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1
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-[THEME MUSIC PLAYING]
2
00:00:12,882 --> 00:00:15,885
-
SOME PEOPLE STAND
IN THE DARKNESS
3
00:00:17,017 --> 00:00:20,585
AFRAID TO STEP
INTO THE LIGHT
4
00:00:20,716 --> 00:00:24,633
SOME PEOPLE NEED
TO HELP SOMEBODY
5
00:00:24,763 --> 00:00:27,984
WHEN THE EDGE OF
SURRENDER'S IN SIGHT
6
00:00:28,115 --> 00:00:30,726
DON'T YOU WORRY
7
00:00:30,856 --> 00:00:33,642
IT'S GONNA BE ALL RIGHT
8
00:00:36,949 --> 00:00:38,821
'CAUSE I'M ALWAYS READY
9
00:00:38,951 --> 00:00:41,737
I WON'T LET YOU
OUT OF MY SIGHT
10
00:00:45,523 --> 00:00:47,786
I'LL BE READY
11
00:00:47,917 --> 00:00:49,353
I'LL BE READY
12
00:00:49,484 --> 00:00:51,399
NEVER YOU FEAR
13
00:00:51,529 --> 00:00:53,357
OH, DON'T YOU FEAR
14
00:00:53,488 --> 00:00:56,708
I'LL BE READY
15
00:00:56,839 --> 00:00:59,668
FOREVER AND ALWAYS
16
00:00:59,798 --> 00:01:02,845
I'M ALWAYS HERE
17
00:01:20,732 --> 00:01:22,821
'CAUSE I'M ALWAYS READY
18
00:01:22,952 --> 00:01:26,086
I WON'T LET YOU
OUT OF MY SIGHT
19
00:01:29,524 --> 00:01:31,917
I'LL BE READY
20
00:01:32,048 --> 00:01:33,571
I'LL BE READY
21
00:01:33,702 --> 00:01:35,312
NEVER YOU FEAR
22
00:01:35,443 --> 00:01:37,401
NO, DON'T YOU FEAR
23
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I'LL BE READY
24
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FOREVER AND ALWAYS
25
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I'M ALWAYS HERE
26
00:02:06,517 --> 00:02:08,693
-[CROWD CHATTER]
27
00:02:12,480 --> 00:02:14,221
-I'M SURE THE
LIFEGUARDS IN HAWAII
28
00:02:14,351 --> 00:02:16,571
WANT C.J. TO STAY IN THE
EXCHANGE PROGRAM ANOTHER WEEK,
29
00:02:16,701 --> 00:02:19,008
BUT TELL THEM WE NEED
HER BACK HERE BY TUESDAY.
30
00:02:19,139 --> 00:02:20,270
-MAN ON SPEAKER: WILL DO.
31
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-[PHONE RINGS]
32
00:02:34,241 --> 00:02:35,938
-[MAKES STATIC SOUND]
33
00:02:36,068 --> 00:02:38,158
THANK YOU FOR CALLING
DON BRAND PRODUCTIONS.
34
00:02:38,288 --> 00:02:40,899
AT THE SOUND OF THE TONE,
PLEASE LEAVE US A MESSAGE.
35
00:02:41,030 --> 00:02:42,597
[MAKES BEEPING SOUND]
36
00:02:42,727 --> 00:02:45,948
DOLORES, IT'S ME. DOLORES,
HEY. WHAT DID NBC SAY?
37
00:02:46,078 --> 00:02:47,602
YEAH. THEY PASSED?
WHAT ARE YOU TALK--
38
00:02:48,255 --> 00:02:50,126
CBS SAID IT'S A
RIPOFF? HEY, LOOK.
39
00:02:50,257 --> 00:02:53,216
I HAD DINOSAUR PARK BEFORE
JURASSIC PARK WAS EVEN A BOOK.
40
00:02:53,347 --> 00:02:55,131
ABC SAID WHAT?
41
00:02:55,262 --> 00:02:57,481
WELL, WHAT DO THEY KNOW? THEY
PASSED ON ALL IN THE FAMILY.
42
00:03:02,399 --> 00:03:04,575
-GARNER: HEY, YOU!
HOLD IT RIGHT THERE!
43
00:03:07,926 --> 00:03:09,232
-WHAT?
44
00:03:26,641 --> 00:03:29,557
-HEY! HEY! SOMEBODY
HELP US OUT HERE!
45
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-BOAT FIRE OFF TOWER 11.
IT'S A RESCUE CODE THREE.
46
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-HELP!
47
00:03:44,354 --> 00:03:47,357
HEY, SOMEBODY HELP!
48
00:03:52,493 --> 00:03:54,234
-[SIREN WAILING]
49
00:03:57,759 --> 00:03:59,239
-GARNER: COULD
USE SOME HELP HERE.
50
00:03:59,369 --> 00:04:00,675
-SORRY, WE'RE BUSY.
51
00:04:01,415 --> 00:04:04,026
-HEY!
-[YELLS]
52
00:04:06,158 --> 00:04:07,595
-DOLORES, YOU
WON'T BELIEVE THIS!
53
00:04:07,725 --> 00:04:09,249
I'M SEEING A WHOLE NEW
ACTION-ADVENTURE SCENE
54
00:04:09,379 --> 00:04:11,468
UNFOLDING RIGHT
BEFORE MY VERY EYES.
55
00:04:18,388 --> 00:04:20,390
-[YELLS]
56
00:04:22,044 --> 00:04:24,307
-AH-- UH-- NO MORE DINOSAURS!
57
00:04:24,438 --> 00:04:27,005
YES, LIFEGUARDS!
AND THEY'RE WEARING--
58
00:04:27,136 --> 00:04:29,573
THEY'RE WEARING BATHING
SUITS. LOVELY BATHING SUITS.
59
00:04:29,704 --> 00:04:32,402
AND BEAUTIFUL PEOPLE, AND--
LISTEN, LISTEN.
60
00:04:32,968 --> 00:04:35,275
WE'RE GOING TO
CALL IT RESCUE BAY.
61
00:04:35,405 --> 00:04:36,798
YEAH! THAT'S RIGHT.
62
00:04:36,928 --> 00:04:38,495
COPYRIGHT THAT. GET OUT.
GET IT COPYRIGHTED.
63
00:04:38,626 --> 00:04:40,105
I'LL CALL YA LATER.
64
00:04:42,586 --> 00:04:45,110
OH, DADDY TAKE ME DOWNTOWN!
65
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-[SHOUTING]
66
00:05:00,517 --> 00:05:02,563
-[DRAMATIC MUSIC]
67
00:05:09,091 --> 00:05:10,397
-LADY: HEY!
68
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-SON, I NEED YOUR KITE.
69
00:05:20,624 --> 00:05:24,019
-[DRAMATIC MUSIC]
70
00:05:28,545 --> 00:05:30,417
-[GRUNTS]
71
00:05:30,547 --> 00:05:31,461
-OH!
72
00:05:35,987 --> 00:05:37,511
-ALL RIGHT. GET UP.
73
00:05:37,641 --> 00:05:39,034
-AH!
74
00:05:39,164 --> 00:05:40,818
-HELP! HELP!
75
00:05:42,385 --> 00:05:46,128
-[DRAMATIC MUSIC]
76
00:06:00,098 --> 00:06:01,970
-OOH!
77
00:06:03,319 --> 00:06:06,409
-HELP! HELP! HELP!
78
00:06:06,540 --> 00:06:08,106
-BACK ME UP.
79
00:06:16,506 --> 00:06:17,855
TAKE MY HAND.
80
00:06:25,036 --> 00:06:26,124
-YOU GUYS OKAY?
81
00:06:26,255 --> 00:06:27,952
-YEAH. SEE YOU ON SHORE.
82
00:06:28,910 --> 00:06:30,912
-OKAY, LET'S GO IN.
83
00:06:35,525 --> 00:06:36,787
-THAT WAS GREAT, YOU GUYS.
84
00:06:37,658 --> 00:06:38,615
-WOO!
-[LAUGHS]
85
00:06:38,746 --> 00:06:39,790
-GOOD GOING OUT THERE.
86
00:06:39,921 --> 00:06:41,357
-THANKS. DID YOU GET YOUR MAN?
87
00:06:41,488 --> 00:06:43,054
-YEAH. WRAPPED HIM UP
AND SHIPPED HIM OFF.
88
00:06:43,185 --> 00:06:46,275
-GREAT.
-WHOA, CONGRATULATIONS! THIS WAS UNBELIEVABLE!
89
00:06:46,406 --> 00:06:48,669
HOLY-- THAT THING YOU DID WITH
THE KITE WAS FANTASTIC!
90
00:06:48,799 --> 00:06:51,019
IT WAS PERFECT COUNTERPOINT
TO THE ACTION IN THE WATER.
91
00:06:51,149 --> 00:06:52,934
AND YOU WERE ABSOLUTELY AMAZING!
92
00:06:53,064 --> 00:06:54,501
-THANK YOU. NOW
EXCUSE US, PLEASE.
93
00:06:54,631 --> 00:06:56,590
WE HAVE TO GET BACK
TO WORK. SEE YOU GUYS.
94
00:06:56,720 --> 00:06:58,156
-LOOK, JUST PRETEND
I'M NOT HERE, OKAY?
95
00:06:58,287 --> 00:06:59,244
HE'S ALIVE.
96
00:06:59,375 --> 00:07:01,203
-I'D RATHER NOT PRETEND.
97
00:07:01,333 --> 00:07:02,770
-HEY, HEY, LISTEN.
JUST A QUICK QUESTION.
98
00:07:02,900 --> 00:07:04,249
UH, YOU EVER THOUGHT
99
00:07:04,380 --> 00:07:06,034
OF PUTTING MONSTER
WHEELS ON THESE TRUCKS?
100
00:07:06,687 --> 00:07:08,166
OH, JUST A THOUGHT.
MONSTER WHEELS.
101
00:07:08,297 --> 00:07:09,690
-LET ME TAKE A WILD GUESS.
102
00:07:09,820 --> 00:07:11,518
YOU'RE IN THE FILM
BUSINESS. A PRODUCER.
103
00:07:11,648 --> 00:07:13,824
-WELL, TELEVISION.
SERIOUS TELEVISION. DON BRAND.
104
00:07:13,955 --> 00:07:17,480
YEAH, I PRODUCE, DIRECT,
WRITE, EVERYTHING.
105
00:07:17,611 --> 00:07:18,481
HOW WOULD YOU LIKE TO--
106
00:07:18,612 --> 00:07:19,874
-I WOULDN'T.
107
00:07:20,004 --> 00:07:21,223
-AH. CAN I RIDE
ALONG WITH YOU, MAYBE?
108
00:07:21,353 --> 00:07:23,660
-NO.
-I-- HEY, I'VE DONE RIDE-ALONGS
109
00:07:23,791 --> 00:07:25,880
WITH THE LAPD AND
SHERIFF'S DEPARTMENT. HEY!
110
00:07:27,534 --> 00:07:29,231
HEY, COME ON!
WOULDN'T YOU RATHER COOPERATE
111
00:07:29,361 --> 00:07:31,581
AND HAVE AN ACCURATE PORTRAYAL
OF LIFEGUARDS IN ACTION?
112
00:07:31,712 --> 00:07:34,323
-COME ON, YOURSELF. YOU'RE
TALKING ABOUT TELEVISION.
113
00:07:34,454 --> 00:07:36,543
-WHO DO I HAVE TO TALK
TO TO ARRANGE SOMETHING?
114
00:07:36,673 --> 00:07:39,197
-I DON'T KNOW. THE CHIEF.
115
00:07:39,328 --> 00:07:41,678
-CHIEF. CHIEF.
116
00:07:46,596 --> 00:07:49,860
-[EXCITING MUSIC]
117
00:07:49,991 --> 00:07:51,775
-A SERIES ABOUT LIFEGUARDS.
118
00:07:51,906 --> 00:07:54,212
I CAN'T BELIEVE NO ONE'S
EVER THOUGHT OF THIS BEFORE!
119
00:07:54,343 --> 00:07:57,346
AH! [EXCLAIMS]
120
00:08:04,309 --> 00:08:06,181
YEAH, DON'T FORGET TO GET
SOME OF THESE BEACH HUMMERS
121
00:08:10,881 --> 00:08:14,668
-WHAT IS THAT TV HUSTLER GUY
DOING ON ONE OF OUR TRUCKS?
122
00:08:15,930 --> 00:08:18,106
-IT'S A RIDE-ALONG.
DIVISION APPROVED IT.
123
00:08:18,236 --> 00:08:19,716
-I DON'T BELIEVE THIS.
124
00:08:20,630 --> 00:08:22,240
-I SORT OF ADVISED HIM
TO TALK TO THE CHIEF.
125
00:08:22,371 --> 00:08:23,590
-YOU? OH, PERFECT. YOU.
126
00:08:23,720 --> 00:08:24,721
-I JUST WANTED
TO GET RID OF HIM.
127
00:08:26,027 --> 00:08:27,942
-IF THIS GUY GETS IN
THE WAY, I'M TELLIN' YA.
128
00:08:28,899 --> 00:08:30,510
-WELL, HE WANTS TO
INCLUDE OUR BOAT RESCUE
129
00:08:30,640 --> 00:08:32,294
IN HIS PILOT EPISODE. [CHUCKLES]
130
00:08:32,424 --> 00:08:33,338
AND HE'S SAID THAT SOME OF US
131
00:08:33,469 --> 00:08:35,253
MIGHT BE ABLE TO PLAY OURSELVES.
132
00:08:35,384 --> 00:08:38,430
-HELLO? THESE HOLLYWOOD-TYPES
WILL SAY ANYTHING TO GET A DEAL.
133
00:08:38,561 --> 00:08:40,432
-IT'S NOT SO FAR
FETCHED, YA KNOW.
134
00:08:41,956 --> 00:08:44,262
I STUDIED DRAMA IN COLLEGE.
-MITCH: OH.
135
00:08:44,393 --> 00:08:45,699
-I EVEN PLAYED MEDEA ONCE.
136
00:08:45,829 --> 00:08:48,789
-OH. SO YOU WANNA BE ON TV, NOW?
137
00:08:49,616 --> 00:08:51,182
-I DON'T KNOW.
138
00:08:51,313 --> 00:08:54,359
THE MORE I THINK ABOUT IT,
WHY NOT? WOULDN'T YOU?
139
00:08:54,490 --> 00:08:57,406
-NO WAY! 100 PERCENT, NO WAY!
140
00:09:03,717 --> 00:09:05,936
-SO WHO MAKE BETTER
LIFEGUARDS: MEN OR WOMEN?
141
00:09:06,067 --> 00:09:08,504
-UM, MEN, DEFINITELY. COME ON.
142
00:09:09,549 --> 00:09:12,029
MEN ARE BETTER IN EVERY
ASPECT OF THIS JOB.
143
00:09:12,160 --> 00:09:14,989
-WOMEN, DEFINITELY.
WE HAVE MUCH BETTER INSTINCTS
144
00:09:15,119 --> 00:09:18,122
'CAUSE WE CAN SOLVE
PROBLEMS BEFORE THEY HAPPEN.
145
00:09:19,297 --> 00:09:20,647
-NOW, MATT SAYS YOU'RE A COUPLE.
146
00:09:20,777 --> 00:09:22,300
DOES THAT MAKE IT
HARDER TO WORK TOGETHER?
147
00:09:23,301 --> 00:09:24,651
-YEAH, SOMETIMES.
148
00:09:24,781 --> 00:09:29,394
-HARDER? NEVER, NO.
IT NEVER GET IN THE WAY AT ALL.
149
00:09:30,265 --> 00:09:32,267
-THAT'S STRANGE.
SUMMER SAID IT DOES.
150
00:09:33,050 --> 00:09:35,357
-SHE DID?
-YEAH.
151
00:09:35,487 --> 00:09:38,360
THAT'S FUNNY.
MATT SAYS MEN MAKE BETTER LIFEGUARDS THAN WOMEN.
152
00:09:39,970 --> 00:09:41,276
-HE DID?
153
00:09:46,890 --> 00:09:48,805
-HEY, LOOK. I'M
JUST HERE TO OBSERVE,
154
00:09:48,936 --> 00:09:50,415
JUST GO ON ABOUT YOUR BUSINESS.
155
00:09:50,546 --> 00:09:53,201
WE'LL CHECK UP BACK HERE,
WHATEVER YOU GOTTA DO.
156
00:09:53,331 --> 00:09:57,684
BECAUSE I DON'T WANT TO AFFECT
THINGS ANY WAY, SHAPE, OR FORM, OKAY? HEY, I JUST WANNA--
157
00:09:58,510 --> 00:10:00,861
WOW, DRAMA. I LOVE IT.
BEAUTIFUL.
158
00:10:04,995 --> 00:10:08,390
EVERYTHING I SEE
159
00:10:08,912 --> 00:10:11,001
-
MAKES MY HEART BEAT
160
00:10:11,132 --> 00:10:13,700
I'M FALLING DEEP
161
00:10:15,919 --> 00:10:19,488
EVERYTHING I SEE
162
00:10:19,619 --> 00:10:22,186
MAKES MY HEART BEAT
163
00:10:22,317 --> 00:10:24,841
I'M FALLING DEEP
164
00:10:25,668 --> 00:10:28,584
I'M IN A LUCID STATE OF MIND
WATCHING EVERYTHING BELOW
165
00:10:28,715 --> 00:10:31,718
YOU SEE ME WALKING ON THE STREETS
ON MY FACE THERE'S A GLOW
166
00:10:31,848 --> 00:10:34,372
START MY MORNING WITH A COFFEE
SHE'S IN GREEN LITTLE HOTTIE
167
00:10:34,503 --> 00:10:37,985
BROWN HAIR SMOKING BODY
I JUST SMILE, YOU CAN STOP ME
168
00:10:38,115 --> 00:10:39,813
I'M AT THE BEACH, IN THE MORNING FOG
169
00:10:39,943 --> 00:10:42,467
FELL IN LOVE WITH LULULEMON,
WALKING HER DOG
170
00:10:43,555 --> 00:10:45,166
IN LINE AT THE CORNER STORE
171
00:10:45,296 --> 00:10:47,647
KNEW IT WOULD LAST FOREVER
WHEN SHE WALKED IN THE DOOR
172
00:10:48,560 --> 00:10:52,173
EVERYTHING I SEE
173
00:10:52,303 --> 00:10:54,958
MAKES MY HEART BEAT
174
00:10:55,089 --> 00:10:57,004
I'M FALLING DEEP
175
00:10:59,397 --> 00:11:03,227
EVERYTHING I SEE
176
00:11:03,358 --> 00:11:05,752
MAKES MY HEART BEAT
177
00:11:05,882 --> 00:11:08,537
I'M FALLING DEEP
178
00:11:08,668 --> 00:11:14,586
IT ONLY TOOK ONE SECOND
TO KNOW THAT I WANT YOU
179
00:11:14,717 --> 00:11:17,328
TO KNOW THAT I NEED YOU
180
00:11:17,459 --> 00:11:20,680
I HOPE THAT YOU'D NEED ME TOO
181
00:11:20,810 --> 00:11:25,859
I'LL BE WAITING FOR YOU TO COME OVER
182
00:11:25,989 --> 00:11:28,339
AND TELL ME YOU LOVE ME
183
00:11:28,470 --> 00:11:31,429
THAT'D BE TOO EASY
184
00:11:31,560 --> 00:11:34,302
I'LL BE HERE WAITING
185
00:11:34,955 --> 00:11:38,436
EVERYTHING I SEE
186
00:11:38,567 --> 00:11:41,309
MAKES MY HEART BEAT
187
00:11:41,439 --> 00:11:43,703
I'M FALLING DEEP
188
00:11:45,835 --> 00:11:49,273
EVERYTHING I SEE
189
00:11:49,404 --> 00:11:51,145
-THE HUMAN DRAMA?
190
00:11:51,275 --> 00:11:52,973
-YEAH. YOU KNOW, THE
PERSONAL SIDE OF LIFEGUARDING.
191
00:11:53,103 --> 00:11:54,757
I MEAN, I WANT THIS SHOW TO
BE AS MUCH ABOUT THE PEOPLE
192
00:11:54,888 --> 00:11:56,193
AS I DO ABOUT THE ACTION.
193
00:11:56,324 --> 00:11:58,500
I MEAN, PEOPLE ARE
NOT GONNA COME BACK
194
00:11:58,630 --> 00:11:59,893
AND WATCH RESCUE
BAY WEEK AFTER WEEK
195
00:12:00,023 --> 00:12:01,459
UNLESS THEY--
THEY LIKE THE PEOPLE.
196
00:12:01,590 --> 00:12:03,113
UNLESS THEY CAN
SHARE THEIR LIVES.
197
00:12:03,244 --> 00:12:06,334
-[CHUCKLES] NOTHING TO
DO WITH WOMEN IN BIKINIS?
198
00:12:06,464 --> 00:12:08,118
-WELL, HEY, DOESN'T HURT.
199
00:12:08,945 --> 00:12:10,904
BUT YOU KNOW, PEOPLE WILL
JUST NOT WATCH THIS SHOW
200
00:12:11,034 --> 00:12:13,602
UNLESS WE TELL REALLY
GOOD STORIES ABOUT INTERESTING PEOPLE.
201
00:12:14,124 --> 00:12:16,648
YOU'RE INTERESTING, STEPHANIE.
TELL ME A GOOD STORY.
202
00:12:16,779 --> 00:12:18,650
TELL ME A PERSONAL STORY.
203
00:12:24,656 --> 00:12:26,354
-WELL, I PROBABLY SHOULDN'T
BE TELLING YOU THIS,
204
00:12:26,484 --> 00:12:29,661
BUT MITCH AND I DATED
205
00:12:29,792 --> 00:12:31,141
WHEN I FIRST STARTED
LIFEGUARDING HERE.
206
00:12:32,229 --> 00:12:35,711
AND THEN WE SPLIT UP.
WELL, ACTUALLY, I LEFT.
207
00:12:36,668 --> 00:12:40,455
SEE, I WAS MARRIED AT THE
TIME, BUT MITCH DIDN'T KNOW.
208
00:12:40,585 --> 00:12:41,891
WELL, ACTUALLY, I WAS SEPARATED.
209
00:12:44,198 --> 00:12:45,112
IS THIS BORING TO YOU?
210
00:12:45,242 --> 00:12:46,983
-OH, NO. PLEASE KEEP GOING.
211
00:12:51,640 --> 00:12:54,425
-SO I FINALLY GOT DIVORCED
212
00:12:54,556 --> 00:12:57,037
AND WHEN I CAME BACK
TO WORK AT BAYWATCH,
213
00:12:57,689 --> 00:12:59,822
IT WAS REALLY AWKWARD
BECAUSE I WAS MITCH'S BOSS.
214
00:13:01,302 --> 00:13:02,694
BUT NOW, EVERYTHING'S FINE.
215
00:13:03,870 --> 00:13:05,393
BUT IT WAS REALLY
DRAMATIC AT THE TIME.
216
00:13:05,523 --> 00:13:08,396
-OH, DRAMA. I LOVE DRAMA.
217
00:13:13,227 --> 00:13:15,185
-LOOK, COME ON, MITCH.
218
00:13:15,316 --> 00:13:16,970
-OH, NO, NO, NO.
-EVERYONE'S TOLD ME ABOUT THEIR PERSONAL LIFE.
219
00:13:17,100 --> 00:13:18,493
WHY WON'T YOU?
-LOOK, LET'S GET ONE THING STRAIGHT.
220
00:13:18,623 --> 00:13:20,974
I DON'T WANT ANYTHING
TO DO WITH THIS. GOT IT?
221
00:13:21,104 --> 00:13:23,019
-YEAH. OKAY. SO YOU EVER HAD AN
AFFAIR WITH A COLLEAGUE?
222
00:13:23,150 --> 00:13:24,151
-ARE YOU DEAF?
223
00:13:24,281 --> 00:13:26,066
-NO. I'M JUST PERSISTENT, MAN.
224
00:13:26,196 --> 00:13:27,894
LOOK, COME ON, MITCH. WE GOTTA
GET TOGETHER ON THIS THING.
225
00:13:28,024 --> 00:13:30,722
LIFE IS SHORT AND SO IS MY
SHOOTING SCHEDULE. [CHUCKLES]
226
00:13:30,853 --> 00:13:32,115
LOOK, I'M ONLY
GOING TO BE SHOOTING
227
00:13:32,246 --> 00:13:33,813
ON YOUR BEACH HERE FOR TWO DAYS.
228
00:13:33,943 --> 00:13:35,640
-YOU'RE FILMING AN
ENTIRE PILOT IN TWO DAYS?
229
00:13:35,771 --> 00:13:37,686
-NO. AN ENTIRE
PRESENTATION, YOU SEE?
230
00:13:37,817 --> 00:13:38,992
NETWORKS DON'T SPLURGE
ON PILOTS ANYMORE.
231
00:13:39,122 --> 00:13:40,515
IT'S JUST A LITTLE TEN MINUTES.
232
00:13:40,645 --> 00:13:41,559
YOU SLAP TOGETHER A
SCENE, SOME DIALOGUE,
233
00:13:41,690 --> 00:13:43,126
A MAIN TITLE, YOU KNOW.
234
00:13:43,257 --> 00:13:44,171
AND THEY EITHER PUT YOU
ON THE FALL SCHEDULE,
235
00:13:44,301 --> 00:13:45,389
OR POW, YOU'RE A GHOST.
236
00:13:45,999 --> 00:13:47,565
-BASED ON TEN MINUTES?
237
00:13:47,696 --> 00:13:49,437
-HEY. THIS IS GONNA BE
238
00:13:49,567 --> 00:13:51,004
THE BEST TEN MINUTES
THEY'VE EVER SEEN.
239
00:13:51,134 --> 00:13:52,701
SEE, LOOK. I GOT A
FEELING ABOUT YOU, MITCH.
240
00:13:52,832 --> 00:13:55,356
LOOK, WAIT, WAIT. I WANT
YOU TO PLAY MIKE TOWER.
241
00:13:55,486 --> 00:13:57,053
-WHO?
242
00:13:57,184 --> 00:13:58,359
-MIKE TOWER, THE CHARACTER
I'M BASING ON YOU.
243
00:13:58,489 --> 00:13:59,316
I WANT YOU TO PLAY HIM.
244
00:13:59,447 --> 00:14:00,361
-FORGET IT.
245
00:14:00,491 --> 00:14:02,015
-NO, WAIT! LOOK, MAN, C'MON!
246
00:14:02,145 --> 00:14:03,712
YOU COULD BE A BIG STAR!
YOU'VE GOT EVERYTHING.
247
00:14:03,843 --> 00:14:06,106
THE HAIR, THE EYES, THE
SEX APPEAL, THE HAIR.
248
00:14:06,236 --> 00:14:07,759
-THANKS, BUT NO THANKS.
249
00:14:07,890 --> 00:14:08,891
-LOOK, LOOK. WELL, HANG ON.
250
00:14:10,110 --> 00:14:11,981
I'M TELLING YOU, YOU
COULD DO THIS. TRUST ME.
251
00:14:12,112 --> 00:14:14,505
-TRUST? LOOK, I DON'T KNOW
WHAT IT'S LIKE IN HOLLYWOOD,
252
00:14:14,636 --> 00:14:16,812
BUT IN MY WORLD, TRUST
HAS GOTTA BE EARNED.
253
00:14:18,248 --> 00:14:19,771
-TRUST HAS GOTTA BE EARNED?
254
00:14:19,902 --> 00:14:21,164
I LIKE THAT LINE. THAT'S
PRETTY GOOD. WHAT IS IT?
255
00:14:21,295 --> 00:14:23,166
IN MY WORLD, TRUST IS--
IS WHAT? SAY IT AGAIN.
256
00:14:23,297 --> 00:14:25,647
-TRUST HAS GOT TO BE EARNED.
-[ENGINE STARTS]
257
00:14:25,777 --> 00:14:27,475
-TRUST HAS GOT TO
BE EARNED. SOLID.
258
00:14:27,605 --> 00:14:29,956
LOOK, IF YOU CHANGE YOU
MIND WE'RE CASTING TOMORROW--
259
00:14:30,086 --> 00:14:31,348
TOMORROW MORNING.
260
00:14:34,264 --> 00:14:37,789
-[ENERGETIC ROCK MUSIC]
-[PEOPLE CHATTERING]
261
00:14:40,531 --> 00:14:41,793
-YEAH, HERE.
262
00:14:41,924 --> 00:14:43,230
-LADY: THANKS.
-YOU'RE WELCOME.
263
00:14:43,360 --> 00:14:44,796
-LADY: THANKS.
264
00:14:46,537 --> 00:14:47,887
-HE'S COMING
RIGHT NOW. ASK HIM.
265
00:14:48,017 --> 00:14:49,062
-NO, YOU ASK HIM.
-MATT: ASK HIM.
266
00:14:49,192 --> 00:14:50,846
-MR. BRAND?
-YEAH?
267
00:14:50,977 --> 00:14:52,369
-WHO'S GONNA BE
PLAYING MATT AND ME?
268
00:14:52,500 --> 00:14:54,110
-OH, YOUR CHARACTERS
ARE ALREADY CAST.
269
00:14:54,241 --> 00:14:55,895
I'VE GOT ELAINE ELLIOT,
DAVID BATTLE,
270
00:14:56,025 --> 00:14:57,679
BIG DAY-TIME SOAP OPERA STARS.
271
00:14:57,809 --> 00:15:00,682
HUGE FOLLOWING AND THEY
BOTH HAVE NETWORK DEALS.
272
00:15:01,509 --> 00:15:02,945
-ISN'T HE THAT REAL
MUSCLE-BOUND GUY?
273
00:15:03,076 --> 00:15:04,686
-YEAH, BUT I MEAN,
HE'S KINDA SENSITIVE
274
00:15:04,816 --> 00:15:06,470
AND DID I MENTION HE
HAS A NETWORK DEAL?
275
00:15:06,601 --> 00:15:08,037
-WELL, WHAT IS SHE LIKE?
276
00:15:08,168 --> 00:15:09,517
-MM, I DUNNO.
277
00:15:09,647 --> 00:15:11,823
CUTE, PERKY, ATHLETIC,
AND A BIG NETWORK DEAL.
278
00:15:14,174 --> 00:15:16,263
-[BOTH] NETWORK DEALS? [SCOFFS]
279
00:15:20,876 --> 00:15:23,270
-GARNER: HEY, STEPHANIE.
-HI.
280
00:15:23,400 --> 00:15:25,185
-HEY. I THOUGHT YOU'D
BE OUT THERE AUDITIONING.
281
00:15:25,925 --> 00:15:27,143
-SEE THOSE TWO
WOMEN OVER THERE?
282
00:15:27,274 --> 00:15:28,362
-GARNER: MM-HMM.
283
00:15:28,492 --> 00:15:30,146
-THEY'RE NETWORK
CASTING DIRECTORS.
284
00:15:30,277 --> 00:15:31,626
THEY'RE GONNA HAVE EVERYONE
RUN AND SWIM FIRST,
285
00:15:31,756 --> 00:15:32,757
AND THEN, THEY'LL
NARROW DOWN THE FIELD.
286
00:15:32,888 --> 00:15:34,672
-[LAUGHS]
287
00:15:34,803 --> 00:15:36,805
-DON WANTS ME TO GO LAST SO
I'LL STAND OUT BY COMPARISON.
288
00:15:36,936 --> 00:15:38,111
-MHMM.
289
00:15:41,114 --> 00:15:43,333
WHY ARE THE
ACTRESSES ALL BLONDE?
290
00:15:47,903 --> 00:15:51,515
-UM. I GUESS SO I'LL
REALLY STAND OUT.
291
00:15:55,476 --> 00:15:56,868
-HEY, LISTEN, SWEETHEART.
292
00:15:56,999 --> 00:15:58,305
JUST A LITTLE LAST
MINUTE COACHING, OKAY?
293
00:15:58,435 --> 00:16:00,089
WHEN YOU GET OUT THERE,
JUST BE YOURSELF.
294
00:16:00,220 --> 00:16:02,744
IF YOU DO, YOU'LL BLOW
THE COMPETITION AWAY.
295
00:16:02,874 --> 00:16:04,964
-UM. DON, WE WERE
JUST WONDERING,
296
00:16:05,094 --> 00:16:07,401
WHY ARE ALL THE
ACTRESSES BLONDE?
297
00:16:09,142 --> 00:16:11,100
-WELL, THE NETWORK WANTS
YOUR CHARACTER TO BE BLONDE,
298
00:16:11,231 --> 00:16:12,406
BUT THERE'S NO PROBLEM THERE
299
00:16:12,536 --> 00:16:13,973
BECAUSE WE CAN
JUST DYE YOUR HAIR.
300
00:16:14,103 --> 00:16:14,799
YA KNOW, YOU JUST GO
OUT THERE AND BE YOU.
301
00:16:15,670 --> 00:16:17,367
-[CHUCKLES]
302
00:16:17,498 --> 00:16:19,543
-AND YOU. MAN, I GOT A GUY
THAT LOOKS SO MUCH LIKE YOU,
303
00:16:19,674 --> 00:16:22,503
HE'S EVEN MORE YOU
THAN YOU. [LAUGHS]
304
00:16:22,633 --> 00:16:25,767
-PROBABLY WESLEY
SNIPES. [CHUCKLES]
305
00:16:25,897 --> 00:16:29,553
-UH, MORE LIKE SHERMAN
HEMSLEY. [LAUGHS]
306
00:16:30,337 --> 00:16:31,164
SEE YA.
307
00:16:31,294 --> 00:16:32,774
-BY THE WAY, YOU
KNOW, STEPHANIE,
308
00:16:32,904 --> 00:16:34,123
MITCH'S CHARACTER'S GOIN' FIRST.
309
00:16:34,254 --> 00:16:35,995
UH, WHERE IS HE?
310
00:16:36,952 --> 00:16:39,737
-UH, HE'S BUSY. VERY BUSY.
311
00:16:40,912 --> 00:16:42,044
-COULDN'T BARE TO WATCH, HUH?
312
00:16:43,263 --> 00:16:44,394
-YOU GOT IT.
313
00:16:45,961 --> 00:16:49,878
-[ENERGETIC ROCK MUSIC]
314
00:16:58,930 --> 00:17:01,585
-
MAYBE IT'S THE WAY YOU MOVE
315
00:17:01,716 --> 00:17:04,110
THAT KEEPS ME UP AT NIGHT
316
00:17:04,240 --> 00:17:06,677
CAUSE BABY YOU'RE THE DREAM
317
00:17:06,808 --> 00:17:09,289
I WANT TO BE JUST LIKE
318
00:17:09,419 --> 00:17:11,900
MAYBE I CAN GET IT RIGHT
319
00:17:12,031 --> 00:17:14,163
JUST GOTTA CHECK OUT THE VIEW
320
00:17:14,294 --> 00:17:18,863
HEY! I WANNA BE JUST LIKE YOU YEAH!
321
00:17:19,864 --> 00:17:22,476
YOU MAKE IT LOOK SO GOOD
322
00:17:22,606 --> 00:17:25,087
I CAN HARDLY BELIEVE IT'S TRUE
323
00:17:25,218 --> 00:17:27,220
YOU DO IT WITH YOUR OWN STYLE
324
00:17:27,350 --> 00:17:30,223
I WANNA BE JUST LIKE YOU
325
00:17:30,353 --> 00:17:32,834
YOU'RE TAKING ME HIGHER AND HIGHER
326
00:17:32,964 --> 00:17:35,271
BABY YOU KNOW IT'S TRUE
327
00:17:35,402 --> 00:17:38,753
I WANNA BE JUST LIKE YOU
328
00:17:41,016 --> 00:17:43,627
MAYBE IT'S THE COUNTDOWN
329
00:17:43,758 --> 00:17:46,195
'CAUSE I'M RUNNING OUTTA TIME
330
00:17:46,326 --> 00:17:48,719
I GET A LITTLE CLOSER
331
00:17:48,850 --> 00:17:51,113
TO GETTING IT RIGHT
332
00:17:51,722 --> 00:17:54,203
BABY YOU'RE THE REAL THING
333
00:17:54,334 --> 00:17:56,336
AND WHAT I KNOW IS TRUE
334
00:17:56,466 --> 00:18:01,080
I WANNA BE JUST LIKE YOU - YEAH!
335
00:18:02,342 --> 00:18:04,866
GONNA GO THE EXTRA MILE
336
00:18:04,996 --> 00:18:07,390
WANNA CHECK OUT THE VIEW
337
00:18:07,521 --> 00:18:09,436
DO WITH IT A LITTLE STYLE
338
00:18:09,566 --> 00:18:12,743
I WANNA BE JUST LIKE YOU
339
00:18:12,874 --> 00:18:15,355
TAKING IT HIGHER AND HIGHER
340
00:18:15,485 --> 00:18:17,661
BABY YOU KNOW IT'S TRUE
341
00:18:17,792 --> 00:18:22,188
I WANNA BE JUST LIKE YOU - YEAH!
342
00:18:22,797 --> 00:18:25,930
AND IF I FALL
343
00:18:26,061 --> 00:18:28,629
KNOW I'LL TRY
344
00:18:28,759 --> 00:18:31,110
AGAIN SOMEDAY
345
00:18:33,416 --> 00:18:36,332
I'M GONNA RIDE
346
00:18:36,463 --> 00:18:39,074
THE HIGHEST WAVE
347
00:18:41,468 --> 00:18:43,731
YEAH!
348
00:18:44,384 --> 00:18:46,777
YOU MAKE IT LOOK SO GOOD
349
00:18:46,908 --> 00:18:49,563
I CAN HARDLY BELIEVE IT'S TRUE
350
00:18:49,693 --> 00:18:51,652
YOU DO IT WITH YOUR OWN STYLE
351
00:18:51,782 --> 00:18:55,090
AND I WANNA BE JUST LIKE YOU
352
00:18:55,221 --> 00:18:57,397
YOU'RE TAKING ME HIGHER AND HIGHER
353
00:18:57,527 --> 00:18:59,616
BABY YOU KNOW IT'S TRUE
354
00:18:59,747 --> 00:19:02,924
I WANNA BE JUST LIKE YOU
355
00:19:03,054 --> 00:19:04,969
WANNA BE JUST LIKE
356
00:19:05,100 --> 00:19:09,887
I WANNA BE JUST LIKE YOU YEAH
357
00:19:10,018 --> 00:19:12,586
I WANNA BE JUST LIKE
358
00:19:12,716 --> 00:19:17,634
I WANNA BE JUST LIKE YOU YEAH
359
00:19:21,595 --> 00:19:22,465
-HI.
360
00:19:30,560 --> 00:19:33,911
-GARNER ELLERBEE,
MEET SLY HUTCHINSON.
361
00:19:34,434 --> 00:19:38,133
-IN PERSON, MY BROTHER.
LARGE AND IN CHARGE.
362
00:19:38,960 --> 00:19:41,702
-[LAUGHS] THIS IS UNBELIEVABLE.
363
00:19:42,659 --> 00:19:45,358
-[CHUCKLES] THIS
IS UNBELIEVABLE.
364
00:19:45,967 --> 00:19:47,838
-[SCOFFS]
-OH YEAH, I CAN PLAY HIM WITH MY EYES CLOSED.
365
00:19:47,969 --> 00:19:49,579
AIN'T NOTHIN' BUT A THING.
366
00:19:51,451 --> 00:19:53,888
-WELL, I'LL LEAVE YOU TWO
GUYS ALONE. OPEN UP TO HIM.
367
00:19:54,454 --> 00:19:56,630
BEFORE THE END OF THE DAY,
368
00:19:56,760 --> 00:19:58,762
YOU WON'T KNOW WHETHER
YOU'RE LOOKIN' IN A MIRROR OR SLY, HERE. [CHUCKLES]
369
00:20:01,678 --> 00:20:02,549
-[LAUGHS]
370
00:20:02,679 --> 00:20:04,507
-[LAUGHS]
371
00:20:09,120 --> 00:20:10,209
HM.
372
00:20:14,735 --> 00:20:16,693
-[CHUCKLES]
373
00:20:19,305 --> 00:20:20,654
-WELL, WHAT HAPPENED?
374
00:20:20,784 --> 00:20:22,743
DID THEY LIKE ME?
DID I GET THE PART?
375
00:20:22,873 --> 00:20:25,311
-ARE YOU KIDDING?
THEY LOVED YOU. YOU KNOCKED 'EM OUT, I TELL YA.
376
00:20:25,441 --> 00:20:26,660
LISTEN, I'LL TELL YOU WHAT.
I'LL CALL YOU RIGHT AFTER WE MAKE THE FINAL DECISION.
377
00:20:26,790 --> 00:20:28,183
YOU SHOULD FEEL VERY
GOOD ABOUT THIS.
378
00:20:28,314 --> 00:20:30,403
-I DO. THANK YOU.
379
00:20:30,533 --> 00:20:31,969
-HEY, LISTEN, I GOTTA
GO AUDITION A VICTIM.
380
00:20:32,100 --> 00:20:34,363
-OKAY. YES!
381
00:20:36,800 --> 00:20:38,149
-COME ON, WILL YOU
GUYS SHOW ME SOME PANIC?
382
00:20:38,280 --> 00:20:40,021
WAVE YOUR ARMS, COME ON!
383
00:20:40,151 --> 00:20:42,502
WHAT ARE YOU DOIN'? THIS ISN'T
THE JOFFREY BALLET, MOVE!
384
00:20:42,632 --> 00:20:44,155
GET THE BIG GUY TO MOVE.
385
00:20:44,286 --> 00:20:46,245
-[SHOUTING IN DISTRESS]
386
00:20:59,214 --> 00:21:00,868
-HELP! HELP!
387
00:21:00,998 --> 00:21:02,913
-VICTIMS IN THE WATER!
388
00:21:04,915 --> 00:21:07,178
-WAVE, COME ON!
389
00:21:07,831 --> 00:21:10,834
-[DRAMATIC MUSIC]
390
00:21:12,836 --> 00:21:15,665
-WHO IS THAT?
SHE'S NOT ON THE LIST.
391
00:21:15,796 --> 00:21:17,363
-DON: I DUNNO.
392
00:21:20,496 --> 00:21:21,541
-LET'S GET HER NAME.
393
00:21:26,850 --> 00:21:30,898
-[INHALING AND EXHALING LOUDLY]
394
00:21:40,299 --> 00:21:44,694
-[INSPIRATIONAL ROCK MUSIC]
395
00:21:51,788 --> 00:21:53,007
-STEPHANIE.
396
00:21:53,137 --> 00:21:56,967
-C.J., WELCOME HOME!
HOW WAS HAWAII?
397
00:21:57,098 --> 00:21:59,796
-OH, GOD, THE LIFEGUARD
EXCHANGE WAS GREAT!
398
00:21:59,927 --> 00:22:01,407
BUT I CAN'T BELIEVE
THEY'RE FILMING
399
00:22:01,537 --> 00:22:03,713
A TV SERIES PILOT
HERE ON THE BEACH!
400
00:22:04,323 --> 00:22:05,759
-I KNOW. CAN YOU BELIEVE IT?
401
00:22:05,889 --> 00:22:07,978
AND THE CHARACTER
ARE BASED ON US.
402
00:22:08,109 --> 00:22:09,415
-I HEARD.
403
00:22:09,545 --> 00:22:11,242
-YOU KNOW, WHEN I
WAS A LITTLE GIRL,
404
00:22:11,373 --> 00:22:13,680
I WORSHIPED KATHRYN
HEPBURN AND SOPHIA LOREN.
405
00:22:13,810 --> 00:22:17,901
I MEAN, THEY WERE SO
STRONG AND SO BEAUTIFUL.
406
00:22:18,032 --> 00:22:19,816
I CAN'T BELIEVE I MAY
ACTUALLY GET THE CHANCE
407
00:22:19,947 --> 00:22:21,470
TO BECOME AN ACTRESS
LIKE THEY WERE.
408
00:22:23,603 --> 00:22:25,605
WOO, YOU'RE WORKIN'
OUT THERE PRETTY HARD.
409
00:22:25,735 --> 00:22:27,128
-I GOTTA FIRM UP.
410
00:22:27,258 --> 00:22:30,000
-RIGHT NOW? YOU
HAVEN'T EVEN CHANGED.
411
00:22:31,785 --> 00:22:36,180
-WELL, I GOT CAST IN THE SHOW!
412
00:22:38,792 --> 00:22:40,837
-YOU GOT CAST?
413
00:22:40,968 --> 00:22:43,100
-YEAH! AS A LIFEGUARD
NAMED SHELIA.
414
00:22:43,231 --> 00:22:45,102
MY SCRIPT'S IN THE BAG.
415
00:22:56,766 --> 00:23:00,422
-SHELIA AND MIKE TOWER EMBRACE
IN FRONT OF THE FIREPLACE?
416
00:23:01,423 --> 00:23:05,296
C.J., THIS IS ME! IT'S
MITCH AND ME! I'M SHELIA.
417
00:23:06,733 --> 00:23:08,648
-WELL, STEPH, I'M SORRY. THEY--
418
00:23:08,778 --> 00:23:10,780
THE CASTING DIRECTOR
SAW ME MAKE A RESCUE
419
00:23:10,911 --> 00:23:12,913
AND SHE SAID I WAS
PERFECT FOR THE PART.
420
00:23:14,305 --> 00:23:15,481
-HOW CAN YOU BE MORE
PERFECT TO PLAY ME
421
00:23:15,611 --> 00:23:16,786
THAN I AM TO PLAY ME?
422
00:23:16,917 --> 00:23:18,353
I'M A MORE PERFECT
ME THAN YOU ARE!
423
00:23:18,484 --> 00:23:22,052
-UM. WELL, THE CHARACTER'S
REALLY ONLY BASED ON YOU.
424
00:23:26,709 --> 00:23:29,625
-[EXHALES LOUDLY] IT'S
OBVIOUS THAT THEY CAST YOU
425
00:23:29,756 --> 00:23:34,064
BECAUSE YOU'RE BLONDE AND
BUILT THE WAY YOU ARE.
426
00:23:35,414 --> 00:23:37,677
-THAT HAS NOTHING
TO DO WITH IT.
427
00:23:38,329 --> 00:23:39,809
-I MEAN, THIS IS SO TYPICAL.
428
00:23:40,593 --> 00:23:41,942
-[SCOFFS]
429
00:23:44,248 --> 00:23:47,774
IT JUST SO HAPPENS
THAT I CAN ACT.
430
00:23:49,253 --> 00:23:52,387
I PLAYED MEDEA IN HIGH SCHOOL.
431
00:23:52,996 --> 00:23:55,738
-OH YEAH? WELL, I
PLAYED MEDEA IN COLLEGE.
432
00:23:56,565 --> 00:24:00,482
-LOOK. I DON'T WANT
TO FIGHT ABOUT THIS.
433
00:24:02,005 --> 00:24:03,442
-WELL, WHAT DO YOU
SUGGEST THAT WE DO?
434
00:24:07,010 --> 00:24:09,099
-[KNOCKING]
435
00:24:10,318 --> 00:24:11,624
-WHAT?
436
00:24:11,754 --> 00:24:13,669
-WHAT, WHAT, WHAT?
437
00:24:13,800 --> 00:24:16,150
-WHICH ONE OF US IS
BEST SUITED TO PLAY ME?
438
00:24:16,716 --> 00:24:19,458
-SHE'S NOT YOU.
SHE'S BASED ON YOU.
439
00:24:19,588 --> 00:24:20,894
-YOU CAN BE HONEST.
440
00:24:21,024 --> 00:24:23,070
-DON'T PUT ME IN
THE MIDDLE OF THIS.
441
00:24:23,636 --> 00:24:25,028
-WELL, IT' WASN'T MY IDEA.
442
00:24:25,159 --> 00:24:27,422
-MITCH, LOOK. THIS SCENE
IS ABOUT YOU AND ME.
443
00:24:27,553 --> 00:24:30,556
COME ON, TELL US WHICH ONE
OF US PLAYS ME THE BEST.
444
00:24:31,470 --> 00:24:33,515
HERE. YOU READ MIKE TOWER.
445
00:24:36,083 --> 00:24:37,867
-THIS IS ABOUT US!
446
00:24:37,998 --> 00:24:39,434
-I TOLD YOU.
447
00:24:39,565 --> 00:24:40,783
-WELL, HOW DID BRAND
GET THIS INFORMATION?
448
00:24:43,133 --> 00:24:44,657
-RESEARCH.
449
00:24:44,787 --> 00:24:47,834
-YOU TOLD HIM INTIMATE
DETAILS ABOUT US?
450
00:24:47,964 --> 00:24:50,663
-MITCH, THE ONLY REASON
AN AUDIENCE WILL COME BACK
451
00:24:50,793 --> 00:24:52,403
TO RESCUE BAY WEEK AFTER WEEK,
452
00:24:52,534 --> 00:24:54,449
IS IF THEY LIKE THE PEOPLE
AND WANT TO SHARE THEIR LIVES.
453
00:24:56,059 --> 00:24:57,800
WOULD YOU LIKE TO GO FIRST?
454
00:24:57,931 --> 00:25:00,542
-WITH PLEASURE.
455
00:25:00,673 --> 00:25:03,763
WE CAN SHARE THE SCRIPT.
-MITCH: NO, THAT'S OKAY.
456
00:25:03,893 --> 00:25:06,287
I KNOW THE LINES. HUH.
457
00:25:09,595 --> 00:25:11,858
-OKAY. ACTION!
458
00:25:11,988 --> 00:25:14,077
-OH!
459
00:25:14,208 --> 00:25:17,428
-SO MIKE, DID I CATCH
YOU ON THE REBOUND?
460
00:25:19,082 --> 00:25:22,825
-NO, SHELIA. YOU
STOLE ME AT HALF COURT.
461
00:25:23,434 --> 00:25:26,394
-OH, SO WHAT DO WE DO NOW?
462
00:25:28,178 --> 00:25:30,746
-WELL, HOW 'BOUT A LITTLE GAME
463
00:25:32,313 --> 00:25:34,358
OF ONE-ON-ONE IN CATALINA?
464
00:25:37,057 --> 00:25:40,495
-HOW ABOUT A PRACTICE
GAME RIGHT NOW?
465
00:25:40,626 --> 00:25:43,759
-[MOANS SOFTLY]
466
00:25:49,896 --> 00:25:51,114
-CONVINCING ENOUGH?
467
00:25:52,202 --> 00:25:53,813
-YEAH, THAT WAS...
468
00:25:55,466 --> 00:25:57,120
THAT WAS REALLY GOOD.
469
00:25:57,817 --> 00:25:58,687
-OKAY.
470
00:25:59,383 --> 00:26:01,777
MOVE OVER. I'LL SHOW
YOU HOW IT'S DONE.
471
00:26:04,650 --> 00:26:06,826
SO, WHAT DO WE DO NOW?
472
00:26:06,956 --> 00:26:08,044
-[SCOFFS]
473
00:26:09,219 --> 00:26:10,960
-COME ON, MITCH! CONCENTRATE.
474
00:26:11,613 --> 00:26:14,747
SO WHAT DO WE DO NOW?
475
00:26:16,226 --> 00:26:21,928
-HOW ABOUT A LITTLE GAME
OF ONE-ON-ONE CATALINA?
476
00:26:23,451 --> 00:26:27,324
-HOW ABOUT A PRACTICE
GAME RIGHT NOW?
477
00:26:28,891 --> 00:26:33,156
-[BOTH MOANING SOFTLY]
478
00:26:36,551 --> 00:26:38,335
-OKAY, OKAY, OKAY, CUT!
479
00:26:38,466 --> 00:26:39,728
THAT'S ENOUGH.
480
00:26:40,468 --> 00:26:42,557
-NO ONE CAN PLAY ME LIKE ME.
481
00:26:42,688 --> 00:26:44,994
-[CHUCKLES]
482
00:26:45,125 --> 00:26:47,823
-WELL, THAT DOESN'T
CHANGE ANYTHING.
483
00:26:47,954 --> 00:26:49,912
THE NETWORK STILL WANTS
ME TO PLAY SHELIA.
484
00:26:50,826 --> 00:26:52,480
-COME ON, MITCH. CAN'T
YOU TALK TO BRAND?
485
00:26:52,611 --> 00:26:55,004
-NO, NO. THE WHOLE
THING STOPS RIGHT HERE.
486
00:26:55,135 --> 00:26:57,354
I AM NOT GONNA GET
INVOLVED WITH THIS.
487
00:26:57,485 --> 00:26:59,139
-MITCH, PLEASE--
-STEPHANIE, STE--
488
00:27:01,576 --> 00:27:05,536
IF THE NETWORK DOESN'T
WANT YOU TO PLAY SHELIA,
489
00:27:06,799 --> 00:27:12,718
THEN WHAT BETTER PERSON
TO PLAY YOU THAN C.J.
490
00:27:12,848 --> 00:27:14,284
BECAUSE C.J. KNOWS YOU...
-YES.
491
00:27:14,415 --> 00:27:17,070
AND SHE KNOWS HER
WAY AROUND THE BEACH.
492
00:27:24,599 --> 00:27:25,687
-YOU'RE RIGHT.
493
00:27:28,516 --> 00:27:32,999
WELL, THAT'S THAT, THEN.
494
00:27:34,217 --> 00:27:35,175
GOOD LUCK, C.J.
495
00:27:38,787 --> 00:27:40,615
I GUESS THAT'S
ALL I HAVE TO SAY.
496
00:27:49,363 --> 00:27:50,581
-MM.
497
00:27:58,198 --> 00:27:59,634
-BOO!
498
00:27:59,765 --> 00:28:01,505
-WHAT, WHAT?
-MITCH, HEY. PERFECT TIMING.
499
00:28:01,636 --> 00:28:04,291
HEY, LISTEN. I HAVE FINALLY
FOUND THE PERFECT MIKE TOWER.
500
00:28:04,421 --> 00:28:06,728
YOU, MIKE TOWER, SAME THING.
501
00:28:06,859 --> 00:28:09,644
MITCH, I WANT YOU TO
MEET DOLPH APOLGANGER.
502
00:28:14,214 --> 00:28:15,781
-IT IS GOOD TO MEET YOU.
503
00:28:15,911 --> 00:28:17,260
-ISN'T HE PERFECT?
504
00:28:19,219 --> 00:28:21,047
-COULD I TALK TO
YOU FOR A MINUTE?
505
00:28:21,177 --> 00:28:22,831
-YEAH, I GOTTA GET 'OL DOLPHY
DOWN HERE TO WARDROBE, THOUGH.
506
00:28:22,962 --> 00:28:24,398
I FEEL LIKE YOU CAN SHOW HIM
THE ROPES A LITTLE WHILE.
507
00:28:24,528 --> 00:28:25,965
IN FACT, I WANT YOU TO TEACH
HIM EVERYTHING YOU KNOW.
508
00:28:26,095 --> 00:28:27,618
IN FACT, I TELL YA WHAT,
PAL. I'M GONNA MAKE YOU
509
00:28:27,749 --> 00:28:30,883
MY NUMBER ONE TECHNICAL
MAIN MAN ADVISER, OKAY?
510
00:28:31,971 --> 00:28:34,800
-NOW, WAIT HERE. I'LL BE BACK.
511
00:28:37,498 --> 00:28:39,282
-I'LL BE BACK?
512
00:28:40,675 --> 00:28:44,113
UNBELIEVABLE. THIS
IS UNBELIEVABLE.
513
00:28:47,551 --> 00:28:50,467
-[INDISTINCT TALKING]
514
00:28:54,297 --> 00:28:58,824
-[ROCK MUSIC]
515
00:29:17,407 --> 00:29:18,800
-WE'RE READY FOR
YOU IN FIVE MINUTES.
516
00:29:21,324 --> 00:29:23,979
-[INDISTINCT TALKING]
517
00:29:26,634 --> 00:29:29,202
-[WOMEN LAUGHING]
518
00:29:38,602 --> 00:29:40,909
-MATT, LOOK. SHE'S
WHITE AS A GHOST.
519
00:29:41,692 --> 00:29:43,477
-YEAH, AND HE LOOKS
LIKE A GORILLA.
520
00:29:48,699 --> 00:29:50,658
-WE SHOULD'VE JUST
PLAYED OURSELVES.
521
00:29:50,789 --> 00:29:52,791
-WELL, REMEMBER, WE
DON'T HAVE NETWORK DEALS.
522
00:29:53,879 --> 00:29:56,446
-[INDISTINCT TALKING]
523
00:30:16,989 --> 00:30:18,729
-YEAH, JUST SET THAT UP
AND MARK IT ABOUT TEN FEET.
524
00:30:18,860 --> 00:30:19,774
-YOU GOT IT.
525
00:30:22,821 --> 00:30:24,997
-OFFICER. YEAH, OFFICER.
526
00:30:25,127 --> 00:30:26,650
LOOK, PAL. TIME IS
MONEY HERE, OKAY?
527
00:30:26,781 --> 00:30:28,609
WE GOTTA CLEAR THE SET.
528
00:30:28,739 --> 00:30:30,219
-OH YEAH, SURE.
-OKAY? I APPRECIATE WHAT YOU DO FOR ME.
529
00:30:30,350 --> 00:30:31,394
-I'LL BE RIGHT OVER HERE.
-CAN I GET A COFFEE?
530
00:30:35,398 --> 00:30:38,662
-[SWANKY MUSIC]
531
00:30:42,492 --> 00:30:43,754
-OH, EXCUSE ME.
532
00:30:43,885 --> 00:30:46,018
-OH, HEY. [CHUCKLES]
533
00:30:49,064 --> 00:30:51,066
-LADY: THANKS. BYE.
534
00:30:58,334 --> 00:31:02,991
-UH, [CHUCKLES] SLY, WE
DON'T WEAR WEAPONS THAT LARGE
535
00:31:03,122 --> 00:31:06,299
AND UH, I CERTAINLY
DON'T WALK LIKE THAT.
536
00:31:06,995 --> 00:31:10,085
-SO WHAT? THIS IS TV, MY MAN.
537
00:31:10,216 --> 00:31:12,348
LOOK HERE, IF I
PLAYED YOU AS YOU,
538
00:31:12,479 --> 00:31:14,437
WOULDN'T BE NOBODY
WATCHIN' THE SHOW.
539
00:31:14,568 --> 00:31:16,178
-NOW WAIT JUST A SECOND.
LET ME TELL YOU SOMETHIN'.
540
00:31:16,309 --> 00:31:18,485
I AM RESPONSIBLE FOR--
-I'LL TELL YOU WHAT, MY BROTHER.
541
00:31:18,615 --> 00:31:21,531
WHY DON'T YOU TAKE YOUR
RESPONSIBILITIES OVER THERE
542
00:31:21,662 --> 00:31:24,143
AND UH, LIKE PRACTICE
A LITTLE CROWD CONTROL,
543
00:31:24,273 --> 00:31:25,971
LIKE A GOOD BROTHER. A'IGHT?
544
00:31:28,190 --> 00:31:31,106
A'IGHT. CIAO!
545
00:31:40,811 --> 00:31:43,814
-BABY. [GIGGLES]
-OH, EXCUSE ME?
546
00:31:44,554 --> 00:31:46,687
-OH, DON'T TELL ME
YOU'RE GETTIN' SHY ON ME,
547
00:31:46,817 --> 00:31:48,515
ARE YA, SLY BABY?
548
00:31:48,645 --> 00:31:50,299
-OH, WAIT, WAIT,
WAIT, WAIT, WAIT.
549
00:31:51,605 --> 00:31:55,043
UM, NO, BABY.
550
00:31:55,174 --> 00:31:59,656
YOU KNOW ME. MR. LARGE
AND IN CHARGE.
551
00:32:01,615 --> 00:32:03,922
-[CROWD MURMURS]
552
00:32:05,967 --> 00:32:07,360
-[MOANS]
553
00:32:08,883 --> 00:32:10,058
-MAN: LUCKY GUY.
554
00:32:14,062 --> 00:32:15,585
-WHOA, HEY!
555
00:32:17,109 --> 00:32:17,979
-DAWN?
556
00:32:20,112 --> 00:32:23,811
OH, NO, NO, NO, NO. WAIT
A MINUTE, NO NO, UH-UH.
557
00:32:23,942 --> 00:32:26,553
WHA-- WHA--
WHAT IS UP WITH THIS?
558
00:32:27,380 --> 00:32:29,034
-IT'S CALLED UH,
KISSING, MY MAN.
559
00:32:29,164 --> 00:32:30,209
YOU SHOULD LEARN HOW TO DO IT.
560
00:32:30,339 --> 00:32:31,514
-SLY?
561
00:32:31,645 --> 00:32:32,951
UH, BABY...
562
00:32:35,910 --> 00:32:37,390
WHO ARE YOU?
563
00:32:37,520 --> 00:32:40,175
-NAME'S GARNER, AND
IT APPEARS, MR. SLY,
564
00:32:40,306 --> 00:32:43,657
THAT I CAN PLAY YOU BETTER
THAN YOU CAN PLAY ME.
565
00:32:43,787 --> 00:32:45,920
-[CROWD GASPS]
566
00:32:50,316 --> 00:32:52,187
I AM NOT ONE OF YOUR STUNT MEN,
567
00:32:52,318 --> 00:32:55,147
SO YOU NEED TO BE
VERY, VERY CAREFUL.
568
00:32:55,277 --> 00:32:56,931
-COOL, COOL, COOL.
569
00:32:57,062 --> 00:32:58,193
-MY BROTHER.
570
00:32:58,324 --> 00:33:00,065
-[GROANS]
571
00:33:00,195 --> 00:33:01,892
-[CROWD MURMURS]
572
00:33:07,855 --> 00:33:10,075
-ALL RIGHT--
[STATIC DROWNS OUT SPEECH].
573
00:33:11,467 --> 00:33:12,903
CAN I HAVE YOUR ATT-- [STATIC]
574
00:33:14,731 --> 00:33:16,820
CAN I HAVE YOUR ATTENTION?
COULD YOU LISTEN UP, PLEASE?
575
00:33:16,951 --> 00:33:19,606
HERE'S WHAT WE'RE GONNA DO.
WE GOT THREE CAMERA POSITIONS ON THE BEACH
576
00:33:19,736 --> 00:33:21,086
AND TWO IN THE WATER.
577
00:33:21,216 --> 00:33:23,001
I WANNA GO ALL THE WAY
THROUGH THIS SCENE,
578
00:33:23,131 --> 00:33:25,046
SO IF YOU MAKE ANY MISTAKES,
JUST KEEP THE ACTION GOING.
579
00:33:25,177 --> 00:33:26,482
YOU FAKE IT, WE'LL MAKE IT.
580
00:33:26,613 --> 00:33:27,701
WE'LL PICK IT UP
LATER IN COVERAGE.
581
00:33:27,831 --> 00:33:30,182
OKAY, LET'S MAKE THIS.
582
00:33:30,312 --> 00:33:32,619
LET'S GET A SLATE.
CAMERA'S ROLLING.
583
00:33:32,749 --> 00:33:35,796
-MAN: SPEED.
-STICKS. AND ACTION!
584
00:33:35,926 --> 00:33:38,668
-[WOMEN LAUGHING]
585
00:33:40,322 --> 00:33:42,498
-HELP!
586
00:33:46,154 --> 00:33:50,593
-[SIREN BLARING]
587
00:33:52,378 --> 00:33:54,206
-LET'S GO, MAN! COME ON!
588
00:33:56,947 --> 00:33:58,949
-[LAUGHING]
589
00:34:02,388 --> 00:34:04,129
-LADY: OH, HEY! WATCH OUT!
590
00:34:06,522 --> 00:34:08,089
-MAN VICTIM: HEY! HELP US!
-WOMAN VICTIM: OVER HERE!
591
00:34:15,488 --> 00:34:16,750
-WHAT IS THIS?
592
00:34:18,273 --> 00:34:20,797
-HOLLYWOOD'S ACCURATE
PORTRAYAL OF LIFEGUARDS.
593
00:34:21,407 --> 00:34:24,584
-
THERE IS A ROAD
594
00:34:24,714 --> 00:34:28,457
TO FEELING FINE
595
00:34:28,588 --> 00:34:31,982
WE'RE PLAYING A ROLL
596
00:34:32,113 --> 00:34:35,812
FOR WANDERING EYES
597
00:34:35,943 --> 00:34:39,207
LOOK AROUND
598
00:34:39,338 --> 00:34:42,819
AT THE SCENERY
599
00:34:43,603 --> 00:34:46,432
WHAT DO YOU SEE
600
00:34:47,172 --> 00:34:50,784
THERE IS A GHOST
601
00:34:50,914 --> 00:34:54,135
IN YOUR MIND
602
00:34:54,701 --> 00:34:58,226
YOU WANT IT THE MOST
603
00:34:58,357 --> 00:35:01,925
WHEN IT'S ON YOUR DIME
604
00:35:02,056 --> 00:35:05,407
LOOK AROUND
605
00:35:05,538 --> 00:35:09,107
WHAT DO YOU SEE
606
00:35:10,151 --> 00:35:14,329
I'M NOT PLAYING
607
00:35:14,460 --> 00:35:20,292
I'M JUST MESSING AROUND
608
00:35:25,123 --> 00:35:29,214
I'M NOT PLAYING
609
00:35:29,344 --> 00:35:35,350
I'M JUST MESSING AROUND
610
00:35:35,959 --> 00:35:38,875
THIS TIME AROUND
611
00:35:44,359 --> 00:35:45,578
-THIS IS A JOKE.
612
00:36:02,638 --> 00:36:06,816
OH, I'M NOT PLAYING
613
00:36:06,947 --> 00:36:12,605
I'M JUST MESSING AROUND
614
00:36:13,606 --> 00:36:16,174
THIS TIME AROUND
615
00:36:17,610 --> 00:36:20,830
-OH, COME ON. THAT
NEVER HAPPENED.
616
00:36:21,875 --> 00:36:27,576
I'M JUST MESSING AROUND
617
00:36:32,320 --> 00:36:36,542
I'M NOT PLAYING
618
00:36:36,672 --> 00:36:41,329
I'M JUST MESSING AROUND
619
00:36:41,460 --> 00:36:45,725
-READY? GIVE IT ME.
A HUGE EXPLOSION, NOW.
620
00:36:48,118 --> 00:36:49,076
NOT THAT HUGE.
621
00:36:49,207 --> 00:36:53,385
-[DRAMATIC MUSIC]
622
00:36:53,515 --> 00:36:55,256
-[DISTRESSED SHOUTING]
623
00:36:56,257 --> 00:36:57,215
-[SCREAMS]
624
00:36:59,782 --> 00:37:01,219
-WHAT HAPPENED?
625
00:37:01,349 --> 00:37:02,132
-THE GAS TANKS WERE
SUPPOSE TO BE EMPTY.
626
00:37:02,263 --> 00:37:03,482
I-- MAYBE I--
627
00:37:03,612 --> 00:37:04,483
-STEPHANIE: GET OUTTA MY WAY!
628
00:37:05,962 --> 00:37:07,181
-COMING THROUGH!
629
00:37:08,487 --> 00:37:10,793
-KEEP THE CAMERAS ROLLING,
KEEP THE CAMERAS ROLLING!
630
00:37:10,924 --> 00:37:12,273
KEEP THE CAMERA ROLLING.
631
00:37:14,580 --> 00:37:17,539
-[DRAMATIC MUSIC]
632
00:37:17,670 --> 00:37:20,063
-ROLL EVERYWHERE. EVERYTHING
WE'VE GOT. OPEN IT UP.
633
00:37:21,021 --> 00:37:23,284
-MAN: PAN WITH THAT.
KEEP THEM IN THE RIG
634
00:37:24,807 --> 00:37:27,767
-[DRAMATIC MUSIC]
635
00:37:31,901 --> 00:37:34,295
-[CROWD MURMURING]
636
00:37:38,604 --> 00:37:41,998
-[BREATHING HEAVILY]
637
00:37:58,711 --> 00:38:00,016
-[COUGHING]
638
00:38:17,991 --> 00:38:21,037
[GASPING]
639
00:38:22,648 --> 00:38:24,171
-HEY, COME ON. GET
A CLOSE UP OF THIS.
640
00:38:27,174 --> 00:38:29,916
-STILL ROLLING. WE GOT IT.
641
00:38:31,744 --> 00:38:34,224
-[CROWD MURMURING]
642
00:38:40,187 --> 00:38:41,971
-YOU KEPT THE CAMERAS ROLLING.
643
00:38:42,102 --> 00:38:43,669
-HEY, COME ON, MITCH.
-HOW DARE YOU EXPLOIT US LIKE THAT!
644
00:38:43,799 --> 00:38:46,454
-LOOK, WHAT'D YOU
WANT ME DO, MAN?
645
00:38:46,585 --> 00:38:48,282
QUIT FILMING THIS AND MISS THE
MOST FABULOUS ACTION SEQUENCE OF THE HISTORY OF TELEVISION?
646
00:38:48,413 --> 00:38:50,284
-GET YOU BUTT OFF MY BEACH.
-MITCH, MITCH, MITCH!
647
00:38:50,415 --> 00:38:52,678
-I MEAN IT! LET ME GO!
-MITCH! NO, MITCH. IT'S NOT WORTH IT. COME ON.
648
00:38:52,808 --> 00:38:54,462
MITCH, MITCH!
-ALL RIGHT, ALL RIGHT!
649
00:38:55,637 --> 00:38:57,117
-GET OFF THE BEACH RIGHT NOW
650
00:38:57,639 --> 00:38:59,424
OR YOU'LL BE FILMING THE
MOST FABULOUS BROKEN NOSE
651
00:38:59,554 --> 00:39:01,077
IN TELEVISION HISTORY.
652
00:39:05,168 --> 00:39:06,779
-ALL RIGHT, EVERYBODY.
THAT'S A WRAP.
653
00:39:06,909 --> 00:39:07,867
[SCOFFS]
654
00:39:07,997 --> 00:39:10,130
-[CROWD MURMURS]
655
00:39:17,703 --> 00:39:19,400
-I HAVE THE TAPE.
I HAVE THE TAPE.
656
00:39:19,531 --> 00:39:21,402
-[GROUP EXCLAIMS AND CLAPS]
657
00:39:21,533 --> 00:39:23,665
-WAIT, WAIT. WHERE'S GARNER?
658
00:39:23,796 --> 00:39:25,754
-HERE I COME. HERE I COME.
659
00:39:25,885 --> 00:39:28,670
-[CROWD WHOOPS]
660
00:39:28,801 --> 00:39:30,150
CAN I SAY, LADIES AND GENTLEMEN,
661
00:39:30,280 --> 00:39:32,239
THE LADY PREFERS THE REAL THING.
662
00:39:32,370 --> 00:39:34,241
-BABY'S GOT IT GOIN' ON.
663
00:39:34,372 --> 00:39:36,983
-BABY'S GOT IT GOIN' ON.
664
00:39:37,113 --> 00:39:38,854
-[GROUP LAUGHS]
665
00:39:38,985 --> 00:39:41,074
-ALL RIGHT. WELL, LET'S SEE
IF YOU GOT IT GOIN' ON IN HERE.
666
00:39:41,204 --> 00:39:41,988
ARE YOU READY?
667
00:39:42,118 --> 00:39:43,946
HERE WE GO! RESCUE BAY.
668
00:39:44,599 --> 00:39:46,122
-OH GOD, I CAN'T WATCH THIS.
669
00:39:46,253 --> 00:39:48,821
-YOU'RE GONNA BE SO
GREAT. ALL RIGHT!
670
00:39:50,300 --> 00:39:52,390
-MATT: OH, COME ON.
-YOU'RE GONNA BE GREAT.
671
00:40:06,229 --> 00:40:07,405
-WOMAN: LOOK AT THIS GUY!
672
00:40:09,537 --> 00:40:10,625
-[GRUNTS] I'LL BE BACK.
673
00:40:10,756 --> 00:40:12,192
-[LAUGHS]
674
00:40:13,802 --> 00:40:15,500
-SUMMER: OH, THERE SHE IS.
675
00:40:15,630 --> 00:40:16,718
-MAN: GREAT SHOT.
676
00:40:17,937 --> 00:40:19,112
-YOU LOOK GREAT!
677
00:40:19,242 --> 00:40:21,114
-HEY, YOU DID A GOOD JOB.
678
00:40:21,244 --> 00:40:22,811
-LOOKS GOOD.
-YOU LOOK GOOD. YOU LOOK REALLY GREAT.
679
00:40:24,160 --> 00:40:26,424
-WOMAN: UH-OH. SUMMER.
680
00:40:27,425 --> 00:40:29,557
-HONEY. [LAUGHS]
681
00:40:31,124 --> 00:40:33,953
-[GROUP MURMURING]
682
00:40:34,083 --> 00:40:35,476
-[LAUGHS]
683
00:40:36,259 --> 00:40:38,958
-HE LOOKS LIKE A
GORILLA. GIVE ME A BREAK!
684
00:40:40,655 --> 00:40:43,789
-[GROUP EXCLAIMS]
685
00:40:44,833 --> 00:40:45,747
-STOP.
686
00:40:45,878 --> 00:40:47,227
-[LAUGHS]
687
00:40:48,750 --> 00:40:50,491
-WOW. THAT'S AMAZING.
688
00:40:53,363 --> 00:40:54,887
-WHAT, THAT'S IT?
-THAT'S ALL?
689
00:40:55,017 --> 00:40:56,671
-WHERE'S THE REST OF THE MOVIE?
690
00:40:56,802 --> 00:40:58,368
-THAT'S ALL BRAND CUT
TOGETHER TO SHOW THE NETWORK.
691
00:40:59,065 --> 00:41:00,762
-WELL, SO WHAT'S HAPPENING?
I MEAN, ARE THEY GONNA BUY IT?
692
00:41:00,893 --> 00:41:03,112
-NOPE. THEY PASSED.
693
00:41:03,243 --> 00:41:05,201
-[GROUP EXCLAIMS]
-NO, THEY DIDN'T THINK THE PUBLIC WOULD BE INTERESTED
694
00:41:05,332 --> 00:41:07,029
IN WATCHING LIFEGUARDS
RUNNING AROUND ON THE BEACH.
695
00:41:07,160 --> 00:41:08,204
I'M SORRY.
696
00:41:08,814 --> 00:41:10,468
BUT THEY DID SAY THEY
WERE GONNA SELL THE SHOW
697
00:41:10,598 --> 00:41:12,905
TO FOREIGN COUNTRIES AND
SYNDICATION HERE IN THE STATES.
698
00:41:13,035 --> 00:41:14,254
-FOREIGN COUNTRIES?
699
00:41:14,384 --> 00:41:15,864
-MATT: WELL,
WHAT'S SYNDICATION?
700
00:41:15,995 --> 00:41:17,213
-SUMMER: YOU KNOW,
LIKE THAT SHOW KNIGHT RIDER.
701
00:41:17,344 --> 00:41:18,171
-MATT: OH YEAH,
I'VE SEEN THAT SHOW.
702
00:41:19,955 --> 00:41:21,870
-I CAN'T BELIEVE SOMEONE
ACTUALLY THOUGHT OF THIS
703
00:41:22,001 --> 00:41:23,742
BEFORE ME. [SCOFFS]
704
00:41:34,230 --> 00:41:37,973
-[ENDING THEME MUSIC]
705
00:41:38,023 --> 00:41:42,573
Repair and Synchronization by
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