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1
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-[OPENING THEME PLAYS]
2
00:00:12,708 --> 00:00:15,667
-
SOME PEOPLE STAND
IN THE DARKNESS
3
00:00:16,886 --> 00:00:20,368
AFRAID TO STEP
INTO THE LIGHT
4
00:00:20,933 --> 00:00:24,328
SOME PEOPLE NEED
TO HELP SOMEBODY
5
00:00:24,459 --> 00:00:27,766
WHEN THE END OF
SURRENDER'S IN SIGHT
6
00:00:27,897 --> 00:00:30,595
DON'T YOU WORRY
7
00:00:31,335 --> 00:00:33,685
IT'S GONNA
BE ALL RIGHT
8
00:00:36,732 --> 00:00:38,516
'CAUSE I'M ALWAYS READY
9
00:00:38,647 --> 00:00:42,259
I WON'T LET YOU
OUT OF MY SIGHT
10
00:00:45,393 --> 00:00:49,136
I'LL BE READY,
I'LL BE READY
11
00:00:49,266 --> 00:00:53,270
NEVER YOU FEAR,
NO, DON'T YOU FEAR
12
00:00:53,401 --> 00:00:55,968
I'LL BE READY
13
00:00:56,665 --> 00:00:59,233
FOREVER AND ALWAYS
14
00:00:59,885 --> 00:01:02,062
I'M ALWAYS HERE
15
00:01:20,863 --> 00:01:22,865
'CAUSE I'M ALWAYS READY
16
00:01:22,995 --> 00:01:26,042
I WON'T LET YOU
OUT OF MY SIGHT
17
00:01:29,480 --> 00:01:33,354
I'LL BE READY,
I'LL BE READY
18
00:01:33,484 --> 00:01:37,358
NEVER YOU FEAR,
NO, DON'T YOU FEAR
19
00:01:37,488 --> 00:01:40,100
I'LL BE READY
20
00:01:40,752 --> 00:01:43,407
FOREVER AND ALWAYS
21
00:01:43,973 --> 00:01:46,802
I'M ALWAYS HERE
22
00:02:15,091 --> 00:02:16,223
-YOUR PRESCRIPTION
WILL BE READY
23
00:02:16,353 --> 00:02:17,137
IN JUST A MINUTE,
MR. O'HARA.
24
00:02:17,267 --> 00:02:18,790
-THANKS, SAM, NO HURRY.
25
00:02:18,921 --> 00:02:21,358
I HAVE TO PICK OUT A
BIRTHDAY CARD, ANYWAY.
26
00:02:22,751 --> 00:02:24,405
-THIS IS EXPIRING,
MISS CAPSHAW,
27
00:02:25,145 --> 00:02:26,668
AND MAKE SURE YOU TAKE
THOSE PILLS WITH FOOD.
28
00:02:26,798 --> 00:02:28,191
THEY'RE VERY POWERFUL.
29
00:02:28,322 --> 00:02:30,019
-I PROBABLY WON'T
EVEN NEED THESE.
30
00:02:30,150 --> 00:02:31,542
IT'S JUST IN CASE.
31
00:02:31,673 --> 00:02:33,414
-OKAY, IT'LL BE JUST
A COUPLE OF MINUTES.
32
00:02:33,544 --> 00:02:34,415
-THANKS.
33
00:02:45,687 --> 00:02:47,950
-GIVE ME THE CASH
IN THE REGISTER. NOW!
34
00:02:48,080 --> 00:02:49,604
BACK OFF! BACK OFF!
35
00:02:49,734 --> 00:02:51,736
STAY OVER
THERE, OLD MAN!
36
00:02:56,872 --> 00:02:58,917
GET UP!
GET UP!
37
00:03:00,745 --> 00:03:01,833
GIVE ME THE CASH.
38
00:03:04,619 --> 00:03:06,186
-I THINK HE'S HAVING
A HEART ATTACK.
39
00:03:10,102 --> 00:03:11,234
CALL 9-1-1, HURRY!
40
00:03:17,240 --> 00:03:18,981
-YES, WE HAVE AN
EMERGENCY RIGHT NOW!
41
00:03:19,111 --> 00:03:20,112
A MAN IS HAVING A
HEART ATTACK!
42
00:03:20,765 --> 00:03:22,027
YES, HE'S DOWN
RIGHT NOW.
43
00:03:22,767 --> 00:03:27,555
-ONE, TWO, THREE, FOUR,
FIVE, SIX, SEVEN, EIGHT --
44
00:03:27,685 --> 00:03:29,296
-NO, HE'S GETTING CPR.
45
00:03:30,253 --> 00:03:31,950
-NEELY: TWELVE, THIRTEEN,
FOURTEEN, FIFTEEN.
46
00:03:35,127 --> 00:03:36,999
FIVE, SIX, SEVEN, EIGHT.
47
00:03:37,129 --> 00:03:38,783
-NEWS ANCHOR: THE ROBBER
IS STILL AT LARGE.
48
00:03:39,393 --> 00:03:41,786
THE VICTIM, JOHN O'HARA, TRULY
HAD THE LUCK OF THE IRISH
49
00:03:41,917 --> 00:03:43,310
WITH HIM YESTERDAY.
50
00:03:43,440 --> 00:03:44,615
HE SUFFERED HIS HEART
ATTACK RIGHT NEXT
51
00:03:44,746 --> 00:03:45,921
TO AN OFF-DUTY LIFEGUARD.
52
00:03:46,443 --> 00:03:49,533
NEELY CAPSHAW FROM BAYWATCH
INSTANTLY BEGAN CPR.
53
00:03:49,664 --> 00:03:50,926
WHEN THE PARAMEDICS ARRIVED,
54
00:03:51,056 --> 00:03:52,884
THE QUICK-ACTING
CAPSHAW HAD SUCCESSFULLY
55
00:03:53,015 --> 00:03:55,844
RESTORED O'HARA'S PULSE,
SAVING THE MAN'S LIFE.
56
00:03:56,627 --> 00:03:58,281
HE'S STABLE NOW AND
RESTING COMFORTABLY
57
00:03:58,412 --> 00:03:59,674
AT ST. JOHN'S HOSPITAL.
58
00:03:59,804 --> 00:04:01,763
-THERE IT IS.
[LAUGHTER AND APPLAUSE]
59
00:04:01,893 --> 00:04:03,765
LET'S SUBMIT HER FOR
A MEDAL OF VALOR.
60
00:04:04,331 --> 00:04:05,288
-DONNA: HEY,
WHEN'S SHE COMING IN?
61
00:04:05,419 --> 00:04:06,289
-MITCH: THIS AFTERNOON.
62
00:04:06,420 --> 00:04:07,812
-DONNA: I'VE MISSED HER.
63
00:04:07,943 --> 00:04:09,553
THE SKIING ACCIDENT
WAS PRETTY BAD, HUH?
64
00:04:09,684 --> 00:04:11,686
-EVIDENTLY, SHE HAD A
HERNIATED DISC IN HER BACK,
65
00:04:11,816 --> 00:04:13,165
TRACTION, THE WHOLE WORKS.
66
00:04:13,296 --> 00:04:14,689
-THINK SHE'S
READY TO LIFEGUARD?
67
00:04:14,819 --> 00:04:15,864
-I KNOW SHE'S GONNA
NEED SOMEONE TO HELP
68
00:04:15,994 --> 00:04:16,995
HER GET IN SHAPE
FOR THE RECHECK.
69
00:05:33,898 --> 00:05:35,073
-OH, MY BACK.
70
00:05:35,204 --> 00:05:36,640
-DONNA: NEELY,
ARE YOU OKAY?
71
00:05:38,250 --> 00:05:39,121
-YEAH, I'M FINE.
72
00:05:39,643 --> 00:05:40,427
-DONNA: ARE YOU SURE?
73
00:05:41,079 --> 00:05:41,993
-OKAY, THANKS.
74
00:05:42,516 --> 00:05:43,691
-DONNA: DO YOU
THINK YOU CAN JOG?
75
00:05:44,648 --> 00:05:45,475
-SURE.
76
00:05:52,961 --> 00:05:53,962
-YOU'RE SURE
YOU'RE ALL RIGHT?
77
00:05:54,092 --> 00:05:55,180
-I'M FINE.
78
00:06:28,997 --> 00:06:29,867
-HMM.
79
00:06:41,139 --> 00:06:43,011
EXCUSE ME, WHAT ARE
YOU GUYS DOING HERE?
80
00:06:47,624 --> 00:06:48,843
-YOU DON'T WANNA KNOW.
81
00:06:48,973 --> 00:06:49,974
-I NEED TO KNOW.
82
00:06:58,113 --> 00:06:59,157
-THAT IS MY UNCLE.
83
00:06:59,984 --> 00:07:01,769
HE SAYS IT'S TIME
FOR HIM TO DIE.
84
00:07:03,248 --> 00:07:05,425
-DIE? WHEN?
85
00:07:06,513 --> 00:07:07,688
-HE SAYS SOON.
86
00:07:09,254 --> 00:07:10,038
-HERE?
87
00:07:10,168 --> 00:07:11,648
-I'M AFRAID SO.
88
00:07:11,779 --> 00:07:14,521
-[LAUGHS] HE CAN'T DIE HERE.
89
00:07:14,651 --> 00:07:16,305
THIS IS A PUBLIC BEACH.
90
00:07:16,958 --> 00:07:17,959
-NOT ANY MORE.
91
00:07:20,135 --> 00:07:21,528
-DON'T LET HIM
DO ANYTHING.
92
00:07:21,658 --> 00:07:24,226
JUST MAKE SURE HE STAYS
ALIVE UNTIL I GET BACK.
93
00:07:25,836 --> 00:07:30,101
-[SUSPENSEFUL MUSIC]
94
00:07:57,172 --> 00:08:00,958
-[TRIBAL MUSIC]
95
00:08:25,548 --> 00:08:26,506
-HEY, WHAT'S GOING ON?
96
00:08:26,636 --> 00:08:28,290
-MITCH, THIS IS ANNA.
97
00:08:28,420 --> 00:08:29,639
-HI, ANNA.
98
00:08:30,335 --> 00:08:33,077
-LANI: AND THAT'S HER
UNCLE, EYES THAT SEE AT NIGHT.
99
00:08:33,730 --> 00:08:34,731
-WHAT'S HE DOING?
100
00:08:34,862 --> 00:08:35,993
-IT'S A CHUMASH
DEATH BED.
101
00:08:36,124 --> 00:08:36,951
-MITCH: WHAT?
102
00:08:37,604 --> 00:08:38,822
-A DEATH BED.
103
00:08:39,562 --> 00:08:41,346
HE HAS CHOSEN
THIS PLACE TO DIE.
104
00:08:42,826 --> 00:08:45,046
-MISS, IF YOUR
UNCLE IS SICK,
105
00:08:45,176 --> 00:08:47,875
MAYBE YOU SHOULD GET
HIM TO A HOSPITAL.
106
00:08:48,005 --> 00:08:50,530
-HE WAS IN THE HOSPITAL,
BUT HE LEFT TO COME HERE.
107
00:08:51,487 --> 00:08:54,490
LISTEN, I'M REALLY SORRY
FOR CAUSING A SCENE.
108
00:08:54,621 --> 00:08:57,275
MY UNCLE, HE'S
VERY OLD-FASHIONED,
109
00:08:57,406 --> 00:09:00,191
AND TRADITIONAL,
AND VERY STUBBORN.
110
00:09:00,322 --> 00:09:02,280
ONCE HE MAKES
UP HIS MIND--
111
00:09:03,804 --> 00:09:05,327
-WE'VE GOT A LITTLE
BIT OF A PROBLEM HERE.
112
00:09:05,457 --> 00:09:08,504
WE'RE L.A. COUNTY LIFEGUARDS,
AND THIS IS OUR BEACH.
113
00:09:08,635 --> 00:09:10,114
HE CANNOT DIE HERE.
114
00:09:10,245 --> 00:09:11,942
HE'S GONNA HAVE TO GO
BACK TO THE HOSPITAL.
115
00:09:13,117 --> 00:09:14,771
-WELL, HE SAYS
HE WON'T LEAVE.
116
00:09:15,685 --> 00:09:17,382
WE'RE WAITING FOR HIS
LAWYER TO GET HERE.
117
00:09:17,513 --> 00:09:19,689
-[LAUGHS] LOOK, I DON'T
THINK YOU WANNA GET
118
00:09:19,820 --> 00:09:21,386
INTO LEGAL ISSUES HERE.
119
00:09:21,517 --> 00:09:23,998
WE SHOULD BE ABLE TO RESOLVE
THIS BETWEEN OURSELVES.
120
00:09:24,955 --> 00:09:26,522
-LOOK, I'D LIKE
TO BE COOPERATIVE,
121
00:09:26,653 --> 00:09:28,132
BUT HE WON'T LEAVE
122
00:09:28,263 --> 00:09:29,960
NOW THAT HE'S STARTED HIS
JOURNEY DOWN THE PATH.
123
00:09:30,482 --> 00:09:31,745
-WHAT KIND OF PATH?
124
00:09:31,875 --> 00:09:34,269
-HIS FINAL PATH
FROM THIS WORLD.
125
00:09:36,140 --> 00:09:38,273
-ANNA: IF HE DOESN'T
ENTER THE PATH FROM HERE,
126
00:09:38,403 --> 00:09:40,057
THE LAND OF HIS ANCESTORS,
127
00:09:41,015 --> 00:09:43,191
HE BELIEVES HIS SPIRIT
WILL WANDER FOREVER.
128
00:09:45,062 --> 00:09:45,889
-EXCUSE ME.
129
00:09:52,287 --> 00:09:54,376
HI, MY NAME
IS MITCH BUCHANNON.
130
00:09:54,506 --> 00:09:55,856
I'M AN L.A.
COUNTY LIFEGUARD.
131
00:09:56,596 --> 00:09:58,119
I UNDERSTAND
WHAT YOU'RE DOING,
132
00:09:58,815 --> 00:10:02,427
BUT, SIR, YOUR PATH
CANNOT BE HERE.
133
00:10:02,558 --> 00:10:05,300
-IT IS HERE, AS
IT ALWAYS HAS BEEN.
134
00:10:05,909 --> 00:10:09,609
-I CAN'T STAND BY AND
LET YOU DIE ON THIS BEACH.
135
00:10:10,131 --> 00:10:11,480
IT'S NOTHING PERSONAL.
136
00:10:11,611 --> 00:10:13,525
IT'S AGAINST THE LAW.
137
00:10:13,656 --> 00:10:15,005
-WHITE MEN'S LAW MAYBE,
138
00:10:15,136 --> 00:10:16,703
BUT THAT'S SECONDARY
TO HIS TRIBAL LAW.
139
00:10:18,182 --> 00:10:19,967
-MITCH: [LAUGHS] CRAIG!
140
00:10:20,097 --> 00:10:22,056
-HEY, BUDDY, HOW ARE YOU?
141
00:10:22,186 --> 00:10:23,840
-WHAT ARE YOU DOING HERE?
142
00:10:24,798 --> 00:10:25,668
-WELL,
143
00:10:29,890 --> 00:10:30,847
I'M HIS LAWYER.
144
00:10:31,674 --> 00:10:35,417
-[SOFT MUSIC]
145
00:10:40,030 --> 00:10:42,163
-[SOFT ROCK MUSIC]
146
00:10:45,645 --> 00:10:46,994
-BEST FOURTH OF JULY.
147
00:10:47,124 --> 00:10:49,997
-1990, NO, NO, NO, '91.
148
00:10:50,954 --> 00:10:53,957
-SKINNY DIPPING AND
FIREWORKS AT MALIBU PIER.
149
00:10:54,088 --> 00:10:56,394
-THEN HOT CRAB AND
COLD BEER AT POINT DUME.
150
00:10:56,525 --> 00:10:57,657
-AWESOME, AWESOME.
151
00:10:59,049 --> 00:11:01,791
-HEY, GUESS I MISSED YOU.
152
00:11:01,922 --> 00:11:04,228
I'M JUST CALLING TO
SEE HOW YOU'RE DOING.
153
00:11:04,359 --> 00:11:05,447
I'LL TRY LATER. BYE.
154
00:11:06,796 --> 00:11:07,928
-GINA'S NOT HOME?
155
00:11:08,058 --> 00:11:12,193
-UH UH. BEST
CATALINA TRIP.
156
00:11:14,108 --> 00:11:15,152
-BIG AL'S RENTAL BOAT.
157
00:11:15,283 --> 00:11:16,327
NO, NO, NO, NO, NO.
158
00:11:17,502 --> 00:11:19,374
THE LOBSTER DIVE. [LAUGHS]
159
00:11:19,504 --> 00:11:20,636
-IN THE POURING RAIN.
160
00:11:20,767 --> 00:11:22,594
-MITCH: IN THE
RAIN, AWESOME.
161
00:11:25,162 --> 00:11:26,686
YOU KNOW, I
GOTTA TELL YOU,
162
00:11:28,470 --> 00:11:29,732
I ADMIRE YOU FOR WHAT
YOU'RE DOING FOR THAT GUY,
163
00:11:29,863 --> 00:11:32,039
WHAT'S HIS NAME, EYES --
164
00:11:32,169 --> 00:11:33,301
-EYES THAT SEE AT NIGHT.
165
00:11:33,431 --> 00:11:34,911
-THAT'S COOL.
166
00:11:35,433 --> 00:11:36,347
-THANKS.
167
00:11:38,698 --> 00:11:41,265
SIX YEARS OF REDUCING
CORPORATE TAX LIABILITIES.
168
00:11:43,746 --> 00:11:45,879
IT'S NICE TO BE ABLE TO HELP
PEOPLE INSTEAD OF PORTFOLIOS.
169
00:11:47,097 --> 00:11:50,013
WHAT YOU DO, MAKING A
DIFFERENCE IN PEOPLE'S LIVES,
170
00:11:50,840 --> 00:11:52,624
THAT HAS MEANING.
171
00:11:52,755 --> 00:11:54,888
-IT MAY HAVE MADE A DIFFERENCE
TODAY, BUT JUST SO YOU KNOW,
172
00:11:55,018 --> 00:11:57,412
THE COUNTY IS GOING TO SEND
AN ATTORNEY OUT TOMORROW,
173
00:11:57,542 --> 00:11:59,022
AND THEY'RE GONNA MAKE
THAT OLD GUY LEAVE.
174
00:11:59,153 --> 00:12:00,067
-MAYBE.
175
00:12:00,937 --> 00:12:02,765
I'LL GET A COURT ORDER
AND HE'LL BE BACK.
176
00:12:03,810 --> 00:12:05,725
-WHAT IF THE GUY
DOESN'T DIE?
177
00:12:05,855 --> 00:12:10,425
I MEAN, HE COULD BE ON THE
BEACH FOR THE NEXT 10 YEARS.
178
00:12:11,034 --> 00:12:13,167
-MITCH, THE GUY'S
TERMINAL. HE'S GONNA DIE.
179
00:12:13,297 --> 00:12:15,038
I THINK HE'S GOT A RIGHT
TO DIE ON THAT BEACH,
180
00:12:15,169 --> 00:12:16,736
AND I JUST WANNA TRY
TO PROTECT THAT RIGHT.
181
00:12:19,956 --> 00:12:21,262
-NEELY: MITCH!
-DONNA: HEY!
182
00:12:21,871 --> 00:12:23,394
-HEY, HEY, COME HERE,
COME HERE, COME HERE.
183
00:12:24,004 --> 00:12:25,527
DONNA MARCO, NEELY CAPSHAW,
184
00:12:25,657 --> 00:12:27,181
I'D LIKE YOU TO
MEET CRAIG POMEROY.
185
00:12:27,311 --> 00:12:28,922
CRAIG IS AN OLD LIFEGUARD.
186
00:12:29,052 --> 00:12:30,401
-NOT THAT OLD.
187
00:12:30,532 --> 00:12:32,012
I'VE STILL GOT SOME
MILES LEFT ON ME.
188
00:12:32,142 --> 00:12:34,536
-ABSOLUTELY, I WOULDN'T
MIND TAKING A TEST DRIVE.
189
00:12:34,666 --> 00:12:35,842
-DONNA: NEELY.
190
00:12:35,972 --> 00:12:38,540
-SORRY, NEELY,
CRAIG IS MARRIED.
191
00:12:39,323 --> 00:12:40,498
-I DON'T SEE A RING.
192
00:12:42,892 --> 00:12:45,373
-SO, CRAIG, HOW LONG HAVE
YOU BEEN LIFEGUARDING?
193
00:12:45,503 --> 00:12:47,592
-DO YOU HAVE A TAN
LINE ON YOUR FINGER?
194
00:12:47,723 --> 00:12:49,029
OH!
195
00:12:49,986 --> 00:12:51,379
-HANG ON, HANG ON,
HANG ON, HERE YOU GO.
196
00:12:51,509 --> 00:12:52,423
HERE YOU GO.
197
00:12:53,773 --> 00:12:54,861
-CHEERS.
198
00:13:06,568 --> 00:13:07,438
-[LAUGHING]
199
00:13:07,961 --> 00:13:09,223
-MAN: ABSOLUTELY!
200
00:13:09,353 --> 00:13:10,485
-WOMAN: LOOKING GOOD!
201
00:13:10,615 --> 00:13:14,054
-[BEACH-GOERS CHATTER]
202
00:13:14,184 --> 00:13:15,403
-HEY, HOBIE, HOLD UP.
203
00:13:16,621 --> 00:13:18,275
HEY!
204
00:13:18,406 --> 00:13:19,799
I THINK WE SHOULD HEAD UP
TO CLUB RIO TONIGHT, MAN.
205
00:13:20,538 --> 00:13:21,844
IT'S THE HOTTEST CLUB
IN TOWN RIGHT NOW.
206
00:13:21,975 --> 00:13:23,150
-YEAH, MAN, IT'S
WALL-TO-WALL BABES.
207
00:13:23,280 --> 00:13:24,629
-COME WITH US, HOBE.
208
00:13:24,760 --> 00:13:26,980
-YEAH, MAN, I KNOW
ABOUT THE CLUB RIO, MAN.
209
00:13:27,110 --> 00:13:29,591
I ALSO KNOW YOU HAVE TO BE
21 TO GET IN THAT PLACE.
210
00:13:29,721 --> 00:13:31,332
-NO, NO, NO, YOU
HAVE TO HAVE AN ID
211
00:13:31,462 --> 00:13:33,464
THAT SAYS YOU'RE 21
TO GET IN THAT PLACE.
212
00:13:34,117 --> 00:13:34,944
-CHECK IT OUT.
213
00:13:39,253 --> 00:13:40,645
-WOW, MAN,
THAT LOOKS REAL.
214
00:13:40,776 --> 00:13:41,951
WHERE'D YOU GET IT?
215
00:13:42,082 --> 00:13:43,431
-I KNOW THIS GUY
WHO MAKES 'EM.
216
00:13:43,561 --> 00:13:44,911
THEY WORK EVERY TIME.
217
00:13:45,041 --> 00:13:46,521
-YEAH, MAN, ONLY 20
BUCKS AND YOU'RE IN.
218
00:13:46,651 --> 00:13:47,565
WHAT DO YOU SAY?
219
00:13:50,568 --> 00:13:52,179
-CRAIG: HEY,
THANKS FOR DINNER.
220
00:13:52,309 --> 00:13:53,571
YOU SURE YOU DON'T MIND ME
BUNKING HERE FOR A WHILE?
221
00:13:54,094 --> 00:13:56,270
-CRAIG, I GOT A
GUEST ROOM, RIGHT?
222
00:13:56,400 --> 00:13:58,359
YOU'RE A GUEST.
IT ALL WORKS.
223
00:13:58,968 --> 00:13:59,839
-THANKS.
224
00:14:01,318 --> 00:14:02,624
HOW ABOUT I USE YOUR
PHONE TO CALL GINA.
225
00:14:02,754 --> 00:14:04,191
-HELP YOURSELF.
226
00:14:04,321 --> 00:14:05,235
WHEN YOU GET HER, TELL
HER I SAID HI, WILL YOU?
227
00:14:05,366 --> 00:14:06,497
-CRAIG: YEP.
228
00:14:09,065 --> 00:14:10,806
HEY, IT'S ME AGAIN.
229
00:14:10,937 --> 00:14:14,288
JUST THOUGHT I'D CALL AND
SEE HOW YOU'RE DOING AND UH...
230
00:14:14,418 --> 00:14:16,377
OH, MITCH SAYS HI.
231
00:14:16,507 --> 00:14:17,334
IT'S THE MACHINE.
232
00:14:17,944 --> 00:14:19,336
-HEY, GINA!
233
00:14:19,467 --> 00:14:22,470
-CRAIG: I GUESS I'LL TRY
AGAIN SOMETIME TOMORROW.
234
00:14:23,384 --> 00:14:24,254
BYE.
235
00:14:26,343 --> 00:14:27,649
-WHERE IS SHE?
236
00:14:27,779 --> 00:14:29,912
-SHE'S OUT SOMEWHERE.
I DON'T KNOW.
237
00:14:30,043 --> 00:14:30,826
-[MUG THUDS AGAINST TABLE]
238
00:14:30,957 --> 00:14:32,175
THE MOVIES OR SOMETHING.
239
00:14:32,306 --> 00:14:33,655
-THE MOVIES?
240
00:14:34,743 --> 00:14:37,180
CRAIG, IT'S 3:00 IN THE
MORNING IN WASHINGTON.
241
00:14:40,009 --> 00:14:40,880
-YEAH.
242
00:14:42,098 --> 00:14:42,969
-[MITCH SIGHS]
243
00:14:48,888 --> 00:14:52,065
-ALL RIGHT,
WHAT'S GOING ON?
244
00:14:56,460 --> 00:15:00,160
-GINA AND I ARE,
UH, SEPARATED.
245
00:15:01,813 --> 00:15:04,381
-[SIGHS] OH, MAN, I'M
SORRY. I DIDN'T KNOW.
246
00:15:07,297 --> 00:15:08,211
HOW LONG?
247
00:15:08,342 --> 00:15:09,256
-THREE MONTHS NOW,
248
00:15:11,301 --> 00:15:13,347
WHICH EXPLAINS MY
RING-LESS TAN LINE.
249
00:15:16,089 --> 00:15:17,133
-WHAT HAPPENED?
250
00:15:17,264 --> 00:15:18,918
-IT'S THE SAME
OLD STORY.
251
00:15:20,267 --> 00:15:23,313
WHAT'S THE EXPRESSION?
GROWING APART.
252
00:15:23,879 --> 00:15:26,751
-YEAH, I KNOW THAT ONE.
253
00:15:27,274 --> 00:15:29,624
-GINA JUST LOVES THE WASHINGTON
SOCIAL LIFE, YOU KNOW.
254
00:15:29,754 --> 00:15:31,974
SHE GOT SUCKED INTO
IT MORE AND MORE,
255
00:15:32,105 --> 00:15:35,760
AND I JUST GOT TO A POINT
WHERE I COULDN'T STAND IT,
256
00:15:35,891 --> 00:15:36,936
OR MY JOB.
257
00:15:37,066 --> 00:15:38,415
IT'S EVERYTHING
BACK THERE.
258
00:15:38,546 --> 00:15:39,677
IT'S THE POLITICS, IT'S
THE BACK-STABBING.
259
00:15:41,114 --> 00:15:42,071
-DID YOU TRY COUNSELING?
260
00:15:42,593 --> 00:15:43,768
-WE DIDN'T FIGHT,
261
00:15:45,118 --> 00:15:46,684
JUST STARTED TALKING LESS AND
LESS UNTIL WE GOT TO THE POINT
262
00:15:46,815 --> 00:15:48,382
WHERE THERE'S NOTHING
LEFT TO TALK ABOUT.
263
00:15:50,688 --> 00:15:51,907
SO, I FIGURED I'D
COME BACK HERE
264
00:15:52,038 --> 00:15:53,604
AND TRY SOME
PRO BONO WORK,
265
00:15:54,562 --> 00:15:55,955
AND SEE IF I COULD
MAKE SENSE OUT OF IT.
266
00:15:57,478 --> 00:15:58,783
-IS THERE ANOTHER, UH--
267
00:15:58,914 --> 00:15:59,784
-I DON'T KNOW.
268
00:16:03,832 --> 00:16:05,268
I THINK ABOUT IT,
I GO NUTS.
269
00:16:08,793 --> 00:16:11,231
WHEN YOU AND GAYLE
SPLIT UP, DID, UH--
270
00:16:11,361 --> 00:16:13,929
-SAME, I WENT NUTS.
271
00:16:16,976 --> 00:16:18,325
-I THINK I SEE HER IN
EVERY RED CONVERTIBLE
272
00:16:18,455 --> 00:16:20,022
THAT GOES DOWN THE STREET.
273
00:16:20,153 --> 00:16:21,893
I HEAR HER VOICE, I TURN
AND I LOOK, SHE'S NOT THERE.
274
00:16:22,024 --> 00:16:23,504
I HEAR A SONG, IT
REMINDS ME OF HER.
275
00:16:25,071 --> 00:16:28,204
-MITCH: "OUR HOUSE,"
CROSBY, STILLS AND NASH.
276
00:16:28,335 --> 00:16:29,771
THAT WAS OUR SONG.
277
00:16:31,468 --> 00:16:34,080
EVERY TIME I HEARD THAT,
I'D THINK OF GAYLE AND, UH,
278
00:16:35,820 --> 00:16:37,257
I STILL DO.
279
00:16:38,127 --> 00:16:39,999
CRAIG, I DON'T KNOW
WHAT TO TELL YOU.
280
00:16:42,479 --> 00:16:44,264
YOU JUST GOTTA
GIVE IT SOME TIME.
281
00:16:45,961 --> 00:16:46,918
-HOW MUCH?
282
00:16:48,746 --> 00:16:50,444
-AS MUCH AS IT TAKES.
283
00:16:52,098 --> 00:16:53,012
-GREAT.
284
00:16:55,144 --> 00:16:56,406
[OPENS BEER]
285
00:17:05,807 --> 00:17:07,765
-[UPBEAT MUSIC]
286
00:17:22,302 --> 00:17:24,173
-DJ: WHO'S NEXT
TO CHALLENGE KYLA?
287
00:17:25,783 --> 00:17:27,481
ALL RIGHT, YOU,
GET OUTTA HERE.
288
00:17:29,265 --> 00:17:30,353
-NO WAY.
289
00:17:33,095 --> 00:17:35,228
1200 BUCKS, I COULD
USE THAT KINDA CASH.
290
00:17:35,358 --> 00:17:36,925
-I KNOW, MAN, YOU
SHOULD GO FOR IT.
291
00:17:37,056 --> 00:17:38,013
-YOU CAN TOTALLY DO IT.
292
00:17:38,144 --> 00:17:38,927
-YOU THINK?
293
00:17:39,058 --> 00:17:39,841
-AW, DEFINITELY.
294
00:17:39,971 --> 00:17:40,842
-EASILY.
295
00:17:41,582 --> 00:17:43,062
-COME ON, GO
FOR IT, BABY.
296
00:17:46,152 --> 00:17:47,327
-HOBIE, WHAT ARE
YOU DOING HERE?
297
00:17:47,457 --> 00:17:49,242
-I'M HERE TO
WIN THE 1200.
298
00:17:49,372 --> 00:17:51,766
LET'S GO! YEAH!
299
00:17:51,896 --> 00:17:53,855
-LET'S GO, HOBIE!
COME ON, DO IT!
300
00:17:53,985 --> 00:17:54,812
COME ON, MAN!
301
00:17:54,943 --> 00:17:59,513
-[LIVELY DANCE MUSIC]
302
00:19:01,923 --> 00:19:05,187
-[CROWD CHEERS]
303
00:19:05,318 --> 00:19:06,275
-HE WON!
304
00:19:06,406 --> 00:19:09,017
-[CROWD CHEERS AND APPLAUDS]
305
00:19:09,800 --> 00:19:11,237
-HEY, YOU DIDN'T
LET ME WIN, DID YOU?
306
00:19:11,367 --> 00:19:13,848
-NO, YOU WERE REALLY
GOOD, CONGRATULATIONS.
307
00:19:14,718 --> 00:19:15,458
-WHOA, THANKS.
308
00:19:15,589 --> 00:19:16,851
YEAH!
309
00:19:19,462 --> 00:19:21,377
-[CLUB MUSIC PLAYS]
310
00:19:21,508 --> 00:19:22,335
ALL RIGHT!
311
00:19:25,947 --> 00:19:27,688
-CONGRATULATIONS, YOU DID
WHAT NO ONE ELSE COULD.
312
00:19:27,818 --> 00:19:29,342
YOU WON THE
$1200 PRIZE MONEY.
313
00:19:29,472 --> 00:19:30,995
-ALL RIGHT!
314
00:19:37,219 --> 00:19:39,830
-ALL RIGHT, SHOW ME SOME
ID AND THE MONEY'S YOURS.
315
00:19:39,961 --> 00:19:42,093
-UH, I SHOWED IT TO
THE GUY AT THE DOOR.
316
00:19:42,224 --> 00:19:44,313
-YOU SHOWED HIM; NOW,
YOU GOTTA SHOW ME.
317
00:19:46,663 --> 00:19:48,752
-YEAH.
318
00:19:57,065 --> 00:20:00,982
-[DARK MUSIC]
319
00:20:08,337 --> 00:20:11,471
-TWELVE HUNDRED BUCKS, I WON
AND THEY WON'T GIVE IT TO ME.
320
00:20:11,601 --> 00:20:14,735
-YEAH, BUT YOU BROKE THE RULES
WHEN YOU USED THE FAKE ID.
321
00:20:16,519 --> 00:20:17,912
YOU GOT KIND OF
A BART SIMPSON
322
00:20:18,042 --> 00:20:19,522
FINGER-IN-THE-SOCKET
THING GOING THERE, HUH?
323
00:20:19,653 --> 00:20:21,524
-COME ON, CRAIG,
I'M SERIOUS!
324
00:20:21,655 --> 00:20:23,961
WHAT DOES AGE HAVE TO DO
WITH A DANCE COMPETITION?
325
00:20:24,092 --> 00:20:26,877
I WAS THE BEST DANCER.
I SHOULD GET THE MONEY.
326
00:20:27,008 --> 00:20:28,009
-BUT YOU
MISREPRESENTED YOURSELF
327
00:20:28,139 --> 00:20:29,402
TO GET INTO
THE CONTEST.
328
00:20:29,532 --> 00:20:31,230
-WE SHOULD TAKE
THIS TO COURT. -WE?
329
00:20:31,360 --> 00:20:32,709
-YOU'RE MY LAWYER.
330
00:20:32,840 --> 00:20:34,233
-THERE'S A PRECEDENT
GOING AGAINST YOU.
331
00:20:34,363 --> 00:20:35,799
A TEENAGER IN LAS VEGAS.
332
00:20:35,930 --> 00:20:37,540
HE WON A WHOLE BUNCH
OF MONEY IN THE SLOTS,
333
00:20:37,671 --> 00:20:39,063
BUT HE WASN'T 21.
THEY DIDN'T GIVE HIM THE MONEY.
334
00:20:39,760 --> 00:20:41,152
-I SAY WE GO FOR IT.
335
00:20:41,283 --> 00:20:43,503
WHAT DO YOU SAY? WILL
YOU BE MY LAWYER?
336
00:20:44,939 --> 00:20:46,027
-I'LL LOOK INTO IT.
337
00:20:46,157 --> 00:20:47,724
-ALL RIGHT, GOOD.
338
00:20:47,855 --> 00:20:48,682
-HEY, HOBIE.
339
00:20:48,812 --> 00:20:49,683
-YEAH.
340
00:20:50,553 --> 00:20:51,641
-DOES YOUR DAD
KNOW WHAT HAPPENED?
341
00:20:52,686 --> 00:20:55,297
-UH, NO, AND YOU
CAN'T TELL HIM.
342
00:20:55,906 --> 00:20:57,256
ATTORNEY-CLIENT
CONFIDENTIALITY.
343
00:20:57,386 --> 00:20:58,431
-OH, THAT'S NOT FAIR.
344
00:20:58,561 --> 00:21:00,563
-I KNOW. IT'S THE LAW.
345
00:21:03,218 --> 00:21:04,132
-[DOOR CLOSES]
346
00:21:05,133 --> 00:21:07,701
-LIFEGUARD: PLEASE STAND
BACK BEHIND THE YELLOW LINE.
347
00:21:11,966 --> 00:21:14,316
-HE STILL SAYS HE WON'T LEAVE
'TIL HIS LAWYER GETS BACK.
348
00:21:15,665 --> 00:21:17,580
-THE ATTORNEY'S ON THE WAY
FROM THE COURTHOUSE NOW.
349
00:21:17,711 --> 00:21:19,060
-I DON'T THINK
IT'LL MATTER.
350
00:21:19,539 --> 00:21:20,888
AS UNFEELING AS
IT MIGHT SEEM,
351
00:21:21,018 --> 00:21:23,194
YOUR UNCLE IS TRESPASSING
ON COUNTY LAND.
352
00:21:23,978 --> 00:21:26,154
NOW, WE DON'T WANT
A FREAK SHOW HERE.
353
00:21:26,285 --> 00:21:27,634
IT'S ALREADY BEEN
ON THE NEWS,
354
00:21:27,764 --> 00:21:28,939
AND IT'S GIVEN THE
COUNTY A BLACK EYE.
355
00:21:29,070 --> 00:21:30,114
-WELL, YOU'RE
GONNA HAVE TO
356
00:21:30,245 --> 00:21:31,246
PICK HIM UP AND
CARRY HIM AWAY.
357
00:21:33,683 --> 00:21:34,858
-DON'T LOOK AT ME.
358
00:21:35,468 --> 00:21:36,295
LOOK AT HIM.
359
00:21:37,296 --> 00:21:39,080
-MR. TULLY, MR. POMEROY.
360
00:21:39,210 --> 00:21:41,822
CRAIG IS EYES THAT SEE
AT NIGHT'S ATTORNEY.
361
00:21:42,475 --> 00:21:44,085
-THIS IS A COURT ORDER TO
ALLOW EYES THAT SEE AT NIGHT
362
00:21:44,215 --> 00:21:46,305
TO REMAIN WHERE HE IS UNTIL
THERE'S A FINAL DECISION
363
00:21:46,435 --> 00:21:47,654
ON THE LAND LEASE ISSUE.
364
00:21:47,784 --> 00:21:49,351
-LAND LEASE?
365
00:21:49,482 --> 00:21:52,789
-YEAH, THIS LEASE IS
BETWEEN THE ORIGINAL OWNERS
366
00:21:52,920 --> 00:21:56,967
OF THIS BEACH, CHUMASH INDIANS
AND THE SPANISH SETTLERS.
367
00:21:57,098 --> 00:21:58,534
-I CAN'T READ THIS.
368
00:21:58,665 --> 00:22:01,145
-I KNOW, I CAN'T
EITHER, BUT THEY CAN.
369
00:22:01,668 --> 00:22:03,191
IT WAS HANDED DOWN IN
THEIR FAMILY FOR 300 YEARS.
370
00:22:03,322 --> 00:22:05,236
-WHAT IN THE WORLD
HAS THIS GOT TO DO
371
00:22:05,367 --> 00:22:06,673
WITH COUNTY
BEACH JURISDICTION?
372
00:22:06,803 --> 00:22:08,457
-THE COUNTY BOUGHT THE
BEACH FROM THE SPANISH,
373
00:22:08,588 --> 00:22:09,806
BUT THE SPANISH NEVER
HAD THE RIGHT TO SELL IT
374
00:22:09,937 --> 00:22:11,330
BECAUSE THEY
ONLY HAD A LEASE,
375
00:22:11,460 --> 00:22:13,157
AND THAT LEASE EXPIRED A
LITTLE OVER A YEAR AGO,
376
00:22:13,288 --> 00:22:15,116
SO I'M AFRAID THIS
BEACH HAS REVERTED
377
00:22:15,246 --> 00:22:18,293
TO ITS ORIGINAL OWNERS,
THE CHUMASH INDIANS.
378
00:22:21,427 --> 00:22:22,776
-BUCHANNON, DO SOMETHING.
379
00:22:24,386 --> 00:22:25,256
-WHAT?
380
00:22:26,867 --> 00:22:29,435
HE COULD THROW US OFF HIS
BEACH FOR TRESPASSING.
381
00:22:44,188 --> 00:22:45,929
-MITCH: COME ON,
TAKE A RECHECK.
382
00:22:46,060 --> 00:22:48,192
-CRAIG: NAH, I'M NOT
LIFEGUARD MATERIAL ANY MORE.
383
00:22:48,323 --> 00:22:49,672
-MITCH: SURE YOU ARE.
384
00:22:49,803 --> 00:22:50,586
-CRAIG: YOU'RE NOT
SURE ABOUT ANYTHING.
385
00:22:50,717 --> 00:22:52,414
-MITCH: SURE, I AM.
386
00:22:52,545 --> 00:22:53,850
-CRAIG: OH, REALLY? WHAT
ABOUT EYES THAT SEE AT NIGHT?
387
00:22:53,981 --> 00:22:55,156
YOU SURE YOU'RE DOING
THE RIGHT THING?
388
00:22:55,286 --> 00:22:57,854
-MITCH: WELL,
MAYBE, YEAH.
389
00:22:57,985 --> 00:22:58,855
I DON'T KNOW.
390
00:22:59,508 --> 00:23:00,335
WHAT DO YOU THINK?
391
00:23:00,466 --> 00:23:02,598
-YEAH! I THINK.
392
00:23:02,729 --> 00:23:04,252
-YEAH, RIGHT, NEITHER
ONE OF US ARE SURE
393
00:23:04,383 --> 00:23:05,819
AND I'LL TELL YOU WHY.
394
00:23:06,472 --> 00:23:07,951
BECAUSE IT GOES AGAINST
EVERYTHING A LIFEGUARD
395
00:23:08,082 --> 00:23:09,344
IS TRAINED TO DO.
396
00:23:09,475 --> 00:23:10,954
-HE SIGNED PAPERS
IN THE HOSPITAL.
397
00:23:11,085 --> 00:23:12,695
HE'S ALREADY REFUSED ALL
EXTRAORDINARY MEASURES
398
00:23:12,826 --> 00:23:14,175
TO SAVE HIS LIFE.
399
00:23:14,305 --> 00:23:15,916
HE'S WILLING HIMSELF
TO DIE RIGHT NOW.
400
00:23:16,046 --> 00:23:19,136
WE'RE NOT CHOOSING
WHEN. HE IS!
401
00:23:19,267 --> 00:23:20,834
WE'RE JUST HELPING
HIM CHOOSE WHERE!
402
00:23:21,965 --> 00:23:23,706
-NO, NO, NO,
NO, NO, NO,
403
00:23:23,837 --> 00:23:26,143
WHAT YOU'RE DOING IS YOU'RE
PUTTING A SPIN ON THIS THING
404
00:23:26,274 --> 00:23:27,449
TO EASE YOUR CONSCIENCE!
405
00:23:27,580 --> 00:23:28,972
-WHAT'S THAT
SUPPOSED TO MEAN?
406
00:23:29,103 --> 00:23:30,974
-MEANING WHEN IS NOT
OKAY, BUT WHERE IS!
407
00:23:31,105 --> 00:23:32,193
-OKAY, SO I DON'T
KNOW HOW I FEEL!
408
00:23:32,323 --> 00:23:33,368
YOU DON'T HAVE TO YELL!
409
00:23:33,499 --> 00:23:35,152
-I'M NOT YELLING, I'M...
410
00:23:39,026 --> 00:23:40,549
[EXHALES SHARPLY]
411
00:23:40,680 --> 00:23:44,858
IT'S JUST THAT THIS
WHOLE THING IS CONFUSING.
412
00:23:44,988 --> 00:23:46,250
-HOW THE HELL DO
YOU THINK I FEEL?
413
00:23:46,381 --> 00:23:47,556
-I DON'T KNOW!
414
00:23:47,687 --> 00:23:51,821
-ALL RIGHT, I FEEL
LIKE IT'S RIGHT.
415
00:23:54,607 --> 00:23:55,434
HOW DO YOU FEEL?
416
00:23:56,130 --> 00:23:58,132
-I'VE NEVER HAD TO DEAL
WITH THIS SITUATION.
417
00:23:59,046 --> 00:24:00,090
I DON'T KNOW.
418
00:24:04,530 --> 00:24:06,445
-SYMPTOMS,
RESPIRATORY DISTRESS,
419
00:24:06,575 --> 00:24:08,838
ABDOMINAL CRAMPS
AND VOMITING.
420
00:24:11,493 --> 00:24:12,363
NEELY.
421
00:24:13,582 --> 00:24:14,409
-HMM?
422
00:24:15,541 --> 00:24:16,846
-COME ON, YOU'RE
GONNA HAVE TO PASS
423
00:24:16,977 --> 00:24:18,761
THIS FIRST-AID TEST
TO MAKE RECHECK.
424
00:24:19,588 --> 00:24:22,112
OKAY, LISTEN.
RESPIRATORY DISTRESS,
425
00:24:22,243 --> 00:24:24,071
ABDOMINAL CRAMPS
AND VOMITING.
426
00:24:24,201 --> 00:24:25,159
WHAT COULD CAUSE THIS?
427
00:24:26,900 --> 00:24:28,379
-ANAPHYLACTIC SHOCK,
428
00:24:29,468 --> 00:24:33,167
POSSIBLY AN ADVERSE
REACTION TO BEE STINGS?
429
00:24:33,994 --> 00:24:34,864
-RIGHT.
430
00:24:36,518 --> 00:24:39,086
YOU KNOW, RECHECK REQUIRES
A PHYSICAL, NEELY,
431
00:24:39,739 --> 00:24:40,914
AND A BLOOD TEST.
432
00:24:52,534 --> 00:24:54,884
-[TRIBAL MUSIC]
433
00:25:08,594 --> 00:25:10,247
-I'LL TAKE THE
BLAME FOR THE FIRE.
434
00:25:10,378 --> 00:25:11,945
IT'S CEREMONIAL
435
00:25:12,075 --> 00:25:14,034
I JUST DIDN'T HAVE THE HEART
TO MAKE HIM PUT IT OUT.
436
00:25:14,164 --> 00:25:15,426
-DON'T WORRY ABOUT IT.
437
00:25:19,692 --> 00:25:22,390
-ALL RIGHT, TWO THINGS.
ONE, ON THE BEACH--
438
00:25:22,521 --> 00:25:25,132
-THE ANCIENT WAYS
HAVE TO BE HONORED.
439
00:25:28,135 --> 00:25:31,486
YOU AND YOUR FRIEND,
YOU UNDERSTAND THIS.
440
00:25:32,356 --> 00:25:33,619
-I THINK WE DO.
441
00:25:33,749 --> 00:25:35,446
-BY RESPECTING MY DEATH,
442
00:25:35,577 --> 00:25:38,014
YOU HAVE SHOWN THAT YOU
HAVE RESPECTED MY LIFE.
443
00:25:38,145 --> 00:25:41,365
-I RESPECT YOU,
BUT I'M A LIFEGUARD,
444
00:25:41,496 --> 00:25:43,193
AND YOU'VE GOTTA
RESPECT ME, TOO.
445
00:25:43,324 --> 00:25:44,978
MY JOB IS TO SAVE LIVES.
446
00:25:45,108 --> 00:25:46,936
-I UNDERSTAND.
447
00:25:47,067 --> 00:25:51,158
WHEN I DO WHAT I HAVE TO DO,
YOU DO WHAT YOU HAVE TO DO.
448
00:25:56,076 --> 00:25:57,991
MY SPIRIT WILL
LEAVE MY BODY,
449
00:25:58,121 --> 00:26:00,733
AND FLY ON THE WINGS OF
AN EAGLE TO THE STARS.
450
00:26:43,079 --> 00:26:46,909
-[MAN SPEAKS
NATIVE AMERICAN LANGUAGE]
451
00:26:50,347 --> 00:26:54,700
-[DRUMS BEAT]
452
00:26:59,748 --> 00:27:02,664
-[TRIBAL CHANTING AND MUSIC]
453
00:28:34,756 --> 00:28:37,977
-I JUST, LOOK, I DON'T
KNOW IF IT'S BURNOUT,
454
00:28:38,717 --> 00:28:40,588
OR I'M JUST SICK OF BEING
ON THE A-LIST TO PARTIES.
455
00:28:40,719 --> 00:28:43,460
I JUST KNOW THAT IT'S GOTTA BE
ABOUT SOMETHING OTHER THAN--
456
00:28:45,593 --> 00:28:47,421
IT'S ABOUT DOING SOMETHING
THAT FEELS RIGHT.
457
00:28:48,944 --> 00:28:50,032
I UNDERSTAND.
458
00:28:51,686 --> 00:28:52,948
I UNDERSTAND,
RIGHT, GINA.
459
00:28:54,167 --> 00:28:55,603
I'LL CALL YOU BACK
ABOUT 8:00 YOUR TIME.
460
00:28:56,386 --> 00:28:58,824
-GRANDMA WILL GET US SOME
POPCORN, OKAY, SWEETIE?
461
00:28:58,954 --> 00:28:59,781
OKAY.
462
00:29:09,922 --> 00:29:10,749
-YEAH.
463
00:29:17,103 --> 00:29:18,713
YEAH, LOOK, I'LL
CALL YOU TOMORROW.
464
00:29:18,844 --> 00:29:19,975
I GOTTA GO. BYE.
465
00:29:21,716 --> 00:29:23,849
-HEY! HEY!
466
00:29:25,241 --> 00:29:26,286
HEY, KID!
467
00:29:28,288 --> 00:29:29,550
DON'T STEP UP THERE!
468
00:29:29,680 --> 00:29:31,030
HEY! HOLD IT!
469
00:29:32,422 --> 00:29:33,946
HOLD ON! HEY, HEY!
470
00:29:37,688 --> 00:29:41,170
HEY! NO!
471
00:29:41,301 --> 00:29:43,303
-[GRANDMA SCREAMS]
472
00:29:43,433 --> 00:29:45,087
-[BOY SCREAMS]
473
00:29:49,439 --> 00:29:54,444
-[DRAMATIC MUSIC]
474
00:30:04,019 --> 00:30:07,544
-[GRANDMA CRIES
AND SCREAMS]
475
00:30:41,927 --> 00:30:43,798
-[CROWD CHATTERS]
476
00:30:53,025 --> 00:30:54,113
-THERE, RIGHT THERE.
477
00:31:13,610 --> 00:31:14,873
-[BOY COUGHS]
478
00:31:15,003 --> 00:31:16,831
-IT'S OKAY, BUD,
YOU'LL BE ALL RIGHT NOW.
479
00:31:16,962 --> 00:31:17,832
YOU'RE SAFE NOW.
480
00:31:19,181 --> 00:31:20,704
GOOD BOY, GOOD BOY.
481
00:31:21,401 --> 00:31:23,882
YOU'LL BE ALL RIGHT.
IT'S ALL GONNA BE OKAY.
482
00:31:24,012 --> 00:31:26,232
-[SOFT MUSIC]
483
00:31:34,022 --> 00:31:36,024
-HEY, RECHECK,
BIG DAY, HUH?
484
00:31:36,155 --> 00:31:37,460
-YEAH, SO THEY SAY.
485
00:31:37,591 --> 00:31:38,897
-YOU'RE TAKING IT,
AREN'T YOU?
486
00:31:41,073 --> 00:31:42,204
-I DON'T THINK SO.
487
00:31:43,771 --> 00:31:44,641
-NEELY!
488
00:31:46,078 --> 00:31:47,470
NEELY!
489
00:31:47,601 --> 00:31:49,559
YOU CAN'T BE A LIFEGUARD
UNTIL YOU PASS RECHECK.
490
00:31:49,690 --> 00:31:50,647
-YES, I CAN.
491
00:31:50,778 --> 00:31:51,692
-NO, YOU CAN'T!
492
00:31:51,822 --> 00:31:53,389
THE BEACH CLUB IS HIRING.
493
00:31:53,520 --> 00:31:55,304
A PRIVATE CLUB ISN'T SO
PICKY ABOUT ITS LIFEGUARDS.
494
00:31:55,435 --> 00:31:57,002
-PICKY? WHAT ARE
YOU TALKING ABOUT?
495
00:31:57,132 --> 00:31:58,394
-I'M NOT IN GOOD
ENOUGH SHAPE, ALL RIGHT?
496
00:31:58,525 --> 00:31:59,656
-YES, YOU ARE!
497
00:31:59,787 --> 00:32:01,223
-NO, MY BACK,
IT'S NOT READY.
498
00:32:01,354 --> 00:32:03,182
-NO, NO, THIS ISN'T
ABOUT YOUR BACK, NEELY.
499
00:32:03,312 --> 00:32:05,140
-HOW DO YOU KNOW
WHAT IT'S ABOUT?
500
00:32:05,749 --> 00:32:06,750
-I KNOW.
501
00:32:06,881 --> 00:32:08,361
-YOU DON'T KNOW ANYTHING.
502
00:32:09,057 --> 00:32:09,928
NO ONE DOES.
503
00:32:13,279 --> 00:32:15,716
-[SOMBER MUSIC]
504
00:32:17,979 --> 00:32:19,720
-GIVE THIS TO MICHAEL,
WILL YOU? THANKS.
505
00:32:19,850 --> 00:32:21,113
-IS IT TRUE ABOUT NEELY?
506
00:32:21,765 --> 00:32:23,115
-YEAH, I'M AFRAID SO.
507
00:32:23,245 --> 00:32:24,507
-WITHOUT HER, HOW
MANY CANDIDATES DO
508
00:32:24,638 --> 00:32:26,074
WE HAVE FOR RECHECK?
509
00:32:26,205 --> 00:32:31,079
-LET'S SEE, ONE, TWO,
THREE, FOUR, FIVE--
510
00:32:31,210 --> 00:32:32,124
-SIX.
511
00:32:33,516 --> 00:32:35,388
-[MITCH LAUGHS]
512
00:32:36,998 --> 00:32:39,827
SO, WHAT MADE YOU CHANGE
YOUR MIND, PRAY TELL?
513
00:32:39,958 --> 00:32:41,829
-I THINK IT WAS THE SOUND
OF A YOUNG KID CRYING.
514
00:32:43,396 --> 00:32:44,397
-I READ THE REPORT.
515
00:32:45,528 --> 00:32:48,749
ALL RIGHT, LET'S SEE IF YOU'RE
STILL LIFEGUARD MATERIAL.
516
00:33:00,979 --> 00:33:01,936
-WHAT ARE YOU DOING?
517
00:33:02,067 --> 00:33:03,155
-I THOUGHT YOU QUIT.
518
00:33:03,285 --> 00:33:04,678
-I CAME TO CLEAR
OUT MY LOCKER,
519
00:33:04,808 --> 00:33:06,201
BUT I SEE YOU'RE
DOING IT FOR ME.
520
00:33:07,028 --> 00:33:08,116
-IS THIS WHY YOU QUIT?
521
00:33:08,247 --> 00:33:09,770
-GIVE ME THOSE!
522
00:33:09,900 --> 00:33:11,337
-DONNA: YOU KNOW, THIS
EXPLAINS EVERYTHING, NEELY.
523
00:33:11,990 --> 00:33:14,079
HITTING ON CRAIG,
KNOCKING OVER GLASSES.
524
00:33:14,731 --> 00:33:16,081
YOU WEREN'T GETTING
MAKE-UP IN THAT PHARMACY.
525
00:33:16,211 --> 00:33:17,299
YOU WERE GETTING THOSE.
526
00:33:17,430 --> 00:33:18,735
-THIS IS NONE OF
YOUR BUSINESS.
527
00:33:19,954 --> 00:33:21,303
-YOU'RE ADDICTED, NEELY!
528
00:33:21,434 --> 00:33:22,783
-I'M NOT ADDICTED.
529
00:33:22,913 --> 00:33:23,958
-THEN THROW THOSE AWAY.
530
00:33:25,916 --> 00:33:28,441
-YOU DON'T KNOW WHAT I'M
GOING THROUGH, HOW I--
531
00:33:28,571 --> 00:33:29,920
-YES, I DO, I DO!
532
00:33:30,051 --> 00:33:32,140
MY SISTER WAS HOOKED
ON PAIN PILLS.
533
00:33:32,880 --> 00:33:34,316
YOU'RE ON THE EDGE
OF A CLIFF, NEELY.
534
00:33:34,925 --> 00:33:37,145
EITHER BACK AWAY OR
THOSE WILL PUSH YOU OFF.
535
00:33:38,364 --> 00:33:39,539
LET ME HELP YOU.
536
00:33:39,669 --> 00:33:40,757
GIVE ME THE PILLS.
537
00:33:43,804 --> 00:33:47,677
-[SUSPENSEFUL MUSIC]
538
00:33:53,074 --> 00:33:56,164
-[SIGHS] I CAN'T!
539
00:34:02,344 --> 00:34:03,954
-[GRUNTING]
540
00:34:07,610 --> 00:34:08,611
-LOOK AT WHAT
YOU'VE DONE!
541
00:34:17,446 --> 00:34:19,448
-DONNA: WHEN YOU'RE
READY FOR HELP, CALL ME.
542
00:34:20,145 --> 00:34:21,189
I'M HERE FOR YOU, NEELY.
543
00:34:33,027 --> 00:34:36,248
-RECHECK! [BLOWS WHISTLE]
544
00:34:36,378 --> 00:34:39,599
-[DRAMATIC MUSIC]
545
00:34:48,738 --> 00:34:49,957
-WOO HOO!
546
00:35:18,420 --> 00:35:20,509
[MITCH APPLAUDS]
547
00:35:34,741 --> 00:35:37,787
-[LAUGHS] ALL
RIGHT, YOU MADE IT.
548
00:35:37,918 --> 00:35:39,049
CONGRATULATIONS.
549
00:35:39,920 --> 00:35:40,877
HERE, CHECK THIS OUT.
550
00:35:41,704 --> 00:35:42,792
SEE IF THIS FITS.
551
00:35:42,923 --> 00:35:45,273
YEAH, IT LOOKS
GOOD, ALL RIGHT!
552
00:35:46,013 --> 00:35:46,883
-THANKS.
553
00:35:48,146 --> 00:35:49,364
-MITCH: I'M PROUD
OF YOU, MAN.
554
00:36:01,333 --> 00:36:02,551
-LIFEGUARD: BEHIND
THE LINE, PLEASE!
555
00:36:03,552 --> 00:36:05,075
CAN WE GET YOU
BEHIND THE YELLOW LINE?
556
00:36:07,469 --> 00:36:12,082
-[CROWD CHATTERS]
557
00:36:31,928 --> 00:36:33,103
-YOU'RE ON, COUNSELOR.
558
00:36:36,803 --> 00:36:39,153
-THE LAND LEASE CHALLENGING
THE COUNTY'S JURISDICTION
559
00:36:39,284 --> 00:36:41,024
OVER THIS BEACH HAS BEEN
THOROUGHLY INVESTIGATED
560
00:36:41,155 --> 00:36:42,939
BY SUPERIOR COURT
JUDGE ALICE FRANKLIN.
561
00:36:43,070 --> 00:36:45,551
ITS VALIDITY HAS BEEN
OVERRULED AND THROWN OUT.
562
00:36:47,117 --> 00:36:49,207
THE CIRCUS IS
OVER. I'M SORRY.
563
00:36:49,337 --> 00:36:50,686
WE GOTTA CLAIM
THIS BEACH.
564
00:36:50,817 --> 00:36:52,253
-TULLY, YOU AND I
KNOW THAT THIS ISN'T
565
00:36:52,384 --> 00:36:53,733
ABOUT THE
COUNTY'S RIGHTS.
566
00:36:53,863 --> 00:36:55,082
IT'S NOT ABOUT NATIVE
AMERICAN RIGHTS.
567
00:36:56,214 --> 00:36:58,216
IT'S ABOUT A HUMAN BEING'S
RIGHT TO DIE THE WAY HE WANTS,
568
00:36:59,695 --> 00:37:00,522
WITH DIGNITY.
569
00:37:01,480 --> 00:37:03,569
-PLEASE RESPECT MY
UNCLE AND HIS WISHES.
570
00:37:03,699 --> 00:37:05,135
-LIKE I SAID, I'M SORRY.
571
00:37:05,266 --> 00:37:06,398
I CAN'T LET HIM STAY HERE.
572
00:37:06,528 --> 00:37:09,096
-[TRIBAL MUSIC]
573
00:37:09,227 --> 00:37:12,142
-[NATIVE AMERICAN SINGING]
574
00:37:56,926 --> 00:37:59,451
-[NATIVE AMERICAN
FAMILY CHEERS]
575
00:38:03,193 --> 00:38:05,457
-YOU ALL TAKE CHARGE!
GET AN AMBULANCE!
576
00:38:15,336 --> 00:38:16,468
-NO PULSE, NO BREATHING.
577
00:38:17,425 --> 00:38:19,340
-EYES THAT SEE AT NIGHT:
WHEN I DO WHAT I HAVE TO DO,
578
00:38:19,471 --> 00:38:21,473
YOU DO WHAT
YOU HAVE TO DO.
579
00:38:24,476 --> 00:38:25,825
-BEGIN CPR.
580
00:38:25,955 --> 00:38:27,653
-NO, PLEASE, HE DOESN'T
WANT EXTREME MEASURES.
581
00:38:27,783 --> 00:38:28,654
-I HAVE TO DO THIS.
582
00:38:31,134 --> 00:38:32,962
I CAN'T NOT DO THIS!
583
00:38:34,442 --> 00:38:35,748
-I'LL DO COMPRESSIONS.
584
00:38:36,357 --> 00:38:37,489
-MITCH: ONE, TWO
585
00:38:37,619 --> 00:38:39,534
-ONE, TWO,
THREE, FOUR, FIVE.
586
00:38:39,665 --> 00:38:40,970
-BREATHE!
587
00:38:41,101 --> 00:38:43,190
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE.
588
00:38:43,321 --> 00:38:44,452
-MITCH: BREATHE!
589
00:38:44,583 --> 00:38:46,759
-ONE, TWO,
THREE, FOUR, FIVE.
590
00:38:46,889 --> 00:38:48,064
-BREATHE!
591
00:38:48,195 --> 00:38:50,110
-ONE, TWO,
THREE, FOUR, FIVE!
592
00:38:50,240 --> 00:38:51,372
-BREATHE!
593
00:38:51,503 --> 00:38:52,242
-[EAGLE CRIES]
-CRAIG: ONE, TWO,
594
00:38:52,373 --> 00:38:53,461
THREE, FOUR, FIVE!
595
00:38:53,592 --> 00:38:54,897
-MITCH: BREATHE!
596
00:38:55,028 --> 00:38:56,595
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE!
597
00:38:56,725 --> 00:38:57,552
-MITCH: BREATHE!
598
00:38:59,902 --> 00:39:01,861
NO PULSE, KEEP GOING.
599
00:39:02,775 --> 00:39:03,950
[EAGLE CRIES]
600
00:39:17,616 --> 00:39:20,923
-ONE, TWO,
THREE, FOUR, FIVE.
601
00:39:21,576 --> 00:39:22,403
-BREATHE.
602
00:39:23,970 --> 00:39:27,277
-ONE, TWO,
THREE, FOUR, FIVE.
603
00:39:27,887 --> 00:39:28,757
-BREATHE.
604
00:39:31,586 --> 00:39:34,676
-CRAIG: ONE, TWO,
THREE, FOUR, FIVE.
605
00:39:35,373 --> 00:39:36,243
-MITCH: BREATHE.
606
00:39:39,464 --> 00:39:41,596
[EAGLE CRIES]
607
00:39:53,129 --> 00:39:56,481
-[SOMBER MUSIC]
608
00:40:02,095 --> 00:40:02,965
-[MITCH SIGHS]
609
00:40:06,578 --> 00:40:10,103
-MY SPIRIT WILL FLY ON
THE WINGS OF AN EAGLE
610
00:40:10,233 --> 00:40:12,235
AND SOAR TO THE STARS.
611
00:40:12,366 --> 00:40:13,541
-THAT'S WHAT HE SAID.
612
00:40:14,150 --> 00:40:15,282
-THAT'S WHAT HE SAID.
613
00:40:16,849 --> 00:40:18,241
WHAT ARE YOU
DOING HERE, ANYWAY?
614
00:40:18,372 --> 00:40:19,547
I THOUGHT YOU'D BE BACK
IN WASHINGTON, D.C.
615
00:40:19,678 --> 00:40:21,114
BY NOW, COUNSELOR.
616
00:40:21,244 --> 00:40:22,550
-YOU KNOW, I'VE BEEN
THINKING ABOUT OPENING
617
00:40:22,681 --> 00:40:24,422
UP A STOREFRONT LAW
OFFICE IN VENICE.
618
00:40:24,944 --> 00:40:25,988
-[LAUGHS]
619
00:40:27,947 --> 00:40:28,861
[INHALES DEEPLY]
FRESH AIR!
620
00:40:29,601 --> 00:40:30,689
-OH, I MISS THIS.
621
00:40:31,733 --> 00:40:33,996
-A LITTLE LAWYERING,
A LITTLE LIFEGUARDING.
622
00:40:34,127 --> 00:40:35,737
-EXACTLY, TAKE
IT AS IT COMES.
623
00:40:36,434 --> 00:40:37,435
-ONE DAY AT A TIME.
624
00:40:38,174 --> 00:40:39,349
-GO WITH THE FLOW.
625
00:40:39,480 --> 00:40:40,525
-PLAY IT AS IT LAYS.
626
00:40:41,395 --> 00:40:42,440
-COMME CI, COMME CA.
627
00:40:42,570 --> 00:40:45,094
-QUE SERA, SERA. [LAUGHTER]
628
00:40:45,921 --> 00:40:46,966
-HEY, HOBSTER!
629
00:40:47,096 --> 00:40:48,533
-IT'S ONE OF MY
NEW CLIENTS.
630
00:40:49,925 --> 00:40:50,970
-DID YOU TELL HIM?
631
00:40:51,100 --> 00:40:52,188
-NO, I CAN'T,
REMEMBER?
632
00:40:52,319 --> 00:40:54,321
CLIENT-ATTORNEY
CONFIDENTIALITY.
633
00:40:54,452 --> 00:40:57,411
-[LAUGHS] TELL ME WHAT?
634
00:40:57,933 --> 00:41:00,240
-I WON 1200 BUCKS IN
A DANCE COMPETITION.
635
00:41:02,547 --> 00:41:03,852
-THAT'S FANTASTIC.
636
00:41:03,983 --> 00:41:05,419
-THEY WOULDN'T LET
ME KEEP THE MONEY.
637
00:41:06,594 --> 00:41:07,465
-WHY NOT?
638
00:41:13,732 --> 00:41:18,737
HEIGHT SIX FOOT TWO,
WEIGHT 350 POUNDS,
639
00:41:18,867 --> 00:41:23,742
EYES BLUE, [LAUGHS]
ALFONSO TRISTE?
640
00:41:25,831 --> 00:41:28,616
STEP INTO MY OFFICE,
BIG AL. COME HERE.
641
00:41:28,747 --> 00:41:30,226
I'LL TALK TO YOU
LATER, COUNSELOR.
642
00:41:30,357 --> 00:41:32,620
-[UPBEAT MUSIC]
643
00:41:41,150 --> 00:41:43,413
-[EAGLE CRIES]
644
00:41:44,589 --> 00:41:46,504
-[END THEME PLAYS]
645
00:41:46,554 --> 00:41:51,104
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