All language subtitles for Baywatch s05e21 The Runaways.eng

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These are the user uploaded subtitles that are being translated: 1 00:00:05,048 --> 00:00:09,922 -[THEME MUSIC] 2 00:00:12,882 --> 00:00:16,886 - SOME PEOPLE STAND IN THE DARKNESS 3 00:00:17,017 --> 00:00:20,585 AFRAID TO STEP INTO THE LIGHT 4 00:00:20,716 --> 00:00:24,589 SOME PEOPLE NEED TO HELP SOMEBODY 5 00:00:24,720 --> 00:00:27,984 WHEN THE EDGE OF SURRENDER'S IN SIGHT 6 00:00:28,115 --> 00:00:30,769 DON'T YOU WORRY 7 00:00:31,379 --> 00:00:33,468 ITS GONNA BE ALL RIGHT 8 00:00:36,993 --> 00:00:38,821 'CAUSE I'M ALWAYS READY 9 00:00:38,951 --> 00:00:42,303 I WON'T LET YOU OUT OF MY SIGHT 10 00:00:45,436 --> 00:00:47,830 I'LL BE READY 11 00:00:47,960 --> 00:00:49,353 I'LL BE READY 12 00:00:49,484 --> 00:00:51,225 NEVER YOU FEAR 13 00:00:51,355 --> 00:00:53,357 NO, DON'T YOU FEAR 14 00:00:53,488 --> 00:00:55,881 I'LL BE READY 15 00:00:56,926 --> 00:00:59,581 FOREVER AND ALWAYS 16 00:00:59,711 --> 00:01:02,236 I'M ALWAYS HERE 17 00:01:20,645 --> 00:01:22,821 'CAUSE I'M ALWAYS READY 18 00:01:22,952 --> 00:01:26,086 I WON'T LET YOU OUT OF MY SIGHT 19 00:01:29,611 --> 00:01:31,917 I'LL BE READY 20 00:01:32,048 --> 00:01:33,571 I'LL BE READY 21 00:01:33,702 --> 00:01:35,399 NEVER YOU FEAR 22 00:01:35,530 --> 00:01:37,488 NO, DON'T YOU FEAR 23 00:01:37,619 --> 00:01:41,013 I'LL BE READY 24 00:01:41,144 --> 00:01:43,581 FOREVER AND ALWAYS 25 00:01:43,712 --> 00:01:46,454 I'M ALWAYS HERE 26 00:02:01,817 --> 00:02:03,253 -[LIGHT ROCK MUSIC] 27 00:03:09,101 --> 00:03:10,320 -HEY WATCH OUT! 28 00:03:15,151 --> 00:03:16,457 [GASPING] 29 00:03:20,156 --> 00:03:21,070 HELP! 30 00:03:37,652 --> 00:03:40,394 -MATT: WELL HOW DO YOU LIKE THAT, SAVED BY THE BLIMP. 31 00:03:41,960 --> 00:03:44,006 -[ROCK MUSIC] 32 00:04:00,109 --> 00:04:00,936 -HEY. 33 00:04:01,066 --> 00:04:01,893 -HEY, WAIT A SECOND. 34 00:04:03,112 --> 00:04:04,809 I'M ON SWITCHBOARD AGAIN? 35 00:04:04,940 --> 00:04:06,724 THAT'S TWICE THIS WEEK, STEPHANIE. 36 00:04:06,855 --> 00:04:07,943 -I KNOW. 37 00:04:08,073 --> 00:04:09,553 -WELL DO YOU WANNA TELL ME WHY? 38 00:04:10,206 --> 00:04:11,163 -I NEED YOU THERE. 39 00:04:11,686 --> 00:04:13,775 -THAT IS COMPLETELY UNFAIR, STEPHANIE. 40 00:04:13,905 --> 00:04:15,907 YOU'RE NOT SUPPOSED TO GET STUCK ON SWITCHBOARD MORE THAN ONCE A WEEK. 41 00:04:17,082 --> 00:04:18,780 YOU KNOW, STEPHANIE, I REALLY FEEL LIKE 42 00:04:18,910 --> 00:04:20,695 YOU'RE TAKING ADVANTAGE OF ME BECAUSE I'M YOUR SISTER. 43 00:04:21,565 --> 00:04:23,306 YOU WOULDN'T DO THIS TO MATT OR C.J., 44 00:04:23,437 --> 00:04:24,873 WHY AM I GETTING THE SHORT END OF THE STICK? 45 00:04:25,743 --> 00:04:28,093 -LOOK, I KNOW YOU GOT A LOT OF EXPERIENCE WHILE I WAS AWAY, 46 00:04:28,224 --> 00:04:29,834 BUT I'VE BEEN NOTICING YOU'RE STILL PRONE 47 00:04:29,965 --> 00:04:31,271 TO MAKING ROOKIE MISTAKES. 48 00:04:31,401 --> 00:04:32,489 -ROOKIE MISTAKES? 49 00:04:33,882 --> 00:04:35,057 WHAT DOES THAT MEAN, STEPHANIE, 50 00:04:35,187 --> 00:04:36,363 DO YOU WANT TO GIVE ME AN EXAMPLE? 51 00:04:36,493 --> 00:04:38,060 -DON'T TAKE IT SO PERSONALLY. 52 00:04:39,104 --> 00:04:40,932 YOU'VE COME A LONG WAY IN A SHORT PERIOD OF TIME. 53 00:04:41,063 --> 00:04:42,151 I'M REALLY PROUD OF YOU. 54 00:04:42,282 --> 00:04:43,544 -BUT YOU DON'T TRUST ME. 55 00:04:44,893 --> 00:04:46,503 -I THINK YOU NEED A LITTLE SEASONING. 56 00:04:46,634 --> 00:04:48,984 -AND I'M SUPPOSED TO GET THAT ON SWITCHBOARD DUTY? 57 00:04:52,335 --> 00:04:53,728 -I'LL PUT YOU ON A TOWER TOMORROW, OKAY? 58 00:04:56,644 --> 00:04:57,688 NOW LET'S GET TO WORK. 59 00:05:13,095 --> 00:05:14,836 HEY, CAN I GIVE YOU A HAND? 60 00:05:14,966 --> 00:05:17,534 -GOT IT, OKAY ON THREE, ONE, TWO, THREE. 61 00:05:18,448 --> 00:05:20,232 ANY WORD ON THE OTHER SCARAB? 62 00:05:20,363 --> 00:05:21,843 -YEAH, SHOULD BE OUT OF THE SHOP BY THE END OF THIS WEEK. 63 00:05:22,713 --> 00:05:23,975 -I'M GONNA NEED IT SOONER THAN THAT. 64 00:05:24,106 --> 00:05:25,934 -WHY? WE SEEM OKAY WITH ONE BOAT. 65 00:05:26,500 --> 00:05:28,371 -EVER HEARD OF RICHARD BRANSON? 66 00:05:28,502 --> 00:05:30,547 -RICHARD BRANSON, I DON'T THINK SO. IS HE A LIFEGUARD? 67 00:05:30,678 --> 00:05:32,636 -NO, NO, NO, HE'S A BRITISH BUSINESSMAN, YOU KNOW, 68 00:05:32,767 --> 00:05:34,551 ACROSS THE ATLANTIC IN A HOT AIR BALLOON. 69 00:05:34,682 --> 00:05:36,031 -OH YEAH, I'VE READ ABOUT HIM. 70 00:05:36,161 --> 00:05:37,598 HE'S A BIG DAREDEVIL, HE DOES 71 00:05:37,728 --> 00:05:39,251 ALL THESE CRAZY STUNTS AND EVERYTHING. 72 00:05:39,382 --> 00:05:40,383 -YOU'RE NOT GONNA BELIEVE WHAT HE'S UP TO NOW. 73 00:05:42,037 --> 00:05:43,560 -SOMETHING TELLS ME I DON'T WANNA KNOW. 74 00:05:43,691 --> 00:05:46,476 -HE'S GONNA WATER SKI BEHIND HIS BLIMP. 75 00:05:46,607 --> 00:05:47,869 -NO. 76 00:05:48,913 --> 00:05:49,740 WHERE? 77 00:05:49,871 --> 00:05:50,654 -LONG BEACH HARBOR. 78 00:05:50,785 --> 00:05:52,308 -WHY? 79 00:05:52,439 --> 00:05:54,397 -HE WANTS TO BE IN THE GUINNESS BOOK OF WORLD RECORDS. 80 00:05:54,528 --> 00:05:55,920 -FOR WHAT, GIVING LIFEGUARDS GRAY HAIR? 81 00:05:56,051 --> 00:05:58,880 -NOPE, THE LONGEST WATER SKI BEHIND AN AIR SHIP. 82 00:05:59,707 --> 00:06:01,839 -MITCH, I CAN'T BELIEVE YOU AGREED TO THIS. 83 00:06:01,970 --> 00:06:03,972 -I DIDN'T, THE CHIEF ASSIGNED ME TO IT. 84 00:06:04,102 --> 00:06:06,627 HE WANTS US TO STOP BY IN CASE ANYTHING GOES WRONG. 85 00:06:07,715 --> 00:06:09,107 -WATER SKIING BEHIND A BLIMP. 86 00:06:09,238 --> 00:06:11,240 -NO, WHILE WATER SKIING BEHIND AN AIR SHIP. 87 00:06:12,023 --> 00:06:13,373 -WHAT IS THE DIFFERENCE? 88 00:06:13,503 --> 00:06:15,375 -UH, WELL THE BLIMP IS BIG AND ROUND-- 89 00:06:15,505 --> 00:06:17,812 -[LIVELY MUSIC] 90 00:06:29,563 --> 00:06:30,390 -OH! 91 00:06:31,303 --> 00:06:32,870 -I'M SORRY, I'M SORRY. 92 00:06:33,001 --> 00:06:33,871 -OH, IT'S OKAY. 93 00:06:34,655 --> 00:06:36,265 WHAT NOW, DID I BRING YOU THE WRONG ORDER? 94 00:06:36,396 --> 00:06:37,397 -NO, NO. 95 00:06:38,180 --> 00:06:39,921 -NO? THEN WHAT'S THE PROBLEM? 96 00:06:40,051 --> 00:06:43,054 -I JUST WANTED TO TELL YA, THIS IS A KILLER TUNA MELT. 97 00:06:43,185 --> 00:06:44,665 -REALLY? YOU LIKE IT? 98 00:06:44,795 --> 00:06:45,709 -BEST THING I EVER HAD. 99 00:06:45,840 --> 00:06:47,232 -YES! THAT'S MAURICE. 100 00:06:47,363 --> 00:06:48,799 -WHO'S MAURICE? 101 00:06:48,930 --> 00:06:49,800 -HE'S MY NEW COOK. 102 00:06:50,627 --> 00:06:51,411 -HEY MAURICE! 103 00:06:54,109 --> 00:06:55,066 -YAY! 104 00:06:56,198 --> 00:06:58,592 -COME ON LADS, HAVE A HEART. 105 00:07:00,637 --> 00:07:03,074 SURELY YOU CAN SPARE A FEW TENS OR 20S. 106 00:07:03,205 --> 00:07:05,337 LET'S GO, COME ON, COUGH IT UP. 107 00:07:06,687 --> 00:07:07,514 -I'LL BE BACK. 108 00:07:10,734 --> 00:07:12,475 -WATCH WHERE YOU'RE GOING, LOVE. 109 00:07:12,606 --> 00:07:14,521 -EXCUSE ME, BUT I OWN THIS RESTAURANT AND I REALLY DON'T 110 00:07:14,651 --> 00:07:16,740 WANT YOU HITTING UP ON MY CUSTOMERS, OKAY? 111 00:07:16,871 --> 00:07:19,221 -PERHAPS YOU'D LIKE TO MAKE A DONATION ON THEIR BEHALF. 112 00:07:23,051 --> 00:07:24,269 HOW ABOUT YOU CAPTAIN? 113 00:07:24,792 --> 00:07:26,010 EVERY LITTLE BIT HELPS. 114 00:07:26,924 --> 00:07:28,448 -TELL YOU WHAT, IF YOU'RE HUNGRY I'LL BUY YOU LUNCH. 115 00:07:29,187 --> 00:07:30,058 -DIVINE. 116 00:07:34,671 --> 00:07:36,934 COME ON, IT'S OKAY. 117 00:07:40,460 --> 00:07:42,853 MY NAME'S MOLLY, MOLLY KASTEN. 118 00:07:43,375 --> 00:07:44,594 THOUGH I'M THINKING ABOUT CHANGING IT 119 00:07:44,725 --> 00:07:45,682 WHEN MY ALBUM COMES OUT. 120 00:07:45,813 --> 00:07:46,770 -YOUR ALBUM? 121 00:07:46,901 --> 00:07:48,555 -I'LL BE MAKING IT ANY DAY NOW. 122 00:07:48,685 --> 00:07:50,644 I'M ABOUT TO SIGN A BIG CONTRACT 123 00:07:50,774 --> 00:07:52,341 WITH A MAJOR RECORD COMPANY. 124 00:07:52,472 --> 00:07:54,865 -OH, 'TIL THEN YOU'RE PANHANDLING ON THE BEACH. 125 00:07:54,996 --> 00:07:58,260 -OH, THIS ISN'T FOR ME, THIS IS FOR A FRIEND. 126 00:07:58,390 --> 00:08:00,915 THAT'S NOT TO SAY I COULDN'T USE A SPOT OF CASH 127 00:08:01,045 --> 00:08:03,047 TO TIDE ME OVER TIL MY SHIP COMES IN. 128 00:08:03,787 --> 00:08:05,528 -HAVE YOU EVER WAITED TABLES? 129 00:08:05,659 --> 00:08:07,922 -SIX YEARS AT MY MUM'S PUB IN WHITE CHAPEL. 130 00:08:08,052 --> 00:08:10,707 OH, THE CUSTOMERS LOVED ME. 131 00:08:10,838 --> 00:08:12,970 -[CHUCKLING] THERE YOU GO KAYE, SIGN HER UP. 132 00:08:13,493 --> 00:08:15,016 -YOU'RE LOOKING FOR SOMEONE TO LEND A HAND? 133 00:08:15,146 --> 00:08:16,670 -DESPERATELY, WHEN CAN YOU START? 134 00:08:16,800 --> 00:08:19,194 -I'LL KNOCK YOU UP FIRST THING IN THE MORNING. 135 00:08:19,324 --> 00:08:20,717 -I BEG YOUR PARDON? 136 00:08:20,848 --> 00:08:22,676 -OH, I'LL BE HERE AT THE CRACK OF DAWN. 137 00:08:22,806 --> 00:08:24,460 -OH. -YOUR TROUBLES ARE OVER. 138 00:08:26,375 --> 00:08:27,637 -THANK YOU SO MUCH. 139 00:08:33,034 --> 00:08:34,209 -[OMINOUS MUSIC] 140 00:08:53,707 --> 00:08:55,273 -HOBIE: HEY DAD, CHECK IT OUT, IS THAT A BLIMP? 141 00:08:55,404 --> 00:08:57,145 -MITCH: IT'S ACTUALLY CALLED AN AIRSHIP PAL. 142 00:08:57,885 --> 00:08:58,842 -HOBIE: WHAT'S THE DIFFERENCE? 143 00:08:59,582 --> 00:09:00,975 -MITCH: UM, ASK STEPHANIE. 144 00:09:06,154 --> 00:09:08,460 -HI, YOU MUST BE LIEUTENANT BUCHANNON, I'M RICHARD BRANSON. 145 00:09:08,591 --> 00:09:09,766 -MITCH: NICE TO MEET YOU. 146 00:09:09,897 --> 00:09:10,637 -RICHARD: AND YOU. -MY SON, HOBIE. 147 00:09:10,767 --> 00:09:11,725 -HI. 148 00:09:11,855 --> 00:09:13,248 -HI HOBIE, YOU ALL RIGHT. 149 00:09:13,378 --> 00:09:14,510 -NICE TO MEET YOU. 150 00:09:15,293 --> 00:09:16,643 I CAN'T BELIEVE YOU'RE DOING THIS WATER SKI THING, 151 00:09:16,773 --> 00:09:18,558 IT'S AWESOME. -WELL, NOT REALLY. 152 00:09:18,688 --> 00:09:20,298 -MITCH: WE'RE GONNA NEED TO SEE A LAYOUT 153 00:09:20,429 --> 00:09:22,039 OF THE WHOLE OPERATION SO WE CAN BLOCK THE AREA OFF. 154 00:09:22,170 --> 00:09:24,172 -WELL I HAVE A BLUEPRINT FOR THE ENTIRE OPERATION, 155 00:09:24,302 --> 00:09:25,086 DO YOU WANNA COME AND LOOK? 156 00:09:25,216 --> 00:09:26,304 -MITCH: ABSOLUTELY. 157 00:09:26,435 --> 00:09:27,697 -RICHARD: COME AND HAVE A LOOK. 158 00:09:27,828 --> 00:09:29,046 -MAIN ISSUE HERE REALLY IS JUST SAFETY. 159 00:09:29,830 --> 00:09:31,483 -WELL I COULDN'T AGREE WITH YOU MORE. 160 00:09:31,614 --> 00:09:34,095 SAFETY'S QUITE IMPORTANT TO ME, BUT BELIEVE ME, MITCH, 161 00:09:34,225 --> 00:09:35,836 IF WE WEREN'T ABSOLUTELY CERTAIN WE COULD PULL THIS OFF 162 00:09:35,966 --> 00:09:36,750 WE WOULDN'T BE HERE. 163 00:09:36,880 --> 00:09:38,142 -TERRIFIC. 164 00:09:38,273 --> 00:09:39,883 -WOMAN: CALL FOR YOU, MR. BRANSON. 165 00:09:40,014 --> 00:09:40,797 -WOULD YOU EXCUSE US? I'VE JUST GOT A QUICK CALL. 166 00:09:40,928 --> 00:09:41,755 -NO PROBLEM. 167 00:09:52,069 --> 00:09:53,505 -HELLO RICHARD, THERE YOU ARE. -YES. 168 00:09:53,636 --> 00:09:54,985 -I'VE BEEN LOOKING FOR YOU EVERYWHERE. 169 00:09:55,116 --> 00:09:56,073 -RICHARD: HELLO GLADYS. 170 00:09:56,204 --> 00:09:57,466 HOW ARE YOU? 171 00:09:57,597 --> 00:09:58,162 -WHAT ARE YOU DOING IN CALIFORNIA? 172 00:09:59,294 --> 00:10:00,469 -[STUTTERING] 173 00:10:01,470 --> 00:10:04,865 WELL I'VE GOT THIS WORLD RECORD-BREAKING ATTEMPT 174 00:10:04,995 --> 00:10:06,954 THAT WE'RE HAVING A GO AT TODAY, WHICH-- 175 00:10:07,084 --> 00:10:08,303 WHY DON'T YOU COME DOWN? 176 00:10:08,433 --> 00:10:10,174 -LOVE TO, BUT I'M IN REHEARSAL. 177 00:10:10,305 --> 00:10:12,002 I CALLED BECAUSE I WANT YOU TO COME TO MY OPENING NIGHT. 178 00:10:12,133 --> 00:10:13,351 -I'D LOVE TO DO THAT. 179 00:10:13,961 --> 00:10:15,092 I LOOK FORWARD TO SEEING YOU THEN. 180 00:10:15,702 --> 00:10:16,964 BYE. 181 00:10:17,094 --> 00:10:19,096 -DAD, WAIT A MINUTE, WASN'T THAT... 182 00:10:19,749 --> 00:10:20,620 -MITCH: UH, YEAH. 183 00:10:22,230 --> 00:10:23,623 -IMPRESSIVE MACHINES, THESE, AREN'T THEY? 184 00:10:24,275 --> 00:10:25,363 -YEAH, VERY COOL. 185 00:10:26,408 --> 00:10:27,888 ABOUT HOW MUCH DO YOU THINK ONE OF THOSE COSTS? 186 00:10:29,019 --> 00:10:30,020 -DON'T EVEN THINK IT. 187 00:10:30,151 --> 00:10:31,108 -LOOKS LIKE A LITTLE BIT MORE 188 00:10:31,239 --> 00:10:32,109 POCKET MONEY'S GONNA BE NEEDED. 189 00:10:32,632 --> 00:10:34,068 -IT WAS WORTH A TRY. 190 00:10:34,198 --> 00:10:35,199 -WHAT DO YOU SAY WE ALL JUMP ON THE SCARAB 191 00:10:35,330 --> 00:10:36,592 AND CHECK OUT THE COURSE, HUH? 192 00:10:36,723 --> 00:10:37,593 -LET'S DO THAT. 193 00:10:40,770 --> 00:10:42,642 -ANNETTE RUSSELL, KCOP NEWS. 194 00:11:06,274 --> 00:11:08,319 -[PHONE RINGING] 195 00:11:10,495 --> 00:11:12,497 -YEAH, HELLO, TOWER 14. 196 00:11:12,628 --> 00:11:14,064 -STEPHANIE: HAVE YOU NOTICED THAT A SURF'S BEEN BUILDING ALL DAY? 197 00:11:14,586 --> 00:11:16,327 COULD BE A LOT OF RIPS IN THIS SECTION OF THE BEACH. 198 00:11:16,893 --> 00:11:18,547 -YES STEPHANIE, I KNOW. 199 00:11:18,678 --> 00:11:20,462 NOW DO YOU MIND NOT LOOKING OVER MY SHOULDER, 200 00:11:20,592 --> 00:11:21,637 IT'S DRIVING ME CRAZY. 201 00:11:21,768 --> 00:11:23,204 -I'M JUST TRYING TO HELP YOU OUT. 202 00:11:23,857 --> 00:11:25,467 YOU KNOW IF YOU'D LISTEN TO SOME OF THE THINGS 203 00:11:25,597 --> 00:11:26,773 I'M TELLING YOU, YOU MIGHT ACTUALLY LEARN SOMETHING. 204 00:11:26,903 --> 00:11:27,687 -YEAH, I DOUBT IT. 205 00:11:27,817 --> 00:11:28,600 -WHAT'D YOU SAY? 206 00:11:28,731 --> 00:11:30,124 -NOTHING. 207 00:11:30,254 --> 00:11:31,865 NOW DO YOU HAVE ANY MORE PEARLS OF WISDOM FOR ME, 208 00:11:31,995 --> 00:11:32,822 OR CAN I GET BACK TO WORK? 209 00:11:32,953 --> 00:11:34,084 -NO, THAT'S IT. 210 00:11:34,955 --> 00:11:35,999 -ALL RIGHT THEN, I'LL SEE YOU LATER. 211 00:11:38,175 --> 00:11:38,959 WAIT A SECOND. 212 00:11:39,089 --> 00:11:40,090 -STEPHANIE: WHAT IS IT? 213 00:11:40,612 --> 00:11:42,223 -I'M GONNA GO MAKE A PREVEN ON THESE PEOPLE. 214 00:11:42,353 --> 00:11:43,615 -WHAT PEOPLE? 215 00:11:43,746 --> 00:11:44,660 -RIGHT THERE, RIGHT IN BETWEEN US. 216 00:11:44,791 --> 00:11:46,053 THE GUY AND THE GIRL STEPHANIE. 217 00:11:46,183 --> 00:11:47,228 -YOU MAY NEED MORE THAN A PREVEN, 218 00:11:47,358 --> 00:11:48,142 THAT GUY'S IN TROUBLE. 219 00:11:48,272 --> 00:11:49,056 BACK ME UP! 220 00:11:49,186 --> 00:11:50,057 -NO, YOU BACK ME UP! 221 00:11:51,362 --> 00:11:54,583 -[DRAMATIC MUSIC] 222 00:12:14,516 --> 00:12:16,823 -[GASPING] 223 00:12:31,489 --> 00:12:32,534 -TAKE IT EASY. 224 00:12:47,201 --> 00:12:49,377 CALM DOWN, I'VE GOT YOU. 225 00:12:51,683 --> 00:12:53,033 -STEPHANIE: NEED SOME HELP? 226 00:12:54,295 --> 00:12:55,165 -NO. 227 00:12:56,993 --> 00:12:58,473 -ALL RIGHT, LET'S GO. 228 00:13:03,957 --> 00:13:05,567 -OH THAT'S LOVELY. 229 00:13:05,697 --> 00:13:07,047 WHAT FLAVOR IS IT? 230 00:13:07,177 --> 00:13:09,876 -THIS IS MY SPECIALTY, TUTTI FRUTTI. 231 00:13:12,008 --> 00:13:14,576 GOOD GOLLY MISS MOLLY, YOU SHOULDN'T DO THAT. 232 00:13:15,664 --> 00:13:17,013 -HOW'S MY BLT DOING? 233 00:13:17,753 --> 00:13:19,624 [BABBLING] 234 00:13:22,671 --> 00:13:24,978 -WAIT A MINUTE, IT'S NOT READY YET. 235 00:13:27,937 --> 00:13:29,547 [BABBLING] 236 00:13:30,679 --> 00:13:32,028 IT'S READY. 237 00:13:44,301 --> 00:13:45,650 -WHAT ARE YOU DOING HERE? 238 00:13:48,523 --> 00:13:50,220 OKAY, GO AHEAD. 239 00:13:53,745 --> 00:13:55,486 THAT'S ALL I CAN SPARE. 240 00:13:55,617 --> 00:13:58,576 YOU CAN'T BE HANGING AROUND HERE, I'VE GOT WORK TO DO. 241 00:13:59,447 --> 00:14:01,014 LOOK, I'LL COME BY WHEN I GET OFF. 242 00:14:01,144 --> 00:14:02,537 I'LL BRING YOU SOMETHING SPECIAL. 243 00:14:03,712 --> 00:14:04,626 I'VE GOTTA GO. 244 00:14:15,419 --> 00:14:16,507 HERE YOU ARE CAPTAIN. 245 00:14:17,334 --> 00:14:18,292 -THANKS MOLLY. 246 00:14:18,422 --> 00:14:19,989 WHOA, HO HO. 247 00:14:20,120 --> 00:14:21,599 THERE'S ONLY HALF A SANDWICH HERE, WHAT HAPPENED? 248 00:14:21,730 --> 00:14:22,862 -WELL THAT CAN'T BE RIGHT. 249 00:14:24,080 --> 00:14:25,386 HOW THE DEVIL DID THAT HAPPEN? 250 00:14:25,995 --> 00:14:27,344 LET ME GO TALK TO THE COOK. 251 00:14:27,475 --> 00:14:29,085 -OH MOLLY, MOLLY, WHO WAS THAT GIRL 252 00:14:29,216 --> 00:14:30,434 YOU JUST SHARED MITCH'S LUNCH WITH? 253 00:14:30,565 --> 00:14:31,522 -WHAT GIRL? 254 00:14:31,653 --> 00:14:33,350 -THE ONE THAT WAS HERE ALL DAY. 255 00:14:33,481 --> 00:14:34,395 I MEAN, WHO IS SHE? 256 00:14:38,790 --> 00:14:40,488 -WE MET A COUPLE OF WEEKS BACK 257 00:14:40,618 --> 00:14:41,837 WHEN I WAS WORKING ON THE BOARDWALK IN VENICE. 258 00:14:42,490 --> 00:14:44,492 I SUPPOSE I JUST TOOK HER UNDER MY WING. 259 00:14:45,319 --> 00:14:46,842 WELL SHE'S BEEN LIKE MY SHADOW SINCE THEN. 260 00:14:49,758 --> 00:14:50,802 -WHAT'S HER STORY? 261 00:14:51,455 --> 00:14:52,761 -ALL I KNOW IS SHE CAME TO VENICE 262 00:14:52,892 --> 00:14:53,980 BECAUSE OF THE SHELTER HOUSE. 263 00:14:54,110 --> 00:14:55,285 -THE RUNAWAY SHELTER? 264 00:14:55,416 --> 00:14:57,287 -YEAH, AND THAT CLOSED LAST MONTH. 265 00:14:57,418 --> 00:14:59,072 THEY LOST THEIR FUNDING. 266 00:14:59,202 --> 00:15:00,638 -THAT'S WHY THEY'RE LIVING ON THE STREETS RIGHT NOW. 267 00:15:00,769 --> 00:15:01,857 A WHOLE PACK OF 'EM. 268 00:15:02,510 --> 00:15:03,990 YOU WOULDN'T KNOW THEY WERE THERE 269 00:15:04,120 --> 00:15:05,730 UNLESS YOU KNEW THEIR SECRET HIDING PLACES. 270 00:15:06,731 --> 00:15:08,081 I WAS ABOUT TO TAKE HER MY TIP MONEY. 271 00:15:08,995 --> 00:15:10,083 -YOU MIND IF I TAG ALONG? 272 00:15:10,213 --> 00:15:11,432 -WHY NOT? 273 00:15:11,562 --> 00:15:13,260 BUT LET ME GET YOUR SANDWICH FIRST. 274 00:15:16,350 --> 00:15:18,918 -[OMINOUS MUSIC] 275 00:15:24,314 --> 00:15:25,098 -HI. 276 00:15:25,228 --> 00:15:26,012 -HEY. 277 00:15:26,142 --> 00:15:27,535 -WHERE'S CAROLINE? 278 00:15:27,665 --> 00:15:28,928 -I SAW HER IN THE LOCKER ROOM A FEW MINUTES AGO. 279 00:15:29,058 --> 00:15:30,581 SHE WAS LACING UP BOXING GLOVES. 280 00:15:31,104 --> 00:15:32,235 -BOXING GLOVES? 281 00:15:32,366 --> 00:15:33,367 -YEAH, IT SEEMED LIKE SHE HAD 282 00:15:33,497 --> 00:15:34,281 SOME FRUSTRATIONS TO WORK OUT. 283 00:15:34,803 --> 00:15:35,760 SHE AND LOGAN HAVING PROBLEMS? 284 00:15:36,544 --> 00:15:37,893 -NO, NOT THAT I KNOW OF. 285 00:15:38,024 --> 00:15:39,460 -WELL SOMEBODY'S GOT HER PRETTY UPSET. 286 00:15:40,504 --> 00:15:41,984 -OH YEAH, PROBABLY ME. 287 00:15:42,115 --> 00:15:44,595 -AH, THAT WAS MY NEXT GUESS. 288 00:15:45,335 --> 00:15:46,293 -LOOK, SHE'S JUST MAD AT ME 'CAUSE 289 00:15:46,423 --> 00:15:47,381 SHE THINKS I'M HOLDING HER BACK. 290 00:15:48,034 --> 00:15:49,557 -WELL ARE YOU? 291 00:15:49,687 --> 00:15:51,689 -NO, ROOKIES ARE SUPPOSED TO PROVE THEMSELVES. 292 00:15:51,820 --> 00:15:54,127 -STEPHANIE, SHE HAS PROVEN HERSELF. 293 00:15:54,257 --> 00:15:56,564 MAYBE NOT TO YOU, BUT TO EVERYBODY ELSE AROUND HERE. 294 00:15:57,173 --> 00:15:58,000 THINK ABOUT IT. 295 00:15:59,436 --> 00:16:00,263 I'LL SEE YOU LATER. 296 00:16:24,374 --> 00:16:26,333 -YOU LOOK LIKE YOU'RE READY TO STEP IN THE RING. 297 00:16:29,945 --> 00:16:31,251 KEEP YOUR GUARD UP WHEN YOU JAB. 298 00:16:32,687 --> 00:16:34,950 -ARE YOU AWARE THAT YOU'RE ALWAYS TELLING ME WHAT TO DO? 299 00:16:37,909 --> 00:16:40,390 -GUESS AFTER 22 YEARS I FIGURED YOU'D BE USED TO IT. 300 00:16:43,654 --> 00:16:45,569 -YOU KNOW I'VE WORKED REALLY HARD AT BECOMING A LIFEGUARD, 301 00:16:46,701 --> 00:16:48,355 AND I'M NOT SAYING I KNOW ALL THERE IS TO KNOW, 302 00:16:48,485 --> 00:16:49,573 BUT I THINK I'M PRETTY GOOD. 303 00:16:49,704 --> 00:16:51,184 -YOU'RE VERY GOOD, CAROLINE. 304 00:16:52,620 --> 00:16:53,621 I GUESS THAT'S THE PROBLEM. 305 00:16:54,404 --> 00:16:55,405 -WHY IS THAT A PROBLEM? 306 00:16:58,365 --> 00:16:59,540 -I DON'T KNOW, I GUESS I... 307 00:17:01,237 --> 00:17:02,717 STILL WANNA THINK OF YOU AS MY LITTLE SISTER. 308 00:17:04,197 --> 00:17:07,113 NOT SOME YOUNG HOT SHOT WHO BEAT ME TO A RESCUE. 309 00:17:09,028 --> 00:17:11,334 -I DON'T THINK OF US AS BEING IN COMPETITION, STEPHANIE. 310 00:17:12,553 --> 00:17:14,294 -ALL LIFEGUARDS ARE IN COMPETITION. 311 00:17:15,121 --> 00:17:17,514 I MEAN THE FASTEST SWIMMER, STRONGEST RUNNER, 312 00:17:18,037 --> 00:17:19,038 JUST COMES WITH THE TERRITORY. 313 00:17:21,040 --> 00:17:22,867 I JUST DON'T WANT IT TO COME BETWEEN US. 314 00:17:23,868 --> 00:17:26,610 -IT WON'T, I PROMISE. 315 00:17:27,133 --> 00:17:28,308 -HOPE YOU'RE RIGHT. 316 00:17:31,876 --> 00:17:33,878 -MAYBE NEXT TIME I'LL LET YOU MAKE THE RESCUE. 317 00:17:35,793 --> 00:17:38,144 -DON'T PUSH YOUR LUCK, LITTLE SISTER. 318 00:17:42,670 --> 00:17:44,933 -MAKE SURE WE GOT RESCUE CANS, LIFE JACKETS, 319 00:17:45,064 --> 00:17:46,500 HERE'S THE FIRST AID KIT. 320 00:17:46,630 --> 00:17:47,892 -AND WHAT ARE YOU GONNA GET? 321 00:17:48,023 --> 00:17:49,590 -UH, COFFEE AND DONUTS. 322 00:17:49,720 --> 00:17:51,331 -MATT: CREAM AND SUGAR PLEASE. 323 00:17:54,203 --> 00:17:55,596 -WELL WHAT DO YOU MEAN THE WHOLE THING'S OFF? 324 00:17:55,726 --> 00:17:57,728 YOU SAID IT WAS WRITTEN IN STONE. 325 00:18:00,035 --> 00:18:01,732 CAN'T WE TAKE IT TO ANOTHER RECORD COMPANY? 326 00:18:03,560 --> 00:18:05,040 YOU SAID I WAS GONNA BE A STAR. 327 00:18:07,477 --> 00:18:10,393 OH SHUT UP, I DON'T WANNA LISTEN TO ANYMORE OF YOUR RUBBISH. 328 00:18:17,008 --> 00:18:17,879 -THANKS. 329 00:18:18,880 --> 00:18:20,969 YOU KNOW, KAYE, I MADE A COUPLE OF CALLS LAST NIGHT 330 00:18:21,100 --> 00:18:23,014 AND YOU KNOW IT TURNS OUT THAT THERE'S A GROUP OF PEOPLE 331 00:18:23,145 --> 00:18:24,320 WHO ARE TRYING TO RAISE MONEY 332 00:18:24,451 --> 00:18:25,887 TO REOPEN THE VENICE RUNAWAY SHELTER? 333 00:18:26,017 --> 00:18:27,541 -YEAH, AND YOU TOLD THEM I'D STAGE 334 00:18:27,671 --> 00:18:29,325 A BENEFIT CONCERT AT THE SANDY CAY. 335 00:18:30,413 --> 00:18:31,806 -HOW'D YOU FIND OUT? 336 00:18:31,936 --> 00:18:33,329 -THEY CALLED ME THIS MORNING. 337 00:18:33,460 --> 00:18:34,983 -WELL THE KIDS DO NEED A PLACE TO STAY. 338 00:18:35,114 --> 00:18:36,680 -DON'T WORRY, I SAID YES. 339 00:18:36,811 --> 00:18:38,073 AS A MATTER OF FACT, 340 00:18:38,204 --> 00:18:39,727 I'VE LINED UP SOMEBODY REALLY BIG. 341 00:18:41,642 --> 00:18:43,513 MOLLY, OH MOLLY, WHAT HAPPENED? 342 00:18:44,123 --> 00:18:45,472 -MY RECORD DEAL FELL THROUGH. 343 00:18:47,474 --> 00:18:49,389 SEEMS I WON'T BE CUTTING MY OWN ALBUM AFTER ALL. 344 00:18:49,519 --> 00:18:51,652 -HEY, YOU'RE GONNA GET ANOTHER CHANCE. 345 00:18:52,348 --> 00:18:53,915 DON'T GIVE UP ON YOURSELF. 346 00:18:54,045 --> 00:18:55,656 -YEAH, WHO KNOWS, YOU MIGHT WAIT ON SOME 347 00:18:55,786 --> 00:18:57,875 BIG TIME RECORD PRODUCER RIGHT HERE AT THE SANDY CAY. 348 00:18:58,485 --> 00:18:59,486 -FAT CHANCE. 349 00:19:05,100 --> 00:19:06,101 WHAT'LL IT BE? 350 00:19:09,148 --> 00:19:11,019 COME ON, I HAVEN'T GOT ALL DAY. 351 00:19:12,673 --> 00:19:13,587 ROBERT. 352 00:19:15,589 --> 00:19:16,590 -ROBERT: MOLLY! 353 00:19:17,678 --> 00:19:18,635 PLEASE WAIT! 354 00:19:20,420 --> 00:19:23,074 -[ROCK MUSIC] 355 00:19:35,522 --> 00:19:37,611 DAMN, WHERE DID SHE GO? 356 00:19:38,438 --> 00:19:41,354 -HEY, WHAT'S GOING ON? 357 00:19:42,050 --> 00:19:43,269 -I'M LOOKING FOR MY FIANCE. 358 00:19:44,095 --> 00:19:45,314 -YOUR FIANCE? 359 00:19:50,058 --> 00:19:51,364 -WHERE DID I GO WRONG? 360 00:19:53,409 --> 00:19:54,845 WHY WOULD A WOMAN CHOOSE TO TRAVEL 361 00:19:54,976 --> 00:19:56,934 HALFWAY AROUND THE WORLD RATHER THAN MARRY ME? 362 00:19:57,065 --> 00:19:58,980 -MOLLY DIDN'T COME HERE TO GET AWAY FROM YOU, 363 00:19:59,110 --> 00:20:01,069 SHE CAME HERE BECAUSE LOS ANGELES IS THE CENTER 364 00:20:01,200 --> 00:20:04,072 OF THE MUSIC BUSINESS, AND SHE WANTS TO BE A SINGER. 365 00:20:04,203 --> 00:20:06,074 -YES, WELL THAT'S JUST PREPOSTEROUS. 366 00:20:06,683 --> 00:20:08,207 I JUST CAN'T UNDERSTAND WHY SHE INSISTS 367 00:20:08,337 --> 00:20:11,122 ON PURSUING THIS CHILDISH DREAM OF HERS. 368 00:20:11,253 --> 00:20:12,994 -WHY DON'T YOU SHARE HER DREAM? 369 00:20:14,256 --> 00:20:15,866 -MOLLY HAS A LOT OF TALENT, 370 00:20:15,997 --> 00:20:17,912 AND YOU SHOULD BE HER BIGGEST FAN. 371 00:20:18,042 --> 00:20:19,261 -I WANNA BE HER HUSBAND! 372 00:20:19,783 --> 00:20:21,655 -YOU NEED TO GET YOUR HEAD SCREWED ON STRAIGHT. 373 00:20:30,794 --> 00:20:32,666 -WOMAN ON PHONE: HELLO? HELLO, WHO'S THERE? 374 00:20:34,015 --> 00:20:34,929 HELLO, WHO'S CALLING? 375 00:20:35,059 --> 00:20:35,843 HELLO? 376 00:20:35,973 --> 00:20:36,974 -EXCUSE ME. 377 00:20:43,633 --> 00:20:44,417 HELLO? 378 00:20:44,547 --> 00:20:45,331 -WOMAN ON PHONE: HELLO. 379 00:20:45,461 --> 00:20:46,984 -WHO'S THIS? 380 00:20:47,115 --> 00:20:48,508 -OVER PHONE: THIS IS PHYLLIS EVANS, WHO'S THIS? 381 00:20:53,513 --> 00:20:54,688 -HEY, YOU KNOW WHERE THE GPS IS? 382 00:20:54,818 --> 00:20:56,124 I NEED AN EXACT LOCATION. 383 00:20:56,255 --> 00:20:57,604 -IT'S IN THE HULL, I'LL GET IT. 384 00:20:57,734 --> 00:20:58,866 -ALL RIGHT. 385 00:21:02,217 --> 00:21:03,000 -WHAT THE? 386 00:21:03,131 --> 00:21:04,828 -FANCY MEETING YOU HERE. 387 00:21:05,351 --> 00:21:06,352 -MATT: WHERE'D YOU COME FROM? 388 00:21:08,136 --> 00:21:10,181 -IT'S A BIT CRAMPED DOWN HERE, GIVE US A HAND. 389 00:21:11,879 --> 00:21:14,098 -MOLLY, I DON'T BELIEVE THIS. 390 00:21:14,229 --> 00:21:15,839 -WHAT ARE YOU DOING IN THERE? 391 00:21:15,970 --> 00:21:17,319 -WELL IT WAS THE ONLY PLACE I COULD FIND TO HIDE. 392 00:21:17,450 --> 00:21:19,495 HOW DID I KNOW YOU'D BE SHOVING OFF RIGHT AWAY? 393 00:21:19,626 --> 00:21:20,496 -ALL RIGHT, WE'RE TURNING AROUND. 394 00:21:20,627 --> 00:21:21,497 WE'RE TAKING HER BACK. 395 00:21:22,237 --> 00:21:23,543 -MITCH, WHAT ABOUT RICHARD BRANSON? 396 00:21:23,673 --> 00:21:24,718 -HE'LL HAVE TO WAIT. 397 00:21:25,893 --> 00:21:27,416 -DID YOU SAY RICHARD BRANSON? 398 00:21:27,547 --> 00:21:28,548 WHY, HE'S A LIVING LEGEND. 399 00:21:28,678 --> 00:21:30,027 WHAT'S HE DOING HERE? 400 00:21:30,158 --> 00:21:32,291 -HE'S WATER SKIING BEHIND HIS AIRSHIP. 401 00:21:32,421 --> 00:21:33,944 WE'RE HERE ON SAFETY STANDBY. 402 00:21:34,467 --> 00:21:36,643 -THAT SOUNDS LIKE OUR RICHIE, I CAN'T MISS THAT. 403 00:21:36,773 --> 00:21:38,688 -[FAKE LAUGHING] I'M AFRAID YOU'RE GONNA HAVE TO. 404 00:21:39,298 --> 00:21:42,126 -OH PLEASE CAPTAIN, I WON'T GET IN THE WAY. I SWEAR. 405 00:21:42,257 --> 00:21:44,477 CAN'T YOU FIND IT IN YOUR HEART TO LET ME STAY? 406 00:21:44,607 --> 00:21:46,696 -OH YOU'RE BREAKING MY HEART, HERE. 407 00:21:46,827 --> 00:21:48,437 -MITCH, IF WE GO BACK IT'S GONNA 408 00:21:48,568 --> 00:21:50,178 THROW OFF EVERYBODY'S TIMING. 409 00:21:52,354 --> 00:21:54,791 -AH, ALL RIGHT, ALL RIGHT. 410 00:21:54,922 --> 00:21:57,751 JUST SIT DOWN, SHUT UP, AND DON'T EVEN SQUIRM. 411 00:21:57,881 --> 00:21:59,318 -OH YES, SIR! 412 00:22:00,754 --> 00:22:01,581 -I'M GONNA REGRET THIS. 413 00:22:10,633 --> 00:22:12,156 -REPORTER: CAN I ASK YOU A COUPLE OF QUICK QUESTIONS? 414 00:22:12,287 --> 00:22:13,375 -RICHARD: OF COURSE. 415 00:22:13,506 --> 00:22:14,898 -SO RICHARD, ARE YOU NERVOUS? 416 00:22:15,029 --> 00:22:15,856 HOW DO YOU... 417 00:22:17,814 --> 00:22:19,642 [LAUGHTER] GOOD LUCK! 418 00:22:19,773 --> 00:22:20,687 -THANK YOU. 419 00:22:27,215 --> 00:22:28,825 -RIGHT NOW, RICHARD BRANSON 420 00:22:28,956 --> 00:22:30,784 IS GETTING ONTO THE BOAT THAT IS GOING TO TAKE HIM 421 00:22:30,914 --> 00:22:33,395 TO HIS AIRSHIP WHERE HE WILL ATTEMPT TO BE ENTERED INTO 422 00:22:33,526 --> 00:22:36,137 THE GUINNESS BOOK OF WORLD RECORDS FOR WATER SKIING. 423 00:22:39,488 --> 00:22:42,099 MULTI-MILLIONAIRE RICHARD BRANSON IS NO VIRGIN 424 00:22:42,230 --> 00:22:44,493 WHEN IT COMES TO DAREDEVIL STUNTS, HE'S SET 425 00:22:44,624 --> 00:22:46,713 TRANSATLANTIC SPEED RECORDS IN HIS POWER BOAT 426 00:22:46,843 --> 00:22:49,063 AND HE'S THE FIRST MAN TO HAVE CROSSED THE ATLANTIC 427 00:22:49,193 --> 00:22:52,371 AND THE PACIFIC OCEAN IN HIS HOT AIR BALLOON. 428 00:22:52,501 --> 00:22:55,374 BUT THAT'S JUST A SET UP FOR HIS NEXT DARING DO, 429 00:22:55,504 --> 00:22:57,811 WATER SKIING WHILE ATTACHED TO HIS OWN AIR SHIP 430 00:22:57,941 --> 00:23:01,162 WHICH WILL BE TRAVELING ABOUT 70 MILES PER HOUR. 431 00:23:02,250 --> 00:23:04,861 ANNETTE RUSSELL, 13 REAL NEWS. 432 00:23:10,040 --> 00:23:12,260 -[ROCK MUSIC] 433 00:23:38,112 --> 00:23:39,156 -IS THAT BEAUTIFUL OR WHAT, HUH? 434 00:23:39,287 --> 00:23:40,157 -WOW. 435 00:23:56,347 --> 00:23:59,960 -[DRAMATIC MUSIC] 436 00:24:36,170 --> 00:24:37,084 -GO RICHARD! 437 00:24:37,214 --> 00:24:38,781 -[CHEERING] 438 00:24:45,788 --> 00:24:47,529 -LOOK AT THAT, HE'S CRAZY. 439 00:25:12,032 --> 00:25:14,034 [LAUGHTER] 440 00:25:14,164 --> 00:25:17,124 -[ROCK MUSIC] 441 00:25:19,213 --> 00:25:20,736 -WOW. -WOW. 442 00:25:42,845 --> 00:25:45,544 -THAT'S IT MR. BRANSON, WE BROKE THE RECORD. 443 00:25:45,674 --> 00:25:46,545 -YEAH! 444 00:25:46,675 --> 00:25:47,589 -YEAH! 445 00:25:47,720 --> 00:25:48,895 -HE GOT IT MAN, HE GOT IT. 446 00:25:49,025 --> 00:25:50,026 -STEPHANIE: YEAH! -CAROLINE: YES! 447 00:25:51,071 --> 00:25:52,463 -HE SET THE RECORD. 448 00:25:52,594 --> 00:25:53,726 HE JUST DID IT. 449 00:26:01,168 --> 00:26:03,387 -[SCREAMING] 450 00:26:08,871 --> 00:26:09,742 -WAIT A MINUTE. 451 00:26:10,438 --> 00:26:12,266 MATT, HE'S NOT COMING UP. 452 00:26:12,875 --> 00:26:13,920 ALL RIGHT, LET'S GO. 453 00:26:14,050 --> 00:26:15,051 -I'M GOING IN. 454 00:26:17,314 --> 00:26:18,272 -WE'RE GONNA GO BACK. 455 00:26:19,752 --> 00:26:22,145 -[DRAMATIC MUSIC] 456 00:27:04,100 --> 00:27:04,884 -GIVE ME THE KNIFE! 457 00:27:05,014 --> 00:27:06,015 -I'LL GET IT. 458 00:27:06,146 --> 00:27:07,582 -MOLLY, WH-- 459 00:27:08,627 --> 00:27:09,540 WHAT ARE YOU DOING? 460 00:27:14,850 --> 00:27:15,677 -MATT: HAND ME THE KNIFE. 461 00:27:20,334 --> 00:27:23,467 -[DRAMATIC MUSIC] 462 00:27:41,572 --> 00:27:43,444 -[GASPING] 463 00:27:44,097 --> 00:27:45,620 -RICHARD: MY FOOT IS CAUGHT. 464 00:27:45,751 --> 00:27:47,666 -IT'S OKAY MR. BRANSON, 465 00:27:47,796 --> 00:27:50,146 WE'LL GET YOU OUT OF THIS MESS IN A JIFFY. 466 00:27:58,198 --> 00:28:00,243 -[CHEERING] 467 00:28:09,949 --> 00:28:12,647 -CONGRATULATIONS MR. BRANSON, ONCE AGAIN YOU'RE GOING TO BE 468 00:28:12,778 --> 00:28:15,389 IN THE GUINNESS BOOK OF RECORDS, WELL DONE. 469 00:28:15,519 --> 00:28:16,695 -YEAH, WELL DONE. 470 00:28:17,521 --> 00:28:19,480 -MITCH: CONGRATULATIONS, MATE. 471 00:28:19,610 --> 00:28:21,047 -THANKS TO YOU LADS, I'LL BE AROUND TO SAVOR MY MOMENT OF GLORY. 472 00:28:21,177 --> 00:28:23,005 -NO WORRIES MATE, ALL IN A DAY'S WORK. 473 00:28:23,136 --> 00:28:25,051 -WELL JUST THE SAME, IS THERE ANYTHING 474 00:28:25,181 --> 00:28:26,313 MAYBE I COULD DO FOR ANY OF YOU? 475 00:28:27,009 --> 00:28:30,186 -WELL, ACTUALLY, THERE IS SOMETHING YOU COULD DO 476 00:28:30,317 --> 00:28:31,448 FOR ME THAT IS. 477 00:28:32,406 --> 00:28:35,496 I'M A SINGER AND, WELL I WAS HOPING YOU'D LISTEN TO MY SONG. 478 00:28:36,497 --> 00:28:38,020 -WELL, SINCE YOU HELPED SAVE MY LIFE 479 00:28:38,151 --> 00:28:39,152 THAT'S THE LEAST I CAN DO. 480 00:28:39,282 --> 00:28:40,457 -YES! 481 00:28:40,588 --> 00:28:42,721 -[LAUGHING] -[CHEERING] 482 00:28:53,514 --> 00:28:54,471 -YOU QUIT? 483 00:28:55,037 --> 00:28:56,125 WHAT DO YOU MEAN YOU QUIT? 484 00:28:56,996 --> 00:28:58,345 YOU CAN'T QUIT. 485 00:28:58,475 --> 00:29:00,086 -AS MUCH AS I'VE GROWN ATTACHED TO THIS PLACE, 486 00:29:01,043 --> 00:29:02,305 I'M AFRAID I'VE HAD A BETTER OFFER. 487 00:29:04,220 --> 00:29:06,657 RICHARD BRANSON'S GOT ME A RECORD DEAL! 488 00:29:06,788 --> 00:29:09,312 -OH, MOLLY, THAT'S TERRIFIC! 489 00:29:09,443 --> 00:29:11,314 CONGRATULATIONS. 490 00:29:11,445 --> 00:29:12,751 -THANKS, KAYE. 491 00:29:12,881 --> 00:29:13,752 -THAT'S GREAT. 492 00:29:20,802 --> 00:29:23,065 DID YOU HAVE THAT TALK WITH YOUR FIANCE? 493 00:29:23,196 --> 00:29:26,329 -YEAH, I'LL BE RECORDING IN LONDON SO WE CAN BE TOGETHER. 494 00:29:26,939 --> 00:29:27,896 WHAT CAN I SAY? 495 00:29:28,418 --> 00:29:30,116 THE POOR BOY'S LOVESTRUCK. 496 00:29:31,030 --> 00:29:33,554 ALL OF A SUDDEN HE WANTS TO BE INVOLVED IN MY CAREER. 497 00:29:34,120 --> 00:29:36,122 NEXT THING YOU KNOW HE'LL WANT TO BE MY MANAGER. 498 00:29:36,818 --> 00:29:37,993 -DON'T THEY ALL. 499 00:29:44,434 --> 00:29:45,479 -THERE'S SOMEONE I'VE GOTTA TALK TO. 500 00:29:49,265 --> 00:29:50,092 HI. 501 00:29:51,354 --> 00:29:52,616 -ARE YOU GOING AWAY? 502 00:29:52,747 --> 00:29:55,794 -YEAH, I'M GOING HOME, WHERE I BELONG. 503 00:29:56,751 --> 00:29:58,057 YOU SHOULD THINK ABOUT DOING THE SAME. 504 00:29:58,709 --> 00:30:00,059 -NO, I CAN'T. 505 00:30:00,189 --> 00:30:01,321 MY PARENTS HATE ME. 506 00:30:01,843 --> 00:30:02,844 THEY'LL NEVER TAKE ME BACK. 507 00:30:03,497 --> 00:30:05,499 -YOU'VE GOTTA GIVE 'EM A CHANCE, KIT. 508 00:30:06,239 --> 00:30:08,154 I'LL BET THEY MISS YOU AS MUCH AS YOU MISS THEM. 509 00:30:09,285 --> 00:30:10,809 YOU CAN'T GO ON LIVING THIS WAY. 510 00:30:11,766 --> 00:30:13,289 YOU NEED SOMEBODY TO LOOK AFTER YOU. 511 00:30:34,441 --> 00:30:35,877 -WOMAN: COME HERE, HUN. 512 00:30:36,008 --> 00:30:39,881 -[GENTLE MUSIC] 513 00:31:00,641 --> 00:31:01,468 -THAT'S HER FAMILY? 514 00:31:01,598 --> 00:31:02,556 -YEAH. 515 00:31:03,296 --> 00:31:04,471 -WELL HOW DID THEY FIND HER? 516 00:31:06,038 --> 00:31:07,169 -THANK YOUR BOSS FOR THAT. 517 00:31:09,215 --> 00:31:10,303 -WE LOVE YOU. 518 00:31:29,626 --> 00:31:31,106 -[ENDING THEME MUSIC] 519 00:31:31,156 --> 00:31:35,706 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 36242

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