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These are the user uploaded subtitles that are being translated: 1 00:00:05,048 --> 00:00:08,965 -[THEME MUSIC] 2 00:00:12,838 --> 00:00:15,885 -♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:17,017 --> 00:00:20,194 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:21,021 --> 00:00:24,589 ♪ SOME PEOPLE NEED TO HAVE SOMEBODY ♪ 5 00:00:24,720 --> 00:00:27,679 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 6 00:00:28,245 --> 00:00:30,769 ♪ DON'T YOU WORRY ♪ 7 00:00:30,900 --> 00:00:33,729 ♪ IT'S GONNA BE ALL RIGHT 8 00:00:36,993 --> 00:00:38,864 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,995 --> 00:00:42,346 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,523 --> 00:00:49,397 ♪ I'LL BE READY I'LL BE READY ♪ 11 00:00:49,527 --> 00:00:53,009 ♪ NEVER YOU FEAR NO, DON'T YOU FEAR ♪ 12 00:00:53,531 --> 00:00:55,968 ♪ I'LL BE READY ♪ 13 00:00:56,578 --> 00:00:59,537 ♪ FOREVER AND ALWAYS ♪ 14 00:00:59,668 --> 00:01:02,540 ♪ I'M ALWAYS HERE 15 00:01:20,732 --> 00:01:22,604 ♪ 'CAUSE I'M ALWAYS READY 16 00:01:22,734 --> 00:01:25,563 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 17 00:01:29,132 --> 00:01:33,615 ♪ I'LL BE READY I'LL BE READY ♪ 18 00:01:33,745 --> 00:01:37,053 ♪ NEVER YOU FEAR NO, DON'T YOU FEAR ♪ 19 00:01:37,662 --> 00:01:40,317 ♪ I'LL BE READY 20 00:01:41,101 --> 00:01:43,494 ♪ FOREVER AND ALWAYS 21 00:01:43,625 --> 00:01:46,628 ♪ I'M ALWAYS HERE 22 00:02:01,469 --> 00:02:03,993 -[GENTLE MUSIC] 23 00:02:27,582 --> 00:02:28,496 -HEY. 24 00:02:32,978 --> 00:02:34,284 LET'S GO UP TO THE TOWER. 25 00:02:35,024 --> 00:02:36,243 -CAROLINE: WHAT DID YOU HAVE IN MIND? 26 00:02:37,679 --> 00:02:38,941 -WHAT ARE YOU DOING? 27 00:02:39,507 --> 00:02:40,682 -GOING FOR A SWIM. 28 00:02:41,204 --> 00:02:42,292 -A SWIM? 29 00:02:47,732 --> 00:02:49,647 -CAROLINE: HAVEN'T YOU EVER GONE SKINNY DIPPING BEFORE? 30 00:02:58,874 --> 00:03:00,180 -HEY, WAIT UP. 31 00:03:01,050 --> 00:03:02,182 COME ON. 32 00:03:03,792 --> 00:03:06,316 HEY, BEAUTIFUL, WAIT FOR ME. 33 00:03:12,496 --> 00:03:13,584 HANG ON. 34 00:03:17,022 --> 00:03:18,415 -[GIGGLING] 35 00:03:19,503 --> 00:03:20,461 -I'M COMING. 36 00:03:20,591 --> 00:03:24,682 -[GENTLE MUSIC] 37 00:03:29,121 --> 00:03:30,166 -HOLD ON. 38 00:05:37,337 --> 00:05:40,557 -[DRAMATIC MUSIC] 39 00:05:40,688 --> 00:05:41,689 -[GASPING] 40 00:05:51,742 --> 00:05:53,570 -CUT, CUT, CUT. 41 00:05:57,574 --> 00:05:58,662 NEWMIE. 42 00:06:00,229 --> 00:06:01,622 WHAT THE HELL'S GOING ON? 43 00:06:03,014 --> 00:06:04,712 -THIS LEVER'S STUCK. 44 00:06:04,842 --> 00:06:06,757 -THE LEVER'S STUCK. 45 00:06:06,888 --> 00:06:08,280 -HEY, DON'T BLAME ME, I'M NOT THE ONE 46 00:06:08,411 --> 00:06:09,847 THAT DESIGNED THIS PIECE OF JUNK. 47 00:06:09,978 --> 00:06:12,328 -IT'S A PERFECTLY SERVICEABLE PROSTHETIC. 48 00:06:16,593 --> 00:06:17,464 THERE. 49 00:06:17,594 --> 00:06:18,943 -OH, NOW IT WORKS. 50 00:06:20,336 --> 00:06:21,598 -EXCUSE ME, I'M SORRY, I'M FREEZING. 51 00:06:21,729 --> 00:06:23,339 CAN I HAVE A TOWEL? 52 00:06:23,470 --> 00:06:24,253 -OKAY, LET'S TAKE IT FROM THE POINT OF THE ATTACK. 53 00:06:24,384 --> 00:06:26,081 -LOGAN, NO WAY, I CAN'T. 54 00:06:26,211 --> 00:06:28,126 I CAN'T. I CAN'T DO THIS SCENE WITH THIS CHEESY SHARK. 55 00:06:28,257 --> 00:06:30,433 IT COMPLETELY UNDERMINES MY CHARACTER'S CREDIBILITY. 56 00:06:30,564 --> 00:06:32,609 -TRUST ME, CAROLINE, IT'S GONNA LOOK GREAT ON FILM. 57 00:06:32,740 --> 00:06:34,437 -TRUST YOU? THAT'S FUNNY. 58 00:06:35,003 --> 00:06:36,570 I'M BEGINNING TO THINK THE ONLY REASON YOU HIRED ME 59 00:06:36,700 --> 00:06:38,136 FOR THIS PART WAS TO HUMILIATE ME. 60 00:06:38,267 --> 00:06:40,574 -I HIRED YOU FOR THIS PART BECAUSE 61 00:06:40,704 --> 00:06:43,315 I BELIEVE IN YOU AS AN ACTRESS, AND I VALUE YOUR OPINION, 62 00:06:43,968 --> 00:06:45,666 AND WE NEED TO GET THE SHOT BEFORE DARK. 63 00:06:45,796 --> 00:06:46,623 PLEASE. 64 00:06:46,754 --> 00:06:48,103 -FINE. -THANK YOU. 65 00:06:49,234 --> 00:06:50,540 HOW'S THE DAY FOR NIGHT WORKING? 66 00:06:50,671 --> 00:06:51,889 -ABOUT AS WELL AS THE PROPS. 67 00:06:52,586 --> 00:06:54,283 -WELL DOES IT BOTHER ANYBODY ELSE THAT THIS SCENE 68 00:06:54,414 --> 00:06:55,980 IS A COMPLETE RIPOFF FROM JAWS? 69 00:06:56,111 --> 00:06:57,852 -OH, YOU NOTICED THAT TOO HUH? 70 00:06:57,982 --> 00:07:00,768 -I PREFER TO CALL IT PAYING HOMAGE TO STEVEN SPIELBERG. 71 00:07:00,898 --> 00:07:02,073 -WELL CALL IT WHATEVER YOU WANT, 72 00:07:02,204 --> 00:07:03,248 IF ANYBODY SEES THIS STUPID MOVIE 73 00:07:03,379 --> 00:07:05,076 THEY'RE GONNA THINK IT'S A JOKE. 74 00:07:05,207 --> 00:07:07,252 I MEAN NOBODY'S GONNA BUY THIS THING AS A REAL SHARK. 75 00:07:07,383 --> 00:07:08,689 -I WONDER IF BRUCE IS AVAILABLE. 76 00:07:08,819 --> 00:07:10,255 -WHO'S BRUCE? 77 00:07:10,386 --> 00:07:12,127 -THE MECHANICAL SHARK SPIELBERG USED IN JAWS. 78 00:07:12,257 --> 00:07:14,608 -WELL, YOU STOLE THE PLOT, YOU STOLE THE DIALOGUE, 79 00:07:14,738 --> 00:07:16,305 YOU MIGHT AS WELL STEAL THE PROPS. 80 00:07:16,436 --> 00:07:19,003 -[FAKE LAUGHING] WILL YOU PLEASE GET YOUR MARK? 81 00:07:19,134 --> 00:07:20,701 -FINE, BUT IT'S NOT GONNA WORK. 82 00:07:20,831 --> 00:07:22,616 -I'LL BE THE JUDGE OF THAT. 83 00:07:22,746 --> 00:07:24,531 -SHE'S RIGHT, THERE'S NO WAY THAT SHARK IS GONNA LOOK REAL. 84 00:07:24,661 --> 00:07:26,489 I DON'T CARE HOW MANY ANGLES YOU SHOOT IT FROM. 85 00:07:26,620 --> 00:07:29,057 -THERE'S ALSO NO WAY WE CAN AFFORD A MECHANICAL SHARK. 86 00:07:29,187 --> 00:07:31,146 OR YOUR WAGE, SO WE'RE JUST GONNA HAVE TO 87 00:07:31,276 --> 00:07:33,061 MAKE DUE WITH THIS SHARK. 88 00:07:33,191 --> 00:07:35,019 -YOU'RE THE DIRECTOR. -OF COURSE. 89 00:07:35,150 --> 00:07:37,761 -I JUST HATE TO SEE A PROMISING CAREER GO DOWN IN FLAMES. 90 00:07:42,636 --> 00:07:44,289 WE'RE GONNA HAVE TO WAIT FOR THAT FISHING BOAT 91 00:07:44,420 --> 00:07:45,421 TO MOVE OUT OF FRAME. 92 00:07:52,254 --> 00:07:54,038 -I WANNA TALK TO THE CAPTAIN OF THAT BOAT. 93 00:07:56,606 --> 00:07:57,694 -OKAY, LISTEN UP. 94 00:07:58,434 --> 00:07:59,348 GOOD MORNING. 95 00:07:59,479 --> 00:08:00,262 -MORNING. 96 00:08:00,392 --> 00:08:02,656 [CROSSTALK] 97 00:08:02,786 --> 00:08:04,919 -ALL RIGHT, TOWER ASSIGNMENTS SOUTH OF THE PIER, 98 00:08:05,049 --> 00:08:10,968 WE GOT CHRIS, 18, JOHN AT 20, ANTHONY AT 22, 99 00:08:11,099 --> 00:08:13,362 AND NEELY AT THE FAMOUS TOWER 24. 100 00:08:13,493 --> 00:08:14,885 -THANK YOU. 101 00:08:15,016 --> 00:08:16,887 -24? THERE'S NEVER ANYBODY ON THAT BEACH. 102 00:08:17,018 --> 00:08:18,236 YOU KNOW, MITCH, WHY DOES SHE 103 00:08:18,367 --> 00:08:19,281 ALWAYS GET THE CUSHY ASSIGNMENTS? 104 00:08:19,411 --> 00:08:20,804 -YOU WANNA TALK CUSHY BABY? 105 00:08:21,457 --> 00:08:23,415 -YOU KNOW THAT COULD BE INTERPRETED AS SEXUAL HARASSMENT. 106 00:08:23,546 --> 00:08:25,026 -YEAH, YOU WISH. 107 00:08:25,156 --> 00:08:26,941 -ALL RIGHT, BEFORE WE GO OUR SEPARATE WAYS, 108 00:08:27,071 --> 00:08:29,117 I WOULD LIKE TO INTRODUCE THE NEWEST MEMBER OF OUR RANKS. 109 00:08:29,247 --> 00:08:31,336 -PLEASE WELCOME DONNA MARCO. -HI. HI. 110 00:08:31,467 --> 00:08:33,295 -WELCOME ABOARD, DONNA. 111 00:08:33,425 --> 00:08:35,950 -DONNA WILL BE FILLING IN FOR CAROLINE WHILE SHE COMPLETES 112 00:08:36,080 --> 00:08:38,996 PRINCIPAL PHOTOGRAPHY ON THE EPIC SHARK FEVER. 113 00:08:40,258 --> 00:08:43,392 DONNA WILL BE AT TOWER 22 WITH ANTHONY. 114 00:08:45,655 --> 00:08:47,091 ALL RIGHT, ANY QUESTIONS, COMMENTS? 115 00:08:47,222 --> 00:08:48,658 -COMPLAINTS? 116 00:08:48,789 --> 00:08:51,008 -UM YEAH, MITCH, WHAT'S THE CAPITAL OF VERMONT? 117 00:08:51,139 --> 00:08:52,749 -VERY FUNNY, MONTPELIER WISE GUY. 118 00:08:52,880 --> 00:08:53,794 -PLEASE. 119 00:08:53,924 --> 00:08:55,360 -ALL RIGHT, HIT THE SAND, 120 00:08:55,491 --> 00:08:57,580 KEEP YOUR EYES ON THE WATER AT ALL TIMES. 121 00:09:01,932 --> 00:09:03,194 -NEELY: MITCH, CAN I SPEAK TO YOUR FOR A SECOND? 122 00:09:03,325 --> 00:09:04,587 -YEAH SURE, WHAT'S UP? 123 00:09:05,457 --> 00:09:07,198 -ISN'T DONNA THE OWNER OF NIGHT'S? 124 00:09:07,721 --> 00:09:09,505 -ACTUALLY SHE'S THE FORMER OWNER. 125 00:09:09,636 --> 00:09:12,203 SHE WANTED TO BE A LIFEGUARD SO SHE STARTED TRAINING, 126 00:09:12,334 --> 00:09:13,553 SHE TRIED OUT FOR ROOKIE SCHOOL, 127 00:09:13,683 --> 00:09:15,250 -AND FINISHED SECOND IN HER CLASS. 128 00:09:15,772 --> 00:09:18,427 -OH, I'M SURE SHE'S AN EXCELLENT LIFEGUARD, 129 00:09:18,558 --> 00:09:21,212 BUT MY QUESTION IS, DOES SHE HAVE A BOYFRIEND? 130 00:09:25,913 --> 00:09:28,176 -NOT THAT I'M AWARE OF, WHY? 131 00:09:28,306 --> 00:09:31,614 -WELL, THIS ISN'T FOR PUBLIC CONSUMPTION, 132 00:09:31,745 --> 00:09:33,964 BUT ANTHONY AND I HAVE BEEN... 133 00:09:34,791 --> 00:09:37,141 -SEEING EACH OTHER FOR THE LAST COUPLE OF WEEKS. 134 00:09:38,055 --> 00:09:39,753 -HOW DID YOU KNOW? 135 00:09:39,883 --> 00:09:41,450 -NEELY, IT'S MY JOB TO KNOW WHAT GOES ON AROUND HERE. 136 00:09:42,320 --> 00:09:44,801 -WELL ANYWAY, AS YOU PROBABLY KNOW, 137 00:09:44,932 --> 00:09:47,848 IT'S BEEN GOING VERY WELL AND WE SEEM TO HAVE QUITE A BIT 138 00:09:47,978 --> 00:09:50,415 IN COMMON AND I THINK WE'RE READY TO TAKE IT-- 139 00:09:50,546 --> 00:09:51,982 -TAKE IT TO THE NEXT LEVEL. 140 00:09:52,113 --> 00:09:53,331 -EXACTLY! 141 00:09:53,462 --> 00:09:55,333 WHICH IS WHY I WAS HOPING YOU COULD 142 00:09:55,464 --> 00:09:56,596 FIND ANOTHER PARTNER FOR DONNA. 143 00:09:58,815 --> 00:10:01,557 I MEAN LET'S FACE IT, MITCH, ANTHONY'S NOT EXACTLY 144 00:10:01,688 --> 00:10:04,342 THE MOST EXPERIENCED LIFEGUARD WE HAVE AROUND HERE 145 00:10:04,473 --> 00:10:05,779 AND SHE'D BE BETTER OFF WITH SOMEONE 146 00:10:05,909 --> 00:10:07,302 WITH A LITTLE MORE SEASONING, WOULDN'T SHE? 147 00:10:08,738 --> 00:10:09,957 -I'LL CHECK THE SCHEDULE. 148 00:10:10,087 --> 00:10:11,828 -THANKS, MITCH, I OWE YOU ONE. 149 00:10:16,180 --> 00:10:21,577 -[GENTLE MUSIC] 150 00:10:47,516 --> 00:10:50,650 ♪ OOH OOH OOH OOH 151 00:10:51,738 --> 00:10:55,567 ♪ AYE AYE AYE AYE 152 00:10:58,483 --> 00:11:00,747 ♪ PUT YOUR HANDS ON ME ♪ PUT YOUR HANDS ON 153 00:11:00,877 --> 00:11:03,488 ♪ GO AHEAD AND PUT YOUR HANDS ON ME 154 00:11:03,619 --> 00:11:06,100 ♪ PUT YOUR HANDS ON PUT YOUR HANDS ON 155 00:11:06,230 --> 00:11:08,842 ♪ FEEL FREE BOY ♪ PUT YOUR HANDS ON ME 156 00:11:12,584 --> 00:11:14,238 ♪ PUT YOUR HANDS ON ME 157 00:11:19,113 --> 00:11:21,506 ♪ FEEL IT BURNING I LIKE THAT 158 00:11:21,637 --> 00:11:24,292 ♪ SO DEEP IN NO WAY BACK 159 00:11:24,422 --> 00:11:26,903 ♪ FEEL YOU SWEATING IT'S SO HOT 160 00:11:27,034 --> 00:11:29,514 ♪ IM READY TAKE YOUR BEST SHOT 161 00:11:29,645 --> 00:11:31,821 ♪ SO SMOOTH WHAT YOUR DOING... 162 00:11:31,952 --> 00:11:34,563 ♪ NO RULES WHAT YA PROVING 163 00:11:34,694 --> 00:11:37,261 ♪ JUST CRUISE KEEP IT MOVING 164 00:11:39,916 --> 00:11:42,484 ♪ PUT YOUR HANDS ON ♪ PUT YOUR HANDS ON 165 00:11:42,614 --> 00:11:45,139 ♪ GO AHEAD AND PUT YOUR HANDS ON ME 166 00:11:45,269 --> 00:11:47,707 ♪ PUT YOUR HANDS ON ♪ PUT YOUR HANDS ON 167 00:11:47,837 --> 00:11:50,361 ♪ FEEL FREE BOY ♪ PUT YOUR HANDS ON ME 168 00:11:54,278 --> 00:11:56,193 ♪ PUT YOUR HANDS ON 169 00:12:11,252 --> 00:12:13,776 ♪ KEEP IT MOVING OUR OWN TRACK 170 00:12:13,907 --> 00:12:16,344 ♪ HEARTS RACING THERE'S NO SLACK 171 00:12:16,474 --> 00:12:19,173 ♪ I KNOW IT'S... WHAT YOU DO 172 00:12:19,303 --> 00:12:21,566 ♪ YOU GOT THIS FIREPROOF 173 00:12:21,697 --> 00:12:24,178 ♪ SO SMOOTH WHAT YOUR DOING 174 00:12:24,308 --> 00:12:26,833 ♪ NO RULES WHAT YA PROVING 175 00:12:26,963 --> 00:12:29,270 ♪ JUST CRUISE KEEP IT MOVING 176 00:12:32,099 --> 00:12:34,579 ♪ PUT YOUR HANDS ON ME ♪ PUT YOUR HANDS ON 177 00:12:34,710 --> 00:12:37,582 ♪ GO AHEAD AND PUT YOUR HANDS ON ME 178 00:12:37,713 --> 00:12:39,541 ♪ PUT YOUR HANDS ON ♪ PUT YOUR HANDS ON 179 00:12:39,671 --> 00:12:42,631 ♪ FEEL FREE BOY ♪ PUT YOUR HANDS ON ME 180 00:12:46,504 --> 00:12:48,376 ♪ PUT YOUR HANDS ON ME 181 00:12:53,163 --> 00:12:55,557 ♪ PUT YOUR HANDS ON ME ♪ PUT YOUR HANDS ON 182 00:12:55,687 --> 00:12:58,212 ♪ GO AHEAD AND PUT YOUR HANDS ON ME 183 00:12:58,342 --> 00:13:00,649 ♪ PUT YOUR HANDS ON ♪ PUT YOUR HANDS ON 184 00:13:00,780 --> 00:13:03,608 ♪ FEEL FREE BOY ♪ PUT YOUR HANDS ON ME 185 00:13:18,014 --> 00:13:19,668 -CAN I ASK YOU A PERSONAL QUESTION? 186 00:13:20,190 --> 00:13:21,888 HAVE YOU LOST YOUR MIND, HUH? 187 00:13:22,018 --> 00:13:24,107 I'M NOT GETTING IN THAT WATER WITH A LIVE TIGER SHARK. 188 00:13:25,456 --> 00:13:27,632 -IT'S A LIVE HARMLESS TIGER SHARK. 189 00:13:27,763 --> 00:13:30,070 -I HAVE NEVER HEARD OF A HARMLESS SHARK, LOGAN. 190 00:13:30,200 --> 00:13:32,812 -WHEN WAS THE LAST TIME YOU HEARD OF SOMEBODY BEING ATTACKED BY A TIGER SHARK? 191 00:13:32,942 --> 00:13:34,639 THE CHANCES OF THAT HAPPENING ARE NIL. 192 00:13:35,162 --> 00:13:36,250 ACTUALLY LESS THAN NIL. 193 00:13:36,772 --> 00:13:38,121 YOU KNOW WHAT, AS A MATTER OF FACT, 194 00:13:38,252 --> 00:13:40,210 THIS PARTICULAR TIGER SHARK IS SEDATED. 195 00:13:40,341 --> 00:13:41,429 -HE DOESN'T EVEN KNOW WHERE IT IS. 196 00:13:41,559 --> 00:13:43,039 -OH THAT'S REALLY FUNNY. 197 00:13:43,170 --> 00:13:45,259 AND HOW DOES ONE GO ABOUT SEDATING A SHARK, HUH? 198 00:13:50,046 --> 00:13:52,309 -THE SHARK IS GONNA BE ATTACHED TO A SPECIALLY DESIGNED 199 00:13:52,440 --> 00:13:54,007 MONOFILAMENT LINE AT ALL TIMES. 200 00:13:54,137 --> 00:13:57,445 YOU'LL BE IN NO DANGER WHATSOEVER, YOU HAVE MY WORD. 201 00:13:57,575 --> 00:13:58,794 -WE ALL KNOW WHAT THAT'S WORTH. 202 00:14:00,491 --> 00:14:02,232 -ALL I NEED IS A FIVE SECOND SHOT 203 00:14:02,363 --> 00:14:03,538 OF YOU AND THE LIVE TIGER SHARK. 204 00:14:04,191 --> 00:14:06,454 THE REST I CAN DO WITH THE PLASTIC SHARK. 205 00:14:07,672 --> 00:14:09,805 -YOU SURE YOU ONLY NEED ME IN THE WATER FOR FIVE SECONDS? 206 00:14:10,501 --> 00:14:13,200 -IF THAT, ALL I NEED IS A QUICK SWIM BY. 207 00:14:14,984 --> 00:14:17,421 -I CAN'T BELIEVE I'M LETTING YOU TALK ME INTO THIS. 208 00:14:17,552 --> 00:14:19,032 OUGHT TO HAVE MY HEAD EXAMINED. 209 00:14:19,162 --> 00:14:20,337 -PLENTY OF TIME FOR THAT MY DEAR, 210 00:14:20,468 --> 00:14:22,252 ONCE WE BECOME RICH AND FAMOUS. 211 00:14:22,383 --> 00:14:24,602 -YEAH, LIKE THIS MOVIE'S GONNA MAKE ME RICH AND FAMOUS. 212 00:14:24,733 --> 00:14:26,126 -YOU NEVER KNOW, WE'RE ABOUT TO GET THE SHOT 213 00:14:26,256 --> 00:14:27,997 THAT EVEN SPIELBERG DIDN'T GET. 214 00:14:28,128 --> 00:14:29,999 OKAY EVERYBODY, POSITIONS! 215 00:14:30,652 --> 00:14:31,609 YOU'RE GONNA BE GREAT. 216 00:14:35,483 --> 00:14:40,140 -[DRAMATIC MUSIC] 217 00:14:59,550 --> 00:15:00,769 -OKAY, YOU READY? 218 00:15:06,253 --> 00:15:07,776 POSITION ONE. 219 00:15:10,387 --> 00:15:11,519 -HOLD IT! 220 00:15:11,649 --> 00:15:12,999 HOLD IT! 221 00:15:13,129 --> 00:15:16,002 -AND, ACTION. 222 00:15:18,221 --> 00:15:20,528 -HOLD IT, HOLD IT, GET OUT OF THE WATER! 223 00:15:20,658 --> 00:15:22,182 GET OUT OF THE WATER, SHE'S LOOSE! 224 00:15:27,100 --> 00:15:29,667 -[SCREAMING] 225 00:15:35,543 --> 00:15:37,240 [SCREAMING] 226 00:15:55,998 --> 00:15:57,130 -OH NO, I'M OUT OF HERE. 227 00:15:57,260 --> 00:15:58,348 -CAROLINE. -GET OFF OF ME! 228 00:15:58,479 --> 00:15:59,697 -CAROLINE, I'M SORRY. 229 00:15:59,828 --> 00:16:00,960 -YOU'RE SORRY, LOGAN, YOU'RE INSANE! 230 00:16:01,090 --> 00:16:02,396 -MITCH: WHAT'S GOING ON? 231 00:16:02,526 --> 00:16:03,963 -WHY DON'T YOU ASK MR. DIRECTOR HERE, 232 00:16:04,093 --> 00:16:05,747 HE LET A SHARK LOOSE IN THE BAY. -YOU WHAT? 233 00:16:05,877 --> 00:16:08,010 -IT WAS A TINY TIGER SHARK, IT WOULDN'T HURT ANYBODY. 234 00:16:08,141 --> 00:16:09,316 -WHAT ARE YOU STUPID? 235 00:16:09,969 --> 00:16:11,144 -IT WAS MEANT TO BE TIED TO A LINE. 236 00:16:11,274 --> 00:16:13,363 -LOGAN, YOU'RE A LIFEGUARD FOR GOD SAKES. 237 00:16:13,494 --> 00:16:15,452 -AT THE MOMENT MITCH, I'M A FILMMAKER. 238 00:16:15,583 --> 00:16:18,107 -THAT DOESN'T MEAN YOU CAN ENDANGER PEOPLE'S LIVES. 239 00:16:19,108 --> 00:16:21,284 IT'S TIME YOU AND I SIT DOWN AND HAVE A LITTLE TALK ABOUT 240 00:16:21,415 --> 00:16:24,070 YOUR PRIORITIES, REASSESSMENT'S AT THE TOP OF THE LIST. 241 00:16:24,200 --> 00:16:25,985 -MITCH, THERE ARE SCORES OF TIGER SHARKS 242 00:16:26,115 --> 00:16:28,726 FEEDING 100 YARDS OFFSHORE, WHAT DIFFERENCE 243 00:16:28,857 --> 00:16:30,032 IS ONE MORE LITTLE TIGER SHARK GONNA MAKE? 244 00:16:55,797 --> 00:16:57,625 -HEY YOU GUYS, YOU'RE IN A RIP TIDE. 245 00:16:57,755 --> 00:16:58,800 THAT'S WHY THERE'S NO WAVES. 246 00:16:58,930 --> 00:17:00,715 LET'S GO, COME ON IN. 247 00:17:01,455 --> 00:17:02,760 COME ON, COME ON, LET'S GO. 248 00:17:02,891 --> 00:17:04,197 I KNOW, I KNOW. 249 00:17:14,424 --> 00:17:17,384 -[SUSPENSEFUL MUSIC] 250 00:17:26,480 --> 00:17:27,916 -[SCREAM] 251 00:17:29,048 --> 00:17:33,139 -[DRAMATIC MUSIC] 252 00:18:12,874 --> 00:18:14,484 -TELLING YOU, YOU PULL A STUNT LIKE THAT AGAIN, 253 00:18:14,615 --> 00:18:16,138 I'LL HAVE YOUR FILM PERMIT PULLED 254 00:18:16,269 --> 00:18:18,053 BEFORE YOU CAN SAY LIGHTS, CAMERA, AND ACTION. 255 00:18:18,184 --> 00:18:19,663 HEY NEWMIE, SHOW BIZ HUH? 256 00:18:19,794 --> 00:18:21,143 -NEWMIE: YEAH RIGHT. 257 00:18:21,274 --> 00:18:22,666 -I PROMISE, MITCH, NO MORE SINGUM AVERTING. 258 00:18:23,580 --> 00:18:25,321 I'VE GOT A LOT RIDING ON THIS, 259 00:18:25,452 --> 00:18:27,410 EVERYTHING I COULD BEG, BORROW, AND PUT ON MY CREDIT CARDS. 260 00:18:27,541 --> 00:18:29,064 -RADIO: ZERO-ONE-TWO-NINE-FIVE. 261 00:18:29,586 --> 00:18:31,762 -BUT YOU'RE RIGHT THIS WILL NEVER HAPPEN AGAIN. 262 00:18:33,155 --> 00:18:35,940 -MITCH: TWO-NINE-FIVE, TWO-OH-ONE, SEND YOUR TRAFFIC. 263 00:18:36,071 --> 00:18:37,768 -CAROLINE, WAIT! 264 00:18:37,899 --> 00:18:39,640 -RADIO: YEAH, MITCH, CODY JUST REPORTED AN INCIDENT-- 265 00:18:40,554 --> 00:18:41,468 -YOU CAN'T WALK OUT ON ME. 266 00:18:41,598 --> 00:18:42,730 -WATCH ME. 267 00:18:43,600 --> 00:18:44,732 -DO YOU REALIZE HOW MANY ACTRESSES 268 00:18:44,862 --> 00:18:46,037 WOULD KILL FOR THIS PART? 269 00:18:47,430 --> 00:18:48,866 YOU COULD'VE BEEN A STAR. 270 00:18:49,563 --> 00:18:50,520 -LOGAN, GET IN! 271 00:18:50,651 --> 00:18:52,435 THERE'S BEEN A SHARK ATTACK. 272 00:18:52,566 --> 00:18:57,136 -[SIRENS] 273 00:18:58,528 --> 00:19:00,182 -OKAY, LET'S NOT JUMP TO CONCLUSIONS, MITCH, 274 00:19:00,313 --> 00:19:02,053 I WAS FILMING TWO MILES OFF THE COAST. 275 00:19:02,184 --> 00:19:04,578 -YEAH, WELL SHARKS CAN TRAVEL 20 MILES AN HOUR, FOWLER. 276 00:19:04,708 --> 00:19:06,406 -AND YOU COULD'VE DONE THIS ON THE ROCKS. 277 00:19:06,536 --> 00:19:08,408 -YEAH RIGHT, THOSE DON'T LOOK LIKE TEETH MARKS TO YOU? 278 00:19:08,538 --> 00:19:09,496 -ALL RIGHT, LET'S JUST GET THIS OVER TO 279 00:19:09,626 --> 00:19:11,367 THE MARINE BIOLOGY UNIT AT UCLA. 280 00:19:11,498 --> 00:19:13,195 THEY'LL TELL US WHAT KIND OF SHARK IT WAS. 281 00:19:13,326 --> 00:19:14,588 -DO YOU KNOW WHAT THE ODDS ARE THAT THIS 282 00:19:14,718 --> 00:19:16,372 WAS THE SAME SHARK THAT I WAS USING? 283 00:19:16,503 --> 00:19:18,113 -ALL I KNOW IS THAT YOUR CAREER IS DANGLING BY A THREAD, 284 00:19:18,244 --> 00:19:20,159 AS A DIRECTOR AND A LIFEGUARD. 285 00:19:26,165 --> 00:19:28,254 -I KNOW YOU'RE ALL AWARE OF THE SHARK STORIES 286 00:19:28,384 --> 00:19:30,169 FLOATING AROUND HEADQUARTERS, BUT AT THIS TIME WE HAVE 287 00:19:30,299 --> 00:19:32,606 NO DEFINITIVE PROOF THAT ANYONE HAS ACTUALLY BEEN ATTACKED. 288 00:19:32,736 --> 00:19:34,260 -SO, LET'S NOT LOSE FOCUS 289 00:19:34,390 --> 00:19:37,001 ON THE EVERYDAY ASPECTS OF THE JOB, OKAY? 290 00:19:37,132 --> 00:19:38,655 ALL RIGHT, HAVE A GOOD ONE AND WATCH YOUR FEET, 291 00:19:38,786 --> 00:19:40,744 THERE'S A LOT OF STINGRAYS OUT THERE. 292 00:19:40,875 --> 00:19:42,311 YOU, KEEP YOUR EYES ON THE WATER. 293 00:19:42,442 --> 00:19:43,704 -I WILL, THANKS, MITCH. 294 00:19:43,834 --> 00:19:44,879 -DID YOU STOP WORKING OUT COMPLETELY? 295 00:19:46,315 --> 00:19:47,925 NEWMIE, WHAT ARE YOU DOING HERE? 296 00:19:48,056 --> 00:19:48,926 I THOUGHT YOU WERE STILL WORKING ON LOGAN'S MOVIE? 297 00:19:49,057 --> 00:19:49,840 -GOT LAID OFF. 298 00:19:49,971 --> 00:19:50,798 -AWW. 299 00:19:50,928 --> 00:19:52,321 -YEAH, HE'S TAPPED OUT, 300 00:19:52,452 --> 00:19:53,409 THEY'RE GONNA BE SHUTTING DOWN PRODUCTION. 301 00:19:53,540 --> 00:19:54,671 -WELL, THAT'S SHOW BIZ, MAN. 302 00:19:54,802 --> 00:19:55,977 ANYTHING I CAN DO TO HELP? 303 00:19:56,107 --> 00:19:57,021 -ANYONE WORKING GIDGEE GULCH? 304 00:19:57,152 --> 00:19:57,935 -YOU ARE. 305 00:19:58,066 --> 00:19:58,980 -YEAH, THANKS. 306 00:19:59,937 --> 00:20:01,461 -I THOUGHT WE HAD AN AGREEMENT, 307 00:20:01,591 --> 00:20:03,419 YOU'VE STILL GOT ANTHONY AND DONNA SHARING A TOWER. 308 00:20:03,550 --> 00:20:05,465 -OH MY GOD, I THOUGHT I MADE THAT CHANGE. 309 00:20:05,595 --> 00:20:07,075 -NO, YOU DIDN'T. 310 00:20:07,206 --> 00:20:08,772 -WELL I WAS GONNA PUT HER WITH SOMEONE ELSE. 311 00:20:08,903 --> 00:20:11,297 -LIKE NEWMIE, NEWMIE WOULD BE PERFECT. 312 00:20:11,427 --> 00:20:13,647 NOW HE COULD TEACH HER A THING OR TWO ABOUT LIFEGUARDING. 313 00:20:13,777 --> 00:20:15,039 -SO COULD YOU. -WHAT? 314 00:20:15,170 --> 00:20:16,563 -TOWER 12 WITH DONNA. 315 00:20:17,085 --> 00:20:18,434 -MITCH, DON'T DO THIS TO ME. 316 00:20:18,565 --> 00:20:19,957 -OH, IT'LL BE GOOD FOR YOU. 317 00:20:20,088 --> 00:20:21,045 YOU KNOW, KINDA TAKE HER UNDER YOUR WING. 318 00:20:22,438 --> 00:20:23,526 -MITCH, MITCH. 319 00:20:23,657 --> 00:20:24,919 -YEAH, WHAT'S UP? 320 00:20:25,049 --> 00:20:26,355 -JUST GOT THE RESULTS BACK FROM UCLA. 321 00:20:27,095 --> 00:20:29,576 THEY MEASURED THE BITE RADIUS AND GUESS WHAT? 322 00:20:29,706 --> 00:20:30,838 LOGAN'S OFF THE HOOK. 323 00:20:31,491 --> 00:20:33,667 WASN'T A TIGER SHARK THAT ATE MY BOARD, 324 00:20:34,407 --> 00:20:35,843 IT WAS A GREAT WHITE. 325 00:20:41,544 --> 00:20:46,549 -[ROCK MUSIC] 326 00:21:52,354 --> 00:21:57,707 [DRAMATIC MUSIC] 327 00:22:20,904 --> 00:22:22,602 -CUT, CUT, CUT! 328 00:22:22,732 --> 00:22:23,777 -DID YOU GET IT? 329 00:22:23,907 --> 00:22:24,778 -THAT WAS GREAT. 330 00:22:24,908 --> 00:22:27,868 -OKAY, PRINT THAT ONE. 331 00:22:27,998 --> 00:22:29,783 THAT'S TEN MINUTES FOR LUNCH EVERYBODY. 332 00:22:31,567 --> 00:22:34,831 -NOT WHILE WE'VE GOT THE LIGHT, LET'S MOVE ON TO SCENE 16. 333 00:22:39,314 --> 00:22:40,228 -DID YOU GET IT? 334 00:22:40,359 --> 00:22:41,795 -YEAH, I GOT IT. 335 00:22:41,925 --> 00:22:45,059 SO, WAS THAT YOUR ALFRED HITCHCOCK CAMEO? 336 00:22:46,321 --> 00:22:48,192 -NO I CAN'T AFFORD TO PAY MORE CAST CALLS. 337 00:22:48,323 --> 00:22:49,890 -YEAH, SPEAKING OF GETTING PAID. 338 00:22:50,934 --> 00:22:52,283 -UH OH. 339 00:22:52,414 --> 00:22:53,981 -[SIRENS] 340 00:22:54,111 --> 00:22:55,722 -LOOKS LIKE A BUST. 341 00:23:04,557 --> 00:23:05,688 -HEY, WHAT'S GOING ON? 342 00:23:05,819 --> 00:23:07,081 -WE'RE SHUTTING YOU DOWN. 343 00:23:07,211 --> 00:23:08,561 -SHUTTING US DOWN? 344 00:23:08,691 --> 00:23:10,171 WHAT'D THEY SAY AT UCLA? 345 00:23:10,301 --> 00:23:12,216 -IT WASN'T A TIGER SHARK THAT ATTACKED CODY. 346 00:23:12,347 --> 00:23:13,348 -I KNEW IT. 347 00:23:13,479 --> 00:23:14,697 -IT WAS A GREAT WHITE. 348 00:23:15,872 --> 00:23:17,570 -A GREAT WHITE? 349 00:23:17,700 --> 00:23:19,441 -I WANT EVERYBODY OUT OF THE WATER INCLUDING YOUR CAST. 350 00:23:20,224 --> 00:23:21,574 -WHAT'S LEFT OF IT. 351 00:23:21,704 --> 00:23:23,314 -MITCH: I WANT YOU OUT OF THE AREA, LOGAN. 352 00:23:23,445 --> 00:23:24,838 -MITCH, IF THERE'S A GREAT WHITE OUT THERE 353 00:23:24,968 --> 00:23:26,143 I HAVE TO FILM IT. 354 00:23:26,274 --> 00:23:27,797 I MAY NEVER GET THIS CHANCE AGAIN. 355 00:23:27,928 --> 00:23:29,756 -YOU ENDANGER ONE PERSON'S LIFE, 356 00:23:29,886 --> 00:23:32,715 YOU'LL BE FLIPPING HAMBURGERS BACK IN TASMANIA. 357 00:23:36,197 --> 00:23:37,328 -WE'LL SEE. 358 00:23:39,287 --> 00:23:40,288 WE'LL SEE. 359 00:23:40,897 --> 00:23:42,029 GET READY. 360 00:23:50,733 --> 00:23:56,391 -[DRAMATIC MUSIC] 361 00:24:16,890 --> 00:24:18,500 ♪ I'LL SEE YOU AROUND 362 00:24:18,631 --> 00:24:20,633 ♪ YOU AIN'T WORTH MY TIME 363 00:24:20,763 --> 00:24:24,463 ♪ I'LL SAVE YOU THE TROUBLE ♪ THAT'S MY BOTTOM LINE 364 00:24:24,593 --> 00:24:28,902 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 365 00:24:29,555 --> 00:24:32,166 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF♪ 366 00:24:32,296 --> 00:24:36,823 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 367 00:24:37,432 --> 00:24:39,652 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF♪ 368 00:24:39,782 --> 00:24:41,262 ♪ I'LL MAKE THE MOST OF IT 369 00:24:41,392 --> 00:24:43,133 ♪ I SEE IT ALL SO CLEAR 370 00:24:43,264 --> 00:24:44,918 ♪ THOUGHT YOU HAD ME FOOLED 371 00:24:45,048 --> 00:24:46,833 ♪ YOU WON'T SEE ME SHED A TEAR 372 00:24:47,573 --> 00:24:51,751 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF ♪ 373 00:24:52,403 --> 00:24:54,884 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF♪ 374 00:24:55,015 --> 00:24:59,889 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 375 00:25:00,020 --> 00:25:02,631 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF 376 00:25:25,219 --> 00:25:27,221 ♪ SUN IS BURNING HOT 377 00:25:27,351 --> 00:25:29,397 ♪ GOT MILES TILL WE SLEEP 378 00:25:29,528 --> 00:25:33,096 ♪ I KNOW YOU WANT IT BAD BUT DARLIN ♪ THAT DON'T COME CHEAP 379 00:25:33,227 --> 00:25:37,448 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 380 00:25:38,014 --> 00:25:40,713 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF ♪ 381 00:25:40,843 --> 00:25:45,544 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 382 00:25:45,674 --> 00:25:48,459 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF 383 00:25:48,590 --> 00:25:51,898 ♪ I SEE YOU GOT THE MOVES ♪ YOU GOT A LOT OF TALK 384 00:25:52,028 --> 00:25:55,466 ♪ I HEARD IT ALL BEFORE BUT TELL ME ♪ CAN YOU WALK THAT WALK 385 00:25:56,076 --> 00:25:59,862 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF ♪ 386 00:26:00,994 --> 00:26:03,562 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF 387 00:26:03,692 --> 00:26:08,175 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 388 00:26:08,828 --> 00:26:11,657 ♪ PAYOFF, PAYOFF, PAYOFF, PAYOFF ♪ 389 00:26:26,976 --> 00:26:30,763 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 390 00:26:34,244 --> 00:26:38,640 ♪ OH IT'S NO GOOD WITHOUT THAT PAYOFF 391 00:26:44,994 --> 00:26:47,040 -I BET LOGAN IS LOVING ALL THIS 392 00:26:47,170 --> 00:26:48,911 FREE PUBLICITY FOR HIS MOVIE. 393 00:26:50,130 --> 00:26:51,348 -IF I DIDN'T KNOW BETTER I'D SAY 394 00:26:51,479 --> 00:26:53,002 HE STAGED THE WHOLE THING HIMSELF. 395 00:26:53,133 --> 00:26:54,090 HE'S THAT OBSESSED LATELY. 396 00:26:55,701 --> 00:26:57,528 -I READ THE SCRIPT, IT WASN'T HALF BAD. 397 00:26:58,486 --> 00:27:00,662 -I KNOW, I HATE TO ADMIT IT. HE'S PRETTY TALENTED. 398 00:27:01,489 --> 00:27:02,882 MORE TALENTED THAN HE DESERVES. 399 00:27:03,578 --> 00:27:07,147 -SO WHAT, IS THIS THE END OF YOUR GLORIOUS ACTING CAREER? 400 00:27:07,974 --> 00:27:09,758 -I THINK I'LL STICK TO LIFEGUARDING FOR NOW. 401 00:27:10,629 --> 00:27:12,239 BUT WHO KNOWS, DOWN THE LINE 402 00:27:12,369 --> 00:27:13,936 I MIGHT GIVE IT ANOTHER WHIRL. 403 00:27:14,545 --> 00:27:16,504 KINDA LIKED BEING IN FRONT OF THAT CAMERA. 404 00:27:29,517 --> 00:27:31,388 -LIFEGUARD! LIFEGUARD! 405 00:27:31,519 --> 00:27:32,781 I CAN'T FIND MY DAUGHTER! 406 00:27:32,912 --> 00:27:34,653 -OKAY, WHAT DOES SHE LOOK LIKE? 407 00:27:34,783 --> 00:27:36,916 -SHE'S SIX YEARS OLD, SHE HAS BLONDE HAIR AND BLUE EYES. 408 00:27:37,046 --> 00:27:38,831 LISA! 409 00:27:40,571 --> 00:27:42,617 LISA! 410 00:27:43,966 --> 00:27:46,708 OH MY GOD, THAT'S HER BUCKET. 411 00:27:46,839 --> 00:27:49,145 OH, LISA! 412 00:27:49,276 --> 00:27:51,060 -MA'AM, PLEASE DON'T GO IN. 413 00:27:51,191 --> 00:27:52,148 -LISA: MOMMY. 414 00:27:55,891 --> 00:27:58,938 -OH, LISA, WHERE DID YOU GO? 415 00:27:59,068 --> 00:28:00,635 YOU HAD ME WORRIED TO DEATH. 416 00:28:00,766 --> 00:28:02,158 -SHE WAS CHASING A SAND CRAB 417 00:28:02,289 --> 00:28:03,986 AND I THINK SHE LOST TRACK OF WHERE SHE WAS. 418 00:28:04,117 --> 00:28:05,074 -THANK YOU SO MUCH. 419 00:28:05,205 --> 00:28:06,728 -OH, IT'S MY PLEASURE. 420 00:28:12,734 --> 00:28:14,170 -THANKS A LOT, SHE WAS STARTING 421 00:28:14,301 --> 00:28:15,694 TO GET A LITTLE FREAKED OUT. 422 00:28:15,824 --> 00:28:17,565 -SO WAS I, WHEN I SAW YOU TALKING TO HER 423 00:28:17,696 --> 00:28:19,436 WITH YOUR BACK TO THE WATER. 424 00:28:19,567 --> 00:28:21,351 WHAT'S THE FIRST THING THEY TAUGHT YOU IN ROOKIE SCHOOL? 425 00:28:21,482 --> 00:28:23,179 YOUR EYES NEVER LEAVE THE WATER. 426 00:28:23,310 --> 00:28:25,181 -I WAS TRYING TO KEEP HER FROM GOING IN. 427 00:28:25,921 --> 00:28:27,357 -LOOK, I KNOW YOU'RE GONNA BE 428 00:28:27,488 --> 00:28:28,881 AN EXCELLENT LIFEGUARD SOMEDAY, 429 00:28:29,577 --> 00:28:31,013 BUT YOU STILL GOT A LOT TO LEARN. 430 00:28:31,797 --> 00:28:32,711 -NEELY! 431 00:28:33,799 --> 00:28:35,844 LOOK, I DON'T WANNA GET OFF ON THE WRONG FOOT. 432 00:28:35,975 --> 00:28:38,499 SO LET'S GET SOMETHING STRAIGHT BETWEEN US RIGHT NOW, 433 00:28:38,629 --> 00:28:41,545 I KNOW ABOUT YOU AND ANTHONY, AND I WANT YOU TO KNOW 434 00:28:41,676 --> 00:28:45,245 -I'M NOT INTERESTED IN HIM, NEVER WAS, NEVER WILL BE. 435 00:28:46,333 --> 00:28:49,249 I DON'T BELIEVE IN STEALING A CO-WORKERS BOYFRIEND, 436 00:28:49,379 --> 00:28:52,252 NOR DO I INTEND TO GET INVOLVED WITH ANYONE AT BAYWATCH. 437 00:28:52,382 --> 00:28:54,515 I HAVE A STRICT POLICY AGAINST 438 00:28:54,645 --> 00:28:56,082 MIXING BUSINESS WITH PLEASURE. 439 00:28:56,604 --> 00:28:58,127 ARE WE CLEAR ON THAT? 440 00:28:58,693 --> 00:29:01,435 -CRYSTAL CLEAR. -DONNA: GOOD. 441 00:29:05,482 --> 00:29:07,049 -WOMAN: HEY, LET'S GO. 442 00:29:12,011 --> 00:29:16,885 -[DRAMATIC MUSIC] 443 00:29:22,412 --> 00:29:24,284 -NEELY: ALWAYS A COUPLE OF WISE GUYS. 444 00:29:24,414 --> 00:29:25,807 THE BEACH IS CLOSED! 445 00:29:29,419 --> 00:29:30,638 HEY, GET BACK IN HERE! 446 00:29:30,769 --> 00:29:32,292 CAN'T YOU READ THE SIGN? 447 00:29:34,685 --> 00:29:36,687 LOOKS LIKE WE'RE GONNA HAVE TO GO GET 'EM. 448 00:29:49,526 --> 00:29:51,615 WE'RE NOT JOKING, BOYS. THERE'S A SHARK ALERT 449 00:29:51,746 --> 00:29:54,488 AT ALL MALIBU BEACHES, GET OUT OF THE WATER NOW. 450 00:29:55,794 --> 00:30:00,973 -[DRAMATIC MUSIC] 451 00:30:07,414 --> 00:30:10,460 I'LL GET THAT BUNCH, YOU GET THE LITTLE HOT DOG. 452 00:30:14,725 --> 00:30:17,206 YOU GUYS, SHARK ALERT. COME ON, GET IN. 453 00:30:26,999 --> 00:30:28,478 -OH GOD! 454 00:30:41,970 --> 00:30:45,582 -SHARK! SHARK! -[SCREAMS] 455 00:31:20,574 --> 00:31:21,575 -HELP! 456 00:31:21,705 --> 00:31:22,881 -DONNA: GRAB THE CAN. 457 00:31:24,056 --> 00:31:25,666 IT'S ALL RIGHT. 458 00:31:25,796 --> 00:31:27,320 DO YOU KNOW HOW LUCKY YOU ARE? 459 00:31:35,676 --> 00:31:37,504 -RADIO: WE HAVE ANOTHER CONFIRMED SHARK ATTACK 460 00:31:37,634 --> 00:31:40,072 OFF TOWER 15, CLEAR THE WATER OF ALL SWIMMERS. 461 00:31:40,202 --> 00:31:41,595 -WE'VE GOT A COUPLE SURFERS WITH SPEAR GUNS 462 00:31:41,725 --> 00:31:43,902 HEADED TOWARDS THE AREA, COVER MY WATER WILL YA? 463 00:31:47,862 --> 00:31:49,081 LET'S GO! 464 00:31:52,345 --> 00:31:54,173 -RADIO: NINE FIVE TO ALL AVAILABLE UNITS, 465 00:31:54,303 --> 00:31:56,088 RESPOND CODE THREE TO MALIBU 12, CONFIRMED SHARK ATTACK. 466 00:31:56,218 --> 00:31:57,872 -OKAY PEOPLE, THIS COULD BE IT. 467 00:31:59,569 --> 00:32:04,531 -[ROCK MUSIC] 468 00:32:08,143 --> 00:32:09,231 -HANG ON. 469 00:32:18,458 --> 00:32:19,372 -FULL THROTTLE. 470 00:32:33,864 --> 00:32:34,909 -GET OUT OF THE WATER. 471 00:32:35,040 --> 00:32:36,693 -WE AIN'T AFRAID OF NO SHARK. 472 00:32:36,824 --> 00:32:38,957 -OH, COME ON, ALL RIGHT, WE KNOW HOW MACHO YOU ARE, 473 00:32:39,087 --> 00:32:40,045 YOU'VE PROVEN YOUR POINT. 474 00:32:40,175 --> 00:32:41,568 NOW START PADDLING, OKAY? 475 00:32:42,090 --> 00:32:43,700 -UNLESS YOU WANT US TO DRAG YOU IN. 476 00:32:43,831 --> 00:32:45,572 -ALL RIGHT, ALL RIGHT. 477 00:32:52,883 --> 00:32:54,842 -UGH LOOK, IT'S LOGAN. 478 00:32:56,148 --> 00:32:57,932 -THIS IS GREAT, AS IF WE DIDN'T HAVE ENOUGH PROBLEMS. 479 00:32:58,063 --> 00:32:59,629 YOU KNOW I BET YOU ANYTHING 480 00:32:59,760 --> 00:33:00,979 THAT HE WAS MONITORING THE LIFEGUARD FREQUENCIES. 481 00:33:01,109 --> 00:33:05,157 -[DRAMATIC MUSIC] 482 00:33:06,332 --> 00:33:07,681 -[THUMP] 483 00:33:08,551 --> 00:33:09,683 WHAT WAS THAT? 484 00:33:09,813 --> 00:33:11,032 -GET AS CLOSE AS YOU CAN. 485 00:33:11,163 --> 00:33:12,425 -YUP. 486 00:33:22,217 --> 00:33:24,872 -[SCREAMING] 487 00:33:29,746 --> 00:33:31,661 -DAMN, I JUST RAN OUT OF FILM. 488 00:33:31,792 --> 00:33:33,272 -WHAT DO YOU MEAN YOU JUST RAN OUT OF FILM? 489 00:33:33,402 --> 00:33:34,751 -RELOAD! -HURRY! 490 00:33:44,718 --> 00:33:45,936 -MITCH! 491 00:33:46,067 --> 00:33:46,894 SHARK! 492 00:33:47,025 --> 00:33:49,201 [SCREAMING] 493 00:33:54,641 --> 00:33:57,122 -KEEP ROLLING, STAY WITH HIM. 494 00:33:58,253 --> 00:33:59,428 -CAROLINE: HELP! 495 00:33:59,559 --> 00:34:01,039 -COME ON! 496 00:34:08,655 --> 00:34:10,091 COME ON. 497 00:34:17,229 --> 00:34:19,970 -[SCREAMING] 498 00:34:21,537 --> 00:34:22,886 -COME ON, MITCH! 499 00:34:24,758 --> 00:34:26,020 SWIM! 500 00:34:26,586 --> 00:34:27,848 COME ON! 501 00:34:28,892 --> 00:34:30,155 HE'S RIGHT BEHIND YOU. 502 00:34:32,200 --> 00:34:33,549 SWIM! 503 00:34:35,334 --> 00:34:39,207 -[DRAMATIC MUSIC] 504 00:35:01,316 --> 00:35:02,926 -WHAT AN INCREDIBLE SPECIMEN. 505 00:35:19,117 --> 00:35:20,205 TIME TO RELIVE YOUR NAVY SEAL DAYS. 506 00:35:20,335 --> 00:35:21,293 -WHAT? 507 00:35:21,423 --> 00:35:22,294 -HERE, TIE THIS TO THE LINE. 508 00:35:22,424 --> 00:35:23,817 -WHAT? WHAT FOR? 509 00:35:23,947 --> 00:35:25,949 -TRACKING, REMEMBER THE YELLOW BARRELS IN JAWS? 510 00:35:26,080 --> 00:35:27,647 -SHARK ON THE STARBOARD SIDE. 511 00:35:27,777 --> 00:35:29,344 -THIS IS THE LIFEGUARD VERSION. 512 00:35:31,781 --> 00:35:35,307 -[DRAMATIC MUSIC] 513 00:35:41,313 --> 00:35:42,357 -HARD LEFT! 514 00:35:44,316 --> 00:35:45,708 -WHAT'S THE PROBLEM? 515 00:35:45,839 --> 00:35:47,188 -TELL HIM TO STAND STILL, I CAN'T FOCUS. 516 00:35:47,319 --> 00:35:48,972 -READY. -WAIT, HE'S NOT IN FRAME. 517 00:35:49,103 --> 00:35:50,452 -IT'S NOT A MOVIE, LOGAN. 518 00:35:50,583 --> 00:35:52,019 -NOW! -LOGAN: ACTION! 519 00:36:04,249 --> 00:36:05,467 -MITCH: GOT IT. 520 00:36:05,598 --> 00:36:07,339 -CAROLINE: GOOD SHOT MITCH. 521 00:36:10,429 --> 00:36:11,604 -LOGAN: KEEP ROLLING. 522 00:36:12,561 --> 00:36:14,650 -I'M RUNNING OUT OF FILM, I BETTER RELOAD NOW. 523 00:36:20,830 --> 00:36:22,441 -ALL RIGHT, LET'S GET THE HELL OUT OF HERE. 524 00:36:22,571 --> 00:36:23,964 GET ME THE COAST GUARD ON THE HORN. 525 00:36:24,094 --> 00:36:25,226 -I DON'T THINK SO. 526 00:36:26,358 --> 00:36:27,620 -WHAT ARE YOU DOING? 527 00:36:27,750 --> 00:36:29,187 -THIS IS A PRIVATELY OWNED VESSEL, 528 00:36:29,317 --> 00:36:30,884 YOU HAVE NO RIGHT TO COMMANDEER THIS BOAT. 529 00:36:31,014 --> 00:36:32,581 -LOGAN, YOU WANT THIS FILM OR NOT? 530 00:36:32,712 --> 00:36:33,582 -YUP. 531 00:36:37,456 --> 00:36:39,719 -[YELLING] 532 00:36:47,727 --> 00:36:48,728 -MITCH: LOGAN! 533 00:36:48,858 --> 00:36:50,164 GET THE HELL OUT OF THE WATER! 534 00:36:50,295 --> 00:36:51,165 COME ON MAN! 535 00:36:51,296 --> 00:36:52,384 LOGAN, COME ON. 536 00:36:52,514 --> 00:36:55,082 COME ON, GET THE CAN! 537 00:36:57,084 --> 00:36:58,564 HE'S RIGHT BEHIND YOU. 538 00:36:58,694 --> 00:37:00,914 COME ON LOGAN! COME ON! 539 00:37:02,394 --> 00:37:05,527 -[SHOUTING] 540 00:37:08,617 --> 00:37:09,705 -COME ON! 541 00:37:19,802 --> 00:37:21,282 COME ON LOGAN! 542 00:37:22,327 --> 00:37:23,458 COME ON! 543 00:37:25,330 --> 00:37:26,983 HE'S RIGHT BEHIND YOU! 544 00:37:36,689 --> 00:37:38,821 WAKE UP, COME ON, LOGAN. 545 00:38:12,072 --> 00:38:12,855 NICE WORK. 546 00:38:12,986 --> 00:38:14,422 -THANKS. 547 00:38:14,553 --> 00:38:17,077 -I'LL SAY, HOW'D YOU FIGURE THAT OUT SO FAST? 548 00:38:17,207 --> 00:38:19,471 THE GAS CAN, THE CHUM BUCKET, THE FLARE GUN, 549 00:38:19,601 --> 00:38:20,776 THAT WAS PURE GENIUS. 550 00:38:20,907 --> 00:38:22,822 -OH NOT REALLY, THAT'S HOW 551 00:38:22,952 --> 00:38:25,085 THEY KILLED THE SHARK IN JAWS: THE REVENGE. 552 00:38:25,215 --> 00:38:27,261 -GEEZ, YOU GUYS STEAL EVERYTHING. 553 00:38:30,786 --> 00:38:32,701 -MITCH: LOGAN, GIVE IT UP ALREADY. 554 00:38:33,833 --> 00:38:34,790 -YES! 555 00:38:39,708 --> 00:38:40,579 NO! 556 00:38:47,890 --> 00:38:52,895 -[ROCK MUSIC] 557 00:38:59,685 --> 00:39:02,514 -MAKE SURE YOU CHECK THE RIPS AT ZUMA, THEY'RE PRETTY BAD. 558 00:39:03,602 --> 00:39:04,472 -HEY MITCH. 559 00:39:06,561 --> 00:39:07,562 -LOGAN. 560 00:39:08,737 --> 00:39:10,609 -UM, I WAS WONDERING IF YOU COULD SIGN THIS. 561 00:39:10,739 --> 00:39:11,871 -WHAT IS IT? 562 00:39:12,437 --> 00:39:13,742 -IT'S A WAIVER SO I CAN USE THE FOOTAGE 563 00:39:13,873 --> 00:39:15,091 THAT WAS SHOT OF YOU. 564 00:39:15,222 --> 00:39:16,919 YOU'LL BE FULLY COMPENSATED, OF COURSE. 565 00:39:18,399 --> 00:39:20,488 -I THOUGHT THE FILM WAS LOST AT SEA. 566 00:39:21,446 --> 00:39:22,925 -WELL ACTUALLY WE SHOT SEVERAL REELS 567 00:39:23,056 --> 00:39:24,666 AND I'VE BEEN IN THE EDITING ROOM ALL MORNING. 568 00:39:25,493 --> 00:39:27,365 THERE'S SOME INCREDIBLE STUFF THERE, YOU KNOW? 569 00:39:32,065 --> 00:39:33,283 -WHAT IF I DON'T SIGN? 570 00:39:34,372 --> 00:39:37,026 -LOOK, I KNOW I GOT OUT OF CONTROL ON THE BOAT, 571 00:39:38,680 --> 00:39:40,595 I JUST GOT CARRIED AWAY. 572 00:39:41,466 --> 00:39:42,902 -LITTLE LATE FOR APOLOGIES, PAL. 573 00:39:44,077 --> 00:39:46,296 -THEN HOW WOULD YOU FEEL IF I OFFERED YOU MY RESIGNATION? 574 00:39:48,647 --> 00:39:50,997 LOOK, I COMPROMISED MY RELATIONSHIP WITH YOU 575 00:39:51,127 --> 00:39:52,607 AND MY DUTIES AS A LIFEGUARD. 576 00:39:53,869 --> 00:39:55,436 I VIOLATED YOUR TRUST. 577 00:39:56,611 --> 00:39:59,527 AND THIS TIME, I DON'T THINK I CAN GET IT BACK. 578 00:40:01,442 --> 00:40:05,228 -LOGAN, YOU'VE BEEN A GOOD LIFEGUARD, 579 00:40:06,839 --> 00:40:08,406 AND I DON'T WANNA LOSE YOU. 580 00:40:10,408 --> 00:40:12,366 BUT, BUDDY, YOUR HEAD'S SOMEPLACE ELSE. 581 00:40:12,975 --> 00:40:14,107 -I KNOW. 582 00:40:14,890 --> 00:40:16,805 I WANT TO TRY TO BECOME A DIRECTOR. 583 00:40:18,285 --> 00:40:19,329 -THEN GO FOR IT. 584 00:40:21,288 --> 00:40:22,507 -THANKS. 585 00:40:23,029 --> 00:40:25,423 I'LL STICK AROUND UNTIL YOU CAN FIND A REPLACEMENT. 586 00:40:26,598 --> 00:40:27,947 -OKAY. 587 00:40:28,077 --> 00:40:31,385 -AND MITCH, IF YOU EVER NEED ME, I'M HERE. 588 00:40:33,996 --> 00:40:35,128 -GOOD LUCK. 589 00:40:39,132 --> 00:40:40,263 -LOGAN: I MEAN THAT. 590 00:40:59,457 --> 00:41:04,636 -[THEME MUSIC] 41896

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