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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,960 --> 00:00:06,960 So, we've got Vera's approach with Joe. 2 00:00:06.960 --> 00:00:08.960 align:center line:-4 She's gonna look through that window there. 3 00:00:08.960 --> 00:00:11.800 align:center line:-4 JILL HALFPENNY: 2024 marked the filming 4 00:00:11.800 --> 00:00:15.960 align:center line:-4 of the last-ever series of the hit TV drama Vera. 5 00:00:15.960 --> 00:00:18.160 align:center line:-3 And we're set, and action. 6 00:00:18.160 --> 00:00:21.960 align:center line:-4 If one of my cases did wrongly convict someone, 7 00:00:21.960 --> 00:00:23.800 align:center line:-3 I'd want it questioned. 8 00:00:23.800 --> 00:00:25.960 align:center line:-4 We're in our fifth week of filming. It's been great fun. 9 00:00:27.960 --> 00:00:29.960 align:center line:-3 Can we cut there? 10 00:00:31.160 --> 00:00:35.960 align:center line:-4 Vera's not like your ordinary run-of-the-mill detective. 11 00:00:35.960 --> 00:00:36.960 align:center line:-3 You sure about that? 12 00:00:36.960 --> 00:00:39.160 align:center line:-3 It's the hat, it's the coat, 13 00:00:39.160 --> 00:00:40.960 align:center line:-3 even the silhouette - 14 00:00:40.960 --> 00:00:43.960 align:center line:-4 you know exactly who it is and what it's all about. 15 00:00:43.960 --> 00:00:44.960 align:center line:-3 That's the icon. 16 00:00:44.960 --> 00:00:47.960 align:center line:-3 She's so enigmatic as a character. 17 00:00:48.960 --> 00:00:50.960 align:center line:-3 Action. 18 00:00:55.000 --> 00:00:57.960 align:center line:-4 All the people that I know who love Vera 19 00:00:57.960 --> 00:01:01.320 align:center line:-4 love to come and visit Northumberland. 20 00:01:01.320 --> 00:01:03.960 align:center line:-4 We've kind of played our part in putting it on the map. 21 00:01:03.960 --> 00:01:06.640 align:center line:-3 Oh, merci, monsieur. 22 00:01:06.640 --> 00:01:09.640 align:center line:-4 It's remarkable that so many viewers 23 00:01:09.640 --> 00:01:12.960 align:center line:-4 from so many different countries have taken to Vera. 24 00:01:12.960 --> 00:01:16.960 align:center line:-5 DUBBED IN GERMAN: 25 00:01:16.960 --> 00:01:20.960 align:center line:-4 Oh, there've been so, so many wonderful actors in Vera. 26 00:01:20.960 --> 00:01:22.960 align:center line:-3 Yeah, yeah, I did. 27 00:01:25.640 --> 00:01:26.960 align:center line:-4 I don't think it was until the last day 28 00:01:26.960 --> 00:01:29.960 align:center line:-4 when it was the reality of this is gonna... 29 00:01:29.960 --> 00:01:31.480 align:center line:-3 By six o'clock, this'll be over. 30 00:01:31.480 --> 00:01:32.960 align:center line:-3 What happens next? 31 00:01:32.960 --> 00:01:35.960 align:center line:-3 Oh, it's so bittersweet. 32 00:01:35.960 --> 00:01:39.480 align:center line:-4 It really, really is cos I've loved every minute of this job. 33 00:01:39.480 --> 00:01:42.320 align:center line:-3 But now after 14 years, 34 00:01:42.320 --> 00:01:45.960 align:center line:-4 it's time for us all to bid a final farewell, pet... Happy? 35 00:01:45.960 --> 00:01:48.960 align:center line:-4 ..to Vera. Perfect. 36 00:02:04.960 --> 00:02:06.800 align:center line:-3 Brenda's gonna be up there, 37 00:02:06.800 --> 00:02:09.800 align:center line:-4 we're gonna be all back here, we'll have a drone flying. Yeah. 38 00:02:09.800 --> 00:02:12.480 align:center line:-4 And the stray dog's kind of following her. 39 00:02:12.480 --> 00:02:16.960 align:center line:-4 Today, the cameras turn on the final-ever scene of Vera, 40 00:02:16.960 --> 00:02:19.960 align:center line:-4 the last moment viewers will ever see of this beloved character. 41 00:02:19.960 --> 00:02:22.960 align:center line:-3 Good girl. Right. 42 00:02:22.960 --> 00:02:24.960 align:center line:-3 Yes, I know. 43 00:02:24.960 --> 00:02:26.000 align:center line:-3 Everyone ready? 44 00:02:27.960 --> 00:02:30.960 align:center line:-4 Set. Camera set. 45 00:02:30.960 --> 00:02:32.000 align:center line:-3 And action. 46 00:02:42.960 --> 00:02:44.960 align:center line:-3 Well done, Brenda. 47 00:02:44.960 --> 00:02:46.960 align:center line:-4 It's a beautiful shot. Yeah? 48 00:02:51.960 --> 00:02:55.000 align:center line:-4 From windy beaches to Newcastle's urban streets, 49 00:02:55.000 --> 00:02:59.960 align:center line:-4 it was back in 2011 that we first met DCI Vera Stanhope. 50 00:03:01.800 --> 00:03:02.960 align:center line:-3 'When you make the pilot, 51 00:03:02.960 --> 00:03:05.160 align:center line:-4 'there's no guarantee that any more are going to be made, 52 00:03:05.160 --> 00:03:07.960 align:center line:-4 'and the first one was Hidden Depths.' 53 00:03:08.960 --> 00:03:11.960 align:center line:1 Oh, there's a very famous singer in that 54 00:03:11.960 --> 00:03:14.960 align:center line:1 who plays a dead body. 55 00:03:14.960 --> 00:03:16.480 align:center line:-3 I can't remember his name. 56 00:03:16.480 --> 00:03:18.960 align:center line:-4 It was Geordie singer Sam Fender, love. 57 00:03:18.960 --> 00:03:22.960 align:center line:-4 And so, we were all hoping obviously that it would be made into a series, 58 00:03:22.960 --> 00:03:24.960 align:center line:-4 and it wasn't long before they said, "Yeah." 59 00:03:24.960 --> 00:03:27.960 align:center line:-3 Tell me if you think I'm mad. 60 00:03:30.960 --> 00:03:34.160 align:center line:-4 Uncompromising, unconventional and complex, 61 00:03:34.160 --> 00:03:37.960 align:center line:-4 for 14 years and 56 gripping episodes, 62 00:03:37.960 --> 00:03:42.000 align:center line:-4 DCI Vera Stanhope has led the hit crime series. 63 00:03:42.000 --> 00:03:43.960 align:center line:-3 CLAPS 64 00:03:43.960 --> 00:03:44.960 align:center line:1 She's a multi-faceted character, 65 00:03:44.960 --> 00:03:47.960 align:center line:1 and I think that's really a huge credit to the writers. 66 00:03:47.960 --> 00:03:49.960 align:center line:1 She's... HE INHALES 67 00:03:49.960 --> 00:03:52.960 align:center line:1 She's totally the moral centre of the story. 68 00:03:52.960 --> 00:03:56.960 align:center line:1 She is very clear on what is right and what is wrong. 69 00:03:56.960 --> 00:03:59.800 align:center line:-3 So, what does this tell us? Hm? 70 00:03:59.800 --> 00:04:01.960 align:center line:-3 He was secretive? 71 00:04:01.960 --> 00:04:04.000 align:center line:-3 He was leading a double life? What? 72 00:04:04.000 --> 00:04:06.960 align:center line:1 You know, she'll pursue the truth wherever it leads her, 73 00:04:06.960 --> 00:04:08.800 align:center line:1 however uncomfortable. 74 00:04:08.800 --> 00:04:10.960 align:center line:1 She was... Vera's not like 75 00:04:10.960 --> 00:04:13.960 align:center line:-4 your ordinary run-of-the-mill detec... 76 00:04:13.960 --> 00:04:14.960 align:center line:-3 like you see on the telly. 77 00:04:14.960 --> 00:04:18.800 align:center line:-3 DCI Vera Stanhope. DS Joe Ashworth. 78 00:04:19.960 --> 00:04:21.960 align:center line:-3 She's a flawed character. 79 00:04:21.960 --> 00:04:24.960 align:center line:1 I mean, you know, most of the interesting characters 80 00:04:24.960 --> 00:04:26.960 align:center line:1 throughout film and television are flawed. 81 00:04:26.960 --> 00:04:29.960 align:center line:1 That's why we, as an audience, love them so much 82 00:04:29.960 --> 00:04:31.960 align:center line:-4 because, you know, we can see ourselves in them. 83 00:04:33.960 --> 00:04:36.960 align:center line:-4 Ma'am, there's a partial match for Sally on the key, 84 00:04:36.960 --> 00:04:40.960 align:center line:-4 but also for other people who had access, plus persons unknown, so... 85 00:04:40.960 --> 00:04:44.160 align:center line:-4 So you're telling me nothing. Brilliant. 86 00:04:49.960 --> 00:04:51.960 align:center line:1 Part of the charm is the fact that she's gruff 87 00:04:51.960 --> 00:04:54.960 align:center line:1 and dare I say sometimes rude, 88 00:04:54.960 --> 00:04:56.960 align:center line:1 but for the right reasons. 89 00:04:56.960 --> 00:04:58.960 align:center line:1 You know, she's trying to find the truth, 90 00:04:58.960 --> 00:05:00.960 align:center line:-4 and anyone that gets in the way of that 91 00:05:00.960 --> 00:05:03.960 align:center line:-3 is gonna suffer the wrath of Vera. 92 00:05:03.960 --> 00:05:05.480 align:center line:-3 Come on! 93 00:05:05.480 --> 00:05:08.320 align:center line:-3 Eight officers, you've had all day. 94 00:05:10.960 --> 00:05:12.960 align:center line:1 I think it's great to see 95 00:05:12.960 --> 00:05:16.000 align:center line:1 this woman still forging ahead in her career 96 00:05:16.000 --> 00:05:19.960 align:center line:1 and still capable of moments of self-doubt. 97 00:05:20.960 --> 00:05:24.960 align:center line:-4 I seem to spend my life searching for patterns. 98 00:05:24.960 --> 00:05:27.160 align:center line:-3 What if there isn't one? 99 00:05:27.160 --> 00:05:29.960 align:center line:-4 I think one of the things that's so relatable about her 100 00:05:29.960 --> 00:05:31.960 align:center line:-4 is the fact that she's just so honest. 101 00:05:31.960 --> 00:05:34.960 align:center line:-4 It's not my job to make people happy, pet. 102 00:05:36.160 --> 00:05:39.800 align:center line:-4 She doesn't suffer fools well. But, yeah, she has a heart. 103 00:05:39.800 --> 00:05:42.960 align:center line:-4 Especially when someone is struggling. 104 00:05:42.960 --> 00:05:46.320 align:center line:-4 Even criminals, if she thinks they've, erm, 105 00:05:46.320 --> 00:05:49.960 align:center line:-3 kind of stumbled into crime, 106 00:05:49.960 --> 00:05:51.960 align:center line:-3 she would understand that. 107 00:05:51.960 --> 00:05:54.160 align:center line:-3 Please, I couldn't kill anyone. 108 00:05:54.160 --> 00:05:56.960 align:center line:-4 I know people who could - that's why I was trying to get away. 109 00:05:59.960 --> 00:06:02.800 align:center line:-4 It's a sob story. He's angry, he's violent. 110 00:06:02.800 --> 00:06:05.960 align:center line:-4 No, he's a stupid 19-year-old who's just ruined his life. 111 00:06:05.960 --> 00:06:08.960 align:center line:-3 I think when Vera was first aired, 112 00:06:08.960 --> 00:06:11.160 align:center line:-4 people weren't that enamoured of Vera. 113 00:06:11.160 --> 00:06:14.960 align:center line:-4 But they did like Joe Ashworth, played by David Leon. 114 00:06:14.960 --> 00:06:17.960 align:center line:-4 It's obviously incredibly flattering. 115 00:06:17.960 --> 00:06:23.960 align:center line:-4 And because he liked Vera and the team liked Vera, 116 00:06:23.960 --> 00:06:25.960 align:center line:-4 people changed their mind about her. 117 00:06:27.960 --> 00:06:30.960 align:center line:-4 I just like that fact, she didn't make any effort to make... 118 00:06:30.960 --> 00:06:33.960 align:center line:-3 to ask you to like her. 119 00:06:33.960 --> 00:06:35.960 align:center line:-4 I think it's lovely that, as a series, 120 00:06:35.960 --> 00:06:37.960 align:center line:-4 none of the writers who've worked on Vera 121 00:06:37.960 --> 00:06:39.960 align:center line:-4 have ever kind of over-explained her. 122 00:06:39.960 --> 00:06:41.960 align:center line:-4 And I think Brenda, as a performer, really loved 123 00:06:41.960 --> 00:06:45.960 align:center line:-4 that there is still mystery about this character 124 00:06:45.960 --> 00:06:47.960 align:center line:-3 that we haven't probed into. 125 00:06:47.960 --> 00:06:49.960 align:center line:-3 I said, I think we're done. 126 00:06:49.960 --> 00:06:54.800 align:center line:-4 For now, pet, but don't go making any travel plans. 127 00:06:57.960 --> 00:06:59.960 align:center line:-4 Quiet, please, rehearsal. Rehearsing. 128 00:07:01.960 --> 00:07:03.160 align:center line:-3 Is it Josh's blood? 129 00:07:03.160 --> 00:07:05.960 align:center line:-4 Confirming now, but I've said we need to know soon as. 130 00:07:09.800 --> 00:07:12.960 align:center line:-4 Today on set is the one person who truly understands 131 00:07:12.960 --> 00:07:15.960 align:center line:-3 the mysteries of DCI Vera Stanhope. 132 00:07:15.960 --> 00:07:19.960 align:center line:-4 First book, The Crow Trap, came out in 1999, 133 00:07:19.960 --> 00:07:22.960 align:center line:-4 so I've lived with Vera for a very long time. 134 00:07:27.960 --> 00:07:30.960 align:center line:1 I'm Ann Cleeves, and I'm a crime writer, 135 00:07:30.960 --> 00:07:35.800 align:center line:1 and I wrote the books on which the Vera television series is based. 136 00:07:36.960 --> 00:07:41.960 align:center line:1 The book was discovered by my fairy godmother Elaine Collins, 137 00:07:41.960 --> 00:07:45.960 align:center line:-4 who went into an Oxfam shop in North London 138 00:07:45.960 --> 00:07:48.960 align:center line:-4 to find a book to take on holiday and picked up The Crow Trap. 139 00:07:54.960 --> 00:07:58.960 align:center line:-4 Elaine happened to be Books Executive for ITV Studios, 140 00:07:58.960 --> 00:08:03.960 align:center line:-4 and they were looking for a book with a strong female character. 141 00:08:05.960 --> 00:08:11.960 align:center line:-4 I've always tried to stay true to Ann's depiction of Vera. 142 00:08:11.960 --> 00:08:13.960 align:center line:-3 She's not dependent on lipstick. 143 00:08:13.960 --> 00:08:19.960 align:center line:-4 There's no romantic involvement to hamper the story. 144 00:08:19.960 --> 00:08:23.960 align:center line:-4 With Vera, it just concentrates on the case. 145 00:08:23.960 --> 00:08:26.640 align:center line:-4 My own daughter's next in line, is she? Come on. 146 00:08:26.640 --> 00:08:28.320 align:center line:-4 Go on, pet. Come on. 147 00:08:28.320 --> 00:08:31.960 align:center line:-4 Nothing's clean, is it? Everybody's tainted. 148 00:08:31.960 --> 00:08:34.640 align:center line:-3 Do you know? I'd hate to be you. 149 00:08:34.640 --> 00:08:37.960 align:center line:-4 I'd hate to be trapped in your skin. You're poison. 150 00:08:40.960 --> 00:08:42.960 align:center line:-3 To ask a female actress 151 00:08:42.960 --> 00:08:47.960 align:center line:-4 to look dishevelled and grumpy in every scene... 152 00:08:47.960 --> 00:08:49.960 align:center line:-3 it's a tough one, isn't it? 153 00:08:53.960 --> 00:08:57.960 align:center line:-4 She was huge at the time cos she'd just been nominated for two Oscars - 154 00:08:57.960 --> 00:09:00.960 align:center line:-4 Secrets & Lies and for Little Voice. 155 00:09:00.960 --> 00:09:02.960 align:center line:-3 So, what am I missing? 156 00:09:02.960 --> 00:09:05.960 align:center line:-4 I can't imagine Vera being played by anyone else, 157 00:09:05.960 --> 00:09:09.960 align:center line:-4 and that's there right from those early episodes. 158 00:09:09.960 --> 00:09:14.960 align:center line:-4 If you give her half a good scene, she'll turn it into 150%. 159 00:09:14.960 --> 00:09:19.800 align:center line:-4 You're a controlling nutjob who beats his wife. 160 00:09:19.800 --> 00:09:21.960 align:center line:-3 I'm really not. 161 00:09:21.960 --> 00:09:23.000 align:center line:-3 But in the early days, 162 00:09:23.000 --> 00:09:26.960 align:center line:-4 there was one thing about Vera that bothered Brenda Blethyn... 163 00:09:27.960 --> 00:09:29.960 align:center line:-4 ..perfecting that tricky Geordie accent. 164 00:09:29.960 --> 00:09:33.800 align:center line:-4 And how do we like our women, Mr Paul? 165 00:09:33.800 --> 00:09:39.960 align:center line:-4 The first day, I came onto the set, and she listened to my voice... 166 00:09:39.960 --> 00:09:41.320 align:center line:-3 Lovely Geoff. 167 00:09:41.320 --> 00:09:45.640 align:center line:-4 ..and thought, "That's the voice I should have." 168 00:09:45.640 --> 00:09:47.960 align:center line:-4 If I'm struggling over something, I call on Geoff. 169 00:09:47.960 --> 00:09:49.960 align:center line:-3 Say, "Geoff, how'd you say this?" 170 00:09:49.960 --> 00:09:52.960 align:center line:-4 And that's how she's picked this voice up. 171 00:09:52.960 --> 00:09:55.960 align:center line:-4 But I don't think, actually, I ever have cracked it. 172 00:10:06.960 --> 00:10:10.320 align:center line:1 Well, it's the last series of Vera going to happen here, 173 00:10:10.320 --> 00:10:11.960 align:center line:1 some of the filming. 174 00:10:11.960 --> 00:10:15.320 align:center line:1 So it's very exciting to see what's going to happen. 175 00:10:15.320 --> 00:10:19.960 align:center line:-4 I've always watched Vera. It's nice to be filmed here as well. 176 00:10:19.960 --> 00:10:21.960 align:center line:-3 It just a nice feeling. 177 00:10:25.160 --> 00:10:28.960 align:center line:-4 But definitely the walk over there, the walk up here, "Can I help you?" 178 00:10:28.960 --> 00:10:30.480 align:center line:-3 The dialogue round here. 179 00:10:34.960 --> 00:10:35.960 align:center line:-3 Action. 180 00:10:40.960 --> 00:10:42.960 align:center line:-3 It's always been a great team. 181 00:10:42.960 --> 00:10:44.960 align:center line:-4 It's a great kind of family environment, 182 00:10:44.960 --> 00:10:47.960 align:center line:-4 and the difference between kind of the youngest person on the crew 183 00:10:47.960 --> 00:10:50.960 align:center line:-4 and the oldest is probably, you know, 50 years, I would think. 184 00:10:50.960 --> 00:10:52.960 align:center line:-3 But everybody pulls together, 185 00:10:52.960 --> 00:10:55.960 align:center line:-4 and, you know, it's a really lovely family. 186 00:10:57.800 --> 00:10:59.960 align:center line:-3 Ready? And rehearsal. 187 00:10:59.960 --> 00:11:01.960 align:center line:-3 And action. 188 00:11:05.960 --> 00:11:07.960 align:center line:-3 And we are just about to do a scene 189 00:11:07.960 --> 00:11:11.960 align:center line:-4 with myself, Brenda and a character called Freya, 190 00:11:11.960 --> 00:11:15.960 align:center line:-4 where we confront her about her ex-boyfriend. 191 00:11:15.960 --> 00:11:18.960 align:center line:-4 So, we're gonna track you with all the farmhouse in the background. 192 00:11:18.960 --> 00:11:19.960 align:center line:-3 So, shall we just practise it? 193 00:11:21.480 --> 00:11:23.000 align:center line:-4 Sorry about that, it's just it saves time. 194 00:11:23.000 --> 00:11:24.320 align:center line:-3 Yeah, no, it's cool. 195 00:11:30.480 --> 00:11:31.960 align:center line:-3 So, why are you asking about Josh? 196 00:11:31.960 --> 00:11:34.960 align:center line:-4 Oh, we found his body yesterday, pet. 197 00:11:34.960 --> 00:11:36.640 align:center line:-3 Josh? 198 00:11:36.640 --> 00:11:37.960 align:center line:-3 FROM INSIDE: Boss! 199 00:11:38.960 --> 00:11:40.160 align:center line:-3 Cut. 200 00:11:41.960 --> 00:11:45.960 align:center line:-4 Well done, guys. I think that you've smashed it. 201 00:11:56.960 --> 00:11:57.960 align:center line:-3 Joe, with me. 202 00:12:00.960 --> 00:12:04.320 align:center line:-4 I suppose the most important other character, 203 00:12:04.320 --> 00:12:06.800 align:center line:-3 besides Vera, is Joe Ashworth. 204 00:12:06.800 --> 00:12:09.960 align:center line:-4 Can you send someone up there that's property near Steel Rigg? 205 00:12:09.960 --> 00:12:12.960 align:center line:1 He's always been Vera's conscience 206 00:12:12.960 --> 00:12:16.960 align:center line:1 because he's much more willing to play by the rules. 207 00:12:17.960 --> 00:12:19.960 align:center line:-3 He's very similar to Vera, 208 00:12:19.960 --> 00:12:22.960 align:center line:-4 whether he would admit that or not is another matter. 209 00:12:22.960 --> 00:12:25.640 align:center line:-4 PHONE RINGS Joe's answering service. What?! 210 00:12:25.640 --> 00:12:28.320 align:center line:1 And he's also a little bit of a loner, 211 00:12:28.320 --> 00:12:30.960 align:center line:1 even though he's a family man. 212 00:12:30.960 --> 00:12:33.960 align:center line:-4 That was your midwife. You what? And? 213 00:12:33.960 --> 00:12:35.960 align:center line:-3 Your wife's waters just broke. 214 00:12:37.960 --> 00:12:39.960 align:center line:-3 While she drives him nuts, 215 00:12:39.960 --> 00:12:41.960 align:center line:-4 I think he holds her in the highest respect. 216 00:12:41.960 --> 00:12:45.640 align:center line:1 I think their relationship does make them better coppers, 217 00:12:45.640 --> 00:12:46.960 align:center line:1 but it's not always welcome. 218 00:12:46.960 --> 00:12:48.960 align:center line:1 Vera is so irascible. 219 00:12:48.960 --> 00:12:52.960 align:center line:1 She is a really strong character. Are you really gonna take her on? 220 00:12:52.960 --> 00:12:57.960 align:center line:-4 Will you please do as you're told and go down to the court 221 00:12:57.960 --> 00:12:59.960 align:center line:-3 so I can strike her off my list?! 222 00:12:59.960 --> 00:13:01.960 align:center line:-3 BREATH SHAKES 223 00:13:01.960 --> 00:13:03.960 align:center line:-3 If you're not too busy, love. 224 00:13:06.960 --> 00:13:09.960 align:center line:-4 I think, you know, the two of them are 225 00:13:09.960 --> 00:13:12.960 align:center line:-4 really like a surrogate mother and son. 226 00:13:12.960 --> 00:13:16.960 align:center line:1 I think she kind of loves him and kind of admires him 227 00:13:16.960 --> 00:13:20.960 align:center line:1 in a way that she doesn't really treat anyone else. 228 00:13:20.960 --> 00:13:22.960 align:center line:-3 Am I the one who's getting doddery? 229 00:13:22.960 --> 00:13:24.960 align:center line:-4 Well, there's no right answer to that one, is there? 230 00:13:24.960 --> 00:13:27.960 align:center line:-4 I think he, in some respects, is almost at his... 231 00:13:27.960 --> 00:13:31.960 align:center line:-4 kind of his happiest when they're together. 232 00:13:31.960 --> 00:13:33.960 align:center line:-4 JILL HALFPENNY: But that happiness was short-lived. 233 00:13:33.960 --> 00:13:37.640 align:center line:-4 After four years of solving cases side by side, 234 00:13:37.640 --> 00:13:40.960 align:center line:-4 Joe took a promotion and left for London. 235 00:13:40.960 --> 00:13:43.960 align:center line:-3 'I was heartbroken when David left.' 236 00:13:43.960 --> 00:13:46.960 align:center line:-4 Oh! Oh, I couldn't believe he was going. 237 00:13:47.960 --> 00:13:49.960 align:center line:-4 'Brenda and I have always been very close, 238 00:13:49.960 --> 00:13:51.960 align:center line:-4 'and it was a really difficult decision for me to make.' 239 00:13:51.960 --> 00:13:54.960 align:center line:-4 Felt at the time that I just needed a bit of a new challenge. 240 00:13:55.960 --> 00:14:00.960 align:center line:-4 Joe's exit brought us a new face, Detective Sergeant Aiden Healy, 241 00:14:00.960 --> 00:14:02.480 align:center line:-3 arriving in series five 242 00:14:02.480 --> 00:14:05.800 align:center line:-4 as straight-talking northerner with a lot to prove. 243 00:14:05.800 --> 00:14:07.960 align:center line:-4 This is DCI Stanhope. Ma'am, this is DS... 244 00:14:07.960 --> 00:14:09.960 align:center line:-3 I know who you are. 245 00:14:09.960 --> 00:14:11.320 align:center line:-3 Great to meet you. 246 00:14:11.320 --> 00:14:14.960 align:center line:-4 'They're quite different characters, and, erm, 247 00:14:14.960 --> 00:14:17.960 align:center line:-4 'Vera didn't have much time for him to start with.' 248 00:14:17.960 --> 00:14:20.960 align:center line:-4 Oh, full of theories, aren't you? Someone's got to be. 249 00:14:20.960 --> 00:14:23.960 align:center line:-3 'But he grew on her, of course, 250 00:14:23.960 --> 00:14:26.480 align:center line:-4 'cos he turned out to be a good cop.' 251 00:14:26.480 --> 00:14:29.960 align:center line:-4 For nine years, DS Aiden was Vera's right-hand man, 252 00:14:29.960 --> 00:14:33.960 align:center line:-4 working alongside her team of dedicated detectives, 253 00:14:33.960 --> 00:14:36.960 align:center line:-3 pathologists and constables. 254 00:14:39.320 --> 00:14:43.960 align:center line:-4 But for series 13, there was a tale of the unexpected. 255 00:14:43.960 --> 00:14:47.960 align:center line:-3 Well, look who the cat dragged in. 256 00:14:48.960 --> 00:14:50.320 align:center line:-3 I didn't mean to interrupt. 257 00:14:50.320 --> 00:14:52.320 align:center line:-3 I had the opportunity to come back, 258 00:14:52.320 --> 00:14:54.960 align:center line:-4 and it was a privilege to sort of be able to come back 259 00:14:54.960 --> 00:14:55.960 align:center line:-3 and finish the show. 260 00:14:55.960 --> 00:14:57.640 align:center line:-3 I thought you might have missed us? 261 00:14:57.640 --> 00:14:59.800 align:center line:-4 Well, I don't know what gave you that idea. 262 00:14:59.800 --> 00:15:01.960 align:center line:-4 You swan in here in a new coat, no word of warning. 263 00:15:01.960 --> 00:15:03.960 align:center line:-3 Like I say, I'm just observing. 264 00:15:03.960 --> 00:15:05.960 align:center line:-3 I think in some respects, sometimes, 265 00:15:05.960 --> 00:15:09.960 align:center line:-4 it's nice for a show to have a new injection of energy. 266 00:15:10.960 --> 00:15:11.960 align:center line:-3 He comes back. 267 00:15:11.960 --> 00:15:15.800 align:center line:-6 He's been on a journey where he has become much more senior 268 00:15:15.800 --> 00:15:18.960 align:center line:-6 in those intervening years, so he comes back 269 00:15:18.960 --> 00:15:20.960 align:center line:-3 as much more of an equal. 270 00:15:20.960 --> 00:15:24.960 align:center line:-4 So, that dynamic between the two of them is really interesting. 271 00:15:24.960 --> 00:15:28.640 align:center line:-4 You thought you were about to spread your wings without me on your back. 272 00:15:28.640 --> 00:15:31.960 align:center line:-4 Everything useful I learnt about policing, I learnt from you. 273 00:15:31.960 --> 00:15:34.960 align:center line:-3 Your time will come, Joe. Trust me. 274 00:15:38.160 --> 00:15:41.960 align:center line:-4 One of the timeless features of this hit detective drama 275 00:15:41.960 --> 00:15:44.160 align:center line:-3 is its beautiful locations, 276 00:15:44.160 --> 00:15:46.960 align:center line:-4 which, true to the novels that inspired it, 277 00:15:46.960 --> 00:15:49.960 align:center line:-4 have brought the stunning sights of the North East of England 278 00:15:49.960 --> 00:15:51.960 align:center line:-3 to the world. 279 00:15:51.960 --> 00:15:57.960 align:center line:-4 Well, one of the main characters in Vera is the landscape. 280 00:15:59.160 --> 00:16:01.960 align:center line:-3 The seascape, the moors, 281 00:16:01.960 --> 00:16:04.160 align:center line:-4 the beautiful, beautiful countryside. 282 00:16:05.960 --> 00:16:07.960 align:center line:-4 One of the great things about filming in the North East 283 00:16:07.960 --> 00:16:10.960 align:center line:-4 is that you can be in a city centre in the morning, 284 00:16:10.960 --> 00:16:12.960 align:center line:-4 and you can be by the coast in the afternoon. 285 00:16:12.960 --> 00:16:15.960 align:center line:-3 I feel like in some small part, 286 00:16:15.960 --> 00:16:18.960 align:center line:-4 you know, we've kind of played our part in putting it on the map. 287 00:16:19.960 --> 00:16:22.960 align:center line:-4 And for the curious, that place on the map 288 00:16:22.960 --> 00:16:25.960 align:center line:-4 is England's most northern county, Northumberland. 289 00:16:27.480 --> 00:16:29.960 align:center line:-4 All the people that I know who love Vera 290 00:16:29.960 --> 00:16:31.960 align:center line:-7 love to come and visit Northumberland, 291 00:16:31.960 --> 00:16:32.960 align:center line:-6 and they've never been before, 292 00:16:32.960 --> 00:16:35.960 align:center line:-7 and it's purely because it's beautiful. 293 00:16:35.960 --> 00:16:36.960 align:center line:-3 It is really, really lovely. 294 00:16:38.320 --> 00:16:42.960 align:center line:-4 It's really important to know where Vera the character comes from 295 00:16:42.960 --> 00:16:44.960 align:center line:-4 and who her people are and what her background is, 296 00:16:44.960 --> 00:16:47.960 align:center line:-4 and I think we learn about that by the places that we visit. 297 00:16:55.960 --> 00:16:59.960 align:center line:-4 So, we've got Vera's approach with Joe. 298 00:16:59.960 --> 00:17:02.160 align:center line:-4 Er, she's gonna look through that window there. 299 00:17:09.960 --> 00:17:12.800 align:center line:-4 It's one of the most challenging locations 300 00:17:12.800 --> 00:17:14.960 align:center line:-4 from a location-department perspective. 301 00:17:14.960 --> 00:17:16.960 align:center line:-4 We actually are out in the middle of nowhere kind of thing. 302 00:17:16.960 --> 00:17:21.960 align:center line:1 It's probably, what, 200 years old or something, that place. 303 00:17:21.960 --> 00:17:22.960 align:center line:-3 It had to have the isolation, 304 00:17:22.960 --> 00:17:24.960 align:center line:-4 and it had to have a place of meaning for her. 305 00:17:24.960 --> 00:17:27.960 align:center line:-4 And we just felt that this was perfect. 306 00:17:27.960 --> 00:17:30.960 align:center line:-6 I'm from the North East, so it's a huge thing for me 307 00:17:30.960 --> 00:17:34.960 align:center line:-6 to showcase the authenticity of the North East. 308 00:17:34.960 --> 00:17:36.960 align:center line:-4 It's something which we go into every script, 309 00:17:36.960 --> 00:17:40.960 align:center line:-4 we go into every meeting, and that's the basis of what we do. 310 00:17:40.960 --> 00:17:42.960 align:center line:-4 Unfortunately, it's heavy rain at the moment, 311 00:17:42.960 --> 00:17:45.960 align:center line:-6 and the problem is that the scene following this 312 00:17:45.960 --> 00:17:48.960 align:center line:-5 is gonna be probably completely dry. 313 00:17:48.960 --> 00:17:50.320 align:center line:-4 MAN: Sarah. SARAH: Yeah? 314 00:17:50.320 --> 00:17:52.960 align:center line:-4 Come much closer to the camera, please. 315 00:17:57.480 --> 00:18:00.960 align:center line:-4 With heavy rain, it makes it difficult for the artists, 316 00:18:00.960 --> 00:18:04.960 align:center line:-4 and all their costumes get wet and all the rest of it, so, yeah. 317 00:18:04.960 --> 00:18:08.960 align:center line:-5 Luckily, my artist has got a hat on. 318 00:18:08.960 --> 00:18:10.960 align:center line:-5 Otherwise... 319 00:18:11.960 --> 00:18:14.320 align:center line:-5 Day's been saved by the hat, yeah. 320 00:18:14.320 --> 00:18:16.800 align:center line:-4 Keep coming towards camera, Brenda, please. 321 00:18:17.960 --> 00:18:20.960 align:center line:-3 MAN: Reset. And action. 322 00:18:20.960 --> 00:18:22.960 align:center line:-3 There was a used syringe by him, 323 00:18:22.960 --> 00:18:24.960 align:center line:-4 and the constrictive pupils and the cyanosis 324 00:18:24.960 --> 00:18:26.800 align:center line:-3 suggest an accidental overdose. 325 00:18:26.800 --> 00:18:28.960 align:center line:-4 Yeah, well, I want that heroin tested. 326 00:18:28.960 --> 00:18:30.960 align:center line:-4 Course you do. I'll keep you updated, then. 327 00:18:35.160 --> 00:18:38.000 align:center line:-4 Young lad in care involved in a murder. 328 00:18:38.000 --> 00:18:39.960 align:center line:-3 Who'd question an overdose? 329 00:18:39.960 --> 00:18:41.960 align:center line:-4 You think we should? MAN: Cut. 330 00:18:41.960 --> 00:18:43.960 align:center line:-3 MAN: Cut there. 331 00:18:43.960 --> 00:18:46.320 align:center line:-3 CHATTER 332 00:18:52.320 --> 00:18:56.960 align:center line:-4 DCI Vera Stanhope stands with the greats of British crime drama. 333 00:18:56.960 --> 00:18:59.960 align:center line:-3 Over 14 series in as many years, 334 00:18:59.960 --> 00:19:01.960 align:center line:-4 she's solved 56 complex murder cases, 335 00:19:01.960 --> 00:19:06.640 align:center line:-4 marking her as one of television's most iconic characters. 336 00:19:07.960 --> 00:19:09.960 align:center line:-3 And that level of criminal behaviour 337 00:19:09.960 --> 00:19:13.960 align:center line:-4 demands a team of dedicated, ambitious detectives. 338 00:19:21.480 --> 00:19:23.000 align:center line:-3 MAN: Brilliant. 339 00:19:24.960 --> 00:19:28.160 align:center line:1 I play DC Kenny Lockhart - for 14 years now. 340 00:19:28.160 --> 00:19:30.960 align:center line:-3 HE LAUGHS 341 00:19:30.960 --> 00:19:32.800 align:center line:-3 My god. 342 00:19:32.800 --> 00:19:35.960 align:center line:-4 Do that a lot, do you, Kenny? Talk out your backside? 343 00:19:35.960 --> 00:19:37.960 align:center line:-3 I learnt from the best, Ma'am. 344 00:19:37.960 --> 00:19:39.960 align:center line:-3 HE LAUGHS 345 00:19:42.480 --> 00:19:43.960 align:center line:-3 Kenny, Jon Morrison, has been in it 346 00:19:43.960 --> 00:19:47.640 align:center line:-4 since the second episode of series one. 347 00:19:47.640 --> 00:19:49.960 align:center line:-4 What? Years. 348 00:19:49.960 --> 00:19:54.480 align:center line:-4 He's really just a kind of... a normal, regular cop, you know. 349 00:19:55.960 --> 00:19:59.960 align:center line:-4 Well, get that printed out for me. Er, I can't, it's deleted. 350 00:20:00.960 --> 00:20:02.960 align:center line:-3 He was a juvenile at the time. 351 00:20:02.960 --> 00:20:05.960 align:center line:-4 Well, you're good on computers, Kenny. Un-delete. 352 00:20:05.960 --> 00:20:09.960 align:center line:-4 He is a bit of a whipping boy for Vera, you know. 353 00:20:09.960 --> 00:20:11.960 align:center line:-3 Put that down, Kenny. 354 00:20:11.960 --> 00:20:14.960 align:center line:-4 This is an incident room, not a greasy spoon. 355 00:20:16.960 --> 00:20:18.960 align:center line:-3 Well, the first episode I was in, 356 00:20:18.960 --> 00:20:22.960 align:center line:-4 I'd been going behind Vera's back to her old boss. 357 00:20:22.960 --> 00:20:25.480 align:center line:-4 Kenny's got the reports from the lab about the intruder 358 00:20:25.480 --> 00:20:26.960 align:center line:-3 at Mantel's property. 359 00:20:26.960 --> 00:20:29.960 align:center line:-4 And what are you, the human shield? Kenny, out! 360 00:20:29.960 --> 00:20:31.960 align:center line:-4 We do this scene where she finds out, and she says, 361 00:20:31.960 --> 00:20:33.960 align:center line:-3 "Oh, I feel I want to throw this." 362 00:20:33.960 --> 00:20:35.960 align:center line:-4 And I said, "Ah, go ahead, throw it at me." Boom. 363 00:20:35.960 --> 00:20:39.480 align:center line:-3 Get out! You're not welcome here! 364 00:20:39.480 --> 00:20:41.960 align:center line:-3 HE LAUGHS 365 00:20:41.960 --> 00:20:43.960 align:center line:-4 She didn't pull any punches, you know what I mean? 366 00:20:43.960 --> 00:20:45.960 align:center line:-3 And from then on, I thought, 367 00:20:45.960 --> 00:20:48.640 align:center line:-4 "Ah, right, I'm gonna have to up my game here." 368 00:20:48.640 --> 00:20:49.960 align:center line:-3 HE LAUGHS 369 00:20:49.960 --> 00:20:51.320 align:center line:-3 SHE LAUGHS 370 00:20:51.320 --> 00:20:53.960 align:center line:-4 Although Vera's always having a pop at him, 371 00:20:53.960 --> 00:20:56.960 align:center line:-4 he's the one that's been on her team the longest, 372 00:20:56.960 --> 00:20:59.480 align:center line:-3 and he's the one most loyal to her. 373 00:21:00.960 --> 00:21:02.320 align:center line:-3 What are you looking at? 374 00:21:03.960 --> 00:21:06.640 align:center line:-4 Go and get me a large drink and a psychiatrist. 375 00:21:07.960 --> 00:21:10.960 align:center line:-3 At last, a cry for help. 376 00:21:12.960 --> 00:21:16.960 align:center line:-4 My brother, a lot of his friends are cops. 377 00:21:16.960 --> 00:21:19.960 align:center line:-3 And they all say Jon Morrison 378 00:21:19.960 --> 00:21:21.960 align:center line:-4 is the most authentic cop on television. 379 00:21:21.960 --> 00:21:24.960 align:center line:-3 He's just so good. Isn't he good? 380 00:21:24.960 --> 00:21:26.640 align:center line:-3 I love him. 381 00:21:30.800 --> 00:21:31.960 align:center line:-4 Hello. MAN: Hello. 382 00:21:31.960 --> 00:21:34.960 align:center line:-7 Lovely to see you. You too. 383 00:21:34.960 --> 00:21:36.960 align:center line:-6 'I play DC Steph Duncan.' 384 00:21:37.960 --> 00:21:39.960 align:center line:-3 Steph, surveillance. 385 00:21:39.960 --> 00:21:42.160 align:center line:-4 Erm, there was no surveillance near the crime scene, Ma'am. 386 00:21:42.160 --> 00:21:44.640 align:center line:-4 We're still checking ANPR and speed cameras. 387 00:21:44.640 --> 00:21:47.960 align:center line:-4 Now, Jac would've handed me a list of any stolen cars by now. 388 00:21:47.960 --> 00:21:50.960 align:center line:-4 Since she's back in fraud, you need to step up. 389 00:21:50.960 --> 00:21:52.160 align:center line:-3 I'll make sure I'm across it, Ma'am. 390 00:21:52.160 --> 00:21:54.960 align:center line:-3 Aye, as soon as you like. 391 00:21:56.960 --> 00:21:58.960 align:center line:-3 My family were huge fans of Vera, 392 00:21:58.960 --> 00:22:00.960 align:center line:-4 so I would always watch Vera with my mum. 393 00:22:00.960 --> 00:22:04.960 align:center line:-4 So it was quite a surreal thing to have an audition for something 394 00:22:04.960 --> 00:22:06.960 align:center line:-4 that I was like, "Oh, we've watched this for ages." 395 00:22:08.960 --> 00:22:10.960 align:center line:-4 'My first scenes were in Hexham Market.' 396 00:22:10.960 --> 00:22:13.320 align:center line:-4 You'll have to take that one up with the boss. 397 00:22:13.320 --> 00:22:16.960 align:center line:-4 Sometimes, you know, when you had some young actors coming on set, 398 00:22:16.960 --> 00:22:19.960 align:center line:-3 they've only seen Vera on the telly. 399 00:22:19.960 --> 00:22:21.960 align:center line:-4 You know, so they come in, they're quaking. 400 00:22:21.960 --> 00:22:22.960 align:center line:-3 SHE LAUGHS 401 00:22:22.960 --> 00:22:23.960 align:center line:-3 I mean, you always... 402 00:22:23.960 --> 00:22:25.960 align:center line:-4 there's always this sort of nerves that come alongside, 403 00:22:25.960 --> 00:22:28.960 align:center line:-4 especially someone like Brenda that you've watched for so long. 404 00:22:28.960 --> 00:22:29.960 align:center line:-3 Ma'am? 405 00:22:32.960 --> 00:22:35.960 align:center line:-4 Barmaid confirmed Danny'd had a skinful. 406 00:22:35.960 --> 00:22:39.960 align:center line:-4 And so I make a point putting them at their ease, 407 00:22:39.960 --> 00:22:43.960 align:center line:-4 crack a joke or do something silly or do something deliberately wrong 408 00:22:43.960 --> 00:22:46.000 align:center line:-4 so that they know it's OK to do something wrong. 409 00:22:46.000 --> 00:22:47.960 align:center line:-3 But as soon as you meet her, 410 00:22:47.960 --> 00:22:51.960 align:center line:-4 they just melt away cos she's so personable, so kind and so lovely. 411 00:22:51.960 --> 00:22:53.800 align:center line:-3 Good work, Steph. 412 00:22:56.960 --> 00:23:00.960 align:center line:-4 One of my favourite episodes is Little Lazarus. 413 00:23:00.960 --> 00:23:04.960 align:center line:-4 And that was Riley Jones' first episode. 414 00:23:04.960 --> 00:23:06.640 align:center line:-3 He was a copper in uniform. 415 00:23:06.640 --> 00:23:07.960 align:center line:-3 Ma'am. 416 00:23:11.960 --> 00:23:12.960 align:center line:-3 What's going on? 417 00:23:14.960 --> 00:23:16.480 align:center line:-3 I was on my way home. 418 00:23:17.640 --> 00:23:18.960 align:center line:-3 Blind chance is what it was. 419 00:23:18.960 --> 00:23:21.960 align:center line:-7 I was in one scene, and it was with Brenda, 420 00:23:21.960 --> 00:23:23.960 align:center line:-6 and it was an amazing experience. 421 00:23:23.960 --> 00:23:26.480 align:center line:-5 Your first time, is it, son? 422 00:23:26.480 --> 00:23:27.960 align:center line:-3 Straight out of uni. 423 00:23:27.960 --> 00:23:29.960 align:center line:-3 He did it so well 424 00:23:29.960 --> 00:23:33.960 align:center line:-4 that we campaigned to get him a job in CID. 425 00:23:33.960 --> 00:23:35.960 align:center line:-4 But it wasn't until years later that I found out 426 00:23:35.960 --> 00:23:37.960 align:center line:-4 that Brenda had spoken to the producers. 427 00:23:37.960 --> 00:23:39.960 align:center line:-3 Who's a good person? 428 00:23:39.960 --> 00:23:42.960 align:center line:-4 And so when we came back to do series two, 429 00:23:42.960 --> 00:23:44.960 align:center line:-3 erm, he came again. 430 00:23:44.960 --> 00:23:46.960 align:center line:-3 We've met before, Ma'am. 431 00:23:46.960 --> 00:23:49.960 align:center line:-3 Oh, PC Edwards. 432 00:23:49.960 --> 00:23:51.960 align:center line:-4 There's not many people in her position, 433 00:23:51.960 --> 00:23:53.960 align:center line:-3 I think, that would do that. 434 00:23:53.960 --> 00:23:56.960 align:center line:-3 But later on, he joined CID. 435 00:23:59.960 --> 00:24:01.960 align:center line:-4 And what is this? VERA LAUGHS 436 00:24:03.960 --> 00:24:04.960 align:center line:-3 It was my dad's. 437 00:24:05.960 --> 00:24:08.320 align:center line:-4 Well, it was either me or the scrapheap. 438 00:24:09.960 --> 00:24:11.960 align:center line:-4 Oh, it was a devil to get her started. 439 00:24:11.960 --> 00:24:12.960 align:center line:-3 ENGINE STARTS 440 00:24:12.960 --> 00:24:14.960 align:center line:-3 It's a she, is it? 441 00:24:19.960 --> 00:24:21.960 align:center line:-4 The Landy is a big character in the show. 442 00:24:21.960 --> 00:24:24.960 align:center line:-3 That Landy is phenomenal. 443 00:24:24.960 --> 00:24:27.960 align:center line:-3 It's sturdy, it's ballsy. 444 00:24:27.960 --> 00:24:31.960 align:center line:-4 It's reliable. It's very much like Vera in many ways. 445 00:24:35.160 --> 00:24:36.960 align:center line:-3 CLUTCH GRINDS 446 00:24:36.960 --> 00:24:39.960 align:center line:-3 Hey, go easy! It's not a tank! 447 00:24:39.960 --> 00:24:42.960 align:center line:-3 No, she's more of a battle axe. 448 00:24:43.960 --> 00:24:47.640 align:center line:-4 It's a Land Rover Defender, and it's Brenda's Land Rover. 449 00:24:47.640 --> 00:24:49.960 align:center line:-4 Was converted to automatic for her. 450 00:24:50.960 --> 00:24:52.800 align:center line:-3 I've put small tyres on 451 00:24:52.800 --> 00:24:54.960 align:center line:-4 so she'll get in and out easier and a step-on for her. 452 00:24:54.960 --> 00:24:57.960 align:center line:-3 And just maintained it ever since. 453 00:24:57.960 --> 00:24:59.800 align:center line:-3 Looked after her from day one. 454 00:25:03.960 --> 00:25:06.320 align:center line:-4 It didn't ever break down on us while I was working with it. 455 00:25:07.320 --> 00:25:08.960 align:center line:-3 Brenda loves to drive it. 456 00:25:08.960 --> 00:25:10.960 align:center line:-4 In fact, she drives it better than anybody else. 457 00:25:13.960 --> 00:25:15.960 align:center line:-4 SHOUTING, HORN BEEPS 458 00:25:16.960 --> 00:25:17.960 align:center line:-3 Bloody hooligans. 459 00:25:18.960 --> 00:25:21.320 align:center line:1 When you consider it's a feature-length film, 460 00:25:21.320 --> 00:25:23.960 align:center line:1 we do it in a month, there's not a lot of time, 461 00:25:23.960 --> 00:25:27.960 align:center line:1 so if there's a shot of Vera driving along the horizon, 462 00:25:27.960 --> 00:25:29.960 align:center line:-4 I don't really need to be in the car. 463 00:25:29.960 --> 00:25:31.800 align:center line:-3 You what? 464 00:25:36.960 --> 00:25:38.960 align:center line:-3 I'm Kit, Kit Littlejohn, 465 00:25:38.960 --> 00:25:41.480 align:center line:-6 and I've been a driving double for Vera, 466 00:25:41.480 --> 00:25:43.960 align:center line:-6 Brenda Blethyn, for nearly six years now. 467 00:25:43.960 --> 00:25:45.960 align:center line:-3 So it's mainly driving the Landy. 468 00:25:47.960 --> 00:25:50.960 align:center line:-4 If there's a fleeting glance, they're wearing the same costume, 469 00:25:50.960 --> 00:25:53.960 align:center line:-3 so no-one'll ever question it. 470 00:25:53.960 --> 00:25:55.960 align:center line:-3 That's amazing. 471 00:25:55.960 --> 00:25:56.960 align:center line:-3 When we're out and about, 472 00:25:56.960 --> 00:25:59.480 align:center line:-6 people think that we're the real deal, sometimes, don't they? 473 00:25:59.480 --> 00:26:02.320 align:center line:-6 Which is quite amusing when they get a bit closer and realise it's not. 474 00:26:02.320 --> 00:26:04.960 align:center line:-4 Well, it must be nice to be asked, anyway. 475 00:26:17.960 --> 00:26:19.960 align:center line:-3 MAN: Let's get Kevin ready, please. 476 00:26:23.960 --> 00:26:25.960 align:center line:-3 And action. 477 00:26:26.960 --> 00:26:28.960 align:center line:-4 One of my favourite moments on the show 478 00:26:28.960 --> 00:26:31.960 align:center line:-4 is when Brenda goes to visit Creelan. 479 00:26:31.960 --> 00:26:35.960 align:center line:1 She leaps out of the Landy, and then she gives a broad smile. 480 00:26:35.960 --> 00:26:37.960 align:center line:-3 It's a glorious day. 481 00:26:37.960 --> 00:26:39.960 align:center line:-4 It was really exciting when Kevin Whately was cast. 482 00:26:39.960 --> 00:26:42.000 align:center line:-6 When Vera first discovers me, 483 00:26:42.000 --> 00:26:44.960 align:center line:-6 I'm out fly fishing, I'm a retired cop. 484 00:26:44.960 --> 00:26:49.960 align:center line:-4 And frankly, so what if a tiny forensic element 485 00:26:49.960 --> 00:26:51.160 align:center line:-3 was a little bit flaky? 486 00:26:51.160 --> 00:26:53.160 align:center line:-4 "So what?" SHE CHUCKLES 487 00:26:54.960 --> 00:26:57.960 align:center line:-3 He's such a familiar, iconic figure 488 00:26:57.960 --> 00:27:00.960 align:center line:-4 having played an inspector himself in the past. 489 00:27:00.960 --> 00:27:04.960 align:center line:-6 So then the prospect of getting him and Brenda, you know, 490 00:27:04.960 --> 00:27:06.480 align:center line:-5 so Vera and Inspector Lewis, 491 00:27:06.480 --> 00:27:08.960 align:center line:-4 even though it's not, and it's a different character. 492 00:27:08.960 --> 00:27:12.960 align:center line:-4 I think that's a bit of a treat for the audience. 493 00:27:17.960 --> 00:27:19.960 align:center line:-4 536, take one. Yeah. 494 00:27:25.960 --> 00:27:27.960 align:center line:-3 Camera set and... action. 495 00:27:29.960 --> 00:27:32.960 align:center line:-4 You wanna hope nobody pops up to comb through all your old cases 496 00:27:32.960 --> 00:27:37.960 align:center line:-4 one of these days, Vera, accusing you of all sorts. 497 00:27:37.960 --> 00:27:40.960 align:center line:-4 If one of my cases did wrongly convict someone, 498 00:27:40.960 --> 00:27:44.960 align:center line:-4 I'd want it questioned. And damn my reputation! 499 00:27:49.960 --> 00:27:52.320 align:center line:-4 Must have been fairly weird for him to come in 500 00:27:52.320 --> 00:27:54.960 align:center line:-3 to play a guest part in Vera. 501 00:27:54.960 --> 00:27:56.960 align:center line:-4 But I think he's amazing. He did brilliantly well, 502 00:27:56.960 --> 00:27:59.960 align:center line:-4 and it was wonderful to see those two playing together. 503 00:28:07.960 --> 00:28:12.960 align:center line:-4 She is an incredibly phenomenal professional. 504 00:28:12.960 --> 00:28:15.960 align:center line:-5 Her... The interrogation of script, 505 00:28:15.960 --> 00:28:18.960 align:center line:-6 her sort of striving for authenticity 506 00:28:18.960 --> 00:28:21.960 align:center line:-4 and perfection every day keeps us all on our toes. 507 00:28:21.960 --> 00:28:24.960 align:center line:1 I have to learn what's gonna be filmed the following day, 508 00:28:24.960 --> 00:28:26.480 align:center line:1 and it's usually quite a lot. 509 00:28:26.480 --> 00:28:28.960 align:center line:-4 I might spot some sort of anomaly in it. 510 00:28:30.960 --> 00:28:34.960 align:center line:-4 There was one episode where the caravan blew up 511 00:28:34.960 --> 00:28:37.800 align:center line:-3 and someone died in the caravan, 512 00:28:37.800 --> 00:28:41.640 align:center line:-4 and they're looking at it, and they found a brooch of a bird. 513 00:28:41.640 --> 00:28:42.960 align:center line:-3 This it? 514 00:28:44.960 --> 00:28:46.960 align:center line:-3 Yeah, that's a bird. 515 00:28:46.960 --> 00:28:49.960 align:center line:-4 But it was never mentioned in the script - what bird is it? 516 00:28:49.960 --> 00:28:52.960 align:center line:-4 Cos she would know, and, you know, it's just things like that. 517 00:28:52.960 --> 00:28:55.960 align:center line:-3 Just detail. I cared about it. 518 00:28:55.960 --> 00:28:58.960 align:center line:-4 In fact, everybody cared about it, everyone, erm... 519 00:28:58.960 --> 00:29:00.000 align:center line:-3 I think it shows. 520 00:29:01.960 --> 00:29:06.480 align:center line:-4 Yeah, she's 100%, you know, dedicated to the show 521 00:29:06.480 --> 00:29:09.960 align:center line:-6 and what she's doing, and, you know, for example, 522 00:29:09.960 --> 00:29:13.960 align:center line:-6 the incident board in the police station. 523 00:29:13.960 --> 00:29:17.960 align:center line:-4 She takes, like, a forensic interest in what is on that board. 524 00:29:20.960 --> 00:29:23.960 align:center line:-4 'And we're just doing a scene in the incident room now.' 525 00:29:23.960 --> 00:29:26.960 align:center line:-6 Brenda likes when everything's exact, 526 00:29:26.960 --> 00:29:28.160 align:center line:-6 so when she's looking through her files, 527 00:29:28.160 --> 00:29:29.960 align:center line:-4 she's looking at a piece of evidence, 528 00:29:29.960 --> 00:29:31.960 align:center line:-3 she can not only read off it, 529 00:29:31.960 --> 00:29:34.960 align:center line:-4 but she understands it and gets into the character more. 530 00:29:38.960 --> 00:29:41.000 align:center line:-4 The character is the most important thing. 531 00:29:41.000 --> 00:29:42.960 align:center line:-4 No matter who it is you're working with, 532 00:29:42.960 --> 00:29:45.000 align:center line:-4 you strive to make it as real as possible. 533 00:29:45.000 --> 00:29:46.960 align:center line:-3 You're protecting him? 534 00:29:46.960 --> 00:29:48.640 align:center line:-3 No, I'm not. 535 00:29:50.160 --> 00:29:53.480 align:center line:-4 I have a log of his movements on the day. 536 00:29:54.960 --> 00:29:59.960 align:center line:-4 Oh, there have been so, so many wonderful actors in Vera. 537 00:29:59.960 --> 00:30:02.960 align:center line:-4 We had the cream of British talent coming in. 538 00:30:02.960 --> 00:30:04.480 align:center line:-3 George Costigan came in. 539 00:30:05.960 --> 00:30:07.960 align:center line:-3 William Telling? 540 00:30:07.960 --> 00:30:08.960 align:center line:-3 That's me. 541 00:30:08.960 --> 00:30:11.000 align:center line:-4 It's always wonderful when you get a well-known actor 542 00:30:11.000 --> 00:30:12.960 align:center line:-3 who wants to be in the show. 543 00:30:12.960 --> 00:30:14.960 align:center line:-3 Aye. 544 00:30:16.960 --> 00:30:21.160 align:center line:-4 Jill Halfpenny, who is very much a local actor, 545 00:30:21.160 --> 00:30:22.960 align:center line:-3 has appeared in one. 546 00:30:22.960 --> 00:30:24.160 align:center line:-3 I'm not sorry I killed her. 547 00:30:25.960 --> 00:30:27.960 align:center line:-3 Sorry I got caught. 548 00:30:28.960 --> 00:30:31.960 align:center line:-4 This show has always looked to move forward, 549 00:30:31.960 --> 00:30:35.960 align:center line:-4 and has introduced so many great actors over the years - 550 00:30:35.960 --> 00:30:37.960 align:center line:-3 you know, people like Cush Jumbo. 551 00:30:39.960 --> 00:30:41.960 align:center line:-4 JILL HALFPENNY: Cush's career led her across the Atlantic 552 00:30:41.960 --> 00:30:44.960 align:center line:-3 to the hit US show The Good Fight. 553 00:30:44.960 --> 00:30:46.960 align:center line:-3 Let's take, erm, Kingsley. 554 00:30:46.960 --> 00:30:48.960 align:center line:-3 Definitely one of the two. 555 00:30:48.960 --> 00:30:53.000 align:center line:-4 Kingsley now, what he's done in Hollywood, it's amazing. 556 00:30:53.000 --> 00:30:55.960 align:center line:-4 Yeah, I think there's something very special about Vera 557 00:30:55.960 --> 00:30:57.960 align:center line:-4 in the sense that, you know, it has given opportunities 558 00:30:57.960 --> 00:31:00.960 align:center line:-3 to so many actors along the way. 559 00:31:00.960 --> 00:31:02.160 align:center line:-3 Jodie Comer being one of them. 560 00:31:02.160 --> 00:31:03.960 align:center line:-3 Yeah. Yeah, I did. 561 00:31:03.960 --> 00:31:05.960 align:center line:-3 As well as Charlie Heaton, 562 00:31:05.960 --> 00:31:08.000 align:center line:-4 now better known for Stranger Things. 563 00:31:08.000 --> 00:31:09.960 align:center line:-3 That's the lad there. 564 00:31:09.960 --> 00:31:10.960 align:center line:-3 You sure? 565 00:31:10.960 --> 00:31:12.800 align:center line:-3 Yeah. 566 00:31:12.800 --> 00:31:13.960 align:center line:-3 In any actor's career, 567 00:31:13.960 --> 00:31:17.800 align:center line:-4 I think just being on good shows helps, doesn't it? 568 00:31:20.960 --> 00:31:22.960 align:center line:-3 Nice. 569 00:31:23.960 --> 00:31:27.960 align:center line:-4 Filming this globally popular series up in the North East of England 570 00:31:27.960 --> 00:31:29.960 align:center line:-3 has, over time, built up 571 00:31:29.960 --> 00:31:32.960 align:center line:-4 a uniquely committed and close-knit crew. 572 00:31:32.960 --> 00:31:36.960 align:center line:-4 We have an enormous crew, because it's a big, big show. 573 00:31:36.960 --> 00:31:38.160 align:center line:-3 We're covering a lot of ground. 574 00:31:38.160 --> 00:31:40.960 align:center line:-4 It's the warmest crew I've ever worked with 575 00:31:40.960 --> 00:31:43.960 align:center line:-4 and the most eager and the most able, 576 00:31:43.960 --> 00:31:47.320 align:center line:-4 and everybody has earned their place there. 577 00:31:47.320 --> 00:31:49.960 align:center line:-4 I think it makes a big difference that 578 00:31:49.960 --> 00:31:52.960 align:center line:-4 a large percentage of the crew are from the region. 579 00:31:52.960 --> 00:31:57.800 align:center line:1 Everyone brings their A game, and they're so proud of the region. 580 00:31:57.800 --> 00:32:00.960 align:center line:-4 I'd say 70% of the team come back year in, year out. 581 00:32:00.960 --> 00:32:02.960 align:center line:-3 Not because of the salary, 582 00:32:02.960 --> 00:32:05.960 align:center line:-4 and, well... and not because of it's close to home, 583 00:32:05.960 --> 00:32:07.960 align:center line:-3 but it's because they love the show. 584 00:32:09.960 --> 00:32:11.960 align:center line:-4 The wholesome thing about Vera for me 585 00:32:11.960 --> 00:32:14.960 align:center line:-4 is that it creates a huge amount of employment, you know, 586 00:32:14.960 --> 00:32:16.960 align:center line:-3 for technicians. 587 00:32:16.960 --> 00:32:19.960 align:center line:-4 There's probably 40, 50 people in this room - 588 00:32:19.960 --> 00:32:21.800 align:center line:-3 technicians, crowd artists, actors. 589 00:32:21.800 --> 00:32:25.960 align:center line:-4 It's just amazing what Brenda's done over these 14 years. 590 00:32:27.960 --> 00:32:30.480 align:center line:-6 I'm part of the props department on Vera. 591 00:32:30.480 --> 00:32:32.960 align:center line:-6 I do the standby, did some dressing. 592 00:32:34.960 --> 00:32:36.960 align:center line:-3 So, there's about 14 years 593 00:32:36.960 --> 00:32:40.960 align:center line:-4 of accumulated lamps and office stuff, 594 00:32:40.960 --> 00:32:43.160 align:center line:-4 that we've just kept over the years. 595 00:32:43.160 --> 00:32:45.960 align:center line:-4 It's just something I've always been passionate about, 596 00:32:45.960 --> 00:32:47.960 align:center line:-3 and I just enjoy the job. 597 00:32:50.960 --> 00:32:52.960 align:center line:-3 OK. Happy to shoot? 598 00:32:52.960 --> 00:32:54.960 align:center line:-3 Jay, explain it's you next time. 599 00:32:54.960 --> 00:32:57.960 align:center line:-3 Paul, we've worked with 600 00:32:57.960 --> 00:33:00.960 align:center line:-4 probably more than any other director on this, 601 00:33:00.960 --> 00:33:03.960 align:center line:-4 and I just love, love working with him. 602 00:33:03.960 --> 00:33:05.000 align:center line:-3 I know that's your favourite shot. 603 00:33:05.000 --> 00:33:06.960 align:center line:-3 LAUGHTER 604 00:33:07.960 --> 00:33:12.960 align:center line:-4 I'm one of those people who have what they call imposter syndrome, 605 00:33:12.960 --> 00:33:16.960 align:center line:-4 and if a director comes in who I don't know, 606 00:33:16.960 --> 00:33:19.960 align:center line:-3 or I'm not familiar with their work, 607 00:33:19.960 --> 00:33:21.960 align:center line:-4 I straight away think they know better than me. 608 00:33:23.960 --> 00:33:24.960 align:center line:-3 Can we cut there? 609 00:33:24.960 --> 00:33:26.960 align:center line:-4 Cut, thank you. Very good indeed, thank you. 610 00:33:26.960 --> 00:33:28.960 align:center line:-3 Let's do one more. 611 00:33:29.960 --> 00:33:33.480 align:center line:-4 I love working with Claire, but it was tricky the first time. 612 00:33:33.480 --> 00:33:35.960 align:center line:-4 I didn't know if she trusted me or not, but... 613 00:33:35.960 --> 00:33:37.960 align:center line:-4 and then I soon found out that she did. 614 00:33:40.960 --> 00:33:42.800 align:center line:-6 I think Vera's brought an enormous amount 615 00:33:42.800 --> 00:33:44.960 align:center line:-6 to me as a director, and to the way I work. 616 00:33:44.960 --> 00:33:46.960 align:center line:-4 We're currently working in Vera's office 617 00:33:46.960 --> 00:33:49.960 align:center line:-4 in the police station, which always feels like home, 618 00:33:49.960 --> 00:33:52.960 align:center line:-4 and we're filming a scene with Vera and Kenny. 619 00:33:54.160 --> 00:33:57.960 align:center line:-4 'Brenda works so hard. She's across all of the scripts 620 00:33:57.960 --> 00:34:01.960 align:center line:-4 'for all of the episodes all of the time. 621 00:34:01.960 --> 00:34:05.960 align:center line:-4 'She's across the edits for episodes that have already shot.' 622 00:34:05.960 --> 00:34:08.960 align:center line:-4 She's thinking about her own character. 623 00:34:09.960 --> 00:34:11.800 align:center line:-3 She might be on a windy clifftop, 624 00:34:11.800 --> 00:34:13.960 align:center line:-4 or she might be blown away on a beach 625 00:34:13.960 --> 00:34:15.960 align:center line:-3 with her hat flying in the air. 626 00:34:15.960 --> 00:34:20.960 align:center line:-4 Every day is different for her, but she comes so prepared. 627 00:34:22.960 --> 00:34:25.480 align:center line:-3 'It is a long, gruelling day, 628 00:34:25.480 --> 00:34:28.960 align:center line:-4 'so it's important for me to be there... 629 00:34:28.960 --> 00:34:31.960 align:center line:-4 'for it to be a pleasant atmosphere on set.' 630 00:34:31.960 --> 00:34:32.960 align:center line:-3 PHONE RINGS 631 00:34:32.960 --> 00:34:34.800 align:center line:-3 Oh, dear. 632 00:34:34.800 --> 00:34:36.960 align:center line:-4 There's somebody's phone on the desk. 633 00:34:36.960 --> 00:34:37.960 align:center line:-3 Mine. 634 00:34:37.960 --> 00:34:39.960 align:center line:-3 LAUGHTER 635 00:34:39.960 --> 00:34:42.960 align:center line:-3 'The crew work non-stop.' 636 00:34:42.960 --> 00:34:45.960 align:center line:-4 I have a few bits where I can sit down 637 00:34:45.960 --> 00:34:47.960 align:center line:-4 while they're setting up the next scene, 638 00:34:47.960 --> 00:34:50.960 align:center line:-4 but they don't - they're on the go all the time. 639 00:35:03.960 --> 00:35:06.960 align:center line:-4 WOMAN: Guys, you wanna come back here and get your stuff, 640 00:35:06.960 --> 00:35:07.960 align:center line:-3 and we'll get you started? 641 00:35:12.960 --> 00:35:15.160 align:center line:1 Well, it's not every day you expect 642 00:35:15.160 --> 00:35:17.960 align:center line:1 150 witches to show up on the doorstep, you know. 643 00:35:17.960 --> 00:35:19.960 align:center line:1 HE LAUGHS 644 00:35:20.960 --> 00:35:23.160 align:center line:-4 JILL HALFPENNY: This will be one of the biggest scenes 645 00:35:23.160 --> 00:35:25.480 align:center line:-3 ever filmed by the Vera team. 646 00:35:25.480 --> 00:35:28.160 align:center line:-4 The hair, make-up and costume departments 647 00:35:28.160 --> 00:35:30.960 align:center line:-4 have just a few hours to prepare the SAs, 648 00:35:30.960 --> 00:35:33.960 align:center line:-4 better known as supporting artists, for filming. 649 00:35:33.960 --> 00:35:36.960 align:center line:-6 So, we've got a big witch hunt today. 650 00:35:36.960 --> 00:35:41.960 align:center line:-5 We've got 150 SAs to get through. 651 00:35:41.960 --> 00:35:46.480 align:center line:-4 50 of them are featured, and 100 are not featured. 652 00:35:46.480 --> 00:35:49.960 align:center line:-4 This is my last one. SHE LAUGHS 653 00:35:49.960 --> 00:35:54.960 align:center line:-6 Paul, the director, wanted things to be quite spooky and dark, 654 00:35:54.960 --> 00:35:57.800 align:center line:-5 but not necessarily too scary. 655 00:35:57.800 --> 00:36:00.960 align:center line:-4 And I think these kind of do the job really well. 656 00:36:12.960 --> 00:36:16.160 align:center line:-4 It was like nothing I'd seen before on Vera - 657 00:36:16.160 --> 00:36:19.960 align:center line:1 just hordes of people, erm... 658 00:36:19.960 --> 00:36:21.320 align:center line:1 in the most fantastic costumes. 659 00:36:26.960 --> 00:36:29.960 align:center line:-4 We're looking for a missing person, 660 00:36:29.960 --> 00:36:33.640 align:center line:-4 and we end up getting caught up in a witch hunt. 661 00:36:33.640 --> 00:36:36.960 align:center line:-4 We still wanna get that "whoa!" EXTRAS: Whoa! 662 00:36:36.960 --> 00:36:39.960 align:center line:-4 And we're set. Action. 663 00:36:39.960 --> 00:36:43.960 align:center line:-4 EXTRAS CHEER, SHAKE TAMBOURINES 664 00:36:43.960 --> 00:36:46.960 align:center line:-4 DRUMBEAT WOMAN: You know the rules. 665 00:36:46.960 --> 00:36:50.640 align:center line:-4 All these costumes are gonna make finding her a nightmare. 666 00:36:50.640 --> 00:36:53.960 align:center line:-4 Now, the witch can be anywhere within the set area. 667 00:36:53.960 --> 00:36:56.320 align:center line:-3 HORN BEEPING 668 00:36:59.960 --> 00:37:02.960 align:center line:-3 WOMAN: Cut! Cut! 669 00:37:07.960 --> 00:37:11.960 align:center line:-4 It's always kind of very surprising and satisfying, 670 00:37:11.960 --> 00:37:13.960 align:center line:-4 because you are up kind of making a show 671 00:37:13.960 --> 00:37:15.960 align:center line:-3 in the North East of England 672 00:37:15.960 --> 00:37:19.960 align:center line:-6 that someone in Sweden or Canada or New Zealand, 673 00:37:19.960 --> 00:37:21.960 align:center line:-6 you know, is watching that two years later 674 00:37:21.960 --> 00:37:25.160 align:center line:-6 and feeling such a kind of strong emotional attachment 675 00:37:25.160 --> 00:37:28.800 align:center line:-4 you know, to the show and to the characters. 676 00:37:28.800 --> 00:37:31.800 align:center line:-5 DUBBED IN GERMAN: 677 00:37:36.960 --> 00:37:39.960 align:center line:-4 Broadcast in 187 territories worldwide, 678 00:37:39.960 --> 00:37:41.960 align:center line:-3 Vera is always on, 679 00:37:41.960 --> 00:37:47.160 align:center line:-4 whether you're streaming it on ITVX in the UK or BritBox in America. 680 00:37:47.160 --> 00:37:50.320 align:center line:1 It's quite thrilling, actually, to be in something so popular. 681 00:37:50.320 --> 00:37:53.640 align:center line:-5 DUBBED IN FRENCH: 682 00:37:58.960 --> 00:38:01.960 align:center line:1 I think Vera's so popular throughout the world 683 00:38:01.960 --> 00:38:06.960 align:center line:1 because she is that strong woman of a certain age. 684 00:38:06.960 --> 00:38:09.960 align:center line:1 So there are strong women of a certain age 685 00:38:09.960 --> 00:38:12.960 align:center line:1 throughout the world who are cheering her on, 686 00:38:12.960 --> 00:38:14.960 align:center line:1 because she represents them. 687 00:38:14.960 --> 00:38:16.960 align:center line:-5 DUBBED IN FRENCH: 688 00:38:28.960 --> 00:38:31.960 align:center line:-3 Look - Mairi's hat! She made it. 689 00:38:31.960 --> 00:38:33.960 align:center line:1 Another woodland creature for you. 690 00:38:35.960 --> 00:38:38.960 align:center line:-4 "Oh, don't look at the mess," Mairi's screaming. 691 00:38:38.960 --> 00:38:40.960 align:center line:-4 LAUGHTER We're packing up. 692 00:38:40.960 --> 00:38:43.960 align:center line:-4 We are packing up, so... It's usually much cleaner than this. 693 00:38:43.960 --> 00:38:45.960 align:center line:-3 Yeah, it's usually... so tidy. 694 00:38:49.960 --> 00:38:54.960 align:center line:-4 So, Vera's coming to a magnificent end, series 14, 695 00:38:54.960 --> 00:38:56.960 align:center line:-3 and today we're selling off 696 00:38:56.960 --> 00:38:59.960 align:center line:-4 some of the costume to cast and crew 697 00:38:59.960 --> 00:39:01.960 align:center line:-3 to raise money for a local hospice. 698 00:39:01.960 --> 00:39:03.960 align:center line:-4 And so the cast and crew'll come through, 699 00:39:03.960 --> 00:39:06.640 align:center line:-4 and they'll bag a bargain, something glamorous for... 700 00:39:06.640 --> 00:39:08.800 align:center line:-4 for the wrap party. Maybe the wrap party. 701 00:39:10.960 --> 00:39:14.640 align:center line:-4 Of course, there are a few key items not for sale. 702 00:39:14.640 --> 00:39:16.960 align:center line:-4 As a character, Vera's got a allergy to the sun, 703 00:39:16.960 --> 00:39:19.640 align:center line:-4 and that's why she wears her hat and a coat, 704 00:39:19.640 --> 00:39:20.960 align:center line:-3 and she's covered at all times. 705 00:39:20.960 --> 00:39:21.960 align:center line:-3 Is it working? 706 00:39:21.960 --> 00:39:23.960 align:center line:-3 I should say so, yeah. 707 00:39:23.960 --> 00:39:26.960 align:center line:-4 Don't look there. Brenda Blethyn's thermal underwear. 708 00:39:26.960 --> 00:39:28.160 align:center line:-3 Don't look at that! 709 00:39:28.160 --> 00:39:32.800 align:center line:-4 The costume design is very cleverly done, 710 00:39:32.800 --> 00:39:34.960 align:center line:-3 so that everything ends at the hip. 711 00:39:34.960 --> 00:39:37.960 align:center line:-4 So when people would say to me, "How much padding do you wear?" 712 00:39:37.960 --> 00:39:41.960 align:center line:-4 it's a bit like saying to a lady, "When's the baby due?" 713 00:39:42.960 --> 00:39:45.960 align:center line:-4 I didn't want to say, "Oh, I don't actually wear any padding!" 714 00:39:45.960 --> 00:39:48.960 align:center line:-4 That's me and the clever costume design. 715 00:39:48.960 --> 00:39:52.960 align:center line:-4 I've grown into it now, over 14 years. 716 00:39:52.960 --> 00:39:55.320 align:center line:-4 So, this is actually Brenda's favourite Vera blouse. 717 00:39:55.320 --> 00:39:57.960 align:center line:-4 She calls it her Brussels sprout, because of the pattern. 718 00:39:59.960 --> 00:40:01.960 align:center line:-3 This is a selection of scarves. 719 00:40:01.960 --> 00:40:07.960 align:center line:-4 So, what Brenda tends to do now is she does one scarf per episode. 720 00:40:07.960 --> 00:40:10.960 align:center line:-4 And the scarf that she's wearing for her final episode 721 00:40:10.960 --> 00:40:12.960 align:center line:-4 is the scarf she wore in her first episode. 722 00:40:12.960 --> 00:40:15.960 align:center line:-4 It's a costume book end. We're quite proud of it. 723 00:40:16.960 --> 00:40:19.000 align:center line:-3 So, along with this blouse... 724 00:40:20.960 --> 00:40:22.960 align:center line:-4 ..that'll be the last Vera costume ever. 725 00:40:32.960 --> 00:40:35.160 align:center line:-4 I always remember reading that final script 726 00:40:35.160 --> 00:40:39.960 align:center line:-4 and being so interested to know how it was all gonna play out. 727 00:40:39.960 --> 00:40:43.960 align:center line:-4 It gave us the chance to delve into Vera's past a little bit, 728 00:40:43.960 --> 00:40:46.960 align:center line:-4 and see a little bit more of who she is 729 00:40:46.960 --> 00:40:48.800 align:center line:-3 and where she's come from. 730 00:40:52.640 --> 00:40:53.960 align:center line:-3 The case that she's trying to solve, 731 00:40:53.960 --> 00:40:56.800 align:center line:-4 there are echoes of her own background, 732 00:40:56.800 --> 00:40:58.960 align:center line:-4 which is why she keeps thinking back. 733 00:41:00.800 --> 00:41:04.960 align:center line:-4 'Her father, he always considered her to be doing a man's job.' 734 00:41:07.960 --> 00:41:12.320 align:center line:1 We'd never done that before, going back into Vera as a young girl 735 00:41:12.320 --> 00:41:13.960 align:center line:-3 and seeing her life. 736 00:41:20.960 --> 00:41:22.320 align:center line:-3 You can't join the police. 737 00:41:22.320 --> 00:41:24.640 align:center line:-3 You won't change my mind, Dad. 738 00:41:24.640 --> 00:41:26.960 align:center line:-3 The police is no place for a lass. 739 00:41:26.960 --> 00:41:27.960 align:center line:-4 You're wrong. Am I? 740 00:41:29.960 --> 00:41:30.960 align:center line:-3 You'd best prove it, then, pet. 741 00:41:35.320 --> 00:41:36.960 align:center line:-3 Cut. 742 00:41:36.960 --> 00:41:38.480 align:center line:-3 I thought that looked great, Brenda. 743 00:41:38.480 --> 00:41:41.000 align:center line:-4 We'll... We'll find out in the edit, won't we? 744 00:41:43.960 --> 00:41:45.960 align:center line:-4 BRENDA: 'I didn't want Vera killed off, 745 00:41:45.960 --> 00:41:49.960 align:center line:-4 'because I suspected that she'd be living on in the books.' 746 00:41:52.960 --> 00:41:56.960 align:center line:-3 'She's a sensible woman, Vera.' 747 00:41:56.960 --> 00:42:00.960 align:center line:-4 She knows when it's time to call it a day, 748 00:42:00.960 --> 00:42:03.960 align:center line:-4 as in the same way Brenda Blethyn knows 749 00:42:03.960 --> 00:42:06.480 align:center line:-3 when it's time to call it a day. 750 00:42:06.480 --> 00:42:10.480 align:center line:-4 Erm... you just sense when the time is right. 751 00:42:24.960 --> 00:42:27.480 align:center line:-4 OK, guys, last day on series 14 of Vera. 752 00:42:27.480 --> 00:42:28.960 align:center line:-3 Last day ever. 753 00:42:29.960 --> 00:42:31.960 align:center line:-3 Shall I leave that photo there? 754 00:42:31.960 --> 00:42:33.960 align:center line:-4 And is this the one you put first out? 755 00:42:33.960 --> 00:42:35.960 align:center line:-4 Yes, that's what I meant. Yeah, exactly, yeah. 756 00:42:35.960 --> 00:42:37.800 align:center line:-3 Scene, Mark. 757 00:42:37.800 --> 00:42:40.000 align:center line:-3 Camera set and action. 758 00:42:40.000 --> 00:42:43.320 align:center line:-3 The last day's filming on set, 759 00:42:43.320 --> 00:42:44.960 align:center line:-3 the last three setups we had, 760 00:42:44.960 --> 00:42:49.960 align:center line:-4 I have to say, I-I felt very emotional. 761 00:42:49.960 --> 00:42:54.960 align:center line:-4 It's her packing up her stuff and backing out of the office, 762 00:42:54.960 --> 00:42:58.800 align:center line:-4 and, er, I could've cried, to be honest. 763 00:42:58.800 --> 00:43:00.960 align:center line:-3 I, er... Mm. 764 00:43:00.960 --> 00:43:03.960 align:center line:-4 I think Brenda couldn't talk for a little while. 765 00:43:03.960 --> 00:43:06.960 align:center line:-4 Oh, I... It's coming back to me. SHE CHUCKLES 766 00:43:06.960 --> 00:43:08.640 align:center line:-3 Yeah, erm... 767 00:43:14.960 --> 00:43:16.640 align:center line:-4 I don't think it was until, like, the last day 768 00:43:16.640 --> 00:43:19.960 align:center line:-4 when it was the reality of this is gonna... 769 00:43:19.960 --> 00:43:21.960 align:center line:-3 by six o'clock, this'll be over. 770 00:43:21.960 --> 00:43:23.960 align:center line:-3 It's just been an absolute pleasure 771 00:43:23.960 --> 00:43:25.800 align:center line:-4 to have been part of the show for this long. 772 00:43:25.800 --> 00:43:27.960 align:center line:-4 You know, I'm sure people will be watching the show 773 00:43:27.960 --> 00:43:29.960 align:center line:-3 for many years to come. 774 00:43:29.960 --> 00:43:32.960 align:center line:-4 There's something terribly sad, also, 775 00:43:32.960 --> 00:43:36.960 align:center line:-4 about this whole thing ending, because we feel like we know Vera. 776 00:43:36.960 --> 00:43:40.960 align:center line:-4 I'm so happy that we're doing the show justice it deserves, 777 00:43:40.960 --> 00:43:45.960 align:center line:-4 and I'm very sad, but a very, very positive feeling 778 00:43:45.960 --> 00:43:48.480 align:center line:-4 that we can all pull down the shutters tonight 779 00:43:48.480 --> 00:43:52.960 align:center line:-4 and just feel we've done our best and we've been a wonderful team. 780 00:43:52.960 --> 00:43:55.960 align:center line:-4 It was very sad that all these people 781 00:43:55.960 --> 00:43:59.960 align:center line:-4 who've lived and worked together for such a long time 782 00:43:59.960 --> 00:44:01.960 align:center line:-3 won't be seeing each other again. 783 00:44:02.960 --> 00:44:05.960 align:center line:1 'These people are my friends. They're not colleagues.' 784 00:44:05.960 --> 00:44:08.960 align:center line:-4 I couldn't have asked for a better 14 years, 785 00:44:08.960 --> 00:44:10.800 align:center line:-3 to be quite honest, you know. 786 00:44:10.800 --> 00:44:13.000 align:center line:-4 I think for as much as anything, for us all, 787 00:44:13.000 --> 00:44:16.960 align:center line:-4 there's a sense of, like, having made friends for life. 788 00:44:18.960 --> 00:44:21.960 align:center line:-4 After starting as a young recruit in the Met, 789 00:44:21.960 --> 00:44:25.960 align:center line:-4 Vera retired from the force with a new four-legged sidekick, 790 00:44:25.960 --> 00:44:28.960 align:center line:-4 and today on set, life mirrors fiction, 791 00:44:28.960 --> 00:44:32.960 align:center line:1 as Brenda brings Jack, her own dog, to this final farewell. 792 00:44:35.960 --> 00:44:38.640 align:center line:-3 Oh, it's so bittersweet. 793 00:44:38.640 --> 00:44:39.960 align:center line:-3 Really, really is, 794 00:44:39.960 --> 00:44:41.960 align:center line:-4 cos I've loved every minute of this job. 795 00:44:49.000 --> 00:44:51.480 align:center line:-3 Pat? Happy? 796 00:44:52.480 --> 00:44:53.960 align:center line:-3 Jack! 797 00:44:57.960 --> 00:44:59.960 align:center line:-3 Perfect. 798 00:45:00.960 --> 00:45:02.960 align:center line:-3 Brilliant. Well done. 799 00:45:02.960 --> 00:45:06.960 align:center line:-3 APPLAUSE 800 00:45:10.960 --> 00:45:12.480 align:center line:-3 'Mm. 801 00:45:15.160 --> 00:45:16.960 align:center line:-3 'I love Vera.' 802 00:45:17.960 --> 00:45:18.960 align:center line:-3 SHE CHUCKLES 803 00:45:39.960 --> 00:45:41.960 align:center line:-3 Subtitles by accessibility@itv.com 79193

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