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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:03,699 [THEME MUSIC PLAYING] 2 00:00:12,882 --> 00:00:15,885 - SOME PEOPLE STAND IN THE DARKNESS 3 00:00:17,017 --> 00:00:20,585 AFRAID TO STEP INTO THE LIGHT 4 00:00:20,716 --> 00:00:24,589 SOME PEOPLE NEED TO HAVE SOMEBODY 5 00:00:24,720 --> 00:00:27,984 WHEN THE EDGE OF SURRENDER'S IN SIGHT 6 00:00:28,115 --> 00:00:30,726 DON'T YOU WORRY 7 00:00:30,856 --> 00:00:33,598 IT'S GONNA BE ALL RIGHT 8 00:00:36,949 --> 00:00:38,821 'CAUSE I'M ALWAYS READY 9 00:00:38,951 --> 00:00:42,303 I WON'T LET YOU OUT OF MY SIGHT 10 00:00:45,480 --> 00:00:49,353 I'LL BE READY, I'LL BE READY 11 00:00:49,484 --> 00:00:53,357 WHENEVER YOU FEAR, OH, DON'T YOU FEAR 12 00:00:53,488 --> 00:00:56,447 I'LL BE READY 13 00:00:56,578 --> 00:00:59,711 FOREVER AND ALWAYS 14 00:00:59,842 --> 00:01:02,236 I'M ALWAYS HERE 15 00:01:20,645 --> 00:01:22,604 'CAUSE I'M ALWAYS READY 16 00:01:22,734 --> 00:01:26,086 I WON'T LET YOU OUT OF MY SIGHT 17 00:01:29,567 --> 00:01:33,571 I'LL BE READY, I'LL BE READY 18 00:01:33,702 --> 00:01:37,488 WHENEVER YOU FEAR, OH, DON'T YOU FEAR 19 00:01:37,619 --> 00:01:40,970 I'LL BE READY 20 00:01:41,101 --> 00:01:43,842 FOREVER AND ALWAYS 21 00:01:43,973 --> 00:01:46,976 I'M ALWAYS HERE 22 00:02:01,947 --> 00:02:06,822 [ISLAND PERCUSSION MUSIC] 23 00:04:44,849 --> 00:04:46,895 -SHE'S NOT GONNA COME SAILING UP TO THE BEACH, YOU KNOW. 24 00:04:47,025 --> 00:04:48,418 -YEAH, I KNOW. 25 00:04:48,549 --> 00:04:50,028 I JUST CAN'T WAIT FOR HER TO COME HOME. 26 00:04:50,159 --> 00:04:51,378 -MITCH: GONNA HAVE TO. 27 00:04:52,466 --> 00:04:54,163 -HEY! HEY, WAIT A MINUTE. 28 00:04:54,294 --> 00:04:55,773 WHAT IS THAT SUPPOSED TO MEAN? 29 00:04:55,904 --> 00:04:58,950 -SHE CALLED ME AND SAID THAT SHE AND RILEY 30 00:04:59,081 --> 00:05:01,083 WERE STOPPING OFF AT ONE OF THE CHANNEL ISLANDS 31 00:05:01,213 --> 00:05:03,868 FOR ONE MORE EVENING OF ROMANTIC ADVENTURE. 32 00:05:03,999 --> 00:05:05,392 -WELL, THAT'S JUST GREAT. 33 00:05:05,522 --> 00:05:07,132 I MEAN, SHE'S ALREADY BEEN TO FIJI. 34 00:05:07,263 --> 00:05:08,525 SHE'S ALREADY BEEN TO THE SOLOMONS. 35 00:05:08,656 --> 00:05:09,831 SHE'S BEEN HALFWAY AROUND THE WORLD, 36 00:05:09,961 --> 00:05:11,746 HOW MUCH MORE ADVENTURE DOES SHE NEED? 37 00:05:11,876 --> 00:05:15,140 -CAROLINE, I THINK ROMANTIC IS THE KEYWORD IN THAT PHRASE. 38 00:05:15,271 --> 00:05:17,882 DON'T WORRY, THEY'LL BE HERE TOMORROW MORNING AT TEN O'CLOCK. 39 00:05:19,928 --> 00:05:22,713 -YEAH WELL, I GUESS ONE MORE DAY CAN'T HURT. 40 00:05:28,284 --> 00:05:31,200 -RILEY: [HOOTING] GREAT. 41 00:05:34,725 --> 00:05:39,034 [HOOTING AND LAUGHING] 42 00:05:39,164 --> 00:05:43,995 [AMOROUS ELECTRONIC MUSIC] 43 00:05:51,612 --> 00:05:53,396 YOU KNOW, WE CAN BE BACK ON TONGA IN A WEEK. 44 00:05:53,527 --> 00:05:55,224 [LAUGHING] 45 00:05:59,271 --> 00:06:00,577 I'M SERIOUS. 46 00:06:03,711 --> 00:06:05,713 -WE'LL TALK, OKAY. PROMISE. 47 00:06:11,632 --> 00:06:12,589 RILEY? 48 00:06:12,720 --> 00:06:13,590 -HUH? 49 00:06:13,721 --> 00:06:14,852 -RILEY, LOOK. 50 00:06:14,983 --> 00:06:16,376 OVER THERE. 51 00:06:19,335 --> 00:06:21,032 -LOOKS LIKE OIL SMOKE. 52 00:06:21,163 --> 00:06:22,599 -WE'D BETTER CHECK IT OUT. 53 00:06:31,913 --> 00:06:34,306 ARE YOU OKAY? WHAT HAPPENED? 54 00:06:34,437 --> 00:06:36,178 -MY BOAT CAUGHT FIRE. 55 00:06:36,308 --> 00:06:38,398 I HAD TO BEACH IT TO SAVE MY SUPPLIES. 56 00:06:38,528 --> 00:06:40,138 -LOOKS LIKE THAT'S ALL YOU'RE GONNA SAVE. 57 00:06:40,269 --> 00:06:41,749 -YEAH, I KNOW. 58 00:06:41,879 --> 00:06:43,185 THANK GOODNESS YOU'RE HERE, 59 00:06:43,315 --> 00:06:44,795 I WAS AFRAID I WAS GONNA BE STRANDED. 60 00:06:44,926 --> 00:06:45,970 -RILEY: ARE YOU OKAY? 61 00:06:47,407 --> 00:06:49,670 -YEAH, YEAH. THANKS. 62 00:06:50,410 --> 00:06:52,760 BY THE WAY, I'M CORAL WHITMAN. 63 00:06:52,890 --> 00:06:53,848 -RILEY FERGUSON. -CORAL: HI. 64 00:06:53,978 --> 00:06:55,371 -RILEY: STEPHANIE HOLDEN. 65 00:06:55,502 --> 00:06:57,068 -HI. -HI, STEPHANIE. 66 00:06:57,199 --> 00:06:58,722 -CAN WE GIVE YOU A LIFT? 67 00:06:58,853 --> 00:07:00,550 -YEAH, THAT WOULD BE GREAT. 68 00:07:00,681 --> 00:07:02,204 -WHAT WERE YOU DOING HERE? 69 00:07:02,334 --> 00:07:05,555 -I'M WITH MARINE ECOLOGY AT UC SAN DIEGO. 70 00:07:05,686 --> 00:07:09,603 I WAS GATHERING SAMPLES AROUND THE CHANNEL ISLANDS. 71 00:07:10,386 --> 00:07:12,736 I DON'T KNOW, IT JUST, POOF. 72 00:07:13,998 --> 00:07:15,217 WHAT ABOUT YOU GUYS? 73 00:07:16,044 --> 00:07:17,828 -WE WERE JUST DIVING FOR OUR DINNER. 74 00:07:18,873 --> 00:07:20,396 HEY LOOK, WOULD YOU LIKE TO JOIN US? 75 00:07:21,049 --> 00:07:22,877 -YEAH. YEAH, OKAY. 76 00:07:23,007 --> 00:07:26,881 THAT WOULD BE GREAT, I'LL SUPPLY THE FIREWOOD. 77 00:07:27,011 --> 00:07:28,317 -GREAT. 78 00:07:29,187 --> 00:07:30,711 [SIGHING] 79 00:07:35,933 --> 00:07:40,982 [VARIOUS PEOPLE TALKING] [SINISTER MUSIC] 80 00:07:45,595 --> 00:07:46,640 -HEY! 81 00:07:47,597 --> 00:07:48,380 -HEY! 82 00:07:48,511 --> 00:07:50,078 HE STOLE MY BIKE! 83 00:07:54,648 --> 00:07:56,301 SOMEBODY STOP HIM! 84 00:07:56,432 --> 00:07:57,477 HE STOLE MY BIKE! 85 00:07:58,347 --> 00:08:02,873 [EXCITING GUITAR MUSIC] 86 00:08:33,513 --> 00:08:35,079 -BRAD, ARE YOU OKAY? 87 00:08:36,080 --> 00:08:37,995 HE WENT THAT WAY! GO GET HIM! 88 00:08:56,100 --> 00:08:58,668 [SCREAMING] 89 00:09:02,933 --> 00:09:05,545 -TWO VICTIMS OFF THE SEAL BEACH PIER, TOWER SIX. 90 00:09:06,328 --> 00:09:11,463 [ACTION-PACKED MUSIC] 91 00:10:05,169 --> 00:10:06,127 -I GOT HIM! 92 00:10:19,096 --> 00:10:22,012 [COUGHING] 93 00:10:22,143 --> 00:10:23,623 -WHERE AM I? 94 00:10:23,753 --> 00:10:24,754 WHO ARE YOU? 95 00:10:24,885 --> 00:10:25,842 -KATHERINE FLEMING. 96 00:10:25,973 --> 00:10:27,757 NO, NO, NO. REST A MINUTE. 97 00:10:27,888 --> 00:10:28,758 -I'M FINE. 98 00:10:30,020 --> 00:10:31,239 MY NAME'S GARNER ELLERBEE. 99 00:10:32,240 --> 00:10:34,634 -PLEASED TO MEET YOU, OFFICER ELLERBEE. 100 00:10:36,331 --> 00:10:38,028 I'M AFRAID YOUR ASSAILANT GOT AWAY. 101 00:10:39,813 --> 00:10:40,901 -I'LL FIND HIM. 102 00:10:41,031 --> 00:10:42,729 AND, CALL ME GARNER. [GROANS] 103 00:10:43,338 --> 00:10:45,775 -WHOA, YOU'D BETTER TAKE IT EASY FOR THE REST OF THE DAY. 104 00:10:46,820 --> 00:10:48,560 LET ME TAKE YOU UP TO MY TOWER. 105 00:10:58,614 --> 00:11:03,967 [HAPPY HUMMING] 106 00:11:07,449 --> 00:11:08,842 -AH, WHAT A BABY. 107 00:11:08,972 --> 00:11:10,104 -GARNER: MITCH, BUDDY. 108 00:11:11,192 --> 00:11:13,629 -AREN'T YOU A LITTLE OLD TO BE JOINING JUNIOR LIFEGUARDS? 109 00:11:13,760 --> 00:11:15,718 -AH, NEVER TOO OLD, MITCH. 110 00:11:16,676 --> 00:11:18,155 SAY, BUDDY, WHAT CAN YOU TELL ME ABOUT A LIFEGUARD 111 00:11:18,286 --> 00:11:19,809 NAMED KATHERINE FLEMING? 112 00:11:20,680 --> 00:11:23,160 -ALMOST NOTHING, EXCEPT THAT SHE'S 26 YEARS OLD, SINGLE, 113 00:11:23,291 --> 00:11:27,208 A CERTIFIED PARAMEDIC, GORGEOUS AND IN INCREDIBLE SHAPE. 114 00:11:27,338 --> 00:11:28,775 WHY? 115 00:11:28,905 --> 00:11:30,864 -OH, NOTHING, JUST GLAD TO SEE ANOTHER LIFEGUARD 116 00:11:30,994 --> 00:11:32,474 WITH A PERMANENT TAN. 117 00:11:32,604 --> 00:11:35,259 -OH, THIS IS PURELY AN EQUAL OPPORTUNITY THING. 118 00:11:35,390 --> 00:11:36,478 -HEH, CUTE. 119 00:11:37,784 --> 00:11:39,829 -AND, ALL THINGS BEING EQUAL. 120 00:11:39,960 --> 00:11:42,223 -I'D LIKE THE OPPORTUNITY TO SHOW HER HOW EXCITING 121 00:11:42,353 --> 00:11:43,485 THE BEACH CAN BE AT NIGHT. 122 00:11:43,615 --> 00:11:44,399 SHE DATING ANYBODY? 123 00:11:44,529 --> 00:11:45,835 -NOT THAT I KNOW OF. 124 00:11:46,793 --> 00:11:48,229 BUT THERE IS ONE THING. 125 00:11:48,359 --> 00:11:49,534 -WHAT'S THAT? 126 00:11:49,665 --> 00:11:52,712 -SHE'S DEAF IN HER RIGHT EAR. 127 00:11:53,800 --> 00:11:55,192 HAPPENED DURING A RESCUE. 128 00:11:55,932 --> 00:11:58,021 WE ONLY TALK INTO HER LEFT EAR. 129 00:11:58,674 --> 00:11:59,849 -YEAH, RIGHT. 130 00:11:59,980 --> 00:12:01,721 -NO, LEFT. -RIGHT. LEFT. 131 00:12:01,851 --> 00:12:02,765 -RIGHT. 132 00:12:03,853 --> 00:12:04,767 -RIGHT? 133 00:12:04,898 --> 00:12:08,118 -[CHUCKLING] NO, LEFT. 134 00:12:08,249 --> 00:12:09,467 -LEFT? -RIGHT. 135 00:12:10,991 --> 00:12:12,209 -GOT IT. -GOOD. 136 00:12:12,340 --> 00:12:13,820 -OKAY. [SIGHS] 137 00:12:13,950 --> 00:12:15,038 -ALL RIGHT. 138 00:12:16,561 --> 00:12:17,780 THE DIE HAS BEEN CAST. 139 00:12:19,303 --> 00:12:21,044 -CORAL: THAT WAS DELICIOUS, THANK YOU. 140 00:12:22,959 --> 00:12:23,917 -STEPHANIE: YOU'RE WELCOME. 141 00:12:25,527 --> 00:12:27,094 -MAKES ME KIND OF SAD, THOUGH. 142 00:12:28,312 --> 00:12:29,705 OUT OF THE THREE CHANNEL ISLANDS, 143 00:12:29,836 --> 00:12:31,228 THIS IS THE ONLY ONE THAT'S NOT POLLUTED. 144 00:12:32,708 --> 00:12:33,927 -YEAH, IT IS SAD. 145 00:12:34,057 --> 00:12:34,928 -IT'S CRIMINAL. 146 00:12:35,058 --> 00:12:36,320 -YOU GOT THAT RIGHT. 147 00:12:37,452 --> 00:12:40,324 THE OCEAN IS DEFINITELY A LADY UNDER ATTACK. 148 00:12:40,847 --> 00:12:43,240 -THE OCEAN'S ALWAYS BEEN MALE TO ME. 149 00:12:44,198 --> 00:12:46,374 A MAN'S POWER, EMBRACE. 150 00:12:48,115 --> 00:12:49,377 HIS MORTALITY. 151 00:12:49,507 --> 00:12:50,813 -MORTALITY? 152 00:12:52,293 --> 00:12:54,469 -I WAS IN ALASKA AFTER THE EXXON VALDEZ. 153 00:12:56,645 --> 00:13:00,692 HAVE YOU EVER HELD A SEAGULL COVERED WITH OIL? 154 00:13:00,823 --> 00:13:03,434 FELT ITS HEART POUNDING WITH FEAR. 155 00:13:03,565 --> 00:13:06,133 -WELL, IT IS EASY TO FORGET HOW FRAGILE OUR WORLD IS. 156 00:13:06,263 --> 00:13:09,397 -NO ONE LISTENS, STEPHANIE. NO ONE CARES. 157 00:13:10,006 --> 00:13:11,878 -THERE ARE A LOT OF PEOPLE OUT THERE LIKE YOU, CORAL. 158 00:13:12,661 --> 00:13:14,054 -YEAH, THEN THEY'RE ASLEEP. 159 00:13:14,184 --> 00:13:16,491 AND THEY'LL NEED A DESPERATE WAKE-UP CALL. 160 00:13:20,625 --> 00:13:22,932 [LAUGHING] JUST LISTEN TO ME, WOULD YOU. 161 00:13:23,063 --> 00:13:27,023 I'M SORRY, I AM JUST COMPLETELY MAXED OUT. 162 00:13:27,154 --> 00:13:31,419 -YOU KNOW, I THINK A LITTLE REST WOULD DO US ALL SOME GOOD. 163 00:13:32,028 --> 00:13:33,813 YOU CAN STAY WITH THE FIRE IF YOU WANT, CORAL. 164 00:13:33,943 --> 00:13:35,945 STEPHANIE AND I CAN BED DOWN ON THE BOAT. 165 00:13:36,076 --> 00:13:38,687 -NO, THAT'S RIDICULOUS. YOU CAN STAY HERE. 166 00:13:38,818 --> 00:13:40,471 IT'S WAY MORE ROMANTIC. 167 00:13:40,602 --> 00:13:41,603 -I'LL JUST GET MY THINGS AND FIND A SPOT DOWN THE BEACH. 168 00:13:41,733 --> 00:13:43,170 -NO, CORAL, YOU CAN'T. 169 00:13:43,300 --> 00:13:44,606 -DON'T WORRY ABOUT ME. 170 00:13:44,736 --> 00:13:45,912 YOU LOVEBIRDS HAVE A SPECIAL EVENING. 171 00:13:46,042 --> 00:13:47,174 GOOD NIGHT. 172 00:13:56,836 --> 00:14:02,145 [DEVIOUS MUSIC] 173 00:14:13,504 --> 00:14:14,462 -KATHERINE. 174 00:14:14,984 --> 00:14:16,290 -HI, GARNER. 175 00:14:16,420 --> 00:14:17,552 -BYE, GARNER. 176 00:14:20,294 --> 00:14:22,687 -IT'S BEEN A LONG TIME SINCE SOMEONE SAVED MY LIFE. 177 00:14:23,340 --> 00:14:25,777 -SO NOW YOU BELONG TO ME, RIGHT? 178 00:14:25,908 --> 00:14:28,780 -AH, NO, NO. 179 00:14:30,608 --> 00:14:34,047 -I WAS HOPING FOR SOMETHING A LITTLE MORE ORIGINAL. 180 00:14:38,225 --> 00:14:39,226 -HOW ABOUT THIS? 181 00:14:41,054 --> 00:14:42,925 I KNOW A PLACE WHERE THE STEAKS ARE SO FINE, 182 00:14:43,056 --> 00:14:45,145 THE COWS LINE UP TO JUMP ON THE GRILL. 183 00:14:46,494 --> 00:14:47,712 -SCOUT'S HONOR? 184 00:14:47,843 --> 00:14:50,019 -WELL, I NEVER WAS SCOUT, BABY, 185 00:14:50,150 --> 00:14:52,282 BUT I AM ALWAYS PREPARED. 186 00:14:53,501 --> 00:14:56,939 -UM, I DON'T ORDINARILY EAT MEAT, 187 00:14:57,070 --> 00:15:00,377 BUT I MIGHT MAKE AN EXCEPTION TONIGHT. 188 00:15:01,552 --> 00:15:04,251 I'LL MEET YOU IN THE PARKING LOT IN ABOUT FIVE MINUTES? 189 00:15:04,381 --> 00:15:05,600 OKAY? 190 00:15:07,776 --> 00:15:08,646 -I'LL BE THERE. 191 00:15:08,777 --> 00:15:11,345 [NERVOUS LAUGHTER] 192 00:15:18,700 --> 00:15:19,744 -KATHERINE: MITCH. 193 00:15:20,615 --> 00:15:21,746 -MITCH: HEY, KATHERINE. 194 00:15:23,270 --> 00:15:25,402 -CAN I ASK YOU ABOUT GARNER? 195 00:15:25,533 --> 00:15:27,143 -MITCH: YEAH, WHAT DO YOU NEED TO KNOW? 196 00:15:27,274 --> 00:15:30,712 -KATHERINE: WELL, HE'S AWFULLY NICE BUT HE'S A LITTLE-- 197 00:15:30,842 --> 00:15:32,714 -A LITTLE ODD, PERHAPS? 198 00:15:32,844 --> 00:15:34,934 -[SIGHS] I HATE TO SAY IT, BUT YES. 199 00:15:36,413 --> 00:15:37,632 -STEP OVER HERE. 200 00:15:41,244 --> 00:15:42,289 IT'S HIS HEARING. 201 00:15:42,419 --> 00:15:44,030 -HIS HEARING? 202 00:15:44,160 --> 00:15:48,730 -YEAH, IT HAPPENED FOUR YEARS AGO, A KIDNAP SITUATION, 203 00:15:48,860 --> 00:15:52,255 GARNER WRENCHED A GUN AWAY FROM THE VICTIM'S HEAD, 204 00:15:52,386 --> 00:15:53,778 NEARLY TOOK THE BLAST HIMSELF. 205 00:15:53,909 --> 00:15:55,215 BAM! 206 00:15:55,345 --> 00:15:57,478 WENT OFF RIGHT BY HIS RIGHT EAR. 207 00:15:57,608 --> 00:15:59,001 -MY GOODNESS. -YEAH. 208 00:15:59,828 --> 00:16:02,744 YOU KNOW, COPS LIKE GARNER, THEY COME ALONG 209 00:16:02,874 --> 00:16:04,093 ONCE IN A GENERATION. 210 00:16:04,702 --> 00:16:06,748 THE CITY GAVE HIM THIS BEACH, YOU KNOW. 211 00:16:06,878 --> 00:16:09,620 THE PEACEFUL DUTY, THE SUN, SAND AND THE SURF 212 00:16:09,751 --> 00:16:11,013 IN HUMBLE GRATITUDE. 213 00:16:11,144 --> 00:16:13,102 -OH, MITCH, WHAT CAN I DO? 214 00:16:13,233 --> 00:16:16,062 -WELL, I THINK YOU SHOULD DO WHAT WE DO. 215 00:16:16,192 --> 00:16:18,978 WE TALK ONLY INTO HIS LEFT EAR. 216 00:16:22,416 --> 00:16:23,721 -I WON'T FORGET. 217 00:16:23,852 --> 00:16:25,549 -MITCH: OKAY. ALL RIGHT, TAKE CARE. 218 00:16:25,680 --> 00:16:26,681 -KATHERINE: OKAY. 219 00:16:27,551 --> 00:16:29,292 -I LOVE MATCHMAKING. 220 00:16:29,858 --> 00:16:32,208 [LAUGHING] 221 00:16:37,083 --> 00:16:38,736 -OKAY, SHORT STUFF. 222 00:16:39,868 --> 00:16:42,218 A LIFELONG HONEYMOON EVERY NIGHT 223 00:16:42,784 --> 00:16:44,916 SPENT UNDER A DIFFERENT EXOTIC SKY. 224 00:16:45,482 --> 00:16:46,918 -I DON'T KNOW, RILEY. 225 00:16:47,702 --> 00:16:49,660 I DON'T KNOW IF I'M BUILT FOR THAT. 226 00:16:49,791 --> 00:16:51,445 I NEED WORK. 227 00:16:51,575 --> 00:16:53,795 -I HAVE SURVEY CONTRACTS ALL OVER THE SOUTH PACIFIC. 228 00:16:55,057 --> 00:16:57,451 -THAT'S YOUR WORK. I MEAN MY WORK. 229 00:16:58,756 --> 00:17:00,758 I JUST LOVE THE ACTION ON THE BEACH. 230 00:17:05,372 --> 00:17:06,721 -AND I LOVE YOU. 231 00:17:08,288 --> 00:17:10,159 LOOK, I KNOW YOU HAVE QUESTIONS ABOUT US, 232 00:17:11,160 --> 00:17:12,335 BUT LOVE ISN'T JUST TWO PEOPLE 233 00:17:12,466 --> 00:17:13,815 LOOKING AT EACH OTHER'S STUFF. 234 00:17:14,816 --> 00:17:17,036 IT'S TWO PEOPLE LOOKING IN THE SAME DIRECTION. 235 00:17:19,299 --> 00:17:21,692 I MEAN, THERE'S A WHOLE WORLD OUT THERE WAITING, 236 00:17:22,476 --> 00:17:24,043 AND IT'S WAITING JUST FOR US. 237 00:17:25,348 --> 00:17:26,654 -RILEY, I-- -HEY, HEY. 238 00:17:27,785 --> 00:17:30,136 I'M JUST ASKING YOU TO CONSIDER IT. 239 00:17:39,754 --> 00:17:41,147 WILL YOU? 240 00:17:44,715 --> 00:17:49,633 [ROMANTIC GUITAR MUSIC] 241 00:18:14,267 --> 00:18:16,269 [YAWNING] 242 00:18:39,118 --> 00:18:40,206 -CORAL! 243 00:18:41,337 --> 00:18:42,730 THAT'S OUR BOAT! 244 00:18:43,470 --> 00:18:44,688 CORAL! 245 00:19:14,370 --> 00:19:20,071 [TENSE MUSIC] 246 00:19:42,268 --> 00:19:43,269 -CORAL: STEPHANIE. 247 00:19:44,531 --> 00:19:46,663 -CORAL, WHAT ARE YOU DOING? 248 00:19:46,794 --> 00:19:48,143 -YOU SAID YOU'D GIVE ME A LIFT, 249 00:19:48,274 --> 00:19:50,450 SO I THOUGHT I'D MOVE MY SUPPLIES. 250 00:19:50,580 --> 00:19:52,060 I DIDN'T WANT TO WAKE YOU. 251 00:19:53,888 --> 00:19:55,759 I WAS JUST GONNA TAKE HER CLOSER TO CAMPSITE. 252 00:19:55,890 --> 00:19:57,152 PICK YOU BOTH UP. 253 00:19:59,850 --> 00:20:01,156 HONEST, STEPHANIE. 254 00:20:09,556 --> 00:20:11,253 HEY, HEY, HEY, HEY, HEY! 255 00:20:12,428 --> 00:20:13,951 WHAT ARE YOU DOING? 256 00:20:14,082 --> 00:20:16,040 -I JUST WANT TO SEE WHAT'S INSIDE THESE CASES. 257 00:20:16,171 --> 00:20:18,347 -THEY'RE JUST MY SUPPLIES. 258 00:20:18,478 --> 00:20:20,349 -WELL, THEN YOU WON'T MIND IF I TAKE A LOOK. 259 00:20:24,788 --> 00:20:26,790 -NO. OF COURSE NOT. 260 00:20:29,140 --> 00:20:30,403 WHY SHOULD I MIND? 261 00:20:34,624 --> 00:20:40,239 [GRUNTING AND GROANING] 262 00:20:41,805 --> 00:20:47,158 [DRAMATIC MUSIC] 263 00:20:58,779 --> 00:21:01,608 [GAGGING] 264 00:21:08,092 --> 00:21:12,619 [GROANING] 265 00:21:26,285 --> 00:21:29,679 [PANTING] 266 00:21:46,783 --> 00:21:48,219 -STEPHANIE! 267 00:21:51,092 --> 00:21:52,180 -ANY WORD FROM STEPHANIE? 268 00:21:52,311 --> 00:21:53,660 -NO, NOT A WORD. 269 00:21:53,790 --> 00:21:55,531 -[SIGHS] SHE'S TWO HOURS LATE. 270 00:21:55,662 --> 00:21:58,708 I MEAN, I SET MY WATCH BY THIS WOMAN. 271 00:22:00,101 --> 00:22:01,885 SOMETHING'S WRONG. 272 00:22:30,697 --> 00:22:33,787 [TENSE MUSIC] 273 00:22:33,917 --> 00:22:35,571 EXPLOSIVES? 274 00:22:47,801 --> 00:22:49,716 -GRANCIA, I'M GOING ON MY WORKOUT. 275 00:22:59,900 --> 00:23:00,814 HI. 276 00:23:00,944 --> 00:23:01,902 -GARNER: HEY. 277 00:23:02,032 --> 00:23:03,643 -I WAS JUST THINKING ABOUT YOU. 278 00:23:03,773 --> 00:23:05,384 -THINKING WHAT EXACTLY? 279 00:23:06,036 --> 00:23:08,735 -THAT MAYBE YOU NEED TO WORKOUT MORE. 280 00:23:08,865 --> 00:23:09,866 -EXCUSE ME? 281 00:23:10,693 --> 00:23:12,565 -YOU'RE VERY GOOD LOOKING. 282 00:23:12,695 --> 00:23:15,698 BUT YOU DON'T WANT TO GET TOO SOFT. 283 00:23:15,829 --> 00:23:18,179 -SOFT? MY LADY, I'LL HAVE YOU KNOW THIS BODY CAN LIFT 284 00:23:18,309 --> 00:23:20,311 MORE WEIGHT THAN ANY MUSCLE MAN YOU CAN DIG UP. 285 00:23:23,053 --> 00:23:24,403 -GREAT UPPER BODY. 286 00:23:24,533 --> 00:23:25,926 BUT WHAT ABOUT THIS? 287 00:23:26,056 --> 00:23:27,144 -OW! HEY, HEY, HEY! -WHAT'S THE MATTER? 288 00:23:27,275 --> 00:23:28,798 YOU CAN'T GET AWAY? 289 00:23:28,929 --> 00:23:30,496 OH, I DIDN'T MEAN TO EMBARRASS YOU. 290 00:23:30,626 --> 00:23:31,888 -I'M NOT EMBARRASSED. 291 00:23:32,019 --> 00:23:34,151 UNDER THIS LIES SOLID MUSCLE. 292 00:23:34,282 --> 00:23:35,979 -THEN WHY DO YOU COVER IT UP? 293 00:23:36,850 --> 00:23:37,981 -BECAUSE I LIKE TO EAT. 294 00:23:38,678 --> 00:23:40,070 IT'S ONE OF LIFE'S GREAT PLEASURES. 295 00:23:42,551 --> 00:23:44,031 -IT'S NOT THE BEST. 296 00:23:45,772 --> 00:23:46,816 -WHAT IS THE BEST? 297 00:23:47,861 --> 00:23:50,385 -IF YOU GET IN SHAPE, MAYBE YOU'LL FIND OUT. 298 00:23:51,647 --> 00:23:52,779 -HOW LONG'S YOUR BREAK? 299 00:23:53,606 --> 00:23:54,650 -AN HOUR. 300 00:23:56,260 --> 00:23:57,392 -COME WITH ME. 301 00:23:57,523 --> 00:23:58,567 -WHERE ARE WE GOING? 302 00:23:59,568 --> 00:24:03,920 -TO GET OUT OF THESE CLOTHES AND EXPERIENCE REAL PLEASURE. 303 00:24:04,791 --> 00:24:06,401 [LAUGHING] 304 00:24:06,532 --> 00:24:12,363 [UPBEAT GUITAR MUSIC] 305 00:24:41,044 --> 00:24:44,265 - OH RUN AWAY WITH ME 306 00:24:44,395 --> 00:24:48,530 LET'S GET LOST IN A FANTASY 307 00:24:48,661 --> 00:24:53,056 SATISFY OUR WILDEST DREAMS 308 00:24:53,927 --> 00:24:56,059 IN A SWEET RELEASE 309 00:24:57,060 --> 00:25:01,543 YOUR EYES LIGHT A FIRE DEEP INSIDE OF ME 310 00:25:01,674 --> 00:25:06,156 I'M FILLED WITH DESIRE AND YOUR LOVE'S WHAT I NEED 311 00:25:06,287 --> 00:25:08,419 I'M CRAVING YOU 312 00:25:08,550 --> 00:25:11,248 GOT ME IN THE MOOD 313 00:25:11,379 --> 00:25:14,164 YEAH WE'RE LIVING IN A FANTASY 314 00:25:14,295 --> 00:25:18,299 EVERY DAY I WANT YOU HERE WITH ME YEAH WE'RE LIVING IN OUR WILDEST DREAMS 315 00:25:18,429 --> 00:25:20,431 GOT ME IN THE MOOD 316 00:25:20,562 --> 00:25:22,999 CUZ I REALLY WANNA LOSE CONTROL 317 00:25:23,130 --> 00:25:25,219 AND I REALLY WANT YOUR BODY AND SOUL 318 00:25:25,349 --> 00:25:30,746 IT'S THE ONLY THING I'VE EVER KNOWN GOT ME IN THE MOOD 319 00:25:30,877 --> 00:25:35,359 THAT YOU GOT ME GOT ME IN THE MOOD 320 00:25:49,896 --> 00:25:51,593 -ANY WORD FROM STEPHANIE YET? 321 00:25:51,724 --> 00:25:52,812 -STILL NO WORD. 322 00:25:53,377 --> 00:25:57,686 -[SIGHS] THIS IS BAYWATCH HEADQUARTERS, 323 00:25:57,817 --> 00:25:59,775 I'M TRYING TO REACH LIEUTENANT STEPHANIE HOLDEN 324 00:25:59,906 --> 00:26:01,037 ON THE WHITE LADY. 325 00:26:01,168 --> 00:26:03,126 STEPHANIE? DO YOU READ ME? 326 00:26:03,953 --> 00:26:05,041 -MITCH. 327 00:26:05,868 --> 00:26:06,913 MITCH? 328 00:26:08,001 --> 00:26:09,219 WHAT ARE YOU DOING! 329 00:26:11,918 --> 00:26:12,919 -WHAT I HAVE TO DO. 330 00:26:15,312 --> 00:26:16,749 PEOPLE ARE EXPECTING US. 331 00:26:17,837 --> 00:26:19,926 -THEY'RE GONNA BE LOOKING FOR RILEY AND ME, YOU KNOW. 332 00:26:20,056 --> 00:26:21,318 -THAT DOESN'T MATTER. 333 00:26:22,319 --> 00:26:24,495 -SEE? THEY'RE LOOKING FOR US NOW. 334 00:26:27,673 --> 00:26:29,109 -MITCH! 335 00:26:32,460 --> 00:26:33,896 -WHAT WAS THAT? 336 00:26:34,854 --> 00:26:35,855 -STEPHANIE? 337 00:26:36,943 --> 00:26:38,422 STEPHANIE, DO YOU READ ME? 338 00:26:39,685 --> 00:26:41,469 I WANT A SCARAB READY IN FIVE MINUTES. 339 00:26:41,600 --> 00:26:44,080 -BAYWATCH TO SCARAB ONE, COME IN PLEASE. 340 00:26:44,211 --> 00:26:46,605 -NO ONE'S GONNA FIND YOU. 341 00:26:47,388 --> 00:26:49,433 AND NO ONE'S GONNA FIND THIS BOAT. 342 00:26:50,043 --> 00:26:54,264 ALL THEY'RE GONNA FIND IS TINY LITTLE ASHES SOAKED IN OIL. 343 00:26:59,400 --> 00:27:03,056 -LOOK, CORAL. UNTIE ME, OKAY? 344 00:27:03,186 --> 00:27:04,231 WE CAN TALK ABOUT THIS. 345 00:27:04,361 --> 00:27:05,798 -THERE'S NOTHING TO TALK ABOUT. 346 00:27:08,191 --> 00:27:09,540 -YOU'RE MAKING A BOMB WITH ENOUGH PLASTIQUE 347 00:27:09,671 --> 00:27:10,846 TO BLOW UP A WHOLE CITY BLOCK, 348 00:27:10,977 --> 00:27:11,847 AND THERE'S NOTHING TO TALK ABOUT? 349 00:27:11,978 --> 00:27:14,110 -I AM THROUGH TALKING. 350 00:27:15,242 --> 00:27:16,852 TALKING GETS YOU NOWHERE. 351 00:27:16,983 --> 00:27:18,158 -AND NEITHER DOES VIOLENCE. 352 00:27:18,288 --> 00:27:20,029 -VIOLENCE GETS PEOPLE'S ATTENTION. 353 00:27:21,248 --> 00:27:22,945 IT'S THE EXCLAMATION POINT AT THE END OF THE SENTENCE. 354 00:27:23,076 --> 00:27:25,861 IT GIVES THE WORDS YOU SAY IMPACT. 355 00:27:27,515 --> 00:27:29,299 NOW THEY'RE GONNA HAVE TO LISTEN. 356 00:27:29,430 --> 00:27:33,739 -LOOK, CORAL, I'M SURE THE MOTIVES YOU HAVE ARE JUST, OKAY? 357 00:27:34,783 --> 00:27:39,092 I KNOW THE SYSTEM IS FRUSTRATING, BUT THIS IS NOT THE ANSWER. 358 00:27:39,745 --> 00:27:43,618 -THE SYSTEM. -WHAT SYSTEM, STEPHANIE? 359 00:27:44,488 --> 00:27:47,753 WHAT ABOUT THE ECOSYSTEM? WHAT ABOUT THE SOLAR SYSTEM? 360 00:27:47,883 --> 00:27:49,798 ARE WE GONNA WAIT UNTIL THEY DESTROY THAT 361 00:27:49,929 --> 00:27:51,365 BEFORE WE TAKE ACTION? 362 00:27:53,976 --> 00:27:55,412 -WHAT ACTION, CORAL? 363 00:27:56,370 --> 00:27:57,719 WHAT ARE YOU PLANNING TO DO? 364 00:28:03,638 --> 00:28:05,292 -SHOW THE GREEDY POLLUTERS OF THE WORLD 365 00:28:05,422 --> 00:28:08,034 WHAT ONE DETERMINED WOMAN CAN DO. 366 00:28:08,164 --> 00:28:11,254 AND YOU OR NO ONE ELSE IS GOING TO STOP ME. 367 00:28:19,785 --> 00:28:23,702 [EXCITING MUSIC] 368 00:28:29,838 --> 00:28:31,971 -HERE! OVER HERE! 369 00:28:38,499 --> 00:28:41,807 SHE SAID SHE WAS A MARINE ECOLOGIST HERE GATHERING SAMPLES. 370 00:28:42,721 --> 00:28:44,331 BUT I FOUND THAT IN THE BOAT. 371 00:28:46,115 --> 00:28:48,857 -YOU SURE STEPHANIE DIDN'T GO WITH HER VOLUNTARILY? 372 00:28:49,553 --> 00:28:51,468 -AND LEAVE ME HERE? NO WAY. 373 00:28:52,208 --> 00:28:54,428 NOW LOOK, CHECK THIS OUT, I FOUND THIS MAP. 374 00:28:54,558 --> 00:28:57,170 NOW SHE CIRCLED THE AREA OFF THE COAST OF SAN PEDRO. 375 00:28:57,300 --> 00:28:58,345 WHAT'S IN THERE? 376 00:29:00,477 --> 00:29:03,872 -THAT'S THE LARGEST OIL PLATFORM IN SOUTHERN CALIFORNIA. 377 00:29:06,788 --> 00:29:10,270 -KATHERINE: BABY, I AM GONNA PUMP YOU UP. 378 00:29:10,400 --> 00:29:12,533 -WHOA, WHOA. WAIT, WAIT, WAIT. 379 00:29:12,663 --> 00:29:15,188 -HEY, YOU HAVE GOT TO CHANGE YOUR DIET. 380 00:29:15,318 --> 00:29:17,016 CUT OUT THE FAT AND THE RED MEAT. 381 00:29:17,146 --> 00:29:19,148 -I'M IN LOVE WITH A FITNESS MANIAC. 382 00:29:21,585 --> 00:29:23,283 -I AM NOT A MANIAC. 383 00:29:24,153 --> 00:29:25,589 -WAIT A MINUTE, YOU HEARD THAT? 384 00:29:25,720 --> 00:29:27,504 -OF COURSE I HEARD THAT. 385 00:29:27,635 --> 00:29:31,073 -BUT I-- YOU'RE NOT DEAF IN YOUR LEFT EAR? 386 00:29:31,204 --> 00:29:33,336 -DEAF? ME? NO! 387 00:29:33,467 --> 00:29:34,816 MITCH TOLD ME YOU WERE DEAF. 388 00:29:34,947 --> 00:29:36,035 -MITCH? 389 00:29:37,340 --> 00:29:40,517 OH BOY, I'M GONNA GET HIM FOR THIS ONE. 390 00:29:48,569 --> 00:29:50,919 -I'LL NEVER FORGIVE MYSELF IF ANYTHING HAPPENS TO HER. 391 00:29:51,050 --> 00:29:53,182 -STEPHANIE CAN TAKE CARE OF HERSELF. 392 00:29:53,313 --> 00:29:55,228 -YEAH, I KNOW, SHE DOESN'T NEED ANYONE, THAT'S HER PROBLEM. 393 00:29:56,707 --> 00:29:58,666 -TOOK YOU TWO MONTHS AT SEA TO FIND THAT OUT? 394 00:29:59,536 --> 00:30:00,450 -YEAH. 395 00:30:01,364 --> 00:30:03,889 SHE SAID SHE LOVES ME, BUT DOESN'T KNOW 396 00:30:04,019 --> 00:30:05,673 IF SHE WANTS TO SPEND THE REST OF HER LIFE WITH ME. 397 00:30:16,553 --> 00:30:22,298 [EXCITING MUSIC] 398 00:30:26,825 --> 00:30:28,304 -CORAL: A MILLION GALLONS OF OIL SUCKED OUT 399 00:30:28,435 --> 00:30:29,740 OF THE OCEAN FLOOR EVERYDAY. 400 00:30:30,393 --> 00:30:31,830 IT'S GONNA LIGHT UP THE SKY. 401 00:30:33,048 --> 00:30:35,181 -AND DESTROY EVERYTHING THAT YOU WANT TO PROTECT. 402 00:30:35,964 --> 00:30:38,227 -IT'S A SACRIFICE FOR THE GREATER GOOD. 403 00:30:43,537 --> 00:30:45,756 -WHAT ABOUT ME, AM I BEING SACRIFICED TOO? 404 00:30:47,933 --> 00:30:49,325 -I'M SORRY, STEPHANIE. 405 00:30:50,022 --> 00:30:51,937 BUT EVERY WAR HAS ITS CASUALTIES. 406 00:30:52,067 --> 00:30:53,590 -YOU'LL DIE TOO. 407 00:30:54,200 --> 00:30:56,463 -NO, I'LL HAVE LEFT ON THE DINGHY BEFORE YOU CRASH 408 00:30:56,593 --> 00:30:57,638 INTO THE PLATFORM. 409 00:30:59,553 --> 00:31:01,076 -STEPHANIE: SOMEONE HAS TO SAIL THE BOAT. 410 00:31:03,122 --> 00:31:06,125 -WELL, UNLIKE PEOPLE, NATURE IS DEPENDABLE. 411 00:31:06,255 --> 00:31:08,736 SEE, I HAVE POSITIONED US SO THAT WHEN I RAISE THE SAIL, 412 00:31:08,867 --> 00:31:11,217 THE WIND AND THE CURRENT WILL JUST TAKE YOU 413 00:31:11,347 --> 00:31:12,653 STRAIGHT INTO THE PLATFORM. 414 00:31:13,436 --> 00:31:15,525 SHOULD TAKE ABOUT THREE SHORT MINUTES. 415 00:31:16,396 --> 00:31:18,050 AND THIS WILL GIVE ME ENOUGH TIME TO DO 416 00:31:18,180 --> 00:31:19,051 WHAT I HAVE LEFT TO DO. 417 00:31:20,748 --> 00:31:22,576 -LOOK, CORAL, DON'T DO THIS. 418 00:31:24,926 --> 00:31:27,102 -I WAS WILLING TO SACRIFICE MY OWN LIFE. 419 00:31:27,798 --> 00:31:29,670 AND THEN FATE DESTROYED MY BOAT AND BROUGHT ME TO YOURS, 420 00:31:29,800 --> 00:31:31,454 SO DON'T BLAME ME. 421 00:31:32,281 --> 00:31:33,195 THIS IS YOUR FATE. 422 00:31:34,066 --> 00:31:35,850 AND THE FATE OF EVERYONE ON THAT OIL RIG. 423 00:31:39,723 --> 00:31:45,512 [SERIOUS MUSIC] 424 00:32:11,277 --> 00:32:15,977 [TENSE ELECTRONIC MUSIC] 425 00:32:16,108 --> 00:32:19,372 [PANTING] 426 00:32:27,336 --> 00:32:31,950 [SUSPENSEFUL MUSIC] 427 00:32:54,363 --> 00:32:55,364 -THERE'S CORAL! 428 00:32:56,061 --> 00:32:57,279 -YOU SEE STEPHANIE? 429 00:32:58,150 --> 00:32:59,020 -NO. 430 00:33:35,230 --> 00:33:36,710 -ALL RIGHT, TAKE THE WHEEL. 431 00:33:36,840 --> 00:33:37,841 -I'LL GO, I KNOW THE BOAT. 432 00:33:37,972 --> 00:33:39,756 -NO, I KNOW EXPLOSIVES. 433 00:33:43,760 --> 00:33:44,718 -I'LL GO AFTER CORAL. 434 00:33:44,848 --> 00:33:45,762 -NOT YET. 435 00:33:51,159 --> 00:33:55,511 [PANTING] 436 00:34:20,667 --> 00:34:21,929 -MITCH: STEPH? 437 00:34:22,060 --> 00:34:23,061 -MITCH. 438 00:34:24,192 --> 00:34:25,628 -YOU ALL RIGHT? - YES. 439 00:34:25,759 --> 00:34:27,500 -LOOK, SHE'S RIGGED EXPLOSIVES TO A TIMER. 440 00:34:27,630 --> 00:34:29,067 AND WE'VE GOT TO GET THE BOAT OFF COURSE 441 00:34:29,197 --> 00:34:30,764 BEFORE IT RUNS INTO THE OIL RIG. 442 00:34:30,894 --> 00:34:31,982 -NO, SHE'S JAMMED THE WHEEL AND LOCKED THE BOAT 443 00:34:32,113 --> 00:34:34,463 ON AUTO-PILOT ON COURSE. 444 00:34:34,594 --> 00:34:36,074 I'M GONNA HAVE TO DISARM THE BOMB. 445 00:34:36,204 --> 00:34:38,163 LOOK, RILEY'S ON THE SCARAB. 446 00:34:38,293 --> 00:34:39,207 GO ON, GET OUT OF HERE. 447 00:34:39,338 --> 00:34:40,687 -NO, I'M STAYING WITH YOU. 448 00:34:40,817 --> 00:34:42,254 -LOOK, THERE'S NOTHING YOU CAN DO HERE. GO ON. 449 00:34:42,384 --> 00:34:44,125 -I WATCHED HER ACTIVATE THE BOMB, I CAN HELP. 450 00:34:46,606 --> 00:34:51,567 [TENSE MUSIC] 451 00:35:08,976 --> 00:35:11,935 -DO ME A FAVOR, THERE'S A FLASHLIGHT IN THE POUCH, GRAB IT. 452 00:35:13,154 --> 00:35:14,155 AND POINT IN THAT HOLE RIGHT THERE. 453 00:35:16,026 --> 00:35:17,332 -HOW BAD IS IT? 454 00:35:18,159 --> 00:35:19,378 -IT'S A NIGHTMARE. 455 00:35:19,508 --> 00:35:21,119 THERE'S ENOUGH PLASTIQUE IN THERE 456 00:35:21,249 --> 00:35:22,598 TO BRING DOWN A BATTLESHIP. 457 00:35:23,643 --> 00:35:26,036 AND THIS IS THE BIGGEST DETONATOR, I HAVE SEEN 458 00:35:26,167 --> 00:35:28,038 SINCE I WAS A NAVY SEAL. 459 00:35:28,169 --> 00:35:29,823 -CAN YOU JUST REMOVE THE WHOLE BOMB? 460 00:35:31,172 --> 00:35:32,391 -I'LL FIND OUT. 461 00:35:33,218 --> 00:35:35,655 [BEEPING] 462 00:35:37,222 --> 00:35:38,179 -STEPHANIE: WHAT IS THAT? 463 00:35:40,225 --> 00:35:42,662 -SHE'S GOT A MAGNETIC TRIGGER ATTACHED TO THE METAL PLATE. 464 00:35:44,054 --> 00:35:46,274 THERE'S NO WAY THE TWO CAN BE SEPARATED. 465 00:35:48,624 --> 00:35:53,760 [SUSPENSEFUL MUSIC] 466 00:36:00,767 --> 00:36:02,247 -STEPHANIE: SO WHAT DO WE DO NOW? 467 00:36:02,377 --> 00:36:05,380 -GO UP ON DECK, SEE IF YOU CAN CHANGE COURSE 468 00:36:05,511 --> 00:36:07,165 AT LEAST TO HEAD US AWAY FROM THE RIG. 469 00:36:08,209 --> 00:36:11,647 I'M GONNA TRY AND DETACH THE DETONATOR FROM THE EXPLOSIVES. 470 00:36:21,744 --> 00:36:22,832 -STEPH! 471 00:36:23,616 --> 00:36:26,532 STEPH! YOU'RE HEADING RIGHT INTO THE RIG. 472 00:36:36,063 --> 00:36:37,282 -RILEY, TURN US! 473 00:36:37,412 --> 00:36:40,110 -WHAT? -TURN US, PUSH US OFF COURSE! 474 00:36:41,199 --> 00:36:42,287 -HANG ON! 475 00:36:50,033 --> 00:36:54,603 [DRAMATIC ORCHESTRAL MUSIC] 476 00:37:34,077 --> 00:37:37,516 [INTENSE MUSIC] 477 00:37:48,701 --> 00:37:49,658 -ONE MORE. 478 00:37:52,705 --> 00:37:54,837 [SIGHING] OH GOD. 479 00:37:54,968 --> 00:37:59,277 [TRIUMPHANT MUSIC] 480 00:38:00,278 --> 00:38:02,280 I'M COMING OUT WITH THE DETONATOR. 481 00:38:04,586 --> 00:38:05,935 -STEPHANIE: MITCH, HURRY! 482 00:38:10,157 --> 00:38:11,811 [GRUNTING] 483 00:38:23,953 --> 00:38:24,911 LOOK. 484 00:38:25,738 --> 00:38:27,566 -MITCH: AH, SHE WANTS TO CLEAN UP HAZARDOUS WASTE? 485 00:38:27,696 --> 00:38:28,915 LET'S START WITH HER. 486 00:38:38,620 --> 00:38:40,143 -STEPHANIE: IT'S ALL OVER, CORAL. 487 00:38:40,274 --> 00:38:41,536 IT'S OVER. 488 00:38:46,498 --> 00:38:51,416 [PLEASANT PIANO MUSIC] 489 00:38:52,852 --> 00:38:57,900 [APPLAUSE] 490 00:39:10,304 --> 00:39:12,175 -CAROLINE: OH, I'VE MISSED YOU SO MUCH. 491 00:39:12,306 --> 00:39:13,481 -STEPHANIE: I MISSED YOU TOO. 492 00:39:16,223 --> 00:39:17,659 I DIDN'T KNOW HOW MUCH I MISSED BEING HERE 493 00:39:17,790 --> 00:39:19,748 UNTIL I THOUGHT I MIGHT NEVER MAKE IT BACK. 494 00:39:21,097 --> 00:39:22,751 -WELL, YOU'D BETTER NOT GO AWAY AGAIN. 495 00:39:22,882 --> 00:39:24,100 NOT ANY TIME SOON. 496 00:39:29,279 --> 00:39:31,020 -I'LL BE BACK. 497 00:39:31,151 --> 00:39:33,327 -WELL, WHERE ARE YOU GOING? -IN A MINUTE. 498 00:39:44,599 --> 00:39:45,470 HEY. 499 00:39:46,079 --> 00:39:47,733 -RILEY: HEY. 500 00:39:47,863 --> 00:39:49,038 -STEPHANIE: IT'S NOT LIKE YOU TO BE OFF BY YOURSELF. 501 00:39:50,213 --> 00:39:52,346 -JUST WATCHING HOW MUCH EVERYONE LOVES YOU. 502 00:39:58,526 --> 00:40:00,528 -I LOVE YOU, YOU KNOW THAT, DON'T YOU? 503 00:40:02,878 --> 00:40:04,314 YOU COULD STAY HERE, YOU KNOW. 504 00:40:04,924 --> 00:40:06,186 BE A PART OF MY WORLD. 505 00:40:10,451 --> 00:40:11,539 -WOULDN'T WORK. 506 00:40:13,846 --> 00:40:15,500 -LOVE ISN'T TWO PEOPLE LOOKING AT EACH OTHER. 507 00:40:15,630 --> 00:40:18,981 IT'S TWO PEOPLE LOOKING IN THE SAME DIRECTION. 508 00:40:23,333 --> 00:40:25,118 YOU WON'T STAY AWAY FOREVER, WILL YOU? 509 00:40:25,988 --> 00:40:27,250 -HOW COULD I? 510 00:40:29,252 --> 00:40:34,214 [PEACEFUL GUITAR MUSIC] 511 00:40:48,620 --> 00:40:50,752 -STEPHANIE TOLD RILEY THAT SHE'S STAYING HERE. 512 00:40:50,883 --> 00:40:51,666 -PARDON ME? 513 00:40:52,885 --> 00:40:54,277 -I SAID THAT STEPHANIE TOLD RILEY 514 00:40:54,408 --> 00:40:55,801 THAT SHE'S GONNA STAY HERE. 515 00:40:57,150 --> 00:40:58,238 -WHAT? 516 00:40:59,544 --> 00:41:04,462 -STEPHANIE TOLD RILEY THAT SHE IS GOING TO STAY HERE. 517 00:41:04,592 --> 00:41:06,681 -WHY ARE WE WHISPERING? 518 00:41:08,857 --> 00:41:12,470 -BECAUSE KATHERINE AND GARNER SAID THAT-- 519 00:41:12,600 --> 00:41:14,776 -KATHERINE AND GARNER WHAT? 520 00:41:14,907 --> 00:41:16,778 -CAROLINE: KATHERINE AND GARNER TOLD ME 521 00:41:16,909 --> 00:41:19,041 THAT YOUR EARS WERE HYPERSENSITIVE SINCE THE EXPLOSION, 522 00:41:19,172 --> 00:41:21,914 AND YOU COULDN'T TOLERATE LOUD NOISES. 523 00:41:22,044 --> 00:41:22,958 [LAUGHING] 524 00:41:23,089 --> 00:41:24,264 -TOUCHE. 525 00:41:25,178 --> 00:41:26,440 -IT'S NOT OVER YET. 526 00:41:26,571 --> 00:41:27,702 -WHAT? WHAT? 527 00:41:27,833 --> 00:41:28,834 -WHAT'D YOU SAY? 528 00:41:28,964 --> 00:41:32,707 [LAUGHING] 529 00:41:33,578 --> 00:41:35,101 -MITCH: OH, GOD. 530 00:41:37,146 --> 00:41:40,846 [END THEME PLAYING] 531 00:41:40,896 --> 00:41:45,446 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 36475

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