All language subtitles for Murder.She.Wrote.S09E04.The.Wind.Around.the.Tower.WEBRip.x264-ION10.

[Jessica] Tonight on Murder, She Wrote.

What on earth is...

Sometimes the wind catches
around the old tower.

According to legend

whenever the crying woman is heard,
someone dies.

But with everything that’s going on,

what if they find out?

[screaming]

I have every reason to believe
that in the next 48 hours

someone is going to try and kill me.

It’s that place,

it’s bad luck to disturb
the rest of the dead.

[Jessica] "For my beloved Sarah,

safe passage through dangerous places."

[cheerful orchestral music]

[Jessica] That was so kind of you
meeting me at the airport, Sean.

I hope
I didn’t put you to too much trouble.

No trouble at all, Jess.

It’s my sabbatical.

I'll spend it as I please.

Besides what’s an old retired cop

like me gonna do otherwise?

Sit at home and watch those

infernal Australian soap operas?

You’re still going on about them.

[Sean] We sent them convicts,

now they’re sending us soap operas.

[Sean] If you ask me,
we still owe them a few convicts.

[Jessica] Well, I’ll try to avoid them
and get on with my research.

It sounds like
you got quite a task ahead of you.

Uh-huh.

You know,
I’m really very excited about it.

It’s the biggest book
that I’ve tackled yet.

[Sean] What do you want to see first?

I’m very anxious to get a feel
of everyday life here in Ireland,

you know, the people, the lifestyle,

the colloquial speech, that sort of thing.

[Sean] Then I know just the place.

I got a call from an old friend

who heard I was back in the country.

Lives in a charming little village

about an hour outside of Dublin.

[Jessica] Would there be any problem
finding a place to stay?

[Sean] All taken care of.

[man] I’m sure it’s here somewhere.

What did you say
the other reservation was?

Fletcher. Jessica Fletcher.

Did you know that she is the same name

as that mystery writer woman?

-She is.
-Aware of it I’m sure.

Probably hears it all the time.

You know how it is.

One thing always pushing out the other.

Brian, is this
what you might be looking for?

Oh, sure I knew it was here all the time.

Well, listen, I’ll go see to your rooms

and why don’t you go
and have a bite of lunch

and I’ll call you
when your rooms are ready.

Oh, that will be fine. Sean.

Isn’t she that mystery writer?

Oh, you know the one--

Well, don’t you start on about that now.

The poor woman gets mistaken
for her all the time.

Oh, Sean.

It’s good to see you.

And you. And you.

Neal Gillen, Jessica Fletcher.

Jess, this is Neal Gillen,

one of my oldest friends in the world.

And one of only two that admit it.

Pleased to meet you.

It’s a great pleasure.

Brian.

Sean was telling me that you bought
a great house around here.

Just finished remodeling the inside.

The outside you leave alone,
kind of an unwritten law.

And Neal made his fortune in real estate.

Who would have guessed it?

Comes out of a family as poor as mine,

next thing he’s a millionaire
ten times over.

Yeah, anyone can make money
if that’s all you want to do.

Problem is most developers
destroy the past.

Here you learn to reach
a kind of accommodation.

And speaking of accommodations,

if you’re gonna be here a few days

I insist you stay at our place.

Oh, no, we couldn’t impose.

And besides, we just checked in.

It isn’t an imposition
and you leave old Brian to me.

He owes me plenty.

And we could use the company.

It’s a big old place,
half empty and besides,

the house came with a big library,

local history, folklore.

If it’s research you want to do

you couldn’t find a better place to start.

All right, you talked us into it.

Good then,

to friends then, present,
absent and on the road.

May you have warm words on a cold evening,

a full moon on a dark night

and a road downhill
all the way to your door.

I'll drink to that.

Oh, my, I almost forgot.

You know, I noticed that
there is a chemist shop across the street.

I have some pictures that I took in London

that I’d love to get developed
before they close.

I’ll be right back.

All right, Neal. I'm here like I promised.

Now what’s wrong?

If I told you, you’d think I was mad.

Try me.

No, not yet.

It may be just my imagination
or it may be something else,

something, something terrible.

Oh, come on, Neal,
you got to give me more than that.

Then let me just say
my life may be at stake.

And please, Sean,
I need someone objective.

I don’t want to prejudice
what you see or hear.

Just come, look around
and once you’ve done that

we’ll talk and I’ll tell you everything,
all right?

And one thing more,

you are to tell no one about this.

Not even Jessica.

Hello?

Hello?

Oh, sorry,

I didn’t hear you come in.
Just a second.

Cashier’s at lunch.

So it’s Francis Reilly,

proprietor, at your disposal.

How do you do?

What can I do for you?

Well, I’d like to get these
two roles of film developed,

one print of each.

Certainly.

And the name please.

Fletcher. Jessica Fletcher.

Right.

I heard you were coming.

It’s a pleasure to meet you.

We carry your books, you know.

Have a devil of a time
keeping them in stock.

Is tomorrow all right on the film?

Oh, that’ll be fine.

Thank you.

By the way, some of our customers,

well, they’re big fans of yours,
but they are...

Well, they’re housebound, you know.

If you could see a way
to signing a couple of books for them,

I know it would perk them up.

I could drop them off
when I’m making my deliveries.

Oh, of course, I’d be delighted.

-I’ll see you tomorrow then.
-Okay.

Bye-bye.

[Neal] Jessica, Sean,

I’d like you to meet
Claire Abbott, our helper.

Claire,
this is my old friend, Sean Culhane

-and Jessica Fletcher.
-Hello.

Well, now, hello.

I knew we were having guests
but not so famous.

If there is anything at all
I can do for you

please don’t hesitate to ask.

Hmm, okay.

She’s from the village.

It never hurts to help
keep the local economy going.

This way then.

Before remodeling
we used to have the worst breezes

right through here, now nothing.

Ah, there you are.

This is my wife, Anne Gillen,
and my cousin, Liam.

A pleasure.

Oh, how do you do?

Jessica Fletcher, Sean Culhane.

Neal’s told me so much about you,

and I imagine some of it’s even true.

Mrs. Fletcher, we’re doubly honored.

Neal didn’t tell me you were coming
as well until yesterday.

He kept it as his little surprise.

Well, I hope it wasn’t
too much of a surprise.

And it’s Jessica.

Are you staying to dinner then?

Oh, no, thank you.

I’ve other plans.

It was a pleasure meeting both of you.

Good evening.

Oh, yes, this is very nice.

Very nice.

I don’t recognize it though.

I’m not surprised.

Mouton Rothschild 1945,
almost impossible to get.

After we bought the house,

Anne was exploring the wine cellar,

found a whole case of it hidden away.

We keep it for special--

[woman screaming]

[wind howling]

What on earth is...

When we remodeled
we left the exterior alone.

Sometimes the wind catches
around the old tower.

It sounds almost sad.

As well it should.

Anne.

The villagers all say

it’s the crying woman come back again.

Anne, for God’s sake,
let’s not get into that.

I’m sure our guests have no interest
in such absurd stories.

Well, speaking as someone
who makes a living

telling stories, I’d be very interested.

This house was built 150 years ago

by the captain of a trading ship
for his wife as a wedding gift.

He even built her a stone tower
down by the cliffs

so she could watch
as he came home from the sea.

One night she was up in the tower,

terrible night,
rocked with storms, lightning.

And she watched,
as his ship was dashed against the cliffs.

It sank with all hands aboard.

In despair she threw herself
from the tower

to join her husband in death.

How terrible.

According to legend, from time to time

the Captain’s wife can be heard
here on the grounds

weeping and calling for her husband.

The legend also says

whenever the crying woman is heard,

someone dies.

[dog barking]

Just going for some warm milk.

Really?

So was I.

You saw it too, eh?

I thought it was moving toward the tower.

Are you sure you saw a light in here?

Hmm.

"For my beloved Sarah,

safe passage through dangerous places."

Don’t move.

Listen, I don’t know who you are, but--

The name is Quint Sankey.

I’m the caretaker around here

and I'll thank you to stay real still.

What are you doing here, trespassing?

I think there’s been a misunderstanding.

We’re guests of Neal Gillen.

This is his property, isn’t it?

Aye, that it is, that it is.

But I thought I saw
someone sneaking on the property

and whoever it were,
weren’t coming from the house.

So if you don’t mind, let’s be having ya.

One thing’s for sure,
you’re not from these parts

because if you were
you’d know better than come here.

No one comes to the tower after dark,

at least no one alive.

I’m terribly sorry
about all this, Jessica.

It’s our own fault.

We should say,
wandering about in the dark like that.

Well, I’ll leave you to sort it out.

I’ve done my job for the night.
Good evening.

Yes, well, I’ve had
quite enough excitement for one night.

I’m off to bed.

And you should get some sleep too, Neal.

Good night.

And I’ll see you in the morning then.

Certainly watches over him, doesn’t she?

Best thing that ever happened to him.

Made a new man out of him.

[Jessica] Oh, good morning, Sean.

-[Sean] Been up long?
-A couple of hours.

You know, Neal was right.

There’s some fascinating material
in his library

and just the sort of thing
I’m looking for, for my book.

What I need now is some personal stories,

you know, local yarns, that sort of thing.

I was thinking of heading into town.

Would you like to come with me?

No, no, thanks.

I think I'll just, you know,
go for a stroll.

Take a look around in the daylight

when it’s a mite safer.

Get a feel for the place.

That’s funny.

You know, you once told me
that when you were starting

to investigate a case you liked to walk

every inch of the scene
and get a feel of the place.

I suspect that our visit isn’t quite

as casual as you led me to believe.

-I don’t know--
-Let me finish.

Look, I don’t want to intrude

and if you want to deal with
whatever it is on your own,

I respect that

and I’ll stay right out of it.

I’ve got enough research material here
to keep me busy,

but if you change your mind
and if there’s anything that I can do,

I just wanted you to know that I’m here.
That’s all.

[Francis] Mrs. Fletcher,
back for your photos, are you?

They’ve just come in.

Oh, great.

By the way,

about those housebound customers
I was telling you about,

if you wouldn’t mind
signing a few of your books.

Oh, of course, no problem.

You must do quite good business here.

When you’re the only chemist
for 20 kilometers

it works out pretty well.

So I carry a little of everything,

you know, food, medicines, cameras,

hoof and mouth treatment.

I get doctors, dentists, vets,

just plain folk.

It’s always something new.
That’s perfect. Thanks very much.

You’re very welcome.

Thank you.

Oh, Emerald Sunset.

I didn’t think that this new fragrance

was coming out for several weeks.

[cashier] It’s just come in.

I hear it’s supposed to be wonderful.

Mmm.

Why not?

You’re the first one
in town to buy this brand.

I’d be curious to know
what you think of it.

Well, I’ll let you know.

Here we go.

-Thank you.
-Thank you very much.

-Goodbye.
-Goodbye.

[Jessica] And what were
they fighting about?

It seems to me it involved

five strong men, one woman,
a tax collector, a horse,

several cases of good Irish whiskey,

and crossing rights to Cavanagh’s Bridge.

And who won?

The horse.

[Jessica] Now, Mr. Foudy, as far as
local history is concerned,

I mean, are there any stories, legends,

you know, that kind of thing
that comes to mind?

Douglas, why don’t you tell her
about the crying woman?

Word is she’s been heard again
up by Gillen’s place.

That sounds fascinating, Mr....

MacNamara.

Jason MacNamara.

And no need to introduce
yourself, Mrs. Fletcher.

You’re the biggest news in town

since the great flood of ’32.

Oh, I'm very flattered.

Mr. Foudy, tell me more
about the crying woman.

Folks have been talking
about the crying woman

for 100 years now.

Every time she’s heard from, someone dies.

Even in life she was a strange one,

always up at the tower.

But nobody ever saw her go in
and no one ever saw her go out.

Strange woman.

Maybe, all I know is

I can’t think of anyone
I'd rather have the crying woman visit

than Neal Gillen.

If ever a man deserved death, it’s him.

The man’s a thief.

Well, good day to you, Mrs. Fletcher.

And be careful.

You never know what will come out

of the woodwork in a place like that.

Why did he call Neal Gillen a thief?

He used to own most of the land

on either side of the Gillen place.

When he fell on hard times
he took out a loan

and he couldn’t pay back.

And the bank foreclosed.

And Mr. Gillen bought the paper.

Ah, well, thank you
for all the information, Mr. Foudy.

You’ve been tremendously helpful.

My pleasure, darling.

Are you looking for someone then?

I was.

It looks like I lost him.

Happens a lot around here.

Look, I’m sorry about that bit last night.

Well, there’s been some strange things
happening around here lately.

You can’t be too careful.

Strange? How?

You see things in the woods
some nights like lights

and then there’s the voices,

sometimes a man, sometimes a woman
sounding far away

like from another world
or right next to you,

but when you get close,

the lights vanish and the voices stop.

Where?

By the tower of course.

It’s not a healthy place, Mr. Culhane,

it’s not healthy at all.

Liam, I want to talk to you.

But I was just on my way--

I know what you were
just on your way to do.

I suggest you quit while you’re ahead.

I don’t know what you’re talking about.

I’m talking about
the large amounts of money

that have disappeared
from the corporate Swiss holding accounts.

And what does that have to do with me?

You’re the only one
with the access code, remember?

Right.

And how you got the code I don’t know

but I’ll find out.

What was the plan, Liam?
Steal a little at a time,

see if anyone noticed,
then go for the rest?

Was that it, then?

I don’t have time for this.

Right now,

it’s small time, Liam,
hardly worth a scandal.

I might even be inclined to forget it

if you tell me
who gave you the access code.

Don’t walk away from me
when I’m talking to you!

Damn it, answer me!

You’re crazy, you know that?

You’re out of your bloody mind.

And if you ever lay a hand
on me again, ever,

I’ll tear your bloody heart out.

So I said to her, you know, it ought to be
part of every IQ test.

If you can’t make your VCR
stop flashing 12:12:12,

you don’t pass.

She still isn’t speaking to me.

I don’t blame her.

Brandy, take the edge off dinner.

Thanks, no.

So, now you’ve had a chance
to look around, what do you think?

What do I think?

In the last 24 hours
I've been threatened at gun point,

seen strange lights in the woods,

every time I turn around somebody is
talking to me about the crying woman

in ways it makes me think
I’ve to leave town fast.

What do I think?

I think it’s time
you leveled with me, Neal,

because I don’t like the way
this is shaping up

and I don’t like keeping this from Jess.

You’re right. I’m sorry.

It’s just in my heart.

I didn’t want to believe it.

I wanted someone to tell me
I was crazy, imagining things,

but I don’t think so.

Sean, I have every reason
to believe that in the next 48 hours

someone is going to try and kill me.

What? Who?

That’s the whole thing, I’m not sure.

I mean, we’ve had some--
some problems lately.

Money disappearing, things that would be
a lot easier to conceal

if I weren’t here
but there’s something else, something...

[Anne] Neal.

Meet me here tonight at midnight

I’ll tell you everything.

Darling, your toy is on the blink again.

Can you take a look at it please?

Of course, just leave it there.

Oh, and don’t forget
you still got those portfolios

to go through.
The broker won’t wait forever.

Right, right, I’d forgotten.

I’ll do it tonight before bed.

Which is where I should be heading now.

-Good night, Neal.
-Anne.

Good night, Sean.

Good night, darling.

[Anne screaming]

What is it? Anne.

Anne, dear, what is it?

Neal. Neal.

Neal?

He’s dead.

Oh, God, he’s dead.

I’m sorry about your loss, Mrs. Gillen.

I know this isn’t a good time,

but if there’s anything else
you can tell us

about your husband’s condition
when you found him.

No.

He was just sitting there.

At first--

At first I thought
he’d just fallen asleep at his desk again,

but when I saw his eyes were open, I...

Well, there’ll have to be
an autopsy of course.

But unofficially I’d say
it looks like a heart attack.

Are you sure, Sergeant?

I mean, there wasn’t the
telltale bluing of the lips

that follows a heart attack.

Well, now, that’s true.

It might have been an aneurysm then

or some other natural cause.

Makes sense since there wasn’t
a mark on him.

I mean, the man was sitting at his desk

in a closed room,
windows locked, no sign of distress.

One thing I’ve never seen, Mrs. Fletcher,

is a relaxed murder victim.

True.

Almost all poisons show some signs
of physical distress.

There you are then.

Well, I best be going.

If I have any further questions,
I’ll be in touch.

Excuse me, Sergeant O’Malley.

May I have a word with you?

Yes, Mr. Culhane,
something you remembered?

Um, no, no, not exactly.

Look, I used to be a police officer myself
back a few years.

Yes, Mrs. Fletcher was telling me.

I’d appreciate it
if you could do me a favor,

one cop to another.

I guess that depends
upon the favor now, doesn’t it?

Hmm. I’ve seen how coroners get
when they think it’s death

by natural causes.

It’ll be a five-minute autopsy.

And you’d like the works, is that it?

Probably you want to see
the reports yourself too, I don’t doubt.

Well, I’ll see what I can do.

But until then,
no interference in this case, agreed?

Agreed.

Thanks.

[Sean] And he asked me not to tell a soul,

not even you.

[Jessica] Do you know why?

Well, Neal was a private man.

He always kept things to himself

till he was ready to act.

It must have been hard for him
to bring me into this.

Damn it, Jess,

I should have done something,
told someone.

Oh, listen, you were respecting

the wishes of a friend.

I mean, you cannot blame yourself

for honoring his decision, Sean.

What matters now is
finding out what happened.

Oh, then you don’t believe
this death by natural causes

stuff anymore than I do.

No.

I keep thinking the way
the body was found.

So peaceful.

So undisturbed.

No sign of violence.

It’s as if there’s something
that I can’t quite put my finger on.

You know, I need to go back
into the village.

There’s people I want to talk to.

Is there anything I can do?

What do you know about
a man named Jason MacNamara?

Good morning.
Looking for Jason MacNamara.

You found him. Who are you then?

The name’s Sean Culhane.

I’m staying with the Gillen’s up the way.

I was wondering
since you own the land next door to his

if you heard or saw anything last night.

No, not a thing.

That’s funny.

I thought this part of the grounds
belonged to Neal Gillen.

No, it’s mine, always was.

Now with Gillen dead, it’ll be again.

I can’t imagine his wife sticking on
now that he’s gone.

Probably sell it back to me, cheap.

Why do you say that?

I got my sources.

Your sources must be good.

Seeing how Neal’s not dead eight hours

and here you not only know about it,

you’re even making plans.

I suggest you move along now, Mr. Culhane.

I’ve got nothing more to say to you.

And that’s dark news, Mrs. Fletcher.

He was a good man, he was, Mr. Gillen.

It’s that place.

I told him that no good
will come with the way

he went about restoring it.

All that noise and the work.

It’s bad luck to disturb
the rest of the dead.

The crying woman again, huh?

Oh, no, don’t scoff, Mrs. Fletcher.

The fact is there wasn’t a peep heard
out of that woman

for nigh on 50 years.

Then Mr. Gillen moved into the house
and the next thing...

You saw how it all ended up.

Yes.

Yes, indeed.

Well, thank you, Mr. Mulrain.

I really appreciate your help.

Pleasure.

Uh-huh.

Mrs. Fletcher.

I just wanted to say thanks again
for signing those books

the other day for my customers.

It’s the best medicine I ever delivered.

Perked them right up.

Well, I’m glad to hear that.

Well, speaking of deliveries,

I’ll just give this to himself
and I'll be on my way.

Oh, Sean, we need to talk.

Yes, we do.

Oh, Mrs. Fletcher, I just got into town

and I heard about Neal.

I’m terribly sorry
this had to happen while you were here.

We wondered where you were this morning.

I had some business to attend to.

It’s a nice village,
but trying to find a fax around here

I had to drive across three towns

before I found one.

Business on the weekend.

Bankers never sleep.

Now I’ll have to do it all over again.

You know, to notify
the stockholders about Neal.

Listen, with Neal gone
I'll be assuming a larger role

in the business as he’d wanted me to do.

So if there’s anything
I can do in Neal’s absence

just be sure to let me know.

Interesting.

You caught the bit about the bank too.

Just before he died,

Neal mentioned something
about money disappearing.

I think I'll give
Sergeant O’Malley a call.

-See what he can find.
-That’s a good idea.

Meantime, I think it’s time for me
to have another talk with Anne.

So I suggest that
we get together afterwards

and compare notes, around two o’clock?

Fine.
The coroner’s report should be in by then.

Yeah.

Hey, we make a pretty good team, don’t we?

Phone call.

Right.

Are you sure, Liam?

Positive. Just do as I said.

Find a place to stay
and I’ll see you in a day or two.

But with everything that’s going on,

what if they find out.

They won’t

and if they do it’s best that I stay here

to take care of things.

Now go on, I’ll see you in a few days.

[knocking on door]

Oh, Jessica.

I’m sorry I didn’t see you at breakfast

what with so much going on--

Oh, that’s quite all right.

I just wanted to know how you were doing.

I’m fine. Fine.

Please come in.

Thanks.

Can I... can I get you anything?

Oh, no, no, nothing at all.

I just wanted to tell you
that if there’s any way

that I can help, please tell me.

I realize it must be rather daunting

having to take over
Neal’s responsibilities,

his business, his property.

Yes.
Thank you.

I’ve decided to sell the house
as soon as possible.

I couldn’t stay here
knowing what happened.

Of course.

And I understand that
Liam will be taking on

the burden of running the business.

Will he?

I bet he said that’s what Neal wanted.

Well, he didn’t.

Neal found out

that Liam was dipping
into the corporate accounts,

just a little at first,
then a little bit more.

Neal suspected that Liam was planning

a big score this weekend, didn’t he?

Yes, he--

Oh, my God, you’re not suggesting...

this is outrageous.

You heard the police sergeant.

Neal died of natural causes.

This incident with Liam
has nothing to do with it.

He’s a schemer to be sure, but he--

I know that this is difficult for you,

but if there’s even a chance

that there might be something
more here than meets the eye.

It wasn’t murder.

Neal died of natural causes.

Oh, God, there’s never a tissue around
when you want one.

Oh, I’ll get you one.

Thank you, Jessica.

It’s just this has been so stressful.

Oh, I do understand.

I know Neal was a close friend of Sean’s.

It’s hard losing someone you care for.

When someone dies you want to believe

there’s a reason for it.

Death is rarely fair.

We have to come to grips with it,

stop trying to fix blame
where there is none.

You understand that, don’t you, Jessica?

Jess, the autopsy report just came in.

Here.

You know, Sean,
I just finished talking with Anne

and she is convinced
that Neal died of natural causes.

And that you’re simply refusing

to come to grips with Neal’s death.

Yeah, well, then she’s got
another thing coming.

Oh, so do you.

According to the autopsy the coroner found

considerable amounts of fluid
in Neal’s lungs.

Fluid in his lungs, how?

They’re listing the cause of death
as pneumonia.

Pneumonia?

Pneumonia, but he didn’t have a cold.

That’s impossible.

I know.

I know, Sean.

[Sean] I just can’t understand it, Jess.

How could Neal have died of pneumonia?

I mean, you saw him.

Did he look sick to you?

No, not at all.

So how do you explain
this coroner’s report?

I can’t.

Then perhaps we can assist you.

Sergeant O'Malley
has graciously brought me

up-to-date on your inquiry.

Sean, I understand your concern,

but this household
has been through so much,

a prolonged investigation
will only hurt more people.

I can’t have that.

I have just taken the liberty
of showing Sergeant O'Malley

something that will prove
beyond a shadow of a doubt

that Neal was not murdered.

If it will set your mind at ease,

I would like to show it to you as well.

This way please.

Neal loved his toys.

That’s why he was renovating this place,

to bring it into the 20th century.

The night he--he died,

I brought one of his toys here

in case he could fix it, the video camera.

What I didn’t know was

I accidentally left it switched on.

The camera recorded
the last hours of Neal’s life.

You’ll forgive me
if I don’t stay to watch it again.

Once was more than enough.

It goes on for about an hour.

I’ll fast forward through some of it.

And that’s where you came in.

So you saw it for yourself.

No one came into the room,
no one touched him.

He experienced no trauma, no distress,

natural causes just like the coroner said.

It’s that simple.

Pretty, isn’t it?

Yes.

Ah, Jess, I’m lost.

Is it possible we’ve been
wrong the whole time?

I know how you feel,

but the evidence is
pretty overwhelming, isn’t it?

Hmm. Maybe Anne was right,
maybe we should let it go.

Mm-hmm.

Stop chasing shadows that don’t exist.

And what’s the point of it
after all, I ask you.

It’s a fine day.
Not a cloud in the sky.

Flowers are blooming...

or is that your perfume, Jess?

Oh, maybe it is.

It’s a new brand
I picked up at the chemist.

They just got it in.

Jessica?

Jess?

They almost did it.

They were that close
to getting away with it.

Who? What?

Jess, you’re speaking in tongues again

and you know how that worries me.

Neal was murdered, Sean,
and I think I know who

and I think I know how it was done,

but we just have to be sure.

Come on.

Where are we going?

Shopping.

Shopping? Now?

Trust me.

Back again?

I’m just keeping a promise.

You asked me about the perfume.

Oh, right.

How did you like it then?

Well, I think it’s wonderful.

I mean, it’s very light, not too cloying.

What do you think, Sean?

It-- hmm?

Oh, yeah, it’s light, it’s very light.

That’s good.

Tell me, did anyone else buy
a bottle of Emerald Sunset since I was in?

No.

Are you sure?

Absolutely.

You were the first to buy one
and nobody’s bought one since.

Well, that’s curious

because this box holds a dozen bottles

and there are only ten left,

which means that
one bottle is unaccounted for.

It’s probably Mr. O’Reilly.

He’s quite a ladies’ man, you know.

He probably took one as a present

for one of his lady friends.

He does that often?

On occasion.

Well, what’s the point of owning a store

if you can’t dip into the inventory
once in a while.

[telephone ringing]

-Excuse me.
-Of course.

I don’t suppose you’d mind telling me
what a bottle of perfume

has to do with Neal Gillen’s death now,
would you?

Well, now there’s only one person

who can tell us that.

The crying woman herself.

Are you sure you want to be doing this?

It’s awful cold in here.

Exactly.

And colder outside.

Now that is the whole point.

The captain who built the house
in this tower

loved his wife very much, remember?

That’s what one of the villagers said.

He built it special for her
to make it safe.

And?

Well, would a loving husband
let his wife walk through the wind

and the rain all the way from the house?

Well, logically he wouldn’t.

Exactly. So...

[footsteps]

Would you mind telling me
what you’re doing here?

[Sean] Just exploring.

Well, I’m under orders
to watch out for anybody going

where they shouldn’t
and that includes you.

So out you go, you and the lady, both.

If you’d just listen to me.

Where is she?

Jess?

Sean: Jess!

[woman screaming]

[wind howling]

[screaming stops]

[woman screaming]

Jessica, what are you doing here?

I’m gathering evidence.

Please come in.

I don’t want anyone to hear us.

And I have reason to believe
that your husband was murdered

despite what we saw on the videotape.

Jessica, we’ve been through all this.

Well, indulge me just for a moment.

Now, I think that the secret
is here in this book.

I’m sure you remember it
from the videotape.

Now this is the book that Neal was reading
when he died.

Now, there’s a certain section here

that I think will be of interest to you.

Really this is quite upsetting

and not at all necessary.

Please give me a moment.

I know it’s here somewhere.

Well, maybe, but couldn’t this wait
until morning? It’s late--

I’d imagine finding the reason
for your husband’s murder

might be worth staying up a little longer.

I refuse to stay here all night.

It’s locked.

Oh, my goodness,
it must be stuck or something.

Well, I’m sure somebody will come along
and open it soon.

Not to worry.

Hello? Hello!

Is there anyone out there?

Open the door!

I’ve got to get out of here!

Oh, God. Oh, God.

Anne, what’s the matter?

You didn’t have to do that.

We took the liberty
of disconnecting the connection

between the lamp and the gas canisters
in the basement.

I don’t know what you’re talking about.

We’re talking about conspiracy to murder.

No.

No, this is absurd.

Yes,

I suppose that’s what you were relying on,

an unlikely alliance
that was kept absolutely secret

until your job was finished.

Except a few things didn’t add up.

[Sean] A dozen bottles
of Emerald Sunset perfume

arrived at Reilly’s shop.

Only one was sold, but ten were left.

The cashier figured
that it was a gift for a lover.

She was right.

[Jessica]
It’s the same perfume that I noticed

in your dressing room the other day.

Strange gift.

Gift for a married woman,

unless there’s a more
intimate involvement.

Then I remembered
that when I arrived in town

Francis Reilly said
he’d heard that I was coming.

Not that I had arrived, that I was coming.

But Neal didn’t tell anyone.

Not the staff, not his cousin, no one,

except you,

the day before we arrived.

He wanted to keep it a secret

so the only way Reilly
could have known was through you.

If you don’t mind me asking,
Mrs. Fletcher, why this fellow?

Of all the people in the village for her
to get involved with, Reilly?

Well, because as the village chemist

he could legally obtain the one ingredient
necessary for the murder,

nitrogen.

It’s colorless, odorless
and absolutely lethal.

And as any good chemist knows,

one of the unique things about nitrogen is

that the body interprets it as oxygen.

You could be stuck in a room full of it
and never notice.

You just keep on doing whatever it was
you were doing until you stop.

The brain passes out from lack of oxygen,

the heart stops
and the lungs fill with fluid,

a side effect of nitrogen poisoning.

Yes, and that is exactly what happened.

[Jessica]
Using the secret passage to the tower,

which you probably found
while exploring the basement,

as Neal mentioned.
You hooked the canisters of nitrogen gas

into the central heating ducts

that lead into Neal’s study here.

You then fixed the switch
on Neal’s desk lamp

so that it would turn on the gas
and the light at the same time.

On the tape,
I noticed that his cigar kept going out

much faster than it should have

as the air was replaced
by nonflammable nitrogen.

In a closed room with the window shut,

the gas filled it in no time.

I noticed the way you came into the room

after Neal was dead.

You switched off the lamp first
and then checked him.

To avoid inhaling the gas,
you left the room

and then cried for help.

By the time we arrived
most of the gas had escaped.

Well, that’s all very interesting,

but how are you going to convince a jury?

Well, that’s why I brought you in here

and closed the door
and switched on the lamp.

You had no way of knowing

that we disconnected
the nitrogen canisters.

You thought that the trap was still active

and that you’d been caught in it.

[Jessica] The only reason
that you would panic

and switch off the desk lamp

was because you knew
this room was a killing jar.

And that proves your involvement

in Neal Gillen’s murder.

Amazing. Simply amazing.

Now what about the gas canisters?

We checked the serial numbers

and the invoice proves
they were shipped to Mr. O’Reilly.

It was airtight,
there’s no question about it.

The whole village
is talking about it, you know.

It’s quite the story.

Now it figures, the way Anne
moved in on Neal

and stole him away from his first wife

and all she wanted was the money.

But now, what about the crying woman

and this bit about Neal’s cousin?

Well, from what I saw,
it was only the wind

moving through the air ducts

where it had been sliced and left open.

Ah, be that as it may,

in my heart I’d like to believe
that she was always there

and was trying to warn Mr. Gillen

about what was coming.

Perhaps.

As for Liam it turns out he used Claire

to get the access code to Neal’s account.

Now he’s promised to give back
the money in exchange

for a reduced penalty.

As I said, amazing, simply amazing.

Of course, everything amazes me.

Well, speaking of going,
we should be heading off, Jess.

You’re right.

I promised to show you all of Ireland,

the hills and the valleys,
the green and the rocks

and the sea.

And I mean to keep my promise.

There’s adventures to be had out there.

Adventures out there?

-What do you call all this?
-A good start.