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1
00:00:07,137 --> 00:00:09,618
-ON EACH STROKE,
YOU PLANT YOUR FEET
2
00:00:09,748 --> 00:00:11,315
AND YOU LOCK YOUR
KNEES OUT, YOU GOT IT?
3
00:00:11,446 --> 00:00:12,751
-GOT IT.
4
00:00:12,882 --> 00:00:14,057
I REALLY WANT TO
GET THIS DOWN
5
00:00:14,188 --> 00:00:16,886
BEFORE MY FIRST
STUNT INSTRUCTION.
6
00:00:17,017 --> 00:00:19,193
UGH, THEN MAYBE I CAN
SHOW OFF A LITTLE.
7
00:00:19,932 --> 00:00:21,760
-SO YOU FOUND AN
INSTRUCTOR, HUH?
8
00:00:22,283 --> 00:00:24,067
STROKE.
9
00:00:24,720 --> 00:00:27,201
-YEAH, HE'S COMING
TOMORROW ON MY DAY OFF.
10
00:00:28,289 --> 00:00:29,594
STROKE.
11
00:00:29,725 --> 00:00:30,726
-THAT'S GREAT.
12
00:00:30,856 --> 00:00:31,944
YOU'RE A NATURAL ATHLETE,
13
00:00:32,075 --> 00:00:33,294
YOU'LL PICK IT UP IN NO TIME.
14
00:00:33,424 --> 00:00:34,947
STROKE!
15
00:00:35,078 --> 00:00:36,340
NOW, WHEN WE'RE ON OUR WAY IN
16
00:00:36,471 --> 00:00:38,038
AND WE CATCH A WAVE,
17
00:00:38,168 --> 00:00:41,084
YOU'RE GOING TO WANT
TO SHIP YOUR OARS LIKE THIS.
18
00:00:43,521 --> 00:00:46,176
-OKAY, THEN YOU'RE GOING
TO COME UP WITH ME TO THE STERN.
19
00:00:46,916 --> 00:00:48,657
OUR WEIGHT'S GOING TO
ACT LIKE A RUDDER
20
00:00:48,787 --> 00:00:50,572
AND IT'S THE ONLY THING THAT'S
GOING TO KEEP US FROM BROACHING.
21
00:00:50,702 --> 00:00:51,616
-OKAY.
22
00:00:51,747 --> 00:00:53,140
WAIT, WHAT'S BROACHING?
23
00:00:53,270 --> 00:00:54,706
-IT'S WHEN WE TURN
SIDEWAYS IN THE WAVE.
24
00:00:55,533 --> 00:00:56,534
-A BAD THING.
25
00:00:56,665 --> 00:00:57,796
-YEAH. VERY BAD AND VERY WET.
26
00:00:57,927 --> 00:00:59,102
YOU READY TO TRY?
27
00:00:59,233 --> 00:01:00,190
-YEAH, LET'S DO IT.
28
00:01:00,321 --> 00:01:01,539
-OKAY.
29
00:01:02,758 --> 00:01:06,501
STROKE, STROKE,
30
00:01:07,458 --> 00:01:10,200
STROKE, STROKE,
31
00:01:11,636 --> 00:01:15,075
STROKE, THAT'S IT.
32
00:01:16,337 --> 00:01:19,731
SO, WHO DO YOU LIKE AT BAYWATCH?
33
00:01:19,862 --> 00:01:21,081
-I LIKE EVERYBODY.
34
00:01:21,211 --> 00:01:22,908
-I MEAN THE GUYS.
35
00:01:23,039 --> 00:01:23,996
-OH.
36
00:01:24,823 --> 00:01:26,260
CODY IS SUCH A CUTIE.
37
00:01:26,869 --> 00:01:28,479
STROKE.
38
00:01:28,610 --> 00:01:29,741
I THINK J.D.'S HOT.
39
00:01:29,872 --> 00:01:31,265
-TOO YOUNG FOR ME.
40
00:01:32,222 --> 00:01:34,398
-YOUNG? THEY'RE
OLDER THAN YOU ARE!
41
00:01:35,834 --> 00:01:37,793
-YEAH, BUT I LIKE OLDER MEN.
42
00:01:37,923 --> 00:01:39,142
YOU KNOW, MORE MATURE.
43
00:01:40,100 --> 00:01:42,580
-LIKE, HOW OLD? 30?
44
00:01:43,364 --> 00:01:44,887
-HM, OLDER.
45
00:01:46,193 --> 00:01:49,196
-WOW. THAT'S LIKE
DATING YOUR DAD!
46
00:01:49,326 --> 00:01:51,372
COME ON, I NEED A NAME!
47
00:01:51,981 --> 00:01:53,461
-I DON'T KISS AND TELL.
48
00:01:53,591 --> 00:01:55,115
[LAUGHING]
49
00:01:55,245 --> 00:01:57,029
-ALL RIGHT, WE'RE HEADING
INTO THE DROP ZONE.
50
00:01:57,160 --> 00:01:58,640
YOU REMEMBER WHAT TO DO?
51
00:01:58,770 --> 00:01:59,815
-UH...
52
00:01:59,945 --> 00:02:01,251
-SHIP YOUR OARS.
53
00:02:01,382 --> 00:02:02,383
-RIGHT.
54
00:02:04,776 --> 00:02:06,082
-COME INTO THE STERN.
55
00:02:07,083 --> 00:02:08,128
-OH MY GOD.
56
00:02:19,748 --> 00:02:21,706
-OH! BROACHING!
57
00:02:22,359 --> 00:02:23,882
-FIRST CLASS!
58
00:02:33,327 --> 00:02:36,156
SOME PEOPLE STAND
IN THE DARKNESS
59
00:02:37,157 --> 00:02:40,725
AFRAID TO STEP
INTO THE LIGHT
60
00:02:40,856 --> 00:02:44,773
SOME PEOPLE NEED
TO HELP SOMEBODY
61
00:02:44,903 --> 00:02:48,516
WITH THE EDGE OF
SURRENDERS IN SIGHT
62
00:02:48,646 --> 00:02:51,432
DON'T YOU WORRY
63
00:02:51,562 --> 00:02:54,348
IT'S GOING TO BE ALRIGHT
64
00:02:57,133 --> 00:02:59,179
CAUSE I'M ALWAYS READY
65
00:02:59,309 --> 00:03:02,965
I WON'T LET YOU
OUT OF MY SIGHT
66
00:03:05,881 --> 00:03:08,057
I'LL BE READY
67
00:03:08,188 --> 00:03:09,450
I'LL BE READY
68
00:03:09,580 --> 00:03:11,800
NEVER YOU FEAR
69
00:03:11,930 --> 00:03:13,758
OH, DON'T YOU FEAR
70
00:03:13,889 --> 00:03:16,848
I'LL BE READY
71
00:03:16,979 --> 00:03:19,677
FOREVER AND ALWAYS
72
00:03:19,808 --> 00:03:23,333
I'M ALWAYS HERE
73
00:04:50,638 --> 00:04:51,943
-CODY: AMF 295,
74
00:04:52,074 --> 00:04:53,380
THIS IS SCARAB ONE.
75
00:04:53,510 --> 00:04:54,859
WE GOT JUMPERS OFF
THE REDONDO PIER.
76
00:04:54,990 --> 00:04:56,905
-J.D.: GO AROUND
TO THE OTHER SIDE.
77
00:05:06,001 --> 00:05:07,307
-CODY: GET READY,
YOU'RE GOING IN!
78
00:05:07,437 --> 00:05:08,960
I'LL BE RIGHT BEHIND YOU.
79
00:06:07,410 --> 00:06:08,629
-J.D.: HOLD ON.
80
00:06:16,680 --> 00:06:17,768
ALL RIGHT, HANG ON.
81
00:06:17,899 --> 00:06:18,726
GRAB THE BOAT.
82
00:06:24,427 --> 00:06:25,297
HERE YOU GO.
83
00:06:25,907 --> 00:06:27,169
I'M GOING BACK DOWN.
84
00:06:55,371 --> 00:06:56,720
-CODY: WE GOT YOU!
85
00:06:58,548 --> 00:07:00,637
-JESSIE: APRIL, CAN
I ASK YOU A QUESTION?
86
00:07:00,768 --> 00:07:01,986
-APRIL: SURE,
JESSIE, WHAT'S UP?
87
00:07:02,117 --> 00:07:03,684
-YOU EVER WISH
YOU WEREN'T SO...
88
00:07:04,424 --> 00:07:05,729
SO SQUEAKY CLEAN?
89
00:07:05,860 --> 00:07:07,122
-SQUEAKY CLEAN?
90
00:07:07,252 --> 00:07:08,819
-YEAH, YOU KNOW.
91
00:07:08,950 --> 00:07:11,605
YOU'RE, LIKE, THAT PERFECT,
LIKE, ALL-AMERICAN,
92
00:07:11,735 --> 00:07:14,042
GIRL NEXT DOOR, LITTLE
MISS APPLE PIE...
93
00:07:14,172 --> 00:07:15,391
-UGH, WELL YOU ARE TOO.
94
00:07:15,522 --> 00:07:16,871
-[CHUCKLING] YEAH.
95
00:07:17,567 --> 00:07:20,004
BUT, I'VE JUST
BEEN LOOKING AND...
96
00:07:20,570 --> 00:07:23,181
YOU KNOW THE GUYS THEY GO
MORE FOR THAT, LIKE, HOT GIRL.
97
00:07:23,312 --> 00:07:24,748
-HOT?
98
00:07:24,879 --> 00:07:26,446
-YEAH, THE DANGEROUS KIND.
99
00:07:26,576 --> 00:07:28,665
YOU KNOW, WITH THAT
COME HITHER STARE
100
00:07:28,796 --> 00:07:31,363
AND THAT, "YOU AREN'T
READY FOR ME YET" LOOK?
101
00:07:31,494 --> 00:07:33,104
HOT!
102
00:07:33,235 --> 00:07:34,584
-YEAH, WELL, I DON'T KNOW
IF I COULD BE THAT TYPE.
103
00:07:34,715 --> 00:07:35,542
I DON'T KNOW HOW!
104
00:07:36,804 --> 00:07:38,675
-YEAH, BUT I THINK IT'D
BE FUN, LIKE, TO TRY.
105
00:07:39,284 --> 00:07:40,547
DON'T YOU?
-YEAH.
106
00:07:40,677 --> 00:07:42,026
-JUST ONCE.
107
00:08:06,486 --> 00:08:08,662
RED LIPS AND A DEADLY KISS
108
00:08:08,792 --> 00:08:12,056
I NEED A TASTE ALL OF YOUR PASSION
109
00:08:12,187 --> 00:08:14,581
YOU GOT THE BLOOD PUMPING
THROUGH MY VEINS
110
00:08:14,711 --> 00:08:17,366
YOU GOT A DANGEROUS ATTRACTION
111
00:08:17,932 --> 00:08:20,543
AIN'T NO RULES IN THE GAME OF LOVE
112
00:08:20,674 --> 00:08:23,372
AND GIRL YOU KNOW YOU PLAY IT WELL
113
00:08:24,242 --> 00:08:26,331
ONE LOOK AT YOUR BODY BABE
114
00:08:26,462 --> 00:08:28,943
AND NOW I'M UNDERNEATH YOUR SPELL
115
00:08:29,073 --> 00:08:32,294
YOU'RE DRIVING ME WILD
GIRL SET ME FREE
116
00:08:32,424 --> 00:08:35,036
SKIN TIGHT DRESS GOT ME ON KNEES
117
00:08:35,166 --> 00:08:38,300
MAKE A GROWN MAN CRY
YEAH I'M BEGGING PLEASE
118
00:08:38,430 --> 00:08:43,218
BABY HAVE MERCY, MERCY ON ME
119
00:08:45,568 --> 00:08:47,614
YOUR HIPS ON MY FINGER TIPS
120
00:08:47,744 --> 00:08:50,704
I WANNA MAKE THAT FANTASY HAPPEN
121
00:08:50,834 --> 00:08:53,358
LETHAL CURVES LET THE FIRE BURN
122
00:08:53,489 --> 00:08:56,492
I WANNA GET SOME OF THAT ACTION
123
00:08:57,014 --> 00:08:59,495
AIN'T NO RULES IN THE GAME OF LOVE
124
00:08:59,626 --> 00:09:02,411
AND GIRL YOU KNOW YOU PLAY IT WELL
125
00:09:04,021 --> 00:09:05,501
ONE LOOK AT YOUR BODY BABE
126
00:09:05,632 --> 00:09:08,330
AND NOW I'M UNDERNEATH YOUR SPELL
127
00:09:08,460 --> 00:09:10,941
YOU'RE DRIVING ME WILD
GIRL SET ME FREE
128
00:09:11,072 --> 00:09:14,205
SKIN TIGHT DRESS GOT ME ON KNEES
129
00:09:14,336 --> 00:09:17,339
MAKE A GROWN MAN CRY
YEAH I'M BEGGING PLEASE
130
00:09:17,469 --> 00:09:20,385
BABY HAVE MERCY, MERCY ON ME
131
00:09:20,516 --> 00:09:23,475
YOU'RE DRIVING ME WILD
GIRL SET ME FREE
132
00:09:23,606 --> 00:09:25,652
SKIN TIGHT DRESS GOT ME ON KNEES
133
00:09:25,782 --> 00:09:29,307
MAKE A GROWN MAN CRY
YEAH I'M BEGGING PLEASE
134
00:09:29,438 --> 00:09:34,008
BABY HAVE MERCY
MERCY ON ME
135
00:09:41,798 --> 00:09:44,279
YOU'RE DRIVING ME WILD
GIRL SET ME FREE
136
00:09:44,409 --> 00:09:46,977
SKIN TIGHT DRESS GOT ME ON KNEES
137
00:09:47,108 --> 00:09:49,806
MAKE A GROWN MAN CRY
YEAH I'M BEGGING PLEASE
138
00:09:50,764 --> 00:09:54,071
BABY HAVE MERCY
MERCY ON ME
139
00:09:59,250 --> 00:10:00,774
-SO WHAT DO YOU THINK ABOUT--
-[LAUGHING]
140
00:10:00,904 --> 00:10:02,514
-HEY GUYS, I THINK YOU
DESERVE THE MEDAL OF VALOR.
141
00:10:02,645 --> 00:10:03,603
-ARE YOU KIDDING?
142
00:10:03,733 --> 00:10:04,995
NAH, IT WAS NO BIG DEAL.
143
00:10:05,126 --> 00:10:06,518
-TWO COPS AND A LITTLE GIRL?
144
00:10:06,649 --> 00:10:08,782
IT'S A DAMN BIG DEAL,
I'LL NOMINATE YOU.
145
00:10:09,304 --> 00:10:10,740
-YOU GUYS ARE HEROES.
146
00:10:10,871 --> 00:10:12,046
-AW, COME ON, WE WERE
JUST DOING OUR JOBS.
147
00:10:12,612 --> 00:10:13,917
YOU GUYS ALL WOULD'VE
DONE THE SAME THING.
148
00:10:14,048 --> 00:10:15,092
-WELL THEN I'D WANT
A MEDAL OF VALOR.
149
00:10:15,223 --> 00:10:16,093
-[LAUGHING]
150
00:10:16,224 --> 00:10:17,007
-MORNING EVERYBODY.
151
00:10:17,138 --> 00:10:18,095
TOWER ASSIGNMENTS:
152
00:10:18,226 --> 00:10:19,706
CODY, 12,
153
00:10:19,836 --> 00:10:21,533
J.D., TOWER 14,
154
00:10:21,664 --> 00:10:23,448
APRIL, YOU'RE AT 8,
155
00:10:23,579 --> 00:10:25,320
CRAIG, BUDDY, YOU'RE AT ZUMA,
156
00:10:25,450 --> 00:10:27,452
AND NEWMIE, YOU'RE ON PATROL.
157
00:10:28,105 --> 00:10:29,324
HAVE A GOOD ONE, HUH!?
158
00:10:31,718 --> 00:10:33,807
-I ALMOST FORGOT,
NEELY SENT THIS TO ME.
159
00:10:33,937 --> 00:10:34,982
I THOUGHT YOU MIGHT
LIKE TO SEE IT.
160
00:10:35,112 --> 00:10:35,983
-THANKS.
161
00:10:37,375 --> 00:10:40,596
PICTURE WAS ASHLEY,
THE MEMORY WAS HOBIE
162
00:10:41,292 --> 00:10:42,642
AND WHAT IT MEANS TO BE A DAD.
163
00:10:43,555 --> 00:10:44,905
YOU KNOW, LOOKING
BACK, YOU REALIZE
164
00:10:45,470 --> 00:10:47,037
THOSE REALLY WERE
THE GOOD OLD DAYS,
165
00:10:47,168 --> 00:10:48,822
AND YOU WISH YOU
COULD DO IT ALL AGAIN.
166
00:11:26,555 --> 00:11:29,123
-NEWMIE: HEY, MITCH!
167
00:11:31,603 --> 00:11:33,127
-OH, HEY. HEY NEWMIE.
168
00:11:34,041 --> 00:11:35,216
-WHERE WERE YOU JUST NOW?
169
00:11:35,346 --> 00:11:37,653
-MEMORY LANE, MEMORY LANE.
170
00:11:38,436 --> 00:11:39,786
I JUST SUDDENLY
REMEMBERED HOW MUCH
171
00:11:39,916 --> 00:11:42,092
-I MISSED HAVING ASHLEY
AROUND THE HOUSE.
172
00:11:43,485 --> 00:11:45,182
AND NOW WITH HOBIE
GONE, IT'S UH,
173
00:11:45,748 --> 00:11:47,184
PRETTY QUIET THERE THESE DAYS.
174
00:11:48,316 --> 00:11:51,798
-WELL, SOUNDS LIKE
EMPTY NEST SYNDROME.
175
00:11:51,928 --> 00:11:53,713
IT HAPPENS. GET A PET.
176
00:11:54,714 --> 00:11:56,193
-I MIGHT.
177
00:11:57,325 --> 00:11:58,630
WHERE'D YOU GET YOURS?
178
00:11:58,761 --> 00:11:59,719
-WHAT?
179
00:12:00,328 --> 00:12:01,285
-ON YOUR HEAD.
180
00:12:02,069 --> 00:12:03,723
-OH, IT'S A HAIRPIECE.
-IT'S A CHIPMUNK.
181
00:12:03,853 --> 00:12:05,550
-HEY, WELL I'M BETTING THE
GIRLS WILL THINK IT'S HOT.
182
00:12:05,681 --> 00:12:08,118
-GIRL CHIPMUNKS,
MAYBE, BUT UH, NEWMIE,
183
00:12:08,815 --> 00:12:10,338
WHY THE HELL ARE YOU
WEARING THAT THING?
184
00:12:11,252 --> 00:12:12,644
-CARRIE.
185
00:12:13,254 --> 00:12:15,169
SHE'S BEEN COMING DOWN TO THE
BEACH FOR A COUPLE WEEKS NOW.
186
00:12:16,431 --> 00:12:17,475
I JUST WANT HER TO NOTICE ME.
187
00:12:17,606 --> 00:12:18,389
WHAT DO YOU THINK?
188
00:12:18,520 --> 00:12:19,913
IS IT ME?
189
00:12:20,043 --> 00:12:21,392
-IT'S YOU, WITH A
CHIPMUNK ON YOUR HEAD.
190
00:12:21,523 --> 00:12:22,959
-WHATEVER WORKS.
191
00:12:23,090 --> 00:12:24,613
-NEWMIE, YOU ARE NOT
GOING TO GET THAT GIRL
192
00:12:24,744 --> 00:12:25,701
WITH THAT THING
ON YOUR HEAD.
193
00:12:25,832 --> 00:12:27,398
-WHY DON'T WE
DISCUSS YOUR STRING
194
00:12:27,529 --> 00:12:28,835
OF ROMANTIC
SUCCESSES, SHALL WE?
195
00:12:28,965 --> 00:12:31,489
-MM, UGH,
ALL RIGHT, ALL RIGHT.
196
00:12:32,316 --> 00:12:35,755
HEY LISTEN, DO ME
A FAVOR WILL YA?
197
00:12:35,885 --> 00:12:37,582
TAKE THESE TO
HEADQUARTERS?
198
00:12:37,713 --> 00:12:41,108
I'M GONNA SWIM THE
TOWERS AND, UH, STAY LOW.
199
00:12:41,238 --> 00:12:43,763
HUNTING SEASON BEGINS TODAY.
200
00:12:49,203 --> 00:12:51,205
MY OWN PERSONAL
FORM OF THERAPY
201
00:12:51,335 --> 00:12:53,424
HAS ALWAYS BEEN
SWIMMING THE TOWERS.
202
00:12:53,555 --> 00:12:57,124
YOU GET INTO A RHYTHM THAT
INVARIABLY CLEARS THE MIND.
203
00:12:57,254 --> 00:13:00,518
YOU COME OUT REFRESHED AND
READY TO TAKE ON THE WORLD.
204
00:13:07,395 --> 00:13:08,483
HEY, JESS!
205
00:13:08,613 --> 00:13:10,006
-HEY, MITCH!
206
00:13:10,702 --> 00:13:11,747
-WHAT ARE YOU DOING?
207
00:13:11,878 --> 00:13:13,140
-THIS IS MY STUNT INSTRUCTOR.
208
00:13:14,358 --> 00:13:16,230
-NO, THAT IS ED SYMES.
209
00:13:16,360 --> 00:13:17,971
HE'S A MEDICAL
SUPPLY SALESMAN.
210
00:13:18,101 --> 00:13:20,060
-AND A QUALIFIED
STUNT INSTRUCTOR.
211
00:13:20,190 --> 00:13:21,322
HOW YOU DOING, BIG GUY?
212
00:13:21,452 --> 00:13:22,323
-QUALIFIED?
213
00:13:22,453 --> 00:13:23,367
WHERE'D YOU FIND HIM?
214
00:13:23,498 --> 00:13:24,542
-IN THE YELLOW PAGES.
215
00:13:25,630 --> 00:13:26,588
-YEAH, STUNTS R US.
216
00:13:26,718 --> 00:13:28,372
WELL, ACTUALLY, STUNTS R ME.
217
00:13:28,503 --> 00:13:30,853
IT'S KIND OF A ONE
MAN OPERATION, HUH.
218
00:13:30,984 --> 00:13:32,333
BUT I'M THE
BEST IN HOLLYWOOD.
219
00:13:32,463 --> 00:13:33,725
-YEAH, DID YOU SEE THAT
NEW BRUCE WILLIS FILM?
220
00:13:33,856 --> 00:13:35,553
THE ONE WHERE HE FALLS
OUT OF THE SKYSCRAPER?
221
00:13:35,684 --> 00:13:37,729
THAT'S NOT REALLY
BRUCE, THAT'S ED!
222
00:13:37,860 --> 00:13:40,863
-WELL, ACTUALLY I WAS THE
GUY THAT THAT GUY FELL ON.
223
00:13:40,994 --> 00:13:42,647
BUT WE GOT THE SHOT
IN THREE TAKES.
224
00:13:42,778 --> 00:13:44,301
HEY, YOU OUT TO SEE ME FALL
DOWN A FLIGHT OF STAIRS.
225
00:13:44,432 --> 00:13:45,389
NOBODY DOES IT BETTER.
226
00:13:45,520 --> 00:13:46,956
-DOESN'T SURPRISE ME.
227
00:13:47,087 --> 00:13:48,175
YOU DIDN'T PAY HIM
ANY MONEY, DID YA?
228
00:13:48,305 --> 00:13:49,698
-YEAH, BUT IT'S WORTH IT.
229
00:13:49,829 --> 00:13:51,178
HE'S GONNA TEACH ME ALL
THE TRICK OF THE TRADE.
230
00:13:51,308 --> 00:13:52,962
-NO, HE'S ALREADY TRICKED YOU.
231
00:13:53,093 --> 00:13:54,485
-NO, HE WAS JUST TEACHING
ME HOW TO SELL THE PUNCH.
232
00:13:54,616 --> 00:13:55,443
COME ON.
233
00:13:55,573 --> 00:13:56,923
-YEAH, COME ON BIG GUY, HIT ME.
234
00:13:57,053 --> 00:13:58,707
-YEAH.
-DON'T TEMPT ME.
235
00:13:58,838 --> 00:14:00,100
-NO, MAN, YOU'LL COME WITHIN
236
00:14:00,230 --> 00:14:01,884
AN EIGHTH OF AN
INCH OF MY FACE.
237
00:14:02,015 --> 00:14:03,930
SEE, IT'S ALL BASED ON
PHYSICS, KINETICS, AND TORQUE.
238
00:14:04,060 --> 00:14:05,192
OKAY, COME ON,
COME ON, HIT ME.
239
00:14:05,322 --> 00:14:06,367
-NO!
240
00:14:07,063 --> 00:14:08,456
-ALL RIGHT JESSIE, WELL
YOU COME ON AND HIT ME.
241
00:14:08,586 --> 00:14:10,066
HERE'S WHAT I
WANT YOU TO DO,
242
00:14:10,197 --> 00:14:10,980
I WANT YOU TO TAKE A
PUNCH ACROSS ME LIKE THIS
243
00:14:11,111 --> 00:14:12,852
AND I'LL SNAP MY HEAD BACK.
244
00:14:12,982 --> 00:14:14,331
IT'LL LOOK EXACTLY LIKE
IT DOES ON THE SCREEN, OKAY?
245
00:14:14,462 --> 00:14:15,376
SO, READY? HIT ME.
246
00:14:16,638 --> 00:14:19,684
-AHH, GOD!
247
00:14:19,815 --> 00:14:20,990
ARE YOU OKAY?
248
00:14:21,121 --> 00:14:22,600
I'M SO SORRY!
249
00:14:22,731 --> 00:14:24,602
-I FORGOT TO FACTOR IN
THE PREVAILING WINDS.
250
00:14:26,169 --> 00:14:28,128
-OH, ARE YOU OKAY?
251
00:14:29,085 --> 00:14:30,870
-NO, HE IS AN IDIOT.
252
00:14:33,002 --> 00:14:34,961
-ARE YOU GONNA BE OKAY?
-WOW.
253
00:14:35,091 --> 00:14:36,484
-OH, I'M SO SORRY.
254
00:14:38,268 --> 00:14:39,661
-I SEE MONKEYS.
255
00:14:42,751 --> 00:14:44,100
-MITCH: SEEING ED SYMES AGAIN
256
00:14:44,231 --> 00:14:46,102
-PUT ME RIGHT
BACK IN THE WATER.
257
00:14:46,233 --> 00:14:48,409
BUT, BY THE TIME I
SWAM TO APRIL'S TOWER
258
00:14:48,539 --> 00:14:50,715
I WAS BACK TO THINKING
POSITIVE THOUGHTS.
259
00:14:52,892 --> 00:14:55,068
HEY.
-HEY! SWIMMING THE TOWERS?
260
00:14:55,198 --> 00:14:58,245
-YEAH, JUST TRYING TO
GET RID OF THE BLUES.
261
00:14:58,985 --> 00:15:00,987
-WHAT'S WRONG?
-OH, I DON'T KNOW.
262
00:15:01,726 --> 00:15:04,381
I'M ALL ALONE IN THIS
BIG, QUIET HOUSE.
263
00:15:05,382 --> 00:15:06,209
I'M LONESOME.
264
00:15:07,471 --> 00:15:09,038
-GET A CAT.
265
00:15:09,996 --> 00:15:11,562
-WHAT'S THAT?
-WHAT?
266
00:15:11,693 --> 00:15:13,913
-THAT SMILE.
SOMETHING HAPPEN?
267
00:15:15,653 --> 00:15:17,786
-YEAH, I THINK I'M IN LOVE.
268
00:15:17,917 --> 00:15:19,483
-REALLY, WITH WHOM?
269
00:15:19,614 --> 00:15:21,268
-WELL I DON'T WANT TO
SAY UNTIL I KNOW FOR SURE,
270
00:15:21,398 --> 00:15:23,313
-BUT WE HAVE A GREAT
TIME TOGETHER.
271
00:15:23,444 --> 00:15:24,924
-COME ON, COME ON,
YOU CAN TELL ME.
272
00:15:25,054 --> 00:15:25,968
I'M YOUR BOSS.
273
00:15:34,759 --> 00:15:36,326
-APRIL: FIRST WE HAD
DINNER ON THE JETTY.
274
00:15:37,023 --> 00:15:39,416
HE SET UP A TABLE,
THERE WERE CANDLES.
275
00:15:40,113 --> 00:15:41,462
IT WAS SO ROMANTIC.
276
00:15:46,423 --> 00:15:50,079
AFTERWARDS, WE DECIDED TO GO
FOR A SWIM IN THE MOONLIGHT.
277
00:15:50,906 --> 00:15:53,169
-MITCH: AH, THE
MOONLIGHT SWIM.
278
00:15:54,040 --> 00:15:55,258
-APRIL: IT WAS THE
MOST EXCITING NIGHT
279
00:15:55,389 --> 00:15:56,781
I'D EVER SPENT WITH ANYBODY.
280
00:15:56,912 --> 00:16:02,004
OUR SHADOWS DANCED IN RHYTHM
281
00:16:03,484 --> 00:16:06,791
FROM THE STAR
282
00:16:10,056 --> 00:16:15,409
A SILHOUETTE SEDUCTION
283
00:16:16,453 --> 00:16:19,717
YOU HAVE MY HEART
284
00:16:21,763 --> 00:16:27,247
ALL I WANT...
285
00:16:27,377 --> 00:16:30,337
IS YOU
286
00:16:36,604 --> 00:16:40,564
ALL I WANT...
287
00:16:40,695 --> 00:16:44,351
IS YOU
288
00:17:14,337 --> 00:17:18,863
ALL I WANT...
289
00:17:20,126 --> 00:17:22,780
IS YOU
290
00:17:29,178 --> 00:17:33,095
ALL I WANT...
291
00:17:33,226 --> 00:17:36,055
IS YOU
292
00:17:58,599 --> 00:17:59,817
-MITCH: SO WHO WAS IT?
293
00:18:01,297 --> 00:18:03,169
-APRIL: I TOLD YOU
I'M NOT GONNA TELL YOU.
294
00:18:03,734 --> 00:18:05,606
AT LEAST UNTIL I'M
SURE THAT IT'S REAL.
295
00:18:11,829 --> 00:18:14,180
-WELL, SOUNDS TO ME LIKE
YOU'RE ALREADY PRETTY SURE.
296
00:18:14,310 --> 00:18:16,617
-WELL THERE'S A
PROBLEM, HE'S OLDER.
297
00:18:17,226 --> 00:18:18,532
-HM, HOW MUCH OLDER?
298
00:18:19,228 --> 00:18:20,795
-OLDER. YOUR AGE.
299
00:18:20,925 --> 00:18:22,101
-UGH. ANTIQUE, HUH?
300
00:18:22,231 --> 00:18:25,321
-NO, I DON'T
MEAN THAT, IT'S JUST...
301
00:18:25,974 --> 00:18:28,368
WELL I'VE NEVER FELT THIS
WAY BEFORE AND I'M AFRAID.
302
00:18:29,108 --> 00:18:30,587
-SOUNDS TO ME LIKE YOU'RE
FALLING IN LOVE, KIDDO.
303
00:18:32,241 --> 00:18:33,982
THAT'S EXACTLY HOW
YOU'RE SUPPOSED TO FEEL.
304
00:18:34,113 --> 00:18:35,201
-NO, IT'S...
305
00:18:35,940 --> 00:18:37,551
I JUST DON'T WANT
TO LOSE IT, MITCH.
306
00:18:38,117 --> 00:18:39,161
-WELL IF YOU DON'T
TAKE THE RISK,
307
00:18:39,292 --> 00:18:40,554
YOU WON'T HAVE IT TO LOSE.
308
00:18:42,077 --> 00:18:44,210
-YEAH, I GUESS SO. THANKS.
309
00:18:44,340 --> 00:18:45,124
-ON THE HOUSE.
310
00:18:45,254 --> 00:18:46,995
UH, GOT TO GO.
311
00:18:47,648 --> 00:18:48,866
IT ALWAYS LIFTS YOUR SPIRITS
312
00:18:48,997 --> 00:18:50,390
TALKING TO SOMEONE
WHO'S IN LOVE.
313
00:18:51,042 --> 00:18:52,392
SHE WOULDN'T
REVEAL HER SECRET,
314
00:18:52,522 --> 00:18:54,611
BUT I HAD A CLUE
AS TO WHO IT WAS.
315
00:19:12,934 --> 00:19:13,848
-HEY!
316
00:19:13,978 --> 00:19:15,371
-HEY, WHAT ARE YOU UP TO?
317
00:19:15,502 --> 00:19:17,199
-AH, JUST A LITTLE
SOUL-SEARCHING.
318
00:19:17,808 --> 00:19:19,462
HOW COME YOU DIDN'T MAKE
THE POKER GAME LAST NIGHT?
319
00:19:20,507 --> 00:19:22,987
-I WAS BUSY.
-REALLY?
320
00:19:23,597 --> 00:19:24,772
I HOPE SHE WAS WORTH IT,
321
00:19:24,902 --> 00:19:25,860
I REALLY MISSED
TAKING YOUR MONEY.
322
00:19:27,078 --> 00:19:28,254
-OH, MAYBE YOU'LL
GET IT NEXT WEEK.
323
00:19:28,384 --> 00:19:29,385
AND MAYBE SHE WAS WORTH IT.
324
00:19:30,169 --> 00:19:31,039
-WHAT'S HER NAME?
325
00:19:31,170 --> 00:19:32,562
-EH, IT DOESN'T MATTER.
326
00:19:32,693 --> 00:19:34,085
YOU KNOW IT'S PROBABLY
NOT GONNA WORK OUT
327
00:19:34,216 --> 00:19:35,913
AND TRUTH IS IT SCARES
ME HALF TO DEATH.
328
00:19:36,044 --> 00:19:38,481
-EVEN A SEASONED VETERAN
LIKE CRAIG POMEROY.
329
00:19:39,265 --> 00:19:40,831
-AFTER MY DIVORCE FROM GINA,
330
00:19:42,572 --> 00:19:44,444
WELL HEARTS GET BROKEN.
331
00:19:44,574 --> 00:19:46,141
I DON'T THINK I EVER WANT
TO GO THROUGH THAT AGAIN.
332
00:19:47,621 --> 00:19:49,797
-AFTER GAYLE AND
I GOT DIVORCED,
333
00:19:49,927 --> 00:19:51,320
THE THOUGHT OF
GETTING INVOLVED
334
00:19:51,451 --> 00:19:52,974
WITH ANOTHER WOMAN WAS
OUT OF THE QUESTION.
335
00:19:53,496 --> 00:19:54,367
BUT YOU KNOW WHAT?
336
00:19:54,497 --> 00:19:55,368
IT GOES AWAY, BUDDY.
337
00:19:55,498 --> 00:19:57,108
SO GO FOR IT, GIVE IT A TRY.
338
00:19:57,239 --> 00:19:58,501
-NAH, IT'S TOO SOON.
339
00:19:58,632 --> 00:19:59,894
TOO RISKY, I MEAN WHAT IF?
340
00:20:00,024 --> 00:20:01,156
-WHAT IF, WHAT IF?
341
00:20:01,287 --> 00:20:02,592
THERE'S ALWAYS A IF.
342
00:20:02,723 --> 00:20:03,941
IT'S CALLED LIFE.
343
00:20:04,464 --> 00:20:05,682
I MEAN FOR GOD'S SAKES,
344
00:20:06,248 --> 00:20:08,685
THERE'S AN "IF" RIGHT IN THE
MIDDLE OF THE WORD LIFE.
345
00:20:11,645 --> 00:20:14,038
-THAT'S INCREDIBLY CORNY
AND I'VE HEARD IT BEFORE.
346
00:20:14,169 --> 00:20:15,953
-NOT THAT PART ABOUT "IF" IN
THE MIDDLE OF THE WORD LIFE,
347
00:20:16,084 --> 00:20:17,128
'CAUSE I-- I JUST
MADE THAT UP.
348
00:20:17,259 --> 00:20:18,826
-WELL THEN THAT'S PRETTY GOOD.
349
00:20:18,956 --> 00:20:19,740
-THANK YOU, I THOUGHT SO.
350
00:20:19,870 --> 00:20:20,697
-YOU'RE WELCOME.
351
00:20:20,828 --> 00:20:22,003
[ENGINE REVVING]
352
00:20:22,786 --> 00:20:24,092
-LOOK AT THAT BOAT.
353
00:20:24,223 --> 00:20:27,313
[WOMAN SCREAMING]
354
00:20:28,836 --> 00:20:29,880
-COME ON, LET'S GO!
355
00:20:40,848 --> 00:20:41,892
LOOK LIKE THE
THROTTLE'S JAMMED.
356
00:20:42,023 --> 00:20:43,416
COME ON, LET'S GO!
357
00:21:29,766 --> 00:21:31,028
-APRIL: IT'S
OKAY, HANG IN THERE.
358
00:21:31,159 --> 00:21:32,595
-MITCH: GET AS
CLOSE AS YOU CAN.
359
00:21:33,640 --> 00:21:35,946
OKAY, ALL RIGHT. AH!
360
00:21:53,050 --> 00:21:54,878
ALL RIGHT, THERE YOU GO.
361
00:21:58,360 --> 00:21:59,927
YOU ALL RIGHT?
-YEAH.
362
00:22:00,057 --> 00:22:02,364
ALL RIGHT. PUT THIS
AROUND YOU, STAY WARM.
363
00:22:03,713 --> 00:22:05,149
-APRIL: HEY, CAN I BUM A RIDE?
364
00:22:07,587 --> 00:22:10,677
-NEXT TIME, DON'T FORGET
TO WEAR YOUR LEASH, HUH?
365
00:22:10,807 --> 00:22:12,069
THIS KILLS THE
ENGINE, ALL RIGHT?
366
00:22:12,200 --> 00:22:13,027
-OKAY.
367
00:22:13,157 --> 00:22:14,028
-CRAIG: HEY LAST NIGHT?
368
00:22:14,158 --> 00:22:16,639
-I LOVED IT.
-ME, TOO.
369
00:22:17,205 --> 00:22:19,250
-WELL, WELL, WELL.
370
00:22:19,381 --> 00:22:23,167
IF I WERE YOU TWO, I'D
DEFINITELY TAKE THE RISK.
371
00:22:30,000 --> 00:22:31,088
WELL WHAT A SURPRISE.
372
00:22:31,611 --> 00:22:33,177
HEY, IF IT WORKS FOR
THEM IT WORKS FOR ME.
373
00:22:33,308 --> 00:22:34,875
AS LONG AS IT
MAKES YOU HAPPY.
374
00:22:36,616 --> 00:22:37,617
HEY!
375
00:22:38,182 --> 00:22:39,880
-HEY, MITCH, WHAT ARE
YOU DOING OUT THERE?
376
00:22:40,010 --> 00:22:41,272
I BEEN WATCHING YOU FOR HOURS.
377
00:22:41,403 --> 00:22:42,186
-AH, JUST WORKING
SOME THINGS OUT.
378
00:22:43,362 --> 00:22:44,972
LISTEN, YOU NEED TO FILL
OUT AN INCIDENT REPORT
379
00:22:45,102 --> 00:22:45,886
ON THAT RESCUE YOU MADE.
380
00:22:46,016 --> 00:22:47,278
-YEAH, SURE, NO BIG DEAL.
381
00:22:47,409 --> 00:22:49,106
-YOU WANT TO FILL ME IN?
382
00:22:49,237 --> 00:22:51,282
-SURE. WE DIDN'T EVEN KNOW
WHAT WE WERE LOOKING AT
383
00:22:51,413 --> 00:22:52,893
UNTIL WE GOT DOWN THERE.
384
00:23:05,253 --> 00:23:07,647
CODY KNEW THE LITTLE
GIRLS WERE TOP PRIORITY,
385
00:23:07,777 --> 00:23:09,388
SO HE GOT ME TO SWIM 'EM UP,
386
00:23:09,518 --> 00:23:11,651
YOU KNOW, ABOUT A SECOND
BEFORE THEY WERE GONERS.
387
00:23:13,479 --> 00:23:16,438
THEY WERE SAFE SO I WENT
BACK DOWN TO HELP CODY OUT.
388
00:23:16,569 --> 00:23:18,092
CODY WAS ON TOP OF THINGS.
389
00:23:18,222 --> 00:23:20,790
THOSE UNIFORMS THE COPS
HAD ON WERE WATERLOGGED.
390
00:23:21,487 --> 00:23:23,489
I MEAN, THEY WERE DROWNING.
391
00:23:23,619 --> 00:23:25,273
I STARTED HELPING HIM
YANK THEIR CLOTHES OFF.
392
00:23:25,404 --> 00:23:27,144
I JUST FOLLOWED HIS LEAD.
393
00:23:27,275 --> 00:23:29,277
THEN WE GOT 'EM
UP, SIMPLE REALLY.
394
00:23:29,408 --> 00:23:30,757
-DIDN'T SOUND SIMPLE TO ME.
395
00:23:31,322 --> 00:23:32,628
SOUNDS LIKE A TERRIFIC RESCUE.
396
00:23:32,759 --> 00:23:34,108
-YEAH?
-YEAH.
397
00:23:34,238 --> 00:23:35,718
-WELL, IT WAS MOSTLY CODY.
398
00:23:36,240 --> 00:23:39,026
I JUST DID WHAT I GET
PAID TO DO, SAVE LIVES.
399
00:23:39,156 --> 00:23:41,158
-DO ME A FAVOR, CHECK
WITH ME AFTER YOUR SHIFT
400
00:23:41,289 --> 00:23:42,333
AND, UH, SIGN THE REPORT, HUH?
401
00:23:42,464 --> 00:23:43,422
-OKAY.
402
00:23:44,640 --> 00:23:45,989
LIKE I SAID, IT
WAS MOSTLY CODY.
403
00:23:46,120 --> 00:23:46,990
-YEAH.
404
00:23:47,121 --> 00:23:48,035
-PIECE OF CAKE FOR ME.
405
00:23:48,165 --> 00:23:49,123
-SEE YA.
406
00:23:53,170 --> 00:23:54,737
-YOU KNOW, SWEETHEART,
407
00:23:54,868 --> 00:23:56,347
THE HIGH FALL IS ONE OF
THE MOVIES' CLASSIC STUNTS.
408
00:23:56,957 --> 00:23:58,219
-ARE YOU SURE YOU
KNOW WHAT YOU'RE DOING?
409
00:23:58,349 --> 00:23:59,873
-OH, I'M A PRO, LAMB CHOP.
410
00:24:00,003 --> 00:24:01,875
LISTEN, A STUNT MAN
LEAVES NOTHING TO CHANCE.
411
00:24:02,005 --> 00:24:03,659
THIS IS AN ART FORM
AND I'M AN ARTIST.
412
00:24:03,790 --> 00:24:05,705
YOU STICK BY MY SIDE AND
YOU'LL LEARN SOMETHING.
413
00:24:05,835 --> 00:24:07,707
-OKAY.
414
00:24:07,837 --> 00:24:09,230
-SEE THAT MATTRESS IS DOWN
THERE TO BREAK YOUR FALL,
415
00:24:09,360 --> 00:24:11,014
BUT THERE'S A FEW THINGS
YOU GOT TO COMPUTE:
416
00:24:11,145 --> 00:24:12,625
YOUR HEIGHT, YOUR WEIGHT,
417
00:24:12,755 --> 00:24:14,844
THE ANGLE OF DESCENT, THE
GRAVITY CONFIGURATION.
418
00:24:14,975 --> 00:24:16,237
ARE YOU TAKING
NOTES, BY THE WAY?
419
00:24:16,367 --> 00:24:17,499
-NO, BUT I'M WITH YOU.
420
00:24:17,630 --> 00:24:19,240
-AND, OF COURSE,
WE CAN'T FORGET
421
00:24:19,936 --> 00:24:21,590
THE PREVAILING
WINDS THIS TIME.
422
00:24:21,721 --> 00:24:24,288
-UH, YOU KNOW, I REALLY DON'T
THINK YOU SHOULD DO THIS.
423
00:24:24,419 --> 00:24:26,726
-COME ON, THIS IS
BASIC STUNTS 101.
424
00:24:26,856 --> 00:24:28,118
LOOK, I TELL YOU WHAT.
425
00:24:28,249 --> 00:24:29,729
LET'S SAY YOU'RE
THE CAMERA, OKAY?
426
00:24:29,859 --> 00:24:31,600
AND WE'RE AT THE TOP OF
THE EMPIRE STATE BUILDING
427
00:24:31,731 --> 00:24:34,821
AND TOM CRUISE IS-- IS BEING
CHASED BY SOME BAD GUY,
428
00:24:34,951 --> 00:24:36,213
AND HE'S GOT A KNIFE.
429
00:24:36,344 --> 00:24:37,301
AND TOM CRUISE DOESN'T
KNOW WHAT TO DO,
430
00:24:37,432 --> 00:24:38,564
AND THE MUSIC COMES UP,
431
00:24:38,694 --> 00:24:40,479
DUM, DUM, DUM,
DUM, DUM, DUM.
432
00:24:40,609 --> 00:24:42,176
AND ALL OF A SUDDEN,
FOR NO REASON,
433
00:24:42,306 --> 00:24:44,526
HE JUST JUMPS UP LIKE
THIS ON THE RAILING, OKAY?
434
00:24:45,048 --> 00:24:46,572
ALL RIGHT, AND
THEN WHAT HAPPENS?
435
00:24:46,702 --> 00:24:49,662
CUT. AND WEENIE, WIMPY
ACTOR TOM CRUISE STEPS DOWN
436
00:24:49,792 --> 00:24:52,229
AND STUNT MAN
EXTRAORDINAIRE, ED SYMES,
437
00:24:52,360 --> 00:24:53,448
STEPS IN TO DOUBLE HIM.
438
00:24:55,755 --> 00:24:57,191
OKAY, NOW GO AHEAD
AND SHOOT ME.
439
00:24:57,321 --> 00:24:59,193
-UM, YOU KNOW, I
REALLY DON'T THINK
440
00:24:59,323 --> 00:25:00,107
THIS IS SUCH A GOOD IDEA.
441
00:25:00,237 --> 00:25:01,369
-OH, IT'S A GREAT IDEA.
442
00:25:01,500 --> 00:25:02,588
COME ON NOW, SHOOT ME.
443
00:25:02,718 --> 00:25:05,504
COME ON, JUST
SHOOT ME. SHOOT ME!
444
00:25:07,288 --> 00:25:08,811
-BANG.
-OOH!
445
00:25:17,428 --> 00:25:19,692
-AH!
-ED: UH-OH.
446
00:25:23,304 --> 00:25:24,784
-OH MY GOSH, ARE YOU OKAY?
447
00:25:41,061 --> 00:25:42,932
HEY, ARE YOU OKAY?
448
00:25:43,063 --> 00:25:47,371
-OH, YEAH.
ABSOLUTELY, ABSOLUTELY.
449
00:25:47,502 --> 00:25:49,678
-ED, DON'T TAKE
THIS PERSONALLY?
450
00:25:49,809 --> 00:25:51,419
-OKAY.
-BUT YOU'RE FIRED.
451
00:25:51,550 --> 00:25:53,726
-WHAT? WHY WOULD YOU FIRE ME?
452
00:25:53,856 --> 00:25:55,336
-TO SAVE YOUR LIFE.
453
00:25:55,466 --> 00:25:56,555
-WELL, WAIT A MINUTE.
454
00:25:56,685 --> 00:25:58,165
WE-- WE COULD DISCUSS THIS.
455
00:25:58,295 --> 00:25:59,470
I MEAN, AFTER ALL, I JUST...
456
00:25:59,601 --> 00:26:02,735
HEY, OH, OH.
457
00:26:02,865 --> 00:26:04,563
I THINK I'LL LIE DOWN
FOR JUST A LITTLE WHILE.
458
00:26:11,091 --> 00:26:12,788
-MITCH: MY NEXT
STOP WAS CODY'S TOWER
459
00:26:12,919 --> 00:26:15,486
SO I COULD GET HIS VERSION
OF THE PIER RESCUE.
460
00:26:15,617 --> 00:26:17,576
THERE'S SOMETHING
ABOUT J.D.'S VERSION
461
00:26:17,706 --> 00:26:19,360
THAT DIDN'T SEEM QUITE RIGHT.
462
00:26:22,581 --> 00:26:25,192
-CODY: HEY! DOING
THE TOWER SWIM, HUH?
463
00:26:25,845 --> 00:26:26,889
-I TALKED TO J.D.
464
00:26:27,411 --> 00:26:29,196
A PRETTY HAIRY
PIER RESCUE, HUH?
465
00:26:29,326 --> 00:26:30,893
-NAH, PIECE OF CAKE.
466
00:26:31,590 --> 00:26:32,634
-REALLY?
467
00:26:32,765 --> 00:26:33,896
-YEAH.
-THAT'S WHAT HE SAID.
468
00:26:34,027 --> 00:26:35,637
-I JUST DID WHAT
HE TOLD ME TO DO.
469
00:26:35,768 --> 00:26:37,726
-WELL HE TOLD ME HE
FOLLOWED YOUR LEAD
470
00:26:37,857 --> 00:26:39,032
AND THAT YOU TOOK CHARGE.
471
00:26:39,162 --> 00:26:42,252
-NO. HE KNEW WHAT
TO DO RIGHT AWAY.
472
00:26:57,659 --> 00:27:00,444
FROM THE GET-GO, J.D. SAW THAT
THE COPS WERE IN TROUBLE.
473
00:27:00,575 --> 00:27:02,838
THEIR UNIFORMS WERE
TOTALLY WATERLOGGED, MAN.
474
00:27:02,969 --> 00:27:05,275
THEY PROBABLY WEIGHED
300 POUNDS IN THE WATER.
475
00:27:12,456 --> 00:27:14,589
J.D. KNEW THAT THE LITTLE
GIRLS CAME FIRST.
476
00:27:14,720 --> 00:27:16,112
HE GRABBED THEM
AND THEN SIGNALED
477
00:27:16,243 --> 00:27:17,766
FOR ME TO YANK THE
CLOTHES OFF THE COPS.
478
00:27:31,127 --> 00:27:32,476
-SO YOU'RE TELLING ME THAT J.D.
479
00:27:32,607 --> 00:27:33,956
ASSUMED COMMAND OF
THE RESCUE, NOT YOU?
480
00:27:34,087 --> 00:27:36,480
-YEAH. LISTEN, I'D LOVE
TO BE IN THE SPOTLIGHT,
481
00:27:36,611 --> 00:27:39,396
BUT IT WAS J.D. WHO DID
ALL THE RIGHT STUFF.
482
00:27:40,093 --> 00:27:41,572
-OKAY. DO ME A FAVOR.
483
00:27:41,703 --> 00:27:43,009
FILL OUT AN
INCIDENT REPORT, EH?
484
00:27:43,139 --> 00:27:44,010
-YOU GOT IT.
485
00:27:44,793 --> 00:27:46,490
-ALL RIGHT, SEE YA.
-GO GET 'EM.
486
00:28:15,128 --> 00:28:16,956
-WHY'D YOU TELL MITCH I WAS
SOME KIND OF BIG-TIME HERO?
487
00:28:17,086 --> 00:28:18,131
-WHY'D YOU TELL HIM I WAS?
488
00:28:18,261 --> 00:28:19,872
-'CAUSE YOU WERE THE MAN, J.D..
489
00:28:20,394 --> 00:28:22,352
-HEY, WE BOTH JUST
DID WHAT WE HAD TO DO.
490
00:28:22,483 --> 00:28:23,614
IT'S NO BIGGIE.
491
00:28:23,745 --> 00:28:25,399
-NO, BUT MAYBE
IT WAS, YOU KNOW?
492
00:28:25,921 --> 00:28:27,314
I MEAN, BOTH CRAIG AND APRIL
493
00:28:27,444 --> 00:28:28,532
WANT TO NOMINATE US
FOR THE MEDAL OF VALOR,
494
00:28:28,663 --> 00:28:29,708
GETTING US ALL PUMPED UP?
495
00:28:30,578 --> 00:28:31,448
MAYBE WE EARNED IT.
496
00:28:32,232 --> 00:28:33,624
-NAH, IT'S ALL
PART OF THE JOB.
497
00:28:34,147 --> 00:28:35,322
IT WAS NOTHING SPECIAL.
498
00:28:35,452 --> 00:28:37,150
-AH, MAYBE YOU'RE RIGHT.
499
00:28:38,064 --> 00:28:40,022
MEDALS OF VALOR BELONG
TO THE REAL PROS,
500
00:28:40,153 --> 00:28:42,068
THE MITCHES, THE NEWMIES.
501
00:28:42,677 --> 00:28:44,287
-WE'RE NOT HALF THE
LIFEGUARDS THOSE GUYS ARE.
502
00:28:45,071 --> 00:28:46,202
-SOMEDAY, MAYBE.
503
00:28:46,986 --> 00:28:48,596
-YEAH, SOMEDAY.
504
00:28:49,379 --> 00:28:52,252
-WELL, AT LEAST WE
CAN DREAM, YOU KNOW?
505
00:28:52,905 --> 00:28:55,168
-YUP. AND SOMETIMES
DREAMS COME TRUE.
506
00:28:55,995 --> 00:28:59,215
GOT TO GO. HEY, YOU
WERE GOOD DOWN THERE.
507
00:28:59,955 --> 00:29:01,478
-YOU, TOO. I'LL SEE YA.
508
00:29:09,617 --> 00:29:11,227
-MITCH: BY THIS TIME,
AS YOU CAN IMAGINE,
509
00:29:11,358 --> 00:29:13,055
I'M GETTING PRETTY TIRED.
510
00:29:13,186 --> 00:29:16,363
BUT STILL, THIS CODY-J.D.
THING DIDN'T MAKE ANY SENSE.
511
00:29:17,059 --> 00:29:19,453
WHY WERE THEY MAKING EACH
OTHER OUT TO BE THE HERO?
512
00:29:20,323 --> 00:29:22,717
THEN I REALIZED I
WASN'T ALONE OUT THERE.
513
00:29:23,283 --> 00:29:26,112
WHAT THE HECK WAS A DOG DOING
THAT FAR OFF FROM SHORE?
514
00:29:26,242 --> 00:29:29,376
WELL, A RESCUE IS A RESCUE,
AND I AM A LIFEGUARD.
515
00:29:29,506 --> 00:29:31,682
SO, I CAME TO HIS AID.
516
00:29:43,303 --> 00:29:44,826
HEY, HEY, HEY, HEY BUDDY.
517
00:29:44,957 --> 00:29:46,785
WHAT ARE YOU DOING
SO FAR OUT HERE, HUH?
518
00:29:46,915 --> 00:29:48,525
[DOG WHINING]
HUH?
519
00:29:49,222 --> 00:29:51,485
YOU'RE REALLY FAR OFF
SHORE, ARE YOU OKAY?
520
00:29:51,615 --> 00:29:54,923
YOU JUST TAKE IT EASY BECAUSE
I AM AN LA COUNTY LIFEGUARD,
521
00:29:55,054 --> 00:29:56,403
AND I'M GOING
TO SAVE YOU, OKAY?
522
00:29:56,533 --> 00:29:57,534
LET'S GO.
523
00:29:57,665 --> 00:29:59,058
HEY, THAT A BOY.
524
00:29:59,188 --> 00:29:59,972
LET'S GO.
525
00:30:00,102 --> 00:30:01,669
YEAH, THAT A BOY.
526
00:30:02,713 --> 00:30:04,193
YEAH, THAT A BOY.
527
00:30:07,327 --> 00:30:10,025
AND JUST LIKE THAT I
HAD A NEW BEST FRIEND.
528
00:30:10,156 --> 00:30:11,984
YEAH, YOU'RE ALL RIGHT, PAL.
529
00:30:12,114 --> 00:30:13,420
LET'S GET YOU DRIED OFF HERE,
530
00:30:13,550 --> 00:30:15,204
YOU'LL BE AS GOOD AS NEW.
531
00:30:18,381 --> 00:30:19,905
3HEY, HOW'S YOUR
STUNT INSTRUCTOR?
532
00:30:20,427 --> 00:30:23,125
-UGH, YOU DON'T WANT TO BE
AN I TOLD YOU SO, DO YOU?
533
00:30:23,256 --> 00:30:25,388
-NOPE, BUT
I TOLD YOU SO.
534
00:30:27,390 --> 00:30:29,001
-HEY, WHO YOU GOT HERE?
535
00:30:29,131 --> 00:30:31,220
-I DON'T KNOW, HE
DOESN'T HAVE A COLLAR.
536
00:30:31,351 --> 00:30:33,744
I FOUND HIM TREADING
WATER JUST OFFSHORE.
537
00:30:33,875 --> 00:30:35,137
-DID HE JUST SWIM OUT THERE?
538
00:30:35,268 --> 00:30:38,314
-MAYBE. MAYBE HE
FELL OFF A BOAT OR...
539
00:30:38,445 --> 00:30:40,534
MAYBE SOME MORON
THREW HIM OVERBOARD.
540
00:30:41,230 --> 00:30:43,493
ANYWAY HE'S NAMELESS
AND HOMELESS.
541
00:30:43,624 --> 00:30:46,018
-AW.
[DOG WHIMPERING]
542
00:30:49,325 --> 00:30:50,979
-UH, DO ME A FAVOR, WOULD YOU,
543
00:30:51,110 --> 00:30:52,415
AND WATCH HIM FOR
A COUPLE MINUTES?
544
00:30:52,546 --> 00:30:54,156
-YEAH, SURE. HAPPY TO.
545
00:30:55,462 --> 00:30:57,943
BABY, I'M GOING TO
LOVE ON YOU, OKAY?
546
00:31:09,128 --> 00:31:10,259
-WHAT?
547
00:31:10,390 --> 00:31:12,261
-YOU LOOK LIKE
BOB'S BIG BOY.
548
00:31:12,392 --> 00:31:13,959
WHAT HAPPENED,
CHIPMUNK DIE?
549
00:31:15,003 --> 00:31:16,787
-I WALKED PAST HER
THREE TIMES ON PURPOSE.
550
00:31:16,918 --> 00:31:18,354
SHE DIDN'T EVEN NOTICE ME.
551
00:31:18,485 --> 00:31:19,747
-THIS, YOU NOTICE.
552
00:31:19,878 --> 00:31:21,227
WHY DON'T YOU
JUST BE YOURSELF?
553
00:31:21,357 --> 00:31:22,402
-I HAVE BEEN.
554
00:31:23,272 --> 00:31:24,926
NOT SO MUCH AS A SMILE.
555
00:31:25,666 --> 00:31:28,060
-NEWMIE, YOU'RE TRYING TO
BE SOMEONE THAT YOU'RE NOT.
556
00:31:28,190 --> 00:31:31,411
-YEAH? WELL JUST
WHO AM I ANYWAY, HUH?
557
00:31:31,541 --> 00:31:34,457
I'M JUST SOME LIFEGUARD GETTING
OLD AND BALD ON THE BEACH.
558
00:31:34,588 --> 00:31:36,895
I DON'T KNOW, I'M THINKING
ABOUT GOING BACK TO SCHOOL.
559
00:31:38,026 --> 00:31:40,637
GETTING A REAL JOB,
BECOMING SOMEBODY IMPORTANT.
560
00:31:41,638 --> 00:31:44,380
-I FELT THE SAME WAY,
EXCEPT FOR THE BALD PART.
561
00:31:45,120 --> 00:31:47,818
I WONDERED IF I WAS SOMEONE
WHO REALLY MATTERED.
562
00:31:47,949 --> 00:31:49,908
SOMEONE WHO DID
SOMETHING WITH HIS LIFE.
563
00:31:50,038 --> 00:31:52,301
OR DID I WANNA WAKE
UP ONE DAY, AN OLD MAN
564
00:31:52,432 --> 00:31:55,174
IN RED SHORTS, ASKING
MYSELF THIS QUESTION:
565
00:31:56,175 --> 00:31:58,220
MITCH BUCHANNON, ARE
YOU AN IMPORTANT PERSON?
566
00:31:58,351 --> 00:31:59,961
DID YOU MAKE A CONTRIBUTION?
567
00:32:00,788 --> 00:32:01,658
BIG QUESTION.
568
00:32:02,703 --> 00:32:04,226
-WHAT WAS THE ANSWER?
569
00:32:04,357 --> 00:32:05,793
-HELL YES.
570
00:32:05,924 --> 00:32:07,664
I WORK WITH PEOPLE
WHO NEED ME.
571
00:32:07,795 --> 00:32:09,144
I SAVE LIVES.
572
00:32:09,797 --> 00:32:11,973
I COULD TAKE ANOTHER JOB
AND MAKE A MILLION DOLLARS,
573
00:32:12,104 --> 00:32:14,497
BUT NO AMOUNT OF MONEY CAN
GIVE YOU THE FEELING YOU GET
574
00:32:14,628 --> 00:32:16,412
WHEN YOU SAVE SOMEONE'S LIFE.
575
00:32:16,543 --> 00:32:17,979
YOU KNOW THAT FEELING, NEWMIE.
576
00:32:18,937 --> 00:32:19,850
-I DO.
577
00:32:21,200 --> 00:32:22,853
HM, AND I LIKE IT.
578
00:32:25,334 --> 00:32:26,205
I'M A LIFEGUARD.
579
00:32:26,335 --> 00:32:27,641
-YOU'RE A LIFEGUARD!
580
00:32:30,426 --> 00:32:31,514
-I'M NEWMIE.
581
00:32:32,515 --> 00:32:33,821
--YOU'RE NEWMIE!
582
00:32:36,867 --> 00:32:38,043
THAT THING'S CRAWLING AWAY.
583
00:32:41,437 --> 00:32:42,395
-OH, GOT IT.
584
00:33:05,766 --> 00:33:08,029
BRING IT ON
585
00:33:10,945 --> 00:33:13,121
BRING IT ON
586
00:33:16,255 --> 00:33:18,170
BRING IT ON
587
00:33:20,781 --> 00:33:23,175
BRING IT ON
588
00:33:26,830 --> 00:33:30,530
WHO DO YOU THINK YOU ARE
589
00:33:30,660 --> 00:33:33,576
I'M GONNA TAKE YOU DOWN
590
00:33:36,579 --> 00:33:40,844
YEAH WHO DO YOU THINK YOU ARE
591
00:33:40,975 --> 00:33:43,412
I'M GONNA BREAK YOU DOWN
592
00:33:48,635 --> 00:33:50,854
I'VE GOT IT COMIN'
593
00:33:53,466 --> 00:33:56,295
I'M ON MY GAME
594
00:33:58,732 --> 00:34:00,995
I'VE GOT YOU RUNNIN'
595
00:34:03,824 --> 00:34:07,349
I'M ON MY GAME
596
00:34:11,745 --> 00:34:14,443
BRING IT ON
597
00:34:16,750 --> 00:34:19,318
BRING IT ON
598
00:34:21,755 --> 00:34:23,931
BRING IT ON
599
00:34:35,986 --> 00:34:37,597
-YEAH!
600
00:34:41,949 --> 00:34:43,472
-YEAH!
601
00:34:55,180 --> 00:34:56,268
-CODY: ALL RIGHT HERE
HE COMES, ACT COOL.
602
00:34:56,877 --> 00:34:58,835
HEY MAN! HOW WAS
THE TOWER SWIM?
603
00:34:58,966 --> 00:35:00,663
-GREAT.
604
00:35:00,794 --> 00:35:02,926
SO YOU GUYS FIGURED OUT THE
PIER RESCUE SCENARIO, YET?
605
00:35:03,057 --> 00:35:04,493
-BOTH: YEAH. HE'S THE HERO.
606
00:35:05,451 --> 00:35:07,409
-YEAH, WE FIGURED
THAT WE BOTH DID IT.
607
00:35:07,540 --> 00:35:08,628
-GOOD.
608
00:35:09,150 --> 00:35:10,891
-UH, MITCH.
-YEAH?
609
00:35:11,021 --> 00:35:13,111
-UH, IT WAS A
PRETTY GOOD RESCUE.
610
00:35:13,241 --> 00:35:14,329
-YEAH, IT WAS.
611
00:35:14,460 --> 00:35:16,288
-UH, MITCH?
-WHAT?
612
00:35:16,418 --> 00:35:18,812
4-UH, IT'S FUNNY BECAUSE
BOTH CRAIG AND APRIL
613
00:35:18,942 --> 00:35:20,379
THOUGHT IT WAS GOOD
ENOUGH TO BE NOMINATED
614
00:35:20,509 --> 00:35:21,467
FOR THE MEDAL OF VALOR.
615
00:35:21,597 --> 00:35:23,425
-THEY DID?
616
00:35:23,556 --> 00:35:26,646
-YEAH, UH, BUT
WE TOLD THEM NO.
617
00:35:26,776 --> 00:35:28,126
-GOOD CALL.
-BUT, UH...
618
00:35:28,865 --> 00:35:30,737
WE CHANGED OUR MINDS.
619
00:35:30,867 --> 00:35:32,608
-YEAH, WE'D LIKE
TO BE NOMINATED FOR THE MEDAL OF VALOR.
620
00:35:33,479 --> 00:35:35,611
BUT WE NEED A NOMINATOR.
621
00:35:35,742 --> 00:35:38,266
-AND YOU WANT ME TO
NOMINATE YOU GUYS?
622
00:35:38,397 --> 00:35:39,311
-BOTH: YEAH.
623
00:35:39,441 --> 00:35:40,660
-HAVE YOU THOUGHT THIS THROUGH?
624
00:35:40,790 --> 00:35:42,052
-YEAH, WHAT DO YOU MEAN?
625
00:35:42,183 --> 00:35:43,750
-IF IT GOT OUT
THAT THOSE TWO COPS
626
00:35:43,880 --> 00:35:45,708
HAD TO BE RESCUED
IN THEIR UNDERWEAR,
627
00:35:46,405 --> 00:35:48,537
THEY'D BE THE LAUGHING STOCK
OF THE ENTIRE POLICE FORCE.
628
00:35:48,668 --> 00:35:49,712
-YOU THINK?
629
00:35:49,843 --> 00:35:51,018
-PUT YOURSELF IN THEIR SHOES.
630
00:35:51,149 --> 00:35:51,975
HOW WOULD YOU FEEL?
631
00:35:52,106 --> 00:35:53,499
YOU CAN'T EMBARRASS THEM
632
00:35:53,629 --> 00:35:55,196
BY MAKING THIS RESCUE
PUBLIC KNOWLEDGE.
633
00:35:55,327 --> 00:35:58,678
BESIDES THAT, MIGHT AS WELL
PAINT A BULLSEYE ON YOUR BACK
634
00:35:58,808 --> 00:36:00,506
FOR EVERY TRAFFIC
COP IN SANTA MONICA.
635
00:36:00,636 --> 00:36:01,724
-YOU'RE RIGHT.
636
00:36:01,855 --> 00:36:03,726
-YEAH, WE KNOW WHAT WE DID.
637
00:36:03,857 --> 00:36:05,293
IT'S GOOD ENOUGH.
-YEAH.
638
00:36:05,424 --> 00:36:08,209
-GOOD. I'M GOING TO
CLIMB THE STAIRS NOW.
639
00:36:08,340 --> 00:36:09,297
IS THAT OKAY?
640
00:36:10,211 --> 00:36:12,170
-BOTH: SURE.
-THANK YOU.
641
00:36:17,392 --> 00:36:18,698
-COME HERE.
642
00:36:18,828 --> 00:36:21,048
OH, LOOK, THERE'S YOUR DADDY!
643
00:36:21,179 --> 00:36:22,745
-HEY, HOW'S IT GOING PARTNER?
644
00:36:27,881 --> 00:36:30,840
-NO WAY. HE'S BACK.
645
00:36:31,363 --> 00:36:33,539
OH MY GOSH, HOW DO YOU
GET RID OF THIS GUY?
646
00:36:34,061 --> 00:36:35,889
-I'LL TELL YOU WHEN
I FIGURE IT OUT.
647
00:36:36,672 --> 00:36:38,761
LET'S GO. MAYBE WE
CAN DOUBLE-TEAM HIM.
648
00:36:38,892 --> 00:36:40,415
-OKAY.
649
00:36:45,072 --> 00:36:47,379
-ED?
-WHAT?
650
00:36:47,944 --> 00:36:50,425
-ED?
-HEY, BIG GUY!
651
00:36:50,556 --> 00:36:52,688
YOU'RE JUST IN TIME FOR
MY NEXT EXTRAVAGANZA.
652
00:36:52,819 --> 00:36:54,299
-WE NEED TO TALK TO YOU.
653
00:36:54,429 --> 00:36:56,257
-HEY, YOU KNOW WHAT A
STUNT MAN'S MOTTO IS?
654
00:36:56,388 --> 00:36:57,389
-NO.
655
00:36:58,259 --> 00:37:01,306
-WHY GO THROUGH A DOOR WHEN
YOU CAN GO THROUGH A WINDOW?
656
00:37:02,132 --> 00:37:03,351
THATS WHAT STUNT
MEN ALWAYS SAY,
657
00:37:03,482 --> 00:37:05,440
AND, WELL I AM A STUNT MAN.
658
00:37:06,093 --> 00:37:07,747
HEY, WHAT DO YOU THINK
OF THE OLD SET HERE, TOO?
659
00:37:07,877 --> 00:37:10,140
IT'S THE OLD WESTERN SALOON
THING, I BUILT IT MYSELF.
660
00:37:10,271 --> 00:37:11,620
-YEAH, YEAH, IT'S REALLY NICE.
661
00:37:11,751 --> 00:37:12,186
BUT LOOK, JESSIE
WANTS HER MONEY BACK.
662
00:37:12,317 --> 00:37:13,709
-YEAH.
663
00:37:13,840 --> 00:37:14,971
-UH, WELL, I'M AFRAID
I CAN'T DO THAT.
664
00:37:15,755 --> 00:37:17,931
I GOT IT ALL INVESTED IN
THE SET AND MY WARDROBE.
665
00:37:18,061 --> 00:37:19,541
BUT I AM GONNA DEMONSTRATE
666
00:37:19,672 --> 00:37:21,108
HOW TO GO THROUGH
A GLASS WINDOW,
667
00:37:21,239 --> 00:37:22,544
JUST LIKE THEY
DO IN THE MOVIES.
668
00:37:22,675 --> 00:37:24,111
COURSE THERE IS A
LITTLE SECRET TO IT,
669
00:37:24,242 --> 00:37:25,547
I BET YOU DON'T KNOW
THAT, LITTLE DARLIN'.
670
00:37:25,678 --> 00:37:26,418
-YEAH, THE GLASS IS
MADE OUT OF CANDY?
671
00:37:27,419 --> 00:37:28,985
-UH, YEAH, WELL SO
MUCH FOR SECRETS.
672
00:37:29,116 --> 00:37:31,901
HEY LOOK, THIS BOTTLE IS
MADE OUT OF CANDY AS WELL.
673
00:37:32,467 --> 00:37:34,687
THE TEMPERATURE HAS TO BE
EXACTLY RIGHT WHEN YOU MAKE IT.
674
00:37:34,817 --> 00:37:36,123
HOT, COOL, IT'S VERY CRITICAL.
675
00:37:36,254 --> 00:37:37,429
I MADE THIS ONE HERE.
676
00:37:37,559 --> 00:37:38,865
NOW WHAT I WANT YOU TO DO
677
00:37:38,995 --> 00:37:40,562
IS JUST HIT ME ON
THE HEAD WITH IT.
678
00:37:40,693 --> 00:37:42,434
-NO, I DON'T WANT TO.
679
00:37:42,564 --> 00:37:44,174
-IT'S JUST CANDY GLASS,
SO IT WON'T HURT ANYTHING.
680
00:37:44,305 --> 00:37:45,654
JUST CRACK THE
THING OVER MY HEAD.
681
00:37:45,785 --> 00:37:46,568
1GO AHEAD, HIT ME.
682
00:37:46,699 --> 00:37:47,482
-GO AHEAD.
683
00:37:47,613 --> 00:37:48,831
-HIT ME ON THE HEAD!
684
00:37:59,668 --> 00:38:01,975
I'M ALL RIGHT, I'M ALL RIGHT.
685
00:38:02,715 --> 00:38:04,934
JUST COOKED THAT ONE
A LITTLE TOO LONG.
686
00:38:08,329 --> 00:38:10,723
AH, I'M GONNA SHOW
YOU THE PROPER WAY NOW
687
00:38:10,853 --> 00:38:13,029
TO DIVE THROUGH A
PLATE GLASS WINDOW.
688
00:38:13,160 --> 00:38:14,335
-I DON'T WANT TO WATCH THIS.
689
00:38:16,163 --> 00:38:18,948
-CLASSIC, HOLLYWOOD
MOVIE STUNT.
690
00:38:19,079 --> 00:38:20,559
GET READY, HERE I COME.
691
00:38:28,131 --> 00:38:30,830
-ED? ED?
692
00:38:37,532 --> 00:38:38,620
YOU OKAY?
693
00:38:38,751 --> 00:38:40,796
-UH, YEAH. I'M ALL RIGHT.
694
00:38:43,059 --> 00:38:47,107
-I'M OKAY. YEAH,
I'M ALL RIGHT.
695
00:38:47,803 --> 00:38:49,022
-MITCH: WHAT ARE YOU DOING?
696
00:38:57,160 --> 00:38:59,772
-HEY!
-NOT BAD!
697
00:38:59,902 --> 00:39:02,296
-HEY, SWEETIE, WITH A LITTLE
PRACTICE YOU CAN BE OKAY!
698
00:39:02,427 --> 00:39:03,906
-YAY!
699
00:39:09,912 --> 00:39:10,913
-NEWS REPORTER:
AND THIS AFTERNOON,
700
00:39:11,044 --> 00:39:12,350
IN A CEREMONY IN SANTA MONICA,
701
00:39:12,959 --> 00:39:14,874
MOTOR OFFICER MILFORD
AND MOTOR OFFICER LINDSEY
702
00:39:15,004 --> 00:39:16,658
WERE REWARDED BY THE MAYOR.
703
00:39:17,180 --> 00:39:19,705
-J.D.: THOSE TWO COPS?
WE SAVED THEIR BUTTS!
704
00:39:21,707 --> 00:39:22,925
-WHAT'S UP, GUYS?
705
00:39:23,535 --> 00:39:25,275
-YOU TELL US.
-YEAH.
706
00:39:25,406 --> 00:39:27,408
-THE MOTOR OFFICES SAVED
NOT ONLY TWO YOUNG GIRLS
707
00:39:27,539 --> 00:39:29,062
FROM DROWNING OFF
THE REDONDO PIER,
708
00:39:29,192 --> 00:39:31,325
BUT ALSO SAVED THE LIVES
OF TWO BAYWATCH LIFEGUARDS
709
00:39:31,456 --> 00:39:33,893
WHO FACE CERTAIN DEATH
BY DROWNING AS WELL.
710
00:39:35,503 --> 00:39:37,592
FOR THEIR COURAGE
AND HEROIC ACTION,
711
00:39:37,723 --> 00:39:39,507
THE TWO MEN WERE
AWARDED THE ESTEEMED
712
00:39:39,638 --> 00:39:40,552
MEDAL OF VALOR.
713
00:39:41,944 --> 00:39:43,337
REPORTING FROM SANTA MONICA--
714
00:39:43,468 --> 00:39:45,600
-BOY, AM I LATE, I GOT TO GO.
715
00:40:02,574 --> 00:40:04,227
-HEY LITTLE LADY, HOW
ABOUT ME TEACHING YOU
716
00:40:04,358 --> 00:40:05,315
HOW TO DO SOME ROPING?
717
00:40:05,446 --> 00:40:07,796
-ED, GET OFF THE TOWER, NOW!
718
00:40:07,927 --> 00:40:10,190
-EVERY GOOD STUNT PERSON'S
GOTTA KNOW HOW TO RIDE AND ROPE!
719
00:40:10,320 --> 00:40:12,018
-I MEAN IT, ED, GET DOWN!
720
00:40:12,148 --> 00:40:14,847
-RUN YOU LITTLE
VARMINT, RUN, RUN!
721
00:40:16,152 --> 00:40:17,763
UH-OH.
722
00:40:20,156 --> 00:40:22,724
-OH!
-OH, OH, OH.
723
00:40:22,855 --> 00:40:24,204
-OH!
-I'M OKAY!
724
00:40:25,945 --> 00:40:27,294
I'M FINE!
725
00:40:28,600 --> 00:40:30,166
I'M JUST FINE!
726
00:40:30,297 --> 00:40:31,124
I'M ALL RIGHT!
727
00:40:31,254 --> 00:40:32,168
-MITCH: GO, ED!
728
00:40:32,952 --> 00:40:34,344
-ED: I'M JUST FINE!
729
00:40:34,910 --> 00:40:36,085
I'M FINE!
730
00:41:06,899 --> 00:41:10,468
WELL I'VE GIVEN EVERYBODY
ADVICE ALL DAY LONG TODAY, PAL.
731
00:41:12,208 --> 00:41:15,429
AND TONIGHT,
EVERYBODY'S GOT SOMEONE.
732
00:41:17,213 --> 00:41:18,824
AND I GOT YOU.
733
00:41:20,652 --> 00:41:24,046
WELL, NAMELESS,
IT'S YOU AND ME PAL.
734
00:41:25,961 --> 00:41:27,746
YOU DON'T SNORE, DO YOU?
735
00:41:44,327 --> 00:41:48,984
[END THEME SONG PLAYING]
736
00:41:49,034 --> 00:41:53,584
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