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1
00:00:01,001 --> 00:00:03,655
-[DRAMATIC MUSIC]-
2
00:00:03,786 --> 00:00:05,918
-[LIGHTNING STRIKING]
-[THUNDER CRASHING]
3
00:00:08,660 --> 00:00:10,749
-MITCH: 201 TO KMF 295.
4
00:00:10,880 --> 00:00:12,360
-CRAIG: WHAT'S YOUR 20?
5
00:00:12,490 --> 00:00:14,318
-MITCH: COMING UP ON
WILL ROGERS, TOWER 14.
6
00:00:14,449 --> 00:00:15,754
-CRAIG: STILL RAINING?
7
00:00:15,885 --> 00:00:17,408
-MITCH: NO, JUST
A BIT OF A DRIZZLE.
8
00:00:17,539 --> 00:00:18,801
-CRAIG: ANYONE ELSE CRAZY
ENOUGH TO BE OUT THERE?
9
00:00:18,931 --> 00:00:21,673
-MITCH: [CHUCKLES]
NOPE, NOT A SOUL.
10
00:00:21,804 --> 00:00:23,545
-ARE YOU STILL GONNA
OPEN THAT TOWER?
11
00:00:23,675 --> 00:00:26,243
-YEAH, IF I CAN FIND IT.
12
00:00:28,593 --> 00:00:31,161
CRAIG, YOU MIGHT'VE
BEEN RIGHT ABOUT MOVING
13
00:00:31,292 --> 00:00:33,424
THE TOWERS INTO
THE PARKING LOT.
14
00:00:34,904 --> 00:00:37,863
WE'RE LOOKING AT A
MAJOR HIDE TIDE HERE.
15
00:00:40,518 --> 00:00:41,780
-CRAIG: HOW MAJOR?
16
00:00:43,521 --> 00:00:45,915
-IF YOU DON'T HEAR
FROM ME IN FIVE MINUTES,
17
00:00:47,438 --> 00:00:48,613
SEND BACK UP.
18
00:01:15,640 --> 00:01:18,252
BUCHANNON HERE. OPEN
AND READY FOR BUSINESS.
19
00:01:19,427 --> 00:01:22,082
-HE SAID, THUMBING HIS
NOSE DEFIANTLY AT EL NINO.
20
00:01:22,212 --> 00:01:24,649
-NO, JUST SAYING ENOUGH
WITH ALL THE HYPE.
21
00:01:24,780 --> 00:01:26,869
I'VE BEEN THROUGH ENOUGH
WINTERS THAT MAKE EL NINO
22
00:01:26,999 --> 00:01:29,437
LOOK LIKE A SUN SHOWER.
23
00:01:31,439 --> 00:01:35,007
-CRAIG: MITCH? MITCH?
24
00:01:35,138 --> 00:01:36,748
-CAN I CALL YOU RIGHT BACK?
25
00:01:38,185 --> 00:01:40,056
[SCREAMING]
26
00:01:45,801 --> 00:01:47,237
[SCREAMING]
27
00:01:56,986 --> 00:01:59,510
IS THAT THE BEST YOU'VE GOT?
28
00:01:59,641 --> 00:02:02,644
COME ON! COME ONE!
29
00:02:02,774 --> 00:02:06,517
-[THEME MUSIC PLAYING]
30
00:02:10,739 --> 00:02:13,524
-
SOME PEOPLE STAND
IN THE DARKNESS
31
00:02:14,438 --> 00:02:18,138
AFRAID TO STEP
INTO THE LIGHT
32
00:02:18,268 --> 00:02:22,185
SOME PEOPLE NEED
TO HELP SOMEBODY
33
00:02:22,316 --> 00:02:25,928
WHEN THE EDGE OF
SURRENDER'S IN SIGHT
34
00:02:26,058 --> 00:02:28,887
DON'T YOU WORRY
35
00:02:29,018 --> 00:02:31,629
IT'S GONNA BE ALL RIGHT
36
00:02:34,328 --> 00:02:36,199
'CAUSE I'M ALWAYS READY
37
00:02:36,330 --> 00:02:40,160
I WON'T LET YOU
OUT OF MY SIGHT
38
00:02:43,032 --> 00:02:45,469
I'LL BE READY
39
00:02:45,600 --> 00:02:46,862
I'LL BE READY
40
00:02:46,992 --> 00:02:48,907
NEVER YOU FEAR
41
00:02:49,038 --> 00:02:50,909
NO, DON'T YOU FEAR
42
00:02:51,040 --> 00:02:54,261
I'LL BE READY
43
00:02:54,391 --> 00:02:57,046
FOREVER AND ALWAYS
44
00:02:57,177 --> 00:03:00,354
I'M ALWAYS HERE
45
00:03:11,800 --> 00:03:13,628
-MITCH: STILL NO
PULSE, BEGIN CPR.
46
00:03:13,758 --> 00:03:17,240
-ONE, TWO,
THREE, FOUR, FIVE.
47
00:03:18,589 --> 00:03:21,070
ONE, TWO,
THREE, FOUR, FIVE.
48
00:03:21,201 --> 00:03:23,594
-MITCH: WHO KNEW THAT THIS
RESCUE WOULD SET IN MOTION
49
00:03:23,725 --> 00:03:25,988
A CHAIN OF EVENTS THAT
WOULD CHANGE MY LIFE
50
00:03:26,118 --> 00:03:27,946
MORE THAN I
COULD EVER IMAGINE.
51
00:03:28,077 --> 00:03:31,907
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE.
52
00:03:32,037 --> 00:03:33,343
-[COUGHING]
53
00:03:33,474 --> 00:03:35,084
-YOU OKAY?
54
00:03:37,260 --> 00:03:38,957
ARE YOU OKAY?
55
00:03:39,088 --> 00:03:41,917
MORE THAN 48 HOURS LATER,
CRAIG WOULD BE ASKING
56
00:03:42,047 --> 00:03:43,484
THE SAME QUESTION.
57
00:03:43,614 --> 00:03:45,573
CALL IT THE EL NINO
EFFECT OR JUST THE FACT
58
00:03:45,703 --> 00:03:48,184
THAT THINGS NEVER
SEEM TO GO AS PLANNED.
59
00:03:54,669 --> 00:03:55,452
HEY!
60
00:03:55,583 --> 00:03:56,540
-HEY!
61
00:03:56,671 --> 00:03:58,368
-COME ON, WORK OUT WITH ME.
62
00:03:58,499 --> 00:03:59,978
-OH, I WISH I COULD BUT I
GOTTA SET UP THE LOUNGE CHAIRS.
63
00:04:00,109 --> 00:04:02,459
BESIDES, WE'RE NOT
ALLOWED TO WORK OUT
64
00:04:02,590 --> 00:04:03,765
WHILE WE'RE ON THE CLOCK.
65
00:04:03,895 --> 00:04:05,549
-SINCE WHEN?
66
00:04:05,680 --> 00:04:07,203
-IT'S PART OF THE MANAGEMENT'S
NEW AUSTERITY PROGRAM.
67
00:04:08,030 --> 00:04:10,685
WE'RE SUPPOSED TO STAY
IN SHAPE ON OUR TIME.
68
00:04:10,815 --> 00:04:12,513
-WOW, THAT'S REALLY
PINCHING PENNIES.
69
00:04:12,643 --> 00:04:14,079
-YEAH, TELL ME ABOUT IT.
70
00:04:14,210 --> 00:04:15,733
THEY'VE ALREADY CUT
OUT ALL THE OVER TIME.
71
00:04:15,864 --> 00:04:17,213
REDUCED LUNCH TO 20
MINUTES AND LATEST RUMOR'S
72
00:04:17,344 --> 00:04:19,302
THAT HALF THE STAFF
IS GETTING LAID OFF.
73
00:04:21,043 --> 00:04:24,742
ON THE OTHER HAND, I
FELL ASLEEP LAST NIGHT
74
00:04:24,873 --> 00:04:26,309
COUNTING MY BLESSINGS.
75
00:04:26,440 --> 00:04:28,398
OF WHICH YOU WERE AT
THE TOP OF THE LIST.
76
00:04:31,749 --> 00:04:33,011
ARE YOU AS HAPPY AS I AM?
77
00:04:33,142 --> 00:04:34,578
-NEVER BEEN HAPPIER.
78
00:04:34,709 --> 00:04:36,580
-NO SECOND THOUGHTS
ABOUT GETTING MARRIED?
79
00:04:36,711 --> 00:04:38,452
-NOT A ONE.
80
00:04:38,582 --> 00:04:39,496
-EVEN THOUGH YOU WERE UP ALL
NIGHT WITH THE CRYING BABY.
81
00:04:39,627 --> 00:04:41,455
-HEY, THAT'S THE BEST PART.
82
00:04:42,107 --> 00:04:44,588
I MEAN, THAT'S THE
SECOND BEST PART.
83
00:04:44,719 --> 00:04:46,721
-YEAH. [LAUGHS]
84
00:04:46,851 --> 00:04:49,680
-OH, WHICH REMINDS ME, WE
NEED TO GET A ROCKING CHAIR.
85
00:04:49,811 --> 00:04:51,639
I USED TO HAVE HOBIE IN A
ROCKING CHAIR, YOU KNOW,
86
00:04:51,769 --> 00:04:53,554
I'D READ TO HIM AND
HE'D FALL RIGHT ASLEEP.
87
00:04:53,684 --> 00:04:55,033
-OH, I WOULD LOVE
TO HAVE ONE.
88
00:04:55,164 --> 00:04:56,383
MAYBE THIS WEEK WE
CAN GO SHOPPING.
89
00:04:56,513 --> 00:04:58,298
-I'M SCHEDULED
TO WORK BOTH DAYS.
90
00:04:58,950 --> 00:05:00,822
-THEN, MAYBE ONE
NIGHT AFTER WORK?
91
00:05:01,649 --> 00:05:03,955
-TEACHING CPR AT SANTA
MONICA COLLEGE NIGHTS.
92
00:05:04,086 --> 00:05:05,392
-OH, YEAH, THAT'S RIGHT.
93
00:05:05,522 --> 00:05:07,394
-WE'LL FIND SOME
TIME OKAY?
94
00:05:07,524 --> 00:05:09,787
-MAYBE WE CAN FIND A
24 HOUR ANTIQUE STORE.
95
00:05:09,918 --> 00:05:11,702
-YEAH.
96
00:05:11,833 --> 00:05:12,921
-MAN ON INTERCOM: NEELY CAPSHAW,
PLEASE REPORT TO THE OFFICE.
97
00:05:13,530 --> 00:05:15,184
-NO REST FOR THE WEARY.
98
00:05:15,315 --> 00:05:17,317
-I THOUGHT YOU CHANGED YOUR
NAME TO BUCHANNON, GIRL.
99
00:05:17,447 --> 00:05:18,666
-I TOLD THEM I WAS
CHANGING MY NAME.
100
00:05:18,796 --> 00:05:20,450
NOBODY LISTENS TO
ME AROUND HERE.
101
00:05:20,581 --> 00:05:22,409
-MAN ON INTERCOM:
NEELY, TO THE OFFICE.
102
00:05:23,061 --> 00:05:24,367
-YOU HEARD THE
MAN. GOTTA GO.
103
00:05:24,498 --> 00:05:26,848
-HAVE A GOOD DAY
AND I WILL STOP BY
104
00:05:26,978 --> 00:05:28,023
AND CHECK ON YOU LATER.
105
00:05:28,153 --> 00:05:29,329
-I'LL SEE YOU THEN.
106
00:05:31,635 --> 00:05:33,463
I LOVE YOU,
MITCH BUCHANNON.
107
00:05:33,594 --> 00:05:36,292
-I LOVE YOU,
NEELY BUCHANNON.
108
00:05:36,423 --> 00:05:42,298
-[UPBEAT MUSIC]
109
00:06:00,534 --> 00:06:01,752
-HEY.
-MITCH: HEY.
110
00:06:01,883 --> 00:06:03,232
-CAN YOU BELIEVE
THIS WEATHER?
111
00:06:03,363 --> 00:06:05,103
YESTERDAY IT'S
PRACTICALLY A MONSOON,
112
00:06:05,234 --> 00:06:06,453
TODAY IT'S GONNA
BE IN THE 90S.
113
00:06:06,583 --> 00:06:08,019
-WHICH MEANS WE
EXPECT A FULL HOUSE.
114
00:06:08,150 --> 00:06:09,804
EL NINO STRIKES AGAIN.
115
00:06:09,934 --> 00:06:11,327
-DID YOU GET MY
MESSAGE ABOUT MONDAY?
116
00:06:11,458 --> 00:06:12,372
I'VE GOT TO BE IN
COURT, I'M NOT GOING
117
00:06:12,502 --> 00:06:13,808
TO BE ABLE TO MAKE IT.
118
00:06:13,938 --> 00:06:15,375
IS THERE ANY WAY
YOU CAN RESCHEDULE?
119
00:06:15,505 --> 00:06:16,506
-NO, THE MINISTER'S OUT
OF TOWN FOR THE WEEK.
120
00:06:16,637 --> 00:06:17,855
-SORRY.
121
00:06:17,986 --> 00:06:19,248
-CRAIG, YOU'RE MY BEST MAN.
122
00:06:19,379 --> 00:06:20,554
-HOW ABOUT A
JUSTICE OF THE PEACE.
123
00:06:20,684 --> 00:06:22,120
I MEAN IT'S
JUST A TECHNICALITY.
124
00:06:22,251 --> 00:06:23,818
-I'LL TALK TO NEELY.
-CRAIG: GOOD.
125
00:06:23,948 --> 00:06:25,820
-HOLD ON, TALK TO ME
FIRST. WHAT'S GOING ON HERE?
126
00:06:25,950 --> 00:06:27,822
MINISTER, JUSTICE OF THE PEACE,
I THOUGHT YOU GOT MARRIED
127
00:06:27,952 --> 00:06:29,650
ON THE CRUISE?
128
00:06:29,780 --> 00:06:30,694
-IT'S A LITTLE KNOWN FACT
THAT THE CAPTAIN OF THE SHIP
129
00:06:30,825 --> 00:06:32,174
CAN'T LEGALLY MARRY ANYBODY.
130
00:06:32,304 --> 00:06:34,132
THAT ONLY HAPPENS
IN HOLLYWOOD MOVIES.
131
00:06:34,263 --> 00:06:35,656
-WE NEED A BLOOD
TEST, MARRIAGE LICENSE.
132
00:06:35,786 --> 00:06:36,787
-NOTE FROM YOUR MOM.
133
00:06:36,918 --> 00:06:38,528
-SAME DAY OFF.
134
00:06:38,659 --> 00:06:40,356
-OKAY, SO YOU'RE OFFICIALLY
NOT HUSBAND AND WIFE.
135
00:06:40,487 --> 00:06:42,532
-NOT OFFICIALLY, BUT I THINK
HE'S CHANGED ENOUGH DIAPERS
136
00:06:42,663 --> 00:06:44,186
TO QUALIFY AS THE FATHER.
137
00:06:44,316 --> 00:06:45,796
-[LAUGHING]
138
00:06:45,927 --> 00:06:51,280
-[DANCE MUSIC]
139
00:07:14,216 --> 00:07:17,045
-MITCH: 201 TO KMF 295.
I'M AT THE SAND AND SEA CLUB.
140
00:07:17,175 --> 00:07:20,178
I'M GONNA TAKE FIVE AND
SAY HI TO MY LOVELY WIFE.
141
00:07:20,309 --> 00:07:21,441
-DISPATCH: ROGER THAT.
142
00:07:24,008 --> 00:07:26,228
-OH, NO, NO, NO, NO.
143
00:07:26,358 --> 00:07:28,012
NO, NO, PLEASE.
144
00:07:29,710 --> 00:07:32,016
THANK YOU. THANK YOU.
145
00:07:37,979 --> 00:07:38,806
-HEY.
146
00:07:41,809 --> 00:07:43,811
YOU COULD STAND TO USE
A FEW MORE UMBRELLAS.
147
00:07:43,941 --> 00:07:47,728
-I WISH. THE NEW MANAGER
CAN'T AFFORD THEM.
148
00:07:47,858 --> 00:07:49,251
I DON'T WANT TO ARGUE
WITH HIM ANY MORE.
149
00:07:49,381 --> 00:07:51,383
HE'S ALREADY UPSET THAT
I ASKED FOR A DAY OFF.
150
00:07:51,514 --> 00:07:52,689
-WOMAN: NEELY!
151
00:07:52,820 --> 00:07:53,647
-LOOKS LIKE YOU'RE
BEING PAGED.
152
00:07:54,299 --> 00:07:56,911
-I'LL BE RIGHT WITH
YOU, MRS. MURDOCH.
153
00:07:57,041 --> 00:08:00,741
I'M TALKING TO MY HUSBAND
IF YOU DON'T MIND.
154
00:08:00,871 --> 00:08:02,612
ISN'T THIS FUN?
155
00:08:02,743 --> 00:08:05,746
-COME ON, I THOUGHT WE AGREED
THERE'S CERTAIN ADVANTAGES
156
00:08:05,876 --> 00:08:07,312
TO THIS JOB.
157
00:08:07,443 --> 00:08:08,444
-YOU MEAN LIKE US NOT
HAVING TO WORK TOGETHER?
158
00:08:08,575 --> 00:08:10,446
-NO, LIKE DAYCARE CENTER.
159
00:08:10,577 --> 00:08:12,404
THE FACT YOU CAN BRING
ASHLEY TO WORK WITH YOU.
160
00:08:12,535 --> 00:08:14,755
-WE CAN GET SOMEBODY
ELSE TO WATCH HER.
161
00:08:14,885 --> 00:08:17,540
MY MOM, HOBIE, YOUR MOM.
162
00:08:18,889 --> 00:08:20,804
MITCH, THIS PLACE
IS DRIVING ME CRAZY.
163
00:08:20,935 --> 00:08:23,241
I'M NOTHING BUT A GLORIFIED
CABANA GIRL AT BEST.
164
00:08:24,982 --> 00:08:27,332
I WANNA BE A REAL
LIFEGUARD AGAIN.
165
00:08:36,211 --> 00:08:41,433
-[LIVELY MUSIC]
166
00:08:47,178 --> 00:08:51,487
-
AND I'M SO SICK OF
DOING THE SAME OLD TRICKS YEAH
167
00:08:51,618 --> 00:08:57,537
STUCK AT MY 9 TO 5 HAS GOT
ME HYPNOTIZED AND I DON'T REALIZE
168
00:08:57,667 --> 00:09:02,629
BUT I'LL BE FINE JUST
WATCHING THE DAYS GO BY WHILE
169
00:09:02,759 --> 00:09:04,935
EVERYONE'S OUT THERE IN THE WORLD
170
00:09:05,066 --> 00:09:08,809
I'M STUCK FIGHTING JUST
TO GET SOME AIR AND
171
00:09:08,939 --> 00:09:11,333
I'M OVER IT
172
00:09:11,463 --> 00:09:14,249
SO DISMISSED
173
00:09:14,379 --> 00:09:17,382
I'M BREAKIN OUT OR I'LL FREAK OUT
174
00:09:17,513 --> 00:09:21,996
I'M SO OVER
I'M OVER IT
175
00:09:22,649 --> 00:09:27,915
NO ONE WILL NOTICE
I'M TAKIN OFF TO BIGGER THINGS
176
00:09:28,045 --> 00:09:31,788
I'M SO OVER IT
177
00:09:41,624 --> 00:09:46,542
AND I'M SO SICK OF
DOING THE SAME OLD TRICKS YEAH
178
00:09:46,673 --> 00:09:52,592
STUCK AT MY 9 TO 5 HAS GOT
ME HYPNOTIZED AND I DON'T REALIZE
179
00:09:52,722 --> 00:09:56,987
BUT I'LL BE FINE JUST
WATCHING THE DAYS GO BY WHILE
180
00:09:57,597 --> 00:10:00,382
EVERYONE'S OUT THERE IN THE WORLD
181
00:10:00,512 --> 00:10:03,472
AND I'M STUCK FIGHTING
JUST TO GET SOME AIR
182
00:10:03,603 --> 00:10:06,388
I'M OVER IT
183
00:10:06,518 --> 00:10:09,043
SO DISMISSED
184
00:10:09,173 --> 00:10:11,915
I'M BREAKIN OUT OR I'LL FREAK OUT
185
00:10:12,046 --> 00:10:17,312
I'M SO OVER I'M OVER IT
186
00:10:17,442 --> 00:10:22,926
NO ONE WILL NOTICE
I'M TAKIN OF TO BIGGER THINGS
187
00:10:23,057 --> 00:10:27,017
I'M SO OVER IT
188
00:10:32,762 --> 00:10:37,767
[MUMBLED CHANTING OVER MUSIC]
189
00:10:47,255 --> 00:10:50,301
I'M OVER IT
190
00:10:50,432 --> 00:10:52,695
SO DISMISSED
191
00:10:52,826 --> 00:10:55,698
I'M BREAKIN OUT OR I'LL FREAK OUT
192
00:10:55,829 --> 00:11:00,790
I'M SO OVER I'M OVER IT
193
00:11:00,921 --> 00:11:06,840
NO ONE WILL NOTICE
I'M TAKIN OF TO BIGGER THINGS
194
00:11:06,970 --> 00:11:10,626
I'M SO OVER IT
195
00:11:18,329 --> 00:11:24,292
-[SOLEMN MUSIC]
196
00:11:26,903 --> 00:11:29,906
-[COUGHING]
197
00:11:40,134 --> 00:11:41,135
-J.D., OVER THERE.
198
00:11:41,265 --> 00:11:42,353
-LET'S GO.
199
00:12:02,722 --> 00:12:04,724
-[SIRENS SCREECHING]
200
00:12:29,183 --> 00:12:30,706
-CODY: J.D. GET OVER HERE!
201
00:12:37,365 --> 00:12:39,019
-WATCH HER NECK, MAN.
202
00:12:41,021 --> 00:12:43,110
-NICE AND EASY.
I GOT HER HEAD.
203
00:12:44,938 --> 00:12:47,723
I DON'T KNOW WHAT HAPPENED. SHE
WAS JUST FLOATING OUT THERE.
204
00:12:48,942 --> 00:12:50,813
-NO PULSE, SHE'S
NOT BREATHING.
205
00:12:56,776 --> 00:12:58,255
STILL NO PULSE. BEGIN CPR.
206
00:12:58,386 --> 00:13:02,303
-ONE, TWO,
THREE, FOUR, FIVE.
207
00:13:03,652 --> 00:13:06,916
ONE, TWO,
THREE, FOUR, FIVE.
208
00:13:08,788 --> 00:13:12,182
ONE, TWO,
THREE, FOUR, FIVE.
209
00:13:13,401 --> 00:13:14,576
ONE, TWO--
210
00:13:14,706 --> 00:13:15,533
-[COUGHING]
-OKAY, THAT'S IT.
211
00:13:15,664 --> 00:13:17,797
EASY, EASY. EASY NOW.
212
00:13:17,927 --> 00:13:19,799
SLOW BREATH, TAKE
A SLOW BREATH.
213
00:13:21,496 --> 00:13:24,847
OKAY, YOU OKAY? YOU OKAY?
214
00:13:26,501 --> 00:13:30,331
ARE YOU OKAY? DO YOU
KNOW WHERE YOU ARE?
215
00:13:30,461 --> 00:13:32,507
WHAT'S YOUR NAME?
216
00:13:32,637 --> 00:13:33,769
-SHE'S COMING OUT OF IT.
217
00:13:34,378 --> 00:13:36,032
-CHRIS, GET SOME O2 IN
HERE. CODY GET A BACK BOARD.
218
00:13:36,163 --> 00:13:36,990
-CODY: YUP.
219
00:13:37,120 --> 00:13:38,208
-CHRIS: NEED SOME O2.
220
00:13:38,339 --> 00:13:39,949
-[COUGHING]
221
00:13:40,080 --> 00:13:40,863
-SEIZURE. GIVE HER
SOME SPACE. SECURE HER HEAD.
222
00:13:40,994 --> 00:13:42,430
-J.D.: I GOT HER HEAD.
223
00:13:42,560 --> 00:13:44,084
-SHE CAN'T BREATHE, IT'S
CHOKING UP HER AIRWAY.
224
00:13:44,214 --> 00:13:48,697
-ALL RIGHT, ALL RIGHT. EASY.
225
00:13:48,828 --> 00:13:50,090
-CHRIS: HERE YOU GO, MITCH.
226
00:13:50,220 --> 00:13:51,613
-O2.
227
00:13:54,572 --> 00:13:57,532
-J.D.: OKAY, ONE,
TWO, THREE, ROLL.
228
00:13:57,662 --> 00:13:58,968
SET HER DOWN.
229
00:13:59,621 --> 00:14:00,796
ON THREE,
WE'RE GONNA LIFT.
230
00:14:00,927 --> 00:14:03,494
ONE, TWO, THREE, LIFT.
231
00:14:03,625 --> 00:14:05,366
-ALL RIGHT, LET'S GO!
232
00:14:06,802 --> 00:14:07,803
-J.D.: GRIP HER HEAD.
233
00:14:07,934 --> 00:14:09,239
-WOMAN: OKAY, GOT HER.
234
00:14:09,370 --> 00:14:10,197
COME ON.
235
00:14:11,502 --> 00:14:13,069
OKAY.
-MITCH: WE'RE GOOD.
236
00:14:13,200 --> 00:14:14,418
-WOMAN: HER HEAD'S SECURE.
237
00:14:15,637 --> 00:14:16,638
ALL CLEAR.
238
00:14:16,768 --> 00:14:19,684
-[SIRENS BLARING]
239
00:14:23,210 --> 00:14:24,951
-HEY, YOU.
-NEELY: HI.
240
00:14:27,214 --> 00:14:29,738
THE HOSPITAL CALLED. THE
VICTIM'S OUT OF SURGERY.
241
00:14:29,869 --> 00:14:31,348
-REALLY, HOW'D IT GO?
242
00:14:31,479 --> 00:14:33,089
-WELL, THEY WERE ABLE
TO CONTROL THE INJURY.
243
00:14:33,220 --> 00:14:35,091
SHE'LL HAVE A PRETTY BAD
HEADACHE FOR A COUPLE OF DAYS,
244
00:14:35,222 --> 00:14:37,485
BUT THERE'S NO BRAIN DAMAGE.
245
00:14:37,615 --> 00:14:39,052
-THAT'S GOOD.
-MM-HM.
246
00:14:39,182 --> 00:14:41,271
THE ER DOCTOR TOLD ME
TO GIVE YOU THE FULL
247
00:14:42,446 --> 00:14:43,447
HERO TREATMENT.
248
00:14:43,578 --> 00:14:44,579
-WHERE'S ASHLEY?
249
00:14:44,709 --> 00:14:45,841
-SHE FELL ASLEEP.
250
00:14:45,972 --> 00:14:47,495
I HOPE YOU'RE
NOT TOO HUNGRY.
251
00:14:47,625 --> 00:14:48,800
DINNER WON'T BE READY
FOR ANOTHER HALF AN HOUR.
252
00:14:48,931 --> 00:14:50,280
-NO, I'M FINE, I'M FINE.
253
00:14:51,891 --> 00:14:53,936
-IT'S NICE TO HAVE
A CHANCE TO TALK.
254
00:14:55,155 --> 00:14:57,679
WITHOUT A BABY CRYING
OR HOBIE AND HIS FRIENDS
255
00:14:57,809 --> 00:14:58,854
CHARGING THROUGH THE HOUSE.
256
00:15:00,943 --> 00:15:03,903
I'M SORRY ABOUT PRESSURING
YOU ABOUT MY REINSTATEMENT.
257
00:15:04,033 --> 00:15:06,079
MAYBE IT'S NOT A GOOD IDEA FOR
ME TO COME BACK TO BAYWATCH.
258
00:15:06,209 --> 00:15:07,732
-I DIDN'T SAY THAT.
259
00:15:07,863 --> 00:15:09,647
-I WANT YOU TO KNOW
THAT WHATEVER YOU DECIDE,
260
00:15:09,778 --> 00:15:11,345
I STILL LOVE YOU.
261
00:15:11,475 --> 00:15:13,651
BY THE WAY, I WORKED IT
OUT THAT WE CAN OFFICIALLY
262
00:15:13,782 --> 00:15:15,175
TIE THE KNOT
WHATEVER DAY WE WANT.
263
00:15:15,305 --> 00:15:17,829
-AH-HA, YOUR BOSS
HAD A CHANGE OF HEART.
264
00:15:17,960 --> 00:15:20,876
-NO, HE'S NOT MY
BOSS ANY MORE. I QUIT.
265
00:15:24,880 --> 00:15:27,361
KNOW ANYBODY WHO NEEDS
A GOOD LIFEGUARD?
266
00:15:29,885 --> 00:15:31,582
-CRAIG: I CAN'T BELIEVE THIS.
267
00:15:31,713 --> 00:15:33,584
SHE FILED A SEXUAL HARASSMENT
SUIT AGAINST MATT BRODY?
268
00:15:33,715 --> 00:15:35,282
MATT BRO--
269
00:15:35,412 --> 00:15:36,413
-I KNOW, I KNOW. I
COULDN'T BELIEVE IT EITHER.
270
00:15:37,197 --> 00:15:39,155
-SHE GOT A LETTER OF
REPRIMAND FROM STEPHANIE HOLDEN
271
00:15:39,286 --> 00:15:40,678
FOR GETTING CAUGHT
DRINKING IN HER TOWER.
272
00:15:40,809 --> 00:15:42,071
HAVE YOU ACTUALLY READ
THIS PERSONNEL FILE?
273
00:15:42,202 --> 00:15:44,334
-READ IT, PAL? I LIVED IT.
274
00:15:44,465 --> 00:15:46,249
-MAYBE SHE HAD A PROBLEM
WITH PILLS AFTER I ASKED
275
00:15:46,380 --> 00:15:48,295
SHE WAS BORN, BUT THIS IS LIKE
A TOTALLY DIFFERENT PERSON.
276
00:15:48,425 --> 00:15:50,123
-NEELY'S GONE THROUGH
A LOT OF CHANGES
277
00:15:50,253 --> 00:15:51,689
SINCE SHE'S BEEN HERE AT
BAYWATCH, BUT SHE'S ALSO
278
00:15:51,820 --> 00:15:53,430
DONE A LOT GROWING UP.
279
00:15:53,561 --> 00:15:55,302
-I DON'T MEAN TO SAY YOU
SHOULDN'T BRING HER BACK,
280
00:15:55,432 --> 00:15:57,347
IT'S JUST THAT THIS SEEMS LIKE
A TOTALLY DIFFERENT PERSON.
281
00:15:57,478 --> 00:15:58,914
-DON'T WORRY ABOUT NEELY, PAL.
282
00:15:59,045 --> 00:16:00,524
SHE'S ONE OF THE BEST
LIFEGUARDS WE HAVE.
283
00:16:00,655 --> 00:16:02,048
-OKAY, IF YOU'RE NOT
WORRIED, I'M NOT WORRIED.
284
00:16:02,178 --> 00:16:03,788
-HEY.
-MITCH: HEY.
285
00:16:03,919 --> 00:16:05,790
-GUESS WHAT? I HAVE AN
INTERVIEW WITH CALVIN KLEIN.
286
00:16:05,921 --> 00:16:07,618
-WAY TO GO. I HAVE TO CHANGE
287
00:16:07,749 --> 00:16:10,404
-GREAT, IS THIS THE
INTERNSHIP YOU TOLD ME ABOUT?
288
00:16:10,534 --> 00:16:12,319
-ACTUALLY, IT'S
A REAL JOB OFFER.
289
00:16:12,449 --> 00:16:13,929
I SENT SOME OF THE SAMPLES I
DID FOR CALIFORNIA LIFESTYLES.
290
00:16:14,060 --> 00:16:15,975
I DIDN'T EXPECT A RESPONSE.
291
00:16:16,105 --> 00:16:17,672
-WHEN'S THE INTERVIEW?
292
00:16:17,802 --> 00:16:19,717
-TOMORROW. I FLY TO NEW
YORK AT 5:30 IN THE MORNING.
293
00:16:19,848 --> 00:16:22,198
-HEY. DID I HEAR YOU SAY
YOU'RE GOING TO NEW YORK?
294
00:16:22,329 --> 00:16:24,374
-OH, THAT'S RIGHT. YOU'RE
GOING TO SEE LANI, HUH?
295
00:16:24,505 --> 00:16:25,680
-YEAH, I'M ON THE EARLY
BIRD TOMORROW MORNING.
296
00:16:25,810 --> 00:16:27,029
-ME, TOO.
297
00:16:27,160 --> 00:16:28,030
-EXCELLENT, YOU
CAN CARRY MY BAGS.
298
00:16:28,161 --> 00:16:29,553
-[LAUGHING SARCASTICALLY]
299
00:16:29,684 --> 00:16:31,207
-OFF TO OPEN THE TOWER.
SEE YOU IN THE MORNING.
300
00:16:31,338 --> 00:16:34,036
-IN THE MEANTIME, I
NEED TO TX WITH SOMEONE.
301
00:16:34,167 --> 00:16:35,168
WHO WOULD WANT TO
TAKE MY SCHEDULE
302
00:16:35,298 --> 00:16:36,430
FOR THE NEXT FEW DAYS?
303
00:16:36,560 --> 00:16:37,997
-DON'T LOOK AT ME.
304
00:16:38,910 --> 00:16:40,042
-HOW ABOUT NEELY?
305
00:16:40,564 --> 00:16:42,566
-NEELY'S BACK? SINCE WHEN?
306
00:16:42,697 --> 00:16:43,524
-THIS MORNING.
307
00:16:44,960 --> 00:16:45,787
-WHAT TOWER?
308
00:16:45,917 --> 00:16:51,053
-[PLANE ROARING]
309
00:16:53,490 --> 00:16:55,231
-YEAH, THE NEW REGULATORS
THAT DACOR HAVE
310
00:16:55,362 --> 00:16:56,406
ARE UNBELIEVABLE.
-[PHONE RINGING]
311
00:16:56,537 --> 00:16:57,799
-EXCUSE ME.
312
00:16:57,929 --> 00:16:59,540
BUCHANNON.
313
00:16:59,670 --> 00:17:01,803
-MITCH? DID YOU DO THE
TOWER ASSIGNING THIS MORNING?
314
00:17:02,499 --> 00:17:04,023
-NEELY, YOU HAVE TO SPEAK UP,
315
00:17:04,153 --> 00:17:05,328
I CAN'T HEAR YOU.
-CRAIG: PUT HER ON SPEAKER.
316
00:17:05,459 --> 00:17:06,938
-OF COURSE YOU CAN'T HEAR ME.
317
00:17:07,069 --> 00:17:10,377
THERE'S 747S TAKING
OFF DIRECT OVERHEAD.
318
00:17:10,507 --> 00:17:11,682
-YOU PUT HER AT KILGORE 1?
319
00:17:11,813 --> 00:17:13,423
-I DIDN'T.
320
00:17:13,554 --> 00:17:15,425
-I DIDN'T WANT ANYONE TO
ACCUSE YOU OF PLAYING FAVORITES.
321
00:17:15,556 --> 00:17:18,124
-YEAH, NO SPECIAL TREATMENT
FOR THE BOSS'S WIFE.
322
00:17:18,254 --> 00:17:19,473
-WELCOME BACK, NEELY.
323
00:17:19,603 --> 00:17:20,517
-WHAT DID SHE SAY?
324
00:17:20,648 --> 00:17:22,041
-ALL: WELCOME BACK.
325
00:17:22,171 --> 00:17:24,391
-OH, THANKS, GUYS.
IT'S GOOD TO BE BACK.
326
00:17:24,521 --> 00:17:26,697
ALTHOUGH, I THINK
I'LL NEVER HEAR AGAIN.
327
00:17:26,828 --> 00:17:28,569
-[PLANES ROARING]
328
00:17:28,699 --> 00:17:29,874
-THE TOWER IS SHAKING.
329
00:17:30,658 --> 00:17:31,702
-[LAUGHING]
330
00:17:31,833 --> 00:17:32,616
-NEELY: CRAIG?
331
00:17:32,747 --> 00:17:33,878
-YES, NEELY.
332
00:17:34,009 --> 00:17:35,576
I'M GOING TO GET
YOU FOR THIS.
333
00:17:36,272 --> 00:17:37,317
-OKAY.
334
00:17:50,330 --> 00:17:52,854
-[BABY CRYING]
335
00:17:52,984 --> 00:17:55,074
-OH, HEY, HEY, HEY.
336
00:17:56,423 --> 00:17:57,728
I GOT YOU, HONEY.
337
00:17:57,859 --> 00:17:59,469
-SHE'S ALL YOURS.
338
00:17:59,600 --> 00:18:01,558
NEELY'S MOM IS GONNA PICK
HER UP IN ABOUT AN HOUR.
339
00:18:01,689 --> 00:18:02,820
-OH, HERE YOU GO.
340
00:18:02,951 --> 00:18:04,822
-EXCUSE ME, SORRY
TO BOTHER YOU.
341
00:18:04,953 --> 00:18:06,259
I KNOW SOMEONE WHO
USED TO WORK HERE.
342
00:18:06,389 --> 00:18:08,522
NEELY CAPSHAW? IS
SHE STILL AROUND?
343
00:18:11,002 --> 00:18:13,222
IF NOT, DO YOU KNOW WHERE I
MIGHT BE ABLE TO FIND HER?
344
00:18:13,353 --> 00:18:14,658
-AND YOU ARE?
-PETER: PETER ANDREWS.
345
00:18:14,789 --> 00:18:15,746
-HER EX-HUSBAND?
346
00:18:15,877 --> 00:18:17,226
-YES.
347
00:18:17,357 --> 00:18:18,749
-OH, DID YOU COME
BY TO SEE ASHLEY?
348
00:18:19,576 --> 00:18:20,490
-PETER: I BEG YOUR PARDON?
349
00:18:21,230 --> 00:18:22,536
-DOES NEELY KNOW
YOU'RE IN TOWN?
350
00:18:22,666 --> 00:18:24,190
-NOT UNLESS SHE'S PSYCHIC.
351
00:18:24,320 --> 00:18:25,887
I'VE BEEN IN THE HIMALAYAS
THE LAST SIX MONTHS
352
00:18:26,017 --> 00:18:27,323
AND I'M AFRAID
WE LOST TOUCH.
353
00:18:28,455 --> 00:18:31,066
-WELL, THAT'S FUNNY, SHE
SAID SHE SAW YOU IN ALASKA.
354
00:18:31,197 --> 00:18:32,285
-ALASKA?
355
00:18:32,415 --> 00:18:33,982
-YEAH, LAST MONTH IN JUNO.
356
00:18:34,113 --> 00:18:36,811
WITH YOUR NEW WIFE
AND NEW BABY.
357
00:18:36,941 --> 00:18:39,379
-THAT SEEMS RATHER ODD
SINCE I'M NOT MARRIED.
358
00:18:39,509 --> 00:18:40,858
I CERTAINLY DON'T
HAVE A CHILD.
359
00:18:44,210 --> 00:18:45,341
-YEAH, YOU DO.
360
00:18:46,212 --> 00:18:49,128
PETER, THIS IS YOUR
DAUGHTER, ASHLEY.
361
00:18:50,216 --> 00:18:54,655
-[CALMING MUSIC]
362
00:19:08,016 --> 00:19:10,018
-HEY, PAL. YOU OKAY?
363
00:19:12,455 --> 00:19:13,761
-GO AHEAD, SAY IT.
364
00:19:13,891 --> 00:19:15,676
-SAY WHAT?
365
00:19:15,806 --> 00:19:18,461
-WHAT'D YOU BEEN THINKING
SINCE I CAME BACK FROM ALASKA.
366
00:19:18,592 --> 00:19:21,247
THAT I GOT CAUGHT UP IN
SOME SHIP BOARD ROMANCE
367
00:19:21,377 --> 00:19:23,162
AND TEMPORARILY
LOST MY MIND.
368
00:19:24,380 --> 00:19:26,034
-THAT'S NOT WHAT I THINK.
369
00:19:27,557 --> 00:19:30,430
I THINK YOU REALLY LOVE NEELY
AND THAT'S WHY IT HURTS.
370
00:19:31,909 --> 00:19:33,694
I ALSO THINK THAT'S
WHY SHE DESERVES
371
00:19:33,824 --> 00:19:35,348
THE BENEFIT OF THE DOUBT.
372
00:19:35,478 --> 00:19:37,176
THE FACT IS YOU DON'T KNOW
WHO'S TELLING THE TRUTH.
373
00:19:38,786 --> 00:19:41,180
YOU SHOULD AT LEAST HEAR
HER SIDE OF THE STORY.
374
00:19:43,051 --> 00:19:46,054
-PLAYED THIS THING OVER IN
MY MIND A THOUSAND TIMES.
375
00:19:47,664 --> 00:19:49,492
SHE HAD THE WHOLE
THING PLANNED.
376
00:19:51,668 --> 00:19:53,975
-WHY WOULD SHE LIE ABOUT
SOMETHING LIKE THAT?
377
00:19:54,105 --> 00:19:57,500
-YOU READ HER FILE. SHE'S
BEEN LYING HER WHOLE LIFE.
378
00:19:57,631 --> 00:19:58,849
-[CAR HONKING]
379
00:19:58,980 --> 00:20:01,765
-HEY, MITCH. I
JUST SAW NEELY.
380
00:20:01,896 --> 00:20:03,724
SHE'S GONNA WORK
OUT AFTER HER SHIFT.
381
00:20:03,854 --> 00:20:04,942
SAYS SHE'LL SEE YOU AT HOME.
382
00:20:05,073 --> 00:20:06,205
-THANKS.
383
00:20:06,814 --> 00:20:07,989
-IS EVERYTHING OKAY?
384
00:20:08,119 --> 00:20:09,643
-YEAH, IT'S JUST FINE, J.D.
385
00:20:11,166 --> 00:20:13,342
-NEVER HAD A BETTER DAY.
386
00:20:15,344 --> 00:20:20,349
-[MELANCHOLY MUSIC]
387
00:20:24,440 --> 00:20:25,833
MITCH: WHAT HAPPENED
WITH PETER?
388
00:20:25,963 --> 00:20:27,704
-NEELY: PETER'S MARRIED.
389
00:20:27,835 --> 00:20:29,271
-MITCH: WHAT?
390
00:20:29,402 --> 00:20:32,622
-YEAH, I MET HIS WIFE
AND HIS LITTLE BABY BOY.
391
00:20:33,884 --> 00:20:35,146
-YOU'RE KIDDING.
392
00:20:36,104 --> 00:20:38,237
-OBVIOUSLY WE'RE NOT
GETTING BACK TOGETHER.
393
00:20:39,107 --> 00:20:42,023
HE'LL COME AND SEE
ASHLEY WHENEVER HE CAN,
394
00:20:42,153 --> 00:20:44,634
BUT OTHERWISE
WE'RE ON OUR OWN.
395
00:20:45,418 --> 00:20:46,810
-ARE YOU OKAY WITH THAT?
396
00:20:46,941 --> 00:20:49,378
-WELL, TO BE HONEST WITH
YOU, IT'S A HUGE RELIEF.
397
00:20:49,509 --> 00:20:51,075
I KNEW IN MY HEART
IT WOULD NEVER WORK.
398
00:20:51,206 --> 00:20:53,469
I MEAN, HOW CAN
YOU BE WITH SOMEONE
399
00:20:53,600 --> 00:20:55,254
WHEN YOU'RE IN LOVE
WITH SOMEONE ELSE?
400
00:20:57,517 --> 00:21:01,434
ONLY QUESTION NOW
IS DOES HE LOVE ME?
401
00:21:04,219 --> 00:21:06,134
-WHO'S HE?
402
00:21:07,614 --> 00:21:08,702
-YOU.
403
00:21:11,748 --> 00:21:12,575
-ME?
404
00:21:13,968 --> 00:21:16,100
-DO YOU?
-MITCH: DO I WHAT?
405
00:21:16,231 --> 00:21:18,146
-LOVE ME.
406
00:21:23,369 --> 00:21:27,982
-NEELY, I LOVE YOU MORE
THAN ANYONE I'VE EVER LOVED
407
00:21:28,112 --> 00:21:29,288
IN MY ENTIRE LIFE.
408
00:21:38,688 --> 00:21:40,821
-SURPRISE. STILL HERE?
409
00:21:40,951 --> 00:21:41,822
-YEAH.
410
00:21:43,214 --> 00:21:44,433
-MITCH, WHAT'S WRONG?
411
00:21:45,608 --> 00:21:48,089
-SOMEONE CAME BY
TO SEE YOU TODAY.
412
00:21:49,612 --> 00:21:50,613
-WHO?
413
00:21:53,007 --> 00:21:54,487
-MITCH: YOUR EX-HUSBAND.
414
00:21:54,617 --> 00:21:55,444
-PETER?
415
00:21:55,575 --> 00:21:57,185
-INTERESTING THOUGHT.
416
00:21:57,316 --> 00:21:59,579
CLAIMS HE'S BEEN IN THE
HIMALAYAS THE LAST SIX MONTHS.
417
00:21:59,709 --> 00:22:02,973
THAT HE'S NEVER BEEN TO ALASKA
AND THAT HE HASN'T SEEN YOU
418
00:22:03,104 --> 00:22:04,932
IN OVER A YEAR.
419
00:22:05,062 --> 00:22:07,064
-WHAT, MITCH? THIS IS ANOTHER
ONE OF YOUR PRACTICAL JOKES.
420
00:22:07,195 --> 00:22:09,806
-HAD ABSOLUTELY NO IDEA
THAT HE WAS A FATHER.
421
00:22:11,199 --> 00:22:13,157
-OH, MY GOD. YOU DIDN'T
LET HIM NEAR ASHLEY.
422
00:22:13,288 --> 00:22:15,682
HE PROBABLY CAME
HERE TO KIDNAP HER.
423
00:22:15,812 --> 00:22:17,118
WHERE IS SHE?
WHERE'S MY BABY?
424
00:22:17,248 --> 00:22:18,424
-YOUR MOTHER CAME
BY TO PICK HER UP.
425
00:22:18,554 --> 00:22:19,729
-LOOK, I WANNA
CALL AND MAKE SURE.
426
00:22:19,860 --> 00:22:21,296
-WHY DID YOU LIE
TO ME ON THE CRUISE?
427
00:22:21,427 --> 00:22:22,993
WHY DID YOU TELL ME
YOU WENT TO SEE PETER
428
00:22:23,124 --> 00:22:24,691
AND THAT HE WAS MARRIED?
WHY DID YOU DO THAT? WHY?
429
00:22:24,821 --> 00:22:26,736
-LOOK, I DON'T KNOW WHAT'S
GOING ON HERE, MITCH,
430
00:22:26,867 --> 00:22:28,782
BUT MY ONLY CONCERN AT
THE MOMENT IS THE SAFETY
431
00:22:28,912 --> 00:22:30,523
OF MY CHILD, NOW
PLEASE LET ME GO.
432
00:22:30,653 --> 00:22:32,089
-NOT UNTIL YOU
ANSWER MY QUESTION!
433
00:22:32,220 --> 00:22:33,830
WHY DID YOU LIE TO ME? WHY?
434
00:22:33,961 --> 00:22:36,137
-BECAUSE I DIDN'T
THINK IT WOULD MATTER!
435
00:22:36,267 --> 00:22:40,533
I DIDN'T KNOW THAT YOU WERE
GOING TO PROPOSE TO ME.
436
00:22:40,663 --> 00:22:43,318
ALL I WAS THINKING WAS
THAT I DIDN'T WANT TO DEAL
437
00:22:43,449 --> 00:22:44,232
WITH MY EX-HUSBAND.
438
00:22:44,363 --> 00:22:45,929
-OH, COME ON.
439
00:22:46,060 --> 00:22:47,583
YOU COULD'VE SAID SOMETHING
TO ME AFTER I PROPOSED.
440
00:22:47,714 --> 00:22:50,238
-I KNOW, I KNOW.
I SHOULD HAVE.
441
00:22:51,457 --> 00:22:52,806
I WAS STUPID.
442
00:22:52,936 --> 00:22:55,025
-OH, THAT'S NOT IT.
YOU'RE NOT STUPID.
443
00:22:56,723 --> 00:23:00,640
-I WAS ALSO IN LOVE. I
FELT LIKE I WAS IN A DREAM.
444
00:23:00,770 --> 00:23:03,773
I DIDN'T WANT TO WAKE UP.
I DIDN'T WANT IT TO END.
445
00:23:07,690 --> 00:23:11,433
IF I HAD TOLD YOU THE TRUTH,
WHAT WOULD YOU HAVE DONE?
446
00:23:12,347 --> 00:23:15,350
-YOU DON'T LIE TO
SOMEONE THAT YOU LOVE.
447
00:23:15,481 --> 00:23:17,483
-I DIDN'T WANT TO LOSE
YOU. I STILL DON'T.
448
00:23:17,613 --> 00:23:19,136
MITCH, PLEASE FORGIVE ME.
449
00:23:19,267 --> 00:23:20,790
DON'T LET PETER
COME BETWEEN US.
450
00:23:20,921 --> 00:23:23,445
-IT'S NOT ABOUT PETER.
IT'S ABOUT YOU.
451
00:23:23,576 --> 00:23:25,142
-WE CAN WORK THIS OUT.
452
00:23:25,273 --> 00:23:27,406
-NOT IF I CAN'T BELIEVE
ANOTHER WORD YOU SAY.
453
00:23:28,276 --> 00:23:32,106
-[MELANCHOLY MUSIC]
454
00:23:32,236 --> 00:23:35,979
-IF THAT'S THE WAY YOU FEEL,
THEN I WON'T SAY ANOTHER WORD.
455
00:23:48,557 --> 00:23:51,865
-[PHONE RINGING]
456
00:23:51,995 --> 00:23:52,866
-HELLO?
457
00:23:52,996 --> 00:23:54,911
-HEY, HOW'D IT GO?
458
00:23:55,042 --> 00:23:57,087
-MITCH: I CAN'T
TALK RIGHT NOW, PAL.
459
00:23:57,784 --> 00:23:59,133
-IS SHE RIGHT THERE?
460
00:23:59,263 --> 00:24:01,483
-NO, NO. SHE'S UPSTAIRS
LOCKED IN THE BEDROOM.
461
00:24:01,614 --> 00:24:03,398
I'M DOWNSTAIRS
MAKING UP THE COUCH.
462
00:24:03,529 --> 00:24:05,748
-WELL, THAT PRETTY MUCH
GIVES ME THE PICTURE.
463
00:24:07,141 --> 00:24:09,317
-I JUST DON'T KNOW HOW I'M
GOING TO TRUST HER AFTER THIS.
464
00:24:09,448 --> 00:24:11,014
-YEAH, THE QUESTION
BECOMES WHAT ARE YOU GOING
465
00:24:11,145 --> 00:24:12,538
TO DO ABOUT IT?
466
00:24:12,668 --> 00:24:14,627
-I KNOW. I DON'T WANT
TO THINK ABOUT IT.
467
00:24:15,715 --> 00:24:17,586
LISTEN, I'M ABOUT TO DROP.
468
00:24:17,717 --> 00:24:19,153
-CRAIG: GET SOME SLEEP.
469
00:24:19,283 --> 00:24:20,676
I'LL CHECK ON YOU FIRST
THING IN THE MORNING.
470
00:24:20,807 --> 00:24:23,374
-OKAY, THANKS. HEY,
THANKS FOR CALLING.
471
00:24:23,505 --> 00:24:24,375
-YEAH.
472
00:24:26,595 --> 00:24:31,948
-[MELANCHOLY MUSIC]
473
00:24:39,347 --> 00:24:40,609
-MITCH: OW!
-[GLASS SHATTERING]
474
00:24:40,740 --> 00:24:41,610
-MITCH: WHAT A DAY.
475
00:24:43,133 --> 00:24:48,356
-[THRILLING MUSIC]
476
00:24:53,622 --> 00:24:55,145
-WELCOME ABOARD.
-APRIL: HI.
477
00:24:55,276 --> 00:24:56,712
-FIRST CLASS IS TO YOUR
RIGHT. ENJOY YOUR FLIGHT.
478
00:24:56,843 --> 00:24:58,061
-THANK YOU.
479
00:24:58,192 --> 00:24:59,367
-EXCUSE ME.
-OH, WE'RE TOGETHER.
480
00:24:59,498 --> 00:25:01,282
-I STILL NEED TO
SEE YOUR TICKET.
481
00:25:02,631 --> 00:25:03,502
-OKAY.
482
00:25:05,242 --> 00:25:06,592
-I'M AFRAID THAT
YOUR SEAT IS IN COACH.
483
00:25:07,375 --> 00:25:09,377
-WHAT? HOW CAN THAT BE?
484
00:25:10,378 --> 00:25:12,119
OH, THEY MUST'VE GIVEN
ME THE WRONG TICKET.
485
00:25:12,249 --> 00:25:13,686
-CODY.
486
00:25:13,816 --> 00:25:14,730
-AND I SUPPOSE YOU'RE
ON YOUR HONEYMOON?
487
00:25:14,861 --> 00:25:16,689
-HOW'D YOU GUESS?
488
00:25:16,819 --> 00:25:18,081
-I DON'T KNOW HIM.
489
00:25:19,082 --> 00:25:20,127
-COME ON, BUDDY. LET'S GO.
490
00:25:21,998 --> 00:25:23,391
-APRIL.
491
00:25:25,175 --> 00:25:27,656
I DON'T SUPPOSE THERE'S
ANY WAY YOU CAN UPGRADE ME.
492
00:25:27,787 --> 00:25:30,441
LOOKED LIKE A LOT OF
EMPTY SEATS UP THERE.
493
00:25:30,572 --> 00:25:32,792
-NOT AFTER THAT
LAME PERFORMANCE.
494
00:25:32,922 --> 00:25:35,272
BESIDES, I COULD
USE A GUY LIKE YOU.
495
00:25:35,403 --> 00:25:36,796
-REALLY?
496
00:25:36,926 --> 00:25:39,407
-THAT IS IF YOU'RE
REALLY A LIFEGUARD.
497
00:25:39,538 --> 00:25:40,930
-YEAH, I'M A LIFEGUARD.
498
00:25:42,192 --> 00:25:43,411
-HERE'S YOUR SEAT.
499
00:25:45,021 --> 00:25:46,545
-THOUGHT I WAS IN 17A.
500
00:25:46,675 --> 00:25:49,199
-YOU WERE, BUT TYLER HERE
IS TRAVELING BY HIMSELF
501
00:25:49,330 --> 00:25:50,853
AND HE COULD
USE THE COMPANY.
502
00:25:51,811 --> 00:25:53,769
-AND MY INCENTIVE WOULD BE?
503
00:25:54,814 --> 00:25:56,163
-FREE HEADPHONES.
504
00:25:59,340 --> 00:26:00,428
-GREAT.
505
00:26:08,479 --> 00:26:10,612
HOW YOU DOING, PAL?
MY NAME'S CODY.
506
00:26:10,743 --> 00:26:11,613
-I'M TYLER.
507
00:26:12,222 --> 00:26:14,181
-NICE TO MEET YOU, TYLER.
508
00:26:14,311 --> 00:26:16,792
-THEY'RE SERVING SAUSAGE
AND PANCAKES FOR BREAKFAST.
509
00:26:17,445 --> 00:26:18,925
-REALLY?
510
00:26:19,055 --> 00:26:21,101
-LAST TIME I FLEW, I
HAD A CHICKEN POT PIE.
511
00:26:21,231 --> 00:26:23,799
-OH, YEAH? HOW WAS IT?
512
00:26:23,930 --> 00:26:25,627
-MADE ME BARF.
513
00:26:28,674 --> 00:26:29,979
-OKAY.
514
00:26:33,548 --> 00:26:34,462
-SAY WHEN.
515
00:26:34,593 --> 00:26:36,551
-THAT'S GREAT. THANKS.
516
00:26:36,682 --> 00:26:37,900
-WE'LL HAVE FULL
COCKTAIL SERVICE ONCE WE'RE UP IN THE AIR.
517
00:26:38,031 --> 00:26:39,032
-OKAY.
518
00:26:44,428 --> 00:26:45,212
HI.
519
00:26:45,342 --> 00:26:46,561
-GOOD MORNING.
520
00:26:46,692 --> 00:26:50,043
-WOW, I'M A BIG
FAN OF YOUR FILMS.
521
00:26:50,173 --> 00:26:51,697
-OH, THANK YOU.
THAT'S SWEET OF YOU.
522
00:26:51,827 --> 00:26:53,524
-ESPECIALLY THE OBLITERATOR.
523
00:26:53,655 --> 00:26:57,224
YOU KNOW THAT ACTION SEQUENCE
AT THE END IS AWESOME.
524
00:26:57,354 --> 00:26:58,399
I'M APRIL GIMINSKI.
525
00:26:58,529 --> 00:27:00,488
-HANS.
-APRIL: HI.
526
00:27:00,619 --> 00:27:02,403
-OH, EXCUSE ME, SORRY.
527
00:27:03,404 --> 00:27:07,626
I'M SORRY, I BELIEVE I
HAVE 7A IN THE WINDOW.
528
00:27:09,236 --> 00:27:10,933
-ACTUALLY, WOULD YOU BE MORE
COMFORTABLE ON THE AISLE?
529
00:27:11,064 --> 00:27:12,543
-WOULD YOU MIND?
-NOT AT ALL.
530
00:27:12,674 --> 00:27:13,806
-GREAT.
531
00:27:13,936 --> 00:27:15,155
-HERE, LET ME HELP YOU.
-THANKS.
532
00:27:15,285 --> 00:27:16,678
-PILOT: GOOD
MORNING, EVERYBODY.
533
00:27:16,809 --> 00:27:18,506
ON BEHALF OF COAST WEST
AIRLINES FLIGHT 619
534
00:27:18,637 --> 00:27:20,029
TO NEW YORK'S JOHN
F. KENNEDY AIRPORT,
535
00:27:20,160 --> 00:27:21,683
I'D LIKE TO WELCOME
YOU ABOARD.
536
00:27:21,814 --> 00:27:23,424
MY NAME'S BRENT MUELLER,
YOUR CAPTAIN THIS MORNING.
537
00:27:23,554 --> 00:27:25,818
TIME EN ROUTE, FIVE
HOURS, 15 MINUTES.
538
00:27:25,948 --> 00:27:28,472
WE'LL BE CRUISING
AT 37,000 FEET.
539
00:27:28,603 --> 00:27:30,866
WE'VE GOT SOME THUNDER
STORMS REPORTED EN ROUTE.
540
00:27:30,997 --> 00:27:32,825
COURTESY OF EL NINO.
541
00:27:32,955 --> 00:27:35,958
IN FACT, JUST OFF SHORE, WE'VE
GOT SOME DEVELOPING ACTIVITY.
542
00:27:36,089 --> 00:27:38,091
WHAT THAT MEANS IS WE
COULD HAVE A BUMP OR TWO
543
00:27:38,221 --> 00:27:40,180
AFTER TAKE OFF, SO
PLEASE STAY IN YOUR SEATS
544
00:27:40,310 --> 00:27:42,486
WITH YOUR SEAT BELTS
FASTENED, THANK YOU.
545
00:27:45,620 --> 00:27:47,709
-WHAT ARE YOU GONNA DO IN
NEW YORK? YOU LIVE THERE?
546
00:27:47,840 --> 00:27:50,625
-NO, WE'RE GOING TO
VISIT MY GRANDPARENTS.
547
00:27:50,756 --> 00:27:52,192
WHAT ABOUT YOU?
548
00:27:52,322 --> 00:27:53,541
-GONNA SEE MY GIRLFRIEND.
549
00:27:53,672 --> 00:27:54,847
-SHE LIVE IN NEW YORK?
550
00:27:54,977 --> 00:27:56,500
-YUP, SHE JUST MOVED THERE.
551
00:27:56,631 --> 00:27:58,372
SHE OPENS TOMORROW
ON BROADWAY.
552
00:27:58,502 --> 00:27:59,939
SHE'S A DANCER.
553
00:28:01,331 --> 00:28:02,768
-ARE YOU A DANCER?
554
00:28:02,898 --> 00:28:06,554
-[LAUGHS] NO, I
AM NOT A DANCER.
555
00:28:13,474 --> 00:28:15,084
-SO, WHEN ARE YOU DUE?
556
00:28:15,215 --> 00:28:16,607
-NOT FOR ANOTHER MONTH.
557
00:28:18,740 --> 00:28:20,350
I KNOW I'M HUGE.
558
00:28:20,481 --> 00:28:22,396
-NO, YOU'RE NOT.
559
00:28:22,526 --> 00:28:24,528
-IT'S OKAY, WE'RE GONNA
NEED THAT MUCH TIME
560
00:28:24,659 --> 00:28:25,704
TO COME UP WITH A NAME.
561
00:28:25,834 --> 00:28:27,401
-IS IT A BOY OR A GIRL?
562
00:28:27,531 --> 00:28:29,708
-WE DON'T KNOW YET,
SO WE'VE GOT TO COME UP
563
00:28:29,838 --> 00:28:31,492
WITH TWO SETS OF NAMES.
564
00:28:32,058 --> 00:28:34,974
I LIKE SHARON OR
SHEILA IF IT'S A GIRL
565
00:28:35,104 --> 00:28:38,194
AND ROGER OR ROBERT
IF IT'S A BOY.
566
00:28:38,325 --> 00:28:41,023
MY HUSBAND LIKES
HECTOR IF IT'S A BOY
567
00:28:41,154 --> 00:28:43,286
AND SYDNEY IF IT'S A GIRL.
568
00:28:44,374 --> 00:28:46,768
YOU CAN SEE WHY WE'RE NOT
SPEAKING AT THE MOMENT.
569
00:28:46,899 --> 00:28:48,552
-ALL SET?
-ALL SET.
570
00:28:48,683 --> 00:28:50,511
-CLEAR RIGHT.
-CLEAR RIGHT.
571
00:28:50,641 --> 00:28:52,861
-TRAFFIC CONTROL: CENTER FIELD
WIND AT 25 GUSTING TO 30 SOUTH
572
00:28:52,992 --> 00:28:54,341
FIELD WIND AT 10.
573
00:28:54,471 --> 00:28:56,647
LAST AIRCRAFT REPORTED
LOSS OF 10 TO 15 KNOTS.
574
00:28:58,040 --> 00:29:00,260
COAST WEST 619, YOU
ARE CLEAR FOR TAKE OFF.
575
00:29:00,390 --> 00:29:02,044
-TOM, I'M JUST GONNA
CARRY A LITTLE EXTRA SPEED.
576
00:29:02,175 --> 00:29:04,264
WE'RE UPDATING A LITTLE SLOW.
577
00:29:04,394 --> 00:29:06,179
-OKAY. LET'S GO.
578
00:29:17,756 --> 00:29:19,148
-I HATE THIS PART.
579
00:29:19,279 --> 00:29:20,802
-IT'S GONNA BE OKAY, PAL.
580
00:29:28,070 --> 00:29:30,420
-WE MUST BE GOING
THROUGH THE STORM.
581
00:29:33,815 --> 00:29:37,210
-[THUNDER CRASHING]
582
00:29:37,340 --> 00:29:42,345
-[OMINOUS MUSIC]
583
00:29:50,353 --> 00:29:52,355
-AIR SPEED. TIME
RATE'S DECREASING.
584
00:29:52,486 --> 00:29:53,313
-[BEEPING]
585
00:29:53,443 --> 00:29:55,315
-WIND SHEAR, WIND SHEAR.
586
00:30:00,842 --> 00:30:03,845
LIGHT BUZZ FIVE. 6500,
BUZZ LIGHT MINUS FIVE.
587
00:30:03,976 --> 00:30:06,500
SINK A THOUSAND,
MINUS 17, SINK 15.
588
00:30:06,630 --> 00:30:08,415
WE'RE LOSING IT.
589
00:30:08,545 --> 00:30:13,899
-[SCARED SHOUTING]
590
00:30:14,029 --> 00:30:16,466
-WHAT'S HAPPENING?
ARE WE GONNA CRASH?
591
00:30:19,339 --> 00:30:21,689
-[BEEPING]
592
00:30:31,003 --> 00:30:35,616
-[SCREAMING]
593
00:30:35,746 --> 00:30:36,965
-WE'RE NOT GONNA MAKE IT.
594
00:30:37,096 --> 00:30:38,401
TELL THE PASSENGERS
WE'RE GOING IN.
595
00:30:38,532 --> 00:30:39,925
-PREPARE FOR IMPACT.
596
00:30:40,055 --> 00:30:42,014
PREPARE FOR IMPACT.
PREPARE FOR IMPACT.
597
00:30:42,144 --> 00:30:43,493
-MY GOD.
598
00:30:43,624 --> 00:30:45,974
-HOLD YOUR HEAD BETWEEN
YOUR LEGS, TYLER.
599
00:30:47,236 --> 00:30:49,848
-MAYDAY,
MAYDAY, MAYDAY.
600
00:30:49,978 --> 00:30:53,416
-[SCREAMING]
601
00:31:15,699 --> 00:31:18,702
-PLEASE STAY CALM!
WE WILL GET YOU OUT.
602
00:31:20,704 --> 00:31:21,923
DON'T PANIC.
603
00:31:22,054 --> 00:31:27,233
-[SCREAMING AND SHOUTING]
604
00:31:29,278 --> 00:31:30,714
-TYLER, TYLER,
YOU ALL RIGHT?
605
00:31:30,845 --> 00:31:32,673
ALL RIGHT, COME ON, KID.
LET'S GET OUT OF HERE.
606
00:31:32,803 --> 00:31:33,935
-CODY, HELP!
607
00:31:34,066 --> 00:31:35,241
-COME ON, COME
ON, COME ON!
608
00:31:36,242 --> 00:31:40,115
COME ON, STAY
WITH ME, TYLER.
609
00:31:52,606 --> 00:31:54,086
-APRIL: FRANCINE?
610
00:31:54,216 --> 00:31:55,043
FRANCINE?
611
00:31:56,305 --> 00:31:58,307
ARE YOU OKAY? ARE YOU OKAY?
612
00:31:58,829 --> 00:31:59,961
-I THINK SO.
613
00:32:00,092 --> 00:32:01,006
-OKAY, LET'S GET
THIS OFF YOU.
614
00:32:01,136 --> 00:32:02,311
-OKAY.
-APRIL: ANY PAIN?
615
00:32:02,442 --> 00:32:03,356
-NO.
616
00:32:03,486 --> 00:32:04,792
-OKAY, YOU ALL RIGHT?
617
00:32:04,923 --> 00:32:06,794
HANG IN THERE. HOLD ON.
618
00:32:07,621 --> 00:32:09,536
HANS! HANS?
619
00:32:10,189 --> 00:32:11,581
COME ON, YOU OKAY?
620
00:32:14,019 --> 00:32:15,324
YOU ALL RIGHT?
621
00:32:17,196 --> 00:32:18,327
-WHERE ARE WE?
622
00:32:19,850 --> 00:32:20,982
DO YOU SEE ANYTHING?
623
00:32:21,635 --> 00:32:23,463
-WE'RE STILL ABOVE WATER.
624
00:32:23,985 --> 00:32:25,944
I'M GONNA LOOK FOR
A WAY OUT, OKAY?
625
00:32:26,640 --> 00:32:28,859
OKAY? ALL RIGHT.
626
00:32:30,644 --> 00:32:35,954
-[SHOUTING]
627
00:32:36,084 --> 00:32:38,043
-OKAY, TYLER, WE GOTTA
PUT THIS ON YOU.
628
00:33:06,114 --> 00:33:08,029
OKAY, TYLER, IT'S
YOUR TURN, MAN.
629
00:33:08,160 --> 00:33:09,161
I'LL BE RIGHT BEHIND YOU.
630
00:33:09,291 --> 00:33:10,684
-I DON'T SEE ANYBODY ELSE.
631
00:33:11,467 --> 00:33:14,470
-WHAT ABOUT MY GLASSES?
I WON'T BE ABLE TO SEE.
632
00:33:14,601 --> 00:33:16,168
-I'LL HOLD YOUR
GLASSES, NOW GO.
633
00:33:16,298 --> 00:33:18,779
CLOSE YOUR EYES AND JUMP.
634
00:33:23,218 --> 00:33:25,699
TYLER! TYLER!
635
00:33:30,791 --> 00:33:32,880
TYLER! TYLER!
636
00:33:33,011 --> 00:33:34,229
-TYLER!
637
00:33:34,360 --> 00:33:35,491
-DO YOU SEE HIM?
-NO!
638
00:33:35,622 --> 00:33:37,102
-CODY: TYLER!
-WOMAN: TYLER!
639
00:33:37,232 --> 00:33:39,408
-DO YOU HEAR
MY VOICE? TYLER!
640
00:33:39,539 --> 00:33:41,149
TYLER!
641
00:33:44,196 --> 00:33:45,110
I CAN'T FIND HIM.
642
00:33:45,806 --> 00:33:48,200
-HE'LL TURN UP. I
NEED YOUR HELP HERE.
643
00:33:48,330 --> 00:33:50,463
-HE'S GOT A LIFE VEST ON,
HE COULDN'T HAVE DROWNED.
644
00:33:51,116 --> 00:33:51,942
TYLER!
645
00:33:52,073 --> 00:33:52,856
-CODY!
646
00:33:52,987 --> 00:33:53,770
-TYLER!
647
00:33:53,901 --> 00:33:54,858
-CODY!
648
00:34:01,952 --> 00:34:03,780
-[GROANING]
649
00:34:13,355 --> 00:34:14,574
-OH, MY GOD.
650
00:34:16,489 --> 00:34:17,881
WE'VE GOT TO GET THIS
OFF OF YOU. ARE YOU OKAY?
651
00:34:18,012 --> 00:34:19,144
-I THINK SO.
652
00:34:19,927 --> 00:34:22,016
-HANS, FRANCINE!
CAN YOU HELP?
653
00:34:24,366 --> 00:34:26,412
JUST HANG IN THERE,
JUST HANG IN THERE.
654
00:34:30,807 --> 00:34:32,157
WE GOTTA GET IT OFF.
655
00:34:34,376 --> 00:34:35,943
-WE NEED MORE HELP,
GO CHECK THE PILOTS.
656
00:34:36,639 --> 00:34:37,988
-I'LL BE RIGHT BACK.
657
00:34:40,165 --> 00:34:41,383
-MAN: IT'S ON MY LEG.
658
00:34:43,298 --> 00:34:44,908
-[GRUNTING]
659
00:34:52,002 --> 00:34:55,702
-CAPTAIN? CAPTAIN?
660
00:34:55,832 --> 00:34:57,095
CAPTAIN?
661
00:34:57,225 --> 00:34:58,922
-IT ONLY OPENS
FROM THE INSIDE.
662
00:34:59,053 --> 00:35:00,533
THEY MUST NOT HAVE MADE IT.
663
00:35:00,663 --> 00:35:03,101
-WE HAVE TO SEE. HANS,
CAN YOU COME HELP ME?
664
00:35:03,231 --> 00:35:05,015
THERE'S SOMETHING
BLOCKING THE DOOR.
665
00:35:13,981 --> 00:35:15,287
-HANS: IT'S BLOCKED.
666
00:35:17,767 --> 00:35:20,857
-I GOTTA GET THROUGH
THERE. HOLD ON, HOLD ON.
667
00:35:35,045 --> 00:35:37,396
THEY'RE BOTH DEAD AND
IT'S COMPLETELY COLLAPSED.
668
00:35:46,013 --> 00:35:49,103
-WE'RE ALL GOING
TO DIE. NO ONE KNOW.
669
00:35:52,150 --> 00:35:53,325
-THERE'S GOT TO
BE A WAY OUT.
670
00:35:55,240 --> 00:35:59,244
-WE CAN'T USE THE EMERGENCY
DOOR. IT ALL GOT CRUSHED.
671
00:36:03,030 --> 00:36:04,249
IT'S GONNA BE OKAY.
672
00:36:07,469 --> 00:36:10,037
-THE WHOLE GALLEY'S CAVED
IN, WE CAN'T GET OUT THIS WAY.
673
00:36:10,690 --> 00:36:13,562
-IT'S RAN. WE'RE
ALL GONNA DIE.
674
00:36:16,957 --> 00:36:19,133
WE'RE ALL GONNA DIE.
I DON'T WANNA DIE.
675
00:36:23,181 --> 00:36:27,141
-[SHOUTING]
676
00:36:49,468 --> 00:36:51,165
-CODY, WHAT'S WRONG?
677
00:36:51,296 --> 00:36:53,733
-MY RIBS, FEELS LIKE
I BROKE A COUPLE.
678
00:36:53,863 --> 00:36:54,777
I'LL BE ALL RIGHT.
679
00:36:56,518 --> 00:36:58,303
-CODY, THE FRONT OF
THE PLANE IS GONE.
680
00:36:59,129 --> 00:37:00,740
-APRIL, I GOTTA FIND HER.
681
00:37:00,870 --> 00:37:03,351
-CODY, IT'S GONE.
FIRST CLASS BROKE OFF.
682
00:37:04,483 --> 00:37:06,746
IT EITHER SANK OR IT WAS
DESTROYED IN THE IMPACT.
683
00:37:06,876 --> 00:37:08,965
-NO, THERE'S NO WAY.
684
00:37:32,337 --> 00:37:33,642
-SHARK!
685
00:37:33,773 --> 00:37:38,865
-[SCREAMING AND SHOUTING]
686
00:38:23,257 --> 00:38:25,781
-APRIL: IS THERE A
FLASHLIGHT ON BOARD?
687
00:38:26,434 --> 00:38:28,306
-IT SHOULD BE RIGHT
OVER THERE SOME WHERE.
688
00:38:33,746 --> 00:38:36,270
-OH, GOD. OH, MY GOD.
689
00:38:36,401 --> 00:38:37,271
-WHAT'S WRONG?
690
00:38:37,880 --> 00:38:39,012
-I'M HAVING A CONTRACTION.
691
00:38:40,405 --> 00:38:42,189
-SHE'S GOING TO
HAVE A BABY.
692
00:38:42,320 --> 00:38:43,408
-APRIL: NO, SHE'S NOT.
693
00:38:43,538 --> 00:38:45,584
-YES, I AM.
694
00:38:45,714 --> 00:38:46,933
-JUST HANG IN
THERE, FRANCINE.
695
00:38:47,063 --> 00:38:48,151
-APRIL: GOT IT.
696
00:38:51,198 --> 00:38:52,721
-I'M HAVING ANOTHER ONE.
697
00:38:52,852 --> 00:38:55,637
-OKAY, TAKE A DEEP
BREATH. HOLD IT, HOLD IT.
698
00:38:55,768 --> 00:38:56,725
LET IT OUT.
699
00:38:56,856 --> 00:38:58,858
TAKE ANOTHER DEEP BREATH.
700
00:39:00,686 --> 00:39:03,210
-COME ON. GIVE ME YOUR
HAND, GIVE ME YOUR HAND.
701
00:39:03,341 --> 00:39:05,125
-GRAB ON, PAL. GRAB ON.
702
00:39:12,219 --> 00:39:13,351
-YOU GUYS ALL RIGHT?
703
00:39:29,367 --> 00:39:32,935
-OH, MY GOD. OH, MY GOD.
704
00:39:33,066 --> 00:39:39,028
-[DRAMATIC MUSIC]
705
00:40:18,372 --> 00:40:23,464
-[END THEME PLAYING]
706
00:40:23,514 --> 00:40:28,064
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