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These are the user uploaded subtitles that are being translated: 1 00:00:05,048 --> 00:00:08,965 [THEME MUSIC PLAYING] 2 00:00:12,882 --> 00:00:15,885 -♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:17,017 --> 00:00:20,890 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:21,021 --> 00:00:24,633 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 5 00:00:24,763 --> 00:00:28,028 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 6 00:00:28,158 --> 00:00:30,813 ♪ DON'T YOU WORRY 7 00:00:31,553 --> 00:00:33,685 ♪ IT'S GONNA BE ALL RIGHT ♪ 8 00:00:36,993 --> 00:00:38,864 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,995 --> 00:00:42,346 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,567 --> 00:00:49,397 -♪ I'LL BE READY -♪ I'LL BE READY 11 00:00:49,527 --> 00:00:51,747 ♪ WHENEVER YOU FEAR 12 00:00:51,877 --> 00:00:53,357 ♪ OH, DON'T YOU FEAR 13 00:00:53,488 --> 00:00:55,838 ♪ I'LL BE READY 14 00:00:56,795 --> 00:00:59,929 ♪ FOREVER AND ALWAYS 15 00:01:00,060 --> 00:01:02,888 ♪ I'M ALWAYS HERE 16 00:01:20,602 --> 00:01:22,908 ♪ 'CAUSE I'M ALWAYS READY 17 00:01:23,039 --> 00:01:26,086 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 18 00:01:27,783 --> 00:01:28,740 ♪ OH 19 00:01:29,611 --> 00:01:31,569 ♪ I'LL BE READY 20 00:01:31,700 --> 00:01:33,658 ♪ I'LL BE READY 21 00:01:33,789 --> 00:01:35,443 ♪ WHENEVER YOU FEAR 22 00:01:35,573 --> 00:01:37,358 ♪ OH, DON'T YOU FEAR 23 00:01:37,488 --> 00:01:39,882 ♪ I'LL BE READY 24 00:01:40,839 --> 00:01:43,799 ♪ FOREVER AND ALWAYS 25 00:01:43,929 --> 00:01:47,107 ♪ I'M ALWAYS HERE 26 00:02:01,556 --> 00:02:05,125 [ROCK MUSIC PLAYING] 27 00:02:08,345 --> 00:02:09,433 -HI. 28 00:02:13,045 --> 00:02:15,135 [CHEERING] 29 00:02:28,887 --> 00:02:32,630 ♪ IT AIN'T EASY BEIN RIGHT ♪ IT AIN'T EASY WORKIN OVERTIME 30 00:02:32,761 --> 00:02:34,893 ♪ WELL I SAY YOU'RE FUNKY 31 00:02:35,024 --> 00:02:37,157 ♪ AND I KNOW YOU THINK I'M FINE 32 00:02:37,287 --> 00:02:39,071 ♪ JUST GIMME SOMETHING 33 00:02:39,202 --> 00:02:41,726 ♪ AW GIMME SOMETHING SWEET 34 00:02:42,466 --> 00:02:46,253 ♪ I NEED A LITTLE ACTION ♪ I NEED TO WET MY FEET 35 00:02:47,254 --> 00:02:50,953 ♪ THERE'S NO NEED TO PUT UP A FIGHT ♪ 36 00:02:51,693 --> 00:02:55,087 ♪ IT CAN'T BE WRONG IF IT FEELS SO RIGHT ♪ 37 00:02:55,218 --> 00:02:57,481 ♪ LET'S PARTY ON THE WEEKEND 38 00:02:57,612 --> 00:02:59,831 ♪ OOO LET'S GIVE EM SOME ACTION 39 00:02:59,962 --> 00:03:02,704 ♪ LET'S PARTY ON THE WEEKEND TIME 40 00:03:02,834 --> 00:03:04,271 ♪ LET'S GET A LITTLE CRAZY 41 00:03:04,401 --> 00:03:06,621 ♪ LET'S PARTY ON THE WEEKEND 42 00:03:06,751 --> 00:03:08,840 ♪ OOO I KNOW YOU NEED JUST 43 00:03:08,971 --> 00:03:12,235 -♪ A LITTLE BIT OF ACTION -♪ LET'S PARTY ON THE WEEKEND TIME 44 00:03:14,150 --> 00:03:17,197 ♪ NOTHING WRONG WITH HAVING ♪ A HEALTHY APPETITE 45 00:03:18,676 --> 00:03:20,287 ♪ NOTHING WRONG WITH GETTING ♪ WHAT YOU WANT 46 00:03:20,417 --> 00:03:22,854 ♪ AFTER MIDNIGHT 47 00:03:26,510 --> 00:03:30,384 ♪ LET'S PARTY ON THE WEEKEND TIME 48 00:03:31,602 --> 00:03:34,344 ♪ LET'S PARTY ON THE WEEKEND 49 00:03:36,085 --> 00:03:38,305 ♪ LET'S PARTY ON THE WEEKEND 50 00:04:00,675 --> 00:04:03,504 ♪ LET'S PARTY ON THE WEEKEND 51 00:04:07,377 --> 00:04:09,249 -STEPHANIE: OKAY, GUYS, WHERE DO YOU WANNA EAT TONIGHT? 52 00:04:09,379 --> 00:04:10,598 -PIERRO'S. 53 00:04:10,728 --> 00:04:12,339 -OH, NO, WE HAD ITALIAN LAST NIGHT. 54 00:04:12,469 --> 00:04:14,036 -I LIKE TO EAT AT PIERRO'S EVERY NIGHT. 55 00:04:14,166 --> 00:04:16,517 -NO, I'M KIND OF IN THE MOOD FOR BURGERS AND FRIES. 56 00:04:16,647 --> 00:04:17,518 IT'S BEEN THAT KIND OF A DAY. 57 00:04:17,648 --> 00:04:18,475 -[SCOFFS] I KNOW. 58 00:04:18,606 --> 00:04:19,998 CAN YOU BELIEVE IT? 59 00:04:20,129 --> 00:04:21,957 WE'RE GETTING RUN RAGGED AND MITCH IS BASKING 60 00:04:22,087 --> 00:04:23,350 ON SOME BEACH IN THE BAHAMAS. 61 00:04:23,480 --> 00:04:25,352 -HE'S NOT BASKING, HE'S ON A CASE. 62 00:04:25,961 --> 00:04:27,179 -YEAH, FOLLOWING AN HEIRESS. 63 00:04:27,310 --> 00:04:29,312 IF SHE'S BASKING, HE'S BASKING. 64 00:04:29,443 --> 00:04:32,315 -YOU KNOW, I TOLD MITCH AND GARNER THEY SHOULD'VE HIRED US. 65 00:04:32,881 --> 00:04:34,404 I MEAN, YOU KNOW WE'D MAKE GREAT PIS. 66 00:04:34,535 --> 00:04:38,321 WE'RE INTELLIGENT, WE'RE ATHLETIC, WE'RE SEDUCTIVE. 67 00:04:38,452 --> 00:04:40,062 -CAROLINE'S FAVORITE SHOW IS "CHARLIE'S ANGELS." 68 00:04:40,192 --> 00:04:41,933 -OH, YES, YES, I ALWAYS PICTURED MYSELF 69 00:04:42,064 --> 00:04:44,196 AS KELLY, THE BEAUTIFUL, SOPHISTICATED ONE. 70 00:04:44,327 --> 00:04:45,589 -CJ: I ALWAYS PRETENDED I WAS FARRAH 71 00:04:45,720 --> 00:04:47,461 AND MAKE MY HAIR REALLY BIG AND I'D JUMP 72 00:04:47,591 --> 00:04:49,985 OUT AT MY BROTHER AND I'D GO, HOLD IT, LOWLIFE, FREEZE. 73 00:04:50,115 --> 00:04:51,073 -FREEZE. 74 00:04:51,203 --> 00:04:52,857 -OH, BOY. 75 00:04:52,988 --> 00:04:54,598 -OKAY, STEPH, YOU CAN PLAY, TOO, YOU CAN BE SABRINA, 76 00:04:54,729 --> 00:04:55,904 SHE'S THE SMART ONE. 77 00:04:56,687 --> 00:04:58,689 -WHY DO I ALWAYS HAVE TO BE THE SMART ONE? 78 00:04:59,473 --> 00:05:01,692 -OH, LOGAN, COME HERE, COME ON, WHO ARE WE? 79 00:05:02,519 --> 00:05:03,825 -I'VE NO IDEA. 80 00:05:04,565 --> 00:05:05,348 -COME ON. 81 00:05:05,479 --> 00:05:08,220 [STEPHANIE LAUGHING] 82 00:05:08,351 --> 00:05:09,744 NO, COME ON, STEPHANIE, DO IT, DO IT. 83 00:05:09,874 --> 00:05:10,701 -NO. 84 00:05:10,832 --> 00:05:11,702 -KEEP DOING IT, PLEASE. 85 00:05:11,833 --> 00:05:12,703 -SHE'S THE SMART ONE. 86 00:05:14,139 --> 00:05:15,140 -THE THREE STOOGES. 87 00:05:15,837 --> 00:05:16,707 -NO. 88 00:05:17,447 --> 00:05:18,318 -WITCHES OF EASTWICK? 89 00:05:18,448 --> 00:05:19,797 -NO! 90 00:05:19,928 --> 00:05:21,016 -FORGET THIS, YOU GUYS, LOOK, I'M STARVED. 91 00:05:21,146 --> 00:05:22,104 LET'S GO GET DRESSED. 92 00:05:22,234 --> 00:05:24,019 -WE'RE CHARLIE'S ANGELS, DUMMY. 93 00:05:24,149 --> 00:05:25,542 -WHO? 94 00:05:25,673 --> 00:05:27,065 -"CHARLIE'S ANGELS" WAS CLASSIC TELEVISION. 95 00:05:27,196 --> 00:05:28,980 -YES, ABOUT THREE BEAUTIFUL PRIVATE EYES 96 00:05:29,111 --> 00:05:30,417 WHO WORKED FOR SOME GUY NAMED CHARLIE 97 00:05:30,547 --> 00:05:31,461 WHO THEY NEVER SAW. 98 00:05:31,592 --> 00:05:32,767 -HE'S ALWAYS ON THE PHONE. 99 00:05:32,897 --> 00:05:34,334 -BUT YOU KNEW IT WAS JOHN FORSYTHE, 100 00:05:34,464 --> 00:05:35,509 SO YOU PICTURED HIM IN YOUR MIND ANY WAY. 101 00:05:36,074 --> 00:05:38,555 -DON'T KNOW, I DIDN'T SEE IT IN TASMANIA. SEE YA. 102 00:05:39,904 --> 00:05:40,905 -WHERE ARE YOU GOING? 103 00:05:41,036 --> 00:05:42,037 -MEETING SOMEONE IN MY TOWER. 104 00:05:42,167 --> 00:05:44,518 -[LAUGHS] EXCUSE ME, SOMEONE? 105 00:05:44,648 --> 00:05:46,563 -NO, IT'S A GUY THAT I KNOW, WE GOT MUTUAL FRIENDS. 106 00:05:47,129 --> 00:05:48,260 HE CALLED ME AND ASKED ME TO MEET HIM. 107 00:05:49,914 --> 00:05:51,786 -UH-HUH, HAVE FUN. 108 00:05:51,916 --> 00:05:53,222 -BYE. 109 00:05:58,488 --> 00:05:59,881 -WHAT WAS YOUR FAVORITE EPISODE? 110 00:06:00,011 --> 00:06:00,882 -WHEN THEY WERE IN THE CIRCUS. 111 00:06:01,012 --> 00:06:02,231 -OH, I LOVED THAT ONE! 112 00:06:02,362 --> 00:06:03,754 -I KNOW AND THERE'S THE TRAPEZE. 113 00:06:03,885 --> 00:06:04,364 -I LIKED THE ONE WHERE THEY WERE STRIPPERS. 114 00:06:26,429 --> 00:06:27,648 -IT'S PAYBACK TIME, LOGAN. 115 00:06:28,692 --> 00:06:30,781 I'VE BEEN WAITING A LONG TIME FOR THIS. 116 00:06:31,695 --> 00:06:35,307 FIRST, I'M GONNA GET YOU, AND THEN THAT STEPHANIE. 117 00:06:40,661 --> 00:06:42,314 WHAT DO YOU THINK, CLINT? 118 00:06:44,404 --> 00:06:46,406 HE'S GOTTA ASK HIMSELF ONE QUESTION. 119 00:06:47,363 --> 00:06:48,799 DOES HE FEEL LUCKY? 120 00:06:49,496 --> 00:06:51,846 WELL, DO YOU, PUNK? 121 00:06:52,847 --> 00:06:55,676 GO AHEAD, MAKE MY DAY. 122 00:06:57,155 --> 00:06:59,593 [PHONE RINGING] 123 00:07:10,908 --> 00:07:11,996 -TOWER 16. 124 00:07:12,127 --> 00:07:14,825 -TOWER 16? TOWER 16? 125 00:07:14,956 --> 00:07:16,479 IS THAT HOW WE'RE GOING TO PLAY THIS, LOGAN? 126 00:07:16,610 --> 00:07:19,569 BY THE NUMBERS, HUH? [LAUGHS] 127 00:07:19,700 --> 00:07:21,179 -WHO IS THIS? 128 00:07:21,310 --> 00:07:24,182 -I GOT NO RESPECT, NO RESPECT FROM ANYBODY. 129 00:07:24,313 --> 00:07:26,750 -WHAT IS THIS? WHAT DO YOU WANT? 130 00:07:28,491 --> 00:07:31,320 -VENGEANCE. -LOGAN: WHAT? 131 00:07:32,713 --> 00:07:34,018 HOW'D YOU GET THROUGH ON THIS PHONE? 132 00:07:35,716 --> 00:07:37,848 -I USED TO BE AN ELECTRONICS PROFESSOR 133 00:07:37,979 --> 00:07:40,285 UNTIL AN UNFORTUNATE EXPERIMENT WITH A LIFEGUARD 134 00:07:40,416 --> 00:07:42,418 CATAPULTED ME INTO FUTURE SHOCK. 135 00:07:42,549 --> 00:07:45,769 NOW IT'S TIME TO RETURN THE FAVOR, LOGAN. 136 00:07:47,858 --> 00:07:49,469 [PHONE ZAPPING] 137 00:07:57,433 --> 00:07:58,695 -WHO THE HELL ARE YOU? 138 00:07:58,826 --> 00:08:01,959 -I'M YOUR WORST NIGHTMARE, ABSOLUTELY. 139 00:08:09,358 --> 00:08:12,143 [EVIL LAUGHING] 140 00:08:19,194 --> 00:08:21,718 [EXPLOSION FIRING] 141 00:08:34,209 --> 00:08:37,865 I'LL BE BACK, LOGAN. YOU CAN COUNT ON IT. 142 00:08:39,344 --> 00:08:43,435 [BOAT ENGINE ROARING] 143 00:08:49,180 --> 00:08:50,573 [KNOCKING ON DOOR] 144 00:08:51,792 --> 00:08:52,793 -STEPHANIE: I'LL GET IT. 145 00:08:53,750 --> 00:08:55,970 SO, WHO'S WINNING? 146 00:08:56,100 --> 00:08:58,668 -WHO DO YOU THINK? MISS GAMBLERS ANONYMOUS OVER HERE. 147 00:08:58,799 --> 00:09:00,409 -GIN! -CAROLINE: WHAT? 148 00:09:01,192 --> 00:09:02,716 WAIT, CAN I JUST SEE THIS FOR A SECOND. 149 00:09:04,065 --> 00:09:06,458 -LOGAN, WHAT HAPPENED? 150 00:09:06,589 --> 00:09:08,591 -THE ARSON SQUAD JUST LEFT THE BEACH. 151 00:09:08,722 --> 00:09:11,551 MY TOWER WAS RIGGED TO INCINERATE WITH ME INSIDE IT. 152 00:09:12,073 --> 00:09:13,988 DID YOU TELL THEM ABOUT THAT CRAZY PHONE CALL? 153 00:09:14,118 --> 00:09:15,903 -YEAH, THEY FOUND OUT WHERE HE PATCHED IN. 154 00:09:16,033 --> 00:09:18,470 THEY SAID WHOEVER DID IT WAS AN ELECTRONICS EXPERT. 155 00:09:18,601 --> 00:09:20,516 -WELL, THAT'S WHAT HE SAID HE WAS, RIGHT? 156 00:09:20,647 --> 00:09:23,563 -RIGHT, BEFORE LIFEGUARDS CATAPULTED HIM INTO FUTURE SHOCK. 157 00:09:23,693 --> 00:09:25,216 WHATEVER THAT MEANS. 158 00:09:25,347 --> 00:09:27,567 THE QUESTION IS, WAS HE AFTER LOGAN IN PARTICULAR 159 00:09:27,697 --> 00:09:29,090 OR LIFEGUARDS IN GENERAL? 160 00:09:29,220 --> 00:09:30,874 -I'M SURE HE'S AFTER LOGAN SPECIFICALLY. 161 00:09:31,614 --> 00:09:33,921 -LOGAN, IS THERE ANYONE YOU KNOW THAT MIGHT HAVE REASON 162 00:09:34,051 --> 00:09:35,836 TO, YOU KNOW, GET BACK AT YOU? 163 00:09:38,795 --> 00:09:39,666 -THE SHORT LIST, HON. 164 00:09:40,580 --> 00:09:42,059 --YOU DO HAVE A TENDENCY TO MAKE ENEMIES. 165 00:09:42,190 --> 00:09:44,061 -YEAH, BUT NONE THAT WOULD WANT TO ROAST ME ALIVE. 166 00:09:44,845 --> 00:09:46,498 -OBVIOUSLY THAT'S NOT TRUE. 167 00:09:46,629 --> 00:09:48,152 I MEAN, FROM THE SOUNDS OF THINGS, ALL THOSE VOICES, 168 00:09:48,283 --> 00:09:49,893 MAYBE THERE'S A WHOLE GROUP THAT'S AFTER YOU. 169 00:09:50,024 --> 00:09:51,852 -I THINK YOU SHOULD WORK THE SWITCHBOARD TOMORROW. 170 00:09:51,982 --> 00:09:54,202 AT LEAST UNTIL THE ARSON SQUAD AND THE POLICE 171 00:09:54,332 --> 00:09:55,333 COME UP WITH SOMETHING. 172 00:09:55,464 --> 00:09:56,944 -WISH MITCH WAS IN TOWN. 173 00:09:57,074 --> 00:09:59,250 I'D HIRE HIS AGENCY AS BODYGUARDS. 174 00:09:59,816 --> 00:10:01,731 -WAIT A SECOND, HIRE US. 175 00:10:03,777 --> 00:10:05,648 COME ON, GUYS, WE'RE CHARLIE'S ANGELS. 176 00:10:08,651 --> 00:10:09,565 -FREEZE, MISTER. 177 00:10:09,696 --> 00:10:10,784 -COVER HIM, JILL. 178 00:10:11,393 --> 00:10:12,394 -SPREAD 'EM! 179 00:10:12,524 --> 00:10:14,788 -IGNORE THEM, THAT'S WHAT I DO. 180 00:10:14,918 --> 00:10:16,398 -I'LL CALL YOU LATER. 181 00:10:22,752 --> 00:10:25,059 -I'M SURE THE POLICE WILL FIND THE MANIAC WHO DID THIS. 182 00:10:25,189 --> 00:10:26,277 -I HOPE SO. 183 00:10:26,408 --> 00:10:27,714 -TAKE CARE. -LOGAN: SEE YA. 184 00:10:30,847 --> 00:10:32,327 -YOU KNOW, I HEAR THEY'RE MAKING A MOVIE VERSION 185 00:10:32,457 --> 00:10:33,720 OF "CHARLIE'S ANGELS." 186 00:10:33,850 --> 00:10:35,896 -OH, REALLY? WHO'S GONNA PLAY THEM? 187 00:10:36,026 --> 00:10:38,115 -I DON'T KNOW, BUT WE'D BE PERFECT. 188 00:10:38,246 --> 00:10:39,639 -BOTH: FREEZE! 189 00:10:40,857 --> 00:10:42,598 -COME ON, YOU GUYS, CUT IT OUT. 190 00:10:45,166 --> 00:10:46,254 -RELAX, SABRINA. 191 00:10:46,384 --> 00:10:48,212 [CAROLINE LAUGHING] 192 00:10:49,083 --> 00:10:50,780 [BUZZING] 193 00:10:51,694 --> 00:10:53,130 -BAYWATCH? 194 00:10:53,261 --> 00:10:55,002 -I'M GONNA MAKE YOU AN OFFER YOU CAN'T REFUSE. 195 00:10:55,132 --> 00:10:56,307 -WHAT? 196 00:10:56,438 --> 00:10:57,874 -HEY, ROCKY, HOW DO YOU MAKE 197 00:10:58,005 --> 00:10:59,702 A LIFEGUARD DISAPPEAR? 198 00:10:59,833 --> 00:11:01,356 -LOOK, I DON'T KNOW WHO YOU ARE OR WHAT YOU'RE DOING, 199 00:11:01,486 --> 00:11:02,792 BUT YOU'RE INTERFERING WITH LIFEGUARD OPERATIONS. 200 00:11:02,923 --> 00:11:04,315 [BUZZING] 201 00:11:05,012 --> 00:11:08,885 -MAYDAY, MAYDAY! WE'RE SINKING, HELP! 202 00:11:09,581 --> 00:11:11,061 -YEAH, WHERE? IN YOUR BATHTUB? 203 00:11:11,192 --> 00:11:13,194 -THE BOAT CAPSIZED. TWO! 204 00:11:13,324 --> 00:11:14,630 TWO IN THE WATER. 205 00:11:14,761 --> 00:11:16,850 CAN'T HOLD ON, HELP! PLEASE! 206 00:11:17,459 --> 00:11:18,460 -WHAT IS THE LOCATION OF YOUR BOAT? 207 00:11:18,590 --> 00:11:19,635 CAN YOU GIVE ME A LANDMARK? 208 00:11:20,157 --> 00:11:21,768 -OUTSIDE MARINA CHANNEL. 209 00:11:21,898 --> 00:11:25,032 TWO, THREE MILES, PLEASE HURRY! 210 00:11:27,251 --> 00:11:29,689 -LOGAN: SCARAB RESCUE ONE FROM CANINE 295, COME IN. 211 00:11:32,256 --> 00:11:34,476 -295, THIS IS SCARAB ONE. 212 00:11:34,606 --> 00:11:37,218 -RECEIVED A MAYDAY FROM A CAPSIZED BOAT TWO TO THREE 213 00:11:37,348 --> 00:11:38,610 MILES OUTSIDE OF THE MARINA. 214 00:11:38,741 --> 00:11:40,221 TWO VICTIMS POSSIBLY IN THE WATER. 215 00:11:40,830 --> 00:11:42,353 -STEPHANIE: WE'RE ON OUR WAY. 216 00:11:42,484 --> 00:11:43,528 -HEY, JUST BE ADVISED, THIS COULD BE A CRANK CALL, 217 00:11:43,659 --> 00:11:44,529 I'VE BEEN GETTING THEM ALL DAY. 218 00:11:45,400 --> 00:11:48,751 -ROGER, THANKS FOR THE ALERT. LET'S GO! 219 00:12:05,725 --> 00:12:07,335 -ALL RIGHT, IT'S THE REAL DEAL. 220 00:12:10,686 --> 00:12:13,080 YEAH, THERE'S TWO IN THE WATER AND NEITHER IS MOVING. 221 00:12:13,210 --> 00:12:14,995 -OKAY. 222 00:12:25,962 --> 00:12:27,747 YOU GET THE ONE ON THE LEFT. 223 00:12:28,660 --> 00:12:30,227 OKAY, GO! 224 00:12:42,718 --> 00:12:46,766 -WHAT THE? IT'S A DUMMY! 225 00:12:49,116 --> 00:12:50,857 -CAROLINE! LET IT GO! 226 00:12:53,685 --> 00:12:55,383 [COUGHING] 227 00:13:51,004 --> 00:13:52,048 CAROLINE! 228 00:13:53,963 --> 00:13:55,399 COME ON, LET'S GET YOU TO THE BOAT. 229 00:13:55,922 --> 00:13:56,966 -WHAT HAPPENED? 230 00:13:57,575 --> 00:13:59,839 -LOOKS LIKE WE WERE TARGETS, TOO, LIKE LOGAN. 231 00:13:59,969 --> 00:14:02,754 -AH, JEEZ, MISS PIGGY, IT LOOKS LIKE THEY ARE BREATHING 232 00:14:02,885 --> 00:14:04,191 A WELCOME SIGH OF RELIEF. 233 00:14:04,321 --> 00:14:05,627 -HOLD THIS. 234 00:14:08,543 --> 00:14:10,806 -THAT'S BECAUSE YOU'RE AN UNQUALIFIED, INCOMPETENT, 235 00:14:10,937 --> 00:14:13,417 AMATEUR BUNGLAR, FROG. 236 00:14:13,548 --> 00:14:17,160 AH, CAN IT THERE, PIG, OR YOU'LL END UP LIKE CRISPY BACON 237 00:14:17,291 --> 00:14:18,901 WITH THE OTHER LIFEGUARDS. 238 00:14:22,209 --> 00:14:23,732 -CAROLINE: WHO IS HE? 239 00:14:23,863 --> 00:14:24,907 -STEPHANIE: I DON'T KNOW, BUT WE BETTER FIND OUT. 240 00:14:36,266 --> 00:14:37,180 -CAROLINE: HE WAS WATCHING US LIKE 241 00:14:37,311 --> 00:14:38,355 WE WERE HIS ENTERTAINMENT. 242 00:14:41,968 --> 00:14:43,970 -WELL, NOW, WE KNOW HE'S NOT JUST AFTER ME. 243 00:14:45,275 --> 00:14:47,843 -WHY WOULD SOME MAD MAN BE AFTER LIFEGUARDS? 244 00:14:47,974 --> 00:14:49,932 -BECAUSE HE BLAMES US FOR BEING LOCKED UP 245 00:14:50,063 --> 00:14:51,978 IN A STATE MENTAL INSTITUTION. 246 00:14:52,108 --> 00:14:53,849 -WHAT, YOU FOUND OUT WHO IT IS? 247 00:14:54,458 --> 00:14:55,633 -JACK RIPLEY. 248 00:14:56,156 --> 00:14:57,418 -THAT NUT WHO HELD YOU AND ME HOSTAGE 249 00:14:57,548 --> 00:14:59,115 IN MY TOWER LAST YEAR? 250 00:14:59,246 --> 00:15:01,683 -YES. HE ESCAPED FROM CAMARILLO THREE WEEKS AGO. 251 00:15:02,423 --> 00:15:03,772 APPARENTLY, HE'S BEEN VOWING TO GET EVEN 252 00:15:03,903 --> 00:15:05,165 WITH THE LIFEGUARDS WHO PUT HIM THERE. 253 00:15:05,295 --> 00:15:06,644 -YEAH, BUT WE DIDN'T PUT HIM THERE. 254 00:15:06,775 --> 00:15:07,907 THE COURT FOUND HIM CRIMINALLY INSANE. 255 00:15:08,777 --> 00:15:09,691 -HE BLAMES US. 256 00:15:10,822 --> 00:15:12,346 THE POLICE WANT US TO STAY OFF THE BEACH 257 00:15:12,476 --> 00:15:13,651 FOR A LITTLE AWHILE, AT LEAST UNTIL HE GETS CAUGHT. 258 00:15:14,174 --> 00:15:15,566 -WHOA, YOU'RE GONNA LET SOME NUT CASE KEEP 259 00:15:15,697 --> 00:15:17,220 YOU GUYS OFF THE BEACH? 260 00:15:17,351 --> 00:15:18,569 -WELL, IF WE'RE ON THE BEACH, 261 00:15:18,700 --> 00:15:20,136 THE PUBLIC COULD BE IN DANGER. 262 00:15:20,920 --> 00:15:22,486 I THINK IT'S A GOOD IDEA, WE SHOULD PROBABLY STAY AWAY 263 00:15:22,617 --> 00:15:23,487 JUST FOR A BIT. 264 00:15:25,881 --> 00:15:27,056 [LOGAN SIGHING] 265 00:15:44,291 --> 00:15:45,901 -ARE YOU SURE YOU DON'T WANT ONE OF US TO STAY WITH YOU? 266 00:15:46,423 --> 00:15:47,947 -OH, YOU GUYS, DON'T WORRY ABOUT ME. 267 00:15:48,077 --> 00:15:49,949 I GOTTA CATCH UP ON THESE REPORTS. GO TO WORK. 268 00:15:50,993 --> 00:15:53,082 -I HATE BEING SO DOCILE ABOUT THIS. 269 00:15:54,040 --> 00:15:55,737 I MEAN, WE KNOW WHAT CHARLIE'S ANGELS WOULD DO. 270 00:15:56,607 --> 00:15:58,131 -THAT'S RIGHT, THEY WOULD TRACK DOWN CLUES, 271 00:15:59,001 --> 00:16:01,221 FIND JACK RIPLEY'S LAIR AND THEN NAIL HIM. 272 00:16:01,351 --> 00:16:03,875 -RIGHT AND NEARLY GET THEMSELVES KILLED IN THE PROCESS. 273 00:16:04,572 --> 00:16:06,487 -WRONG, THEY WOULD USE THEIR WITS AND THEIR SKILLS 274 00:16:06,617 --> 00:16:08,924 TO ESCAPE DANGER, APPREHEND THE CRIMINAL 275 00:16:09,055 --> 00:16:10,926 AND SAVE THE PERSON IN JEOPARDY. 276 00:16:12,884 --> 00:16:13,929 -WHERE'S LOGAN? 277 00:16:15,104 --> 00:16:17,150 -HE'S STAYING ON MATT'S BOAT, HE THINKS IT'S SAFER THERE. 278 00:16:19,282 --> 00:16:21,981 -LOOK, YOU GUYS GET TO WORK, OKAY? BUT BE CAREFUL. 279 00:16:22,503 --> 00:16:24,679 REMEMBER, WE'RE NOT CHARLIE'S ANGELS. 280 00:16:24,809 --> 00:16:29,336 -[SIGHS] I KNOW, BUT WHAT IF WE WERE? 281 00:16:55,231 --> 00:16:56,319 ARE YOU LOGAN FOWLER? 282 00:16:56,450 --> 00:16:57,929 -YEAH, I'M LOGAN FOWLER, WHY? 283 00:16:59,366 --> 00:17:01,237 -HI, I'M KELLY GARRETT. 284 00:17:03,544 --> 00:17:05,024 -OH, HI, I'M JILL MUNROE. 285 00:17:07,026 --> 00:17:10,072 -I'M SABRINA DUNCAN. TOWNSEND DETECTIVE AGENCY. 286 00:17:10,203 --> 00:17:11,595 --CHARLIE SENT US TO HELP YOU. 287 00:17:14,685 --> 00:17:15,599 -COME ABOARD. 288 00:17:16,644 --> 00:17:18,776 -CHARLIE: HELLO, ANGELS, I TRUST YOU'RE FILLING LOGAN IN 289 00:17:18,907 --> 00:17:20,169 ON THIS SITUATION. 290 00:17:20,300 --> 00:17:21,779 -OF COURSE, CHARLIE. 291 00:17:21,910 --> 00:17:23,651 -YOU TOLD US LOGAN WAS AN OLD FRIEND OF YOURS, 292 00:17:23,781 --> 00:17:25,870 SO WE'RE HERE TO HELP HIM ANY WAY WE CAN. 293 00:17:26,001 --> 00:17:27,394 -CHARLIE: I APPRECIATE IT, ANGELS. 294 00:17:27,916 --> 00:17:29,265 I WISH THIS REUNION WERE TAKING PLACE 295 00:17:29,396 --> 00:17:31,093 UNDER HAPPIER CIRCUMSTANCES, LOGAN. 296 00:17:31,224 --> 00:17:32,616 -ME, TOO, CHARLIE. 297 00:17:32,747 --> 00:17:33,878 -CHARLIE: ARE YOU STILL WEARING THAT LUCKY RING 298 00:17:34,009 --> 00:17:34,966 AROUND YOUR NECK? 299 00:17:35,097 --> 00:17:36,838 -WOULDN'T BE CAUGHT WITHOUT IT. 300 00:17:36,968 --> 00:17:39,145 -GOOD, THE ANGELS WILL WATCH OVER YOU 301 00:17:39,275 --> 00:17:41,451 UNTIL WE CAN PUT JACK RIPLEY BACK WHERE HE BELONGS. 302 00:17:41,582 --> 00:17:42,626 -THANKS, CHARLIE. 303 00:17:43,410 --> 00:17:45,673 -KEEP IN MIND, ANGELS, THAT JACK RIPLEY 304 00:17:45,803 --> 00:17:47,936 IS UNPREDICTABLE AND EXTREMELY DANGEROUS. 305 00:17:48,067 --> 00:17:49,807 -OH, WE KNOW, CHARLIE. 306 00:17:49,938 --> 00:17:51,592 HE'S A MECHANICAL WIZARD WITH A SECTION EIGHT 307 00:17:51,722 --> 00:17:52,897 IN THE MILITARY. 308 00:17:53,028 --> 00:17:53,985 -THAT'S RIGHT, HE BOOBY TRAPPED 309 00:17:54,116 --> 00:17:55,857 HIS OWN UNIT'S HEADQUARTERS. 310 00:17:55,987 --> 00:17:58,338 -A DELUSIONAL SCHIZOPHRENIC WITH MULTIPLE PERSONALITIES. 311 00:17:58,860 --> 00:18:00,296 -CHARLIE: I'M SURE YOU'LL CHARM ALL OF THEM 312 00:18:00,427 --> 00:18:02,168 INTO SUBMISSION, SABRINA. 313 00:18:02,298 --> 00:18:04,387 YOU'RE IN CAPABLE HANDS, LOGAN. 314 00:18:04,518 --> 00:18:06,215 -WHAT ABOUT YOU, CHARLIE? 315 00:18:06,346 --> 00:18:08,391 -DON'T WORRY ABOUT ME, ANGELS, 316 00:18:09,044 --> 00:18:10,872 I'M IN CAPABLE HANDS TOO. 317 00:18:11,438 --> 00:18:13,483 [LAUGHING] 318 00:18:16,443 --> 00:18:18,184 [BOAT HORN BLOWING] 319 00:18:18,314 --> 00:18:20,751 -AHOY! I'M AFRAID YOU'RE IN MY SLIP. 320 00:18:22,275 --> 00:18:23,624 WOULD YOU MIND MOVING YOUR BOAT 321 00:18:23,754 --> 00:18:25,582 SO I COULD PUT MINE WHERE IT BELONGS? 322 00:18:25,713 --> 00:18:26,801 THANK YOU VERY MUCH. 323 00:18:30,239 --> 00:18:31,806 -IT'S HIM! 324 00:18:31,936 --> 00:18:33,503 -FREEZE! 325 00:18:33,634 --> 00:18:36,332 -NOW IS THAT ANY WAY TO GREET AN OLD CHUM? 326 00:18:36,463 --> 00:18:39,814 -CUT YOUR ENGINES AND PUT YOUR HANDS IN THE AIR, MISTER. 327 00:18:39,944 --> 00:18:41,511 -DO WHAT SHE SAYS. 328 00:18:43,470 --> 00:18:46,037 -BOTH HANDS OR JUST THIS ONE? 329 00:18:46,168 --> 00:18:48,475 LET ME TELL YOU SOMETHING, DARLINGS, YOU KNOW, 330 00:18:48,605 --> 00:18:52,653 YOU THREE LOOK MARVELOUS, ABSOLUTELY MARVELOUS. 331 00:18:52,783 --> 00:18:54,176 -DROP IT, RIPLEY! 332 00:18:54,959 --> 00:18:58,659 -YOU TALKIN' TO ME? YOU TALKIN' TO ME? 333 00:19:02,619 --> 00:19:05,883 THERE'S NOBODY ELSE AROUND HERE, WHO YOU TALKIN' TO? 334 00:19:06,014 --> 00:19:07,450 -I'LL COUNT TO THREE! 335 00:19:07,581 --> 00:19:10,149 -OH, ARCHIE, 336 00:19:10,279 --> 00:19:12,890 THEY GOT GUNS! 337 00:19:13,021 --> 00:19:14,588 -ONE. 338 00:19:14,718 --> 00:19:16,851 -OH, JEEZ, THERE LADY, WOULD YOU TELL THEM TO PUT 339 00:19:16,981 --> 00:19:18,418 A SOCK IN IT OVER THERE? 340 00:19:20,202 --> 00:19:22,900 LET ME TELL YOU SOMETHING, DARLINGS, FORGET ABOUT HIM. 341 00:19:23,031 --> 00:19:26,513 I AM THE ONE WHO HAS REALLY LOST HIS HEAD OVER HERE. 342 00:19:32,214 --> 00:19:33,215 -KELLY: WHAT IS IT? 343 00:19:33,346 --> 00:19:34,260 -JILL: LOOK OUT, IT'S A BOMB. 344 00:19:35,478 --> 00:19:36,958 -SMOKIN'. 345 00:19:39,352 --> 00:19:41,005 -HIT THE WATER, GANG! 346 00:19:49,797 --> 00:19:52,365 -WHAT CAN I SAY? SOME LIKE IT HOT. 347 00:20:46,506 --> 00:20:49,335 I FEEL THE FORCES WITH ME, LUKE. 348 00:20:50,336 --> 00:20:51,859 [BREATHING HEAVILY] 349 00:20:56,037 --> 00:20:59,083 CATO, CATO, THIS IS INSPECTOR CLOUSSEAU. 350 00:20:59,214 --> 00:21:00,737 WHERE ARE YOU, CATO? 351 00:21:00,868 --> 00:21:02,478 [SCREECHING] 352 00:21:05,394 --> 00:21:08,267 MY NAME IS BOND, JAMES BOND. 353 00:21:08,397 --> 00:21:10,660 007, LICENSE TO KILL. 354 00:21:16,797 --> 00:21:19,452 THEY SAY THE SAFEST PLACE IS BETWEEN A DOOR JAM. 355 00:21:19,582 --> 00:21:23,151 WELCOME TO CALIFORNIA. [CHUCKLES] JUST KIDDING. 356 00:21:23,717 --> 00:21:25,588 AH, A TREADMILL, PERFECT. 357 00:21:31,942 --> 00:21:33,857 -SO, YOU'RE SAYING LOGAN HIRED PRIVATE DETECTIVES? 358 00:21:33,988 --> 00:21:35,729 -OH, NO, NOT EXACTLY. 359 00:21:35,859 --> 00:21:37,861 -ACTUALLY A FRIEND OF HIS SENT THEM OVER TO PROTECT HIM. 360 00:21:37,992 --> 00:21:40,168 -WELL, GOOD, I HOPE THEY CAN CATCH THAT MANIAC. 361 00:21:51,614 --> 00:21:53,486 -GIRLS, I'D LIKE YOU TO MEET THE ANGELS. 362 00:21:54,225 --> 00:21:55,749 THIS IS STEPHANIE, CJ, CAROLINE 363 00:21:55,879 --> 00:21:58,186 MEET SABRINA, JILL AND KELLY. 364 00:21:58,317 --> 00:21:59,796 -IT'S A PLEASURE TO MEET YOU. 365 00:21:59,927 --> 00:22:01,450 -NICE TO MEET YOU. 366 00:22:01,581 --> 00:22:03,974 -SO, WHAT'S YOUR PLAN FOR CATCHING RIPLEY? 367 00:22:04,105 --> 00:22:06,847 -OH, WE'RE GOING UNDERCOVER AS LIFEGUARDS. 368 00:22:07,761 --> 00:22:09,066 -ANY WAY WE CAN HELP? 369 00:22:09,197 --> 00:22:12,026 -OH, YES, HOW DO YOU WEAR YOUR HAIR? 370 00:22:14,811 --> 00:22:16,335 UP OR DOWN FOR RESCUES? 371 00:22:17,901 --> 00:22:19,294 -UP IF WE HAVE TIME. 372 00:22:20,034 --> 00:22:21,949 -ARE YOU SURE YOU'RE QUALIFIED TO BE LIFEGUARDS? 373 00:22:22,079 --> 00:22:24,734 -COLLEGE SWIM TEAM, CPR TRAINING. 374 00:22:24,865 --> 00:22:27,563 -ADVANCED FIRST-AID AND PARAMEDICS EXPERTISE. 375 00:22:27,694 --> 00:22:29,826 -LICENSED TO PERFORM OPEN HEART SURGERY. 376 00:22:30,914 --> 00:22:33,569 [LAUGHS] JUST KIDDING. 377 00:22:35,136 --> 00:22:36,529 ACTUALLY, I GREW UP ON THE BEACH 378 00:22:36,659 --> 00:22:37,878 AND I ALWAYS FANTASIZED ABOUT BEING A LIFEGUARD. 379 00:22:38,661 --> 00:22:40,402 -OH, REALLY? 380 00:22:40,533 --> 00:22:42,099 I ALWAYS FANTASIZED ABOUT BEING A PRIVATE EYE LIKE YOU. 381 00:22:42,230 --> 00:22:44,145 -IT'S A VERY REWARDING PROFESSION. 382 00:22:44,275 --> 00:22:46,887 -ESPECIALLY WHEN YOU PUT CRIMINALS AWAY WHERE THEY BELONG. 383 00:22:49,019 --> 00:22:50,760 WELL, WE BETTER GET TO WORK. 384 00:22:51,587 --> 00:22:53,067 -I GUESS WE'LL SEE YOU ON THE BEACH. 385 00:22:53,197 --> 00:22:54,198 -THANKS FOR THE TIP. 386 00:22:54,329 --> 00:22:55,286 -BYE. 387 00:22:55,417 --> 00:22:56,331 -FOLLOW ME, LADIES. 388 00:23:07,864 --> 00:23:09,823 -WHAT IS WITH THOSE HAIRSTYLES? 389 00:23:09,953 --> 00:23:11,085 -I THINK THEY'RE SEXY. 390 00:23:11,215 --> 00:23:13,304 -I THINK KELLY'S STUNNING. 391 00:23:13,435 --> 00:23:16,046 YOU KNOW, SHE'S BEAUTIFUL YET SOPHISTICATED. 392 00:23:16,177 --> 00:23:18,222 -WELL, I GUESS SHE'S OKAY, 393 00:23:18,353 --> 00:23:19,876 BUT SABRINA'S OBVIOUSLY THE SMART ONE. 394 00:23:20,007 --> 00:23:22,662 ANYWAY, WE BETTER GET BACK TO WORK. 395 00:23:24,490 --> 00:23:26,666 -CAROLINE: SMART, SINCE WHEN DID BRAINS GET YOU ANYWHERE? 396 00:23:27,623 --> 00:23:29,277 -YOU'LL FIND EVERYTHING YOU NEED IN HERE. 397 00:23:29,408 --> 00:23:30,452 -THANK YOU. 398 00:23:31,497 --> 00:23:32,411 -THANK YOU. 399 00:23:32,541 --> 00:23:34,761 -OH, THIS MUST BE FOR US. 400 00:23:36,850 --> 00:23:38,939 -POOR CJ, SO SAD. 401 00:23:39,069 --> 00:23:40,288 -WHAT'S SAD, JILL? 402 00:23:41,071 --> 00:23:42,246 -WELL, SHE'D BE SUCH A PRETTY GIRL 403 00:23:42,377 --> 00:23:43,944 IF SHE KNEW HOW TO STYLE HER HAIR. 404 00:23:44,074 --> 00:23:46,642 -I THINK CAROLINE IS JUST ADORABLE. 405 00:23:47,164 --> 00:23:49,776 -YEAH, SHE'S NICE, BUT I THINK STEPHANIE'S 406 00:23:49,906 --> 00:23:52,082 OBVIOUSLY THE SMART ONE. 407 00:23:54,998 --> 00:23:56,173 THIS MUST BE CJ'S. 408 00:23:56,304 --> 00:23:57,784 -OH, THIS MUST BE STEPHANIE'S. 409 00:23:57,914 --> 00:23:58,785 -THANK YOU. 410 00:23:58,915 --> 00:24:00,917 -WELL, I HOPE IT FITS. 411 00:24:01,048 --> 00:24:02,571 OH, I'M SO EXCITED WE GET TO BE LIFEGUARDS. 412 00:24:02,702 --> 00:24:04,443 -EVERYTHING EXCITES YOU. 413 00:24:04,573 --> 00:24:07,097 -I KNOW, I CAN'T HELP IT, I JUST LOVE ADRENALINE. 414 00:24:07,881 --> 00:24:09,665 -YOU LOVE EVERYTHING, JILL. 415 00:24:09,796 --> 00:24:11,188 -I KNOW, I CAN'T HELP IT. 416 00:24:11,319 --> 00:24:13,669 -WELL, I THINK WE SHOULD SPLIT UP. 417 00:24:14,583 --> 00:24:17,020 JILL, YOU TAKE THE TRUCK AND PATROL THE BEACH. 418 00:24:17,151 --> 00:24:19,153 KELLY AND I WILL KEEP AN EYE ON STEPHANIE AND LOGAN. 419 00:24:20,371 --> 00:24:22,373 -I WILL KEEP AN EYE ON LOGAN. 420 00:24:26,247 --> 00:24:30,120 -REMEMBER, WE'RE NOT HERE TO MIX BUSINESS WITH PLEASURE. 421 00:24:30,251 --> 00:24:32,079 -WHEN HAVE I EVER DONE THAT? 422 00:24:32,209 --> 00:24:33,733 -HOW ABOUT EVERY CASE? 423 00:24:33,863 --> 00:24:36,083 -EXCUSE ME, JILL, YOU'RE THE ONE WHO USES HER LOOKS 424 00:24:36,213 --> 00:24:37,563 TO CATCH A MAN. 425 00:24:37,693 --> 00:24:39,390 -AND YOU DON'T? 426 00:24:39,521 --> 00:24:41,871 -OF COURSE, I DO, I'M JUST A LOT LESS OBVIOUS THAN YOU. 427 00:24:43,438 --> 00:24:44,787 -IT'S GONNA TAKE MORE THAN OUR LOOKS 428 00:24:44,918 --> 00:24:46,485 TO CATCH A JACK RIPLEY. 429 00:24:46,615 --> 00:24:49,270 HE IS CUNNING, CLEVER AND WORST OF ALL, VIOLENT. 430 00:24:49,400 --> 00:24:52,360 -NO, NO, NO, NO. HE IS CLEVER, CRUEL, 431 00:24:52,491 --> 00:24:54,188 AND WORST OF ALL, DEADLY. 432 00:24:54,318 --> 00:24:56,016 -OH, NO, NO, NO. 433 00:24:56,146 --> 00:24:59,498 HE'S MANIACAL, IRRATIONAL, AND WORST OF ALL, HANDSOME. 434 00:24:59,628 --> 00:25:03,110 -JILL, I SAY WORST OF ALL VIOLENT AND KELLY 435 00:25:03,240 --> 00:25:06,200 SAYS WORST OF ALL DEADLY AND YOU SAY WORST OF ALL HANDSOME? 436 00:25:06,330 --> 00:25:08,202 -I KNOW MY WEAKNESS. 437 00:25:09,159 --> 00:25:10,509 -WELL, CONTROL YOURSELF. 438 00:25:11,901 --> 00:25:14,600 -WHAT DO WE KNOW ABOUT THIS JACK RIPLEY? 439 00:25:15,426 --> 00:25:18,081 -WELL, WE KNOW THAT WHEN HE WAS 9, 440 00:25:18,212 --> 00:25:20,214 HE WAS BIT BY A RABID DOG. 441 00:25:20,344 --> 00:25:23,086 BEFORE HE WAS CURED, HE BECAME DEMENTED AND DERANGED. 442 00:25:23,217 --> 00:25:26,786 THEN, SOMETHING HE SAW SPLIT HIS EGO 443 00:25:26,916 --> 00:25:28,439 INTO A HUNDRED PERSONALITIES. 444 00:25:28,570 --> 00:25:29,440 -WHAT? 445 00:25:30,964 --> 00:25:32,443 -A PERFORMANCE BY RICH LITTLE. 446 00:25:32,574 --> 00:25:34,358 -[GASPING] -YES, 447 00:25:35,142 --> 00:25:36,926 HIS DERANGED MIND JUST COULDN'T HANDLE 448 00:25:37,057 --> 00:25:38,580 ALL THOSE CELEBRITY IMPERSONATIONS. 449 00:25:39,363 --> 00:25:41,191 -WHAT A HORRIBLE WAY TO BE DRIVEN INSANE. 450 00:25:42,149 --> 00:25:43,977 -HOW DO YOU THINK WE SHOULD HANDLE HIM, GIRLS? 451 00:25:44,586 --> 00:25:45,674 -CAUTIOUSLY. 452 00:25:46,675 --> 00:25:49,678 -I KNOW, WHAT IF I WAIT UNTIL HE IMITATES TOM CRUISE 453 00:25:50,331 --> 00:25:51,854 AND I PRETEND I'M NICOLE KIDMAN? 454 00:25:55,031 --> 00:25:56,598 -I DON'T THINK THAT'S GOING TO STOP HIM, JILL. 455 00:25:56,729 --> 00:25:58,382 -I COULD SMILE. 456 00:25:58,513 --> 00:26:01,298 -AS CAPTIVATING AT THAT MAY BE, JILL. 457 00:26:01,429 --> 00:26:04,258 I THINK THIS WILL PROVE TO BE A LOT MORE EFFECTIVE. 458 00:26:04,388 --> 00:26:05,955 FREEZE, MISTER! 459 00:26:06,086 --> 00:26:08,349 -JACK RIPLEY IS NOT GOING TO BE EASY TO CAPTURE 460 00:26:08,479 --> 00:26:10,612 EVEN WITH OUR GUNS AND OUR SMILES. 461 00:26:10,743 --> 00:26:12,658 ASIDE FROM HIS ABILITY TO DISGUISE HIMSELF, 462 00:26:12,788 --> 00:26:15,225 HE'S ALSO AN ELECTRONICS EXPERT. 463 00:26:15,356 --> 00:26:17,706 SO, JILL, SO YOU BETTER CHECK OUT THAT TRUCK 464 00:26:17,837 --> 00:26:19,578 BEFORE YOU TAKE IT OUT ON PATROL. 465 00:26:19,708 --> 00:26:22,798 -DON'T WORRY, I'LL GO THROUGH IT WITH A FINE TOOTH COMB. 466 00:26:22,929 --> 00:26:24,844 -WHAT DO YOU THINK? SHOULD WE CARRY OUR OWN PURSES? 467 00:26:24,974 --> 00:26:28,282 -THESE LIFEGUARD BAGS ARE A BIT CUMBERSOME. 468 00:26:29,675 --> 00:26:31,024 -I THINK OUR PURSES WILL BE FINE. 469 00:26:32,068 --> 00:26:33,026 -DO YOU THINK WE'LL STILL BE ABLE 470 00:26:33,156 --> 00:26:34,680 TO PASS AS REAL LIFEGUARDS? 471 00:26:34,810 --> 00:26:37,073 -OF COURSE, NO ONE IS EVEN GOING TO BE ABLE TO TELL 472 00:26:37,204 --> 00:26:40,424 THAT WE ARE UNDERCOVER ANGELS. 473 00:26:40,555 --> 00:26:44,515 -WELL, I GUESS WE SHOULD GET CHANGED. 474 00:26:44,646 --> 00:26:46,126 -GOOD THINKING, KELLY. 475 00:26:47,344 --> 00:26:48,998 -I LOVE THIS JOB. 476 00:26:53,916 --> 00:26:55,526 -WHILE JILL'S PATROLLING THE BEACH, 477 00:26:55,657 --> 00:26:57,137 I'LL KEEP AN EYE ON HEADQUARTERS. 478 00:26:57,267 --> 00:26:58,878 -GOOD THINKING, I'LL STAY WITH LOGAN 479 00:26:59,008 --> 00:27:00,270 AND MAKE SURE HE'S OKAY. 480 00:27:00,401 --> 00:27:01,489 -LET'S GO. 481 00:27:37,046 --> 00:27:38,091 -SO WHAT DO YOU THINK? 482 00:27:40,528 --> 00:27:42,269 DO WE LOOK LIKE REAL LIFEGUARDS? 483 00:27:42,399 --> 00:27:43,836 -YOU BOTH LOOK GREAT. 484 00:27:43,966 --> 00:27:46,534 -WAIT, DON'T TOUCH THOSE CONTROLS, KEEP RUNNING. 485 00:27:46,665 --> 00:27:47,491 -WHY? 486 00:27:47,622 --> 00:27:49,015 -JUST KEEP RUNNING. 487 00:27:49,145 --> 00:27:50,407 KELLY, I NEED A FLASHLIGHT AND A MIRROR. 488 00:27:50,538 --> 00:27:51,713 -WHAT'S GOING ON? 489 00:27:51,844 --> 00:27:53,584 -SABRINA: IT'S BEEN TAMPERED WITH. 490 00:27:54,890 --> 00:27:56,457 -TAMPERED? WHAT DO YOU MEAN? 491 00:27:56,587 --> 00:27:59,460 -JUST KEEP RUNNING, WHATEVER YOU DO, DON'T SLOW DOWN. 492 00:28:05,553 --> 00:28:07,207 THAT'S A PRESSURE SENSITIVE SWITCH. 493 00:28:08,599 --> 00:28:09,992 -AND A MOTION FLY WING. 494 00:28:10,689 --> 00:28:12,038 -AN ACCELERATOR MECHANISM. 495 00:28:12,168 --> 00:28:13,474 IF YOU SLOW DOWN OR TRY TO GET OFF, 496 00:28:13,604 --> 00:28:14,823 THE MECHANISM WILL BE TRIGGERED. 497 00:28:14,954 --> 00:28:15,955 -TRIGGERED TO DO WHAT? 498 00:28:16,085 --> 00:28:18,000 -YOU'D RATHER NOT KNOW. 499 00:28:19,349 --> 00:28:20,873 [BEEPING] 500 00:28:21,003 --> 00:28:21,917 -WHAT WAS THAT? 501 00:28:22,048 --> 00:28:23,397 -IT'S SPEEDING UP. 502 00:28:23,527 --> 00:28:25,791 [BREATHING HEAVILY] 503 00:28:25,921 --> 00:28:28,054 -KEEP RUNNING. 504 00:28:28,184 --> 00:28:30,883 WE GOTTA FIGURE THIS OUT AND FAST. 505 00:28:31,013 --> 00:28:33,624 [BREATHING HEAVILY] 506 00:28:34,451 --> 00:28:36,149 -IT'S SPEEDING UP AGAIN. 507 00:28:36,845 --> 00:28:39,152 -KELLY: HANG IN THERE, LOGAN. KEEP RUNNING. 508 00:28:42,459 --> 00:28:44,026 -IT MUST BE ONE OF THESE TWO WIRES. 509 00:28:44,157 --> 00:28:46,246 -WHICHEVER ONE YOU THINK YOU SHOULD CUT, 510 00:28:46,376 --> 00:28:47,551 CUT THE OTHER ONE. 511 00:28:47,682 --> 00:28:48,944 -THAT'S WHAT HE EXPECTS US TO DO. 512 00:28:51,512 --> 00:28:54,210 -NO, NOT IF HE EXPECTS THAT'S WHAT YOU'D EXPECT, 513 00:28:54,341 --> 00:28:55,995 HE'D EXPECT. 514 00:28:56,125 --> 00:28:57,474 YOU GOTTA CUT THE ONE HE DOESN'T EXPECT THAT YOU'D CUT. 515 00:28:57,605 --> 00:28:59,607 -UNLESS HE EXPECTS US WHAT WE'D EXPECT 516 00:28:59,738 --> 00:29:00,739 AND HE DID THE OPPOSITE. 517 00:29:04,090 --> 00:29:07,484 -CAN'T LOOK BACK, WHICH WIRE TO CHOOSE? 518 00:29:07,615 --> 00:29:10,400 DEAD WHILE YOU WIN, ALIVE WHILE YOU LOSE. 519 00:29:13,969 --> 00:29:16,755 -NOT IF HE'D EXPECT WHAT YOU'D EXPECT HE'D EXPECT. 520 00:29:16,885 --> 00:29:19,627 YOU HAVE TO DO THE OPPOSITE OF WHAT HE'D EXPECTED 521 00:29:19,758 --> 00:29:21,455 YOU'D SUSPECT HE'D DO. 522 00:29:21,585 --> 00:29:23,631 -DO SOMETHING AND HURRY. 523 00:29:25,807 --> 00:29:27,113 -MAYBE I SHOULD JUST CUT BOTH WIRES. 524 00:29:27,722 --> 00:29:28,854 -HE'D NEVER EXPECT THAT. 525 00:29:36,078 --> 00:29:37,166 -WHAT IF HE DID? 526 00:29:41,083 --> 00:29:43,259 -WHOA! 527 00:29:47,263 --> 00:29:48,699 -ARE YOU OKAY? 528 00:29:48,830 --> 00:29:50,353 -I'M FINE. -SABRINA: GOOD. 529 00:29:50,963 --> 00:29:52,573 OKAY, LOGAN, YOU STAY HERE, OKAY? 530 00:29:53,095 --> 00:29:54,357 WE'D BETTER MAKE A QUICK CHANGE. 531 00:29:54,488 --> 00:29:55,794 -GOOD THINKING. -WHERE ARE YOU GOING? 532 00:29:55,924 --> 00:29:57,230 -WELL, HE MUST BE SOMEWHERE NEARBY. 533 00:29:57,360 --> 00:29:58,666 JACK RIPLEY NEVER PUTS ON A SHOW 534 00:29:58,797 --> 00:29:59,798 WITHOUT BEING SOMEWHERE IN THE AUDIENCE. 535 00:29:59,928 --> 00:30:01,147 KELLY, LET'S GO. 536 00:30:03,453 --> 00:30:05,281 [BREATHING HEAVILY] 537 00:30:05,412 --> 00:30:07,631 -THANK YOU VERY MUCH, I'M HERE ALL WEEK. TRY THE VEAL. 538 00:30:07,762 --> 00:30:09,155 THANK YOU, THANK YOU. 539 00:30:28,696 --> 00:30:30,176 -THERE HE IS! 540 00:30:32,178 --> 00:30:33,744 WE'LL NEVER CATCH HIM ON FOOT. 541 00:30:33,875 --> 00:30:35,616 -NO, BUT WE CAN CATCH HIM ON THAT. 542 00:30:35,746 --> 00:30:36,573 COME ON, SABRINA. 543 00:30:36,704 --> 00:30:38,053 -GOOD THINKING, KELLY. 544 00:30:54,330 --> 00:30:55,810 -WHAT'S HAPPENING, BABY? 545 00:30:55,941 --> 00:30:56,942 YOU WOULDN'T HAPPEN TO BE GOING 546 00:30:57,072 --> 00:30:58,378 TO HEARTBREAK HOTEL, WOULD YA? 547 00:30:59,292 --> 00:31:01,076 -NO, BUT I'D BE HAPPY TO DRIVE YOU BACK TO THE HOSPITAL 548 00:31:01,207 --> 00:31:02,121 WHERE YOU CAN GET HELP. 549 00:31:02,251 --> 00:31:03,949 -NO, THANK YOU, VERY MUCH. 550 00:31:04,079 --> 00:31:06,386 I'M AFRAID "JAILHOUSE ROCK" WAS NEVER ONE OF MY FAVORITES. 551 00:31:06,952 --> 00:31:09,693 YOU HAPPEN TO SEE "VIVA LAS VEGAS," BABY? 552 00:31:10,433 --> 00:31:11,782 -YEAH. 553 00:31:11,913 --> 00:31:12,827 -THEN, YOU KNOW I CAN HANDLE MYSELF 554 00:31:12,958 --> 00:31:14,568 BEHIND THE WHEEL, DON'T YA? 555 00:31:15,264 --> 00:31:16,831 [JILL SCREAMING] 556 00:31:24,447 --> 00:31:27,450 -EXCUSE ME, SIR, WE NEED TO BORROW THAT. 557 00:31:27,581 --> 00:31:29,975 IT'S AN EMERGENCY. IT'S A MATTER OF LIFE AND DEATH. 558 00:31:32,891 --> 00:31:34,153 -HEY, THAT'S NOT MINE. 559 00:32:00,309 --> 00:32:01,397 -THERE. 560 00:32:06,620 --> 00:32:07,926 -WHERE ARE YOU GOING? 561 00:32:09,014 --> 00:32:10,189 -NOW IF I WERE TO TELL YOU THAT, 562 00:32:10,319 --> 00:32:11,538 IT WOULDN'T BE A SECRET, WOULD IT? 563 00:32:15,194 --> 00:32:16,456 -SABRINA: BRING ME CLOSER. 564 00:32:32,863 --> 00:32:34,561 -THE PROMISE OF TWO LITTLE PEOPLE GOING AFTER 565 00:32:34,691 --> 00:32:36,824 A HILL OF BEANS IN THIS CRAZY MIXED UP WORLD. 566 00:32:36,955 --> 00:32:39,653 HERE'S LOOKING AT YOU, SWEETHEART. [LAUGHS] 567 00:32:45,833 --> 00:32:47,443 -ARE YOU CRAZY? 568 00:32:47,574 --> 00:32:51,317 -CRAZY, CRAZY? YOU WANT TO SEE CRAZY? 569 00:32:51,447 --> 00:32:54,885 I'LL SHOW YOU CRAZY! [LAUGHS] 570 00:32:59,673 --> 00:33:01,022 -FREEZE, MISTER! 571 00:33:01,153 --> 00:33:02,806 -WHAT ARE YOU? GOOFY? 572 00:33:02,937 --> 00:33:06,114 KILL US ALL! WE'RE GONNA CRASH! 573 00:33:16,951 --> 00:33:18,083 [SIGHING] 574 00:33:21,390 --> 00:33:23,131 -END OF THE LINE, JACK. 575 00:33:23,262 --> 00:33:24,480 -IT'S OVER. 576 00:33:25,307 --> 00:33:28,528 -WELL, NANCY TOLD ME THERE'D BE DAYS LIKE THIS. 577 00:33:31,487 --> 00:33:35,056 AND THAT'S THE WAY IT IS. I'M GOING BACK TO CAMARILLO. 578 00:33:37,754 --> 00:33:40,844 -YOU REALLY ARE ANGELS. YOU SAVED US. 579 00:33:41,410 --> 00:33:42,716 -IT'S ALL IN A DAY'S WORK. 580 00:33:43,456 --> 00:33:45,458 -WE'RE JUST DOING OUR JOBS. 581 00:33:45,588 --> 00:33:48,113 AFTER ALL, WE'RE CHARLIE'S ANGELS. 582 00:33:54,989 --> 00:33:58,297 [PHONE RINGING] 583 00:33:58,427 --> 00:33:59,385 -CAROLINE. 584 00:34:00,299 --> 00:34:02,562 CAROLINE? HEY, GET THE PHONE. 585 00:34:03,389 --> 00:34:04,520 -OH, YEAH, OF COURSE. 586 00:34:04,651 --> 00:34:05,565 -THANKS. 587 00:34:07,828 --> 00:34:11,484 -HELLO? YEAH. 588 00:34:14,182 --> 00:34:15,879 WOW, ARE YOU POSITIVE? 589 00:34:18,708 --> 00:34:20,841 WELL, THANK YOU, THANK YOU VERY MUCH FOR CALLING. 590 00:34:22,495 --> 00:34:23,626 -STEPHANIE: WHAT WAS THAT ABOUT? 591 00:34:24,192 --> 00:34:25,150 -LOOKS LIKE WE DON'T HAVE TO WORRY 592 00:34:25,280 --> 00:34:26,977 ABOUT JACK RIPLEY ANY MORE. 593 00:34:27,108 --> 00:34:29,284 THREE EYEWITNESSES SAW HIM BOARDING A PLANE TO BRAZIL. 594 00:34:31,156 --> 00:34:33,462 -WELL, AT LEAST THEY'LL BE OUT OF OUR HAIR. 595 00:34:34,507 --> 00:34:37,292 -HEY, CAN YOU IMAGINE US WITH HAIR LIKE CHARLIE'S ANGELS? 596 00:34:38,250 --> 00:34:39,207 -NO. 597 00:34:40,208 --> 00:34:41,470 -WELL, I CAN. 598 00:34:43,037 --> 00:34:44,908 -WELL, AT LEAST WE CAN GO TO THE PARTY AFTER WORK 599 00:34:45,039 --> 00:34:46,649 AND NOT WORRY ABOUT ANYTHING. 600 00:34:48,695 --> 00:34:50,218 -BYE. -BYE. 601 00:34:52,829 --> 00:34:55,136 CHARLIE'S ANGELS. [LAUGHS] 602 00:35:10,543 --> 00:35:12,284 -HEY, ANY OF YOU GUYS SEEN LOGAN? 603 00:35:13,763 --> 00:35:15,200 -WELL, I SAW HIM WHEN WE FIRST GOT HERE 604 00:35:15,330 --> 00:35:16,462 BUT I HAVEN'T SEEN HIM LATELY. 605 00:35:17,506 --> 00:35:19,900 -LADIES AND GENTLEMEN, PLEASE FOCUS 606 00:35:20,030 --> 00:35:21,336 YOUR ATTENTION ON THE CURTAIN. 607 00:35:21,467 --> 00:35:23,860 THE MAGIC SHOW IS ABOUT TO BEGIN. 608 00:35:23,991 --> 00:35:25,862 -I DIDN'T KNOW THERE WAS GONNA BE A MAGIC SHOW. 609 00:35:25,993 --> 00:35:27,429 -I LOVE MAGIC. 610 00:35:28,474 --> 00:35:30,171 -SO DOES LOGAN, I WISH HE WAS HERE. 611 00:35:30,954 --> 00:35:33,174 -LET'S GO OVER THERE. THANK YOU. 612 00:35:33,305 --> 00:35:34,784 -THANKS. 613 00:35:39,354 --> 00:35:41,139 -LADIES AND GENTLEMEN, PLEASE WELCOME 614 00:35:41,269 --> 00:35:45,143 THE MASTER OF ESCAPE AND ILLUSION, RAJA WANSEY. 615 00:35:45,273 --> 00:35:48,450 [APPLAUSE] 616 00:35:48,581 --> 00:35:50,757 -THANK YOU, THANK YOU VERY MUCH. 617 00:35:50,887 --> 00:35:53,934 I HOLD IN MY HAND AN AUTHENTIC STRAIGHT JACKET 618 00:35:54,064 --> 00:35:56,676 FROM THE STATE MENTAL HOSPITAL. 619 00:35:56,806 --> 00:36:00,070 IN A MOMENT, YOU WILL WITNESS AN EFFORT TO CHEAT DEATH. 620 00:36:00,201 --> 00:36:03,291 AN IMPOSSIBLE ESCAPE FROM A WATERY GRAVE. 621 00:36:03,422 --> 00:36:05,946 SHOULD THE ESCAPE PROVE UN-DOABLE, 622 00:36:06,076 --> 00:36:10,168 I INSIST THAT NO ONE MAKE A RESCUE ATTEMPT. 623 00:36:11,604 --> 00:36:12,474 THANK YOU. 624 00:36:18,001 --> 00:36:19,307 -DON'T YOU THINK THAT'S STRANGE? 625 00:36:19,438 --> 00:36:20,700 -WHAT? 626 00:36:21,962 --> 00:36:23,790 -THAT HE ACTUALLY MENTIONED THAT THE STRAIGHT JACKET 627 00:36:23,920 --> 00:36:25,183 WAS FROM A STATE MENTAL HOSPITAL. 628 00:36:25,313 --> 00:36:27,185 -OH, STEPHANIE, WHAT ARE YOU GETTING AT? 629 00:36:28,447 --> 00:36:30,188 -WELL, RIPLEY ESCAPED FROM ONE. 630 00:36:30,318 --> 00:36:33,234 -COME ON, THREE PEOPLE SAW RIPLEY BOARD A PLANE TO BRAZIL. 631 00:36:33,365 --> 00:36:37,369 -I KNOW, I KNOW, I KNOW, BUT AN ILLUSIONIST 632 00:36:37,499 --> 00:36:39,588 CAN MAKE PEOPLE SEE THINGS THAT DON'T REALLY HAPPEN. 633 00:36:42,156 --> 00:36:44,332 -AND NOW THE TENT DROP. 634 00:37:15,015 --> 00:37:16,973 -SOMETHING IS WRONG HERE. 635 00:37:24,546 --> 00:37:26,069 LOGAN. 636 00:37:34,339 --> 00:37:37,603 CJ, CAROLINE, THAT'S LOGAN DOWN THERE IN THE STRAIGHT JACKET! 637 00:38:29,219 --> 00:38:30,569 -ARE YOU OKAY? 638 00:38:31,744 --> 00:38:33,136 -HE'S OKAY, LET'S GO. 639 00:38:43,103 --> 00:38:46,062 -YOU HAVE LEARNED WELL, GRASSHOPPER. 640 00:38:52,286 --> 00:38:54,506 YOU KNOW, PEG, YOU FIGHT LIKE A GIRL. 641 00:39:08,737 --> 00:39:10,783 YOU WOULDN'T HIT A MAN WITH GLASSES, WOULD YOU, LADY? 642 00:39:11,610 --> 00:39:13,002 LADY, NO! 643 00:39:23,273 --> 00:39:25,363 -HASTA LA VISTA, BABY. 644 00:39:25,493 --> 00:39:28,278 -JACK: I TELL YA, I GET NO RESPECT FROM ANYBODY. 645 00:39:44,251 --> 00:39:45,644 -SO, WHERE ARE WE GONNA EAT? 646 00:39:46,166 --> 00:39:47,472 -OH, I CAN'T GO TO DINNER TONIGHT. 647 00:39:47,602 --> 00:39:49,996 -NEITHER CAN I. -WHY? WHERE ARE YOU GOING? 648 00:39:50,126 --> 00:39:52,172 -THEY'RE HOLDING OPEN AUDITIONS FOR THE "CHARLIE'S ANGELS" MOVIE. 649 00:39:52,302 --> 00:39:54,522 -WE'RE GONNA SHOW THEM THAT WE'RE THE REAL THING. 650 00:39:55,131 --> 00:39:56,263 -WELL, WHAT ABOUT ME? 651 00:39:56,916 --> 00:39:58,526 -WELL, WHAT ABOUT YOU? 652 00:39:58,657 --> 00:40:00,310 I THOUGHT YOU WEREN'T INTO THE "CHARLIE'S ANGELS." 653 00:40:00,441 --> 00:40:02,661 -WELL, I'M NOT, I MEAN, I WASN'T. 654 00:40:03,357 --> 00:40:06,969 I DON'T KNOW, I GUESS, I THINK I'D MAKE A PRETTY GOOD ANGEL. 655 00:40:07,100 --> 00:40:08,797 -YOU THINK SO, HUH? 656 00:40:08,928 --> 00:40:12,061 -YEAH, JUST ASK JACK RIPLEY. 657 00:40:12,192 --> 00:40:13,498 -CAROLINE: OH, REALLY? 658 00:40:13,628 --> 00:40:14,716 -REALLY. 659 00:40:14,847 --> 00:40:16,805 FREEZE, MISTER! 660 00:40:16,936 --> 00:40:18,894 [LAUGHING] 661 00:40:20,896 --> 00:40:22,420 -LADIES, THERE'S A PHONE CALL FOR YA. 662 00:40:22,550 --> 00:40:24,204 -WHO IS IT? 663 00:40:24,334 --> 00:40:25,945 -I DON'T KNOW, SOME GUY NAMED CHARLIE. 664 00:40:32,255 --> 00:40:33,082 -STEPHANIE: EXCUSE ME! 665 00:40:33,213 --> 00:40:34,519 -CAROLINE: SORRY! 666 00:40:36,434 --> 00:40:38,653 -CHARLIE? IS THAT YOU? 667 00:40:39,872 --> 00:40:41,743 -CHARLIE: YES, ANGELS, IT'S ME. 668 00:40:42,701 --> 00:40:44,877 I THINK I MAY HAVE ANOTHER CASE FOR YOU. 669 00:40:50,491 --> 00:40:54,452 [THEME MUSIC PLAYING] 47851

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