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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:03,960 [OPENING THEME PLAYING] 2 00:00:12,838 --> 00:00:15,885 ♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:17,017 --> 00:00:20,759 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:20,890 --> 00:00:24,589 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 5 00:00:24,720 --> 00:00:27,984 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 6 00:00:28,115 --> 00:00:30,769 ♪ DON'T YOU WORRY 7 00:00:30,900 --> 00:00:33,990 ♪ IT'S GONNA BE ALL RIGHT 8 00:00:36,993 --> 00:00:38,864 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,995 --> 00:00:42,346 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,393 --> 00:00:47,830 ♪ I'LL BE READY 11 00:00:47,960 --> 00:00:49,397 ♪ I'LL BE READY 12 00:00:49,527 --> 00:00:51,355 ♪ NEVER YOU FEAR 13 00:00:51,486 --> 00:00:53,357 ♪ NO, DON'T YOU FEAR 14 00:00:53,488 --> 00:00:56,578 ♪ I'LL BE READY 15 00:00:56,708 --> 00:01:02,540 ♪ FOREVER AND ALWAYS, I'M ALWAYS HERE ♪ 16 00:01:20,863 --> 00:01:22,604 ♪ 'CAUSE I'M ALWAYS READY 17 00:01:22,734 --> 00:01:26,477 ♪ I WON'T LET YOU OUTTA MY SIGHT ♪ 18 00:01:29,132 --> 00:01:31,787 ♪ I'LL BE READY 19 00:01:31,917 --> 00:01:33,615 ♪ I'LL BE READY 20 00:01:33,745 --> 00:01:35,399 ♪ NEVER YOU FEAR 21 00:01:35,530 --> 00:01:36,966 ♪ NO, DON'T YOU FEAR 22 00:01:37,097 --> 00:01:40,230 ♪ I'LL BE READY 23 00:01:41,144 --> 00:01:46,758 ♪ FOREVER AND ALWAYS, I'M ALWAYS HERE ♪ 24 00:02:03,427 --> 00:02:05,429 [THUNDER RUMBLING] 25 00:02:10,826 --> 00:02:12,871 [MELANCHOLY MUSIC] 26 00:02:17,224 --> 00:02:19,574 [THUNDER CLAP] 27 00:02:32,848 --> 00:02:34,893 [THUNDER CLAP] 28 00:02:36,591 --> 00:02:38,984 [THUNDER CLAP] 29 00:02:48,124 --> 00:02:49,604 -CAN I TALK NOW? 30 00:02:49,734 --> 00:02:52,084 -NO, I'M STILL DOING YOUR LIPS. 31 00:02:56,263 --> 00:02:58,613 OKAY, YOU CAN TALK. 32 00:02:58,743 --> 00:03:00,223 -YEAH, I'VE BEEN THINKING ABOUT IT. 33 00:03:00,354 --> 00:03:01,355 WHAT I LOVE MOST ABOUT THE BEACH 34 00:03:01,485 --> 00:03:03,313 IS THE ACTION, THE RESCUES. 35 00:03:04,053 --> 00:03:06,142 SEARCH AND RESCUE IS REALLY WHAT I WANT TO DO. 36 00:03:06,925 --> 00:03:08,753 -HEY, C.J., CAN I BORROW YOU BLACK RUBBER DRE... 37 00:03:09,406 --> 00:03:12,061 HEY NOW, THAT'S REALLY GOOD. 38 00:03:12,192 --> 00:03:13,410 I DIDN'T KNOW YOU WERE SO TALENTED. 39 00:03:13,541 --> 00:03:14,803 -MY TEACHER JUST TOLD ME TO LET GO 40 00:03:14,933 --> 00:03:16,196 AND PAINT WHAT I FEEL. 41 00:03:16,761 --> 00:03:18,328 -MAYBE YOU CAN PAINT ME SOME TIME. 42 00:03:19,111 --> 00:03:20,112 -SURE. 43 00:03:21,723 --> 00:03:23,028 NOW PUT YOUR NOSE RIGHT THERE. 44 00:03:23,159 --> 00:03:25,335 -WHAT? -PUT YOUR NOSE RIGHT THERE. 45 00:03:25,466 --> 00:03:26,684 I WAS JUST PAINTING WHAT I FEEL. 46 00:03:32,081 --> 00:03:33,125 PERFECT. 47 00:03:33,865 --> 00:03:35,258 -ALL RIGHT, THAT'S ENOUGH, 48 00:03:35,389 --> 00:03:36,738 LET ME SEE WHAT THIS PAINTING LOOKS LIKE. 49 00:03:40,220 --> 00:03:41,133 WHERE AM I? 50 00:03:41,264 --> 00:03:42,396 -YOU'RE EVERYWHERE. 51 00:03:42,526 --> 00:03:43,614 THIS IS HOW I FEEL ABOUT YOU. 52 00:03:43,745 --> 00:03:45,137 -OH. 53 00:03:45,268 --> 00:03:47,139 -I LOVE IT, YOU'RE A GENIUS, IT'S PERFECT. 54 00:03:47,270 --> 00:03:49,098 ESPECIALLY THAT LITTLE RED SPOT RIGHT THERE. 55 00:03:50,186 --> 00:03:51,405 -OKAY, SO WHAT DOES IT SAY? 56 00:03:51,535 --> 00:03:52,841 HOW DO YOU FEEL ABOUT ME? 57 00:03:53,407 --> 00:03:55,060 -IT'S ART, CODY, YOU HAVE TO INTERPRET IT FOR YOURSELF. 58 00:03:55,191 --> 00:03:57,062 [CLATTERING] 59 00:03:57,193 --> 00:03:59,456 NOW, BE CAREFUL WITH MY DRESS, I JUST ARMOR ALL'D THAT. 60 00:04:06,246 --> 00:04:08,248 [MELANCHOLY MUSIC] 61 00:04:47,504 --> 00:04:49,376 [SEAGULLS SQUAWKING] 62 00:04:52,379 --> 00:04:55,382 [UPBEAT MUSIC] 63 00:04:56,121 --> 00:04:58,820 -COME ON, JADE, WORK THE CAMERA, BABY. 64 00:04:58,950 --> 00:05:00,865 -I AM WORKING, ERNIE. 65 00:05:00,996 --> 00:05:03,346 HEY, WHEN YOU WORK FOR SCALE, THIS IS WHAT YOU GET. 66 00:05:04,869 --> 00:05:09,221 -ANNA, SHAWN, COME ON, GIVE ME ATTITUDE, MAJOR ATTITUDE. 67 00:05:09,352 --> 00:05:12,312 I WANT TIGER SHARK, NOT HALIBUT. 68 00:05:12,442 --> 00:05:14,662 -I'M HUNGRY, WHEN DO WE BREAK FOR LUNCH? 69 00:05:14,792 --> 00:05:17,491 -WE'RE SELLING LIPSTICK, ANNA, NOT BIKINIS. 70 00:05:17,621 --> 00:05:19,667 POUTY LIPS BABY, THAT'S NICE. 71 00:05:19,797 --> 00:05:22,409 COME ON. YES, GUYS, LOVELY. 72 00:05:22,539 --> 00:05:24,106 COME ON, MAKE ME MELT. 73 00:05:24,236 --> 00:05:26,674 VERY NICE, YES. 74 00:05:26,804 --> 00:05:30,025 TERRIFIC, GREAT, NICE. 75 00:05:36,727 --> 00:05:37,815 -HEY, DOC. 76 00:05:38,338 --> 00:05:40,165 -HOW'S THE HEAL THE BAY REPORT CARD TODAY? 77 00:05:40,688 --> 00:05:43,343 -ON A SCALE OF A TO F, A DEFINITE D. 78 00:05:43,473 --> 00:05:45,170 WE'VE SAMPLED POINT DUNE TO VENICE BEACH, 79 00:05:45,301 --> 00:05:46,781 THIS IS ONE OF THE WORST SPOTS. 80 00:05:47,434 --> 00:05:50,219 -THE STORM WASHED ALL THE GRADOO INTO THE OCEAN AGAIN, HUH? 81 00:05:50,350 --> 00:05:52,656 -GRADOO? -YOU KNOW, GROSS STUFF. 82 00:05:52,787 --> 00:05:54,223 PAINT, OIL, TRASH. 83 00:05:54,354 --> 00:05:55,529 GRADOO. 84 00:05:55,659 --> 00:05:56,660 -YEAH. 85 00:05:57,444 --> 00:06:00,272 A SURFACE RUNOFF AFTER A RAINSTORM IS POISONING THE BAY. 86 00:06:01,056 --> 00:06:03,798 THE WATER, THE ANIMALS, THE PLANTS, 87 00:06:03,928 --> 00:06:06,017 THEY'RE ALL BEING SUFFOCATED. 88 00:06:06,670 --> 00:06:08,542 -I THOUGHT THE BAY WAS HEALTHIER THAN BEFORE. 89 00:06:09,934 --> 00:06:11,632 -YEAH, BETTER THAN 10 YEARS AGO. 90 00:06:12,415 --> 00:06:15,200 BUT TRY AND PICTURE IT A HUNDRED YEARS AGO. 91 00:06:16,376 --> 00:06:19,814 BEFORE MAN STARTED USING IT FOR A TRASH CAN. 92 00:06:20,336 --> 00:06:21,381 -SO WHAT DO WE DO? 93 00:06:22,251 --> 00:06:23,383 -SPREAD THE WORD. 94 00:06:23,992 --> 00:06:25,123 TURN UP THE VOLUME. 95 00:06:25,646 --> 00:06:27,387 NO MORE GRADOO. 96 00:06:29,214 --> 00:06:31,391 -DONNA: HOW FAR DO THE BAD WATERS STRETCH? 97 00:06:31,521 --> 00:06:33,262 -DOC: FROM THE SAMPLINGS, I'D SAY 98 00:06:33,393 --> 00:06:35,395 AT LEAST 100 YARDS ON EACH SIDE OF THE STORM DRAIN ENTRANCE. 99 00:06:35,525 --> 00:06:36,918 -WE'LL MOVE THEM DOWN THE BEACH. 100 00:06:37,048 --> 00:06:38,049 -CAROLINE: BYE, DOC. 101 00:06:38,180 --> 00:06:39,311 -SEE YOU. 102 00:06:42,924 --> 00:06:44,186 -ERNIE: YES, JADE, LOVELY. 103 00:06:45,579 --> 00:06:47,276 [INDISTINGUISHABLE CHATTER] 104 00:06:47,407 --> 00:06:49,757 -EXCUSE ME. EXCUSE ME, PEOPLE. 105 00:06:49,887 --> 00:06:51,498 -OH, YEAH. 106 00:06:51,628 --> 00:06:53,761 NOW, THIS IS WHAT I'VE BEEN LOOKING FOR. 107 00:06:53,891 --> 00:06:55,893 THESE ARE MODELS. 108 00:06:56,024 --> 00:06:56,938 -WE'RE LIFEGUARDS. 109 00:06:57,068 --> 00:06:58,896 THIS IS A WARNING. 110 00:06:59,027 --> 00:07:01,638 THE WATER NEAR THE STORM DRAIN ENTRANCE HAS TESTED UNSAFE. 111 00:07:01,769 --> 00:07:03,161 -WHAT DO YOU MEAN, UNSAFE? 112 00:07:03,292 --> 00:07:04,772 -YOU'D JUST BE A LOT BETTER OFF IF YOU MOVED 113 00:07:04,902 --> 00:07:06,469 ABOUT 100 YARDS UPSHORE, THAT'S ALL. 114 00:07:06,600 --> 00:07:08,602 -OH, COME ON, LIFT YOUR CHIN UP A BIT, DARLING. 115 00:07:08,732 --> 00:07:11,039 NICE, LOVELY PROFILE. 116 00:07:11,169 --> 00:07:14,216 -LOOK, THIS IS SERIOUS. -SO IS THIS, BABY. 117 00:07:14,346 --> 00:07:15,739 YOU'RE NATURALS. NICE. 118 00:07:16,348 --> 00:07:18,438 COVER GIRL MATERIAL. 119 00:07:18,568 --> 00:07:19,787 -OK, THAT'S ENOUGH. 120 00:07:19,917 --> 00:07:22,093 -COME ON, GET WITH THE PROGRAM. 121 00:07:22,616 --> 00:07:24,095 YOU'D BE GREAT FOR MY SHOOT. 122 00:07:24,226 --> 00:07:26,837 THAT MOUTH, MMM, THOSE LIPS. 123 00:07:29,318 --> 00:07:31,363 -LOOK, THE STORM HAS DRAGGED A LOT OF 124 00:07:31,494 --> 00:07:33,017 MAINLAND POLLUTANTS DOWN INTO THE OCEAN, 125 00:07:33,148 --> 00:07:34,410 IT'S JUST, IT'S TOXIC. 126 00:07:34,541 --> 00:07:36,238 -LET'S MOVE, ERNIE. -YEAH, ERNIE. 127 00:07:36,368 --> 00:07:38,283 I DON'T HAVE A PROBLEM MOVING AWAY FROM A TOXIN. 128 00:07:38,414 --> 00:07:41,112 -NO, THE LIGHT IS IDEAL HERE. 129 00:07:41,243 --> 00:07:43,071 THE BACKDROP IS PERFECT HERE. 130 00:07:43,201 --> 00:07:44,551 I SCOUTED THE WHOLE COASTLINE FOR 131 00:07:44,681 --> 00:07:46,117 THE PERFECT PLACE FOR MY SHOOT. 132 00:07:46,248 --> 00:07:47,641 I FOUND IT HERE. 133 00:07:47,771 --> 00:07:50,078 -PERHAPS, YOU DIDN'T UNDERSTAND WHAT WE SAID. 134 00:07:50,208 --> 00:07:51,819 THE WATER ISN'T SAFE. 135 00:07:52,515 --> 00:07:55,126 -DON'T BLAME ME, DARLING, I DIDN'T DO IT. 136 00:07:55,257 --> 00:07:56,693 -IT CAN MAKE YOU SICK. 137 00:07:56,824 --> 00:07:58,347 -I DON'T WANT TO GET SICK. 138 00:07:58,478 --> 00:08:00,218 -COME ON, ERNIE, BE A GOOD GUY. 139 00:08:00,349 --> 00:08:02,220 -COME ON, CHECK ME OUT. 140 00:08:02,351 --> 00:08:04,745 NO CAMP FIRES, NO DOG WITHOUT A LEASH. 141 00:08:04,875 --> 00:08:06,094 NO ALCOHOL. 142 00:08:07,008 --> 00:08:08,313 YOU SEE ME BREAKING ANY LAWS? 143 00:08:08,444 --> 00:08:11,099 -UH-HUH, THE STUPIDITY LAW. 144 00:08:11,708 --> 00:08:13,405 -SAY, "CHEESE." 145 00:08:14,015 --> 00:08:15,451 -COME ON, CAROLINE. 146 00:08:18,193 --> 00:08:19,586 -SO LONG, GIRLS. 147 00:08:19,716 --> 00:08:20,674 DON'T BLAME ME. 148 00:08:21,588 --> 00:08:22,980 I'M JUST DOING ME JOB. 149 00:08:41,346 --> 00:08:42,739 [CLASSICAL MUSIC STARTS PLAYING OVER SPEAKER] 150 00:08:42,870 --> 00:08:45,133 -[SCOFFS] DO YOU HAVE TO PLAY THAT MUSIC NOW? 151 00:08:45,263 --> 00:08:46,656 -WHY, DOES IT BOTHER YOU? 152 00:08:46,787 --> 00:08:48,615 -IT'S KILLING MY MOOD. 153 00:08:51,269 --> 00:08:53,837 -WELL, IT SEEMS TO ME LIKE IT DESERVES TO DIE. 154 00:08:55,535 --> 00:08:57,275 -TOO LATE, IT'S DEAD, YOU KILLED IT. 155 00:08:58,015 --> 00:08:58,973 -WHAT WAS IT? 156 00:09:01,541 --> 00:09:02,411 -THAT. 157 00:09:02,542 --> 00:09:04,282 -THAT, NO. 158 00:09:04,413 --> 00:09:05,719 NO, THANK YOU, I DON'T WANT TO INTERPRET YOUR PAINTING. 159 00:09:05,849 --> 00:09:07,459 WHY DON'T YOU JUST TELL ME WHAT THAT IS, OKAY? 160 00:09:07,590 --> 00:09:08,983 -THE GREEN IS JEALOUSY, 161 00:09:09,113 --> 00:09:10,462 THE GRAY AND THE BLACK IS ANGER AND RAGE, 162 00:09:10,593 --> 00:09:13,074 LOVE AND LOSS, REDEMPTION AND COMPASSION. 163 00:09:13,204 --> 00:09:14,684 -UH-HUH, AND THE RED WOULD BE... 164 00:09:14,815 --> 00:09:17,121 -CODY EXPLODING INTO A MILLION TINY PIECES. 165 00:09:17,252 --> 00:09:18,340 -GOTCHA. 166 00:09:38,229 --> 00:09:39,666 -YOU'RE HOME LATE. 167 00:09:39,796 --> 00:09:41,668 -YEAH, ALICIA AND I WERE WORKING OUT AT THE POOL. 168 00:09:41,798 --> 00:09:43,234 I'M HELPING HER WITH HER BREAST STROKE. 169 00:09:43,365 --> 00:09:44,540 SHE GOT A LOT OF POTENTIAL, 170 00:09:44,671 --> 00:09:46,107 BUT IT'S GOING TO TAKE MORE TIME. 171 00:09:46,977 --> 00:09:48,326 -OH, THAT'S TOO BAD, 172 00:09:48,457 --> 00:09:49,589 'CAUSE I WAS IN A SPECIAL MOOD TONIGHT. 173 00:09:49,719 --> 00:09:51,286 -WELL, IT'S NOT THAT LATE, BABY. 174 00:09:51,416 --> 00:09:53,157 -NO, YOU HAVE TO GET UP EARLY TO TRAIN TOMORROW. 175 00:09:53,288 --> 00:09:54,768 -YEAH, BUT I DON'T NEED THAT MUCH SLEEP. 176 00:09:54,898 --> 00:09:56,900 -I DON'T WANT TO KEEP YOU UP. SWEET DREAMS. 177 00:09:57,031 --> 00:09:58,162 -C.J., WAIT. WAIT, WAIT. 178 00:09:58,772 --> 00:10:00,208 WHAT ABOUT YOUR SPECIAL MOOD? 179 00:10:01,470 --> 00:10:03,080 -TAKE ANOTHER LOOK AT MY PAINTING. 180 00:10:09,957 --> 00:10:13,221 -SPECIAL MOOD. [LOW WHISTLE] 181 00:10:14,657 --> 00:10:17,399 [THOUGHTFUL MUSIC] 182 00:10:27,757 --> 00:10:28,628 -HEY, BLONDIE. 183 00:10:29,411 --> 00:10:30,630 -HEY TO YOU, GIRL. 184 00:10:32,327 --> 00:10:33,633 -WHERE'S C.J.? 185 00:10:33,763 --> 00:10:35,069 -AH, SHE AND NEELY ARE HELPING MITCH 186 00:10:35,199 --> 00:10:37,288 TRAIN FOR THE IRONMAN COMPETITION. 187 00:10:37,419 --> 00:10:40,117 [DISTANT CONVERSATION] 188 00:10:47,298 --> 00:10:49,692 -WHAT? -NOTHING, NOTHING, NOTHING. 189 00:10:49,823 --> 00:10:51,172 -COME ON, CODY, THAT WAS DEFINITELY 190 00:10:51,302 --> 00:10:52,913 "CAROLINE, I GOT A QUESTION" LOOK, COME ON. 191 00:10:54,436 --> 00:10:56,177 -OKAY, CAROLINE, I'VE GOT A QUESTION. 192 00:10:58,309 --> 00:10:59,833 YOU'VE BEEN MARRIED, RIGHT? 193 00:10:59,963 --> 00:11:01,269 -MM-HMM. 194 00:11:01,965 --> 00:11:03,619 -HOW DO YOU KNOW WHEN YOU PICK THE RIGHT PERSON? 195 00:11:04,707 --> 00:11:07,188 -WELL, OBVIOUSLY I DIDN'T BECAUSE I'M NOT MARRIED ANYMORE. 196 00:11:09,843 --> 00:11:11,192 I GUESS... 197 00:11:11,322 --> 00:11:13,063 I GUESS YOU JUST FEEL IT, I... 198 00:11:14,325 --> 00:11:16,110 I DON'T KNOW, MINE DIDN'T WORK OUT. 199 00:11:17,372 --> 00:11:18,373 WHY? 200 00:11:19,113 --> 00:11:21,550 ARE YOU AND C.J. THINKING ABOUT GETTING MARRIED? 201 00:11:21,681 --> 00:11:23,683 -NO, NOT RIGHT AWAY. 202 00:11:24,205 --> 00:11:25,336 WE'VE TALKED ABOUT IT A COUPLE OF TIMES, 203 00:11:25,467 --> 00:11:27,425 BUT NOTHING SOLID. 204 00:11:27,556 --> 00:11:29,906 -YOU JUST WANT TO MAKE SURE YOU'RE PICKING THE RIGHT PERSON? 205 00:11:31,865 --> 00:11:33,388 -WELL, YEAH. 206 00:11:33,518 --> 00:11:36,347 I MEAN, WHAT IF THE REALLY RIGHT PERSON COMES ALONG 207 00:11:36,478 --> 00:11:38,175 AND IT'S TOO LATE? 208 00:11:38,306 --> 00:11:40,525 -YEAH, I GET IT, THERE ARE PLENTY OF OTHER FISH IN THE SEA 209 00:11:40,656 --> 00:11:42,005 AND YOU'RE NOT DONE FISHING YET. 210 00:11:42,136 --> 00:11:43,572 -NO, NO, NO. 211 00:11:43,703 --> 00:11:45,400 I LOVE C.J., AND SHE LOVES ME, TOO, BUT... 212 00:11:45,530 --> 00:11:46,793 -BUT? 213 00:11:48,533 --> 00:11:49,578 -NOTHING. 214 00:11:49,709 --> 00:11:51,275 JUST A THOUGHT. 215 00:11:51,406 --> 00:11:53,495 -WELL, YOU BETTER THINK THAT THOUGHT THROUGH, BUDDY. 216 00:11:53,625 --> 00:11:54,801 YOU GOT TO MAKE UP YOUR MIND. 217 00:11:56,367 --> 00:11:57,412 -YEAH. 218 00:12:09,729 --> 00:12:12,035 ♪ THAT'S WHAT WE'RE GONNA DO 219 00:12:12,166 --> 00:12:14,037 ♪ THAT'S WHAT WE'RE GONNA DO 220 00:12:14,908 --> 00:12:16,779 ♪ THAT'S WHAT WE'RE GONNA DO 221 00:12:19,739 --> 00:12:22,263 ♪ HOT SAND TIL SUNSET 222 00:12:22,393 --> 00:12:24,569 ♪ POOL DAYS WE STAY WET 223 00:12:25,396 --> 00:12:27,268 ♪ WAVES IF WE WANT EM 224 00:12:27,834 --> 00:12:30,271 ♪ LIVE LIFE NO STRESS ♪ 225 00:12:30,401 --> 00:12:32,708 ♪ NOTHING PROMISED TOMORROW 226 00:12:32,839 --> 00:12:35,406 ♪ WE STAY AHEAD WON'T FOLLOW 227 00:12:35,537 --> 00:12:36,756 ♪ THEY LISTEN TO THE NOISE 228 00:12:36,886 --> 00:12:39,846 ♪ WRONG CHOICE WE ALL KNOW 229 00:12:41,238 --> 00:12:43,414 ♪ I WANNA GET IT STARTED 230 00:12:43,545 --> 00:12:46,113 ♪ ONE LOOK IF I'M HONEST 231 00:12:46,243 --> 00:12:50,465 ♪ COULD MAKE ME FALL ♪ SO DEEP YOU'RE ALL I EVER WANTED 232 00:12:51,683 --> 00:12:53,816 ♪ I DON'T NEED A REASON 233 00:12:54,512 --> 00:12:56,427 ♪ TO GO AND HAVE A LITTLE FUN ♪ 234 00:12:57,037 --> 00:12:59,343 ♪ AND SPEND ALL MY TIME WITH YOU ♪ 235 00:13:02,520 --> 00:13:04,348 ♪ I DON'T NEED A REASON 236 00:13:05,001 --> 00:13:07,047 ♪ TO GO AND HAVE A LITTLE FUN ♪ 237 00:13:07,612 --> 00:13:09,266 ♪ SO THAT'S WHAT WE'RE GONNA DO ♪ 238 00:13:12,792 --> 00:13:14,663 ♪ COLD ONES BY THE DOZEN 239 00:13:14,794 --> 00:13:17,361 ♪ HOT ONES DOWN THE BEACH ♪ AND THEY RUNNING 240 00:13:17,492 --> 00:13:20,582 ♪ EVERYONE KNOWS IT'S GOING DOWN 241 00:13:20,712 --> 00:13:22,584 ♪ HEAR THE SOUND AND THEY COMING 242 00:13:22,714 --> 00:13:25,413 ♪ I COULD TAKE YOU AWAY 243 00:13:25,543 --> 00:13:28,285 ♪ BUT LOOK AROUND LET'S STAY 244 00:13:28,416 --> 00:13:29,896 ♪ THERE'S NO NEED TO LEAVE 245 00:13:30,026 --> 00:13:32,986 ♪ WHEN WE'VE GOT EVERYTHING TODAY 246 00:13:33,856 --> 00:13:36,467 ♪ I DON'T NEED A REASON 247 00:13:36,598 --> 00:13:39,079 ♪ TO GO AND HAVE A LITTLE FUN 248 00:13:39,209 --> 00:13:42,125 ♪ AND SPEND ALL MY TIME WITH YOU 249 00:13:44,345 --> 00:13:46,608 ♪ I DON'T NEED A REASON 250 00:13:47,174 --> 00:13:49,132 ♪ TO GO AND HAVE A LITTLE FUN ♪ 251 00:13:49,785 --> 00:13:51,831 ♪ 'SO THAT'S WHAT WE'RE GONNA DO ♪ 252 00:13:55,095 --> 00:13:57,662 ♪ LET ME HOLD YOU CLOSE NOW 253 00:13:57,793 --> 00:14:00,665 ♪ CAN'T BELIEVE WHAT WE'VE FOUND 254 00:14:00,796 --> 00:14:04,582 ♪ COULD NEVER DREAM IT ♪ I NEED IT FOREVER 255 00:14:05,714 --> 00:14:08,456 ♪ LET ME HOLD YOU CLOSE NOW 256 00:14:08,586 --> 00:14:11,024 ♪ CAN'T BELIEVE WHAT WE'VE FOUND 257 00:14:11,981 --> 00:14:14,941 ♪ COULD NEVER DREAM IT ♪ ♪ I NEED IT FOREVER 258 00:14:15,811 --> 00:14:18,118 ♪ I DON'T NEED A REASON 259 00:14:18,814 --> 00:14:20,555 ♪ TO GO AND HAVE A LITTLE FUN ♪ 260 00:14:26,169 --> 00:14:29,085 -NEELY: THAT A-WAY, MITCH, KEEP UP THE PACE. 261 00:14:29,694 --> 00:14:31,174 COME ON. 262 00:14:35,962 --> 00:14:37,354 -HOW YOU DOING, IRONMAN? 263 00:14:37,485 --> 00:14:39,574 -FEELING STRONG, FEELING STRONG. 264 00:14:39,704 --> 00:14:41,837 -LET US KNOW IF YOU START TO LOSE IT, MITCH. 265 00:14:41,968 --> 00:14:43,491 -HAH! 266 00:14:43,621 --> 00:14:46,755 WATCH AND LEARN, GRASSHOPPER, WATCH AND LEARN. 267 00:14:49,758 --> 00:14:52,587 [OMINOUS MUSIC] 268 00:15:17,046 --> 00:15:18,656 -HOW FAR IS THE OPEN WATER SWIM? 269 00:15:19,222 --> 00:15:20,832 -IT'S TWO AND A HALF MILES, THEN THERE'S THE RUN. 270 00:15:20,963 --> 00:15:21,746 -HOW FAR? 271 00:15:21,877 --> 00:15:23,618 -FIVE MILES. 272 00:15:23,748 --> 00:15:25,185 -THEN THERE'S THAT LITTLE 20-MILE BIKE RIDE AT THE END. 273 00:15:25,315 --> 00:15:27,274 -WHOO. WHAT'S THE WINNER GET? 274 00:15:27,404 --> 00:15:29,580 -OH, THE HIGHLY HONORED TITLE ANY MAN WOULD DIE FOR. 275 00:15:29,711 --> 00:15:31,539 -LET ME GUESS. 276 00:15:31,669 --> 00:15:33,715 TESTOSTERONE MAN, RIGHT? 277 00:16:03,527 --> 00:16:04,920 -HALF WAY, IRONMAN. 278 00:16:06,008 --> 00:16:07,923 YOU'RE FIVE SECONDS OFF YOUR PACE. 279 00:16:08,054 --> 00:16:09,055 -OKAY. 280 00:16:09,925 --> 00:16:11,187 PEDAL TO THE METAL. 281 00:16:19,630 --> 00:16:21,763 -GOT YOU ON THE THREE QUARTER MARK, MITCH. 282 00:16:22,851 --> 00:16:25,201 -C.J.: YOU DROPPED FIVE SECONDS, ARE YOU OKAY, MITCH? 283 00:16:25,332 --> 00:16:28,378 -UH, YEAH, I JUST... 284 00:16:29,379 --> 00:16:31,077 HAVING A LITTLE TROUBLE BREATHING HERE. 285 00:16:33,079 --> 00:16:34,819 -HANG IN THERE, WE'RE HEADING HOME. 286 00:16:34,950 --> 00:16:36,038 -OKAY. 287 00:16:47,267 --> 00:16:49,617 [MITCH GRUNTING] 288 00:16:51,445 --> 00:16:52,707 -ARE YOU OKAY? 289 00:16:54,404 --> 00:16:55,449 -I CAN'T... 290 00:16:55,579 --> 00:16:56,624 I CAN'T GET A BREATH. 291 00:16:57,364 --> 00:16:58,887 -THAT'S ENOUGH FOR TODAY, MITCH. 292 00:16:59,018 --> 00:16:59,975 GET IN THE WINDJET. 293 00:17:00,106 --> 00:17:01,455 -UH. 294 00:17:03,283 --> 00:17:04,501 -HOLD ON. 295 00:17:11,204 --> 00:17:13,815 -[GASPING] CRAMPS, I-I GOT CRAMPS! 296 00:17:15,512 --> 00:17:16,948 -MITCH, IT'S OKAY. 297 00:17:21,388 --> 00:17:23,042 OKAY, I GOT YOU, OKAY. 298 00:17:29,483 --> 00:17:32,921 -WHERE? -[GRUNTING] MY STOMACH. 299 00:17:34,401 --> 00:17:36,055 -BIG TIME SPASMS. -OKAY. 300 00:17:37,491 --> 00:17:39,275 WINDJET ONE TO HEADQUARTERS, COME IN. 301 00:17:40,102 --> 00:17:41,886 -DISPATCH: WE READ YOU, WINDJET ONE. 302 00:17:42,017 --> 00:17:43,888 C.J. AND I ARE WITH MITCH, HE HAS SEVER ABDOMINAL CRAMPING. 303 00:17:44,019 --> 00:17:47,066 HAVE AN AMBULANCE AT THE MARINA AND NOTIFY ER. 304 00:17:47,762 --> 00:17:48,676 -DISPATCH: COPY THAT, WINDJET ONE. 305 00:17:48,806 --> 00:17:49,764 -THANKS. 306 00:17:51,157 --> 00:17:53,507 -DOCTOR: GOT IT? WHERE WAS HE, WHAT WAS HE DOING? 307 00:17:53,637 --> 00:17:55,204 -HE WAS IN THE OCEAN, SWIMMING. 308 00:17:55,335 --> 00:17:57,076 HE COULDN'T BREATHE, AND HORRIBLE STOMACH CRAMPS 309 00:17:57,206 --> 00:17:58,512 -BLURRY, MY EYES ARE BLURRY, I CAN'T SEE ANYTHING. [GROAN] 310 00:17:59,034 --> 00:18:01,645 -DOCTOR: PEOPLE, LET'S MOVE. -ATTENDANT: READY? 311 00:18:01,776 --> 00:18:03,604 -DOCTOR: LET'S GO, LET'S GO. 312 00:18:03,734 --> 00:18:05,214 OKAY, ON MY COUNT. 313 00:18:05,345 --> 00:18:08,174 ONE, TWO, AND THREE. 314 00:18:08,304 --> 00:18:11,133 OKAY, I WANT HIS SKIN WASHED, THOROUGHLY CHECKED, 315 00:18:11,264 --> 00:18:12,700 FLUSH THE STOMACH WITH AN NG TUBE, 316 00:18:12,830 --> 00:18:14,963 PREPARE AN ATROPINE INJECTION RIGHT AWAY. 317 00:18:15,094 --> 00:18:16,051 EXCUSE US. 318 00:18:17,748 --> 00:18:19,315 -WHAT'S WRONG WITH HIM? 319 00:18:19,446 --> 00:18:20,969 -I'M NOT SURE, BUT HE'S ACTING LIKE HE'S BEEN POISONED. 320 00:18:21,622 --> 00:18:23,885 READY A CARDIAC SUPPORT IN CASE OF PULMONARY EDEMA. 321 00:18:27,280 --> 00:18:28,846 -FORGET IT, MAN, LOOK WHAT HAPPENED TO JADE. 322 00:18:28,977 --> 00:18:30,892 -SHE'S A PRO, SHE'LL BE FINE. 323 00:18:31,022 --> 00:18:34,113 -I HAVE A HEADACHE, ERNIE, IT REALLY HURTS. 324 00:18:34,243 --> 00:18:36,463 I'M NOT GOING IN THAT WATER AGAIN. 325 00:18:37,203 --> 00:18:39,030 -WHAT'S THE MATTER HERE, YOU GUYS RUN OUT OF FILM? 326 00:18:39,161 --> 00:18:41,468 -LOOK, THIS IS NONE OF YOUR BUSINESS, BABE, STAY OUT OF IT. 327 00:18:41,598 --> 00:18:43,470 -MY STOMACH, IT'S DOING FLIP-FLOPS. 328 00:18:43,600 --> 00:18:44,949 -COME ON, GUYS. 329 00:18:45,080 --> 00:18:46,212 IF YOU WANT A PAYCHECK, GET BACK TO WORK. 330 00:18:46,342 --> 00:18:47,735 -HEY, WORK IS COOL, ERNIE, 331 00:18:47,865 --> 00:18:48,866 BUT LET'S SLIDE IT DOWN THE BEACH A LITTLE, 332 00:18:48,997 --> 00:18:50,172 GET AWAY FROM THIS POLLUTION. 333 00:18:50,303 --> 00:18:51,695 COME ON, MAN, IT'S NOT WORTH IT. 334 00:18:51,826 --> 00:18:53,088 -I'M SICK. 335 00:18:53,219 --> 00:18:54,307 I'M REAL SICK, -CAROLINE: ALL RIGHT, 336 00:18:54,437 --> 00:18:55,656 LET'S GO. -I GOT TO GO HOME. 337 00:18:55,786 --> 00:18:56,483 -CAROLINE: WE'VE HAD ENOUGH, COME ON. 338 00:18:57,919 --> 00:18:59,573 -LOOK, BABIES, COME ON. 339 00:18:59,703 --> 00:19:01,618 I DON'T WANT ANY HASSLE FROM YOU ANY MORE. 340 00:19:01,749 --> 00:19:02,750 -THAT GIRL IS SICK, ALL RIGHT? 341 00:19:02,880 --> 00:19:04,186 IT'S PROBABLY FROM THE WATER. 342 00:19:04,317 --> 00:19:05,927 I DON'T WANT ANYONE ELSE GETTING SICK. 343 00:19:06,057 --> 00:19:07,407 -SHE MAKES SENSE, I'D LISTEN TO HER IF I WERE YOU. 344 00:19:07,537 --> 00:19:08,712 -WELL, YOU'RE NOT. 345 00:19:08,843 --> 00:19:10,453 I'M A PRO, I KNOW WHAT I'M DOING. 346 00:19:10,584 --> 00:19:11,846 -YOU DON'T LOOK LIKE MUCH OF A PRO TO ME. 347 00:19:11,976 --> 00:19:13,326 -OH, YEAH? 348 00:19:13,456 --> 00:19:15,154 WELL, YOU HAVEN'T SEEN ANY OF MY WORK. 349 00:19:15,284 --> 00:19:17,112 -IF YOU WORKED FOR ME I'D FIRE YOU RIGHT ON THE SPOT. 350 00:19:17,243 --> 00:19:19,245 -SO WHAT ABOUT THE REST OF YOU, HUH? 351 00:19:19,375 --> 00:19:21,029 WHAT ARE YOU, GOING TO GET SICK OR QUIT? 352 00:19:25,816 --> 00:19:28,036 -SHOOT. THAT'S IT. 353 00:19:28,167 --> 00:19:31,126 I'M GOING TO CALL MY LAWYER. I'M GOING TO SUE BOTH OF YOU. 354 00:19:31,692 --> 00:19:34,303 JADE, WAIT FOR ME. 355 00:19:36,871 --> 00:19:37,741 -C.J.: WHAT'S WRONG WITH MITCH? 356 00:19:37,872 --> 00:19:39,439 -WE'RE NOT SURE YET. 357 00:19:39,569 --> 00:19:41,267 THE BLURRY VISION, THE SHORTNESS OF BREATH, THE SEIZURES, 358 00:19:41,397 --> 00:19:43,269 THEY'RE ALL CONSISTENT WITH POISONING. 359 00:19:43,399 --> 00:19:44,705 -HOW COULD HE GET POISONED? 360 00:19:44,835 --> 00:19:45,967 -WE'RE NOT SURE OF THAT, EITHER. 361 00:19:46,097 --> 00:19:47,534 WE'RE PUTTING TOGETHER PIECES. 362 00:19:47,664 --> 00:19:50,754 -IF IT IS POISONING, WHAT CAN YOU DO FOR HIM? 363 00:19:50,885 --> 00:19:52,147 -WELL, WHAT WE'VE DONE FOR HIM SO FAR 364 00:19:52,278 --> 00:19:53,757 IS JUST A STOP-GAP TREATMENT. 365 00:19:53,888 --> 00:19:55,585 WE WON'T KNOW THE BEST WAY TO TREAT HIM UNTIL 366 00:19:55,716 --> 00:19:57,979 WE CAN DETERMINE WHAT POISON HE CAME INTO CONTACT WITH. 367 00:19:58,109 --> 00:19:59,285 -THE RAIN OVER THE WEEKEND BROUGHT 368 00:19:59,415 --> 00:20:00,764 A LOT OF RUNOFF INTO THE OCEAN. 369 00:20:00,895 --> 00:20:02,549 I KNOW THE BAY IS TESTING UNSAFE. 370 00:20:02,679 --> 00:20:03,898 COULD THAT BE THE PROBLEM? 371 00:20:04,028 --> 00:20:05,769 -NO, I DON'T THINK SO. 372 00:20:05,900 --> 00:20:07,597 YOU SAID HE WAS SWIMMING FAR OUT AT SEA WHEN HE GOT SICK? 373 00:20:07,728 --> 00:20:09,512 -YEAH. 374 00:20:09,643 --> 00:20:10,992 -NO, ANY BAD WATER WOULD HAVE BEEN DILUTED THAT FAR OUT. 375 00:20:11,122 --> 00:20:12,820 -IS HE GOING TO BE OKAY? 376 00:20:13,647 --> 00:20:15,170 -WELL, I'LL BE HONEST. 377 00:20:15,301 --> 00:20:17,303 THE NEXT 24 HOURS ARE CRITICAL. 378 00:20:17,433 --> 00:20:18,695 WE'LL DO EVERYTHING WE CAN, 379 00:20:18,826 --> 00:20:20,393 BUT YOU'VE GOT TO FIND OUT EXACTLY 380 00:20:20,523 --> 00:20:22,482 WHAT POISON HE CAME INTO CONTACT WITH. 381 00:20:24,005 --> 00:20:25,093 -THANKS. 382 00:20:29,793 --> 00:20:32,709 [SOLEMN MUSIC] 383 00:20:40,108 --> 00:20:41,414 -CODY: WELL, WHAT DO YOU THINK? 384 00:20:41,544 --> 00:20:43,720 -I DON'T KNOW, IT'S HARD TO TELL. 385 00:20:43,851 --> 00:20:45,505 I MEAN, WE WERE HELPING MITCH TRAIN FOR THE IRONMAN, 386 00:20:45,635 --> 00:20:46,897 NOT KEEP AN EYE OUT FOR POISON. 387 00:20:47,550 --> 00:20:50,336 THIS IS PRETTY MUCH OUR COURSE, BUT... 388 00:20:50,466 --> 00:20:52,468 -BUT THE SWIM COVERED TWO AND A HALF MILES. 389 00:20:52,599 --> 00:20:55,471 -NEELY: YEAH. -WELL, LET'S GET STARTED. 390 00:20:55,602 --> 00:20:56,516 -LET'S GO. 391 00:21:02,913 --> 00:21:07,353 [DRAMATIC MUSIC] 392 00:22:15,508 --> 00:22:16,465 [CAMERA SHUTTER CLICKS] 393 00:22:20,861 --> 00:22:21,731 [CAMERA SHUTTER CLICKS] 394 00:22:25,039 --> 00:22:26,214 [CAMERA SHUTTER CLICKS] 395 00:22:26,345 --> 00:22:28,085 -NOTHING IN THE HAZMAT CHARTS. 396 00:22:28,216 --> 00:22:30,131 I'VE CHECKED EVERY INDUSTRIAL DESIGNER IN THE PHONE BOOK, 397 00:22:30,261 --> 00:22:32,742 EVERY ADVERTISING BUSINESS ART DEPARTMENT. 398 00:22:32,873 --> 00:22:34,222 NOBODY RECOGNIZES IT. 399 00:22:34,744 --> 00:22:35,919 NADA, ZIP, ZILCH. 400 00:22:36,050 --> 00:22:37,268 -I KNOW. 401 00:22:37,399 --> 00:22:38,661 I'VE CHECKED EVERY TATTOO PARLOR, 402 00:22:38,792 --> 00:22:39,967 I JUST THAT THEY WOULD KNOW 'CAUSE 403 00:22:40,097 --> 00:22:40,533 THEY ALWAYS KNOW EVERYTHING THAT... 404 00:22:42,448 --> 00:22:43,927 I, I DON'T KNOW WHAT I'M THINKING. 405 00:22:47,191 --> 00:22:48,149 -WHAT? 406 00:22:48,279 --> 00:22:49,455 -WE DON'T HAVE MUCH TIME. 407 00:22:49,977 --> 00:22:54,808 -I AM SO GOOD. -WHY ARE YOU "SO GOOD"? 408 00:22:54,938 --> 00:22:56,113 -BECAUSE I FIGURED OUT THAT THIS LOGO 409 00:22:56,244 --> 00:22:57,724 IS REGISTERED TO STARGER PRODUCE, 410 00:22:57,854 --> 00:22:59,029 IT'S A DISTRIBUTING COMPANY DOWN ON THE WHARF. 411 00:23:00,379 --> 00:23:02,076 -THAT'S IT. -HOW'D YOU TRACK IT DOWN? 412 00:23:02,206 --> 00:23:03,425 -I WENT TO THE COUNTY COURTHOUSE. 413 00:23:03,556 --> 00:23:05,122 I FIGURED THAT EVERY BUSINESS WOULD 414 00:23:05,253 --> 00:23:06,428 WANT TO REGISTER THEIR TRADEMARK, 415 00:23:06,559 --> 00:23:08,038 YOU KNOW, COPYRIGHT THEIR LOGO. 416 00:23:08,169 --> 00:23:09,605 -YOU ARE GOOD. LET'S GO. 417 00:23:33,934 --> 00:23:35,544 -YEAH, THAT'S OUR LOGO, WHAT ABOUT IT? 418 00:23:35,675 --> 00:23:37,372 -WELL, WE FOUND A COUPLE OF METAL STORAGE DRUMS 419 00:23:37,503 --> 00:23:40,114 WITH YOUR LOGO ON THEM AT THE BOTTOM OF THE OCEAN. 420 00:23:40,244 --> 00:23:41,637 -STORAGE DRUMS. 421 00:23:41,768 --> 00:23:43,639 LOOK, WE DISTRIBUTE VEGETABLES. 422 00:23:43,770 --> 00:23:46,381 WE PACK IN WOODEN CRATES, NOT METAL DRUMS. 423 00:23:46,512 --> 00:23:48,252 -WELL, A GOOD FRIEND OF OURS SWAM OVER THOSE DRUMS 424 00:23:48,383 --> 00:23:49,297 AND HE'S VERY SICK NOW. 425 00:23:49,428 --> 00:23:50,777 NOW HE'S IN THE HOSPITAL. 426 00:23:50,907 --> 00:23:52,343 -WE THINK THAT HE MIGHT HAVE BEEN POISONED 427 00:23:52,474 --> 00:23:54,128 BY WHATEVER COULD HAVE BEEN IN THOSE DRUMS. 428 00:23:54,258 --> 00:23:56,260 -OH, LOOK, I MEAN, EVEN IF WE DID PACK IN METAL DRUMS, 429 00:23:56,391 --> 00:23:57,653 WHICH WE DON'T, 430 00:23:58,349 --> 00:24:02,049 THEY WOULD BE FULL OF BRUSSELS SPROUTS, LETTUCE, NOT POISON. 431 00:24:02,179 --> 00:24:03,746 -WELL, THEN HOW'D YOUR LOGO GET ON THOSE DRUMS? 432 00:24:03,877 --> 00:24:05,966 -I DON'T KNOW, MAYBE YOU GUYS MADE A MISTAKE, HUH? 433 00:24:06,096 --> 00:24:09,273 -MR. SCANLON, IF IT WAS POISON, WE NEED TO FIND OUT FAST. 434 00:24:09,404 --> 00:24:10,797 -OUR FRIEND COULD DIE. 435 00:24:10,927 --> 00:24:14,453 -LOOK, I TOLD YOU GUYS, VEGETABLES, HUH? 436 00:24:15,932 --> 00:24:16,933 YOU SEE? 437 00:24:17,456 --> 00:24:18,848 THESE ARE GOOD FOR YOU. 438 00:24:18,979 --> 00:24:20,110 HUH? 439 00:24:21,764 --> 00:24:23,592 NOW, I GOT A LOT OF WORK TO GET DONE. 440 00:24:24,506 --> 00:24:25,812 WHAT I TOLD YOU IS ALL THAT I KNOW 441 00:24:25,942 --> 00:24:27,291 AND IT'S NOT GOING TO CHANGE, 442 00:24:27,422 --> 00:24:28,292 SO I'LL SEE YOU GUYS LATER, ALL RIGHT? 443 00:24:30,512 --> 00:24:31,644 -I HATE BROCCOLI. 444 00:24:36,039 --> 00:24:39,565 [OMINOUS MUSIC] 445 00:24:47,137 --> 00:24:48,312 -THEY BUY IT? 446 00:24:49,966 --> 00:24:50,967 -I'M NOT SURE. 447 00:24:52,795 --> 00:24:53,753 I THINK SO. 448 00:24:55,276 --> 00:24:56,407 -WHAT IF THEY DIDN'T? 449 00:24:58,018 --> 00:24:59,367 -CALL BOGGS. 450 00:24:59,498 --> 00:25:01,369 TELL HIM HE'S GOT A PICK-UP AND DELIVERY. 451 00:25:02,588 --> 00:25:04,590 -THAT FRIEND OF THEIRS, HE SOUNDS PRETTY BAD OFF. 452 00:25:04,720 --> 00:25:06,679 MAYBE WE JUST, JUST OUGHT TO TELL THEM, YOU KNOW? 453 00:25:06,809 --> 00:25:09,159 -AND GET BUSTED FOR ILLEGAL DUMPING? 454 00:25:09,290 --> 00:25:10,247 I DON'T THINK SO. 455 00:25:10,378 --> 00:25:11,988 -A FINE IS ONE THING, 456 00:25:12,119 --> 00:25:13,903 BUT IF THAT GUY DIES THAT'S ACCOMPLICE TO MURDER. 457 00:25:14,034 --> 00:25:15,731 -CALL BOGGS. 458 00:25:15,862 --> 00:25:17,516 AND THIS ALL GOES AWAY. 459 00:25:19,387 --> 00:25:23,173 [SUSPENSEFUL MUSIC] 460 00:26:07,087 --> 00:26:08,262 -LOOKING FOR SOMETHING? 461 00:26:08,784 --> 00:26:10,786 -UM, I, MY QUARTER. 462 00:26:10,917 --> 00:26:12,005 I DROPPED IT. 463 00:26:12,135 --> 00:26:14,094 -PRETTY IMPORTANT QUARTER. 464 00:26:14,224 --> 00:26:15,791 -YEAH, YOU KNOW, WHEN YOU REALLY HAVE TO MAKE A PHONE CALL, 465 00:26:15,922 --> 00:26:17,227 AND IT'S YOUR LAST ONE 'CAUSE YOUR FRIENDS LEFT YOU-- 466 00:26:17,358 --> 00:26:18,620 -WHAT ARE YOU UP TO, LADY? -WHAT ARE YOU-- 467 00:26:18,751 --> 00:26:19,447 LET GO OF ME! -CODY: THERE YOU ARE. 468 00:26:20,709 --> 00:26:23,016 -HEY, I, I THOUGHT YOU GUYS DITCHED ME. 469 00:26:23,146 --> 00:26:24,495 -CODY: WE DIDN'T DITCH YOU. 470 00:26:25,453 --> 00:26:26,628 -LOOKS LIKE YOU DITCHED US. 471 00:26:26,759 --> 00:26:28,238 -NO, I-I WOULDN'T DO THAT. 472 00:26:29,196 --> 00:26:30,676 -I SHOULD BUST ALL THREE OF YOU. 473 00:26:30,806 --> 00:26:33,417 -FOR WHAT. GRAND THEFT BROCCOLI? 474 00:26:39,206 --> 00:26:41,295 [MONITOR BEEPING] 475 00:26:41,425 --> 00:26:43,558 [MONITOR FLATLINE TONE] 476 00:26:44,211 --> 00:26:45,516 -PADDLES, STAT. 477 00:26:49,433 --> 00:26:50,304 CHARGING. -NURSE: READY. 478 00:26:50,434 --> 00:26:51,871 -CLEAR. -NURSE: CLEAR. 479 00:26:53,350 --> 00:26:55,265 [FLAT TONE] 480 00:26:55,962 --> 00:26:57,180 -CLEAR. 481 00:27:08,322 --> 00:27:09,628 HE'S IN A COMA. 482 00:27:10,411 --> 00:27:13,414 [MONITOR BEEPING] 483 00:27:16,939 --> 00:27:19,550 I WANT HALF HOUR UPDATES ON HIS EEG RESULTS. 484 00:27:19,681 --> 00:27:20,726 -NURSE: YES, DOCTOR. 485 00:27:25,774 --> 00:27:27,123 [CAR HORN HONKS] 486 00:27:42,791 --> 00:27:43,966 -SIR, EXCUSE ME. 487 00:27:44,097 --> 00:27:45,185 I'M AFRAID THE BEACH IS CLOSED. 488 00:27:45,315 --> 00:27:47,274 -WHAT? YOU CAN'T CLOSE A BEACH. 489 00:27:47,404 --> 00:27:48,884 -YEAH, I CAN. 490 00:27:49,015 --> 00:27:51,060 THE TOXIC LEVEL IN THE WATER GRADES OUT AS AN F. 491 00:27:51,191 --> 00:27:52,496 -HEY, I'M A TAXPAYER. 492 00:27:52,627 --> 00:27:55,195 I PAY GOOD MONEY TO KEEP THE BEACH OPEN. 493 00:27:55,325 --> 00:27:57,153 WHY CAN'T YOU GUYS PUT SOMETHING IN THE WATER? 494 00:27:57,284 --> 00:27:58,502 -WELL, SOMEBODY ALREADY DID THAT. 495 00:27:58,633 --> 00:28:00,069 THAT'S WHY THE WATER'S POLLUTED. 496 00:28:00,983 --> 00:28:02,202 -I CAN'T BELIEVE THIS. 497 00:28:02,332 --> 00:28:03,594 COME ON, LET'S GO. 498 00:28:07,729 --> 00:28:08,774 STUPID. 499 00:28:12,473 --> 00:28:14,693 -YOU KNOW, YOU OUGHT TO CHECK YOUR OIL, TOO. 500 00:28:14,823 --> 00:28:16,782 -I JUST CHANGED IT, OKAY? 501 00:28:20,611 --> 00:28:21,656 -JERK. 502 00:28:28,750 --> 00:28:30,709 [SERENE MUSIC] 503 00:28:41,371 --> 00:28:43,373 -EXCUSE ME, THE WATER'S BAD. 504 00:28:43,504 --> 00:28:44,810 THERE'S NO SURFING TODAY, I'M AFRAID. 505 00:28:44,940 --> 00:28:46,855 -I WASN'T GOING TO SURF. 506 00:28:46,986 --> 00:28:49,205 I WAS GOING TO SWIM WITH THE DOLPHINS. 507 00:28:49,336 --> 00:28:50,946 -WITH THE DOLPHINS? 508 00:28:51,077 --> 00:28:52,295 REALLY? 509 00:28:52,426 --> 00:28:54,254 -YEAH, THEY LOVE TO SWIM WITH HUMANS. 510 00:28:54,384 --> 00:28:56,691 -HOW DO YOU AND THE DOLPHINS HOOK UP? 511 00:28:56,822 --> 00:28:59,085 -YOU JUST LET THEM KNOW YOU WANT TO SWIM WITH THEM. 512 00:28:59,781 --> 00:29:01,870 IT'S THIS ENERGY YOU SHARE WITH THEM. 513 00:29:02,741 --> 00:29:04,046 IT'S NOT FAIR. 514 00:29:04,699 --> 00:29:06,440 THEY DON'T TRASH OUR NEIGHBORHOOD. 515 00:29:13,012 --> 00:29:14,709 -NEELY, WAIT UP, HEY. 516 00:29:14,840 --> 00:29:16,145 WHAT'S THE LATEST ON MITCH? 517 00:29:16,276 --> 00:29:17,756 -NOT GOOD. 518 00:29:17,886 --> 00:29:19,322 I'M GOING TO THE HOSPITAL NOW. -YOU KNOW WHAT? 519 00:29:19,453 --> 00:29:20,846 GIVE ME FIVE MINUTES, I WANT TO GO WITH YOU. 520 00:29:20,976 --> 00:29:22,238 -OKAY, I'LL BE WAITING FOR YOU OUT FRONT. 521 00:29:22,848 --> 00:29:23,936 -HEY, DONNA, WAIT UP. 522 00:29:25,285 --> 00:29:28,201 -OH, HI, YOU'RE THE GUY FROM INSIDE SPORTS. JERRY, RIGHT? 523 00:29:28,331 --> 00:29:29,811 -GOOD TO SEE YOU AGAIN. -YEAH, HOW'RE YOU DOING? 524 00:29:29,942 --> 00:29:31,247 -GOOD. YOU KNOW, WHAT HAPPENED ON THE BEACH 525 00:29:31,378 --> 00:29:32,727 EARLIER TODAY GOT ME THINKING AND I'VE GOT 526 00:29:32,858 --> 00:29:34,555 A COUPLE OF IDEAS I'D LIKE TO RUN BY YOU. 527 00:29:35,077 --> 00:29:37,166 THAT PHOTOGRAPHER, HE WAS A REAL KNUCKLEHEAD, 528 00:29:37,297 --> 00:29:38,602 AND HE WAS WRONG ABOUT ALL KINDS OF THINGS, 529 00:29:38,733 --> 00:29:39,865 BUT HE WAS RIGHT ABOUT ONE THING. 530 00:29:39,995 --> 00:29:41,388 YOU ARE COVER GIRL MATERIAL. 531 00:29:41,518 --> 00:29:43,042 -OH, YEAH, NO, I'M NOT INTERESTED. 532 00:29:43,172 --> 00:29:44,478 -AND, YOU KNOW, WE DO THIS INSIDE SPORTS 533 00:29:44,608 --> 00:29:46,088 SWIMSUIT ISSUE EVERY YEAR; 534 00:29:46,219 --> 00:29:47,960 WE'D LOVE TO HAVE YOU ON THE COVER. 535 00:29:48,090 --> 00:29:49,309 -WELL, YOU KNOW WHAT, I'VE GOT A FRIEND IN THE HOSPITAL, 536 00:29:49,439 --> 00:29:50,614 I'M ON MY WAY TO SEE. 537 00:29:50,745 --> 00:29:52,181 -YEAH, I HEARD, THAT'S THE POINT. 538 00:29:52,312 --> 00:29:53,966 HE GOT POISONED WHILE SWIMMING IN THE OCEAN. 539 00:29:54,096 --> 00:29:56,185 -EXACTLY, SO IF YOU COULD EXCUSE ME, I'VE GOT TO GO. 540 00:29:56,316 --> 00:29:57,926 -BUT WAIT, HEAR MY SECOND IDEA. 541 00:29:58,057 --> 00:29:59,972 I'LL WRITE AN ARTICLE ABOUT ECOLOGY. 542 00:30:00,102 --> 00:30:01,712 I'LL TALK ABOUT HOW TO CLEAN UP THE OCEAN, 543 00:30:01,843 --> 00:30:03,671 HOW TO MAKE THE WATER A BETTER PLACE TO BE. 544 00:30:04,280 --> 00:30:06,848 IT'S YOUR OFFICE, IT'S WHERE MY READERS SWIM. 545 00:30:06,979 --> 00:30:09,198 -I DON'T KNOW. -WE'RE GOING TO THE BAHAMAS. 546 00:30:09,329 --> 00:30:10,765 WE'RE GOING TO STAY ON PARADISE ISLAND 547 00:30:10,896 --> 00:30:12,158 AT THE ATLANTIS HOTEL. 548 00:30:12,767 --> 00:30:15,161 COME ON, TOGETHER WE CAN MAKE A DIFFERENCE. 549 00:30:16,989 --> 00:30:19,600 [SERENE MUSIC] 550 00:30:53,155 --> 00:30:54,809 -WELL, I DON'T SEE ANYBODY ELSE AROUND. 551 00:30:54,940 --> 00:30:56,724 -LET'S HOPE NOBODY SEES US. 552 00:31:01,076 --> 00:31:03,209 -ISN'T THIS BREAKING AND ENTERING? 553 00:31:03,949 --> 00:31:05,428 -SO FAR IT'S JUST ENTERING. 554 00:31:06,255 --> 00:31:07,691 JUST DON'T BREAK ANYTHING. 555 00:31:09,432 --> 00:31:12,000 [SUSPENSEFUL MUSIC] 556 00:31:29,800 --> 00:31:31,367 -THIS IS IT, YOU GUYS, I WAS RIGHT, COME HERE. 557 00:31:34,631 --> 00:31:36,372 -THAT'S IT, THAT'S THE LOGO. 558 00:31:36,503 --> 00:31:38,026 -WE GOT TO FIND OUT WHAT KIND OF STUFF'S IN THESE BAD BOYS 559 00:31:38,157 --> 00:31:39,549 AND GIVE IT TO MITCH'S DOCTORS. 560 00:31:40,289 --> 00:31:42,770 -UH-OH, THEY'RE HERE. 561 00:31:49,559 --> 00:31:50,430 -LET'S GO. 562 00:31:56,088 --> 00:31:57,567 -WE GOT THREE TO PICK UP HERE, 563 00:31:57,698 --> 00:31:58,960 THEN WE SWING AROUND TO CUTTER'S WAREHOUSE, 564 00:31:59,091 --> 00:32:00,483 PICK UP ANOTHER SIX. 565 00:32:00,614 --> 00:32:02,572 ALL RIGHT, LET'S GET THE CRANE IN PLACE. 566 00:32:02,703 --> 00:32:04,400 I WANT TO GET THESE DRUMS MOVED NOW. 567 00:32:14,889 --> 00:32:15,890 -LET'S GET THIS DONE. 568 00:32:16,021 --> 00:32:17,544 I WANT TO GET HOME, ALL RIGHT? 569 00:32:17,674 --> 00:32:19,024 THE FIGHT'S ON PAY-PER-VIEW, 570 00:32:19,154 --> 00:32:20,329 I DON'T WANT TO JUST THROW AWAY 40 BUCKS. 571 00:32:20,460 --> 00:32:22,114 LET'S GO, COME ON, MOVE! 572 00:32:22,636 --> 00:32:25,204 -MAN: OKAY, JUST A SECOND. 573 00:32:27,989 --> 00:32:28,947 -BOGGS: COME ON. 574 00:32:30,600 --> 00:32:31,732 -GOT IT. 575 00:32:33,952 --> 00:32:35,388 BRING IT OVER, I'LL HOOK IT UP. 576 00:32:40,175 --> 00:32:41,872 ALL RIGHT, HOIST IT UP. 577 00:32:43,439 --> 00:32:44,310 WATCH IT. 578 00:32:52,535 --> 00:32:54,233 COME ON, COME ON, LET'S GET OUT OF HERE. 579 00:32:58,541 --> 00:32:59,978 -BOGGS: BRING IT DOWN. 580 00:33:00,108 --> 00:33:02,328 COME ON LADIES, LET'S MOVE, I GOT TO GET HOME. 581 00:33:03,024 --> 00:33:04,286 COME ON, KEEP GOING. 582 00:33:04,417 --> 00:33:06,419 KEEP COMING, LET'S GO. 583 00:33:08,290 --> 00:33:09,422 -MAN: MORE. 584 00:33:10,945 --> 00:33:12,991 -NOW, NOW, NOW. -NOW. 585 00:33:13,774 --> 00:33:15,036 -COME ON, BRING IT DOWN. 586 00:33:15,167 --> 00:33:16,516 -DOWN, DOWN. -BOGGS: BRING IT DOWN. 587 00:33:16,646 --> 00:33:19,693 [SIRENS BLARING] 588 00:33:19,823 --> 00:33:20,781 -DAMN! 589 00:33:22,783 --> 00:33:24,393 DAMN IT, GET THIS OUT OF HERE. 590 00:33:24,524 --> 00:33:25,394 COME ON. 591 00:33:32,140 --> 00:33:33,446 -POLICE OFFICER: HOLD IT RIGHT THERE! 592 00:33:33,576 --> 00:33:34,795 -POLICE OFFICER: DON'T MOVE, FREEZE! 593 00:33:35,926 --> 00:33:38,016 -WE'RE COMING ABOARD AND TAKING A SAMPLE OF YOUR CARGO. 594 00:33:38,146 --> 00:33:39,843 -YOU GOT NO RIGHT COMING ON MY BOAT. 595 00:33:39,974 --> 00:33:40,801 -OH, YES WE HAVE. 596 00:33:40,931 --> 00:33:42,107 -YOU HAVE RIGHTS, TOO. 597 00:33:42,237 --> 00:33:43,499 YOU HAVE THE RIGHT TO REMAIN SILENT 598 00:33:43,630 --> 00:33:45,066 AND I STRONGLY SUGGEST THAT YOU DO. 599 00:33:52,334 --> 00:33:53,814 -DR. WEISS. 600 00:33:53,944 --> 00:33:55,120 -GREAT, WE GOT IT. 601 00:33:55,250 --> 00:33:56,469 -HERE IT IS. 602 00:33:57,122 --> 00:33:58,645 -LET'S FIND OUT WHAT IT IS, THEN GIVE HIM THE ANTIDOTE. 603 00:33:58,775 --> 00:33:59,863 FOLLOW ME. 604 00:34:01,648 --> 00:34:04,085 [MONITOR BEEPING] 605 00:34:25,976 --> 00:34:28,849 LIEUTENANT BUCHANAN, WAKE UP, YOU'VE GOT COMPANY. 606 00:34:32,244 --> 00:34:36,248 -COME ON, MOM, JUST FIVE MORE MINUTES, IT'S TOO EARLY. 607 00:34:40,948 --> 00:34:44,169 [MITCH GROANING] 608 00:34:44,734 --> 00:34:45,996 -DOCTOR, IS HE OKAY? 609 00:34:46,823 --> 00:34:47,998 -I DON'T KNOW. 610 00:34:48,129 --> 00:34:51,741 [MITCH GASPING] 611 00:34:57,965 --> 00:34:59,053 -GOTCHA! 612 00:34:59,184 --> 00:35:02,187 [ALL LAUGHING] 613 00:35:07,627 --> 00:35:10,673 ♪ SON AMOUR QUI REND LE MONDE... 614 00:35:11,805 --> 00:35:13,676 ♪ TOUT LE MONDE 615 00:35:15,896 --> 00:35:18,420 ♪ VOS YEUX SONT BELLE QUE LE CIEL... 616 00:35:19,595 --> 00:35:23,382 ♪ ET PLUS VIVANTS QU'UNE FERME EN ♪ ♪ PRINTEMPS 617 00:35:25,297 --> 00:35:28,909 ♪ JE VOUS PROMETS DE VOUS PROTEGER... 618 00:35:29,692 --> 00:35:30,998 ♪ TOUS LES JOURS 619 00:35:32,608 --> 00:35:34,610 ♪ JE T'AIME MON AMOUR 620 00:35:36,003 --> 00:35:38,832 ♪ EN SA BEAUTE... GIT MA MORT... 621 00:35:39,746 --> 00:35:40,877 ♪ ET MA VIE 622 00:36:01,115 --> 00:36:04,162 ♪ IF I COULD TELL A STORY 623 00:36:05,989 --> 00:36:09,167 ♪ WITH A THOUSAND WORDS TO SAY 624 00:36:10,907 --> 00:36:14,084 ♪ THEN I WOULD TAKE A PICTURE 625 00:36:15,651 --> 00:36:18,872 ♪ FROM THE FIELDS OF YESTERDAY 626 00:36:20,569 --> 00:36:24,094 ♪ AS YOU COME DOWN FROM THE HIGHLANDS 627 00:36:25,357 --> 00:36:28,360 ♪ LIKE A THIEF IN THE DARK 628 00:36:30,275 --> 00:36:33,843 ♪ THIS OCEAN IS A FORTRESS 629 00:36:35,149 --> 00:36:38,326 ♪ FOR A TALE OF BROKEN HEARTS 630 00:36:39,414 --> 00:36:41,851 ♪ MY LOVE.... 631 00:36:41,982 --> 00:36:46,073 ♪ I'M NOTHING WITHOUT YOU 632 00:36:48,728 --> 00:36:51,078 ♪ MY LOVE.... 633 00:36:52,340 --> 00:36:54,690 ♪ WHAT CAN I SAY... 634 00:36:56,562 --> 00:36:58,912 ♪ TO KEEP YOU 635 00:37:18,714 --> 00:37:21,543 ♪ YOUR BEAUTY'S A RECITAL 636 00:37:23,502 --> 00:37:26,679 ♪ SO STATELY WITH YOUR EYES 637 00:37:28,376 --> 00:37:31,597 ♪ FOR THE ISLANDS AND THE IDOLS 638 00:37:33,338 --> 00:37:36,471 ♪ LET IT WASH AWAY MY PRIDE 639 00:37:38,081 --> 00:37:41,476 ♪ YOU HAVE RENDERED ME DEFENSELESS 640 00:37:42,999 --> 00:37:45,872 ♪ FOR YOUR MERCY I WILL PLEAD 641 00:37:47,830 --> 00:37:50,833 ♪ AS YOU BECKON MY SURRENDER 642 00:37:52,661 --> 00:37:55,490 ♪ BUT YOU HAVE ME ON MY KNEES 643 00:37:56,578 --> 00:37:59,625 ♪ MY LOVE.... 644 00:37:59,755 --> 00:38:03,759 ♪ I'M NOTHING WITHOUT YOU 645 00:38:06,284 --> 00:38:08,895 ♪ MY LOVE.... 646 00:38:09,983 --> 00:38:12,681 ♪ MY LOVE....WHAT CAN I SAY... 647 00:38:14,466 --> 00:38:16,294 ♪ TO KEEP YOU 648 00:38:33,963 --> 00:38:37,097 [SERENE MUSIC] 649 00:38:41,580 --> 00:38:46,019 -OKAY, SO, UH, WHAT DO YOU THINK? 650 00:38:46,149 --> 00:38:47,499 -IT'S PERFECT. 651 00:38:47,629 --> 00:38:48,891 -WHERE'D THAT COME FROM? 652 00:38:49,022 --> 00:38:51,111 -CHRIS LASSEN PAINTED IT. 653 00:38:51,241 --> 00:38:52,373 -THE DOLPHIN GUY, RIGHT? 654 00:38:52,504 --> 00:38:54,201 -YEAH, YEAH, HE PAINTED IT, 655 00:38:54,332 --> 00:38:56,290 DONATED IT TO HEAL THE BAY FOUNDATION TO RAISE SOME MONEY, 656 00:38:56,856 --> 00:38:59,859 JERRY CRAW FROM INSIDE SPORTS BOUGHT IT AND GAVE IT TO US. 657 00:38:59,989 --> 00:39:01,991 -FOR KEEPING OUR OFFICE CLEAN. 658 00:39:03,166 --> 00:39:04,211 -GORGEOUS. 659 00:39:04,820 --> 00:39:05,734 -PERFECT. 660 00:39:05,865 --> 00:39:06,822 -I LIKE IT. 661 00:39:07,475 --> 00:39:10,522 [UPBEAT MUSIC] 662 00:39:17,355 --> 00:39:20,096 [CLOSING THEME PLAYING] 46397

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