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-[THEME MUSIC]
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-
SOME PEOPLE STAND
IN THE DARKNESS
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00:00:16,886 --> 00:00:20,803
AFRAID TO STEP
INTO THE LIGHT
4
00:00:20,933 --> 00:00:24,937
SOME PEOPLE NEED
TO HELP SOMEBODY
5
00:00:25,068 --> 00:00:28,289
WHEN THE EDGE OF
SURRENDER'S IN SIGHT
6
00:00:28,419 --> 00:00:30,856
DON'T YOU WORRY
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IT'S GONNA BE ALL RIGHT
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'CAUSE I'M ALWAYS READY
9
00:00:38,734 --> 00:00:42,825
I WON'T LET YOU
OUT OF MY SIGHT
10
00:00:45,654 --> 00:00:48,135
I'LL BE READY
11
00:00:48,265 --> 00:00:49,614
I'LL BE READY
12
00:00:49,745 --> 00:00:51,529
NEVER YOU FEAR
13
00:00:51,660 --> 00:00:53,618
NO, DON'T YOU FEAR
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00:00:53,749 --> 00:00:56,578
I'LL BE READY
15
00:00:56,708 --> 00:00:59,972
FOREVER AND ALWAYS
16
00:01:00,103 --> 00:01:03,063
I'M ALWAYS HERE
17
00:01:20,906 --> 00:01:22,865
'CAUSE I'M ALWAYS READY
18
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I WON'T LET YOU
OUT OF MY SIGHT
19
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I'LL BE READY
20
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I'LL BE READY
21
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NEVER YOU FEAR
22
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NO, DON'T YOU FEAR
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I'LL BE READY
24
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FOREVER AND ALWAYS
25
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I'M ALWAYS HERE
26
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-MITCH: EVERY YEAR,
HUNDREDS OF HOPEFULS SHOW
27
00:02:09,041 --> 00:02:11,392
UP AT BAYWATCH FOR
LIFEGUARD TRY OUTS.
28
00:02:11,522 --> 00:02:13,916
ONLY THE TOP 15 MAKE
IT INTO ROOKIE SCHOOL.
29
00:02:14,046 --> 00:02:16,832
THE FASTEST, STRONGEST SWIMMERS
USUALLY GET THOSE SPOTS,
30
00:02:16,962 --> 00:02:20,662
BUT EVERY YEAR SOMEONE MAKES
IT ON SHEER WILL POWER,
31
00:02:20,792 --> 00:02:23,143
COURAGE AND DETERMINATION.
32
00:02:27,451 --> 00:02:30,019
-MY FULL NAME IS
LEYLANI MILOA MCKENZIE.
33
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MY MOTHER'S NATIVE HAWAIIAN.
34
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I WAS RAISED IN HONOLULU
SO I PRACTICALLY
35
00:02:34,589 --> 00:02:35,894
GREW UP IN THE WATER.
36
00:02:36,025 --> 00:02:38,201
I'M A CERTIFIED DIVER
AND I USED
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TO BE A FAIRY DECENT SURFER.
38
00:02:40,464 --> 00:02:41,944
-WHY DO I WANT THIS JOB?
39
00:02:42,118 --> 00:02:44,816
MOSTLY FOR THE BABES, I GUESS.
40
00:02:44,947 --> 00:02:47,558
NO, BUT I WORK REALLY
HARD AT IT TOO, YOU KNOW.
41
00:02:50,996 --> 00:02:52,737
-I'VE BEEN A LIFEGUARD
THE LAST THREE SUMMERS
42
00:02:52,868 --> 00:02:55,436
ON THIS LITTLE LAKE WHERE
MY FAMILY HAS A CABIN.
43
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IT'S IN WISCONSIN.
44
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-MY NAME IS CHERYL
WAYLIN AND I'VE ALWAYS
45
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LOOKED UP TO LIFEGUARDS EVER
SINCE I WAS A LITTLE KID.
46
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I'M GLAD I FINALLY HAVE
A CHANCE TO BE ONE.
47
00:03:09,014 --> 00:03:11,191
-I'M HERE BECAUSE
BEING A LIFEGUARD MEANS
48
00:03:11,321 --> 00:03:14,324
THAT YOU CAN MAKE A
DIFFERENCE IN PEOPLE'S LIVES.
49
00:03:14,455 --> 00:03:15,804
YOU KNOW, LIKE, SAVING SOMEONE
50
00:03:15,934 --> 00:03:17,893
FROM A DANGEROUS SITUATION.
51
00:03:18,023 --> 00:03:20,809
-I'M HOBIE BUCHANNON AND
I'M HERE BECAUSE MY DAD
52
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SAID IT WAS EITHER ROOKIE
SCHOOL OR SUMMER SCHOOL.
53
00:03:24,204 --> 00:03:26,989
-I WANNA BE A DANCER
AND A CHOREOGRAPHER.
54
00:03:27,119 --> 00:03:28,120
MAYBE SOME DAY.
55
00:03:28,251 --> 00:03:30,122
MY MOTHER WAS A
FAMOUS HULA DANCER
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BEFORE SHE MET MY DAD AND
STARTED HAVING BABIES.
57
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I HAVE FIVE BROTHERS
AND SISTERS.
58
00:03:45,050 --> 00:03:49,359
-MY FAMILY WAS ALWAYS INTO
BREAKING RACIAL STEREOTYPES.
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00:03:49,490 --> 00:03:50,926
YOU KNOW HOW
THERE'S THIS THING
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00:03:51,056 --> 00:03:53,233
THAT BLACK PEOPLE
CAN'T SWIM?
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00:03:53,885 --> 00:03:56,714
WELL, MY MOTHER CHOSE
ME TO PERSONALLY PROVE
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THAT WASN'T TRUE.
63
00:04:03,460 --> 00:04:05,288
-ARE YOU COLD OR JUST NERVOUS?
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00:04:05,419 --> 00:04:07,508
-A LITTLE BIT OF BOTH I THINK.
65
00:04:07,638 --> 00:04:09,727
I'M MOSTLY A POOL
SWIMMER, I'M NOT USED
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TO DEALING WITH THE ELEMENTS.
67
00:04:12,077 --> 00:04:13,992
-HERE, TAKE THIS, RUB
THIS ON YOUR ARMS AND LEGS.
68
00:04:14,123 --> 00:04:16,691
IT'S A NATURAL INSULATOR.
HELPS KEEP THE BODY HEAT IN.
69
00:04:17,169 --> 00:04:18,258
-THANKS.
70
00:04:18,823 --> 00:04:20,260
-HOLD STILL.
71
00:04:21,609 --> 00:04:23,306
-I WAS A STATE
CHAMPION IN HIGH SCHOOL.
72
00:04:23,437 --> 00:04:27,005
I STILL HOLD THE RECORD FOR THE
400 METER INDIVIDUAL MEDLEY.
73
00:04:28,485 --> 00:04:30,270
-OKAY, HERE'S YOUR NUMBER.
74
00:04:31,096 --> 00:04:32,750
-I'M CURRENTLY TRAINING
TO BECOME AN EMERGENCY
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00:04:32,881 --> 00:04:34,012
MEDICAL TECHNICIAN.
76
00:04:35,057 --> 00:04:37,015
-ALL RIGHT, HOLD YOUR FIST UP.
77
00:04:45,110 --> 00:04:46,373
THANKS.
78
00:04:46,503 --> 00:04:48,505
-THIS YEAR, HOBIE
IS TRYING OUT.
79
00:04:48,636 --> 00:04:52,814
ONLY I DON'T KNOW IF HE'S
DOING IT FOR ME OR FOR HIMSELF.
80
00:04:59,211 --> 00:05:02,693
YOU LOOK TERRIFIC, HOW MUCH
SLEEP DID YOU GET LAST NIGHT?
81
00:05:02,824 --> 00:05:04,695
-ENOUGH.
82
00:05:06,436 --> 00:05:07,655
GIVE ME A BREAK ALL RIGHT?
83
00:05:07,785 --> 00:05:10,310
FRIDAY'S THE ONLY NIGHT
WE GET TO REHEARSE LATE.
84
00:05:12,137 --> 00:05:13,574
-DID YOU GET SOMETHING TO EAT?
85
00:05:13,704 --> 00:05:15,793
-YEAH, CONNOR'S
MOM MADE US OATMEAL.
86
00:05:15,924 --> 00:05:18,666
LOOK, DAD, I KNOW HOW
MUCH THIS MEANS TO YOU.
87
00:05:19,101 --> 00:05:20,842
I'M NOT GOING TO LET YOU DOWN.
88
00:05:23,801 --> 00:05:25,325
-MITCH: I REMEMBER
MY ROOKIE SUMMER.
89
00:05:25,455 --> 00:05:28,415
THE NERVOUS ENERGY,
THE ANTICIPATION,
90
00:05:28,545 --> 00:05:30,591
SOMETIMES I WISH
I COULD GO BACK
91
00:05:30,721 --> 00:05:32,723
AND DO IT ALL OVER AGAIN.
92
00:05:42,603 --> 00:05:44,082
-HEY, MANNY.
93
00:05:45,301 --> 00:05:46,302
-HEY, NEWMIE.
94
00:05:46,433 --> 00:05:47,782
-YOU READY FOR THE RACE?
95
00:05:47,912 --> 00:05:49,174
-WHAT ARE YOU KIDDING?
96
00:05:49,305 --> 00:05:51,612
I'VE BEEN HERE SINCE
THE CRACK OF DAWN.
97
00:05:51,742 --> 00:05:53,048
CHECK THIS OUT.
98
00:05:53,178 --> 00:05:55,616
-ALL RIGHT, NUMBER
ONE, YOU THE MAN.
99
00:05:55,746 --> 00:05:56,834
-I KNOW.
100
00:05:56,965 --> 00:05:58,445
-HEY, MANNY, SAVE A
LITTLE FOR THE SWIM.
101
00:05:58,836 --> 00:06:00,490
-NO PROBLEM.
102
00:06:00,621 --> 00:06:01,970
-COME ON.
103
00:06:04,929 --> 00:06:07,932
-CODY? CODY, REMEMBER ME?
104
00:06:08,063 --> 00:06:11,588
LANI MCKENZIE? I WAS YOUR DIVE
GUIDE IN HAWAII LAST YEAR.
105
00:06:12,197 --> 00:06:16,158
-YEAH, RIGHT. SO, YOU FINALLY
MADE IT TO THE MAIN LAND.
106
00:06:16,419 --> 00:06:18,073
YOU WANTED TO
BE A DANCER RIGHT?
107
00:06:18,203 --> 00:06:20,902
-YEAH, I REMEMBER YOU TALKING
ABOUT BEING A LIFEGUARD.
108
00:06:21,032 --> 00:06:22,469
FIGURED IT'D BE A GOOD
WAY TO SUPPORT MYSELF
109
00:06:22,599 --> 00:06:23,948
UNTIL I HIT THE BIG TIME.
110
00:06:24,079 --> 00:06:26,168
-WELL, GOOD LUCK TODAY.
-THANKS.
111
00:06:35,569 --> 00:06:36,874
-CHIEF: GOOD, OKAY.
112
00:06:37,005 --> 00:06:38,920
-CHIEF, YOU WANTED TO SEE ME?
113
00:06:39,050 --> 00:06:41,792
-YEAH, SO HOW DO
THE ROOKIES LOOK THIS YEAR?
114
00:06:41,923 --> 00:06:42,880
-[SIGHS] YOUNGER.
115
00:06:43,011 --> 00:06:44,882
-GET USED TO IT.
116
00:06:45,100 --> 00:06:46,318
-WHAT'S THIS?
117
00:06:46,449 --> 00:06:48,364
-THE RESULTS OF
THE CAPTAIN'S TEST.
118
00:06:48,495 --> 00:06:49,931
-HOW DID I DO?
119
00:06:50,061 --> 00:06:51,846
-WELL, IF I DIDN'T KNOW
ANY BETTER, I'D SAY SOMEONE
120
00:06:51,976 --> 00:06:54,022
SLIPPED YOU AN ADVANCED
COPY OF THE EXAM.
121
00:06:54,152 --> 00:06:57,417
-WELL, I PICKED UP A THING
OR TWO OVER THE LAST 25 YEARS.
122
00:06:57,547 --> 00:07:01,377
-MM, MY ONLY QUESTION
IS WHEN CAN YOU START?
123
00:07:01,508 --> 00:07:03,771
-[LAUGHS] JUST BECAUSE I
TOOK THE TEST DOESN'T MEAN
124
00:07:03,901 --> 00:07:05,425
I WANT THE JOB.
125
00:07:05,555 --> 00:07:07,296
-OH, COME ON, MITCH, YOU'RE
THE MOST QUALIFIED PERSON
126
00:07:07,427 --> 00:07:10,778
FOR THE POSITION AND I STILL
HOLD YOU PERSONALLY RESPONSIBLE
127
00:07:10,908 --> 00:07:11,909
FOR CREATING THE OPENING.
128
00:07:12,040 --> 00:07:13,520
-DON'T TRY AND PIN THAT ON ME.
129
00:07:13,650 --> 00:07:15,260
I WASN'T THE REASON
SAMANTHA QUIT.
130
00:07:15,391 --> 00:07:17,437
I JUST HELPED HER REALIZE
THAT MAYBE SHE WAS STILL
131
00:07:17,567 --> 00:07:18,873
IN LOVE WITH HER EX-HUSBAND.
132
00:07:19,308 --> 00:07:20,962
-FRANKLY, I NEVER UNDERSTOOD
HOW YOU TWO GOT TOGETHER
133
00:07:21,092 --> 00:07:22,354
IN THE FIRST PLACE.
134
00:07:22,485 --> 00:07:24,531
-COULD WE TALK ABOUT
THIS AFTER THE SWIM?
135
00:07:25,532 --> 00:07:27,011
-SURE.
-THANK YOU.
136
00:07:29,492 --> 00:07:33,191
ALL RIGHT, GOOD MORNING,
AND WELCOME. LISTEN UP.
137
00:07:34,236 --> 00:07:37,152
FIRST PRIORITY IS SAFETY.
138
00:07:37,282 --> 00:07:40,460
WHEN YOU RUN FROM THE
FINISH LINE INTO THE WATER,
139
00:07:40,590 --> 00:07:41,678
USE CAUTION.
140
00:07:42,200 --> 00:07:44,594
THERE ARE SEVERE IN SHORE HOLD.
141
00:07:46,117 --> 00:07:49,947
IF AT ANY TIME YOU FEEL
YOU CANNOT FINISH THE RACE,
142
00:07:50,687 --> 00:07:54,038
THERE WILL BE LIFEGUARDS
IN THE WATER TO ASSIST YOU.
143
00:07:54,517 --> 00:07:58,782
THE FIRST 20 FINISHERS WILL
BE GIVEN THESE RED STICKS.
144
00:07:59,522 --> 00:08:03,483
FROM THOSE 20, 15 WILL BE
CHOSEN FOR ROOKIE SCHOOL.
145
00:08:04,614 --> 00:08:05,702
GOOD LUCK.
146
00:08:06,268 --> 00:08:08,531
-I'M STUDYING FASHION
DESIGN AT CAL ARTS,
147
00:08:08,662 --> 00:08:12,100
SO I REALLY NEED THIS JOB SO
THAT I CAN STAY IN SCHOOL.
148
00:08:15,146 --> 00:08:17,932
-THE SWIM COACH AT
PEPPERDINE IS INTERESTED IN ME
149
00:08:18,062 --> 00:08:20,021
AS LONG AS I CAN
KEEP MY GRADES UP.
150
00:08:20,630 --> 00:08:23,459
-I ORIGINALLY WANTED TO WORK
IN AN ER, BUT THEN ONE DAY,
151
00:08:23,590 --> 00:08:25,156
I SAW YOUR CALL CAR
RESPOND TO AN ACCIDENT
152
00:08:25,287 --> 00:08:27,855
ON THE BIKE PATH AND I
REALIZED AS A LIFEGUARD,
153
00:08:27,985 --> 00:08:29,378
I'D HAVE THE BEST
OF BOTH WORLDS.
154
00:08:31,162 --> 00:08:33,904
-I'M GOOD IN THE WATER, I
LIKE COMING TO THE BEACH,
155
00:08:34,035 --> 00:08:35,645
I NEED THIS JOB.
156
00:08:37,560 --> 00:08:39,562
-EVERY MORNING AT
THE CRACK OF DAWN,
157
00:08:39,693 --> 00:08:42,522
SHE DROVE ME TO THE
MICHIGAN BAY SWIM CLUB.
158
00:08:43,000 --> 00:08:46,221
USUALLY AGAINST MY
WILL, BUT IT GOT ME
159
00:08:46,351 --> 00:08:49,311
A SCHOLARSHIP TO COLLEGE
AND HOPEFULLY THIS JOB.
160
00:08:50,399 --> 00:08:52,575
-YEAH, I NEVER REALLY
HAD A JOB BEFORE.
161
00:08:52,706 --> 00:08:54,838
OH, WAIT A SECOND, I
WAS A BOUNCER AT MY COLLEGE FRAT HOUSE.
162
00:08:54,969 --> 00:08:56,318
DOES THAT COUNT FOR ANYTHING?
163
00:08:57,449 --> 00:08:59,364
-ASIDE FROM THE OBVIOUS
FAMILY CONNECTION,
164
00:08:59,495 --> 00:09:01,541
THE THING I LIKE MOST
ABOUT BEING A LIFEGUARD
165
00:09:01,671 --> 00:09:04,674
IS I CAN WORK DAYS AND HAVE
NIGHTS FREE FOR MY BAND.
166
00:09:04,805 --> 00:09:06,502
WE'RE REALLY STARTING
TO SOUND GOOD.
167
00:09:07,721 --> 00:09:09,287
-[DRAMATIC MUSIC]
168
00:09:09,418 --> 00:09:10,724
-JORDAN: SWIMMERS,
ON YOUR MARKS.
169
00:09:10,854 --> 00:09:11,638
-[GUNSHOT FIRING]
170
00:09:11,768 --> 00:09:16,294
-[SHOUTING]
171
00:09:46,847 --> 00:09:49,110
-THERE'S A REAL PROSPECT.
172
00:09:49,240 --> 00:09:51,503
LOOKS LIKE HER FEET ARE
STUCK TO THE BOTTOM.
173
00:09:52,330 --> 00:09:54,419
TEN BUCKS SAYS SHE DOESN'T
MAKE THE FINAL CUT.
174
00:09:54,550 --> 00:09:56,378
-YOU'RE ON.
175
00:10:19,357 --> 00:10:21,925
-COME ON, HOBIE,
STOP SCREWING AROUND.
176
00:10:29,106 --> 00:10:30,804
-NEWMIE: YOU'RE
GONNA OWE ME 10 BUCKS.
177
00:10:30,934 --> 00:10:32,762
-HOW DID SHE GET OUT THERE?
178
00:10:33,197 --> 00:10:35,852
-SHORT AND COMPACT
STROKE, NO WASTED MOTION.
179
00:10:36,548 --> 00:10:38,333
YOU SHOULD WATCH HER, YOU
MIGHT LEARN SOMETHING.
180
00:10:38,463 --> 00:10:41,336
-DOUBLE OR NOTHING SAYS SHE
DOESN'T MAKE THE FINAL CUT.
181
00:10:57,178 --> 00:10:59,267
-IT'S ABOUT TIME.
182
00:12:23,873 --> 00:12:25,570
-MAN: YOU'RE
ALMOST DONE! GO, GO!
183
00:12:47,592 --> 00:12:50,247
-[SHOUTING]
184
00:12:52,902 --> 00:12:54,599
-MITCH: COME
ON, YOU GUYS, GO!
185
00:12:54,730 --> 00:12:57,080
-[SHOUTING]
186
00:13:01,563 --> 00:13:03,391
-COME ON,
GO, GO, GO!
187
00:13:04,871 --> 00:13:05,785
-YEAH!
188
00:13:05,915 --> 00:13:07,482
-MITCH: ALL RIGHT, MANNY!
189
00:13:09,092 --> 00:13:10,877
COME ON, GO, GO, GO!
190
00:13:11,007 --> 00:13:14,706
COME ON, LANI! LET'S GO, GO!
191
00:13:17,231 --> 00:13:18,493
-YES!
192
00:13:19,320 --> 00:13:22,540
-[CHEERING]
193
00:13:41,864 --> 00:13:43,953
-MITCH: WHOA, WHOA,
WHOA, HEY. THAT'S ENOUGH.
194
00:13:44,084 --> 00:13:45,041
KNOCK IT OFF!
195
00:13:45,172 --> 00:13:46,651
-HE WAS ALL OVER ME OUT THERE!
196
00:13:46,782 --> 00:13:49,002
HE SHOULD BE DISQUALIFIED,
WHAT ARE YOU BLIND?
197
00:13:49,132 --> 00:13:50,220
-I WAS WATCHING,
IF ANYBODY SHOULD
198
00:13:50,351 --> 00:13:51,439
BE DISQUALIFIED IT'S YOU.
199
00:13:51,569 --> 00:13:53,093
-MITCH: HANG ON, HANG ON.
200
00:13:53,223 --> 00:13:55,443
THESE GUYS ARE ON
REPORT. KNOCK IT OFF!
201
00:13:56,966 --> 00:13:59,099
-COME ON, UP TO
HEADQUARTERS, BOTH OF YOU.
202
00:13:59,229 --> 00:14:02,189
-HEY, HEY, HEY. YOU
GONNA BE ALL RIGHT?
203
00:14:02,754 --> 00:14:04,147
YOU GOT NOTHING
TO BE ASHAMED OF,
204
00:14:04,278 --> 00:14:06,062
YOU GAVE IT YOUR
BEST SHOT OUT THERE.
205
00:14:06,802 --> 00:14:09,587
-THANKS FOR LETTING ME TRY
OUT, LIEUTENANT BUCHANNON.
206
00:14:10,066 --> 00:14:13,374
HAVE A GREAT SUMMER, I'M
SORRY I WON'T BE A PART OF IT.
207
00:14:15,985 --> 00:14:20,990
-[SOFT MUSIC]
208
00:14:21,861 --> 00:14:24,298
-HEY, CHERYL, GREAT
SWIM. CONGRATULATIONS.
209
00:14:24,428 --> 00:14:26,517
-THANKS, THANKS, THANKS A LOT.
210
00:14:26,909 --> 00:14:28,084
THANKS FOR THE OINTMENT.
211
00:14:28,215 --> 00:14:29,738
IT'S SO COLD OUT THERE.
212
00:14:29,869 --> 00:14:30,782
-CONGRATULATIONS.
213
00:14:30,913 --> 00:14:32,045
-THANK YOU.
214
00:14:32,175 --> 00:14:33,133
-GOOD SWIM, LADIES.
215
00:14:33,263 --> 00:14:34,438
-THANKS.
216
00:14:34,569 --> 00:14:36,440
-9:30 TONIGHT,
THAT'S SET IN STONE?
217
00:14:36,571 --> 00:14:38,268
NO LAST MINUTE FOOLING AROUND?
218
00:14:38,399 --> 00:14:40,053
DON'T WORRY, I WON'T BE LATE.
219
00:14:40,183 --> 00:14:41,793
YES!
220
00:14:42,403 --> 00:14:43,752
-GOOD NEWS?
221
00:14:43,883 --> 00:14:45,188
-YEAH, I'M PERFORMING
TONIGHT AT ROMEO'S.
222
00:14:45,319 --> 00:14:46,581
YOU KNOW, THE DANCE CLUB?
223
00:14:46,711 --> 00:14:48,017
-YEAH, SURE.
224
00:14:48,148 --> 00:14:50,933
-IT'S AMATEUR NIGHT, I'M
TRYING OUT A NEW ROUTINE.
225
00:14:51,499 --> 00:14:52,848
YOU SHOULD COME.
226
00:14:54,284 --> 00:14:56,199
-LISTEN UP! LISTEN UP!
227
00:14:56,330 --> 00:14:57,722
IS THERE AN
APRIL GIMINSKI HERE?
228
00:14:57,853 --> 00:14:59,028
-OH, THAT'S YOU.
229
00:14:59,159 --> 00:15:01,422
-YEAH! RIGHT HERE.
230
00:15:02,684 --> 00:15:04,773
-APRIL, IT TURNS OUT
THAT ONE OF THE QUALIFIERS
231
00:15:04,904 --> 00:15:07,384
TORE A HAMSTRING AND
YOU'RE NEXT IN LINE
232
00:15:07,515 --> 00:15:08,864
FOR THE OPEN SPOT.
233
00:15:09,343 --> 00:15:10,300
YOU INTERESTED?
234
00:15:10,822 --> 00:15:13,303
-ARE YOU KIDDING?
I REALLY MADE IT?
235
00:15:13,434 --> 00:15:14,217
-ALL RIGHT, APRIL!
236
00:15:14,348 --> 00:15:15,566
-THANK YOU SO MUCH.
237
00:15:15,697 --> 00:15:17,568
-HEY, HEY, HEY, WAIT A MINUTE.
238
00:15:17,699 --> 00:15:19,092
I FINISHED AHEAD OF HER.
239
00:15:19,222 --> 00:15:20,310
-YEAH, I KNOW.
240
00:15:20,441 --> 00:15:21,703
-SO HOW COME I
DON'T GET THE SPOT?
241
00:15:21,833 --> 00:15:23,705
-IT'S NOT ALL ABOUT
PHYSICAL ABILITY.
242
00:15:23,835 --> 00:15:25,315
-YEAH, I GUESS IT'S
WHO'S THE BIGGEST SUCK UP,
243
00:15:25,446 --> 00:15:26,664
THAT'S HOW YOU
GET TO BE A LIFEGUARD.
244
00:15:26,795 --> 00:15:28,492
-NO, IT'S ABOUT
WHO WE CAN COUNT ON.
245
00:15:28,623 --> 00:15:30,930
-YEAH, WELL, GOOD LUCK IF
YOU'RE GONNA COUNT ON HER, PAL.
246
00:15:33,628 --> 00:15:34,977
-GIRL: WHAT A JERK.
247
00:15:36,413 --> 00:15:37,762
-CONGRATULATIONS.
248
00:15:38,241 --> 00:15:39,547
-THANKS.
249
00:15:40,069 --> 00:15:44,769
-[UPBEAT MUSIC]
250
00:16:06,443 --> 00:16:09,011
-
YOU'RE TANTALIZING
251
00:16:11,100 --> 00:16:13,885
I LOVE TO WATCH YOU MOVE
252
00:16:17,672 --> 00:16:20,022
YOU'RE MESMERIZING
253
00:16:21,284 --> 00:16:25,419
I NEED TO FEEL YOUR GROOVE
254
00:16:28,509 --> 00:16:31,164
I'VE GOT A PURPOSE
255
00:16:31,991 --> 00:16:35,951
FOR WANTING TO SEE MORE OF YOU
256
00:16:39,563 --> 00:16:41,826
BENEATH THE SURFACE
257
00:16:41,957 --> 00:16:48,007
I'M UNDERCOVER
SO THAT I CAN UNCOVER YOU
258
00:16:52,098 --> 00:16:53,708
SHAKE IT SHAKE IT
259
00:16:53,838 --> 00:16:57,059
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
260
00:16:57,538 --> 00:16:59,583
SHAKE IT SHAKE IT
261
00:16:59,714 --> 00:17:02,543
I CAN NEVER GET ENOUGH
262
00:17:02,673 --> 00:17:04,458
SHAKE IT SHAKE IT
263
00:17:04,588 --> 00:17:08,070
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
264
00:17:08,201 --> 00:17:12,553
SHAKE IT SHAKE IT
I CAN NEVER GET ENOUGH
265
00:17:12,683 --> 00:17:15,469
THE WAY YOU WORK IT
266
00:17:17,384 --> 00:17:20,865
THE WAY YOU WORK THE ROOM
267
00:17:23,433 --> 00:17:26,045
MY HEART IS ZOOMING
268
00:17:27,611 --> 00:17:31,093
ITS GOING BOOM, BOOM, BOOM
269
00:17:47,370 --> 00:17:48,893
SHAKE IT SHAKE IT
270
00:17:49,024 --> 00:17:52,375
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
271
00:17:52,854 --> 00:17:54,812
SHAKE IT SHAKE IT
272
00:17:54,943 --> 00:17:58,077
I CAN NEVER GET ENOUGH
273
00:17:58,207 --> 00:17:59,948
SHAKE IT SHAKE IT
274
00:18:00,079 --> 00:18:03,430
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
275
00:18:03,865 --> 00:18:07,782
SHAKE IT SHAKE IT
I CAN NEVER GET ENOUGH
276
00:18:09,349 --> 00:18:10,959
SHAKE IT SHAKE IT
277
00:18:11,090 --> 00:18:14,571
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
278
00:18:14,702 --> 00:18:16,834
SHAKE IT SHAKE IT
279
00:18:17,357 --> 00:18:20,273
I CAN NEVER GET ENOUGH
280
00:18:20,403 --> 00:18:22,101
SHAKE IT SHAKE IT
281
00:18:22,231 --> 00:18:25,452
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
282
00:18:25,582 --> 00:18:30,109
SHAKE IT SHAKE IT
I CAN NEVER GET ENOUGH
283
00:18:30,239 --> 00:18:32,502
YOU'RE TANTALIZING
284
00:18:32,633 --> 00:18:35,201
YOU'RE MESMERIZING
285
00:18:35,331 --> 00:18:38,117
I'M FANTASIZING
286
00:18:40,858 --> 00:18:43,470
YOU MAKE MY HEAD SPIN
287
00:18:43,600 --> 00:18:45,907
YOU MAKE MY MIND SIN
288
00:18:46,037 --> 00:18:51,130
I WILL DO ANYTHING
FOR YOU TO LET ME IN
289
00:18:51,260 --> 00:18:53,088
SHAKE IT SHAKE IT
290
00:18:53,567 --> 00:18:55,134
SHAKE IT SHAKE IT
291
00:18:55,264 --> 00:18:58,354
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
292
00:18:58,485 --> 00:19:04,404
SHAKE IT SHAKE IT [I NEVER LET ON]
I CAN NEVER GET ENOUGH
293
00:19:04,534 --> 00:19:06,362
SHAKE IT SHAKE IT
294
00:19:06,493 --> 00:19:09,887
WHEN YOU SHAKE IT DOWN IT GET'S ME UP
295
00:19:10,018 --> 00:19:14,196
SHAKE IT SHAKE IT
I CAN NEVER GET ENOUGH
296
00:19:18,505 --> 00:19:21,986
-[CHEERING AND APPLAUSE]
297
00:19:29,429 --> 00:19:30,778
-DARREN?
298
00:19:30,908 --> 00:19:33,084
-I'VE ALMOST FORGOTTEN
HOW BEAUTIFUL YOU ARE.
299
00:19:33,215 --> 00:19:34,782
-LET GO.
300
00:19:36,044 --> 00:19:37,393
-SHE SAID LET GO.
301
00:19:37,524 --> 00:19:40,048
-DIDN'T TAKE YOU VERY
LONG TO FIND HIM, DID IT?
302
00:19:40,527 --> 00:19:41,397
-YOU KNOW THIS GUY?
303
00:19:41,528 --> 00:19:42,703
-YEAH, SHE KNOWS ME.
304
00:19:42,833 --> 00:19:44,052
NOW WHY DON'T YOU
LEAVE US ALONE?
305
00:19:44,183 --> 00:19:46,489
-NO, I DON'T THINK SHE
WANTS TO BE WITH YOU.
306
00:19:46,620 --> 00:19:48,665
-YOU KNOW, I DON'T REALLY
CARE WHAT YOU THINK.
307
00:19:49,013 --> 00:19:49,971
-OH, REALLY?
308
00:19:51,190 --> 00:19:52,452
-OKAY, PAL, GET OUT HERE.
309
00:19:52,582 --> 00:19:53,931
-THAT'S MY GIRLFRIEND.
310
00:19:54,062 --> 00:19:54,845
-NO, I'M NOT.
311
00:19:54,976 --> 00:19:55,846
-SEE YA.
312
00:19:55,977 --> 00:19:57,457
-BOUNCER: KEEP
MOVING, COME ON.
313
00:19:57,587 --> 00:19:58,501
-WHO IS HE?
314
00:19:58,632 --> 00:20:00,068
-YOU DON'T EVEN WANNA KNOW.
315
00:20:00,199 --> 00:20:01,896
-BOUNCER: GET OUT OF HERE.
316
00:20:02,026 --> 00:20:04,203
-[GROANING]
317
00:20:06,205 --> 00:20:07,771
-NOW I DO WANT TO KNOW.
318
00:20:08,337 --> 00:20:09,773
-DARREN AND I USED TO GO OUT.
319
00:20:10,209 --> 00:20:12,036
-WHAT WAS THAT BIT
ABOUT YOU FINDING ME?
320
00:20:12,167 --> 00:20:14,082
-I DON'T KNOW, HE'S CRAZY.
321
00:20:14,517 --> 00:20:16,302
HE THINKS I CAME TO
THE MAIN LAND FOR YOU.
322
00:20:16,432 --> 00:20:18,347
-WHAT? HOW IS THAT POSSIBLE?
323
00:20:18,478 --> 00:20:20,654
-WHEN YOU WERE DIVING IN
HAWAII, HE SAW US TALKING
324
00:20:20,784 --> 00:20:22,221
AND THOUGHT YOU WERE
TRYING TO HIT ON ME.
325
00:20:22,351 --> 00:20:23,222
-OH, JEEZ.
326
00:20:23,352 --> 00:20:25,093
LIKE I SAID, HE'S NUTS.
327
00:20:25,224 --> 00:20:26,573
-WHAT'S HE DOING HERE?
328
00:20:26,703 --> 00:20:29,924
-I HAVE NO IDEA. HE MUST
HAVE BEEN FOLLOWING ME.
329
00:20:37,801 --> 00:20:39,107
-HEY.
-HI.
330
00:20:39,238 --> 00:20:40,021
-WANT SOME COMPANY?
331
00:20:40,151 --> 00:20:41,370
-SURE.
332
00:20:41,501 --> 00:20:42,328
-YOUR NAME'S CHERYL, RIGHT?
-UH-HUH.
333
00:20:42,458 --> 00:20:43,720
-I'M LANI.
-HI.
334
00:20:43,851 --> 00:20:45,548
-HI. GOD, YOU'RE AN
INCREDIBLE SWIMMER
335
00:20:45,679 --> 00:20:48,203
-OH, THANKS, YOU, TOO.
-THANKS.
336
00:21:01,260 --> 00:21:04,306
-LANI. WE NEED TO TALK.
337
00:21:05,960 --> 00:21:06,874
ALONE.
338
00:21:07,353 --> 00:21:08,832
-IT'S OKAY.
339
00:21:10,138 --> 00:21:11,313
WHAT ARE YOU DOING HERE?
340
00:21:11,966 --> 00:21:13,968
-I PROMISED YOUR PARENTS
I'D CHECK UP ON YOU.
341
00:21:14,838 --> 00:21:16,362
-LANI: YOU TALKED
TO MY PARENTS?
342
00:21:16,492 --> 00:21:18,233
-MISS YOU
ALMOST AS MUCH AS I DO.
343
00:21:19,103 --> 00:21:20,975
THOUGHT MAYBE I COULD
GET YOU TO COME HOME.
344
00:21:22,281 --> 00:21:25,022
I CAME IN ON A FREIGHTER.
I'M LEAVING TOMORROW.
345
00:21:25,588 --> 00:21:26,720
I MISS YOU.
346
00:21:26,850 --> 00:21:28,548
I WANT YOU TO COME
BACK TO HAWAII WITH ME.
347
00:21:28,678 --> 00:21:30,854
-LOOK, DARREN, I
HAVE NO INTENTION
348
00:21:30,985 --> 00:21:33,770
OF GOING BACK TO HAWAII OR
GETTING BACK TOGETHER WITH YOU.
349
00:21:34,205 --> 00:21:36,860
I'M SORRY, BUT IT'S
TIME TO MOVE ON.
350
00:21:37,600 --> 00:21:39,298
HAVE A GOOD LIFE.
351
00:21:49,699 --> 00:21:55,052
-[SOFT MUSIC]
352
00:22:05,062 --> 00:22:06,760
-NEWMIE: ALL RIGHT, LET
ME HAVE YOUR ATTENTION.
353
00:22:07,282 --> 00:22:10,459
OKAY, NOW, IF YOU'RE
CAUGHT OUT IN HEAVY SURF
354
00:22:10,590 --> 00:22:13,636
WITH YOUR VICTIM, I'M GONNA
SHOW YOU GUYS WHAT TO DO.
355
00:22:14,376 --> 00:22:15,769
-WHAT'S GOING ON?
356
00:22:15,899 --> 00:22:18,772
-NEWMAN CAN'T WAIT FOR
ROOKIE SCHOOL TO START.
357
00:22:19,860 --> 00:22:21,601
BETTER GET IN THERE SO
YOU DON'T MISS ANYTHING.
358
00:22:21,731 --> 00:22:23,603
-HI! SEE YA.
359
00:22:23,733 --> 00:22:24,995
-LATER.
360
00:22:30,784 --> 00:22:35,397
-[SUSPENSEFUL MUSIC]
361
00:22:35,919 --> 00:22:38,269
-NEWMIE: NOW, LET'S
GET STARTED.
362
00:22:38,400 --> 00:22:40,271
I NEED A VOLUNTEER. MANNY?
363
00:22:40,402 --> 00:22:41,316
COME HERE.
364
00:22:44,232 --> 00:22:48,105
ALL RIGHT, YOU REACH YOUR
ARMS AROUND THE VICTIM.
365
00:22:48,236 --> 00:22:51,674
YOU HOLD THE CAN TO HIS
CHEST, YOU LEAN BACK
366
00:22:51,805 --> 00:22:54,503
AND YOU FLOAT AND
YOU'LL STARVE TO DEATH
367
00:22:54,634 --> 00:22:55,765
BEFORE YOU DROWN.
368
00:22:56,462 --> 00:22:58,725
BUT REMEMBER, IF YOU CAN'T
GET IN, YOU WANNA STAY
369
00:22:58,855 --> 00:23:00,814
OUT BEYOND THE SURF LINE
AND WAIT FOR THE SCARAB
370
00:23:00,944 --> 00:23:03,251
OR ONE OF THE OTHER RESCUE
BOATS TO COME PICK YOU UP.
371
00:23:03,382 --> 00:23:06,297
YOU CAN'T AFFORD TO HARM
YOUR VICTIM OR PUT YOURSELF
372
00:23:06,428 --> 00:23:08,038
IN ANY KIND OF DANGER.
373
00:23:08,169 --> 00:23:10,127
IF YOU KNOW YOU'RE NOT
GOING TO MAKE IT IN,
374
00:23:10,258 --> 00:23:12,347
RAISE YOUR HAND UP REAL HIGH,
ONE OF THE BOAT LIEUTENANTS
375
00:23:12,478 --> 00:23:14,131
WILL SEE THAT YOU NEED
ASSISTANCE AND HE'LL GO AHEAD
376
00:23:14,262 --> 00:23:17,004
AND BACK THE BOAT BACK
INTO THE SURF LINE.
377
00:23:17,134 --> 00:23:18,962
ALWAYS APPROACH
FROM THE TRANCE.
378
00:23:19,093 --> 00:23:21,008
KEEPING AN EYE ON
THE BOAT LIEUTENANT.
379
00:23:21,138 --> 00:23:22,836
KEEP EYE CONTACT WITH
THEM ALL THE TIME
380
00:23:22,966 --> 00:23:24,968
BECAUSE IF AN OUTSIDE SET
COMES IN, HE'S GONNA HAVE
381
00:23:25,099 --> 00:23:26,840
TO HIT THE THROTTLE AND
GET OUT OF THERE QUICKLY.
382
00:23:26,970 --> 00:23:28,581
YOU DON'T WANT TO BE HALF
WAY GETTING THAT VICTIM
383
00:23:28,711 --> 00:23:30,974
ON BOARD THE BACK OF THAT
BOAT WHITE IT SETS [MUMBLES].
384
00:23:31,105 --> 00:23:32,498
THERE'S TWO
THINGS TO REMEMBER,
385
00:23:32,628 --> 00:23:34,761
ALWAYS KEEP EYE CONTACT
WITH THAT BOAT LIEUTENANT,
386
00:23:34,891 --> 00:23:36,719
ALWAYS MAKE SURE THAT
THE BOAT IS IN NEUTRAL
387
00:23:36,850 --> 00:23:38,417
BEFORE YOU ENTER THE AREA.
388
00:23:38,547 --> 00:23:40,810
-OH, MY GOD, WHAT'S GOING ON?
389
00:23:43,596 --> 00:23:44,640
-WHAT'S YOUR PROBLEM?
390
00:23:44,771 --> 00:23:46,033
-MY PROBLEM?
391
00:23:46,163 --> 00:23:47,730
MY PROBLEM IS THAT THE
WAVES AROUND HERE SUCK.
392
00:23:48,862 --> 00:23:50,211
-MAYBE YOU SHOULD
FIND ANOTHER BEACH.
393
00:23:50,341 --> 00:23:52,343
-MAYBE YOU SHOULD GET
YOUR ARMS OFF MY BOARD.
394
00:23:53,344 --> 00:23:55,608
-IF YOU'RE NOT GONE BY THE
TIME I GET BACK TO MY TOWER,
395
00:23:56,043 --> 00:23:57,305
I'M CALLING THE COPS.
396
00:23:57,436 --> 00:23:58,567
-WHAT DOES SHE SEE
IN A LOSER LIKE YOU?
397
00:23:58,698 --> 00:24:00,003
-START PADDLING.
398
00:24:00,134 --> 00:24:01,570
-WHY DON'T YOU MAKE
ME, BEACH BOY, HUH?
399
00:24:01,701 --> 00:24:03,442
I MEAN, COME ON, LANI'S
WATCHING, WHY DON'T YOU SHOW HER
400
00:24:03,572 --> 00:24:04,399
HOW TOUGH YOU ARE, HUH?
401
00:24:04,530 --> 00:24:06,488
COME ON, MAN, LET'S GO.
402
00:24:09,622 --> 00:24:11,101
COME ON, MAN, MAKE A MOVE.
403
00:24:18,021 --> 00:24:19,501
-NEWMIE: EVERYBODY STAY HERE.
404
00:24:21,721 --> 00:24:26,290
-[GROANING AND GRUNTING]
405
00:25:13,947 --> 00:25:16,558
HEY, LET HIM GO!
COME ON, LET'S GO!
406
00:25:18,865 --> 00:25:20,431
WHAT'S GOING ON HERE?
407
00:25:21,345 --> 00:25:22,956
-THIS GUY'S A LUNATIC!
408
00:25:23,086 --> 00:25:24,479
-HEY, I'M OUT HERE SURFING
AND HE KNOCKS ME OFF MY BOARD.
409
00:25:24,610 --> 00:25:25,872
-NEWMAN'S THIS IS THE
GUY THAT'S BEEN FOLLOWING
410
00:25:26,002 --> 00:25:27,351
AND HARASSING LANI!
411
00:25:27,482 --> 00:25:28,527
-HEY, IF ANYONE'S GETTING
HARASSED, IT'S ME!
412
00:25:28,657 --> 00:25:29,528
I'M OUT OF HERE!
413
00:25:29,658 --> 00:25:31,138
-THE HELL YOU ARE!
414
00:25:31,878 --> 00:25:32,966
-NEWMIE: LET IT GO.
415
00:25:33,488 --> 00:25:34,358
-WHAT ARE YOU TALKING ABOUT?
416
00:25:34,489 --> 00:25:35,577
I'M HAVING HIM ARRESTED!
417
00:25:35,708 --> 00:25:37,405
-NO, YOU'RE NOT,
LET HIM GO, MAN.
418
00:25:37,536 --> 00:25:39,233
-WHY DON'T YOU COME
AND GET ME, BEACH BOY?
419
00:25:39,363 --> 00:25:42,062
YOU'RE LUCKY I DON'T COME BACK
HERE AND SUE YOUR ASS OFF.
420
00:25:43,542 --> 00:25:46,109
-COME ON, LET'S GO.
LET'S GO IN, COME ON.
421
00:25:49,330 --> 00:25:50,549
LET'S GO.
422
00:25:57,686 --> 00:25:59,906
WHO IS THIS GUY?
HOW DO YOU KNOW HIM?
423
00:26:00,471 --> 00:26:01,560
-[GRUNTING]
424
00:26:01,690 --> 00:26:03,257
WHERE DID HE COME FROM?
425
00:26:09,176 --> 00:26:11,570
-CODY, ARE YOU OKAY?
-YEAH.
426
00:26:13,006 --> 00:26:15,617
-YOU SHOULD BE CAREFUL.
THAT GUY'S A FREAK.
427
00:26:15,748 --> 00:26:17,097
-I DON'T KNOW WHAT'S
GOTTEN INTO HIM.
428
00:26:17,532 --> 00:26:19,578
I'M JUST SORRY THAT YOU
GOT CAUGHT IN THE MIDDLE.
429
00:26:20,100 --> 00:26:22,406
-DON'T WORRY ABOUT ME,
WHAT ARE YOU GONNA DO?
430
00:26:22,885 --> 00:26:24,713
-HE LEAVES FOR HAWAII TOMORROW.
431
00:26:25,192 --> 00:26:27,368
I'LL BE OKAY, HE'S
NOT GOING TO HURT ME.
432
00:26:29,892 --> 00:26:35,376
-[DRAMATIC MUSIC]
433
00:26:41,077 --> 00:26:42,775
-MITCH: HEY, HOB,
CAN YOU COME DOWN HERE?
434
00:26:42,905 --> 00:26:44,254
I NEED SOME HELP.
435
00:26:46,082 --> 00:26:48,041
-WHAT'S FOR
DINNER? I'M STARVED.
436
00:26:48,171 --> 00:26:51,435
-TACOS, WHY DON'T YOU START
WITH THE GUACAMOLE PLEASE.
437
00:26:54,221 --> 00:26:55,614
YOU KNOW, I WAS A LITTLE
SURPRISED YOU FINISHED
438
00:26:55,744 --> 00:26:57,833
SO FAR BACK THIS MORNING.
439
00:27:00,096 --> 00:27:01,663
-AT LEAST I MADE IT, RIGHT?
440
00:27:01,794 --> 00:27:04,318
IT'S NOT LIKE JUNIOR GUARDS,
I WAS UP AGAINST COLLEGE KIDS.
441
00:27:04,448 --> 00:27:06,407
-WELL, I THOUGHT YOU'D
BE MORE COMPETITIVE.
442
00:27:06,842 --> 00:27:08,148
YOU HARDLY BROKE A SWEAT.
443
00:27:08,670 --> 00:27:11,542
-ONCE AGAIN, I FAILED TO
LIVE UP TO YOUR STANDARDS.
444
00:27:11,673 --> 00:27:14,981
-ALL RIGHT, LOOK, WE HAVEN'T
REALLY TALKED ABOUT THIS,
445
00:27:15,111 --> 00:27:16,852
BUT IF YOUR HEART'S
NOT INTO IT, THEN MAYBE
446
00:27:16,983 --> 00:27:18,419
YOU SHOULDN'T BE OUT THERE.
447
00:27:18,549 --> 00:27:20,813
-DAD, JUST BECAUSE I DON'T
EAT, SLEEP AND BREATHE
448
00:27:20,943 --> 00:27:23,119
LIFEGUARDING DOESN'T
MEAN I'M NOT INTO IT.
449
00:27:23,772 --> 00:27:25,644
BESIDES, NO MATTER
HOW GOOD I DO,
450
00:27:25,774 --> 00:27:27,297
I'M STILL GONNA BE
COMPARED TO YOU.
451
00:27:27,950 --> 00:27:30,518
IT'S NOT EASY FOLLOWING IN THE
FOOTSTEPS OF A LIVING LEGEND.
452
00:27:30,649 --> 00:27:33,477
YOU MIGHT WANT TO TAKE
THAT INTO CONSIDERATION.
453
00:27:33,608 --> 00:27:34,827
-MAYBE I WILL.
454
00:27:34,957 --> 00:27:36,829
-THANK YOU.
-YOU'RE WELCOME.
455
00:27:37,699 --> 00:27:41,398
-SO, ANYWAY, WHAT DID THE, UH,
CHIEF SAY ABOUT YOUR PROMOTION?
456
00:27:41,529 --> 00:27:44,663
-WELL, WE HAD A LONG TALK
ABOUT IT THIS MORNING.
457
00:27:44,793 --> 00:27:46,012
-SO, WHEN'S IT
GONNA GO THROUGH?
458
00:27:46,142 --> 00:27:47,927
-IT'S NOT, I TURNED IT DOWN.
459
00:27:48,057 --> 00:27:49,929
-YOU'RE NOT GOING
TO BE CAPTAIN? WHY?
460
00:27:50,059 --> 00:27:52,583
-BECAUSE IT'S NOT WHAT I
WANT IN MY LIFE RIGHT NOW.
461
00:27:52,714 --> 00:27:55,021
-DAD, WHEN I SAY THAT ABOUT
COLLEGE, YOU GO BALLISTIC.
462
00:27:55,151 --> 00:27:57,371
-HOBSTER, I'M AT A POINT
IN MY LIFE WHERE I NEED
463
00:27:57,501 --> 00:27:59,286
TO FIGURE OUT
WHAT'S COMING NEXT.
464
00:27:59,416 --> 00:28:02,115
SO, I TOLD THE CHIEF, JUST
GIVE ME A TOWER SO I CAN WATCH
465
00:28:02,245 --> 00:28:04,944
MY WATER, I WANNA BE A NORMAL
EVERY DAY LIFEGUARD AGAIN.
466
00:28:05,684 --> 00:28:07,163
-AND WHAT'D SHE SAY?
467
00:28:07,816 --> 00:28:09,296
-THAT I NEED TO
SEE A THERAPIST.
468
00:28:10,079 --> 00:28:11,385
-MIGHT NOT BE A BAD IDEA.
469
00:28:11,515 --> 00:28:13,909
-THAT'S VERY FUNNY, HOW
MANY TACOS DO YOU WANT?
470
00:28:14,040 --> 00:28:15,302
-FOUR.
-OKAY FOUR.
471
00:28:15,432 --> 00:28:16,869
-LET'S GET SOME MORE
OF THESE AVOCADOS.
472
00:28:16,999 --> 00:28:19,698
-[SOFT MUSIC]
473
00:28:20,394 --> 00:28:21,874
-DONNA: THANK YOU FOR WAITING.
474
00:28:22,004 --> 00:28:23,832
I'M CONNECTING YOU TO
HIS TOWER, GO AHEAD.
475
00:28:24,528 --> 00:28:26,574
YOU KNOW, THEY DON'T TEACH
YOU THIS IN ROOKIE SCHOOL
476
00:28:26,705 --> 00:28:29,098
BUT THE SWITCHBOARD IS WHERE
MOST ROOKIES START OUT.
477
00:28:29,229 --> 00:28:32,362
-DONNA, THIS THING
BELONGS IN A MUSEUM.
478
00:28:32,493 --> 00:28:33,537
-[LAUGHING]
479
00:28:33,668 --> 00:28:35,496
-IT IS ANCIENT, BUT EFFECTIVE.
480
00:28:35,626 --> 00:28:37,716
OH, HERE WE GO, WHO
WANTS TO GO FIRST?
481
00:28:37,846 --> 00:28:39,195
-I'LL GO.
482
00:28:41,981 --> 00:28:43,460
-[BEEPING]
483
00:28:44,897 --> 00:28:46,855
GOOD AFTERNOON,
BAYWATCH HEADQUARTERS.
484
00:28:46,986 --> 00:28:48,335
-[BEEPING]
485
00:28:50,511 --> 00:28:53,209
GOOD AFTERNOON,
BAYWATCH HEADQUARTERS.
486
00:28:55,864 --> 00:28:57,083
THEY HUNG UP.
487
00:28:57,605 --> 00:28:59,433
-[BEEPING]
488
00:29:01,652 --> 00:29:03,872
GOOD AFTERNOON,
BAYWATCH HEADQUARTERS.
489
00:29:04,003 --> 00:29:05,134
-YEAH, WHO'S THIS?
490
00:29:05,265 --> 00:29:06,092
-CHERYL: CHERYL WAYLIN.
491
00:29:06,222 --> 00:29:07,093
-HEY, CHERYL, IT'S CODY.
492
00:29:07,223 --> 00:29:08,485
-OH, HI, CODY.
493
00:29:08,616 --> 00:29:10,270
-OH, PUT HIM ON THE
SPEAKER. RIGHT HERE.
494
00:29:11,053 --> 00:29:12,707
-HI, CODY, IT'S
DONNA. WHAT'S UP?
495
00:29:12,838 --> 00:29:13,969
-CODY: HAVE YOU SEEN LANI?
496
00:29:14,100 --> 00:29:15,579
-NO, WHY?
497
00:29:15,710 --> 00:29:17,494
-SHE WAS SUPPOSED TO MEET
ME HERE OVER AN HOUR AGO
498
00:29:17,625 --> 00:29:19,453
AND SHE NEVER SHOWED UP.
499
00:29:19,583 --> 00:29:21,150
-CHERYL: I HAVEN'T
SEEN HER SINCE YESTERDAY
500
00:29:21,281 --> 00:29:22,761
WHEN YOU GOT INTO THAT FIGHT.
501
00:29:22,891 --> 00:29:25,589
-YEAH, HEY, BRO, WHAT WAS
UP WITH THAT GUY ANYWAY?
502
00:29:25,720 --> 00:29:27,504
-I DON'T KNOW, IT'S
HER OLD BOYFRIEND.
503
00:29:27,635 --> 00:29:30,029
-CHERYL: HE'S WEIRD, LANI
AND I WERE RUNNING ON THE BEACH
504
00:29:30,159 --> 00:29:32,553
THE OTHER DAY AND IT WAS
LIKE HE WAS STALKING HER.
505
00:29:32,683 --> 00:29:34,424
-I GOTTA FIND THIS GUY.
506
00:29:34,555 --> 00:29:36,165
DID LANI SAY ANYTHING
ABOUT WHERE HE WAS STAYING?
507
00:29:36,296 --> 00:29:39,299
-NO, BUT HE DID SAY HE'D
COME OVER ON A FREIGHTER.
508
00:29:39,429 --> 00:29:41,301
-FREIGHTER.
509
00:29:41,431 --> 00:29:42,955
DONNA, CAN YOU CONNECT ME
WITH THE HARBOR MASTER?
510
00:29:43,085 --> 00:29:44,434
-SURE, WHY?
511
00:29:44,565 --> 00:29:46,045
-CODY: I NEED THE NAMES
OF EVERY CARGO VESSEL
512
00:29:46,175 --> 00:29:47,960
THAT'S COME IN FROM
HAWAII IN, LET'S SAY,
513
00:29:48,090 --> 00:29:49,135
THE LAST WEEK.
514
00:29:49,265 --> 00:29:50,701
-YOU GOT IT, CODY.
515
00:29:51,964 --> 00:29:53,487
BAYWATCH HEADQUARTERS
TO HARBOR MASTER.
516
00:29:53,617 --> 00:29:56,316
PATCHING YOU THROUGH TO
LIFEGUARD CODY MADISON.
517
00:29:56,446 --> 00:30:01,277
-[SOMBER MUSIC]
518
00:30:06,935 --> 00:30:08,284
-NOW IT WON'T DO
ANY GOOD TO SCREAM
519
00:30:08,415 --> 00:30:11,374
'CAUSE THERE'S
NOBODY ELSE ON BOARD.
520
00:30:11,984 --> 00:30:13,942
-DARREN, WHY ARE
YOU DOING THIS?
521
00:30:14,073 --> 00:30:15,639
DON'T YOU KNOW HOW
MUCH TROUBLE YOU'RE IN?
522
00:30:16,684 --> 00:30:19,295
-I'M JUST TAKING YOU
BACK WHERE YOU BELONG.
523
00:30:22,037 --> 00:30:25,301
-AGAINST MY WILL?
THAT'S KIDNAPPING.
524
00:30:29,392 --> 00:30:31,220
-LANI, I'M TAKING YOU HOME.
525
00:30:32,004 --> 00:30:33,962
NOW, SOMEDAY YOU'LL REALIZE
THAT WHAT I'M DOING HERE
526
00:30:34,441 --> 00:30:37,226
IS I'M SAVING YOUR LIFE.
527
00:30:48,585 --> 00:30:52,502
-[SOFT MUSIC]
528
00:30:59,945 --> 00:31:01,642
-SO HOW AM I
DOING SO FAR, DOC?
529
00:31:01,772 --> 00:31:03,209
-SO FAR, SO GOOD.
530
00:31:03,339 --> 00:31:05,515
-I'VE BEEN TAKING REALLY
GOOD CARE OF MYSELF.
531
00:31:05,646 --> 00:31:08,431
I'VE BEEN EATING RIGHT,
I'VE BEEN WORKING OUT.
532
00:31:09,215 --> 00:31:10,999
-OKAY, LOOK PAST MY SHOULDER.
533
00:31:11,782 --> 00:31:14,307
YOU NEED TO TAKE OUT
YOUR CONTACT LENSES.
534
00:31:15,525 --> 00:31:17,397
-I'M SORRY, I FORGOT
THAT THEY WERE IN.
535
00:31:17,527 --> 00:31:18,877
THESE ARE THE KINDS YOU
ONLY HAVE TO TAKE OUT
536
00:31:19,007 --> 00:31:20,356
LIKE ONCE A WEEK.
537
00:31:20,487 --> 00:31:21,314
-YOU WON'T BE ALLOWED
TO WEAR THEM DURING
538
00:31:21,444 --> 00:31:22,706
THE SIGHT TEST EITHER.
539
00:31:23,664 --> 00:31:25,144
STEP UP TO THE LINE.
540
00:31:29,409 --> 00:31:33,500
COVER YOUR LEFT EYE AND
READ EACH LINE SLOWLY.
541
00:31:34,109 --> 00:31:37,547
-E, F, P
542
00:31:38,070 --> 00:31:39,636
T, O, Z,
543
00:31:42,030 --> 00:31:44,772
E, B.
544
00:31:44,903 --> 00:31:47,253
-OKAY, COVER THE RIGHT EYE.
545
00:31:48,254 --> 00:31:49,908
START FROM THE SECOND LINE.
546
00:31:55,130 --> 00:31:58,786
-F, P, T, O, Z,
547
00:32:01,615 --> 00:32:06,185
E, B, O
548
00:32:07,099 --> 00:32:10,450
P, T.
549
00:32:31,688 --> 00:32:33,299
IS YOUR DAD STILL UP
THERE WITH THE DOCTOR?
550
00:32:33,429 --> 00:32:35,605
-HE JUST SPLIT,
LET'S GO TALK TO HIM.
551
00:32:36,911 --> 00:32:38,434
BRO, DON'T WORRY ABOUT IT.
552
00:32:38,565 --> 00:32:40,219
YOU DON'T HAVE TO HAVE 20/20
VISION TO BE A LIFEGUARD.
553
00:32:40,349 --> 00:32:42,525
-[EXHALES HEAVILY]
554
00:32:51,012 --> 00:32:52,448
DAD, IS IT COOL IF WE COME IN?
555
00:32:52,579 --> 00:32:53,667
-YEAH, YEAH, COME ON IN.
556
00:32:53,797 --> 00:32:56,583
LISTEN, CAN I CALL
YOU BACK? OKAY.
557
00:33:00,152 --> 00:33:01,849
-WHAT'S GOING ON HERE, MITCH?
558
00:33:02,502 --> 00:33:04,286
WHAT'D THE DOCTOR
SAY ABOUT ME?
559
00:33:06,767 --> 00:33:09,248
-MANNY, THE DOCTOR
SAID YOUR EYESIGHT
560
00:33:09,683 --> 00:33:12,294
DOESN'T MEET COUNTY
REQUIREMENTS.
561
00:33:13,817 --> 00:33:15,906
-HOW COME I HAD TO TAKE THE
TEST WITHOUT MY CONTACTS?
562
00:33:16,385 --> 00:33:18,300
I SEE A LOT OF VETERANS
AROUND HERE WEARING THEM.
563
00:33:18,431 --> 00:33:20,694
NEWMIE, CAROLINE?
WHY, MITCH?
564
00:33:20,824 --> 00:33:22,652
WHY IS THERE A DOUBLE
STANDARD FOR ROOKIES?
565
00:33:22,783 --> 00:33:25,916
-MANNY, CONTACT LENSES
AREN'T THE ISSUE HERE.
566
00:33:27,309 --> 00:33:29,050
IN ORDER TO BECOME
A COUNTY LIFEGUARD,
567
00:33:29,181 --> 00:33:34,316
YOU HAVE TO HAVE 20/30 VISION
WITHOUT CORRECTIVE LENSES.
568
00:33:35,361 --> 00:33:36,753
YOURS IS 20/40.
569
00:33:36,884 --> 00:33:39,104
MITCH, I CAN SEE JUST AS
GOOD AS ANYBODY OUT THERE.
570
00:33:39,234 --> 00:33:41,193
IN FACT, I NEVER HAD
A PROBLEM WHEN I WAS
571
00:33:41,323 --> 00:33:42,716
WITH THE JUNIOR LIFEGUARDS.
572
00:33:43,804 --> 00:33:46,589
I BET YOU DIDN'T EVEN
KNOW THAT I WORE CONTACTS.
573
00:33:46,720 --> 00:33:47,677
-I DIDN'T.
574
00:33:49,462 --> 00:33:51,594
-IS THERE ANY WAY
THAT I CAN APPEAL THIS?
575
00:33:53,509 --> 00:33:55,816
I CAN NEVER
BECOME A LIFEGUARD?
576
00:33:57,644 --> 00:33:58,775
-NO.
577
00:34:00,038 --> 00:34:02,736
NOT FOR THE COUNTY, NOT
UNDER THE CURRENT RULES.
578
00:34:03,171 --> 00:34:05,434
-WHAT ABOUT THE LASIK SURGERY
THAT GIVES YOU 20/20 VISION?
579
00:34:05,565 --> 00:34:07,349
I KNOW FRIENDS THAT
HAVE HAD IT DONE.
580
00:34:08,481 --> 00:34:10,352
-LIKE I CAN AFFORD THAT?
581
00:34:10,483 --> 00:34:12,050
GET REAL, MAN.
582
00:34:14,791 --> 00:34:17,272
-MANNY, THERE IS
ONE WAY YOU CAN STILL
583
00:34:17,403 --> 00:34:18,708
BECOME A LIFEGUARD.
584
00:34:20,101 --> 00:34:21,407
-HOW?
585
00:34:21,537 --> 00:34:23,148
-WELL, THEY'RE HIRING
AT THE SAND AND SEA.
586
00:34:23,278 --> 00:34:25,280
IT'S A PRIVATE CLUB AND THEIR
REQUIREMENTS AREN'T NEARLY
587
00:34:25,411 --> 00:34:27,195
AS STRICT AS THE COUNTY'S.
588
00:34:27,326 --> 00:34:29,806
THEY USUALLY TAKE THE
PEOPLE I RECOMMEND.
589
00:34:31,112 --> 00:34:35,334
-YEAH, SO THAT WAY I CAN
JUST BE DOWN THE BEACH, HUH?
590
00:34:36,813 --> 00:34:39,077
AND EVERYBODY WILL
KNOW I'M A REJECT!
591
00:34:39,686 --> 00:34:43,733
NO, THANKS, MITCH. I TRAINED
TO BE A COUNTY LIFEGUARD!
592
00:34:44,212 --> 00:34:46,606
NOT SOME SECOND
RATE CABANA BOY.
593
00:34:49,696 --> 00:34:52,002
WHO MAKES UP
THESE RULES ANYWAY?
594
00:34:53,482 --> 00:34:56,181
DID THEY KNOW THAT I WAS
AT THE TOP OF MY CLASS
595
00:34:56,311 --> 00:34:57,617
IN THE JUNIOR LIFEGUARDS?
596
00:34:57,747 --> 00:34:59,880
DID THEY SEE ME WIN
THE QUALIFYING SWIM?
597
00:35:00,010 --> 00:35:01,838
THEY DON'T KNOW JACK!
598
00:35:01,969 --> 00:35:03,927
BUT YOU, YOU DO, MITCH.
599
00:35:04,058 --> 00:35:06,800
AND ALL YOU CAN DO
IS THROW ME A BONE.
600
00:35:06,930 --> 00:35:08,845
THE BEACH CLUB?
601
00:35:10,673 --> 00:35:12,371
THANKS FOR NOTHING!
602
00:35:12,501 --> 00:35:15,896
-[GLASS SHATTERING]
603
00:35:22,685 --> 00:35:27,908
-[SUSPENSEFUL MUSIC]
604
00:36:28,316 --> 00:36:29,361
-YOU REMEMBER WHEN
WE USED TO COOK
605
00:36:29,491 --> 00:36:31,189
ON THE BEACH AT KAPALUA?
606
00:36:33,930 --> 00:36:35,671
JUST YOU AND ME.
607
00:36:38,326 --> 00:36:40,502
TRADE WINDS BLOWING THROUGH.
608
00:36:41,286 --> 00:36:43,070
WAVES ROLLING IN.
609
00:36:49,337 --> 00:36:52,514
YOUR HAIR STILL SMELLS THE
SAME WAY IT DID BACK THAN.
610
00:36:56,431 --> 00:36:58,172
WHY ARE YOU CRYING?
611
00:36:59,956 --> 00:37:02,524
LOOK, NOBODY'S GONNA
HURT YOU, LANI.
612
00:37:03,264 --> 00:37:04,874
YOU TRUST ME, DON'T YOU?
613
00:37:06,049 --> 00:37:07,877
-YEAH, I TRUST YOU.
614
00:37:09,662 --> 00:37:11,838
I JUST DON'T LOVE
YOU ANY MORE.
615
00:37:14,623 --> 00:37:18,714
-[CREAKING]
616
00:37:19,889 --> 00:37:21,717
-BE A GOOD GIRL.
617
00:37:24,067 --> 00:37:25,808
I'LL BE RIGHT BACK.
618
00:38:08,198 --> 00:38:11,071
-[BANGING]
619
00:38:11,201 --> 00:38:13,552
-HELP! HELP!
620
00:39:15,962 --> 00:39:18,356
-YOU JUST COULDN'T MIND
YOUR OWN BUSINESS, COULD YOU?
621
00:39:21,054 --> 00:39:22,098
SHE'S MINE!
622
00:39:23,361 --> 00:39:28,801
-[SHOUTING]
623
00:39:39,159 --> 00:39:40,203
-ARE YOU OKAY?
624
00:39:40,334 --> 00:39:42,815
-I'LL SURVIVE, HOW ABOUT YOU?
625
00:39:42,945 --> 00:39:45,034
-LANI: IT'S BEEN A LONG DAY.
626
00:39:45,513 --> 00:39:47,080
-CODY: YOU CAN SAY THAT AGAIN.
627
00:39:52,694 --> 00:39:54,566
-NEWMIE: HOBIE'S
COMPETITIVE WITH YOU, MITCH.
628
00:39:54,696 --> 00:39:56,263
WHAT ARE YOU GONNA DO?
629
00:39:56,394 --> 00:39:58,483
-I THINK THE BEST THING TO
DO IS TO AVOID DIRECT CONTACT
630
00:39:58,613 --> 00:39:59,919
WITH HOBIE, YOU KNOW?
631
00:40:00,049 --> 00:40:01,834
I DON'T WANNA LOOK
LIKE I'M FAVORING HIM
632
00:40:01,964 --> 00:40:03,444
AND I DON'T WANT TO
BE OVERLY CRITICAL.
633
00:40:03,575 --> 00:40:05,098
I'M JUST GONNA LEAVE HIM
IN YOUR HANDS, ALL RIGHT?
634
00:40:05,228 --> 00:40:07,274
-WISE DECISION AS
OPPOSED TO YOU TURNING
635
00:40:07,405 --> 00:40:10,756
DOWN THE CAPTAIN'S JOB,
MITCH, WHAT ARE YOU THINKING?
636
00:40:11,234 --> 00:40:13,280
-NEWMIE, I WAS THINKING
ABOUT MY ROOKIE SUMMER.
637
00:40:13,411 --> 00:40:15,587
HOW I COULDN'T WAIT TO GET
TO THE BEACH EVERY DAY.
638
00:40:15,717 --> 00:40:17,502
YOU KNOW, I WANNA FEEL
THAT PASSION AGAIN.
639
00:40:18,285 --> 00:40:19,939
-YEAH, WELL, YOU KNOW WHAT,
I'D LIKE TO HAVE A FULL HEAD
640
00:40:20,069 --> 00:40:22,985
OF HAIR AGAIN BUT IT
AIN'T GONNA HAPPEN.
641
00:40:26,336 --> 00:40:28,295
-MANNY'S MOM CALLED
HEADQUARTERS AGAIN.
642
00:40:28,426 --> 00:40:31,646
SOUNDED PRETTY UPSET. SAID HE
DIDN'T COME HOME LAST NIGHT.
643
00:40:31,777 --> 00:40:33,082
-YEAH, YOU MIGHT WANT TO
TALK TO HER AND EXPLAIN
644
00:40:33,213 --> 00:40:34,344
TO HER WHAT HAPPENED.
645
00:40:35,041 --> 00:40:36,346
-WHY DON'T YOU GO AHEAD?
I'LL GET THINGS GOING.
646
00:40:36,477 --> 00:40:37,913
-ALL RIGHT, THANKS.
647
00:40:38,697 --> 00:40:43,789
-[SOFT MUSIC]
648
00:40:47,183 --> 00:40:49,185
-COME ON, MCKENZIE,
KEEP IT GOING.
649
00:40:52,711 --> 00:40:54,147
HEY, HEY, WHAT'S UP?
650
00:40:54,277 --> 00:40:55,975
-I'VE BEEN TRYING TO
EXPLAIN OUR OUTDATED VISION
651
00:40:56,105 --> 00:40:57,759
REQUIREMENTS TO MANNY'S MOM.
652
00:40:57,890 --> 00:41:01,502
ANYWAY, WHATEVER HAPPENED
WITH YOUR OLD BOYFRIEND?
653
00:41:01,633 --> 00:41:03,112
YOU GONNA BE OKAY?
654
00:41:03,243 --> 00:41:04,462
-YES, AS SOON AS HE
GETS OUT OF THE HOSPITAL,
655
00:41:04,592 --> 00:41:05,898
THEY'RE SENDING
HIM BACK TO HAWAII.
656
00:41:06,028 --> 00:41:07,552
-HE'S WANTED THERE
ON AN ASSAULT CHARGE,
657
00:41:07,682 --> 00:41:10,555
SO WE PROBABLY WON'T EVEN
HAVE TO TESTIFY AGAINST HIM.
658
00:41:10,685 --> 00:41:11,904
-YEAH, I JUST HOPE
THEY KEEP HIM AWAY
659
00:41:12,034 --> 00:41:13,775
FOR A NICE, LONG TIME.
660
00:41:13,906 --> 00:41:15,560
-WELL, NOW ALL I HAVE TO
WORRY ABOUT IS GETTING
661
00:41:15,690 --> 00:41:16,648
THROUGH ROOKIE SCHOOL.
662
00:41:17,300 --> 00:41:19,215
-WELL, IT LOOKS LIKE YOU
GOT A PRETTY GOOD COACH.
663
00:41:19,346 --> 00:41:21,827
-YEAH, WE'RE TRYING
TO KEEP HER IN SHAPE.
664
00:41:22,262 --> 00:41:24,482
COME ON, MCKENZIE,
STOP TRYING TO STALL.
665
00:41:24,612 --> 00:41:25,787
-ALL RIGHT. [LAUGHS]
666
00:41:25,918 --> 00:41:27,223
-MITCH: CATCH YOU GUYS LATER.
667
00:41:27,354 --> 00:41:28,703
-LATER-O!
668
00:41:30,836 --> 00:41:36,058
-[ELECTRIC GUITAR RIFF]
669
00:41:44,937 --> 00:41:51,073
-[END THEME PLAYS]
670
00:41:51,123 --> 00:41:55,673
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