Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,569 --> 00:00:04,305
SINCE 1970, THE FEDERAL
WITNESS PROTECTION PROGRAM
2
00:00:04,338 --> 00:00:06,440
HAS RELOCATED
THOUSANDS OF WITNESSES,
3
00:00:06,474 --> 00:00:08,409
SOME CRIMINAL, SOME NOT,
4
00:00:08,442 --> 00:00:10,244
TO NEIGHBORHOODS
ALL ACROSS THE COUNTRY.
5
00:00:10,278 --> 00:00:12,146
EVERY ONE
OF THOSE INDIVIDUALS
6
00:00:12,180 --> 00:00:13,414
SHARES A UNIQUE ATTRIBUTE,
7
00:00:13,447 --> 00:00:16,084
DISTINGUISHING THEM FROM THE
REST OF THE GENERAL POPULATION,
8
00:00:16,117 --> 00:00:20,221
AND THAT IS,
SOMEBODY WANTS THEM DEAD.
9
00:00:30,464 --> 00:00:33,033
LEGUAME,
YOU WORRY TOO MUCH.
10
00:00:35,403 --> 00:00:41,275
FINE. JUST BRING THE STONES,
AND WE'LL TAKE CARE OF BUSINESS.
11
00:00:41,309 --> 00:00:42,710
LORD.
12
00:00:42,743 --> 00:00:45,346
I CAN'T BELIEVE
YOU'RE DEFILING OUR HONEYMOON
13
00:00:45,379 --> 00:00:46,814
WITH THIS NASTY BUSINESS.
14
00:00:46,847 --> 00:00:49,117
SWEETHEART,
THIS NASTY BUSINESS
15
00:00:49,150 --> 00:00:50,618
IS WHAT KEEPS YOU
IN THIS LIFESTYLE.
16
00:00:50,651 --> 00:00:52,720
I DON'T CARE ABOUT THAT.
17
00:00:52,753 --> 00:00:55,123
I DON'T CARE IF WE
HAVE TO LIVE IN A TENT.
18
00:00:55,156 --> 00:00:58,092
I ONLY CARE ABOUT YOU.
19
00:00:58,126 --> 00:00:59,793
BABY, I'M SORRY.
20
00:00:59,827 --> 00:01:03,231
NOW, THIS MEETING WILL
JUST TAKE A FEW MINUTES.
21
00:01:05,333 --> 00:01:07,868
TREENA, SWEETIE,
COME ON NOW.
NO, NO, DAVID.
22
00:01:07,901 --> 00:01:11,172
IT'S--IT'S IMMORAL
AND IT'S DANGEROUS, AND IF--
23
00:01:11,205 --> 00:01:12,873
IF ANYTHING
EVER HAPPENED TO YOU--
24
00:01:15,609 --> 00:01:18,612
DAVID, YOU'VE GOT TO
PROMISE ME THIS WILL BE IT.
25
00:01:18,646 --> 00:01:21,382
PLEASE PROMISE ME THIS IS
THE LAST ONE OF THESE DEALS
26
00:01:21,415 --> 00:01:23,784
YOU'LL EVER MAKE.
27
00:01:23,817 --> 00:01:26,320
ALL RIGHT.
28
00:01:26,354 --> 00:01:29,157
I PROMISE.
29
00:01:29,190 --> 00:01:31,225
THANK YOU.
30
00:01:33,227 --> 00:01:36,397
I LOVE YOU SO MUCH.
31
00:01:44,205 --> 00:01:46,440
BEAUTIFUL, LEGUAME.
32
00:01:46,474 --> 00:01:48,142
OF COURSE.
33
00:01:48,176 --> 00:01:49,477
SWEETHEART,
34
00:01:49,510 --> 00:01:51,779
WOULD YOU PUT THESE
IN THE SAFE, PLEASE?
35
00:01:51,812 --> 00:01:53,214
YES, DARLING.
36
00:01:53,247 --> 00:01:55,716
THEN I'M HEADED
DOWN TO THE POOL.
37
00:01:55,749 --> 00:01:56,850
COME FIND ME
WHEN YOU'RE DONE?
38
00:01:56,884 --> 00:01:59,287
SURE.
39
00:01:59,320 --> 00:02:01,222
NICE MEETING YOU,
GENTLEMEN.
40
00:02:01,255 --> 00:02:03,257
THE PLEASURE WAS OURS.
41
00:02:13,901 --> 00:02:15,203
IT'S ALL RIGHT.
42
00:02:15,236 --> 00:02:16,670
I TRUST HER.
43
00:02:16,704 --> 00:02:17,905
OBVIOUSLY.
44
00:02:17,938 --> 00:02:19,573
WITH YOUR LIFE.
45
00:02:34,388 --> 00:02:36,590
GRACIAS.
46
00:03:23,371 --> 00:03:24,972
TRESS STEVENSON.
47
00:03:25,005 --> 00:03:26,507
AKA TRUDY WAINRIGHT.
48
00:03:26,540 --> 00:03:28,976
AKA TENLEY BISHOP.
49
00:03:29,009 --> 00:03:30,244
AKA TONI DENARD.
50
00:03:30,278 --> 00:03:31,912
AKA TERI RANZINO.
51
00:03:31,945 --> 00:03:34,715
LORD.
52
00:03:34,748 --> 00:03:36,884
SPECIAL AGENT BOB CARLTON,
FBI.
53
00:03:36,917 --> 00:03:37,851
YOU'RE UNDER ARREST
FOR FRAUD,
54
00:03:37,885 --> 00:03:41,589
GRAND THEFT,
AND FIVE COUNTS OF BIGAMY.
55
00:03:41,622 --> 00:03:44,592
LADY, YOU HAVE NO IDEA
56
00:03:44,625 --> 00:03:46,860
HOW LONG I'VE BEEN TRYING
TO NAIL YOU.
57
00:03:46,894 --> 00:03:50,331
I GET THAT A LOT.
58
00:03:50,364 --> 00:03:51,365
AGENT CARLTON,
59
00:03:51,399 --> 00:03:53,033
IF I TOLD YOU
WHERE TO FIND
60
00:03:53,066 --> 00:03:55,436
$20 MILLION WORTH OF
ILLEGAL CONFLICT DIAMONDS
61
00:03:55,469 --> 00:03:58,306
ALONG WITH THE MEN
CONSPIRING TO SELL THEM,
62
00:03:58,339 --> 00:04:03,444
YOU THINK WE MIGHT BE ABLE
TO WORK OUT SOME DEAL?
63
00:04:18,359 --> 00:04:21,028
OH, BOB,
WHAT ARE YOU DOING?
64
00:04:21,061 --> 00:04:22,830
WHAT'S HE DOING HERE?
65
00:04:22,863 --> 00:04:24,365
APPARENTLY
HE GOT SPECIAL PERMISSION
66
00:04:24,398 --> 00:04:25,366
TO ESCORT HIS WITNESS.
67
00:04:25,399 --> 00:04:27,000
PERMISSION?
PERMISSION FROM WHOM?
68
00:04:27,034 --> 00:04:28,001
AND WHY WOULD HE DO THAT?
69
00:04:28,035 --> 00:04:29,102
FBI AGENTS
70
00:04:29,136 --> 00:04:31,004
AREN'T EVEN SUPPOSED TO KNOW
THEIR WITNESS'S LOCATION.
71
00:04:32,340 --> 00:04:34,408
YOU WANT I SHOULD
DRAW YOU A PICTURE?
72
00:04:34,442 --> 00:04:37,478
OH, NO.
GOD, I HATE CON ARTISTS
73
00:04:37,511 --> 00:04:41,014
EVEN MORE THAN MURDERERS.
74
00:04:45,118 --> 00:04:46,920
WELL, IF IT ISN'T
75
00:04:46,954 --> 00:04:49,390
TWO OF THE LAZIEST MARSHALS
WEST OF THE PECOS.
76
00:04:49,423 --> 00:04:52,426
HI, BOB.
ROBERT.
77
00:04:52,460 --> 00:04:54,362
MARY, THIS IS TREENA MORRIS.
78
00:04:54,395 --> 00:04:56,730
AKA TRESS STEVENSON.
79
00:04:56,764 --> 00:04:58,532
HI. NICE TO MEET YOU.
80
00:04:58,566 --> 00:05:02,436
MISS MORRIS, THIS MEMORANDUM
OF UNDERSTANDING
81
00:05:02,470 --> 00:05:03,737
CONSTITUTES
THE ENTIRE AGREEMENT
82
00:05:03,771 --> 00:05:05,439
BETWEEN YOU
AND THE U.S. MARSHAL SERVICE.
83
00:05:05,473 --> 00:05:07,040
IT LAYS OUT
OUR OBLIGATIONS TO YOU
84
00:05:07,074 --> 00:05:08,476
AND YOUR REQUIREMENTS
TO MAINTAIN STATUS
85
00:05:08,509 --> 00:05:10,344
AS A PROTECTED WITNESS.
86
00:05:10,378 --> 00:05:11,745
ANY QUESTIONS
BEFORE WE BEGIN?
87
00:05:11,779 --> 00:05:12,780
I WAS ACTUALLY--
88
00:05:12,813 --> 00:05:14,314
GOOD.
LET'S GET STARTED.
89
00:05:15,783 --> 00:05:17,618
YOU MAY NOT CONTACT
ANYONE FROM YOUR PAST.
90
00:05:17,651 --> 00:05:19,887
THAT MEANS FRIENDS,
FAMILY MEMBERS, NO ONE.
91
00:05:19,920 --> 00:05:22,923
OH, WELL, THAT ONE
SHOULDN'T BE A PROBLEM.
92
00:05:25,759 --> 00:05:28,662
NOW THEN, I WANT YOU
TO UNDERSTAND SOMETHING.
93
00:05:28,696 --> 00:05:31,799
THIS PROGRAM IS AN OPPORTUNITY
VERY FEW PEOPLE GET.
94
00:05:31,832 --> 00:05:33,601
A SHOT AT A FRESH START,
A DO-OVER
95
00:05:33,634 --> 00:05:36,370
ON YOUR ENTIRE LIFE,
BUT IT ONLY WORKS
96
00:05:36,404 --> 00:05:37,871
IF YOU MAKE THE DECISION
TO BE A BETTER HUMAN BEING
97
00:05:37,905 --> 00:05:39,707
THAN YOU'VE BEEN,
AND ALLOW THE POSSIBILITY
98
00:05:39,740 --> 00:05:40,808
OF SOMETHING GREATER
FOR YOURSELF.
99
00:05:40,841 --> 00:05:43,444
AND AS IMPOSSIBLE
AS IT MAY SEEM,
100
00:05:43,477 --> 00:05:45,379
I'VE SEEN EVEN BIGGER
SCUMBAGS THAN YOU
101
00:05:45,413 --> 00:05:46,814
DO JUST THAT
AND MAKE IT STICK.
102
00:05:49,483 --> 00:05:50,951
WELL, I APPRECIATE THAT.
103
00:05:50,984 --> 00:05:52,453
YOUR HUSBAND SWORE
UNDER OATH
104
00:05:52,486 --> 00:05:54,455
YOU STOLE $10 MILLION
WORTH OF RAW DIAMONDS.
105
00:05:54,488 --> 00:05:57,525
IF THAT'S TRUE, NOW WOULD BE
A GOOD TIME TO TURN THOSE OVER.
106
00:05:57,558 --> 00:06:01,094
SUGAR, EVEN IF I HAD
THE ALLEGED DIAMONDS,
107
00:06:01,128 --> 00:06:02,963
WHAT EXACTLY
WOULD BE THE UPSIDE
108
00:06:02,996 --> 00:06:05,165
OF ME
HANDING THEM OVER TO YOU?
109
00:06:05,198 --> 00:06:07,134
WELL, ASIDE FROM THE FACT
THAT THERE'S PEOPLE OUT THERE
110
00:06:07,167 --> 00:06:09,403
WHO WANT TO KILL YOU
OVER THOSE DIAMONDS,
111
00:06:09,437 --> 00:06:11,472
THE UPSIDE WOULD BE
STARTING OUT WITH A CLEAN SLATE.
112
00:06:11,505 --> 00:06:14,007
TRUST ME, YOU HANG ON
TO GARBAGE FROM YOUR PAST,
113
00:06:14,041 --> 00:06:15,776
SOONER OR LATER,
IT'LL START TO STINK...
114
00:06:17,044 --> 00:06:18,178
SUGAR.
115
00:06:18,211 --> 00:06:21,381
YOU'RE ACTUALLY VERY PRETTY.
116
00:06:22,583 --> 00:06:26,454
HOW DO YOU THINK
I'D LOOK AS A BLONDE?
117
00:06:26,487 --> 00:06:29,590
SHOULDN'T YOU BE GETTING
BACK TO DALLAS, BOB?
118
00:06:29,623 --> 00:06:32,426
NINA AND THE BOYS MUST
MISS YOU, DON'T YOU THINK?
119
00:06:32,460 --> 00:06:37,097
WELL, I GUESS I'LL CHECK ON YOU
IN A COUPLE OF WEEKS.
120
00:06:37,130 --> 00:06:38,165
UH-HUH.
BYE, BOB.
121
00:06:38,198 --> 00:06:41,134
BYE, MARY. STAN.
122
00:06:45,506 --> 00:06:49,142
I GIVE IT SIX MONTHS, TOPS.
123
00:06:49,176 --> 00:06:51,044
GIVE WHAT SIX MONTHS?
124
00:06:51,078 --> 00:06:53,581
BEFORE YOU SCREW UP AND I
SEND YOU OFF TO PRISON.
125
00:07:11,699 --> 00:07:15,035
SAYS HERE YOUR BOYFRIEND'S
HITTING STREAK
126
00:07:15,068 --> 00:07:17,738
HAS THE ATTENTION OF SEVERAL
MAJOR LEAGUE TEAMS
127
00:07:17,771 --> 00:07:21,008
AND HIS ASCENSION
TO THE BIGS IS IMMINENT.
128
00:07:21,041 --> 00:07:25,245
GOOD FOR HIM.
129
00:07:25,278 --> 00:07:27,147
WHAT?
130
00:07:27,180 --> 00:07:29,617
I'M HAPPY FOR HIM.
131
00:07:29,650 --> 00:07:30,651
REALLY.
132
00:07:30,684 --> 00:07:32,185
OBVIOUSLY.
133
00:07:32,219 --> 00:07:34,488
AND HE'S NOT MY BOYFRIEND.
134
00:07:43,263 --> 00:07:45,866
WHAT YOU LOOKING AT,
SQUISH?
135
00:07:45,899 --> 00:07:47,535
WHAT?
136
00:07:49,069 --> 00:07:51,672
NOTHING. I'M READING.
MIND YOUR OWN BUSINESS.
137
00:07:53,874 --> 00:07:56,276
YOU KNOW, IF YOU'RE GONNA
USE A MAGAZINE AS A PROP,
138
00:07:56,309 --> 00:07:58,245
YOU MIGHT WANT TO PICK ONE
A LITTLE MORE BELIEVABLE.
139
00:07:58,278 --> 00:08:01,915
UH, WHAT, YOU THINK I HAVE
NO INTEREST IN FINANCIALS?
140
00:08:01,949 --> 00:08:03,617
FINANCES.
141
00:08:03,651 --> 00:08:05,519
INVESTING?
142
00:08:05,553 --> 00:08:08,288
WHAT'S THAT ARTICLE ABOUT?
143
00:08:08,321 --> 00:08:10,658
IT'S ABOUT THE PROS AND CONS
OF TAX-FREE ANNUITIES
144
00:08:10,691 --> 00:08:13,293
AS PART OF A LONG-TERM
INVESTMENT STRATEGY, SMART ASS.
145
00:08:13,326 --> 00:08:14,962
AND DON'T ASK ME
146
00:08:14,995 --> 00:08:16,129
WHAT A TAX-FREE ANNUITY IS
147
00:08:16,163 --> 00:08:17,931
BECAUSE I HAVEN'T GOTTEN
TO THAT PART YET.
148
00:08:17,965 --> 00:08:19,533
DOES IT SAY ANYTHING IN THERE
ABOUT GETTING A JOB
149
00:08:19,567 --> 00:08:22,035
AS PART OF A LONG-TERM
INVESTMENT STRATEGY?
150
00:08:22,069 --> 00:08:23,604
NOW YOU'RE JUST BEING MEAN.
151
00:08:35,348 --> 00:08:39,086
OH, FOR GOD SAKES.
152
00:08:39,119 --> 00:08:42,656
HEY, THESE ARE
MY MAMBO PANTS.
153
00:08:44,091 --> 00:08:45,325
WHAT?
154
00:08:45,358 --> 00:08:47,327
DID I NOT TELL YOU
I'M TAKING MAMBO LESSONS?
155
00:08:47,360 --> 00:08:51,064
I'M PRETTY SURE
THAT WOULD HAVE REGISTERED.
156
00:08:51,098 --> 00:08:51,999
ALL RIGHT, LET'S GO.
157
00:08:52,032 --> 00:08:53,333
I'VE GOT TO GET MY CAR
INTO THE SHOP BY 9:00
158
00:08:53,366 --> 00:08:54,434
IF I'M GONNA
MAKE MY MASSAGE.
159
00:08:54,467 --> 00:08:57,070
WHY DO YOU JUST KEEP
THROWING GOOD MONEY AFTER BAD
160
00:08:57,104 --> 00:08:58,572
INTO THAT PIECE OF JUNK?
161
00:08:58,606 --> 00:08:59,539
WELL, BECAUSE LIKE MY FAMILY,
162
00:08:59,573 --> 00:09:01,108
I LOVE IT A LITTLE MORE
THAN I WANT IT DEAD.
163
00:09:01,141 --> 00:09:02,943
CAN WE GO, PLEASE?
164
00:09:02,976 --> 00:09:06,680
FINE. YOU KNOW HOW MARSHALL
LIVES TO SCHLEP.
165
00:09:06,714 --> 00:09:07,648
WAIT.
166
00:09:07,681 --> 00:09:09,282
WHAT?
167
00:09:14,121 --> 00:09:16,289
KEEP YOUR HANDS
OFF MY SUDOKU.
168
00:09:19,993 --> 00:09:23,163
LOOK.
THAT'S MY WITNESS, TREENA.
169
00:09:23,196 --> 00:09:25,132
VERY ATTRACTIVE.
170
00:09:25,165 --> 00:09:27,300
HEY, DID YOU
FORGET TO TELL HER THE PART
171
00:09:27,334 --> 00:09:28,736
ABOUT NO PICTURES
IN THE NEWSPAPER,
172
00:09:28,769 --> 00:09:31,672
'CAUSE IT'S KIND OF A BIG
WITSEC NO-NO.
173
00:09:31,705 --> 00:09:33,106
I'M JUST SAYING.
174
00:09:33,140 --> 00:09:35,809
TREENA, IT'S MARY.
175
00:09:35,843 --> 00:09:38,045
MARY SHEPHERD.
176
00:09:38,078 --> 00:09:40,247
U.S. MARSHAL MARY SHEPHERD.
177
00:09:40,280 --> 00:09:43,917
OH, THAT MARY SHEPHERD.
178
00:09:43,951 --> 00:09:45,853
YES, I DID SEE
YOUR WEDDING ANNOUNCEMENT.
179
00:09:45,886 --> 00:09:48,622
YEAH, BEAUTIFUL PHOTO.
180
00:09:48,656 --> 00:09:50,190
HEY, WHERE ARE YOU
RIGHT NOW?
181
00:09:50,223 --> 00:09:52,025
WHAT'S THE ADDRESS?
182
00:09:55,162 --> 00:09:58,331
STAY THERE.
I'M COMING OVER.
183
00:10:25,458 --> 00:10:27,828
CURIOUS.
184
00:10:27,861 --> 00:10:29,897
CAN SOMEONE DO ME?
185
00:10:29,930 --> 00:10:32,733
I WILL.
I WILL.
186
00:10:36,704 --> 00:10:38,739
THE REASON I DESPISE CON ARTISTS
187
00:10:38,772 --> 00:10:41,374
MORE THAN ANY OF THE OTHER
GARDEN VARIETY MISCREANTS
188
00:10:41,408 --> 00:10:43,711
I SEE ON A DAILY BASIS
IS BECAUSE ROBBING PEOPLE
189
00:10:43,744 --> 00:10:46,346
OF THEIR WORLDLY POSSESSIONS
ISN'T ENOUGH FOR THEM.
190
00:10:46,379 --> 00:10:48,015
THEY DON'T JUST LEAVE
THEIR VICTIMS DESTITUTE.
191
00:10:48,048 --> 00:10:50,718
THEY LEAVE THEM
FEELING FOOLISH, BETRAYED.
192
00:10:50,751 --> 00:10:52,285
SWEETIE, IF IT
WERE UP TO YOU,
193
00:10:52,319 --> 00:10:53,854
I'D WALK DOWN THE AISLE
IN A G-STRING AND PASTIES.
194
00:10:53,887 --> 00:10:57,691
NO. NO, NO, NO, NO.
NO PASTIES.
195
00:10:57,725 --> 00:10:59,226
LORD, MY SON IS SUCH A PIG.
196
00:10:59,259 --> 00:11:00,861
OH, DON'T SAY THAT.
197
00:11:00,894 --> 00:11:03,897
HE'S NOT--WELL, HE IS A PIG,
BUT HE'S MY PIG. MMM!
198
00:11:03,931 --> 00:11:05,699
MOSTLY I HATE CON ARTISTS
199
00:11:05,733 --> 00:11:07,467
BECAUSE THEY BREAK
THEIR VICTIMS' HEARTS.
200
00:11:07,500 --> 00:11:10,403
MARY! SWEETIE!
201
00:11:10,437 --> 00:11:14,274
IT'S SO GOOD TO SEE YOU!
202
00:11:14,307 --> 00:11:17,144
CUT THE SWEETIE CRAP.
WE NEED TO TALK. ALONE.
203
00:11:17,177 --> 00:11:18,746
AREN'T YOU SWEET?
204
00:11:18,779 --> 00:11:20,914
EVERYONE, THIS IS MARY,
205
00:11:20,948 --> 00:11:22,482
MY BEST FRIEND FROM COLLEGE
AND MAID OF HONOR.
206
00:11:22,515 --> 00:11:23,483
I WAS JUST TELLING EVERYONE
207
00:11:23,516 --> 00:11:24,484
ALL ABOUT YOU.
208
00:11:24,517 --> 00:11:25,385
WELL, NOT EVERYTHING.
209
00:11:25,418 --> 00:11:27,354
I STILL WANT THEM
TO LIKE YOU.
TREENA.
210
00:11:27,387 --> 00:11:28,922
LET ME INTRODUCE YOU.
211
00:11:28,956 --> 00:11:31,825
THIS PORCINE STUD
IS MY FIANCE MARK.
212
00:11:31,859 --> 00:11:32,993
HI. IT'S GREAT
TO FINALLY MEET YOU.
213
00:11:33,026 --> 00:11:34,027
AND YOU.
214
00:11:34,061 --> 00:11:34,828
AND THIS ELDERLY WOMAN
215
00:11:34,862 --> 00:11:36,764
IS MY FUTURE
MOTHER-IN-LAW DEANDRA,
216
00:11:36,797 --> 00:11:39,432
THE WEALTHIEST DRUNK
IN NEW MEXICO.
217
00:11:39,466 --> 00:11:42,469
UH, HI.
WELCOME TO MY HOME,
MARY.
218
00:11:42,502 --> 00:11:43,503
AND PLEASE CALL ME DEE.
219
00:11:43,536 --> 00:11:44,805
ONLY MY SON'S WHORES
220
00:11:44,838 --> 00:11:46,807
ARE REQUIRED
TO CALL ME DEANDRA.
221
00:11:46,840 --> 00:11:49,276
OH, GOOD ONE.
222
00:11:49,309 --> 00:11:50,343
THANKS, DEE.
223
00:11:50,377 --> 00:11:51,344
MARY, WOULD YOU LIKE
224
00:11:51,378 --> 00:11:52,345
SOMETHING TO DRINK?
225
00:11:52,379 --> 00:11:53,814
A BLOODY MARY?
226
00:11:53,847 --> 00:11:55,983
BEER?
HOW ABOUT A BLOODY BEER?
227
00:11:56,016 --> 00:11:57,517
NO, NOTHING FOR ME.
I HAVE TO GET BACK TO WORK.
228
00:11:57,550 --> 00:11:59,486
COULD I TALK TO YOU
FOR A MINUTE, PLEASE?
229
00:11:59,519 --> 00:12:00,320
WHAT DO YOU DO
FOR WORK, MARY?
230
00:12:00,353 --> 00:12:03,857
SHE'S A U.S. MARSHAL.
HOW HOT IS THAT?
231
00:12:03,891 --> 00:12:05,959
A MARSHAL.
HOW INTERESTING.
232
00:12:05,993 --> 00:12:09,262
HA. A WORD, PLEASE?
233
00:12:09,296 --> 00:12:10,463
NICE TO MEET
ALL OF YOU.
234
00:12:12,332 --> 00:12:16,136
EASY, DARLIN'.
I BRUISE.
235
00:12:16,169 --> 00:12:17,905
WHAT THE HELL
IS WRONG WITH YOU?
236
00:12:17,938 --> 00:12:19,807
WHAT?
DIDN'T YOU LIKE 'EM?
237
00:12:19,840 --> 00:12:20,808
KNOCK IT OFF.
YOU KNOW THE SCRIPT.
238
00:12:20,841 --> 00:12:21,809
WE'RE CASUAL ACQUAINTANCES,
239
00:12:21,842 --> 00:12:23,010
SOMEONE YOU MET
WHEN WE FIRST CAME TO TOWN.
240
00:12:23,043 --> 00:12:23,911
YOU DON'T MAKE UP B.S. STORIES
241
00:12:23,944 --> 00:12:25,412
ABOUT OUR HISTORY
FOR YOUR AMUSEMENT.
242
00:12:25,445 --> 00:12:27,815
COME ON, I WAS JUST HAVING
SOME FUN. THEY DON'T CARE.
243
00:12:27,848 --> 00:12:28,816
YOU'RE RIGHT, TREENA.
244
00:12:28,849 --> 00:12:29,950
YOU SHOULD GO BACK INSIDE
245
00:12:29,983 --> 00:12:31,451
AND ENJOY THE REST OF
YOUR LAST DAY IN ALBUQUERQUE.
246
00:12:31,484 --> 00:12:32,886
WAIT. WHY?
247
00:12:32,920 --> 00:12:34,788
FOR ONE,
YOU VIOLATED YOUR SECURITY
248
00:12:34,822 --> 00:12:35,688
BY ALLOWING YOUR PICTURE
TO APPEAR IN THE NEWSPAPER.
249
00:12:35,722 --> 00:12:37,991
THERE WASN'T ANYTHING
I COULD DO ABOUT IT.
250
00:12:38,025 --> 00:12:39,793
BESIDES,
THIS IS ALBUQUERQUE.
251
00:12:39,827 --> 00:12:41,228
GOOD LORD, I WROTE PAPERS
IN HIGH SCHOOL
252
00:12:41,261 --> 00:12:42,295
THAT HAD
A HIGHER CIRCULATION.
253
00:12:42,329 --> 00:12:43,496
FUNNY.
254
00:12:43,530 --> 00:12:45,165
TWO, YOU VIOLATED MY SECURITY,
I.D.'ing ME AS A MARSHAL.
255
00:12:45,198 --> 00:12:47,467
WELL, I HATE TO BE
THE BEARER.
256
00:12:47,500 --> 00:12:48,836
DON'T SCREW WITH ME,
TREENA.
257
00:12:48,869 --> 00:12:50,103
PEOPLE'S LIVES,
INCLUDING YOURS,
258
00:12:50,137 --> 00:12:51,404
DEPEND ON ME
STAYING ANONYMOUS.
259
00:12:51,438 --> 00:12:52,973
AND THREE,
THERE'S NO WAY IN HELL
260
00:12:53,006 --> 00:12:54,007
I'LL ALLOW YOU TO RUIN
ANOTHER MAN'S LIFE.
261
00:12:54,041 --> 00:12:55,242
NOT ON MY WATCH.
262
00:12:55,275 --> 00:12:58,178
I'M NOT. I LOVE MARK.
I REALLY DO.
REALLY?
263
00:12:58,211 --> 00:13:00,180
AS MUCH AS YOU LOVED
YOUR LAST FIVE HUSBANDS?
264
00:13:00,213 --> 00:13:02,115
THIS IS DIFFERENT,
I SWEAR.
265
00:13:02,149 --> 00:13:04,852
SORRY, TREENA, I'M AFRAID YOU
DON'T HAVE MUCH CRED WITH ME.
266
00:13:04,885 --> 00:13:05,919
THIS TIME TOMORROW,
YOU'RE EITHER ON A PLANE
267
00:13:05,953 --> 00:13:07,855
TO A NEW LOCATION
OR YOU'RE OUT OF THE PROGRAM.
268
00:13:07,888 --> 00:13:10,223
END OF DISCUSSION.
269
00:13:20,633 --> 00:13:23,871
HEY, RAF, NICE WRITE-UP
IN THE PAPER, HUH?
270
00:13:23,904 --> 00:13:26,239
YEAH, HOW ABOUT THAT?
271
00:13:26,273 --> 00:13:29,209
HOW DOES IT FEEL
TO HAVE A FAMOUS BOYFRIEND?
272
00:13:29,242 --> 00:13:32,012
WHEN I GET A BOYFRIEND,
I'LL LET YOU KNOW.
273
00:13:32,045 --> 00:13:36,416
RAF. RAF.
274
00:13:36,449 --> 00:13:38,585
RAF, YOU STILL THERE?
275
00:13:38,618 --> 00:13:42,890
LISTEN, I ACTUALLY DID GET
CALLED UP TO THE MARLINS TODAY.
276
00:13:42,923 --> 00:13:44,557
I LEAVE FOR FLORIDA
IN A FEW DAYS.
277
00:13:47,094 --> 00:13:48,561
REALLY?
278
00:13:48,595 --> 00:13:50,563
A FEW DAYS?
THAT'S GREAT.
279
00:13:50,597 --> 00:13:52,365
CONGRATULATIONS.
280
00:13:52,399 --> 00:13:53,934
YEP.
281
00:13:53,967 --> 00:13:56,569
SO WHY DON'T YOU
COME OVER TONIGHT
282
00:13:56,603 --> 00:13:59,606
TO, YOU KNOW,
CELEBRATE?
283
00:13:59,639 --> 00:14:01,408
SURE, OF COURSE, YEAH.
284
00:14:01,441 --> 00:14:02,642
I'LL SWING BY
AFTER WORK.
285
00:14:02,675 --> 00:14:04,144
SOUNDS GOOD.
286
00:14:04,177 --> 00:14:05,946
BYE.
BYE.
287
00:14:12,585 --> 00:14:15,923
HEY, WHERE'S STAN?
288
00:14:15,956 --> 00:14:17,958
HEY, STAN?
HEY, MARY.
289
00:14:17,991 --> 00:14:19,960
LISTEN, ABOUT TREENA MORRIS.
STAN, LOOK, I WANT TO TALK
TO YOU ABOUT TREENA MORRIS.
290
00:14:19,993 --> 00:14:20,593
WE CAN'T KICK HER OUT
OF THE PROGRAM.
I WANT HER
OUT OF THE PROGRAM.
291
00:14:20,627 --> 00:14:22,529
WHAT?
WHAT?
292
00:14:22,562 --> 00:14:23,596
HOW'D YOU KNOW ABOUT TREENA?
I JUST GOT OFF THE PHONE
WITH MAJOR CARLTON.
293
00:14:23,630 --> 00:14:24,965
SHE CALLED BOB CARLTON?
294
00:14:24,998 --> 00:14:26,033
WHAT?
WHAT?
OH, YOU HEARD ME.
295
00:14:26,066 --> 00:14:27,100
EXCELLENT.
296
00:14:27,134 --> 00:14:28,635
NOW TELL ME AGAIN,
WHICH ONE OF YOU IS COSTELLO?
297
00:14:28,668 --> 00:14:31,371
WHAT--WHAT DO YOU
THINK YOU'RE DOING?
298
00:14:31,404 --> 00:14:34,041
IT'S CALLED THE MAMBO, STAN.
I STARTED TAKING LESSONS.
299
00:14:34,074 --> 00:14:37,310
WELL, ANYWAY,
YOUR WITNESS THREATENED TO GO
300
00:14:37,344 --> 00:14:39,179
TO BOB CARLTON'S WIFE
IF WE DO ANYTHING
301
00:14:39,212 --> 00:14:40,613
TO UPSET
HER IMPENDING NUPTIALS.
302
00:14:40,647 --> 00:14:42,282
SO LET HER GO TO BOB'S WIFE.
303
00:14:42,315 --> 00:14:44,017
I'LL GO TO HER TOO AND TELL HER
TREENA'S A LYING SOCIOPATH.
304
00:14:44,051 --> 00:14:45,618
WHO DO YOU THINK
SHE'S GONNA BELIEVE?
305
00:14:45,652 --> 00:14:47,988
NORMALLY I'D SAY YOU,
BUT TREENA'S GOT VIDEO.
306
00:14:48,021 --> 00:14:49,656
APPARENTLY IT'S SOME VERY,
VERY ARTSY CAMERAWORK.
307
00:14:49,689 --> 00:14:51,358
WHAT--WHAT--
WHAT ARE YOU DOING?
308
00:14:51,391 --> 00:14:54,427
STOP THAT.
STOP THAT RIGHT NOW.
309
00:14:54,461 --> 00:14:57,064
MAN, WHY YOU GOTTA
HARSH MY MELLOW?
310
00:14:57,097 --> 00:14:59,366
YOU'RE A U.S. MARSHAL,
FOR GOD'S SAKE.
311
00:14:59,399 --> 00:15:00,400
SO?
312
00:15:00,433 --> 00:15:01,969
SO THE PEACOCK STRUTS.
313
00:15:02,002 --> 00:15:05,705
IF YOU'RE GONNA DANCE,
THEN BY GOD, DANCE.
314
00:15:05,738 --> 00:15:08,976
THAT'S IT, COME ON.
UH-HUH.
315
00:15:09,009 --> 00:15:10,110
THAT'S GOOD.
316
00:15:10,143 --> 00:15:11,278
* DAH-DAH-DAH
317
00:15:11,311 --> 00:15:13,280
5, 6, 7, 8...
318
00:15:13,313 --> 00:15:19,152
*
319
00:15:48,081 --> 00:15:49,282
HEY.
320
00:15:49,316 --> 00:15:51,184
HEY. MMM.
321
00:15:51,218 --> 00:15:52,986
CONGRATULATIONS.
322
00:15:53,020 --> 00:15:54,687
SO YOU GOT CALLED UP.
YEP.
323
00:15:54,721 --> 00:15:56,990
GOD, YOU MUST BE JAZZED.
324
00:15:57,024 --> 00:15:58,025
HMM.
325
00:15:58,058 --> 00:16:00,427
I KNOW I'M JAZZED.
326
00:16:00,460 --> 00:16:02,729
COME ON IN.
LET'S SIT DOWN.
327
00:16:06,233 --> 00:16:08,768
WHAT'S WITH THE GLUM?
DID THE DEAL FALL THROUGH?
328
00:16:08,801 --> 00:16:10,703
NO. NOTHING LIKE THAT.
WELL, THEN CUT IT OUT.
329
00:16:10,737 --> 00:16:11,704
COME ON, THIS IS
A HAPPY MOMENT.
330
00:16:11,738 --> 00:16:14,007
I'M NOT GONNA LET YOU
SCREW IT UP. QUIT MOPING.
331
00:16:14,041 --> 00:16:15,342
LET'S MAKE THE MOST
OF THE TIME WE HAVE LEFT.
332
00:16:15,375 --> 00:16:17,277
WAIT, WAIT,
WAIT, WAIT, WAIT.
333
00:16:17,310 --> 00:16:19,046
THIS ISN'T HOW
I WANT IT TO GO.
334
00:16:19,079 --> 00:16:21,214
OH, OKAY.
YOU WANT TO BE ON TOP?
335
00:16:27,054 --> 00:16:30,057
YOU WANT TO
INCORPORATE THAT?
336
00:16:30,090 --> 00:16:31,091
JUST TAKE A BITE.
337
00:16:31,124 --> 00:16:31,924
IT'S DELICIOUS,
338
00:16:31,958 --> 00:16:33,393
FROM THIS NEW
FANCY CUPCAKE PLACE.
339
00:16:33,426 --> 00:16:34,394
HAVE YOU BEEN DRINKING?
340
00:16:34,427 --> 00:16:35,428
COME ON, TRY IT.
341
00:16:35,462 --> 00:16:36,729
I DON'T WANT THAT.
I WANT THIS.
342
00:16:36,763 --> 00:16:39,432
NO, NO, NO, NO, NO.
FIRST THIS, THEN THIS.
343
00:16:39,466 --> 00:16:42,102
OH, FOR GOD'S SAKES. OKAY.
344
00:16:42,135 --> 00:16:44,237
THERE. NOW, COME ON.
345
00:16:44,271 --> 00:16:45,738
WAIT, WAIT, NO.
346
00:16:45,772 --> 00:16:47,440
TAKE--TAKE ANOTHER BITE.
347
00:16:47,474 --> 00:16:49,542
RAFAEL, I DON'T WANT
THE DAMN CUPCAKE.
348
00:16:56,483 --> 00:16:57,784
WHAT ARE YOU DOING?
349
00:16:57,817 --> 00:16:59,619
MARRY ME.
350
00:16:59,652 --> 00:17:01,188
RAFAEL, THAT'S NOT FUNNY.
351
00:17:01,221 --> 00:17:04,224
IT'S NOT A JOKE.
352
00:17:04,257 --> 00:17:05,658
MARRY ME.
353
00:17:05,692 --> 00:17:07,460
MY GOD.
354
00:17:07,494 --> 00:17:09,196
MARRY ME.
355
00:17:09,229 --> 00:17:12,199
SHUT UP
AND PUT THAT AWAY.
356
00:17:12,232 --> 00:17:13,333
MARRY ME.
NO.
357
00:17:13,366 --> 00:17:14,734
STOP SAYING THAT.
358
00:17:14,767 --> 00:17:17,204
MARY, WILL YOU
PLEASE MARRY ME?
359
00:17:17,237 --> 00:17:20,073
NO. GOD DAMN IT, RAF!
360
00:17:20,107 --> 00:17:22,075
YOU DON'T JUST GET MARRIED
JUST--JUST--JUST
361
00:17:22,109 --> 00:17:24,077
BECAUSE SOMEONE GETS CALLED UP
TO THE MAJOR LEAGUES.
362
00:17:24,111 --> 00:17:25,178
WHAT THE HELL'S WRONG
WITH YOU?
363
00:17:25,212 --> 00:17:27,647
JEEZ!
364
00:17:45,865 --> 00:17:49,136
HAPPILY EVER AFTER--
THE BIG LIE.
365
00:17:49,169 --> 00:17:51,871
THOSE THREE INSIDIOUS WORDS
REPEATED AGAIN AND AGAIN,
366
00:17:51,904 --> 00:17:55,108
PROMISING MYSELF AND
A GAZILLION OTHER LITTLE GIRLS
367
00:17:55,142 --> 00:17:57,277
THAT SOMEDAY,
SURE AS THE SUNSET,
368
00:17:57,310 --> 00:18:00,113
A MAN PRETTIER THAN OURSELVES
WOULD SWEEP US AWAY
369
00:18:00,147 --> 00:18:02,182
TO LIVE OUR LIVES
FOREVER AND A DAY,
370
00:18:02,215 --> 00:18:03,283
BLAH BLAH BLAH,
371
00:18:03,316 --> 00:18:07,687
NEVER ONCE MENTIONING THE YEARS
OF QUIET DESPERATION
372
00:18:07,720 --> 00:18:08,788
THAT SURELY FOLLOWED,
373
00:18:08,821 --> 00:18:10,357
WHICH IS WHY I PRAY
WITH ALL MY SOUL
374
00:18:10,390 --> 00:18:11,891
THAT WHOMEVER INVENTED
THE LETHAL MANTRA,
375
00:18:11,924 --> 00:18:13,260
"HAPPILY EVER AFTER,"
376
00:18:13,293 --> 00:18:14,861
DIED PENNILESS,
FACEDOWN
377
00:18:14,894 --> 00:18:17,197
IN THE GUTTER WITH CATS
GNAWING ON HIS EARS.
378
00:18:17,230 --> 00:18:19,899
PLEASE, YOU MUST
STAND UP STRAIGHT.
379
00:18:19,932 --> 00:18:22,202
IS WEDDING, NOT FUNERAL.
380
00:18:22,235 --> 00:18:23,503
YEAH, WE'LL SEE.
381
00:18:36,816 --> 00:18:39,652
HEY, RAF, IT'S ME AGAIN.
382
00:18:39,686 --> 00:18:42,389
I WISH YOU'D CALL ME BACK.
383
00:18:42,422 --> 00:18:43,923
OKAY.
384
00:18:43,956 --> 00:18:45,525
BYE.
385
00:18:48,495 --> 00:18:50,863
WHAT? I DON'T KNOW
WHO THAT IS.
386
00:18:50,897 --> 00:18:53,366
HEY!
387
00:18:53,400 --> 00:18:55,868
MARY! WHERE ARE YOU--
388
00:18:55,902 --> 00:18:59,272
U.S. MARSHAL! STOP!
389
00:19:25,632 --> 00:19:27,634
MOTHER...
390
00:19:36,609 --> 00:19:38,811
OH, MY GOD,
WHAT HAPPENED?
391
00:19:38,845 --> 00:19:40,747
COME WITH ME.
392
00:19:40,780 --> 00:19:43,350
OUCH! EASY.
393
00:19:43,383 --> 00:19:44,851
WHO WAS THAT, TREENA?
394
00:19:44,884 --> 00:19:46,419
I HAVE NO IDEA.
395
00:19:46,453 --> 00:19:47,620
MEN TAKE PICTURES OF ME
ALL THE TIME.
396
00:19:47,654 --> 00:19:48,888
IT'S A CROSS I BEAR.
LISTEN TO ME.
397
00:19:48,921 --> 00:19:51,491
AS MUCH AS PERSONALLY I COULDN'T
CARE LESS WHAT HAPPENS TO YOU,
398
00:19:51,524 --> 00:19:52,892
PROFESSIONALLY,
YOU'RE MY RESPONSIBILITY,
399
00:19:52,925 --> 00:19:54,794
AND THAT IS SOMETHING
I TAKE VERY SERIOUSLY.
400
00:19:54,827 --> 00:19:56,763
NOW TELL ME STRAIGHT--
IS THERE ANYBODY IN ALBUQUERQUE
401
00:19:56,796 --> 00:19:58,631
YOU'VE SWINDLED, ROBBED, OR
CONNED IN THE LAST SIX MONTHS?
402
00:19:58,665 --> 00:20:00,867
NO.
HAVE YOU MADE CONTACT
WITH ANYBODY FROM YOUR PAST?
403
00:20:00,900 --> 00:20:01,934
NO.
404
00:20:01,968 --> 00:20:03,536
THEN I HAVE TO ASSUME
THAT MAN HAS SOMETHING TO DO
405
00:20:03,570 --> 00:20:04,537
WITH THE PEOPLE
WHOSE DIAMONDS YOU STOLE.
406
00:20:04,571 --> 00:20:06,005
I DIDN'T STEAL ANY DIAMONDS.
407
00:20:06,038 --> 00:20:07,574
FOR PETE'S SAKE.
408
00:20:07,607 --> 00:20:09,509
I'M ABOUT TO MARRY ONE OF
THE RICHEST MEN IN NEW MEXICO.
409
00:20:09,542 --> 00:20:11,711
WHY ON EARTH WOULD I KEEP
A BAG OF ILLEGAL DIAMONDS?
410
00:20:11,744 --> 00:20:12,779
I DON'T KNOW.
411
00:20:12,812 --> 00:20:14,747
MAYBE BECAUSE YOU'RE A
SOUL-SUCKING WASTE OF OXYGEN
412
00:20:14,781 --> 00:20:16,249
WITH NO REGARD FOR ANYBODY
BUT YOURSELF.
413
00:20:16,283 --> 00:20:17,650
NOW GET READY.
414
00:20:17,684 --> 00:20:19,586
I'M TAKING YOU BACK TO YOUR
MOTHER-IN-LAW'S FORTRESS
415
00:20:19,619 --> 00:20:21,521
UNTIL I CAN FIGURE OUT
WHO THAT WAS.
416
00:20:23,656 --> 00:20:27,360
WHERE ARE
MY MOTHER
417
00:20:27,394 --> 00:20:28,961
YOU ARE DANGEROUSLY CLOSE
418
00:20:28,995 --> 00:20:30,863
TO BEING KICKED OUT
OF THE WEDDING PARTY.
419
00:20:43,410 --> 00:20:45,978
MAN, I'D LIKE
FIVE MINUTES ALONE
420
00:20:46,012 --> 00:20:47,847
WITH THE IDIOT
THAT INVENTED CRINOLINE.
421
00:20:47,880 --> 00:20:49,882
ACTUALLY, CRINOLINE
WASN'T AN INVENTION
422
00:20:49,916 --> 00:20:51,818
SO MUCH AS IT WAS
A DISCOVERY.
423
00:20:51,851 --> 00:20:52,819
JESUS, SHUT YOUR HOLE.
424
00:20:52,852 --> 00:20:55,855
AND ONCE AGAIN,
THE INCURIOUS MIND
425
00:20:55,888 --> 00:20:57,857
REARS ITS BLISSED-OUT HEAD.
426
00:20:57,890 --> 00:20:59,959
DID YOU COME UP WITH
ANYTHING ON THE PHOTOGRAPHER?
427
00:20:59,992 --> 00:21:02,762
NOT YET. MAYBE HE WAS JUST
A GUY TAKING PICTURES.
428
00:21:02,795 --> 00:21:05,332
YEAH, SO WHY'D HE RUN?
AND THEN TRY TO RUN ME OVER?
429
00:21:05,365 --> 00:21:07,334
PROBABLY JUST A REACTION
TO YOU IN THAT DRESS.
430
00:21:07,367 --> 00:21:10,937
SO I, UH,
431
00:21:10,970 --> 00:21:12,905
UNDERSTAND WE HAVE
A PAPARAZZI PROBLEM?
432
00:21:12,939 --> 00:21:15,908
MAYBE. PROBABLY.
433
00:21:15,942 --> 00:21:16,976
WELL, WHERE
DID YOU STASH HER?
434
00:21:17,009 --> 00:21:19,312
THE MOTHER-IN-LAW'S.
435
00:21:19,346 --> 00:21:20,747
SHE REFUSED TO GO
ANYWHERE ELSE.
436
00:21:20,780 --> 00:21:21,948
THE GOOD NEWS IS,
437
00:21:21,981 --> 00:21:23,082
THE PLACE
IS LIKE A FORTRESS,
438
00:21:23,115 --> 00:21:24,884
AND I DOUBLED UP
ON THE SECURITY DETAIL.
439
00:21:24,917 --> 00:21:27,954
AND THE BAD NEWS IS, THERE
ARE ABOUT 1,000 SILVER SATURNS
440
00:21:27,987 --> 00:21:29,422
IN THE GREATER
ALBUQUERQUE AREA
441
00:21:29,456 --> 00:21:31,791
REGISTERED
TO MIDDLE-AGED WHITE MALES.
442
00:21:31,824 --> 00:21:32,725
MAN, HOW THE HELL
443
00:21:32,759 --> 00:21:34,427
ARE WE SUPPOSED TO
PROCESS THAT MANY LEADS?
444
00:21:34,461 --> 00:21:37,497
MAYBE WE CAN GET SOME HELP
FROM DOWNSTAIRS, HUH?
445
00:21:37,530 --> 00:21:39,932
I'VE ALREADY POLLED EVERY
AVAILABLE BODY FOR TONIGHT.
446
00:21:42,134 --> 00:21:46,005
UH, SO,
INSPECTORS,
447
00:21:46,038 --> 00:21:47,507
CARRY ON.
448
00:21:47,540 --> 00:21:49,041
YEAH.
449
00:21:50,009 --> 00:21:51,378
WHAT JUST HAPPENED?
450
00:21:51,411 --> 00:21:52,912
I DON'T KNOW.
451
00:22:01,888 --> 00:22:03,790
YEAH.
452
00:22:03,823 --> 00:22:05,992
HEY, YOU GOT A MINUTE?
453
00:22:06,025 --> 00:22:08,761
NOT REALLY. WHAT DO YOU
THINK ABOUT THIS?
454
00:22:08,795 --> 00:22:12,031
OKAY, WHAT ABOUT--
455
00:22:12,064 --> 00:22:13,366
UH-UH.
456
00:22:13,400 --> 00:22:16,603
SO, UM,
I JUST WANTED TO TALK TO YOU
457
00:22:16,636 --> 00:22:18,705
ABOUT MY SITUATION.
458
00:22:18,738 --> 00:22:20,907
CHUCK AND I ARE SORT OF GOING
THROUGH A THING RIGHT NOW
459
00:22:20,940 --> 00:22:24,043
AND, UM, WELL, FIRST OF ALL,
I WANT TO THANK YOU
460
00:22:24,076 --> 00:22:26,112
FOR LETTING ME HANG OUT HERE
THE PAST FEW WEEKS.
461
00:22:26,145 --> 00:22:27,414
AND SECOND OF ALL,
YOU WANT TO KNOW
462
00:22:27,447 --> 00:22:29,048
IF YOU CAN HANG OUT
A LITTLE LONGER?
463
00:22:29,081 --> 00:22:30,116
WELL, YEAH, THAT.
464
00:22:30,149 --> 00:22:33,386
BUT ALSO, I WAS WONDERING
IF YOU COULD HELP ME.
465
00:22:33,420 --> 00:22:37,557
UM, IT'S JUST THAT
YOUR LIFE IS SO TOGETHER,
466
00:22:37,590 --> 00:22:39,559
AND I FEEL LIKE YOU MIGHT
BE GOOD AT HELPING ME
467
00:22:39,592 --> 00:22:43,062
GET MY LIFE GOING
IN A NEW DIRECTION, MAYBE.
468
00:22:43,095 --> 00:22:46,999
LOOK, I GOTTA FIND SOMETHING
TO WEAR AND GET OUT OF HERE,
469
00:22:47,033 --> 00:22:49,969
BUT LET ME THINK ABOUT IT,
AND WE CAN TALK TOMORROW
470
00:22:50,002 --> 00:22:50,970
OR THE NEXT DAY, OKAY?
471
00:22:51,003 --> 00:22:52,104
OKAY. THANKS.
472
00:22:54,774 --> 00:22:56,909
OH, GOD, WHAT DO YOU
WEAR TO THESE THINGS?
473
00:22:56,943 --> 00:22:58,110
WHAT THINGS?
474
00:22:58,144 --> 00:23:00,747
YOU KNOW,
SOME FROUFROU SLUT FEST.
475
00:23:00,780 --> 00:23:03,550
WELL, WHAT KIND OF SLUT FEST?
REGULAR SLUT, FANCY SLUT,
476
00:23:03,583 --> 00:23:06,419
EURO TRASH SLUT?
NEVER MIND.
477
00:23:06,453 --> 00:23:11,023
YOU LEAVE EVERYTHING
TO ME, GRASSHOPPER.
478
00:23:11,057 --> 00:23:13,025
JESUS, YOU LOOK HOT.
479
00:23:13,059 --> 00:23:14,827
I LOOK LIKE A WHORE.
480
00:23:14,861 --> 00:23:16,863
YEAH.
481
00:23:19,098 --> 00:23:24,637
[laughter and chatter
from inside house]
482
00:23:24,671 --> 00:23:26,739
PSST! HEY!
483
00:23:30,109 --> 00:23:31,444
WHAT ARE YOU DOING HERE?
484
00:23:31,478 --> 00:23:32,745
JUST KEEPING AN EYE
485
00:23:32,779 --> 00:23:35,147
ON THE DOOR TILL
THE OTHER MARSHALS GET--
486
00:23:35,181 --> 00:23:37,216
HOLY JEEZ.
487
00:23:37,249 --> 00:23:39,018
MY GOD.
488
00:23:39,051 --> 00:23:41,588
OKAY, FINE.
GET IT ALL OUT.
489
00:23:41,621 --> 00:23:45,625
WHAT? YOU LOOK NICE.
490
00:23:45,658 --> 00:23:48,060
UH-HUH. YOU GOT
ANYTHING NEW TO REPORT?
491
00:23:48,094 --> 00:23:51,631
UM, NOT MUCH.
492
00:23:51,664 --> 00:23:56,803
TREENA'S EX IS STILL SAFELY
ENSCONCED IN LEAVENWORTH.
493
00:23:56,836 --> 00:24:00,172
INTERPOL AND THE FBI
THINK THE AFRICAN
494
00:24:00,206 --> 00:24:03,610
AND HIS PAL
ARE LYING LOW AND COULD
495
00:24:03,643 --> 00:24:05,512
BE ON THE IVORY COAST,
496
00:24:05,545 --> 00:24:08,014
BUT THEY CAN'T SAY
FOR SURE.
497
00:24:08,047 --> 00:24:09,148
TRANSLATION--
498
00:24:09,181 --> 00:24:10,950
THE GUYS WHO MOST WANT TO
GET THEIR HANDS ON TREENA
499
00:24:10,983 --> 00:24:12,118
ARE NOWHERE TO BE FOUND?
500
00:24:12,151 --> 00:24:13,486
EXACTLY.
TERRIFIC.
501
00:24:13,520 --> 00:24:17,657
SO I'LL BE OUT HERE
AND YOU...
502
00:24:17,690 --> 00:24:19,792
WHAT ARE YOU DOING?
503
00:24:19,826 --> 00:24:22,161
WHAT? NOTHING.
504
00:24:22,194 --> 00:24:25,031
I'M DOING MY JOB,
KEEPING AN EYE ON THINGS.
505
00:24:25,064 --> 00:24:26,265
LOOK AT ME.
506
00:24:26,298 --> 00:24:28,200
WHAT
507
00:24:28,234 --> 00:24:30,169
BECAUSE I'M TALKING TO YOU.
508
00:24:30,202 --> 00:24:31,170
I--
509
00:24:31,203 --> 00:24:33,039
OH, MY GOD.
510
00:24:33,072 --> 00:24:37,276
YOU CAN'T LOOK AT ME.
511
00:24:37,309 --> 00:24:38,277
MARSHALL, FOR GOD'S SAKES,
512
00:24:38,310 --> 00:24:39,512
IT'S NOT LIKE I'M NAKED.
513
00:24:39,546 --> 00:24:41,914
NAKED WOULD BE BETTER.
514
00:24:41,948 --> 00:24:46,052
THAT MAKES ME FEEL SO...
515
00:24:46,085 --> 00:24:47,620
DIRTY.
516
00:24:47,654 --> 00:24:49,656
GOOD LORD.
WATCH THE DOOR, PERVIS.
517
00:25:07,206 --> 00:25:09,275
WHY SO GLUM, SUGARPLUM?
518
00:25:09,308 --> 00:25:10,276
I'M NOT MAD AT YOU
ANYMORE.
519
00:25:10,309 --> 00:25:13,145
OH, WAIT.
520
00:25:13,179 --> 00:25:15,247
AH, AH, AH.
HEY, DEE.
521
00:25:15,281 --> 00:25:16,215
DID I EVER TELL YOU
522
00:25:16,248 --> 00:25:19,051
ABOUT HOW MARY GOT AN "A"
IN PSYCHOLOGY CLASS?
523
00:25:19,085 --> 00:25:20,753
NO.
CAREFUL.
524
00:25:20,787 --> 00:25:22,254
I'M NOT IN THE MOOD.
TOUGH NOOGIES, I AM.
525
00:25:22,288 --> 00:25:25,858
SO WE'RE STUDYING
PSYCHOSEXUAL ARCHETYPES,
526
00:25:25,892 --> 00:25:27,126
AND MARY IS DEFINITELY
527
00:25:27,159 --> 00:25:28,595
GONNA FLUNK THIS CLASS.
528
00:25:28,628 --> 00:25:30,096
THEN ONE DAY,
SHE COMES TO CLASS
529
00:25:30,129 --> 00:25:34,567
DRESSED AS THE CLASSIC
CATHOLIC SCHOOL GIRL.
530
00:25:34,601 --> 00:25:35,802
I'M WARNING YOU.
SHUSH.
531
00:25:35,835 --> 00:25:38,104
I'M TALKING BUTT-HIGH
PLEATED SKIRT, ANKLETS,
532
00:25:38,137 --> 00:25:39,606
THE WHOLE MEGILLAH.
533
00:25:39,639 --> 00:25:42,141
THEN THIS LITTLE MINX
SITS IN THE FRONT ROW.
534
00:25:42,174 --> 00:25:43,242
TOTAL COMMANDO.
535
00:25:43,275 --> 00:25:45,912
I AM TALKING THE FULL
BASIC INSTINCT.
536
00:25:45,945 --> 00:25:49,281
NEEDLESS TO SAY,
GUESS WHO GOT AN "A"
537
00:25:49,315 --> 00:25:51,250
AND A FREE TRIP TO EUROPE.
538
00:25:51,283 --> 00:25:54,220
NO, WAY.
THAT'S NOT TRUE.
539
00:25:54,253 --> 00:25:55,955
UH-HUH.
ABSOLUTELY TRUE.
540
00:25:55,988 --> 00:25:57,156
SHE SHOWED HIM HEAVEN,
541
00:25:57,189 --> 00:25:58,224
SO HE SHOWED HER PARIS.
542
00:25:58,257 --> 00:25:59,225
DIDN'T YOU?
543
00:25:59,258 --> 00:26:01,628
YEAH, THAT WAS FUN.
544
00:26:01,661 --> 00:26:05,131
YEAH. GOSH. NOW TELL THEM ABOUT
THE SPECIAL TUTORING SESSION
545
00:26:05,164 --> 00:26:07,867
YOU HAD WITH THE SAME PROFESSOR
EVERY FRIDAY IN OUR DORM ROOM
546
00:26:07,900 --> 00:26:10,269
FOR AN ENTIRE SEMESTER
AND HOW HE STILL FLUNKED YOU.
547
00:26:10,302 --> 00:26:14,373
ABSOLUTELY TRUE,
ISN'T IT, SUGARPLUM?
548
00:26:14,406 --> 00:26:16,142
WELL PLAYED.
ALL RIGHT, THEN, GAME ON.
549
00:26:16,175 --> 00:26:18,845
BRING IT, BIYATCH.
550
00:26:18,878 --> 00:26:20,312
EXCUSE ME, LADIES.
551
00:26:20,346 --> 00:26:23,282
I HAVE A WARRANT FOR THE ARREST
OF MISS TREENA MORRIS.
552
00:26:23,315 --> 00:26:26,152
GOD, TREENA,
NOW WHAT'D YOU DO?
553
00:26:26,185 --> 00:26:28,320
CUT TO THE CHASE, FLATFOOT.
554
00:26:28,354 --> 00:26:30,322
SHOW ME WHAT YOU GOT.
555
00:26:30,356 --> 00:26:32,391
MISS MORRIS,
YOU'RE UNDER ARREST
556
00:26:32,424 --> 00:26:36,829
FOR THE MULTIPLE VIOLATIONS
OF THE NEW MEXICO PENAL CODE.
557
00:26:36,863 --> 00:26:38,297
YOU HAVE THE RIGHT
TO REMAIN SEXY.
558
00:26:41,934 --> 00:26:48,374
*
559
00:27:04,857 --> 00:27:07,393
OH, HEY, WHAT ARE YOU
DOING IN HERE?
560
00:27:07,426 --> 00:27:09,095
YOU'RE MISSING OUT
ON ALL THE FUN.
561
00:27:09,128 --> 00:27:11,330
YEAH. ACTUALLY, I WENT
TO A STRIP CLUB AT LUNCH.
562
00:27:11,363 --> 00:27:12,765
I'M ALL STRIPPERED OUT.
563
00:27:12,799 --> 00:27:14,701
OH, COME ON. IT'S JUST
A LITTLE HARMLESS FUN.
564
00:27:14,734 --> 00:27:17,403
MARK KNOWS I WOULD
NEVER CHEAT ON HIM.
565
00:27:17,436 --> 00:27:20,039
HE THINKS HE KNOWS THAT
BECAUSE HE THINKS HE KNOWS YOU.
566
00:27:20,072 --> 00:27:22,041
EVERYTHING YOU'VE TOLD HIM
IS A LIE.
567
00:27:22,074 --> 00:27:23,910
WHAT ABOUT YOU?
568
00:27:23,943 --> 00:27:25,678
WHAT ABOUT THAT LECTURE
YOU GAVE ME
569
00:27:25,712 --> 00:27:27,346
ON THE IMPORTANCE
OF YOUR ANONYMITY?
570
00:27:27,379 --> 00:27:28,347
DOES YOUR FAMILY KNOW
WHAT YOU DO?
571
00:27:28,380 --> 00:27:30,116
DOES YOUR BOYFRIEND,
YOUR GIRLFRIEND, WHATEVER.
572
00:27:30,149 --> 00:27:31,217
IT'S DIFFERENT.
573
00:27:31,250 --> 00:27:33,319
I MAINTAIN AN ALIAS TO PROTECT
THE PEOPLE I CARE ABOUT.
574
00:27:33,352 --> 00:27:35,788
YOU DO IT TO SWINDLE
THE PEOPLE WHO CARE ABOUT YOU.
575
00:27:35,822 --> 00:27:38,925
I STARTED LYING
A LONG TIME BEFORE I LEARNED
576
00:27:38,958 --> 00:27:40,459
HOW MUCH MEN WILL GIVE UP
FOR A PRETTY FACE.
577
00:27:40,492 --> 00:27:42,361
I DIDN'T START LYING
TO PULL SCAMS,
578
00:27:42,394 --> 00:27:43,429
AND YOU DIDN'T
START HIDING YOURSELF
579
00:27:43,462 --> 00:27:44,797
WHEN YOU BECAME A MARSHAL.
580
00:27:44,831 --> 00:27:47,767
THAT'S JUST
HOW YOU JUSTIFY IT.
581
00:27:47,800 --> 00:27:49,736
IF YOU WEREN'T A MARSHAL,
582
00:27:49,769 --> 00:27:51,237
YOU'D HAVE
SOME OTHER EXCUSE.
583
00:28:11,791 --> 00:28:15,762
IT'S TOUGH,
REALLY TOUGH.
584
00:28:18,364 --> 00:28:19,932
A CAREER AND A FAMILY
585
00:28:19,966 --> 00:28:21,934
AND TRYING TO MAINTAIN
A RELATIONSHIP.
586
00:28:21,968 --> 00:28:24,403
IT'S PRACTICALLY--
WELL, YOU KNOW.
587
00:28:24,436 --> 00:28:25,772
I MEAN,
YOU'RE IN LAW ENFORCEMENT.
588
00:28:25,805 --> 00:28:27,874
HEY.
HEY.
589
00:28:27,907 --> 00:28:29,942
WHAT ARE YOU DOING?
YOU BEEN DRINKING?
590
00:28:29,976 --> 00:28:32,511
NO. I'M JUST COMMISERATING
WITH OFFICER--
591
00:28:32,544 --> 00:28:35,447
I'M SORRY,
WHAT'S YOUR NAME AGAIN?
592
00:28:35,481 --> 00:28:36,448
AND DON'T SAY DICK.
593
00:28:36,482 --> 00:28:38,450
EXCUSE US.
OR PETER.
594
00:28:38,484 --> 00:28:39,786
TO BE CONTINUED.
595
00:28:40,787 --> 00:28:42,488
ROD. THAT'S IT.
596
00:28:42,521 --> 00:28:46,292
SAD THING IS THE GUY'S
ACTUALLY ALBUQUERQUE P.D.
597
00:28:46,325 --> 00:28:47,426
MOONLIGHTING.
598
00:28:47,459 --> 00:28:48,828
SO WHAT'S UP?
599
00:28:48,861 --> 00:28:50,362
YOU HAVE A VISITOR.
600
00:28:50,396 --> 00:28:52,164
OH, MAN.
601
00:28:52,198 --> 00:28:53,766
WHAT'S DERSHOWITZ
DOING HERE?
602
00:28:53,800 --> 00:28:54,466
GOOD QUESTION.
603
00:28:54,500 --> 00:28:56,936
LET ME KNOW
WHEN YOU FIND OUT.
604
00:28:56,969 --> 00:28:58,537
HOLY--
605
00:28:58,570 --> 00:29:00,539
ALL RIGHT,
CAN IT, DETECTIVE.
606
00:29:00,572 --> 00:29:01,874
I'M OBVIOUSLY
ATTENDING A PARTY.
607
00:29:01,908 --> 00:29:03,843
IN WHAT CAPACITY?
608
00:29:03,876 --> 00:29:05,411
WHAT HAPPENED?
WHY ARE YOU HERE?
609
00:29:05,444 --> 00:29:06,412
JUST FOR FUN,
610
00:29:06,445 --> 00:29:08,114
HOW ABOUT WE ANSWER
611
00:29:08,147 --> 00:29:09,181
THE SECOND QUESTION FIRST?
612
00:29:09,215 --> 00:29:12,852
WHATEVER
BLOWS YOUR SKIRT UP.
613
00:29:12,885 --> 00:29:14,353
GOOD GOD.
614
00:29:14,386 --> 00:29:15,421
MM-HMM.
615
00:29:15,454 --> 00:29:18,257
AND HERE COMES THE ANSWER
TO THE FIRST QUESTION.
616
00:29:18,290 --> 00:29:19,859
WE FOUND HIM DEAD
IN A MOTEL ROOM.
617
00:29:19,892 --> 00:29:21,060
OUR FORENSICS EXPERTS
618
00:29:21,093 --> 00:29:22,161
BELIEVE THAT THE DECEASED
619
00:29:22,194 --> 00:29:23,562
TOOK ONE LOOK
AT YOU IN THAT DRESS,
620
00:29:23,595 --> 00:29:25,097
THEN HIRED SOMEBODY
TO SHOOT HIM IN THE HEAD.
621
00:29:25,131 --> 00:29:26,165
NO DOUBT.
622
00:29:26,198 --> 00:29:27,199
ANYWAY, HIS NAME IS JAY KELLY.
623
00:29:27,233 --> 00:29:28,500
HE'S A P.I. FROM DALLAS.
624
00:29:28,534 --> 00:29:31,303
BASED ON INCOMING CALLS
ON HIS CELL,
625
00:29:31,337 --> 00:29:33,239
HE WAS WORKING
FOR SOME SOUTH AFRICANS.
626
00:29:33,272 --> 00:29:34,406
THAT MEAN ANYTHING TO YOU?
627
00:29:34,440 --> 00:29:35,975
HERE,
628
00:29:36,008 --> 00:29:38,577
MAYBE THIS WILL JOG
SOMETHING LOOSE.
629
00:29:38,610 --> 00:29:41,280
NOT THAT YOU DESERVE IT.
630
00:29:41,313 --> 00:29:43,850
SO AM I TO INFER
631
00:29:43,883 --> 00:29:46,252
THAT NEW MEXICO'S
MOST ELIGIBLE BACHELOR
632
00:29:46,285 --> 00:29:50,222
IS BETROTHED TO ONE OF
YOUR NEWLY
633
00:29:52,558 --> 00:29:53,559
THANK YOU.
634
00:29:53,592 --> 00:29:55,895
YOU'RE WELCOME.
635
00:30:01,033 --> 00:30:03,035
LOCK THE PARTY DOWN.
NOBODY IN OR OUT.
636
00:30:03,069 --> 00:30:04,370
THE AFRICANS ARE IN TOWN.
637
00:30:04,403 --> 00:30:05,905
STAN WILL BE HERE
IN A MINUTE.
638
00:30:05,938 --> 00:30:08,174
WHOO!
639
00:30:08,207 --> 00:30:10,342
HEY, I'M MAKING
A DOCUMENTARY!
640
00:30:10,376 --> 00:30:11,477
PLEASE HELP ME!
641
00:30:11,510 --> 00:30:14,580
LOOK, TREENA,
SOMETHING'S COME UP.
642
00:30:14,613 --> 00:30:16,482
THE WEDDING'S OFF.
WHAT ARE YOU TALKING ABOUT?
643
00:30:16,515 --> 00:30:18,550
THAT MAN AT THE BRIDAL SHOP
WAS WORKING FOR THE AFRICANS.
644
00:30:18,584 --> 00:30:19,886
HE WAS MURDERED.
645
00:30:19,919 --> 00:30:21,487
THEY'RE MOST CERTAINLY
HERE IN ALBUQUERQUE.
646
00:30:21,520 --> 00:30:22,554
WELL, THEN FIND THEM,
647
00:30:22,588 --> 00:30:24,123
BUT YOU CAN'T CALL OFF
MY WEDDING.
648
00:30:24,156 --> 00:30:25,958
LOOK, YOU RODE THE SCAM
AS FAR AS YOU COULD, OKAY,
649
00:30:25,992 --> 00:30:27,359
BUT THE WHOLE THING'S
UNRAVELING NOW.
650
00:30:27,393 --> 00:30:29,261
IT'S TIME TO CUT YOUR LOSSES
AND SKEDADDLE. LET'S GO.
651
00:30:29,295 --> 00:30:31,030
NO, NO. GOD, NO, PLEASE.
652
00:30:31,063 --> 00:30:34,133
I KNOW WHAT I'VE BEEN.
I KNOW WHAT YOU THINK I AM.
653
00:30:34,166 --> 00:30:37,203
BUT JUST LISTEN TO ME.
654
00:30:37,236 --> 00:30:38,938
SIX MONTHS AGO,
YOU SAID I SHOULD ALLOW
655
00:30:38,971 --> 00:30:40,873
FOR THE POSSIBILITY
OF SOMETHING GREATER.
656
00:30:40,907 --> 00:30:41,840
AND IT TOOK ME A WHILE,
657
00:30:41,874 --> 00:30:43,242
BUT I FINALLY FIGURED OUT
WHAT YOU MEANT.
658
00:30:43,275 --> 00:30:44,643
GREAT. WE'LL HAVE TO
COMPARE NOTES SOMETIME.
659
00:30:44,676 --> 00:30:46,345
AFTER I MET MARK,
660
00:30:46,378 --> 00:30:48,647
I REALIZED WHAT YOU MEANT WAS,
661
00:30:48,680 --> 00:30:51,217
QUIT BEING
SUCH A GODDAMN COWARD.
662
00:30:51,250 --> 00:30:52,351
HAVE THE COURAGE TO STAND
663
00:30:52,384 --> 00:30:54,887
RIGHT NEXT TO SOMEONE
YOU CARE ABOUT, THIS CLOSE,
664
00:30:54,921 --> 00:30:55,854
WITHOUT GUILE,
665
00:30:55,888 --> 00:30:58,390
DEFENSELESS, AND RISK
TOTAL ANNIHILATION.
666
00:30:58,424 --> 00:31:00,326
AND NOW PARTLY
BECAUSE OF YOU,
667
00:31:00,359 --> 00:31:02,061
MIRACLE OF MIRACLES,
I ACTUALLY MANAGED
668
00:31:02,094 --> 00:31:06,398
TO DROP THE STONES TO ALLOW THIS
WONDERFUL MAN INTO MY HEART.
669
00:31:08,267 --> 00:31:09,401
THAT'S MARK.
670
00:31:09,435 --> 00:31:11,437
HE'S PROBABLY
CHECKING UP ON ME.
671
00:31:11,470 --> 00:31:12,638
HI, SWEETHEART.
672
00:31:12,671 --> 00:31:14,473
HEY, HON,
QUICK QUESTION.
673
00:31:14,506 --> 00:31:17,609
DID YOU STEAL
$10 MILLION WORTH OF DIAMONDS?
674
00:31:17,643 --> 00:31:19,011
WHERE ARE YOU?
675
00:31:19,045 --> 00:31:20,579
AT TOM-TOM'S.
AT THE BOYS'.
676
00:31:20,612 --> 00:31:23,149
THERE'S A COUPLE
OF GUYS HERE
677
00:31:23,182 --> 00:31:24,683
WHO SAY THEY KNEW YOU
IN A PAST LIFE.
678
00:31:24,716 --> 00:31:25,684
MARK.
679
00:31:25,717 --> 00:31:27,219
OH, MY GOD.
680
00:31:27,253 --> 00:31:28,654
WHAT
681
00:31:28,687 --> 00:31:30,056
THE DIAMOND SMUGGLERS
ARE WITH MARK.
682
00:31:30,089 --> 00:31:31,623
OKAY, MARK, SWEETIE,
LISTEN TO ME.
683
00:31:31,657 --> 00:31:32,992
DON'T GO ANYWHERE
WITH THOSE MEN,
684
00:31:33,025 --> 00:31:34,293
DO YOU UNDERSTAND ME?
685
00:31:34,326 --> 00:31:36,328
MARK. MARK!
686
00:31:36,362 --> 00:31:37,964
I'LL MAKE THIS BRIEF.
687
00:31:37,997 --> 00:31:41,633
YOUR FIANCE IN EXCHANGE
FOR MY DIAMONDS.
688
00:31:41,667 --> 00:31:44,670
I'LL CALL BACK IN 30 MINUTES
WITH FURTHER INSTRUCTIONS.
689
00:31:44,703 --> 00:31:47,239
ANY SIGN OF THE POLICE,
690
00:31:47,273 --> 00:31:48,540
AND MARK DIES.
691
00:31:48,574 --> 00:31:50,142
NO, WAIT. LOOK--
692
00:31:50,176 --> 00:31:52,178
HELLO
693
00:32:00,186 --> 00:32:01,287
GIVE ME THE PHONE.
694
00:32:01,320 --> 00:32:02,521
NO. THEY SAID NO POLICE.
695
00:32:02,554 --> 00:32:04,991
WAIT!
WAIT THERE!
696
00:32:05,024 --> 00:32:06,058
THEY GRABBED THE FIANCE.
697
00:32:06,092 --> 00:32:08,327
I NEED TO TRACK AND LOCATE
FIRST NUMBER ON THAT LIST.
698
00:32:08,360 --> 00:32:11,030
IT'S MARK BEVIN'S PHONE.
699
00:32:11,063 --> 00:32:12,564
THAT'S TREENA'S NUMBER.
ALSO TRACK AND LOCATE.
700
00:32:12,598 --> 00:32:13,565
I'M ON THE COURT ORDER.
701
00:32:13,599 --> 00:32:16,002
GOT IT.
I'LL CALL ESU.
702
00:32:16,035 --> 00:32:17,736
MARY, PLEASE LET ME GO.
703
00:32:17,769 --> 00:32:19,605
TREENA,
THEY'VE ALREADY SHOWN
704
00:32:19,638 --> 00:32:21,073
THEY'RE NOT LEAVING
ANY WITNESSES BEHIND.
705
00:32:21,107 --> 00:32:22,975
IF YOU GO,
THEY KILL YOU BOTH.
706
00:32:23,009 --> 00:32:24,476
HEY, GIRLS,
IS THERE A PROBLEM HERE?
707
00:32:24,510 --> 00:32:25,978
OH, DEE,
I'M SO SORRY.
708
00:32:26,012 --> 00:32:27,313
BABY, WHAT IS IT?
709
00:32:27,346 --> 00:32:28,347
THEY HAVE MARK.
710
00:32:28,380 --> 00:32:29,715
AND IT'S ALL MY FAULT.
711
00:32:29,748 --> 00:32:31,750
WHAT?
WHO HAS MARK?
712
00:32:31,783 --> 00:32:36,055
UM, A RING OF ILLEGAL
DIAMOND SMUGGLERS.
713
00:32:36,088 --> 00:32:37,423
WHY?
714
00:32:37,456 --> 00:32:41,060
TREENA, DO YOU WANT
TO TAKE THIS ONE?
715
00:32:41,093 --> 00:32:43,729
TO COLLECT THE $10 MILLION
716
00:32:43,762 --> 00:32:46,132
IN RAW DIAMONDS
THEY THINK I STOLE FROM THEM.
717
00:32:46,165 --> 00:32:47,533
WELL, DID YOU STEAL THEM?
718
00:32:49,135 --> 00:32:51,037
SORT OF.
719
00:32:51,070 --> 00:32:52,771
I'M SO SORRY.
720
00:32:52,804 --> 00:32:56,042
HONEY, YOU KNOW
YOU NEEDN'T APOLOGIZE TO ME
721
00:32:56,075 --> 00:32:57,476
FOR RIPPING OFF
A FEW LOUSY CROOKS.
722
00:32:57,509 --> 00:32:59,611
I MEAN,
GIVEN THE OPPORTUNITY,
723
00:32:59,645 --> 00:33:01,547
I'D DO THE SAME THING.
724
00:33:01,580 --> 00:33:02,981
UNBELIEVABLE.
725
00:33:06,118 --> 00:33:08,554
AND JUST WHAT ARE YOU DOING
ABOUT GETTING MY SON BACK?
726
00:33:08,587 --> 00:33:10,656
EVERYTHING WE POSSIBLY CAN.
727
00:33:10,689 --> 00:33:12,391
NOW TELL ME
WHERE THE DIAMONDS ARE.
728
00:33:12,424 --> 00:33:16,562
FOR HEAVEN SAKES, TREENA,
TELL HER WHERE THE DIAMONDS ARE.
729
00:33:16,595 --> 00:33:17,796
IN MY CONDO IN THE FREEZER
730
00:33:17,829 --> 00:33:20,032
IN A FROZEN JAR
OF SPAGHETTI SAUCE.
731
00:33:20,066 --> 00:33:22,168
HERE.
ALL RIGHT.
I'M ON MY WAY.
732
00:33:22,201 --> 00:33:24,670
THE JUDGE IS WRITING
WARRANTS AS WE SPEAK.
733
00:33:24,703 --> 00:33:26,505
ESU SAYS THE TRACK AND LOCATE
WILL BE UP IN 20 MINUTES.
734
00:33:26,538 --> 00:33:27,673
LET'S HIT IT.
735
00:33:27,706 --> 00:33:29,241
GOT EVERYTHING YOU NEED?
LOCKED AND LOADED.
736
00:33:29,275 --> 00:33:30,409
REALLY?
737
00:33:30,442 --> 00:33:34,146
TRUST ME,
IT'S UP THERE...SOMEWHERE.
738
00:33:35,781 --> 00:33:37,416
PLEASE BRING MARK
BACK TO ME.
739
00:33:37,449 --> 00:33:40,052
I WILL.
740
00:33:45,591 --> 00:33:48,060
YOU'VE GOT TO BE
KIDDING ME.
741
00:33:57,403 --> 00:34:00,072
SON OF A BITCH.
742
00:34:01,140 --> 00:34:02,441
YEAH.
HEY, IT'S ME.
743
00:34:02,474 --> 00:34:03,509
WHERE'S TREENA?
744
00:34:03,542 --> 00:34:04,843
INDISPOSED.
WHAT'S THE PROBLEM?
745
00:34:04,876 --> 00:34:06,478
THE DIAMONDS AREN'T HERE.
746
00:34:06,512 --> 00:34:07,779
WHAT DO YOU BET TREENA'S
NOT THERE EITHER?
747
00:34:10,849 --> 00:34:12,251
IN THE WIND.
748
00:34:12,284 --> 00:34:13,485
TRACK HER CELL.
749
00:34:13,519 --> 00:34:15,154
SHE MUST HAVE
PICK-POCKETED MY BAG.
750
00:34:15,187 --> 00:34:16,555
ALREADY ON IT.
751
00:34:16,588 --> 00:34:18,424
MARK'S CELL, BY THE WAY,
TURNED UP AT THE BAR.
752
00:34:18,457 --> 00:34:20,159
THEY MUST HAVE DUMPED IT.
FIGURES.
753
00:34:20,192 --> 00:34:21,693
YOU THINK SHE SPLIT
WITH THE DIAMONDS?
754
00:34:21,727 --> 00:34:24,530
EITHER THAT OR SHE'S GOING
TO GET HERSELF KILLED.
755
00:34:27,399 --> 00:34:29,368
TAKE CENTRAL
OVER THE RIVER.
756
00:34:29,401 --> 00:34:31,370
THE SIGNAL'S
ABOUT A MILE SOUTH
757
00:34:31,403 --> 00:34:32,371
ON COTTONWOOD.
758
00:34:32,404 --> 00:34:34,173
IT'S THE BEVIN'S STABLES.
759
00:34:42,648 --> 00:34:43,715
HOW DO I KNOW
YOU WON'T KILL US
760
00:34:43,749 --> 00:34:45,451
AFTER I GIVE YOU
THE DIAMONDS?
761
00:34:45,484 --> 00:34:47,619
MY DEAR, I'M GOING TO
KILL YOU EITHER WAY.
762
00:34:47,653 --> 00:34:51,557
THE ONLY QUESTION IS WHETHER
IT'S QUICK AND MERCIFUL
763
00:34:51,590 --> 00:34:52,658
OR IF I LET EDWARD
TEAR YOUR FIANCE APART
764
00:34:52,691 --> 00:34:54,293
ONE JOINT AT A TIME.
765
00:34:54,326 --> 00:34:57,496
THAT DOESN'T SOUND LIKE
MUCH OF A CHOICE.
766
00:34:57,529 --> 00:35:00,232
STOP WASTING TIME.
767
00:35:00,266 --> 00:35:02,268
IN HERE.
768
00:35:08,607 --> 00:35:10,676
WHAT ARE YOU DOING?!
769
00:35:10,709 --> 00:35:12,144
WHAT THE HELL
ARE YOU DOING?
770
00:35:12,178 --> 00:35:13,712
JUST FOLLOW MY LEAD.
771
00:35:13,745 --> 00:35:15,247
I THOUGHT I WAS.
772
00:35:15,281 --> 00:35:16,848
TREENA, IS THAT YOU?
773
00:35:16,882 --> 00:35:18,184
WHO IS THIS?
774
00:35:18,217 --> 00:35:20,919
HUH?
775
00:35:20,952 --> 00:35:22,354
I'M THE MAID OF HONOR.
WHO THE HELL ARE YOU?
776
00:35:24,256 --> 00:35:28,827
ZIP UP, DEREK,
AND COME ON.
777
00:35:30,296 --> 00:35:31,330
TREENA!
778
00:35:31,363 --> 00:35:32,898
I UNDERSTAND YOU HAVING
A LITTLE FUN
779
00:35:32,931 --> 00:35:34,633
BEFORE YOU TIE
THE PROVERBIAL NOOSE,
780
00:35:34,666 --> 00:35:36,168
BUT A THREE
781
00:35:36,202 --> 00:35:37,503
THAT'S JUST EXCESSIVE.
782
00:35:37,536 --> 00:35:40,172
UNLESS YOU WANT TO MAKE IT
A FIVE-WAY.
783
00:35:40,206 --> 00:35:41,840
WHAT DO YOU SAY?
784
00:35:41,873 --> 00:35:43,909
OH, MY GOSH!
TREENA, WHAT IS THIS?
785
00:35:43,942 --> 00:35:44,910
STAY WHERE YOU ARE.
786
00:35:44,943 --> 00:35:46,178
HURRY UP.
787
00:35:46,212 --> 00:35:47,179
GIVE EDWARD THE DIAMONDS.
788
00:35:47,213 --> 00:35:49,281
YOU TWO,
789
00:35:49,315 --> 00:35:50,749
BACK OF THE STALL
WITH HER.
790
00:35:50,782 --> 00:35:52,918
OKAY, OKAY, OKAY.
791
00:35:52,951 --> 00:35:53,985
BUT YOU'RE MAKING
A BIG MISTAKE, FRIEND.
792
00:35:54,019 --> 00:35:55,754
MY DADDY OWNS ONE
OF THE BIGGEST CAR DEALERSHIPS
793
00:35:55,787 --> 00:35:56,888
IN ALBUQUERQUE
AND HE KNOWS PEOPLE.
794
00:35:56,922 --> 00:36:01,227
YOU SEE, EDWARD, THIS IS WHY
THE WORLD HATES AMERICANS.
795
00:36:03,695 --> 00:36:04,830
KILL THEM, EDWARD.
796
00:36:04,863 --> 00:36:06,298
WAIT, EDWARD.
797
00:36:06,332 --> 00:36:08,267
I CAN BE A LOT OF FUN
ON A ROAD TRIP.
798
00:36:08,300 --> 00:36:10,236
MY PROCLIVITIES
RUN TOWARD THE EUROPEAN,
799
00:36:10,269 --> 00:36:11,670
IF YOU CATCH MY MEANING.
800
00:36:14,873 --> 00:36:18,644
FREEZE!
U.S. MARSHALS!
801
00:36:18,677 --> 00:36:19,978
MARY!
802
00:36:21,380 --> 00:36:22,848
FREEZE!
803
00:36:24,550 --> 00:36:27,319
GUESS WHAT? YOU JUST GOT
YOUR ASS KICKED BY A GIRL.
804
00:36:28,754 --> 00:36:30,556
NEED A HAND?
805
00:36:30,589 --> 00:36:33,392
NOT NOW, UNLESS MAYBE YOU WANTED
TO GO AFTER THE OTHER GUY.
806
00:36:33,425 --> 00:36:37,829
DESPITE MY ATHLETIC PROWESS
AND MY EAGERNESS TO PLEASE YOU,
807
00:36:37,863 --> 00:36:40,266
I CANNOT OUTRUN AN HORSE.
808
00:36:47,939 --> 00:36:49,708
BABY, SUGAR,
ARE YOU OKAY?
809
00:36:49,741 --> 00:36:52,244
I'M SO SORRY.
CAN YOU EVER FORGIVE ME?
810
00:37:00,352 --> 00:37:02,388
YOU ARE LIKE SOME
DAMN ROLLER COASTER RIDE,
811
00:37:02,421 --> 00:37:03,389
YOU KNOW THAT?
812
00:37:11,730 --> 00:37:13,799
SO WHAT WAS THE DEAL
WITH THAT KISS?
813
00:37:13,832 --> 00:37:14,833
WHAT KISS?
814
00:37:14,866 --> 00:37:16,034
IN THE BARN.
815
00:37:16,067 --> 00:37:17,836
I DON'T KNOW.
YOU KISSED ME.
816
00:37:17,869 --> 00:37:19,638
NUH-UH. I SMEARED
LIPSTICK ON YOUR FACE.
817
00:37:19,671 --> 00:37:20,672
YOU RESPONDED LIKE A GUY
818
00:37:20,706 --> 00:37:22,374
WHO THOUGHT HE WAS ABOUT
TO BREAK HIMSELF OFF SOME.
819
00:37:22,408 --> 00:37:23,342
UH-UH.
820
00:37:23,375 --> 00:37:25,344
WITH TWO ARMED ASSASSINS
STANDING 15 FEET AWAY,
821
00:37:25,377 --> 00:37:27,313
YOU WERE ALL SET TO THROW
DOWN WITH YOUR BEST FRIEND.
822
00:37:27,346 --> 00:37:28,347
WHAT DO YOU WANT ME TO SAY?
I'M A GUY.
823
00:37:28,380 --> 00:37:30,015
IT'S WHAT WE DO.
824
00:37:30,048 --> 00:37:32,518
OH, MY.
HOW COOL IS THAT?
825
00:37:32,551 --> 00:37:35,387
WHAT'S UP, Y'ALL?
826
00:37:35,421 --> 00:37:38,424
WHERE THE HELL
DOES HE GET A LASSO?
827
00:37:50,969 --> 00:37:53,372
NICE DRESS.
828
00:38:01,079 --> 00:38:02,080
HERE THEY COME.
829
00:38:20,599 --> 00:38:21,767
HEY.
830
00:38:21,800 --> 00:38:22,768
HI.
831
00:38:22,801 --> 00:38:24,370
I'M AT THE AIRPORT
832
00:38:24,403 --> 00:38:27,439
AND I JUST
WANTED TO TELL YOU,
833
00:38:27,473 --> 00:38:29,375
WELL, UH...
834
00:38:29,408 --> 00:38:32,944
WAIT.
DON'T SAY ANYTHING.
835
00:38:32,978 --> 00:38:34,646
AND DON'T GET ON THE PLANE
TILL I GET THERE.
836
00:38:34,680 --> 00:38:36,982
WELL, YOU BETTER HURRY.
837
00:38:37,015 --> 00:38:39,785
IT'S THE LAST FLIGHT OUT
AND I START TOMORROW.
838
00:38:39,818 --> 00:38:40,986
I'M ON MY WAY.
839
00:38:45,891 --> 00:38:47,526
HEY, I GOTTA GO.
840
00:38:47,559 --> 00:38:49,428
YOU GOT EVERYTHING COVERED?
I THINK WE CAN HANDLE IT.
841
00:38:49,461 --> 00:38:51,430
ALL RIGHT. THANKS, GUYS.
I'LL CALL YOU LATER.
842
00:38:51,463 --> 00:38:52,631
ALL RIGHT-E-O.
843
00:38:52,664 --> 00:38:54,666
MARY, WAIT.
844
00:38:54,700 --> 00:38:56,402
I'M KIND OF IN A RUSH.
OKAY.
I JUST WANT TO GIVE YOU THIS.
845
00:39:00,939 --> 00:39:02,408
YOU'RE OPTING OUT
OF THE PROGRAM?
846
00:39:02,441 --> 00:39:03,809
WELL, NOBODY
WANTS ME DEAD ANYMORE.
847
00:39:03,842 --> 00:39:06,144
AW, DON'T
SELL YOURSELF SHORT.
848
00:39:06,177 --> 00:39:07,579
WELL, THANK YOU.
849
00:39:07,613 --> 00:39:09,381
YOU'RE WELCOME.
850
00:39:09,415 --> 00:39:11,417
AND CONGRATULATIONS.
851
00:39:11,450 --> 00:39:12,718
HEY.
852
00:39:14,620 --> 00:39:16,722
MAYBE YOU SHOULD ALLOW
YOURSELF THE POSSIBILITY
853
00:39:16,755 --> 00:39:17,756
OF SOMETHING GREATER.
854
00:39:22,027 --> 00:39:22,994
HEY.
855
00:39:23,028 --> 00:39:24,095
OKAY.
856
00:39:30,068 --> 00:39:32,170
I SUPPOSE IT'S POSSIBLE
857
00:39:32,203 --> 00:39:34,473
THAT HAPPILY EVER AFTER
DOES EXIST.
858
00:39:34,506 --> 00:39:35,974
THAT IS,
IF YOU'RE COURAGEOUS ENOUGH
859
00:39:36,007 --> 00:39:37,776
TO STAND THIS CLOSE
TO SOMEONE
860
00:39:37,809 --> 00:39:40,145
WITHOUT GUILE,
DEFENSELESS,
861
00:39:40,178 --> 00:39:42,481
AND PUT UP WITH ALL THE CRAP
THAT GOES WITH IT.
862
00:39:54,192 --> 00:39:57,028
WHAT?
863
00:39:57,062 --> 00:39:58,196
COME ON!
864
00:39:58,229 --> 00:40:01,767
WHAT THE HELL
AM I DOING?
865
00:41:04,930 --> 00:41:07,098
OH, WELL...
866
00:41:07,132 --> 00:41:09,835
DOESN'T THAT JUST BLOW?
867
00:41:20,846 --> 00:41:23,849
Captioning by CaptionMax
www.captionmax.com
60327
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.