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These are the user uploaded subtitles that are being translated: 1 00:00:04,134 --> 00:00:09,052 IN THE HEAT OF THE NIGHT 2 00:00:11,924 --> 00:00:17,365 I'�VE GOT TROUBLES WALL TO WALL 3 00:00:20,150 --> 00:00:24,198 IN THE HEAT OF THE NIGHT 4 00:00:24,241 --> 00:00:27,070 YEAH 5 00:00:27,114 --> 00:00:32,336 MUST BE AN ENDING TO IT ALL 6 00:00:33,424 --> 00:00:36,558 OH, OH 7 00:00:36,601 --> 00:00:39,561 BUT HOLD ON 8 00:00:39,604 --> 00:00:44,131 IT WON'�T BE LONG, JUST YOU BE STRONG 9 00:00:44,174 --> 00:00:48,004 AND IT'�LL BE ALL RIGHT 10 00:00:50,441 --> 00:00:53,923 IN THE HEAT OF THE NIGHT 11 00:00:53,966 --> 00:01:00,277 IN THE HEAT OF THE NIGHT 12 00:01:43,103 --> 00:01:44,626 Virgil: WHO'�S THAT? 13 00:01:44,669 --> 00:01:46,671 THAT THERE IS A BEAUTIFUL WOMAN. 14 00:01:46,715 --> 00:01:49,152 YOU DON'�T SEE HER KIND MUCH IN SPARTA. 15 00:01:49,196 --> 00:01:51,067 OH, PARKER, 16 00:01:51,111 --> 00:01:54,157 THERE ARE PLENTY OF BEAUTIFUL WOMEN HERE IN SPARTA. 17 00:01:54,201 --> 00:01:56,159 YES, SIR, THERE SURE ARE. 18 00:01:56,203 --> 00:01:59,380 BUT THERE'�S SMALL TOWN BEAUTY, AND THERE'�S BIG TOWN BEAUTY. 19 00:01:59,423 --> 00:02:00,990 Parker: THAT LADY'�S SPARTA-RAISED, 20 00:02:01,033 --> 00:02:03,079 BUT SEASONED IN NEW ORLEANS 21 00:02:03,123 --> 00:02:06,038 AND NOW DOMICILED IN GULFPORT. 22 00:02:06,082 --> 00:02:08,215 LONG-TIME FRIEND OF THE CHIEF'�S. 23 00:02:08,258 --> 00:02:10,739 HOW LONG? 24 00:02:10,782 --> 00:02:12,741 OVER 20 YEARS. 25 00:02:12,784 --> 00:02:16,310 UH-HUH. WELL, I GOTTA GET TO MY DESK. 26 00:02:16,353 --> 00:02:19,965 IS THERE ANYTHING ELSE I SHOULD KNOW BEFORE I VENTURE IN THERE? 27 00:02:20,009 --> 00:02:23,055 WELL, SIR, HER NAME'�S GEORGIA. GEORGIA FARREN. 28 00:02:23,099 --> 00:02:25,841 AND THAT THERE IS ONE OF HER BOYFRIENDS, I RECKON. 29 00:02:25,884 --> 00:02:29,758 THEY SAY THAT THE CHIEF AND HER USED TO BE...COZY. 30 00:02:32,021 --> 00:02:35,416 PARKER, EXACTLY WHO IS "THEY"? 31 00:02:35,459 --> 00:02:38,897 "THEY" IS THE KIND OF FOLKS THAT PUT SUCH STORIES AROUND. 32 00:02:38,941 --> 00:02:41,987 WELL, PEOPLE LIKE "THEY" HAVE BEEN KNOWN TO LOSE STRIPES 33 00:02:42,031 --> 00:02:43,598 AND COULD LOSE '�EM AGAIN. 34 00:02:47,384 --> 00:02:48,690 GOOD MORNING, VIRGIL. 35 00:02:48,733 --> 00:02:50,474 GOOD MORNING, BUBBA. 36 00:02:52,694 --> 00:02:56,045 WELL, GEORGIA, I CAN MAKE A COUPLE OF PHONE CALLS, 37 00:02:56,088 --> 00:02:57,786 BUT FIRST LET ME GET THE REGULAR ROUTINE 38 00:02:57,829 --> 00:02:59,266 STARTED '�ROUND HERE. 39 00:02:59,309 --> 00:03:02,007 SWEET OF YOU TO HELP, BILL. 40 00:03:02,051 --> 00:03:03,531 I KNEW YOU WOULD. 41 00:03:03,574 --> 00:03:06,229 LIKE I SAY, I'�VE GOT NOBODY LEFT HERE NOW. 42 00:03:06,273 --> 00:03:08,492 FORGETTIN'� YOU-KNOW-WHO.YEAH, I KNOW. 43 00:03:08,536 --> 00:03:11,234 NOBODY CLOSE TO ME. EXCEPT YOU. 44 00:03:11,278 --> 00:03:14,281 THE LAST TIME YOU TOLD ME THAT 45 00:03:14,324 --> 00:03:17,632 WAS 20 YEARS AGO THIS PAST JULY. 46 00:03:17,675 --> 00:03:20,287 AND YOU THOUGHT I WAS ONLY TEASIN'�. 47 00:03:20,330 --> 00:03:22,245 Bill: HA-HA! I SURE DID. 48 00:03:22,289 --> 00:03:26,162 OH, MAY I INTRODUCE MY CHIEF INVESTIGATOR, VIRGIL TIBBS. 49 00:03:26,206 --> 00:03:27,946 VIRGIL, THIS IS MISS GEORGIA FARREN. 50 00:03:27,990 --> 00:03:29,209 GOOD FRIEND OF MINE. 51 00:03:29,252 --> 00:03:30,819 HI.HELLO, HOW DO YOU DO? 52 00:03:30,862 --> 00:03:32,864 AND THIS IS HER FRIEND MISTER...? 53 00:03:32,908 --> 00:03:35,867 RAMON PELEZ. IT'�S A PLEASURE. 54 00:03:35,911 --> 00:03:38,043 BILL... 55 00:03:38,087 --> 00:03:40,002 I'�D LIKE TO CHECK OUT BEFORE ELEVEN. 56 00:03:40,045 --> 00:03:41,873 SI,AND BE ON THE ROAD. 57 00:03:41,917 --> 00:03:45,312 FINE. I CAN BE AT THE MOTEL BEFORE ELEVEN O'�CLOCK. 58 00:03:46,313 --> 00:03:47,444 BYE-BYE, MR. TIBBS. 59 00:03:47,488 --> 00:03:48,619 THANK YOU, SIR.BYE-BYE. 60 00:03:48,663 --> 00:03:50,795 GOODBYE, SIR.GOODBYE. 61 00:03:54,234 --> 00:03:57,324 WELL, WELL... 62 00:03:57,367 --> 00:04:00,152 WHAT WAS THAT THING THEY ALWAYS SAID ABOUT THE PAST? 63 00:04:00,196 --> 00:04:03,634 THE PAST IS PROLOGUE. 64 00:04:04,809 --> 00:04:06,289 NO, THAT ISN'�T IT. 65 00:04:06,333 --> 00:04:09,901 HOWEVER, THAT'�S PROBABLY TRUE, TOO. 66 00:04:09,945 --> 00:04:11,425 PROBABLY IS. 67 00:04:49,332 --> 00:04:51,247 EXCUSE ME. 68 00:04:51,291 --> 00:04:52,640 DIDN'�T YOU NOTICE THAT THIS HERE 69 00:04:52,683 --> 00:04:54,685 IS PARKING FOR POLICE VEHICLES ONLY? 70 00:04:56,165 --> 00:04:59,255 I WASN'�T REALLY PARKING, I... 71 00:04:59,299 --> 00:05:02,867 I THOUGHT I COULD WAIT HERE A MINUTE OR TWO. 72 00:05:02,911 --> 00:05:05,696 WELL, IF YOU WERE JUST WAITING TO BE TOLD BY SOMEBODY TO MOVE, 73 00:05:05,740 --> 00:05:07,872 WELL, NOW YOU'�VE BEEN TOLD. 74 00:06:14,504 --> 00:06:15,897 NICE TO SEE YOU OFF-DUTY, CHIEF. 75 00:06:15,940 --> 00:06:17,594 MORNING. 76 00:06:23,078 --> 00:06:25,167 WHY'�D YOU CHANGE? 77 00:06:25,210 --> 00:06:27,517 I ALWAYS LIKED YOU IN UNIFORM. 78 00:06:27,561 --> 00:06:31,042 WELL, THE MANAGER OF THIS PLACE DOESN'�T. 79 00:06:31,086 --> 00:06:33,436 I'�D SAY THE MANAGER ISN'�T A WOMAN. 80 00:06:33,480 --> 00:06:36,091 NO, HE'�S A NERVOUS YOUNG MAN WHO THINKS 81 00:06:36,134 --> 00:06:40,051 THE SIGHT OF A COP BOTHERS HIS GUESTS. 82 00:06:40,095 --> 00:06:42,010 I THINK YOU'�RENERVOUS-- 83 00:06:42,053 --> 00:06:44,926 ABOUT BEIN'� NOTICED SITTIN'� HERE WITH ME. 84 00:06:44,969 --> 00:06:46,797 MAYBE SO. 85 00:06:46,841 --> 00:06:49,670 WHERE IS MR. PELEZ? 86 00:06:49,713 --> 00:06:53,108 I TOLD HIM I DIDN'�T WANT HIM AROUND. 87 00:06:53,151 --> 00:06:56,111 YOU STILL SAY EXACTLY WHAT YOU MEAN, DON'�T YOU? 88 00:06:56,154 --> 00:06:59,419 MIGHT AS WELL. PEOPLE KNOW ANYHOW. 89 00:06:59,462 --> 00:07:01,029 YOU BETTER BE KIND TO THAT POOR FELLA. 90 00:07:01,072 --> 00:07:04,075 I CAN TELL, HE'�S VERY FOND OF YOU. 91 00:07:04,119 --> 00:07:06,774 THAT HAS ITS RISKS-- AND HE KNOWS IT. 92 00:07:08,340 --> 00:07:09,994 HERE'�S THE DOCUMENTS. 93 00:07:12,736 --> 00:07:15,739 THE DEED TO GRANNY'�S PLACE... 94 00:07:15,783 --> 00:07:20,178 AND HERE'�S A LETTER THAT SHE WROTE TO ME 95 00:07:20,222 --> 00:07:23,312 AS PAGE FOUR OF HER LAST WILL AND TESTAMENT. 96 00:07:23,355 --> 00:07:27,098 AND HERE'�S THE PIECE FROM THE PAPER WHEN SHE DIED. 97 00:07:28,360 --> 00:07:29,623 '�SCUSE ME. 98 00:07:29,666 --> 00:07:30,798 SOMETHING WE CAN GET FOR YOU, CHIEF? 99 00:07:30,841 --> 00:07:32,016 MISS FARREN? 100 00:07:32,060 --> 00:07:33,278 NOTHIN'� FOR ME, THANKS. 101 00:07:33,322 --> 00:07:35,411 UH, MAYBE SOME COFFEE, PLEASE. 102 00:07:35,455 --> 00:07:36,804 RIGHT AWAY, CHIEF. 103 00:07:38,545 --> 00:07:42,244 AND HERE'�S HER DEATH CERTIFICATE. 104 00:07:42,287 --> 00:07:44,638 GET CHIEF GILLESPIE A CUP OF COFFEE RIGHT AWAY. 105 00:07:50,557 --> 00:07:53,255 HELLO, LADIES. LOOKING FOR THE ASSISTANCE LEAGUE LUNCH? 106 00:07:53,298 --> 00:07:55,213 YES, WE ARE.RIGHT THIS WAY, PLEASE. 107 00:08:11,360 --> 00:08:13,188 WHO'�S THAT WITH THE CHIEF? 108 00:08:13,231 --> 00:08:16,278 A WOMAN WHO USED TO LIVE HERE... 109 00:08:18,541 --> 00:08:20,891 LONG TIME AGO. 110 00:08:20,935 --> 00:08:23,067 DO YOU KNOW HER? 111 00:08:23,111 --> 00:08:25,113 ONLY FROM THINGS I'�VE HEARD. 112 00:08:30,814 --> 00:08:32,294 HMM. 113 00:08:34,688 --> 00:08:37,429 WHEN YOU TOLD ME YOU'�D NEVER SPLIT WITH OLD KEN, 114 00:08:37,473 --> 00:08:39,736 I WAS REALLY SURPRISED. 115 00:08:39,780 --> 00:08:41,999 '�CAUSE WHEN YOU AND I WERE SPENDING TIME, 116 00:08:42,043 --> 00:08:46,656 YOU TOLD ME THAT YOU AND HE WERE ALL BUT DIVORCED. 117 00:08:46,700 --> 00:08:49,398 I JUST NEVER GOT AROUND TO IT. 118 00:08:49,441 --> 00:08:52,662 AND BESIDES, KEN WAS QUIET, 119 00:08:52,706 --> 00:08:54,621 WASN'�T MAKIN' NO TROUBLE. 120 00:08:54,664 --> 00:08:56,144 WHAT DO YOU MEAN? 121 00:08:56,187 --> 00:08:59,234 I HAVE BEEN WITH SOME CRAZY GUYS IN MY TIME, 122 00:08:59,277 --> 00:09:03,194 BUT KEN WAS THE ONLY ONE I WAS EVER SCARED OF. 123 00:09:03,238 --> 00:09:05,545 EXCUSE ME, CHIEF. HERE'�S YOUR COFFEE. 124 00:09:08,156 --> 00:09:10,680 THANK YOU.YOU'�RE WELCOME. 125 00:09:10,724 --> 00:09:11,899 WELL, IT'�S A SHAME, 126 00:09:11,942 --> 00:09:13,814 BECAUSE YOU, IT TURNS OUT, 127 00:09:13,857 --> 00:09:15,946 WERE THE ONLY ONE WITH ANY PROPERTY TO SPEAK OF. 128 00:09:15,990 --> 00:09:19,254 AND, AS YOU SAY, 129 00:09:19,297 --> 00:09:22,605 KEN WASN'�T THE FATHER OF YOUR CHILD. 130 00:09:22,649 --> 00:09:25,869 I SAY IT BECAUSE IT'�S TRUE, BILL. 131 00:09:27,741 --> 00:09:29,264 I DON'�T REMEMBER-- 132 00:09:29,307 --> 00:09:33,442 MAYBE BECAUSE I DON'�T WANT TO REMEMBER-- 133 00:09:33,485 --> 00:09:37,794 WHEN YOU CALLED THAT TIME AND TOLD ME ABOUT THE CHILD, 134 00:09:39,143 --> 00:09:41,189 WHAT DID I SAY? 135 00:09:41,232 --> 00:09:45,933 YOU SAID...YOU DIDN'�T KNOW WHAT TO SAY. 136 00:09:50,807 --> 00:09:52,635 THAT IS JUST ABOUT 137 00:09:52,679 --> 00:09:56,944 THE SORRIEST RESPONSE I EVER MADE TO ANYTHING. 138 00:10:06,475 --> 00:10:08,825 WHEN YOU THINK OF ME-- IF YOU EVER DO-- 139 00:10:08,869 --> 00:10:11,654 SURE I DO. MORE THAN YOU'�D SUSPECT. 140 00:10:11,698 --> 00:10:13,743 WHAT COMES TO YOUR MIND? 141 00:10:13,787 --> 00:10:17,921 AN UNPRINCIPLED, PROMISCUOUS WOMAN? 142 00:10:17,965 --> 00:10:19,227 NOPE... 143 00:10:22,752 --> 00:10:25,276 A WOMAN MUCH ADMIRED. 144 00:11:13,063 --> 00:11:14,456 NOW, COME ON-- 145 00:11:14,499 --> 00:11:17,111 JUST WHO DO YOU EXPECT TO SEE? 146 00:11:17,154 --> 00:11:18,373 I HOPE NO ONE. 147 00:11:51,275 --> 00:11:53,408 AAH! 148 00:11:55,802 --> 00:11:57,717 PUT THAT THING AWAY. 149 00:11:57,760 --> 00:12:01,633 AND BRING THE BAGS INSIDE. 150 00:12:01,677 --> 00:12:04,201 OKAY. IT'�S OKAY, HONEY. 151 00:12:04,245 --> 00:12:07,683 IT'�S JUST YOUR MOM AND THE CISCO KID. 152 00:12:07,727 --> 00:12:10,077 COME ON, LANA. PULL YOURSELF TOGETHER. 153 00:12:10,120 --> 00:12:12,166 WHY IS HE ALWAYS CARRYING THAT GUN, 154 00:12:12,209 --> 00:12:13,950 AND WHY IS HE ALWAYS HERE? 155 00:12:13,994 --> 00:12:16,736 BECAUSE THERE ARE PEOPLE THAT WANT TO KILL YOUR MOTHER! 156 00:12:16,779 --> 00:12:19,956 CAN I COME AND VISIT YOU JUST ONCE AND NOT FIND HIM HERE? 157 00:12:22,829 --> 00:12:26,920 RAMON, DISAPPEAR FOR A WHILE, HUH? 158 00:12:26,963 --> 00:12:29,183 SUPPOSE SOMEONE SHOULD COME BY HERE. 159 00:12:29,226 --> 00:12:31,751 WELL, HANG AROUND. 160 00:12:31,794 --> 00:12:33,927 STAY IN THE CAR. 161 00:12:33,970 --> 00:12:36,494 PLEASE, RAMON. BE NICE. 162 00:12:36,538 --> 00:12:37,757 PLEASE? 163 00:12:48,811 --> 00:12:50,247 COME BACK AND LIVE WITH ME 164 00:12:50,291 --> 00:12:52,293 AND I PROMISE YOU WON'�T SEE HIM ANYMORE. 165 00:12:52,336 --> 00:12:54,338 AND WHO WILL I SEE, MAMA? 166 00:12:54,382 --> 00:12:55,949 CARL DeLISSA? 167 00:12:55,992 --> 00:12:58,690 THERE'�LL ALWAYS BE SOMEBODY, WON'�T THERE? 168 00:12:58,734 --> 00:13:01,519 WELL, AFTER ALL, AIN'�T NO FLIES ON ME. 169 00:13:01,563 --> 00:13:03,783 NOT YET. 170 00:13:07,395 --> 00:13:09,049 I SEE THAT THING IS BLINKING. 171 00:13:09,092 --> 00:13:10,224 I GOT MESSAGES. 172 00:13:13,880 --> 00:13:16,186 YOU GET WHAT YOU WANTED OUT OF YOUR TRIP? 173 00:13:16,230 --> 00:13:18,841 Georgia: I SIZED THINGS UP, THAT'�S ALL. 174 00:13:20,321 --> 00:13:22,540 [TAPE REWINDING] 175 00:13:22,584 --> 00:13:24,064 [BEEP] 176 00:13:24,107 --> 00:13:26,718 [LANA] MOM, IT'�S THREE O'CLOCK. 177 00:13:26,762 --> 00:13:28,546 IF YOU GET THERE BEFORE I DO, 178 00:13:28,590 --> 00:13:31,201 PLEASE WAIT FOR ME SO WE CAN GO OUT FOR DINNER. 179 00:13:31,245 --> 00:13:33,769 BYE. LOVE YOU. 180 00:13:36,250 --> 00:13:37,729 [BEEP] 181 00:13:37,773 --> 00:13:39,862 [MAN] HEY, YOU THERE, GEORGIA? 182 00:13:39,906 --> 00:13:41,081 [CLICK] 183 00:13:41,124 --> 00:13:42,865 THE VOICE I LOVE TO HATE. 184 00:13:42,909 --> 00:13:44,824 HE EVEN CAME BY MY OFFICE LOOKIN'� FOR YOU. 185 00:13:44,867 --> 00:13:47,609 [BILL] GEORGIA, I MADE A COUPLE OF CALLS 186 00:13:47,652 --> 00:13:49,480 AND I'�M GOING TO SEE A MAN THIS EVENING. 187 00:13:49,524 --> 00:13:51,047 HE'�S A FIRST-CLASS LAWYER. 188 00:13:51,091 --> 00:13:53,136 HAPPENS TO BE ON THE CITY COUNCIL. 189 00:13:53,180 --> 00:13:56,574 SPECIALIZES IN WILLS AND ESTATES AND SUCH. 190 00:13:56,618 --> 00:13:58,881 HE'�LL LOOK AT THE PAPERS AND LET ME KNOW TOMORROW. 191 00:13:58,925 --> 00:14:01,666 I'�LL CALL YOU AND TELL YOU WHEN TO COME BACK UP. 192 00:14:01,710 --> 00:14:03,755 BYE, NOW. 193 00:14:03,799 --> 00:14:06,541 YOU THINKIN'� OF MOVIN'� BACK UP THERE? 194 00:14:06,584 --> 00:14:09,109 WELL, NOT RIGHT THIS MINUTE. 195 00:14:09,152 --> 00:14:11,111 BUT I WANT TO MAKE SURE[PHONE RINGS, MACHINE ANSWERS] 196 00:14:11,154 --> 00:14:13,940 THAT I CAN EITHER SELL OR KEEP THAT PROPERTY 197 00:14:13,983 --> 00:14:18,901 WITHOUT ANY OF IT COMIN'� INTO THE HANDS OF KEN FARREN. 198 00:14:18,945 --> 00:14:21,077 [MAN] STILL AIN'�T THERE, GEORGIA? 199 00:14:21,121 --> 00:14:23,427 SURE...LIKE I AIN'�T HERE. 200 00:14:23,471 --> 00:14:26,691 OKAY, I'�LL BE CLOSE. 201 00:14:26,735 --> 00:14:27,910 [CLICK] 202 00:14:27,954 --> 00:14:29,781 WHAT'�S HE MEAN, CLOSE? 203 00:14:32,132 --> 00:14:34,917 AND WHO'�S THAT OTHER GUY, TALKING ABOUT A LAWYER? 204 00:14:36,353 --> 00:14:38,138 HE'�S A FRIEND. 205 00:14:38,181 --> 00:14:40,227 AND I MEAN A REALFRIEND, 206 00:14:40,270 --> 00:14:42,882 WHO YOU GOTTA MEET ONE OF THESE DAYS. 207 00:14:42,925 --> 00:14:46,015 SPARE ME. I KNOW ENOUGH OF YOUR MEN FRIENDS. 208 00:14:46,059 --> 00:14:48,104 ALL OF '�EM AIN'T WORTH THIS ONE. 209 00:14:48,148 --> 00:14:49,932 YOU GOTTA MEET HIM. 210 00:14:49,976 --> 00:14:52,065 AND YOU'�RE GONNA MEET HIM REAL SOON. 211 00:14:52,108 --> 00:14:54,371 I CAN HARDLY WAIT. 212 00:14:54,415 --> 00:14:57,766 YOU'�RE GONNA FIND OUT THAT BILL GILLESPIE 213 00:14:57,809 --> 00:14:59,724 IS VERY SPECIAL. 214 00:15:23,226 --> 00:15:25,054 WELL, WELL. GOOD AFTERNOON. 215 00:15:25,098 --> 00:15:27,013 GOOD AFTERNOON TO YOU, TOO. 216 00:15:27,056 --> 00:15:29,493 IT'�S BEEN A WHILE.YES, IT CERTAINLY HAS. 217 00:15:38,676 --> 00:15:40,200 SIR. 218 00:15:40,243 --> 00:15:42,376 EXCUSE ME, SIR, WOULD YOU MOVE TWO FEET 219 00:15:42,419 --> 00:15:44,421 TO THE LEFT OR RIGHT, PLEASE? 220 00:15:51,820 --> 00:15:53,909 YOU WATCHIN'� YOUR BOSS? 221 00:15:53,953 --> 00:15:56,956 THAT'�S RIGHT. WHO YOU WATCHIN'�? 222 00:16:14,538 --> 00:16:16,062 DIDN'�T ANYBODY TELL YOU 223 00:16:16,105 --> 00:16:18,020 THAT BUDGET MEETING HAS BEEN MOVED TO TOMORROW? 224 00:16:18,064 --> 00:16:21,589 YES, I KNOW, BUT I'�M HERE ABOUT SOMETHING ELSE. 225 00:16:23,417 --> 00:16:26,681 YOU DIDN'�T WANT TO SEE ME, DID YOU? 226 00:16:26,724 --> 00:16:29,249 WELL, THAT'�S ALWAYS VERY NICE, 227 00:16:29,292 --> 00:16:31,425 BUT I HAVE TO SEE TED MARCUS, 228 00:16:31,468 --> 00:16:33,166 SEE IF HE CAN HELP A FRIEND OF MINE. 229 00:16:34,689 --> 00:16:37,213 HMM. 230 00:16:37,257 --> 00:16:39,172 GEORGIA FARREN MOVIN'� BACK TO SPARTA 231 00:16:39,215 --> 00:16:40,825 AFTER ALL THESE YEARS? 232 00:16:43,002 --> 00:16:46,875 NO. NOT THAT I KNOW OF. 233 00:16:46,918 --> 00:16:49,269 I SAW HER TODAY AT THE INN. 234 00:16:49,312 --> 00:16:50,835 SHE LOOKED VERY WELL. 235 00:16:50,879 --> 00:16:53,055 YEAH, WELL, I RECKON SHE DOES. 236 00:16:55,014 --> 00:16:57,277 WELL, I'�LL SEE YOU TOMORROW. 237 00:16:57,320 --> 00:16:58,669 YES, TOMORROW. 238 00:17:14,859 --> 00:17:15,817 MISS PATMAN. 239 00:17:15,860 --> 00:17:17,514 AFTERNOON, CHIEF. 240 00:17:17,558 --> 00:17:19,908 GO RIGHT ON IN. THE COUNCILMAN'�S EXPECTING YOU. 241 00:17:19,951 --> 00:17:21,127 THANK YOU. 242 00:17:22,954 --> 00:17:24,782 TED.Ted: HEY, BILL. 243 00:17:27,394 --> 00:17:28,482 MAKE YOURSELF AT HOME. 244 00:17:28,525 --> 00:17:30,701 THANK YOU. 245 00:17:30,745 --> 00:17:33,574 I DON'�T WANT TO GET INTO THE DETAILS OF THIS WITH YOU. 246 00:17:33,617 --> 00:17:35,576 I'�D RATHER LEAVE THAT TO THE LADY HERSELF 247 00:17:35,619 --> 00:17:38,753 WHEN SHE COMES BACK UP HERE FROM GULFPORT. 248 00:17:38,796 --> 00:17:40,711 WELL, SHE COULD HAVE SEEN ME TODAY. 249 00:17:40,755 --> 00:17:42,365 Bill: SHE DIDN'�T WANT TO WAIT. 250 00:17:42,409 --> 00:17:46,021 HER HUSBAND WAS HANGING AROUND WATCHIN'� HER. 251 00:17:46,065 --> 00:17:47,936 IS SHE AFRAID OF HIM? 252 00:17:47,979 --> 00:17:50,286 SHE THINKS HE'�S KIND OF NUTTY. 253 00:17:50,330 --> 00:17:52,593 DANGEROUS. 254 00:17:52,636 --> 00:17:55,248 I ASSUME SHE WANTS TO DIVORCE HIM. 255 00:17:55,291 --> 00:17:56,945 Bill: NO. 256 00:17:56,988 --> 00:17:58,294 SHE DOESN'�T WANT A DIVORCE 257 00:17:58,338 --> 00:18:00,253 TO SETTLE ANY OF THAT PROPERTY ON HIM. 258 00:18:00,296 --> 00:18:03,299 THAT'�S WHAT SHE WANTS YOU TO PREVENT. 259 00:18:03,343 --> 00:18:06,389 WELL, I THINK WE CAN TAKE CARE OF THAT. 260 00:18:06,433 --> 00:18:07,869 AS LONG AS I GOT YOU HERE, 261 00:18:07,912 --> 00:18:12,787 YOU MIND IF I ASK YOU A PERSONAL QUESTION? 262 00:18:13,788 --> 00:18:15,877 NO, GO AHEAD. 263 00:18:15,920 --> 00:18:20,186 I TAKE IT MISS FARREN IS SOMEONE YOU'�RE DEEPLY INTERESTED IN? 264 00:18:20,229 --> 00:18:22,884 YOU SOUND AS IF YOU WANT ME TO SAY YES. 265 00:18:22,927 --> 00:18:25,147 [CHUCKLING] 266 00:18:25,191 --> 00:18:26,888 MAYBE I DO. 267 00:18:26,931 --> 00:18:30,196 YOU WANT ME TO GIVE UP MY FREEDOM? 268 00:18:30,239 --> 00:18:33,024 TO THE RIGHT WOMAN, SURE. 269 00:18:33,068 --> 00:18:35,070 WHAT DO YOU MEAN BY THE RIGHT WOMAN? 270 00:18:37,507 --> 00:18:39,335 I MEAN... 271 00:18:41,381 --> 00:18:44,384 I... 272 00:18:44,427 --> 00:18:48,257 WOULDN'�T WANT TO SEE A FRIEND MAKE A MISTAKE. 273 00:18:53,306 --> 00:18:56,222 UH-HUH. 274 00:18:56,265 --> 00:18:59,094 NOW, THEN, LET'�S SEE WHAT WE'�VE GOT HERE. 275 00:19:01,357 --> 00:19:03,098 [CLEARS THROAT] 276 00:19:11,889 --> 00:19:13,413 NO, SIR, THE CHIEF'�S NOT IN, 277 00:19:13,456 --> 00:19:15,893 BUT OUR CHIEF INVESTIGATOR VIRGIL TIBBS IS HERE. 278 00:19:15,937 --> 00:19:18,026 CAN YOU HOLD ON, PLEASE? THANK YOU. 279 00:19:19,201 --> 00:19:20,246 VIRGIL. 280 00:19:23,553 --> 00:19:25,338 HELLO. VIRGIL TIBBS HERE. 281 00:19:28,428 --> 00:19:30,473 OKAY, EVERYBODY... 282 00:19:30,517 --> 00:19:33,607 Y'�ALL HIDE YOUR CHICKEN TILL THE CHIEF AIN'�T LOOKIN'. 283 00:19:33,650 --> 00:19:36,044 THE CHIEF? WHERE IS HE? 284 00:19:36,087 --> 00:19:39,308 HE'�S RIGHT BEHIND ME. LUANNE JUST DROPPED HIM OFF AND HE'�S COMING FAST. 285 00:19:39,352 --> 00:19:42,964 YOU KNOW THE CHIEF WANTS US TO EAT IN THE CONFERENCE ROOM, 286 00:19:43,007 --> 00:19:44,444 NOT OUT HERE IN THE MAIN OFFICE. 287 00:19:44,487 --> 00:19:47,055 WHY IS THAT SO HARD FOR YOU TO KEEP TO? 288 00:19:47,098 --> 00:19:49,405 I GUESS '�CAUSE CHICKEN ALWAYS TASTES BETTER 289 00:19:49,449 --> 00:19:51,320 OUT HERE WHERE WE AIN'�T SUPPOSED TO EAT IT. 290 00:19:51,364 --> 00:19:53,279 LET ME ASK YOU-- 291 00:19:53,322 --> 00:19:56,195 WHERE DID YOU GET CHIEF GILLESPIE'�S NAME AND ADDRESS? 292 00:19:56,238 --> 00:19:59,285 WE FOUND THE CHIEF'�S NAME IN HER APPOINTMENT BOOK. 293 00:19:59,328 --> 00:20:02,070 AND I GUESS THE APPOINTMENT BOOK WAS IN THE APARTMENT? 294 00:20:05,508 --> 00:20:07,423 UH-HUH. 295 00:20:07,467 --> 00:20:11,122 CAPTAIN, HOLD ON. THE CHIEF JUST WALKED IN. 296 00:20:11,166 --> 00:20:12,776 CHIEF. 297 00:20:12,820 --> 00:20:14,343 GULFPORT POLICE FOR YOU. 298 00:20:16,215 --> 00:20:18,391 BILL GILLESPIE HERE. 299 00:20:18,434 --> 00:20:19,783 HI, HOW ARE YOU? 300 00:20:27,400 --> 00:20:30,533 THE MURDER OF GEORGIA FARREN HAPPENED EARLIER THIS EVENING. 301 00:20:35,016 --> 00:20:37,105 WHEN WE ARRIVED ON THE SCENE, 302 00:20:37,148 --> 00:20:39,150 WE FOUND AN APPOINTMENT BOOK.... 303 00:20:48,072 --> 00:20:49,378 THE MAN WHO CALLED US 304 00:20:49,422 --> 00:20:52,468 WAS THE MANAGER OF THIS CONDO BUILDING. 305 00:20:52,512 --> 00:20:54,165 THE DAUGHTER? 306 00:20:54,209 --> 00:20:55,558 WELL, SHE WAS HERE. 307 00:20:55,602 --> 00:20:57,038 THE MANAGER FOUND HER UNCONSCIOUS, 308 00:20:57,081 --> 00:20:58,344 HIT ON THE HEAD. 309 00:20:58,387 --> 00:21:00,607 WE SENT HER OVER TO MERCY HOSPITAL. 310 00:21:00,650 --> 00:21:01,825 SHE DIDN'�T LOOK TOO BAD. 311 00:21:03,087 --> 00:21:04,872 WELL... 312 00:21:07,962 --> 00:21:10,225 I BETTER COME ON DOWN THERE. 313 00:21:13,184 --> 00:21:15,099 Bill: FLY? NO... 314 00:21:17,406 --> 00:21:19,539 BY THE TIME I PROMOTE A PLANE OUT OF HERE, 315 00:21:19,582 --> 00:21:22,324 I COULD DRIVE IT. 316 00:21:24,283 --> 00:21:26,459 JAMISON, YOU DRIVE THE CHIEF? 317 00:21:26,502 --> 00:21:28,461 SURE. 318 00:21:30,289 --> 00:21:32,987 Bill: YEAH, I'�LL START RIGHT AWAY. 319 00:21:33,030 --> 00:21:35,206 THANK YOU FOR CALLING ME. 320 00:21:36,512 --> 00:21:37,905 BYE. 321 00:21:57,446 --> 00:21:59,056 HOW OLD IS THE DAUGHTER? 322 00:22:03,583 --> 00:22:06,063 NINETEEN. 323 00:22:06,107 --> 00:22:07,674 MRS. FARREN'�S HUSBAND BEEN CALLED? 324 00:22:09,415 --> 00:22:10,894 YES. 325 00:22:13,027 --> 00:22:14,376 BY THE DAUGHTER, I SUPPOSE. 326 00:22:17,423 --> 00:22:20,295 BETWEEN YOU AND ME, VIRGIL, 327 00:22:20,339 --> 00:22:23,733 KEN FARREN IS NOT THE FATHER OF THAT GIRL. 328 00:22:23,777 --> 00:22:25,518 OH? 329 00:22:25,561 --> 00:22:27,041 NO. 330 00:22:28,216 --> 00:22:30,218 I BELIEVE... 331 00:22:31,828 --> 00:22:33,352 I AM. 332 00:22:36,877 --> 00:22:38,531 I AM. 333 00:23:19,093 --> 00:23:20,703 CHIEF, I'�M RALPH PORTER. 334 00:23:20,747 --> 00:23:21,791 THIS HERE IS SERGEANT MYER. 335 00:23:21,835 --> 00:23:23,750 OH, HI. 336 00:23:23,793 --> 00:23:25,447 THIS IS LIEUTENANT JAMISON HERE. 337 00:23:25,491 --> 00:23:27,275 HOW YA DOIN'�? 338 00:23:27,318 --> 00:23:28,842 HI.HOW ARE YA? 339 00:23:28,885 --> 00:23:30,365 WELL, WE'�LL GO GET WASHED UP, 340 00:23:30,409 --> 00:23:34,151 AND THEN WE CAN GO OVER TO THE, UH... 341 00:23:34,195 --> 00:23:35,501 THE MORGUE. 342 00:23:38,504 --> 00:23:39,940 YEAH. 343 00:23:39,983 --> 00:23:41,855 I TOLD '�EM YOU'�D BE COMING. 344 00:23:41,898 --> 00:23:44,118 CHIEF, I'�M GONNA GO REGISTER. 345 00:23:44,161 --> 00:23:46,642 YEAH, ALL RIGHT. AND MAKE THAT PHONE CALL. 346 00:23:46,686 --> 00:23:48,296 YES, SIR. 347 00:23:48,339 --> 00:23:50,994 AND THEN I'�LL TALK TO THE GIRL, 348 00:23:51,038 --> 00:23:55,346 AND THEN I CAN TAKE A LOOK AT MISS GEORGIA FARREN'�S APARTMENT, 349 00:23:55,390 --> 00:23:56,652 IF I MAY. 350 00:23:56,696 --> 00:23:58,480 I'�LL MEET YOU AT THE APARTMENT. 351 00:23:58,524 --> 00:23:59,829 FINE, FINE. 352 00:23:59,873 --> 00:24:01,091 THANK YOU. 353 00:24:07,576 --> 00:24:08,838 [RINGING] 354 00:24:08,882 --> 00:24:10,492 SPARTA POLICE DEPARTMENT. 355 00:24:10,536 --> 00:24:12,102 HI. IS BUBBA THERE? 356 00:24:12,146 --> 00:24:14,278 YEAH, JUST A MINUTE. 357 00:24:14,322 --> 00:24:16,150 CAPTAIN? JAMISON'�S ON. 358 00:24:20,197 --> 00:24:22,156 HEY, LONNIE, YOU IN GULFPORT? 359 00:24:25,159 --> 00:24:27,727 KEN FARREN. 360 00:24:27,770 --> 00:24:29,816 FROM KENNY'�S COOKIN', HUH? 361 00:24:29,859 --> 00:24:34,560 OKAY. I'�LL GET THIS RIGHT ALONG TO VIRGIL. 362 00:24:34,603 --> 00:24:37,214 DO WHAT? 363 00:24:37,258 --> 00:24:38,694 FEED BEAUREGARD. 364 00:24:38,738 --> 00:24:40,043 OH, YEAH, THE HOUND. 365 00:24:40,087 --> 00:24:43,438 I'�LL MAKE SURE HE GETS DINNER. 366 00:24:43,482 --> 00:24:44,961 SAY WHAT? 367 00:24:45,005 --> 00:24:48,008 LOOK, I'�M ONLY TELLING YOU WHAT THE CHIEF SAID. 368 00:24:48,051 --> 00:24:50,358 FEED HIM HALF A SMALL MEATBALL PIZZA 369 00:24:50,401 --> 00:24:52,360 WITH THE KIBBLE. 370 00:24:54,928 --> 00:24:56,320 WELL, IF I WAS I THE ARMY, 371 00:24:56,364 --> 00:24:58,758 I'�D DEMAND THIS ORDER IN WRITING. 372 00:26:18,011 --> 00:26:20,666 YOU WANT TO SEE THE WOUND? 373 00:26:20,709 --> 00:26:22,015 Jamison: CHIEF. 374 00:26:24,278 --> 00:26:28,282 CAPTAIN PORTER SAYS SHE WAS HIT BY AN OVER-UNDER SHOTGUN. 375 00:26:29,500 --> 00:26:31,328 TWO SLUGS. 376 00:26:34,288 --> 00:26:35,724 SAY WHAT? 377 00:26:35,768 --> 00:26:38,771 THE WOUND. THE ABDOMEN. 378 00:26:52,001 --> 00:26:53,742 NO. 379 00:27:21,030 --> 00:27:22,553 THANKS, MAN. 380 00:27:26,557 --> 00:27:28,037 I'�LL CALL IN LATER, ZACK. 381 00:27:28,081 --> 00:27:31,258 YES, SIR. YOU GET SOME REST. 382 00:27:51,757 --> 00:27:53,846 THE MAN IS GOING HOME TO TAKE A NAP. 383 00:27:53,889 --> 00:27:56,283 JUST GOT BACK FROM A LONG DRIVE. 384 00:27:56,326 --> 00:27:57,850 DURING THE NIGHT. 385 00:27:57,893 --> 00:27:59,765 THAT'�S WHAT MY FRIEND ZACK SAYS. 386 00:27:59,808 --> 00:28:01,331 DID HE TELL ZACK WHERE HE WENT? 387 00:28:01,375 --> 00:28:04,421 NO, BUT HE BROUGHT THIS WITH HIM. 388 00:28:06,989 --> 00:28:07,990 GULFPORT. 389 00:28:12,821 --> 00:28:14,301 GULFPORT. 390 00:28:38,891 --> 00:28:41,676 SHE'�S ALL DRESSED, READY TO BE LET GO. 391 00:28:41,720 --> 00:28:43,112 YOU'�RE GONNA TAKE HER HOME? 392 00:28:43,156 --> 00:28:44,374 NO, TO HER MOM'�S PLACE, 393 00:28:44,418 --> 00:28:45,680 PICK HER CAR UP. 394 00:28:45,724 --> 00:28:47,813 AND THE CAPTAIN WILL SEE HER, TOO. 395 00:28:47,856 --> 00:28:49,728 OH, ALL RIGHT. 396 00:29:12,576 --> 00:29:15,797 GOOD MORNING. 397 00:29:15,841 --> 00:29:17,538 '�MORNING. 398 00:29:17,581 --> 00:29:18,887 I'�LL SEE IF I CAN FIND THAT DOCTOR, 399 00:29:18,931 --> 00:29:20,367 SEE IF SHE CAN BE CHECKED OUT. 400 00:29:23,805 --> 00:29:27,809 I DON'�T KNOW IF YOUR MAMA EVER MENTIONED ME-- 401 00:29:27,853 --> 00:29:30,159 I'�M BILL GILLESPIE. 402 00:29:30,203 --> 00:29:34,555 SHE SAID SHE WANTED ME TO MEET YOU, THAT'�S ALL. 403 00:29:34,598 --> 00:29:35,817 OH. 404 00:29:35,861 --> 00:29:38,254 DID SHE EXPLAIN TO YOU... 405 00:29:38,298 --> 00:29:40,691 WHY SHE WANTED YOU TO MEET ME? 406 00:29:40,735 --> 00:29:44,217 YOU WERE HELPING HER WITH SOME BUSINESS UP IN SPARTA? 407 00:29:44,260 --> 00:29:46,088 OH. 408 00:29:46,132 --> 00:29:47,307 YES. 409 00:29:50,223 --> 00:29:52,442 AND, UH... 410 00:29:52,486 --> 00:29:55,706 NOW I'�D LIKE TO HELP YOU WITH IT, IF I MAY. 411 00:29:59,493 --> 00:30:03,018 THERE'�S PROPERTY UP THERE THAT YOUR GRANNY LEFT, 412 00:30:03,062 --> 00:30:06,761 AND YOUR MAMA WANTED IT ALL TO COME TO YOU... 413 00:30:06,805 --> 00:30:08,241 WHEN SHE DIED. 414 00:30:10,678 --> 00:30:12,898 HAVE YOU SEEN HER? 415 00:30:12,941 --> 00:30:16,118 YES. 416 00:30:16,162 --> 00:30:17,816 HOW'�D SHE LOOK? 417 00:30:19,905 --> 00:30:22,429 AS IF SHE WAS SLEEPIN'�. 418 00:30:24,213 --> 00:30:27,173 BEAUTIFUL, I THOUGHT. 419 00:30:27,216 --> 00:30:29,131 I CAN'�T BELIEVE THIS. 420 00:30:32,221 --> 00:30:37,705 LANA, WHERE IS THIS MAN RAMON PELEZ? 421 00:30:37,748 --> 00:30:39,489 I DON'�T KNOW. 422 00:30:39,533 --> 00:30:42,884 I DON'�T THINK HE DID THIS. 423 00:30:42,928 --> 00:30:45,887 WELL, YOU DIDN'�T SEE ANYBODY ELSE, DID YOU? 424 00:30:45,931 --> 00:30:48,020 NO. 425 00:30:48,063 --> 00:30:52,285 BUT IT HAS TO BE CARL DeLISSA. 426 00:30:52,328 --> 00:30:56,158 HE'�S A MAN WE LIVED WITH IN NEW ORLEANS. 427 00:30:56,202 --> 00:30:59,031 MAMA MADE HIM BUY HER THIS APARTMENT HERE. 428 00:30:59,074 --> 00:31:03,644 BUT SHE WOULDN'�T KEEP HERSELF JUST FOR HIM. 429 00:31:03,687 --> 00:31:06,952 SHE WENT OUT WITH OTHER MEN. 430 00:31:06,995 --> 00:31:09,824 RAMON WAS ONE. 431 00:31:09,868 --> 00:31:12,827 DeLISSA THREATENED HER ON THE PHONE 432 00:31:12,871 --> 00:31:16,135 THREE OR FOUR TIMES. 433 00:31:16,178 --> 00:31:19,181 WELL, UM... 434 00:31:19,225 --> 00:31:21,967 WHAT HAVE YOU BEEN DOING? 435 00:31:22,010 --> 00:31:24,795 I MEAN, FOR YOURSELF. 436 00:31:24,839 --> 00:31:26,928 ME? WHY ARE YOU ASKING ABOUT ME? 437 00:31:26,972 --> 00:31:29,888 WE'�RE TALKING ABOUT MY MAMA. 438 00:31:29,931 --> 00:31:33,065 OH, JUST, UH, INTEREST. 439 00:31:37,373 --> 00:31:40,811 I WORK AS A SECRETARY, ON AND OFF. 440 00:31:40,855 --> 00:31:44,250 I HAVE A BOYFRIEND, ON AND OFF. 441 00:31:44,293 --> 00:31:47,688 AND I HAD A MAMA... ON AND OFF. 442 00:31:50,299 --> 00:31:51,605 THAT'�S ME. 443 00:32:19,850 --> 00:32:22,375 [WHISTLES] COME ON, NOW. 444 00:32:22,418 --> 00:32:24,899 [BARKING] 445 00:32:24,943 --> 00:32:27,336 HA HA! 446 00:32:27,380 --> 00:32:28,990 COME ON. 447 00:32:29,034 --> 00:32:31,688 COME HERE! COME ON. 448 00:32:31,732 --> 00:32:33,864 YEAH, BOY. 449 00:32:44,136 --> 00:32:45,615 NOW, BEAUREGARD, 450 00:32:45,659 --> 00:32:47,661 THIS AIN'�T MY IDEA OF A SENSIBLE DIET, 451 00:32:47,704 --> 00:32:50,794 BUT I'�M GONNA SERVE IT UP TO YA PER INSTRUCTIONS. 452 00:32:50,838 --> 00:32:54,842 NO ADDITIONS, NO ALTERATIONS WHATSOEVER. 453 00:32:54,885 --> 00:32:56,670 BUT I'�M JUST SAYIN'� NOW, 454 00:32:56,713 --> 00:33:00,021 IF YOU WAS DININ'� WITH ME AND KNOTHEAD IN MY KITCHEN, 455 00:33:00,065 --> 00:33:01,675 WELL, YOU'�D BE LOOKIN' 456 00:33:01,718 --> 00:33:06,462 AT A COUPLE POUNDS OF JUICY PROTEIN HORSEMEAT... 457 00:33:06,506 --> 00:33:10,901 AND THEN A COUPLE OR THREE SWEET BRISKET BONES, 458 00:33:10,945 --> 00:33:12,468 AND THEN--[CAR APPROACHES] 459 00:33:15,602 --> 00:33:17,952 AND, UH... 460 00:33:17,996 --> 00:33:20,694 THEN YOU'�D WASH IT ALL DOWN 461 00:33:20,737 --> 00:33:23,088 WITH SOME NICE, COOL WATER, 462 00:33:23,131 --> 00:33:25,264 SWEETENED WITH SOME ICE TEA. 463 00:33:25,307 --> 00:33:28,049 AND THEN FOR DESSERT, WE'�D GET SOME-- 464 00:33:28,093 --> 00:33:31,052 [GUNSHOTS] 465 00:33:31,096 --> 00:33:32,967 [TIRES SCREECH] 466 00:33:45,501 --> 00:33:47,851 DAMN. 467 00:34:18,795 --> 00:34:22,016 THERE'�S A CADILLAC THAT'�S PARKING BACK THERE, 468 00:34:22,060 --> 00:34:24,366 AND THAT'�S THE LICENSE. 469 00:34:24,410 --> 00:34:27,326 LOUISIANA. I BELIEVE NEW ORLEANS. 470 00:34:27,369 --> 00:34:29,806 WELL, BEIN'� AS HOW WE'�RE ONLY 60 MILES FROM THERE-- 471 00:34:29,850 --> 00:34:32,461 THIS ONE'�S PARKING HERE. 472 00:34:32,505 --> 00:34:35,464 IF IT'�S REGISTERED TO A GENT BY THE NAME OF DeLISSA, 473 00:34:35,508 --> 00:34:37,466 WE'�RE GONNA WANT TO HAVE A CHAT WITH HIM. 474 00:34:37,510 --> 00:34:39,381 SO MAKE A PHONE CALL. 475 00:34:39,425 --> 00:34:41,688 YES, SIR. 476 00:34:49,304 --> 00:34:52,177 CHIEF BILL GILLESPIE TO SEE CAPTAIN PORTER. 477 00:34:52,220 --> 00:34:53,656 Porter: LET HIM IN. 478 00:34:56,616 --> 00:35:00,620 CHIEF, WE GOT A VISITOR HERE SAY HE KNOW YOU. 479 00:35:03,231 --> 00:35:05,059 YEAH. 480 00:35:05,103 --> 00:35:07,366 WHAT CAN MR. PELEZ TELL US? 481 00:35:11,109 --> 00:35:12,936 I AM SORRY... 482 00:35:12,980 --> 00:35:17,854 HE SAYS HE SAW MISS FARREN ALIVE EARLY LAST EVENING. 483 00:35:17,898 --> 00:35:19,856 RIGHT HERE. 484 00:35:19,900 --> 00:35:22,032 WITH LANA. 485 00:35:22,076 --> 00:35:23,469 WHAT HAPPENED? 486 00:35:23,512 --> 00:35:25,166 THIS GUY WON'�T TELL ME WHAT HAPPENED! 487 00:35:25,210 --> 00:35:27,560 I'�M WAITING FOR YOU TO TELL ME. 488 00:35:27,603 --> 00:35:29,518 IF I KNEW-- 489 00:35:29,562 --> 00:35:33,174 IF I DID SOMETHING BAD, WOULD I WALK IN HERE THIS MORNING? 490 00:35:33,218 --> 00:35:35,611 WHAT DID YOU WANT, RAMON? 491 00:35:39,833 --> 00:35:42,618 TO SEE HER. 492 00:35:42,662 --> 00:35:45,491 AS ALWAYS. 493 00:35:45,534 --> 00:35:47,580 I THOUGHT WHEN I RANG THE BELL... 494 00:35:47,623 --> 00:35:50,060 [SOBBING] 495 00:36:01,855 --> 00:36:03,726 ARE YOU CARL VICTOR DeLISSA? 496 00:36:03,770 --> 00:36:05,989 WHO WANTS TO KNOW? 497 00:36:06,033 --> 00:36:09,210 THE POLICE. STEP OUT OF THE CAR, PLEASE. 498 00:36:14,607 --> 00:36:16,261 PUT YOUR HANDS ON TOP OF THE CAR. 499 00:36:19,829 --> 00:36:21,831 DO YOU OWN A SHOTGUN? 500 00:36:23,355 --> 00:36:24,312 NO. 501 00:36:24,356 --> 00:36:25,792 EVER OWN ONE? 502 00:36:25,835 --> 00:36:27,228 NO. 503 00:36:27,272 --> 00:36:29,970 YOU WANTED TO SPEAK WITH MR. DeLISSA, CHIEF? 504 00:36:30,013 --> 00:36:32,973 YEAH. YOU OWN A SHOTGUN, MR. DeLISSA? 505 00:36:33,016 --> 00:36:35,541 NO. 506 00:36:35,584 --> 00:36:37,020 WHAT'�S GOING ON? 507 00:36:37,064 --> 00:36:38,848 YOU KNOW THIS GUY HERE? 508 00:36:38,892 --> 00:36:41,242 YEAH. HE'�S A CUBAN. 509 00:36:41,286 --> 00:36:43,157 BEEN HANGING AROUND MISS FARREN. 510 00:36:43,201 --> 00:36:44,811 WHERE IS SHE? 511 00:36:44,854 --> 00:36:48,249 YOU'�VE BEEN THREATENING HER, HAVEN'�T YOU? 512 00:36:48,293 --> 00:36:50,251 WHY WOULD I DO THAT? 513 00:36:50,295 --> 00:36:52,253 WELL, WHY WOULD YOU BE WAITING AROUND IN YOUR CAR 514 00:36:52,297 --> 00:36:53,820 WITH THIS GUN IN YOUR POCKET? 515 00:36:53,863 --> 00:36:55,778 Carl: I WANNA SEE MISS FARREN, THAT'�S ALL. 516 00:36:55,822 --> 00:36:58,128 WHERE'�S SHE BEEN THE LAST FEW DAYS? 517 00:36:58,172 --> 00:36:59,652 WHAT HAPPENED? 518 00:36:59,695 --> 00:37:00,914 HE DID IT. 519 00:37:00,957 --> 00:37:02,785 DONE WHAT, YOU JERK?! 520 00:37:02,829 --> 00:37:05,179 WHATEVER HAPPENS, I WILL KILL YOU! 521 00:37:13,405 --> 00:37:15,537 WHAT IS THIS? 522 00:37:18,453 --> 00:37:20,020 WHAT HAPPENED TO YOUR MAMA, SUGAR? 523 00:37:26,766 --> 00:37:28,507 SHE'�S DEAD, CARL. 524 00:37:30,857 --> 00:37:33,860 SOMEBODY KILLED HER LAST EVENING. 525 00:37:33,903 --> 00:37:36,645 RIGHT THERE. 526 00:37:36,689 --> 00:37:38,168 WHERE WERE YOU, LANA? 527 00:37:40,867 --> 00:37:43,913 I WAS IN THERE WHEN IT HAPPENED. 528 00:37:43,957 --> 00:37:45,567 AND THEN YOU CAME OUT HERE? 529 00:37:45,611 --> 00:37:47,265 THAT'�S RIGHT. 530 00:37:52,226 --> 00:37:54,881 SOMEBODY HIT ME WITH SOMETHING. 531 00:37:54,924 --> 00:37:56,622 I'�D SAY IT WAS THE WEAPON. 532 00:37:56,665 --> 00:37:58,319 HE'�S HAVE PROBABLY SHOT HER WITH IT 533 00:37:58,363 --> 00:38:00,147 IF HE'�D HAD ANOTHER SLUG. 534 00:38:00,190 --> 00:38:04,717 I NEVER SAW HIM. I WAS OUT. 535 00:38:04,760 --> 00:38:07,372 Porter: YOU TOLD US YOU HEARD YOUR MAMA ARGUING. 536 00:38:07,415 --> 00:38:08,982 I DID. 537 00:38:11,854 --> 00:38:14,030 AND I KNOW CARL'�S VOICE VERY WELL. 538 00:38:16,337 --> 00:38:17,773 AND RAMON. 539 00:38:19,514 --> 00:38:22,343 MAMA WASN'�T ARGUING WITH EITHER ONE OF THEM. 540 00:38:22,387 --> 00:38:24,214 WHO WAS IT, LANA? 541 00:38:26,391 --> 00:38:29,263 IT WAS A VOICE I NEVER HEARD BEFORE. 542 00:38:29,307 --> 00:38:32,701 Lana: I THOUGHT IT WAS SOMEBODY WHO WAS SENT. 543 00:38:32,745 --> 00:38:35,878 THEN IT COULD HAVE BEEN KEN FARREN'�S VOICE. 544 00:38:37,140 --> 00:38:38,881 AND HE'�S GOT A SHOTGUN. 545 00:39:06,039 --> 00:39:09,085 WE FOUND ONE OF THE EMPTIES, BUBBA. 546 00:39:09,129 --> 00:39:11,305 YOU KNOW, VIRGIL, I HEARD THAT CAR STOP, 547 00:39:11,349 --> 00:39:12,872 BUT I DIDN'�T HEAR NO DOOR OPEN. 548 00:39:12,915 --> 00:39:15,962 I FIGURE THE GUY THAT TOOK THOSE SHOTS AT ME 549 00:39:16,005 --> 00:39:17,442 TOOK '�EM FROM BEHIND THE WHEEL, 550 00:39:17,485 --> 00:39:19,400 AND I BETCHA THEY COME FROM RIGHT OVER THERE 551 00:39:19,444 --> 00:39:21,402 WHERE PETE'�S POKIN'� AROUND. 552 00:39:21,446 --> 00:39:23,143 THREE SMALL PIECES OF GLASS, 553 00:39:23,186 --> 00:39:24,666 BUT THEY'�RE OUT NOW. 554 00:39:24,710 --> 00:39:28,017 HE WAS A FAIR SHOT-- THANK GOD NOT A GOOD ONE. 555 00:39:28,061 --> 00:39:29,497 FAST OLD BOY, TOO. 556 00:39:29,541 --> 00:39:31,281 WHEN HE WAS FLYING THROUGH THE TREES, 557 00:39:31,325 --> 00:39:33,022 I COULD ONLY GET GLIMPSES OF HIM. 558 00:39:33,066 --> 00:39:36,461 THE CAR SEEMED TO BE A BLUE OLDER MODEL. 559 00:39:36,504 --> 00:39:38,767 YEAH, THE TIRES WEREN'�T RADIALS, EITHER. 560 00:39:38,811 --> 00:39:40,421 THAT OLD-FASHIONED BIAS-PLY TREAD. 561 00:39:40,465 --> 00:39:43,076 BUT GOOD TREAD. MAYBE A CLASSIC. 562 00:39:43,119 --> 00:39:47,080 YOU KNOW, VIRGIL, THERE'�S ONLY A COUPLE OR THREE OF THEM CLASSICS AROUND 563 00:39:47,123 --> 00:39:48,560 THAT USE THAT KIND OF RUBBER. 564 00:39:48,603 --> 00:39:50,126 I SAW ONE THE OTHER DAY. 565 00:39:50,170 --> 00:39:51,476 SAW THE DRIVER GET OUT, TOO. 566 00:39:51,519 --> 00:39:52,868 YOU KNOW WHO HE IS? 567 00:39:52,912 --> 00:39:54,174 NO. BUT I INTEND TO MEET HIM. 568 00:39:54,217 --> 00:39:56,219 HERE'�S THE OTHER ONE, DETECTIVE. 569 00:39:56,263 --> 00:39:58,787 [PHONE RINGS] 570 00:39:58,831 --> 00:40:00,267 LET ME GET THAT PHONE. 571 00:40:00,310 --> 00:40:01,486 YEAH. YEAH. 572 00:40:04,576 --> 00:40:07,143 WELL, HEY, BEAUREGARD. 573 00:40:07,187 --> 00:40:08,275 WHAT YOU SAY WE GO IN THERE 574 00:40:08,318 --> 00:40:10,016 AND FINISH THAT NICE MEAL, HUH? 575 00:40:10,059 --> 00:40:12,540 [BARKING] 576 00:40:15,848 --> 00:40:17,545 [CHUCKLES] I DON'�T BLAME YA! 577 00:40:17,589 --> 00:40:18,938 [LAUGHING] 578 00:40:20,418 --> 00:40:22,811 WHAT IS THE TOTAL DAMAGE? 579 00:40:22,855 --> 00:40:24,900 LET'�S JUST SAY YOU'RE GONNA NEED SOME WORK DONE. 580 00:40:24,944 --> 00:40:27,990 A WHOLE WINDOW REPLACED, A LAMP OVER THE TABLE, 581 00:40:28,034 --> 00:40:29,383 RE-PLASTERING JOB-- 582 00:40:29,427 --> 00:40:32,081 YOU'�RE GONNA NEED SOME WORK DONE. 583 00:40:32,125 --> 00:40:35,389 WELL, I GUESS THAT'�S THE COST OF DOING BUSINESS. 584 00:40:35,433 --> 00:40:37,696 I'�M SORRY TO HAVE MISSED THAT BUDGET MEETING. 585 00:40:37,739 --> 00:40:40,438 OH, THEY DIDN'�T HAVE IT. THEY POSTPONED IT AGAIN. 586 00:40:40,481 --> 00:40:42,483 I EXPLAINED YOU WERE DOWN IN GULFPORT-- 587 00:40:42,527 --> 00:40:44,920 A FEW EYEBROWS WERE RAISED. 588 00:40:44,964 --> 00:40:47,880 SOMETHING BOTHERING THEM? YEAH-- 589 00:40:47,923 --> 00:40:50,230 THE QUESTION OF WHY YOU WERE INVESTIGATING 590 00:40:50,273 --> 00:40:52,841 A MURDER OF A WOMAN IN ANOTHER CITY. 591 00:40:56,366 --> 00:40:58,238 EXCUSE ME. 592 00:40:58,281 --> 00:41:00,327 VIRGIL, I'�M GONNA HAVE TO GET BACK TO YOU. 593 00:41:00,370 --> 00:41:02,938 I WANNA SEE THAT GIRL BEFORE SHE GOES HOME. 594 00:41:07,595 --> 00:41:10,380 '�SCUSE ME. THE CHIEF WOULD LIKE TO HAVE A WORD WITH YOU. 595 00:41:30,575 --> 00:41:32,054 HEY, MAN. 596 00:41:32,098 --> 00:41:33,403 ZACK, WHERE'�S FARREN? 597 00:41:33,447 --> 00:41:35,231 BACK THERE. 598 00:41:35,275 --> 00:41:38,060 WANNA TELL HIM SERGEANT SWEET WOULD LIKE TO SPEAK WITH HIM. 599 00:41:38,104 --> 00:41:40,454 SUPPOSE HE ASKS ME ABOUT WHAT? 600 00:41:40,498 --> 00:41:44,414 JUST TELL HIM TO COME OUT AND ASK ME. 601 00:41:44,458 --> 00:41:45,807 ALL RIGHT. 602 00:41:49,463 --> 00:41:51,770 MR. FARREN! THERE'�S A COP-- 603 00:41:51,813 --> 00:41:54,642 SHH!!! 604 00:41:54,686 --> 00:41:56,252 [WHISPERS] I NEED SOME TIME. 605 00:41:56,296 --> 00:41:58,254 TELL HIM I'�VE GONE TO THE RESTROOM. 606 00:41:58,298 --> 00:42:00,518 TELL HIM I'�LL BE WITH HIM IN FIVE MINUTES. GO ON! 607 00:42:06,785 --> 00:42:09,309 HE SAW YOU. HE'�S GONNA RUN FOR IT. 608 00:42:09,352 --> 00:42:11,137 YEAH, I EXPECTED HE WOULD. 609 00:42:14,053 --> 00:42:16,098 [SIREN BLARES] 610 00:42:16,142 --> 00:42:18,144 Ken: HEY! WHAT ARE YOU DOING?! 611 00:42:19,101 --> 00:42:20,363 WHAT DO YOU WANT? 612 00:42:20,407 --> 00:42:22,148 WE WANT TO ARREST YOU, KEN FARREN. 613 00:42:22,191 --> 00:42:24,280 WHAT FOR?Parker: WELL, YOU COULD SAY 614 00:42:24,324 --> 00:42:27,022 FOR LEAVING THE SCENE OF A HOMICIDE. 615 00:42:27,066 --> 00:42:29,459 OR THE FAILURE TO REPORT A HOMICIDE. 616 00:42:29,503 --> 00:42:31,636 OR JUST COMMITTING A HOMICIDE. 617 00:42:31,679 --> 00:42:34,334 OR ALL THREE. 618 00:42:34,377 --> 00:42:37,598 LOOK, MR. FARREN. 619 00:42:49,741 --> 00:42:53,266 I THOUGHT I MIGHT ARRANGE A FUNERAL FOR YOUR MAMA. 620 00:42:53,309 --> 00:42:55,137 NO NEED. I MADE A FEW CALLS. 621 00:42:55,181 --> 00:42:56,574 IT'�S DONE. 622 00:42:56,617 --> 00:42:58,619 PLEASE, DON'�T STAY. 623 00:42:58,663 --> 00:43:01,883 WELL, I THINK I OUGHT TO STAY. 624 00:43:01,927 --> 00:43:04,625 SURELY NOT FOR ME? 625 00:43:04,669 --> 00:43:07,367 YOU'�RE A STRANGER, MR. GILLESPIE. 626 00:43:07,410 --> 00:43:10,370 WELL, NO, I'�M NO STRANGER. 627 00:43:12,764 --> 00:43:16,550 YOU'�VE ALREADY PAID YOUR RESPECTS. 628 00:43:16,594 --> 00:43:18,683 WELL, I DON'�T LIKE TO SEE YOU ALONE HERE. 629 00:43:18,726 --> 00:43:20,554 I HAVE FRIENDS. 630 00:43:23,426 --> 00:43:25,603 KIDS, LIKE YOURSELF? 631 00:43:25,646 --> 00:43:27,648 YES, BUT MY MOTHER AND I HAD A FEW OLDER FRIENDS, 632 00:43:27,692 --> 00:43:30,651 AND THEY'�RE STILL HERE FOR ME. 633 00:43:30,695 --> 00:43:32,435 BUT, UH... 634 00:43:32,479 --> 00:43:34,873 BUT NO RELATIVES? 635 00:43:34,916 --> 00:43:36,439 IS THAT IMPORTANT? 636 00:43:37,789 --> 00:43:39,617 IT MIGHT BE. 637 00:43:46,188 --> 00:43:48,190 YOU'�RE MY FATHER, AREN'�T YOU? 638 00:43:50,062 --> 00:43:53,195 ACCORDING TO YOUR MAMA. 639 00:43:53,239 --> 00:43:56,068 WELL, IF SHE TOLD YOU THAT, IT'�S TRUE. 640 00:43:56,111 --> 00:43:57,504 SHE NEVER LIED. 641 00:43:59,506 --> 00:44:02,161 WHY ARE YOU TRYING TO BE FATHERLY NOW? 642 00:44:09,472 --> 00:44:11,866 DON'�T. I DON'�T NEED THAT. 643 00:44:11,910 --> 00:44:14,260 DO YOU? 644 00:44:17,089 --> 00:44:19,744 NO, YOU DON'�T. 645 00:44:19,787 --> 00:44:21,702 BECAUSE IF YOU DID, 646 00:44:21,746 --> 00:44:24,052 YOU WOULD HAVE PICKED UP A PHONE A LONG TIME AGO 647 00:44:24,096 --> 00:44:28,013 AND SAID, "GEORGIA, LET'�S HAVE A LOOK AT THAT KID." 648 00:44:28,709 --> 00:44:30,798 RIGHT? 649 00:44:30,842 --> 00:44:32,713 I SUPPOSE. 650 00:44:36,456 --> 00:44:38,719 BUT YOU NEVER DID THAT. 651 00:44:38,763 --> 00:44:41,591 Lana: YOU NEVER FELT THAT WAY. 652 00:44:46,422 --> 00:44:49,382 I GOTTA GO... GET MY CAR. 653 00:44:49,425 --> 00:44:51,297 GET THINGS MOVING. 654 00:45:00,915 --> 00:45:02,395 LANA-- 655 00:45:09,271 --> 00:45:13,145 IF I EVER DO FEEL THAT WAY AND CALL YOU UP... 656 00:45:14,973 --> 00:45:17,715 AND SAY WHAT? 657 00:45:17,758 --> 00:45:20,152 AND SAY... 658 00:45:20,195 --> 00:45:23,372 "I WANT TO SEE MY KID AGAIN"... 659 00:45:23,416 --> 00:45:25,723 WHAT WOULD YOU SAY? 660 00:45:31,685 --> 00:45:34,993 I PROBABLY WOULDN'�T THINK IT WAS A GOOD IDEA. 661 00:46:04,457 --> 00:46:07,939 WHAT'�S THAT THING PEOPLE ALWAYS SAY ABOUT THE PAST? 662 00:46:09,027 --> 00:46:10,637 WELL... 663 00:46:10,680 --> 00:46:14,075 MOST PEOPLE JUST SAY, "FORGET IT." 664 00:46:15,381 --> 00:46:18,210 MOST PEOPLE... 665 00:46:18,253 --> 00:46:21,082 ARE A LITTLE SILLY. 45993

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