,695 >> NO! 1333 00:21:03,695 --> 00:21:04,729 TRY NOT. 1334 00:21:04,730 --> 00:21:04,763 TRY NOT. 1335 00:21:04,763 --> 00:21:08,199 DO... OR DO NOT. 1336 00:21:08,200 --> 00:21:08,233 DO... OR DO NOT. 1337 00:21:08,233 --> 00:21:10,401 THERE IS NO TRY. 1338 00:21:10,402 --> 00:21:10,435 THERE IS NO TRY. 1339 00:21:10,435 --> 00:21:11,769 >> Gingrich: ONE COULD ARGUE 1340 00:21:11,770 --> 00:21:11,803 >> Gingrich: ONE COULD ARGUE 1341 00:21:11,803 --> 00:21:12,937 THEY ARE THE JESUITS OF THIS 1342 00:21:12,938 --> 00:21:12,971 THEY ARE THE JESUITS OF THIS 1343 00:21:12,971 --> 00:21:14,038 WORLD. 1344 00:21:14,039 --> 00:21:14,072 WORLD. 1345 00:21:14,072 --> 00:21:15,139 THESE ARE THE PEOPLE WHO ARE 1346 00:21:15,140 --> 00:21:15,206 THESE ARE THE PEOPLE WHO ARE 1347 00:21:15,207 --> 00:21:17,108 THE TRUTH-BEARERS, WHO ARE THE 1348 00:21:17,109 --> 00:21:17,142 THE TRUTH-BEARERS, WHO ARE THE 1349 00:21:17,142 --> 00:21:19,043 PRIESTHOOD OF FREEDOM AND WHO 1350 00:21:19,044 --> 00:21:19,110 PRIESTHOOD OF FREEDOM AND WHO 1351 00:21:19,111 --> 00:21:20,579 GIVE THEIR LIVES IN ORDER TO 1352 00:21:20,579 --> 00:21:20,612 GIVE THEIR LIVES IN ORDER TO 1353 00:21:20,612 --> 00:21:21,579 STOP EVIL. 1354 00:21:24,249 --> 00:21:25,216 >> Wetmore, Jr.: THE JEDI 1355 00:21:25,217 --> 00:21:25,250 >> Wetmore, Jr.: THE JEDI 1356 00:21:25,250 --> 00:21:26,251 THEMSELVES ARE VERY 1357 00:21:26,251 --> 00:21:26,317 THEMSELVES ARE VERY 1358 00:21:26,318 --> 00:21:29,421 SAMURAI-LIKE. 1359 00:21:29,421 --> 00:21:29,487 SAMURAI-LIKE. 1360 00:21:29,488 --> 00:21:31,323 "JEDI" COMES FROM "JIDAI" IN 1361 00:21:31,323 --> 00:21:31,389 "JEDI" COMES FROM "JIDAI" IN 1362 00:21:31,390 --> 00:21:33,125 JAPANESE, JIDAI-GEKI, WHICH ARE 1363 00:21:33,125 --> 00:21:33,158 JAPANESE, JIDAI-GEKI, WHICH ARE 1364 00:21:33,158 --> 00:21:34,392 THE SAMURAI FILMS. 1365 00:21:34,393 --> 00:21:34,426 THE SAMURAI FILMS. 1366 00:21:34,426 --> 00:21:35,493 "JIDAI-GEKI" LITERALLY MEANS 1367 00:21:35,494 --> 00:21:35,527 "JIDAI-GEKI" LITERALLY MEANS 1368 00:21:35,527 --> 00:21:36,761 "HISTORY THING" OR "HISTORY 1369 00:21:36,762 --> 00:21:36,795 "HISTORY THING" OR "HISTORY 1370 00:21:36,795 --> 00:21:38,229 PIECE," AND THAT GETS CONTRACTED 1371 00:21:38,230 --> 00:21:38,296 PIECE," AND THAT GETS CONTRACTED 1372 00:21:38,297 --> 00:21:41,066 DOWN TO "JEDI." 1373 00:21:41,066 --> 00:21:41,132 DOWN TO "JEDI." 1374 00:21:41,133 --> 00:21:42,534 >> Narrator: IN "STAR WARS," 1375 00:21:42,534 --> 00:21:42,600 >> Narrator: IN "STAR WARS," 1376 00:21:42,601 --> 00:21:44,069 THE MENTOR'S MOST IMPORTANT 1377 00:21:44,069 --> 00:21:44,135 THE MENTOR'S MOST IMPORTANT 1378 00:21:44,136 --> 00:21:45,804 TEACHING CONCERNS THE SPIRITUAL 1379 00:21:45,804 --> 00:21:45,837 TEACHING CONCERNS THE SPIRITUAL 1380 00:21:45,837 --> 00:21:48,239 PHENOMENON KNOWN AS THE FORCE. 1381 00:21:48,240 --> 00:21:48,273 PHENOMENON KNOWN AS THE FORCE. 1382 00:21:48,273 --> 00:21:49,407 >> THE FORCE? 1383 00:21:49,408 --> 00:21:49,441 >> THE FORCE? 1384 00:21:49,441 --> 00:21:50,508 >> THE FORCE IS WHAT GIVES A 1385 00:21:50,509 --> 00:21:50,575 >> THE FORCE IS WHAT GIVES A 1386 00:21:50,575 --> 00:21:52,410 JEDI HIS POWER. 1387 00:21:52,411 --> 00:21:52,444 JEDI HIS POWER. 1388 00:21:52,444 --> 00:21:53,878 IT'S AN ENERGY FIELD CREATED BY 1389 00:21:53,879 --> 00:21:53,945 IT'S AN ENERGY FIELD CREATED BY 1390 00:21:53,945 --> 00:21:55,212 ALL LIVING THINGS. 1391 00:21:55,213 --> 00:21:55,246 ALL LIVING THINGS. 1392 00:21:55,247 --> 00:21:57,215 IT SURROUNDS US AND PENETRATES 1393 00:21:57,215 --> 00:21:57,248 IT SURROUNDS US AND PENETRATES 1394 00:21:57,249 --> 00:21:57,983 US. 1395 00:21:57,983 --> 00:21:58,049 US. 1396 00:21:58,050 --> 00:22:00,218 IT BINDS THE GALAXY TOGETHER. 1397 00:22:00,218 --> 00:22:00,251 IT BINDS THE GALAXY TOGETHER. 1398 00:22:00,252 --> 00:22:01,886 >> Lyden: THE IDEA OF THE FORCE 1399 00:22:01,887 --> 00:22:01,920 >> Lyden: THE IDEA OF THE FORCE 1400 00:22:01,920 --> 00:22:04,522 IS GENERAL ENOUGH THAT PEOPLE 1401 00:22:04,523 --> 00:22:04,556 IS GENERAL ENOUGH THAT PEOPLE 1402 00:22:04,556 --> 00:22:06,257 OF ANY RELIGIOUS BACKGROUND CAN 1403 00:22:06,258 --> 00:22:06,324 OF ANY RELIGIOUS BACKGROUND CAN 1404 00:22:06,325 --> 00:22:07,359 IDENTIFY WITH IT. 1405 00:22:07,359 --> 00:22:07,425 IDENTIFY WITH IT. 1406 00:22:07,426 --> 00:22:08,994 ONE CAN SEE IT AS A PERSONAL GOD 1407 00:22:08,994 --> 00:22:09,027 ONE CAN SEE IT AS A PERSONAL GOD 1408 00:22:09,027 --> 00:22:10,228 OF WESTERN RELIGION. 1409 00:22:10,228 --> 00:22:10,261 OF WESTERN RELIGION. 1410 00:22:10,262 --> 00:22:11,630 ONE CAN ASSOCIATE IT WITH A MORE 1411 00:22:11,630 --> 00:22:11,696 ONE CAN ASSOCIATE IT WITH A MORE 1412 00:22:11,697 --> 00:22:13,165 SPIRITUAL IDEAL. 1413 00:22:13,165 --> 00:22:13,198 SPIRITUAL IDEAL. 1414 00:22:13,198 --> 00:22:14,532 I THINK THE KEY THING TO 1415 00:22:14,533 --> 00:22:14,599 I THINK THE KEY THING TO 1416 00:22:14,599 --> 00:22:16,534 REMEMBER IS THAT IT MEANS ONE 1417 00:22:16,535 --> 00:22:16,568 REMEMBER IS THAT IT MEANS ONE 1418 00:22:16,568 --> 00:22:18,069 IS BELIEVING IN SOMETHING 1419 00:22:18,070 --> 00:22:18,136 IS BELIEVING IN SOMETHING 1420 00:22:18,136 --> 00:22:20,004 HIGHER, THAT EVENTS IN THE 1421 00:22:20,005 --> 00:22:20,038 HIGHER, THAT EVENTS IN THE 1422 00:22:20,038 --> 00:22:22,340 UNIVERSE ARE NOT MEANINGLESS. 1423 00:22:22,341 --> 00:22:22,374 UNIVERSE ARE NOT MEANINGLESS. 1424 00:22:22,374 --> 00:22:23,908 THERE IS A PURPOSE. 1425 00:22:23,909 --> 00:22:23,942 THERE IS A PURPOSE. 1426 00:22:23,942 --> 00:22:25,243 THERE IS A MEANING TO LIFE, AND 1427 00:22:25,243 --> 00:22:25,276 THERE IS A MEANING TO LIFE, AND 1428 00:22:25,277 --> 00:22:27,078 SOMETHING IS DIRECTING AND 1429 00:22:27,079 --> 00:22:27,145 SOMETHING IS DIRECTING AND 1430 00:22:27,145 --> 00:22:28,279 GUIDING THAT. 1431 00:22:28,280 --> 00:22:28,313 GUIDING THAT. 1432 00:22:28,313 --> 00:22:32,283 >> IT'S ENERGY SURROUNDS US AND 1433 00:22:32,284 --> 00:22:32,317 >> IT'S ENERGY SURROUNDS US AND 1434 00:22:32,317 --> 00:22:33,818 BINDS US. 1435 00:22:33,819 --> 00:22:33,852 BINDS US. 1436 00:22:33,852 --> 00:22:36,187 LUMINOUS BEINGS ARE WE, NOT THIS 1437 00:22:36,188 --> 00:22:36,254 LUMINOUS BEINGS ARE WE, NOT THIS 1438 00:22:36,254 --> 00:22:37,989 CRUDE MATTER. 1439 00:22:37,989 --> 00:22:38,022 CRUDE MATTER. 1440 00:22:38,023 --> 00:22:40,992 YOU MUST FEEL THE FORCE AROUND 1441 00:22:40,992 --> 00:22:41,058 YOU MUST FEEL THE FORCE AROUND 1442 00:22:41,059 --> 00:22:42,260 YOU. 1443 00:22:42,260 --> 00:22:42,293 YOU. 1444 00:22:42,294 --> 00:22:47,432 HERE, BETWEEN YOU, ME, THE TREE, 1445 00:22:47,432 --> 00:22:47,465 HERE, BETWEEN YOU, ME, THE TREE, 1446 00:22:47,466 --> 00:22:49,734 THE ROCK, EVERYWHERE. 1447 00:22:49,735 --> 00:22:49,768 THE ROCK, EVERYWHERE. 1448 00:22:49,768 --> 00:22:51,469 >> Jackson: IT'S A LIFE FORCE, 1449 00:22:51,470 --> 00:22:51,503 >> Jackson: IT'S A LIFE FORCE, 1450 00:22:51,503 --> 00:22:52,637 LIKE CHI. 1451 00:22:52,637 --> 00:22:52,703 LIKE CHI. 1452 00:22:52,704 --> 00:22:54,372 AND THAT IS ANOTHER VERY 1453 00:22:54,373 --> 00:22:54,439 AND THAT IS ANOTHER VERY 1454 00:22:54,439 --> 00:22:56,007 IMPORTANT ASPECT OF THESE 1455 00:22:56,007 --> 00:22:56,073 IMPORTANT ASPECT OF THESE 1456 00:22:56,074 --> 00:22:57,642 MOVIES, TO GIVE US A SENSE OF 1457 00:22:57,642 --> 00:22:57,708 MOVIES, TO GIVE US A SENSE OF 1458 00:22:57,709 --> 00:22:59,811 CONFIDENCE THAT THERE IS A WORLD 1459 00:22:59,811 --> 00:22:59,844 CONFIDENCE THAT THERE IS A WORLD 1460 00:22:59,845 --> 00:23:02,380 OUTSIDE OF OUR CONSCIOUSNESS. 1461 00:23:02,381 --> 00:23:02,447 OUTSIDE OF OUR CONSCIOUSNESS. 1462 00:23:02,447 --> 00:23:03,748 >> Narrator: IN THE "STAR WARS" 1463 00:23:03,749 --> 00:23:03,815 >> Narrator: IN THE "STAR WARS" 1464 00:23:03,815 --> 00:23:05,283 UNIVERSE, SPIRITUAL 1465 00:23:05,283 --> 00:23:05,349 UNIVERSE, SPIRITUAL 1466 00:23:05,350 --> 00:23:06,751 ENLIGHTENMENT DOES NOT COME 1467 00:23:06,752 --> 00:23:06,818 ENLIGHTENMENT DOES NOT COME 1468 00:23:06,818 --> 00:23:08,653 WITHOUT SACRIFICE. 1469 00:23:08,653 --> 00:23:08,719 WITHOUT SACRIFICE. 1470 00:23:08,720 --> 00:23:10,188 THOSE WHO SEEK THE POWER OF THE 1471 00:23:10,188 --> 00:23:10,221 THOSE WHO SEEK THE POWER OF THE 1472 00:23:10,222 --> 00:23:12,557 FORCE MUST STUDY, TRAIN, AND 1473 00:23:12,557 --> 00:23:12,590 FORCE MUST STUDY, TRAIN, AND 1474 00:23:12,591 --> 00:23:14,459 OBEY STRICT DISCIPLINES. 1475 00:23:14,459 --> 00:23:14,492 OBEY STRICT DISCIPLINES. 1476 00:23:14,493 --> 00:23:15,994 THEY MUST ALSO OVERCOME THEIR 1477 00:23:15,994 --> 00:23:16,027 THEY MUST ALSO OVERCOME THEIR 1478 00:23:16,027 --> 00:23:18,629 OWN SKEPTICISM AND SELF-DOUBT. 1479 00:23:18,630 --> 00:23:18,663 OWN SKEPTICISM AND SELF-DOUBT. 1480 00:23:18,663 --> 00:23:20,931 >> YOU WORK THE IMPOSSIBLE. 1481 00:23:20,932 --> 00:23:20,965 >> YOU WORK THE IMPOSSIBLE. 1482 00:23:20,966 --> 00:23:22,133 >> Lyden: WHEN A PERSON IS 1483 00:23:22,134 --> 00:23:22,200 >> Lyden: WHEN A PERSON IS 1484 00:23:22,200 --> 00:23:23,935 BROUGHT TO ENLIGHTENMENT, YOU 1485 00:23:23,935 --> 00:23:24,001 BROUGHT TO ENLIGHTENMENT, YOU 1486 00:23:24,002 --> 00:23:25,269 CAN'T TELL THEM WHAT TO DO. 1487 00:23:25,270 --> 00:23:25,303 CAN'T TELL THEM WHAT TO DO. 1488 00:23:25,303 --> 00:23:26,537 THEY REALLY HAVE TO FIGURE IT 1489 00:23:26,538 --> 00:23:26,571 THEY REALLY HAVE TO FIGURE IT 1490 00:23:26,571 --> 00:23:28,005 OUT FOR THEMSELVES. 1491 00:24:06,211 --> 00:24:10,048 >> I DON'T--I DON'T BELIEVE IT. 1492 00:24:10,048 --> 00:24:10,081 >> I DON'T--I DON'T BELIEVE IT. 1493 00:24:10,081 --> 00:24:14,318 >> THAT IS WHY YOU FAIL. 1494 00:24:14,319 --> 00:24:14,385 >> THAT IS WHY YOU FAIL. 1495 00:24:14,386 --> 00:24:16,020 >> YOU CAN'T WIN, DARTH. 1496 00:24:16,021 --> 00:24:16,054 >> YOU CAN'T WIN, DARTH. 1497 00:24:16,054 --> 00:24:17,955 IF YOU STRIKE ME DOWN, I SHALL 1498 00:24:17,956 --> 00:24:17,989 IF YOU STRIKE ME DOWN, I SHALL 1499 00:24:17,989 --> 00:24:19,690 BECOME MORE POWERFUL THAN YOU 1500 00:24:19,691 --> 00:24:19,757 BECOME MORE POWERFUL THAN YOU 1501 00:24:19,758 --> 00:24:22,594 CAN POSSIBLY IMAGINE. 1502 00:24:22,594 --> 00:24:22,660 CAN POSSIBLY IMAGINE. 1503 00:24:22,661 --> 00:24:23,962 >> Narrator: UNFORTUNATELY, 1504 00:24:23,962 --> 00:24:23,995 >> Narrator: UNFORTUNATELY, 1505 00:24:23,995 --> 00:24:25,663 DURING THE HERO'S JOURNEY, THE 1506 00:24:25,664 --> 00:24:25,697 DURING THE HERO'S JOURNEY, THE 1507 00:24:25,697 --> 00:24:28,332 MENTOR CANNOT STAY FOREVER. 1508 00:24:32,471 --> 00:24:33,972 >> NO!! 1509 00:24:33,972 --> 00:24:34,038 >> NO!! 1510 00:24:34,039 --> 00:24:35,874 >> Young: OUR PARENTS DIE. 1511 00:24:35,874 --> 00:24:35,940 >> Young: OUR PARENTS DIE. 1512 00:24:35,941 --> 00:24:38,143 OUR TEACHERS DIE. 1513 00:24:38,143 --> 00:24:38,176 OUR TEACHERS DIE. 1514 00:24:38,176 --> 00:24:39,877 THE LOSSES IN LIFE'S LONG 1515 00:24:39,878 --> 00:24:39,911 THE LOSSES IN LIFE'S LONG 1516 00:24:39,911 --> 00:24:41,078 JOURNEY ARE GREAT. 1517 00:24:41,079 --> 00:24:41,145 JOURNEY ARE GREAT. 1518 00:24:41,146 --> 00:24:44,082 >> RUN, LUKE, RUN! 1519 00:24:44,082 --> 00:24:44,115 >> RUN, LUKE, RUN! 1520 00:24:44,115 --> 00:24:46,050 >> Young: THE FIRST REACTION IS 1521 00:24:46,051 --> 00:24:46,084 >> Young: THE FIRST REACTION IS 1522 00:24:46,084 --> 00:24:47,985 OFTEN, "I CAN'T MAKE IT WITHOUT 1523 00:24:47,986 --> 00:24:48,019 OFTEN, "I CAN'T MAKE IT WITHOUT 1524 00:24:48,019 --> 00:24:49,153 THIS HELP." 1525 00:24:49,154 --> 00:24:49,220 THIS HELP." 1526 00:24:49,221 --> 00:24:50,989 >> I CAN'T BELIEVE HE'S GONE. 1527 00:24:50,989 --> 00:24:51,055 >> I CAN'T BELIEVE HE'S GONE. 1528 00:24:51,056 --> 00:24:52,257 >> Young: IT IS CRUCIAL THAT THE 1529 00:24:52,257 --> 00:24:52,290 >> Young: IT IS CRUCIAL THAT THE 1530 00:24:52,290 --> 00:24:55,693 HELP NOT STAY THERE. 1531 00:24:55,694 --> 00:24:55,727 HELP NOT STAY THERE. 1532 00:24:55,727 --> 00:24:57,729 >> N-O-O-O-O!! 1533 00:24:57,729 --> 00:24:57,795 >> N-O-O-O-O!! 1534 00:24:57,796 --> 00:24:59,164 >> Young: THAT THEY EITHER LEAVE 1535 00:24:59,164 --> 00:24:59,230 >> Young: THAT THEY EITHER LEAVE 1536 00:24:59,231 --> 00:25:01,166 OR DIE OR WE WOULD NEVER KNOW 1537 00:25:01,166 --> 00:25:01,199 OR DIE OR WE WOULD NEVER KNOW 1538 00:25:01,199 --> 00:25:03,067 THAT WE HAVE IN FACT TAKEN IN 1539 00:25:03,068 --> 00:25:03,101 THAT WE HAVE IN FACT TAKEN IN 1540 00:25:03,101 --> 00:25:04,969 THE TEACHING. 1541 00:25:04,970 --> 00:25:05,003 THE TEACHING. 1542 00:25:05,003 --> 00:25:06,371 >> NO MORE TRAINING DO YOU 1543 00:25:06,371 --> 00:25:06,437 >> NO MORE TRAINING DO YOU 1544 00:25:06,438 --> 00:25:07,272 REQUIRE. 1545 00:25:07,272 --> 00:25:07,338 REQUIRE. 1546 00:25:07,339 --> 00:25:09,341 ALREADY KNOW YOU THAT WHICH YOU 1547 00:25:09,341 --> 00:25:09,374 ALREADY KNOW YOU THAT WHICH YOU 1548 00:25:09,374 --> 00:25:11,776 NEED. 1549 00:25:11,776 --> 00:25:11,809 NEED. 1550 00:25:11,810 --> 00:25:13,244 >> Galipeau: AFTER PEOPLE THAT 1551 00:25:13,245 --> 00:25:13,278 >> Galipeau: AFTER PEOPLE THAT 1552 00:25:13,278 --> 00:25:15,346 WE KNOW HAVE PASSED ON, THEIR 1553 00:25:15,347 --> 00:25:15,380 WE KNOW HAVE PASSED ON, THEIR 1554 00:25:15,380 --> 00:25:16,914 SPIRIT CAN STAY WITH US. 1555 00:25:16,915 --> 00:25:16,981 SPIRIT CAN STAY WITH US. 1556 00:25:16,982 --> 00:25:19,084 "STAR WARS" STEPS RIGHT IN AND 1557 00:25:19,084 --> 00:25:19,117 "STAR WARS" STEPS RIGHT IN AND 1558 00:25:19,117 --> 00:25:20,651 PICKS UP ON THAT. 1559 00:25:20,652 --> 00:25:20,718 PICKS UP ON THAT. 1560 00:25:20,719 --> 00:25:22,821 >> USE THE FORCE, LUKE. 1561 00:25:22,821 --> 00:25:22,887 >> USE THE FORCE, LUKE. 1562 00:25:22,888 --> 00:25:23,989 >> Young: THE MENTOR IS NOW 1563 00:25:23,989 --> 00:25:24,022 >> Young: THE MENTOR IS NOW 1564 00:25:24,022 --> 00:25:27,191 WITHIN, AND I'M ABLE TO SURVIVE. 1565 00:25:27,192 --> 00:25:27,225 WITHIN, AND I'M ABLE TO SURVIVE. 1566 00:25:27,225 --> 00:25:30,328 FROM THE DEATH OF OBI-WAN... 1567 00:25:30,328 --> 00:25:30,361 FROM THE DEATH OF OBI-WAN... 1568 00:25:30,362 --> 00:25:31,429 YODA... 1569 00:25:31,429 --> 00:25:31,462 YODA... 1570 00:25:31,463 --> 00:25:32,931 QUI-GON... 1571 00:25:32,931 --> 00:25:32,997 QUI-GON... 1572 00:25:32,998 --> 00:25:35,100 "STAR WARS" REPEATEDLY SHOWS 1573 00:25:35,100 --> 00:25:35,133 "STAR WARS" REPEATEDLY SHOWS 1574 00:25:35,133 --> 00:25:37,101 THAT AS VALUABLE AS THE MENTOR 1575 00:25:37,102 --> 00:25:37,135 THAT AS VALUABLE AS THE MENTOR 1576 00:25:37,135 --> 00:25:38,903 RELATIONSHIP IS, ULTIMATELY, WE 1577 00:25:38,904 --> 00:25:38,970 RELATIONSHIP IS, ULTIMATELY, WE 1578 00:25:38,970 --> 00:25:40,204 WILL OUTLIVE IT. 1579 00:25:40,205 --> 00:25:40,271 WILL OUTLIVE IT. 1580 00:25:40,272 --> 00:25:42,274 >> REJOICE FOR THOSE AROUND YOU 1581 00:25:42,274 --> 00:25:42,307 >> REJOICE FOR THOSE AROUND YOU 1582 00:25:42,307 --> 00:25:44,742 WHO TRANSFORM INTO THE FORCE. 1583 00:25:44,743 --> 00:25:44,776 WHO TRANSFORM INTO THE FORCE. 1584 00:25:44,776 --> 00:25:46,377 MOURN THEM DO NOT. 1585 00:25:46,378 --> 00:25:46,411 MOURN THEM DO NOT. 1586 00:25:46,411 --> 00:25:48,179 MISS THEM DO NOT. 1587 00:25:48,179 --> 00:25:48,212 MISS THEM DO NOT. 1588 00:25:48,213 --> 00:25:51,649 DEATH IS A NATURAL PART OF LIFE. 1589 00:25:51,650 --> 00:25:51,683 DEATH IS A NATURAL PART OF LIFE. 1590 00:25:51,683 --> 00:25:52,850 >> Colbert: EVERYBODY WANTS A 1591 00:25:52,851 --> 00:25:52,917 >> Colbert: EVERYBODY WANTS A 1592 00:25:52,918 --> 00:25:54,653 MENTOR, AND WE GOT TO ADOPT 1593 00:25:54,653 --> 00:25:54,686 MENTOR, AND WE GOT TO ADOPT 1594 00:25:54,686 --> 00:25:56,554 OBI-WAN AS OUR MENTOR. 1595 00:25:56,555 --> 00:25:56,621 OBI-WAN AS OUR MENTOR. 1596 00:25:56,621 --> 00:25:59,190 AND THIS IS A DREAM FOR A BOY, 1597 00:25:59,190 --> 00:25:59,223 AND THIS IS A DREAM FOR A BOY, 1598 00:25:59,224 --> 00:26:00,925 THAT THEY COULD FIND SOMEONE WHO 1599 00:26:00,926 --> 00:26:00,992 THAT THEY COULD FIND SOMEONE WHO 1600 00:26:00,992 --> 00:26:02,460 THEY COULD TRUST, AND WHO WOULD 1601 00:26:02,460 --> 00:26:02,493 THEY COULD TRUST, AND WHO WOULD 1602 00:26:02,494 --> 00:26:04,262 TELL THEM WHAT IT IS THEY WILL 1603 00:26:04,262 --> 00:26:04,295 TELL THEM WHAT IT IS THEY WILL 1604 00:26:04,296 --> 00:26:05,730 DO WITH THEIR LIFE. 1605 00:26:05,730 --> 00:26:05,763 DO WITH THEIR LIFE. 1606 00:26:05,764 --> 00:26:06,931 >> YOU'VE BEEN A GOOD 1607 00:26:06,932 --> 00:26:06,965 >> YOU'VE BEEN A GOOD 1608 00:26:06,965 --> 00:26:09,000 APPRENTICE, OBI-WAN. 1609 00:26:09,000 --> 00:26:09,033 APPRENTICE, OBI-WAN. 1610 00:26:09,034 --> 00:26:10,301 AND YOU'RE A MUCH WISER MAN THAN 1611 00:26:10,302 --> 00:26:10,335 AND YOU'RE A MUCH WISER MAN THAN 1612 00:26:10,335 --> 00:26:11,669 I AM. 1613 00:26:11,670 --> 00:26:11,736 I AM. 1614 00:26:11,736 --> 00:26:13,204 >> Ellerbee: YOU NEVER OUTGROW 1615 00:26:13,204 --> 00:26:13,237 >> Ellerbee: YOU NEVER OUTGROW 1616 00:26:13,238 --> 00:26:14,772 YOUR NEED FOR A MENTOR. 1617 00:26:14,773 --> 00:26:14,839 YOUR NEED FOR A MENTOR. 1618 00:26:14,839 --> 00:26:16,373 I DON'T CARE HOW OLD YOU ARE. 1619 00:26:16,374 --> 00:26:16,407 I DON'T CARE HOW OLD YOU ARE. 1620 00:26:16,408 --> 00:26:17,942 AND THAT THEY TAKE DIFFERENT 1621 00:26:17,943 --> 00:26:18,009 AND THAT THEY TAKE DIFFERENT 1622 00:26:18,009 --> 00:26:21,846 SHAPES, DIFFERENT FORMS IS A 1623 00:26:21,846 --> 00:26:21,879 SHAPES, DIFFERENT FORMS IS A 1624 00:26:21,880 --> 00:26:24,482 GREAT REMINDER TO US IF SOMEBODY 1625 00:26:24,482 --> 00:26:24,515 GREAT REMINDER TO US IF SOMEBODY 1626 00:26:24,516 --> 00:26:26,217 STRETCHES OUT A HELPING HAND, 1627 00:26:26,217 --> 00:26:26,250 STRETCHES OUT A HELPING HAND, 1628 00:26:26,251 --> 00:26:27,685 DON'T LOOK AND SEE IF IT'S 1629 00:26:27,686 --> 00:26:27,719 DON'T LOOK AND SEE IF IT'S 1630 00:26:27,719 --> 00:26:28,653 GREEN. 1631 00:26:28,653 --> 00:26:28,686 GREEN. 1632 00:26:28,687 --> 00:26:30,755 JUST TAKE THE HAND. 1633 00:26:38,430 --> 00:26:39,631 >> AREN'T YOU A LITTLE SHORT 1634 00:26:39,631 --> 00:26:39,664 >> AREN'T YOU A LITTLE SHORT 1635 00:26:39,664 --> 00:26:41,899 FOR A STORMTROOPER? 1636 00:26:41,900 --> 00:26:41,966 FOR A STORMTROOPER? 1637 00:26:41,967 --> 00:26:42,801 >> I'M LUKE SKYWALKER. 1638 00:26:42,801 --> 00:26:42,867 >> I'M LUKE SKYWALKER. 1639 00:26:42,867 --> 00:26:43,901 I'M HERE TO RESCUE YOU. 1640 00:26:47,839 --> 00:26:48,806 >> Narrator: IN HIS FIGHT 1641 00:26:48,807 --> 00:26:48,840 >> Narrator: IN HIS FIGHT 1642 00:26:48,840 --> 00:26:51,175 AGAINST THE FORCES OF EVIL... 1643 00:26:51,176 --> 00:26:51,242 AGAINST THE FORCES OF EVIL... 1644 00:26:51,242 --> 00:26:52,710 >> AIIGH! 1645 00:26:52,711 --> 00:26:52,744 >> AIIGH! 1646 00:26:52,744 --> 00:26:53,778 >> Narrator: THE HERO NEEDS MORE 1647 00:26:53,778 --> 00:26:53,811 >> Narrator: THE HERO NEEDS MORE 1648 00:26:53,812 --> 00:26:55,346 THAN COURAGE AND THE TEACHINGS 1649 00:26:55,347 --> 00:26:55,413 THAN COURAGE AND THE TEACHINGS 1650 00:26:55,413 --> 00:26:56,514 OF A MENTOR. 1651 00:26:56,514 --> 00:26:56,547 OF A MENTOR. 1652 00:26:56,548 --> 00:26:57,415 >> LUKE, WE'RE GONNA HAVE 1653 00:26:57,415 --> 00:26:57,448 >> LUKE, WE'RE GONNA HAVE 1654 00:26:57,449 --> 00:26:58,716 COMPANY! 1655 00:26:58,717 --> 00:26:58,783 COMPANY! 1656 00:26:58,783 --> 00:27:00,251 >> GET ALONGSIDE THAT ONE. 1657 00:27:00,251 --> 00:27:00,284 >> GET ALONGSIDE THAT ONE. 1658 00:27:00,285 --> 00:27:01,519 >> Narrator: HE ALSO RELIES ON 1659 00:27:01,519 --> 00:27:01,552 >> Narrator: HE ALSO RELIES ON 1660 00:27:01,553 --> 00:27:03,254 THE HELP AND THE FRIENDSHIP 1661 00:27:03,254 --> 00:27:03,287 THE HELP AND THE FRIENDSHIP 1662 00:27:03,288 --> 00:27:04,622 OF OTHERS. 1663 00:27:04,623 --> 00:27:04,689 OF OTHERS. 1664 00:27:04,689 --> 00:27:05,556 >> Henderson: HEROES NEED TO 1665 00:27:05,557 --> 00:27:05,590 >> Henderson: HEROES NEED TO 1666 00:27:05,590 --> 00:27:06,991 START OUT WITH COMRADES. 1667 00:27:06,992 --> 00:27:07,058 START OUT WITH COMRADES. 1668 00:27:07,058 --> 00:27:08,192 THEY NEED THAT TEAMWORK. 1669 00:27:08,193 --> 00:27:08,259 THEY NEED THAT TEAMWORK. 1670 00:27:08,259 --> 00:27:09,360 THEY NEED WHAT THEY CAN LEARN 1671 00:27:09,361 --> 00:27:09,394 THEY NEED WHAT THEY CAN LEARN 1672 00:27:09,394 --> 00:27:12,463 FROM EACH OTHER. 1673 00:27:12,464 --> 00:27:12,530 FROM EACH OTHER. 1674 00:27:12,530 --> 00:27:13,330 >> I GOT HIM! 1675 00:27:13,331 --> 00:27:13,364 >> I GOT HIM! 1676 00:27:13,365 --> 00:27:14,432 >> GREAT, KID! 1677 00:27:14,432 --> 00:27:14,465 >> GREAT, KID! 1678 00:27:14,466 --> 00:27:15,967 DON'T GET COCKY! 1679 00:27:20,071 --> 00:27:21,539 >> THAT'S IT, WE DID IT! 1680 00:27:21,539 --> 00:27:21,572 >> THAT'S IT, WE DID IT! 1681 00:27:21,573 --> 00:27:22,540 >> WE DID IT! 1682 00:27:22,540 --> 00:27:22,606 >> WE DID IT! 1683 00:27:22,607 --> 00:27:24,075 [Chewbacca growls] 1684 00:27:24,075 --> 00:27:24,108 [Chewbacca growls] 1685 00:27:24,109 --> 00:27:25,477 >> Jackson: ONCE THE HERO HAS 1686 00:27:25,477 --> 00:27:25,510 >> Jackson: ONCE THE HERO HAS 1687 00:27:25,510 --> 00:27:26,844 UNDERTAKEN HIS JOURNEY, THEY 1688 00:27:26,845 --> 00:27:26,911 UNDERTAKEN HIS JOURNEY, THEY 1689 00:27:26,911 --> 00:27:28,846 PICK UP COMPANIONS ALONG THE 1690 00:27:28,847 --> 00:27:28,913 PICK UP COMPANIONS ALONG THE 1691 00:27:28,913 --> 00:27:29,847 WAY. 1692 00:27:29,848 --> 00:27:29,914 WAY. 1693 00:27:29,914 --> 00:27:31,382 DOROTHY MEETS UP WITH THE TIN 1694 00:27:31,383 --> 00:27:31,449 DOROTHY MEETS UP WITH THE TIN 1695 00:27:31,449 --> 00:27:32,817 MAN AND THE SCARECROW. 1696 00:27:32,817 --> 00:27:32,850 MAN AND THE SCARECROW. 1697 00:27:32,851 --> 00:27:34,652 FRODO HAS THE ENTIRE FELLOWSHIP 1698 00:27:34,653 --> 00:27:34,719 FRODO HAS THE ENTIRE FELLOWSHIP 1699 00:27:34,719 --> 00:27:36,554 TO TRAVEL WITH, AND LUKE HAS 1700 00:27:36,554 --> 00:27:36,587 TO TRAVEL WITH, AND LUKE HAS 1701 00:27:36,588 --> 00:27:38,823 THIS WONDERFUL MENAGERIE OF 1702 00:27:38,823 --> 00:27:38,889 THIS WONDERFUL MENAGERIE OF 1703 00:27:38,890 --> 00:27:39,924 FRIENDS. 1704 00:27:39,924 --> 00:27:39,957 FRIENDS. 1705 00:27:39,958 --> 00:27:41,292 >> Narrator: EACH "STAR WARS" 1706 00:27:41,292 --> 00:27:41,325 >> Narrator: EACH "STAR WARS" 1707 00:27:41,326 --> 00:27:43,394 TRILOGY INGENIOUSLY RE-IMAGINES 1708 00:27:43,395 --> 00:27:43,428 TRILOGY INGENIOUSLY RE-IMAGINES 1709 00:27:43,428 --> 00:27:45,029 THE ANCIENT ARCHETYPES OF THE 1710 00:27:45,030 --> 00:27:45,096 THE ANCIENT ARCHETYPES OF THE 1711 00:27:45,096 --> 00:27:46,931 WARRIOR WHO BEFRIENDS THE HERO. 1712 00:27:46,931 --> 00:27:46,964 WARRIOR WHO BEFRIENDS THE HERO. 1713 00:27:46,965 --> 00:27:48,032 >> BE CAREFUL. 1714 00:27:48,033 --> 00:27:48,066 >> BE CAREFUL. 1715 00:27:48,066 --> 00:27:48,933 >> YOU TOO. 1716 00:27:48,933 --> 00:27:48,999 >> YOU TOO. 1717 00:27:49,000 --> 00:27:50,301 >> Narrator: AND THE DAMSEL IN 1718 00:27:50,301 --> 00:27:50,367 >> Narrator: AND THE DAMSEL IN 1719 00:27:50,368 --> 00:27:51,035 DISTRESS... 1720 00:27:51,036 --> 00:27:51,102 DISTRESS... 1721 00:27:51,102 --> 00:27:52,103 >> [gasps] 1722 00:27:52,103 --> 00:27:52,136 >> [gasps] 1723 00:27:52,137 --> 00:27:53,204 >> Narrator: WHOM THE HERO MUST 1724 00:27:53,204 --> 00:27:53,270 >> Narrator: WHOM THE HERO MUST 1725 00:27:53,271 --> 00:27:55,006 PROTECT. 1726 00:27:55,006 --> 00:27:55,039 PROTECT. 1727 00:27:55,040 --> 00:27:56,408 >> THIS IS SOME RESCUE! 1728 00:27:56,408 --> 00:27:56,441 >> THIS IS SOME RESCUE! 1729 00:27:56,441 --> 00:27:57,842 WHEN YOU CAME IN HERE, DIDN'T 1730 00:27:57,842 --> 00:27:57,908 WHEN YOU CAME IN HERE, DIDN'T 1731 00:27:57,909 --> 00:27:58,843 YOU HAVE A PLAN FOR GETTING OUT? 1732 00:27:58,843 --> 00:27:58,876 YOU HAVE A PLAN FOR GETTING OUT? 1733 00:27:58,877 --> 00:28:01,379 >> HE'S THE BRAINS, SWEETHEART! 1734 00:28:01,379 --> 00:28:01,412 >> HE'S THE BRAINS, SWEETHEART! 1735 00:28:01,413 --> 00:28:02,680 >> Narrator: BUT FAR FROM BEING 1736 00:28:02,681 --> 00:28:02,747 >> Narrator: BUT FAR FROM BEING 1737 00:28:02,747 --> 00:28:04,648 HELPLESS, THE FEMALE CHARACTERS 1738 00:28:04,649 --> 00:28:04,682 HELPLESS, THE FEMALE CHARACTERS 1739 00:28:04,683 --> 00:28:06,751 OF PADME AMIDALA AND HER 1740 00:28:06,751 --> 00:28:06,784 OF PADME AMIDALA AND HER 1741 00:28:06,785 --> 00:28:08,753 DAUGHTER, LEIA ORGANA, ARE AS 1742 00:28:08,753 --> 00:28:08,819 DAUGHTER, LEIA ORGANA, ARE AS 1743 00:28:08,820 --> 00:28:12,223 COURAGEOUS AS THEY ARE CLEVER. 1744 00:28:12,223 --> 00:28:12,289 COURAGEOUS AS THEY ARE CLEVER. 1745 00:28:12,290 --> 00:28:13,758 >> [grunts] 1746 00:28:13,758 --> 00:28:13,791 >> [grunts] 1747 00:28:13,792 --> 00:28:15,126 >> [gurgles] 1748 00:28:15,126 --> 00:28:15,192 >> [gurgles] 1749 00:28:15,193 --> 00:28:16,727 >> Paglia: THE WOMEN OF THE 1750 00:28:16,728 --> 00:28:16,761 >> Paglia: THE WOMEN OF THE 1751 00:28:16,761 --> 00:28:19,730 "STAR WARS" FILMS ARE EXTREMELY 1752 00:28:19,731 --> 00:28:19,764 "STAR WARS" FILMS ARE EXTREMELY 1753 00:28:19,764 --> 00:28:20,731 ASSERTIVE. 1754 00:28:20,732 --> 00:28:20,765 ASSERTIVE. 1755 00:28:20,765 --> 00:28:21,732 >> WILL SOMEBODY GET THIS BIG 1756 00:28:21,733 --> 00:28:21,766 >> WILL SOMEBODY GET THIS BIG 1757 00:28:21,766 --> 00:28:23,400 WALKING CARPET OUT OF MY WAY? 1758 00:28:23,401 --> 00:28:23,434 WALKING CARPET OUT OF MY WAY? 1759 00:28:23,435 --> 00:28:24,669 >> Paglia: CAN WIELD WEAPONS 1760 00:28:24,669 --> 00:28:24,702 >> Paglia: CAN WIELD WEAPONS 1761 00:28:24,703 --> 00:28:25,603 WITH THE BEST OF THEM. 1762 00:28:25,603 --> 00:28:25,636 WITH THE BEST OF THEM. 1763 00:28:25,637 --> 00:28:27,238 >> YOU CALL THIS A DIPLOMATIC 1764 00:28:27,238 --> 00:28:27,271 >> YOU CALL THIS A DIPLOMATIC 1765 00:28:27,272 --> 00:28:27,872 SOLUTION? 1766 00:28:27,872 --> 00:28:27,938 SOLUTION? 1767 00:28:27,939 --> 00:28:29,140 >> NO, I CALL IT AGGRESSIVE 1768 00:28:29,140 --> 00:28:29,173 >> NO, I CALL IT AGGRESSIVE 1769 00:28:29,174 --> 00:28:30,241 NEGOTIATIONS. 1770 00:28:30,241 --> 00:28:30,274 NEGOTIATIONS. 1771 00:28:30,275 --> 00:28:31,609 >> Paglia: WE ALSO SEE THEM 1772 00:28:31,609 --> 00:28:31,675 >> Paglia: WE ALSO SEE THEM 1773 00:28:31,676 --> 00:28:33,244 PHYSICALLY AND PERSONALLY 1774 00:28:33,244 --> 00:28:33,277 PHYSICALLY AND PERSONALLY 1775 00:28:33,278 --> 00:28:35,747 EVOLVING FROM FILM TO FILM, 1776 00:28:35,747 --> 00:28:35,780 EVOLVING FROM FILM TO FILM, 1777 00:28:35,780 --> 00:28:37,948 WHICH IS ALMOST UNIQUE IN 1778 00:28:37,949 --> 00:28:37,982 WHICH IS ALMOST UNIQUE IN 1779 00:28:37,982 --> 00:28:39,750 CONTEMPORARY CULTURE, THAT IS, 1780 00:28:39,751 --> 00:28:39,784 CONTEMPORARY CULTURE, THAT IS, 1781 00:28:39,784 --> 00:28:42,153 LUCAS' ABILITY TO SPEAK TO THE 1782 00:28:42,153 --> 00:28:42,186 LUCAS' ABILITY TO SPEAK TO THE 1783 00:28:42,187 --> 00:28:44,155 EMOTIONAL NEEDS OF MEN WITHOUT 1784 00:28:44,155 --> 00:28:44,221 EMOTIONAL NEEDS OF MEN WITHOUT 1785 00:28:44,222 --> 00:28:46,057 IN ANY WAY UNDERMINING THE 1786 00:28:46,057 --> 00:28:46,123 IN ANY WAY UNDERMINING THE 1787 00:28:46,124 --> 00:28:48,593 DIGNITY AND POTENTIAL OF WOMEN. 1788 00:28:48,593 --> 00:28:48,659 DIGNITY AND POTENTIAL OF WOMEN. 1789 00:28:48,660 --> 00:28:49,961 >> I'M NOT SURE WHAT YOU WISH 1790 00:28:49,961 --> 00:28:50,027 >> I'M NOT SURE WHAT YOU WISH 1791 00:28:50,028 --> 00:28:51,696 TO ACCOMPLISH BY THIS. 1792 00:28:51,696 --> 00:28:51,729 TO ACCOMPLISH BY THIS. 1793 00:28:51,730 --> 00:28:54,232 >> I WILL TAKE BACK WHAT'S OURS. 1794 00:28:54,232 --> 00:28:54,265 >> I WILL TAKE BACK WHAT'S OURS. 1795 00:28:54,265 --> 00:28:55,299 >> Connelly: OF COURSE, GREEK 1796 00:28:55,300 --> 00:28:55,333 >> Connelly: OF COURSE, GREEK 1797 00:28:55,333 --> 00:28:57,301 TRAGEDY HAS ENORMOUSLY STRONG 1798 00:28:57,302 --> 00:28:57,335 TRAGEDY HAS ENORMOUSLY STRONG 1799 00:28:57,335 --> 00:28:58,536 WOMEN. 1800 00:28:58,536 --> 00:28:58,569 WOMEN. 1801 00:28:58,570 --> 00:29:00,872 AND GEORGE LUCAS HAS MANAGED TO 1802 00:29:00,872 --> 00:29:00,938 AND GEORGE LUCAS HAS MANAGED TO 1803 00:29:00,939 --> 00:29:02,507 CAPTURE THE STRENGTH OF THESE 1804 00:29:02,507 --> 00:29:02,540 CAPTURE THE STRENGTH OF THESE 1805 00:29:02,540 --> 00:29:03,340 WOMEN. 1806 00:29:03,341 --> 00:29:03,407 WOMEN. 1807 00:29:03,408 --> 00:29:06,144 BUT IN FACT, IT'S LAYERED. 1808 00:29:06,144 --> 00:29:06,210 BUT IN FACT, IT'S LAYERED. 1809 00:29:06,211 --> 00:29:08,079 IF YOU LOOK AT QUEEN AMIDALA, 1810 00:29:08,079 --> 00:29:08,112 IF YOU LOOK AT QUEEN AMIDALA, 1811 00:29:08,113 --> 00:29:12,717 SHE'S STRONG AND YET ROMANTIC. 1812 00:29:12,717 --> 00:29:12,750 SHE'S STRONG AND YET ROMANTIC. 1813 00:29:12,751 --> 00:29:14,085 >> Narrator: THE NAME OF PADME'S 1814 00:29:14,085 --> 00:29:14,118 >> Narrator: THE NAME OF PADME'S 1815 00:29:14,119 --> 00:29:16,788 HOME PLANET, NABOO, GIVES A CLUE 1816 00:29:16,788 --> 00:29:16,821 HOME PLANET, NABOO, GIVES A CLUE 1817 00:29:16,821 --> 00:29:18,989 TO HER INTELLECTUAL NATURE. 1818 00:29:18,990 --> 00:29:19,056 TO HER INTELLECTUAL NATURE. 1819 00:29:19,057 --> 00:29:20,858 >> Henderson: NABU WAS THE 1820 00:29:20,859 --> 00:29:20,892 >> Henderson: NABU WAS THE 1821 00:29:20,892 --> 00:29:23,261 BABYLONIAN GOD OF WISDOM. 1822 00:29:23,261 --> 00:29:23,327 BABYLONIAN GOD OF WISDOM. 1823 00:29:23,328 --> 00:29:26,898 AND SO AS QUEEN OF NABOO, PADME 1824 00:29:26,898 --> 00:29:26,931 AND SO AS QUEEN OF NABOO, PADME 1825 00:29:26,931 --> 00:29:28,899 IS THE RULER OF WISDOM, AND IN 1826 00:29:28,900 --> 00:29:28,933 IS THE RULER OF WISDOM, AND IN 1827 00:29:28,933 --> 00:29:30,868 FACT, SHE EMBODIES ALL OF THE 1828 00:29:30,869 --> 00:29:30,902 FACT, SHE EMBODIES ALL OF THE 1829 00:29:30,902 --> 00:29:33,905 FEMALE WISDOM OF THAT PARTICULAR 1830 00:29:33,905 --> 00:29:33,938 FEMALE WISDOM OF THAT PARTICULAR 1831 00:29:33,938 --> 00:29:40,444 ARCHETYPE. 1832 00:29:40,445 --> 00:29:40,478 ARCHETYPE. 1833 00:29:40,478 --> 00:29:42,713 >> OH, ANAKIN, SOMETHING 1834 00:29:42,714 --> 00:29:42,747 >> OH, ANAKIN, SOMETHING 1835 00:29:42,747 --> 00:29:45,182 WONDERFUL HAS HAPPENED. 1836 00:29:45,183 --> 00:29:45,249 WONDERFUL HAS HAPPENED. 1837 00:29:45,250 --> 00:29:47,051 I'M PREGNANT. 1838 00:29:47,051 --> 00:29:47,084 I'M PREGNANT. 1839 00:29:47,085 --> 00:29:47,985 >> Narrator: AS THE FUTURE 1840 00:29:47,986 --> 00:29:48,052 >> Narrator: AS THE FUTURE 1841 00:29:48,052 --> 00:29:50,354 MOTHER OF LEIA AND LUKE, PADME 1842 00:29:50,355 --> 00:29:50,421 MOTHER OF LEIA AND LUKE, PADME 1843 00:29:50,421 --> 00:29:51,989 EMBODIES ANOTHER FIGURE IN 1844 00:29:51,990 --> 00:29:52,056 EMBODIES ANOTHER FIGURE IN 1845 00:29:52,056 --> 00:29:53,724 CLASSIC MYTH, THAT OF THE 1846 00:29:53,725 --> 00:29:53,791 CLASSIC MYTH, THAT OF THE 1847 00:29:53,792 --> 00:29:55,460 NURTURING EARTH MOTHER. 1848 00:29:55,460 --> 00:29:55,526 NURTURING EARTH MOTHER. 1849 00:29:55,527 --> 00:29:56,628 >> Connelly: HER ENVIRONMENT IS 1850 00:29:56,628 --> 00:29:56,694 >> Connelly: HER ENVIRONMENT IS 1851 00:29:56,694 --> 00:29:59,363 GREEN, FLOURISHING, NOURISHING. 1852 00:29:59,364 --> 00:29:59,397 GREEN, FLOURISHING, NOURISHING. 1853 00:29:59,397 --> 00:30:01,732 SHE IS LOVE. 1854 00:30:01,733 --> 00:30:01,766 SHE IS LOVE. 1855 00:30:01,766 --> 00:30:04,435 SHE IS SENSIBILITIES. 1856 00:30:04,435 --> 00:30:04,468 SHE IS SENSIBILITIES. 1857 00:30:04,469 --> 00:30:06,471 SHE IS ALL OF THOSE THINGS THAT 1858 00:30:06,471 --> 00:30:06,537 SHE IS ALL OF THOSE THINGS THAT 1859 00:30:06,538 --> 00:30:08,206 LIE IN STARK CONTRAST TO 1860 00:30:08,206 --> 00:30:08,239 LIE IN STARK CONTRAST TO 1861 00:30:08,239 --> 00:30:09,707 TECHNOLOGY-DRIVEN, 1862 00:30:09,707 --> 00:30:09,740 TECHNOLOGY-DRIVEN, 1863 00:30:09,741 --> 00:30:11,743 CONTROL-DRIVEN REALMS BEYOND 1864 00:30:11,743 --> 00:30:11,809 CONTROL-DRIVEN REALMS BEYOND 1865 00:30:11,810 --> 00:30:12,610 HER. 1866 00:30:12,610 --> 00:30:12,643 HER. 1867 00:30:12,644 --> 00:30:13,645 >> Narrator: BUT PADME'S 1868 00:30:13,645 --> 00:30:13,678 >> Narrator: BUT PADME'S 1869 00:30:13,678 --> 00:30:15,079 COMPASSION AND HER LOVE FOR 1870 00:30:15,079 --> 00:30:15,112 COMPASSION AND HER LOVE FOR 1871 00:30:15,113 --> 00:30:17,081 ANAKIN ALSO LEAD TO HER 1872 00:30:17,081 --> 00:30:17,114 ANAKIN ALSO LEAD TO HER 1873 00:30:17,115 --> 00:30:19,383 DOWNFALL WHEN HER HUSBAND TURNS 1874 00:30:19,384 --> 00:30:19,450 DOWNFALL WHEN HER HUSBAND TURNS 1875 00:30:19,450 --> 00:30:21,919 TO THE DARK SIDE. 1876 00:30:21,920 --> 00:30:21,953 TO THE DARK SIDE. 1877 00:30:21,953 --> 00:30:23,087 >> Connelly: PADME IS 1878 00:30:23,087 --> 00:30:23,120 >> Connelly: PADME IS 1879 00:30:23,121 --> 00:30:24,288 BROKEN-HEARTED. 1880 00:30:24,289 --> 00:30:24,322 BROKEN-HEARTED. 1881 00:30:24,322 --> 00:30:25,656 >> [crying] 1882 00:30:25,657 --> 00:30:25,690 >> [crying] 1883 00:30:25,690 --> 00:30:27,091 >> Connelly: AND THIS IS THE 1884 00:30:27,091 --> 00:30:27,124 >> Connelly: AND THIS IS THE 1885 00:30:27,125 --> 00:30:29,293 SAME EXPERIENCE OF QUEEN DIDO OF 1886 00:30:29,294 --> 00:30:29,327 SAME EXPERIENCE OF QUEEN DIDO OF 1887 00:30:29,327 --> 00:30:32,563 CARTHAGE IN THAT SHE LOVES AND 1888 00:30:32,564 --> 00:30:32,630 CARTHAGE IN THAT SHE LOVES AND 1889 00:30:32,630 --> 00:30:35,899 SHE CRIES AND BEGS FOR HER MAN, 1890 00:30:35,900 --> 00:30:35,933 SHE CRIES AND BEGS FOR HER MAN, 1891 00:30:35,934 --> 00:30:39,370 AENEAS, TO STAY AS HE WAS. 1892 00:30:39,370 --> 00:30:39,403 AENEAS, TO STAY AS HE WAS. 1893 00:30:39,404 --> 00:30:42,039 >> YOU'VE CHANGED. 1894 00:30:42,040 --> 00:30:42,106 >> YOU'VE CHANGED. 1895 00:30:42,106 --> 00:30:45,809 I DON'T KNOW YOU ANYMORE. 1896 00:30:45,810 --> 00:30:45,843 I DON'T KNOW YOU ANYMORE. 1897 00:30:45,844 --> 00:30:47,946 ANAKIN... 1898 00:30:47,946 --> 00:30:48,012 ANAKIN... 1899 00:30:48,012 --> 00:30:50,447 YOU'RE BREAKING MY HEART. 1900 00:30:50,448 --> 00:30:50,481 YOU'RE BREAKING MY HEART. 1901 00:30:50,481 --> 00:30:51,548 >> Connelly: SO SHE'S A 1902 00:30:51,549 --> 00:30:51,582 >> Connelly: SO SHE'S A 1903 00:30:51,583 --> 00:30:52,951 MARVELOUS BLEND OF TRADITIONS, 1904 00:30:52,951 --> 00:30:52,984 MARVELOUS BLEND OF TRADITIONS, 1905 00:30:52,984 --> 00:30:54,685 OF THE COMPLEXITY OF WHAT IT IS 1906 00:30:54,686 --> 00:30:54,752 OF THE COMPLEXITY OF WHAT IT IS 1907 00:30:54,752 --> 00:30:55,819 TO BE A WOMAN. 1908 00:30:55,820 --> 00:30:55,853 TO BE A WOMAN. 1909 00:30:55,854 --> 00:30:57,222 >> OH, LUKE. 1910 00:30:57,222 --> 00:30:57,255 >> OH, LUKE. 1911 00:30:57,255 --> 00:30:59,223 [baby cries] 1912 00:30:59,224 --> 00:30:59,290 [baby cries] 1913 00:30:59,290 --> 00:31:01,025 LEIA. 1914 00:31:08,700 --> 00:31:09,867 >> Narrator: ALTHOUGH PADME 1915 00:31:09,868 --> 00:31:09,934 >> Narrator: ALTHOUGH PADME 1916 00:31:09,934 --> 00:31:12,102 AMIDALA IS A TRAGIC FIGURE, HER 1917 00:31:12,103 --> 00:31:12,136 AMIDALA IS A TRAGIC FIGURE, HER 1918 00:31:12,136 --> 00:31:15,105 QUEST FOR PEACE AND DEMOCRACY IS 1919 00:31:15,106 --> 00:31:15,139 QUEST FOR PEACE AND DEMOCRACY IS 1920 00:31:15,139 --> 00:31:16,607 FINALLY REALIZED A GENERATION 1921 00:31:16,608 --> 00:31:16,674 FINALLY REALIZED A GENERATION 1922 00:31:16,674 --> 00:31:18,509 LATER BY HER DAUGHTER, LEIA. 1923 00:31:18,509 --> 00:31:18,542 LATER BY HER DAUGHTER, LEIA. 1924 00:31:18,543 --> 00:31:20,044 >> GOVERNOR TARKIN, I SHOULD'VE 1925 00:31:20,044 --> 00:31:20,077 >> GOVERNOR TARKIN, I SHOULD'VE 1926 00:31:20,078 --> 00:31:21,579 EXPECTED TO FIND YOU HOLDING 1927 00:31:21,579 --> 00:31:21,612 EXPECTED TO FIND YOU HOLDING 1928 00:31:21,613 --> 00:31:22,680 VADER'S LEASH. 1929 00:31:22,680 --> 00:31:22,746 VADER'S LEASH. 1930 00:31:22,747 --> 00:31:24,782 I RECOGNIZED YOUR FOWL STENCH 1931 00:31:24,782 --> 00:31:24,815 I RECOGNIZED YOUR FOWL STENCH 1932 00:31:24,816 --> 00:31:27,585 WHEN I WAS BROUGHT ON BOARD. 1933 00:31:27,585 --> 00:31:27,651 WHEN I WAS BROUGHT ON BOARD. 1934 00:31:27,652 --> 00:31:29,787 >> CHARMING TO THE LAST. 1935 00:31:29,787 --> 00:31:29,853 >> CHARMING TO THE LAST. 1936 00:31:29,854 --> 00:31:30,955 >> Abrams: WHAT'S GREAT ABOUT 1937 00:31:30,955 --> 00:31:30,988 >> Abrams: WHAT'S GREAT ABOUT 1938 00:31:30,989 --> 00:31:32,156 LEIA IS THAT, FROM THE FIRST 1939 00:31:32,156 --> 00:31:32,222 LEIA IS THAT, FROM THE FIRST 1940 00:31:32,223 --> 00:31:33,757 MOMENT YOU MEET HER, WHILE SHE 1941 00:31:33,758 --> 00:31:33,791 MOMENT YOU MEET HER, WHILE SHE 1942 00:31:33,791 --> 00:31:36,927 IS DESPERATE, UM... 1943 00:31:36,928 --> 00:31:36,961 IS DESPERATE, UM... 1944 00:31:36,961 --> 00:31:38,128 SHE'S ANYTHING BUT. 1945 00:31:38,129 --> 00:31:38,162 SHE'S ANYTHING BUT. 1946 00:31:38,162 --> 00:31:39,396 SHE IS TOUGH, AND SHE'S 1947 00:31:39,397 --> 00:31:39,430 SHE IS TOUGH, AND SHE'S 1948 00:31:39,430 --> 00:31:39,963 RESOURCEFUL. 1949 00:31:39,964 --> 00:31:40,030 RESOURCEFUL. 1950 00:31:40,031 --> 00:31:40,698 >> LOOKS LIKE YOU MANAGED TO 1951 00:31:40,698 --> 00:31:40,731 >> LOOKS LIKE YOU MANAGED TO 1952 00:31:40,732 --> 00:31:41,799 CUT OFF OUR ONLY ESCAPE ROUTE. 1953 00:31:41,799 --> 00:31:41,865 CUT OFF OUR ONLY ESCAPE ROUTE. 1954 00:31:41,866 --> 00:31:42,867 >> MAYBE YOU'D LIKE IT BACK IN 1955 00:31:42,867 --> 00:31:42,900 >> MAYBE YOU'D LIKE IT BACK IN 1956 00:31:42,901 --> 00:31:45,169 YOUR CELL, YOUR HIGHNESS. 1957 00:31:45,169 --> 00:31:45,235 YOUR CELL, YOUR HIGHNESS. 1958 00:31:45,236 --> 00:31:46,503 >> Abrams: SHE DOESN'T HESITATE 1959 00:31:46,504 --> 00:31:46,537 >> Abrams: SHE DOESN'T HESITATE 1960 00:31:46,537 --> 00:31:50,307 TO DO WHAT SHE NEEDS TO DO. 1961 00:31:50,308 --> 00:31:50,341 TO DO WHAT SHE NEEDS TO DO. 1962 00:31:50,341 --> 00:31:51,975 >> WHAT THE HELL ARE YOU DOING?! 1963 00:31:51,976 --> 00:31:52,009 >> WHAT THE HELL ARE YOU DOING?! 1964 00:31:52,010 --> 00:31:52,810 >> SOMEBODY HAS TO SAVE OUR 1965 00:31:52,810 --> 00:31:52,876 >> SOMEBODY HAS TO SAVE OUR 1966 00:31:52,877 --> 00:31:56,347 SKINS. 1967 00:31:56,347 --> 00:31:56,380 SKINS. 1968 00:31:56,381 --> 00:31:58,316 INTO THE GARBAGE CHUTE, FLYBOY! 1969 00:31:58,316 --> 00:31:58,349 INTO THE GARBAGE CHUTE, FLYBOY! 1970 00:31:58,349 --> 00:31:59,350 >> Galipeau: THE PRINCESS 1971 00:31:59,350 --> 00:31:59,416 >> Galipeau: THE PRINCESS 1972 00:31:59,417 --> 00:32:01,619 ARCHETYPE IS THE YOUNG FEMININE 1973 00:32:01,619 --> 00:32:01,685 ARCHETYPE IS THE YOUNG FEMININE 1974 00:32:01,686 --> 00:32:03,721 READY TO COME INTO HERSELF AND 1975 00:32:03,721 --> 00:32:03,787 READY TO COME INTO HERSELF AND 1976 00:32:03,788 --> 00:32:05,356 BLOSSOM INTO HERSELF. 1977 00:32:05,356 --> 00:32:05,422 BLOSSOM INTO HERSELF. 1978 00:32:05,423 --> 00:32:07,091 >> YOU'RE TREMBLING. 1979 00:32:07,091 --> 00:32:07,157 >> YOU'RE TREMBLING. 1980 00:32:07,158 --> 00:32:09,860 >> I'M NOT TREMBLING. 1981 00:32:09,861 --> 00:32:09,894 >> I'M NOT TREMBLING. 1982 00:32:09,894 --> 00:32:11,695 >> YOU LIKE ME BECAUSE I'M A 1983 00:32:11,696 --> 00:32:11,729 >> YOU LIKE ME BECAUSE I'M A 1984 00:32:11,729 --> 00:32:12,896 SCOUNDREL. 1985 00:32:12,897 --> 00:32:12,930 SCOUNDREL. 1986 00:32:12,931 --> 00:32:14,232 THERE AREN'T ENOUGH SCOUNDRELS 1987 00:32:14,232 --> 00:32:14,265 THERE AREN'T ENOUGH SCOUNDRELS 1988 00:32:14,265 --> 00:32:15,532 IN YOUR LIFE. 1989 00:32:15,533 --> 00:32:15,566 IN YOUR LIFE. 1990 00:32:15,566 --> 00:32:17,634 >> I HAPPEN TO LIKE NICE MEN. 1991 00:32:17,635 --> 00:32:17,668 >> I HAPPEN TO LIKE NICE MEN. 1992 00:32:17,669 --> 00:32:19,370 >> I'M A NICE MAN. 1993 00:32:19,370 --> 00:32:19,436 >> I'M A NICE MAN. 1994 00:32:19,437 --> 00:32:22,139 >> NO, YOU'RE NOT, YOU'RE... 1995 00:32:22,140 --> 00:32:22,173 >> NO, YOU'RE NOT, YOU'RE... 1996 00:32:22,173 --> 00:32:23,274 >> Galipeau: IT'S ABOUT HER 1997 00:32:23,274 --> 00:32:23,340 >> Galipeau: IT'S ABOUT HER 1998 00:32:23,341 --> 00:32:24,809 COMING INTO HERSELF AS A WOMAN 1999 00:32:24,809 --> 00:32:24,842 COMING INTO HERSELF AS A WOMAN 2000 00:32:24,842 --> 00:32:26,710 WHO CAN BE IN RELATIONSHIP TO A 2001 00:32:26,711 --> 00:32:26,777 WHO CAN BE IN RELATIONSHIP TO A 2002 00:32:26,778 --> 00:32:28,780 MAN THAT SHE CARES ABOUT AS WELL 2003 00:32:28,780 --> 00:32:28,813 MAN THAT SHE CARES ABOUT AS WELL 2004 00:32:28,813 --> 00:32:30,981 AS DISCOVERING A RELATIONSHIP TO 2005 00:32:30,982 --> 00:32:31,015 AS DISCOVERING A RELATIONSHIP TO 2006 00:32:31,015 --> 00:32:33,617 THIS BROTHER AND TO THE FORCE. 2007 00:32:33,618 --> 00:32:33,651 THIS BROTHER AND TO THE FORCE. 2008 00:32:33,651 --> 00:32:34,885 >> THE FORCE IS STRONG IN MY 2009 00:32:34,886 --> 00:32:34,919 >> THE FORCE IS STRONG IN MY 2010 00:32:34,919 --> 00:32:36,253 FAMILY. 2011 00:32:36,254 --> 00:32:36,287 FAMILY. 2012 00:32:36,287 --> 00:32:38,188 MY FATHER HAS IT. 2013 00:32:38,189 --> 00:32:38,222 MY FATHER HAS IT. 2014 00:32:38,222 --> 00:32:41,258 I HAVE IT, AND... 2015 00:32:41,259 --> 00:32:41,292 I HAVE IT, AND... 2016 00:32:41,292 --> 00:32:43,093 MY SISTER HAS IT. 2017 00:32:43,094 --> 00:32:43,160 MY SISTER HAS IT. 2018 00:32:43,161 --> 00:32:44,629 >> Henderson: LUKE AND LEIA, 2019 00:32:44,629 --> 00:32:44,695 >> Henderson: LUKE AND LEIA, 2020 00:32:44,696 --> 00:32:46,064 THEY ARE, OF COURSE, APOLLO AND 2021 00:32:46,064 --> 00:32:46,097 THEY ARE, OF COURSE, APOLLO AND 2022 00:32:46,097 --> 00:32:48,466 ARTEMIS, THE DIVINE TWINS OF 2023 00:32:48,466 --> 00:32:48,499 ARTEMIS, THE DIVINE TWINS OF 2024 00:32:48,499 --> 00:32:50,334 MYTHOLOGY WHO COME INTO THE 2025 00:32:50,335 --> 00:32:50,368 MYTHOLOGY WHO COME INTO THE 2026 00:32:50,368 --> 00:32:51,635 WORLD, MALE AND FEMALE, TO 2027 00:32:51,636 --> 00:32:51,702 WORLD, MALE AND FEMALE, TO 2028 00:32:51,703 --> 00:32:53,438 RESTORE IT TO ORDER. 2029 00:32:53,438 --> 00:32:53,471 RESTORE IT TO ORDER. 2030 00:32:53,471 --> 00:32:54,572 >> IF I DON'T MAKE IT BACK, 2031 00:32:54,572 --> 00:32:54,638 >> IF I DON'T MAKE IT BACK, 2032 00:32:54,639 --> 00:32:55,640 YOU'RE THE ONLY HOPE FOR THE 2033 00:32:55,640 --> 00:32:55,673 YOU'RE THE ONLY HOPE FOR THE 2034 00:32:55,673 --> 00:32:56,540 ALLIANCE. 2035 00:32:56,541 --> 00:32:56,574 ALLIANCE. 2036 00:32:56,574 --> 00:32:58,108 >> LUKE, DON'T TALK THAT WAY. 2037 00:32:58,109 --> 00:32:58,142 >> LUKE, DON'T TALK THAT WAY. 2038 00:32:58,142 --> 00:33:00,077 YOU HAVE A POWER I DON'T 2039 00:33:00,078 --> 00:33:00,111 YOU HAVE A POWER I DON'T 2040 00:33:00,111 --> 00:33:02,346 UNDERSTAND AND COULD NEVER HAVE. 2041 00:33:02,347 --> 00:33:02,380 UNDERSTAND AND COULD NEVER HAVE. 2042 00:33:02,380 --> 00:33:04,281 >> YOU'RE WRONG, LEIA. 2043 00:33:04,282 --> 00:33:04,315 >> YOU'RE WRONG, LEIA. 2044 00:33:04,315 --> 00:33:07,017 YOU HAVE THAT POWER, TOO. 2045 00:33:07,018 --> 00:33:07,084 YOU HAVE THAT POWER, TOO. 2046 00:33:07,085 --> 00:33:08,753 IN TIME, YOU'LL LEARN TO USE IT 2047 00:33:08,753 --> 00:33:08,819 IN TIME, YOU'LL LEARN TO USE IT 2048 00:33:08,820 --> 00:33:09,754 AS I HAVE. 2049 00:33:09,754 --> 00:33:09,787 AS I HAVE. 2050 00:33:09,787 --> 00:33:11,622 >> Jackson: SHE'S NOT JUST A 2051 00:33:11,622 --> 00:33:11,655 >> Jackson: SHE'S NOT JUST A 2052 00:33:11,656 --> 00:33:14,091 LOVE INTEREST AS A LOT OF, YOU 2053 00:33:14,092 --> 00:33:14,125 LOVE INTEREST AS A LOT OF, YOU 2054 00:33:14,125 --> 00:33:15,292 KNOW, PRINCESSES IN THESE 2055 00:33:15,293 --> 00:33:15,326 KNOW, PRINCESSES IN THESE 2056 00:33:15,326 --> 00:33:16,126 STORIES TEND TO BE. 2057 00:33:16,127 --> 00:33:16,193 STORIES TEND TO BE. 2058 00:33:16,194 --> 00:33:17,762 SHE ACTUALLY HAS HER OWN STORY, 2059 00:33:17,762 --> 00:33:17,795 SHE ACTUALLY HAS HER OWN STORY, 2060 00:33:17,795 --> 00:33:19,096 HER OWN MYTHOLOGY. 2061 00:33:19,097 --> 00:33:19,130 HER OWN MYTHOLOGY. 2062 00:33:19,130 --> 00:33:20,664 SHE TURNS OUT TO BE A JEDI, AND 2063 00:33:20,665 --> 00:33:20,731 SHE TURNS OUT TO BE A JEDI, AND 2064 00:33:20,732 --> 00:33:22,834 THAT'S VERY MUCH A JOURNEY SHE 2065 00:33:22,834 --> 00:33:22,867 THAT'S VERY MUCH A JOURNEY SHE 2066 00:33:22,867 --> 00:33:26,470 HAS TO TAKE HERSELF. 2067 00:33:26,471 --> 00:33:26,537 HAS TO TAKE HERSELF. 2068 00:33:26,537 --> 00:33:28,372 >> CORPORAL, WE'LL COVER YOU. 2069 00:33:28,373 --> 00:33:28,406 >> CORPORAL, WE'LL COVER YOU. 2070 00:33:28,406 --> 00:33:30,207 >> ROGER, ROGER. 2071 00:33:30,208 --> 00:33:30,241 >> ROGER, ROGER. 2072 00:33:30,241 --> 00:33:31,742 >> UH-OH. 2073 00:33:31,743 --> 00:33:31,776 >> UH-OH. 2074 00:33:31,776 --> 00:33:38,382 BLAST THEM. 2075 00:33:38,383 --> 00:33:38,449 BLAST THEM. 2076 00:33:38,449 --> 00:33:40,684 >> ANAKIN SKYWALKER, MEET 2077 00:33:40,685 --> 00:33:40,751 >> ANAKIN SKYWALKER, MEET 2078 00:33:40,752 --> 00:33:42,053 OBI-WAN KENOBI. 2079 00:33:42,053 --> 00:33:42,119 OBI-WAN KENOBI. 2080 00:33:42,120 --> 00:33:43,187 >> HI. 2081 00:33:43,187 --> 00:33:43,220 >> HI. 2082 00:33:43,221 --> 00:33:44,488 >> Lyden: OBI-WAN IS AN 2083 00:33:44,489 --> 00:33:44,522 >> Lyden: OBI-WAN IS AN 2084 00:33:44,522 --> 00:33:45,589 INTERESTING CHARACTER THAT WE 2085 00:33:45,590 --> 00:33:45,656 INTERESTING CHARACTER THAT WE 2086 00:33:45,656 --> 00:33:47,557 SEE DEVELOP THROUGHOUT THE 2087 00:33:47,558 --> 00:33:47,591 SEE DEVELOP THROUGHOUT THE 2088 00:33:47,592 --> 00:33:48,326 FILMS. 2089 00:33:48,326 --> 00:33:48,392 FILMS. 2090 00:33:48,393 --> 00:33:50,395 AT THE BEGINNING HE IS CLEARLY 2091 00:33:50,395 --> 00:33:50,461 AT THE BEGINNING HE IS CLEARLY 2092 00:33:50,461 --> 00:33:53,130 SUBORDINATE TO QUI-GON JINN AS 2093 00:33:53,131 --> 00:33:53,164 SUBORDINATE TO QUI-GON JINN AS 2094 00:33:53,164 --> 00:33:55,966 A YOUNG AND VITAL JEDI. 2095 00:34:02,607 --> 00:34:05,109 BUT THEN WE SEE HIM IN MUCH MORE 2096 00:34:05,109 --> 00:34:05,142 BUT THEN WE SEE HIM IN MUCH MORE 2097 00:34:05,143 --> 00:34:06,577 OF A LEADERSHIP ROLE AS HE 2098 00:34:06,577 --> 00:34:06,610 OF A LEADERSHIP ROLE AS HE 2099 00:34:06,611 --> 00:34:09,046 BEGINS TO SCHOOL YOUNG ANAKIN. 2100 00:34:09,047 --> 00:34:09,113 BEGINS TO SCHOOL YOUNG ANAKIN. 2101 00:34:09,113 --> 00:34:10,414 >> ANAKIN! 2102 00:34:10,415 --> 00:34:10,448 >> ANAKIN! 2103 00:34:10,448 --> 00:34:11,782 >> SHE WENT INTO THE CLUB, 2104 00:34:11,783 --> 00:34:11,816 >> SHE WENT INTO THE CLUB, 2105 00:34:11,816 --> 00:34:13,017 MASTER. 2106 00:34:13,017 --> 00:34:13,050 MASTER. 2107 00:34:13,051 --> 00:34:14,118 >> PATIENCE. 2108 00:34:14,118 --> 00:34:14,151 >> PATIENCE. 2109 00:34:14,152 --> 00:34:15,586 USE THE FORCE. 2110 00:34:15,586 --> 00:34:15,619 USE THE FORCE. 2111 00:34:15,620 --> 00:34:17,054 >> I TRY, MASTER. 2112 00:34:17,055 --> 00:34:17,121 >> I TRY, MASTER. 2113 00:34:17,121 --> 00:34:18,388 >> Lyden: INCREASINGLY, THEY 2114 00:34:18,389 --> 00:34:18,422 >> Lyden: INCREASINGLY, THEY 2115 00:34:18,423 --> 00:34:20,158 DEVELOP A RELATIONSHIP LIKE 2116 00:34:20,158 --> 00:34:20,224 DEVELOP A RELATIONSHIP LIKE 2117 00:34:20,224 --> 00:34:21,225 BROTHERS. 2118 00:34:21,225 --> 00:34:21,258 BROTHERS. 2119 00:34:21,259 --> 00:34:23,060 >> YOU ARE STRONG AND WISE, 2120 00:34:23,061 --> 00:34:23,127 >> YOU ARE STRONG AND WISE, 2121 00:34:23,127 --> 00:34:24,695 ANAKIN, AND I AM VERY PROUD OF 2122 00:34:24,695 --> 00:34:24,728 ANAKIN, AND I AM VERY PROUD OF 2123 00:34:24,729 --> 00:34:25,396 YOU. 2124 00:34:25,396 --> 00:34:25,429 YOU. 2125 00:34:25,430 --> 00:34:26,431 AND YOU HAVE BECOME A FAR 2126 00:34:26,431 --> 00:34:26,464 AND YOU HAVE BECOME A FAR 2127 00:34:26,464 --> 00:34:27,932 GREATER JEDI THAN I COULD EVER 2128 00:34:27,932 --> 00:34:27,965 GREATER JEDI THAN I COULD EVER 2129 00:34:27,965 --> 00:34:28,865 HOPE TO BE. 2130 00:34:28,866 --> 00:34:28,932 HOPE TO BE. 2131 00:34:28,933 --> 00:34:29,967 >> Young: EVEN THOUGH IT'S 2132 00:34:29,967 --> 00:34:30,033 >> Young: EVEN THOUGH IT'S 2133 00:34:30,034 --> 00:34:31,402 OFTEN CALLED THE HERO'S JOURNEY, 2134 00:34:31,402 --> 00:34:31,435 OFTEN CALLED THE HERO'S JOURNEY, 2135 00:34:31,436 --> 00:34:34,605 IT IS USUALLY DONE IN GROUPS. 2136 00:34:34,605 --> 00:34:34,638 IT IS USUALLY DONE IN GROUPS. 2137 00:34:34,639 --> 00:34:35,606 >> FOLLOW HIM! 2138 00:34:35,606 --> 00:34:35,672 >> FOLLOW HIM! 2139 00:34:35,673 --> 00:34:37,641 >> WE'RE GONNA NEED SOME HELP. 2140 00:34:37,642 --> 00:34:37,708 >> WE'RE GONNA NEED SOME HELP. 2141 00:34:37,708 --> 00:34:38,675 >> THERE ISN'T TIME! 2142 00:34:38,676 --> 00:34:38,709 >> THERE ISN'T TIME! 2143 00:34:38,709 --> 00:34:39,776 >> Young: AND THIS HAS SEVERAL 2144 00:34:39,777 --> 00:34:39,810 >> Young: AND THIS HAS SEVERAL 2145 00:34:39,811 --> 00:34:40,711 IMPLICATIONS. 2146 00:34:40,711 --> 00:34:40,777 IMPLICATIONS. 2147 00:34:40,778 --> 00:34:42,079 ONE, WE NEED TO BE GOOD TEAM 2148 00:34:42,080 --> 00:34:42,146 ONE, WE NEED TO BE GOOD TEAM 2149 00:34:42,146 --> 00:34:44,214 PLAYERS, AND TEAMS ARE ALWAYS 2150 00:34:44,215 --> 00:34:44,248 PLAYERS, AND TEAMS ARE ALWAYS 2151 00:34:44,248 --> 00:34:45,148 IMPERFECT. 2152 00:34:45,149 --> 00:34:45,215 IMPERFECT. 2153 00:34:45,216 --> 00:34:46,617 >> THAT WAS SOME SHORTCUT, 2154 00:34:46,617 --> 00:34:46,650 >> THAT WAS SOME SHORTCUT, 2155 00:34:46,651 --> 00:34:47,451 ANAKIN. 2156 00:34:47,452 --> 00:34:47,518 ANAKIN. 2157 00:34:47,518 --> 00:34:48,619 HE WENT COMPLETELY THE OTHER 2158 00:34:48,619 --> 00:34:48,685 HE WENT COMPLETELY THE OTHER 2159 00:34:48,686 --> 00:34:49,620 WAY. 2160 00:34:49,620 --> 00:34:49,653 WAY. 2161 00:34:49,654 --> 00:34:50,488 ONCE AGAIN, YOU'VE PROVED-- 2162 00:34:50,488 --> 00:34:50,521 ONCE AGAIN, YOU'VE PROVED-- 2163 00:34:50,521 --> 00:34:53,790 >> IF YOU'LL EXCUSE ME. 2164 00:34:53,791 --> 00:34:53,824 >> IF YOU'LL EXCUSE ME. 2165 00:34:53,825 --> 00:34:55,426 >> I HATE IT WHEN HE DOES THAT. 2166 00:34:55,426 --> 00:34:55,459 >> I HATE IT WHEN HE DOES THAT. 2167 00:34:55,460 --> 00:34:56,627 >> Young: AFTER ALL, THEY'RE 2168 00:34:56,627 --> 00:34:56,660 >> Young: AFTER ALL, THEY'RE 2169 00:34:56,661 --> 00:34:57,428 PEOPLE. 2170 00:34:57,428 --> 00:34:57,461 PEOPLE. 2171 00:34:57,462 --> 00:34:58,696 SO WE HAVE TO COPE WITH THE 2172 00:34:58,696 --> 00:34:58,729 SO WE HAVE TO COPE WITH THE 2173 00:34:58,729 --> 00:35:00,163 FLAWS OF THE PEOPLE WE'RE 2174 00:35:00,164 --> 00:35:00,230 FLAWS OF THE PEOPLE WE'RE 2175 00:35:00,231 --> 00:35:01,165 WORKING WITH. 2176 00:35:01,165 --> 00:35:01,231 WORKING WITH. 2177 00:35:01,232 --> 00:35:02,366 WHETHER YOU'RE TALKING ABOUT 2178 00:35:02,366 --> 00:35:02,432 WHETHER YOU'RE TALKING ABOUT 2179 00:35:02,433 --> 00:35:03,700 JASON AND THE ARGONAUTS OR 2180 00:35:03,701 --> 00:35:03,767 JASON AND THE ARGONAUTS OR 2181 00:35:03,768 --> 00:35:05,069 FRODO AND THE FELLOWSHIP OF THE 2182 00:35:05,069 --> 00:35:05,102 FRODO AND THE FELLOWSHIP OF THE 2183 00:35:05,103 --> 00:35:07,138 RING, YOU HAVE SOME MOTLEY 2184 00:35:07,138 --> 00:35:07,171 RING, YOU HAVE SOME MOTLEY 2185 00:35:07,171 --> 00:35:10,073 CREW, SOME ODD TEAM THAT IS ABLE 2186 00:35:10,074 --> 00:35:10,107 CREW, SOME ODD TEAM THAT IS ABLE 2187 00:35:10,108 --> 00:35:12,877 TO TAKE ON TERRIBLE CHALLENGES. 2188 00:35:12,877 --> 00:35:12,910 TO TAKE ON TERRIBLE CHALLENGES. 2189 00:35:12,910 --> 00:35:14,978 SO THE TEAM IS VERY EFFECTIVE. 2190 00:35:14,979 --> 00:35:15,012 SO THE TEAM IS VERY EFFECTIVE. 2191 00:35:15,012 --> 00:35:15,812 >> IT'S THEM! 2192 00:35:15,813 --> 00:35:15,846 >> IT'S THEM! 2193 00:35:15,847 --> 00:35:17,982 BLAST THEM! 2194 00:35:17,982 --> 00:35:18,048 BLAST THEM! 2195 00:35:18,049 --> 00:35:18,983 >> GET BACK TO THE SHIP! 2196 00:35:18,983 --> 00:35:19,016 >> GET BACK TO THE SHIP! 2197 00:35:19,016 --> 00:35:19,816 >> WHERE ARE YOU GOING? 2198 00:35:19,817 --> 00:35:19,883 >> WHERE ARE YOU GOING? 2199 00:35:19,884 --> 00:35:20,517 COME BACK! 2200 00:35:20,518 --> 00:35:20,551 COME BACK! 2201 00:35:20,551 --> 00:35:21,652 >> HE CERTAINLY HAS COURAGE. 2202 00:35:21,652 --> 00:35:21,718 >> HE CERTAINLY HAS COURAGE. 2203 00:35:21,719 --> 00:35:22,686 >> WHAT GOOD WILL IT DO US IF 2204 00:35:22,687 --> 00:35:22,720 >> WHAT GOOD WILL IT DO US IF 2205 00:35:22,720 --> 00:35:23,620 HE GETS HIMSELF KILLED? 2206 00:35:23,621 --> 00:35:23,687 HE GETS HIMSELF KILLED? 2207 00:35:23,688 --> 00:35:25,990 >> [bellowing] 2208 00:35:25,990 --> 00:35:26,056 >> [bellowing] 2209 00:35:26,057 --> 00:35:27,191 >> Narrator: LUKE SKYWALKER 2210 00:35:27,191 --> 00:35:27,224 >> Narrator: LUKE SKYWALKER 2211 00:35:27,225 --> 00:35:30,361 FINDS AN UNLIKELY COMRADE... 2212 00:35:30,361 --> 00:35:30,427 FINDS AN UNLIKELY COMRADE... 2213 00:35:30,428 --> 00:35:32,062 IN THE PERSON OF HAN SOLO. 2214 00:35:32,063 --> 00:35:32,096 IN THE PERSON OF HAN SOLO. 2215 00:35:32,096 --> 00:35:32,996 >> YOU DON'T BELIEVE IN THE 2216 00:35:32,997 --> 00:35:33,063 >> YOU DON'T BELIEVE IN THE 2217 00:35:33,064 --> 00:35:33,998 FORCE, DO YOU? 2218 00:35:33,998 --> 00:35:34,064 FORCE, DO YOU? 2219 00:35:34,065 --> 00:35:35,366 >> HOKEY RELIGIONS AND ANCIENT 2220 00:35:35,366 --> 00:35:35,399 >> HOKEY RELIGIONS AND ANCIENT 2221 00:35:35,399 --> 00:35:36,633 WEAPONS ARE NO MATCH FOR A GOOD 2222 00:35:36,634 --> 00:35:36,667 WEAPONS ARE NO MATCH FOR A GOOD 2223 00:35:36,667 --> 00:35:39,002 BLASTER AT YOUR SIDE. 2224 00:35:39,003 --> 00:35:39,036 BLASTER AT YOUR SIDE. 2225 00:35:39,036 --> 00:35:40,203 >> Narrator: HAN REPRESENTS 2226 00:35:40,204 --> 00:35:40,270 >> Narrator: HAN REPRESENTS 2227 00:35:40,271 --> 00:35:41,639 ANOTHER CLASSIC ARCHETYPE. 2228 00:35:41,639 --> 00:35:41,672 ANOTHER CLASSIC ARCHETYPE. 2229 00:35:41,672 --> 00:35:43,006 >> YOU HALF-WITTED... 2230 00:35:43,007 --> 00:35:43,040 >> YOU HALF-WITTED... 2231 00:35:43,040 --> 00:35:44,541 SCRUFFY-LOOKING... 2232 00:35:44,542 --> 00:35:44,575 SCRUFFY-LOOKING... 2233 00:35:44,575 --> 00:35:45,342 NERF HERDER! 2234 00:35:45,343 --> 00:35:45,376 NERF HERDER! 2235 00:35:45,376 --> 00:35:46,343 >> Narrator: THE MERCENARY 2236 00:35:46,344 --> 00:35:46,377 >> Narrator: THE MERCENARY 2237 00:35:46,377 --> 00:35:47,111 PIRATE. 2238 00:35:47,111 --> 00:35:47,177 PIRATE. 2239 00:35:47,178 --> 00:35:48,913 >> WHO'S SCRUFFY-LOOKING? 2240 00:35:48,913 --> 00:35:48,979 >> WHO'S SCRUFFY-LOOKING? 2241 00:35:48,980 --> 00:35:50,448 >> Young: MOST WELL-SOCIALIZED 2242 00:35:50,448 --> 00:35:50,481 >> Young: MOST WELL-SOCIALIZED 2243 00:35:50,481 --> 00:35:51,982 PEOPLE WANT TO BE LIKED BY 2244 00:35:51,983 --> 00:35:52,016 PEOPLE WANT TO BE LIKED BY 2245 00:35:52,016 --> 00:35:52,916 OTHERS. 2246 00:35:52,917 --> 00:35:52,950 OTHERS. 2247 00:35:52,950 --> 00:35:53,917 >> BUT THEY'RE GONNA KILL HER! 2248 00:35:53,918 --> 00:35:53,951 >> BUT THEY'RE GONNA KILL HER! 2249 00:35:53,951 --> 00:35:55,452 >> BETTER HER THAN ME. 2250 00:35:55,453 --> 00:35:55,486 >> BETTER HER THAN ME. 2251 00:35:55,486 --> 00:35:56,653 >> Young: HAN SOLO CARES A 2252 00:35:56,654 --> 00:35:56,687 >> Young: HAN SOLO CARES A 2253 00:35:56,687 --> 00:35:57,821 LITTLE LESS ABOUT THAT. 2254 00:35:57,822 --> 00:35:57,855 LITTLE LESS ABOUT THAT. 2255 00:35:57,855 --> 00:35:59,656 HIS NAME'S "SOLO." 2256 00:35:59,657 --> 00:35:59,690 HIS NAME'S "SOLO." 2257 00:35:59,690 --> 00:36:01,124 HE'S OUT FOR HIMSELF. 2258 00:36:01,125 --> 00:36:01,158 HE'S OUT FOR HIMSELF. 2259 00:36:01,159 --> 00:36:02,026 >> SHE'S RICH. 2260 00:36:02,026 --> 00:36:02,059 >> SHE'S RICH. 2261 00:36:02,059 --> 00:36:05,028 [Chewbacca growling] 2262 00:36:05,029 --> 00:36:05,095 [Chewbacca growling] 2263 00:36:05,096 --> 00:36:06,530 >> RICH? 2264 00:36:06,531 --> 00:36:06,564 >> RICH? 2265 00:36:06,564 --> 00:36:08,098 >> MMM, RICH, POWERFUL. 2266 00:36:08,099 --> 00:36:08,132 >> MMM, RICH, POWERFUL. 2267 00:36:08,132 --> 00:36:09,099 LISTEN, IF YOU WERE TO RESCUE 2268 00:36:09,100 --> 00:36:09,133 LISTEN, IF YOU WERE TO RESCUE 2269 00:36:09,133 --> 00:36:11,168 HER, THE REWARD WOULD BE... 2270 00:36:11,169 --> 00:36:11,202 HER, THE REWARD WOULD BE... 2271 00:36:11,202 --> 00:36:12,169 >> WHAT? 2272 00:36:12,170 --> 00:36:12,203 >> WHAT? 2273 00:36:12,203 --> 00:36:13,103 >> WELL, MORE WEALTH THAN YOU 2274 00:36:13,104 --> 00:36:13,170 >> WELL, MORE WEALTH THAN YOU 2275 00:36:13,171 --> 00:36:14,238 CAN IMAGINE. 2276 00:36:14,238 --> 00:36:14,271 CAN IMAGINE. 2277 00:36:14,272 --> 00:36:15,373 >> I DON'T KNOW, I CAN IMAGINE 2278 00:36:15,373 --> 00:36:15,406 >> I DON'T KNOW, I CAN IMAGINE 2279 00:36:15,406 --> 00:36:16,206 QUITE A BIT. 2280 00:36:16,207 --> 00:36:16,240 QUITE A BIT. 2281 00:36:16,240 --> 00:36:17,574 >> Jackson: THE CHARACTER OF 2282 00:36:17,575 --> 00:36:17,608 >> Jackson: THE CHARACTER OF 2283 00:36:17,608 --> 00:36:20,110 HAN SOLO, HE STRIKES ME AS NOT 2284 00:36:20,111 --> 00:36:20,177 HAN SOLO, HE STRIKES ME AS NOT 2285 00:36:20,178 --> 00:36:21,546 BEING SO MUCH FROM ANCIENT 2286 00:36:21,546 --> 00:36:21,579 BEING SO MUCH FROM ANCIENT 2287 00:36:21,579 --> 00:36:23,747 MYTHOLOGY BUT MORE FROM--MORE 2288 00:36:23,748 --> 00:36:23,814 MYTHOLOGY BUT MORE FROM--MORE 2289 00:36:23,814 --> 00:36:25,816 LIKE A WESTERN OUTLAW. 2290 00:36:25,816 --> 00:36:25,849 LIKE A WESTERN OUTLAW. 2291 00:36:25,850 --> 00:36:28,385 >> KEEP YOUR EYES OPEN, HUH? 2292 00:36:28,386 --> 00:36:28,419 >> KEEP YOUR EYES OPEN, HUH? 2293 00:36:28,419 --> 00:36:29,653 >> Jackson: THERE'S SOMETHING 2294 00:36:29,654 --> 00:36:29,687 >> Jackson: THERE'S SOMETHING 2295 00:36:29,687 --> 00:36:30,654 SHADY ABOUT HIM. 2296 00:36:30,655 --> 00:36:30,688 SHADY ABOUT HIM. 2297 00:36:30,688 --> 00:36:31,689 >> WHY YOU SLIMY, 2298 00:36:31,689 --> 00:36:31,755 >> WHY YOU SLIMY, 2299 00:36:31,756 --> 00:36:33,324 DOUBLE-CROSSING, NO-GOOD 2300 00:36:33,324 --> 00:36:33,390 DOUBLE-CROSSING, NO-GOOD 2301 00:36:33,391 --> 00:36:34,125 SWINDLER. 2302 00:36:34,125 --> 00:36:34,158 SWINDLER. 2303 00:36:34,158 --> 00:36:35,659 YOU GOT A LOT OF GUTS COMING 2304 00:36:35,660 --> 00:36:35,693 YOU GOT A LOT OF GUTS COMING 2305 00:36:35,693 --> 00:36:36,126 HERE. 2306 00:36:36,127 --> 00:36:36,193 HERE. 2307 00:36:36,194 --> 00:36:37,395 >> Jackson: HE'S ON THE RUN FROM 2308 00:36:37,395 --> 00:36:37,428 >> Jackson: HE'S ON THE RUN FROM 2309 00:36:37,428 --> 00:36:39,196 THE LAW, BUT HE'S ESSENTIALLY 2310 00:36:39,197 --> 00:36:39,230 THE LAW, BUT HE'S ESSENTIALLY 2311 00:36:39,230 --> 00:36:40,598 GOOD. 2312 00:36:40,598 --> 00:36:40,631 GOOD. 2313 00:36:40,631 --> 00:36:41,298 >> [laughs] 2314 00:36:41,299 --> 00:36:41,332 >> [laughs] 2315 00:36:41,332 --> 00:36:43,300 HOW YA DOING, YOU OLD PIRATE? 2316 00:36:43,301 --> 00:36:43,367 HOW YA DOING, YOU OLD PIRATE? 2317 00:36:43,367 --> 00:36:44,668 SO GOOD TO SEE YOU! 2318 00:36:44,669 --> 00:36:44,735 SO GOOD TO SEE YOU! 2319 00:36:44,735 --> 00:36:46,136 >> Lyden: THE COWBOY IS ALMOST 2320 00:36:46,137 --> 00:36:46,203 >> Lyden: THE COWBOY IS ALMOST 2321 00:36:46,204 --> 00:36:49,207 ICONIC IN AMERICAN IMAGINATION 2322 00:36:49,207 --> 00:36:49,240 ICONIC IN AMERICAN IMAGINATION 2323 00:36:49,240 --> 00:36:52,009 AS SOMEONE WHO IS AN OUTSIDER, 2324 00:36:52,009 --> 00:36:52,042 AS SOMEONE WHO IS AN OUTSIDER, 2325 00:36:52,043 --> 00:36:54,678 BUT HE'S A HERO WE LOOK TO 2326 00:36:54,679 --> 00:36:54,712 BUT HE'S A HERO WE LOOK TO 2327 00:36:54,712 --> 00:36:56,146 PRECISELY BECAUSE WE VALUE THAT 2328 00:36:56,147 --> 00:36:56,180 PRECISELY BECAUSE WE VALUE THAT 2329 00:36:56,180 --> 00:36:58,148 KIND OF INDEPENDENCE, 2330 00:36:58,149 --> 00:36:58,215 KIND OF INDEPENDENCE, 2331 00:36:58,216 --> 00:37:00,218 SELF-RELIANCE, THE FACT THAT HE 2332 00:37:00,218 --> 00:37:00,251 SELF-RELIANCE, THE FACT THAT HE 2333 00:37:00,251 --> 00:37:02,119 DEPENDS ON HIMSELF AND NOBODY 2334 00:37:02,119 --> 00:37:02,152 DEPENDS ON HIMSELF AND NOBODY 2335 00:37:02,153 --> 00:37:03,487 ELSE. 2336 00:37:03,487 --> 00:37:03,520 ELSE. 2337 00:37:03,521 --> 00:37:05,589 >> [speaks alien language] 2338 00:37:05,590 --> 00:37:05,656 >> [speaks alien language] 2339 00:37:05,656 --> 00:37:06,957 >> YES, GREEDO, AS A MATTER OF 2340 00:37:06,958 --> 00:37:06,991 >> YES, GREEDO, AS A MATTER OF 2341 00:37:06,991 --> 00:37:08,158 FACT, I WAS JUST GOING TO SEE 2342 00:37:08,159 --> 00:37:08,225 FACT, I WAS JUST GOING TO SEE 2343 00:37:08,226 --> 00:37:08,960 YOUR BOSS. 2344 00:37:08,960 --> 00:37:09,026 YOUR BOSS. 2345 00:37:09,026 --> 00:37:10,427 TELL JABBA THAT I'VE GOT HIS 2346 00:37:10,428 --> 00:37:10,461 TELL JABBA THAT I'VE GOT HIS 2347 00:37:10,461 --> 00:37:11,428 MONEY. 2348 00:37:11,429 --> 00:37:11,462 MONEY. 2349 00:37:11,462 --> 00:37:13,063 >> [speaks alien language] 2350 00:37:13,064 --> 00:37:13,130 >> [speaks alien language] 2351 00:37:13,130 --> 00:37:14,431 >> Lyden: YOU HAVE THE SENSE OF 2352 00:37:14,432 --> 00:37:14,498 >> Lyden: YOU HAVE THE SENSE OF 2353 00:37:14,498 --> 00:37:16,233 A WILD WEST TOWN. 2354 00:37:16,234 --> 00:37:16,267 A WILD WEST TOWN. 2355 00:37:16,267 --> 00:37:18,302 >> I DON'T HAVE IT WITH ME. 2356 00:37:18,302 --> 00:37:18,335 >> I DON'T HAVE IT WITH ME. 2357 00:37:18,336 --> 00:37:19,437 TELL JABBA-- 2358 00:37:19,437 --> 00:37:19,503 TELL JABBA-- 2359 00:37:19,503 --> 00:37:21,338 >> Lyden: AND NOBODY EVEN REALLY 2360 00:37:21,339 --> 00:37:21,405 >> Lyden: AND NOBODY EVEN REALLY 2361 00:37:21,405 --> 00:37:22,973 CARES IF SOMEBODY GETS SHOT IN 2362 00:37:22,974 --> 00:37:23,040 CARES IF SOMEBODY GETS SHOT IN 2363 00:37:23,040 --> 00:37:24,775 THE BAR. 2364 00:37:24,775 --> 00:37:24,808 THE BAR. 2365 00:37:24,809 --> 00:37:28,212 >> YES, I'LL BET YOU HAVE. 2366 00:37:28,212 --> 00:37:28,245 >> YES, I'LL BET YOU HAVE. 2367 00:37:28,246 --> 00:37:29,780 >> Lyden: AS LONG AS THEY CLEAN 2368 00:37:29,780 --> 00:37:29,813 >> Lyden: AS LONG AS THEY CLEAN 2369 00:37:29,814 --> 00:37:31,782 UP THE MESS OR PAY FOR IT. 2370 00:37:31,782 --> 00:37:31,815 UP THE MESS OR PAY FOR IT. 2371 00:37:31,816 --> 00:37:33,217 >> SORRY ABOUT THE MESS. 2372 00:37:33,217 --> 00:37:33,250 >> SORRY ABOUT THE MESS. 2373 00:37:33,251 --> 00:37:34,352 >> Brokaw: I ALWAYS THOUGHT 2374 00:37:34,352 --> 00:37:34,385 >> Brokaw: I ALWAYS THOUGHT 2375 00:37:34,385 --> 00:37:35,886 "STAR WARS" WAS A WESTERN IN THE 2376 00:37:35,886 --> 00:37:35,919 "STAR WARS" WAS A WESTERN IN THE 2377 00:37:35,920 --> 00:37:36,887 FUTURE. 2378 00:37:36,887 --> 00:37:36,920 FUTURE. 2379 00:37:36,921 --> 00:37:37,421 I REALLY DID. 2380 00:37:37,421 --> 00:37:37,487 I REALLY DID. 2381 00:37:37,488 --> 00:37:39,490 I THOUGHT THAT "STAR WARS" WAS 2382 00:37:39,490 --> 00:37:39,523 I THOUGHT THAT "STAR WARS" WAS 2383 00:37:39,523 --> 00:37:42,359 THE QUINTESSENTIAL WESTERN 2384 00:37:42,360 --> 00:37:42,426 THE QUINTESSENTIAL WESTERN 2385 00:37:42,426 --> 00:37:44,361 PLAYED OUT IN A DIFFERENT 2386 00:37:44,362 --> 00:37:44,395 PLAYED OUT IN A DIFFERENT 2387 00:37:44,395 --> 00:37:46,530 UNIVERSE. 2388 00:37:46,530 --> 00:37:46,563 UNIVERSE. 2389 00:37:46,564 --> 00:37:49,066 >> RIGHT HERE, JABBA. 2390 00:37:49,066 --> 00:37:49,132 >> RIGHT HERE, JABBA. 2391 00:37:49,133 --> 00:37:50,501 YOU DIDN'T THINK I WAS GONNA 2392 00:37:50,501 --> 00:37:50,534 YOU DIDN'T THINK I WAS GONNA 2393 00:37:50,534 --> 00:37:51,067 RUN, DID YOU? 2394 00:37:51,068 --> 00:37:51,134 RUN, DID YOU? 2395 00:37:51,135 --> 00:37:52,269 >> Brokaw: YOU COULD'VE PUT 2396 00:37:52,270 --> 00:37:52,336 >> Brokaw: YOU COULD'VE PUT 2397 00:37:52,336 --> 00:37:53,537 HARRISON FORD IN A COWBOY HAT 2398 00:37:53,537 --> 00:37:53,570 HARRISON FORD IN A COWBOY HAT 2399 00:37:53,571 --> 00:37:54,705 AND PUT A STAR ON HIM, AND IT 2400 00:37:54,705 --> 00:37:54,738 AND PUT A STAR ON HIM, AND IT 2401 00:37:54,739 --> 00:37:55,840 WOULDN'T HAVE SEEMED OUT OF 2402 00:37:55,840 --> 00:37:55,906 WOULDN'T HAVE SEEMED OUT OF 2403 00:37:55,906 --> 00:37:56,539 PLACE. 2404 00:37:56,540 --> 00:37:56,573 PLACE. 2405 00:37:56,574 --> 00:37:59,710 IT WAS THAT CLASSIC GARY COOPER 2406 00:37:59,710 --> 00:37:59,776 IT WAS THAT CLASSIC GARY COOPER 2407 00:37:59,777 --> 00:38:01,912 RIDING INTO TOWN, EXCEPT IN 2408 00:38:01,912 --> 00:38:01,945 RIDING INTO TOWN, EXCEPT IN 2409 00:38:01,946 --> 00:38:04,281 THIS CASE, IT WAS HARRISON FORD 2410 00:38:04,282 --> 00:38:04,348 THIS CASE, IT WAS HARRISON FORD 2411 00:38:04,348 --> 00:38:05,549 IN A SPACESHIP. 2412 00:38:05,549 --> 00:38:05,615 IN A SPACESHIP. 2413 00:38:05,616 --> 00:38:06,917 >> Henderson: HIS HERO JOURNEY 2414 00:38:06,917 --> 00:38:06,950 >> Henderson: HIS HERO JOURNEY 2415 00:38:06,951 --> 00:38:09,086 PATH IS THAT OF THE WARRIOR AND 2416 00:38:09,086 --> 00:38:09,152 PATH IS THAT OF THE WARRIOR AND 2417 00:38:09,153 --> 00:38:10,454 THE LOVER. 2418 00:38:10,454 --> 00:38:10,487 THE LOVER. 2419 00:38:10,488 --> 00:38:12,690 HE HAS TO LEARN TO COMMIT 2420 00:38:12,690 --> 00:38:12,723 HE HAS TO LEARN TO COMMIT 2421 00:38:12,723 --> 00:38:14,257 HIMSELF TO A CAUSE OUTSIDE 2422 00:38:14,258 --> 00:38:14,291 HIMSELF TO A CAUSE OUTSIDE 2423 00:38:14,292 --> 00:38:15,526 HIMSELF, AND HE HAS TO LEARN TO 2424 00:38:15,526 --> 00:38:15,559 HIMSELF, AND HE HAS TO LEARN TO 2425 00:38:15,559 --> 00:38:16,927 OPEN HIS HEART TO LOVE. 2426 00:38:16,927 --> 00:38:16,993 OPEN HIS HEART TO LOVE. 2427 00:38:16,994 --> 00:38:21,431 [deep mechanical breathing] 2428 00:38:21,432 --> 00:38:21,465 [deep mechanical breathing] 2429 00:38:21,465 --> 00:38:22,566 >> Ellerbee: THERE ARE MANY 2430 00:38:22,566 --> 00:38:22,632 >> Ellerbee: THERE ARE MANY 2431 00:38:22,633 --> 00:38:24,267 LIKE ME WHO THINK THAT POSSIBLY 2432 00:38:24,268 --> 00:38:24,301 LIKE ME WHO THINK THAT POSSIBLY 2433 00:38:24,302 --> 00:38:26,270 ONE OF THE SEXIEST LINES EVER 2434 00:38:26,270 --> 00:38:26,336 ONE OF THE SEXIEST LINES EVER 2435 00:38:26,337 --> 00:38:29,273 SAID IN ANY MOVIE IS UTTERED BY 2436 00:38:29,273 --> 00:38:29,339 SAID IN ANY MOVIE IS UTTERED BY 2437 00:38:29,340 --> 00:38:31,108 HAN SOLO WHEN PRINCESS LEIA 2438 00:38:31,108 --> 00:38:31,141 HAN SOLO WHEN PRINCESS LEIA 2439 00:38:31,142 --> 00:38:31,909 SAYS... 2440 00:38:31,909 --> 00:38:31,975 SAYS... 2441 00:38:31,976 --> 00:38:33,077 >> I LOVE YOU. 2442 00:38:33,077 --> 00:38:33,110 >> I LOVE YOU. 2443 00:38:33,110 --> 00:38:34,111 >> Ellerbee: HE DOESN'T SAY, "I 2444 00:38:34,111 --> 00:38:34,177 >> Ellerbee: HE DOESN'T SAY, "I 2445 00:38:34,178 --> 00:38:35,179 LOVE YOU, TOO." 2446 00:38:35,179 --> 00:38:35,245 LOVE YOU, TOO." 2447 00:38:35,246 --> 00:38:35,980 HE SAYS... 2448 00:38:35,980 --> 00:38:36,013 HE SAYS... 2449 00:38:36,013 --> 00:38:37,247 >> I KNOW. 2450 00:38:37,248 --> 00:38:37,281 >> I KNOW. 2451 00:38:37,281 --> 00:38:43,754 >> Ellerbee: BE STILL, MY HEART. 2452 00:38:43,754 --> 00:38:43,787 >> Ellerbee: BE STILL, MY HEART. 2453 00:38:43,788 --> 00:38:45,456 EVERY WOMAN WHO'S EVER LOVED A 2454 00:38:45,456 --> 00:38:45,489 EVERY WOMAN WHO'S EVER LOVED A 2455 00:38:45,489 --> 00:38:47,190 BAD BOY FELL IN LOVE WITH HAN 2456 00:38:47,191 --> 00:38:47,257 BAD BOY FELL IN LOVE WITH HAN 2457 00:38:47,258 --> 00:38:48,659 SOLO AT THAT MOMENT IF THEY 2458 00:38:48,659 --> 00:38:48,725 SOLO AT THAT MOMENT IF THEY 2459 00:38:48,726 --> 00:38:49,660 HADN'T ALREADY. 2460 00:38:49,660 --> 00:38:49,693 HADN'T ALREADY. 2461 00:38:49,694 --> 00:38:51,295 [machinery whines] 2462 00:38:51,295 --> 00:38:51,328 [machinery whines] 2463 00:38:51,329 --> 00:38:52,930 [Chewbacca howling] 2464 00:38:52,930 --> 00:38:52,996 [Chewbacca howling] 2465 00:38:52,997 --> 00:38:54,198 >> Galipeau: HE BEGINS TO 2466 00:38:54,198 --> 00:38:54,264 >> Galipeau: HE BEGINS TO 2467 00:38:54,265 --> 00:38:55,633 ACTUALLY THINK OF SOMEONE ELSE 2468 00:38:55,633 --> 00:38:55,666 ACTUALLY THINK OF SOMEONE ELSE 2469 00:38:55,666 --> 00:38:57,668 AND NOT JUST HIMSELF, AND THAT'S 2470 00:38:57,668 --> 00:38:57,734 AND NOT JUST HIMSELF, AND THAT'S 2471 00:38:57,735 --> 00:38:59,837 A LESSON THAT MANY PEOPLE REALLY 2472 00:38:59,837 --> 00:38:59,903 A LESSON THAT MANY PEOPLE REALLY 2473 00:38:59,904 --> 00:39:01,372 NEED TO LEARN TO BECOME MORE 2474 00:39:01,372 --> 00:39:01,405 NEED TO LEARN TO BECOME MORE 2475 00:39:01,405 --> 00:39:02,172 WHOLE. 2476 00:39:02,173 --> 00:39:02,206 WHOLE. 2477 00:39:02,206 --> 00:39:03,373 >> DON'T MOVE! 2478 00:39:03,374 --> 00:39:03,407 >> DON'T MOVE! 2479 00:39:03,407 --> 00:39:04,374 >> Galipeau: BUT ALSO TO LEARN 2480 00:39:04,375 --> 00:39:04,408 >> Galipeau: BUT ALSO TO LEARN 2481 00:39:04,408 --> 00:39:05,942 THE ART OF RELATIONSHIP AND 2482 00:39:05,943 --> 00:39:06,009 THE ART OF RELATIONSHIP AND 2483 00:39:06,010 --> 00:39:07,745 FRIENDSHIP. 2484 00:39:07,745 --> 00:39:07,811 FRIENDSHIP. 2485 00:39:07,812 --> 00:39:09,446 >> I LOVE YOU. 2486 00:39:09,447 --> 00:39:09,480 >> I LOVE YOU. 2487 00:39:09,480 --> 00:39:14,485 >> I KNOW. 2488 00:39:14,485 --> 00:39:14,518 >> I KNOW. 2489 00:39:14,518 --> 00:39:16,386 >> Galipeau: SO IT IS REALIZING 2490 00:39:16,387 --> 00:39:16,453 >> Galipeau: SO IT IS REALIZING 2491 00:39:16,454 --> 00:39:18,589 OUR NEED FOR ONE ANOTHER THAT I 2492 00:39:18,589 --> 00:39:18,655 OUR NEED FOR ONE ANOTHER THAT I 2493 00:39:18,656 --> 00:39:20,491 THINK GETS CONVEYED IN A REALLY 2494 00:39:20,491 --> 00:39:20,557 THINK GETS CONVEYED IN A REALLY 2495 00:39:20,558 --> 00:39:21,725 PROFOUND WAY. 2496 00:39:21,726 --> 00:39:21,759 PROFOUND WAY. 2497 00:39:21,759 --> 00:39:22,392 >> YAHOO! 2498 00:39:22,393 --> 00:39:22,459 >> YAHOO! 2499 00:39:22,460 --> 00:39:24,028 [cheers and applause] 2500 00:39:24,028 --> 00:39:24,094 [cheers and applause] 2501 00:39:24,095 --> 00:39:25,563 >> MAY THE FORCE BE WITH YOU. 2502 00:39:25,563 --> 00:39:25,596 >> MAY THE FORCE BE WITH YOU. 2503 00:39:25,596 --> 00:39:27,030 >> MAY THE FORCE BE WITH US. 2504 00:39:27,031 --> 00:39:27,064 >> MAY THE FORCE BE WITH US. 2505 00:39:27,064 --> 00:39:28,031 >> MAY THE FORCE BE WITH US 2506 00:39:28,032 --> 00:39:28,065 >> MAY THE FORCE BE WITH US 2507 00:39:28,065 --> 00:39:28,665 ALL. 2508 00:39:28,666 --> 00:39:28,699 ALL. 2509 00:39:28,699 --> 00:39:30,600 >> YA-HOO! 2510 00:39:34,055 --> 00:39:35,756 >> I AM C-3PO, HUMAN/CYBORG 2511 00:39:35,756 --> 00:39:35,822 >> I AM C-3PO, HUMAN/CYBORG 2512 00:39:35,823 --> 00:39:37,457 RELATIONS, AND THIS IS MY 2513 00:39:37,458 --> 00:39:37,491 RELATIONS, AND THIS IS MY 2514 00:39:37,491 --> 00:39:38,992 COUNTERPART R2-D2. 2515 00:39:38,993 --> 00:39:39,026 COUNTERPART R2-D2. 2516 00:39:39,026 --> 00:39:39,726 >> HELLO. 2517 00:39:39,727 --> 00:39:39,760 >> HELLO. 2518 00:39:39,760 --> 00:39:43,296 [R2-D2 beeps] 2519 00:39:43,297 --> 00:39:43,330 [R2-D2 beeps] 2520 00:39:43,330 --> 00:39:44,364 >> EXCUSE ME, SIR. 2521 00:39:44,365 --> 00:39:44,398 >> EXCUSE ME, SIR. 2522 00:39:44,398 --> 00:39:45,298 >> PUT 'EM BACK TOGETHER RIGHT 2523 00:39:45,299 --> 00:39:45,332 >> PUT 'EM BACK TOGETHER RIGHT 2524 00:39:45,332 --> 00:39:45,932 NOW! 2525 00:39:45,933 --> 00:39:45,966 NOW! 2526 00:39:45,966 --> 00:39:46,666 >> MIGHT I-- 2527 00:39:46,667 --> 00:39:46,733 >> MIGHT I-- 2528 00:39:46,734 --> 00:39:48,035 [Chewbacca roars] 2529 00:39:48,035 --> 00:39:48,101 [Chewbacca roars] 2530 00:39:48,102 --> 00:39:49,103 >> Narrator: CALL THEM 2531 00:39:49,103 --> 00:39:49,136 >> Narrator: CALL THEM 2532 00:39:49,136 --> 00:39:49,769 SIDEKICKS... 2533 00:39:49,770 --> 00:39:49,836 SIDEKICKS... 2534 00:39:49,837 --> 00:39:51,405 >> DON'T GET TECHNICAL WITH ME. 2535 00:39:51,405 --> 00:39:51,471 >> DON'T GET TECHNICAL WITH ME. 2536 00:39:51,472 --> 00:39:52,473 >> Narrator: FOOLS... 2537 00:39:52,473 --> 00:39:52,539 >> Narrator: FOOLS... 2538 00:39:52,540 --> 00:39:54,575 OR SIMPLY CLOWNS. 2539 00:39:54,575 --> 00:39:54,608 OR SIMPLY CLOWNS. 2540 00:39:54,608 --> 00:39:56,209 DURING HIS JOURNEY, THE MYTHIC 2541 00:39:56,210 --> 00:39:56,243 DURING HIS JOURNEY, THE MYTHIC 2542 00:39:56,243 --> 00:39:57,844 HERO IS USUALLY ACCOMPANIED BY 2543 00:39:57,845 --> 00:39:57,911 HERO IS USUALLY ACCOMPANIED BY 2544 00:39:57,912 --> 00:39:59,914 ONE OR MORE FAITHFUL FOLLOWERS. 2545 00:39:59,914 --> 00:39:59,947 ONE OR MORE FAITHFUL FOLLOWERS. 2546 00:39:59,947 --> 00:40:00,847 >> THAT LITTLE DROID AND I HAVE 2547 00:40:00,848 --> 00:40:00,914 >> THAT LITTLE DROID AND I HAVE 2548 00:40:00,915 --> 00:40:01,749 BEEN THROUGH A LOT TOGETHER. 2549 00:40:01,749 --> 00:40:01,815 BEEN THROUGH A LOT TOGETHER. 2550 00:40:01,816 --> 00:40:03,050 >> Narrator: FAITHFUL IF NOT 2551 00:40:03,050 --> 00:40:03,116 >> Narrator: FAITHFUL IF NOT 2552 00:40:03,117 --> 00:40:06,653 ALWAYS VERY HELPFUL. 2553 00:40:06,654 --> 00:40:06,687 ALWAYS VERY HELPFUL. 2554 00:40:06,687 --> 00:40:08,021 >> Ellerbee: GEORGE LUCAS IS A 2555 00:40:08,022 --> 00:40:08,055 >> Ellerbee: GEORGE LUCAS IS A 2556 00:40:08,055 --> 00:40:10,090 SMART MAN TO KNOW THAT YOU 2557 00:40:10,091 --> 00:40:10,124 SMART MAN TO KNOW THAT YOU 2558 00:40:10,124 --> 00:40:11,692 COULDN'T KEEP EVERYTHING AT THE 2559 00:40:11,692 --> 00:40:11,758 COULDN'T KEEP EVERYTHING AT THE 2560 00:40:11,759 --> 00:40:14,228 FEVER PITCH OF HIGH EMOTION. 2561 00:40:14,228 --> 00:40:14,261 FEVER PITCH OF HIGH EMOTION. 2562 00:40:14,261 --> 00:40:15,095 >> THE POSSIBILITY OF 2563 00:40:15,096 --> 00:40:15,129 >> THE POSSIBILITY OF 2564 00:40:15,129 --> 00:40:16,296 SUCCESSFULLY NAVIGATING AN 2565 00:40:16,297 --> 00:40:16,330 SUCCESSFULLY NAVIGATING AN 2566 00:40:16,330 --> 00:40:17,664 ASTEROID FIELD IS APPROXIMATELY 2567 00:40:17,665 --> 00:40:17,731 ASTEROID FIELD IS APPROXIMATELY 2568 00:40:17,731 --> 00:40:19,299 3,720 to 1! 2569 00:40:19,300 --> 00:40:19,333 3,720 to 1! 2570 00:40:19,333 --> 00:40:20,600 >> NEVER TELL ME THE ODDS. 2571 00:40:20,601 --> 00:40:20,667 >> NEVER TELL ME THE ODDS. 2572 00:40:20,668 --> 00:40:21,402 >> LOOK! 2573 00:40:21,402 --> 00:40:21,468 >> LOOK! 2574 00:40:21,469 --> 00:40:22,369 >> Ellerbee: YOU HAD TO HAVE 2575 00:40:22,369 --> 00:40:22,402 >> Ellerbee: YOU HAD TO HAVE 2576 00:40:22,403 --> 00:40:23,504 COMIC RELIEF IN THERE TO MAKE 2577 00:40:23,504 --> 00:40:23,570 COMIC RELIEF IN THERE TO MAKE 2578 00:40:23,571 --> 00:40:24,939 THE CAKE RISE. 2579 00:40:24,939 --> 00:40:24,972 THE CAKE RISE. 2580 00:40:24,972 --> 00:40:25,772 [R2-D2 beeps] 2581 00:40:25,773 --> 00:40:25,839 [R2-D2 beeps] 2582 00:40:25,840 --> 00:40:26,774 >> NOW, THERE I AGREE WITH 2583 00:40:26,774 --> 00:40:26,840 >> NOW, THERE I AGREE WITH 2584 00:40:26,841 --> 00:40:27,141 YOU. 2585 00:40:27,141 --> 00:40:27,207 YOU. 2586 00:40:27,208 --> 00:40:28,309 I COULD DO WITH A TUNE-UP 2587 00:40:28,309 --> 00:40:28,375 I COULD DO WITH A TUNE-UP 2588 00:40:28,375 --> 00:40:29,142 MYSELF. 2589 00:40:29,143 --> 00:40:29,176 MYSELF. 2590 00:40:29,176 --> 00:40:30,777 >> Smith: IN R2-D2 AND C-3PO, 2591 00:40:30,778 --> 00:40:30,844 >> Smith: IN R2-D2 AND C-3PO, 2592 00:40:30,845 --> 00:40:32,413 YOU HAVE THE CLASSIC COMEDY 2593 00:40:32,413 --> 00:40:32,479 YOU HAVE THE CLASSIC COMEDY 2594 00:40:32,480 --> 00:40:34,682 TEAM, IN TERMS OF THE THIN GUY 2595 00:40:34,682 --> 00:40:34,715 TEAM, IN TERMS OF THE THIN GUY 2596 00:40:34,715 --> 00:40:35,515 AND THE FAT GUY. 2597 00:40:35,516 --> 00:40:35,582 AND THE FAT GUY. 2598 00:40:35,583 --> 00:40:36,784 IN FACT, THEY JUST BOTH HAPPEN 2599 00:40:36,784 --> 00:40:36,850 IN FACT, THEY JUST BOTH HAPPEN 2600 00:40:36,851 --> 00:40:38,719 TO BE ROBOTS. 2601 00:40:38,719 --> 00:40:38,752 TO BE ROBOTS. 2602 00:40:38,752 --> 00:40:45,425 [both speaking alien language] 2603 00:40:45,426 --> 00:40:45,459 [both speaking alien language] 2604 00:40:45,459 --> 00:40:46,693 >> Mitchell: THE DROIDS STRIKE 2605 00:40:46,694 --> 00:40:46,760 >> Mitchell: THE DROIDS STRIKE 2606 00:40:46,760 --> 00:40:48,161 ME AS GOING BACK TO ABBOTT AND 2607 00:40:48,162 --> 00:40:48,228 ME AS GOING BACK TO ABBOTT AND 2608 00:40:48,229 --> 00:40:50,598 COSTELLO OR LAUREL AND HARDY, 2609 00:40:50,598 --> 00:40:50,664 COSTELLO OR LAUREL AND HARDY, 2610 00:40:50,664 --> 00:40:52,232 THE KIND OF KNOCKABOUT STUFF OF 2611 00:40:52,233 --> 00:40:52,266 THE KIND OF KNOCKABOUT STUFF OF 2612 00:40:52,266 --> 00:40:54,034 OLD FILMS WHERE YOU NEEDED 2613 00:40:54,034 --> 00:40:54,067 OLD FILMS WHERE YOU NEEDED 2614 00:40:54,068 --> 00:40:55,602 SOMEBODY TO PROVIDE SLAPSTICK 2615 00:40:55,603 --> 00:40:55,669 SOMEBODY TO PROVIDE SLAPSTICK 2616 00:40:55,669 --> 00:40:56,503 AND RELEASE... 2617 00:40:56,504 --> 00:40:56,570 AND RELEASE... 2618 00:40:56,570 --> 00:40:57,404 >> WE'RE DOOMED. 2619 00:40:57,404 --> 00:40:57,437 >> WE'RE DOOMED. 2620 00:40:57,438 --> 00:40:58,038 >> Mitchell: AND PHYSICAL 2621 00:40:58,038 --> 00:40:58,071 >> Mitchell: AND PHYSICAL 2622 00:40:58,072 --> 00:40:59,506 COMEDY, BECAUSE THERE'S SO MUCH 2623 00:40:59,507 --> 00:40:59,573 COMEDY, BECAUSE THERE'S SO MUCH 2624 00:40:59,573 --> 00:41:02,242 AT STAKE THAT IT WOULD BE 2625 00:41:02,243 --> 00:41:02,309 AT STAKE THAT IT WOULD BE 2626 00:41:02,309 --> 00:41:03,977 OPPRESSIVE IF THERE WEREN'T SOME 2627 00:41:03,978 --> 00:41:04,044 OPPRESSIVE IF THERE WEREN'T SOME 2628 00:41:04,044 --> 00:41:05,245 KIND OF RELEASE. 2629 00:41:05,246 --> 00:41:05,312 KIND OF RELEASE. 2630 00:41:05,312 --> 00:41:06,780 >> THIS IS MADNESS. 2631 00:41:06,780 --> 00:41:06,813 >> THIS IS MADNESS. 2632 00:41:06,814 --> 00:41:09,082 >> Whedon: C-3PO AND R2-D2 GIVE 2633 00:41:09,083 --> 00:41:09,116 >> Whedon: C-3PO AND R2-D2 GIVE 2634 00:41:09,116 --> 00:41:10,417 US A LITTLE BIT OF CLASSIC 2635 00:41:10,417 --> 00:41:10,450 US A LITTLE BIT OF CLASSIC 2636 00:41:10,451 --> 00:41:11,852 BUMBLING COMEDY SHTICK. 2637 00:41:11,852 --> 00:41:11,885 BUMBLING COMEDY SHTICK. 2638 00:41:11,886 --> 00:41:13,053 THERE'S ALWAYS THE STALWART 2639 00:41:13,053 --> 00:41:13,086 THERE'S ALWAYS THE STALWART 2640 00:41:13,087 --> 00:41:14,421 HERO, AND THEN THERE'S THE GUY 2641 00:41:14,421 --> 00:41:14,454 HERO, AND THEN THERE'S THE GUY 2642 00:41:14,455 --> 00:41:15,522 NEXT TO HIM GOING, "DO WE HAVE 2643 00:41:15,523 --> 00:41:15,556 NEXT TO HIM GOING, "DO WE HAVE 2644 00:41:15,556 --> 00:41:17,724 TO GO INTO THE DARK PLACE?!" 2645 00:41:17,725 --> 00:41:17,791 TO GO INTO THE DARK PLACE?!" 2646 00:41:17,791 --> 00:41:20,994 >> I'M NOT GETTING IN THERE! 2647 00:41:20,995 --> 00:41:21,028 >> I'M NOT GETTING IN THERE! 2648 00:41:21,028 --> 00:41:26,266 I'M GOING TO REGRET THIS. 2649 00:41:26,267 --> 00:41:26,333 I'M GOING TO REGRET THIS. 2650 00:41:26,333 --> 00:41:27,634 >> Abrams: WHEN I FIRST SAW 2651 00:41:27,635 --> 00:41:27,701 >> Abrams: WHEN I FIRST SAW 2652 00:41:27,701 --> 00:41:29,235 "STAR WARS," IT WAS SO HARD TO 2653 00:41:29,236 --> 00:41:29,269 "STAR WARS," IT WAS SO HARD TO 2654 00:41:29,270 --> 00:41:30,871 RELATE TO WHAT WAS HAPPENING AT 2655 00:41:30,871 --> 00:41:30,904 RELATE TO WHAT WAS HAPPENING AT 2656 00:41:30,905 --> 00:41:32,640 THE, I MEAN, IT WAS SO NOT 2657 00:41:32,640 --> 00:41:32,673 THE, I MEAN, IT WAS SO NOT 2658 00:41:32,673 --> 00:41:34,074 WHERE I LIVE, IT'S SO NOT WHAT 2659 00:41:34,074 --> 00:41:34,140 WHERE I LIVE, IT'S SO NOT WHAT 2660 00:41:34,141 --> 00:41:34,908 I KNOW. 2661 00:41:34,909 --> 00:41:34,975 I KNOW. 2662 00:41:34,975 --> 00:41:35,976 >> OF COURSE I'M WORRIED, 2663 00:41:35,976 --> 00:41:36,009 >> OF COURSE I'M WORRIED, 2664 00:41:36,010 --> 00:41:37,177 AND YOU SHOULD BE, TOO. 2665 00:41:37,178 --> 00:41:37,244 AND YOU SHOULD BE, TOO. 2666 00:41:37,244 --> 00:41:38,511 >> Abrams: AS SOON AS YOU HAD 2667 00:41:38,512 --> 00:41:38,545 >> Abrams: AS SOON AS YOU HAD 2668 00:41:38,546 --> 00:41:40,247 THOSE TWO CHARACTERS SHOW UP, 2669 00:41:40,247 --> 00:41:40,280 THOSE TWO CHARACTERS SHOW UP, 2670 00:41:40,281 --> 00:41:42,816 IMMEDIATELY YOU'RE LAUGHING AND 2671 00:41:42,816 --> 00:41:42,882 IMMEDIATELY YOU'RE LAUGHING AND 2672 00:41:42,883 --> 00:41:44,184 YOU'RE COMFORTABLE AND YOU 2673 00:41:44,185 --> 00:41:44,251 YOU'RE COMFORTABLE AND YOU 2674 00:41:44,251 --> 00:41:45,285 THINK, NOW I KNOW WHO I AM. 2675 00:41:45,286 --> 00:41:45,352 THINK, NOW I KNOW WHO I AM. 2676 00:41:45,352 --> 00:41:46,252 NOW I KNOW I CAN FIT IN HERE. 2677 00:41:46,253 --> 00:41:46,286 NOW I KNOW I CAN FIT IN HERE. 2678 00:41:46,287 --> 00:41:47,354 I CAN LIVE HERE 'CAUSE THEY'RE 2679 00:41:47,354 --> 00:41:47,420 I CAN LIVE HERE 'CAUSE THEY'RE 2680 00:41:47,421 --> 00:41:48,555 LIKE ME. 2681 00:41:48,556 --> 00:41:48,589 LIKE ME. 2682 00:41:48,589 --> 00:41:50,057 >> MY OBTUSE LITTLE FRIEND, 2683 00:41:50,057 --> 00:41:50,090 >> MY OBTUSE LITTLE FRIEND, 2684 00:41:50,090 --> 00:41:51,458 YOU OBVIOUSLY HAVE A GREAT DEAL 2685 00:41:51,458 --> 00:41:51,491 YOU OBVIOUSLY HAVE A GREAT DEAL 2686 00:41:51,492 --> 00:41:53,527 TO LEARN ABOUT HUMAN BEHAVIOR. 2687 00:41:53,527 --> 00:41:53,560 TO LEARN ABOUT HUMAN BEHAVIOR. 2688 00:41:53,561 --> 00:41:54,795 >> Colbert: C-3PO SEEMS MORE 2689 00:41:54,795 --> 00:41:54,828 >> Colbert: C-3PO SEEMS MORE 2690 00:41:54,828 --> 00:41:55,261 LIKE US. 2691 00:41:55,262 --> 00:41:55,295 LIKE US. 2692 00:41:55,296 --> 00:41:56,630 LIKE, WHAT WOULD I DO IN THAT 2693 00:41:56,630 --> 00:41:56,663 LIKE, WHAT WOULD I DO IN THAT 2694 00:41:56,664 --> 00:41:57,431 SITUATION? 2695 00:41:57,431 --> 00:41:57,464 SITUATION? 2696 00:41:57,464 --> 00:41:58,364 I'D PROBABLY PANIC AND RUN AWAY. 2697 00:41:58,365 --> 00:41:58,398 I'D PROBABLY PANIC AND RUN AWAY. 2698 00:41:58,399 --> 00:41:59,733 AND THAT'S WHAT C-3PO DOES 2699 00:41:59,733 --> 00:41:59,799 AND THAT'S WHAT C-3PO DOES 2700 00:41:59,800 --> 00:42:02,969 ALMOST EVERY TIME. 2701 00:42:02,970 --> 00:42:03,003 ALMOST EVERY TIME. 2702 00:42:03,003 --> 00:42:04,738 >> JUST OPEN THE DOOR, YOU 2703 00:42:04,738 --> 00:42:04,771 >> JUST OPEN THE DOOR, YOU 2704 00:42:04,772 --> 00:42:05,706 STUPID LUMP! 2705 00:42:05,706 --> 00:42:05,739 STUPID LUMP! 2706 00:42:05,739 --> 00:42:08,842 >> Young: R2-D2 AND C-3PO ARE A 2707 00:42:08,842 --> 00:42:08,875 >> Young: R2-D2 AND C-3PO ARE A 2708 00:42:08,876 --> 00:42:10,844 LITTLE BESIDE THE ACTION, 2709 00:42:10,844 --> 00:42:10,910 LITTLE BESIDE THE ACTION, 2710 00:42:10,911 --> 00:42:11,745 LOOKING AT IT. 2711 00:42:11,745 --> 00:42:11,778 LOOKING AT IT. 2712 00:42:11,779 --> 00:42:13,180 SO THEY ARE WITH US. 2713 00:42:13,180 --> 00:42:13,213 SO THEY ARE WITH US. 2714 00:42:13,214 --> 00:42:14,281 THEY ARE OBSERVERS, AND THEY 2715 00:42:14,281 --> 00:42:14,347 THEY ARE OBSERVERS, AND THEY 2716 00:42:14,348 --> 00:42:16,717 ADD FRAMING AND PERSPECTIVE. 2717 00:42:16,717 --> 00:42:16,750 ADD FRAMING AND PERSPECTIVE. 2718 00:42:16,750 --> 00:42:17,617 >> NO, I DON'T THINK HE LIKES 2719 00:42:17,618 --> 00:42:17,651 >> NO, I DON'T THINK HE LIKES 2720 00:42:17,651 --> 00:42:18,551 YOU AT ALL. 2721 00:42:18,552 --> 00:42:18,618 YOU AT ALL. 2722 00:42:18,619 --> 00:42:19,553 [R2-D2 whistles] 2723 00:42:19,553 --> 00:42:19,586 [R2-D2 whistles] 2724 00:42:19,587 --> 00:42:22,656 NO, I DON'T LIKE YOU, EITHER. 2725 00:42:22,656 --> 00:42:22,689 NO, I DON'T LIKE YOU, EITHER. 2726 00:42:22,690 --> 00:42:24,825 >> Young: AND SO THEY ALSO SERVE 2727 00:42:24,825 --> 00:42:24,891 >> Young: AND SO THEY ALSO SERVE 2728 00:42:24,892 --> 00:42:28,362 AS A GREEK CHORUS. 2729 00:42:28,362 --> 00:42:28,395 AS A GREEK CHORUS. 2730 00:42:28,395 --> 00:42:30,530 >> Lyden: IN TRADITIONAL GREEK 2731 00:42:30,531 --> 00:42:30,564 >> Lyden: IN TRADITIONAL GREEK 2732 00:42:30,564 --> 00:42:31,932 DRAMA, THE ROLE OF THE GREEK 2733 00:42:31,932 --> 00:42:31,965 DRAMA, THE ROLE OF THE GREEK 2734 00:42:31,966 --> 00:42:34,101 CHORUS WAS, IN A SENSE, TO 2735 00:42:34,101 --> 00:42:34,167 CHORUS WAS, IN A SENSE, TO 2736 00:42:34,168 --> 00:42:36,570 COMMENT ON THE ACTION. 2737 00:42:36,570 --> 00:42:36,603 COMMENT ON THE ACTION. 2738 00:42:36,604 --> 00:42:38,372 THROUGHOUT "STAR WARS," WHILE 2739 00:42:38,372 --> 00:42:38,405 THROUGHOUT "STAR WARS," WHILE 2740 00:42:38,405 --> 00:42:39,939 OTHER PEOPLE ARE ACTING OUT THE 2741 00:42:39,940 --> 00:42:40,006 OTHER PEOPLE ARE ACTING OUT THE 2742 00:42:40,007 --> 00:42:40,574 SCENE... 2743 00:42:40,574 --> 00:42:40,640 SCENE... 2744 00:42:40,641 --> 00:42:41,742 >> I'M GOING THERE TO END THIS 2745 00:42:41,742 --> 00:42:41,808 >> I'M GOING THERE TO END THIS 2746 00:42:41,809 --> 00:42:42,676 WAR. 2747 00:42:42,676 --> 00:42:42,742 WAR. 2748 00:42:42,743 --> 00:42:44,745 >> Lyden: C-3PO AND R2-D2, 2749 00:42:44,745 --> 00:42:44,778 >> Lyden: C-3PO AND R2-D2, 2750 00:42:44,778 --> 00:42:46,379 THEY'RE COMMENTING ON IT. 2751 00:42:46,380 --> 00:42:46,413 THEY'RE COMMENTING ON IT. 2752 00:42:46,413 --> 00:42:48,214 >> WELL, HE IS UNDER A LOT OF 2753 00:42:48,215 --> 00:42:48,248 >> WELL, HE IS UNDER A LOT OF 2754 00:42:48,249 --> 00:42:49,817 STRESS, R-2. 2755 00:42:49,817 --> 00:42:49,850 STRESS, R-2. 2756 00:42:49,850 --> 00:42:52,586 >> Narrator: IF C-3PO AND R2-D2 2757 00:42:52,586 --> 00:42:52,652 >> Narrator: IF C-3PO AND R2-D2 2758 00:42:52,653 --> 00:42:54,221 EMBODY THE CHARACTER OF THE 2759 00:42:54,221 --> 00:42:54,254 EMBODY THE CHARACTER OF THE 2760 00:42:54,255 --> 00:42:57,324 COMIC EVERYMAN, THE AMPHIBIAN 2761 00:42:57,324 --> 00:42:57,357 COMIC EVERYMAN, THE AMPHIBIAN 2762 00:42:57,358 --> 00:43:00,227 JAR-JAR BINKS SUGGESTS ANOTHER 2763 00:43:00,227 --> 00:43:00,260 JAR-JAR BINKS SUGGESTS ANOTHER 2764 00:43:00,261 --> 00:43:01,829 TIMELESS ARCHETYPE: THE 2765 00:43:01,829 --> 00:43:01,862 TIMELESS ARCHETYPE: THE 2766 00:43:01,862 --> 00:43:06,032 CHILDLIKE INNOCENT. 2767 00:43:06,033 --> 00:43:06,066 CHILDLIKE INNOCENT. 2768 00:43:06,066 --> 00:43:09,402 >> (garbled) MY TONGUE. 2769 00:43:09,403 --> 00:43:09,436 >> (garbled) MY TONGUE. 2770 00:43:09,436 --> 00:43:10,937 >> YOU KNOW, I FIND THAT 2771 00:43:10,938 --> 00:43:10,971 >> YOU KNOW, I FIND THAT 2772 00:43:10,971 --> 00:43:12,405 JAR-JAR CREATURE TO BE A LITTLE 2773 00:43:12,406 --> 00:43:12,472 JAR-JAR CREATURE TO BE A LITTLE 2774 00:43:12,473 --> 00:43:13,941 ODD. 2775 00:43:13,941 --> 00:43:14,007 ODD. 2776 00:43:14,008 --> 00:43:15,309 >> MY TONGUE! 2777 00:43:15,309 --> 00:43:15,342 >> MY TONGUE! 2778 00:43:15,342 --> 00:43:17,510 WRENCH. 2779 00:43:17,511 --> 00:43:17,577 WRENCH. 2780 00:43:17,578 --> 00:43:18,779 >> Connelly: IF WE THINK OF 2781 00:43:18,779 --> 00:43:18,812 >> Connelly: IF WE THINK OF 2782 00:43:18,812 --> 00:43:20,313 GREEK AND ROMAN COMEDY, THERE 2783 00:43:20,314 --> 00:43:20,380 GREEK AND ROMAN COMEDY, THERE 2784 00:43:20,381 --> 00:43:21,882 IS A CHARACTER CALLED THE 2785 00:43:21,882 --> 00:43:21,915 IS A CHARACTER CALLED THE 2786 00:43:21,915 --> 00:43:24,150 PARASITE, WHO IS A JAR-JAR 2787 00:43:24,151 --> 00:43:24,217 PARASITE, WHO IS A JAR-JAR 2788 00:43:24,218 --> 00:43:26,220 BINKS KIND OF TAGALONG PERSON 2789 00:43:26,220 --> 00:43:26,286 BINKS KIND OF TAGALONG PERSON 2790 00:43:26,287 --> 00:43:27,588 THAT IS COMIC. 2791 00:43:27,588 --> 00:43:27,654 THAT IS COMIC. 2792 00:43:27,655 --> 00:43:29,323 >> NOW STAY HERE. 2793 00:43:29,323 --> 00:43:29,356 >> NOW STAY HERE. 2794 00:43:29,356 --> 00:43:31,591 AND KEEP OUT OF TROUBLE. 2795 00:43:31,592 --> 00:43:31,658 AND KEEP OUT OF TROUBLE. 2796 00:43:31,659 --> 00:43:32,493 >> HMM... 2797 00:43:32,493 --> 00:43:32,526 >> HMM... 2798 00:43:32,526 --> 00:43:36,530 AHH! 2799 00:43:36,530 --> 00:43:36,596 AHH! 2800 00:43:36,597 --> 00:43:38,031 >> [speaks alien language] 2801 00:43:38,032 --> 00:43:38,065 >> [speaks alien language] 2802 00:43:38,065 --> 00:43:38,865 >> Lyden: JAR-JAR BINKS STARTS 2803 00:43:38,866 --> 00:43:38,899 >> Lyden: JAR-JAR BINKS STARTS 2804 00:43:38,899 --> 00:43:40,800 OFF AS A RATHER SILLY CHARACTER, 2805 00:43:40,801 --> 00:43:40,867 OFF AS A RATHER SILLY CHARACTER, 2806 00:43:40,868 --> 00:43:42,936 NOT VERY RESPONSIBLE. 2807 00:43:42,936 --> 00:43:42,969 NOT VERY RESPONSIBLE. 2808 00:43:42,970 --> 00:43:43,804 >> OOPS. 2809 00:43:43,804 --> 00:43:43,870 >> OOPS. 2810 00:43:43,871 --> 00:43:45,138 [whistles innocently] 2811 00:43:45,139 --> 00:43:45,205 [whistles innocently] 2812 00:43:45,205 --> 00:43:46,773 >> Lyden: BUT GAINS INCREASING 2813 00:43:46,774 --> 00:43:46,807 >> Lyden: BUT GAINS INCREASING 2814 00:43:46,807 --> 00:43:48,208 ROLES OF RESPONSIBILITY, TO THE 2815 00:43:48,208 --> 00:43:48,241 ROLES OF RESPONSIBILITY, TO THE 2816 00:43:48,242 --> 00:43:51,144 POINT THAT HE BECOMES A MEMBER 2817 00:43:51,145 --> 00:43:51,178 POINT THAT HE BECOMES A MEMBER 2818 00:43:51,178 --> 00:43:51,711 OF THE SENATE. 2819 00:43:51,712 --> 00:43:51,778 OF THE SENATE. 2820 00:43:51,779 --> 00:43:53,447 SO WE SEE HIM IN A GENUINE 2821 00:43:53,447 --> 00:43:53,513 SO WE SEE HIM IN A GENUINE 2822 00:43:53,514 --> 00:43:55,082 LEADERSHIP ROLE. 2823 00:43:55,082 --> 00:43:55,148 LEADERSHIP ROLE. 2824 00:43:55,149 --> 00:43:57,050 IN A SENSE, HE GROWS UP IN THESE 2825 00:43:57,051 --> 00:43:57,084 IN A SENSE, HE GROWS UP IN THESE 2826 00:43:57,084 --> 00:43:59,052 FILMS, AND IF YOU THINK OF THE 2827 00:43:59,053 --> 00:43:59,086 FILMS, AND IF YOU THINK OF THE 2828 00:43:59,086 --> 00:44:00,987 CHILDREN WHO MIGHT HAVE RELATED 2829 00:44:00,988 --> 00:44:01,054 CHILDREN WHO MIGHT HAVE RELATED 2830 00:44:01,055 --> 00:44:02,623 TO HIM, THEY HAVE, IN A SENSE, 2831 00:44:02,623 --> 00:44:02,689 TO HIM, THEY HAVE, IN A SENSE, 2832 00:44:02,690 --> 00:44:04,358 GROWN UP ALONG WITH HIM. 2833 00:44:04,358 --> 00:44:04,391 GROWN UP ALONG WITH HIM. 2834 00:44:04,391 --> 00:44:06,960 [crowd shouting and cheering] 2835 00:44:06,960 --> 00:44:06,993 [crowd shouting and cheering] 2836 00:44:06,994 --> 00:44:08,428 >> Narrator: BUT NOT ALL COMIC 2837 00:44:08,429 --> 00:44:08,495 >> Narrator: BUT NOT ALL COMIC 2838 00:44:08,495 --> 00:44:10,129 CHARACTERS ARE INNOCENTS LIKE 2839 00:44:10,130 --> 00:44:10,163 CHARACTERS ARE INNOCENTS LIKE 2840 00:44:10,164 --> 00:44:14,801 JAR-JAR, R2-D2, OR C-3PO. 2841 00:44:14,802 --> 00:44:14,868 JAR-JAR, R2-D2, OR C-3PO. 2842 00:44:14,868 --> 00:44:17,170 ENTER HAN SOLO'S NEMESIS, THE 2843 00:44:17,171 --> 00:44:17,237 ENTER HAN SOLO'S NEMESIS, THE 2844 00:44:17,237 --> 00:44:19,706 GROTESQUE SPACE GANGSTER JABBA 2845 00:44:19,707 --> 00:44:19,773 GROTESQUE SPACE GANGSTER JABBA 2846 00:44:19,773 --> 00:44:21,441 THE HUTT. 2847 00:44:21,442 --> 00:44:21,475 THE HUTT. 2848 00:44:21,475 --> 00:44:23,543 >> YOU TELL THAT SLIMY PIECE OF 2849 00:44:23,544 --> 00:44:23,610 >> YOU TELL THAT SLIMY PIECE OF 2850 00:44:23,610 --> 00:44:26,446 WORM-RIDDEN FILTH HE'LL GET NO 2851 00:44:26,447 --> 00:44:26,480 WORM-RIDDEN FILTH HE'LL GET NO 2852 00:44:26,480 --> 00:44:28,982 SUCH PLEASURE FROM US! 2853 00:44:28,982 --> 00:44:29,048 SUCH PLEASURE FROM US! 2854 00:44:29,049 --> 00:44:30,283 >> Silvio: JABBA THE HUTT 2855 00:44:30,284 --> 00:44:30,350 >> Silvio: JABBA THE HUTT 2856 00:44:30,351 --> 00:44:32,152 REPRESENTS GREED AND 2857 00:44:32,152 --> 00:44:32,185 REPRESENTS GREED AND 2858 00:44:32,186 --> 00:44:33,253 EXCESSIVENESS. 2859 00:44:33,253 --> 00:44:33,286 EXCESSIVENESS. 2860 00:44:33,287 --> 00:44:34,187 AND I THINK THAT'S REPRESENTED 2861 00:44:34,188 --> 00:44:34,221 AND I THINK THAT'S REPRESENTED 2862 00:44:34,221 --> 00:44:37,090 BY HIS SHEER PHYSICAL EXCESS, 2863 00:44:37,091 --> 00:44:37,124 BY HIS SHEER PHYSICAL EXCESS, 2864 00:44:37,124 --> 00:44:38,925 HIS SHEER CORPULENCE. 2865 00:44:38,926 --> 00:44:38,992 HIS SHEER CORPULENCE. 2866 00:44:38,992 --> 00:44:41,694 >> [speaking alien language] 2867 00:44:41,695 --> 00:44:41,728 >> [speaking alien language] 2868 00:44:41,729 --> 00:44:42,796 >> UGH! 2869 00:44:42,796 --> 00:44:42,829 >> UGH! 2870 00:44:42,830 --> 00:44:44,565 >> OH, I CAN'T BEAR TO WATCH. 2871 00:44:44,565 --> 00:44:44,631 >> OH, I CAN'T BEAR TO WATCH. 2872 00:44:44,631 --> 00:44:45,732 >> Smith: I WOULD ARGUE WITH 2873 00:44:45,733 --> 00:44:45,766 >> Smith: I WOULD ARGUE WITH 2874 00:44:45,766 --> 00:44:46,433 YOU. 2875 00:44:46,433 --> 00:44:46,466 YOU. 2876 00:44:46,467 --> 00:44:47,534 JABBA IS SEXY, BECAUSE WHAT'S 2877 00:44:47,534 --> 00:44:47,567 JABBA IS SEXY, BECAUSE WHAT'S 2878 00:44:47,568 --> 00:44:49,202 SEXIER THAN THE DUDE WHO'S LIKE 2879 00:44:49,203 --> 00:44:49,236 SEXIER THAN THE DUDE WHO'S LIKE 2880 00:44:49,236 --> 00:44:50,437 RISEN TO A POSITION OF POWER 2881 00:44:50,437 --> 00:44:50,470 RISEN TO A POSITION OF POWER 2882 00:44:50,471 --> 00:44:52,206 WHERE HE CAN JUST LAY AROUND, 2883 00:44:52,206 --> 00:44:52,272 WHERE HE CAN JUST LAY AROUND, 2884 00:44:52,272 --> 00:44:53,840 YOU KNOW, AND THINGS HAPPEN IN 2885 00:44:53,841 --> 00:44:53,907 YOU KNOW, AND THINGS HAPPEN IN 2886 00:44:53,907 --> 00:44:55,008 FRONT OF HIM? 2887 00:44:55,008 --> 00:44:55,041 FRONT OF HIM? 2888 00:44:55,042 --> 00:44:56,109 AND HE'S THAT POWERFUL, AND HE'S 2889 00:44:56,110 --> 00:44:56,176 AND HE'S THAT POWERFUL, AND HE'S 2890 00:44:56,176 --> 00:44:57,810 THAT RICH, AND, YEAH, HE'S A BIT 2891 00:44:57,811 --> 00:44:57,844 THAT RICH, AND, YEAH, HE'S A BIT 2892 00:44:57,845 --> 00:45:00,480 SLOBBY, BUT I HAVE TO LIKE JABBA 2893 00:45:00,481 --> 00:45:00,514 SLOBBY, BUT I HAVE TO LIKE JABBA 2894 00:45:00,514 --> 00:45:02,249 THE HUTT 'CAUSE I'M SHAPED LIKE 2895 00:45:02,249 --> 00:45:02,282 THE HUTT 'CAUSE I'M SHAPED LIKE 2896 00:45:02,282 --> 00:45:03,549 JABBA THE HUTT. 2897 00:45:03,550 --> 00:45:03,583 JABBA THE HUTT. 2898 00:45:03,584 --> 00:45:05,185 AND WITHOUT JABBA WE'D NEVER 2899 00:45:05,185 --> 00:45:05,251 AND WITHOUT JABBA WE'D NEVER 2900 00:45:05,252 --> 00:45:06,753 GET TO SEE LEIA IN A BIKINI, SO 2901 00:45:06,754 --> 00:45:06,820 GET TO SEE LEIA IN A BIKINI, SO 2902 00:45:06,820 --> 00:45:08,755 THANK GOD FOR JABBA THE HUTT. 2903 00:45:08,756 --> 00:45:08,789 THANK GOD FOR JABBA THE HUTT. 2904 00:45:08,789 --> 00:45:10,390 >> [laughs] 2905 00:45:10,391 --> 00:45:10,457 >> [laughs] 2906 00:45:10,457 --> 00:45:11,524 >> Henderson: HE IS KIND OF A 2907 00:45:11,525 --> 00:45:11,558 >> Henderson: HE IS KIND OF A 2908 00:45:11,558 --> 00:45:13,192 MODERN DRAGON, AND WHAT DO THE 2909 00:45:13,193 --> 00:45:13,259 MODERN DRAGON, AND WHAT DO THE 2910 00:45:13,260 --> 00:45:15,195 DRAGONS OF MYTHOLOGY DO? 2911 00:45:15,195 --> 00:45:15,261 DRAGONS OF MYTHOLOGY DO? 2912 00:45:15,262 --> 00:45:18,265 THEY CAPTURE MAIDENS... 2913 00:45:18,265 --> 00:45:18,298 THEY CAPTURE MAIDENS... 2914 00:45:18,298 --> 00:45:19,632 AND THEY HOARD GOLD. 2915 00:45:19,633 --> 00:45:19,666 AND THEY HOARD GOLD. 2916 00:45:19,666 --> 00:45:21,034 AND THE DRAGONS HOLD THOSE 2917 00:45:21,034 --> 00:45:21,067 AND THE DRAGONS HOLD THOSE 2918 00:45:21,068 --> 00:45:23,737 HOSTAGE. 2919 00:45:23,737 --> 00:45:23,770 HOSTAGE. 2920 00:45:23,771 --> 00:45:25,572 >> [laughs manically] 2921 00:45:25,572 --> 00:45:25,638 >> [laughs manically] 2922 00:45:25,639 --> 00:45:26,640 >> Narrator: CHARACTERS LIKE 2923 00:45:26,640 --> 00:45:26,673 >> Narrator: CHARACTERS LIKE 2924 00:45:26,673 --> 00:45:28,274 JABBA ALSO REFLECT POTENTIALLY 2925 00:45:28,275 --> 00:45:28,308 JABBA ALSO REFLECT POTENTIALLY 2926 00:45:28,308 --> 00:45:30,043 DEADLY OBSTACLES ALONG THE 2927 00:45:30,043 --> 00:45:30,109 DEADLY OBSTACLES ALONG THE 2928 00:45:30,110 --> 00:45:32,846 HERO'S PATH... 2929 00:45:32,846 --> 00:45:32,879 HERO'S PATH... 2930 00:45:32,880 --> 00:45:34,648 OBSTACLES THAT TEST AND 2931 00:45:34,648 --> 00:45:34,681 OBSTACLES THAT TEST AND 2932 00:45:34,681 --> 00:45:37,583 STRENGTHEN HIM ON HIS JOURNEY. 2933 00:45:37,584 --> 00:45:37,617 STRENGTHEN HIM ON HIS JOURNEY. 2934 00:45:37,618 --> 00:45:39,486 >> [roars] 2935 00:45:39,486 --> 00:45:39,552 >> [roars] 2936 00:45:39,553 --> 00:45:40,754 >> Rubino: THAT'S A VERY 2937 00:45:40,754 --> 00:45:40,787 >> Rubino: THAT'S A VERY 2938 00:45:40,788 --> 00:45:42,389 PREVALENT MOTIVE IN GREEK MYTH, 2939 00:45:42,389 --> 00:45:42,455 PREVALENT MOTIVE IN GREEK MYTH, 2940 00:45:42,456 --> 00:45:44,724 THE HERO BECOMING HIMSELF BY 2941 00:45:44,725 --> 00:45:44,758 THE HERO BECOMING HIMSELF BY 2942 00:45:44,758 --> 00:45:46,593 BEING TESTED BY VARIOUS 2943 00:45:46,593 --> 00:45:46,659 BEING TESTED BY VARIOUS 2944 00:45:46,660 --> 00:45:52,866 MONSTERS. 2945 00:45:52,866 --> 00:45:52,899 MONSTERS. 2946 00:45:52,900 --> 00:45:55,302 HERCULES IS MADE TO GO THROUGH 2947 00:45:55,302 --> 00:45:55,335 HERCULES IS MADE TO GO THROUGH 2948 00:45:55,335 --> 00:45:56,869 THESE LABORS IN ORDER TO BECOME 2949 00:45:56,870 --> 00:45:56,936 THESE LABORS IN ORDER TO BECOME 2950 00:45:56,937 --> 00:45:58,939 HIMSELF. 2951 00:45:58,939 --> 00:45:58,972 HIMSELF. 2952 00:45:58,972 --> 00:45:59,872 >> [roars] 2953 00:45:59,873 --> 00:45:59,906 >> [roars] 2954 00:45:59,907 --> 00:46:01,141 >> Lyden: ANOTHER THEME IS THE 2955 00:46:01,141 --> 00:46:01,174 >> Lyden: ANOTHER THEME IS THE 2956 00:46:01,175 --> 00:46:02,709 JOURNEY INTO THE BELLY OF THE 2957 00:46:02,709 --> 00:46:02,742 JOURNEY INTO THE BELLY OF THE 2958 00:46:02,743 --> 00:46:04,845 WHALE, AS CAMPBELL CALLED IT, 2959 00:46:04,845 --> 00:46:04,878 WHALE, AS CAMPBELL CALLED IT, 2960 00:46:04,878 --> 00:46:06,946 WHICH REFERENCES JONAH BEING 2961 00:46:06,947 --> 00:46:06,980 WHICH REFERENCES JONAH BEING 2962 00:46:06,980 --> 00:46:08,514 SWALLOWED BY A BIG FISH IN THE 2963 00:46:08,515 --> 00:46:08,548 SWALLOWED BY A BIG FISH IN THE 2964 00:46:08,549 --> 00:46:13,153 BIBLE. 2965 00:46:13,153 --> 00:46:13,219 BIBLE. 2966 00:46:13,220 --> 00:46:15,121 SO ONE SEES THAT HAPPENING TO 2967 00:46:15,122 --> 00:46:15,155 SO ONE SEES THAT HAPPENING TO 2968 00:46:15,155 --> 00:46:16,856 THE HEROES THROUGHOUT "STAR 2969 00:46:16,857 --> 00:46:16,890 THE HEROES THROUGHOUT "STAR 2970 00:46:16,890 --> 00:46:18,591 WARS" AS THEY'RE SWALLOWED BY 2971 00:46:18,592 --> 00:46:18,658 WARS" AS THEY'RE SWALLOWED BY 2972 00:46:18,659 --> 00:46:20,594 LARGE ENTITIES. 2973 00:46:20,594 --> 00:46:20,660 LARGE ENTITIES. 2974 00:46:20,661 --> 00:46:22,663 IT SEEMS TO SUGGEST GOING TO 2975 00:46:22,663 --> 00:46:22,696 IT SEEMS TO SUGGEST GOING TO 2976 00:46:22,696 --> 00:46:25,865 THE DEEPEST PART OF ONESELF. 2977 00:46:25,866 --> 00:46:25,899 THE DEEPEST PART OF ONESELF. 2978 00:46:25,899 --> 00:46:27,300 SO THERE'S A MOMENT OF 2979 00:46:27,301 --> 00:46:27,334 SO THERE'S A MOMENT OF 2980 00:46:27,334 --> 00:46:28,935 DARKNESS, AND THERE'S A THREAT 2981 00:46:28,936 --> 00:46:28,969 DARKNESS, AND THERE'S A THREAT 2982 00:46:28,969 --> 00:46:30,437 TO THE SELF. 2983 00:46:30,437 --> 00:46:30,503 TO THE SELF. 2984 00:46:30,504 --> 00:46:32,072 >> THE CAVE IS COLLAPSING! 2985 00:46:32,072 --> 00:46:32,105 >> THE CAVE IS COLLAPSING! 2986 00:46:32,105 --> 00:46:33,506 >> THIS IS NO CAVE. 2987 00:46:33,507 --> 00:46:33,573 >> THIS IS NO CAVE. 2988 00:46:33,574 --> 00:46:35,208 >> WHAT? 2989 00:46:35,209 --> 00:46:35,242 >> WHAT? 2990 00:46:35,242 --> 00:46:36,509 >> Lyden: EVIL IS A MONSTROUS 2991 00:46:36,510 --> 00:46:36,576 >> Lyden: EVIL IS A MONSTROUS 2992 00:46:36,577 --> 00:46:39,146 FORCE SWALLOWING OUR HEROES. 2993 00:46:39,146 --> 00:46:39,179 FORCE SWALLOWING OUR HEROES. 2994 00:46:39,179 --> 00:46:41,080 IT'S AN EXPERIENCE OF BEING IN 2995 00:46:41,081 --> 00:46:41,147 IT'S AN EXPERIENCE OF BEING IN 2996 00:46:41,148 --> 00:46:42,883 THE BELLY OF THE WHALE. 2997 00:46:42,883 --> 00:46:42,916 THE BELLY OF THE WHALE. 2998 00:46:42,916 --> 00:46:43,883 >> Jackson: THE JOURNEY OF THE 2999 00:46:43,884 --> 00:46:43,917 >> Jackson: THE JOURNEY OF THE 3000 00:46:43,917 --> 00:46:45,351 HERO IS VERY MUCH ONE OF 3001 00:46:45,352 --> 00:46:45,385 HERO IS VERY MUCH ONE OF 3002 00:46:45,385 --> 00:46:47,420 OVERCOMING DOUBT ABOUT 3003 00:46:47,421 --> 00:46:47,487 OVERCOMING DOUBT ABOUT 3004 00:46:47,488 --> 00:46:48,689 THEMSELVES. 3005 00:46:48,689 --> 00:46:48,722 THEMSELVES. 3006 00:46:48,722 --> 00:46:49,889 >> THERE'S SOMETHING NOT RIGHT 3007 00:46:49,890 --> 00:46:49,923 >> THERE'S SOMETHING NOT RIGHT 3008 00:46:49,923 --> 00:46:53,526 HERE. 3009 00:46:53,527 --> 00:46:53,560 HERE. 3010 00:46:53,560 --> 00:46:54,894 WHAT'S IN THERE? 3011 00:46:54,895 --> 00:46:54,961 WHAT'S IN THERE? 3012 00:46:54,962 --> 00:46:57,431 >> ONLY WHAT YOU TAKE WITH YOU. 3013 00:46:57,431 --> 00:46:57,497 >> ONLY WHAT YOU TAKE WITH YOU. 3014 00:46:57,498 --> 00:46:58,699 >> Jackson: THERE'S USUALLY 3015 00:46:58,699 --> 00:46:58,765 >> Jackson: THERE'S USUALLY 3016 00:46:58,765 --> 00:47:00,166 MANY TIMES IN WHICH THEY HAVE 3017 00:47:00,167 --> 00:47:00,200 MANY TIMES IN WHICH THEY HAVE 3018 00:47:00,200 --> 00:47:02,702 TO OVERCOME THEIR WORST FEARS. 3019 00:47:02,703 --> 00:47:02,736 TO OVERCOME THEIR WORST FEARS. 3020 00:47:02,736 --> 00:47:04,070 THEY HAVE TO CONFRONT THEIR 3021 00:47:04,071 --> 00:47:04,104 THEY HAVE TO CONFRONT THEIR 3022 00:47:04,104 --> 00:47:05,605 NIGHTMARES, BASICALLY. 3023 00:47:05,606 --> 00:47:05,639 NIGHTMARES, BASICALLY. 3024 00:47:05,639 --> 00:47:07,607 [echoing growls] 3025 00:47:07,608 --> 00:47:07,641 [echoing growls] 3026 00:47:07,641 --> 00:47:09,075 >> Henderson: WE CERTAINLY HAVE 3027 00:47:09,076 --> 00:47:09,142 >> Henderson: WE CERTAINLY HAVE 3028 00:47:09,142 --> 00:47:10,910 THAT BIT OF EVIL MONSTER IN ALL 3029 00:47:10,911 --> 00:47:10,944 THAT BIT OF EVIL MONSTER IN ALL 3030 00:47:10,944 --> 00:47:12,345 OF US. 3031 00:47:12,346 --> 00:47:12,412 OF US. 3032 00:47:12,412 --> 00:47:16,549 [splashing] 3033 00:47:16,550 --> 00:47:16,583 [splashing] 3034 00:47:16,583 --> 00:47:21,254 [deep mechanical breathing] 3035 00:47:21,255 --> 00:47:21,288 [deep mechanical breathing] 3036 00:47:21,288 --> 00:47:23,723 THIS IS WHY MONSTER COMBAT IS SO 3037 00:47:23,724 --> 00:47:23,790 THIS IS WHY MONSTER COMBAT IS SO 3038 00:47:23,790 --> 00:47:25,358 PREVALENT IN THE HERO'S-JOURNEY 3039 00:47:25,359 --> 00:47:25,425 PREVALENT IN THE HERO'S-JOURNEY 3040 00:47:25,425 --> 00:47:27,326 NARRATIVE. 3041 00:47:34,902 --> 00:47:37,170 WE HAVE TO FIGHT THE MONSTERS OF 3042 00:47:37,170 --> 00:47:37,203 WE HAVE TO FIGHT THE MONSTERS OF 3043 00:47:37,204 --> 00:47:39,706 OUTSIDE CIRCUMSTANCES, BUT WE 3044 00:47:39,706 --> 00:47:39,739 OUTSIDE CIRCUMSTANCES, BUT WE 3045 00:47:39,740 --> 00:47:41,608 ALSO HAVE TO FIGHT THOSE DEMONS 3046 00:47:41,608 --> 00:47:41,641 ALSO HAVE TO FIGHT THOSE DEMONS 3047 00:47:41,642 --> 00:47:45,278 THAT COME FROM OUR OWN HEART. 3048 00:47:50,651 --> 00:47:53,186 >> Narrator: FOR EVERY HERO... 3049 00:47:53,186 --> 00:47:53,219 >> Narrator: FOR EVERY HERO... 3050 00:47:53,220 --> 00:47:56,456 THERE STANDS A VILLAIN. 3051 00:47:56,456 --> 00:47:56,522 THERE STANDS A VILLAIN. 3052 00:47:56,523 --> 00:47:59,292 FOR IF THERE IS GOOD, THERE ALSO 3053 00:47:59,293 --> 00:47:59,359 FOR IF THERE IS GOOD, THERE ALSO 3054 00:47:59,359 --> 00:48:01,294 MUST BE EVIL. 3055 00:48:04,865 --> 00:48:06,533 >> Rather: EVIL DOES EXIST. 3056 00:48:06,533 --> 00:48:06,566 >> Rather: EVIL DOES EXIST. 3057 00:48:06,567 --> 00:48:07,901 DON'T KID YOURSELF. 3058 00:48:07,901 --> 00:48:07,934 DON'T KID YOURSELF. 3059 00:48:07,935 --> 00:48:10,103 THERE'S EVIL IN THE WORLD, DEEP 3060 00:48:10,103 --> 00:48:10,136 THERE'S EVIL IN THE WORLD, DEEP 3061 00:48:10,137 --> 00:48:13,473 AND ABIDING, POWERFUL EVIL. 3062 00:48:13,473 --> 00:48:13,506 AND ABIDING, POWERFUL EVIL. 3063 00:48:13,507 --> 00:48:15,909 AND BY THE TIME YOU RECOGNIZE 3064 00:48:15,909 --> 00:48:15,942 AND BY THE TIME YOU RECOGNIZE 3065 00:48:15,943 --> 00:48:18,845 THE EVIL... 3066 00:48:18,845 --> 00:48:18,878 THE EVIL... 3067 00:48:18,879 --> 00:48:20,280 IT'S TOO LATE. 3068 00:48:20,280 --> 00:48:20,346 IT'S TOO LATE. 3069 00:48:20,347 --> 00:48:22,916 >> Narrator: IN LITERATURE... 3070 00:48:22,916 --> 00:48:22,949 >> Narrator: IN LITERATURE... 3071 00:48:22,950 --> 00:48:24,918 MYTHOLOGY... 3072 00:48:24,918 --> 00:48:24,951 MYTHOLOGY... 3073 00:48:24,952 --> 00:48:26,386 HISTORY... 3074 00:48:26,386 --> 00:48:26,452 HISTORY... 3075 00:48:26,453 --> 00:48:29,389 AND SCRIPTURE LURKS A LEGION OF 3076 00:48:29,389 --> 00:48:29,455 AND SCRIPTURE LURKS A LEGION OF 3077 00:48:29,456 --> 00:48:31,024 EVIL, TWISTED, AND DEPRAVED 3078 00:48:31,024 --> 00:48:31,057 EVIL, TWISTED, AND DEPRAVED 3079 00:48:31,058 --> 00:48:33,460 CHARACTERS. 3080 00:48:33,460 --> 00:48:33,493 CHARACTERS. 3081 00:48:33,493 --> 00:48:34,760 [deep mechanical breathing] 3082 00:48:34,761 --> 00:48:34,827 [deep mechanical breathing] 3083 00:48:34,828 --> 00:48:37,363 AMONG THEM IS DARTH VADER, THE 3084 00:48:37,364 --> 00:48:37,397 AMONG THEM IS DARTH VADER, THE 3085 00:48:37,397 --> 00:48:39,832 EMPIRE'S RUTHLESS ENFORCER. 3086 00:48:39,833 --> 00:48:39,866 EMPIRE'S RUTHLESS ENFORCER. 3087 00:48:39,866 --> 00:48:41,767 >> WE WILL DISCUSS THE LOCATION 3088 00:48:41,768 --> 00:48:41,834 >> WE WILL DISCUSS THE LOCATION 3089 00:48:41,835 --> 00:48:43,570 OF YOUR HIDDEN REBEL BASE. 3090 00:48:43,570 --> 00:48:43,636 OF YOUR HIDDEN REBEL BASE. 3091 00:48:43,637 --> 00:48:45,038 >> Narrator: AND CONFRONTING 3092 00:48:45,038 --> 00:48:45,104 >> Narrator: AND CONFRONTING 3093 00:48:45,105 --> 00:48:46,673 THIS DARK LORD OF THE SITH AND 3094 00:48:46,673 --> 00:48:46,706 THIS DARK LORD OF THE SITH AND 3095 00:48:46,707 --> 00:48:48,642 ALL THAT HE REPRESENTS IS A 3096 00:48:48,642 --> 00:48:48,675 ALL THAT HE REPRESENTS IS A 3097 00:48:48,675 --> 00:48:50,143 CRITICAL PART OF THE HERO'S 3098 00:48:50,143 --> 00:48:50,209 CRITICAL PART OF THE HERO'S 3099 00:48:50,210 --> 00:48:51,578 JOURNEY. 3100 00:48:51,578 --> 00:48:51,644 JOURNEY. 3101 00:48:51,645 --> 00:48:54,581 >> JOIN ME, AND I WILL COMPLETE 3102 00:48:54,581 --> 00:48:54,647 >> JOIN ME, AND I WILL COMPLETE 3103 00:48:54,648 --> 00:48:55,915 YOUR TRAINING. 3104 00:48:55,916 --> 00:48:55,949 YOUR TRAINING. 3105 00:48:55,949 --> 00:48:58,718 IF YOU ONLY KNEW THE POWER OF 3106 00:48:58,719 --> 00:48:58,752 IF YOU ONLY KNEW THE POWER OF 3107 00:48:58,752 --> 00:48:59,953 THE DARK SIDE. 3108 00:48:59,953 --> 00:49:00,019 THE DARK SIDE. 3109 00:49:00,020 --> 00:49:02,322 >> Paglia: DARTH VADER RADIATES 3110 00:49:02,322 --> 00:49:02,388 >> Paglia: DARTH VADER RADIATES 3111 00:49:02,389 --> 00:49:03,957 THE GLAMOUR OF EVIL. 3112 00:49:03,957 --> 00:49:03,990 THE GLAMOUR OF EVIL. 3113 00:49:03,991 --> 00:49:06,393 HE'S A VISUAL EMBLEM OF PURE 3114 00:49:06,393 --> 00:49:06,426 HE'S A VISUAL EMBLEM OF PURE 3115 00:49:06,426 --> 00:49:08,928 WILLPOWER, AND THAT IS ALWAYS 3116 00:49:08,929 --> 00:49:08,962 WILLPOWER, AND THAT IS ALWAYS 3117 00:49:08,962 --> 00:49:10,330 ATTRACTIVE. 3118 00:49:10,330 --> 00:49:10,363 ATTRACTIVE. 3119 00:49:10,364 --> 00:49:11,398 >> Mitchell: THERE'S A DARTH 3120 00:49:11,398 --> 00:49:11,464 >> Mitchell: THERE'S A DARTH 3121 00:49:11,465 --> 00:49:12,833 VADER SWAGGER. 3122 00:49:12,833 --> 00:49:12,866 VADER SWAGGER. 3123 00:49:12,866 --> 00:49:14,400 HE'S INCREDIBLY CONFIDENT. 3124 00:49:14,401 --> 00:49:14,434 HE'S INCREDIBLY CONFIDENT. 3125 00:49:14,434 --> 00:49:15,935 IN MY NEIGHBORHOOD, IN THE INNER 3126 00:49:15,936 --> 00:49:15,969 IN MY NEIGHBORHOOD, IN THE INNER 3127 00:49:15,969 --> 00:49:17,603 CITY IN DETROIT, WE ALWAYS 3128 00:49:17,604 --> 00:49:17,670 CITY IN DETROIT, WE ALWAYS 3129 00:49:17,671 --> 00:49:19,239 THOUGHT A BIG GUY WITH JAMES 3130 00:49:19,239 --> 00:49:19,305 THOUGHT A BIG GUY WITH JAMES 3131 00:49:19,306 --> 00:49:20,507 EARL JONES' VOICE WEARING ALL 3132 00:49:20,507 --> 00:49:20,573 EARL JONES' VOICE WEARING ALL 3133 00:49:20,574 --> 00:49:22,242 SHINY BLACK WAS THE BIGGEST PIMP 3134 00:49:22,242 --> 00:49:22,308 SHINY BLACK WAS THE BIGGEST PIMP 3135 00:49:22,309 --> 00:49:24,177 IN THE HISTORY OF MOTION 3136 00:49:24,177 --> 00:49:24,210 IN THE HISTORY OF MOTION 3137 00:49:24,211 --> 00:49:25,045 PICTURES. 3138 00:49:25,045 --> 00:49:25,078 PICTURES. 3139 00:49:25,078 --> 00:49:26,846 >> WHAT HAVE YOU DONE WITH THOSE 3140 00:49:26,847 --> 00:49:26,880 >> WHAT HAVE YOU DONE WITH THOSE 3141 00:49:26,880 --> 00:49:27,580 PLANS? 3142 00:49:27,581 --> 00:49:27,614 PLANS? 3143 00:49:27,614 --> 00:49:28,247 >> Mitchell: HE OWNED 3144 00:49:28,248 --> 00:49:28,314 >> Mitchell: HE OWNED 3145 00:49:28,315 --> 00:49:28,948 EVERYTHING. 3146 00:49:28,949 --> 00:49:28,982 EVERYTHING. 3147 00:49:28,982 --> 00:49:30,049 EVERYBODY WAS AFRAID OF HIM. 3148 00:49:30,050 --> 00:49:30,083 EVERYBODY WAS AFRAID OF HIM. 3149 00:49:30,083 --> 00:49:31,951 WHAT KID ISN'T SEDUCED BY THE 3150 00:49:31,952 --> 00:49:31,985 WHAT KID ISN'T SEDUCED BY THE 3151 00:49:31,985 --> 00:49:33,519 IDEA OF COMPLETE FEARLESSNESS? 3152 00:49:33,520 --> 00:49:33,553 IDEA OF COMPLETE FEARLESSNESS? 3153 00:49:33,553 --> 00:49:34,887 >> COMMANDER, TEAR THIS SHIP 3154 00:49:34,888 --> 00:49:34,954 >> COMMANDER, TEAR THIS SHIP 3155 00:49:34,955 --> 00:49:36,156 APART UNTIL YOU'VE FOUND THOSE 3156 00:49:36,156 --> 00:49:36,222 APART UNTIL YOU'VE FOUND THOSE 3157 00:49:36,223 --> 00:49:37,524 PLANS, AND BRING ME THE 3158 00:49:37,524 --> 00:49:37,557 PLANS, AND BRING ME THE 3159 00:49:37,557 --> 00:49:38,324 PASSENGERS! 3160 00:49:38,325 --> 00:49:38,358 PASSENGERS! 3161 00:49:38,358 --> 00:49:39,592 I WANT THEM ALIVE! 3162 00:49:39,593 --> 00:49:39,626 I WANT THEM ALIVE! 3163 00:49:39,626 --> 00:49:40,526 >> Wetmore, Jr.: I'D SAY "WHEN 3164 00:49:40,527 --> 00:49:40,560 >> Wetmore, Jr.: I'D SAY "WHEN 3165 00:49:40,560 --> 00:49:41,327 YOU'RE YOUNG," BUT I PROBABLY 3166 00:49:41,328 --> 00:49:41,361 YOU'RE YOUNG," BUT I PROBABLY 3167 00:49:41,361 --> 00:49:42,662 STILL FEEL THIS WAY-- DARTH 3168 00:49:42,663 --> 00:49:42,696 STILL FEEL THIS WAY-- DARTH 3169 00:49:42,696 --> 00:49:44,064 VADER IS WISH FULFILLMENT AT ITS 3170 00:49:44,064 --> 00:49:44,097 VADER IS WISH FULFILLMENT AT ITS 3171 00:49:44,097 --> 00:49:44,764 FINEST. 3172 00:49:44,765 --> 00:49:44,798 FINEST. 3173 00:49:44,798 --> 00:49:46,499 HERE'S A GUY WHO IS UNSTOPPABLE. 3174 00:49:46,500 --> 00:49:46,533 HERE'S A GUY WHO IS UNSTOPPABLE. 3175 00:49:46,533 --> 00:49:47,767 >> DON'T TRY TO FRIGHTEN US WITH 3176 00:49:47,768 --> 00:49:47,801 >> DON'T TRY TO FRIGHTEN US WITH 3177 00:49:47,801 --> 00:49:49,235 YOUR SORCERER'S WAYS, LORD 3178 00:49:49,236 --> 00:49:49,302 YOUR SORCERER'S WAYS, LORD 3179 00:49:49,302 --> 00:49:50,169 VADER. 3180 00:49:50,170 --> 00:49:50,203 VADER. 3181 00:49:50,203 --> 00:49:51,170 >> Wetmore, Jr.: HE DOESN'T EVEN 3182 00:49:51,171 --> 00:49:51,204 >> Wetmore, Jr.: HE DOESN'T EVEN 3183 00:49:51,204 --> 00:49:52,171 HAVE TO SWING A PUNCH TO TAKE 3184 00:49:52,172 --> 00:49:52,238 HAVE TO SWING A PUNCH TO TAKE 3185 00:49:52,239 --> 00:49:54,241 YOU OUT. 3186 00:49:54,241 --> 00:49:54,274 YOU OUT. 3187 00:49:54,274 --> 00:49:55,708 >> I FIND YOUR LACK OF FAITH 3188 00:49:55,709 --> 00:49:55,742 >> I FIND YOUR LACK OF FAITH 3189 00:49:55,742 --> 00:49:57,810 DISTURBING. 3190 00:49:57,811 --> 00:49:57,844 DISTURBING. 3191 00:49:57,844 --> 00:49:58,878 >> Wetmore, Jr.: PLUS, HE'S GOT 3192 00:49:58,879 --> 00:49:58,912 >> Wetmore, Jr.: PLUS, HE'S GOT 3193 00:49:58,912 --> 00:49:59,445 A CAPE. 3194 00:49:59,446 --> 00:49:59,479 A CAPE. 3195 00:49:59,479 --> 00:50:00,980 WHO DOESN'T WANT THE CAPE? 3196 00:50:00,981 --> 00:50:01,014 WHO DOESN'T WANT THE CAPE? 3197 00:50:01,014 --> 00:50:02,448 >> Ellerbee: THE SWIRLING CAPE! 3198 00:50:02,449 --> 00:50:02,515 >> Ellerbee: THE SWIRLING CAPE! 3199 00:50:02,516 --> 00:50:04,084 THAT'S A BIG PART OF IT. 3200 00:50:04,084 --> 00:50:04,117 THAT'S A BIG PART OF IT. 3201 00:50:04,117 --> 00:50:06,152 HE DRESSES COOL. 3202 00:50:06,153 --> 00:50:06,186 HE DRESSES COOL. 3203 00:50:06,186 --> 00:50:07,520 >> Young: THE DARK CHARACTERS 3204 00:50:07,521 --> 00:50:07,587 >> Young: THE DARK CHARACTERS 3205 00:50:07,587 --> 00:50:08,888 ALWAYS SEEM TO GET THE COOL 3206 00:50:08,889 --> 00:50:08,922 ALWAYS SEEM TO GET THE COOL 3207 00:50:08,922 --> 00:50:09,722 COSTUMES. 3208 00:50:09,723 --> 00:50:09,756 COSTUMES. 3209 00:50:09,756 --> 00:50:10,790 WHICH IS TO SAY, THERE IS A 3210 00:50:10,791 --> 00:50:10,824 WHICH IS TO SAY, THERE IS A 3211 00:50:10,824 --> 00:50:13,593 DRAMATIC REWARD, THERE IS AN 3212 00:50:13,593 --> 00:50:13,626 DRAMATIC REWARD, THERE IS AN 3213 00:50:13,627 --> 00:50:15,729 EXCITEMENT TO CHOOSING EVIL, TO 3214 00:50:15,729 --> 00:50:15,795 EXCITEMENT TO CHOOSING EVIL, TO 3215 00:50:15,796 --> 00:50:18,598 CHOOSING CORRUPTION. 3216 00:50:18,598 --> 00:50:18,631 CHOOSING CORRUPTION. 3217 00:50:18,632 --> 00:50:19,799 >> Narrator: WHEN VADER WAS 3218 00:50:19,800 --> 00:50:19,866 >> Narrator: WHEN VADER WAS 3219 00:50:19,866 --> 00:50:21,901 INTRODUCED IN EPISODE IV, "A 3220 00:50:21,902 --> 00:50:21,935 INTRODUCED IN EPISODE IV, "A 3221 00:50:21,935 --> 00:50:24,003 NEW HOPE," THERE WAS LITTLE TO 3222 00:50:24,004 --> 00:50:24,037 NEW HOPE," THERE WAS LITTLE TO 3223 00:50:24,037 --> 00:50:25,872 SUGGEST THAT UNDERNEATH HIS 3224 00:50:25,872 --> 00:50:25,905 SUGGEST THAT UNDERNEATH HIS 3225 00:50:25,906 --> 00:50:28,108 PROTECTIVE BLACK BODYSUIT STOOD 3226 00:50:28,108 --> 00:50:28,174 PROTECTIVE BLACK BODYSUIT STOOD 3227 00:50:28,175 --> 00:50:29,743 THE FIGURE OF A ONCE-PROUD 3228 00:50:29,743 --> 00:50:29,809 THE FIGURE OF A ONCE-PROUD 3229 00:50:29,810 --> 00:50:31,978 HERO WHOSE PERSONALITY WOULD BE 3230 00:50:31,978 --> 00:50:32,011 HERO WHOSE PERSONALITY WOULD BE 3231 00:50:32,012 --> 00:50:33,880 REVEALED AS MORE COMPLEX AND 3232 00:50:33,880 --> 00:50:33,913 REVEALED AS MORE COMPLEX AND 3233 00:50:33,914 --> 00:50:35,916 RESONANT WITH EACH NEW "STAR 3234 00:50:35,916 --> 00:50:35,949 RESONANT WITH EACH NEW "STAR 3235 00:50:35,949 --> 00:50:38,251 WARS" CHAPTER. 3236 00:50:38,251 --> 00:50:38,284 WARS" CHAPTER. 3237 00:50:38,285 --> 00:50:39,919 >> I'VE ENCOUNTERED A VERGANCE. 3238 00:50:39,920 --> 00:50:39,953 >> I'VE ENCOUNTERED A VERGANCE. 3239 00:50:39,953 --> 00:50:41,254 >> YOU REFER TO THE PROPHECY OF 3240 00:50:41,254 --> 00:50:41,287 >> YOU REFER TO THE PROPHECY OF 3241 00:50:41,288 --> 00:50:42,355 THE ONE WHO WILL BRING BALANCE 3242 00:50:42,355 --> 00:50:42,388 THE ONE WHO WILL BRING BALANCE 3243 00:50:42,389 --> 00:50:44,457 TO THE FORCE. 3244 00:50:44,458 --> 00:50:44,524 TO THE FORCE. 3245 00:50:44,524 --> 00:50:46,926 YOU BELIEVE IT'S THIS BOY? 3246 00:50:46,927 --> 00:50:46,993 YOU BELIEVE IT'S THIS BOY? 3247 00:50:46,993 --> 00:50:48,794 >> HE IS THE CHOSEN ONE. 3248 00:50:48,795 --> 00:50:48,828 >> HE IS THE CHOSEN ONE. 3249 00:50:48,829 --> 00:50:49,729 >> Narrator: AS REVEALED IN 3250 00:50:49,730 --> 00:50:49,796 >> Narrator: AS REVEALED IN 3251 00:50:49,796 --> 00:50:51,264 EPISODE I, "THE PHANTOM 3252 00:50:51,264 --> 00:50:51,297 EPISODE I, "THE PHANTOM 3253 00:50:51,298 --> 00:50:53,600 MENACE," VADER WAS BORN ANAKIN 3254 00:50:53,600 --> 00:50:53,633 MENACE," VADER WAS BORN ANAKIN 3255 00:50:53,633 --> 00:50:55,101 SKYWALKER. 3256 00:50:55,102 --> 00:50:55,135 SKYWALKER. 3257 00:50:55,135 --> 00:50:57,070 RESCUED FROM A LIFE OF SLAVERY 3258 00:50:57,070 --> 00:50:57,103 RESCUED FROM A LIFE OF SLAVERY 3259 00:50:57,104 --> 00:50:59,473 BY JEDI MASTER QUI-GON JINN, 3260 00:50:59,473 --> 00:50:59,539 BY JEDI MASTER QUI-GON JINN, 3261 00:50:59,539 --> 00:51:01,474 THE YOUNG BOY LEFT HIS HOME AND 3262 00:51:01,475 --> 00:51:01,508 THE YOUNG BOY LEFT HIS HOME AND 3263 00:51:01,508 --> 00:51:03,743 MOTHER TO FULFILL HIS DESTINY. 3264 00:51:03,744 --> 00:51:03,810 MOTHER TO FULFILL HIS DESTINY. 3265 00:51:03,810 --> 00:51:05,011 >> I WILL COME BACK AND FREE 3266 00:51:05,011 --> 00:51:05,044 >> I WILL COME BACK AND FREE 3267 00:51:05,045 --> 00:51:07,714 YOU, MOM, I PROMISE. 3268 00:51:07,714 --> 00:51:07,747 YOU, MOM, I PROMISE. 3269 00:51:07,748 --> 00:51:09,649 >> Young: HERE IS A GIFTED 3270 00:51:09,649 --> 00:51:09,682 >> Young: HERE IS A GIFTED 3271 00:51:09,683 --> 00:51:12,919 PERSON WHO GROWS UP IN AN 3272 00:51:12,919 --> 00:51:12,985 PERSON WHO GROWS UP IN AN 3273 00:51:12,986 --> 00:51:13,853 OPPRESSIVE SITUATION. 3274 00:51:13,854 --> 00:51:13,887 OPPRESSIVE SITUATION. 3275 00:51:13,887 --> 00:51:15,922 HE BEGINS LIFE AS A SLAVE WHO 3276 00:51:15,922 --> 00:51:15,988 HE BEGINS LIFE AS A SLAVE WHO 3277 00:51:15,989 --> 00:51:17,623 SUFFERS TERRIBLE LOSSES EARLY 3278 00:51:17,624 --> 00:51:17,657 SUFFERS TERRIBLE LOSSES EARLY 3279 00:51:17,657 --> 00:51:18,924 IN HIS LIFE. 3280 00:51:18,925 --> 00:51:18,991 IN HIS LIFE. 3281 00:51:18,992 --> 00:51:21,561 >> DON'T LOOK BACK. 3282 00:51:21,561 --> 00:51:21,594 >> DON'T LOOK BACK. 3283 00:51:21,595 --> 00:51:23,296 DON'T LOOK BACK. 3284 00:51:23,296 --> 00:51:23,329 DON'T LOOK BACK. 3285 00:51:23,330 --> 00:51:24,464 >> Young: HE'S WRENCHED AWAY 3286 00:51:24,464 --> 00:51:24,497 >> Young: HE'S WRENCHED AWAY 3287 00:51:24,498 --> 00:51:25,832 FROM IS MOTHER, AND IT IS THE 3288 00:51:25,832 --> 00:51:25,865 FROM IS MOTHER, AND IT IS THE 3289 00:51:25,866 --> 00:51:28,001 RAGE, STEMMING PROBABLY FROM 3290 00:51:28,001 --> 00:51:28,034 RAGE, STEMMING PROBABLY FROM 3291 00:51:28,034 --> 00:51:29,935 GRIEF AND FEAR, THAT LEADS TO 3292 00:51:29,936 --> 00:51:30,002 GRIEF AND FEAR, THAT LEADS TO 3293 00:51:30,003 --> 00:51:31,404 THE FALL OF THIS PARTICULAR 3294 00:51:31,404 --> 00:51:31,437 THE FALL OF THIS PARTICULAR 3295 00:51:31,438 --> 00:51:32,138 HERO. 3296 00:51:32,139 --> 00:51:32,205 HERO. 3297 00:51:32,205 --> 00:51:33,306 >> Galipeau: WE CAN LOOK AT 3298 00:51:33,306 --> 00:51:33,372 >> Galipeau: WE CAN LOOK AT 3299 00:51:33,373 --> 00:51:35,308 ANAKIN SKYWALKER HAVING TO DEAL 3300 00:51:35,308 --> 00:51:35,341 ANAKIN SKYWALKER HAVING TO DEAL 3301 00:51:35,342 --> 00:51:37,043 WITH THE PROBLEM OF LOSS AND 3302 00:51:37,043 --> 00:51:37,076 WITH THE PROBLEM OF LOSS AND 3303 00:51:37,077 --> 00:51:38,678 HAVING GREAT DIFFICULTIES WITH 3304 00:51:38,678 --> 00:51:38,744 HAVING GREAT DIFFICULTIES WITH 3305 00:51:38,745 --> 00:51:40,046 IT. 3306 00:51:40,046 --> 00:51:40,079 IT. 3307 00:51:40,080 --> 00:51:41,748 IT BEGINS WHEN HE LOSES HIS 3308 00:51:41,748 --> 00:51:41,781 IT BEGINS WHEN HE LOSES HIS 3309 00:51:41,782 --> 00:51:42,783 MOTHER. 3310 00:51:42,783 --> 00:51:42,849 MOTHER. 3311 00:51:42,849 --> 00:51:45,318 >> STAY WITH ME, MOM. 3312 00:51:45,318 --> 00:51:45,351 >> STAY WITH ME, MOM. 3313 00:51:45,352 --> 00:51:52,559 >> I-- I LOVE... 3314 00:51:52,559 --> 00:51:52,592 >> I-- I LOVE... 3315 00:51:52,592 --> 00:51:54,493 >> Smith: IT'S SETTING IN MOTION 3316 00:51:54,494 --> 00:51:54,560 >> Smith: IT'S SETTING IN MOTION 3317 00:51:54,561 --> 00:51:56,329 THE EVENTS THAT WILL LEAD TO HIM 3318 00:51:56,329 --> 00:51:56,362 THE EVENTS THAT WILL LEAD TO HIM 3319 00:51:56,363 --> 00:51:57,697 BEING DARTH VADER. 3320 00:51:57,697 --> 00:51:57,763 BEING DARTH VADER. 3321 00:51:57,764 --> 00:51:59,232 "I WENT TO FIND MY MOTHER, AND 3322 00:51:59,232 --> 00:51:59,265 "I WENT TO FIND MY MOTHER, AND 3323 00:51:59,266 --> 00:52:00,400 SHE WAS DEAD, SO I SLAUGHTERED 3324 00:52:00,400 --> 00:52:00,466 SHE WAS DEAD, SO I SLAUGHTERED 3325 00:52:00,467 --> 00:52:02,035 A WHOLE VILLAGE FULL OF SAND 3326 00:52:02,035 --> 00:52:02,068 A WHOLE VILLAGE FULL OF SAND 3327 00:52:02,068 --> 00:52:02,935 PEOPLE." 3328 00:52:02,936 --> 00:52:02,969 PEOPLE." 3329 00:52:02,969 --> 00:52:04,036 >> I KILLED THEM. 3330 00:52:04,037 --> 00:52:04,103 >> I KILLED THEM. 3331 00:52:04,104 --> 00:52:06,873 AND NOT JUST THE MEN, BUT THE 3332 00:52:06,873 --> 00:52:06,939 AND NOT JUST THE MEN, BUT THE 3333 00:52:06,940 --> 00:52:09,309 WOMEN... 3334 00:52:09,309 --> 00:52:09,342 WOMEN... 3335 00:52:09,342 --> 00:52:13,679 AND THE CHILDREN, TOO. 3336 00:52:13,680 --> 00:52:13,746 AND THE CHILDREN, TOO. 3337 00:52:13,747 --> 00:52:14,781 I HATE THEM! 3338 00:52:14,781 --> 00:52:14,847 I HATE THEM! 3339 00:52:14,848 --> 00:52:15,949 >> Galipeau: IT THROWS HIM INTO 3340 00:52:15,949 --> 00:52:15,982 >> Galipeau: IT THROWS HIM INTO 3341 00:52:15,982 --> 00:52:18,050 A DARK STATE, AND HE BELIEVES 3342 00:52:18,051 --> 00:52:18,117 A DARK STATE, AND HE BELIEVES 3343 00:52:18,118 --> 00:52:19,319 THAT HE COULD HAVE DONE 3344 00:52:19,319 --> 00:52:19,352 THAT HE COULD HAVE DONE 3345 00:52:19,352 --> 00:52:21,320 SOMETHING TO PREVENT IT. 3346 00:52:21,321 --> 00:52:21,354 SOMETHING TO PREVENT IT. 3347 00:52:21,354 --> 00:52:23,322 >> WHY COULDN'T I SAVE HER? 3348 00:52:23,323 --> 00:52:23,356 >> WHY COULDN'T I SAVE HER? 3349 00:52:23,356 --> 00:52:27,593 I KNOW I COULD HAVE. 3350 00:52:27,594 --> 00:52:27,627 I KNOW I COULD HAVE. 3351 00:52:27,627 --> 00:52:29,228 >> YOU'RE NOT ALL-POWERFUL. 3352 00:52:29,229 --> 00:52:29,262 >> YOU'RE NOT ALL-POWERFUL. 3353 00:52:29,262 --> 00:52:30,429 >> WELL, I SHOULD BE. 3354 00:52:30,430 --> 00:52:30,496 >> WELL, I SHOULD BE. 3355 00:52:30,497 --> 00:52:32,031 >> Galipeau: HE'S GRIPPED BY 3356 00:52:32,032 --> 00:52:32,065 >> Galipeau: HE'S GRIPPED BY 3357 00:52:32,065 --> 00:52:33,766 POWER, WHICH IS A TEMPTATION 3358 00:52:33,767 --> 00:52:33,800 POWER, WHICH IS A TEMPTATION 3359 00:52:33,800 --> 00:52:35,701 THAT LUKE IS ABLE TO AVOID. 3360 00:52:35,702 --> 00:52:35,768 THAT LUKE IS ABLE TO AVOID. 3361 00:52:35,769 --> 00:52:38,071 >> I WILL BE THE MOST POWERFUL 3362 00:52:38,071 --> 00:52:38,137 >> I WILL BE THE MOST POWERFUL 3363 00:52:38,138 --> 00:52:40,440 JEDI EVER. 3364 00:52:40,440 --> 00:52:40,473 JEDI EVER. 3365 00:52:40,473 --> 00:52:42,975 I PROMISE YOU. 3366 00:52:42,976 --> 00:52:43,042 I PROMISE YOU. 3367 00:52:43,043 --> 00:52:44,711 I WILL EVEN LEARN TO STOP PEOPLE 3368 00:52:44,711 --> 00:52:44,744 I WILL EVEN LEARN TO STOP PEOPLE 3369 00:52:44,744 --> 00:52:51,150 FROM DYING. 3370 00:52:51,151 --> 00:52:51,184 FROM DYING. 3371 00:52:51,184 --> 00:52:52,351 >> Connelly: IT HAS ALL THE 3372 00:52:52,352 --> 00:52:52,418 >> Connelly: IT HAS ALL THE 3373 00:52:52,419 --> 00:52:55,722 HALLMARKS OF A CLASSICAL EPIC. 3374 00:52:55,722 --> 00:52:55,788 HALLMARKS OF A CLASSICAL EPIC. 3375 00:52:55,789 --> 00:52:57,957 IN "THE ILIAD," ACHILLES, WHO IS 3376 00:52:57,958 --> 00:52:57,991 IN "THE ILIAD," ACHILLES, WHO IS 3377 00:52:57,991 --> 00:53:00,526 THE HERO OF THE GREEK ARMY, IS 3378 00:53:00,527 --> 00:53:00,593 THE HERO OF THE GREEK ARMY, IS 3379 00:53:00,594 --> 00:53:04,364 DODGED BY ANGER. 3380 00:53:04,364 --> 00:53:04,397 DODGED BY ANGER. 3381 00:53:04,397 --> 00:53:07,733 THE FIRST 20 BOOKS, HE'S ANGRY 3382 00:53:07,734 --> 00:53:07,800 THE FIRST 20 BOOKS, HE'S ANGRY 3383 00:53:07,801 --> 00:53:09,068 AT AGAMEMNON. 3384 00:53:09,069 --> 00:53:09,102 AT AGAMEMNON. 3385 00:53:09,102 --> 00:53:11,170 THE 22nd THROUGH 24th BOOK, HE'S 3386 00:53:11,171 --> 00:53:11,204 THE 22nd THROUGH 24th BOOK, HE'S 3387 00:53:11,204 --> 00:53:12,371 ANGRY AT HECTOR. 3388 00:53:12,372 --> 00:53:12,405 ANGRY AT HECTOR. 3389 00:53:12,405 --> 00:53:14,173 HE IS ANGRY. 3390 00:53:14,174 --> 00:53:14,207 HE IS ANGRY. 3391 00:53:14,207 --> 00:53:16,075 THIS IS EXACTLY WHAT "STAR WARS" 3392 00:53:16,076 --> 00:53:16,142 THIS IS EXACTLY WHAT "STAR WARS" 3393 00:53:16,142 --> 00:53:18,811 IS DEALING WITH, WHICH IS FEAR 3394 00:53:18,812 --> 00:53:18,845 IS DEALING WITH, WHICH IS FEAR 3395 00:53:18,845 --> 00:53:21,247 LEADS TO ANGER LEADS TO HATE 3396 00:53:21,248 --> 00:53:21,281 LEADS TO ANGER LEADS TO HATE 3397 00:53:21,281 --> 00:53:23,283 LEADS TO SUFFERING. 3398 00:53:23,283 --> 00:53:23,349 LEADS TO SUFFERING. 3399 00:53:23,350 --> 00:53:25,018 >> Hudgins: TAKE THE FIRST LINE 3400 00:53:25,018 --> 00:53:25,084 >> Hudgins: TAKE THE FIRST LINE 3401 00:53:25,085 --> 00:53:26,019 OF "THE ILIAD." 3402 00:53:26,019 --> 00:53:26,085 OF "THE ILIAD." 3403 00:53:26,086 --> 00:53:27,387 "SING, O, GODDESS, THE WRATH 3404 00:53:27,387 --> 00:53:27,453 "SING, O, GODDESS, THE WRATH 3405 00:53:27,454 --> 00:53:29,289 OF PALIUS' SON ACHILLES, WHO'S 3406 00:53:29,289 --> 00:53:29,322 OF PALIUS' SON ACHILLES, WHO'S 3407 00:53:29,322 --> 00:53:31,457 ANGER BROUGHT PAINS A 3408 00:53:31,458 --> 00:53:31,491 ANGER BROUGHT PAINS A 3409 00:53:31,491 --> 00:53:32,892 THOUSANDFOLD UPON THE 3410 00:53:32,893 --> 00:53:32,926 THOUSANDFOLD UPON THE 3411 00:53:32,926 --> 00:53:33,826 ACHAEANS." 3412 00:53:33,827 --> 00:53:33,860 ACHAEANS." 3413 00:53:33,860 --> 00:53:35,161 IF THAT'S THE LESSON OF "THE 3414 00:53:35,161 --> 00:53:35,194 IF THAT'S THE LESSON OF "THE 3415 00:53:35,195 --> 00:53:38,064 ILIAD," THAT UNBRIDLED PASSION 3416 00:53:38,064 --> 00:53:38,097 ILIAD," THAT UNBRIDLED PASSION 3417 00:53:38,098 --> 00:53:39,566 LEADS TO TRAGEDY, WHICH IT 3418 00:53:39,566 --> 00:53:39,599 LEADS TO TRAGEDY, WHICH IT 3419 00:53:39,599 --> 00:53:41,300 CERTAINLY DOES IN "THE ILIAD," 3420 00:53:41,301 --> 00:53:41,367 CERTAINLY DOES IN "THE ILIAD," 3421 00:53:41,368 --> 00:53:43,002 WELL, ISN'T THAT THE STORY OF 3422 00:53:43,003 --> 00:53:43,069 WELL, ISN'T THAT THE STORY OF 3423 00:53:43,069 --> 00:53:44,070 DARTH VADER? 3424 00:53:44,070 --> 00:53:44,103 DARTH VADER? 3425 00:53:44,104 --> 00:53:45,638 >> WE DO NOT GRANT YOU THE RANK 3426 00:53:45,639 --> 00:53:45,672 >> WE DO NOT GRANT YOU THE RANK 3427 00:53:45,672 --> 00:53:47,640 OF MASTER. 3428 00:53:47,641 --> 00:53:47,674 OF MASTER. 3429 00:53:47,674 --> 00:53:49,208 >> WHAT? 3430 00:53:49,209 --> 00:53:49,242 >> WHAT? 3431 00:53:49,242 --> 00:53:51,177 >> Hudgins: HE WANTS POWER. 3432 00:53:51,177 --> 00:53:51,210 >> Hudgins: HE WANTS POWER. 3433 00:53:51,211 --> 00:53:52,345 BUT HE'S KIND OF WEAK. 3434 00:53:52,345 --> 00:53:52,378 BUT HE'S KIND OF WEAK. 3435 00:53:52,379 --> 00:53:54,381 HE'S IMPATIENT. 3436 00:53:54,381 --> 00:53:54,414 HE'S IMPATIENT. 3437 00:53:54,414 --> 00:53:56,215 >> HOW CAN YOU DO THIS? 3438 00:53:56,216 --> 00:53:56,249 >> HOW CAN YOU DO THIS? 3439 00:53:56,249 --> 00:53:57,750 THIS IS OUTRAGEOUS. 3440 00:53:57,751 --> 00:53:57,817 THIS IS OUTRAGEOUS. 3441 00:53:57,817 --> 00:54:00,553 IT'S UNFAIR. 3442 00:54:00,553 --> 00:54:00,619 IT'S UNFAIR. 3443 00:54:00,620 --> 00:54:02,021 HOW YOU CAN YOU BE ON THE 3444 00:54:02,022 --> 00:54:02,055 HOW YOU CAN YOU BE ON THE 3445 00:54:02,055 --> 00:54:04,657 COUNCIL AND NOT BE A MASTER? 3446 00:54:04,658 --> 00:54:04,724 COUNCIL AND NOT BE A MASTER? 3447 00:54:04,724 --> 00:54:07,460 >> TAKE A SEAT, YOUNG SKYWALKER. 3448 00:54:07,460 --> 00:54:07,493 >> TAKE A SEAT, YOUNG SKYWALKER. 3449 00:54:07,494 --> 00:54:08,661 >> Hudgins: HE'S KIND OF LIKE A 3450 00:54:08,662 --> 00:54:08,728 >> Hudgins: HE'S KIND OF LIKE A 3451 00:54:08,728 --> 00:54:10,563 SPOILED TEENAGER. 3452 00:54:10,563 --> 00:54:10,596 SPOILED TEENAGER. 3453 00:54:10,597 --> 00:54:12,131 >> FORGIVE ME, MASTER. 3454 00:54:12,132 --> 00:54:12,165 >> FORGIVE ME, MASTER. 3455 00:54:12,165 --> 00:54:13,833 >> Smith: SOME PEOPLE WERE LIKE, 3456 00:54:13,833 --> 00:54:13,899 >> Smith: SOME PEOPLE WERE LIKE, 3457 00:54:13,900 --> 00:54:14,767 "OH, HE'S TOO WHINY. 3458 00:54:14,768 --> 00:54:14,834 "OH, HE'S TOO WHINY. 3459 00:54:14,834 --> 00:54:16,035 WHY WOULD THE GALAXY'S GREATEST 3460 00:54:16,036 --> 00:54:16,102 WHY WOULD THE GALAXY'S GREATEST 3461 00:54:16,102 --> 00:54:17,670 VILLAIN BE SOME WHINY TEENAGER?" 3462 00:54:17,671 --> 00:54:17,737 VILLAIN BE SOME WHINY TEENAGER?" 3463 00:54:17,737 --> 00:54:19,839 THAT'S WHO THE GALAXY'S GREATEST 3464 00:54:19,839 --> 00:54:19,905 THAT'S WHO THE GALAXY'S GREATEST 3465 00:54:19,906 --> 00:54:21,007 VILLAIN WOULD BE! 3466 00:54:21,007 --> 00:54:21,040 VILLAIN WOULD BE! 3467 00:54:21,041 --> 00:54:22,042 HE WOULD START AS A WHINY 3468 00:54:22,042 --> 00:54:22,108 HE WOULD START AS A WHINY 3469 00:54:22,108 --> 00:54:22,842 TEENAGER. 3470 00:54:22,842 --> 00:54:22,908 TEENAGER. 3471 00:54:22,909 --> 00:54:24,010 HE'D START AS AN EMO KID WITH 3472 00:54:24,010 --> 00:54:24,043 HE'D START AS AN EMO KID WITH 3473 00:54:24,044 --> 00:54:26,846 SOME ISSUES. 3474 00:54:26,846 --> 00:54:26,879 SOME ISSUES. 3475 00:54:26,880 --> 00:54:29,949 >> I SENSE GREAT FEAR IN YOU, 3476 00:54:29,950 --> 00:54:30,016 >> I SENSE GREAT FEAR IN YOU, 3477 00:54:30,016 --> 00:54:31,851 SKYWALKER. 3478 00:54:31,851 --> 00:54:31,917 SKYWALKER. 3479 00:54:31,918 --> 00:54:33,686 YOU HAVE HATE. 3480 00:54:33,687 --> 00:54:33,753 YOU HAVE HATE. 3481 00:54:33,753 --> 00:54:35,955 YOU HAVE ANGER. 3482 00:54:35,956 --> 00:54:35,989 YOU HAVE ANGER. 3483 00:54:35,989 --> 00:54:40,960 BUT YOU DON'T USE THEM. 3484 00:54:40,961 --> 00:54:40,994 BUT YOU DON'T USE THEM. 3485 00:54:40,994 --> 00:54:42,862 >> Narrator: AS ANAKIN CONTINUES 3486 00:54:42,862 --> 00:54:42,928 >> Narrator: AS ANAKIN CONTINUES 3487 00:54:42,929 --> 00:54:44,697 ON HIS HERO'S JOURNEY, THE ROLE 3488 00:54:44,698 --> 00:54:44,764 ON HIS HERO'S JOURNEY, THE ROLE 3489 00:54:44,764 --> 00:54:46,398 OF MENTOR IS ASSUMED BY THE 3490 00:54:46,399 --> 00:54:46,465 OF MENTOR IS ASSUMED BY THE 3491 00:54:46,466 --> 00:54:48,468 SCHEMING CHANCELLOR PALPATINE. 3492 00:54:48,468 --> 00:54:48,501 SCHEMING CHANCELLOR PALPATINE. 3493 00:54:48,501 --> 00:54:51,570 >> I HOPE YOU TRUST ME, ANAKIN. 3494 00:54:51,571 --> 00:54:51,604 >> I HOPE YOU TRUST ME, ANAKIN. 3495 00:54:51,604 --> 00:54:52,705 >> OF COURSE. 3496 00:54:52,706 --> 00:54:52,772 >> OF COURSE. 3497 00:54:52,772 --> 00:54:53,672 >> Narrator: ANAKIN'S 3498 00:54:53,673 --> 00:54:53,706 >> Narrator: ANAKIN'S 3499 00:54:53,707 --> 00:54:55,308 RELATIONSHIP WITH PALPATINE 3500 00:54:55,308 --> 00:54:55,341 RELATIONSHIP WITH PALPATINE 3501 00:54:55,342 --> 00:54:57,410 GROWS STRONGER, AND THE ROLE OF 3502 00:54:57,410 --> 00:54:57,443 GROWS STRONGER, AND THE ROLE OF 3503 00:54:57,444 --> 00:54:59,512 MYTHIC MENTOR TAKES ON A DARKER 3504 00:54:59,512 --> 00:54:59,578 MYTHIC MENTOR TAKES ON A DARKER 3505 00:54:59,579 --> 00:55:00,580 SHADE. 3506 00:55:00,580 --> 00:55:00,613 SHADE. 3507 00:55:00,613 --> 00:55:02,381 >> Connelly: THIS IS THE SAME 3508 00:55:02,382 --> 00:55:02,415 >> Connelly: THIS IS THE SAME 3509 00:55:02,415 --> 00:55:04,750 NARRATIVE ROLE AS THE SERPENT 3510 00:55:04,751 --> 00:55:04,784 NARRATIVE ROLE AS THE SERPENT 3511 00:55:04,784 --> 00:55:09,121 WITH EVE IN THE GARDEN OF EDEN. 3512 00:55:09,122 --> 00:55:09,155 WITH EVE IN THE GARDEN OF EDEN. 3513 00:55:09,155 --> 00:55:11,790 THE SERPENT SAYS, "YOU CAN HAVE 3514 00:55:11,791 --> 00:55:11,824 THE SERPENT SAYS, "YOU CAN HAVE 3515 00:55:11,825 --> 00:55:13,126 THE POWER OF GOD." 3516 00:55:13,126 --> 00:55:13,159 THE POWER OF GOD." 3517 00:55:13,159 --> 00:55:14,793 >> ONLY THROUGH ME CAN YOU 3518 00:55:14,794 --> 00:55:14,860 >> ONLY THROUGH ME CAN YOU 3519 00:55:14,861 --> 00:55:17,597 ACHIEVE A POWER GREATER THAN ANY 3520 00:55:17,597 --> 00:55:17,663 ACHIEVE A POWER GREATER THAN ANY 3521 00:55:17,664 --> 00:55:18,398 JEDI. 3522 00:55:18,398 --> 00:55:18,431 JEDI. 3523 00:55:18,431 --> 00:55:19,799 >> Connelly: AND THEN HE SAYS, 3524 00:55:19,799 --> 00:55:19,865 >> Connelly: AND THEN HE SAYS, 3525 00:55:19,866 --> 00:55:22,602 "GOD IS AFRAID OF THE POWER." 3526 00:55:22,602 --> 00:55:22,635 "GOD IS AFRAID OF THE POWER." 3527 00:55:22,635 --> 00:55:23,769 >> BE CAREFUL OF THE JEDI, 3528 00:55:23,770 --> 00:55:23,803 >> BE CAREFUL OF THE JEDI, 3529 00:55:23,803 --> 00:55:24,804 ANAKIN. 3530 00:55:24,804 --> 00:55:24,837 ANAKIN. 3531 00:55:24,838 --> 00:55:26,706 THEY SEE YOUR FUTURE. 3532 00:55:26,706 --> 00:55:26,772 THEY SEE YOUR FUTURE. 3533 00:55:26,773 --> 00:55:29,075 THEY KNOW YOUR POWER WILL BE TOO 3534 00:55:29,075 --> 00:55:29,141 THEY KNOW YOUR POWER WILL BE TOO 3535 00:55:29,142 --> 00:55:30,977 STRONG TO CONTROL. 3536 00:55:30,977 --> 00:55:31,010 STRONG TO CONTROL. 3537 00:55:31,011 --> 00:55:32,078 >> Connelly: THIS IS EXACTLY 3538 00:55:32,078 --> 00:55:32,111 >> Connelly: THIS IS EXACTLY 3539 00:55:32,112 --> 00:55:34,047 WHAT IS LAID BEFORE ANAKIN. 3540 00:55:34,047 --> 00:55:34,080 WHAT IS LAID BEFORE ANAKIN. 3541 00:55:34,080 --> 00:55:36,182 >> ANAKIN, HELP ME! 3542 00:55:36,182 --> 00:55:36,248 >> ANAKIN, HELP ME! 3543 00:55:36,249 --> 00:55:38,150 [babies crying] 3544 00:55:38,151 --> 00:55:38,184 [babies crying] 3545 00:55:38,184 --> 00:55:41,887 [screams] 3546 00:55:41,888 --> 00:55:41,921 [screams] 3547 00:55:41,921 --> 00:55:43,322 >> Narrator: ANAKIN IS ALSO 3548 00:55:43,323 --> 00:55:43,356 >> Narrator: ANAKIN IS ALSO 3549 00:55:43,356 --> 00:55:44,890 TORMENTED BY HORRIFYING 3550 00:55:44,891 --> 00:55:44,924 TORMENTED BY HORRIFYING 3551 00:55:44,924 --> 00:55:46,525 NIGHTMARES CONCERNING HIS WIFE, 3552 00:55:46,526 --> 00:55:46,559 NIGHTMARES CONCERNING HIS WIFE, 3553 00:55:46,559 --> 00:55:47,626 PADME. 3554 00:55:47,627 --> 00:55:47,660 PADME. 3555 00:55:47,660 --> 00:55:50,696 >> YOU DIE IN CHILDBIRTH. 3556 00:55:50,697 --> 00:55:50,730 >> YOU DIE IN CHILDBIRTH. 3557 00:55:50,730 --> 00:55:51,864 >> IT WAS ONLY A DREAM. 3558 00:55:51,865 --> 00:55:51,898 >> IT WAS ONLY A DREAM. 3559 00:55:51,898 --> 00:55:53,165 >> I WON'T LET THIS ONE BECOME 3560 00:55:53,166 --> 00:55:53,232 >> I WON'T LET THIS ONE BECOME 3561 00:55:53,233 --> 00:55:54,334 REAL. 3562 00:55:54,334 --> 00:55:54,367 REAL. 3563 00:55:54,367 --> 00:55:55,501 >> Galipeau: HE GETS TOO 3564 00:55:55,502 --> 00:55:55,535 >> Galipeau: HE GETS TOO 3565 00:55:55,535 --> 00:55:57,069 POSSESSED BY THE FEAR OF LOSING 3566 00:55:57,070 --> 00:55:57,103 POSSESSED BY THE FEAR OF LOSING 3567 00:55:57,103 --> 00:55:59,004 AGAIN THE MAIN WOMAN IN HIS 3568 00:55:59,005 --> 00:55:59,071 AGAIN THE MAIN WOMAN IN HIS 3569 00:55:59,072 --> 00:56:00,006 LIFE. 3570 00:56:00,006 --> 00:56:00,072 LIFE. 3571 00:56:00,073 --> 00:56:01,607 AND THAT LEADS HIM TO THE DARK 3572 00:56:01,608 --> 00:56:01,641 AND THAT LEADS HIM TO THE DARK 3573 00:56:01,641 --> 00:56:02,074 SIDE. 3574 00:56:02,075 --> 00:56:02,141 SIDE. 3575 00:56:02,142 --> 00:56:04,544 >> DARTH PLAGUEIS, HE HAD SUCH 3576 00:56:04,544 --> 00:56:04,577 >> DARTH PLAGUEIS, HE HAD SUCH 3577 00:56:04,577 --> 00:56:06,645 A KNOWLEDGE OF THE DARK SIDE. 3578 00:56:06,646 --> 00:56:06,679 A KNOWLEDGE OF THE DARK SIDE. 3579 00:56:06,679 --> 00:56:10,015 HE COULD EVEN KEEP THE ONES HE 3580 00:56:10,016 --> 00:56:10,049 HE COULD EVEN KEEP THE ONES HE 3581 00:56:10,050 --> 00:56:12,185 CARED ABOUT... 3582 00:56:12,185 --> 00:56:12,251 CARED ABOUT... 3583 00:56:12,252 --> 00:56:14,420 FROM DYING. 3584 00:56:14,421 --> 00:56:14,454 FROM DYING. 3585 00:56:14,454 --> 00:56:16,355 >> IS IT POSSIBLE TO LEARN THIS 3586 00:56:16,356 --> 00:56:16,422 >> IS IT POSSIBLE TO LEARN THIS 3587 00:56:16,423 --> 00:56:20,727 POWER? 3588 00:56:20,727 --> 00:56:20,793 POWER? 3589 00:56:20,794 --> 00:56:27,567 >> NOT FROM A JEDI. 3590 00:56:27,567 --> 00:56:27,633 >> NOT FROM A JEDI. 3591 00:56:27,634 --> 00:56:28,935 >> Silvio: IN KEEPING WITH THE 3592 00:56:28,935 --> 00:56:29,001 >> Silvio: IN KEEPING WITH THE 3593 00:56:29,002 --> 00:56:31,304 MYTHIC OVERTONES OF "STAR WARS," 3594 00:56:31,304 --> 00:56:31,370 MYTHIC OVERTONES OF "STAR WARS," 3595 00:56:31,371 --> 00:56:33,373 ANAKIN SUCCUMBS AND MAKES THIS 3596 00:56:33,373 --> 00:56:33,406 ANAKIN SUCCUMBS AND MAKES THIS 3597 00:56:33,406 --> 00:56:34,640 FAUSTIAN BARGAIN. 3598 00:56:34,641 --> 00:56:34,674 FAUSTIAN BARGAIN. 3599 00:56:34,674 --> 00:56:36,275 THE FAUST STORY IN ITS CLASSIC 3600 00:56:36,276 --> 00:56:36,342 THE FAUST STORY IN ITS CLASSIC 3601 00:56:36,342 --> 00:56:39,378 FORM IS THE STORY OF A MAN WHO 3602 00:56:39,379 --> 00:56:39,445 FORM IS THE STORY OF A MAN WHO 3603 00:56:39,446 --> 00:56:41,347 SELLS HIS SOUL TO THE DEVIL IN 3604 00:56:41,347 --> 00:56:41,380 SELLS HIS SOUL TO THE DEVIL IN 3605 00:56:41,381 --> 00:56:44,117 ORDER TO ACHIEVE POWER. 3606 00:56:44,117 --> 00:56:44,150 ORDER TO ACHIEVE POWER. 3607 00:56:44,150 --> 00:56:45,551 >> Narrator: ANAKIN RECEIVES HIS 3608 00:56:45,552 --> 00:56:45,585 >> Narrator: ANAKIN RECEIVES HIS 3609 00:56:45,585 --> 00:56:48,020 BAPTISM AS A DARK LORD OF THE 3610 00:56:48,021 --> 00:56:48,054 BAPTISM AS A DARK LORD OF THE 3611 00:56:48,054 --> 00:56:48,554 SITH. 3612 00:56:48,555 --> 00:56:48,621 SITH. 3613 00:56:48,621 --> 00:56:50,756 >> HENCEFORTH, YOU SHALL BE 3614 00:56:50,757 --> 00:56:50,790 >> HENCEFORTH, YOU SHALL BE 3615 00:56:50,790 --> 00:56:54,960 KNOWN AS DARTH VADER. 3616 00:56:54,961 --> 00:56:55,027 KNOWN AS DARTH VADER. 3617 00:56:55,028 --> 00:56:56,262 >> Narrator: NOW HIS STORY 3618 00:56:56,262 --> 00:56:56,295 >> Narrator: NOW HIS STORY 3619 00:56:56,296 --> 00:56:57,830 DIRECTLY PARALLELS THAT OF THE 3620 00:56:57,831 --> 00:56:57,864 DIRECTLY PARALLELS THAT OF THE 3621 00:56:57,864 --> 00:57:01,133 DEVIL HIMSELF. 3622 00:57:01,134 --> 00:57:01,200 DEVIL HIMSELF. 3623 00:57:01,201 --> 00:57:03,469 AS TOLD IN JOHN MILTON'S EPIC 3624 00:57:03,470 --> 00:57:03,503 AS TOLD IN JOHN MILTON'S EPIC 3625 00:57:03,503 --> 00:57:06,639 POEM "PARADISE LOST," LUCIFER 3626 00:57:06,639 --> 00:57:06,672 POEM "PARADISE LOST," LUCIFER 3627 00:57:06,673 --> 00:57:08,307 WAS ONCE ONE OF GOD'S MOST 3628 00:57:08,308 --> 00:57:08,341 WAS ONCE ONE OF GOD'S MOST 3629 00:57:08,341 --> 00:57:10,843 BEAUTIFUL AND FAVORED ANGELS. 3630 00:57:10,844 --> 00:57:10,910 BEAUTIFUL AND FAVORED ANGELS. 3631 00:57:10,910 --> 00:57:12,645 BUT LUCIFER'S CONCEIT AND HIS 3632 00:57:12,645 --> 00:57:12,678 BUT LUCIFER'S CONCEIT AND HIS 3633 00:57:12,679 --> 00:57:14,847 LUST FOR POWER OVER GOD CAUSED 3634 00:57:14,848 --> 00:57:14,881 LUST FOR POWER OVER GOD CAUSED 3635 00:57:14,881 --> 00:57:17,383 HIM TO WAGE WAR ON HEAVEN. 3636 00:57:17,383 --> 00:57:17,416 HIM TO WAGE WAR ON HEAVEN. 3637 00:57:17,417 --> 00:57:19,685 DEFEATED, HE WAS CAST OUT AND 3638 00:57:19,686 --> 00:57:19,752 DEFEATED, HE WAS CAST OUT AND 3639 00:57:19,752 --> 00:57:23,756 CREATED HIS OWN KINGDOM IN HELL. 3640 00:57:32,866 --> 00:57:34,400 >> Wieseltier: LIKE MILTON'S 3641 00:57:34,400 --> 00:57:34,466 >> Wieseltier: LIKE MILTON'S 3642 00:57:34,467 --> 00:57:37,136 SATAN, ANAKIN SKYWALKER IS THE-- 3643 00:57:37,137 --> 00:57:37,203 SATAN, ANAKIN SKYWALKER IS THE-- 3644 00:57:37,203 --> 00:57:38,671 IS THE MAN WHO CAN NOT RESIST 3645 00:57:38,671 --> 00:57:38,704 IS THE MAN WHO CAN NOT RESIST 3646 00:57:38,705 --> 00:57:40,039 THE TEMPTATION OF POWER. 3647 00:57:40,039 --> 00:57:40,105 THE TEMPTATION OF POWER. 3648 00:57:40,106 --> 00:57:41,407 >> I AM BECOMING MORE POWERFUL 3649 00:57:41,407 --> 00:57:41,440 >> I AM BECOMING MORE POWERFUL 3650 00:57:41,441 --> 00:57:43,509 THAN ANY JEDI HAS EVER DREAMED 3651 00:57:43,510 --> 00:57:43,543 THAN ANY JEDI HAS EVER DREAMED 3652 00:57:43,543 --> 00:57:45,511 OF, AND I'M DOING IT FOR YOU. 3653 00:57:45,512 --> 00:57:45,578 OF, AND I'M DOING IT FOR YOU. 3654 00:57:45,578 --> 00:57:46,478 >> Henderson: PART OF LUCIFER'S 3655 00:57:46,479 --> 00:57:46,512 >> Henderson: PART OF LUCIFER'S 3656 00:57:46,513 --> 00:57:48,882 DOWNFALL WAS HIS OWN PRIDE AND 3657 00:57:48,882 --> 00:57:48,948 DOWNFALL WAS HIS OWN PRIDE AND 3658 00:57:48,948 --> 00:57:50,115 HIS OWN ARROGANCE. 3659 00:57:50,116 --> 00:57:50,149 HIS OWN ARROGANCE. 3660 00:57:50,150 --> 00:57:51,251 >> I AM MORE POWERFUL THAN THE 3661 00:57:51,251 --> 00:57:51,284 >> I AM MORE POWERFUL THAN THE 3662 00:57:51,284 --> 00:57:52,151 CHANCELLOR. 3663 00:57:52,152 --> 00:57:52,218 CHANCELLOR. 3664 00:57:52,218 --> 00:57:54,153 I CAN OVERTHROW HIM. 3665 00:57:54,154 --> 00:57:54,187 I CAN OVERTHROW HIM. 3666 00:57:54,187 --> 00:57:56,856 AND TOGETHER, YOU AND I CAN RULE 3667 00:57:56,856 --> 00:57:56,889 AND TOGETHER, YOU AND I CAN RULE 3668 00:57:56,890 --> 00:57:58,024 THE GALAXY. 3669 00:57:58,024 --> 00:57:58,057 THE GALAXY. 3670 00:57:58,057 --> 00:57:59,792 >> Henderson: AND PRIDE ALWAYS 3671 00:57:59,792 --> 00:57:59,858 >> Henderson: AND PRIDE ALWAYS 3672 00:57:59,859 --> 00:58:01,694 GOES BEFORE A FALL. 3673 00:58:01,694 --> 00:58:01,727 GOES BEFORE A FALL. 3674 00:58:01,728 --> 00:58:03,162 >> YOU'RE GOING DOWN A PATH I 3675 00:58:03,163 --> 00:58:03,196 >> YOU'RE GOING DOWN A PATH I 3676 00:58:03,196 --> 00:58:04,964 CAN'T FOLLOW. 3677 00:58:04,964 --> 00:58:05,030 CAN'T FOLLOW. 3678 00:58:05,031 --> 00:58:06,065 STOP. 3679 00:58:06,065 --> 00:58:06,098 STOP. 3680 00:58:06,099 --> 00:58:07,767 STOP NOW! COME BACK! 3681 00:58:07,767 --> 00:58:07,800 STOP NOW! COME BACK! 3682 00:58:07,800 --> 00:58:09,434 >> YOU'RE WITH HIM! 3683 00:58:09,435 --> 00:58:09,501 >> YOU'RE WITH HIM! 3684 00:58:09,502 --> 00:58:11,303 YOU BROUGHT HIM HERE TO KILL ME! 3685 00:58:11,304 --> 00:58:11,337 YOU BROUGHT HIM HERE TO KILL ME! 3686 00:58:11,337 --> 00:58:13,172 >> NO! 3687 00:58:13,173 --> 00:58:13,239 >> NO! 3688 00:58:13,239 --> 00:58:16,175 >> LET HER GO, ANAKIN! 3689 00:58:16,176 --> 00:58:16,209 >> LET HER GO, ANAKIN! 3690 00:58:16,209 --> 00:58:17,543 >> ANAKIN... 3691 00:58:17,544 --> 00:58:17,610 >> ANAKIN... 3692 00:58:17,610 --> 00:58:21,513 >> LET... HER... GO. 3693 00:58:21,514 --> 00:58:21,547 >> LET... HER... GO. 3694 00:58:21,548 --> 00:58:22,148 >> [gasps] 3695 00:58:22,148 --> 00:58:22,181 >> [gasps] 3696 00:58:22,182 --> 00:58:23,516 >> Hudgins: LUCAS IS ALSO 3697 00:58:23,516 --> 00:58:23,582 >> Hudgins: LUCAS IS ALSO 3698 00:58:23,583 --> 00:58:25,985 HARKENING BACK TO GREEK TRAGEDY. 3699 00:58:25,985 --> 00:58:26,051 HARKENING BACK TO GREEK TRAGEDY. 3700 00:58:26,052 --> 00:58:27,787 ANAKIN LOSES PADME. 3701 00:58:27,787 --> 00:58:27,820 ANAKIN LOSES PADME. 3702 00:58:27,820 --> 00:58:29,621 HIS ATTEMPT TO SAVE HER BY GOING 3703 00:58:29,622 --> 00:58:29,655 HIS ATTEMPT TO SAVE HER BY GOING 3704 00:58:29,656 --> 00:58:30,790 OVER TO THE DARK SIDE OF THE 3705 00:58:30,790 --> 00:58:30,823 OVER TO THE DARK SIDE OF THE 3706 00:58:30,823 --> 00:58:32,724 FORCE KILLS HER. 3707 00:58:32,725 --> 00:58:32,758 FORCE KILLS HER. 3708 00:58:32,759 --> 00:58:34,627 THAT IS THE FUNDAMENTAL GREEK 3709 00:58:34,627 --> 00:58:34,693 THAT IS THE FUNDAMENTAL GREEK 3710 00:58:34,694 --> 00:58:35,528 TRAGEDY. 3711 00:58:35,528 --> 00:58:35,594 TRAGEDY. 3712 00:58:35,595 --> 00:58:39,065 >> YOU TURNED HER AGAINST ME! 3713 00:58:39,065 --> 00:58:39,098 >> YOU TURNED HER AGAINST ME! 3714 00:58:39,098 --> 00:58:42,067 >> YOU HAVE DONE THAT YOURSELF! 3715 00:58:42,068 --> 00:58:42,101 >> YOU HAVE DONE THAT YOURSELF! 3716 00:58:42,101 --> 00:58:42,901 >> Lyden: THE BATTLE BETWEEN 3717 00:58:42,902 --> 00:58:42,935 >> Lyden: THE BATTLE BETWEEN 3718 00:58:42,936 --> 00:58:45,171 OBI-WAN AND ANAKIN ON THE PLANET 3719 00:58:45,171 --> 00:58:45,237 OBI-WAN AND ANAKIN ON THE PLANET 3720 00:58:45,238 --> 00:58:47,673 MUSTAFAR HAS APOCALYPTIC 3721 00:58:47,674 --> 00:58:47,707 MUSTAFAR HAS APOCALYPTIC 3722 00:58:47,707 --> 00:58:50,276 RESONANCES TO IT. 3723 00:58:50,276 --> 00:58:50,309 RESONANCES TO IT. 3724 00:58:50,310 --> 00:58:53,079 >> UNH! 3725 00:58:53,079 --> 00:58:53,145 >> UNH! 3726 00:58:53,146 --> 00:58:55,281 >> Lyden: WE SEE LAVA AND FIRE 3727 00:58:55,281 --> 00:58:55,314 >> Lyden: WE SEE LAVA AND FIRE 3728 00:58:55,315 --> 00:58:57,884 ALL AROUND, AND THIS MIRRORS 3729 00:58:57,884 --> 00:58:57,917 ALL AROUND, AND THIS MIRRORS 3730 00:58:57,917 --> 00:58:59,418 WHAT IS HAPPENING TO ANAKIN 3731 00:58:59,419 --> 00:58:59,452 WHAT IS HAPPENING TO ANAKIN 3732 00:58:59,452 --> 00:59:00,553 INTERNALLY. 3733 00:59:00,553 --> 00:59:00,586 INTERNALLY. 3734 00:59:00,587 --> 00:59:02,188 WE REALLY HAVE DESCENDED TO 3735 00:59:02,188 --> 00:59:02,221 WE REALLY HAVE DESCENDED TO 3736 00:59:02,222 --> 00:59:04,190 HELL, BECAUSE WE'RE ABOUT TO SEE 3737 00:59:04,190 --> 00:59:04,223 HELL, BECAUSE WE'RE ABOUT TO SEE 3738 00:59:04,224 --> 00:59:08,094 ANAKIN'S OWN DAMNATION. 3739 00:59:08,094 --> 00:59:08,160 ANAKIN'S OWN DAMNATION. 3740 00:59:08,161 --> 00:59:10,830 >> [grunts] 3741 00:59:10,830 --> 00:59:10,863 >> [grunts] 3742 00:59:10,863 --> 00:59:14,266 YOU UNDERESTIMATE MY POWER. 3743 00:59:14,267 --> 00:59:14,300 YOU UNDERESTIMATE MY POWER. 3744 00:59:14,300 --> 00:59:17,269 >> DON'T TRY IT. 3745 00:59:17,270 --> 00:59:17,303 >> DON'T TRY IT. 3746 00:59:17,303 --> 00:59:19,571 >> RA-A-GH! 3747 00:59:19,572 --> 00:59:19,605 >> RA-A-GH! 3748 00:59:19,606 --> 00:59:23,643 [groaning] 3749 00:59:23,643 --> 00:59:23,676 [groaning] 3750 00:59:23,676 --> 00:59:24,643 >> Henderson: AND I LOVE WHAT 3751 00:59:24,644 --> 00:59:24,677 >> Henderson: AND I LOVE WHAT 3752 00:59:24,677 --> 00:59:25,744 GEORGE LUCAS DOES WITH THE 3753 00:59:25,745 --> 00:59:25,811 GEORGE LUCAS DOES WITH THE 3754 00:59:25,812 --> 00:59:27,480 SYMBOLISM HERE. 3755 00:59:27,480 --> 00:59:27,546 SYMBOLISM HERE. 3756 00:59:27,547 --> 00:59:29,015 >> I HATE YOU! 3757 00:59:29,015 --> 00:59:29,081 >> I HATE YOU! 3758 00:59:29,082 --> 00:59:30,650 >> Henderson: HE'S SO PASSIONATE 3759 00:59:30,650 --> 00:59:30,716 >> Henderson: HE'S SO PASSIONATE 3760 00:59:30,717 --> 00:59:32,618 THAT IT BURNS HIM AND CONSUMES 3761 00:59:32,619 --> 00:59:32,652 THAT IT BURNS HIM AND CONSUMES 3762 00:59:32,652 --> 00:59:34,387 HIM. 3763 00:59:34,387 --> 00:59:34,453 HIM. 3764 00:59:34,454 --> 00:59:37,123 >> AGGH! 3765 00:59:37,123 --> 00:59:37,189 >> AGGH! 3766 00:59:37,190 --> 00:59:38,391 >> Galipeau: THE DISMEMBERMENT 3767 00:59:38,391 --> 00:59:38,457 >> Galipeau: THE DISMEMBERMENT 3768 00:59:38,458 --> 00:59:40,760 OF ANAKIN GOES TO THE EXTENT 3769 00:59:40,760 --> 00:59:40,826 OF ANAKIN GOES TO THE EXTENT 3770 00:59:40,827 --> 00:59:42,361 SYMBOLICALLY OF HOW MUCH HE 3771 00:59:42,362 --> 00:59:42,395 SYMBOLICALLY OF HOW MUCH HE 3772 00:59:42,395 --> 00:59:44,397 REALLY LOST HIS HUMANITY. 3773 00:59:44,397 --> 00:59:44,463 REALLY LOST HIS HUMANITY. 3774 00:59:44,464 --> 00:59:46,566 HE'S BECOME CUT OFF FROM HIMSELF 3775 00:59:46,566 --> 00:59:46,632 HE'S BECOME CUT OFF FROM HIMSELF 3776 00:59:46,633 --> 00:59:48,267 BUT ALSO FROM OTHERS. 3777 00:59:48,268 --> 00:59:48,301 BUT ALSO FROM OTHERS. 3778 00:59:48,301 --> 00:59:51,203 >> [wailing] 3779 00:59:51,204 --> 00:59:51,237 >> [wailing] 3780 00:59:51,237 --> 00:59:52,404 >> Mitchell: IT ACTUALLY FEELS 3781 00:59:52,405 --> 00:59:52,471 >> Mitchell: IT ACTUALLY FEELS 3782 00:59:52,472 --> 00:59:53,673 KIND OF WAGNERIAN TO ME, THAT 3783 00:59:53,673 --> 00:59:53,739 KIND OF WAGNERIAN TO ME, THAT 3784 00:59:53,740 --> 00:59:54,941 THE PRICE OF EVIL BECOMES 3785 00:59:54,941 --> 00:59:55,007 THE PRICE OF EVIL BECOMES 3786 00:59:55,008 --> 00:59:57,577 APPARENT. 3787 00:59:57,577 --> 00:59:57,610 APPARENT. 3788 00:59:57,610 --> 00:59:59,411 >> Hudgins: THIS IS GEORGE LUCAS 3789 00:59:59,412 --> 00:59:59,445 >> Hudgins: THIS IS GEORGE LUCAS 3790 00:59:59,445 --> 01:00:02,014 LOOKING TO MYTHOLOGY, 3791 01:00:02,015 --> 01:00:02,048 LOOKING TO MYTHOLOGY, 3792 01:00:02,048 --> 01:00:03,849 SPECIFICALLY THE GREEK MYTH OF 3793 01:00:03,850 --> 01:00:03,916 SPECIFICALLY THE GREEK MYTH OF 3794 01:00:03,916 --> 01:00:04,783 NEMESIS. 3795 01:00:04,784 --> 01:00:04,850 NEMESIS. 3796 01:00:04,851 --> 01:00:07,320 THE NOTION THAT YOU ARE SOMEHOW 3797 01:00:07,320 --> 01:00:07,353 THE NOTION THAT YOU ARE SOMEHOW 3798 01:00:07,353 --> 01:00:09,788 GOING TO BE THE VICTIM OF THE 3799 01:00:09,789 --> 01:00:09,855 GOING TO BE THE VICTIM OF THE 3800 01:00:09,856 --> 01:00:11,824 THINGS THAT YOU SOW. 3801 01:00:11,824 --> 01:00:11,857 THINGS THAT YOU SOW. 3802 01:00:11,858 --> 01:00:13,860 >> Henderson: NOW ANAKIN HAS TO 3803 01:00:13,860 --> 01:00:13,893 >> Henderson: NOW ANAKIN HAS TO 3804 01:00:13,893 --> 01:00:14,960 LIVE IN HELL. 3805 01:00:14,961 --> 01:00:14,994 LIVE IN HELL. 3806 01:00:14,994 --> 01:00:16,395 AND FOR SOMEONE THAT PASSIONATE, 3807 01:00:16,396 --> 01:00:16,429 AND FOR SOMEONE THAT PASSIONATE, 3808 01:00:16,429 --> 01:00:18,597 HELL FOR HIM IS TO BECOME A 3809 01:00:18,598 --> 01:00:18,631 HELL FOR HIM IS TO BECOME A 3810 01:00:18,631 --> 01:00:21,333 MECHANICAL MONSTER... 3811 01:00:21,334 --> 01:00:21,367 MECHANICAL MONSTER... 3812 01:00:21,367 --> 01:00:24,870 TO HAVE REALLY NO HUMANITY LEFT. 3813 01:00:24,871 --> 01:00:24,904 TO HAVE REALLY NO HUMANITY LEFT. 3814 01:00:24,904 --> 01:00:30,743 >> [screaming] 3815 01:00:30,743 --> 01:00:30,776 >> [screaming] 3816 01:00:30,777 --> 01:00:32,145 >> Narrator: AS ANAKIN IS TURNED 3817 01:00:32,145 --> 01:00:32,178 >> Narrator: AS ANAKIN IS TURNED 3818 01:00:32,178 --> 01:00:34,413 INTO A HALF-MAN, HALF-MACHINE, 3819 01:00:34,414 --> 01:00:34,447 INTO A HALF-MAN, HALF-MACHINE, 3820 01:00:34,447 --> 01:00:36,382 ANOTHER CLASSIC ARCHETYPE IS 3821 01:00:36,382 --> 01:00:36,415 ANOTHER CLASSIC ARCHETYPE IS 3822 01:00:36,416 --> 01:00:38,951 EVOKED, THIS TIME FROM THE WORLD 3823 01:00:38,951 --> 01:00:39,017 EVOKED, THIS TIME FROM THE WORLD 3824 01:00:39,018 --> 01:00:40,519 OF GOTHIC HORROR. 3825 01:00:40,520 --> 01:00:40,586 OF GOTHIC HORROR. 3826 01:00:40,586 --> 01:00:41,753 >> Paglia: FINALLY, WE HAVE THE 3827 01:00:41,754 --> 01:00:41,787 >> Paglia: FINALLY, WE HAVE THE 3828 01:00:41,788 --> 01:00:43,623 ANSWER OF HOW THIS STRANGE 3829 01:00:43,623 --> 01:00:43,689 ANSWER OF HOW THIS STRANGE 3830 01:00:43,690 --> 01:00:45,525 HYBRID CREATURE WAS, IN FACT, 3831 01:00:45,525 --> 01:00:45,591 HYBRID CREATURE WAS, IN FACT, 3832 01:00:45,591 --> 01:00:47,793 CONSTRUCTED, AS A KIND OF 3833 01:00:47,794 --> 01:00:47,860 CONSTRUCTED, AS A KIND OF 3834 01:00:47,860 --> 01:00:52,064 FRANKENSTEIN'S MONSTER. 3835 01:00:52,065 --> 01:00:52,131 FRANKENSTEIN'S MONSTER. 3836 01:00:52,131 --> 01:00:55,033 >> LORD VADER... 3837 01:00:55,034 --> 01:00:55,067 >> LORD VADER... 3838 01:00:55,068 --> 01:00:57,236 CAN YOU HEAR ME? 3839 01:00:57,236 --> 01:00:57,302 CAN YOU HEAR ME? 3840 01:00:57,303 --> 01:01:00,172 [deep mechanical breathing] 3841 01:01:00,173 --> 01:01:00,206 [deep mechanical breathing] 3842 01:01:00,206 --> 01:01:02,341 >> YES, MASTER. 3843 01:01:13,903 --> 01:01:15,571 >> MASTER WINDU. 3844 01:01:15,571 --> 01:01:15,604 >> MASTER WINDU. 3845 01:01:15,605 --> 01:01:17,406 I MUST SAY, YOU'RE HERE SOONER 3846 01:01:17,407 --> 01:01:17,473 I MUST SAY, YOU'RE HERE SOONER 3847 01:01:17,473 --> 01:01:19,107 THAN EXPECTED. 3848 01:01:19,108 --> 01:01:19,141 THAN EXPECTED. 3849 01:01:19,142 --> 01:01:20,910 >> IN THE NAME OF THE GALACTIC 3850 01:01:20,910 --> 01:01:20,943 >> IN THE NAME OF THE GALACTIC 3851 01:01:20,943 --> 01:01:23,211 SENATE OF THE REPUBLIC, YOU ARE 3852 01:01:23,212 --> 01:01:23,278 SENATE OF THE REPUBLIC, YOU ARE 3853 01:01:23,279 --> 01:01:25,547 UNDER ARREST, CHANCELLOR. 3854 01:01:25,548 --> 01:01:25,581 UNDER ARREST, CHANCELLOR. 3855 01:01:25,581 --> 01:01:26,682 >> ARE YOU THREATENING ME, 3856 01:01:26,683 --> 01:01:26,716 >> ARE YOU THREATENING ME, 3857 01:01:26,716 --> 01:01:27,683 MASTER JEDI? 3858 01:01:27,684 --> 01:01:27,717 MASTER JEDI? 3859 01:01:27,717 --> 01:01:29,018 >> THE SENATE WILL DECIDE YOUR 3860 01:01:29,018 --> 01:01:29,051 >> THE SENATE WILL DECIDE YOUR 3861 01:01:29,052 --> 01:01:29,919 FATE. 3862 01:01:29,919 --> 01:01:29,952 FATE. 3863 01:01:29,952 --> 01:01:32,688 >> I AM THE SENATE. 3864 01:01:36,459 --> 01:01:37,827 >> Narrator: IF THE MYTHIC HERO 3865 01:01:37,827 --> 01:01:37,860 >> Narrator: IF THE MYTHIC HERO 3866 01:01:37,860 --> 01:01:39,328 IS A FIGURE OF FREEDOM, THE 3867 01:01:39,328 --> 01:01:39,394 IS A FIGURE OF FREEDOM, THE 3868 01:01:39,395 --> 01:01:41,597 VILLAIN HE FACES OFTEN STANDS AS 3869 01:01:41,597 --> 01:01:41,630 VILLAIN HE FACES OFTEN STANDS AS 3870 01:01:41,631 --> 01:01:45,401 A SYMBOL OF TYRANNY. 3871 01:01:45,401 --> 01:01:45,467 A SYMBOL OF TYRANNY. 3872 01:01:45,468 --> 01:01:47,203 THAT TRADITION IS CONTINUED IN 3873 01:01:47,203 --> 01:01:47,236 THAT TRADITION IS CONTINUED IN 3874 01:01:47,236 --> 01:01:48,937 THE FIRST THREE EPISODES OF THE 3875 01:01:48,938 --> 01:01:48,971 THE FIRST THREE EPISODES OF THE 3876 01:01:48,971 --> 01:01:51,206 "STAR WARS" SAGA, WHICH OFFER A 3877 01:01:51,207 --> 01:01:51,240 "STAR WARS" SAGA, WHICH OFFER A 3878 01:01:51,240 --> 01:01:53,508 DARK DRAMA OF POLITICAL INTRIGUE 3879 01:01:53,509 --> 01:01:53,542 DARK DRAMA OF POLITICAL INTRIGUE 3880 01:01:53,543 --> 01:01:54,377 AND CORRUPTION. 3881 01:01:54,377 --> 01:01:54,410 AND CORRUPTION. 3882 01:01:54,410 --> 01:01:55,978 >> BEGIN LANDING YOUR TROOPS. 3883 01:01:55,978 --> 01:01:56,044 >> BEGIN LANDING YOUR TROOPS. 3884 01:01:56,045 --> 01:01:57,946 >> IS THAT LEGAL? 3885 01:01:57,947 --> 01:01:57,980 >> IS THAT LEGAL? 3886 01:01:57,980 --> 01:02:00,215 >> I WILL MAKE IT LEGAL. 3887 01:02:00,216 --> 01:02:00,249 >> I WILL MAKE IT LEGAL. 3888 01:02:00,249 --> 01:02:01,516 >> Narrator: THE STORY DRAWS 3889 01:02:01,517 --> 01:02:01,550 >> Narrator: THE STORY DRAWS 3890 01:02:01,551 --> 01:02:02,885 FROM MORE THAN MYTH AND 3891 01:02:02,885 --> 01:02:02,951 FROM MORE THAN MYTH AND 3892 01:02:02,952 --> 01:02:03,953 LITERATURE. 3893 01:02:03,953 --> 01:02:04,019 LITERATURE. 3894 01:02:04,020 --> 01:02:05,788 IT REFLECTS A CYCLE IN OUR OWN 3895 01:02:05,788 --> 01:02:05,821 IT REFLECTS A CYCLE IN OUR OWN 3896 01:02:05,822 --> 01:02:09,892 HISTORY: THE FALL OF REPUBLICS 3897 01:02:09,892 --> 01:02:09,958 HISTORY: THE FALL OF REPUBLICS 3898 01:02:09,959 --> 01:02:14,897 AND THE RISE OF DICTATORS. 3899 01:02:14,897 --> 01:02:14,963 AND THE RISE OF DICTATORS. 3900 01:02:14,964 --> 01:02:17,333 >> HUNDREDS OF SENATORS ARE NOW 3901 01:02:17,333 --> 01:02:17,366 >> HUNDREDS OF SENATORS ARE NOW 3902 01:02:17,366 --> 01:02:18,967 UNDER THE INFLUENCE OF A SITH 3903 01:02:18,968 --> 01:02:19,034 UNDER THE INFLUENCE OF A SITH 3904 01:02:19,035 --> 01:02:22,171 LORD CALLED DARTH SIDIOUS. 3905 01:02:22,171 --> 01:02:22,204 LORD CALLED DARTH SIDIOUS. 3906 01:02:22,205 --> 01:02:23,806 >> [laughs] 3907 01:02:23,806 --> 01:02:23,872 >> [laughs] 3908 01:02:23,873 --> 01:02:25,074 >> Wetmore, Jr.: IT'S NO LONGER 3909 01:02:25,074 --> 01:02:25,140 >> Wetmore, Jr.: IT'S NO LONGER 3910 01:02:25,141 --> 01:02:26,142 JUST A SMALL BAND OF ADVENTURERS 3911 01:02:26,142 --> 01:02:26,175 JUST A SMALL BAND OF ADVENTURERS 3912 01:02:26,175 --> 01:02:27,809 HAVING FUN IN A DANGEROUS PLACE, 3913 01:02:27,810 --> 01:02:27,876 HAVING FUN IN A DANGEROUS PLACE, 3914 01:02:27,877 --> 01:02:29,511 BUT IT'S NOW GROWN INTO A SORT 3915 01:02:29,512 --> 01:02:29,545 BUT IT'S NOW GROWN INTO A SORT 3916 01:02:29,545 --> 01:02:31,346 OF A GEOPOLITICAL MELTDOWN. 3917 01:02:31,347 --> 01:02:31,380 OF A GEOPOLITICAL MELTDOWN. 3918 01:02:31,380 --> 01:02:33,081 >> Crowd: VOTE NOW! VOTE NOW! 3919 01:02:33,082 --> 01:02:33,148 >> Crowd: VOTE NOW! VOTE NOW! 3920 01:02:33,149 --> 01:02:34,083 >> ORDER! 3921 01:02:34,083 --> 01:02:34,116 >> ORDER! 3922 01:02:34,117 --> 01:02:35,251 >> Wetmore, Jr.: IT CONCERNS 3923 01:02:35,251 --> 01:02:35,284 >> Wetmore, Jr.: IT CONCERNS 3924 01:02:35,284 --> 01:02:36,785 ITSELF WITH THE CORRUPTION OF 3925 01:02:36,786 --> 01:02:36,819 ITSELF WITH THE CORRUPTION OF 3926 01:02:36,819 --> 01:02:38,253 GOVERNMENT, WITH A GOVERNMENT 3927 01:02:38,254 --> 01:02:38,320 GOVERNMENT, WITH A GOVERNMENT 3928 01:02:38,321 --> 01:02:39,622 THAT IS TRYING TO SEIZE POWER 3929 01:02:39,622 --> 01:02:39,655 THAT IS TRYING TO SEIZE POWER 3930 01:02:39,655 --> 01:02:40,722 FOR ITSELF... 3931 01:02:40,723 --> 01:02:40,789 FOR ITSELF... 3932 01:02:40,790 --> 01:02:41,991 >> I WILL BE CHANCELLOR. 3933 01:02:41,991 --> 01:02:42,057 >> I WILL BE CHANCELLOR. 3934 01:02:42,058 --> 01:02:43,159 >> Wetmore, Jr.: AND SO 3935 01:02:43,159 --> 01:02:43,225 >> Wetmore, Jr.: AND SO 3936 01:02:43,226 --> 01:02:44,260 GENERATES THESE SORT OF 3937 01:02:44,260 --> 01:02:44,326 GENERATES THESE SORT OF 3938 01:02:44,327 --> 01:02:46,896 ARTIFICIAL CRISES THAT IT CAN 3939 01:02:46,896 --> 01:02:46,929 ARTIFICIAL CRISES THAT IT CAN 3940 01:02:46,929 --> 01:02:49,164 THEN RESPOND TO, A THREAT FROM 3941 01:02:49,165 --> 01:02:49,198 THEN RESPOND TO, A THREAT FROM 3942 01:02:49,198 --> 01:02:51,166 OUTSIDE ACTUALLY BEING GENERATED 3943 01:02:51,167 --> 01:02:51,200 OUTSIDE ACTUALLY BEING GENERATED 3944 01:02:51,200 --> 01:02:52,534 FROM WITHIN. 3945 01:02:52,535 --> 01:02:52,568 FROM WITHIN. 3946 01:02:52,568 --> 01:02:54,803 >> WIPE THEM OUT. 3947 01:02:54,804 --> 01:02:54,870 >> WIPE THEM OUT. 3948 01:02:54,871 --> 01:02:56,906 ALL OF THEM. 3949 01:02:56,906 --> 01:02:56,972 ALL OF THEM. 3950 01:02:56,973 --> 01:02:58,140 >> Narrator: AT THE CENTER OF 3951 01:02:58,141 --> 01:02:58,174 >> Narrator: AT THE CENTER OF 3952 01:02:58,174 --> 01:02:59,909 THE STORY IS THE SCHEMING DARTH 3953 01:02:59,909 --> 01:02:59,975 THE STORY IS THE SCHEMING DARTH 3954 01:02:59,976 --> 01:03:01,077 SIDIOUS. 3955 01:03:01,077 --> 01:03:01,143 SIDIOUS. 3956 01:03:01,144 --> 01:03:03,079 DISGUISED AS THE KINDLY SENATOR 3957 01:03:03,079 --> 01:03:03,145 DISGUISED AS THE KINDLY SENATOR 3958 01:03:03,146 --> 01:03:04,981 PALPATINE, HE USES THE 3959 01:03:04,981 --> 01:03:05,014 PALPATINE, HE USES THE 3960 01:03:05,014 --> 01:03:07,082 REPUBLIC'S FEARS OF REBELLION 3961 01:03:07,083 --> 01:03:07,116 REPUBLIC'S FEARS OF REBELLION 3962 01:03:07,116 --> 01:03:10,552 AND WAR TO GRADUALLY SEIZE 3963 01:03:10,553 --> 01:03:10,586 AND WAR TO GRADUALLY SEIZE 3964 01:03:10,586 --> 01:03:15,190 ABSOLUTE POWER. 3965 01:03:15,191 --> 01:03:15,257 ABSOLUTE POWER. 3966 01:03:15,258 --> 01:03:16,926 >> Whedon: WE KNOW WHAT LUCAS 3967 01:03:16,926 --> 01:03:16,959 >> Whedon: WE KNOW WHAT LUCAS 3968 01:03:16,959 --> 01:03:18,293 DRAWS ON A GREAT DEAL, WHICH IS 3969 01:03:18,294 --> 01:03:18,327 DRAWS ON A GREAT DEAL, WHICH IS 3970 01:03:18,327 --> 01:03:20,796 GERMANY IN THE '30s, WHICH IS 3971 01:03:20,797 --> 01:03:20,830 GERMANY IN THE '30s, WHICH IS 3972 01:03:20,830 --> 01:03:22,298 THE SAME ANIMAL. 3973 01:03:22,298 --> 01:03:22,364 THE SAME ANIMAL. 3974 01:03:22,365 --> 01:03:23,699 [crowd cheering] 3975 01:03:23,699 --> 01:03:23,732 [crowd cheering] 3976 01:03:23,733 --> 01:03:24,934 >> SIEG! 3977 01:03:24,934 --> 01:03:25,000 >> SIEG! 3978 01:03:25,001 --> 01:03:26,569 >> Crowd: HEIL! 3979 01:03:26,569 --> 01:03:26,635 >> Crowd: HEIL! 3980 01:03:26,636 --> 01:03:27,737 >> SIEG! 3981 01:03:27,737 --> 01:03:27,803 >> SIEG! 3982 01:03:27,804 --> 01:03:28,738 >> Crowd: HEIL! 3983 01:03:28,738 --> 01:03:28,771 >> Crowd: HEIL! 3984 01:03:28,771 --> 01:03:30,005 >> Hudgins: HERE, THERE'S A 3985 01:03:30,006 --> 01:03:30,039 >> Hudgins: HERE, THERE'S A 3986 01:03:30,039 --> 01:03:31,473 VERY STRONG ANALOGY IN "STAR 3987 01:03:31,474 --> 01:03:31,507 VERY STRONG ANALOGY IN "STAR 3988 01:03:31,507 --> 01:03:32,107 WARS." 3989 01:03:32,108 --> 01:03:32,174 WARS." 3990 01:03:32,175 --> 01:03:33,543 YOU HAVE A CHANCELLOR, 3991 01:03:33,543 --> 01:03:33,576 YOU HAVE A CHANCELLOR, 3992 01:03:33,576 --> 01:03:35,110 PALPATINE, WHO WANTS 3993 01:03:35,111 --> 01:03:35,144 PALPATINE, WHO WANTS 3994 01:03:35,144 --> 01:03:36,545 EXTRAORDINARY POWERS. 3995 01:03:36,546 --> 01:03:36,579 EXTRAORDINARY POWERS. 3996 01:03:36,579 --> 01:03:37,846 WELL, THAT'S EXACTLY WHAT 3997 01:03:37,847 --> 01:03:37,880 WELL, THAT'S EXACTLY WHAT 3998 01:03:37,880 --> 01:03:40,482 CHANCELLOR HITLER REQUESTED IN 3999 01:03:40,483 --> 01:03:40,549 CHANCELLOR HITLER REQUESTED IN 4000 01:03:40,550 --> 01:03:41,817 1933. 4001 01:03:41,818 --> 01:03:41,851 1933. 4002 01:03:41,851 --> 01:03:43,185 THE SO-CALLED ENABLING ACT 4003 01:03:43,186 --> 01:03:43,219 THE SO-CALLED ENABLING ACT 4004 01:03:43,219 --> 01:03:44,720 BASICALLY SAID "YOU CAN DO 4005 01:03:44,720 --> 01:03:44,753 BASICALLY SAID "YOU CAN DO 4006 01:03:44,754 --> 01:03:46,489 PRETTY MUCH ANYTHING YOU WANT." 4007 01:03:46,489 --> 01:03:46,522 PRETTY MUCH ANYTHING YOU WANT." 4008 01:03:46,522 --> 01:03:48,290 IT'S AN EMERGENCY POWER, 4009 01:03:48,291 --> 01:03:48,324 IT'S AN EMERGENCY POWER, 4010 01:03:48,324 --> 01:03:50,025 NATURALLY, BUT OF COURSE, 4011 01:03:50,026 --> 01:03:50,092 NATURALLY, BUT OF COURSE, 4012 01:03:50,092 --> 01:03:56,264 EMERGENCY POWERS RARELY GO AWAY. 4013 01:03:56,265 --> 01:03:56,298 EMERGENCY POWERS RARELY GO AWAY. 4014 01:03:56,299 --> 01:03:57,466 >> THIS IS A CRISIS. 4015 01:03:57,466 --> 01:03:57,499 >> THIS IS A CRISIS. 4016 01:03:57,500 --> 01:03:58,767 THE SENATE MUST VOTE THE 4017 01:03:58,768 --> 01:03:58,834 THE SENATE MUST VOTE THE 4018 01:03:58,835 --> 01:04:00,670 CHANCELLOR EMERGENCY POWERS. 4019 01:04:00,670 --> 01:04:00,703 CHANCELLOR EMERGENCY POWERS. 4020 01:04:00,703 --> 01:04:02,838 HE CAN THEN APPROVE THE CREATION 4021 01:04:02,839 --> 01:04:02,905 HE CAN THEN APPROVE THE CREATION 4022 01:04:02,905 --> 01:04:05,674 OF AN ARMY. 4023 01:04:05,675 --> 01:04:05,708 OF AN ARMY. 4024 01:04:05,708 --> 01:04:07,409 >> Rather: DICTATORS ALWAYS 4025 01:04:07,410 --> 01:04:07,476 >> Rather: DICTATORS ALWAYS 4026 01:04:07,476 --> 01:04:08,944 START OUT SAYING THEY'RE GONNA 4027 01:04:08,945 --> 01:04:09,011 START OUT SAYING THEY'RE GONNA 4028 01:04:09,011 --> 01:04:10,212 HELP THE LITTLE GUY. 4029 01:04:10,213 --> 01:04:10,246 HELP THE LITTLE GUY. 4030 01:04:10,246 --> 01:04:11,480 IT'S THE BIG DADDY. 4031 01:04:11,480 --> 01:04:11,513 IT'S THE BIG DADDY. 4032 01:04:11,514 --> 01:04:14,049 "HERE IS THIS POWERFUL PERSON. 4033 01:04:14,050 --> 01:04:14,116 "HERE IS THIS POWERFUL PERSON. 4034 01:04:14,116 --> 01:04:15,750 AND HE IS COMMITTED TO TAKING 4035 01:04:15,751 --> 01:04:15,817 AND HE IS COMMITTED TO TAKING 4036 01:04:15,818 --> 01:04:16,952 CARE OF ME." 4037 01:04:16,953 --> 01:04:16,986 CARE OF ME." 4038 01:04:16,986 --> 01:04:18,954 AND THESE POWERFUL MEN WHO 4039 01:04:18,955 --> 01:04:18,988 AND THESE POWERFUL MEN WHO 4040 01:04:18,988 --> 01:04:21,123 REPRESENT REPRESSION, 4041 01:04:21,123 --> 01:04:21,156 REPRESENT REPRESSION, 4042 01:04:21,157 --> 01:04:24,593 DICTATORSHIP, AND EVIL, DO HAVE 4043 01:04:24,594 --> 01:04:24,627 DICTATORSHIP, AND EVIL, DO HAVE 4044 01:04:24,627 --> 01:04:26,028 A CHARISMA ABOUT THEM, THE 4045 01:04:26,028 --> 01:04:26,094 A CHARISMA ABOUT THEM, THE 4046 01:04:26,095 --> 01:04:27,296 CHARISMA OF POWER. 4047 01:04:27,296 --> 01:04:27,329 CHARISMA OF POWER. 4048 01:04:27,330 --> 01:04:28,864 [crowd chanting and clapping] 4049 01:04:28,865 --> 01:04:28,931 [crowd chanting and clapping] 4050 01:04:28,931 --> 01:04:30,966 SADDAM HUSSEIN HAD TERRIFIC-- 4051 01:04:30,967 --> 01:04:31,000 SADDAM HUSSEIN HAD TERRIFIC-- 4052 01:04:31,000 --> 01:04:32,968 WHAT THE MILITARY CALLS COMMAND 4053 01:04:32,969 --> 01:04:33,002 WHAT THE MILITARY CALLS COMMAND 4054 01:04:33,002 --> 01:04:37,873 PRESENCE: WALKED TALL, UPRIGHT, 4055 01:04:37,874 --> 01:04:37,940 PRESENCE: WALKED TALL, UPRIGHT, 4056 01:04:37,940 --> 01:04:40,309 TENDED TO DOMINATE ANY LANDSCAPE 4057 01:04:40,309 --> 01:04:40,375 TENDED TO DOMINATE ANY LANDSCAPE 4058 01:04:40,376 --> 01:04:42,611 HE OCCUPIED. 4059 01:04:42,612 --> 01:04:42,645 HE OCCUPIED. 4060 01:04:42,645 --> 01:04:45,614 HIS MESSAGE WAS "FOLLOW ME, AND 4061 01:04:45,615 --> 01:04:45,681 HIS MESSAGE WAS "FOLLOW ME, AND 4062 01:04:45,681 --> 01:04:47,582 I'LL TAKE CARE OF YOU." 4063 01:04:47,583 --> 01:04:47,616 I'LL TAKE CARE OF YOU." 4064 01:04:47,617 --> 01:04:50,753 ONE CAN SEE THE ATTRACTION. 4065 01:04:50,753 --> 01:04:50,786 ONE CAN SEE THE ATTRACTION. 4066 01:04:50,786 --> 01:04:52,020 >> NABOO'S SYSTEM HAS BEEN 4067 01:04:52,021 --> 01:04:52,054 >> NABOO'S SYSTEM HAS BEEN 4068 01:04:52,054 --> 01:04:53,588 INVADED BY THE DROID ARMIES OF 4069 01:04:53,589 --> 01:04:53,622 INVADED BY THE DROID ARMIES OF 4070 01:04:53,623 --> 01:04:54,223 THE TRADE-- 4071 01:04:54,223 --> 01:04:54,256 THE TRADE-- 4072 01:04:54,257 --> 01:04:57,793 >> I OBJECT, THERE IS NO PROOF! 4073 01:04:57,793 --> 01:04:57,826 >> I OBJECT, THERE IS NO PROOF! 4074 01:04:57,827 --> 01:04:59,128 >> Hudgins: YOU REALLY DO SEE 4075 01:04:59,128 --> 01:04:59,161 >> Hudgins: YOU REALLY DO SEE 4076 01:04:59,161 --> 01:05:01,062 THIS THEME, THAT IS, YOU SEE 4077 01:05:01,063 --> 01:05:01,096 THIS THEME, THAT IS, YOU SEE 4078 01:05:01,097 --> 01:05:02,798 GOVERNMENT BECOMING VERY, VERY 4079 01:05:02,798 --> 01:05:02,831 GOVERNMENT BECOMING VERY, VERY 4080 01:05:02,832 --> 01:05:04,600 MESSY, VERY, VERY CORRUPT. 4081 01:05:04,600 --> 01:05:04,633 MESSY, VERY, VERY CORRUPT. 4082 01:05:04,634 --> 01:05:06,402 AND THIS GOES BACK TO THE ROMAN 4083 01:05:06,402 --> 01:05:06,435 AND THIS GOES BACK TO THE ROMAN 4084 01:05:06,435 --> 01:05:07,235 EMPIRE. 4085 01:05:07,236 --> 01:05:07,302 EMPIRE. 4086 01:05:07,303 --> 01:05:09,171 FREE SOCIETIES, REPUBLICS, DO 4087 01:05:09,171 --> 01:05:09,237 FREE SOCIETIES, REPUBLICS, DO 4088 01:05:09,238 --> 01:05:10,505 NOT COLLAPSE FROM WITHOUT UNTIL 4089 01:05:10,506 --> 01:05:10,539 NOT COLLAPSE FROM WITHOUT UNTIL 4090 01:05:10,539 --> 01:05:11,873 THEY'VE DESTROYED THEMSELVES 4091 01:05:11,874 --> 01:05:11,907 THEY'VE DESTROYED THEMSELVES 4092 01:05:11,908 --> 01:05:14,844 WITHIN. 4093 01:05:14,844 --> 01:05:14,877 WITHIN. 4094 01:05:14,877 --> 01:05:17,579 THE MORALITY NECESSARY TO 4095 01:05:17,580 --> 01:05:17,613 THE MORALITY NECESSARY TO 4096 01:05:17,613 --> 01:05:20,048 SUPPORT A FREE SOCIETY, OF A 4097 01:05:20,049 --> 01:05:20,082 SUPPORT A FREE SOCIETY, OF A 4098 01:05:20,082 --> 01:05:22,417 REPUBLIC, HAS TO ERODE. 4099 01:05:22,418 --> 01:05:22,451 REPUBLIC, HAS TO ERODE. 4100 01:05:22,451 --> 01:05:23,518 >> Wetmore, Jr.: AND HAND IN 4101 01:05:23,519 --> 01:05:23,585 >> Wetmore, Jr.: AND HAND IN 4102 01:05:23,586 --> 01:05:24,687 HAND IN THAT, OF COURSE, IN 4103 01:05:24,687 --> 01:05:24,720 HAND IN THAT, OF COURSE, IN 4104 01:05:24,720 --> 01:05:25,854 ANCIENT ROME IS THE IDEA OF 4105 01:05:25,855 --> 01:05:25,888 ANCIENT ROME IS THE IDEA OF 4106 01:05:25,888 --> 01:05:26,855 CORRUPTION, THE SENATORS 4107 01:05:26,856 --> 01:05:26,889 CORRUPTION, THE SENATORS 4108 01:05:26,889 --> 01:05:28,156 THEMSELVES GROWING MORE 4109 01:05:28,157 --> 01:05:28,223 THEMSELVES GROWING MORE 4110 01:05:28,224 --> 01:05:29,858 CONCERNED WITH MAINTAINING THEIR 4111 01:05:29,859 --> 01:05:29,892 CONCERNED WITH MAINTAINING THEIR 4112 01:05:29,892 --> 01:05:31,326 OWN POWER AND THE SENATE SORT OF 4113 01:05:31,327 --> 01:05:31,360 OWN POWER AND THE SENATE SORT OF 4114 01:05:31,360 --> 01:05:32,894 WILLING ITSELF ALMOST OUT OF 4115 01:05:32,895 --> 01:05:32,961 WILLING ITSELF ALMOST OUT OF 4116 01:05:32,962 --> 01:05:34,330 EXISTENCE. 4117 01:05:34,330 --> 01:05:34,363 EXISTENCE. 4118 01:05:34,363 --> 01:05:35,897 >> THE SENATE IS EXPECTED TO 4119 01:05:35,898 --> 01:05:35,931 >> THE SENATE IS EXPECTED TO 4120 01:05:35,932 --> 01:05:37,800 VOTE MORE EXECUTIVE POWERS TO 4121 01:05:37,800 --> 01:05:37,833 VOTE MORE EXECUTIVE POWERS TO 4122 01:05:37,833 --> 01:05:39,367 THE CHANCELLOR TODAY. 4123 01:05:39,368 --> 01:05:39,434 THE CHANCELLOR TODAY. 4124 01:05:39,435 --> 01:05:41,236 BE CAREFUL OF YOUR FRIEND 4125 01:05:41,237 --> 01:05:41,270 BE CAREFUL OF YOUR FRIEND 4126 01:05:41,270 --> 01:05:43,005 PALPATINE. 4127 01:05:43,005 --> 01:05:43,038 PALPATINE. 4128 01:05:43,039 --> 01:05:44,340 >> Lyden: LUCAS IS SHOWING US 4129 01:05:44,340 --> 01:05:44,373 >> Lyden: LUCAS IS SHOWING US 4130 01:05:44,373 --> 01:05:46,074 DEMOCRACY IS FRAGILE. 4131 01:05:46,075 --> 01:05:46,141 DEMOCRACY IS FRAGILE. 4132 01:05:46,142 --> 01:05:48,244 IT CAN ALWAYS BE DESTROYED FROM 4133 01:05:48,244 --> 01:05:48,277 IT CAN ALWAYS BE DESTROYED FROM 4134 01:05:48,277 --> 01:05:49,544 WITHIN. 4135 01:05:49,545 --> 01:05:49,578 WITHIN. 4136 01:05:49,578 --> 01:05:51,913 >> AS MY FIRST ACT WITH THIS NEW 4137 01:05:51,914 --> 01:05:51,947 >> AS MY FIRST ACT WITH THIS NEW 4138 01:05:51,948 --> 01:05:55,885 AUTHORITY, I WILL CREATE A GRAND 4139 01:05:55,885 --> 01:05:55,918 AUTHORITY, I WILL CREATE A GRAND 4140 01:05:55,918 --> 01:05:59,354 ARMY OF THE REPUBLIC TO COUNTER 4141 01:05:59,355 --> 01:05:59,421 ARMY OF THE REPUBLIC TO COUNTER 4142 01:05:59,422 --> 01:06:00,556 THE INCREASING THREATS OF THE 4143 01:06:00,556 --> 01:06:00,622 THE INCREASING THREATS OF THE 4144 01:06:00,623 --> 01:06:01,724 SEPARATISTS. 4145 01:06:01,724 --> 01:06:01,757 SEPARATISTS. 4146 01:06:01,757 --> 01:06:03,191 >> Hudgins: PALPATINE'S PLAYING 4147 01:06:03,192 --> 01:06:03,225 >> Hudgins: PALPATINE'S PLAYING 4148 01:06:03,225 --> 01:06:04,826 BOTH SIDES BECAUSE HE KNOWS THAT 4149 01:06:04,827 --> 01:06:04,860 BOTH SIDES BECAUSE HE KNOWS THAT 4150 01:06:04,860 --> 01:06:06,928 WAR MEANS THE ACCUMULATION OF 4151 01:06:06,929 --> 01:06:06,995 WAR MEANS THE ACCUMULATION OF 4152 01:06:06,996 --> 01:06:09,832 POWER. 4153 01:06:09,832 --> 01:06:09,898 POWER. 4154 01:06:09,899 --> 01:06:11,634 AND IN A SENSE, THAT'S WHAT 4155 01:06:11,634 --> 01:06:11,667 AND IN A SENSE, THAT'S WHAT 4156 01:06:11,667 --> 01:06:13,168 HAPPENED IN ANCIENT ROME. 4157 01:06:13,169 --> 01:06:13,202 HAPPENED IN ANCIENT ROME. 4158 01:06:13,202 --> 01:06:15,470 PEOPLE LIKE JULIUS CAESAR RAISED 4159 01:06:15,471 --> 01:06:15,504 PEOPLE LIKE JULIUS CAESAR RAISED 4160 01:06:15,504 --> 01:06:16,905 ARMIES THAT BECAME PRIVATE 4161 01:06:16,906 --> 01:06:16,939 ARMIES THAT BECAME PRIVATE 4162 01:06:16,939 --> 01:06:19,374 ARMIES, AND THAT WAS REALLY WHAT 4163 01:06:19,375 --> 01:06:19,441 ARMIES, AND THAT WAS REALLY WHAT 4164 01:06:19,442 --> 01:06:21,811 LED TO THE DECLINE OF THE ROMAN 4165 01:06:21,811 --> 01:06:21,844 LED TO THE DECLINE OF THE ROMAN 4166 01:06:21,844 --> 01:06:22,845 REPUBLIC. 4167 01:06:22,845 --> 01:06:22,911 REPUBLIC. 4168 01:06:22,912 --> 01:06:26,115 [crowd cheering] 4169 01:06:26,115 --> 01:06:26,181 [crowd cheering] 4170 01:06:26,182 --> 01:06:27,283 >> Narrator: "STAR WARS" 4171 01:06:27,283 --> 01:06:27,349 >> Narrator: "STAR WARS" 4172 01:06:27,350 --> 01:06:28,751 FURTHER CONNECTS ITS GALACTIC 4173 01:06:28,751 --> 01:06:28,817 FURTHER CONNECTS ITS GALACTIC 4174 01:06:28,818 --> 01:06:30,619 REPUBLIC TO ANCIENT ROME WITH 4175 01:06:30,619 --> 01:06:30,652 REPUBLIC TO ANCIENT ROME WITH 4176 01:06:30,653 --> 01:06:32,388 SCENES LIKE THIS ONE. 4177 01:06:32,388 --> 01:06:32,421 SCENES LIKE THIS ONE. 4178 01:06:32,421 --> 01:06:35,824 [engines roaring] 4179 01:06:35,825 --> 01:06:35,858 [engines roaring] 4180 01:06:35,858 --> 01:06:37,125 >> Narrator: IN EPISODE I, 4181 01:06:37,126 --> 01:06:37,192 >> Narrator: IN EPISODE I, 4182 01:06:37,193 --> 01:06:38,561 "THE PHANTOM MENACE," THE 4183 01:06:38,561 --> 01:06:38,627 "THE PHANTOM MENACE," THE 4184 01:06:38,627 --> 01:06:40,395 POPULACE IS DISTRACTED FROM THE 4185 01:06:40,396 --> 01:06:40,429 POPULACE IS DISTRACTED FROM THE 4186 01:06:40,429 --> 01:06:42,197 GATHERING STORM OF WAR BY 4187 01:06:42,198 --> 01:06:42,231 GATHERING STORM OF WAR BY 4188 01:06:42,231 --> 01:06:44,633 SPECTACLES, LIKE THIS HIGH-SPEED 4189 01:06:44,633 --> 01:06:44,666 SPECTACLES, LIKE THIS HIGH-SPEED 4190 01:06:44,667 --> 01:06:46,935 POD RACE, REMINISCENT OF ROMAN 4191 01:06:46,936 --> 01:06:46,969 POD RACE, REMINISCENT OF ROMAN 4192 01:06:46,969 --> 01:06:50,272 CHARIOT RACES. 4193 01:06:50,272 --> 01:06:50,305 CHARIOT RACES. 4194 01:06:50,306 --> 01:06:52,775 LATER IN THE SAGA, AS PALPATINE 4195 01:06:52,775 --> 01:06:52,841 LATER IN THE SAGA, AS PALPATINE 4196 01:06:52,842 --> 01:06:54,577 CONSOLIDATES HIS POWER, THE 4197 01:06:54,577 --> 01:06:54,643 CONSOLIDATES HIS POWER, THE 4198 01:06:54,643 --> 01:06:56,478 CITIZENS INDULGE IN LURID 4199 01:06:56,479 --> 01:06:56,512 CITIZENS INDULGE IN LURID 4200 01:06:56,512 --> 01:06:58,447 RITUALS OF SACRIFICE AND 4201 01:06:58,447 --> 01:06:58,480 RITUALS OF SACRIFICE AND 4202 01:06:58,481 --> 01:07:00,316 SLAUGHTER. 4203 01:07:00,316 --> 01:07:00,382 SLAUGHTER. 4204 01:07:00,383 --> 01:07:02,385 [animal galloping and grunting] 4205 01:07:02,385 --> 01:07:02,418 [animal galloping and grunting] 4206 01:07:02,418 --> 01:07:04,119 >> Lyden: THERE IS A REFERENCE 4207 01:07:04,120 --> 01:07:04,153 >> Lyden: THERE IS A REFERENCE 4208 01:07:04,153 --> 01:07:06,488 TO GLADIATORIAL COMBAT, SUCH AS 4209 01:07:06,489 --> 01:07:06,555 TO GLADIATORIAL COMBAT, SUCH AS 4210 01:07:06,555 --> 01:07:09,124 ONE FINDS IN ANCIENT ROME. 4211 01:07:09,125 --> 01:07:09,158 ONE FINDS IN ANCIENT ROME. 4212 01:07:09,158 --> 01:07:10,959 YOU HAVE THE IDEA THAT EMPIRES 4213 01:07:10,960 --> 01:07:11,026 YOU HAVE THE IDEA THAT EMPIRES 4214 01:07:11,027 --> 01:07:15,965 CAN TURN TO THAT KIND DECADENCE. 4215 01:07:15,965 --> 01:07:15,998 CAN TURN TO THAT KIND DECADENCE. 4216 01:07:15,998 --> 01:07:19,868 [creature shrieks] 4217 01:07:19,869 --> 01:07:19,902 [creature shrieks] 4218 01:07:19,902 --> 01:07:23,038 [animal roars] 4219 01:07:23,039 --> 01:07:23,072 [animal roars] 4220 01:07:23,072 --> 01:07:27,042 [creature shrieks] 4221 01:07:27,043 --> 01:07:27,076 [creature shrieks] 4222 01:07:27,076 --> 01:07:28,143 >> Narrator: IN SHOWING THE 4223 01:07:28,144 --> 01:07:28,210 >> Narrator: IN SHOWING THE 4224 01:07:28,210 --> 01:07:30,145 FALL OF A REPUBLIC, "STAR WARS" 4225 01:07:30,146 --> 01:07:30,212 FALL OF A REPUBLIC, "STAR WARS" 4226 01:07:30,212 --> 01:07:31,880 ALSO REFLECTS THE STORY OF 4227 01:07:31,881 --> 01:07:31,914 ALSO REFLECTS THE STORY OF 4228 01:07:31,914 --> 01:07:33,782 NAPOLEON, WHO CROWNED HIMSELF 4229 01:07:33,783 --> 01:07:33,849 NAPOLEON, WHO CROWNED HIMSELF 4230 01:07:33,849 --> 01:07:36,251 EMPEROR AFTER THE HORRORS AND 4231 01:07:36,252 --> 01:07:36,318 EMPEROR AFTER THE HORRORS AND 4232 01:07:36,318 --> 01:07:38,119 CHAOS OF THE FRENCH REVOLUTION 4233 01:07:38,120 --> 01:07:38,153 CHAOS OF THE FRENCH REVOLUTION 4234 01:07:38,154 --> 01:07:39,755 BECAME TOO MUCH FOR THE FRENCH 4235 01:07:39,755 --> 01:07:39,788 BECAME TOO MUCH FOR THE FRENCH 4236 01:07:39,789 --> 01:07:41,690 PEOPLE TO BEAR. 4237 01:07:41,690 --> 01:07:41,756 PEOPLE TO BEAR. 4238 01:07:41,757 --> 01:07:43,658 EVEN EARLY AMERICAN HISTORY 4239 01:07:43,659 --> 01:07:43,692 EVEN EARLY AMERICAN HISTORY 4240 01:07:43,692 --> 01:07:45,427 OFFERS AN EXAMPLE OF HOW A 4241 01:07:45,428 --> 01:07:45,461 OFFERS AN EXAMPLE OF HOW A 4242 01:07:45,461 --> 01:07:47,129 REPUBLIC IS VULNERABLE TO THE 4243 01:07:47,129 --> 01:07:47,162 REPUBLIC IS VULNERABLE TO THE 4244 01:07:47,163 --> 01:07:48,964 AMBITIONS OF THE POWERFUL. 4245 01:07:48,964 --> 01:07:49,030 AMBITIONS OF THE POWERFUL. 4246 01:07:49,031 --> 01:07:50,032 >> Gingrich: IT'S IMPORTANT TO 4247 01:07:50,032 --> 01:07:50,065 >> Gingrich: IT'S IMPORTANT TO 4248 01:07:50,066 --> 01:07:51,167 REMEMBER THAT WASHINGTON AFTER 4249 01:07:51,167 --> 01:07:51,233 REMEMBER THAT WASHINGTON AFTER 4250 01:07:51,233 --> 01:07:52,400 THE AMERICAN REVOLUTION IS 4251 01:07:52,401 --> 01:07:52,434 THE AMERICAN REVOLUTION IS 4252 01:07:52,435 --> 01:07:54,036 OFFERED BY HIS OFFICERS TO 4253 01:07:54,036 --> 01:07:54,069 OFFERED BY HIS OFFICERS TO 4254 01:07:54,070 --> 01:07:56,338 REPLACE THE CONTINENTAL CONGRESS 4255 01:07:56,338 --> 01:07:56,404 REPLACE THE CONTINENTAL CONGRESS 4256 01:07:56,405 --> 01:07:58,039 AND ESTABLISH A DICTATORSHIP. 4257 01:07:58,040 --> 01:07:58,073 AND ESTABLISH A DICTATORSHIP. 4258 01:07:58,074 --> 01:07:59,508 AND HE SAYS TO THEM, "DO YOU 4259 01:07:59,508 --> 01:07:59,574 AND HE SAYS TO THEM, "DO YOU 4260 01:07:59,575 --> 01:08:01,443 TRULY BELIEVE THAT I LED THE 4261 01:08:01,444 --> 01:08:01,510 TRULY BELIEVE THAT I LED THE 4262 01:08:01,510 --> 01:08:03,345 REBELLION AGAINST GEORGE III IN 4263 01:08:03,345 --> 01:08:03,378 REBELLION AGAINST GEORGE III IN 4264 01:08:03,379 --> 01:08:04,880 ORDER TO BECOME GEORGE I?" 4265 01:08:04,880 --> 01:08:04,946 ORDER TO BECOME GEORGE I?" 4266 01:08:04,947 --> 01:08:06,949 AND I THINK HE WOULD FIND IN 4267 01:08:06,949 --> 01:08:06,982 AND I THINK HE WOULD FIND IN 4268 01:08:06,982 --> 01:08:09,317 "STAR WARS" A GREAT DEAL THAT 4269 01:08:09,318 --> 01:08:09,351 "STAR WARS" A GREAT DEAL THAT 4270 01:08:09,351 --> 01:08:10,885 HE WOULD HAVE AGREED WITH, AND 4271 01:08:10,886 --> 01:08:10,919 HE WOULD HAVE AGREED WITH, AND 4272 01:08:10,920 --> 01:08:12,087 A GREAT DEAL THAT HE WOULD HAVE 4273 01:08:12,088 --> 01:08:12,154 A GREAT DEAL THAT HE WOULD HAVE 4274 01:08:12,154 --> 01:08:13,321 UNDERSTOOD. 4275 01:08:13,322 --> 01:08:13,355 UNDERSTOOD. 4276 01:08:13,355 --> 01:08:14,356 >> Silvio: IT'S TESTIMONY TO 4277 01:08:14,356 --> 01:08:14,422 >> Silvio: IT'S TESTIMONY TO 4278 01:08:14,423 --> 01:08:15,357 JUST HOW SIGNIFICANT "STAR WARS" 4279 01:08:15,357 --> 01:08:15,423 JUST HOW SIGNIFICANT "STAR WARS" 4280 01:08:15,424 --> 01:08:16,958 IS THAT PEOPLE SEE OUR OWN 4281 01:08:16,959 --> 01:08:16,992 IS THAT PEOPLE SEE OUR OWN 4282 01:08:16,992 --> 01:08:18,693 SOCIETY, OUR OWN MOMENT 4283 01:08:18,694 --> 01:08:18,727 SOCIETY, OUR OWN MOMENT 4284 01:08:18,727 --> 01:08:19,961 REFLECTED IN IT. 4285 01:08:19,962 --> 01:08:19,995 REFLECTED IN IT. 4286 01:08:19,995 --> 01:08:21,997 >> ANAKIN, MY ALLEGIANCE IS TO 4287 01:08:21,997 --> 01:08:22,030 >> ANAKIN, MY ALLEGIANCE IS TO 4288 01:08:22,031 --> 01:08:24,366 THE REPUBLIC, TO DEMOCRACY! 4289 01:08:24,366 --> 01:08:24,432 THE REPUBLIC, TO DEMOCRACY! 4290 01:08:24,433 --> 01:08:27,702 >> IF YOU'RE NOT WITH ME... 4291 01:08:27,703 --> 01:08:27,736 >> IF YOU'RE NOT WITH ME... 4292 01:08:27,736 --> 01:08:29,838 THEN YOU'RE MY ENEMY. 4293 01:08:29,839 --> 01:08:29,872 THEN YOU'RE MY ENEMY. 4294 01:08:29,872 --> 01:08:31,006 >> Silvio: IN "REVENGE OF THE 4295 01:08:31,006 --> 01:08:31,039 >> Silvio: IN "REVENGE OF THE 4296 01:08:31,040 --> 01:08:32,641 SITH," WHEN WE HEAR ANAKIN SAY 4297 01:08:32,641 --> 01:08:32,674 SITH," WHEN WE HEAR ANAKIN SAY 4298 01:08:32,675 --> 01:08:34,076 YOU'RE EITHER WITH ME OR 4299 01:08:34,076 --> 01:08:34,109 YOU'RE EITHER WITH ME OR 4300 01:08:34,110 --> 01:08:35,444 AGAINST ME, IT'S ALMOST 4301 01:08:35,444 --> 01:08:35,477 AGAINST ME, IT'S ALMOST 4302 01:08:35,478 --> 01:08:37,012 IMPOSSIBLE NOT TO HEAR THAT 4303 01:08:37,012 --> 01:08:37,078 IMPOSSIBLE NOT TO HEAR THAT 4304 01:08:37,079 --> 01:08:38,547 QUOTE AND THINK OF ANOTHER VERY 4305 01:08:38,547 --> 01:08:38,613 QUOTE AND THINK OF ANOTHER VERY 4306 01:08:38,614 --> 01:08:40,449 FAMOUS QUOTE. 4307 01:08:40,449 --> 01:08:40,482 FAMOUS QUOTE. 4308 01:08:40,483 --> 01:08:43,085 >> EITHER YOU ARE WITH US OR 4309 01:08:43,085 --> 01:08:43,118 >> EITHER YOU ARE WITH US OR 4310 01:08:43,119 --> 01:08:44,987 YOU ARE WITH THE TERRORISTS. 4311 01:08:44,987 --> 01:08:45,053 YOU ARE WITH THE TERRORISTS. 4312 01:08:45,054 --> 01:08:47,056 [applause] 4313 01:08:47,056 --> 01:08:47,089 [applause] 4314 01:08:47,089 --> 01:08:48,990 >> Hudgins: SOME PEOPLE SAY THAT 4315 01:08:48,991 --> 01:08:49,024 >> Hudgins: SOME PEOPLE SAY THAT 4316 01:08:49,024 --> 01:08:50,825 THE NEW "STAR WARS" TRILOGY HAS 4317 01:08:50,826 --> 01:08:50,859 THE NEW "STAR WARS" TRILOGY HAS 4318 01:08:50,860 --> 01:08:52,261 ANALOGIES WITH IRAQ. 4319 01:08:52,261 --> 01:08:52,294 ANALOGIES WITH IRAQ. 4320 01:08:52,294 --> 01:08:53,528 AND I THINK THAT THAT'S ONLY 4321 01:08:53,529 --> 01:08:53,562 AND I THINK THAT THAT'S ONLY 4322 01:08:53,562 --> 01:08:55,297 VERY NARROWLY, BECAUSE LUCAS IS 4323 01:08:55,297 --> 01:08:55,363 VERY NARROWLY, BECAUSE LUCAS IS 4324 01:08:55,364 --> 01:08:57,566 LOOKING MUCH WIDER AT THE ROMAN 4325 01:08:57,566 --> 01:08:57,599 LOOKING MUCH WIDER AT THE ROMAN 4326 01:08:57,600 --> 01:08:59,568 REPUBLIC AND ALL REPUBLICS. 4327 01:08:59,568 --> 01:08:59,634 REPUBLIC AND ALL REPUBLICS. 4328 01:08:59,635 --> 01:09:01,103 >> Silvio: LUCAS IS TELLING A 4329 01:09:01,103 --> 01:09:01,136 >> Silvio: LUCAS IS TELLING A 4330 01:09:01,137 --> 01:09:03,839 VERY FAMILIAR HISTORICAL STORY, 4331 01:09:03,839 --> 01:09:03,872 VERY FAMILIAR HISTORICAL STORY, 4332 01:09:03,873 --> 01:09:06,475 THE STORY OF A TYRANT WHO COMES 4333 01:09:06,475 --> 01:09:06,508 THE STORY OF A TYRANT WHO COMES 4334 01:09:06,509 --> 01:09:08,544 TO POWER BY EXPLOITING 4335 01:09:08,544 --> 01:09:08,577 TO POWER BY EXPLOITING 4336 01:09:08,577 --> 01:09:10,812 CIRCUMSTANCES, BY CAPITALIZING 4337 01:09:10,813 --> 01:09:10,846 CIRCUMSTANCES, BY CAPITALIZING 4338 01:09:10,846 --> 01:09:13,014 ON FEAR, IS A STORY THAT'S BEEN 4339 01:09:13,015 --> 01:09:13,048 ON FEAR, IS A STORY THAT'S BEEN 4340 01:09:13,048 --> 01:09:16,985 TOLD AGAIN AND AGAIN AND AGAIN. 4341 01:09:16,986 --> 01:09:17,019 TOLD AGAIN AND AGAIN AND AGAIN. 4342 01:09:17,019 --> 01:09:20,122 >> [roars] 4343 01:09:20,122 --> 01:09:20,188 >> [roars] 4344 01:09:20,189 --> 01:09:21,123 >> Narrator: IN "REVENGE OF THE 4345 01:09:21,123 --> 01:09:21,156 >> Narrator: IN "REVENGE OF THE 4346 01:09:21,157 --> 01:09:23,259 SITH," THE HIDDEN EVIL WITHIN 4347 01:09:23,259 --> 01:09:23,292 SITH," THE HIDDEN EVIL WITHIN 4348 01:09:23,292 --> 01:09:26,461 PALPATINE IS MADE MANIFEST 4349 01:09:26,462 --> 01:09:26,495 PALPATINE IS MADE MANIFEST 4350 01:09:26,495 --> 01:09:28,563 DURING HIS BATTLE TO THE DEATH 4351 01:09:28,564 --> 01:09:28,630 DURING HIS BATTLE TO THE DEATH 4352 01:09:28,631 --> 01:09:35,304 WITH JEDI MASTER MACE WINDU. 4353 01:09:35,304 --> 01:09:35,370 WITH JEDI MASTER MACE WINDU. 4354 01:09:35,371 --> 01:09:38,540 >> [panicked grunting] 4355 01:09:38,541 --> 01:09:38,574 >> [panicked grunting] 4356 01:09:38,574 --> 01:09:40,876 >> I AM GOING TO END THIS ONCE 4357 01:09:40,876 --> 01:09:40,909 >> I AM GOING TO END THIS ONCE 4358 01:09:40,910 --> 01:09:42,011 AND FOR ALL. 4359 01:09:42,011 --> 01:09:42,044 AND FOR ALL. 4360 01:09:42,044 --> 01:09:44,112 >> YOU CAN'T. 4361 01:09:44,113 --> 01:09:44,146 >> YOU CAN'T. 4362 01:09:44,146 --> 01:09:46,047 HE MUST STAND TRIAL. 4363 01:09:46,048 --> 01:09:46,114 HE MUST STAND TRIAL. 4364 01:09:46,115 --> 01:09:48,050 >> HE HAS CONTROL OF THE SENATE 4365 01:09:48,050 --> 01:09:48,116 >> HE HAS CONTROL OF THE SENATE 4366 01:09:48,117 --> 01:09:49,184 AND THE COURTS. 4367 01:09:49,185 --> 01:09:49,218 AND THE COURTS. 4368 01:09:49,218 --> 01:09:50,852 HE'S TOO DANGEROUS TO BE LEFT 4369 01:09:50,853 --> 01:09:50,886 HE'S TOO DANGEROUS TO BE LEFT 4370 01:09:50,886 --> 01:09:51,486 ALIVE. 4371 01:09:51,487 --> 01:09:51,553 ALIVE. 4372 01:09:51,554 --> 01:09:52,955 >> NO. 4373 01:09:52,955 --> 01:09:52,988 >> NO. 4374 01:09:52,988 --> 01:09:55,123 NO! NO! 4375 01:09:55,124 --> 01:09:55,157 NO! NO! 4376 01:09:55,157 --> 01:09:59,294 YOU WILL DIE! 4377 01:09:59,295 --> 01:09:59,328 YOU WILL DIE! 4378 01:09:59,328 --> 01:10:01,029 >> Wetmore, Jr.: PALPATINE IS 4379 01:10:01,030 --> 01:10:01,063 >> Wetmore, Jr.: PALPATINE IS 4380 01:10:01,063 --> 01:10:02,397 NOW PHYSICALIZED EVIL. 4381 01:10:02,398 --> 01:10:02,431 NOW PHYSICALIZED EVIL. 4382 01:10:02,431 --> 01:10:03,598 HE'S UGLY AND CRUSTY AND 4383 01:10:03,599 --> 01:10:03,665 HE'S UGLY AND CRUSTY AND 4384 01:10:03,666 --> 01:10:07,036 MONSTROUS. 4385 01:10:07,036 --> 01:10:07,069 MONSTROUS. 4386 01:10:07,069 --> 01:10:08,503 >> POWER! 4387 01:10:08,504 --> 01:10:08,570 >> POWER! 4388 01:10:08,571 --> 01:10:09,872 >> Hudgins: PALPATINE BECOMES 4389 01:10:09,872 --> 01:10:09,905 >> Hudgins: PALPATINE BECOMES 4390 01:10:09,905 --> 01:10:11,239 THE EVIL EMPEROR. 4391 01:10:11,240 --> 01:10:11,273 THE EVIL EMPEROR. 4392 01:10:11,273 --> 01:10:14,142 YOU SEE THE DESIRE FOR POWER, 4393 01:10:14,143 --> 01:10:14,176 YOU SEE THE DESIRE FOR POWER, 4394 01:10:14,176 --> 01:10:15,610 THE DESIRE FOR CONTROL. 4395 01:10:15,611 --> 01:10:15,644 THE DESIRE FOR CONTROL. 4396 01:10:15,644 --> 01:10:21,149 >> POWER! 4397 01:10:21,150 --> 01:10:21,183 >> POWER! 4398 01:10:21,183 --> 01:10:22,150 >> Narrator: THE CUNNING 4399 01:10:22,151 --> 01:10:22,184 >> Narrator: THE CUNNING 4400 01:10:22,184 --> 01:10:23,418 PALPATINE EVEN USES HIS 4401 01:10:23,419 --> 01:10:23,452 PALPATINE EVEN USES HIS 4402 01:10:23,452 --> 01:10:25,220 PHYSICAL DEFORMITY TO WIN 4403 01:10:25,221 --> 01:10:25,254 PHYSICAL DEFORMITY TO WIN 4404 01:10:25,254 --> 01:10:27,589 SYMPATHY AND SUPPORT AS HE 4405 01:10:27,590 --> 01:10:27,623 SYMPATHY AND SUPPORT AS HE 4406 01:10:27,623 --> 01:10:28,790 SEIZES TOTAL POWER. 4407 01:10:28,791 --> 01:10:28,857 SEIZES TOTAL POWER. 4408 01:10:28,857 --> 01:10:31,960 >> THE ATTEMPT ON MY LIFE HAS 4409 01:10:31,961 --> 01:10:31,994 >> THE ATTEMPT ON MY LIFE HAS 4410 01:10:31,994 --> 01:10:37,666 LEFT ME SCARRED AND DEFORMED. 4411 01:10:37,666 --> 01:10:37,699 LEFT ME SCARRED AND DEFORMED. 4412 01:10:37,700 --> 01:10:42,805 BUT I ASSURE YOU, MY RESOLVE HAS 4413 01:10:42,805 --> 01:10:42,838 BUT I ASSURE YOU, MY RESOLVE HAS 4414 01:10:42,838 --> 01:10:45,574 NEVER BEEN STRONGER! 4415 01:10:45,574 --> 01:10:45,607 NEVER BEEN STRONGER! 4416 01:10:45,608 --> 01:10:46,976 [applause] 4417 01:10:46,976 --> 01:10:47,042 [applause] 4418 01:10:47,042 --> 01:10:48,309 >> Paglia: LUCAS CORRECTLY 4419 01:10:48,310 --> 01:10:48,343 >> Paglia: LUCAS CORRECTLY 4420 01:10:48,344 --> 01:10:50,579 PERCEIVES THAT POLITICS ARE 4421 01:10:50,579 --> 01:10:50,612 PERCEIVES THAT POLITICS ARE 4422 01:10:50,613 --> 01:10:52,881 CYCLICAL AND THAT THERE IS NEVER 4423 01:10:52,881 --> 01:10:52,914 CYCLICAL AND THAT THERE IS NEVER 4424 01:10:52,915 --> 01:10:55,784 A FINAL SOLUTION TO ANYTHING 4425 01:10:55,784 --> 01:10:55,817 A FINAL SOLUTION TO ANYTHING 4426 01:10:55,818 --> 01:10:57,252 INVOLVING THE CONSTRUCTION OF 4427 01:10:57,253 --> 01:10:57,286 INVOLVING THE CONSTRUCTION OF 4428 01:10:57,286 --> 01:10:58,253 HUMAN SOCIETIES, THAT THEY ARE 4429 01:10:58,254 --> 01:10:58,287 HUMAN SOCIETIES, THAT THEY ARE 4430 01:10:58,287 --> 01:11:00,322 IN CONTINUAL PROCESS OF 4431 01:11:00,322 --> 01:11:00,355 IN CONTINUAL PROCESS OF 4432 01:11:00,356 --> 01:11:02,257 CONSTRUCTION AND OF 4433 01:11:02,258 --> 01:11:02,291 CONSTRUCTION AND OF 4434 01:11:02,291 --> 01:11:05,360 SELF-DESTRUCTION. 4435 01:11:05,361 --> 01:11:05,394 SELF-DESTRUCTION. 4436 01:11:05,394 --> 01:11:06,728 >> Whedon: WHEN PALPATINE TAKES 4437 01:11:06,729 --> 01:11:06,795 >> Whedon: WHEN PALPATINE TAKES 4438 01:11:06,795 --> 01:11:08,229 OVER, IT'S THE MOST CHILLING 4439 01:11:08,230 --> 01:11:08,263 OVER, IT'S THE MOST CHILLING 4440 01:11:08,264 --> 01:11:09,965 THING I'D SEEN SINCE THE FIRST 4441 01:11:09,965 --> 01:11:09,998 THING I'D SEEN SINCE THE FIRST 4442 01:11:09,999 --> 01:11:10,899 MOVIE. 4443 01:11:10,899 --> 01:11:10,932 MOVIE. 4444 01:11:10,933 --> 01:11:13,335 I MEAN, I HAD ACTUAL DREAD IN 4445 01:11:13,335 --> 01:11:13,368 I MEAN, I HAD ACTUAL DREAD IN 4446 01:11:13,369 --> 01:11:14,703 THAT WONDERFUL SHOT... 4447 01:11:14,703 --> 01:11:14,736 THAT WONDERFUL SHOT... 4448 01:11:14,737 --> 01:11:15,738 [applause] 4449 01:11:15,738 --> 01:11:15,804 [applause] 4450 01:11:15,804 --> 01:11:16,871 WHERE THEY'RE COMING DOWN ON 4451 01:11:16,872 --> 01:11:16,905 WHERE THEY'RE COMING DOWN ON 4452 01:11:16,905 --> 01:11:20,875 HIM, AND EVERYBODY'S CHEERING. 4453 01:11:20,876 --> 01:11:20,909 HIM, AND EVERYBODY'S CHEERING. 4454 01:11:20,909 --> 01:11:22,911 >> IN ORDER TO ENSURE THE 4455 01:11:22,911 --> 01:11:22,944 >> IN ORDER TO ENSURE THE 4456 01:11:22,945 --> 01:11:24,980 SECURITY AND CONTINUING 4457 01:11:24,980 --> 01:11:25,013 SECURITY AND CONTINUING 4458 01:11:25,014 --> 01:11:28,984 STABILITY, THE REPUBLIC WILL BE 4459 01:11:28,984 --> 01:11:29,017 STABILITY, THE REPUBLIC WILL BE 4460 01:11:29,018 --> 01:11:32,988 REORGANIZED INTO THE FIRST 4461 01:11:32,988 --> 01:11:33,021 REORGANIZED INTO THE FIRST 4462 01:11:33,022 --> 01:11:36,091 GALACTIC EMPIRE! 4463 01:11:36,091 --> 01:11:36,157 GALACTIC EMPIRE! 4464 01:11:36,158 --> 01:11:37,559 [applause] 4465 01:11:37,559 --> 01:11:37,625 [applause] 4466 01:11:37,626 --> 01:11:38,827 >> Lyden: THERE IS A TIMELESS 4467 01:11:38,827 --> 01:11:38,893 >> Lyden: THERE IS A TIMELESS 4468 01:11:38,894 --> 01:11:41,096 MORAL THAT POWER CORRUPTS AND 4469 01:11:41,096 --> 01:11:41,162 MORAL THAT POWER CORRUPTS AND 4470 01:11:41,163 --> 01:11:43,064 ABSOLUTE POWER CORRUPTS 4471 01:11:43,065 --> 01:11:43,098 ABSOLUTE POWER CORRUPTS 4472 01:11:43,098 --> 01:11:44,065 ABSOLUTELY. 4473 01:11:44,066 --> 01:11:44,099 ABSOLUTELY. 4474 01:11:44,099 --> 01:11:46,568 WE HAVE TO SAFEGUARD DEMOCRACY. 4475 01:11:46,568 --> 01:11:46,601 WE HAVE TO SAFEGUARD DEMOCRACY. 4476 01:11:46,602 --> 01:11:49,571 THAT THREAT IS ALWAYS THERE. 4477 01:11:49,571 --> 01:11:49,604 THAT THREAT IS ALWAYS THERE. 4478 01:11:49,605 --> 01:11:53,175 >> SO THIS IS HOW LIBERTY DIES, 4479 01:11:53,175 --> 01:11:53,208 >> SO THIS IS HOW LIBERTY DIES, 4480 01:11:53,208 --> 01:11:55,643 WITH THUNDEROUS APPLAUSE. 4481 01:12:02,518 --> 01:12:03,452 >> LOOK AT HIM, HE'S HEADING 4482 01:12:03,452 --> 01:12:03,485 >> LOOK AT HIM, HE'S HEADING 4483 01:12:03,485 --> 01:12:04,552 FOR THAT SMALL MOON. 4484 01:12:04,553 --> 01:12:04,586 FOR THAT SMALL MOON. 4485 01:12:04,586 --> 01:12:05,286 >> I THINK I CAN GET HIM BEFORE 4486 01:12:05,287 --> 01:12:05,353 >> I THINK I CAN GET HIM BEFORE 4487 01:12:05,354 --> 01:12:06,254 HE GETS THERE. 4488 01:12:06,255 --> 01:12:06,288 HE GETS THERE. 4489 01:12:06,288 --> 01:12:08,556 HE'S ALMOST IN RANGE. 4490 01:12:08,557 --> 01:12:08,623 HE'S ALMOST IN RANGE. 4491 01:12:08,624 --> 01:12:10,926 >> THAT'S NO MOON. 4492 01:12:10,926 --> 01:12:10,992 >> THAT'S NO MOON. 4493 01:12:10,993 --> 01:12:12,728 IT'S A SPACE STATION. 4494 01:12:12,728 --> 01:12:12,761 IT'S A SPACE STATION. 4495 01:12:12,761 --> 01:12:13,828 >> IT'S TOO BIG TO BE A SPACE 4496 01:12:13,829 --> 01:12:13,862 >> IT'S TOO BIG TO BE A SPACE 4497 01:12:13,862 --> 01:12:15,363 STATION. 4498 01:12:26,141 --> 01:12:27,275 >> Narrator: IN MOST MYTHIC 4499 01:12:27,276 --> 01:12:27,309 >> Narrator: IN MOST MYTHIC 4500 01:12:27,309 --> 01:12:29,577 TALES, THE HERO AND HIS COMRADES 4501 01:12:29,578 --> 01:12:29,644 TALES, THE HERO AND HIS COMRADES 4502 01:12:29,645 --> 01:12:31,113 MUST TAKE PART IN AN EPIC 4503 01:12:31,113 --> 01:12:31,146 MUST TAKE PART IN AN EPIC 4504 01:12:31,146 --> 01:12:34,649 BATTLE. 4505 01:12:34,650 --> 01:12:34,683 BATTLE. 4506 01:12:34,683 --> 01:12:36,751 THE "STAR WARS" SAGA DRAWS ON 4507 01:12:36,752 --> 01:12:36,785 THE "STAR WARS" SAGA DRAWS ON 4508 01:12:36,785 --> 01:12:39,120 ICONIC IMAGES OF GOOD AND EVIL, 4509 01:12:39,121 --> 01:12:39,154 ICONIC IMAGES OF GOOD AND EVIL, 4510 01:12:39,154 --> 01:12:41,556 TO EVOKE A MECHANIZED EMPIRE ON 4511 01:12:41,557 --> 01:12:41,590 TO EVOKE A MECHANIZED EMPIRE ON 4512 01:12:41,590 --> 01:12:44,192 THE VERGE OF CRUSHING DEMOCRACY. 4513 01:12:44,193 --> 01:12:44,226 THE VERGE OF CRUSHING DEMOCRACY. 4514 01:12:44,226 --> 01:12:45,560 >> Henderson: IN ORDER TO MAKE 4515 01:12:45,561 --> 01:12:45,594 >> Henderson: IN ORDER TO MAKE 4516 01:12:45,594 --> 01:12:47,862 THE EMPIRE SEEM PARTICULARLY 4517 01:12:47,863 --> 01:12:47,896 THE EMPIRE SEEM PARTICULARLY 4518 01:12:47,896 --> 01:12:50,865 EVIL, LUCAS CALLS THE EMPEROR'S 4519 01:12:50,866 --> 01:12:50,899 EVIL, LUCAS CALLS THE EMPEROR'S 4520 01:12:50,899 --> 01:12:53,034 TROOPS STORMTROOPERS, 4521 01:12:53,035 --> 01:12:53,101 TROOPS STORMTROOPERS, 4522 01:12:53,102 --> 01:12:55,137 WHICH WERE, OF COURSE, HITLER'S 4523 01:12:55,137 --> 01:12:55,203 WHICH WERE, OF COURSE, HITLER'S 4524 01:12:55,204 --> 01:12:56,939 PERSONAL BODYGUARDS. 4525 01:12:56,939 --> 01:12:56,972 PERSONAL BODYGUARDS. 4526 01:12:56,972 --> 01:12:59,874 HE USES THE BLACK, WHITE AND 4527 01:12:59,875 --> 01:12:59,941 HE USES THE BLACK, WHITE AND 4528 01:12:59,942 --> 01:13:02,511 RED WHEN HE SHOWS THE EMPIRE, 4529 01:13:02,511 --> 01:13:02,544 RED WHEN HE SHOWS THE EMPIRE, 4530 01:13:02,544 --> 01:13:04,946 AND IN FACT, THOSE WERE COLORS 4531 01:13:04,947 --> 01:13:05,013 AND IN FACT, THOSE WERE COLORS 4532 01:13:05,013 --> 01:13:07,482 THAT HITLER LIKED AND USED FOR 4533 01:13:07,483 --> 01:13:07,516 THAT HITLER LIKED AND USED FOR 4534 01:13:07,516 --> 01:13:09,417 WHAT WAS CALLED THE BLOOD FLAG, 4535 01:13:09,418 --> 01:13:09,451 WHAT WAS CALLED THE BLOOD FLAG, 4536 01:13:09,451 --> 01:13:12,687 A SYMBOL OF THE THIRD REICH. 4537 01:13:12,688 --> 01:13:12,754 A SYMBOL OF THE THIRD REICH. 4538 01:13:12,755 --> 01:13:14,056 >> Brokaw: WHEN YOU LOOK AT 4539 01:13:14,056 --> 01:13:14,122 >> Brokaw: WHEN YOU LOOK AT 4540 01:13:14,123 --> 01:13:15,424 DARTH VADER WITH WHAT LOOKS 4541 01:13:15,424 --> 01:13:15,457 DARTH VADER WITH WHAT LOOKS 4542 01:13:15,457 --> 01:13:16,858 LIKE WHAT THEY CALL THE 4543 01:13:16,859 --> 01:13:16,892 LIKE WHAT THEY CALL THE 4544 01:13:16,892 --> 01:13:18,493 UPSIDE-DOWN COAL KETTLE OF THE 4545 01:13:18,494 --> 01:13:18,527 UPSIDE-DOWN COAL KETTLE OF THE 4546 01:13:18,527 --> 01:13:20,562 GERMAN HELMET, THOSE WERE VERY 4547 01:13:20,562 --> 01:13:20,595 GERMAN HELMET, THOSE WERE VERY 4548 01:13:20,596 --> 01:13:22,497 POWERFUL SYMBOLS OF EVIL IN 4549 01:13:22,498 --> 01:13:22,564 POWERFUL SYMBOLS OF EVIL IN 4550 01:13:22,564 --> 01:13:24,432 AMERICA THAT TOOK YOU INSTANTLY 4551 01:13:24,433 --> 01:13:24,499 AMERICA THAT TOOK YOU INSTANTLY 4552 01:13:24,500 --> 01:13:25,701 TO THE DARK SIDE AS SOON AS YOU 4553 01:13:25,701 --> 01:13:25,767 TO THE DARK SIDE AS SOON AS YOU 4554 01:13:25,768 --> 01:13:27,069 SAW THAT SHAPE OF THAT HELMET OR 4555 01:13:27,069 --> 01:13:27,102 SAW THAT SHAPE OF THAT HELMET OR 4556 01:13:27,102 --> 01:13:28,336 HEARD THE PHRASE 4557 01:13:28,337 --> 01:13:28,403 HEARD THE PHRASE 4558 01:13:28,403 --> 01:13:29,871 "STORMTROOPERS." 4559 01:13:29,872 --> 01:13:29,905 "STORMTROOPERS." 4560 01:13:29,905 --> 01:13:30,672 >> Galipeau: SYMBOLICALLY, THE 4561 01:13:30,672 --> 01:13:30,705 >> Galipeau: SYMBOLICALLY, THE 4562 01:13:30,706 --> 01:13:32,841 MASK REALLY REPRESENTS SOMEONE 4563 01:13:32,841 --> 01:13:32,874 MASK REALLY REPRESENTS SOMEONE 4564 01:13:32,875 --> 01:13:35,310 WHO'S LOST THEIR HUMANITY. 4565 01:13:35,310 --> 01:13:35,343 WHO'S LOST THEIR HUMANITY. 4566 01:13:35,344 --> 01:13:36,778 SO THEY ARE JUST GOING TO DO 4567 01:13:36,779 --> 01:13:36,812 SO THEY ARE JUST GOING TO DO 4568 01:13:36,812 --> 01:13:37,879 WHAT THEY'RE TOLD. 4569 01:13:37,880 --> 01:13:37,946 WHAT THEY'RE TOLD. 4570 01:13:37,946 --> 01:13:39,113 >> TO YOUR STATIONS. 4571 01:13:39,114 --> 01:13:39,147 >> TO YOUR STATIONS. 4572 01:13:39,148 --> 01:13:40,048 >> Galipeau: BUT NOT 4573 01:13:40,048 --> 01:13:40,081 >> Galipeau: BUT NOT 4574 01:13:40,082 --> 01:13:42,050 NECESSARILY WHAT'S RIGHT. 4575 01:13:42,050 --> 01:13:42,116 NECESSARILY WHAT'S RIGHT. 4576 01:13:42,117 --> 01:13:43,351 >> Narrator: IN "STAR WARS," 4577 01:13:43,352 --> 01:13:43,418 >> Narrator: IN "STAR WARS," 4578 01:13:43,418 --> 01:13:44,786 THE REBEL RESISTANCE AND THE 4579 01:13:44,787 --> 01:13:44,853 THE REBEL RESISTANCE AND THE 4580 01:13:44,853 --> 01:13:46,221 HEROIC GUARDIANS OF THE OLD 4581 01:13:46,221 --> 01:13:46,254 HEROIC GUARDIANS OF THE OLD 4582 01:13:46,255 --> 01:13:48,624 REPUBLIC EMBRACE DIVERSITY... 4583 01:13:48,624 --> 01:13:48,690 REPUBLIC EMBRACE DIVERSITY... 4584 01:13:48,690 --> 01:13:52,627 [Wookiees bellowing] 4585 01:13:52,628 --> 01:13:52,661 [Wookiees bellowing] 4586 01:13:52,661 --> 01:13:53,895 >> Narrator: IN CONTRAST TO THE 4587 01:13:53,896 --> 01:13:53,929 >> Narrator: IN CONTRAST TO THE 4588 01:13:53,929 --> 01:13:55,897 UNIFORMITY OF THE EMPIRE AND THE 4589 01:13:55,898 --> 01:13:55,931 UNIFORMITY OF THE EMPIRE AND THE 4590 01:13:55,931 --> 01:13:57,032 SITH. 4591 01:13:57,032 --> 01:13:57,065 SITH. 4592 01:13:57,065 --> 01:13:59,801 >> Lyden: THE EMPIRE IS STERILE 4593 01:13:59,802 --> 01:13:59,835 >> Lyden: THE EMPIRE IS STERILE 4594 01:13:59,835 --> 01:14:02,270 AND LIFELESS. 4595 01:14:02,271 --> 01:14:02,337 AND LIFELESS. 4596 01:14:02,337 --> 01:14:04,539 THERE ARE NO WOMEN IN THE EMPIRE 4597 01:14:04,540 --> 01:14:04,606 THERE ARE NO WOMEN IN THE EMPIRE 4598 01:14:04,606 --> 01:14:06,274 ANYWHERE. 4599 01:14:06,275 --> 01:14:06,341 ANYWHERE. 4600 01:14:06,341 --> 01:14:07,241 >> IF THE SCANNERS PICK UP 4601 01:14:07,242 --> 01:14:07,275 >> IF THE SCANNERS PICK UP 4602 01:14:07,276 --> 01:14:08,710 ANYTHING, REPORT IT IMMEDIATELY. 4603 01:14:08,710 --> 01:14:08,743 ANYTHING, REPORT IT IMMEDIATELY. 4604 01:14:08,744 --> 01:14:10,078 >> Lyden: AND THIS MAY BE 4605 01:14:10,078 --> 01:14:10,144 >> Lyden: AND THIS MAY BE 4606 01:14:10,145 --> 01:14:11,713 BECAUSE WOMEN ARE ASSOCIATED 4607 01:14:11,713 --> 01:14:11,779 BECAUSE WOMEN ARE ASSOCIATED 4608 01:14:11,780 --> 01:14:13,548 WITH LIFE, THE POWER OF LIFE- 4609 01:14:13,549 --> 01:14:13,615 WITH LIFE, THE POWER OF LIFE- 4610 01:14:13,615 --> 01:14:15,516 GIVING, WITH NATURE. 4611 01:14:15,517 --> 01:14:15,550 GIVING, WITH NATURE. 4612 01:14:15,551 --> 01:14:16,985 >> YOU ARE PART OF THE REBEL 4613 01:14:16,985 --> 01:14:17,018 >> YOU ARE PART OF THE REBEL 4614 01:14:17,019 --> 01:14:18,687 ALLIANCE AND A TRAITOR. 4615 01:14:18,687 --> 01:14:18,720 ALLIANCE AND A TRAITOR. 4616 01:14:18,720 --> 01:14:19,954 TAKE HER AWAY! 4617 01:14:19,955 --> 01:14:19,988 TAKE HER AWAY! 4618 01:14:19,988 --> 01:14:21,089 >> Lyden: ALL OF WHICH ARE 4619 01:14:21,089 --> 01:14:21,155 >> Lyden: ALL OF WHICH ARE 4620 01:14:21,156 --> 01:14:22,524 THINGS THAT ARE OPPOSED TO THE 4621 01:14:22,524 --> 01:14:22,557 THINGS THAT ARE OPPOSED TO THE 4622 01:14:22,558 --> 01:14:24,359 EMPIRE, AS IT IS BASED ON 4623 01:14:24,359 --> 01:14:24,425 EMPIRE, AS IT IS BASED ON 4624 01:14:24,426 --> 01:14:27,729 DEATH, DESTRUCTION AND VIOLENCE. 4625 01:14:34,937 --> 01:14:36,905 >> MASTER WINDU. 4626 01:14:36,905 --> 01:14:36,971 >> MASTER WINDU. 4627 01:14:36,972 --> 01:14:39,274 HOW PLEASANT OF YOU TO JOIN US. 4628 01:14:39,274 --> 01:14:39,307 HOW PLEASANT OF YOU TO JOIN US. 4629 01:14:39,308 --> 01:14:41,710 >> THIS PARTY'S OVER. 4630 01:14:41,710 --> 01:14:41,743 >> THIS PARTY'S OVER. 4631 01:14:41,743 --> 01:14:42,376 >> Wielseltier: IT'S THE 4632 01:14:42,377 --> 01:14:42,443 >> Wielseltier: IT'S THE 4633 01:14:42,444 --> 01:14:44,446 RESISTANCE OF THE CHAMPIONS OF 4634 01:14:44,446 --> 01:14:44,512 RESISTANCE OF THE CHAMPIONS OF 4635 01:14:44,513 --> 01:14:45,914 DIVERSITY. 4636 01:14:45,914 --> 01:14:45,947 DIVERSITY. 4637 01:14:45,948 --> 01:14:47,549 AND THEY'RE NOT JUST ETHNICALLY 4638 01:14:47,549 --> 01:14:47,582 AND THEY'RE NOT JUST ETHNICALLY 4639 01:14:47,583 --> 01:14:49,084 VARIOUS. 4640 01:14:49,084 --> 01:14:49,117 VARIOUS. 4641 01:14:49,117 --> 01:14:54,021 THEY'RE ZOOLOGICALLY VARIOUS... 4642 01:14:54,022 --> 01:14:54,088 THEY'RE ZOOLOGICALLY VARIOUS... 4643 01:14:54,089 --> 01:14:56,191 AGAINST THE ENFORCERS OF 4644 01:14:56,191 --> 01:14:56,224 AGAINST THE ENFORCERS OF 4645 01:14:56,225 --> 01:14:57,025 UNIFORMITY. 4646 01:14:57,025 --> 01:14:57,058 UNIFORMITY. 4647 01:14:57,059 --> 01:14:58,026 >> Gingrich: IN THAT SENSE, IF 4648 01:14:58,026 --> 01:14:58,092 >> Gingrich: IN THAT SENSE, IF 4649 01:14:58,093 --> 01:14:59,194 YOU GO BACK AND LOOK AT THE 4650 01:14:59,194 --> 01:14:59,260 YOU GO BACK AND LOOK AT THE 4651 01:14:59,261 --> 01:15:00,362 COLD WAR, WHERE THE UNITED 4652 01:15:00,362 --> 01:15:00,395 COLD WAR, WHERE THE UNITED 4653 01:15:00,395 --> 01:15:01,362 STATES HAD REACHED ACROSS THE 4654 01:15:01,363 --> 01:15:01,396 STATES HAD REACHED ACROSS THE 4655 01:15:01,396 --> 01:15:03,030 PLANET FROM JAPAN AND SOUTH 4656 01:15:03,031 --> 01:15:03,097 PLANET FROM JAPAN AND SOUTH 4657 01:15:03,098 --> 01:15:04,732 KOREA TO EUROPE, THERE WAS A 4658 01:15:04,733 --> 01:15:04,799 KOREA TO EUROPE, THERE WAS A 4659 01:15:04,800 --> 01:15:06,468 VERY BROAD COALITION OF PEOPLE 4660 01:15:06,468 --> 01:15:06,501 VERY BROAD COALITION OF PEOPLE 4661 01:15:06,501 --> 01:15:08,102 REPRESENTING MANY DIFFERENT 4662 01:15:08,103 --> 01:15:08,169 REPRESENTING MANY DIFFERENT 4663 01:15:08,170 --> 01:15:09,471 VALUE SYSTEMS AND STRUCTURES 4664 01:15:09,471 --> 01:15:09,504 VALUE SYSTEMS AND STRUCTURES 4665 01:15:09,504 --> 01:15:10,938 BUT WHO HAD COLLECTIVELY 4666 01:15:10,939 --> 01:15:10,972 BUT WHO HAD COLLECTIVELY 4667 01:15:10,973 --> 01:15:12,574 CONCLUDED THAT THEY DIDN'T WANT 4668 01:15:12,574 --> 01:15:12,607 CONCLUDED THAT THEY DIDN'T WANT 4669 01:15:12,608 --> 01:15:14,543 A SOVIET TYRANNY IMPOSED ON 4670 01:15:14,543 --> 01:15:14,576 A SOVIET TYRANNY IMPOSED ON 4671 01:15:14,576 --> 01:15:15,476 THEM. 4672 01:15:15,477 --> 01:15:15,510 THEM. 4673 01:15:15,510 --> 01:15:16,477 >> Silvio: MANY PEOPLE LIKE TO 4674 01:15:16,478 --> 01:15:16,544 >> Silvio: MANY PEOPLE LIKE TO 4675 01:15:16,545 --> 01:15:17,746 READ THE SOVIET UNION AS THE 4676 01:15:17,746 --> 01:15:17,812 READ THE SOVIET UNION AS THE 4677 01:15:17,813 --> 01:15:18,747 EMPIRE. 4678 01:15:18,747 --> 01:15:18,813 EMPIRE. 4679 01:15:18,814 --> 01:15:19,748 BUT I THINK THAT LUCAS WAS 4680 01:15:19,748 --> 01:15:19,781 BUT I THINK THAT LUCAS WAS 4681 01:15:19,781 --> 01:15:21,215 THINKING OF THE EMPIRE IN THE 4682 01:15:21,216 --> 01:15:21,249 THINKING OF THE EMPIRE IN THE 4683 01:15:21,250 --> 01:15:23,118 ORIGINAL FILM, "A NEW HOPE," AS 4684 01:15:23,118 --> 01:15:23,151 ORIGINAL FILM, "A NEW HOPE," AS 4685 01:15:23,151 --> 01:15:24,018 THE SYSTEM. 4686 01:15:24,019 --> 01:15:24,085 THE SYSTEM. 4687 01:15:24,086 --> 01:15:25,654 THE MAN, YOU KNOW. 4688 01:15:25,654 --> 01:15:25,720 THE MAN, YOU KNOW. 4689 01:15:25,721 --> 01:15:28,090 THE MONOLITHIC FACELESS SIDE OF 4690 01:15:28,090 --> 01:15:28,123 THE MONOLITHIC FACELESS SIDE OF 4691 01:15:28,123 --> 01:15:30,091 POWER THAT'S THREATENING TO 4692 01:15:30,092 --> 01:15:30,125 POWER THAT'S THREATENING TO 4693 01:15:30,125 --> 01:15:31,726 SQUELCH US ALL. 4694 01:15:36,465 --> 01:15:37,732 >> Young: JOSEPH CAMPBELL 4695 01:15:37,733 --> 01:15:37,766 >> Young: JOSEPH CAMPBELL 4696 01:15:37,766 --> 01:15:39,134 THOUGHT THAT PERHAPS THE GREAT 4697 01:15:39,134 --> 01:15:39,200 THOUGHT THAT PERHAPS THE GREAT 4698 01:15:39,201 --> 01:15:41,369 MORAL QUESTION OF OUR TIME IS 4699 01:15:41,370 --> 01:15:41,403 MORAL QUESTION OF OUR TIME IS 4700 01:15:41,403 --> 01:15:43,671 WILL WE LIVE FOR THE MACHINE, OR 4701 01:15:43,672 --> 01:15:43,738 WILL WE LIVE FOR THE MACHINE, OR 4702 01:15:43,739 --> 01:15:46,742 WILL WE LIVE FOR HUMANITY? 4703 01:15:46,742 --> 01:15:46,775 WILL WE LIVE FOR HUMANITY? 4704 01:15:46,775 --> 01:15:53,214 >> MAGNIFICENT, AREN'T THEY? 4705 01:15:53,215 --> 01:15:53,248 >> MAGNIFICENT, AREN'T THEY? 4706 01:15:53,248 --> 01:15:54,482 >> Young: AND HE THOUGHT THE 4707 01:15:54,483 --> 01:15:54,516 >> Young: AND HE THOUGHT THE 4708 01:15:54,516 --> 01:15:56,684 "STAR WARS" FILMS PRESENTED THIS 4709 01:15:56,685 --> 01:15:56,751 "STAR WARS" FILMS PRESENTED THIS 4710 01:15:56,752 --> 01:15:59,321 IN STARK CONTRAST. 4711 01:15:59,321 --> 01:15:59,354 IN STARK CONTRAST. 4712 01:15:59,354 --> 01:16:00,588 >> Lyden: IN "STAR WARS," 4713 01:16:00,589 --> 01:16:00,622 >> Lyden: IN "STAR WARS," 4714 01:16:00,622 --> 01:16:02,857 TECHNOLOGY IS SYMBOLIC OF THE 4715 01:16:02,858 --> 01:16:02,891 TECHNOLOGY IS SYMBOLIC OF THE 4716 01:16:02,891 --> 01:16:04,659 LOSS OF HUMANITY. 4717 01:16:04,660 --> 01:16:04,693 LOSS OF HUMANITY. 4718 01:16:04,693 --> 01:16:06,861 WE SEE THAT IN DARTH VADER'S 4719 01:16:06,862 --> 01:16:06,895 WE SEE THAT IN DARTH VADER'S 4720 01:16:06,895 --> 01:16:09,764 ROBOT BODY THAT DISPLACES HIS 4721 01:16:09,765 --> 01:16:09,831 ROBOT BODY THAT DISPLACES HIS 4722 01:16:09,831 --> 01:16:12,033 HUMAN EXISTENCE. 4723 01:16:12,034 --> 01:16:12,067 HUMAN EXISTENCE. 4724 01:16:12,067 --> 01:16:14,769 OR THE IMPERIAL WALKERS... 4725 01:16:14,770 --> 01:16:14,836 OR THE IMPERIAL WALKERS... 4726 01:16:14,836 --> 01:16:17,405 THE IMPERIAL CRUISERS... 4727 01:16:17,406 --> 01:16:17,439 THE IMPERIAL CRUISERS... 4728 01:16:17,439 --> 01:16:19,674 OR THE DEATH STAR ITSELF. 4729 01:16:19,675 --> 01:16:19,708 OR THE DEATH STAR ITSELF. 4730 01:16:19,708 --> 01:16:21,509 >> THIS STATION IS NOW THE 4731 01:16:21,510 --> 01:16:21,576 >> THIS STATION IS NOW THE 4732 01:16:21,576 --> 01:16:23,611 ULTIMATE POWER IN THE UNIVERSE. 4733 01:16:23,612 --> 01:16:23,678 ULTIMATE POWER IN THE UNIVERSE. 4734 01:16:23,679 --> 01:16:25,514 I SUGGEST WE USE IT. 4735 01:16:33,255 --> 01:16:34,789 >> Lyden: THE DEATH STAR LOOKS 4736 01:16:34,790 --> 01:16:34,823 >> Lyden: THE DEATH STAR LOOKS 4737 01:16:34,823 --> 01:16:36,524 LIKE A PLANET, BUT IT'S NOT. 4738 01:16:36,525 --> 01:16:36,558 LIKE A PLANET, BUT IT'S NOT. 4739 01:16:36,558 --> 01:16:37,625 IT'S A MACHINE. 4740 01:16:37,626 --> 01:16:37,659 IT'S A MACHINE. 4741 01:16:37,659 --> 01:16:38,860 >> Henderson: AND WHEN YOU GO 4742 01:16:38,860 --> 01:16:38,893 >> Henderson: AND WHEN YOU GO 4743 01:16:38,894 --> 01:16:40,528 INSIDE OF IT, IT'S HOLLOW. 4744 01:16:40,529 --> 01:16:40,595 INSIDE OF IT, IT'S HOLLOW. 4745 01:16:40,595 --> 01:16:42,063 AND SO IT SHOWS YOU THAT THE 4746 01:16:42,064 --> 01:16:42,130 AND SO IT SHOWS YOU THAT THE 4747 01:16:42,130 --> 01:16:43,531 HEART OF THAT SOCIETY IS 4748 01:16:43,532 --> 01:16:43,565 HEART OF THAT SOCIETY IS 4749 01:16:43,565 --> 01:16:44,866 COMPLETELY HOLLOW. 4750 01:16:44,866 --> 01:16:44,899 COMPLETELY HOLLOW. 4751 01:16:44,900 --> 01:16:46,334 >> CONTINUE WITH THE OPERATION. 4752 01:16:46,335 --> 01:16:46,368 >> CONTINUE WITH THE OPERATION. 4753 01:16:46,368 --> 01:16:47,535 YOU MAY FIRE WHEN READY. 4754 01:16:47,536 --> 01:16:47,602 YOU MAY FIRE WHEN READY. 4755 01:16:47,602 --> 01:16:48,703 >> WHAT?! 4756 01:16:48,704 --> 01:16:48,770 >> WHAT?! 4757 01:16:48,770 --> 01:16:50,071 >> YOU'RE FAR TOO TRUSTING. 4758 01:16:50,072 --> 01:16:50,105 >> YOU'RE FAR TOO TRUSTING. 4759 01:16:50,105 --> 01:16:51,606 DANTOOINE IS TOO REMOTE TO MAKE 4760 01:16:51,606 --> 01:16:51,672 DANTOOINE IS TOO REMOTE TO MAKE 4761 01:16:51,673 --> 01:16:53,074 AN EFFECTIVE DEMONSTRATION, BUT 4762 01:16:53,075 --> 01:16:53,108 AN EFFECTIVE DEMONSTRATION, BUT 4763 01:16:53,108 --> 01:16:53,775 DON'T WORRY. 4764 01:16:53,775 --> 01:16:53,808 DON'T WORRY. 4765 01:16:53,809 --> 01:16:55,177 WE WILL DEAL WITH YOUR REBEL 4766 01:16:55,177 --> 01:16:55,243 WE WILL DEAL WITH YOUR REBEL 4767 01:16:55,243 --> 01:16:56,911 FRIENDS SOON ENOUGH. 4768 01:16:56,912 --> 01:16:56,978 FRIENDS SOON ENOUGH. 4769 01:16:56,979 --> 01:16:59,081 >> NO. 4770 01:16:59,081 --> 01:16:59,114 >> NO. 4771 01:16:59,114 --> 01:17:01,516 >> COMMENCE PRIMARY IGNITION. 4772 01:17:01,516 --> 01:17:01,549 >> COMMENCE PRIMARY IGNITION. 4773 01:17:01,550 --> 01:17:03,318 >> Rather: AND WE ARE TORN 4774 01:17:03,318 --> 01:17:03,351 >> Rather: AND WE ARE TORN 4775 01:17:03,352 --> 01:17:04,553 ABOUT TECHNOLOGY. 4776 01:17:04,553 --> 01:17:04,619 ABOUT TECHNOLOGY. 4777 01:17:04,619 --> 01:17:06,687 WHEN HOMER WROTE ABOUT THE 4778 01:17:06,688 --> 01:17:06,721 WHEN HOMER WROTE ABOUT THE 4779 01:17:06,722 --> 01:17:08,423 ANCIENT GREEKS BATTLING, THEY 4780 01:17:08,423 --> 01:17:08,456 ANCIENT GREEKS BATTLING, THEY 4781 01:17:08,457 --> 01:17:09,991 HAD THE POWER TO DESTROY ONE 4782 01:17:09,992 --> 01:17:10,025 HAD THE POWER TO DESTROY ONE 4783 01:17:10,025 --> 01:17:10,992 ANOTHER. 4784 01:17:10,993 --> 01:17:11,059 ANOTHER. 4785 01:17:11,059 --> 01:17:12,527 BUT THEY COULD NOT DESTROY THE 4786 01:17:12,527 --> 01:17:12,560 BUT THEY COULD NOT DESTROY THE 4787 01:17:12,561 --> 01:17:14,195 WHOLE WORLD. 4788 01:17:22,938 --> 01:17:25,340 >> [laughing] 4789 01:17:25,340 --> 01:17:25,373 >> [laughing] 4790 01:17:25,374 --> 01:17:28,110 >> [grunts] 4791 01:17:28,110 --> 01:17:28,176 >> [grunts] 4792 01:17:28,176 --> 01:17:28,976 >> Ellerbee: LUCAS USES 4793 01:17:28,977 --> 01:17:29,010 >> Ellerbee: LUCAS USES 4794 01:17:29,011 --> 01:17:30,445 MACHINES TO GREAT EFFECT AND 4795 01:17:30,445 --> 01:17:30,511 MACHINES TO GREAT EFFECT AND 4796 01:17:30,512 --> 01:17:32,380 THE FACT THAT IT'S HOW HUMANS 4797 01:17:32,381 --> 01:17:32,447 THE FACT THAT IT'S HOW HUMANS 4798 01:17:32,447 --> 01:17:33,881 USE THEM THAT MAKES THE 4799 01:17:33,882 --> 01:17:33,915 USE THEM THAT MAKES THE 4800 01:17:33,915 --> 01:17:35,283 DIFFERENCE OF WHETHER IT'S GOOD 4801 01:17:35,283 --> 01:17:35,349 DIFFERENCE OF WHETHER IT'S GOOD 4802 01:17:35,350 --> 01:17:39,187 OR IT'S BAD. 4803 01:17:39,187 --> 01:17:39,220 OR IT'S BAD. 4804 01:17:39,221 --> 01:17:41,756 >> [groaning] 4805 01:17:49,831 --> 01:17:51,199 >> Ellerbee: IT'S TRUE OF OUR 4806 01:17:51,199 --> 01:17:51,265 >> Ellerbee: IT'S TRUE OF OUR 4807 01:17:51,266 --> 01:17:52,033 COMPUTERS. 4808 01:17:52,034 --> 01:17:52,100 COMPUTERS. 4809 01:17:52,100 --> 01:17:53,201 IT'S ALSO TRUE OF A GUN. 4810 01:17:53,201 --> 01:17:53,267 IT'S ALSO TRUE OF A GUN. 4811 01:17:53,268 --> 01:17:55,370 >> SO UNCIVILIZED. 4812 01:17:55,370 --> 01:17:55,403 >> SO UNCIVILIZED. 4813 01:17:55,404 --> 01:17:56,671 >> Lyden: THE REBELS OBVIOUSLY 4814 01:17:56,671 --> 01:17:56,737 >> Lyden: THE REBELS OBVIOUSLY 4815 01:17:56,738 --> 01:17:58,439 USE TECHNOLOGY, TOO. 4816 01:17:58,440 --> 01:17:58,473 USE TECHNOLOGY, TOO. 4817 01:17:58,473 --> 01:17:59,740 THEY HAVE SPACESHIPS, TOO. 4818 01:17:59,741 --> 01:17:59,774 THEY HAVE SPACESHIPS, TOO. 4819 01:17:59,775 --> 01:18:00,942 THEY'RE HAPPY TO USE IT. 4820 01:18:00,942 --> 01:18:01,008 THEY'RE HAPPY TO USE IT. 4821 01:18:01,009 --> 01:18:01,943 >> THEY'RE MOVING TO ATTACK 4822 01:18:01,943 --> 01:18:02,009 >> THEY'RE MOVING TO ATTACK 4823 01:18:02,010 --> 01:18:04,846 POSITION. 4824 01:18:04,846 --> 01:18:04,879 POSITION. 4825 01:18:04,880 --> 01:18:06,848 >> Lyden: BUT THE REBELS WIN NOT 4826 01:18:06,848 --> 01:18:06,881 >> Lyden: BUT THE REBELS WIN NOT 4827 01:18:06,882 --> 01:18:08,850 THROUGH SUPERIOR FIREPOWER BUT 4828 01:18:08,850 --> 01:18:08,916 THROUGH SUPERIOR FIREPOWER BUT 4829 01:18:08,917 --> 01:18:10,485 BECAUSE THEY TRUST IN SOMETHING 4830 01:18:10,485 --> 01:18:10,551 BECAUSE THEY TRUST IN SOMETHING 4831 01:18:10,552 --> 01:18:11,953 LARGER THAN THEMSELVES. 4832 01:18:11,953 --> 01:18:12,019 LARGER THAN THEMSELVES. 4833 01:18:12,020 --> 01:18:14,822 >> LUKE, TRUST YOUR FEELINGS. 4834 01:18:14,823 --> 01:18:14,856 >> LUKE, TRUST YOUR FEELINGS. 4835 01:18:14,856 --> 01:18:16,023 >> Lyden: AND RIGHT AT THE 4836 01:18:16,024 --> 01:18:16,057 >> Lyden: AND RIGHT AT THE 4837 01:18:16,058 --> 01:18:17,592 CONCLUSION OF EPISODE IV, "A NEW 4838 01:18:17,592 --> 01:18:17,658 CONCLUSION OF EPISODE IV, "A NEW 4839 01:18:17,659 --> 01:18:19,027 HOPE," YOU SEE THIS VERY 4840 01:18:19,027 --> 01:18:19,060 HOPE," YOU SEE THIS VERY 4841 01:18:19,061 --> 01:18:19,761 CLEARLY. 4842 01:18:19,761 --> 01:18:19,827 CLEARLY. 4843 01:18:19,828 --> 01:18:22,564 >> USE THE FORCE, LUKE. 4844 01:18:22,564 --> 01:18:22,597 >> USE THE FORCE, LUKE. 4845 01:18:22,597 --> 01:18:24,632 >> Lyden: WHERE LUKE TURNS OFF 4846 01:18:24,633 --> 01:18:24,666 >> Lyden: WHERE LUKE TURNS OFF 4847 01:18:24,666 --> 01:18:26,034 HIS TARGETING COMPUTER, DOESN'T 4848 01:18:26,034 --> 01:18:26,100 HIS TARGETING COMPUTER, DOESN'T 4849 01:18:26,101 --> 01:18:27,635 TRUST IN THE TECHNOLOGY BUT 4850 01:18:27,636 --> 01:18:27,669 TRUST IN THE TECHNOLOGY BUT 4851 01:18:27,669 --> 01:18:29,303 TRUSTS IN THE FORCE, AND THIS 4852 01:18:29,304 --> 01:18:29,337 TRUSTS IN THE FORCE, AND THIS 4853 01:18:29,337 --> 01:18:31,105 ALLOWS HIM TO DESTROY THIS HUGE 4854 01:18:31,106 --> 01:18:31,139 ALLOWS HIM TO DESTROY THIS HUGE 4855 01:18:31,139 --> 01:18:32,874 MACHINE, WHICH THE EMPIRE DID 4856 01:18:32,874 --> 01:18:32,940 MACHINE, WHICH THE EMPIRE DID 4857 01:18:32,941 --> 01:18:36,477 NOT SUSPECT. 4858 01:18:36,478 --> 01:18:36,511 NOT SUSPECT. 4859 01:18:36,511 --> 01:18:38,312 >> Abrams: THE IRONY IS THAT SO 4860 01:18:38,313 --> 01:18:38,379 >> Abrams: THE IRONY IS THAT SO 4861 01:18:38,380 --> 01:18:39,647 MUCH OF WHAT HAPPENS IN "STAR 4862 01:18:39,648 --> 01:18:39,681 MUCH OF WHAT HAPPENS IN "STAR 4863 01:18:39,681 --> 01:18:40,848 WARS" COULD NOT HAVE BEEN DONE 4864 01:18:40,849 --> 01:18:40,882 WARS" COULD NOT HAVE BEEN DONE 4865 01:18:40,882 --> 01:18:41,782 IF YOU TURNED THE MACHINES OFF. 4866 01:18:41,783 --> 01:18:41,849 IF YOU TURNED THE MACHINES OFF. 4867 01:18:41,850 --> 01:18:43,117 SO IT ENDS UP BEING ABOUT THE 4868 01:18:43,118 --> 01:18:43,151 SO IT ENDS UP BEING ABOUT THE 4869 01:18:43,151 --> 01:18:44,285 RELATIONSHIP, THE BALANCE 4870 01:18:44,286 --> 01:18:44,319 RELATIONSHIP, THE BALANCE 4871 01:18:44,319 --> 01:18:47,121 BETWEEN WHO WE ARE, WHAT OUR 4872 01:18:47,122 --> 01:18:47,155 BETWEEN WHO WE ARE, WHAT OUR 4873 01:18:47,155 --> 01:18:49,423 INTENT IS, AND THE TECHNOLOGY, 4874 01:18:49,424 --> 01:18:49,490 INTENT IS, AND THE TECHNOLOGY, 4875 01:18:49,491 --> 01:18:51,125 THE TOOLS WE USE TO REALIZE 4876 01:18:51,126 --> 01:18:51,192 THE TOOLS WE USE TO REALIZE 4877 01:18:51,193 --> 01:18:51,960 THAT INTENT. 4878 01:18:51,960 --> 01:18:52,026 THAT INTENT. 4879 01:18:52,027 --> 01:18:52,861 >> GREAT SHOT, KID! 4880 01:18:52,861 --> 01:18:52,927 >> GREAT SHOT, KID! 4881 01:18:52,928 --> 01:18:54,029 THAT WAS ONE IN A MILLION! 4882 01:18:54,029 --> 01:18:54,062 THAT WAS ONE IN A MILLION! 4883 01:18:54,062 --> 01:18:54,862 >> Abrams: I THINK THE MESSAGE 4884 01:18:54,863 --> 01:18:54,929 >> Abrams: I THINK THE MESSAGE 4885 01:18:54,930 --> 01:18:56,932 IS DON'T RELY ON THE TECHNOLOGY. 4886 01:18:56,932 --> 01:18:56,965 IS DON'T RELY ON THE TECHNOLOGY. 4887 01:18:56,965 --> 01:18:58,566 YOU KNOW, RELY ON YOURSELF. 4888 01:19:03,238 --> 01:19:04,772 >> Rather: "STAR WARS" TOUCHES 4889 01:19:04,773 --> 01:19:04,806 >> Rather: "STAR WARS" TOUCHES 4890 01:19:04,806 --> 01:19:05,973 THE ANCIENT THEME. 4891 01:19:05,974 --> 01:19:06,040 THE ANCIENT THEME. 4892 01:19:06,041 --> 01:19:07,609 IT'S BEEN REPEATED TIME AFTER 4893 01:19:07,609 --> 01:19:07,642 IT'S BEEN REPEATED TIME AFTER 4894 01:19:07,642 --> 01:19:09,877 TIME AFTER TIME WITH HISTORY. 4895 01:19:09,878 --> 01:19:09,944 TIME AFTER TIME WITH HISTORY. 4896 01:19:09,945 --> 01:19:11,613 RECOGNIZE THAT EVEN AFTER EVIL 4897 01:19:11,613 --> 01:19:11,646 RECOGNIZE THAT EVEN AFTER EVIL 4898 01:19:11,646 --> 01:19:14,515 HAS RISEN AND IS FULL-FORCE ON, 4899 01:19:14,516 --> 01:19:14,549 HAS RISEN AND IS FULL-FORCE ON, 4900 01:19:14,549 --> 01:19:16,317 THAT THE BEST THAT'S IN US IS 4901 01:19:16,318 --> 01:19:16,351 THAT THE BEST THAT'S IN US IS 4902 01:19:16,351 --> 01:19:18,419 TO RESIST THAT AND THAT ONE 4903 01:19:18,420 --> 01:19:18,453 TO RESIST THAT AND THAT ONE 4904 01:19:18,453 --> 01:19:20,421 PERSON CAN MAKE A DIFFERENCE. 4905 01:19:23,992 --> 01:19:25,426 >> YEE-HA! 4906 01:19:25,427 --> 01:19:25,493 >> YEE-HA! 4907 01:19:25,494 --> 01:19:27,128 >> [laughs] 4908 01:19:33,652 --> 01:19:35,520 [deep mechanical breathing] 4909 01:19:35,520 --> 01:19:35,586 [deep mechanical breathing] 4910 01:19:35,587 --> 01:19:36,654 >> THIS IS THE REBEL THAT 4911 01:19:36,655 --> 01:19:36,688 >> THIS IS THE REBEL THAT 4912 01:19:36,688 --> 01:19:37,689 SURRENDERED TO US. 4913 01:19:37,689 --> 01:19:37,755 SURRENDERED TO US. 4914 01:19:37,756 --> 01:19:39,124 ALTHOUGH HE DENIES IT, I BELIEVE 4915 01:19:39,124 --> 01:19:39,157 ALTHOUGH HE DENIES IT, I BELIEVE 4916 01:19:39,157 --> 01:19:40,491 THERE MAY BE MORE OF THEM, AND I 4917 01:19:40,492 --> 01:19:40,525 THERE MAY BE MORE OF THEM, AND I 4918 01:19:40,525 --> 01:19:41,959 REQUEST PERMISSION TO CONDUCT A 4919 01:19:41,960 --> 01:19:42,026 REQUEST PERMISSION TO CONDUCT A 4920 01:19:42,027 --> 01:19:44,129 FURTHER SEARCH OF THE AREA. 4921 01:19:44,129 --> 01:19:44,162 FURTHER SEARCH OF THE AREA. 4922 01:19:44,162 --> 01:19:47,031 HE WAS ARMED ONLY WITH THIS. 4923 01:19:52,571 --> 01:19:53,772 >> Young: AN IMPORTANT PART OF 4924 01:19:53,772 --> 01:19:53,805 >> Young: AN IMPORTANT PART OF 4925 01:19:53,805 --> 01:19:55,139 JOSEPH CAMPBELL'S MODEL WAS 4926 01:19:55,140 --> 01:19:55,173 JOSEPH CAMPBELL'S MODEL WAS 4927 01:19:55,173 --> 01:19:56,941 RECONCILIATION WITH FATHER. 4928 01:19:56,942 --> 01:19:56,975 RECONCILIATION WITH FATHER. 4929 01:19:56,975 --> 01:19:58,776 THAT IS, TO RECONNECT WITH ONE'S 4930 01:19:58,777 --> 01:19:58,843 THAT IS, TO RECONNECT WITH ONE'S 4931 01:19:58,844 --> 01:19:59,978 OWN FATHER PERHAPS AFTER 4932 01:19:59,978 --> 01:20:00,044 OWN FATHER PERHAPS AFTER 4933 01:20:00,045 --> 01:20:01,446 ADOLESCENT REBELLION OR PERHAPS 4934 01:20:01,446 --> 01:20:01,512 ADOLESCENT REBELLION OR PERHAPS 4935 01:20:01,513 --> 01:20:02,981 AFTER SOME FEELING OF BETRAYAL 4936 01:20:02,981 --> 01:20:03,014 AFTER SOME FEELING OF BETRAYAL 4937 01:20:03,014 --> 01:20:03,681 OR SOMETHING. 4938 01:20:03,682 --> 01:20:03,715 OR SOMETHING. 4939 01:20:03,715 --> 01:20:05,216 BUT ON A LARGER SCALE, IT'S 4940 01:20:05,217 --> 01:20:05,250 BUT ON A LARGER SCALE, IT'S 4941 01:20:05,250 --> 01:20:06,618 RECONNECTING WITH A LARGER 4942 01:20:06,618 --> 01:20:06,684 RECONNECTING WITH A LARGER 4943 01:20:06,685 --> 01:20:07,886 HUMAN FRAMEWORK. 4944 01:20:07,886 --> 01:20:07,919 HUMAN FRAMEWORK. 4945 01:20:07,919 --> 01:20:09,220 >> THE EMPEROR HAS BEEN 4946 01:20:09,221 --> 01:20:09,254 >> THE EMPEROR HAS BEEN 4947 01:20:09,254 --> 01:20:11,522 EXPECTING YOU. 4948 01:20:11,523 --> 01:20:11,556 EXPECTING YOU. 4949 01:20:11,556 --> 01:20:13,124 >> I KNOW, FATHER. 4950 01:20:13,124 --> 01:20:13,157 >> I KNOW, FATHER. 4951 01:20:13,158 --> 01:20:14,259 >> Henderson: BY "RETURN OF THE 4952 01:20:14,259 --> 01:20:14,292 >> Henderson: BY "RETURN OF THE 4953 01:20:14,292 --> 01:20:15,993 JEDI," YOU'LL NOTICE THAT LUKE 4954 01:20:15,994 --> 01:20:16,060 JEDI," YOU'LL NOTICE THAT LUKE 4955 01:20:16,061 --> 01:20:17,796 IS NOW WEARING AN ALL-BLACK 4956 01:20:17,796 --> 01:20:17,829 IS NOW WEARING AN ALL-BLACK 4957 01:20:17,829 --> 01:20:18,896 COSTUME. 4958 01:20:18,897 --> 01:20:18,930 COSTUME. 4959 01:20:18,930 --> 01:20:20,364 HE'S GONE FROM A WHITE GARMENT 4960 01:20:20,365 --> 01:20:20,431 HE'S GONE FROM A WHITE GARMENT 4961 01:20:20,432 --> 01:20:22,434 IN THE FIRST FILM, 4962 01:20:22,434 --> 01:20:22,500 IN THE FIRST FILM, 4963 01:20:22,501 --> 01:20:24,402 WHICH SHOWS HIS INNOCENCE AND 4964 01:20:24,402 --> 01:20:24,435 WHICH SHOWS HIS INNOCENCE AND 4965 01:20:24,436 --> 01:20:25,904 HIS NAIVETE. 4966 01:20:25,904 --> 01:20:25,970 HIS NAIVETE. 4967 01:20:25,971 --> 01:20:27,272 HE'S PASSED THROUGH THIS 4968 01:20:27,272 --> 01:20:27,305 HE'S PASSED THROUGH THIS 4969 01:20:27,305 --> 01:20:29,974 TREMENDOUS INITIATION PERIOD, 4970 01:20:29,975 --> 01:20:30,041 TREMENDOUS INITIATION PERIOD, 4971 01:20:30,041 --> 01:20:31,609 AND HE HAS ACCEPTED THE 4972 01:20:31,610 --> 01:20:31,643 AND HE HAS ACCEPTED THE 4973 01:20:31,643 --> 01:20:33,778 NEGATIVITY WITHIN HIMSELF, AND 4974 01:20:33,778 --> 01:20:33,811 NEGATIVITY WITHIN HIMSELF, AND 4975 01:20:33,812 --> 01:20:35,280 HE HAS FOUND A WAY TO DEAL WITH 4976 01:20:35,280 --> 01:20:35,346 HE HAS FOUND A WAY TO DEAL WITH 4977 01:20:35,347 --> 01:20:35,780 THAT. 4978 01:20:35,780 --> 01:20:35,813 THAT. 4979 01:20:35,814 --> 01:20:37,048 >> I FEEL THE CONFLICT WITHIN 4980 01:20:37,048 --> 01:20:37,081 >> I FEEL THE CONFLICT WITHIN 4981 01:20:37,082 --> 01:20:37,615 YOU. 4982 01:20:37,616 --> 01:20:37,682 YOU. 4983 01:20:37,682 --> 01:20:39,250 LET GO OF YOUR HATE! 4984 01:20:39,251 --> 01:20:39,284 LET GO OF YOUR HATE! 4985 01:20:39,284 --> 01:20:42,820 >> IT IS TOO LATE FOR ME, SON. 4986 01:20:42,821 --> 01:20:42,887 >> IT IS TOO LATE FOR ME, SON. 4987 01:20:42,888 --> 01:20:43,989 >> Lyden: AS SOON AS LUKE FINDS 4988 01:20:43,989 --> 01:20:44,055 >> Lyden: AS SOON AS LUKE FINDS 4989 01:20:44,055 --> 01:20:46,090 OUT THAT DARTH VADER IS HIS 4990 01:20:46,091 --> 01:20:46,124 OUT THAT DARTH VADER IS HIS 4991 01:20:46,124 --> 01:20:47,358 FATHER, HE HAS A FUNDAMENTAL 4992 01:20:47,359 --> 01:20:47,425 FATHER, HE HAS A FUNDAMENTAL 4993 01:20:47,425 --> 01:20:48,092 CHOICE. 4994 01:20:48,093 --> 01:20:48,159 CHOICE. 4995 01:20:48,159 --> 01:20:52,897 WHAT WILL HE DO ABOUT THIS FACT? 4996 01:20:52,898 --> 01:20:52,931 WHAT WILL HE DO ABOUT THIS FACT? 4997 01:20:52,931 --> 01:20:55,066 ON THE ONE HAND, THE EMPEROR AND 4998 01:20:55,066 --> 01:20:55,099 ON THE ONE HAND, THE EMPEROR AND 4999 01:20:55,100 --> 01:20:56,734 VADER BELIEVE THAT HE WILL BE 5000 01:20:56,735 --> 01:20:56,801 VADER BELIEVE THAT HE WILL BE 5001 01:20:56,801 --> 01:21:00,371 DRAWN TO THE DARK SIDE. 5002 01:21:00,372 --> 01:21:00,438 DRAWN TO THE DARK SIDE. 5003 01:21:00,438 --> 01:21:03,340 >> WELCOME, YOUNG SKYWALKER. 5004 01:21:03,341 --> 01:21:03,374 >> WELCOME, YOUNG SKYWALKER. 5005 01:21:03,375 --> 01:21:04,976 I'M LOOKING FORWARD TO 5006 01:21:04,976 --> 01:21:05,009 I'M LOOKING FORWARD TO 5007 01:21:05,010 --> 01:21:06,711 COMPLETING YOUR TRAINING. 5008 01:21:06,711 --> 01:21:06,744 COMPLETING YOUR TRAINING. 5009 01:21:06,745 --> 01:21:07,645 >> Lyden: ON THE OTHER HAND, HE 5010 01:21:07,646 --> 01:21:07,712 >> Lyden: ON THE OTHER HAND, HE 5011 01:21:07,712 --> 01:21:09,647 CAN DO WHAT OBI-WAN AND YODA 5012 01:21:09,648 --> 01:21:09,681 CAN DO WHAT OBI-WAN AND YODA 5013 01:21:09,681 --> 01:21:10,448 WANT. 5014 01:21:10,448 --> 01:21:10,481 WANT. 5015 01:21:10,482 --> 01:21:12,016 HE CAN PRESERVE HIMSELF FROM 5016 01:21:12,017 --> 01:21:12,050 HE CAN PRESERVE HIMSELF FROM 5017 01:21:12,050 --> 01:21:13,651 THAT ATTACHMENT TO HIS FATHER 5018 01:21:13,652 --> 01:21:13,685 THAT ATTACHMENT TO HIS FATHER 5019 01:21:13,685 --> 01:21:15,353 AND SO DESTROY VADER AND THE 5020 01:21:15,353 --> 01:21:15,386 AND SO DESTROY VADER AND THE 5021 01:21:15,387 --> 01:21:19,190 EMPEROR. 5022 01:21:19,190 --> 01:21:19,223 EMPEROR. 5023 01:21:19,224 --> 01:21:21,826 >> [laughs] 5024 01:21:21,826 --> 01:21:21,859 >> [laughs] 5025 01:21:21,860 --> 01:21:23,194 >> Lyden: BUT LUKE INVENTS A 5026 01:21:23,194 --> 01:21:23,260 >> Lyden: BUT LUKE INVENTS A 5027 01:21:23,261 --> 01:21:24,895 THIRD ALTERNATIVE. 5028 01:21:24,896 --> 01:21:24,929 THIRD ALTERNATIVE. 5029 01:21:24,930 --> 01:21:28,366 >> NEVER! 5030 01:21:28,366 --> 01:21:28,399 >> NEVER! 5031 01:21:28,400 --> 01:21:29,367 >> Lyden: HE DOES SOMETHING 5032 01:21:29,367 --> 01:21:29,400 >> Lyden: HE DOES SOMETHING 5033 01:21:29,401 --> 01:21:31,569 TOTALLY UNEXPECTED. 5034 01:21:39,544 --> 01:21:41,012 >> AGH! 5035 01:21:41,012 --> 01:21:41,045 >> AGH! 5036 01:21:41,046 --> 01:21:42,914 >> Lyden: HE GOES NOT TO KILL 5037 01:21:42,914 --> 01:21:42,947 >> Lyden: HE GOES NOT TO KILL 5038 01:21:42,948 --> 01:21:44,449 HIS FATHER, NOT TO TURN TO THE 5039 01:21:44,449 --> 01:21:44,482 HIS FATHER, NOT TO TURN TO THE 5040 01:21:44,482 --> 01:21:46,484 DARK SIDE, BUT TO TURN HIM BACK 5041 01:21:46,484 --> 01:21:46,517 DARK SIDE, BUT TO TURN HIM BACK 5042 01:21:46,518 --> 01:21:47,852 TO THE GOOD. 5043 01:21:47,852 --> 01:21:47,885 TO THE GOOD. 5044 01:21:47,886 --> 01:21:49,387 >> YOUR HATE HAS MADE YOU 5045 01:21:49,387 --> 01:21:49,453 >> YOUR HATE HAS MADE YOU 5046 01:21:49,454 --> 01:21:51,856 POWERFUL. 5047 01:21:51,856 --> 01:21:51,922 POWERFUL. 5048 01:21:51,923 --> 01:21:53,491 NOW... 5049 01:21:53,491 --> 01:21:53,557 NOW... 5050 01:21:53,558 --> 01:21:57,461 FULFILL YOUR DESTINY AND TAKE 5051 01:21:57,462 --> 01:21:57,495 FULFILL YOUR DESTINY AND TAKE 5052 01:21:57,495 --> 01:22:01,398 YOUR FATHER'S PLACE AT MY SIDE. 5053 01:22:10,542 --> 01:22:13,945 >> NEVER. 5054 01:22:13,945 --> 01:22:13,978 >> NEVER. 5055 01:22:13,979 --> 01:22:16,147 I'LL NEVER TURN TO THE DARK 5056 01:22:16,147 --> 01:22:16,180 I'LL NEVER TURN TO THE DARK 5057 01:22:16,181 --> 01:22:17,649 SIDE. 5058 01:22:17,649 --> 01:22:17,682 SIDE. 5059 01:22:17,682 --> 01:22:20,017 YOU'VE FAILED, YOUR HIGHNESS. 5060 01:22:20,018 --> 01:22:20,051 YOU'VE FAILED, YOUR HIGHNESS. 5061 01:22:20,051 --> 01:22:22,787 I AM A JEDI, LIKE MY FATHER 5062 01:22:22,787 --> 01:22:22,853 I AM A JEDI, LIKE MY FATHER 5063 01:22:22,854 --> 01:22:24,222 BEFORE ME. 5064 01:22:24,222 --> 01:22:24,255 BEFORE ME. 5065 01:22:24,255 --> 01:22:26,123 >> Lyden: LUKE SAVES EVERYTHING 5066 01:22:26,124 --> 01:22:26,157 >> Lyden: LUKE SAVES EVERYTHING 5067 01:22:26,157 --> 01:22:28,592 THROUGH HIS ATTACHMENT TO HIS 5068 01:22:28,593 --> 01:22:28,659 THROUGH HIS ATTACHMENT TO HIS 5069 01:22:28,660 --> 01:22:29,560 FATHER. 5070 01:22:29,561 --> 01:22:29,594 FATHER. 5071 01:22:29,594 --> 01:22:31,395 >> SO BE IT... 5072 01:22:31,396 --> 01:22:31,429 >> SO BE IT... 5073 01:22:31,429 --> 01:22:32,663 JEDI. 5074 01:22:32,664 --> 01:22:32,697 JEDI. 5075 01:22:32,697 --> 01:22:33,698 >> Lyden: THIS IS A VERY 5076 01:22:33,698 --> 01:22:33,764 >> Lyden: THIS IS A VERY 5077 01:22:33,765 --> 01:22:35,433 CHRISTIAN REDEMPTIVE MOMENT IN 5078 01:22:35,433 --> 01:22:35,466 CHRISTIAN REDEMPTIVE MOMENT IN 5079 01:22:35,467 --> 01:22:37,235 THE FILM. 5080 01:22:43,341 --> 01:22:45,309 THERE'S NO HATRED IN HIM, AND 5081 01:22:45,310 --> 01:22:45,343 THERE'S NO HATRED IN HIM, AND 5082 01:22:45,343 --> 01:22:46,677 IT'S THROUGH HIS OWN OFFERING 5083 01:22:46,678 --> 01:22:46,711 IT'S THROUGH HIS OWN OFFERING 5084 01:22:46,711 --> 01:22:48,212 UP OF HIMSELF... 5085 01:22:48,213 --> 01:22:48,246 UP OF HIMSELF... 5086 01:22:48,246 --> 01:22:49,947 >> FATHER, PLEASE! 5087 01:22:49,948 --> 01:22:49,981 >> FATHER, PLEASE! 5088 01:22:49,981 --> 01:22:51,048 >> Lyden: THAT HE'S ABLE TO 5089 01:22:51,049 --> 01:22:51,082 >> Lyden: THAT HE'S ABLE TO 5090 01:22:51,082 --> 01:22:54,618 BRING SALVATION TO HIS FATHER. 5091 01:22:54,619 --> 01:22:54,685 BRING SALVATION TO HIS FATHER. 5092 01:22:54,686 --> 01:22:57,789 >> [screaming] 5093 01:23:11,503 --> 01:23:12,704 >> Smith: YOU COULD KIND OF SEE 5094 01:23:12,704 --> 01:23:12,737 >> Smith: YOU COULD KIND OF SEE 5095 01:23:12,737 --> 01:23:14,004 LUKE SKYWALKER AS A MESSIANIC 5096 01:23:14,005 --> 01:23:14,071 LUKE SKYWALKER AS A MESSIANIC 5097 01:23:14,072 --> 01:23:15,640 FIGURE WHO COMES FROM HUMBLE 5098 01:23:15,640 --> 01:23:15,706 FIGURE WHO COMES FROM HUMBLE 5099 01:23:15,707 --> 01:23:17,709 ORIGINS AND RISES TO A PLACE 5100 01:23:17,709 --> 01:23:17,775 ORIGINS AND RISES TO A PLACE 5101 01:23:17,776 --> 01:23:19,177 WHERE HE REDEEMS THE FATHER. 5102 01:23:19,177 --> 01:23:19,243 WHERE HE REDEEMS THE FATHER. 5103 01:23:19,244 --> 01:23:19,978 THE FATHER'S REDEEMED THROUGH 5104 01:23:19,978 --> 01:23:20,011 THE FATHER'S REDEEMED THROUGH 5105 01:23:20,011 --> 01:23:21,178 THE SON. 5106 01:23:21,179 --> 01:23:21,245 THE SON. 5107 01:23:21,246 --> 01:23:22,447 >> LUKE... 5108 01:23:22,447 --> 01:23:22,513 >> LUKE... 5109 01:23:22,514 --> 01:23:26,684 HELP ME TAKE THIS MASK OFF. 5110 01:23:26,685 --> 01:23:26,718 HELP ME TAKE THIS MASK OFF. 5111 01:23:26,718 --> 01:23:28,920 >> BUT YOU'LL DIE. 5112 01:23:28,920 --> 01:23:28,986 >> BUT YOU'LL DIE. 5113 01:23:28,987 --> 01:23:32,623 >> NOTHING CAN STOP THAT NOW. 5114 01:23:32,624 --> 01:23:32,690 >> NOTHING CAN STOP THAT NOW. 5115 01:23:32,691 --> 01:23:33,892 >> Connelly: THE PATH TO 5116 01:23:33,892 --> 01:23:33,925 >> Connelly: THE PATH TO 5117 01:23:33,925 --> 01:23:36,160 SELF-KNOWLEDGE REQUIRES US TO 5118 01:23:36,161 --> 01:23:36,194 SELF-KNOWLEDGE REQUIRES US TO 5119 01:23:36,194 --> 01:23:37,795 UNDERSTAND WHERE WE CAME FROM. 5120 01:23:37,796 --> 01:23:37,829 UNDERSTAND WHERE WE CAME FROM. 5121 01:23:37,829 --> 01:23:39,096 IT'S THE RELATIONSHIP OF 5122 01:23:39,097 --> 01:23:39,130 IT'S THE RELATIONSHIP OF 5123 01:23:39,130 --> 01:23:40,731 ODYSSEUS TO LAERTES. 5124 01:23:40,732 --> 01:23:40,765 ODYSSEUS TO LAERTES. 5125 01:23:40,765 --> 01:23:43,467 ULTIMATELY IN THE JOURNEY HOME 5126 01:23:43,468 --> 01:23:43,501 ULTIMATELY IN THE JOURNEY HOME 5127 01:23:43,501 --> 01:23:45,202 OF "THE ODYSSEY," ODYSSEUS 5128 01:23:45,203 --> 01:23:45,269 OF "THE ODYSSEY," ODYSSEUS 5129 01:23:45,270 --> 01:23:46,838 BECOMES HIS OWN FATHER. 5130 01:23:46,838 --> 01:23:46,871 BECOMES HIS OWN FATHER. 5131 01:23:46,871 --> 01:23:48,372 AND IT IS ONLY THROUGH BECOMING 5132 01:23:48,373 --> 01:23:48,406 AND IT IS ONLY THROUGH BECOMING 5133 01:23:48,406 --> 01:23:49,974 YOUR OWN FATHER THAT YOU 5134 01:23:49,974 --> 01:23:50,007 YOUR OWN FATHER THAT YOU 5135 01:23:50,008 --> 01:23:50,908 ACTUALLY GROW UP. 5136 01:23:50,909 --> 01:23:50,975 ACTUALLY GROW UP. 5137 01:23:50,975 --> 01:23:53,010 >> JUST FOR ONCE... 5138 01:23:53,011 --> 01:23:53,077 >> JUST FOR ONCE... 5139 01:23:53,078 --> 01:23:54,879 LET ME... 5140 01:23:54,879 --> 01:23:54,912 LET ME... 5141 01:23:54,913 --> 01:23:58,750 LOOK ON YOU WITH MY OWN EYES. 5142 01:23:58,750 --> 01:23:58,816 LOOK ON YOU WITH MY OWN EYES. 5143 01:23:58,817 --> 01:24:00,251 >> Galipeau: ANAKIN WANTS TO 5144 01:24:00,251 --> 01:24:00,284 >> Galipeau: ANAKIN WANTS TO 5145 01:24:00,285 --> 01:24:02,754 SEE LUKE THROUGH HIS OWN EYES. 5146 01:24:02,754 --> 01:24:02,820 SEE LUKE THROUGH HIS OWN EYES. 5147 01:24:02,821 --> 01:24:04,522 SO HE WOULD RATHER RECOVER HIS 5148 01:24:04,522 --> 01:24:04,555 SO HE WOULD RATHER RECOVER HIS 5149 01:24:04,556 --> 01:24:06,291 HUMANITY, WHICH MEANS ALSO 5150 01:24:06,291 --> 01:24:06,357 HUMANITY, WHICH MEANS ALSO 5151 01:24:06,357 --> 01:24:08,525 FACING DEATH, TO SEE OUT OF 5152 01:24:08,526 --> 01:24:08,559 FACING DEATH, TO SEE OUT OF 5153 01:24:08,560 --> 01:24:11,529 HIMSELF AS FATHER TO SON. 5154 01:24:11,529 --> 01:24:11,562 HIMSELF AS FATHER TO SON. 5155 01:24:11,563 --> 01:24:13,565 [gas hisses] 5156 01:24:19,938 --> 01:24:21,372 >> Connelly: ONE OF MY FAVORITE 5157 01:24:21,372 --> 01:24:21,438 >> Connelly: ONE OF MY FAVORITE 5158 01:24:21,439 --> 01:24:23,174 SCENES IN "THE ILIAD" IS WHEN 5159 01:24:23,174 --> 01:24:23,207 SCENES IN "THE ILIAD" IS WHEN 5160 01:24:23,208 --> 01:24:25,009 THE GREAT HERO HECTOR TAKES HIS 5161 01:24:25,009 --> 01:24:25,042 THE GREAT HERO HECTOR TAKES HIS 5162 01:24:25,043 --> 01:24:26,177 LITTLE BABY BOY. 5163 01:24:26,177 --> 01:24:26,210 LITTLE BABY BOY. 5164 01:24:26,211 --> 01:24:27,212 HE HAS HIS HELMET DOWN. 5165 01:24:27,212 --> 01:24:27,278 HE HAS HIS HELMET DOWN. 5166 01:24:27,278 --> 01:24:28,679 HE'S ABOUT TO GO OFF TO BATTLE. 5167 01:24:28,680 --> 01:24:28,746 HE'S ABOUT TO GO OFF TO BATTLE. 5168 01:24:28,747 --> 01:24:30,115 THE BABY IS SCARED. 5169 01:24:30,115 --> 01:24:30,181 THE BABY IS SCARED. 5170 01:24:30,181 --> 01:24:31,215 HE'S LOOKING AT HIS HELMETED 5171 01:24:31,216 --> 01:24:31,282 HE'S LOOKING AT HIS HELMETED 5172 01:24:31,282 --> 01:24:32,750 FATHER, AND HE CAN'T SEE HIS 5173 01:24:32,751 --> 01:24:32,817 FATHER, AND HE CAN'T SEE HIS 5174 01:24:32,817 --> 01:24:34,752 FACE, AND THEN THE LOVELY HECTOR 5175 01:24:34,753 --> 01:24:34,786 FACE, AND THEN THE LOVELY HECTOR 5176 01:24:34,786 --> 01:24:36,220 PUSHES HIS HELMET BACK AND LOOKS 5177 01:24:36,221 --> 01:24:36,254 PUSHES HIS HELMET BACK AND LOOKS 5178 01:24:36,254 --> 01:24:38,589 ON HIS BABY SON AND KISSES HIM 5179 01:24:38,590 --> 01:24:38,656 ON HIS BABY SON AND KISSES HIM 5180 01:24:38,656 --> 01:24:41,392 AND SAYS, "MY SON, ONE DAY THE 5181 01:24:41,392 --> 01:24:41,458 AND SAYS, "MY SON, ONE DAY THE 5182 01:24:41,459 --> 01:24:43,394 TROJANS WILL SAY YOU ARE LIKE 5183 01:24:43,394 --> 01:24:43,427 TROJANS WILL SAY YOU ARE LIKE 5184 01:24:43,428 --> 01:24:44,395 ME. 5185 01:24:44,395 --> 01:24:44,428 ME. 5186 01:24:44,429 --> 01:24:45,763 YOU ARE STRONG AND THE BRAVEST 5187 01:24:45,764 --> 01:24:45,830 YOU ARE STRONG AND THE BRAVEST 5188 01:24:45,830 --> 01:24:46,831 IN BATTLE. 5189 01:24:46,831 --> 01:24:46,864 IN BATTLE. 5190 01:24:46,865 --> 01:24:48,299 AND THEN AGAIN, ONE DAY THEY 5191 01:24:48,299 --> 01:24:48,332 AND THEN AGAIN, ONE DAY THEY 5192 01:24:48,333 --> 01:24:50,368 WILL SAY, NO, HE IS GREATER THAN 5193 01:24:50,368 --> 01:24:50,401 WILL SAY, NO, HE IS GREATER THAN 5194 01:24:50,401 --> 01:24:51,869 HIS FATHER." 5195 01:24:51,870 --> 01:24:51,936 HIS FATHER." 5196 01:24:51,936 --> 01:24:58,208 >> NOW... GO, MY SON. 5197 01:24:58,209 --> 01:24:58,242 >> NOW... GO, MY SON. 5198 01:24:58,243 --> 01:25:00,144 LEAVE ME. 5199 01:25:00,145 --> 01:25:00,211 LEAVE ME. 5200 01:25:00,211 --> 01:25:01,145 >> NO. 5201 01:25:01,146 --> 01:25:01,179 >> NO. 5202 01:25:01,179 --> 01:25:02,580 YOU'RE COMING WITH ME. 5203 01:25:02,580 --> 01:25:02,646 YOU'RE COMING WITH ME. 5204 01:25:02,647 --> 01:25:04,148 I'LL NOT LEAVE YOU HERE. 5205 01:25:04,149 --> 01:25:04,182 I'LL NOT LEAVE YOU HERE. 5206 01:25:04,182 --> 01:25:06,284 I'VE GOT TO SAVE YOU. 5207 01:25:06,284 --> 01:25:06,317 I'VE GOT TO SAVE YOU. 5208 01:25:06,317 --> 01:25:10,487 >> YOU ALREADY HAVE, LUKE. 5209 01:25:21,766 --> 01:25:23,501 >> Henderson: THE LAST ACT THAT 5210 01:25:23,501 --> 01:25:23,567 >> Henderson: THE LAST ACT THAT 5211 01:25:23,568 --> 01:25:26,304 LUKE PERFORMS FOR HIS FATHER IS 5212 01:25:26,304 --> 01:25:26,337 LUKE PERFORMS FOR HIS FATHER IS 5213 01:25:26,337 --> 01:25:28,072 TO BURN ALL THAT'S LEFT OF 5214 01:25:28,072 --> 01:25:28,138 TO BURN ALL THAT'S LEFT OF 5215 01:25:28,139 --> 01:25:30,407 VADER. 5216 01:25:42,620 --> 01:25:46,890 IN EPISODE III, YOU SEE ANAKIN 5217 01:25:46,891 --> 01:25:46,957 IN EPISODE III, YOU SEE ANAKIN 5218 01:25:46,958 --> 01:25:48,893 SKYWALKER WITH HIS HUMANITY 5219 01:25:48,893 --> 01:25:48,959 SKYWALKER WITH HIS HUMANITY 5220 01:25:48,960 --> 01:25:50,861 QUITE LITERALLY AND FIGURATIVELY 5221 01:25:50,862 --> 01:25:50,895 QUITE LITERALLY AND FIGURATIVELY 5222 01:25:50,895 --> 01:25:52,263 BURNED AWAY. 5223 01:25:52,263 --> 01:25:52,296 BURNED AWAY. 5224 01:25:52,297 --> 01:25:53,898 >> [screaming] 5225 01:25:53,898 --> 01:25:53,931 >> [screaming] 5226 01:25:53,932 --> 01:25:55,633 >> Henderson: AT THE END OF 5227 01:25:55,633 --> 01:25:55,666 >> Henderson: AT THE END OF 5228 01:25:55,667 --> 01:25:58,870 EPISODE VI, YOU SEE ALL THAT 5229 01:25:58,870 --> 01:25:58,903 EPISODE VI, YOU SEE ALL THAT 5230 01:25:58,903 --> 01:26:01,605 MACHINE MAN BURNED AWAY. 5231 01:26:01,606 --> 01:26:01,639 MACHINE MAN BURNED AWAY. 5232 01:26:01,639 --> 01:26:02,640 >> Connelly: BURNING A BODY ON 5233 01:26:02,640 --> 01:26:02,706 >> Connelly: BURNING A BODY ON 5234 01:26:02,707 --> 01:26:04,975 A PYRE IS THE ULTIMATE HEROIC 5235 01:26:04,976 --> 01:26:05,042 A PYRE IS THE ULTIMATE HEROIC 5236 01:26:05,043 --> 01:26:05,710 BURIAL. 5237 01:26:05,710 --> 01:26:05,743 BURIAL. 5238 01:26:05,743 --> 01:26:07,678 IN "THE ILIAD," THE FATHER, 5239 01:26:07,679 --> 01:26:07,712 IN "THE ILIAD," THE FATHER, 5240 01:26:07,712 --> 01:26:09,246 PRIAM, TAKES THE BODY OF HECTOR 5241 01:26:09,247 --> 01:26:09,280 PRIAM, TAKES THE BODY OF HECTOR 5242 01:26:09,280 --> 01:26:10,914 BACK AND THERE IS A MASSIVE PYRE 5243 01:26:10,915 --> 01:26:10,948 BACK AND THERE IS A MASSIVE PYRE 5244 01:26:10,949 --> 01:26:11,616 BUILT. 5245 01:26:11,616 --> 01:26:11,649 BUILT. 5246 01:26:11,649 --> 01:26:13,050 AND THEN THE PEOPLE OF TROY CAN 5247 01:26:13,051 --> 01:26:13,084 AND THEN THE PEOPLE OF TROY CAN 5248 01:26:13,084 --> 01:26:14,718 MOURN HIM PROPERLY. 5249 01:26:14,719 --> 01:26:14,752 MOURN HIM PROPERLY. 5250 01:26:14,752 --> 01:26:17,187 IT BRINGS HONOR AND DISTINCTION, 5251 01:26:17,188 --> 01:26:17,254 IT BRINGS HONOR AND DISTINCTION, 5252 01:26:17,255 --> 01:26:20,191 AND THE SMOKE RISES TO THE GODS. 5253 01:26:26,180 --> 01:26:31,852 [crowd cheering] 5254 01:26:31,853 --> 01:26:31,886 [crowd cheering] 5255 01:26:31,886 --> 01:26:33,053 >> Young: IN THE "STAR WARS" 5256 01:26:33,054 --> 01:26:33,087 >> Young: IN THE "STAR WARS" 5257 01:26:33,087 --> 01:26:35,422 FILMS, WE LEARN THAT WE'RE ALL 5258 01:26:35,423 --> 01:26:35,489 FILMS, WE LEARN THAT WE'RE ALL 5259 01:26:35,490 --> 01:26:37,625 IN THIS TOGETHER AND IN A VERY 5260 01:26:37,625 --> 01:26:37,658 IN THIS TOGETHER AND IN A VERY 5261 01:26:37,659 --> 01:26:40,395 LARGE SENSE NEED TO COOPERATE 5262 01:26:40,395 --> 01:26:40,428 LARGE SENSE NEED TO COOPERATE 5263 01:26:40,428 --> 01:26:41,796 IN ORDER TO SURVIVE. 5264 01:26:41,796 --> 01:26:41,829 IN ORDER TO SURVIVE. 5265 01:26:41,829 --> 01:26:43,130 >> WE ARE NOW A PART OF THE 5266 01:26:43,131 --> 01:26:43,164 >> WE ARE NOW A PART OF THE 5267 01:26:43,164 --> 01:26:44,031 TRIBE. 5268 01:26:44,032 --> 01:26:44,065 TRIBE. 5269 01:26:44,065 --> 01:26:45,266 >> Galipeau: YOU SEE AN EMBRACE 5270 01:26:45,266 --> 01:26:45,299 >> Galipeau: YOU SEE AN EMBRACE 5271 01:26:45,300 --> 01:26:46,534 OF PEOPLE WHO CAN GET TOGETHER 5272 01:26:46,534 --> 01:26:46,600 OF PEOPLE WHO CAN GET TOGETHER 5273 01:26:46,601 --> 01:26:48,169 FOR COMMON GOALS, RATHER THAN 5274 01:26:48,169 --> 01:26:48,202 FOR COMMON GOALS, RATHER THAN 5275 01:26:48,202 --> 01:26:50,237 BELIEVE THAT THEY KNOW WHAT'S 5276 01:26:50,238 --> 01:26:50,271 BELIEVE THAT THEY KNOW WHAT'S 5277 01:26:50,271 --> 01:26:51,972 BEST FOR EVERYBODY ELSE. 5278 01:26:51,973 --> 01:26:52,006 BEST FOR EVERYBODY ELSE. 5279 01:26:52,006 --> 01:26:52,806 >> Lyden: AT THE END OF "RETURN 5280 01:26:52,807 --> 01:26:52,840 >> Lyden: AT THE END OF "RETURN 5281 01:26:52,840 --> 01:26:54,675 OF THE JEDI," LEIA AND HAN 5282 01:26:54,676 --> 01:26:54,709 OF THE JEDI," LEIA AND HAN 5283 01:26:54,709 --> 01:26:56,444 ULTIMATELY FORM A COUPLE. 5284 01:26:56,444 --> 01:26:56,510 ULTIMATELY FORM A COUPLE. 5285 01:26:56,511 --> 01:26:58,246 THEY'RE LINKED TO NATURE, LINKED 5286 01:26:58,246 --> 01:26:58,312 THEY'RE LINKED TO NATURE, LINKED 5287 01:26:58,313 --> 01:27:02,617 TO NEW LIFE, AND LIFE CAN NOW 5288 01:27:02,617 --> 01:27:02,650 TO NEW LIFE, AND LIFE CAN NOW 5289 01:27:02,650 --> 01:27:04,451 GO ON IN THE SENSE THAT THE 5290 01:27:04,452 --> 01:27:04,518 GO ON IN THE SENSE THAT THE 5291 01:27:04,519 --> 01:27:07,255 DESTRUCTIVE EMPIRE IS GONE. 5292 01:27:07,255 --> 01:27:07,288 DESTRUCTIVE EMPIRE IS GONE. 5293 01:27:07,288 --> 01:27:08,956 >> Henderson: LEIA REPRESENTS 5294 01:27:08,957 --> 01:27:08,990 >> Henderson: LEIA REPRESENTS 5295 01:27:08,990 --> 01:27:11,058 THE FEMININE FORCE WHICH NEEDS 5296 01:27:11,059 --> 01:27:11,092 THE FEMININE FORCE WHICH NEEDS 5297 01:27:11,092 --> 01:27:13,894 TO COME BACK TO THE GALAXY TO 5298 01:27:13,895 --> 01:27:13,961 TO COME BACK TO THE GALAXY TO 5299 01:27:13,962 --> 01:27:15,063 BRING IT LIFE. 5300 01:27:15,063 --> 01:27:15,096 BRING IT LIFE. 5301 01:27:15,096 --> 01:27:18,999 "STAR WARS" IS ABOUT BALANCE. 5302 01:27:19,000 --> 01:27:19,066 "STAR WARS" IS ABOUT BALANCE. 5303 01:27:19,067 --> 01:27:20,535 >> Pelosi: GEORGE LUCAS HAS A 5304 01:27:20,535 --> 01:27:20,601 >> Pelosi: GEORGE LUCAS HAS A 5305 01:27:20,602 --> 01:27:21,469 MESSAGE. 5306 01:27:21,469 --> 01:27:21,535 MESSAGE. 5307 01:27:21,536 --> 01:27:23,905 THE POWER ALWAYS BELONGS TO THE 5308 01:27:23,905 --> 01:27:23,971 THE POWER ALWAYS BELONGS TO THE 5309 01:27:23,972 --> 01:27:25,873 PEOPLE, AND THAT IS WHERE ANYONE 5310 01:27:25,873 --> 01:27:25,906 PEOPLE, AND THAT IS WHERE ANYONE 5311 01:27:25,907 --> 01:27:29,010 WHO HAS POWER DERIVES IT FROM. 5312 01:27:29,010 --> 01:27:29,043 WHO HAS POWER DERIVES IT FROM. 5313 01:27:29,043 --> 01:27:30,177 >> [roars] 5314 01:27:30,178 --> 01:27:30,211 >> [roars] 5315 01:27:30,211 --> 01:27:31,645 >> Ellerbee: NEVER THINK THAT A 5316 01:27:31,646 --> 01:27:31,712 >> Ellerbee: NEVER THINK THAT A 5317 01:27:31,713 --> 01:27:33,448 HANDFUL OF COMMITTED PEOPLE 5318 01:27:33,448 --> 01:27:33,481 HANDFUL OF COMMITTED PEOPLE 5319 01:27:33,481 --> 01:27:34,915 CANNOT CHANGE THE WORLD. 5320 01:27:34,916 --> 01:27:34,949 CANNOT CHANGE THE WORLD. 5321 01:27:34,949 --> 01:27:36,717 IN FACT, IT'S THE ONLY THING 5322 01:27:36,718 --> 01:27:36,751 IN FACT, IT'S THE ONLY THING 5323 01:27:36,751 --> 01:27:38,719 THAT EVER HAS. 5324 01:27:43,091 --> 01:27:44,292 >> Narrator: AFTER MORE THAN 5325 01:27:44,292 --> 01:27:44,358 >> Narrator: AFTER MORE THAN 5326 01:27:44,359 --> 01:27:45,993 THREE DECADES, "STAR WARS" HAS 5327 01:27:45,994 --> 01:27:46,027 THREE DECADES, "STAR WARS" HAS 5328 01:27:46,027 --> 01:27:48,162 INFLUENCED NEARLY EVERY ASPECT 5329 01:27:48,162 --> 01:27:48,195 INFLUENCED NEARLY EVERY ASPECT 5330 01:27:48,196 --> 01:27:50,464 OF POPULAR CULTURE. 5331 01:27:50,465 --> 01:27:50,531 OF POPULAR CULTURE. 5332 01:27:50,531 --> 01:27:52,099 AND AS IT DRAWS MANY OF ITS 5333 01:27:52,100 --> 01:27:52,166 AND AS IT DRAWS MANY OF ITS 5334 01:27:52,166 --> 01:27:54,101 THEMES FROM LITERATURE... 5335 01:27:54,102 --> 01:27:54,168 THEMES FROM LITERATURE... 5336 01:27:54,168 --> 01:27:55,369 MYTHOLOGY... 5337 01:27:55,370 --> 01:27:55,436 MYTHOLOGY... 5338 01:27:55,436 --> 01:27:56,804 RELIGION... 5339 01:27:56,804 --> 01:27:56,837 RELIGION... 5340 01:27:56,838 --> 01:27:59,574 AND HISTORY, THE EPIC SAGA HAS, 5341 01:27:59,574 --> 01:27:59,607 AND HISTORY, THE EPIC SAGA HAS, 5342 01:27:59,607 --> 01:28:02,109 IN TURN, CREATED A MYTHOLOGY 5343 01:28:02,110 --> 01:28:02,143 IN TURN, CREATED A MYTHOLOGY 5344 01:28:02,143 --> 01:28:03,644 ALL ITS OWN. 5345 01:28:03,645 --> 01:28:03,678 ALL ITS OWN. 5346 01:28:03,678 --> 01:28:04,812 >> Wetmore, Jr.: IT'S BECOME A 5347 01:28:04,812 --> 01:28:04,845 >> Wetmore, Jr.: IT'S BECOME A 5348 01:28:04,846 --> 01:28:05,947 CULTURAL TOUCHSTONE FOR US. 5349 01:28:05,947 --> 01:28:05,980 CULTURAL TOUCHSTONE FOR US. 5350 01:28:05,980 --> 01:28:07,481 I CAN QUOTE FROM SHAKESPEARE 5351 01:28:07,482 --> 01:28:07,515 I CAN QUOTE FROM SHAKESPEARE 5352 01:28:07,515 --> 01:28:08,949 OR DOSTOYEVSKY AND KNOW THAT 5353 01:28:08,950 --> 01:28:09,016 OR DOSTOYEVSKY AND KNOW THAT 5354 01:28:09,017 --> 01:28:10,218 SOME OF THE KIDS IN THE CLASS 5355 01:28:10,218 --> 01:28:10,284 SOME OF THE KIDS IN THE CLASS 5356 01:28:10,284 --> 01:28:11,752 WILL PROBABLY GET THE REFERENCE. 5357 01:28:11,753 --> 01:28:11,819 WILL PROBABLY GET THE REFERENCE. 5358 01:28:11,819 --> 01:28:13,487 BUT THE SECOND I MENTION "STAR 5359 01:28:13,488 --> 01:28:13,554 BUT THE SECOND I MENTION "STAR 5360 01:28:13,554 --> 01:28:14,655 WARS," THEY IMMEDIATELY KNOW 5361 01:28:14,656 --> 01:28:14,722 WARS," THEY IMMEDIATELY KNOW 5362 01:28:14,722 --> 01:28:16,123 EXACTLY WHAT I'M TALKING ABOUT. 5363 01:28:16,124 --> 01:28:16,157 EXACTLY WHAT I'M TALKING ABOUT. 5364 01:28:16,157 --> 01:28:17,124 >> THESE AREN'T THE DROIDS 5365 01:28:17,125 --> 01:28:17,191 >> THESE AREN'T THE DROIDS 5366 01:28:17,191 --> 01:28:19,660 YOU'RE LOOKING FOR. 5367 01:28:19,661 --> 01:28:19,727 YOU'RE LOOKING FOR. 5368 01:28:19,727 --> 01:28:21,295 >> Paglia: MYTHS PRE-DATE 5369 01:28:21,295 --> 01:28:21,328 >> Paglia: MYTHS PRE-DATE 5370 01:28:21,329 --> 01:28:22,396 LITERATURE. 5371 01:28:22,397 --> 01:28:22,430 LITERATURE. 5372 01:28:22,430 --> 01:28:24,098 I THINK EVERYONE ACKNOWLEDGES 5373 01:28:24,098 --> 01:28:24,131 I THINK EVERYONE ACKNOWLEDGES 5374 01:28:24,132 --> 01:28:27,301 THAT CULTURE HAS CHANGED 5375 01:28:27,301 --> 01:28:27,334 THAT CULTURE HAS CHANGED 5376 01:28:27,335 --> 01:28:28,202 RADICALLY. 5377 01:28:28,202 --> 01:28:28,268 RADICALLY. 5378 01:28:28,269 --> 01:28:29,837 AND THERE IS ABSOLUTELY NO 5379 01:28:29,837 --> 01:28:29,870 AND THERE IS ABSOLUTELY NO 5380 01:28:29,871 --> 01:28:31,839 REASON WHY A GREAT FILM SERIES 5381 01:28:31,839 --> 01:28:31,872 REASON WHY A GREAT FILM SERIES 5382 01:28:31,873 --> 01:28:33,207 OF THIS KIND CANNOT BE 5383 01:28:33,207 --> 01:28:33,273 OF THIS KIND CANNOT BE 5384 01:28:33,274 --> 01:28:34,675 CONSIDERED THE EQUIVALENT OF A 5385 01:28:34,676 --> 01:28:34,742 CONSIDERED THE EQUIVALENT OF A 5386 01:28:34,742 --> 01:28:36,410 PRINTED BOOK. 5387 01:28:36,411 --> 01:28:36,444 PRINTED BOOK. 5388 01:28:36,444 --> 01:28:37,578 >> THE FORCE IS WITH YOU, 5389 01:28:37,578 --> 01:28:37,611 >> THE FORCE IS WITH YOU, 5390 01:28:37,612 --> 01:28:39,046 YOUNG SKYWALKER. 5391 01:28:39,047 --> 01:28:39,080 YOUNG SKYWALKER. 5392 01:28:39,080 --> 01:28:41,015 >> Abrams: IT'S A VERY LITERATE 5393 01:28:41,015 --> 01:28:41,048 >> Abrams: IT'S A VERY LITERATE 5394 01:28:41,049 --> 01:28:42,316 STORY, BUT IT IS NOT A LITERAL 5395 01:28:42,316 --> 01:28:42,349 STORY, BUT IT IS NOT A LITERAL 5396 01:28:42,350 --> 01:28:43,217 STORY. 5397 01:28:43,217 --> 01:28:43,250 STORY. 5398 01:28:43,251 --> 01:28:44,852 PEOPLE ARE ABLE TO CONNECT TO 5399 01:28:44,852 --> 01:28:44,918 PEOPLE ARE ABLE TO CONNECT TO 5400 01:28:44,919 --> 01:28:46,220 IT IN THEIR OWN WAY. 5401 01:28:46,220 --> 01:28:46,286 IT IN THEIR OWN WAY. 5402 01:28:46,287 --> 01:28:47,921 >> I LOVE YOU. 5403 01:28:47,922 --> 01:28:47,955 >> I LOVE YOU. 5404 01:28:47,955 --> 01:28:49,022 >> I KNOW. 5405 01:28:49,023 --> 01:28:49,056 >> I KNOW. 5406 01:28:49,057 --> 01:28:50,291 >> Abrams: IT HAS BECOME WHAT 5407 01:28:50,291 --> 01:28:50,324 >> Abrams: IT HAS BECOME WHAT 5408 01:28:50,324 --> 01:28:51,558 THE GREEK MYTHS WERE IN THE 5409 01:28:51,559 --> 01:28:51,592 THE GREEK MYTHS WERE IN THE 5410 01:28:51,592 --> 01:28:53,327 PAST. 5411 01:28:53,327 --> 01:28:53,393 PAST. 5412 01:28:53,394 --> 01:28:54,428 >> Henderson: I THINK THE 5413 01:28:54,429 --> 01:28:54,495 >> Henderson: I THINK THE 5414 01:28:54,495 --> 01:28:56,697 LEGACY OF "STAR WARS" IS THAT 5415 01:28:56,698 --> 01:28:56,764 LEGACY OF "STAR WARS" IS THAT 5416 01:28:56,764 --> 01:28:58,999 IT HELPS US TO OPEN OUR HEARTS 5417 01:28:59,000 --> 01:28:59,033 IT HELPS US TO OPEN OUR HEARTS 5418 01:28:59,033 --> 01:29:00,968 TO THE DIMENSION OF MYSTERY IN 5419 01:29:00,968 --> 01:29:01,001 TO THE DIMENSION OF MYSTERY IN 5420 01:29:01,002 --> 01:29:02,236 OUR LIVES. 5421 01:29:02,236 --> 01:29:02,302 OUR LIVES. 5422 01:29:02,303 --> 01:29:04,872 >> USE YOUR FEELINGS, YOU MUST. 5423 01:29:04,872 --> 01:29:04,905 >> USE YOUR FEELINGS, YOU MUST. 5424 01:29:04,906 --> 01:29:06,507 >> Henderson: AND IT ALSO GIVES 5425 01:29:06,507 --> 01:29:06,540 >> Henderson: AND IT ALSO GIVES 5426 01:29:06,541 --> 01:29:08,342 US SOME GUIDANCE IN CONDUCTING 5427 01:29:08,342 --> 01:29:08,408 US SOME GUIDANCE IN CONDUCTING 5428 01:29:08,409 --> 01:29:09,977 OUR OWN HERO'S JOURNEY. 5429 01:29:09,977 --> 01:29:10,043 OUR OWN HERO'S JOURNEY. 5430 01:29:10,044 --> 01:29:12,513 >> YOU'VE FAILED, YOUR HIGHNESS. 5431 01:29:12,513 --> 01:29:12,546 >> YOU'VE FAILED, YOUR HIGHNESS. 5432 01:29:12,547 --> 01:29:14,982 I AM A JEDI, LIKE MY FATHER 5433 01:29:14,982 --> 01:29:15,015 I AM A JEDI, LIKE MY FATHER 5434 01:29:15,016 --> 01:29:16,517 BEFORE ME. 5435 01:29:16,517 --> 01:29:16,550 BEFORE ME. 5436 01:29:16,551 --> 01:29:17,418 >> Gingrich: "STAR WARS" GIVES 5437 01:29:17,418 --> 01:29:17,484 >> Gingrich: "STAR WARS" GIVES 5438 01:29:17,485 --> 01:29:19,687 YOU A FEEL FOR A WAY OF 5439 01:29:19,687 --> 01:29:19,720 YOU A FEEL FOR A WAY OF 5440 01:29:19,721 --> 01:29:21,689 STORYTELLING AND THE MORAL 5441 01:29:21,689 --> 01:29:21,722 STORYTELLING AND THE MORAL 5442 01:29:21,723 --> 01:29:23,157 PURPOSE AND VALUE OF STORIES 5443 01:29:23,157 --> 01:29:23,223 PURPOSE AND VALUE OF STORIES 5444 01:29:23,224 --> 01:29:24,425 BEING TOLD. 5445 01:29:24,425 --> 01:29:24,491 BEING TOLD. 5446 01:29:24,492 --> 01:29:26,060 YOU CAN SEE THE NATURE OF 5447 01:29:26,060 --> 01:29:26,126 YOU CAN SEE THE NATURE OF 5448 01:29:26,127 --> 01:29:28,229 TEAMWORK. 5449 01:29:28,229 --> 01:29:28,262 TEAMWORK. 5450 01:29:28,262 --> 01:29:29,129 >> YOU'RE ALL CLEAR, KID! 5451 01:29:29,130 --> 01:29:29,163 >> YOU'RE ALL CLEAR, KID! 5452 01:29:29,163 --> 01:29:30,264 NOW LET'S BLOW THIS THING AND 5453 01:29:30,264 --> 01:29:30,297 NOW LET'S BLOW THIS THING AND 5454 01:29:30,298 --> 01:29:31,065 GO HOME! 5455 01:29:31,065 --> 01:29:31,098 GO HOME! 5456 01:29:31,099 --> 01:29:31,899 >> Gingrich: THE NATURE OF 5457 01:29:31,899 --> 01:29:31,965 >> Gingrich: THE NATURE OF 5458 01:29:31,966 --> 01:29:35,169 DEFIANCE. 5459 01:29:35,169 --> 01:29:35,202 DEFIANCE. 5460 01:29:35,203 --> 01:29:36,237 >> Jackson: YOU CAN TALK ALL 5461 01:29:36,237 --> 01:29:36,270 >> Jackson: YOU CAN TALK ALL 5462 01:29:36,270 --> 01:29:37,671 YOU LIKE ABOUT HOW "STAR WARS" 5463 01:29:37,672 --> 01:29:37,705 YOU LIKE ABOUT HOW "STAR WARS" 5464 01:29:37,705 --> 01:29:39,073 HAS A BIT OF THE BIBLE AND IT 5465 01:29:39,073 --> 01:29:39,139 HAS A BIT OF THE BIBLE AND IT 5466 01:29:39,140 --> 01:29:42,776 HAS A BIT OF GREEK MYTHOLOGY, 5467 01:29:42,777 --> 01:29:42,810 HAS A BIT OF GREEK MYTHOLOGY, 5468 01:29:42,810 --> 01:29:45,078 BUT NONE OF THOSE STORIES HAVE 5469 01:29:45,079 --> 01:29:45,112 BUT NONE OF THOSE STORIES HAVE 5470 01:29:45,113 --> 01:29:47,882 R2-D2 OR C-3PO, JABBA THE HUTT, 5471 01:29:47,882 --> 01:29:47,948 R2-D2 OR C-3PO, JABBA THE HUTT, 5472 01:29:47,949 --> 01:29:51,085 THE SPACESHIPS, THE DEATH STAR. 5473 01:29:51,085 --> 01:29:51,118 THE SPACESHIPS, THE DEATH STAR. 5474 01:29:51,119 --> 01:29:53,154 TO ME, WHAT IS GREAT AND 5475 01:29:53,154 --> 01:29:53,187 TO ME, WHAT IS GREAT AND 5476 01:29:53,187 --> 01:29:54,521 WONDERFUL ABOUT "STAR WARS" IS 5477 01:29:54,522 --> 01:29:54,555 WONDERFUL ABOUT "STAR WARS" IS 5478 01:29:54,555 --> 01:29:56,790 THE SHEER BRILLIANCE OF THE 5479 01:29:56,791 --> 01:29:56,824 THE SHEER BRILLIANCE OF THE 5480 01:29:56,824 --> 01:29:58,525 IMAGINATION OF THE STUFF IN 5481 01:29:58,526 --> 01:29:58,592 IMAGINATION OF THE STUFF IN 5482 01:29:58,593 --> 01:30:00,161 "STAR WARS" THAT WE HAVE NEVER 5483 01:30:00,161 --> 01:30:00,194 "STAR WARS" THAT WE HAVE NEVER 5484 01:30:00,194 --> 01:30:01,461 SEEN BEFORE. 5485 01:30:01,462 --> 01:30:01,495 SEEN BEFORE. 5486 01:30:01,496 --> 01:30:02,263 >> I GOT HIM! 5487 01:30:02,263 --> 01:30:02,296 >> I GOT HIM! 5488 01:30:02,296 --> 01:30:03,096 >> GREAT, KID! 5489 01:30:03,097 --> 01:30:03,163 >> GREAT, KID! 5490 01:30:03,164 --> 01:30:05,533 DON'T GET COCKY! 5491 01:30:05,533 --> 01:30:05,566 DON'T GET COCKY! 5492 01:30:05,566 --> 01:30:07,901 >> FOUGHT WELL, YOU HAVE. 5493 01:30:07,902 --> 01:30:07,968 >> FOUGHT WELL, YOU HAVE. 5494 01:30:07,969 --> 01:30:11,238 >> THIS IS JUST THE BEGINNING. 5495 01:30:11,239 --> 01:30:11,272 >> THIS IS JUST THE BEGINNING. 5496 01:30:11,272 --> 01:30:12,239 >> Connelly: A HUNDRED YEARS 5497 01:30:12,240 --> 01:30:12,273 >> Connelly: A HUNDRED YEARS 5498 01:30:12,273 --> 01:30:14,241 FROM NOW, SOMEONE WILL BE 5499 01:30:14,242 --> 01:30:14,275 FROM NOW, SOMEONE WILL BE 5500 01:30:14,275 --> 01:30:15,743 SITTING HERE DISCUSSING THE 5501 01:30:15,743 --> 01:30:15,776 SITTING HERE DISCUSSING THE 5502 01:30:15,777 --> 01:30:17,745 IMPACT OF "STAR WARS," AND THEY 5503 01:30:17,745 --> 01:30:17,811 IMPACT OF "STAR WARS," AND THEY 5504 01:30:17,812 --> 01:30:19,547 WILL BE SEEING DIFFERENT THINGS 5505 01:30:19,547 --> 01:30:19,580 WILL BE SEEING DIFFERENT THINGS 5506 01:30:19,580 --> 01:30:23,183 IN IT THAN WE ARE SEEING TODAY. 5507 01:30:23,184 --> 01:30:23,250 IN IT THAN WE ARE SEEING TODAY. 5508 01:30:23,251 --> 01:30:24,452 HAS IT CHANGED THE CULTURE? 5509 01:30:24,452 --> 01:30:24,485 HAS IT CHANGED THE CULTURE? 5510 01:30:24,485 --> 01:30:26,186 ABSOLUTELY. 5511 01:30:26,187 --> 01:30:26,253 ABSOLUTELY. 5512 01:30:26,254 --> 01:30:27,788 IS IT WITH US FOREVER? 5513 01:30:27,789 --> 01:30:27,822 IS IT WITH US FOREVER? 5514 01:30:27,822 --> 01:30:29,190 YOU BET. 5515 01:30:29,190 --> 01:30:29,223 YOU BET. 5516 01:30:29,223 --> 01:30:31,191 >> REMEMBER, THE FORCE WILL BE 5517 01:30:31,192 --> 01:30:31,225 >> REMEMBER, THE FORCE WILL BE 5518 01:30:31,225 --> 01:30:33,427 WITH YOU... ALWAYS. 5519 01:30:33,461 --> 01:30:36,664 Captioned by Elrom, Inc. www.elrom.tv 358139