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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:05,005 [OPENING THEME] 2 00:00:12,708 --> 00:00:15,667 - SOME PEOPLE STAND IN THE DARKNESS 3 00:00:16,886 --> 00:00:20,368 AFRAID TO STEP INTO THE LIGHT 4 00:00:20,933 --> 00:00:24,328 SOME PEOPLE NEED TO HELP SOMEBODY 5 00:00:24,459 --> 00:00:28,158 WHEN THE EDGE OF SURRENDER'S IN SIGHT 6 00:00:28,289 --> 00:00:30,552 DON'T YOU WORRY 7 00:00:30,682 --> 00:00:33,685 IT'S GONNA BE ALL RIGHT 8 00:00:36,732 --> 00:00:38,690 'CAUSE I'M ALWAYS READY 9 00:00:38,821 --> 00:00:42,390 I WON'T LET YOU OUT OF MY SIGHT 10 00:00:45,480 --> 00:00:49,440 [I'LL BE READY] I'LL BE READY 11 00:00:49,571 --> 00:00:53,531 [WHENEVER YOU FEAR] OH DON'T YOU FEAR 12 00:00:53,662 --> 00:00:57,100 [I'LL BE READY] 13 00:00:57,231 --> 00:01:02,888 FOREVER AND ALWAYS, I'M ALWAYS HERE 14 00:01:20,863 --> 00:01:22,865 'CAUSE I'M ALWAYS READY 15 00:01:22,995 --> 00:01:26,347 I WON'T LET YOU OUT OF MY SIGHT 16 00:01:29,437 --> 00:01:33,528 [I'LL BE READY] I'LL BE READY 17 00:01:33,658 --> 00:01:37,401 [WHENEVER YOU FEAR] OH, DON'T YOU FEAR 18 00:01:37,532 --> 00:01:40,752 [I'LL BE READY] 19 00:01:40,883 --> 00:01:46,715 FOREVER AND ALWAYS, I'M ALWAYS HERE 20 00:02:00,685 --> 00:02:05,908 -[UPBEAT MUSIC] 21 00:02:07,039 --> 00:02:09,477 -ANNOUNCER: AND NOW, FOR CHANNEL 10 NEWS, 22 00:02:09,607 --> 00:02:12,567 HERE'S RIPTIDE ROGER PELTON WITH THE SURF REPORT. 23 00:02:12,697 --> 00:02:16,788 -RIPTIDE: THE SURF SUCKS! BUT THERE'S STILL SOME GENIUSES 24 00:02:16,919 --> 00:02:20,357 OUT HERE WAITING FOR A SWELL. WHY? 25 00:02:20,488 --> 00:02:22,620 BECAUSE THEY DON'T WATCH ME IN THE MORNING! 26 00:02:22,751 --> 00:02:26,885 -[ROCK MUSIC] 27 00:02:30,933 --> 00:02:32,500 DON'T COME TO THE BEACH FOR THE SURF, 28 00:02:32,630 --> 00:02:36,808 COME FOR THE RUSH! [CHEERS] 29 00:02:37,766 --> 00:02:39,898 RUSH HOUR TRAFFIC ON PCH, THERE IS NONE, 30 00:02:40,029 --> 00:02:42,597 THIS ISN'T A RUSH HOUR, I DON'T GET UP THAT EARLY. 31 00:02:43,511 --> 00:02:46,601 EVERYONE KNOWS YOU DON'T WATCH FOR THE SURF REPORT, 32 00:02:46,731 --> 00:02:48,777 YOU DON'T WATCH FOR THE TRAFFIC REPORT, 33 00:02:48,907 --> 00:02:52,607 YOU WATCH FOR THE LIFEGUARD REPORT! [LAUGHS] 34 00:02:52,737 --> 00:02:56,959 -[ROCK MUSIC] 35 00:03:00,092 --> 00:03:02,269 THAT'S THE ONLY REASON YOU CHOOSE A BEACH. 36 00:03:02,399 --> 00:03:05,620 FORGET THE SURF, YOU CAN TAN IN YOUR BACKYARD, 37 00:03:05,750 --> 00:03:08,188 YOU CHOOSE THE BEACH WITH THE LIFEGUARD 38 00:03:08,318 --> 00:03:11,408 THAT FULFILLS YOUR FANTASY OF A LIFEGUARD! 39 00:03:11,539 --> 00:03:13,845 WHATEVER IT IS, THAT'S WHERE YOU WANNA BE. 40 00:03:21,462 --> 00:03:23,507 OOH! THERE IS THE LIFEGUARD THAT HAS 41 00:03:23,638 --> 00:03:26,815 STIMULATED MY FANCY THIS SUMMER! 42 00:03:26,945 --> 00:03:27,816 DONNA... 43 00:03:35,519 --> 00:03:37,826 OW! THAT WOMAN IS SO HOT! 44 00:03:37,956 --> 00:03:39,915 I WOULD DIE AND GO TO HADES JUST TO HAVE 45 00:03:40,045 --> 00:03:42,309 DONNA GIVE ME MOUTH TO MOUTH, I'M SERIOUS, I WOULD. 46 00:03:42,439 --> 00:03:45,529 LET'S TAKE A LOOK AT WHO'S TRUCK SHE'S GETTING IN. 47 00:03:49,968 --> 00:03:53,885 AH, LOOKS LIKE J.D., ALIAS JACK DARIUS, 48 00:03:54,016 --> 00:03:57,498 ALIAS THE DAYTONA PIER KILLER, WHO'S EQUALLY HOT. 49 00:03:58,238 --> 00:04:00,501 IF I WAS A WOMAN, I WOULD ABSOLUTELY 50 00:04:00,631 --> 00:04:03,547 PLANT MY BOOTY AT THE BASE OF HIS TOWER. 51 00:04:06,507 --> 00:04:08,291 AH, AND THERE'S NEWMIE! 52 00:04:10,032 --> 00:04:11,425 NEWMIE, THIS GUY'S ALWAYS WORKIN' OUT, 53 00:04:11,555 --> 00:04:13,862 I GUESS IT WORKS FOR HIM, THIS YUTZ 54 00:04:13,992 --> 00:04:16,952 IS GOING WITH A GIRL WITH THE MOST LUSCIOUS 55 00:04:17,082 --> 00:04:21,086 LIPS I HAVE EVER SEEN ON A WOMAN IN MY ENTIRE LIFE. 56 00:04:31,880 --> 00:04:34,926 -RIPTIDE: AND THERE IT IS, THE HIVE, THE HAVEN, 57 00:04:35,057 --> 00:04:36,450 BAYWATCH LIFE GUARD HEADQUARTERS, 58 00:04:36,580 --> 00:04:39,409 WHERE THE TANNED AND TONED BODIES PUT ON 59 00:04:39,540 --> 00:04:41,672 THOSE LUSCIOUS RED BATHING SUITS, OH! 60 00:04:44,153 --> 00:04:46,938 -GET THAT HELICOPTER OUT OF HERE! 61 00:04:47,069 --> 00:04:49,027 -RIPTIDE: AH, THERE'S LIEUTENANT TAYLOR WALSH! 62 00:04:49,158 --> 00:04:52,335 I JUST GO WEAK FOR A WOMAN IN UNIFORM, 63 00:04:52,466 --> 00:04:55,947 YOU GOTTA LOVE THAT RED, FIERY HAIR. 64 00:04:59,081 --> 00:05:01,866 WELL, LOOK AT THE EXPRESSIONS, THAT WOMAN WANTS ME. 65 00:05:01,997 --> 00:05:06,958 SHE'S JUST TOO TERRIFIED OF MY RAW, ANIMAL SEXUALITY 66 00:05:07,089 --> 00:05:08,960 TO LET IT SHOW, SO IT COMES OUT AS ANGER. 67 00:05:09,091 --> 00:05:11,615 [LAUGHS] OOH! DON'T YOU LOVE THE WAY 68 00:05:11,746 --> 00:05:13,487 SHE MOVES HER CAN AROUND LIKE THAT? 69 00:05:13,617 --> 00:05:15,750 MOVE IT, HONEY! YEAH! 70 00:05:16,533 --> 00:05:17,926 LORDY, LORDY, LORDY! 71 00:05:21,016 --> 00:05:22,278 -HEY LOOK, IT'S TAYLOR! 72 00:05:23,061 --> 00:05:24,367 -I HATE THIS GUY. 73 00:05:24,498 --> 00:05:26,064 -WHY? HE'S FUNNY. 74 00:05:28,240 --> 00:05:29,807 -RIPTIDE: NO ONE'S ACTUALLY SEEN THE GUY. 75 00:05:29,938 --> 00:05:32,506 RUMOR HAS IT THAT TAYLOR WANTS 76 00:05:32,636 --> 00:05:34,159 EVERYONE TO THINK SHE'S ENGAGED, SO-- 77 00:05:34,290 --> 00:05:36,466 -WHAT IS TAYLOR DOING OUT THERE? 78 00:05:37,728 --> 00:05:39,643 I TOLD EVERYBODY TO IGNORE THAT IDIOT. 79 00:05:40,514 --> 00:05:42,124 -RIPTIDE: YOU'D THINK THESE LIFEGUARDS 80 00:05:42,254 --> 00:05:43,995 WOULD BE MORE WORRIED ABOUT RIPTIDE 81 00:05:44,126 --> 00:05:47,129 IN THE SURF THAN RIPTIDE ROGER PELTON. 82 00:05:48,217 --> 00:05:49,958 UH OH, I KNEW HE'D SHOW UP! 83 00:05:50,088 --> 00:05:53,396 CAPTAIN MITCH BUCHANNON! 84 00:05:53,527 --> 00:05:54,876 -COME ON INSIDE! 85 00:05:55,006 --> 00:05:56,399 -NO! 86 00:05:56,530 --> 00:05:57,705 -WHAT DO YOU MEAN, NO? COME ON INSIDE, 87 00:05:57,835 --> 00:05:58,706 YOU'RE PLAYING RIGHT INTO HIS HANDS. 88 00:05:59,446 --> 00:06:00,969 -THIS JUST SOUNDS FREAKY TO ME. 89 00:06:01,099 --> 00:06:04,538 MITCH, A CAPTAIN. AS LEGENDARY FOR SAVING LIVES 90 00:06:04,668 --> 00:06:06,496 AND BREAKING HEARTS, BUT I UNDERSTAND HE'S READY 91 00:06:06,627 --> 00:06:09,151 TO SETTLE DOWN, SO THOSE OF YOU LOOKING TO LAND 92 00:06:09,281 --> 00:06:12,981 LIFEGUARD NUMERO UNO, SEND YOUR MARRIAGE PROPOSALS 93 00:06:13,111 --> 00:06:16,027 TO MITCH BUCHANNON, CARE OF BAYWATCH HEADQUARTERS. 94 00:06:16,158 --> 00:06:17,551 PICTURES AND RESUMES, OF COURSE. 95 00:06:19,422 --> 00:06:21,163 -I'M NOT BACKING DOWN IN FRONT OF 96 00:06:21,293 --> 00:06:23,818 100,000 PEOPLE WATCHING ON TELEVISION. 97 00:06:26,168 --> 00:06:27,430 -NEWS DISPATCH: CHOPPER 10, PLEASE RESPOND TO A 98 00:06:27,561 --> 00:06:28,953 THREE VEHICLE ACCIDENT ON HIGHWAY 1, 99 00:06:29,084 --> 00:06:30,607 NORTH OF YOUR LOCATION. 100 00:06:30,738 --> 00:06:32,130 -WE JUST GOT A REPORT OF A THREE CAR PILEUP ON PCH. 101 00:06:32,261 --> 00:06:35,003 I KNOW THE ONE THING ALL OF YOU LOVE MORE THAN 102 00:06:35,133 --> 00:06:37,658 LIFEGUARD GOSSIP, IT'S CAR WRECK CARNAGE. 103 00:06:37,788 --> 00:06:40,051 I CAN'T LOOK, LET ME SEE, CAN'T LOOK, LET ME SEE. 104 00:06:40,182 --> 00:06:41,836 AND NO ONE GETS YOU CLOSER TO THE 105 00:06:41,966 --> 00:06:46,971 CARNAGE THAN RIPTIDE ROGER PELTON! 106 00:06:50,322 --> 00:06:52,890 -THERE. HE BLINKED FIRST. 107 00:06:53,021 --> 00:06:56,285 -TANNER, YOU CAN'T LET BEING ON TELEVISION 108 00:06:56,416 --> 00:06:58,243 COME BETWEEN YOU AND YOUR JOB. 109 00:06:58,374 --> 00:06:59,506 -HE'S TRASHED OUR PROFESSIONAL IMAGE 110 00:06:59,636 --> 00:07:01,290 AS WELL AS OUR PERSONAL LIVES. 111 00:07:01,421 --> 00:07:04,032 -I KNOW, AND HIS RATINGS ARE GOING THROUGH THE ROOF. 112 00:07:04,162 --> 00:07:06,077 -SOMEBODY HERE IS FEEDING HIM INFORMATION. 113 00:07:06,208 --> 00:07:07,818 WE HAVE A SPY AT BAYWATCH, MITCH. 114 00:07:07,949 --> 00:07:10,517 WE GOTTA FIND OUT WHO IT IS AND STOP THE LEAK. 115 00:07:13,607 --> 00:07:15,565 -HOME AGAIN, HOME AGAIN. 116 00:07:15,696 --> 00:07:17,524 -HEY, CODY, THANKS FOR LETTIN' ME STAY HERE, MAN. 117 00:07:18,438 --> 00:07:21,223 DONNA WAS JUST WORRIED PEOPLE MIGHT GET THE WRONG IDEA. 118 00:07:23,704 --> 00:07:25,793 -AS LONG AS RIPTIDE DOESN'T START A RUMOR ABOUT US. 119 00:07:25,923 --> 00:07:27,229 -[J.D. LAUGHS] 120 00:07:28,839 --> 00:07:30,885 -NO, J.D., NOT THAT ROOM! 121 00:07:32,843 --> 00:07:34,889 THIS WAS STEPHANIE'S. 122 00:07:36,717 --> 00:07:38,109 CAROLINE MADE ME SWEAR I'D LEAVE 123 00:07:38,240 --> 00:07:39,241 EVERYTHING THE WAY IT WAS. 124 00:07:40,285 --> 00:07:42,549 -J.D.: MY MOM DID THAT WITH MY DAD'S WORKSHOP. 125 00:07:43,288 --> 00:07:44,681 IT ONLY MAKES THE PAIN LAST LONGER. 126 00:07:44,812 --> 00:07:47,249 -YEAH, I KNOW, BUT CAROLINE'S JUST 127 00:07:47,379 --> 00:07:49,207 NOT READY TO LET IT GO YET. 128 00:07:51,209 --> 00:07:53,255 YOU CAN STAY IN HER ROOM 'TIL SHE GETS BACK FROM NEW YORK. 129 00:07:53,385 --> 00:07:54,604 -YEAH, WHAT'S HAPPENING WITH THAT? 130 00:07:54,735 --> 00:07:56,127 DID SHE GET THE PART? 131 00:07:56,258 --> 00:07:57,607 -I DON'T KNOW, SHE WAS SUPPOSED TO CALL. 132 00:07:57,738 --> 00:07:59,740 HER AUDITION WAS FIVE DAYS AGO, AND 133 00:07:59,870 --> 00:08:01,437 NO ONE'S HEARD FROM HER SINCE. 134 00:08:59,103 --> 00:08:59,930 -[CAROLINE SCREAMS] 135 00:09:00,061 --> 00:09:01,279 -[J.D. SCREAMS] 136 00:09:02,411 --> 00:09:04,108 -CAROLINE? WHAT ARE YOU DOING HERE? 137 00:09:04,239 --> 00:09:06,197 -WHAT AM I DOING HERE? WHAT IS HE DOING HERE? 138 00:09:06,328 --> 00:09:09,244 -I'M SORRY I GRABBED YOU! IT WAS A REFLEX! 139 00:09:09,853 --> 00:09:11,072 -CAROLINE, THIS IS J.D. 140 00:09:11,202 --> 00:09:12,769 -YEAH, WE JUST MET. 141 00:09:12,900 --> 00:09:15,076 -CODY: J.D.'S STILL LOOKING FOR A PLACE TO LIVE, 142 00:09:15,206 --> 00:09:17,121 SO I SAID HE COULD CRASH HERE 'TIL YOU GOT BACK. 143 00:09:17,252 --> 00:09:18,732 -WELL, TADA! I'M BACK. 144 00:09:19,341 --> 00:09:21,561 -CODY: WHY DIDN'T YOU TELL ANYBODY YOU WERE COMING? 145 00:09:21,691 --> 00:09:23,214 HEY, HOW DID SHANNA'S HOPE GO? 146 00:09:23,345 --> 00:09:24,433 -LOOK, I DON'T WANT TO TALK ABOUT 147 00:09:24,564 --> 00:09:25,695 ANY OF THIS RIGHT NOW, OKAY? 148 00:09:25,826 --> 00:09:27,305 I JUST SPENT FIVE DAYS ON A BUS, 149 00:09:27,436 --> 00:09:28,568 AND I'M REALLY TIRED, AND I'M REALLY CRANKY! 150 00:09:28,698 --> 00:09:29,656 -CODY: WELL, WHY'D YOU TAKE A BUS? 151 00:09:29,786 --> 00:09:31,092 YOU HAD A ROUND-TRIP FLIGHT. 152 00:09:31,222 --> 00:09:32,615 -LOOK, OKAY, I JUST NEEDED SOME TIME 153 00:09:32,746 --> 00:09:34,095 TO GET MY THOUGHTS TOGETHER, DECIDE WHAT 154 00:09:34,225 --> 00:09:35,575 I'M GONNA DO WITH MY LIFE, MAYBE THAT'LL 155 00:09:35,705 --> 00:09:37,228 GIVE YOU AN IDEA HOW MY AUDITION WENT. 156 00:09:38,795 --> 00:09:41,276 -WELL, ANYWAY, GLAD TO HAVE YOU BACK. 157 00:09:41,406 --> 00:09:42,930 -LOOK, I MEAN, WHY DON'T I GO OUT 158 00:09:43,060 --> 00:09:45,367 AND SLEEP ON THE COUCH? IF THAT'S ALL RIGHT. 159 00:09:49,937 --> 00:09:52,330 -THERE. NOW WE'RE EVEN. 160 00:09:53,810 --> 00:09:55,116 TAKE THE PILLOW. 161 00:09:58,032 --> 00:09:59,729 -IF, UH-- 162 00:09:59,860 --> 00:10:02,123 -NOPE! YOU KEEP IT. WE'LL DISCUSS ALL THIS IN THE MORNING. 163 00:10:02,689 --> 00:10:04,299 -WE'LL BE QUIET, WE WON'T WAKE YOU. 164 00:10:04,429 --> 00:10:07,607 -IT'S OKAY, WAKE ME. I WANT TO GET BACK 165 00:10:07,737 --> 00:10:11,001 TO THE BEACH AS SOON AS [YAWNS] POSSIBLE. 166 00:10:12,176 --> 00:10:13,613 -GOOD TO MEET YOU, CAROLINE. 167 00:10:19,880 --> 00:10:24,275 -[PLEASANT MUSIC] 168 00:10:30,455 --> 00:10:35,025 -[HELICOPTER BLADES WHIRRING] 169 00:10:37,854 --> 00:10:40,465 -I CAN'T TELL FOR SURE UNTIL I SEE 170 00:10:40,596 --> 00:10:42,250 THOSE INCREDIBLE EYES OF HERS, 171 00:10:42,380 --> 00:10:47,342 BUT IT LOOKS LIKE CAROLINE HOLDEN IS BACK ON THE BEACH! 172 00:10:48,386 --> 00:10:51,172 OH! FOR THE LOVE OF GOD! 173 00:10:52,564 --> 00:10:57,004 I WOULD PAWN MY SOUL TO BE THE SAND BENEATH HER FEET! 174 00:10:57,134 --> 00:11:00,311 THAT HAIR FLOWING LIKE A HORSE'S MANE... [INHALES] 175 00:11:00,442 --> 00:11:03,837 [LAUGHS] OH MAN, WILL YOU LOOK AT HER? 176 00:11:03,967 --> 00:11:05,665 I THOUGHT SHE WOULD BE TIRED, WIPED OUT 177 00:11:05,795 --> 00:11:07,362 AFTER FIVE DAYS ON A BUS. 178 00:11:07,492 --> 00:11:10,060 THAT'S NOT EVEN THE TIRING PART, LISTEN TO THIS: 179 00:11:11,105 --> 00:11:13,716 CAROLINE CAME HOME LAST NIGHT TO DISCOVER THAT 180 00:11:13,847 --> 00:11:15,849 J.D. HAD MOVED OUT OF DONNA'S CONDO 181 00:11:15,979 --> 00:11:17,633 AND IN WITH CODY AND HER. 182 00:11:17,764 --> 00:11:20,810 I DON'T THINK DONNA WOULD BE TOO THRILLED 183 00:11:20,941 --> 00:11:24,118 TO HEAR HOW CAROLINE RIPPED THE BLANKET 184 00:11:24,248 --> 00:11:26,947 OFF OF J.D., CHECKED OUT HIS BOD, 185 00:11:27,077 --> 00:11:30,515 HE WAS WEARING CK'S, BLACK, AND THE TWO OF THEM 186 00:11:30,646 --> 00:11:33,301 ENDED UP SLEEPING IN THE SAME BED! 187 00:11:33,431 --> 00:11:35,869 WHAT WOULD DONNA SAY? 188 00:11:37,174 --> 00:11:39,002 -YOU CAN'T BE SERIOUS. 189 00:11:39,133 --> 00:11:41,178 -THAT'S WHAT HE SAID, THE SAME BED. 190 00:11:41,309 --> 00:11:44,704 -WELL, I DON'T KNOW, I JUST CAN'T BELIEVE THAT J.D. AND... 191 00:11:45,792 --> 00:11:46,401 CAROLINE! 192 00:11:46,531 --> 00:11:47,141 -DONNA, HI! 193 00:11:47,271 --> 00:11:48,229 -HI! 194 00:11:48,359 --> 00:11:49,143 -OH, IT'S GOOD TO SEE YOU. 195 00:11:49,273 --> 00:11:49,752 -CAROLINE: YOU TOO. 196 00:11:50,405 --> 00:11:51,972 HI. I'M CAROLINE HOLDEN. 197 00:11:52,102 --> 00:11:53,974 -LANI MCKENZIE, I'VE HEARD SO MUCH ABOUT YOU! 198 00:11:54,104 --> 00:11:56,672 -REALLY? I HOPE IT WAS ALL ABOUT MY VIRTUES. 199 00:11:56,803 --> 00:11:58,413 -WELL, SPEAKING OF VIRTUES, I HEARD 200 00:11:58,543 --> 00:11:59,893 YOU MET J.D. LAST NIGHT. 201 00:12:00,023 --> 00:12:02,373 -OH, HE IS GORGEOUS. WHAT IS HIS STORY? 202 00:12:02,504 --> 00:12:04,462 -I DON'T KNOW, BUT I'M HOPING TO FIND OUT. 203 00:12:04,593 --> 00:12:06,682 -REALLY? WHAT'S HE LIKE? 204 00:12:06,813 --> 00:12:08,249 -YOU SHOULD KNOW. 205 00:12:08,379 --> 00:12:09,946 -YOU SLEPT IN THE SAME BED WITH HIM LAST NIGHT. 206 00:12:10,077 --> 00:12:12,166 -WHAT? WHO TOLD YOU THAT? 207 00:12:12,296 --> 00:12:13,733 -RIPTIDE. ROGER PELTON. 208 00:12:13,863 --> 00:12:15,082 -CAROLINE: WHO'S HE? 209 00:12:15,212 --> 00:12:16,344 -HE'S A HELICOPTER PILOT WHO DOES 210 00:12:16,474 --> 00:12:17,737 THE BEACH REPORT FOR CHANNEL 10. 211 00:12:17,867 --> 00:12:19,564 -OH YEAH, I THINK I SAW HIM OUTSIDE. 212 00:12:19,695 --> 00:12:21,523 -YOU DID, AND HE SAW YOU. 213 00:12:21,653 --> 00:12:23,003 -SAID YOU MADE HIM DROOL. 214 00:12:23,133 --> 00:12:24,656 -WHAT? 215 00:12:24,787 --> 00:12:26,049 -YOU SEE, HE ALSO DOES THE LIFEGUARD REPORT. 216 00:12:26,180 --> 00:12:28,225 YOU KNOW, WHO'S IN WHICH TOWER... 217 00:12:28,356 --> 00:12:29,966 -SO COME ON, IS IT TRUE? 218 00:12:30,097 --> 00:12:31,315 DID YOU AND J.D. SLEEP IN THE SAME BED LAST NIGHT? 219 00:12:31,446 --> 00:12:33,883 -NO! WELL, NOT AT THE SAME TIME... 220 00:12:34,014 --> 00:12:35,537 ALL RIGHT, HE WAS IN MY BED WHEN I GOT HOME, 221 00:12:35,667 --> 00:12:37,017 BUT THEN HE MOVED TO THE COUCH. 222 00:12:37,147 --> 00:12:38,888 WHO IS FEEDING THIS GUY ALL THIS STUFF? 223 00:12:39,019 --> 00:12:40,760 -WELL, HE HAS A SPY, IT'S AWFUL. 224 00:12:40,890 --> 00:12:43,066 -WHO DO YOU THINK THE SPY IS? 225 00:12:43,197 --> 00:12:44,764 -WELL, THERE'S ONLY THREE PEOPLE THAT KNEW 226 00:12:44,894 --> 00:12:46,678 WHAT HAPPENED IN THAT APARTMENT LAST NIGHT. 227 00:12:46,809 --> 00:12:48,768 -DON'T LOOK AT ME, I MEAN, I DIDN'T TELL ANYBODY. 228 00:12:48,898 --> 00:12:50,944 -AND IT COULDN'T BE CODY, HE HATES ROGER PELTON. 229 00:12:51,596 --> 00:12:52,772 -GUESS WHO THAT LEAVES? 230 00:12:52,902 --> 00:12:54,121 -LANI: J.D. 231 00:12:54,251 --> 00:12:57,646 [ROCK MUSIC] 232 00:12:57,777 --> 00:13:00,083 -RIPTIDE: THIS IS RIPTIDE ROGER PELTON, 233 00:13:00,214 --> 00:13:01,781 AND THERE HE IS, LADIES AND GENTLEMEN, 234 00:13:01,911 --> 00:13:06,350 THE BOLD AND BODACIOUS MICHAEL "THE STUD" NEWMAN! 235 00:13:09,571 --> 00:13:12,095 BEING DRIVEN TO WORK BY HIS LOVE GODDESS. 236 00:13:12,748 --> 00:13:14,445 THEM, THERE. WHAT'D I TELL YOU? 237 00:13:14,576 --> 00:13:16,926 DOES CHANTAL GOT THE GREATEST LIPS 238 00:13:17,057 --> 00:13:19,233 YOU HAVE EVER SEEN IN YOUR LIFE? 239 00:13:19,363 --> 00:13:21,975 I WOULD KILL TO BE KISSED BY THOSE LIPS, LOOK AT NEWMAN! 240 00:13:22,105 --> 00:13:24,629 HE'S ACTUALLY TRYING TO GET OUT OF THE CAR? 241 00:13:24,760 --> 00:13:26,980 WHAT KIND OF A MORON IS THIS GUY? 242 00:13:28,111 --> 00:13:31,027 IF I WERE IN HIS SHOES, I'D NEVER COME TO WORK! 243 00:13:31,158 --> 00:13:33,464 -OH YOU GUYS, I CANNOT WAIT TO BE ASSIGNED TO A TOWER. 244 00:13:33,595 --> 00:13:34,857 I'M GONNA ASK MITCH FOR BREAKWATER. 245 00:13:34,988 --> 00:13:36,337 THAT WAS STEPHANIE'S FAVORITE. 246 00:13:36,467 --> 00:13:37,860 -THE SURF POUNDS OUT THERE, AND THERE'S 247 00:13:37,991 --> 00:13:39,296 ALWAYS DANGEROUS RIPS AROUND THE ROCKS. 248 00:13:39,427 --> 00:13:41,037 -I KNOW THAT, THAT'S WHY SHE LOVED IT. 249 00:13:41,168 --> 00:13:43,083 SHE LOVED TO BE WHERE THE ACTION IS. 250 00:13:43,213 --> 00:13:45,607 IT'S DEFINITELY WHERE I WANNA BE, WHERE THE SURF POUNDS. 251 00:13:45,737 --> 00:13:47,609 -MITCH DOESN'T ASSIGN TOWERS ANYMORE. 252 00:13:48,784 --> 00:13:50,568 LIEUTENANT WALSH DOES. 253 00:13:54,485 --> 00:13:59,447 -[UPBEAT GUITAR MUSIC] 254 00:14:17,465 --> 00:14:20,337 I KNOW THERE MUST BE MORE THAN THIS 255 00:14:20,468 --> 00:14:23,036 BUT LIFE CAN BE SO HIT OR MISS 256 00:14:23,166 --> 00:14:28,519 I WANT TO BE RUNNING WILD AND RUNNING FREE 257 00:14:28,650 --> 00:14:31,783 I WANT TO BUILD MY WAY UP TO THE TOP 258 00:14:31,914 --> 00:14:34,612 HOLDING ON TO ALL I'VE GOT 259 00:14:34,743 --> 00:14:39,356 FEELING SO SECURE IN MY DESTINY 260 00:14:40,314 --> 00:14:45,972 ALL I KNOW IS LIFE'S A JOURNEY 261 00:14:46,102 --> 00:14:48,409 GIVE ME A CHANCE BEFORE THE DAY IS OVER 262 00:14:48,539 --> 00:14:51,586 I'M SO MUCH WISER AND SO MUCH BOLDER 263 00:14:51,716 --> 00:14:57,200 GIVE ME A CHANCE TO PROVE MYSELF TO YOU 264 00:14:57,331 --> 00:14:59,550 GIVE ME A CHANCE TO SHOW YOU WHO I AM 265 00:14:59,681 --> 00:15:02,510 I'VE GOT A LOT TO LEARN BUT I KNOW I CAN 266 00:15:02,640 --> 00:15:07,602 DO ANYTHING- I'LL PROVE MYSELF TO YOU 267 00:15:31,843 --> 00:15:35,673 -MITCH! HEY! HI! 268 00:15:35,804 --> 00:15:39,068 -GOD, I MISSED YOU! HANG ON, HANG ON. 269 00:15:39,199 --> 00:15:40,156 NO HUGS ON DUTY. 270 00:15:40,287 --> 00:15:42,506 -OH RIGHT, SORRY, SORRY. 271 00:15:42,637 --> 00:15:43,986 SO HOW DID YOUR COMMITTEE MEETING GO? 272 00:15:44,117 --> 00:15:46,554 -I HAD TO PINCH MYSELF TO STAY AWAKE. 273 00:15:46,684 --> 00:15:48,991 -THE PRICE YOU PAY FOR BECOMING CAPTAIN. 274 00:15:49,122 --> 00:15:51,385 GOD! LOOK AT YOU, YOU BIG STUD! YOU LOOK GREAT! 275 00:15:51,515 --> 00:15:54,301 -WELL, STILL GETTING USED TO WEARING A TIE ON THE BEACH. 276 00:15:54,431 --> 00:15:56,129 I'LL TELL YOU WHAT, WHY DON'T YOU COME OVER 277 00:15:56,259 --> 00:15:57,826 TO THE HOUSE TONIGHT, I'LL COOK YOU DINNER, 278 00:15:57,957 --> 00:15:59,654 WE'LL CATCH UP ON EVERYTHING, INCLUDING THE HUGS. 279 00:15:59,784 --> 00:16:01,395 -OKAY, BUT ONE NIGHT WON'T BE ENOUGH. 280 00:16:01,525 --> 00:16:02,570 -YOU'RE RIGHT. 281 00:16:02,700 --> 00:16:04,137 -[CAROLINE LAUGHS] 282 00:16:04,267 --> 00:16:05,747 -WELL, YOU CAN TAKE THE CAPTAIN OFF THE SAND, 283 00:16:05,877 --> 00:16:07,575 BUT YOU CAN'T KEEP THE SAND OFF OF HIS TOES. 284 00:16:07,705 --> 00:16:10,012 -GOT THAT! LISTEN, YOU EVER SEE ME WEARING 285 00:16:10,143 --> 00:16:11,796 THESE CRAB STOMPERS ON THE BEACH, 286 00:16:11,927 --> 00:16:13,624 SHOOT ME IN THE LEG, PUT ME OUT OF MY MISERY. 287 00:16:13,755 --> 00:16:16,105 -OKAY, ONLY IF YOU PUT ME OUT OF MY MISERY FIRST, MITCH. 288 00:16:16,236 --> 00:16:17,715 PLEASE, YOU GOTTA GET ME OFF THIS BEACH! 289 00:16:17,846 --> 00:16:19,979 COME ON, EVERYTHING IS GOING ON OUT THERE 290 00:16:20,109 --> 00:16:21,850 AND THAT NEW LIEUTENANT, WHAT'S HER NAME? TAYLOR... 291 00:16:21,981 --> 00:16:23,156 -MITCH: WALSH. -CAROLINE: YEAH. 292 00:16:23,286 --> 00:16:24,548 COME ON, SHE STUCK ME OUT HERE. 293 00:16:24,679 --> 00:16:26,637 -CAROLINE, IT'S YOUR FIRST DAY BACK, 294 00:16:26,768 --> 00:16:28,378 LIEUTENANT WALSH JUST WANTS TO MAKE SURE YOU 295 00:16:28,509 --> 00:16:30,772 GET YOUR FEET WET HERE ON MOTHER'S BEACH. 296 00:16:30,902 --> 00:16:33,035 -MITCH, THAT'S THE ONLY THING I CAN GET WET HERE. 297 00:16:33,166 --> 00:16:35,864 COME ON! HEY! YOU'RE THE CAPTAIN, OVERRIDE HER. 298 00:16:35,995 --> 00:16:37,387 -I'M THE CAPTAIN, LIEUTENANTS GIVE OUT 299 00:16:37,518 --> 00:16:39,781 THE TOWER ASSIGNMENTS, I CAN'T CHANGE A BEACH. 300 00:16:39,911 --> 00:16:41,522 -MITCH, THIS ISN'T EVEN THE OCEAN HERE! 301 00:16:41,652 --> 00:16:43,132 COME ON, IT'S FOR ROOKIES. 302 00:16:44,133 --> 00:16:45,352 -HOLD ON A SECOND. 303 00:16:46,309 --> 00:16:48,050 -DISPATCH: WE HAVE A CAPSIZED SAIL BOAT CAUGHT IN 304 00:16:48,181 --> 00:16:50,705 THE SURFLINE, DRIFTING TOWARD DEL REY PENINSULA BEACH. 305 00:16:50,835 --> 00:16:52,707 SOS REPORTED FOUR PEOPLE ON BOARD. 306 00:16:52,837 --> 00:16:55,188 -LIFEGUARD: WITH JET ONE, EN ROUTE FROM VENICE PIER. 307 00:16:55,318 --> 00:16:57,233 -HEY, I'LL SEE YOU TONIGHT AT SEVEN, I GOTTA GO! 308 00:16:57,364 --> 00:16:58,713 -WELL WAIT, LET ME COME WITH YOU! 309 00:16:58,843 --> 00:17:00,584 -YOU CAN'T LEAVE THE BEACH UNGUARDED, 310 00:17:00,715 --> 00:17:02,151 I'LL SEE YOU TONIGHT AT SEVEN, RELAX. 311 00:17:03,196 --> 00:17:05,024 -FINE. IT'S NOT FAIR! 312 00:17:06,677 --> 00:17:07,722 -LIFE ISN'T FAIR! 313 00:17:09,071 --> 00:17:13,989 -[INTENSE ROCK MUSIC] 314 00:17:30,832 --> 00:17:35,141 -[SIREN] 315 00:17:46,891 --> 00:17:49,198 -[PEOPLE CLAMORING] 316 00:17:49,329 --> 00:17:50,678 -LANI: COP CAR ON APPROACH. 317 00:17:50,808 --> 00:17:52,288 THREE VICTIMS COMING OUT OF THE WATER, 318 00:17:52,419 --> 00:17:53,811 ONE APPEARS TO BE UNCONSCIOUS. 319 00:18:05,214 --> 00:18:06,476 -THE MAST HIT HIM IN THE HEAD! 320 00:18:06,607 --> 00:18:07,347 -HE'S NOT BREATHING. 321 00:18:07,477 --> 00:18:08,870 -NO PULSE. 322 00:18:09,000 --> 00:18:09,958 -WE DON'T KNOW WHAT HAPPENED TO RAMONA. 323 00:18:10,089 --> 00:18:11,829 -LANI: WAS SHE BELOW DECK? 324 00:18:11,960 --> 00:18:13,527 -FEMALE VICTIM: NO, SHE WAS ON BOARD WHEN WE WENT OVER! 325 00:18:13,657 --> 00:18:15,224 -START CPR. 326 00:18:16,269 --> 00:18:20,360 ONE! TWO! THREE! FOUR! FIVE! 327 00:18:20,490 --> 00:18:21,622 -WAKE UP, PLEASE WAKE UP! 328 00:18:21,752 --> 00:18:24,625 -ONE! TWO! THREE! FOUR! FIVE! 329 00:18:24,755 --> 00:18:26,670 -RIPTIDE: RIPTIDE ROGER PELTON, OVER THE SCENE OF 330 00:18:26,801 --> 00:18:28,716 A SAILBOAT CAPSIZED NEAR SHORE. 331 00:18:28,846 --> 00:18:32,720 OKAY, LET'S SEE WHO WE'VE GOT RESPONDING HERE... 332 00:18:34,287 --> 00:18:36,985 LOOKS LIKE LANI AND J.D. ON THE BEACH, 333 00:18:37,116 --> 00:18:40,597 TENDING TO A VICTIM, AND NEWMAN AND CODY HOT-DOGGING 334 00:18:40,728 --> 00:18:43,557 TO SHORE WITH A COUPLE OF WAVERUNNERS, THIS IS GREAT. 335 00:18:43,687 --> 00:18:46,429 I'M GONNA BE ABLE TO PUT YOU RIGHT OVER GROUND ZERO. 336 00:18:46,560 --> 00:18:49,171 -[HELICOPTER BLADES WHIRRING] 337 00:18:49,302 --> 00:18:51,739 -[JETSKI ENGINES REVVING] 338 00:18:51,869 --> 00:18:54,394 -J.D.: ONE! TWO! THREE! FOUR! FIVE! 339 00:18:54,524 --> 00:18:56,396 THERE'S ONE MISSING IN THE WATER! 340 00:19:03,098 --> 00:19:04,447 -RIPTIDE: CODY AND NEWMAN ARE IN THE WATER, 341 00:19:04,578 --> 00:19:06,275 APPARENTLY LOOKING FOR ANOTHER VICTIM. 342 00:19:06,928 --> 00:19:08,364 -GET OUT! 343 00:19:10,279 --> 00:19:13,891 -THREE! FOUR! FIVE! COME ON! ONE! TWO! 344 00:19:14,022 --> 00:19:17,025 -[HELICOPTER BLADES WHIRRING] 345 00:19:17,156 --> 00:19:19,506 -RIPTIDE: VERY IMPRESSIVE. YOU GOTTA HAND IT 346 00:19:19,636 --> 00:19:21,595 TO 'EM, THESE GUYS ARE PROS AT THIS. 347 00:19:21,725 --> 00:19:25,251 LOOK AT LANI AND J.D., STRUGGLING TO SAVE THAT GUY'S LIFE. 348 00:19:25,381 --> 00:19:26,991 NO WONDER THESE LIFEGUARDS ARE 349 00:19:27,122 --> 00:19:28,515 ALL OVER EACH OTHER AFTER WORK. 350 00:19:29,472 --> 00:19:31,213 -DISPATCH: WE HAVE A REPORT OF A NEWS HELICOPTER 351 00:19:31,344 --> 00:19:33,955 HINDERING THE RESCUE OPERATION, PLEASE ADVISE. 352 00:19:35,826 --> 00:19:39,134 -NOW LISTEN, GET THE COAST GUARD, THE AIR FORCE, 353 00:19:39,265 --> 00:19:41,745 A SWAT TEAM, I DON'T CARE, I WANT THE HELICOPTER 354 00:19:41,876 --> 00:19:44,313 AT LEAST 100 YARDS FROM THE RESCUE SCENE! 355 00:19:47,229 --> 00:19:48,839 -[HEAVY BREATHING] 356 00:19:48,970 --> 00:19:50,276 -CODY: I CAN'T FIND ANYONE! 357 00:19:50,406 --> 00:19:53,409 -[INTENSE MUSIC] 358 00:19:54,367 --> 00:19:55,890 -NEWMIE! -WHAT? 359 00:19:56,673 --> 00:19:58,458 -UNDER THE SAIL! 360 00:19:58,588 --> 00:19:59,850 -OKAY! 361 00:19:59,981 --> 00:20:02,288 -I'LL GET THE MAINSAIL. 362 00:20:02,418 --> 00:20:03,811 -I'LL TAKE THE JIB! 363 00:20:06,335 --> 00:20:08,772 -GO ON, GET OUT OF HERE! 364 00:20:08,903 --> 00:20:12,167 -WELL, LOOK AT HIM! TRYING TO USE ME AS AN EXCUSE 365 00:20:12,298 --> 00:20:14,909 FOR NOT STRIPPING OFF HIS CAPTAIN'S UNIFORM 366 00:20:15,039 --> 00:20:18,129 AND PROVING THAT HE CAN'T CUT IT IN THE WATER ANYMORE! 367 00:20:19,435 --> 00:20:20,523 -DAMN IT! 368 00:20:20,654 --> 00:20:22,743 -FOUR! FIVE! 369 00:20:22,873 --> 00:20:26,921 ONE! TWO! THREE! FOUR! FIVE! COME ON! 370 00:20:27,704 --> 00:20:28,879 -[VICTIM COUGHS] 371 00:20:29,010 --> 00:20:30,359 -FEMALE VICTIM: OH, THANK GOD! 372 00:20:30,490 --> 00:20:31,447 -HE'S BREATHING, I'M GONNA GO HELP MITCH. 373 00:20:31,578 --> 00:20:32,579 -LANI: OKAY. 374 00:20:32,709 --> 00:20:36,713 -[HELICOPTER BLADES WHIRRING] 375 00:20:37,801 --> 00:20:39,455 -RIPTIDE: NOW LET'S GET DOWN A LITTLE LOWER HERE, 376 00:20:39,586 --> 00:20:40,848 AND SEE WHAT WE CAN SEE. 377 00:20:41,892 --> 00:20:45,244 -[ROCK MUSIC] 378 00:20:51,337 --> 00:20:55,036 -[LIFEGUARDS GRUNTING] 379 00:21:09,790 --> 00:21:11,792 -GO! GET OUT! 380 00:21:14,360 --> 00:21:15,709 -OH MY GOD! 381 00:21:15,839 --> 00:21:21,454 -[INTENSE ROCK MUSIC] 382 00:21:26,415 --> 00:21:27,851 -GIVE ME A PADDLEBOARD! 383 00:21:27,982 --> 00:21:29,679 -GET A PADDLEBOARD IN HERE! 384 00:21:31,638 --> 00:21:33,727 -SHE MAY HAVE A BACK INJURY. 385 00:21:33,857 --> 00:21:36,686 -[HEAVY BREATHING] 386 00:21:42,083 --> 00:21:43,998 -[SIREN] 387 00:21:50,787 --> 00:21:56,010 -[HEAVY BREATHING AND GRUNTING] 388 00:22:01,755 --> 00:22:03,713 -ALL RIGHT. GET HER TO THE HOSPITAL. 389 00:22:04,453 --> 00:22:06,281 LET ME KNOW HOW SHE IS, WILL YOU? 390 00:22:07,848 --> 00:22:08,849 GO ON! 391 00:22:10,285 --> 00:22:13,636 -[SIREN] 392 00:22:17,684 --> 00:22:22,689 -[ROCK MUSIC] 393 00:22:31,393 --> 00:22:33,830 -[PLEASANT JAZZ MUSIC] 394 00:22:33,961 --> 00:22:35,354 -I CALLED CHANNEL 10, I TOLD THEM THAT 395 00:22:35,484 --> 00:22:37,094 IF THEY DIDN'T FIRE THIS GUY, I'M GONNA CALL 396 00:22:37,225 --> 00:22:40,054 EVERY SPONSOR, THE FAA, THE FCC-- 397 00:22:40,184 --> 00:22:41,577 -I KNOW, I KNOW. 398 00:22:41,708 --> 00:22:43,405 CODY SAID HE'D NEVER SEEN YOU QUITE SO ANGRY. 399 00:22:43,536 --> 00:22:46,234 -THIS RIPTIDE GUY IS VERY LUCKY THAT GIRL PULLED THROUGH, 400 00:22:46,365 --> 00:22:48,062 IF NOT, I'D HAVE KNOCKED HIS HEAD OFF-- 401 00:22:48,192 --> 00:22:50,281 -LOOK, LOOK! THE GOOD THING IS HE'S OFF THE BEACH, OKAY? 402 00:22:50,412 --> 00:22:51,805 -OKAY. 403 00:22:51,935 --> 00:22:53,589 -HE CAN'T START ANY MORE VICIOUS RUMORS ABOUT US. 404 00:22:53,720 --> 00:22:55,591 WHO DO YOU THINK THE BAYWATCH SPY IS? 405 00:22:55,722 --> 00:22:58,333 -I DON'T KNOW. WHEN I FIND OUT, I'LL FIRE THEM, TOO. 406 00:22:58,464 --> 00:22:59,987 -[CAROLINE LAUGHS] 407 00:23:00,117 --> 00:23:02,816 -WELL, SINCE YOU'RE ON THIS WONDERFUL FIRING KICK, 408 00:23:02,946 --> 00:23:04,208 HOW ABOUT GIVING LIEUTENANT WALSH 409 00:23:04,339 --> 00:23:05,993 THE BOOT AND GIVING ME HER JOB? 410 00:23:06,123 --> 00:23:08,169 -SINCE WHEN DID YOU WANT TO BECOME A CAREER LIFEGUARD? 411 00:23:08,299 --> 00:23:09,649 -SINCE I FIGURED OUT IT'S PROBABLY 412 00:23:09,779 --> 00:23:11,302 THE ONLY CAREER OPTION I HAVE LEFT. 413 00:23:11,433 --> 00:23:12,956 -WHAT HAPPENED IN NEW YORK? 414 00:23:13,087 --> 00:23:14,610 I THOUGHT YOU WENT THERE TO DO BROADWAY, 415 00:23:14,741 --> 00:23:16,960 TO BE A SOAP STAR, I MEAN, RETURN TO CALIFORNIA 416 00:23:17,091 --> 00:23:18,701 THE TRIUMPHANT MOVIE STAR. 417 00:23:18,832 --> 00:23:20,050 -YEAH. REALLY TRIUMPHANT, ALL THE WAY 418 00:23:20,181 --> 00:23:21,878 BACK TO CALIFORNIA ON A BUS, UGH! 419 00:23:22,009 --> 00:23:23,793 MITCH, IT WAS AWFUL. 420 00:23:23,924 --> 00:23:25,578 -WHAT HAPPENED? 421 00:23:25,708 --> 00:23:27,101 -I GET THIS GREAT AUDITION FOR SHANNON'S HOPE, RIGHT? 422 00:23:27,231 --> 00:23:28,798 NEW CHARACTER, SOPHIA THE ITALIAN HEIRESS. 423 00:23:28,929 --> 00:23:31,888 I GO IN THERE, MITCH, I AM SOPHIA. 424 00:23:32,019 --> 00:23:34,151 IN THE MIDDLE OF MY AUDITION, THE PRODUCERS START TO LAUGH. 425 00:23:34,282 --> 00:23:36,371 IT'S SUPPOSED TO BE THIS SERIOUS, EMOTIONAL SCENE 426 00:23:36,502 --> 00:23:37,851 AND THE PRODUCERS ARE CRACKING UP! 427 00:23:37,981 --> 00:23:39,374 -[MITCH LAUGHS] 428 00:23:39,505 --> 00:23:40,767 SO AT THE END OF MY AUDITION, THEY SAY, 429 00:23:40,897 --> 00:23:42,464 "THANK YOU FOR BREAKING UP THE MONOTONY, 430 00:23:42,595 --> 00:23:44,466 "BUT BASICALLY, DON'T CALL US, WE'LL CALL YOU." 431 00:23:44,597 --> 00:23:46,686 -I'M SURE YOU'RE EXAGGERATING. 432 00:23:46,816 --> 00:23:48,775 -I WISH I WAS. I THINK IT WAS THE DEFINING 433 00:23:48,905 --> 00:23:50,777 MOMENT OF HUMILIATION IN MY LIFE. 434 00:23:50,907 --> 00:23:54,433 -CAROLINE, YOU CAN'T LET ONE AUDITION KILL YOUR DREAM. 435 00:23:55,738 --> 00:23:57,479 -I DON'T KNOW WHAT MY DREAM IS ANYMORE. 436 00:23:57,610 --> 00:23:59,829 THE ENTIRE BUS RIDE BACK, I KEPT ON THINKING, 437 00:23:59,960 --> 00:24:02,005 "WHAT WOULD STEPHANIE WANT ME TO DO?" 438 00:24:02,136 --> 00:24:04,007 -YOU NEVER LISTENED TO YOUR SISTER. 439 00:24:04,138 --> 00:24:05,531 -I KNOW, IT'S MY PROBLEM, IF I HAD, 440 00:24:05,661 --> 00:24:07,663 I WOULDN'T HAVE BEEN IN SO MUCH TROUBLE. 441 00:24:07,794 --> 00:24:10,666 -STEPHANIE WOULD TELL YOU TO FOLLOW YOUR HEART. 442 00:24:12,146 --> 00:24:14,365 -I REALLY WANT TO BE AS GOOD A LIFEGUARD AS STEPHANIE WAS. 443 00:24:14,496 --> 00:24:16,498 -THAT'S GONNA BE TOUGH. 444 00:24:16,629 --> 00:24:18,413 SHE WAS ONE OF A KIND. 445 00:24:18,544 --> 00:24:22,548 BUT, IF ANYBODY CAN BE AS GOOD AS HER, YOU CAN. 446 00:24:24,724 --> 00:24:27,640 -SO, DOES THIS MEAN I'LL BE WORKING BREAKWATER TOMORROW? 447 00:24:27,770 --> 00:24:29,729 -WHY DO YOU KEEP ASKING ME THAT? 448 00:24:29,859 --> 00:24:32,383 I DON'T DO TOWER ASSIGNMENTS. HEY HEY HEY! 449 00:24:32,514 --> 00:24:34,168 SAY THE SECRET WORD, YOU WIN 100 DOLLARS. 450 00:24:34,298 --> 00:24:36,213 -[CAROLINE LAUGHS] 451 00:24:36,344 --> 00:24:37,998 -MITCH: WELCOME BACK. 452 00:24:38,128 --> 00:24:39,129 -[GLASSES CLINK] 453 00:24:39,260 --> 00:24:41,044 -COME ON, MAN. COME WITH US. 454 00:24:41,175 --> 00:24:42,698 -IT'S THE BEST CLUB IN LA! 455 00:24:42,829 --> 00:24:44,961 -J.D.: NAW, I'M WIPED. YOU GUYS GO. 456 00:24:45,092 --> 00:24:46,006 I'M GONNA STAY AND READ THIS. 457 00:24:46,136 --> 00:24:47,529 -WHAT IS THAT, A SCRIPT? 458 00:24:47,660 --> 00:24:49,052 -SHANNON'S HOPE. 459 00:24:49,183 --> 00:24:50,924 GAGE FALLS IN LOVE WITH AN ITALIAN HEIRESS. 460 00:24:51,054 --> 00:24:54,362 -SOAPS ARE NOT AS MUCH FUN AS REAL LIFE! COME WITH US! 461 00:24:54,493 --> 00:24:57,670 -AH, LET HIM STAY. WHO NEEDS THE COMPETITION? 462 00:24:58,322 --> 00:24:59,976 -CODY: LATER. -CHANTAL: BYE. 463 00:25:03,719 --> 00:25:05,329 -NEWMAN: OKAY, WHO'S DRIVING? 464 00:25:07,201 --> 00:25:11,945 -[SOMBER PIANO MUSIC] 465 00:25:36,143 --> 00:25:38,537 -OH, HI. -HELLO. 466 00:25:39,450 --> 00:25:40,626 WHAT ARE YOU DOING WITH THIS? 467 00:25:40,756 --> 00:25:44,020 -WHAT? OH, I FOUND IT IN THE TRASH. 468 00:25:45,239 --> 00:25:47,154 THE SCENE WITH GAGE IS REALLY GOOD. 469 00:25:47,284 --> 00:25:49,025 I LIKED THE WAY YOU BROKE IT DOWN. 470 00:25:49,156 --> 00:25:50,679 -[CAROLINE SCOFFS] 471 00:25:50,810 --> 00:25:52,463 THESE ARE DARING CHOICES. 472 00:25:52,594 --> 00:25:55,379 -YEAH. SO DARING THAT I DIDN'T GET THE PART. 473 00:25:56,424 --> 00:25:58,905 WHAT DO YOU KNOW ABOUT BREAKING DOWN A SCENE, ANYWAY? 474 00:25:59,035 --> 00:26:02,256 -I STUDIED ACTING IN COLLEGE. HEY! 475 00:26:04,519 --> 00:26:07,696 YOU CAN'T BURN THIS. THIS IS SHANNON'S HOPE! 476 00:26:09,872 --> 00:26:11,091 HERE, SIT DOWN. 477 00:26:11,221 --> 00:26:13,006 -WHAT? WHAT FOR? 478 00:26:13,136 --> 00:26:14,050 -JUST SIT DOWN. 479 00:26:23,451 --> 00:26:25,235 -[J.D. SIGHS] 480 00:26:25,366 --> 00:26:27,760 -IT DOESN'T MATTER TO ME HOW MUCH YOUR INHERITANCE IS. 481 00:26:27,890 --> 00:26:32,155 YOU COULD BE BROKE FOR ALL I CARE. I'D STILL LOVE YOU. 482 00:26:32,286 --> 00:26:34,157 -[SCOFFS] WHAT ARE YOU DOING? 483 00:26:34,288 --> 00:26:36,290 -I'M GAGE! GO ON, READ YOUR PART. 484 00:26:36,420 --> 00:26:37,726 -I DON'T HAVE A PART. 485 00:26:37,857 --> 00:26:39,293 -YES YOU DO, YOU'RE SOPHIA. 486 00:26:39,423 --> 00:26:41,425 DON'T THINK ABOUT IT, JUST JUMP RIGHT IN. 487 00:26:41,556 --> 00:26:43,471 -WHY? SO YOU CAN FEED MORE STORIES 488 00:26:43,602 --> 00:26:45,952 ABOUT ME TO RIPTIDE ROGER? 489 00:26:46,082 --> 00:26:48,694 -HEY! THAT GUY CALLED ME THE DAYTONA PIER KILLER 490 00:26:48,824 --> 00:26:51,218 BECAUSE I LOST A VICTIM THERE LAST YEAR. 491 00:26:51,348 --> 00:26:54,003 THE ONLY THING I'D FEED HIM IS RAT POISON, OKAY? 492 00:26:54,134 --> 00:26:56,440 NOW, DO YOU NEED THE SCRIPT OR DO YOU KNOW YOUR PART? 493 00:26:56,571 --> 00:26:58,573 -WHAT IS WITH YOU? WHY DO YOU WANT ME TO DO THIS SO BAD? 494 00:26:58,704 --> 00:27:00,923 -BECAUSE, YOU SHOULD ALWAYS GET 495 00:27:01,054 --> 00:27:03,099 BACK ON THE HORSE THAT BUCKED YOU. 496 00:27:03,709 --> 00:27:04,971 [CAROLINE SIGHS] 497 00:27:07,713 --> 00:27:12,239 -[POUNDING DANCE MUSIC] 498 00:27:38,395 --> 00:27:40,267 -DJ: SOMEBODY SCREAM! 499 00:27:40,397 --> 00:27:42,922 -[DANCERS SCREAM] 500 00:27:43,052 --> 00:27:45,228 -NOW GET OFF MY DANCE FLOOR, AND DON'T COME BACK 501 00:27:45,359 --> 00:27:49,319 UNLESS YOU THINK YOU CAN KEEP UP WITH KYLA! 502 00:27:55,325 --> 00:27:56,239 -WHAT'S GOING ON? 503 00:27:56,370 --> 00:27:57,806 -IT'S A DANCE CONTEST. 504 00:27:57,937 --> 00:28:00,374 WHOEVER CAN KEEP UP WITH KYLA THE LONGEST WINS. 505 00:28:00,504 --> 00:28:02,115 -WHO'S KYLA? 506 00:28:02,245 --> 00:28:03,986 -[THROBBING DANCE MUSIC] 507 00:28:04,117 --> 00:28:06,685 -[AUDIENCE CHEERS] 508 00:28:28,141 --> 00:28:29,925 -THAT'S LANI! 509 00:28:30,056 --> 00:28:31,579 -NEWMAN: YOU'RE RIGHT! [LAUGHS] 510 00:28:33,059 --> 00:28:34,538 HEY, WHERE YOU GOING? 511 00:28:34,669 --> 00:28:35,975 -TO GET A BETTER VIEW, MAN. 512 00:28:36,105 --> 00:28:37,672 -[NEWMAN LAUGHS] 513 00:28:43,373 --> 00:28:45,114 -CONTESTANT 1: MONEY, RIGHT HERE! 514 00:29:00,695 --> 00:29:02,131 -BOUNCER: YOU'RE DONE, PAL. 515 00:29:06,570 --> 00:29:08,877 -CONTESTANT 2: HERE, I WANT SOME! 516 00:29:09,008 --> 00:29:10,444 -[AUDIENCE CHEERS] 517 00:29:59,188 --> 00:30:00,537 -CODY: HEY, LANI! 518 00:30:03,671 --> 00:30:06,761 SUP? I DIDN'T KNOW YOU DANCED HERE! [LAUGHS] 519 00:30:09,111 --> 00:30:10,852 HEY WAIT, I WAS JUST GONNA TALK TO HER! 520 00:30:11,418 --> 00:30:13,202 WHAT'S THE BIG DEAL, I WAS JUST GONNA TALK TO HER. 521 00:30:13,333 --> 00:30:15,596 -NOT UNLESS YOU PUT UP 10 BUCKS TO ENTER THE CONTEST! 522 00:30:15,726 --> 00:30:17,990 -CODY: YOU TAKE CHECKS? 523 00:30:18,120 --> 00:30:19,600 -[CRICKETS CHIRPING] 524 00:30:19,730 --> 00:30:21,776 -LAST TIME I FELT THIS WAY, I WAS 16. 525 00:30:22,951 --> 00:30:24,953 IN LOVE WITH MY BIOLOGY TEACHER. 526 00:30:26,215 --> 00:30:30,045 SHE REJECTED ME, BROKE MY HEART. 527 00:30:31,612 --> 00:30:33,875 -WELL, I'M SURE IT'S MENDED BY NOW. 528 00:30:35,485 --> 00:30:38,010 OH, YOUR HEART'S BEATING SO FAST! 529 00:30:38,140 --> 00:30:39,925 -BECAUSE OF YOU. 530 00:30:40,055 --> 00:30:43,015 -OH, THAT MAKES ME HAPPY TO KNOW THAT I EXCITE YOU. 531 00:30:47,584 --> 00:30:49,021 -DON'T BREAK MY HEART. 532 00:30:49,151 --> 00:30:54,026 -[ROMANTIC PIANO MUSIC] 533 00:30:59,031 --> 00:31:00,249 -[DOOR SLAMS] 534 00:31:01,424 --> 00:31:03,296 -SHOULD I COME BACK LATER? 535 00:31:03,426 --> 00:31:06,560 -NOPE. NO, NO. WE WERE JUST REHEARSING 536 00:31:06,690 --> 00:31:08,997 A SCENE FROM SHANNON'S HOPE. 537 00:31:09,128 --> 00:31:12,131 SEE, I'M SOPHIA, AND HE'S GAGE. 538 00:31:12,261 --> 00:31:15,830 -AND I'M STEVEN SPIELBERG. [LAUGHS] 539 00:31:15,961 --> 00:31:17,049 -[DOOR OPENS] 540 00:31:18,833 --> 00:31:20,226 -[DOOR CLOSES] 541 00:31:20,356 --> 00:31:22,228 -IF ROGER RIPTIDE HEARS ONE WORD ABOUT THIS, 542 00:31:22,358 --> 00:31:24,143 YOU DON'T HAVE TO WORRY ABOUT ME BREAKING YOUR HEART, 543 00:31:24,273 --> 00:31:25,840 BECAUSE I'M GONNA BREAK YOUR LEGS! 544 00:31:25,971 --> 00:31:28,538 -[ROMANTIC PIANO MUSIC] 545 00:31:28,669 --> 00:31:30,279 -GOODNIGHT, SOPHIA. 546 00:31:30,410 --> 00:31:33,543 -[DOOR OPENS AND CLOSES] 547 00:31:34,544 --> 00:31:37,765 -[UPBEAT ROCK MUSIC] 548 00:31:42,030 --> 00:31:43,162 -LANI, HEY. 549 00:31:43,292 --> 00:31:44,859 -LANI: HEY. -CODY: WHOA! 550 00:31:44,990 --> 00:31:46,208 WHAT HAPPENED TO YOU LAST NIGHT? 551 00:31:46,339 --> 00:31:47,949 -NOTHING, I JUST WENT HOME. 552 00:31:48,689 --> 00:31:49,864 -WE WAITED FOR YOU TO COME BACK OUT. 553 00:31:49,995 --> 00:31:51,257 -I WENT OUT THE BACK WAY. 554 00:31:51,387 --> 00:31:52,998 -WHY? WHAT'S GOIN' ON? 555 00:31:53,128 --> 00:31:55,217 HOW COME YOU KEPT DANCING THERE SUCH A BIG SECRET? 556 00:31:55,348 --> 00:31:57,176 -BECAUSE I DON'T WANT RIPTIDE ROGER 557 00:31:57,306 --> 00:31:59,178 ANNOUNCING TO THE WORLD THAT MY DANCE CAREER 558 00:31:59,308 --> 00:32:01,354 IS THE EQUIVALENT OF A MECHANICAL BULL RIDING CONTEST. 559 00:32:01,484 --> 00:32:03,922 WHOEVER LASTS THE LONGEST WINS. 560 00:32:04,052 --> 00:32:07,360 -WHY? THERE IS NOTHING TO BE ASHAMED OF. 561 00:32:07,490 --> 00:32:09,884 -YOU DON'T KNOW THIS DANCE BUSINESS. 562 00:32:10,624 --> 00:32:13,627 -TAYLOR, CAROLINE DESERVES TO WORK A MORE ACTIVE TOWER. 563 00:32:13,757 --> 00:32:16,151 -SHE'S BEEN OFF THE BEACH FOR ALMOST SIX MONTHS NOW. 564 00:32:16,282 --> 00:32:18,240 BY ALL RIGHTS, I SHOULD HAVE MADE HER WAIT UNTIL NEXT 565 00:32:18,371 --> 00:32:20,590 MONTH'S RECHECK BEFORE I ASSIGNED HER TO A TOWER AT ALL. 566 00:32:20,721 --> 00:32:22,462 -MITCH: IF YOU'RE INSECURE ABOUT HER ABILITY, 567 00:32:22,592 --> 00:32:24,246 PUT HER NEXT TO NEWMAN'S TOWER. 568 00:32:24,377 --> 00:32:25,856 -TAYLOR: IS THAT AN ORDER? 569 00:32:25,987 --> 00:32:26,945 -NO. 570 00:32:28,772 --> 00:32:29,904 IF YOU THINK CAROLINE NEEDS TO WORK 571 00:32:30,035 --> 00:32:31,732 MOTHER'S BEACH THAT'S YOUR CALL, 572 00:32:31,862 --> 00:32:34,300 I AM OUT OF IT, IT IS TOTALLY YOUR DECISION. 573 00:32:34,430 --> 00:32:35,779 -IS THAT MANIPULATION? 574 00:32:35,910 --> 00:32:37,259 -NO, NO! NOT AT ALL, I MEAN, YOU KNOW, 575 00:32:37,390 --> 00:32:39,044 IF YOU DON'T THINK SHE'S EXPERIENCED ENOUGH 576 00:32:39,174 --> 00:32:40,959 TO HAVE AN ACTIVE BEACH, THEN THAT'S FINE, 577 00:32:41,089 --> 00:32:44,484 I MEAN, THAT'S TOTALLY YOUR CALL. 578 00:32:49,706 --> 00:32:54,059 -[UPBEAT ELECTRONIC MUSIC] 579 00:33:07,681 --> 00:33:08,943 -HEY! 580 00:33:09,074 --> 00:33:10,814 -HEY, MITCH! 581 00:33:10,945 --> 00:33:12,033 -YEAH? -DONNA: COME HERE. 582 00:33:12,164 --> 00:33:14,209 YOU'RE NOT GONNA BELIEVE THIS. 583 00:33:17,778 --> 00:33:19,954 -NEWS ANCHOR: NOW, A NEW FEATURE, OUR EXCLUSIVE 584 00:33:20,085 --> 00:33:21,129 EYE IN THE SKY REPORTER-- 585 00:33:21,260 --> 00:33:22,609 -TELL ME IT'S A RERUN. 586 00:33:22,739 --> 00:33:24,654 -IT'S ON CABLE ACCESS. 587 00:33:25,307 --> 00:33:27,744 -I'M BACK! 588 00:33:27,875 --> 00:33:28,876 -DAMN IT. 589 00:33:29,007 --> 00:33:33,924 -[UPBEAT ROCK MUSIC] 590 00:33:41,062 --> 00:33:42,672 -WAIT FOR ME, I'M COMING! 591 00:33:45,327 --> 00:33:46,894 -COME ON, LET'S GO! 592 00:33:52,508 --> 00:33:54,293 -RIPTIDE: THIS IS RIPTIDE ROGER PELTON, 593 00:33:54,423 --> 00:33:55,903 FLYIN' LEAN AND MEAN OVER THE BEACH, 594 00:33:56,034 --> 00:33:57,992 NO MORE FANCY REMOTE CAMERAS, JUST ARTIE, 595 00:33:58,123 --> 00:34:00,168 MY GOOD OLD-FASHIONED CAMERAMAN. 596 00:34:00,299 --> 00:34:03,867 -[HELICOPTER BLADES WHIRRING] 597 00:34:03,998 --> 00:34:06,653 LET'S SEE WHO WE GOT DOWN HERE. 598 00:34:06,783 --> 00:34:09,656 WHY, IT'S LANI MCKENZIE! 599 00:34:09,786 --> 00:34:12,876 PLAY YOUR BOOMBOX REAL LOUD AT LANI'S TOWER, 600 00:34:13,007 --> 00:34:14,617 MAYBE SHE'LL FORGET WHICH JOB SHE'S AT 601 00:34:14,748 --> 00:34:17,142 AND DANCE FOR US RIGHT HERE ON THE BEACH. 602 00:34:17,272 --> 00:34:20,232 OH, AND CALL HER KYLA. THAT'S THE NAME 603 00:34:20,362 --> 00:34:22,408 SHE DANCES UNDER AT CLUB RIO. 604 00:34:22,538 --> 00:34:23,974 WHO ELSE WE GOT COMIN' UP HERE? 605 00:34:24,105 --> 00:34:25,802 IT LOOKS LIKE CAPTAIN'S TRUCK. 606 00:34:26,934 --> 00:34:28,066 WHAT'S THE DIFFERENCE BETWEEN 607 00:34:28,196 --> 00:34:30,590 MITCH BUCHANNON AND A SEA TURTLE? 608 00:34:30,720 --> 00:34:32,766 WELL, A SEA TURTLE RUNS FASTER ACROSS 609 00:34:32,896 --> 00:34:34,637 THE BEACH AND KNOWS HOW TO SWIM! 610 00:34:41,775 --> 00:34:46,432 -[SUSPENSEFUL MUSIC] 611 00:34:47,781 --> 00:34:49,565 -SHARK OFF TOWER 12! 612 00:34:54,222 --> 00:34:57,138 ATTENTION, ATTENTION! EVERYBODY OUT OF THE WATER! 613 00:34:57,791 --> 00:35:01,186 PLEASE REMAIN CALM! EVERYBODY OUT OF THE WATER! 614 00:35:05,842 --> 00:35:07,366 -WELL, LOOKS LIKE WE GOT SOMETHIN' 615 00:35:07,496 --> 00:35:11,457 GOING ON UP AT TOWER 12, AND WHAT DO YOU KNOW? WOW! 616 00:35:11,587 --> 00:35:16,549 LOOKS LIKE CAROLINE HOLDEN IS BACK IN THE HEAT OF BATTLE. 617 00:35:16,679 --> 00:35:19,117 I'VE BEEN HEATIN' JUST WATCHIN' HER, THAT'S FOR SURE. 618 00:35:20,683 --> 00:35:21,554 -ARTIE: I GOT SOMETHING. 619 00:35:21,684 --> 00:35:23,904 -WHAT? 620 00:35:25,210 --> 00:35:30,171 IT'S A SHARK! ALL RIGHT! I LOVE THE RESPECT A SHARK GETS! 621 00:35:30,302 --> 00:35:34,132 MAN AGAINST MAN-EATER, I ASPIRE TO THAT SAME KIND OF RESPECT. 622 00:35:34,262 --> 00:35:36,786 PEOPLE SEE ME COMIN' AND START TO RUN. 623 00:35:36,917 --> 00:35:40,660 LET'S MOVE ON IN AND GET A GOOD LOOK AT THIS BEAST. 624 00:35:42,879 --> 00:35:44,272 ARTIE! 625 00:35:44,403 --> 00:35:47,014 -[ARTIE SCREAMS] 626 00:35:59,374 --> 00:36:02,638 ARTIE! ARTIE, GRAB ON! ARTIE! 627 00:36:02,769 --> 00:36:06,076 -[SUSPENSEFUL MUSIC] 628 00:36:06,207 --> 00:36:08,905 -[SIREN] 629 00:36:38,283 --> 00:36:42,069 ARTIE! ARTIE! GRAB THE STRUT! 630 00:36:55,125 --> 00:36:56,562 -[RIPTIDE GRUNTS] 631 00:36:57,911 --> 00:36:59,826 -[HELICOPTER CONTROLS BEEP] 632 00:37:01,306 --> 00:37:02,785 -[SPLASH] 633 00:37:02,916 --> 00:37:06,093 -[CONTROLS BEEP WILDLY] 634 00:37:11,707 --> 00:37:14,884 -[BEACHGOERS CLAMORING] 635 00:37:18,323 --> 00:37:19,759 -[ELECTRICAL POPS] 636 00:37:23,719 --> 00:37:25,330 MY HARNESS IS STUCK! 637 00:37:29,334 --> 00:37:32,250 -[HEAVY BREATHING] 638 00:37:39,692 --> 00:37:42,260 -[METALLIC CLUNK] -[TAYLOR GRUNTS] 639 00:37:43,217 --> 00:37:44,262 -I CAN'T GET OUT! 640 00:37:45,306 --> 00:37:46,960 -[JETSKI REVVING] 641 00:37:52,139 --> 00:37:57,057 -[SUSPENSEFUL MUSIC] 642 00:38:00,016 --> 00:38:02,236 -[HEAVY BREATHING] 643 00:38:02,367 --> 00:38:05,587 -[RIPTIDE GRUNTS] 644 00:38:20,123 --> 00:38:21,603 -LIFEGUARD: GOT HIM! I GOT HIM! 645 00:38:27,305 --> 00:38:30,003 -[HEAVY BREATHING] 646 00:38:38,968 --> 00:38:44,104 -[GIRLS MOANING AND SHOUTING] 647 00:38:50,850 --> 00:38:54,201 -[HEAVY BREATHING] 648 00:38:55,985 --> 00:39:00,686 -[RIPTIDE GRUNTING] 649 00:39:00,816 --> 00:39:05,038 -[SUSPENSEFUL MUSIC] 650 00:39:41,422 --> 00:39:42,771 -YOU OKAY? -CAROLINE: YEAH. 651 00:39:42,902 --> 00:39:47,863 -[SUSPENSEFUL MUSIC] 652 00:39:57,264 --> 00:40:00,920 -[MITCH AND NEWMAN GASP FOR BREATH] 653 00:40:07,230 --> 00:40:11,626 -[SOMBER MUSIC] 654 00:40:11,757 --> 00:40:13,106 -[RIPTIDE COUGHS] 655 00:40:13,236 --> 00:40:17,502 -OH MAN, I THOUGHT I WAS DEAD. 656 00:40:17,632 --> 00:40:20,722 THOUGHT I ATE IT FOR SURE. THANKS, MAN. 657 00:40:23,508 --> 00:40:25,379 I TAKE BACK EVERYTHING I SAID ABOUT YOU. 658 00:40:25,510 --> 00:40:27,381 -I'M REGRETTING THIS ALREADY. 659 00:40:29,688 --> 00:40:31,080 -CHANTAL: SWEETIE! 660 00:40:33,343 --> 00:40:34,649 HONEY! 661 00:40:36,129 --> 00:40:38,131 ARE YOU ALL RIGHT? I WAS SO SCARED! 662 00:40:38,261 --> 00:40:39,524 -RIPTIDE: YEAH, I'M GOOD. 663 00:40:41,264 --> 00:40:43,397 -I WAS SO WORRIED ABOUT YOU! 664 00:40:46,531 --> 00:40:48,924 -MITCH: GUESS WE FOUND OUR SPY. 665 00:40:49,055 --> 00:40:50,622 -I THINK I'M GONNA BE SICK. 666 00:40:50,752 --> 00:40:54,277 -TELEPHONE, TELEGRAPH, TELL NEWMIE. 667 00:40:55,235 --> 00:40:59,631 -HEY, I ONLY TOLD HER THINGS OTHER PEOPLE TOLD ME. 668 00:40:59,761 --> 00:41:02,155 -LOOSE LIPS SINK SHIPS. 669 00:41:02,285 --> 00:41:03,461 -SHE WAS SO BEAUTIFUL. 670 00:41:03,591 --> 00:41:05,114 -AND BUOYANT. 671 00:41:09,815 --> 00:41:11,251 -THANK YOU, CODY. 672 00:41:11,381 --> 00:41:14,472 -AW, THANK CAROLINE. SHE GOT TO YOU FIRST. 673 00:41:15,864 --> 00:41:17,692 I'M REALLY GLAD YOU'RE BACK AT BAYWATCH. 674 00:41:17,823 --> 00:41:18,824 -SO AM I. 675 00:41:18,954 --> 00:41:23,959 -[PLEASANT MUSIC] 676 00:41:30,923 --> 00:41:33,447 -MITCH: MEET OUR SPY, NEWMIE! 677 00:41:33,578 --> 00:41:35,405 -CODY: NEWMAN? IT WAS YOU?! 678 00:41:37,538 --> 00:41:40,367 NEWMIE! COME ON, GET HIM, CAROLINE! 679 00:41:42,500 --> 00:41:47,243 -[END THEME PLAYS] 680 00:41:47,293 --> 00:41:51,843 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 49943

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