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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:05,005 [BEGINNING THEME MUSIC] 2 00:00:12,838 --> 00:00:16,842 -♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 3 00:00:16,973 --> 00:00:20,933 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 4 00:00:21,064 --> 00:00:24,372 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 5 00:00:24,502 --> 00:00:27,984 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 6 00:00:28,115 --> 00:00:31,335 ♪ DON'T YOU WORRY 7 00:00:31,466 --> 00:00:36,819 ♪ IT'S GONNA BE ALL RIGHT 8 00:00:36,949 --> 00:00:38,821 ♪ 'CAUSE I'M ALWAYS READY 9 00:00:38,951 --> 00:00:42,303 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 10 00:00:45,654 --> 00:00:47,786 ♪ I'LL BE READY 11 00:00:47,917 --> 00:00:49,353 ♪ I'LL BE READY 12 00:00:49,484 --> 00:00:51,225 ♪ NEVER YOU FEAR 13 00:00:51,355 --> 00:00:53,444 ♪ NO, DON'T YOU FEAR 14 00:00:53,575 --> 00:00:56,708 ♪ I'LL BE READY 15 00:00:56,839 --> 00:00:59,798 ♪ FOREVER AND ALWAYS 16 00:00:59,929 --> 00:01:03,193 ♪ I'M ALWAYS HERE 17 00:01:20,993 --> 00:01:22,778 ♪ 'CAUSE I'M ALWAYS READY 18 00:01:22,908 --> 00:01:26,173 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 19 00:01:29,611 --> 00:01:31,961 ♪ I'LL BE READY 20 00:01:32,092 --> 00:01:33,528 ♪ I'LL BE READY 21 00:01:33,658 --> 00:01:35,399 ♪ NEVER YOU FEAR 22 00:01:35,530 --> 00:01:37,532 ♪ NO, DON'T YOU FEAR 23 00:01:37,662 --> 00:01:40,361 ♪ I'LL BE READY 24 00:01:40,491 --> 00:01:43,755 ♪ FOREVER AND ALWAYS 25 00:01:43,886 --> 00:01:47,150 ♪ I'M ALWAYS HERE 26 00:02:01,817 --> 00:02:04,515 [INSTRUMENTAL MUSIC] 27 00:02:20,401 --> 00:02:23,273 [CAROUSEL MUSIC] 28 00:02:33,022 --> 00:02:35,981 BIDDLE: LADIES AND GENTLEMEN, I'D LIKE YOU DO SOMETHING 29 00:02:36,112 --> 00:02:37,461 FOR ME RIGHT NOW. 30 00:02:38,201 --> 00:02:41,117 IMAGINE THE BEACH WITHOUT THE PIER. 31 00:02:42,727 --> 00:02:48,255 WITHOUT THE HOT DOGS, SKEE BALL, AND MERRY-GO-ROUND. 32 00:02:48,994 --> 00:02:52,128 MY FAMILY, LIKE THE REST OF THE MERCHANTS HERE, 33 00:02:52,259 --> 00:02:56,654 HAVE BEEN WORKING ON THIS PIER SINCE IT OPENED IN 1939. 34 00:02:56,785 --> 00:03:02,617 YOU'RE STANDING ON 50 YEARS OF HARD WORK AND FOND MEMORIES. 35 00:03:02,747 --> 00:03:05,881 -NOT TO MENTION CORRODED PLANKS AND BATTERED PILINGS. 36 00:03:06,011 --> 00:03:09,058 BIDDLE: BUT IF WE DON'T RAISE ANOTHER $50,000 DOLLARS 37 00:03:09,189 --> 00:03:11,191 BEFORE MIDNIGHT SUNDAY, 38 00:03:11,321 --> 00:03:14,890 THOSE CONSTRUCTION WORKERS WILL ALL LAY DOWN THEIR HAMMERS-- 39 00:03:15,020 --> 00:03:16,283 -YOU DON'T THINK IT'S WORTH SAVING? 40 00:03:16,413 --> 00:03:18,110 -I DON'T CARE ONE WAY OR THE OTHER. 41 00:03:18,241 --> 00:03:19,982 I GET PAID NO MATTER WHAT, BUT I'D RATHER IT GOES 42 00:03:20,112 --> 00:03:21,723 'CAUSE OF MY WRECKING BALL, 43 00:03:21,853 --> 00:03:24,552 AND NOT SOME WHACKO STUNT WITH AN ARMORED CAR. 44 00:03:24,682 --> 00:03:26,075 -I TAKE IT YOU'RE NOT A FAN. 45 00:03:27,468 --> 00:03:30,819 -I WOULDN'T PARK A 20,000-POUND ARMORED CAR HERE. 46 00:03:30,949 --> 00:03:34,214 -WE'VE RAISED 100,000 DOLLARS SO FAR, 47 00:03:34,344 --> 00:03:38,043 WHICH YOU CAN SEE ALL WEEKEND IN THE ARMORED CAR. 48 00:03:38,174 --> 00:03:40,350 -I GOT ONE OF MY GUYS UNDER THE PIER. 49 00:03:40,481 --> 00:03:42,483 HE'S CHECKING THINGS OUT RIGHT NOW. 50 00:03:43,223 --> 00:03:45,616 -INCLUDING THE FIVE BUCKS YOU PAY 51 00:03:45,747 --> 00:03:47,401 TO HAVE YOUR PICTURE TAKEN WITH THE MONEY. 52 00:03:48,358 --> 00:03:51,753 SO REACH DEEP IN YOUR POCKETS AND HELP OUT AN OLD FRIEND, 53 00:03:51,883 --> 00:03:53,233 THE BEACHFRONT PIER. 54 00:03:53,929 --> 00:03:54,669 THANK YOU. 55 00:03:54,799 --> 00:03:56,714 [APPLAUSE] 56 00:03:56,845 --> 00:03:58,586 THANK YOU. APPRECIATE IT. 57 00:04:12,817 --> 00:04:14,079 -THIS IS GOING TO BE A TERRIFIC PICTURE. 58 00:04:14,210 --> 00:04:15,733 I LOOK GREAT SURROUNDED BY MONEY. 59 00:04:15,864 --> 00:04:17,257 -DON'T WE ALL? 60 00:04:17,866 --> 00:04:19,781 -I DON'T GET IT, MITCH. PEOPLE HAVE BEEN LINING UP ALL DAY. 61 00:04:19,911 --> 00:04:21,783 -EVERYONE LOVES THE PIER. 62 00:04:21,913 --> 00:04:25,482 BESIDES, HOW OFTEN DO YOU GET THIS CLOSE TO A HUNDRED GRAND? 63 00:04:25,613 --> 00:04:27,267 I'M LUCKY TO GET NEXT TO TWO TENS. 64 00:04:27,397 --> 00:04:29,834 THERE'S YOUR ANSWER. BESIDES, IT HELPS THE PIER. 65 00:04:29,965 --> 00:04:31,706 -YEAH, IT DOES HELP. YES, IT HELPS THE PIER. 66 00:04:33,316 --> 00:04:34,099 YEAH. 67 00:04:34,230 --> 00:04:35,057 BOTH: [LAUGH] 68 00:04:35,187 --> 00:04:36,014 THAT'S MY SON. 69 00:04:36,145 --> 00:04:37,451 LUCKY BOY. 70 00:04:37,581 --> 00:04:42,020 [SUSPENSEFUL MUSIC] 71 00:04:54,294 --> 00:04:56,513 [WOOD CREAKS] 72 00:04:56,644 --> 00:04:58,254 BIDDLE: IT'S THE CHANCE OF A LIFETIME, 73 00:04:58,385 --> 00:04:59,429 LADIES AND GENTLEMEN. 74 00:04:59,560 --> 00:05:00,996 YEAH, DAD, I LOOK GREAT. 75 00:05:01,126 --> 00:05:02,389 I HAVE TO ADD THIS TO MY COLLECTION. 76 00:05:02,519 --> 00:05:03,912 -COLLECTION? 77 00:05:04,042 --> 00:05:05,522 -OH, YEAH, HE'S GOT PICTURES WITH EVERYBODY. 78 00:05:05,653 --> 00:05:08,177 PRESIDENT REAGAN, JIMMY AND TAMMY BAKER. 79 00:05:08,308 --> 00:05:09,178 -[LAUGHS] 80 00:05:09,309 --> 00:05:10,658 -DALAI LAMA, ALF. 81 00:05:21,712 --> 00:05:23,366 [SQUEAK] 82 00:05:23,497 --> 00:05:27,501 [WOOD CREAKING] 83 00:05:30,982 --> 00:05:32,244 -[SCREAMS] 84 00:05:35,030 --> 00:05:36,466 -HEY, WHAT ARE YOU DOING? 85 00:05:36,597 --> 00:05:38,599 -I GOT A MAN DOWN THERE. YOU GOT A BETTER IDEA? 86 00:05:38,729 --> 00:05:39,556 -JUST TAKE IT EASY. 87 00:05:40,601 --> 00:05:43,168 [INDISTINCT CHATTER] 88 00:05:44,518 --> 00:05:48,391 [TENSE MUSIC] 89 00:05:53,265 --> 00:05:55,093 -BAYWATCH, THIS IS GARNER. BEACHFRONT PIER. 90 00:05:55,224 --> 00:05:57,400 WE GOT A WORKER IN THE WATER. REQUESTING LIFEGUARD BACKUP. 91 00:05:57,531 --> 00:06:01,535 [TENSE MUSIC] 92 00:06:11,283 --> 00:06:13,851 VOLLEYBALL. SEE YOU, BEACH. 93 00:06:15,375 --> 00:06:16,245 MIXED, DOUBLES. 94 00:06:17,333 --> 00:06:18,508 I KNOW YOU WERE A PRO ONCE. 95 00:06:19,030 --> 00:06:20,771 SURE, YOU'RE A LITTLE OUT OF PRACTICE NOW, 96 00:06:20,902 --> 00:06:22,164 BUT I CAN CARRY US. 97 00:06:23,252 --> 00:06:24,688 10,000 BUCKS FOR THE WINNERS. 98 00:06:25,472 --> 00:06:27,909 -I'M RETIRED. I ONLY PLAY FOR FUN. 99 00:06:28,039 --> 00:06:29,911 -HEY, WHAT COULD BE MORE FUN THAN WINNING MONEY? 100 00:06:30,041 --> 00:06:30,912 NO. 101 00:06:31,478 --> 00:06:32,348 OKAY. 102 00:06:33,610 --> 00:06:36,570 WHAT COULD BE MORE FUN THAN TRASHING YOUR OLD PARTNER? 103 00:06:37,309 --> 00:06:38,876 CHRIS BARRON IS FAVORED TO WIN. 104 00:06:40,443 --> 00:06:42,097 BUT THEY HAVEN'T SEEN US YET, HAVE THEY? 105 00:06:42,227 --> 00:06:43,141 -[CHUCKLES] 106 00:06:48,364 --> 00:06:49,365 [KNOCKING ON DOOR] 107 00:06:53,108 --> 00:06:54,326 -YEAH, YEAH, I'M COMING, I'M COMING. 108 00:06:58,592 --> 00:07:00,071 -I WOKE YOU UP, DIDN'T I? 109 00:07:00,202 --> 00:07:03,161 -OH, IT'S OKAY, I GOTTA GET UP IN THREE HOURS ANYWAY. 110 00:07:03,292 --> 00:07:04,467 -GREAT, LET'S GO FOR A RUN. 111 00:07:04,598 --> 00:07:06,121 -JILL, IT'S FOUR O'CLOCK IN THE MORNING. 112 00:07:06,774 --> 00:07:08,645 -I KNOW. WE GOT TIME TO MAKE IT 113 00:07:08,776 --> 00:07:10,517 TO TOPANGA AND BACK BEFORE MORNING WORKOUT. 114 00:07:11,256 --> 00:07:12,127 [SIGHS] 115 00:07:12,736 --> 00:07:14,172 I SAW THE POSTERS. 116 00:07:14,738 --> 00:07:15,696 CHRIS IS BACK. 117 00:07:15,826 --> 00:07:16,827 HE'S SUCH A-- 118 00:07:16,958 --> 00:07:17,915 -I'LL GET THE COFFEE STARTED. 119 00:07:18,046 --> 00:07:19,656 -[GASPS] VERMIN. 120 00:07:21,005 --> 00:07:22,006 WE WERE A TEAM. 121 00:07:22,529 --> 00:07:23,660 -YOU SURE WERE. 122 00:07:23,791 --> 00:07:25,923 HOTTEST VOLLEYBALL DOUBLES ON THE CIRCUIT. 123 00:07:26,054 --> 00:07:28,839 -HE HAD AN AFFAIR, MITCH. DID I TELL YOU ABOUT THAT? 124 00:07:30,493 --> 00:07:31,538 -OH, YES. 125 00:07:31,668 --> 00:07:32,495 -SUCH A WORM. 126 00:07:34,018 --> 00:07:35,846 I WONDER IF HE HAS THE GUTS TO FACE ME NOW 127 00:07:36,499 --> 00:07:38,109 AFTER ALL THIS TIME. 128 00:07:38,719 --> 00:07:39,894 -WHAT ABOUT YOU? 129 00:07:41,461 --> 00:07:42,766 YOU GOT THE GUTS TO FACE HIM? 130 00:07:42,897 --> 00:07:45,029 -I'VE BEEN REHEARSING THE MOMENT JUST IN CASE. 131 00:07:45,639 --> 00:07:46,466 WANT TO SEE IT? 132 00:07:46,596 --> 00:07:47,510 -SURE. 133 00:07:49,120 --> 00:07:50,295 -PRETEND LIKE YOU'RE CHRIS. 134 00:07:50,426 --> 00:07:52,254 -OKAY. HI. 135 00:07:52,384 --> 00:07:54,604 OW! THAT'S PERFECT. 136 00:07:54,735 --> 00:07:56,127 THAT'S RIGHT TO THE POINT. 137 00:07:56,258 --> 00:07:58,129 MAYBE THE COFFEE'S READY NOW. 138 00:07:58,260 --> 00:07:59,696 I'M SORRY, MITCH, I GOTTA GO. 139 00:07:59,827 --> 00:08:00,784 I'VE GOT A LOT OF TENSION I GOTTA WORK OFF. 140 00:08:00,915 --> 00:08:01,829 -OH, OKAY. 141 00:08:01,959 --> 00:08:02,786 -THANKS FOR THE VISIT. 142 00:08:02,917 --> 00:08:03,961 -ANYTIME. 143 00:08:04,092 --> 00:08:04,962 BYE. 144 00:08:10,272 --> 00:08:13,318 -[PANTS] 145 00:08:15,277 --> 00:08:19,150 [SAD SONG] 146 00:08:20,064 --> 00:08:23,633 [GRUNTS] 147 00:08:32,337 --> 00:08:33,513 CHRIS: YOU HAVEN'T CHANGED. 148 00:08:37,778 --> 00:08:38,648 -[SIGHS] 149 00:08:39,170 --> 00:08:40,650 LET ME GUESS YOUR NEXT LINE. 150 00:08:41,477 --> 00:08:42,957 "YOU'RE STILL AS BEAUTIFUL AS EVER." 151 00:08:43,566 --> 00:08:46,482 -LOOK, JILL, I DIDN'T COME HERE TO RUIN YOUR DAY. 152 00:08:47,004 --> 00:08:49,398 IT'S JUST THAT I HAVEN'T BEEN BACK HERE SINCE WE SPLIT UP. 153 00:08:49,529 --> 00:08:50,530 AND NOW THAT I'M HERE, 154 00:08:52,140 --> 00:08:53,620 ALL I CAN THINK ABOUT IS US. 155 00:08:55,186 --> 00:08:56,710 THERE WERE GOOD TIMES, JILL. 156 00:08:58,450 --> 00:08:59,364 LOTS OF THEM. 157 00:09:01,845 --> 00:09:02,890 -[PANTS] 158 00:09:06,894 --> 00:09:08,330 YOU REALLY HURT ME. 159 00:09:10,898 --> 00:09:13,248 -YEAH, WELL, THERE WAS PLENTY OF HURT TO GO AROUND. 160 00:09:16,207 --> 00:09:17,992 -YEAH, WELL, I GUESS I WASN'T PERFECT, EITHER. 161 00:09:20,516 --> 00:09:22,039 -YOU WERE CLOSE ENOUGH FOR ME. 162 00:09:22,779 --> 00:09:23,606 -[SIGHS] 163 00:09:25,042 --> 00:09:25,913 -I'VE MISSED YOU. 164 00:09:27,697 --> 00:09:29,656 -I KNEW YOU'D COME BACK SOMEDAY. 165 00:09:31,483 --> 00:09:34,051 WITH THOSE BROWN EYES, THOSE SMOOTH LINES, 166 00:09:35,270 --> 00:09:37,838 AND A BUNCH OF "I'M-SORRY"S AND "LET ME MAKE IT UP"S. 167 00:09:43,278 --> 00:09:45,062 -MAYBE NEXT WEEKEND. 168 00:09:45,193 --> 00:09:47,325 -IT'S A TIME-SHARE. SOMEBODY ELSE IS IN THERE NEXT WEEKEND. 169 00:09:47,456 --> 00:09:49,850 SINCE WHEN HAVE YOU HAD A CROWDED SOCIAL SCHEDULE? 170 00:09:51,286 --> 00:09:52,548 -I'M GOING TO CATALINA. 171 00:09:53,244 --> 00:09:54,289 -OH. 172 00:09:54,419 --> 00:09:56,117 WELL, I CAN LIVE WITH CATALINA. 173 00:09:56,247 --> 00:09:57,248 DO A LITTLE SNORKELING-- 174 00:09:57,379 --> 00:09:59,207 -UH, SHAUNI. 175 00:09:59,816 --> 00:10:02,993 SORRY, IT'S GUYS ONLY. YOU KNOW HOW IT IS. 176 00:10:09,217 --> 00:10:10,087 -YOU'RE JOKING. 177 00:10:11,523 --> 00:10:13,351 SO IT'S MORE IMPORTANT TO YOU TO SPEND A WEEKEND WITH THE GUYS 178 00:10:13,482 --> 00:10:14,962 THAN A ROMANTIC WEEKEND WITH ME. 179 00:10:15,092 --> 00:10:17,094 EDDIE: I NEVER SAID IT WAS MORE IMPORTANT. 180 00:10:17,225 --> 00:10:18,226 SHAUNI: BUT YOU DON'T WANNA BE WITH ME. 181 00:10:18,356 --> 00:10:19,140 -YOU DON'T? 182 00:10:19,270 --> 00:10:20,184 BUTT OUT. 183 00:10:21,098 --> 00:10:22,926 SHAUNI, LOOK, THIS HAS NOTHING TO DO 184 00:10:23,057 --> 00:10:24,319 WITH MY NOT WANTING TO BE WITH YOU. 185 00:10:24,449 --> 00:10:25,625 -THEN WHAT DOES IT HAVE TO DO WITH? 186 00:10:26,713 --> 00:10:28,236 -IT HAS TO DO WITH GUYS. 187 00:10:28,758 --> 00:10:30,760 SOMETIMES GUYS JUST GOTTA BE GUYS. 188 00:10:30,891 --> 00:10:31,805 IT'S A TRIBAL THING. 189 00:10:31,935 --> 00:10:33,415 -[LAUGHS] 190 00:10:34,372 --> 00:10:36,679 DOES THE PHRASE "INSENSITIVE SLUG" MEAN ANYTHING TO YOU? 191 00:10:36,810 --> 00:10:37,593 -HEY. 192 00:10:37,724 --> 00:10:38,768 -SHAUNI, I'M FREE. 193 00:10:38,899 --> 00:10:41,292 -SHUT UP. LISTEN, SHAUNI, LISTEN. 194 00:10:41,423 --> 00:10:43,643 YOU MAKE TOO BIG A DEAL OUT OF THIS, REALLY. 195 00:10:43,773 --> 00:10:46,036 IT'S A SIMPLE WEEKEND. A LITTLE MALE BONDING. 196 00:10:46,994 --> 00:10:49,823 DRINK A LITTLE BEER, TALK ABOUT IMPORTANT ISSUES, 197 00:10:49,953 --> 00:10:52,390 LIKE HOOP SHOTS AND THREE POINT PLAYS. 198 00:10:52,521 --> 00:10:54,566 SURE BEATS SPENDING TIME WITH ME, HUH? 199 00:10:55,176 --> 00:10:57,091 -COME ON, SHAUNI, WE'RE NOT TALKING A MONTH. 200 00:10:57,221 --> 00:11:01,399 WE'RE TALKING A WEEKEND. TWO SHORT DAYS, 26 MILES AWAY. 201 00:11:02,662 --> 00:11:03,967 COME ON, WE'LL HAVE PLENTY OF WEEKENDS TOGETHER, 202 00:11:04,098 --> 00:11:05,577 JUST NOT THIS ONE, ALL RIGHT? 203 00:11:05,708 --> 00:11:06,709 SHAUNI: IT'S NICE TO KNOW WHERE I STAND 204 00:11:06,840 --> 00:11:08,232 ON YOUR LIST OF PRIORITIES. 205 00:11:09,494 --> 00:11:11,235 RIGHT SMACK AT THE BOTTOM. 206 00:11:11,366 --> 00:11:12,193 -SHAUNI, COME-- 207 00:11:12,323 --> 00:11:13,673 HEY, MY TOWEL. 208 00:11:14,804 --> 00:11:16,110 SHAUNI, COME ON. 209 00:11:16,632 --> 00:11:17,502 HEY. 210 00:11:19,809 --> 00:11:21,376 -FINALLY LEARNED HOW TO HANDLE WOMEN, HUH? 211 00:11:24,553 --> 00:11:26,120 MAN: THIS IS A WORTHY CAUSE. 212 00:11:26,250 --> 00:11:28,513 JUST FIVE DOLLARS. HELP SAVE THE PIER. 213 00:11:28,644 --> 00:11:29,776 COME GET YOUR PICTURES. 214 00:11:30,951 --> 00:11:32,909 HAVE YOUR PICTURE TAKEN WITH ALL THAT MONEY. 215 00:11:33,736 --> 00:11:34,694 -[SIGHS] 216 00:11:37,261 --> 00:11:38,393 HOW'S THE MAN WHO FELL? 217 00:11:39,089 --> 00:11:41,570 -STILL IN INTENSIVE CARE, UNCONSCIOUS. 218 00:11:43,485 --> 00:11:44,616 -IS THAT WHY YOU LOOK SO WORRIED? 219 00:11:47,315 --> 00:11:50,579 [CREAKING] 220 00:11:51,319 --> 00:11:54,626 -LISTEN TO THIS WOOD. IT'S CREAKING AND GROANING. 221 00:11:54,757 --> 00:11:56,716 I FEEL LIKE I'M STANDING ON TOOTHPICKS. 222 00:11:56,846 --> 00:11:58,326 -IT'S PART OF THE CHARM. 223 00:11:58,456 --> 00:11:59,893 LET'S YOU KNOW YOU GOT AN OCEAN UNDER YOUR FEET. 224 00:12:01,068 --> 00:12:02,939 MR. BIDDLE, THIS WOOD IS OLD. 225 00:12:03,766 --> 00:12:04,811 -SO AM I. 226 00:12:06,769 --> 00:12:08,902 -I'VE WORKED ON THIS PIER EVERY DAY OF MY LIFE. 227 00:12:09,554 --> 00:12:11,731 THE FLOOR HAS NEVER GIVEN WAY UNDER ME ONCE. 228 00:12:15,691 --> 00:12:18,215 [CREAKING] 229 00:12:18,346 --> 00:12:21,305 IN FACT, I FIND THE SOUNDS RATHER SOOTHING. 230 00:12:23,786 --> 00:12:26,702 [MAN TALKING IN THE DISTANCE] 231 00:12:28,530 --> 00:12:30,793 [CREAKING] 232 00:12:30,924 --> 00:12:31,925 -SOOTHING. 233 00:12:33,753 --> 00:12:36,016 [CREAKING] 234 00:12:38,453 --> 00:12:40,629 CHRIS: MY ACCENT WAS BAD, BUT I GOT US A FREE ROOM. 235 00:12:42,849 --> 00:12:44,372 UH, SO, UH... 236 00:12:45,808 --> 00:12:49,943 ARE YOU, UH, HAPPY THAT YOU CAME OUT WITH ME TONIGHT OR NOT? 237 00:12:51,248 --> 00:12:53,947 -AS MUCH AS I'D LIKE TO BE ANGRY, I AM GLAD I CAME. 238 00:12:55,252 --> 00:12:56,123 -ME TOO. 239 00:12:59,517 --> 00:13:00,518 YOU KNOW WHAT I MISS? 240 00:13:02,216 --> 00:13:03,217 THE TEAM WORK. 241 00:13:05,001 --> 00:13:06,089 THE SYNCHRONICITY. 242 00:13:08,439 --> 00:13:10,050 READING THE WAY YOU MOVED YOUR BODY. 243 00:13:11,791 --> 00:13:12,748 THE WAY YOU LOOKED AT ME. 244 00:13:15,664 --> 00:13:17,535 THE WAY YOU KNEW HOW I FELT BEFORE I DID. 245 00:13:20,800 --> 00:13:22,236 NOT JUST IN THE GAME. 246 00:13:24,760 --> 00:13:26,762 -YEAH, WE WERE A TERRIFIC TEAM. 247 00:13:27,632 --> 00:13:29,852 -[SIGHS] 248 00:13:29,983 --> 00:13:32,550 WELL, WE SHOULD HAVE PLAYED THAT TOURNAMENT FIVE YEARS AGO. 249 00:13:33,334 --> 00:13:34,814 WE WOULD'VE ACED IT. HI. 250 00:13:35,727 --> 00:13:37,338 THEN WE COULD'VE TRAVELED THE CIRCUIT 251 00:13:38,252 --> 00:13:39,906 AND TRY OUT ALL OUR OTHER ROTTEN ACCENTS. 252 00:13:40,036 --> 00:13:40,994 -[LAUGHS] 253 00:13:42,517 --> 00:13:43,953 WELL, THAT MOMENT'S GONE. 254 00:13:45,650 --> 00:13:46,826 -IT DOESN'T TO BE. 255 00:13:48,479 --> 00:13:49,524 WE CAN MAKE THAT HAPPEN. 256 00:13:51,221 --> 00:13:52,309 WE CAN BE A TEAM AGAIN. 257 00:13:53,920 --> 00:13:56,052 NEXT WEEKEND WE CAN BE A TEAM AGAIN. 258 00:13:57,880 --> 00:13:58,794 -WHAT ARE YOU SAYING? 259 00:14:00,143 --> 00:14:01,623 -FIVE YEARS AGO YOU WEREN'T READY. 260 00:14:03,016 --> 00:14:05,148 BUT YOU'RE OLDER NOW, YOU'RE WISER NOW. 261 00:14:07,020 --> 00:14:08,978 WE CAN WIN THAT TOURNAMENT TOGETHER. 262 00:14:09,849 --> 00:14:12,764 -ALL THIS TALK ABOUT MAKING IT RIGHT AND BEING TOGETHER 263 00:14:12,895 --> 00:14:15,115 IS YOUR WAY OF LURING ME ONTO THE VOLLEYBALL COURT. 264 00:14:16,072 --> 00:14:18,074 -NO, IT'S JUST THE PERFECT OPPORTUNITY. 265 00:14:18,205 --> 00:14:19,206 MY PARTNER DROPPED OUT AT THE LAST MINUTE-- 266 00:14:19,336 --> 00:14:20,207 -YOU'RE INCREDIBLE. 267 00:14:20,337 --> 00:14:22,383 -JILL. HEY, JILL. 268 00:14:24,080 --> 00:14:25,342 I'M DOING THIS FOR YOU. 269 00:14:26,648 --> 00:14:29,390 LOOK, WE DIDN'T MAKE IT BEFORE BECAUSE YOU COULDN'T HANDLE IT. 270 00:14:29,520 --> 00:14:31,174 I'M JUST GIVING YOU ANOTHER SHOT. 271 00:14:31,305 --> 00:14:34,482 -YOU WERE SLEEPING WITH ANOTHER WOMAN, THAT'S WHY WE BROKE UP. 272 00:14:34,612 --> 00:14:36,092 -THAT'S YOUR VERSION. 273 00:14:36,223 --> 00:14:37,659 I FOUND SOMEONE ELSE BECAUSE YOU FLAKED OUT. 274 00:14:37,789 --> 00:14:40,575 -WELL, THAT'S GREAT. YOU HAD AN AFFAIR, AND I FLAKED OUT? 275 00:14:40,705 --> 00:14:43,404 -MISSING PRACTICE, SCREWING UP ON THE COURT. 276 00:14:44,187 --> 00:14:45,797 YOU DIDN'T HAVE THE GUTS TO TAKE IT ALL THE WAY. 277 00:14:45,928 --> 00:14:46,755 -THAT'S NOT TRUE. 278 00:14:46,886 --> 00:14:47,887 -YOU CHOKED. 279 00:14:52,369 --> 00:14:53,805 -SIGN THIS. 280 00:14:56,025 --> 00:14:57,592 -THE ENTRY FORM FOR THE TOURNAMENT? 281 00:14:58,245 --> 00:14:59,811 -I KNOW WHAT IT IS. JUST SIGN IT. 282 00:14:59,942 --> 00:15:01,378 -I THOUGHT YOU'D SEE THINGS MY WAY. 283 00:15:01,509 --> 00:15:03,163 -LOOK, I'M NEVER GONNA SEE THINGS YOUR WAY. 284 00:15:03,293 --> 00:15:05,513 JUST SIGN IT, OKAY? I HAVE MY OWN REASONS. 285 00:15:06,122 --> 00:15:07,645 -YEAH, 5,000, I BET. 286 00:15:08,603 --> 00:15:10,387 WE ARE SPLITTING THE KITTY 50-50. 287 00:15:10,518 --> 00:15:12,302 -NOT IF I DO 70% OF THE WORK. 288 00:15:12,433 --> 00:15:13,303 -[LAUGHS] 289 00:15:14,348 --> 00:15:15,523 -THIS IS NO GOOFING AROUND IN THE SAND. 290 00:15:15,653 --> 00:15:17,046 THIS IS A PROFESSIONAL TOURNAMENT. 291 00:15:17,177 --> 00:15:19,875 -HEY, I AM A VOLLEYBALL DEMON. 292 00:15:21,746 --> 00:15:23,009 -YOU'RE A RANK AMATEUR. 293 00:15:23,879 --> 00:15:25,881 IT'S GONNA TAKE A MIRACLE TO MAKE YOU PRO STOCK. 294 00:15:28,057 --> 00:15:30,625 WHAT ARE YOU WAITING FOR? THE TOURNAMENT'S THIS WEEKEND. 295 00:15:31,669 --> 00:15:32,714 LET'S GO. 296 00:15:36,326 --> 00:15:38,024 MAN: IT'S A LOT OF MONEY, FOLKS. 297 00:15:38,154 --> 00:15:41,201 GET YOUR PICTURE TAKEN IN FRONT OF THE ARMOR CAR-- 298 00:15:41,331 --> 00:15:42,898 [WOOD GROANING] 299 00:15:43,029 --> 00:15:46,815 [CREAKING] 300 00:15:46,946 --> 00:15:50,297 [OMINOUS MUSIC] 301 00:15:57,521 --> 00:15:58,783 -[PANTS] 302 00:15:58,914 --> 00:16:00,046 [GRUNTS] 303 00:16:00,176 --> 00:16:01,047 [MOANS] 304 00:16:01,177 --> 00:16:03,788 -AGAIN. -I'M NOT DOING IT AGAIN. 305 00:16:04,746 --> 00:16:07,488 MY HANDS ARE NUMB, MY ARMS ARE NUMB, 306 00:16:07,618 --> 00:16:09,098 MY BODY IS NUMB. 307 00:16:10,360 --> 00:16:11,840 -LIVE WITH IT. 308 00:16:13,102 --> 00:16:14,799 -THANKS FOR THE SYMPATHY, COACH. 309 00:16:16,279 --> 00:16:18,629 BOTH: [PANT] 310 00:16:18,760 --> 00:16:19,587 HEADS UP. 311 00:16:19,717 --> 00:16:21,328 [MOANS] 312 00:16:21,458 --> 00:16:23,243 -LOOKS LIKE I'M NOT THE ONLY ONE WHO'S A BIT TIRED, HUH? 313 00:16:25,506 --> 00:16:27,334 -YEAH, LOOKS LIKE IT. 314 00:16:27,464 --> 00:16:28,988 -OKAY, SO WHAT DO YOU SAY WE STOP WORKING ON MY RETURN 315 00:16:29,118 --> 00:16:30,206 AND HAVE SOME FUN? 316 00:16:30,859 --> 00:16:32,861 -YOU WANNA PLAY FOR FUN OR YOU WANNA PLAY TO WIN? 317 00:16:32,992 --> 00:16:34,210 IT'S YOUR CALL. 318 00:16:35,429 --> 00:16:38,388 -THERE MUST BE AN EASIER WAY TO MAKE 10,000 BUCKS. COME ON. 319 00:16:39,999 --> 00:16:40,782 -NIGHT, FELLAS. 320 00:16:40,912 --> 00:16:41,696 -GOOD NIGHT. 321 00:16:41,826 --> 00:16:42,653 -GOOD NIGHT. 322 00:16:42,784 --> 00:16:43,567 -YOU WORKING TOMORROW. 323 00:16:43,698 --> 00:16:44,699 -YEAH, DOUBLE SHIFT. 324 00:16:44,829 --> 00:16:46,179 MAN: REALLY? 325 00:16:47,702 --> 00:16:49,269 -DON'T FORGET TO SET YOUR CAR ALARM. 326 00:16:50,400 --> 00:16:52,011 -WORRIED ABOUT THE MONEY? 327 00:16:52,141 --> 00:16:53,664 -I WOULDN'T LEAVE MY LUNCH BOX OUT HERE ALL NIGHT, 328 00:16:53,795 --> 00:16:55,057 LET ALONE A HUNDRED GRAND. 329 00:16:55,188 --> 00:16:57,103 -WITHOUT THE KEY AND THE ELECTRONIC CODE, 330 00:16:57,233 --> 00:16:59,322 THE ONLY WAY SOMEONE IS GETTING IN THERE IS WITH A BAZOOKA. 331 00:16:59,453 --> 00:17:01,324 -HAVE YOU SEEN WHAT THE KIDS AROUND HERE 332 00:17:01,455 --> 00:17:03,674 ARE PACKING THESE DAYS? I WOULDN'T PUT IT PAST THEM. 333 00:17:03,805 --> 00:17:05,198 -YOU GOT A POINT. 334 00:17:05,328 --> 00:17:07,896 NOT ONLY IS THIS BABY SLEEK AND SPORTY, 335 00:17:08,027 --> 00:17:10,203 SHE'S AIR-TIGHT AND VIRTUALLY IMPREGNABLE. 336 00:17:10,333 --> 00:17:14,163 [WOOD GRUNTING] 337 00:17:14,294 --> 00:17:16,296 [CREAKING] 338 00:17:16,426 --> 00:17:19,081 MAN: WELCOME TO THE 19TH ANNUAL SEAL BEACH 339 00:17:19,212 --> 00:17:21,214 PRO-AM VOLLEYBALL TOURNAMENT. 340 00:17:22,432 --> 00:17:26,045 [INDISTINCT CHATTER] 341 00:17:29,309 --> 00:17:32,268 MAN: THE ELIMINATION ROUNDS BEGIN ON COURT TWO, 342 00:17:32,399 --> 00:17:34,618 WHERE JACK TURNER AND DOROTHY COPELAND WILL COMPETE 343 00:17:34,749 --> 00:17:37,708 AGAINST TREVOR COLE AND JILL RILEY 344 00:17:44,324 --> 00:17:46,369 -YOU'VE BEEN STARING AT THAT BOARD FOR 15 MINUTES. 345 00:17:46,500 --> 00:17:47,675 -JUST FIGURING THE ODDS. 346 00:17:47,805 --> 00:17:49,546 -YEAH? HOW DO THEY LOOK? 347 00:17:49,677 --> 00:17:52,506 -NOT SEEDED TO PLAY CHRIS UNTIL THE FINAL ROUND. 348 00:17:53,072 --> 00:17:54,856 ONE LOSS, AND WE'RE KNOCKED OUT OF THE FINALS. 349 00:17:54,986 --> 00:17:57,772 -DON'T WORRY, CHAMP. NO ONE'S GONNA ELIMINATE US. 350 00:17:57,902 --> 00:17:58,990 LET'S GET HIM. 351 00:18:01,558 --> 00:18:04,300 [INDISTINCT CHATTER] 352 00:18:13,788 --> 00:18:18,488 [FRANTIC MUSIC] 353 00:21:14,142 --> 00:21:15,274 I BET YOU DIDN'T KNOW I'M AN EXPERT MARKSMAN. 354 00:21:16,666 --> 00:21:18,146 -YES! 355 00:21:19,147 --> 00:21:20,235 EDDIE! 356 00:21:20,366 --> 00:21:21,236 -WHAT? 357 00:21:22,063 --> 00:21:23,978 -THIS IS HOW WE SPEND OUR DAY TOGETHER? 358 00:21:24,108 --> 00:21:27,808 -WELL, WE'RE ALONE. JUST YOU, ME, FROGS. 359 00:21:28,852 --> 00:21:30,854 -AND THE LAKERS. 360 00:21:31,507 --> 00:21:32,334 I WON! 361 00:21:32,465 --> 00:21:33,727 I WON. 362 00:21:34,858 --> 00:21:36,120 -ALL RIGHT! 363 00:21:36,251 --> 00:21:39,123 YEAH! HEY. SHAUNI, WHERE YO-- 364 00:21:39,907 --> 00:21:41,038 -THERE YOU GO. 365 00:21:41,169 --> 00:21:43,214 -THANKS, MAN. HEY, SHAUNI. 366 00:21:43,998 --> 00:21:45,434 SHAUNI, HEY, COME ON, WAIT UP. 367 00:21:46,522 --> 00:21:47,349 WAIT UP. 368 00:21:47,480 --> 00:21:49,569 HEY. 369 00:21:49,699 --> 00:21:50,657 I'M SORRY. 370 00:21:51,310 --> 00:21:52,528 -SORRY YOU DIDN'T HAVE A PORTABLE TELEVISION SET 371 00:21:52,659 --> 00:21:53,529 OR RADIO, YOU MEAN. 372 00:21:53,660 --> 00:21:54,965 -ALL RIGHT. 373 00:21:56,619 --> 00:21:58,534 YOU HAVE MY COMPLETE ATTENTION. 374 00:21:58,665 --> 00:22:00,275 IT WON'T HAPPEN AGAIN, I PROMISE. 375 00:22:09,110 --> 00:22:10,285 -IT'S HALF-TIME, ISN'T IT? 376 00:22:11,939 --> 00:22:13,636 WELL, YES, BUT WHAT DOES IT HAVE TO DO WITH-- 377 00:22:13,767 --> 00:22:15,856 WHAT? 378 00:22:15,986 --> 00:22:16,944 SHAUNI! 379 00:22:18,162 --> 00:22:19,816 HEY! 380 00:22:19,947 --> 00:22:20,948 HERE. 381 00:22:21,078 --> 00:22:22,906 MAN: HAVE YOUR PICTURE TAKEN, FOLKS. 382 00:22:23,037 --> 00:22:25,909 HELP SAVE THE BEACHFRONT PIER. ONLY FIVE DOLLARS. 383 00:22:26,040 --> 00:22:28,608 COME ON, LADIES AND GENTLEMAN. 384 00:22:28,738 --> 00:22:32,002 YOU CAN HAVE YOUR PICTURE TAKEN WITH A BUNCH OF MONEY. 385 00:22:33,134 --> 00:22:34,701 -HEY, GARNER, SEE SHAUNI AROUND? 386 00:22:34,831 --> 00:22:36,180 -SORRY. 387 00:22:36,311 --> 00:22:37,530 -COME ON, HONEY, SHOW ME A BIG SMILE. 388 00:22:37,660 --> 00:22:38,705 SHOW MOMMY YOUR NEW TEETH. 389 00:22:38,835 --> 00:22:40,315 COME ON. 390 00:22:40,446 --> 00:22:41,795 COME ON, HONEY. 391 00:22:41,925 --> 00:22:43,318 SHOW ME A BIG SMILE. 392 00:22:44,188 --> 00:22:45,625 COME ON. 393 00:22:46,887 --> 00:22:49,019 -SOMETIMES I'M GLAD I WAS AN ORPHAN. 394 00:22:49,150 --> 00:22:50,934 [CREAKING] 395 00:22:53,589 --> 00:22:55,330 [GRUNTING] 396 00:22:55,461 --> 00:22:57,767 [SCREAMS] 397 00:22:57,898 --> 00:22:59,769 BABY! SOMEBODY HELP MY BABY! 398 00:22:59,900 --> 00:23:02,859 [CRACKING] 399 00:23:02,990 --> 00:23:04,644 EDDIE, NO. 400 00:23:04,774 --> 00:23:06,123 MY BABY. 401 00:23:06,254 --> 00:23:08,778 -GO BACK, STAY BACK. YEAH, KEEP COOL. 402 00:23:09,953 --> 00:23:12,347 [TENSE MUSIC] 403 00:23:15,437 --> 00:23:18,222 -OKAY, GUYS, LET'S GET ON THE BACK. 404 00:23:21,225 --> 00:23:22,488 -JUST A MOMENT. 405 00:23:22,618 --> 00:23:24,751 -CAN YOU COME TO ME, HUH? 406 00:23:24,881 --> 00:23:26,883 I'M SURE YOU CAN. COME ON. YOU CAN DO IT, COME ON. 407 00:23:28,276 --> 00:23:30,844 ALL RIGHT, JUST RELAX. EVERYTHING'S GONNA BE OKAY. 408 00:23:30,974 --> 00:23:32,498 I'LL COME AND GET YOU, ALL RIGHT? 409 00:23:32,628 --> 00:23:34,108 MAN: GIVE US A CHANCE TO SECURE THE TRUCK. 410 00:23:34,238 --> 00:23:36,066 -THIS THING IS BARELY HANGING ON BY SPLINTERS. 411 00:23:36,197 --> 00:23:39,330 IT'S OUR ONLY CHANCE. 412 00:23:39,461 --> 00:23:41,855 ALL RIGHT, JUST DON'T MOVE. I'M GONNA COME AND GET YOU. 413 00:23:41,985 --> 00:23:44,640 ALL RIGHT? IT'S GONNA BE OKAY. DON'T MOVE, WE'LL GET YOU OUT. 414 00:23:45,424 --> 00:23:47,251 ALL RIGHT. 415 00:23:48,078 --> 00:23:49,166 [CREAKING] 416 00:23:49,297 --> 00:23:50,864 MAN: OKAY, GUYS, 417 00:23:50,994 --> 00:23:51,952 LET'S GET SOME WEIGHT ON THE BACK OF THAT TRUCK. 418 00:23:52,648 --> 00:23:55,651 [INDISTINCT CHATTER] 419 00:24:02,484 --> 00:24:05,095 [CREAKING] 420 00:24:06,270 --> 00:24:07,271 -DON'T MOVE. 421 00:24:08,882 --> 00:24:11,493 [INDISTINCT CHATTER] 422 00:24:11,624 --> 00:24:14,017 OKAY, GIVE ME YOUR HAND. 423 00:24:14,148 --> 00:24:15,366 COME ON. 424 00:24:15,497 --> 00:24:17,673 [CREAKING] 425 00:24:19,632 --> 00:24:20,981 HOLD IT. 426 00:24:21,111 --> 00:24:22,461 [CREAKING] 427 00:24:22,591 --> 00:24:24,288 -COME ON. 428 00:24:24,419 --> 00:24:27,335 COME ON, GIVE ME YOUR HAND. 429 00:24:27,466 --> 00:24:29,946 GIRL: [SOBS] 430 00:24:30,077 --> 00:24:31,992 OH, MAN. 431 00:24:32,122 --> 00:24:33,210 I CAN'T REACH HER. 432 00:24:33,341 --> 00:24:34,298 SHAUNI. 433 00:24:34,429 --> 00:24:37,040 [CREAKING] 434 00:24:37,171 --> 00:24:39,478 COME ON, I'LL PASS HER TO YOU. 435 00:24:42,176 --> 00:24:43,351 [CREAKING] 436 00:24:43,482 --> 00:24:45,484 I GOT HER, I GOT HER. 437 00:24:46,485 --> 00:24:49,009 I'LL GET YOU. THERE YOU GO, THERE YOU GO. 438 00:24:50,401 --> 00:24:52,012 [SQUEAKING] 439 00:24:55,929 --> 00:24:57,408 OKAY, COOL. IT'S OKAY. 440 00:24:57,539 --> 00:24:59,106 COME ON, COME ON. 441 00:24:59,236 --> 00:25:00,455 -USE MY BODY. 442 00:25:00,586 --> 00:25:01,456 REACH OUT. COME ON, BABY. 443 00:25:01,587 --> 00:25:02,370 [CREAKING] 444 00:25:02,501 --> 00:25:03,284 COME ON. 445 00:25:03,414 --> 00:25:04,807 EDDIE: YOU HAVE HER? 446 00:25:04,938 --> 00:25:06,722 -I GOT HER. COME ON, THERE YOU GO. 447 00:25:06,853 --> 00:25:09,943 THERE YOU GO. THERE YOU GO. 448 00:25:10,073 --> 00:25:11,814 -THERE YOU GO. 449 00:25:11,945 --> 00:25:14,556 I HAVE HER. COME ON, COME ON. WE GOT YOU, COME ON. 450 00:25:14,687 --> 00:25:15,992 THAT'S OKAY, COME ON. 451 00:25:16,863 --> 00:25:18,778 -OH, YEAH. 452 00:25:19,822 --> 00:25:21,607 OH, OH. 453 00:25:21,737 --> 00:25:24,218 [CREAKING] 454 00:25:26,481 --> 00:25:29,876 [TENSE MUSIC] 455 00:25:56,816 --> 00:26:00,167 [SIREN WAILING] 456 00:26:00,297 --> 00:26:01,560 I'M JUST ARRIVING, MITCH. 457 00:26:02,386 --> 00:26:03,866 I'M GOING IN, COVER ME. 458 00:26:03,997 --> 00:26:04,780 I'M ON MY WAY. 459 00:26:04,911 --> 00:26:07,653 [SIREN WAILING] 460 00:26:11,613 --> 00:26:14,268 -MOVE BACK, WILL YOU? 461 00:26:14,398 --> 00:26:16,792 MOVE BACK. MOVE BACK, PLEASE. PLEASE, PLEASE, COME ON. 462 00:26:16,923 --> 00:26:18,315 MOVE BACK, MOVE BACK. 463 00:26:20,709 --> 00:26:22,015 MOVE BACK, PLEASE. 464 00:26:22,624 --> 00:26:23,886 CRAIG: HOW LONG HAS IT BEEN DOWN THERE? 465 00:26:24,017 --> 00:26:25,148 GARNER: TWO, MAYBE THREE MINUTES. 466 00:26:25,279 --> 00:26:26,889 THE TRUCK IS AIR-TIGHT, MAYBE. 467 00:26:27,020 --> 00:26:30,240 -MAYBE. I'M CHECKING IT OUT. 468 00:26:31,328 --> 00:26:36,203 [TENSE MUSIC] 469 00:26:57,833 --> 00:27:00,662 [CREAKING] 470 00:27:28,255 --> 00:27:29,256 -CRAIG! 471 00:27:40,615 --> 00:27:41,485 THEY'RE OUT THERE. 472 00:27:41,616 --> 00:27:42,617 GOOD. PUSH. 473 00:27:43,183 --> 00:27:45,881 [GRUNTS] 474 00:27:48,144 --> 00:27:49,537 -HOW ARE YOU FEELING? 475 00:27:49,668 --> 00:27:52,235 NOT TOO BAD FOR A GUY WITH A COUPLE OF BROKEN RIBS. 476 00:27:52,366 --> 00:27:53,497 [MOANS] 477 00:27:56,326 --> 00:27:58,285 YOU DID THIS JUST TO KEEP ME FROM THE GAME. 478 00:27:59,765 --> 00:28:01,201 -AT LEAST I HAVE YOU ALL TO MYSELF. 479 00:28:05,379 --> 00:28:06,249 -YEAH. 480 00:28:07,555 --> 00:28:08,643 -CRAIG JUST WENT IN. 481 00:28:16,346 --> 00:28:17,391 -YOU SEE THEM? 482 00:28:17,521 --> 00:28:19,523 -I SAW SHAUNI. SHE'S OKAY. 483 00:28:19,654 --> 00:28:20,524 -WHAT ABOUT EDDIE? 484 00:28:20,655 --> 00:28:22,396 -I DON'T KNOW, I ONLY SAW HER. 485 00:28:22,526 --> 00:28:24,311 -CRAIG, IS THE TRUCK IN ONE PIECE? 486 00:28:25,268 --> 00:28:26,095 -SEEMS TO BE. 487 00:28:27,183 --> 00:28:28,576 -THAT'S GOOD NEWS. IT'S AIR-TIGHT. 488 00:28:29,490 --> 00:28:31,231 -IT ALSO MEANS WE CAN'T GET AIR INTO IT. 489 00:28:31,361 --> 00:28:32,798 WHO'S GOT THE KEY? 490 00:28:32,928 --> 00:28:34,103 -IT'S NOT THAT SIMPLE. IT'S A COMBINATION 491 00:28:34,234 --> 00:28:35,235 OF A KEY AND AN ELECTRONIC CODE. 492 00:28:35,365 --> 00:28:36,802 THE SYSTEM HAS SHORTED IT OUT. 493 00:28:36,932 --> 00:28:38,934 THE COMPANY'S GOT A TEAM OF EXPERTS ON THE WAY. 494 00:28:39,065 --> 00:28:40,675 -WE CAN'T WAIT THAT LONG. 495 00:28:40,806 --> 00:28:41,502 BRING THE CRANE AROUND. MAYBE WE PULL IT OUT. 496 00:28:41,632 --> 00:28:42,982 -OKAY. 497 00:28:43,112 --> 00:28:44,331 -HEY, CRAIG, WE GOT YOUR GEAR COVERED. 498 00:28:46,246 --> 00:28:50,250 [INDISTINCT PA ANNOUNCEMENT] 499 00:28:50,380 --> 00:28:52,034 -IT'S NOT GONNA GET ANY BETTER, IS IT? 500 00:28:52,818 --> 00:28:53,906 -I'LL BE ALL RIGHT. 501 00:28:54,776 --> 00:28:56,256 -JILL, LOOK AT YOURSELF. YOU CAN'T HARDLY RAISE YOUR ARM. 502 00:28:56,386 --> 00:28:57,561 DON'T BE STUPID. 503 00:28:58,301 --> 00:28:59,563 -LOOK, I'M NOT PULLING OUT. 504 00:29:01,348 --> 00:29:04,351 -I DON'T FANCY BEING HUMILIATED IN FRONT OF A CROWD OF PEOPLE, 505 00:29:04,481 --> 00:29:05,395 YOU KNOW. 506 00:29:07,136 --> 00:29:08,007 WE CAN STILL WIN. 507 00:29:08,921 --> 00:29:10,226 -YOU CAN'T EVEN PLAY. 508 00:29:11,837 --> 00:29:12,707 I HAVE TO. 509 00:29:13,534 --> 00:29:14,491 -GIVE ME ONE GOOD REASON. 510 00:29:14,622 --> 00:29:15,492 -CHRIS. 511 00:29:15,623 --> 00:29:17,625 -CHRIS? I SAID A GOOD REASON, 512 00:29:17,756 --> 00:29:20,715 LIKE A LOAN SHARK BITING AT YOUR HEELS. 513 00:29:20,846 --> 00:29:23,283 -LOOK, HE THINKS I CHOKED, ALL RIGHT? 514 00:29:24,284 --> 00:29:25,546 HE THINKS I QUIT THE TEAM 515 00:29:25,676 --> 00:29:26,765 BECAUSE I COULDN'T TAKE THE PRESSURE. 516 00:29:28,679 --> 00:29:29,855 I WANT HIM TO KNOW THAT I QUIT 517 00:29:29,985 --> 00:29:31,595 BECAUSE I DIDN'T WANNA PLAY ANYMORE 518 00:29:32,727 --> 00:29:33,772 WITHOUT HIM. 519 00:29:36,078 --> 00:29:37,166 YOU DON'T UNDERSTAND THAT, DO YOU? 520 00:29:37,297 --> 00:29:38,951 -SURE I DO. 521 00:29:39,081 --> 00:29:41,475 YOU'RE GONNA RUIN YOUR SHOULDER TO PROVE A POINT. 522 00:29:43,172 --> 00:29:44,478 HE'S WORTH IT, JILL. 523 00:29:45,000 --> 00:29:48,395 YOU KNOW WHAT THE TRUTH IS, AND THAT'S THAT COUNTS, RIGHT? 524 00:29:49,483 --> 00:29:50,353 HUH? 525 00:29:55,141 --> 00:29:57,099 [SIGHS] 526 00:30:05,238 --> 00:30:06,413 -YEAH, YOU'RE RIGHT. 527 00:30:07,849 --> 00:30:09,459 I'M GONNA GO PULL US OUT. 528 00:30:13,986 --> 00:30:14,900 [SIGHS] 529 00:30:16,031 --> 00:30:17,816 -"ADIOS," FAME AND FORTUNE. 530 00:30:22,516 --> 00:30:25,388 WELL, AT LEAST NO ONE CAN SAY 531 00:30:25,998 --> 00:30:28,043 THAT THE EXCITEMENT HAS GONE OUT OF OUR RELATIONSHIP, HUH? 532 00:30:28,609 --> 00:30:30,219 COME ON, PUSH. 533 00:30:30,350 --> 00:30:31,917 -THEY'RE GONNA RESCUE US SOON. THEY KNOW WE'RE IN HERE. 534 00:30:32,047 --> 00:30:32,874 -[GRUNTS] 535 00:30:35,094 --> 00:30:36,051 WE'D BETTER BE. 536 00:30:36,182 --> 00:30:37,009 [GRUNTS] 537 00:30:37,792 --> 00:30:38,837 -COME ON, PUSH. 538 00:30:40,751 --> 00:30:42,971 [GRUNTS] 539 00:30:43,102 --> 00:30:45,756 MAN: THE MIXED DOUBLES FINAL ARE JUST ABOUT TO START 540 00:30:45,887 --> 00:30:47,149 ON THE CHAMPIONSHIP COURSE. 541 00:30:47,280 --> 00:30:48,107 MAN: CAN I HELP YOU? 542 00:30:48,890 --> 00:30:50,065 -UH, JILL RILEY. 543 00:30:51,371 --> 00:30:52,459 -CONGRATULATIONS. 544 00:30:54,635 --> 00:30:56,245 I KNEW WE'D GET THIS FAR, I JUST DIDN'T THINK IT'D BE 545 00:30:56,376 --> 00:30:57,768 ON OPPOSITE SIDES OF THE NET. 546 00:30:58,378 --> 00:31:00,467 -CONGRATULATIONS TO YOU. IT LOOKS LIKE YOU'VE WON 547 00:31:01,511 --> 00:31:03,296 I'M PULLING OUT. I'VE HURT MY SHOULDER PRETTY BAD 548 00:31:07,213 --> 00:31:09,737 OH, I GUESS THINGS HAVEN'T CHANGED, HUH? 549 00:31:10,781 --> 00:31:11,957 EASIEST WIN OF MY CAREER. 550 00:31:12,827 --> 00:31:13,741 THANKS, JILL. 551 00:31:14,873 --> 00:31:16,526 I KNOW JUST WHERE TO SPEND THE MONEY. 552 00:31:20,661 --> 00:31:23,446 GIVE ME FIVE. WE JUST WON 10,000 DOLLARS. 553 00:31:23,577 --> 00:31:25,796 [LAUGHS] 554 00:31:25,927 --> 00:31:27,537 CAN YOU BELIEVE IT? 555 00:31:27,668 --> 00:31:28,582 -[SIGHS] 556 00:31:32,107 --> 00:31:34,327 -IT TOOK A LOT OF GUTS TO PULL OUT. 557 00:31:36,242 --> 00:31:37,852 -IT DOESN'T TAKE GUTS TO QUIT. 558 00:31:40,420 --> 00:31:41,247 LET'S DO IT. 559 00:31:43,118 --> 00:31:46,208 [CHEERING] 560 00:31:47,644 --> 00:31:51,518 [HEROIC MUSIC] 561 00:32:27,597 --> 00:32:28,903 I'LL TAKE THE SERVE AND PASS TO YOU. 562 00:32:29,034 --> 00:32:30,122 -WHAT ABOUT THAT BAD SHOULDER, HUH? 563 00:32:30,252 --> 00:32:31,993 -MAKE THEM-- 564 00:32:32,124 --> 00:32:32,646 -YOU DON'T EVEN GET IT OVER THE NET, HOW ARE YOU GONNA SPIKE IT? 565 00:32:32,776 --> 00:32:33,603 -TREVOR-- 566 00:32:33,734 --> 00:32:34,691 -WE EITHER WIN OR NOT. 567 00:32:34,822 --> 00:32:36,128 [WHISTLE] 568 00:32:36,258 --> 00:32:37,085 -COME ON. 569 00:32:43,309 --> 00:32:46,225 [TENSE MUSIC] 570 00:33:15,950 --> 00:33:19,475 [CHEERING] 571 00:34:32,722 --> 00:34:33,636 REFEREE: TIME OUT. 572 00:34:39,381 --> 00:34:41,035 YOU CAN SCRATCH THE CRANE. 573 00:34:41,166 --> 00:34:42,819 WE CAN'T MOVE IT OVER HERE IN TIME. 574 00:34:42,950 --> 00:34:44,691 -HOW MUCH TIME DO WE HAVE? 575 00:34:44,821 --> 00:34:46,562 -I JUST GOT OFF THE PHONE WITH THE ARMORED CAR COMPANY. 576 00:34:46,693 --> 00:34:48,825 THEIR BEST GUESS IS TWO HOURS, TOPS, THEN THE AIR RUNS OUT. 577 00:34:48,956 --> 00:34:50,566 -THEN LET'S CUT INTO THE DAMN THING. 578 00:34:50,697 --> 00:34:52,264 -NO CHANCE. WE'RE TALKING ABOUT AN ARMORED CAR REMEMBER? 579 00:34:52,394 --> 00:34:53,526 THAT'S WHAT THEY'RE DESIGNED AGAINST. 580 00:34:54,179 --> 00:34:55,267 MAYBE WE'RE COULD FLOAT IT OUT. 581 00:34:55,397 --> 00:34:56,877 -WITH WHAT? 582 00:34:57,007 --> 00:34:58,574 -INFLATABLE BOATS. THE DIVER SHOP ON THE PIER 583 00:34:58,705 --> 00:34:59,706 WOULD HAVE THIS. STRAP THEM TO THE TRUCK, INFLATE THEM, 584 00:34:59,836 --> 00:35:01,751 AND BRING HER TO THE SURFACE. 585 00:35:01,882 --> 00:35:02,796 -WE NEED A COMPRESSOR AND A LINE SURROUNDING TO THE WATER. 586 00:35:02,926 --> 00:35:04,189 WE DON'T HAVE EITHER OF THEM. 587 00:35:04,319 --> 00:35:05,320 -WE'LL IMPROVISE. WE'LL USE SCUBA TANKS. 588 00:35:05,451 --> 00:35:06,234 -IT COULD WORK. 589 00:35:06,365 --> 00:35:08,106 -IT HAS TO. 590 00:35:08,236 --> 00:35:08,889 -GET SOME ROPES AND START RUNNING THEM UNDER THE TRUCK. 591 00:35:09,019 --> 00:35:10,369 -YOU GOT IT. 592 00:35:11,935 --> 00:35:14,199 [SCREECHING] 593 00:35:19,595 --> 00:35:21,119 -I'D CONSERVE YOUR ENERGY IF I WERE YOU. 594 00:35:21,249 --> 00:35:22,120 I THINK YOU'RE GONNA NEED IT. 595 00:35:22,250 --> 00:35:23,338 -SHUT UP, EDDIE. 596 00:35:24,600 --> 00:35:26,211 -WHAT ARE YOU SNAPPING AT ME FOR? 597 00:35:26,820 --> 00:35:29,431 -WE'RE TRAPPED IN AN ARMORED CAR UNDERWATER, 598 00:35:29,562 --> 00:35:32,913 AND IN CASE YOU HAVEN'T NOTICED, THE WATER IS RISING. 599 00:35:34,915 --> 00:35:35,959 -[COUGHS] 600 00:35:39,441 --> 00:35:40,355 IT'S KIND OF ROMANTIC. 601 00:35:40,486 --> 00:35:41,400 -WHAT? 602 00:35:43,141 --> 00:35:44,054 THINK ABOUT IT. 603 00:35:45,273 --> 00:35:48,102 WE'RE ALONE, WET, SWIMMING IN MONEY. 604 00:35:48,842 --> 00:35:51,366 YOU'RE PINNED UP AGAINST THE WALL BY A SAFE. 605 00:35:51,497 --> 00:35:53,063 EDDIE: I NEVER SAID IT WAS PERFECT. 606 00:35:57,285 --> 00:35:58,721 [COUGHS] 607 00:35:59,505 --> 00:36:00,593 [GRUNTS] 608 00:36:00,723 --> 00:36:02,812 [PANTS] 609 00:36:02,943 --> 00:36:04,162 [SIGHS] 610 00:36:07,556 --> 00:36:08,949 I'M SCARED, EDDIE. 611 00:36:13,127 --> 00:36:14,172 -COMPARED TO GOING TO THE DENTIST, 612 00:36:14,302 --> 00:36:15,434 THIS IS A PIECE OF CAKE. 613 00:36:17,914 --> 00:36:19,394 -I LOVE YOU SO MUCH. 614 00:36:26,314 --> 00:36:30,275 [TENSE MUSIC] 615 00:36:33,800 --> 00:36:37,934 [HEROIC MUSIC] 616 00:36:46,769 --> 00:36:50,120 [CHEERING] 617 00:37:23,197 --> 00:37:24,329 -SORRY ABOUT THAT, MATE. 618 00:37:25,417 --> 00:37:26,635 I THOUGHT YOU WERE HIDING FOR ME. 619 00:37:26,766 --> 00:37:28,158 -I WAS, NOT ANYMORE. 620 00:37:28,289 --> 00:37:29,508 DIDN'T I TELL YOU TO LOOK FOR THE BLOCK? 621 00:37:29,638 --> 00:37:30,987 -IT'S PRETTY HARD TO SEE 622 00:37:31,118 --> 00:37:32,467 WITH A VOLLEYBALL IMPLANTED IN YOUR FACE. 623 00:37:32,598 --> 00:37:33,642 -YOU TAKE THE SET, I'LL TAKE THE SERVES. 624 00:37:33,773 --> 00:37:34,687 -YOU'RE CRAZY? YOU WANNA LOSE? 625 00:37:34,817 --> 00:37:35,775 -WE'RE ALREADY LOSING. 626 00:37:35,905 --> 00:37:37,211 -YOU CAN'T SPIKE WITH THAT ARM. 627 00:37:37,342 --> 00:37:39,431 -THERE'S MORE TO VOLLEYBALL THAN POWER, TREVOR. 628 00:37:40,606 --> 00:37:41,868 -WE CAN'T DO ANY WORSE. 629 00:37:43,696 --> 00:37:47,134 [HEROIC MUSIC] 630 00:38:13,856 --> 00:38:16,206 -SOMETHING WRONG, DEAR? WE COULD HAVE THE OFFICIAL STOP THE GAME. 631 00:38:16,337 --> 00:38:17,164 -I'M FINE. 632 00:38:17,295 --> 00:38:18,644 -IF YOU SAY SO. 633 00:38:18,774 --> 00:38:20,080 GEE, THAT MUST HURT BAD. 634 00:38:20,210 --> 00:38:21,211 YOU HOLDING UP ALL RIGHT? 635 00:38:21,342 --> 00:38:22,561 YEAH, I'LL BE ALL RIGHT. 636 00:38:23,953 --> 00:38:24,998 [PANTS] 637 00:38:29,481 --> 00:38:34,137 [SIRENS WAILING] 638 00:38:38,925 --> 00:38:40,274 ALL RIGHT, GO, GO! 639 00:38:42,189 --> 00:38:43,103 GET OUT THERE. 640 00:38:43,233 --> 00:38:44,147 MOVE IT! MOVE IT, MOVE IT! 641 00:38:48,413 --> 00:38:50,284 HIT THE WATER. COME ON, LET'S GO. 642 00:38:58,684 --> 00:39:00,381 HEY, DID I EVER TELL YOU 643 00:39:00,512 --> 00:39:04,037 ABOUT THREE BIG NIGHTMARES I USED TO HAVE WHEN I WAS A KID? 644 00:39:04,167 --> 00:39:05,604 -THIS IS NOT THE TIME, EDDIE. 645 00:39:05,734 --> 00:39:07,693 -OH, NO, THAT'S GREAT, REALLY. 646 00:39:08,694 --> 00:39:11,610 ONE WAS TWO WALLS WITH SPIKES ON THEM CLOSING IN ON ME 647 00:39:11,740 --> 00:39:13,873 UNTIL I WAS CRUSHED BETWEEN THEM. 648 00:39:14,003 --> 00:39:15,309 -THIS ISN'T HELPING. 649 00:39:15,440 --> 00:39:17,137 -HEY, HONEY, NO, NO. 650 00:39:17,267 --> 00:39:22,664 IN ANOTHER ONE, I'M PUSHED OUT OF A TALL BUILDING, 651 00:39:22,795 --> 00:39:27,060 AND ALL I SEE IS THE SIDEWALK RUSHING UP ON ME AND IT SPLAT. 652 00:39:28,061 --> 00:39:30,977 [SUSPENSEFUL MUSIC] 653 00:39:35,024 --> 00:39:36,809 DIVING IN CLEAR WATER, RIGHT? 654 00:39:37,766 --> 00:39:40,726 THAT'S WITH BEAUTIFUL COLORFUL FISH AROUND ME. 655 00:39:41,553 --> 00:39:43,903 [COUGHS] 656 00:39:44,033 --> 00:39:45,861 THEN MY FOOT GETS STUCK IN SOME ROCKS. 657 00:39:45,992 --> 00:39:46,862 -RIGHT. 658 00:39:47,863 --> 00:39:48,690 -CAN YOU BELIEVE IT? 659 00:39:51,693 --> 00:39:53,521 SHAUNI: DON'T TRY TO TALK, EDDIE. 660 00:39:54,870 --> 00:39:57,351 -WAKE--WAKE ME UP, WILL YOU? 661 00:39:57,482 --> 00:39:59,397 -I'M NOT GONNA LET YOU DROWN, EDDIE. 662 00:40:00,049 --> 00:40:00,920 I'M NOT. 663 00:40:02,748 --> 00:40:04,053 HOLD ON, EDDIE. 664 00:40:07,579 --> 00:40:10,799 [SIREN WAILING IN THE DISTANCE] 665 00:40:10,930 --> 00:40:11,800 -HEY! 666 00:40:41,351 --> 00:40:44,442 [INDISTINCT RADIO] 667 00:40:44,572 --> 00:40:47,183 [TENSE MUSIC] 668 00:40:51,144 --> 00:40:52,014 SHAUNI: BREATHE. 669 00:40:56,758 --> 00:40:57,585 BREATHE, EDDIE. 670 00:41:13,253 --> 00:41:15,429 MAN: THE TRUCK'S BREAKING THE SURFACE OF THE WATER NOW. 671 00:41:25,178 --> 00:41:26,701 GO AHEAD. BRING IT IN NICE AND EASY. 672 00:41:26,832 --> 00:41:27,920 IT'S NOT OVER YET. 673 00:41:28,747 --> 00:41:32,968 [TENSE MUSIC] 674 00:41:38,974 --> 00:41:39,801 RIGHT HERE. 675 00:41:45,154 --> 00:41:47,853 OKAY, HERE WE GO. 676 00:41:54,468 --> 00:41:57,079 COME ON, GUYS, COME ON. 677 00:41:57,210 --> 00:42:00,518 MOVE IT. LET'S HELP BRING IT OUT. 678 00:42:00,648 --> 00:42:03,303 PULL, PULL. 679 00:42:04,130 --> 00:42:05,218 PULL. 680 00:42:09,309 --> 00:42:12,051 PULL, PULL. 681 00:42:19,972 --> 00:42:22,670 MAN: TRUCK IS ON THE BEACH. NOW RETURNING TO BAY. 682 00:42:32,593 --> 00:42:34,726 -HEY, THEY'RE COMING. OVER HERE. 683 00:42:34,856 --> 00:42:36,510 COME ON, COME ON, COME ON. 684 00:42:37,206 --> 00:42:38,077 MOVE IT. 685 00:42:48,522 --> 00:42:50,045 ALL RIGHT, LOCK IT DOWN. RIGHT. 686 00:42:50,176 --> 00:42:51,177 YOU GUYS ARE READY? 687 00:42:52,004 --> 00:42:53,658 READY? WE'RE SET. 688 00:42:53,788 --> 00:42:54,702 ALL RIGHT, HIT IT. 689 00:43:05,234 --> 00:43:06,105 GET THEM TO SHORE. 690 00:43:22,034 --> 00:43:23,862 -EDDIE. 691 00:43:28,388 --> 00:43:29,911 AIR OBSTRUCTION. 692 00:43:30,042 --> 00:43:30,912 -EDDIE. 693 00:43:33,262 --> 00:43:37,963 -[COUGHS] 694 00:43:48,364 --> 00:43:49,235 OKAY... 695 00:43:50,192 --> 00:43:52,760 LET'S FORGET ABOUT THE CATALINA WEEKEND, HUH? 696 00:43:59,680 --> 00:44:03,553 [HEROIC MUSIC] 697 00:44:09,385 --> 00:44:12,998 [CHEERING] 698 00:44:55,301 --> 00:44:58,478 [CHEERING] 699 00:45:31,598 --> 00:45:35,167 [CHEERING] 700 00:46:29,438 --> 00:46:32,485 [GROWL] 701 00:46:34,661 --> 00:46:36,228 [MOAN] 702 00:46:38,665 --> 00:46:41,711 [CHEERING] 703 00:46:46,325 --> 00:46:47,195 -YES! 704 00:46:49,632 --> 00:46:53,071 [CHEERING] 705 00:46:54,028 --> 00:46:55,377 THERE'S NO STOPPING US NOW. 706 00:46:56,161 --> 00:46:59,077 THE DEAUVILLE INVITATIONAL, THE NASSAU GRAND PRO-AM. 707 00:46:59,207 --> 00:47:00,774 WE CAN GO BACK TO SYDNEY ON THIS. 708 00:47:00,905 --> 00:47:01,775 NO. 709 00:47:02,776 --> 00:47:04,038 YOU'RE ON YOUR OWN, TREVOR. 710 00:47:04,691 --> 00:47:05,953 I JUST WENT INTO RETIREMENT 711 00:47:08,826 --> 00:47:11,916 [VICTORIOUS MUSIC] 712 00:47:15,397 --> 00:47:16,268 -[SIGHS] 713 00:47:16,398 --> 00:47:17,225 SO YOU LIKE TO TRAVEL? 714 00:47:31,239 --> 00:47:36,244 [ENDING THEME PLAYS] 47737

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