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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:03,394 [OPENING THEME PLAYING] 2 00:00:12,838 --> 00:00:16,886 ♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:17,017 --> 00:00:20,890 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:21,021 --> 00:00:24,589 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 5 00:00:24,720 --> 00:00:27,984 ♪ WITH THE EDGE OF SURRENDER IN SIGHT ♪ 6 00:00:28,115 --> 00:00:30,769 ♪ DON'T YOU WORRY 7 00:00:30,900 --> 00:00:33,859 ♪ IT'S GONNA BE ALL RIGHT 8 00:00:36,993 --> 00:00:38,864 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,995 --> 00:00:42,346 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,393 --> 00:00:49,397 ♪ [I'LL BE READY] I'LL BE READY ♪ 11 00:00:49,527 --> 00:00:53,096 ♪ [NEVER YOU FEAR] NO, DON'T YOU FEAR ♪ 12 00:00:53,227 --> 00:00:56,404 ♪ [I'LL BE READY] 13 00:00:56,534 --> 00:00:59,711 ♪ FOREVER AND ALWAYS 14 00:00:59,842 --> 00:01:02,497 ♪ I'M ALWAYS HERE 15 00:01:02,627 --> 00:01:06,849 [ENERGETIC PIANO SOLO] 16 00:01:20,906 --> 00:01:22,734 ♪ 'CAUSE I'M ALWAYS READY 17 00:01:22,865 --> 00:01:26,173 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 18 00:01:29,132 --> 00:01:33,005 ♪ [I'LL BE READY] I'LL BE READY ♪ 19 00:01:33,136 --> 00:01:36,966 ♪ [NEVER YOU FEAR] NO, DON'T YOU FEAR ♪ 20 00:01:37,097 --> 00:01:40,970 ♪ [I'LL BE READY] 21 00:01:41,101 --> 00:01:43,755 ♪ FOREVER AND ALWAYS 22 00:01:43,886 --> 00:01:46,932 ♪ I'M ALWAYS HERE. 23 00:02:03,297 --> 00:02:04,863 ♪ IT'S SUMMERTIME 24 00:02:05,603 --> 00:02:08,389 ♪ BUT NOBODY SEEMS TO BE TAKING IT EASY ♪ 25 00:02:11,305 --> 00:02:13,611 ♪ THERE'S NO TIME 26 00:02:14,482 --> 00:02:17,311 ♪ LATELY IT'S MAKING ME KINDA UNEASY ♪ 27 00:02:20,357 --> 00:02:23,143 ♪ WORK ALL DAY AND NIGHT 28 00:02:24,622 --> 00:02:27,147 ♪ TRYING TO DO SOMETHING RIGHT ♪ 29 00:02:28,148 --> 00:02:32,152 ♪ BUT BABY IT'S HIGH TIME WE STOPPED ♪ 30 00:02:33,849 --> 00:02:36,895 ♪ MAKE TIME FOR EACH OTHER 31 00:02:37,026 --> 00:02:41,900 ♪ OH, BABY IT'S HIGH TIME WE TRIED [IT'S OUR TIME] ♪ 32 00:02:42,031 --> 00:02:44,425 ♪ I DON'T EVEN KNOW YOU 33 00:02:44,555 --> 00:02:46,340 ♪ HOW ARE YOU SUPPOSED TO KNOW AGAIN ♪ 34 00:02:46,470 --> 00:02:48,646 ♪ IF I NEVER TALK TO YOU 35 00:02:48,777 --> 00:02:50,692 ♪ MEMORIES ARE ALWAYS SHARED 36 00:02:50,822 --> 00:02:52,868 ♪ YOU BECOME A MYSTERY 37 00:02:52,998 --> 00:02:55,000 ♪ TIME BECOMES OUR ENEMY 38 00:02:55,131 --> 00:02:57,089 ♪ I JUST WANT YOU HERE WITH ME ♪ 39 00:02:57,220 --> 00:03:00,702 ♪ AND I'M TELLING YOU IT'S HIGH TIME. ♪ 40 00:03:25,117 --> 00:03:27,381 -CODY: HEY, READY FOR THAT CPR CLASS? 41 00:03:27,511 --> 00:03:31,298 -HUH? YEAH. TAKE A LOOK AT THAT. 42 00:03:31,428 --> 00:03:32,516 -CODY: WHAT? 43 00:03:33,169 --> 00:03:34,649 -NEELY: DON'T YOU SEE IT? 44 00:03:34,779 --> 00:03:36,607 -CODY: MITCH AND SAM WASHING A TRUCK? 45 00:03:37,217 --> 00:03:39,958 -NO, LOOK AT THE WAY THEY'RE LOOKING AT ONE ANOTHER. 46 00:03:40,089 --> 00:03:42,352 -CODY: WHAT? THEY'RE SMILING, SO WHAT'S THE BIG DEAL? 47 00:03:42,483 --> 00:03:44,572 -THEY'RE IN LOVE, CODY. 48 00:03:44,702 --> 00:03:46,443 -MITCH AND SAM? [CHUCKLES] 49 00:03:46,922 --> 00:03:49,141 NOT A CHANCE. -THEY'RE IN LOVE. 50 00:03:49,272 --> 00:03:50,969 -OH, THEY'RE FRIENDS, THAT'S ALL. 51 00:03:51,927 --> 00:03:53,407 -IT'S CHANGED, TRUST ME. 52 00:03:53,537 --> 00:03:55,104 BODY LANGUAGE DOESN'T LIE. 53 00:03:55,235 --> 00:03:57,411 I MEAN, LOOK AT THE WAY HIS HIPS ARE THRUST FORWARD 54 00:03:57,541 --> 00:03:58,760 AND HIS LEGS ARE SLIGHTLY SPREAD. 55 00:04:00,152 --> 00:04:02,851 YOU SEE? SHE JUST CARESSED HIS ARM. 56 00:04:02,981 --> 00:04:05,201 -SHE ACCIDENTALLY TOUCHED HIM, NEELY. 57 00:04:05,332 --> 00:04:06,724 -THAT'S NO ACCIDENT. 58 00:04:06,855 --> 00:04:09,205 I CAN SMELL THE HORMONES ALL THE WAY UP HERE. 59 00:04:09,727 --> 00:04:11,599 -YOU KNOW, YOU SHOULD GET A 900-NUMBER. 60 00:04:11,729 --> 00:04:14,776 THE NEELY CAPSHAW PSYCHIC LOVE LINE. 61 00:04:16,343 --> 00:04:17,996 COME ON, LET'S GO. NEWMIE'S WAITING. 62 00:04:20,434 --> 00:04:22,349 -MITCH: HEY, HEY. WHOA, LOOK OUT! 63 00:04:22,479 --> 00:04:23,872 THERE'S A SPOT, THERE'S A SPOT RIGHT THERE! 64 00:04:24,002 --> 00:04:26,091 [LAUGHING] 65 00:04:37,277 --> 00:04:39,453 -MY LINE OF WORK, ESE. 66 00:04:39,583 --> 00:04:41,716 [SERIOUS GUITAR MUSIC] 67 00:04:59,342 --> 00:05:01,083 WHAT YOU LOOKING AT, ESE? 68 00:05:02,084 --> 00:05:04,913 -BLUE TRUNKS. HE'S RIVERSIDE. 69 00:05:05,043 --> 00:05:06,393 USED TO BE MY HOMEBOY. 70 00:05:06,523 --> 00:05:07,698 -YOUR HOMEBOY? 71 00:05:08,308 --> 00:05:09,483 LOOKS MORE LIKE A BEACH BOY. 72 00:05:09,613 --> 00:05:10,571 [LAUGHING] 73 00:05:10,701 --> 00:05:11,876 -QUIT TALKING, GET TO WORK. 74 00:05:20,102 --> 00:05:22,452 -YOU'RE GONNA HAVE YOUR WORK CUT FOR YOU TODAY WITH THESE GUYS. 75 00:05:23,932 --> 00:05:25,020 YEAH. 76 00:05:27,022 --> 00:05:29,241 -HEY, HOW, MANY ARE TAKING THE CPR CLASS? 77 00:05:29,372 --> 00:05:30,242 -FIFTEEN. 78 00:05:31,374 --> 00:05:33,028 -MANNY, WE'RE GONNA USE YOU AS A VICTIM, HON. 79 00:05:33,158 --> 00:05:34,334 -AW, MAN. 80 00:05:34,464 --> 00:05:36,074 BOY, I HOPE AT LEAST GONNA WASH UP 81 00:05:36,205 --> 00:05:37,772 AFTER PICKING UP THAT TRASH. 82 00:05:38,425 --> 00:05:40,340 -NOT LIKELY. -HEY, QUIT COMPLAINING. 83 00:05:40,470 --> 00:05:42,777 MAKING THEM LEARN CPR IS A PART OF THEIR COMMUNITY SERVICE. 84 00:05:42,907 --> 00:05:44,387 IT'S A GREAT IDEA. 85 00:05:44,518 --> 00:05:46,258 -YEAH, THEY TAG WALLS AND VANDALIZE STORES, 86 00:05:46,389 --> 00:05:47,477 AND WE GET THE PUNISHMENT. 87 00:05:48,478 --> 00:05:51,307 -LOOK, I'M SURE MOST OF THEM ARE PRETTY GOOD KIDS, 88 00:05:51,438 --> 00:05:53,396 JUST GOT INTO SOME TROUBLE. 89 00:06:01,186 --> 00:06:02,710 -HEY, CHULA. 90 00:06:03,232 --> 00:06:04,929 HEY, YOU BETTER WATCH WHERE YOU'RE GOING, EIGHTBALL! 91 00:06:07,018 --> 00:06:09,673 -I'M SORRY, PEPE. I DIDN'T SEE YOU. 92 00:06:10,674 --> 00:06:12,850 -SORRY TOO, ESE, I DIDN'T SEE YOU EITHER. 93 00:06:14,896 --> 00:06:15,723 -YO, MAN, WHAT'S UP? 94 00:06:15,853 --> 00:06:16,898 [GRUNTING] 95 00:06:19,857 --> 00:06:22,251 [SERIOUS MUSIC] 96 00:06:30,520 --> 00:06:31,826 -HEY, CUT IT OUT! 97 00:06:44,926 --> 00:06:47,015 -CODY: THEY'RE KIDS, RIGHT? -NEWMIE: YEAH. 98 00:06:47,145 --> 00:06:49,583 -STAY HERE, MAKE SURE EVERYTHING'S OKAY, ALRIGHT? 99 00:06:53,282 --> 00:06:54,762 -CODY: HEY, BREAK IT UP! 100 00:06:54,892 --> 00:06:56,981 [GRUNTING AND RABBLING] 101 00:06:59,070 --> 00:07:01,246 -I'M CALLING THE COPS. -LET'S GO, HUH? 102 00:07:01,377 --> 00:07:04,119 -ESE! LET'S END IT NOW, CHANGO, LET'S GO! 103 00:07:04,249 --> 00:07:06,643 -YOU WANT SOME OF ME? MAN, WHAT'S UP! 104 00:07:06,774 --> 00:07:09,516 -HECTOR. -HEY, HOLMES. BEEN A LONG TIME. 105 00:07:09,646 --> 00:07:10,952 -YOU WANT THEM TO CALL THE COPS? 106 00:07:11,082 --> 00:07:12,606 YOU WANT TO BOTH TO END UP IN JAIL? 107 00:07:12,736 --> 00:07:14,434 -MAN, HE STUCK ME, MAN! MAN, WHAT'S UP WITH THAT? 108 00:07:14,564 --> 00:07:16,348 -IT WAS AN ACCIDENT. -WANNA GET DOWN, PUNK? 109 00:07:16,479 --> 00:07:18,089 I'M GONNA PUNCH YOU IN THE FACE! 110 00:07:18,220 --> 00:07:19,439 -QUIET DOWN! 111 00:07:21,658 --> 00:07:23,617 -YOU KNOW WHAT, CHANGO! YOU'RE GOING DOWN, ESE! 112 00:07:23,747 --> 00:07:25,227 -LET'S GO! 113 00:07:25,357 --> 00:07:27,185 -CABRONE, YOU AIN'T NOTHIN', ESE! 114 00:07:27,316 --> 00:07:30,101 -TAKE HIM, THROW HIM IN THE WATER IF YOU HAVE TO. 115 00:07:30,798 --> 00:07:32,190 ANY MORE "ACCIDENTS" 116 00:07:32,321 --> 00:07:33,670 AND IT'LL BE THE COPS DRAGGING YOU AWAY. 117 00:07:33,801 --> 00:07:35,106 NEXT TIME, YOU'RE GONNA DO TIME, BUDDY. 118 00:07:35,237 --> 00:07:36,630 AND GET OUT OF HERE! 119 00:07:36,760 --> 00:07:39,720 -PULGA: OKAY, BARBIE DOLL. [DEVIOUS SNICKER] 120 00:07:40,372 --> 00:07:42,636 -NOW, I THINK THEY'RE READY TO LEARN HOW TO SAVE LIVES 121 00:07:42,766 --> 00:07:44,115 INSTEAD OF WASTE SOME, OKAY. 122 00:07:44,942 --> 00:07:46,944 -ALL RIGHT. EVERYBODY ON THE BEACH. 123 00:07:47,075 --> 00:07:48,206 -ALL RIGHT. 124 00:07:49,294 --> 00:07:50,992 -MAN, WHY YOU'RE HERE, MAN, WHAT YOU DO? 125 00:07:51,775 --> 00:07:52,863 -WHY AM I HERE? 126 00:07:53,429 --> 00:07:54,778 WHY ARE YOU HERE, HOLMES? 127 00:07:54,909 --> 00:07:56,867 -I'M DOING SOMETHING WITH MY LIFE, MAN. 128 00:07:56,998 --> 00:07:58,086 I WANNA BE A LIFEGUARD. 129 00:07:58,695 --> 00:08:00,262 -YEAH, YOU BETTER BE A LIFEGUARD, 130 00:08:00,392 --> 00:08:01,959 IF YOU EVER COME BACK TO THE BARRIO. 131 00:08:08,400 --> 00:08:09,445 -NEWMIE: ALL RIGHT, FIND YOUR PARTNERS 132 00:08:09,576 --> 00:08:11,099 AND SETTLE DOWN, LET'S GO. 133 00:08:16,234 --> 00:08:19,673 -NEELY: ALL RIGHT, EVERYONE, PAY ATTENTION. 134 00:08:20,238 --> 00:08:22,980 HI, MY NAME IS NEELY CAPSHAW AND THIS IS CODY MADISON. 135 00:08:23,111 --> 00:08:25,548 WE'RE HERE TO TEACH YOU HOW TO SAVE A LIFE. 136 00:08:26,114 --> 00:08:28,159 -ALL RIGHT, I WANT ALL THE VICTIMS ON THE BLUE TOWELS 137 00:08:28,290 --> 00:08:29,247 TO LIE FLAT ON YOUR BACK. 138 00:08:30,335 --> 00:08:32,294 NOW THE RESCUER, YOU'RE GONNA FIND THE HOLLOW AREA 139 00:08:32,424 --> 00:08:35,079 UNDER THE RIB CAGE OF YOUR PARTNER'S CHEST. 140 00:08:35,210 --> 00:08:37,255 [GIGGLING] -CODY: FIND THE HOLLOW AREA. 141 00:08:37,386 --> 00:08:38,822 -I'M TICKLISH, HOLMES. 142 00:08:38,953 --> 00:08:41,042 -NOW MEASURE UP THREE FINGERS FROM THERE, 143 00:08:41,172 --> 00:08:42,565 PUT YOUR HAND ABOVE IT, 144 00:08:42,696 --> 00:08:44,567 AND YOUR OTHER HAND ON TOP OF THAT ONE. 145 00:08:45,612 --> 00:08:48,049 NOW FEEL YOUR PARTNER'S HEART BEATING. 146 00:08:48,179 --> 00:08:50,399 -REALLY FEEL IT, EACH BEAT. 147 00:08:50,530 --> 00:08:52,053 PICTURE BLOOD PUMPING THROUGH IT. 148 00:08:52,183 --> 00:08:54,577 -OH, YEAH, I FEEL IT. -THROUGH THE ENTIRE BODY. 149 00:08:55,360 --> 00:08:57,275 -NOW PUT YOUR HANDS IN THE SAND. 150 00:08:57,406 --> 00:08:58,929 WHAT DO YOU FEEL? 151 00:09:00,191 --> 00:09:02,716 -SAND. -ALUMINUM. 152 00:09:02,846 --> 00:09:03,978 WHAT KIND OF TRASH BEACH IS THIS? 153 00:09:04,108 --> 00:09:06,589 [LAUGHING] 154 00:09:06,720 --> 00:09:07,764 -THE KIND YOU'RE HERE TO CLEAN UP. 155 00:09:07,895 --> 00:09:10,550 [LAUGHING AND HOOTING] 156 00:09:11,115 --> 00:09:13,683 -WHAT YOU FEEL IS THE ABSENCE OF LIFE. 157 00:09:13,814 --> 00:09:16,338 NO MATTER WHAT YOU DO, YOU CAN'T BREATHE LIFE 158 00:09:16,468 --> 00:09:17,992 OR PUMP LIFE INTO THE SAND. 159 00:09:18,122 --> 00:09:21,169 BUT YOU CAN BREATHE LIFE AND PUMP LIFE 160 00:09:21,299 --> 00:09:23,606 INTO ANOTHER HUMAN BEING WHO IS DYING 161 00:09:23,737 --> 00:09:25,042 OR ARE ALREADY DEAD. 162 00:09:25,173 --> 00:09:27,523 YOU GUYS CAN BRING HIM BACK TO LIFE. 163 00:09:28,176 --> 00:09:30,221 YOU HOLD THAT POWER IN YOUR HANDS. 164 00:09:32,441 --> 00:09:34,661 -ALL RIGHT, PUT YOUR HANDS BACK ON YOUR PARTNER'S CHEST, 165 00:09:34,791 --> 00:09:37,881 FIND THE SPOT, THREE FINGERS UP, LET'S GO. 166 00:09:38,012 --> 00:09:40,188 -CPR CAN SAVE A PERSON'S LIFE. 167 00:09:40,318 --> 00:09:43,321 THE ODDS ARE IT'S GONNA BE A RELATIVE OR A LOVED ONE. 168 00:09:43,452 --> 00:09:44,758 LEARN IT. 169 00:09:44,888 --> 00:09:46,237 IF YOU EVER FEEL LIKE TAKING A LIFE, 170 00:09:47,151 --> 00:09:48,370 MAYBE YOU'LL HAVE SECOND THOUGHTS. 171 00:09:50,720 --> 00:09:52,417 -HEY, ARE YOU LISTENING? 172 00:09:53,114 --> 00:09:54,594 -THE JUDGE SAID I GOTTA BE HERE. 173 00:09:54,724 --> 00:09:56,160 DIDN'T SAY I GOTTA LISTEN, FOOL. 174 00:09:56,291 --> 00:09:57,814 -SMART. 175 00:09:57,945 --> 00:09:59,860 -WELL, I SAY YOU GOTTA LISTEN, SO PAY ATTENTION. 176 00:10:00,425 --> 00:10:03,994 -ALL RIGHT, ALL YOU HAVE TO REMEMBER IS ABC. 177 00:10:04,125 --> 00:10:07,128 AIRWAY, BREATHING, CIRCULATION. 178 00:10:07,258 --> 00:10:10,000 THE FIRST THING YOU DO, IS CLEAR THE AIRWAY. 179 00:10:10,653 --> 00:10:13,308 TILT THE HEAD BACK, LIFT THE CHIN. 180 00:10:14,352 --> 00:10:16,964 -DO IT, NOW. ON YOUR PARTNER. 181 00:10:20,358 --> 00:10:22,578 -NOW, LOOK, LISTEN AND FEEL. 182 00:10:22,709 --> 00:10:24,798 PLACE YOUR EAR NEAR TO YOUR PARTNER'S OPEN MOUTH, 183 00:10:24,928 --> 00:10:26,364 AND LOOK AT THEIR CHEST. 184 00:10:26,495 --> 00:10:27,844 -I RATHER LOOK AT YOUR CHEST, BARBIE DOLL. 185 00:10:28,889 --> 00:10:29,672 IN YOUR PINK CORVETTE. 186 00:10:29,803 --> 00:10:31,500 -HEY, THAT'S ENOUGH. 187 00:10:31,631 --> 00:10:33,589 -ANYONE WHO FAILS THIS COURSE WON'T GET CREDIT 188 00:10:33,720 --> 00:10:36,070 FOR ANYTHING TODAY, SO YOU BETTER KNOW WHAT TO DO. 189 00:10:36,200 --> 00:10:38,115 -ALL RIGHT, NOW, YOU HAVE TO LOOK AT YOUR PARTNER'S CHEST 190 00:10:38,246 --> 00:10:39,639 TO RISE AND FALL. 191 00:10:39,769 --> 00:10:41,466 AND LISTEN AND FEEL FOR BREATH, ALRIGHT? 192 00:10:42,859 --> 00:10:45,514 IF THEY'RE NOT BREATHING, GIVE TWO VENTILATIONS. 193 00:10:45,645 --> 00:10:48,430 KEEP THE HEAD TILTED BACK, PINCH YOUR PARTNER'S NOSE, 194 00:10:48,560 --> 00:10:51,215 PLACE YOUR MOUTH OVER HIS AND BLOW TWICE. 195 00:10:52,521 --> 00:10:54,175 -NOW, DO IT. 196 00:10:54,305 --> 00:10:55,829 -KISS ME AND YOU DIE, ESE. 197 00:10:55,959 --> 00:10:58,135 [LAUGHING] 198 00:10:58,266 --> 00:11:00,268 -HEY, HEY, HEY, ALRIGHT, ALRIGHT. THAT'S IT. 199 00:11:00,398 --> 00:11:01,835 HEY, WE'RE GONNA SWITCH. 200 00:11:02,487 --> 00:11:04,228 YOU'RE GONNA GO OVER HERE. 201 00:11:04,359 --> 00:11:05,752 YOU, OVER HERE. 202 00:11:05,882 --> 00:11:07,623 -HEY, ANYONE BUT HIM. -HEY, GET OVER IT. 203 00:11:07,754 --> 00:11:09,364 YOU, OVER TO THIS SIDE. 204 00:11:09,494 --> 00:11:10,234 -I AIN'T GOING OVER THERE. 205 00:11:10,365 --> 00:11:11,192 -YES, YOU ARE. 206 00:11:11,845 --> 00:11:13,020 -GET OFF ME, MAN. 207 00:11:13,150 --> 00:11:14,848 -ON YOUR KNEES, RIGHT HERE. GO ON. 208 00:11:14,978 --> 00:11:16,240 -NO WAY, MAN. AIN'T NO WAY-- 209 00:11:16,371 --> 00:11:17,677 -NEWMIE: SHUT UP. 210 00:11:17,807 --> 00:11:20,157 HEY, IT'S THIS OR JAIL TIME, BUDDY. 211 00:11:20,288 --> 00:11:22,072 -LOOK, YOU GUYS, THIS ISN'T KISSING. 212 00:11:22,203 --> 00:11:23,857 THIS IS BREATHING AIR INTO EMPTY LUNGS. 213 00:11:23,987 --> 00:11:25,336 NOW TWO VENTILATIONS, LET'S GO. 214 00:11:25,467 --> 00:11:26,686 -DO IT! 215 00:11:26,816 --> 00:11:28,513 -NOW. 216 00:11:29,819 --> 00:11:31,647 -HECTOR, COME ON MAN, JUST TRY IT. 217 00:11:32,517 --> 00:11:34,781 PINCH MY NOSE AND INFLATE MY LUNGS. 218 00:11:35,912 --> 00:11:37,522 -YOU BETTER WATCH IT, SMOKE. 219 00:11:37,653 --> 00:11:39,481 -I HATE THIS AS MUCH AS YOU. 220 00:11:39,960 --> 00:11:41,004 MORE THAN YOU. 221 00:11:44,486 --> 00:11:45,748 [GAGGING] 222 00:11:45,879 --> 00:11:47,619 -THIS GUY'S GOT BAD BREATH, HOLMES! 223 00:11:47,750 --> 00:11:48,708 -YOU SON OF A--! 224 00:11:49,796 --> 00:11:50,971 -DON'T LET HIM BAIT YOU. COOL IT! 225 00:11:51,101 --> 00:11:52,712 -GET OFF ME, MAN. 226 00:11:52,842 --> 00:11:54,278 -DO IT. 227 00:11:54,409 --> 00:11:56,106 -DOG BREATH, HOLMES. 228 00:11:57,412 --> 00:11:59,719 -HEY! CAN WE CONTINUE NOW? 229 00:12:01,285 --> 00:12:03,766 NOW NEXT, WE'RE GONNA CHECK THE VICTIM'S PULSE. 230 00:12:03,897 --> 00:12:05,637 YOU'LL DO THAT BY PLACING YOUR FINGERS 231 00:12:05,768 --> 00:12:07,248 ON THE CAROTID ARTERY IN THE NECK. 232 00:12:08,336 --> 00:12:11,295 -IF THERE'S NO BREATH OR PULSE, YOU BEGIN CPR. 233 00:12:11,426 --> 00:12:13,602 IF YOU'RE ALONE, YOU DO 15 AND TWO. 234 00:12:13,733 --> 00:12:17,432 15 CHEST COMPRESSIONS, THEN TWO VENTILATIONS. 235 00:12:17,562 --> 00:12:19,826 -ONCE YOU START CPR, YOU NEVER STOP. 236 00:12:19,956 --> 00:12:21,653 NEVER STOP UNTIL SECOND AID ARRIVES. 237 00:12:21,784 --> 00:12:23,525 YOU'RE FIRST AID. 238 00:12:23,655 --> 00:12:25,527 YOU KEEP GOING UNTIL A MORE QUALIFIED PERSON GETS THERE 239 00:12:25,657 --> 00:12:28,399 SUCH AS A PARAMEDIC, OR A LIFEGUARD, ALRIGHT? 240 00:12:29,052 --> 00:12:31,533 -ALL RIGHT, FIND A SPOT, THREE FINGERS UP, 241 00:12:31,663 --> 00:12:35,667 THEN PRESS DOWN WITH 15 HARD, QUICK THRUSTS. 242 00:12:35,798 --> 00:12:37,278 -NEWMIE: KEEP YOUR ARMS STRAIGHT, 243 00:12:37,408 --> 00:12:38,409 AND OVER WITH YOUR FINGERS. 244 00:12:38,540 --> 00:12:43,066 -ONE, TWO, THREE, FOUR, FIVE, 245 00:12:43,197 --> 00:12:46,635 SIX, SEVEN, EIGHT, NINE, 246 00:12:46,766 --> 00:12:52,641 TEN, ELEVEN, TWELVE, THIRTEEN, FOURTEEN, FIFTEEN. 247 00:12:52,772 --> 00:12:54,556 NOW TWO VENTILATIONS. 248 00:12:59,300 --> 00:13:01,345 -HEY, MAN! THIS VATO JUST SPIT IN MY MOUTH, MAN! 249 00:13:01,476 --> 00:13:05,393 [ANGRY RABBLING] 250 00:13:05,523 --> 00:13:06,916 -GET OFF ME, MAN! 251 00:13:07,047 --> 00:13:08,744 I'M GONNA BUST YOUR ASS, MAN! COME HERE! 252 00:13:09,571 --> 00:13:11,486 -BEACH BOY. -GET OFF ME! 253 00:13:11,616 --> 00:13:13,401 -MAN, WHAT'S UP, I'M GONNA PUNCH YOU OUT. 254 00:13:16,578 --> 00:13:17,709 -HECTOR. 255 00:13:19,494 --> 00:13:21,278 WAIT UP, MAN. -WHAT DO YOU WANT? 256 00:13:22,366 --> 00:13:23,759 -KICK IT WITH ME FOR A LITTLE BIT. 257 00:13:23,890 --> 00:13:25,674 -I DID WHAT I HAD TO DO AND I'M OUT OF HERE. 258 00:13:25,805 --> 00:13:27,241 -HEY, HECTOR, MAN. 259 00:13:27,371 --> 00:13:29,199 COME AND HAVE DINNER WITH MY JEFITA AND ME. 260 00:13:29,330 --> 00:13:31,114 SHE'D LOVE TO SEE YOU, MAN. 261 00:13:31,245 --> 00:13:32,899 IT'S LIKE BACK IN THE DAYS, REMEMBER? 262 00:13:33,029 --> 00:13:34,770 -YEAH, WELL THOSE DAYS ARE OVER. 263 00:13:34,901 --> 00:13:36,772 YOU MOVED AWAY. YOU, NOT ME. 264 00:13:36,903 --> 00:13:38,992 SO, DON'T THINK I WANT TO BE YOUR LONG LOST BROTHER. 265 00:13:39,906 --> 00:13:41,429 -MAN, IF YOU REMEMBERED, YOU WERE LIKE MY BROTHER. 266 00:13:41,559 --> 00:13:42,909 -YEAH, WELL NOT ANYMORE. 267 00:13:43,039 --> 00:13:44,475 YOU'RE IN MALIBU. 268 00:13:44,606 --> 00:13:46,086 I'M STILL BACK THERE IN THE BARRIO, HOLMES. 269 00:13:46,738 --> 00:13:48,653 -MAN, WE LIVE IN A GUESTHOUSE, YO. 270 00:13:48,784 --> 00:13:50,351 -IT DOESN'T MAKE A DIFFERENCE. 271 00:13:50,481 --> 00:13:51,874 YOU TURNED YOUR BACK ON US. 272 00:13:53,658 --> 00:13:55,138 -MAN, COME AND HAVE DINNER WITH US, MAN. 273 00:13:55,269 --> 00:13:58,968 -NAH, ESE. I'M GOING WITH MY HOMEBOY. 274 00:13:59,099 --> 00:14:00,927 -EH, LET'S GO, ESE. VAMANOS. 275 00:14:01,057 --> 00:14:03,364 WATCH OUT WITH THE PAINT JOB, MAN. 276 00:14:06,062 --> 00:14:07,368 LATER, ESE. 277 00:14:16,551 --> 00:14:17,682 -HI, MOM. 278 00:14:17,813 --> 00:14:19,162 -HI? THAT'S IT? 279 00:14:24,689 --> 00:14:26,256 -WHAT ARE YOU DOING? 280 00:14:26,387 --> 00:14:27,605 -OH, I'M LOADING SOME NEW CORPORATE SPREADSHEETS 281 00:14:27,736 --> 00:14:29,129 INTO MRS. RHODES' HARD DRIVE. 282 00:14:29,259 --> 00:14:31,261 -YOU RUN HER HOUSE AND HER BUSINESS. 283 00:14:31,392 --> 00:14:32,959 YOU'RE SUPERWOMAN. 284 00:14:33,089 --> 00:14:35,613 -AND IF I SEE YOU USING MY CAPE WITHOUT PERMISSION, 285 00:14:35,744 --> 00:14:36,701 WOW, LOOK OUT. 286 00:14:38,834 --> 00:14:39,879 -UM-- 287 00:14:40,009 --> 00:14:42,359 -WHAT? -OH, NOTHING. 288 00:14:42,490 --> 00:14:44,535 I'M HUNGRY. WHAT DO WE HAVE IN THE REFRIGERATOR? 289 00:14:44,666 --> 00:14:46,581 -OH, YOU DIDN'T OPEN UP YOUR MOUTH TO EAT. 290 00:14:48,191 --> 00:14:49,366 WHAT DID YOU WANT TO SAY? 291 00:14:53,370 --> 00:14:54,719 -I SAW HECTOR TODAY. 292 00:14:54,850 --> 00:14:57,287 -HECTOR MOLINA? AT THE BEACH? 293 00:14:57,418 --> 00:14:58,680 MIJO, HOW IS HE? 294 00:14:59,550 --> 00:15:01,030 -MA, HE'S CHANGED. 295 00:15:02,075 --> 00:15:04,338 HE'S HANGING WITH THE GANG. 296 00:15:04,904 --> 00:15:06,949 WANTING TO BE A REAL ESE VATO. 297 00:15:07,863 --> 00:15:09,125 -EVER SINCE HIS MAMA DIED. 298 00:15:09,256 --> 00:15:10,822 -AND WE MOVED AWAY. 299 00:15:10,953 --> 00:15:13,042 -IF I COULD'VE BROUGHT HIM WITH US, I WOULD HAVE. 300 00:15:13,695 --> 00:15:15,305 -I'VE GOTTA GO TALK TO HIM. I GOTTA FIND HIM. 301 00:15:15,436 --> 00:15:17,568 -NO, MANNY, I DON'T WANT YOU TO GO THERE. 302 00:15:17,699 --> 00:15:20,136 I MOVED YOU AWAY FROM THERE SO THEY COULDN'T GET TO YOU. 303 00:15:20,267 --> 00:15:21,529 -I'LL BE OKAY. 304 00:15:21,659 --> 00:15:22,965 -YOU KNOW, I'VE SPENT TOO MANY NIGHTS 305 00:15:23,096 --> 00:15:24,575 WAITING FOR YOU TO COME HOME, WORRYING. 306 00:15:24,706 --> 00:15:25,707 NO, SENOR. 307 00:15:25,837 --> 00:15:27,535 -MA, HECTOR'S MY BEST FRIEND. 308 00:15:27,665 --> 00:15:29,450 AT LEAST HE WAS. 309 00:15:29,580 --> 00:15:32,366 I'VE GOTTA GO AND HELP HIM, I'VE JUST GOT TO. 310 00:15:33,628 --> 00:15:34,629 -OKAY. 311 00:15:35,891 --> 00:15:38,198 BUT I'M GOING WITH YOU. -MOM. 312 00:15:38,328 --> 00:15:39,764 -LISTEN, I LOVE HECTOR, TOO. 313 00:15:39,895 --> 00:15:42,245 I KNOW THOSE BOYS, HALF OF THEM I BABYSAT. 314 00:15:43,246 --> 00:15:44,508 AND THEY KNOW THEY'D BETTER LISTEN 315 00:15:44,639 --> 00:15:46,119 TO WHAT I HAVE TO SAY. 316 00:15:46,249 --> 00:15:48,208 OR ELSE I'M GONNA PUT ON MY CAPE AND CRUSH THEM. 317 00:15:49,470 --> 00:15:50,471 COME HERE. 318 00:15:50,601 --> 00:15:52,081 -OKAY, WE'LL GO TOGETHER. 319 00:15:53,474 --> 00:15:56,868 [GRUNTING] 320 00:15:57,869 --> 00:15:59,567 -YOU KNOW, IT'S HOBIE'S 16TH BIRTHDAY, 321 00:15:59,697 --> 00:16:01,830 AND I GOTTA GET HIM SOMETHING SPECIAL. 322 00:16:01,961 --> 00:16:06,878 -SIXTEEN... WELL, THERE'S ONLY ONE GIFT. A CAR. 323 00:16:07,009 --> 00:16:09,620 [GRUNTING] 324 00:16:09,751 --> 00:16:14,060 -A CAR? YOU MEAN LIKE AN ENGINE AND FOUR TIRES, A CAR? 325 00:16:14,190 --> 00:16:15,844 -SEAT, STEERING WHEEL, THE WHOLE DEAL. 326 00:16:15,975 --> 00:16:17,933 AND TOP OF THE LINE CD PLAYER. 327 00:16:18,064 --> 00:16:20,196 -WELL, I CAN PROBABLY AFFORD A CD PLAYER, 328 00:16:20,327 --> 00:16:22,155 MAYBE ONE TIRE. 329 00:16:22,720 --> 00:16:24,374 YOU KNOW, A BIKE. 330 00:16:24,505 --> 00:16:26,246 MAYBE I'LL GET HIM A NEW MOUNTAIN BIKE. 331 00:16:26,376 --> 00:16:28,378 -OH, HE'S GOT ONE. -YEAH, BUT NOT A NEW ONE. 332 00:16:28,509 --> 00:16:29,771 I MEAN, HE DOESN'T RIDE HIS OLD ONE, 333 00:16:29,901 --> 00:16:31,425 BECAUSE IT'S TOO SMALL FOR HIM. 334 00:16:31,555 --> 00:16:33,122 -HE DOESN'T RIDE IT, BECAUSE HE'S GONNA BE 16. 335 00:16:33,253 --> 00:16:36,734 HE WANTS TO GO TO FOOTBALL GAMES AND MOVIES. 336 00:16:36,865 --> 00:16:38,301 -I CAN DRIVE HIM, YOU KNOW. 337 00:16:38,432 --> 00:16:41,000 SPEND SOME QUALITY FATHER-SON TIME. 338 00:16:41,130 --> 00:16:43,132 -MITCH, HE WANTS TO GO OUT WITH GIRLS. 339 00:16:43,263 --> 00:16:44,655 WITH YOU IN THE CAR, 340 00:16:44,786 --> 00:16:46,527 THE QUALITY IS GONNA BE A LITTLE FROSTY. 341 00:16:46,657 --> 00:16:50,444 -I KNOW, I KNOW, I JUST CAN'T AFFORD A NEW CAR RIGHT NOW. 342 00:16:50,574 --> 00:16:52,315 -GO TO THE POLICE AUCTION. 343 00:16:52,446 --> 00:16:55,014 THEY SELL A LOT OF GREAT CARS CONFISCATED FROM BAD GUYS. 344 00:16:55,144 --> 00:16:56,798 YOU CAN GET A REALLY GOOD DEAL. 345 00:16:58,887 --> 00:17:00,193 -INTERESTING. 346 00:17:00,323 --> 00:17:01,629 -I'LL FIND OUT WHEN THE NEXT ONE IS, 347 00:17:01,759 --> 00:17:03,544 AND WE'LL GET HIM A REALLY COOL CAR. 348 00:17:05,198 --> 00:17:08,418 -YOU KNOW, YOU'RE A GENIUS. 349 00:17:08,549 --> 00:17:10,246 -SAMANTHA: SO IT'S A DATE? -MITCH: IT'S A DATE. 350 00:17:12,988 --> 00:17:13,815 HEY, NEELY. 351 00:17:13,945 --> 00:17:15,338 -HI, MITCH. 352 00:17:15,469 --> 00:17:16,252 -SAMANTHA: HEY, NEELY. 353 00:17:16,383 --> 00:17:17,427 -HI. 354 00:17:20,082 --> 00:17:22,302 SO, YOU AND MITCH GOING OUT ON A DATE? 355 00:17:22,432 --> 00:17:24,434 -OH, WE'RE GETTING HOBIE A BIRTHDAY PRESENT. 356 00:17:24,565 --> 00:17:26,132 -AH, OF COURSE. 357 00:17:27,568 --> 00:17:29,178 YOU SEEING ANYONE NEW? 358 00:17:29,309 --> 00:17:30,353 -NO ONE SPECIAL. 359 00:17:32,355 --> 00:17:34,662 -SO YOU'RE NOT SEEING ANYONE AT ALL? 360 00:17:36,490 --> 00:17:39,319 -WHAT IS THIS INTEREST IN MY SOCIAL LIFE ALL OF A SUDDEN? 361 00:17:41,364 --> 00:17:43,845 -YOU AND MITCH ARE HAVING AN AFFAIR, AREN'T YOU? 362 00:17:43,975 --> 00:17:45,412 -WHAT? 363 00:17:45,542 --> 00:17:47,196 -I CAN TELL BY THE WAY YOU LOOK AT ONE ANOTHER. 364 00:17:47,327 --> 00:17:48,284 BY THE WAY YOU TOUCH. 365 00:17:48,415 --> 00:17:49,938 -NEELY. 366 00:17:50,069 --> 00:17:52,636 -ROSY GLOW IN YOUR CHEEKS, THE SPARKLE IN HIS EYE. 367 00:17:52,767 --> 00:17:54,682 YOU ARE IN LOVE WITH HIM, AREN'T YOU? 368 00:17:54,812 --> 00:17:56,292 -I AM NOT. 369 00:17:56,423 --> 00:17:58,512 -SAM. YOU CAN TELL ME. 370 00:17:59,078 --> 00:18:00,296 I MEAN, MITCH IS A GREAT GUY. 371 00:18:00,427 --> 00:18:03,865 HE'S HANDSOME, HE'S SEXY, HE'S FUN. 372 00:18:03,995 --> 00:18:06,563 -AND I LOVE HIM. AS A FRIEND. 373 00:18:06,694 --> 00:18:09,523 WE'RE FRIENDS, THAT'S IT. WE'RE FRIENDS, NOT LOVERS. FRIENDS. 374 00:18:09,653 --> 00:18:10,915 END OF STORY. 375 00:18:14,005 --> 00:18:16,312 -DON'T WORRY, YOU CAN TRUST ME. 376 00:18:16,443 --> 00:18:17,879 I WON'T TELL ANYONE. 377 00:18:26,757 --> 00:18:28,150 -THEY KNOW. 378 00:18:29,064 --> 00:18:30,631 -THEY DON'T KNOW. 379 00:18:30,761 --> 00:18:32,154 -NEELY DOES. 380 00:18:32,850 --> 00:18:34,287 -SHE'S GUESSING. 381 00:18:34,417 --> 00:18:36,071 -SHE CAN TELL. 382 00:18:36,202 --> 00:18:37,377 -HOW? 383 00:18:39,683 --> 00:18:41,120 -BODY LANGUAGE. 384 00:18:41,859 --> 00:18:45,036 -WHAT BODY LANGUAGE, WE'RE NOT DOING ANYTHING. 385 00:18:45,167 --> 00:18:47,038 -WELL, I READ THAT BODY LANGUAGE 386 00:18:47,169 --> 00:18:49,780 IS 50 PERCENT OF COMMUNICATION. 387 00:18:51,478 --> 00:18:56,483 WORDS, 30 PERCENT, AND TONE OF VOICE ONLY 20 PERCENT. 388 00:18:56,613 --> 00:18:57,788 -REALLY? 389 00:18:58,789 --> 00:19:00,443 TELL ME, WHAT AM I SAYING? 390 00:19:04,795 --> 00:19:07,407 -I DON'T KNOW. SAY IT AGAIN. 391 00:19:11,062 --> 00:19:13,021 I LOVE THE WAY YOU TALK. 392 00:19:13,152 --> 00:19:15,632 -HAVE WE TALKED THAT WAY IN FRONT OF NEELY? 393 00:19:15,763 --> 00:19:18,418 -NO. -THEN HOW DOES SHE KNOW? 394 00:19:18,548 --> 00:19:20,681 -ROSY GLOW IN MY CHEEKS. 395 00:19:21,464 --> 00:19:23,466 THE SPARKLE IN YOUR EYE. 396 00:19:23,597 --> 00:19:25,599 THAT'S WHAT HAPPENS WHEN YOU'RE IN LOVE. 397 00:19:27,514 --> 00:19:28,515 -ARE YOU IN LOVE? 398 00:19:29,385 --> 00:19:30,821 -ARE MY CHEEKS ROSY? 399 00:19:32,301 --> 00:19:33,520 ARE YOU IN LOVE? 400 00:19:34,564 --> 00:19:36,262 -ARE MY EYES SPARKLING? 401 00:19:38,568 --> 00:19:40,266 -SO, WHAT DO WE DO ABOUT IT? 402 00:19:46,489 --> 00:19:48,099 I MEAN IN FRONT OF THEM. 403 00:19:48,230 --> 00:19:49,927 DO WE TELL THEM? 404 00:19:50,058 --> 00:19:52,234 -NO, I HAVEN'T EVEN FIGURED OUT HOW TO TELL HOBIE YET. 405 00:19:53,235 --> 00:19:55,106 -WHEN DOES HE GET BACK GALE'S? 406 00:19:55,237 --> 00:19:56,586 -DAY AFTER TOMORROW. 407 00:19:58,719 --> 00:20:02,157 -YOU KNOW, THIS COULD JUST BE A FLING BETWEEN FRIENDS. 408 00:20:02,288 --> 00:20:04,855 WE COULD DECIDE TOMORROW THAT IT'S ALL A BIG MISTAKE. 409 00:20:06,335 --> 00:20:07,858 I MEAN, IT'S CRAZY, WE'RE BOTH-- 410 00:20:07,989 --> 00:20:10,470 -I KNOW, I KNOW. 411 00:20:10,600 --> 00:20:13,037 -AND IF EVERYONE KNEW, IT WOULD JUST ADD TO THE PRESSURE. 412 00:20:13,168 --> 00:20:15,301 -AND THEN WE JUST WON'T TELL ANYONE. 413 00:20:16,127 --> 00:20:20,393 -WHAT DO WE DO ABOUT NEELY AND HER BODY LANGUAGE? 414 00:20:20,523 --> 00:20:22,873 -NEELY WANTS BODY LANGUAGE, 415 00:20:23,004 --> 00:20:25,441 THEN WE'LL GIVE HER BODY LANGUAGE. 416 00:20:29,663 --> 00:20:33,754 -TOMORROW, NOT TONIGHT. 417 00:20:38,019 --> 00:20:40,630 [FUNKY BASS MUSIC] 418 00:20:42,241 --> 00:20:43,198 ♪ YO 419 00:20:56,820 --> 00:20:57,995 ♪ AIN'T NOTHING LIKE A BAD BOY 420 00:21:01,869 --> 00:21:03,174 ♪ 'TIL YOU BRING IT HOME 421 00:21:08,136 --> 00:21:09,224 ♪ BAD BLOOD 422 00:21:09,355 --> 00:21:11,008 ♪ THE PLACE HAS CHANGED 423 00:21:11,139 --> 00:21:12,096 ♪ BAD BLOOD 424 00:21:12,227 --> 00:21:13,359 ♪ NEVER BE THE SAME 425 00:21:13,489 --> 00:21:15,274 ♪ BAD BLOOD 426 00:21:15,404 --> 00:21:18,451 ♪ WHEN YOU WALK THAT WAY YOU WALK AWAY, YOU WALK AWAY ♪ 427 00:21:18,581 --> 00:21:19,539 ♪ BAD BLOOD 428 00:21:19,669 --> 00:21:20,975 ♪ GONE UP IN FLAMES 429 00:21:21,105 --> 00:21:22,019 ♪ BAD BLOOD 430 00:21:22,150 --> 00:21:23,412 ♪ I FEEL THE PAIN 431 00:21:23,543 --> 00:21:25,284 ♪ BAD BLOOD 432 00:21:25,414 --> 00:21:28,504 ♪ MAN IT'S SUCH A SHAME THE WAY IT'S WASTING AWAY - HEY! ♪ 433 00:21:32,378 --> 00:21:34,771 ♪ TELL ME WHAT ARE YA FIGHTING FOR? 434 00:21:36,425 --> 00:21:39,602 ♪ WHEN YOU CLOSE YOUR MIND AND YOU LOCK THE DOOR ♪ 435 00:21:41,474 --> 00:21:44,694 ♪ TELL ME, WON'T YOU TELL ME WHAT YOU'RE FIGHTING FOR? ♪ 436 00:21:44,825 --> 00:21:49,873 ♪ THIS NEIGHBORHOOD'S AIN'T WORTH SETTLING ANOTHER SCORE ♪ 437 00:21:50,483 --> 00:21:55,357 ♪ SETTLING ANOTHER SCORE, SETTLING ANOTHER SCORE♪ 438 00:21:55,488 --> 00:21:57,925 ♪ SETTLING ANOTHER SCORE 439 00:22:09,153 --> 00:22:10,198 ♪ BAD BLOOD 440 00:22:10,329 --> 00:22:11,808 ♪ SUCH A LONG HARD ROAD 441 00:22:11,939 --> 00:22:12,940 ♪ BAD BLOOD 442 00:22:13,070 --> 00:22:14,420 ♪ EVERYBODY KNOWS 443 00:22:14,550 --> 00:22:16,247 ♪ BAD BLOOD 444 00:22:16,378 --> 00:22:19,338 ♪ EASY COME AND GO WHEN THEY GET IN YOUR FACE ♪ 445 00:22:23,733 --> 00:22:25,909 ♪ TELL ME WHAT ARE YA FIGHTING FOR? 446 00:22:27,084 --> 00:22:30,784 ♪ WHEN YOU CLOSE YOUR MIND AND YOU LOCK THE DOOR ♪ 447 00:22:32,220 --> 00:22:35,658 ♪ TELL ME, WON'T YOU TELL ME WHAT YOU'RE FIGHTING FOR? ♪ 448 00:22:35,789 --> 00:22:41,272 ♪ THIS NEIGHBORHOOD'S AIN'T WORTH SETTLING ANOTHER SCORE ♪ 449 00:22:41,403 --> 00:22:44,101 ♪ SETTLING ANOTHER SCORE 450 00:22:44,232 --> 00:22:46,277 ♪ SETTLING ANOTHER SCORE 451 00:22:46,408 --> 00:22:48,410 ♪ SETTLING ANOTHER SCORE 452 00:23:04,208 --> 00:23:06,689 -THAT'S A PHAT JAM, ESE. THE DELIQUENTES. 453 00:23:08,256 --> 00:23:11,999 ODELAY, LOOK WHO'S BACK IN THE NEIGHBORHOOD. 454 00:23:12,129 --> 00:23:13,566 -WE'RE HERE TO SEE HECTOR. 455 00:23:13,696 --> 00:23:15,394 -HEY, WELL, HECTOR DON'T WANT TO SEE YOU. 456 00:23:17,047 --> 00:23:18,048 -IS THAT TRUE, HECTOR? 457 00:23:19,876 --> 00:23:22,705 -LOOK, GO BACK TO MALIBU AND LEAVE ME ALONE. 458 00:23:22,836 --> 00:23:25,839 -YOU'D RATHER STAY HERE ON A CAR SEAT IN AN EMPTY LOT? 459 00:23:25,969 --> 00:23:27,710 -I GOT NO PLACE BETTER TO GO. 460 00:23:27,841 --> 00:23:30,583 -COME WITH US, HECTOR. COME ON, MIJO. 461 00:23:30,713 --> 00:23:33,281 -I SAID HECTOR AIN'T GOING NOWHERE WITH YOU, PUTA! 462 00:23:37,503 --> 00:23:39,418 -OH, WHAT ARE YOU GONNA DO, SHOOT ME? 463 00:23:39,548 --> 00:23:41,245 YOU DESERVED TO BE SLAPPED FOR WHAT YOU SAID. 464 00:23:41,376 --> 00:23:43,944 -NO, I AIN'T GONNA SHOOT YOU! 465 00:23:44,074 --> 00:23:46,076 I'M GONNA SHOOT YOUR ANGELITO HERE. 466 00:23:48,557 --> 00:23:50,472 WHAT, ESE? WHAT! 467 00:23:57,174 --> 00:23:58,698 SO WHAT ARE YOU GONNA DO, VIEJA? 468 00:23:58,828 --> 00:24:00,874 YOU'LL WATCH WHILE I BUST A CAP IN YOUR ANGELITO? 469 00:24:01,004 --> 00:24:02,310 -OH, IT'S SO EASY FOR YOU, RIGHT? 470 00:24:02,441 --> 00:24:04,225 YOU JUST POINT, SHOOT AND KILL. 471 00:24:04,355 --> 00:24:06,401 YOU KNOW, THAT'S NOT THE WAY A MAN TAKES CARE OF BUSINESS. 472 00:24:06,532 --> 00:24:07,794 BE A MAN, PUT THAT GUN DOWN! 473 00:24:08,708 --> 00:24:10,361 -IT'S ALL RIGHT, PULGA! -SHUT UP! 474 00:24:10,492 --> 00:24:12,276 -LET ME TALK TO THEM. -NO! 475 00:24:14,844 --> 00:24:17,151 -I'LL BE BACK. I'LL BE RIGHT BACK. 476 00:24:17,847 --> 00:24:20,937 GET OUT OF HERE. GO HOME BEFORE HE KILLS YOU. 477 00:24:24,985 --> 00:24:27,553 HE'S CRAZY. ESTA LOCO. 478 00:24:27,683 --> 00:24:29,076 -THEN WHY, MAN? 479 00:24:29,206 --> 00:24:30,730 WHY DO YOU WANT TO HANG OUT HERE WITH THEM? 480 00:24:30,860 --> 00:24:32,514 -BECAUSE HE'S MY HOMEBOY. 481 00:24:32,645 --> 00:24:33,863 HE'S LIKE MY BROTHER. 482 00:24:37,084 --> 00:24:38,433 HE'S ALL I HAVE. 483 00:24:38,564 --> 00:24:40,217 -NO, HECTOR, HE'S NOT ALL YOU HAVE. 484 00:24:40,348 --> 00:24:41,784 YOU HAVE OTHER CHOICES. 485 00:24:41,915 --> 00:24:44,004 -YEAH, YOU DO, MAYBE. 486 00:24:44,744 --> 00:24:45,788 AND HIM. 487 00:24:48,182 --> 00:24:49,270 BUT NOT ME. 488 00:24:50,619 --> 00:24:54,101 -HECTOR, LET'S GO, ESE. VAMANOS. 489 00:24:55,711 --> 00:24:56,712 NOW. 490 00:25:18,604 --> 00:25:20,562 -CODY: HEH, SO MUCH FOR YOUR LOVE THEORY. 491 00:25:20,693 --> 00:25:22,738 -NEELY: IT'S NOT A THEORY, IT'S A FACT. 492 00:25:22,869 --> 00:25:24,218 -IF THEY WERE IN LOVE, MITCH WOULD BE HELPING HER 493 00:25:24,348 --> 00:25:26,002 PICK THINGS UP. THERE'D BE GLANCES. 494 00:25:26,133 --> 00:25:28,178 -NEELY: EXACTLY, THEY'RE PLAYING THAT SCENE OUT 495 00:25:28,309 --> 00:25:29,658 FOR OUR BENEFIT. 496 00:25:29,789 --> 00:25:32,313 ME THINKS THEY DOTH PROTEST TOO MUCH. 497 00:25:32,792 --> 00:25:35,838 -ME THINKS THOU DOTH ARE OUT OF YOUR MIND. 498 00:25:35,969 --> 00:25:37,579 -NEELY: ALL RIGHT, FINE. 499 00:25:37,710 --> 00:25:40,103 GO ASK MITCH, SEE WHAT HE SAYS. 500 00:25:40,800 --> 00:25:41,801 -ALL RIGHT. 501 00:25:41,931 --> 00:25:42,932 -GO. -I WILL. 502 00:25:58,644 --> 00:26:01,647 -HEY, MITCH, HOW'S IT GOING? -HEY. 503 00:26:01,777 --> 00:26:03,692 -SO WHAT'S NEW? -AH, NOTHING MUCH. 504 00:26:03,823 --> 00:26:05,607 LET'S SEE, HOBIE'S COMING INTO TOWN TOMORROW. 505 00:26:05,738 --> 00:26:08,044 IT'S HIS BIRTHDAY. I GOT HIM A CAR. 506 00:26:08,175 --> 00:26:09,785 -A CAR? ALRIGHT, WHAT KIND? 507 00:26:09,916 --> 00:26:11,700 -I DON'T KNOW YET, SAM'S TAKING ME TO A POLICE AUCTION. 508 00:26:12,396 --> 00:26:14,442 -YOU AND SAM BEEN SEEING A LOT OF EACH OTHER LATELY, HUH? 509 00:26:14,573 --> 00:26:15,574 -NOT REALLY. 510 00:26:16,749 --> 00:26:18,141 -ANYTHING GOING ON BETWEEN YOU TWO? 511 00:26:18,272 --> 00:26:21,144 -YEAH, SURE. WE WORK TOGETHER, WE'RE FRIENDS. 512 00:26:24,583 --> 00:26:26,497 -MITCH, I'VE ALWAYS BEEN UPFRONT WITH YOU, RIGHT? 513 00:26:26,628 --> 00:26:27,760 -RIGHT. 514 00:26:27,890 --> 00:26:30,197 -SO, YOU CAN BE UPFRONT WITH ME. 515 00:26:30,806 --> 00:26:33,026 YOU AND SAM, ARE YOU TOGETHER OR NOT? 516 00:26:33,809 --> 00:26:34,854 -DEFINE "TOGETHER." 517 00:26:35,855 --> 00:26:36,899 -ARE YOU IN LOVE? 518 00:26:39,859 --> 00:26:41,208 -I THINK SO. 519 00:26:41,904 --> 00:26:43,558 -NEELY WAS RIGHT. -NO SHE'S NOT RIGHT. 520 00:26:43,689 --> 00:26:44,951 I MEAN, I DON'T KNOW IF SHE'S RIGHT. 521 00:26:45,081 --> 00:26:47,388 LOOK, MAYBE SHE IS, MAYBE SHE'S NOT, 522 00:26:47,518 --> 00:26:49,259 BUT WE'RE NOT EVEN SURE YET. 523 00:26:49,390 --> 00:26:51,305 -WHAT HAPPENED? I MEAN, HOW'D YOU TWO...? 524 00:26:52,088 --> 00:26:55,657 -WELL, THE WHOLE THING STARTED A COUPLE OF WEEKS AGO 525 00:26:55,788 --> 00:26:57,224 ON A STRAND IN VENICE. 526 00:26:58,617 --> 00:27:00,923 THERE WERE REPORTS OF PICKPOCKETING AND SOME MUGGINGS. 527 00:27:01,054 --> 00:27:03,926 WE SAW SOME GUY GRAB A LADY'S PURSE AND TAKE OFF RUNNING, 528 00:27:04,057 --> 00:27:07,756 SO I TOOK OFF AFTER HIM, SAM WAS RIGHT BEHIND ME. 529 00:27:09,628 --> 00:27:11,630 HE HEADED TOWARD ALL THE FORTUNE TELLERS 530 00:27:11,760 --> 00:27:12,979 NEAR THE PAVILION. 531 00:27:13,109 --> 00:27:14,415 I CAUGHT UP WITH HIM FIRST. 532 00:27:14,545 --> 00:27:18,811 HE SWUNG THE PURSE AT ME, I HIT HIM, 533 00:27:18,941 --> 00:27:22,205 AND THEN SAM TACKLED US BOTH LIKE A LINEBACKER. 534 00:27:22,336 --> 00:27:25,644 WE ALL WENT FLYING INTO A TABLE WITH TAROT CARDS 535 00:27:25,774 --> 00:27:26,993 AND A CRYSTAL BALL. 536 00:27:27,123 --> 00:27:28,821 THE MUGGER WAS KNOCKED OUT COLD, 537 00:27:28,951 --> 00:27:32,520 THE CRYSTAL BALL LANDED ON MY STOMACH. 538 00:27:32,651 --> 00:27:34,870 IT ACTUALLY TOOK MY BREATH AWAY. 539 00:27:35,001 --> 00:27:40,310 WHEN I LOOKED AT SAM, SHE TOOK MY BREATH AWAY EVEN MORE. 540 00:27:40,441 --> 00:27:43,270 IT WAS WEIRD, I KNEW SHE FELT IT TOO. 541 00:27:43,400 --> 00:27:45,098 I MEAN, WE BOTH DID. 542 00:27:45,228 --> 00:27:48,188 IT WAS LIKE WE SAW EACH OTHER FOR THE VERY FIRST TIME. 543 00:27:48,754 --> 00:27:50,320 THE FORTUNE TELLER PICKED UP A TAROT CARD 544 00:27:50,451 --> 00:27:51,887 THAT LANDED ON SAM. 545 00:27:52,018 --> 00:27:53,497 SHE LOOKED AT THE CARD, LOOKED AT BOTH OF US, 546 00:27:53,628 --> 00:27:56,065 AND THEN SHE SAID, "I SEE LOVE FOR YOU BOTH. 547 00:27:56,675 --> 00:27:59,939 "ALL-CONSUMING LOVE, IT'S IN THE CARDS." 548 00:28:02,028 --> 00:28:05,640 AND THAT NIGHT, SHE TURNED OUT TO BE RIGHT. 549 00:28:06,467 --> 00:28:07,860 -YOU UH-- 550 00:28:07,990 --> 00:28:10,601 -"ALL-CONSUMING" IS THE OPERATIVE WORD HERE. 551 00:28:10,732 --> 00:28:12,255 LOOK, THAT WAS TWO WEEKS AGO. 552 00:28:12,386 --> 00:28:13,779 WE STILL HAVEN'T FIGURED OUT WHAT'S HAPPENING HERE, 553 00:28:13,909 --> 00:28:14,823 SO WE REALLY DON'T WANT ANYONE ELSE TO KNOW. 554 00:28:14,954 --> 00:28:15,955 -HEY, I HEAR YOU, MAN. 555 00:28:16,085 --> 00:28:17,260 -ESPECIALLY NEELY. 556 00:28:18,000 --> 00:28:20,046 -I WON'T SAY A WORD, BUT I DON'T KNOW 557 00:28:20,176 --> 00:28:21,308 IF YOU CAN HIDE IT FROM HER. 558 00:28:21,438 --> 00:28:24,137 SHE'S PRETTY OBSERVANT. 559 00:28:24,920 --> 00:28:25,834 SEE YOU. 560 00:28:38,368 --> 00:28:39,892 -PULGA: EH, FOOL! 561 00:28:40,022 --> 00:28:41,371 THERE'S THAT EIGHTBALL THAT SPIT IN MY MOUTH, ESE! 562 00:28:47,247 --> 00:28:49,249 -HECTOR: PULGA NO, MAN! LET HIM GO, MAN! 563 00:28:49,379 --> 00:28:50,772 PULGA, STOP! 564 00:28:52,339 --> 00:28:53,906 -LET'S GO, ESE! 565 00:28:54,036 --> 00:28:56,691 -HECTOR: HEY, ESE, PUT THE GUN AWAY. 566 00:28:56,822 --> 00:28:58,824 PULGA, MAN, WHAT'S WRONG WITH YOU, MAN? 567 00:28:58,954 --> 00:29:01,043 DON'T DO THIS, DON'T SHOOT HIM, HOLMES. 568 00:29:07,702 --> 00:29:09,660 -HEY, HEY, HEY, WHERE YOU GOING, ESE? 569 00:29:10,313 --> 00:29:12,272 HEY, GET BACK IN THE CAR, ESE. 570 00:29:14,665 --> 00:29:16,667 LEAVE HIM, FOOL. HE'S DEAD. 571 00:29:17,451 --> 00:29:18,191 -HECTOR: MAYBE NOT. 572 00:29:18,321 --> 00:29:19,627 -DAMN. 573 00:29:19,758 --> 00:29:22,108 [SUSPENSEFUL MUSIC] 574 00:29:52,616 --> 00:29:55,402 -COME ON, MAN. LET ME FEEL IT. 575 00:29:55,532 --> 00:30:00,711 [SIRENS BLARING] 576 00:30:07,631 --> 00:30:10,025 [COUGHING] YEAH. 577 00:30:10,591 --> 00:30:12,201 YOU'RE BREATHING, MAN. 578 00:30:19,992 --> 00:30:21,471 I GOT HIS HEART STARTED, MAN. 579 00:30:22,516 --> 00:30:24,474 I DID CPR, HE WASN'T BREATHING. 580 00:30:24,605 --> 00:30:28,565 [SIRENS BLARING] 581 00:30:42,188 --> 00:30:45,060 -LOOK, CODY KNOWS AND NEELY SUSPECTS, ALRIGHT? 582 00:30:45,191 --> 00:30:47,802 WORKING SIDE BY SIDE LIKE THIS IS DRIVING ME CRAZY. 583 00:30:47,933 --> 00:30:49,630 WHY DON'T WE JUST TELL THEM ALL? 584 00:30:49,760 --> 00:30:52,720 -OR, END IT NOW BEFORE ANYONE GETS HURT. 585 00:30:53,895 --> 00:30:55,157 -ANYONE LIKE WHO? 586 00:30:55,636 --> 00:30:58,639 -LIKE US. 587 00:30:59,770 --> 00:31:01,033 -YOU CAN'T BE SERIOUS. 588 00:31:01,163 --> 00:31:02,599 YOU MEAN JUST END THE WHOLE THING, 589 00:31:02,730 --> 00:31:03,687 AND PRETEND LIKE NONE OF THIS NEVER HAPPENED. 590 00:31:04,950 --> 00:31:06,168 -I JUST... 591 00:31:06,690 --> 00:31:08,301 I'M JUST AFRAID THAT IF WE WORK TOGETHER 592 00:31:08,431 --> 00:31:10,172 AND HAVE A RELATIONSHIP, 593 00:31:10,303 --> 00:31:12,566 THAT AT SOME POINT ONE OF THEM IS GOING TO HAVE TO END. 594 00:31:12,696 --> 00:31:14,220 -NEITHER HAS TO END. 595 00:31:15,264 --> 00:31:17,527 SAM, THERE'S NO REASON WE CAN'T HAVE BOTH. 596 00:31:18,528 --> 00:31:19,529 -THAT'S WHAT ADAM SAID. 597 00:31:20,356 --> 00:31:21,967 -ADAM? YOUR EX? 598 00:31:24,752 --> 00:31:26,797 -IT WAS THE SAME SITUATION. 599 00:31:26,928 --> 00:31:28,582 WE WORKED TOGETHER FIVE DAYS A WEEK. 600 00:31:28,712 --> 00:31:30,149 WE STARTED A BUSINESS TOGETHER, 601 00:31:31,890 --> 00:31:33,239 AND THEN WE FELL IN LOVE. 602 00:31:33,369 --> 00:31:36,590 WHEN THINGS GOT COMPLICATED AND CONFUSED, 603 00:31:36,720 --> 00:31:40,246 AND SIX MONTHS LATER, I SOLD HIM HALF OF MY BUSINESS 604 00:31:40,376 --> 00:31:42,770 AND RAN BACK HERE TO THE BEACH JUST TO GET AWAY. 605 00:31:45,860 --> 00:31:48,471 MITCH, WE DIDN'T WANT TO HURT EACH OTHER, BUT WE DID. 606 00:31:54,477 --> 00:31:55,957 -THAT WON'T HAPPEN WITH US. 607 00:31:59,787 --> 00:32:02,311 -I CAME HERE TO GET AWAY FROM COMPLICATIONS, 608 00:32:02,442 --> 00:32:05,706 AND NOW I FEEL LIKE I'M RIGHT BACK WHERE I STARTED. 609 00:32:08,187 --> 00:32:09,971 -YOU'RE WITH A DIFFERENT, MAN. 610 00:32:11,581 --> 00:32:15,977 SAM, I'M IN LOVE WITH YOU. 611 00:32:17,587 --> 00:32:19,850 I NEVER THOUGHT I'D FEEL THIS WAY AGAIN. 612 00:32:21,374 --> 00:32:22,723 I DON'T WANT TO LOSE IT. 613 00:32:24,725 --> 00:32:26,074 -I DON'T EITHER. 614 00:32:34,082 --> 00:32:36,215 -YOU KNOW, HONEY, WHEN I WAS 17, I COULD'VE BOUGHT A DRESS 615 00:32:36,345 --> 00:32:38,043 FOR WHAT IT COSTS TO CLEAN ONE TODAY. 616 00:32:38,173 --> 00:32:39,392 -BETTER CLOSE THE DOOR, 617 00:32:39,522 --> 00:32:40,828 THERE'S A LOT OF BAD DUDES OUT THERE. 618 00:32:40,959 --> 00:32:43,135 -HECTOR! -HOW'D YOU KNOW WHERE WE LIVED? 619 00:32:43,265 --> 00:32:44,832 -NOT, MANY HOMIES LIVE IN MALIBU. 620 00:32:44,963 --> 00:32:46,312 -HOW DID YOU GET IN HERE? 621 00:32:46,442 --> 00:32:48,096 -I TOOK A CLASS IN SCHOOL. 622 00:32:48,227 --> 00:32:49,924 LOCKPICKING 101. 623 00:32:50,055 --> 00:32:51,491 -MAN, WHAT'S UP WITH YOU? 624 00:32:51,621 --> 00:32:53,667 YOU SHINED US OUT THERE, NOW YOU SHOW UP HERE? 625 00:32:53,797 --> 00:32:55,408 -I GOT A LITTLE TROUBLE, MAN. 626 00:32:55,538 --> 00:32:57,932 PULGA, HE SHOT AT THAT GUY WHO HE DID CPR WITH. 627 00:32:58,063 --> 00:32:59,238 -AY, DIOS! 628 00:32:59,368 --> 00:33:00,804 -HE HIT HIS ARM, AND HE MISSED HIM, 629 00:33:00,935 --> 00:33:02,850 BUT HE CRASHED INTO A TELEPHONE POLE. 630 00:33:02,981 --> 00:33:04,330 -WAS HE KILLED? 631 00:33:04,460 --> 00:33:06,549 -I THINK SO, BUT I DID THAT CPR STUFF, 632 00:33:06,680 --> 00:33:07,637 AND HE CAME BACK. 633 00:33:09,378 --> 00:33:12,338 HIS HEART STARTED BEATING, HE JUST CAME BACK, MAN. 634 00:33:12,468 --> 00:33:15,123 -WAY TO GO, MAN! SEE, YOU DID IT. 635 00:33:15,254 --> 00:33:17,778 -YEAH, BUT THE PARAMEDICS ID'ED ME WITH THE COPS. 636 00:33:17,908 --> 00:33:20,389 MAN, PULGA KNOWS I'M THE ONLY ONE WHO CAN RAT HIM OUT. 637 00:33:21,303 --> 00:33:23,044 I GOT A DOUBLE DOSE OF IT, MAN. 638 00:33:23,175 --> 00:33:24,654 EVERYONE'S LOOKING TO CLOSE ME OUT. 639 00:33:26,265 --> 00:33:28,310 IS IT OKAY IF I STAY HERE A WHILE? 640 00:33:28,441 --> 00:33:30,051 JUST 'TIL THINGS GET QUIET OUT THERE. 641 00:33:30,182 --> 00:33:32,923 -AND RUN FOREVER? NO. 642 00:33:34,012 --> 00:33:35,187 -WAIT, WHO ARE YOU CALLING? 643 00:33:35,317 --> 00:33:36,753 -THE POLICE. 644 00:33:36,884 --> 00:33:38,320 HECTOR, YOU'VE GOT TO TELL THEM THE TRUTH. 645 00:33:38,451 --> 00:33:39,843 -YOU CALLING THE COPS ON ME? 646 00:33:39,974 --> 00:33:41,497 YOU HATE ME THAT MUCH? 647 00:33:41,628 --> 00:33:43,412 -NO, HECTOR, I LOVE YOU THAT MUCH. 648 00:33:47,721 --> 00:33:49,897 -MANNY: HECTOR, WHERE ARE YOU GOING, MAN? 649 00:33:52,813 --> 00:33:55,990 [EXCITING MUSIC] 650 00:33:59,472 --> 00:34:01,213 HECTOR, YOU DIDN'T DO ANYTHING WRONG, MAN. 651 00:34:01,343 --> 00:34:04,303 YOU SAVED THAT GUY'S LIFE. PULGA'S TOO. 652 00:34:04,433 --> 00:34:06,261 -PULGA? ARE YOU CRAZY? 653 00:34:06,392 --> 00:34:07,828 -IF YOU DIDN'T SAVE THAT GUY'S LIFE, 654 00:34:07,958 --> 00:34:09,438 PULGA WOULD BE UP FOR MURDER, MAN. 655 00:34:09,569 --> 00:34:11,571 -LET ME GO, MANNY! -NO! 656 00:34:11,701 --> 00:34:13,181 -I'LL KILL YOU, MANNY! 657 00:34:13,312 --> 00:34:15,792 -YOU HAVE TO. YOU DIDN'T DO ANYTHING WRONG. 658 00:34:15,923 --> 00:34:17,011 YOU DID THE RIGHT THING. 659 00:34:17,142 --> 00:34:19,100 DO THE RIGHT THING AGAIN. 660 00:34:19,231 --> 00:34:21,798 TURN YOURSELF IN TO THE POLICE. 661 00:34:21,929 --> 00:34:23,844 IT'S THE RIGHT THING TO DO, MAN. 662 00:34:25,759 --> 00:34:27,195 THINK ABOUT IT. 663 00:34:39,468 --> 00:34:41,079 -WHAT TIME DOES HOBIE'S FLIGHT GET IN? 664 00:34:41,209 --> 00:34:44,430 -7:40, ONE OF HIS BUDDIES IS GOING TO PICK HIM UP. 665 00:34:44,560 --> 00:34:46,127 -WHAT HIS MOM GET HIM FOR HIS BIRTHDAY? 666 00:34:46,258 --> 00:34:47,955 -SHE SAID SHE GOT HIM A LAPTOP COMPUTER. 667 00:34:48,086 --> 00:34:49,087 NOT BAD, HUH? 668 00:34:49,217 --> 00:34:51,437 BUT, YOU CAN'T DRIVE IT. 669 00:34:53,526 --> 00:34:55,093 -HOBIE: SEE YOU LATER, RICK, THANKS FOR THE RIDE. 670 00:34:55,223 --> 00:34:56,616 HEY, DAD! 671 00:34:56,746 --> 00:34:58,270 -MITCH: HEY, MAN, I MISSED YOU SO MUCH. 672 00:34:58,400 --> 00:35:00,707 -MISSED YOU TOO. HEY, SAM, HOW ARE YOU? 673 00:35:00,837 --> 00:35:02,317 -SAMANTHA: WELCOME HOME. -GOOD FLIGHT? 674 00:35:02,448 --> 00:35:04,232 -YEAH, IT WAS GREAT. MOM SENT YOU SOME COOKIES. 675 00:35:04,363 --> 00:35:06,104 -DOUBLE CHOCOLATE CHIP? -OF COURSE. 676 00:35:06,234 --> 00:35:07,670 CHECK OUT MY NEW LAPTOP COMPUTER. 677 00:35:07,801 --> 00:35:09,019 -YEAH, SHE TOLD ME. COME ON, SIT DOWN. 678 00:35:10,934 --> 00:35:13,807 WE GOT YOU SOME NICE PRESENTS, BUT YOUR BIGGER PRESENT 679 00:35:13,937 --> 00:35:15,548 ARRIVES TOMORROW. 680 00:35:15,678 --> 00:35:17,376 -"ARRIVES"? WHAT DO YOU MEAN ARRIVES? 681 00:35:17,506 --> 00:35:18,333 WHAT IS IT? 682 00:35:19,334 --> 00:35:21,119 -WELL, YOU'LL JUST HAVE TO WAIT AND SEE. 683 00:35:21,249 --> 00:35:24,252 I WANT YOU TO BE AT BAYWATCH TOMORROW MORNING, 10 O'CLOCK. 684 00:35:25,035 --> 00:35:27,037 -SO, THEN I CAN OPEN THESE NOW-- 685 00:35:27,168 --> 00:35:31,825 -BEFORE WE GO INTO THESE, I JUST WANTED TO HAVE LIKE 686 00:35:31,955 --> 00:35:32,826 A LITTLE MAN-TO-MAN TALK. 687 00:35:33,522 --> 00:35:35,002 [CLEARS THROAT] 688 00:35:35,133 --> 00:35:37,570 ACTUALLY A LITTLE MAN-AND-WOMAN-TO-MAN TALK. 689 00:35:38,223 --> 00:35:39,354 -SURE, WHAT'S UP? 690 00:35:39,485 --> 00:35:41,530 -WELL, WHILE YOU WERE IN OHIO, 691 00:35:41,661 --> 00:35:44,229 SOME THINGS SORT OF HAPPENED. 692 00:35:44,359 --> 00:35:46,187 -HAPPENED? WHAT DO YOU MEAN? 693 00:35:47,884 --> 00:35:52,889 -WELL, SAM AND I FELL IN LOVE. 694 00:35:54,326 --> 00:35:57,155 -COOL, THAT'S GREAT. CONGRATULATIONS, YOU GUYS. 695 00:35:58,417 --> 00:36:01,115 -THAT'S IT? I MEAN, YOU'RE NOT SHOCKED? 696 00:36:01,246 --> 00:36:03,335 -COME ON, DAD, I'M NOT BLIND. 697 00:36:03,465 --> 00:36:05,337 I SAW THIS COMING A LONG TIME AGO. 698 00:36:05,467 --> 00:36:06,990 -YOU SAW IT COMING? 699 00:36:07,121 --> 00:36:09,515 -SURE, I MEAN YOU GUYS ARE PERFECT FOR EACH OTHER. 700 00:36:09,645 --> 00:36:12,300 YOU LOVE THE SAME WORK, SAME FUN. 701 00:36:12,431 --> 00:36:14,172 I MEAN, YOU GUYS FIT TOGETHER. 702 00:36:14,998 --> 00:36:18,959 BUT I THINK IF THIS IS GONNA WORK OUT, 703 00:36:20,352 --> 00:36:21,918 ME AND YOU NEED TO TALK ABOUT SOMETHING, 704 00:36:22,049 --> 00:36:22,919 AND I NEED YOU TO BE HONEST. 705 00:36:23,050 --> 00:36:23,920 -SURE. 706 00:36:26,488 --> 00:36:28,186 -WHAT'S MY PRESENT THAT'S ARRIVING TOMORROW? 707 00:36:28,316 --> 00:36:32,233 -NO! NO WAY! 10 O'CLOCK, YOU WAIT TOMORROW. 10 O'CLOCK. 708 00:36:32,929 --> 00:36:35,454 [CHEERFUL MUSIC] 709 00:36:51,121 --> 00:36:53,254 [LAUGHING] 710 00:37:02,785 --> 00:37:06,789 [SERIOUS MUSIC] 711 00:37:09,662 --> 00:37:10,837 -WORKING HARD, LIFEGUARD? 712 00:37:10,967 --> 00:37:12,447 WHO'S GUARDING YOUR LIFE NOW, ESE? 713 00:37:12,578 --> 00:37:15,276 -WHAT DO YOU WANT? -I'LL TELL YOU WHAT I WANT. 714 00:37:16,625 --> 00:37:18,453 I WANT YOU TO TAKE A MESSAGE TO YOUR BOY HECTOR. 715 00:37:18,584 --> 00:37:20,847 AND YOU TELL HIM IF HE GIVES MY NAME TO THE COPS, 716 00:37:20,977 --> 00:37:23,980 YOUR MAMACITA'S GOING TO PAY WITH HER LIFE. 717 00:37:31,945 --> 00:37:33,729 -NEELY: ARE YOU OKAY? -WHAT IS IT? 718 00:37:33,860 --> 00:37:35,165 -YOU'LL FIND OUT, HANG ON. 719 00:37:37,298 --> 00:37:38,865 HEY? 720 00:37:38,995 --> 00:37:41,520 HEY, COME ON WHAT ARE YOU DOING! THAT'S MY KID'S CAR! 721 00:37:41,650 --> 00:37:44,697 -CAR? -FOLLOW THAT CAR. 722 00:37:44,827 --> 00:37:46,786 [ACTION-PACKED MUSIC] 723 00:37:55,534 --> 00:37:57,187 GET NEXT TO HIM, GET NEXT TO HIM. 724 00:37:58,319 --> 00:37:59,929 HE'S TURNING. ALL RIGHT. 725 00:38:17,164 --> 00:38:19,949 CLOSER, CLOSER. ALRIGHT, HOLD IT STEADY. 726 00:38:31,831 --> 00:38:33,223 TURN IT OFF! 727 00:38:35,922 --> 00:38:38,403 HEY, THAT'S MY SON'S CAR. 728 00:38:51,459 --> 00:38:53,200 SO WHAT DO YOU THINK, PAL? 729 00:38:53,331 --> 00:38:55,202 -THIS IS THE GREATEST CAR EVER, THANK YOU SO MUCH, GUYS. 730 00:38:55,333 --> 00:38:56,725 -HAPPY BIRTHDAY. -HOBIE: I LOVE YOU GUYS. 731 00:38:56,856 --> 00:38:58,248 -MAN, YOU DESERVE IT. 732 00:38:58,379 --> 00:38:59,598 NOW LISTEN, YOU'VE GOT YOUR SEAT BELT ON? 733 00:38:59,728 --> 00:39:01,121 REMEMBER, FOUR ON THE FLOOR, OKAY. 734 00:39:01,251 --> 00:39:03,036 -DAD, I HAVE MY LICENSE, I KNOW HOW TO DRIVE. 735 00:39:03,166 --> 00:39:05,168 -OKAY, OKAY, I'M JUST BEING YOUR DAD HERE. 736 00:39:05,299 --> 00:39:07,910 LOOK, YOU BE CAREFUL, HUH? THIS THING CAN HAUL. 737 00:39:08,041 --> 00:39:10,565 -PROMISE. -ALL RIGHT. GO FOR IT. 738 00:39:10,696 --> 00:39:12,219 [HOOTING] 739 00:39:17,224 --> 00:39:19,226 -HEY, HEY, HEY! SLOW DOWN! SLOW DOWN! 740 00:39:23,796 --> 00:39:26,407 I THINK THIS IS THE BIGGEST MISTAKE I'VE EVER MADE. 741 00:39:26,538 --> 00:39:28,757 -AH, YOU THINK TOO MUCH, HE'S GONNA BE FINE. 742 00:39:29,236 --> 00:39:30,368 AND SO ARE WE. 743 00:39:30,933 --> 00:39:32,892 -YOU READY? -READY AS I'LL EVER BE. 744 00:39:33,022 --> 00:39:34,676 -ALRIGHT, LET'S DO IT. 745 00:39:44,512 --> 00:39:46,601 -HEY, NEELY, YOU GOT A MINUTE? -SURE. 746 00:39:47,472 --> 00:39:52,041 -SAM TELLS ME THAT YOU THINK WE ARE HAVING AN AFFAIR. 747 00:39:52,172 --> 00:39:57,351 -WELL, YOU KNOW I JUST THOUGHT THAT MAYBE YOU-- 748 00:39:57,482 --> 00:39:58,396 -WE'RE NOT. 749 00:39:59,832 --> 00:40:00,876 -TOLD YOU. 750 00:40:01,007 --> 00:40:02,051 -OH. 751 00:40:02,661 --> 00:40:05,054 -AFFAIRS ARE SORT OF CLANDESTINE THINGS 752 00:40:05,185 --> 00:40:07,535 THAT TAKE PLACE BEHIND CLOSED DOORS. 753 00:40:07,666 --> 00:40:10,408 -WE WANT TO PUT THIS RUMOR TO REST ONCE AND FOR ALL. 754 00:40:20,809 --> 00:40:23,725 -THE DOORS ARE OFFICIALLY OPEN. 755 00:40:23,856 --> 00:40:27,555 -I KNEW IT! I KNEW IT, I KNEW IT. 756 00:40:28,208 --> 00:40:31,429 I'M ALWAYS RIGHT. ALWAYS. 757 00:40:51,666 --> 00:40:57,542 [SPEAKING SPANISH] 758 00:41:03,286 --> 00:41:05,375 -OKAY, MUCHACHOS. LET'S EAT. 759 00:41:06,246 --> 00:41:09,684 [SPEAKING SPANISH] 760 00:41:16,648 --> 00:41:19,259 [CLOSING THEME PLAYING] 54653

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