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[OPENING THEME PLAYING]
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00:00:12,838 --> 00:00:16,886
♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
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00:00:17,017 --> 00:00:20,759
♪ AFRAID TO STEP
INTO THE LIGHT ♪
4
00:00:20,890 --> 00:00:24,589
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
5
00:00:24,720 --> 00:00:28,376
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
6
00:00:28,506 --> 00:00:30,769
♪ DON'T YOU WORRY
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00:00:30,900 --> 00:00:33,816
♪ IT'S GONNA BE ALL RIGHT
8
00:00:36,993 --> 00:00:38,864
♪ 'CAUSE I'M ALWAYS READY
9
00:00:38,995 --> 00:00:42,346
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
10
00:00:45,741 --> 00:00:47,830
♪ I'LL BE READY
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00:00:47,960 --> 00:00:49,397
♪ I'LL BE READY
12
00:00:49,527 --> 00:00:51,573
♪ NEVER YOU FEAR
13
00:00:51,703 --> 00:00:53,531
♪ NO, DON'T YOU FEAR
14
00:00:53,662 --> 00:00:56,186
♪ I'LL BE READY
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00:00:56,317 --> 00:00:59,885
♪ FOREVER AND ALWAYS
16
00:01:00,016 --> 00:01:02,540
♪ I'M ALWAYS HERE
17
00:01:21,037 --> 00:01:22,734
♪ 'CAUSE I'M ALWAYS READY
18
00:01:22,865 --> 00:01:26,390
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
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00:01:28,088 --> 00:01:29,001
♪ OH
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00:01:29,132 --> 00:01:31,830
♪ I'LL BE READY
21
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♪ I'LL BE READY
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♪ NEVER YOU FEAR
23
00:01:35,965 --> 00:01:37,009
♪ NO, DON'T YOU FEAR
24
00:01:37,706 --> 00:01:40,970
♪ I'LL BE READY
25
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♪ FOREVER AND ALWAYS
26
00:01:44,060 --> 00:01:46,932
♪ I'M ALWAYS HERE.
27
00:02:01,512 --> 00:02:06,387
[UPTEMPO MUSIC]
[WAVES CRASH]
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♪ I CAN HANDLE THE FEELINGS
29
00:02:31,977 --> 00:02:35,677
♪ THE SUN IS BRIGHTER WHEN I DO
30
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♪ I KNOW YOU CAN SEE IT ♪
31
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♪ I DON'T MIND CRASHING INTO YOU
32
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♪ FOLLOW ME
33
00:02:47,689 --> 00:02:52,911
♪ DON'T GET SWALLOWED UP BY THE SEA AND ♪
34
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♪ HONESTLY I'M HOLDING ON SO TIGHT I CAN'T
BREATHE ♪
35
00:02:59,701 --> 00:03:04,184
♪ NO NO NO, I'M IN DEEP ♪
36
00:03:07,404 --> 00:03:08,971
♪ I LOSE MYSELF
37
00:03:09,101 --> 00:03:13,628
♪ INSIDE THE WAVES OF YOU
AND ME ♪
38
00:03:15,760 --> 00:03:18,763
♪ I TRY TO KEEP YOU CHASING
39
00:03:18,894 --> 00:03:22,289
♪ CAN YOU MATCH MY SPEED?
40
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♪ SPINNING IN AND OUT OF TIME ♪
41
00:03:27,294 --> 00:03:32,342
♪ OH WE CAN NEVER SEEM TO BEAT THE TIDE
42
00:03:32,473 --> 00:03:38,218
♪ I LOSE MYSELF INSIDE THE WAVES OF YOU
AND ME ♪
43
00:03:39,219 --> 00:03:41,133
♪ I'M IN DEEP
44
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♪ I'M IN DEEP
45
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♪ I'M IN DEEP
46
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-GIRL: WHOA.
-WHAT WAS I THINKING?
47
00:04:01,632 --> 00:04:03,286
I CAN'T BELIEVE
I ENTERED THIS TOURNAMENT.
48
00:04:03,417 --> 00:04:05,027
I CAN'T COMPETE
AT THIS LEVEL.
49
00:04:05,157 --> 00:04:07,203
-TRUST ME,
YOU'RE A NATURAL.
50
00:04:07,334 --> 00:04:10,119
-NO, NO, NO, NO.
JAMIE DUNCAN IS A NATURAL.
51
00:04:10,250 --> 00:04:11,990
I'LL NEVER TOUCH THAT.
52
00:04:12,121 --> 00:04:14,210
-HOBIE: JAMIE DUNCAN HASN'T
WON A TOURNAMENT FOR MONTHS.
53
00:04:14,341 --> 00:04:16,386
-SHE'S RANKED NUMBER
ONE IN THE WORLD, HOBIE.
54
00:04:16,517 --> 00:04:18,127
-YEAH, BUT NOT FOR LONG.
55
00:04:18,258 --> 00:04:20,521
SHE'S BEEN LAGGING
BIG TIME, LATELY.
56
00:04:20,651 --> 00:04:22,827
AND FROM WHAT I HEAR, SHE'S
GONNA LOSE ALL HER SPONSORS.
57
00:04:22,958 --> 00:04:24,873
AND IF THAT HAPPENS,
SHE'S HISTORY.
58
00:04:25,439 --> 00:04:27,876
SO YOU GOTTA REMEMBER THE
TWO MOST IMPORTANT THINGS:
59
00:04:28,006 --> 00:04:29,138
CONFIDENCE AND RHYTHM.
60
00:04:29,269 --> 00:04:30,357
STAY WITH THE FLOW
OF THE WAVE.
61
00:04:30,487 --> 00:04:32,141
[NEELY SIGHS]
62
00:04:39,366 --> 00:04:41,019
-ALL RIGHT,
HERE GOES NOTHING.
63
00:04:43,457 --> 00:04:45,502
-CHARGE IT!
[HANDS CLAP]
64
00:04:45,633 --> 00:04:50,768
[BEACHGOERS SHOUT]
[WAVES CRASH]
65
00:04:53,728 --> 00:04:55,295
[DOORBELL RINGS]
66
00:04:58,515 --> 00:05:00,212
-HEY, YOU, COME ON IN.
-SAMANTHA: HEY, READY TO GO?
67
00:05:00,343 --> 00:05:01,866
-OOH, YEAH, YOU WANT
A PIECE OF TOAST?
68
00:05:01,997 --> 00:05:03,694
-OH, NO THANKS, NOT
MUCH OF A BREAKFAST PERSON.
69
00:05:03,825 --> 00:05:05,305
-COME ON, BREAKFAST IS THE
MOST IMPORTANT MEAL OF THE DAY.
70
00:05:05,435 --> 00:05:07,394
-YEAH, THAT'S WHAT I HEAR.
SO, WHERE'S HOBIE?
71
00:05:07,524 --> 00:05:08,917
-HOBIE IS COACHING NEELY
72
00:05:09,047 --> 00:05:11,136
IN THE WILD WAHINE
BODY BOARD TOURNAMENT.
73
00:05:12,268 --> 00:05:14,749
-SO, WE HAVE THE
PLACE ALL TO OURSELVES?
74
00:05:14,879 --> 00:05:18,318
-WELL, WE DO HAVE TO BE AT
HEADQUARTERS IN 20 MINUTES.
75
00:05:18,448 --> 00:05:19,667
-GUESS YOU'LL HAVE
TO SKIP BREAKFAST.
76
00:05:19,797 --> 00:05:21,364
-MITCH: I GUESS YOU'RE RIGHT.
77
00:05:21,495 --> 00:05:24,324
[MITCH MOANS ENTHUSIASTICALLY]
[SAMANTHA LAUGHS]
78
00:05:24,454 --> 00:05:29,024
[BEACHGOERS CHATTER]
79
00:05:30,286 --> 00:05:32,897
-NEWMIE: ALL RIGHT, LET'S SEE
WHAT WE HAVE GOING HERE, TODAY.
80
00:05:33,028 --> 00:05:37,337
OH, MY,
WHAT HAVE WE GOT HERE?
81
00:05:40,296 --> 00:05:42,342
-LET ME SEE, LET ME SEE.
82
00:05:48,173 --> 00:05:50,959
-COWABUNGA.
83
00:05:51,089 --> 00:05:52,656
-MANNY: COME ON,
NEWMIE, LET ME SEE.
84
00:05:53,396 --> 00:05:55,355
-ALL RIGHT, KID,
BUT MAKE IT QUICK.
85
00:05:57,835 --> 00:05:59,707
-MANNY: OH, QUE BUENA!
86
00:06:01,099 --> 00:06:02,710
OH, SHE'S A BABE!
87
00:06:03,406 --> 00:06:05,234
-THAT IS NOT A BABE.
88
00:06:05,365 --> 00:06:07,976
THAT IS A GODDESS.
89
00:06:10,152 --> 00:06:12,633
HEY, CODY, COME HERE.
90
00:06:12,763 --> 00:06:14,286
COME CHECK THIS OUT.
91
00:06:15,331 --> 00:06:17,377
-YOU SHOULD TAKE A COLD DIP
AND QUIT TORTURING YOURSELF.
92
00:06:17,507 --> 00:06:19,204
-HEY, THIS IS DIFFERENT.
93
00:06:19,901 --> 00:06:22,382
THIS GIRL IS EVERYTHING
THAT I HAVE EVER DREAMED OF.
94
00:06:23,557 --> 00:06:24,906
I THINK I'M IN LOVE.
95
00:06:25,515 --> 00:06:26,864
-I'LL BE THE JUDGE OF THAT.
LET ME IN THERE.
96
00:06:26,995 --> 00:06:28,518
MOVE IT, ROOKIE.
97
00:06:30,259 --> 00:06:32,261
-SHE'S FINE.
98
00:06:32,392 --> 00:06:33,871
-NEWMIE: WHAT DO YOU THINK?
[CODY LAUGHS]
99
00:06:35,830 --> 00:06:37,309
-FORGET IT, NEWMIE.
100
00:06:37,440 --> 00:06:39,486
NO OFFENSE, BUT SHE'S
WAY OUTTA YOUR LEAGUE.
101
00:06:42,532 --> 00:06:44,142
-GOOD MORNING, GUYS.
102
00:06:44,273 --> 00:06:46,406
-YEAH, THAT IS DEFINITELY
A BIG RIP DEVELOPING.
103
00:06:46,536 --> 00:06:47,885
-YEAH.
-GOOD MORNING, CAPTAIN.
104
00:06:49,887 --> 00:06:51,628
-UH, NEWMIE,
I HOPE YOU DON'T MIND,
105
00:06:51,759 --> 00:06:52,803
MANNY'S GONNA JOIN YOU FOR
A LITTLE ON-THE-JOB TRAINING.
106
00:06:52,934 --> 00:06:54,588
-NO, NOT AT ALL.
107
00:06:54,718 --> 00:06:56,590
-OKAY, YOU WILL
BE IN TOWER FOUR.
108
00:06:56,720 --> 00:06:58,679
-FOUR?
-IS THAT A PROBLEM?
109
00:06:58,809 --> 00:07:02,596
-WELL, ALL THE ACTION'S
GONNA BE HERE AT 14 TODAY,
110
00:07:02,726 --> 00:07:05,076
THAT'S WHERE YOU'RE GONNA WANT
YOUR MOST EXPERIENCED PEOPLE.
111
00:07:05,207 --> 00:07:06,861
-"THE ACTION."
112
00:07:06,991 --> 00:07:09,559
WHAT SORT OF "ACTION"
WOULD YOU BE REFERRING TO?
113
00:07:10,865 --> 00:07:12,170
-UH...
114
00:07:12,301 --> 00:07:14,825
RIPS AND STUFF.
115
00:07:30,580 --> 00:07:32,103
-NEWMAN, I'D LIKE TO
SEE YOU IN MY OFFICE
116
00:07:32,234 --> 00:07:34,889
WHEN YOUR SHIFT AT
TOWER FOUR ENDS.
117
00:07:36,847 --> 00:07:39,241
[CODY AND MANNY SNICKER]
118
00:07:40,372 --> 00:07:41,896
-"RIPS AND STUFF"?
119
00:07:42,026 --> 00:07:43,463
[CODY LAUGHS]
120
00:07:45,595 --> 00:07:48,206
[TELEPHONE RINGS]
[RADIO CHATTERS]
121
00:07:48,337 --> 00:07:49,991
-HEARD YOU CAME DOWN
REAL HARD ON NEWMIE.
122
00:07:50,121 --> 00:07:52,123
-HIS JOB'S TO SAVE LIVES,
NOT PICK UP CHICKS.
123
00:07:52,254 --> 00:07:53,821
-MITCH: HE'S BEEN A
LIFEGUARD FOR 20 YEARS,
124
00:07:53,951 --> 00:07:55,692
I'M SURE HE KNOWS
WHAT HIS JOB IS.
125
00:07:55,823 --> 00:07:57,738
-ALL THE MORE REASON FOR HIM
TO ACT LIKE A PROFESSIONAL.
126
00:07:57,868 --> 00:07:59,348
ESPECIALLY AROUND MANNY,
WE'RE SUPPOSED TO BE
127
00:07:59,479 --> 00:08:01,132
A POSITIVE INFLUENCE
ON THE JUNIOR GUARDS.
128
00:08:01,263 --> 00:08:02,612
-MITCH: WHY ARE YOU MAKING
SUCH A BIG DEAL ABOUT THIS?
129
00:08:02,743 --> 00:08:04,005
-SAMANTHA: BECAUSE
IT IS A BIG DEAL.
130
00:08:04,135 --> 00:08:05,485
-MITCH: IT'S NOT A BIG DEAL.
131
00:08:06,311 --> 00:08:08,749
-IT'S HAPPENING.
-WHAT'S HAPPENING?
132
00:08:08,879 --> 00:08:10,664
-EXACTLY WHAT
I SAID WOULD HAPPEN.
133
00:08:10,794 --> 00:08:12,361
BECOMING ROMANTICALLY INVOLVED
134
00:08:12,492 --> 00:08:14,102
IS AFFECTING OUR ABILITY
TO WORK TOGETHER.
135
00:08:14,232 --> 00:08:16,321
-IT'S NOT AFFECTING ANYTHING.
136
00:08:16,452 --> 00:08:17,845
-THIS IS HOW IT
STARTED WITH ADAM.
137
00:08:17,975 --> 00:08:19,542
WE STARTED BICKERING
ABOUT LITTLE THINGS.
138
00:08:19,673 --> 00:08:20,891
-WE'RE NOT BICKERING.
139
00:08:21,022 --> 00:08:22,414
-SAMANTHA: YES, WE ARE.
-NO, WE'RE NOT.
140
00:08:22,545 --> 00:08:23,633
-WHAT DO YOU CALL THIS?
141
00:08:24,504 --> 00:08:26,593
[MITCH SIGHS]
-BICKERING.
142
00:08:31,075 --> 00:08:35,863
[PIPING MUSIC]
[PEOPLE CHATTER]
143
00:08:40,476 --> 00:08:41,869
[MAN GRUNTS]
144
00:08:41,999 --> 00:08:43,653
-MAN: ARE YOU
CRAZY OR SOMETHING?
145
00:08:48,092 --> 00:08:49,790
[JAMIE YELLS]
146
00:08:49,920 --> 00:08:51,792
-JAMIE: YOU COWARD!
147
00:09:14,597 --> 00:09:16,947
[JAMIE YELLS]
-MAN: OOH!
148
00:09:17,078 --> 00:09:18,645
OH, OW! OH, STOP!
149
00:09:18,775 --> 00:09:20,342
-WHY ARE YOU FOLLOWING ME, HUH?
150
00:09:20,472 --> 00:09:22,126
WHO SENT YOU, HUH?
151
00:09:22,257 --> 00:09:23,519
MY GRANDFATHER?
152
00:09:23,650 --> 00:09:24,520
-WHAT THE HELL'S
WRONG WITH YOU?
153
00:09:24,651 --> 00:09:26,043
HELP! STOP!
154
00:09:26,174 --> 00:09:27,175
HELP!
-JAMIE: ANSWER ME!
155
00:09:27,305 --> 00:09:28,829
-JAMIE: I SAID, WHO SENT YOU?
156
00:09:28,959 --> 00:09:30,091
-WHOA, WHOA!
157
00:09:30,221 --> 00:09:32,267
CODY, BACK UP.
-CODY: WHAT?
158
00:09:34,878 --> 00:09:36,314
-TAKE A LOOK AT THAT.
159
00:09:37,011 --> 00:09:38,665
[JAMIE YELLS]
-MAN: HELP!
160
00:09:40,754 --> 00:09:42,190
-THIS SHOULD BE FUN.
161
00:09:42,320 --> 00:09:44,061
-MAN: HELP!
[SIREN WAILS]
162
00:09:44,192 --> 00:09:46,498
[JAMIE SCREAMS]
163
00:09:46,629 --> 00:09:49,284
-WHAT'S WRO-- OW!
164
00:09:49,414 --> 00:09:50,590
STOP!
165
00:09:55,769 --> 00:09:57,597
-OH, MY GOD,
IT'S JAMIE DUNCAN!
166
00:09:57,727 --> 00:09:58,902
-CODY: YOU KNOW HER?
167
00:09:59,033 --> 00:10:00,556
[JAMIE SCREAMS INCOHERENTLY]
168
00:10:00,687 --> 00:10:02,079
-NEELY: JAMIE, STOP IT.
-CODY: WHAT'S GOING ON?
169
00:10:02,210 --> 00:10:03,603
-MAN: I DON'T KNOW.
170
00:10:03,733 --> 00:10:05,082
-NEELY: CALM DOWN,
JAMIE, I'VE GOT YOU.
171
00:10:05,213 --> 00:10:06,910
-MAN: I'M BLEEDING.
-CODY: LET ME SEE THAT.
172
00:10:07,041 --> 00:10:09,130
-JAMIE: WHAT DO YOU WANT?
WHO ARE YOU? MY MOTHER SEND YOU?
173
00:10:09,260 --> 00:10:11,480
-IT'S OKAY, I'M YOUR FRIEND.
-YOU'RE NOT MY FRIEND.
174
00:10:11,611 --> 00:10:13,438
I'VE NEVER SEEN YOU
BEFORE IN MY LIFE!
175
00:10:13,569 --> 00:10:15,223
LET GO OF ME.
LET GO OF ME!
176
00:10:15,353 --> 00:10:16,746
LET GO.
177
00:10:18,922 --> 00:10:21,316
[RUBBER TIRES SKID]
178
00:10:28,062 --> 00:10:29,541
-CODY: YOU'RE GONNA BE
ALL RIGHT, YOU'RE ALL RIGHT.
179
00:10:29,672 --> 00:10:30,804
-MAN: HOW'S MY NOSE?
-CODY: WHAT HAPPENED?
180
00:10:30,934 --> 00:10:32,457
-MAN: MY NOSE, IS IT BROKEN?
181
00:10:32,588 --> 00:10:33,720
-CODY: NAH, IT'S ALL
RIGHT. SIR, WHAT HAPPENED?
182
00:10:33,850 --> 00:10:35,156
WHAT HAPPENED?
-MAN: I DON'T KNOW.
183
00:10:35,286 --> 00:10:36,636
THIS GIRL,
SHE STARTED BEATING ON ME,
184
00:10:36,766 --> 00:10:38,594
AND I THINK
I DISLOCATED MY SHOULDER.
185
00:10:40,944 --> 00:10:42,990
-ARE YOU SURE THAT WAS JAMIE
DUNCAN THE BODY BOARDER?
186
00:10:43,120 --> 00:10:44,731
-POSITIVE.
187
00:10:44,861 --> 00:10:46,515
-YOU THINK SHE'S ON
DRUGS, OR SOMETHING?
188
00:10:46,646 --> 00:10:47,995
-I DON'T KNOW.
189
00:10:48,125 --> 00:10:49,692
-TELL YOU ONE THING,
190
00:10:49,823 --> 00:10:51,912
I'D HATE TO TAKE OFF ON
A WAVE IN FRONT OF HER.
191
00:10:58,266 --> 00:11:04,011
[DRAMATIC MUSIC]
192
00:11:07,101 --> 00:11:08,929
-HEY, NEWMIE, GUESS WHO'S BACK?
193
00:11:09,059 --> 00:11:10,495
-SHE'S ALL YOURS, KID.
194
00:11:10,626 --> 00:11:11,627
-WHAT? WAIT A MINUTE.
195
00:11:12,628 --> 00:11:13,934
WHAT ARE YOU TALKING ABOUT?
196
00:11:14,064 --> 00:11:15,283
YESTERDAY YOU WERE
IN LOVE WITH HER.
197
00:11:15,413 --> 00:11:16,240
-HEY, YOU HEARD
CODY THE OTHER DAY,
198
00:11:16,371 --> 00:11:17,328
SHE'S OUTTA MY LEAGUE.
199
00:11:17,459 --> 00:11:19,287
10 YEARS AGO MAYBE, BUT NOW?
200
00:11:20,680 --> 00:11:22,682
THAT'S STRICTLY FANTASY TIME.
201
00:11:23,334 --> 00:11:24,379
-FANTASY?
202
00:11:24,509 --> 00:11:26,642
NEWMAN, YOU'RE A LIFEGUARD, MAN.
203
00:11:27,251 --> 00:11:28,731
YOU'RE A HERO.
204
00:11:29,471 --> 00:11:30,602
YOU'RE SUPPOSED TO GET THE GIRL.
205
00:11:30,733 --> 00:11:31,691
[NEWMIE SCOFFS]
206
00:11:31,821 --> 00:11:33,214
-HATE TO TELL YOU THIS, KID,
207
00:11:33,344 --> 00:11:35,520
BUT IT DOESN'T ALWAYS
WORK OUT THAT WAY.
208
00:11:36,783 --> 00:11:38,610
-WHAT ARE YOU
TALKING ABOUT, MAN?
209
00:11:39,481 --> 00:11:40,438
NEWMIE.
210
00:11:41,309 --> 00:11:44,138
[PEOPLE CHATTER]
211
00:11:44,268 --> 00:11:45,617
-ALL RIGHT, STARTS IN
A COUPLE OF MINUTES,
212
00:11:45,748 --> 00:11:46,923
GOTTA MAKE A SEVEN
OR MORE TO QUALIFY.
213
00:11:47,054 --> 00:11:47,881
GOOD LUCK.
-WOMAN: THANKS A LOT.
214
00:11:48,011 --> 00:11:49,970
-NAME?
-NEELY CAPSHAW.
215
00:11:50,100 --> 00:11:52,015
-IS THAT WITH A C OR A K?
-C.
216
00:11:54,191 --> 00:11:55,671
-HERE WE GO.
217
00:11:57,717 --> 00:11:59,588
I DON'T HAVE ANY MORE
SHIRTS, BUT UH...
218
00:11:59,719 --> 00:12:01,329
YOU LOOK PRETTY GOOD
IN BLACK AND PURPLE.
219
00:12:03,723 --> 00:12:05,681
HERE WE GO, QUALIFYING ROUND
STARTS IN A COUPLE MINUTES.
220
00:12:05,812 --> 00:12:07,988
YOU NEED A SEVEN OR MORE TO
MAKE THE CUT, ANY QUESTIONS?
221
00:12:08,118 --> 00:12:10,338
-YEAH, IS JAMIE DUNCAN AROUND?
222
00:12:10,468 --> 00:12:11,774
-I WISH.
223
00:12:12,427 --> 00:12:13,645
YOU A FRIEND OF HERS?
-NO, NO.
224
00:12:13,776 --> 00:12:15,343
I'M JUST A FAN.
225
00:12:15,473 --> 00:12:16,866
-WELL, IF YOU SEE HER,
226
00:12:16,997 --> 00:12:18,346
TELL HER TO GET HER
BUTT DOWN HERE, OKAY?
227
00:12:18,476 --> 00:12:19,956
I HAD A TV INTERVIEW
AND A PHOTO SHOOT
228
00:12:20,087 --> 00:12:21,523
LINED UP FOR THIS MORNING,
AND SHE STOOD ME UP.
229
00:12:21,653 --> 00:12:23,917
FREE PUBLICITY RIGHT
DOWN THE DRAIN.
230
00:12:24,700 --> 00:12:25,962
-IS SHE OKAY? IS EVERYTHING...
231
00:12:26,093 --> 00:12:27,311
-I DON'T KNOW WHAT'S
GOTTEN INTO HER.
232
00:12:27,964 --> 00:12:30,271
I GUESS ALL THE SUCCESS HAS
JUST GONE STRAIGHT TO HER HEAD.
233
00:12:32,708 --> 00:12:34,101
-THANKS.
234
00:12:34,231 --> 00:12:35,885
-SURE.
235
00:12:36,799 --> 00:12:38,322
[MITCH SIGHS]
236
00:12:38,453 --> 00:12:39,933
-I CAN'T BELIEVE YOU
DIDN'T FOLLOW UP ON THIS.
237
00:12:40,063 --> 00:12:41,935
-I'M SORRY, I THOUGHT
YOU WERE HANDLING IT.
238
00:12:42,065 --> 00:12:43,588
-BECAUSE YOU
DIDN'T READ MY MEMO.
239
00:12:43,719 --> 00:12:45,286
-WHY DO YOU HAVE
TO SEND A MEMO?
240
00:12:45,416 --> 00:12:47,027
WHY CAN'T WE JUST TALK?
241
00:12:47,157 --> 00:12:49,507
-ALL YOU HAD TO DO
WAS LOOK AT YOUR DESK.
242
00:12:49,638 --> 00:12:51,771
-OH, WE'RE BICKERING AGAIN.
243
00:12:51,901 --> 00:12:52,946
-WITH GOOD REASON.
244
00:12:53,685 --> 00:12:54,904
YOU LET A PROMOTER
STAGE AN EVENT
245
00:12:55,035 --> 00:12:56,601
WITHOUT EVEN
CHECKING HIS PERMITS.
246
00:12:56,732 --> 00:12:57,777
-YOU KNOW, MAYBE YOU'RE RIGHT.
247
00:12:59,082 --> 00:13:00,257
-THANK YOU.
248
00:13:00,388 --> 00:13:01,781
-NO, NO, NO, NOT
ABOUT THE PERMITS.
249
00:13:02,738 --> 00:13:04,218
ABOUT WORKING TOGETHER.
250
00:13:06,002 --> 00:13:09,832
[GUITAR MUSIC WITH A BEAT]
251
00:13:49,959 --> 00:13:51,700
-HOBESTER!
252
00:13:51,831 --> 00:13:53,006
-HEY, YOU GUYS
ARE JUST IN TIME.
253
00:13:53,136 --> 00:13:54,442
NEELY'S GONNA HEAD OUT.
-ALL RIGHT.
254
00:13:54,572 --> 00:13:56,270
-DO YOU KNOW WHERE
THE PROMOTER IS?
255
00:13:56,400 --> 00:13:57,880
-YEAH, UM...
256
00:13:58,011 --> 00:13:59,273
HE'S RIGHT OVER THERE.
257
00:14:04,800 --> 00:14:07,498
-I CAN'T BELIEVE IT.
258
00:14:10,414 --> 00:14:12,025
-MITCH: WHAT?
259
00:14:12,155 --> 00:14:13,374
-THAT'S ADAM.
260
00:14:15,985 --> 00:14:18,379
-YOU MEAN, "ADAM" ADAM?
261
00:14:19,771 --> 00:14:20,860
-WHO'S ADAM?
262
00:14:21,643 --> 00:14:23,036
-MY EX-FIANCE.
263
00:14:24,167 --> 00:14:25,429
-ADAM: HEY!
-SAMANTHA: HEY.
264
00:14:25,560 --> 00:14:28,302
-ADAM: THIS IS A
SURPRISE. HOW ARE YOU?
265
00:14:28,432 --> 00:14:29,999
IS THIS YOUR BEACH?
266
00:14:30,130 --> 00:14:31,479
-UH, YEP.
267
00:14:31,609 --> 00:14:33,133
I HOPE YOU HAVE YOUR PERMITS.
268
00:14:33,263 --> 00:14:34,743
-ACTUALLY, I'M ON MY WAY
TO CITY HALL TO GET 'EM.
269
00:14:35,875 --> 00:14:38,225
-WELL, I WOULD LIKE THEM ON
MY DESK BY THIS AFTERNOON.
270
00:14:38,355 --> 00:14:40,053
-YES, CAPTAIN.
271
00:14:40,183 --> 00:14:42,446
BY THE WAY, YOU LOOK
OUTSTANDING IN YOUR UNIFORM.
272
00:14:43,534 --> 00:14:45,580
-UH, MITCH? HOBIE?
273
00:14:45,710 --> 00:14:47,016
MEET ADAM HERSH.
274
00:14:47,147 --> 00:14:48,104
-HOBIE: HEY.
-ADAM: HEY.
275
00:14:48,235 --> 00:14:49,018
-HOBIE: HOW'S IT GOING?
276
00:14:49,149 --> 00:14:50,628
-HOW YOU DOING?
277
00:14:51,542 --> 00:14:53,370
-HOBIE: LOOKS LIKE
NEELY'S HEAT'S UP.
278
00:14:54,067 --> 00:14:55,764
-MITCH: ALL RIGHT, NEELY!
279
00:14:56,460 --> 00:14:59,115
[ROCK MUSIC]
-SAMANTHA: THERE SHE GOES!
280
00:14:59,246 --> 00:15:01,291
-HOBIE: THERE WE GO,
NEELY, GO FOR IT!
281
00:15:01,422 --> 00:15:02,902
WHOO!
282
00:15:05,774 --> 00:15:07,776
-YEAH, LOOK AT HER DUCK UNDER
THAT WAVE, I TAUGHT HER THAT.
283
00:15:07,907 --> 00:15:09,821
-NICE.
284
00:15:11,301 --> 00:15:12,476
-WHOO!
285
00:15:13,390 --> 00:15:15,915
-HOBIE: ALL RIGHT,
NEELY, NICE LINE, COME ON!
286
00:15:16,045 --> 00:15:18,613
GO FOR THE BARREL
ROLL, YOU GOT IT!
287
00:15:18,743 --> 00:15:20,745
ALL RIGHT! OH!
288
00:15:23,487 --> 00:15:25,489
-OH, THAT HURTS.
289
00:15:32,670 --> 00:15:34,063
-SHE'S FINISHED.
290
00:15:39,982 --> 00:15:44,595
[LOW, SLOW GUITAR MUSIC]
291
00:15:46,423 --> 00:15:47,772
-MITCH: HEY, HEY, GOOD JOB!
[HANDS CLAP]
292
00:15:47,903 --> 00:15:49,949
-HOBIE: NICE TRY.
-BETTER LUCK NEXT TIME.
293
00:15:51,167 --> 00:15:52,952
-DOESN'T SHE GET ANOTHER TRY?
294
00:15:53,082 --> 00:15:54,692
-YOU ONLY GET ONE
CHANCE TO QUALIFY.
295
00:15:54,823 --> 00:15:56,172
-WELL, THAT'S RIDICULOUS.
296
00:15:56,303 --> 00:15:58,958
ONE BAD RIDE AND SHE'S
OUT OF THE COMPETITION?
297
00:15:59,088 --> 00:16:01,221
HOW ARE YOU SUPPOSED TO
DEVELOP NEW TALENT THAT WAY?
298
00:16:01,351 --> 00:16:04,224
-SAMANTHA, YOU'RE NOT
RUNNING THE SHOW ANYMORE.
299
00:16:05,007 --> 00:16:06,400
-WELL, THAT'S PRETTY OBVIOUS,
300
00:16:06,530 --> 00:16:08,054
JUDGING FROM YOUR
PATHETIC TURNOUT.
301
00:16:08,750 --> 00:16:11,013
WOMEN'S BODY BOARDING IS
HUGE ALL OVER THE WORLD,
302
00:16:11,144 --> 00:16:12,362
AND THIS IS ALL YOU COULD DRAW?
303
00:16:13,146 --> 00:16:14,756
-HM.
304
00:16:18,238 --> 00:16:19,674
-WHAT HAPPENED OUT THERE?
305
00:16:19,804 --> 00:16:21,241
IT WAS LIKE YOUR HEAD
WAS SOMEWHERE ELSE.
306
00:16:21,371 --> 00:16:22,720
-IT WAS.
307
00:16:23,373 --> 00:16:24,722
MITCH, I NEED TO ASK A FAVOR.
308
00:16:24,853 --> 00:16:26,594
-MITCH: SURE.
309
00:16:26,724 --> 00:16:28,117
-ONE OF THE GIRLS FROM THE
COMPETITION MAY BE IN TROUBLE.
310
00:16:28,248 --> 00:16:29,684
HER NAME IS JAMIE DUNCAN.
311
00:16:29,814 --> 00:16:31,860
DID YOU READ MY INCIDENT
REPORT FROM YESTERDAY?
312
00:16:31,991 --> 00:16:33,688
-YEAH, ABOUT THAT INCIDENT THAT
HAPPENED ON THE VENICE STRAND.
313
00:16:33,818 --> 00:16:35,037
-RIGHT, WELL ANYWAY, SHE WAS
314
00:16:35,168 --> 00:16:36,473
SUPPOSED TO BE
HERE THIS MORNING,
315
00:16:36,604 --> 00:16:38,084
AND NO ONE HAS ANY
IDEA WHERE SHE IS.
316
00:16:38,214 --> 00:16:40,129
DO YOU STILL HANDLE
CASES LIKE THESE?
317
00:16:40,260 --> 00:16:42,653
I MEAN, I KNOW THERE
ARE NO ALIENS INVOLVED.
318
00:16:42,784 --> 00:16:44,612
[LAUGHS]
319
00:16:44,742 --> 00:16:46,135
-I'LL SEE WHAT I CAN FIND OUT.
320
00:16:46,266 --> 00:16:47,528
SORRY ABOUT THAT, HUH?
321
00:16:48,485 --> 00:16:49,747
-THANKS.
322
00:16:52,663 --> 00:16:54,013
-MAN: CAPTAIN?
-SAMANTHA: YEAH.
323
00:16:54,143 --> 00:16:55,927
-MAN: THERE'S SOMEONE
HERE TO SEE YOU.
324
00:16:59,279 --> 00:17:01,455
-HERE ARE THE
PERMITS, AS REQUESTED.
325
00:17:01,585 --> 00:17:03,022
I HOPE THEY MEET YOUR APPROVAL.
326
00:17:05,807 --> 00:17:08,375
-WELL, EVERYTHING
SEEMS TO BE IN ORDER.
327
00:17:08,505 --> 00:17:11,117
DON'T FORGET YOU ARE
RESPONSIBLE FOR CROWD CONTROL.
328
00:17:12,118 --> 00:17:13,945
NOT THAT THAT
SHOULD BE A PROBLEM.
329
00:17:15,295 --> 00:17:17,253
-AS A MATTER OF FACT, I DID
WANT TO TALK TO YOU ABOUT THAT.
330
00:17:17,384 --> 00:17:18,907
-OH?
331
00:17:20,952 --> 00:17:22,084
-I'LL MAKE IT SHORT AND SWEET.
332
00:17:22,215 --> 00:17:23,477
UH...
333
00:17:25,087 --> 00:17:26,523
I THINK I'M ON THE VERGE
OF GOING UNDER, SAM.
334
00:17:27,916 --> 00:17:29,439
I CAN'T RUN THE
BUSINESS BY MYSELF.
335
00:17:30,440 --> 00:17:31,876
I'M SURE YOU'D BE
THE FIRST TO ADMIT
336
00:17:32,007 --> 00:17:33,748
I HAVE NO SENSE
OF ORGANIZATION.
337
00:17:33,878 --> 00:17:35,358
-WELL, IF YOU'RE HERE
TO ASK ME FOR MONEY,
338
00:17:35,489 --> 00:17:36,707
DON'T WASTE YOUR BREATH.
339
00:17:36,838 --> 00:17:39,884
-MONEY?
NO, I'D NEVER ASK YOU FOR THAT.
340
00:17:41,756 --> 00:17:43,018
-THEN WHAT DO YOU WANT?
341
00:17:46,413 --> 00:17:47,544
I WANT YOU.
342
00:17:47,675 --> 00:17:48,893
I WANT YOU BACK.
343
00:17:51,113 --> 00:17:53,898
AS A PARTNER,
AS A BUSINESS PARTNER.
344
00:17:57,989 --> 00:17:59,774
-YOU CAN'T BE SERIOUS.
345
00:18:00,775 --> 00:18:01,950
-WE MADE A GREAT TEAM.
346
00:18:02,081 --> 00:18:03,299
-WE WEREN'T A TEAM,
347
00:18:03,430 --> 00:18:06,476
WE WERE A TRAVELING
BAR ROOM BRAWL.
348
00:18:07,129 --> 00:18:09,000
-IT'LL BE DIFFERENT THIS TIME.
349
00:18:09,740 --> 00:18:11,177
WE'RE NOT IN LOVE ANYMORE.
350
00:18:11,307 --> 00:18:13,353
OUR RELATIONSHIP WOULD
BE PURELY PLATONIC.
351
00:18:13,483 --> 00:18:15,616
WE COULD FOCUS ALL
ENERGIES ON THE BUSINESS.
352
00:18:17,008 --> 00:18:18,880
YOU'RE ONE OF THE BEST
PROMOTERS I'VE EVER SEEN.
353
00:18:19,968 --> 00:18:21,361
YOU CAN'T JUST SIT THERE
354
00:18:21,491 --> 00:18:23,450
AND LET THOSE GOD-GIVEN
TALENTS GO TO WASTE.
355
00:18:25,408 --> 00:18:27,845
-NOR CAN I JUST WALK AWAY,
I HAVE COMMITMENTS HERE.
356
00:18:30,152 --> 00:18:31,588
-IS MITCH ONE OF
THOSE COMMITMENTS?
357
00:18:34,025 --> 00:18:35,549
-THAT IS NONE OF YOUR BUSINESS.
358
00:18:36,941 --> 00:18:38,029
-WELL, IF HE IS,
359
00:18:38,552 --> 00:18:40,467
I WOULD GIVE MY OFFER
SERIOUS CONSIDERATION.
360
00:18:40,597 --> 00:18:41,598
AFTER ALL,
361
00:18:43,513 --> 00:18:45,559
YOU'VE NEVER BEEN VERY GOOD AT
MIXING BUSINESS AND PLEASURE.
362
00:18:52,087 --> 00:18:54,785
-CODY: SORRY TO HEAR YOU DIDN'T
QUALIFY FOR THE WILD WAHINE.
363
00:18:54,916 --> 00:18:56,222
YOU MUST BE PRETTY BUMMED OUT.
364
00:18:56,352 --> 00:18:58,572
-OH, IT'S NOT THE
END OF THE WORLD.
365
00:18:58,702 --> 00:19:00,704
-THE IMPORTANT THING IS
NOT TO GET DOWN ON YOURSELF.
366
00:19:00,835 --> 00:19:03,664
MY FIRST SWIM MEET, I FINISHED
DEAD LAST IN EVERY EVENT.
367
00:19:04,317 --> 00:19:06,493
BUT THE VERY NEXT DAY,
I WAS RIGHT BACK IN THE POOL.
368
00:19:06,623 --> 00:19:09,017
-IT'S ALL ABOUT DEDI--
-DID YOU FIND HER?
369
00:19:11,237 --> 00:19:12,934
-NO.
370
00:19:13,064 --> 00:19:14,109
NO ONE AT THE HOTEL HAS SEEN
HER SINCE SHE CHECKED IN.
371
00:19:14,936 --> 00:19:16,285
--CHAMBERMAID SAID HER BED
372
00:19:16,416 --> 00:19:18,157
HASN'T BEEN SLEPT IN
THE LAST TWO NIGHTS.
373
00:19:18,287 --> 00:19:19,767
--SHE'S OUT ON THE STREETS.
374
00:19:19,897 --> 00:19:22,465
-ALL OF HER BELONGINGS
WERE STILL IN HER ROOM.
375
00:19:24,032 --> 00:19:25,425
-INCLUDING THIS.
376
00:19:25,555 --> 00:19:26,600
-WHAT IS IT?
377
00:19:26,730 --> 00:19:28,776
-LITHIUM, A FULL PRESCRIPTION.
378
00:19:28,906 --> 00:19:30,169
-CODY: WHAT'S LITHIUM?
379
00:19:31,170 --> 00:19:32,345
-IT'S USED TO TREAT
MANIC DEPRESSION.
380
00:19:32,997 --> 00:19:35,565
IF SHE STOPPED TAKING THIS,
THIS COULD EXPLAIN HER BEHAVIOR.
381
00:19:36,914 --> 00:19:38,394
-MY SISTER WAS
A MANIC DEPRESSIVE.
382
00:19:39,308 --> 00:19:41,136
I THOUGHT I RECOGNIZED
THE SYMPTOMS IN JAMIE.
383
00:19:41,267 --> 00:19:43,312
THE DELUSIONAL
BEHAVIOR, THE PARANOIA.
384
00:19:44,487 --> 00:19:45,749
WE'VE GOTTA FIND HER, MITCH,
385
00:19:45,880 --> 00:19:47,316
BEFORE SOMETHING
TERRIBLE HAPPENS.
386
00:19:48,796 --> 00:19:53,192
[DRAMATIC MUSIC]
387
00:20:02,679 --> 00:20:04,507
[TRASH CAN BANGS]
388
00:20:06,944 --> 00:20:08,468
[MEN MUTTERING]
389
00:20:09,991 --> 00:20:11,122
-WOMAN: ANY LUCK, FELLAS?
390
00:20:11,253 --> 00:20:12,559
-HEY, SHUT UP OVER THERE,
391
00:20:12,689 --> 00:20:14,038
I'M TRYING TO GET SOME SLEEP!
392
00:20:19,566 --> 00:20:21,045
STUPID LOSERS!
393
00:20:21,176 --> 00:20:22,308
GET A REAL JOB.
394
00:20:23,178 --> 00:20:24,571
WHAT ARE YOU, DEAF?
395
00:20:24,701 --> 00:20:26,573
GET THE HELL OUTTA HERE!
396
00:20:29,750 --> 00:20:32,231
-MAN: GET OUTTA HERE!
397
00:20:34,929 --> 00:20:37,236
[PEOPLE CHATTERING]
398
00:20:41,892 --> 00:20:44,243
-WOMAN: OH! HEY...
399
00:20:46,810 --> 00:20:49,378
-WOMAN:
WHAT ARE YOU DOING? RUDE!
400
00:20:50,727 --> 00:20:52,251
-HEY, HEY!
401
00:20:52,381 --> 00:20:53,730
HEY, WHAT DO YOU
THINK YOU'RE DOING?
402
00:20:53,861 --> 00:20:55,079
HEY!
403
00:20:55,210 --> 00:20:56,820
COME ON, LADY, PUT
THAT STUFF BACK.
404
00:20:56,951 --> 00:20:59,040
I DON'T WANT ANY TROUBLE.
COME BACK HERE!
405
00:20:59,170 --> 00:21:00,998
[JAMIE GRUNTS]
GIMME THOSE SHIRTS!
406
00:21:01,129 --> 00:21:03,087
I DON'T WANT ANY TROUBLE.
-JAMIE: THEY'RE MINE! NOT YOURS!
407
00:21:06,830 --> 00:21:08,223
-MAN: HEY, GET BACK HERE!
408
00:21:09,093 --> 00:21:11,966
GET BACK HERE!
WHAT'S THE MATTER WITH YOU?
409
00:21:12,096 --> 00:21:13,315
-JAMIE: GET AWAY FROM ME!
GET BACK!
410
00:21:13,446 --> 00:21:15,099
GET AWAY FROM ME,
I'M WARNING YOU!
411
00:21:15,230 --> 00:21:16,971
-LADY, I JUST WANT MY T-SHIRTS!
412
00:21:17,101 --> 00:21:19,016
[JAMIE LAUGHS, MANICALLY]
-NO, NEVER!
413
00:21:19,147 --> 00:21:20,627
NEVER!
414
00:21:20,757 --> 00:21:22,150
-MAN: JUST GIVE
ME MY T-SHIRTS.
415
00:21:22,281 --> 00:21:24,587
-JAMIE: GET BACK.
-YOU, JUST GIMME THEM!
416
00:21:26,850 --> 00:21:28,504
[MAN YELLS]
417
00:21:32,073 --> 00:21:33,509
COME BACK HERE!
418
00:21:33,640 --> 00:21:35,032
HEY, STOP HER!
419
00:21:35,163 --> 00:21:36,033
STOP HER!
420
00:21:36,164 --> 00:21:37,600
SHE'S GOT MY...
421
00:21:37,731 --> 00:21:39,472
SHE STOLE MY T-SHIRTS!
422
00:21:40,124 --> 00:21:42,605
SOMEBODY HELP! STOP HER!
423
00:21:43,389 --> 00:21:46,261
STOP THIS GIRL!
STOP HER!
424
00:21:46,392 --> 00:21:48,742
SOMEBODY HELP!
GET HER!
425
00:21:48,872 --> 00:21:50,570
DON'T LET HER GET AWAY!
-CODY: NEELY, LOOK.
426
00:21:52,049 --> 00:21:53,050
-IT'S JAMIE.
427
00:21:53,181 --> 00:21:54,269
-LET'S GO GET HER.
428
00:21:54,400 --> 00:21:57,490
[SIREN WAILING]
429
00:21:57,620 --> 00:22:00,406
-MAN: STOP HER!
DON'T LET HER GET AWAY!
430
00:22:00,536 --> 00:22:02,408
STOP! STOP HER!
431
00:22:02,538 --> 00:22:07,021
[COUGHS]
432
00:22:17,814 --> 00:22:20,469
-NEELY: JAMIE!
JAMIE, STOP!
433
00:22:28,738 --> 00:22:30,610
[JAMIE YELLS]
434
00:22:30,740 --> 00:22:31,959
-CODY: WHOA, WHOA, WHOA!
435
00:22:32,089 --> 00:22:34,744
HEY, HEY, CALM DOWN.
CALM DOWN!
436
00:22:36,267 --> 00:22:37,268
KNOCK IT OFF!
437
00:22:37,399 --> 00:22:40,837
-STOP IT!
STOP IT!
438
00:22:40,968 --> 00:22:42,796
-CODY: GET HER, GET HER IN!
439
00:22:43,971 --> 00:22:45,973
[JAMIE YELLS]
-LET GO!
440
00:22:46,103 --> 00:22:47,104
-CODY: THAT'S ENOUGH!
441
00:22:49,759 --> 00:22:51,195
-JAMIE: LET GO!
-NEELY: STOP!
442
00:22:51,326 --> 00:22:52,327
-JAMIE: LET GO!
-NEELY: STOP IT.
443
00:22:52,458 --> 00:22:57,288
-JAMIE: LET GO! AH!
444
00:22:59,421 --> 00:23:00,814
-CODY: HOW DID SHE GO
FROM BEING SO HYPER
445
00:23:00,944 --> 00:23:02,119
TO BEING SO ZONED OUT?
446
00:23:02,816 --> 00:23:04,905
-WELL, THAT'S WHAT, MANIC
DEPRESSION IS ALL ABOUT.
447
00:23:05,035 --> 00:23:06,515
YOU SWING BACK AND FORTH
448
00:23:06,646 --> 00:23:08,430
BETWEEN EUPHORIC HIGHS
AND DEBILITATING LOWS.
449
00:23:08,561 --> 00:23:11,085
IT'S CAUSED BY A CHEMICAL
IMBALANCE IN THE BRAIN.
450
00:23:13,261 --> 00:23:14,784
-WELL, HER VITALS ARE FINE.
451
00:23:14,915 --> 00:23:16,699
ASIDE FROM A FEW
CUTS AND BRUISES.
452
00:23:16,830 --> 00:23:17,787
[VELCRO RIPS]
453
00:23:17,918 --> 00:23:19,136
I THINK SHE'S GONNA BE OKAY.
454
00:23:19,267 --> 00:23:19,963
-SO WHAT'RE WE
GONNA DO WITH HER?
455
00:23:20,094 --> 00:23:21,400
CALL THE POLICE?
456
00:23:21,530 --> 00:23:23,271
-I'M GONNA CONTACT
HER FAMILY, FIRST.
457
00:23:23,402 --> 00:23:24,794
-SHE'S FROM HAWAII.
458
00:23:24,925 --> 00:23:27,101
-CAPTAIN, IF SHE'S
ANYTHING LIKE MY SISTER,
459
00:23:27,231 --> 00:23:28,842
SHE PROBABLY LEADS A NORMAL LIFE
460
00:23:28,972 --> 00:23:30,539
WHEN SHE'S ON HER MEDICATION.
461
00:23:30,670 --> 00:23:32,541
-YEAH, BUT HOW YOU
GONNA GET HER TO TAKE IT?
462
00:23:32,672 --> 00:23:33,760
I MEAN, LOOK AT HER.
463
00:23:35,326 --> 00:23:36,240
-WELL, FIRST,
WE NEED TO FIND OUT
464
00:23:36,371 --> 00:23:37,894
WHY SHE STOPPED TAKING IT.
465
00:23:41,332 --> 00:23:43,770
YOU'RE SAFE NOW, JAMIE.
NO ONE'S GONNA HURT YOU, OKAY?
466
00:23:43,900 --> 00:23:45,119
WE'RE HERE TO HELP.
467
00:23:46,729 --> 00:23:48,209
-I DON'T NEED YOUR HELP.
468
00:23:49,210 --> 00:23:50,254
AND THOSE AREN'T MY PILLS.
469
00:23:54,607 --> 00:23:55,869
ARE YOU IN CHARGE, HERE?
470
00:23:56,609 --> 00:23:58,437
YOU'RE HOLDING ME
AGAINST MY WILL.
471
00:23:58,567 --> 00:24:00,395
I WANNA GO HOME.
472
00:24:00,526 --> 00:24:02,092
-LOOK, WHERE DO YOU LIVE?
473
00:24:02,223 --> 00:24:03,833
-NONE OF YOUR BUSINESS.
474
00:24:03,964 --> 00:24:05,356
[DRAMATIC MUSIC]
475
00:24:05,487 --> 00:24:07,010
-CODY: WHOA, WHOA, WHOA.
-NEELY: WAIT, JAMIE!
476
00:24:07,141 --> 00:24:08,664
-JAMIE: LET GO OF MY ARM!
-NEELY: STOP IT!
477
00:24:08,795 --> 00:24:10,927
-JAMIE: LET GO!
-NEELY: STOP IT.
478
00:24:11,058 --> 00:24:12,712
-NO!
479
00:24:12,842 --> 00:24:14,061
-LET'S GET HER IN THE SHOWERS.
-YOU CAN'T KEEP ME HERE!
480
00:24:14,191 --> 00:24:16,716
-JAMIE: NO! NO!
481
00:24:18,674 --> 00:24:21,895
WHY ARE YOU DOING THIS TO ME?
[WATER RUNS]
482
00:24:22,417 --> 00:24:23,897
[JAMIE SOBS]
-BECAUSE...
483
00:24:24,027 --> 00:24:26,116
YOU'RE THE BEST BODY
BOARDER IN THE WORLD.
484
00:24:26,247 --> 00:24:28,989
-AND I'M NOT GONNA LET
YOU THROW YOUR LIFE AWAY.
485
00:24:30,294 --> 00:24:33,472
JAMIE, I CARE ABOUT
WHAT HAPPENS TO YOU.
486
00:24:33,602 --> 00:24:35,082
EVEN IF YOU DON'T.
487
00:24:53,796 --> 00:24:55,276
BE CAREFUL, IT'S HOT.
488
00:24:55,406 --> 00:24:56,625
-THANKS.
489
00:25:03,632 --> 00:25:05,286
DID SHE LOOK LIKE YOU?
490
00:25:05,416 --> 00:25:06,635
-WHO?
491
00:25:07,506 --> 00:25:08,550
-YOUR SISTER.
492
00:25:08,681 --> 00:25:09,725
-OH.
493
00:25:10,334 --> 00:25:12,075
[SIGHS]
494
00:25:12,206 --> 00:25:14,904
WE HAD THE SAME EYES, BUT
HER HAIR WAS DARK LIKE YOURS.
495
00:25:16,253 --> 00:25:17,516
-WHAT HAPPENED TO HER?
496
00:25:20,431 --> 00:25:22,738
-WELL, UH, SHE WAS A MUSICIAN.
497
00:25:23,826 --> 00:25:26,350
SHE WROTE THE MOST
BEAUTIFUL SONGS.
498
00:25:27,308 --> 00:25:30,441
BUT SHE WAS DIFFICULT TO LIVE
WITH, AS YOU MIGHT IMAGINE.
499
00:25:32,879 --> 00:25:34,141
SHE SAID HER MOOD SWINGS
500
00:25:34,271 --> 00:25:35,664
WERE PART OF HER
CREATIVE PROCESS.
501
00:25:38,145 --> 00:25:40,495
AND EVEN AFTER SHE WAS
DIAGNOSED AS A MANIC DEPRESSIVE,
502
00:25:41,844 --> 00:25:43,585
SHE REFUSED TO ACCEPT IT.
503
00:25:45,282 --> 00:25:48,938
SO SHE, TOO, STOPPED
TAKING HER LITHIUM.
504
00:25:51,332 --> 00:25:52,768
AND THEN ONE DAY,
505
00:25:53,813 --> 00:25:55,641
SHE WAS HAVING A FIGHT
WITH HER BOYFRIEND,
506
00:25:56,946 --> 00:25:58,208
AND SHE RAN INTO THE
MIDDLE OF THE STREET
507
00:25:58,339 --> 00:25:59,340
TO GET AWAY FROM HIM.
508
00:25:59,993 --> 00:26:01,342
AND UH...
509
00:26:03,039 --> 00:26:06,782
THE DRIVER OF THE CAR
NEVER SAW HER COMING.
510
00:26:09,742 --> 00:26:10,960
I'M SORRY.
511
00:26:13,441 --> 00:26:14,834
-JAMIE,
512
00:26:15,617 --> 00:26:18,838
WHY DID YOU STOP
TAKING YOUR MEDICATION?
513
00:26:23,494 --> 00:26:26,454
-YOU KNOW, WHEN I FIRST
STARTED BODY BOARDING,
514
00:26:28,848 --> 00:26:30,414
IT WAS FOR THE FUN, YOU KNOW?
515
00:26:30,545 --> 00:26:31,633
THE RUSH.
516
00:26:35,245 --> 00:26:40,207
AND NOW IT'S
ENDORSEMENTS AND SPONSORS,
517
00:26:40,816 --> 00:26:42,818
PRESS AGENTS, LAWYERS.
518
00:26:45,342 --> 00:26:47,214
I DON'T KNOW, I JUST...
519
00:26:49,042 --> 00:26:51,131
THERE'S SO MUCH PRESSURE.
520
00:26:54,308 --> 00:26:55,614
I COULDN'T HANDLE IT, I,
521
00:26:57,224 --> 00:26:58,791
I GUESS I JUST LOST CONTROL.
522
00:27:00,227 --> 00:27:03,839
-WELL, HEY, YOU SEEM
PRETTY IN CONTROL NOW.
523
00:27:05,667 --> 00:27:07,538
FEELS GOOD, DOESN'T IT?
524
00:27:13,893 --> 00:27:16,809
-MITCH. MITCH.
525
00:27:18,245 --> 00:27:19,638
HOW'S JAMIE DOING?
526
00:27:19,768 --> 00:27:21,117
-MUCH BETTER, NEELY GOT
HER TO TAKE THE LITHIUM.
527
00:27:21,248 --> 00:27:22,858
-OH, GREAT.
-AS A MATTER OF FACT,
528
00:27:22,989 --> 00:27:24,468
SHE MIGHT BE COMPETING IN
THE TOURNAMENT TOMORROW.
529
00:27:24,599 --> 00:27:25,948
-WELL, NOT UNTIL
SHE SEES A DOCTOR.
530
00:27:26,079 --> 00:27:27,036
I'M NOT GONNA LET HER COMPETE
531
00:27:27,167 --> 00:27:27,994
WITHOUT A CLEAN BILL OF HEALTH.
532
00:27:28,124 --> 00:27:29,125
-HOW CAN YOU STOP HER?
533
00:27:29,256 --> 00:27:30,083
-I'M PROMOTING THE TOURNAMENT.
534
00:27:30,213 --> 00:27:31,780
-WHAT?
535
00:27:31,911 --> 00:27:33,390
-ADAM AND I ARE GOING BACK
INTO BUSINESS TOGETHER.
536
00:27:33,521 --> 00:27:36,219
-WHOA, WAIT A MINUTE, HERE.
537
00:27:37,525 --> 00:27:39,135
DOES THIS MEAN YOU'RE
QUITTING BAYWATCH?
538
00:27:39,266 --> 00:27:40,963
-I CAN STILL WORK WEEKENDS
AND FILL IN OCCASIONALLY.
539
00:27:41,094 --> 00:27:43,183
-DON'T YOU THINK WE SHOULDA
TALKED ABOUT THIS, FIRST?
540
00:27:43,313 --> 00:27:44,750
-MITCH, THIS SOLVES
ALL OUR PROBLEMS.
541
00:27:44,880 --> 00:27:46,447
NOW WORK WON'T INTERFERE
WITH OUR RELATIONSHIP.
542
00:27:46,577 --> 00:27:47,491
-WHAT ABOUT ADAM?
543
00:27:47,622 --> 00:27:49,058
WON'T ADAM GET IN THE WAY?
544
00:27:49,929 --> 00:27:51,365
-YOU DON'T HAVE TO
WORRY ABOUT ADAM,
545
00:27:51,495 --> 00:27:53,062
IT'S STRICTLY BUSINESS.
546
00:27:53,193 --> 00:27:56,065
HE'S ON THE VERGE OF
BANKRUPTCY, HE'S DESPERATE.
547
00:27:56,196 --> 00:27:57,937
AND I'M BUYING BACK MY
SHARE OF THE COMPANY
548
00:27:58,067 --> 00:27:59,982
FOR A THIRD OF WHAT
I SOLD IT TO HIM FOR.
549
00:28:00,113 --> 00:28:02,202
-SOUNDS LIKE YOU
GOT A HECK OF A DEAL.
550
00:28:02,985 --> 00:28:05,118
-I'VE GOTTA GO COMPOSE
MY LETTER TO THE CHIEF.
551
00:28:07,250 --> 00:28:09,339
PLEASE UNDERSTAND
WHY I'M DOING THIS.
552
00:28:09,470 --> 00:28:13,517
[MELANCHOLY PIANO MUSIC]
553
00:28:18,871 --> 00:28:20,916
[UPTEMPO BACKGROUND MUSIC]
554
00:28:21,047 --> 00:28:22,265
-GARY!
555
00:28:24,093 --> 00:28:25,834
GARY, I'D LIKE YOU
TO MEET MY PARTNER.
556
00:28:25,965 --> 00:28:27,488
THIS IS ADAM HERSH.
557
00:28:27,618 --> 00:28:28,619
-GARY HALL.
558
00:28:28,750 --> 00:28:30,491
-THE OLYMPIC GOLD MEDALIST?
559
00:28:30,621 --> 00:28:33,059
-HE WILL BE PRESENTING THE
TROPHY TO THE WINNER, TODAY.
560
00:28:34,582 --> 00:28:36,018
ARE YOU HUNGRY?
THERE'S SO MUCH FOOD.
561
00:28:36,149 --> 00:28:36,976
GO AHEAD AND HELP YOURSELF.
562
00:28:37,106 --> 00:28:38,325
-GARY: THANKS.
563
00:28:38,455 --> 00:28:39,674
-NICE MEETING YOU, GARY.
564
00:28:39,805 --> 00:28:40,936
-HI.
565
00:28:41,981 --> 00:28:44,461
-YOU ARE INCREDIBLE!
566
00:28:44,592 --> 00:28:45,941
I'M IN AWE.
567
00:28:46,072 --> 00:28:47,464
-YOU ARE IN DEBT.
568
00:28:47,595 --> 00:28:49,423
JUST PUT $10,000 ON
YOUR LINE OF CREDIT.
569
00:28:49,553 --> 00:28:51,425
-THAT'S OKAY, WE'LL
MAKE TWICE THAT TODAY.
570
00:28:52,339 --> 00:28:55,342
WE REALLY DO MAKE
A GREAT TEAM, DON'T WE?
571
00:28:57,170 --> 00:28:58,649
-UH, THERE'S JAMIE.
572
00:29:02,479 --> 00:29:03,350
-I GOTTA GET IT TOGETHER
WITH THIS PRINCESS.
573
00:29:03,480 --> 00:29:04,917
-YOU KNOW, ADAM,
574
00:29:05,047 --> 00:29:06,701
IT MIGHT BE A GOOD IDEA
IF WE LEFT HER ALONE,
575
00:29:06,832 --> 00:29:08,529
SHE'S GOT SO MUCH GOING ON
WITHOUT YOU HOUNDING HER.
576
00:29:09,573 --> 00:29:11,227
-OKAY.
-HEY SANDY, SANDY!
577
00:29:11,358 --> 00:29:12,533
I'D LIKE YOU
TO MEET ADAM HERSH.
578
00:29:13,403 --> 00:29:15,231
-SO, ARE YOU READY FOR THIS?
579
00:29:17,407 --> 00:29:19,322
-I GUESS THERE'S ONLY
ONE WAY TO FIND OUT.
580
00:29:19,453 --> 00:29:21,803
-WELL, HEY, YOU JUST GO
OUT THERE AND HAVE FUN.
581
00:29:21,934 --> 00:29:23,500
IT DOESN'T MATTER
IF YOU WIN OR LOSE.
582
00:29:23,631 --> 00:29:24,937
THERE'S NO PRESSURE.
583
00:29:25,067 --> 00:29:27,461
IT'S JUST YOU AND THE WAVES.
584
00:29:28,331 --> 00:29:30,246
-I WISH YOU WERE
GONNA BE OUT THERE.
585
00:29:31,030 --> 00:29:33,859
-OH, WELL, MAYBE NEXT
YEAR I'LL QUALIFY.
586
00:29:37,732 --> 00:29:40,474
[LIGHT ROCK MUSIC]
587
00:30:09,198 --> 00:30:12,767
♪ I'VE SPENT SOME TIME WONDERING WHY
588
00:30:13,289 --> 00:30:15,465
♪ WHEN YOU LOOK AT ME ♪
589
00:30:16,379 --> 00:30:18,817
♪ THE WORLD DISSIPATES
590
00:30:18,947 --> 00:30:23,169
♪ IT'S LIKE THERE'S SOMETHING
IN YOUR EYES ♪
591
00:30:23,778 --> 00:30:26,259
♪ ONLY I CAN SEE
592
00:30:27,129 --> 00:30:31,046
♪ AND I CAN'T MAKE MYSELF LOOK AWAY ♪
593
00:30:34,702 --> 00:30:38,532
♪ OH TODAY ISN'T GONNA BE THE DAY
594
00:30:38,662 --> 00:30:41,665
♪ I FIGURE OUT
595
00:30:43,058 --> 00:30:46,888
♪ FIGURE OUT HOW I'M GONNA GET TO YOU
596
00:30:47,019 --> 00:30:50,370
♪ I'M JUST ONE STEP AWAY
597
00:30:50,500 --> 00:30:53,590
♪ FROM MAKING YOU MINE
598
00:30:54,374 --> 00:30:57,725
♪ WE'LL NEVER HAVE TO BE AFRAID ♪
599
00:30:58,421 --> 00:31:00,336
♪ THIS KIND OF LOVE
600
00:31:00,467 --> 00:31:03,731
♪ CAN BE SO HARD TO FIND
601
00:31:04,950 --> 00:31:06,734
♪ I DON'T HAVE YOU YET
602
00:31:06,865 --> 00:31:11,304
♪ BUT I'M ONLY STEP AWAY
603
00:31:15,699 --> 00:31:19,312
♪ IMAGINE HOW LIFE WOULD BE
604
00:31:20,313 --> 00:31:22,663
♪ ALL WE COULD DO
605
00:31:22,793 --> 00:31:25,666
♪ JUST US EACH DAY
606
00:31:25,796 --> 00:31:29,888
♪ WE COULD TAKE OUR LOVE OUT TO SEA
607
00:31:30,801 --> 00:31:33,369
♪ IT'S UP TO YOU
608
00:31:33,500 --> 00:31:37,678
♪ THE WORLD WOULD BE OURS TO TAKE
609
00:31:41,421 --> 00:31:45,294
♪ BUT TODAY ISN'T GONNA BE THE DAY
610
00:31:45,425 --> 00:31:48,123
♪ I FIGURE OUT
611
00:31:49,777 --> 00:31:54,173
♪ FIGURE OUT HOW I'M GONNA GET TO YOU
612
00:31:54,303 --> 00:31:57,002
♪ I'M JUST ONE STEP AWAY
613
00:31:57,132 --> 00:31:59,787
♪ FROM MAKING YOU MINE
614
00:32:00,919 --> 00:32:04,531
♪ WE'LL NEVER HAVE TO BE AFRAID
615
00:32:04,661 --> 00:32:07,012
♪ THIS KIND OF LOVE
616
00:32:07,142 --> 00:32:10,537
♪ CAN BE SO HARD TO FIND
617
00:32:11,625 --> 00:32:13,540
♪ I DON'T HAVE YOU YET
618
00:32:13,670 --> 00:32:17,936
♪ BUT I'M ONLY STEP AWAY
619
00:32:19,546 --> 00:32:23,289
♪ I'M ONLY ONE STEP AWAY
620
00:32:32,428 --> 00:32:33,908
-NEWMIE!
621
00:32:34,039 --> 00:32:35,605
NEWMIE!
622
00:32:35,736 --> 00:32:38,217
I THOUGHT YOU WERE SUPPOSED
TO BE A ROLE MODEL?
623
00:32:39,218 --> 00:32:41,089
GONNA LET THE LOVE OF YOUR
LIFE WALK AWAY LIKE THAT
624
00:32:41,220 --> 00:32:42,873
WITHOUT EVEN TRYING
TO TALK TO HER.
625
00:32:44,005 --> 00:32:45,659
MAN, THAT IS LAME!
626
00:32:47,052 --> 00:32:49,315
-ACTUALLY, I WAS
JUST ABOUT READY
627
00:32:49,445 --> 00:32:51,143
TO GO DOWN AND INTRODUCE MYSELF.
628
00:32:51,273 --> 00:32:53,362
-WHAT?
OH, MY, MAN!
629
00:32:53,493 --> 00:32:54,668
THAT'S IT, BRO!
630
00:32:54,798 --> 00:32:56,496
YOU GOT THE EYE
OF THE TIGER, NOW!
631
00:32:57,105 --> 00:32:58,628
ALL RIGHT, MAN.
632
00:32:58,759 --> 00:33:00,979
-WATCH CLOSELY, KID, YOU
MAY WANNA TAKE SOME NOTES.
633
00:33:01,109 --> 00:33:05,592
[BEACHGOERS CHATTER]
634
00:33:06,593 --> 00:33:08,203
-EXCUSE ME.
635
00:33:08,334 --> 00:33:10,118
THIS WAS JUST BLOWING
AWAY, IS IT YOUR MAGAZINE?
636
00:33:10,249 --> 00:33:12,686
[SPEAKS SPANISH]
637
00:33:13,904 --> 00:33:15,428
-YOU DON'T SPEAK ENGLISH?
638
00:33:18,561 --> 00:33:20,172
-UNO MOMENTO.
639
00:33:20,302 --> 00:33:22,435
HEY, MANNY! COME HERE.
640
00:33:24,741 --> 00:33:27,005
-MANNY: WHAT'S GOING ON?
-AH, SHE ONLY SPEAKS SPANISH.
641
00:33:27,135 --> 00:33:28,354
I NEED YOU TO TRANSLATE.
642
00:33:29,398 --> 00:33:31,313
-SHOOT, GO AHEAD.
643
00:33:31,879 --> 00:33:34,577
-WELL, UH, ASK HER IF SHE'D
LIKE TO HAVE DINNER WITH ME.
644
00:33:34,708 --> 00:33:35,752
-DINNER.
645
00:33:48,330 --> 00:33:49,636
-WHAT DID SHE SAY?
646
00:33:50,854 --> 00:33:52,726
-SHE SAID THAT SHE FINDS
YOU VERY INTERESTING.
647
00:34:10,657 --> 00:34:12,050
-YOU'RE SUPPOSED
TO BE TRANSLATING.
648
00:34:13,921 --> 00:34:16,054
-SHE SAYS THAT SHE WOULD
LOVE TO HAVE DINNER WITH YOU,
649
00:34:17,925 --> 00:34:19,579
BUT SHE'S VERY BUSY TONIGHT.
650
00:34:20,319 --> 00:34:22,495
-WELL, UH, WHAT
ABOUT TOMORROW NIGHT?
651
00:34:23,365 --> 00:34:24,932
-MANNY:
TOMORROW NIGHT, UM...
652
00:34:26,499 --> 00:34:30,024
-HELP!
[SUSIE GASPS]
653
00:34:30,155 --> 00:34:31,460
-I'LL BE RIGHT BACK.
654
00:34:31,591 --> 00:34:34,855
[EXCITING MUSIC]
-SUSIE: HELP! HELP!
655
00:34:40,948 --> 00:34:42,993
HELP, HELP!
656
00:34:50,044 --> 00:34:52,002
-NEWMIE:
ARE YOU IN TROUBLE?
657
00:34:52,133 --> 00:34:53,961
HEY!
658
00:34:54,092 --> 00:34:55,963
-MAN: IT'S
GETTING ROUGH OUT THERE!
659
00:34:56,746 --> 00:34:58,400
-NEWMIE: IT'S
OKAY, I'VE GOT YOU.
660
00:35:01,011 --> 00:35:02,752
HANG ON. I'LL GET YOU IN.
661
00:35:02,883 --> 00:35:04,406
-OH, MY GOD.
662
00:35:15,678 --> 00:35:17,985
-WOMAN: OH, MY BABY!
OH, GOD!
663
00:35:18,116 --> 00:35:20,683
OH! SUSIE, SWEETHEART!
-NEWMIE: YOU OKAY?
664
00:35:20,814 --> 00:35:23,643
-WOMAN: OH, BABY, HONEY.
665
00:35:23,773 --> 00:35:26,167
ARE YOU OKAY?
OH, MY BABY.
666
00:35:26,298 --> 00:35:28,256
SWEETHEART, WHAT WERE YOU
DOING OUT THERE BY YOURSELF?
667
00:35:41,269 --> 00:35:46,492
[UPTEMPO MUSIC]
[WAVES CRASH]
668
00:35:53,847 --> 00:35:59,287
[ONLOOKERS APPLAUD]
669
00:35:59,418 --> 00:36:02,595
-ALL RIGHT, JAMIE
NEEDS A 9.5 TO WIN THIS.
670
00:36:02,725 --> 00:36:03,857
-OKAY.
671
00:36:16,609 --> 00:36:18,393
-YEAH!
672
00:36:30,318 --> 00:36:32,842
ALL RIGHT!
-NEELY: JAMIE, WHOO!
673
00:36:32,973 --> 00:36:38,196
[ONLOOKERS APPLAUD AND CHEER]
674
00:36:44,680 --> 00:36:47,988
YES! YOU DID IT!
675
00:36:50,730 --> 00:36:52,166
ARE YOU OKAY WITH ALL THIS?
676
00:36:52,297 --> 00:36:54,690
-YEAH, I THINK I CAN HANDLE IT.
677
00:36:54,821 --> 00:36:58,433
[CAMERAS CLICK]
678
00:36:58,564 --> 00:37:00,218
THANK YOU.
679
00:37:02,698 --> 00:37:04,439
THANK YOU.
680
00:37:05,397 --> 00:37:09,749
THANK YOU.
[CROWD CHEERS]
681
00:37:15,233 --> 00:37:16,625
YES!
682
00:37:28,333 --> 00:37:30,335
-ADAM: SO, HOW DOES IT
FEEL TO BE BACK IN ACTION?
683
00:37:30,465 --> 00:37:31,727
-EXHAUSTING.
684
00:37:33,816 --> 00:37:35,253
-TO A JOB WELL DONE.
685
00:37:39,518 --> 00:37:41,259
BRINGS BACK
MEMORIES, DOESN'T IT?
686
00:37:43,478 --> 00:37:44,958
-YOU KNOW, I KEPT THINKING ABOUT
687
00:37:45,088 --> 00:37:47,047
THAT OVER-THE-LINE
TOURNAMENT IN SAN DIEGO.
688
00:37:48,396 --> 00:37:49,876
-DON'T GO GETTING
SENTIMENTAL ON ME, OKAY?
689
00:37:50,006 --> 00:37:51,530
-WHY NOT?
690
00:37:51,660 --> 00:37:52,879
WE HAD SOME GREAT
TIMES TOGETHER.
691
00:37:53,009 --> 00:37:54,881
-ADAM, DON'T DO THIS TO ME.
692
00:37:55,011 --> 00:37:56,970
WE AGREED THIS WAS GONNA
BE COMPLETELY PLATONIC.
693
00:37:57,100 --> 00:37:58,406
THAT WAS PART OF THE DEAL.
694
00:37:58,537 --> 00:37:59,973
-YEAH, STILL, I THOUGHT,
695
00:38:00,495 --> 00:38:03,324
MAYBE WE COULD DO
A LITTLE RENEGOTIATING.
696
00:38:03,455 --> 00:38:05,195
-NO, I DON'T THINK SO.
697
00:38:06,066 --> 00:38:08,547
-I CAN'T HELP IT.
I STILL LOVE YOU.
698
00:38:08,677 --> 00:38:10,636
-NO, YOU DON'T.
-YES, I DO.
699
00:38:11,637 --> 00:38:12,942
-WE HAVE AN IDEAL
SITUATION, HERE,
700
00:38:13,073 --> 00:38:14,553
WHY ARE YOU TRYING
TO SCREW THIS UP?
701
00:38:16,772 --> 00:38:18,078
-I'M SORRY.
702
00:38:18,208 --> 00:38:20,298
I THOUGHT IT WAS
OVER, I REALLY DID.
703
00:38:20,950 --> 00:38:22,387
AND THEN I SAW YOU
THE OTHER DAY
704
00:38:22,517 --> 00:38:23,779
IN THAT UNIFORM, AND I...
705
00:38:23,910 --> 00:38:25,651
-IT IS OVER, YOU KNOW WHAT?
706
00:38:25,781 --> 00:38:28,915
IT IS OVER ON EVERY LEVEL,
IN EVERY WAY, SHAPE AND FORM.
707
00:38:29,568 --> 00:38:31,309
HAVE A NICE LIFE.
708
00:38:36,488 --> 00:38:38,490
-THAT'S WHAT I GET
FOR BEING HONEST.
709
00:38:38,620 --> 00:38:41,406
[EASY LISTENING MUSIC]
710
00:38:44,278 --> 00:38:45,366
-SAMANTHA: BAD NEWS.
711
00:38:45,932 --> 00:38:47,020
-MITCH: OH, NO, WHAT NOW?
712
00:38:47,150 --> 00:38:48,369
-SAMANTHA: I'M NOT QUITTING.
713
00:38:48,500 --> 00:38:50,328
-MITCH: OH, REALLY,
WHAT HAPPENED?
714
00:38:50,458 --> 00:38:54,157
-SAMANTHA: IT'S A LONG STORY.
LET'S JUST SAY THAT I FOUND OUT
715
00:38:54,288 --> 00:38:55,898
THAT SOMETIMES THE
SOLUTION TO A PROBLEM
716
00:38:56,029 --> 00:38:57,683
CAN BE WORSE THAN
THE PROBLEM ITSELF.
717
00:38:57,813 --> 00:38:58,727
[MITCH LAUGHS]
718
00:38:58,858 --> 00:39:00,250
-I COULDA TOLD YOU THAT.
719
00:39:01,948 --> 00:39:03,210
-I JUST WANNA LET YOU KNOW
720
00:39:03,341 --> 00:39:04,385
THAT I'M GONNA DO
EVERYTHING I CAN
721
00:39:04,516 --> 00:39:05,604
TO MAKE THIS THING WORK.
722
00:39:05,734 --> 00:39:06,996
OFF DUTY, AND ON.
723
00:39:07,127 --> 00:39:08,476
I'VE REARRANGED OUR SCHEDULES
724
00:39:08,607 --> 00:39:10,652
SO WE ONLY HAVE
TWO SHIFTS A WEEK TOGETHER.
725
00:39:11,349 --> 00:39:12,741
-THAT SOUNDS MANAGEABLE.
726
00:39:12,872 --> 00:39:14,134
-SAMANTHA: I HOPE SO.
727
00:39:14,264 --> 00:39:15,614
-ME TOO.
728
00:39:16,223 --> 00:39:18,486
-I DON'T SUPPOSE HOBIE'S
GOING OUT TONIGHT, IS HE?
729
00:39:19,139 --> 00:39:22,229
-NO, NO, HE'S GOT
A TON OF HOMEWORK.
730
00:39:24,318 --> 00:39:26,364
BUT I DO KNOW A LITTLE UM,
731
00:39:26,494 --> 00:39:29,236
SECLUDED COVE AROUND THE CORNER.
732
00:39:30,106 --> 00:39:30,977
RACE YOU.
733
00:39:31,107 --> 00:39:32,239
[BOTH LAUGH]
734
00:39:49,561 --> 00:39:50,823
-CODY?
735
00:39:50,953 --> 00:39:52,477
CODY, WOULD IT BE
POSSIBLE FOR YOU
736
00:39:52,607 --> 00:39:53,739
TO TAKE NEWMIE'S SCHEDULE
THE NEXT TWO WEEKS?
737
00:39:53,869 --> 00:39:55,828
-SURE.
-GREAT.
738
00:39:55,958 --> 00:39:58,396
THEN I CAN PUT JORDAN
AND DONNA IN YOUR SPOTS,
739
00:39:58,526 --> 00:40:00,528
AND THEN SWITCH C.J.
AND CAROLINE,
740
00:40:00,659 --> 00:40:01,877
AND THAT SHOULD WORK OUT.
741
00:40:02,008 --> 00:40:03,401
-WHAT'S WRONG WITH NEWMIE?
742
00:40:03,531 --> 00:40:04,924
HE FINALLY GOING IN FOR
THAT KNEE OPERATION?
743
00:40:05,054 --> 00:40:06,142
-YOU DIDN'T HEAR?
744
00:40:06,273 --> 00:40:07,579
-CODY: WHAT?
745
00:40:07,709 --> 00:40:08,797
-REMEMBER THE GIRL
IN THE BINOCULARS?
746
00:40:08,928 --> 00:40:09,842
-CODY: YEAH.
747
00:40:09,972 --> 00:40:11,452
-SHE IS TAKING HIM HOME
748
00:40:11,583 --> 00:40:13,976
-TO MEET HER PARENTS
IN GUADALAJARA.
749
00:40:14,803 --> 00:40:16,370
-GUADALAJARA?
750
00:40:16,501 --> 00:40:17,893
YOU'RE KIDDING ME!
-SAMANTHA: UH-UH.
751
00:40:18,024 --> 00:40:19,765
ACTUALLY, THEY ARE
JUST ABOUT TO LEAVE.
752
00:40:19,895 --> 00:40:21,549
IF WE HURRY,
WE MIGHT JUST CATCH 'EM.
753
00:40:22,811 --> 00:40:23,986
-NEWMIE!
754
00:40:39,175 --> 00:40:40,438
-WHAT'S MANNY
DOING IN THE BACK?
755
00:40:40,568 --> 00:40:42,483
-HE'S GOING ALONG
AS A TRANSLATOR.
756
00:40:44,398 --> 00:40:45,921
-GUESS I MUST'VE
WRITTEN HIM OFF TOO SOON.
757
00:40:46,052 --> 00:40:48,358
-YEAH, WELL, GUESS HE'S
STILL GOT THE TOUCH.
758
00:40:48,881 --> 00:40:53,538
[PIANO MUSIC WITH A BEAT]
759
00:40:54,582 --> 00:40:56,323
-ADIOS, AMIGO!
760
00:40:57,150 --> 00:40:58,978
-VAYA CON DIOS!
761
00:41:03,243 --> 00:41:05,854
[BOTH LAUGH]
762
00:41:16,125 --> 00:41:20,826
[CLOSING THEME PLAYING]
53026
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