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1
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So, we've got Vera's approach
with Joe.
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00:00:06.960 --> 00:00:08.960 align:center line:-4
She's gonna look
through that window there.
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JILL HALFPENNY:
2024 marked the filming
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00:00:11.800 --> 00:00:15.960 align:center line:-4
of the last-ever series
of the hit TV drama Vera.
5
00:00:15.960 --> 00:00:18.160 align:center line:-3
And we're set, and action.
6
00:00:18.160 --> 00:00:21.960 align:center line:-4
If one of my cases
did wrongly convict someone,
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I'd want it questioned.
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00:00:23.800 --> 00:00:25.960 align:center line:-4
We're in our fifth week of filming.
It's been great fun.
9
00:00:27.960 --> 00:00:29.960 align:center line:-3
Can we cut there?
10
00:00:31.160 --> 00:00:35.960 align:center line:-4
Vera's not like your ordinary
run-of-the-mill detective.
11
00:00:35.960 --> 00:00:36.960 align:center line:-3
You sure about that?
12
00:00:36.960 --> 00:00:39.160 align:center line:-3
It's the hat, it's the coat,
13
00:00:39.160 --> 00:00:40.960 align:center line:-3
even the silhouette -
14
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you know exactly who it is
and what it's all about.
15
00:00:43.960 --> 00:00:44.960 align:center line:-3
That's the icon.
16
00:00:44.960 --> 00:00:47.960 align:center line:-3
She's so enigmatic as a character.
17
00:00:48.960 --> 00:00:50.960 align:center line:-3
Action.
18
00:00:55.000 --> 00:00:57.960 align:center line:-4
All the people that I know
who love Vera
19
00:00:57.960 --> 00:01:01.320 align:center line:-4
love to come
and visit Northumberland.
20
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We've kind of played our part
in putting it on the map.
21
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Oh, merci, monsieur.
22
00:01:06.640 --> 00:01:09.640 align:center line:-4
It's remarkable
that so many viewers
23
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from so many different countries
have taken to Vera.
24
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DUBBED IN GERMAN:
25
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Oh, there've been so, so many
wonderful actors in Vera.
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Yeah, yeah, I did.
27
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I don't think
it was until the last day
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when it was the reality of this
is gonna...
29
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By six o'clock, this'll be over.
30
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What happens next?
31
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Oh, it's so bittersweet.
32
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It really, really is cos I've loved
every minute of this job.
33
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But now after 14 years,
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it's time for us all to bid
a final farewell, pet... Happy?
35
00:01:45.960 --> 00:01:48.960 align:center line:-4
..to Vera.
Perfect.
36
00:02:04.960 --> 00:02:06.800 align:center line:-3
Brenda's gonna be up there,
37
00:02:06.800 --> 00:02:09.800 align:center line:-4
we're gonna be all back here,
we'll have a drone flying. Yeah.
38
00:02:09.800 --> 00:02:12.480 align:center line:-4
And the stray dog's
kind of following her.
39
00:02:12.480 --> 00:02:16.960 align:center line:-4
Today, the cameras turn
on the final-ever scene of Vera,
40
00:02:16.960 --> 00:02:19.960 align:center line:-4
the last moment viewers will
ever see of this beloved character.
41
00:02:19.960 --> 00:02:22.960 align:center line:-3
Good girl. Right.
42
00:02:22.960 --> 00:02:24.960 align:center line:-3
Yes, I know.
43
00:02:24.960 --> 00:02:26.000 align:center line:-3
Everyone ready?
44
00:02:27.960 --> 00:02:30.960 align:center line:-4
Set.
Camera set.
45
00:02:30.960 --> 00:02:32.000 align:center line:-3
And action.
46
00:02:42.960 --> 00:02:44.960 align:center line:-3
Well done, Brenda.
47
00:02:44.960 --> 00:02:46.960 align:center line:-4
It's a beautiful shot.
Yeah?
48
00:02:51.960 --> 00:02:55.000 align:center line:-4
From windy beaches
to Newcastle's urban streets,
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it was back in 2011
that we first met DCI Vera Stanhope.
50
00:03:01.800 --> 00:03:02.960 align:center line:-3
'When you make the pilot,
51
00:03:02.960 --> 00:03:05.160 align:center line:-4
'there's no guarantee
that any more are going to be made,
52
00:03:05.160 --> 00:03:07.960 align:center line:-4
'and the first one
was Hidden Depths.'
53
00:03:08.960 --> 00:03:11.960 align:center line:1
Oh, there's a very famous singer
in that
54
00:03:11.960 --> 00:03:14.960 align:center line:1
who plays a dead body.
55
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I can't remember his name.
56
00:03:16.480 --> 00:03:18.960 align:center line:-4
It was Geordie singer
Sam Fender, love.
57
00:03:18.960 --> 00:03:22.960 align:center line:-4
And so, we were all hoping obviously
that it would be made into a series,
58
00:03:22.960 --> 00:03:24.960 align:center line:-4
and it wasn't long
before they said, "Yeah."
59
00:03:24.960 --> 00:03:27.960 align:center line:-3
Tell me if you think I'm mad.
60
00:03:30.960 --> 00:03:34.160 align:center line:-4
Uncompromising,
unconventional and complex,
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00:03:34.160 --> 00:03:37.960 align:center line:-4
for 14 years
and 56 gripping episodes,
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00:03:37.960 --> 00:03:42.000 align:center line:-4
DCI Vera Stanhope has led
the hit crime series.
63
00:03:42.000 --> 00:03:43.960 align:center line:-3
CLAPS
64
00:03:43.960 --> 00:03:44.960 align:center line:1
She's a multi-faceted character,
65
00:03:44.960 --> 00:03:47.960 align:center line:1
and I think that's really
a huge credit to the writers.
66
00:03:47.960 --> 00:03:49.960 align:center line:1
She's...
HE INHALES
67
00:03:49.960 --> 00:03:52.960 align:center line:1
She's totally
the moral centre of the story.
68
00:03:52.960 --> 00:03:56.960 align:center line:1
She is very clear
on what is right and what is wrong.
69
00:03:56.960 --> 00:03:59.800 align:center line:-3
So, what does this tell us? Hm?
70
00:03:59.800 --> 00:04:01.960 align:center line:-3
He was secretive?
71
00:04:01.960 --> 00:04:04.000 align:center line:-3
He was leading a double life? What?
72
00:04:04.000 --> 00:04:06.960 align:center line:1
You know, she'll pursue the truth
wherever it leads her,
73
00:04:06.960 --> 00:04:08.800 align:center line:1
however uncomfortable.
74
00:04:08.800 --> 00:04:10.960 align:center line:1
She was... Vera's not like
75
00:04:10.960 --> 00:04:13.960 align:center line:-4
your ordinary
run-of-the-mill detec...
76
00:04:13.960 --> 00:04:14.960 align:center line:-3
like you see on the telly.
77
00:04:14.960 --> 00:04:18.800 align:center line:-3
DCI Vera Stanhope. DS Joe Ashworth.
78
00:04:19.960 --> 00:04:21.960 align:center line:-3
She's a flawed character.
79
00:04:21.960 --> 00:04:24.960 align:center line:1
I mean, you know,
most of the interesting characters
80
00:04:24.960 --> 00:04:26.960 align:center line:1
throughout film and television
are flawed.
81
00:04:26.960 --> 00:04:29.960 align:center line:1
That's why we, as an audience,
love them so much
82
00:04:29.960 --> 00:04:31.960 align:center line:-4
because, you know,
we can see ourselves in them.
83
00:04:33.960 --> 00:04:36.960 align:center line:-4
Ma'am, there's a partial match
for Sally on the key,
84
00:04:36.960 --> 00:04:40.960 align:center line:-4
but also for other people who had
access, plus persons unknown, so...
85
00:04:40.960 --> 00:04:44.160 align:center line:-4
So you're telling me nothing.
Brilliant.
86
00:04:49.960 --> 00:04:51.960 align:center line:1
Part of the charm is the fact
that she's gruff
87
00:04:51.960 --> 00:04:54.960 align:center line:1
and dare I say sometimes rude,
88
00:04:54.960 --> 00:04:56.960 align:center line:1
but for the right reasons.
89
00:04:56.960 --> 00:04:58.960 align:center line:1
You know,
she's trying to find the truth,
90
00:04:58.960 --> 00:05:00.960 align:center line:-4
and anyone
that gets in the way of that
91
00:05:00.960 --> 00:05:03.960 align:center line:-3
is gonna suffer the wrath of Vera.
92
00:05:03.960 --> 00:05:05.480 align:center line:-3
Come on!
93
00:05:05.480 --> 00:05:08.320 align:center line:-3
Eight officers, you've had all day.
94
00:05:10.960 --> 00:05:12.960 align:center line:1
I think it's great to see
95
00:05:12.960 --> 00:05:16.000 align:center line:1
this woman still forging ahead
in her career
96
00:05:16.000 --> 00:05:19.960 align:center line:1
and still capable
of moments of self-doubt.
97
00:05:20.960 --> 00:05:24.960 align:center line:-4
I seem to spend my life searching
for patterns.
98
00:05:24.960 --> 00:05:27.160 align:center line:-3
What if there isn't one?
99
00:05:27.160 --> 00:05:29.960 align:center line:-4
I think one of the things
that's so relatable about her
100
00:05:29.960 --> 00:05:31.960 align:center line:-4
is the fact
that she's just so honest.
101
00:05:31.960 --> 00:05:34.960 align:center line:-4
It's not my job
to make people happy, pet.
102
00:05:36.160 --> 00:05:39.800 align:center line:-4
She doesn't suffer fools well.
But, yeah, she has a heart.
103
00:05:39.800 --> 00:05:42.960 align:center line:-4
Especially
when someone is struggling.
104
00:05:42.960 --> 00:05:46.320 align:center line:-4
Even criminals,
if she thinks they've, erm,
105
00:05:46.320 --> 00:05:49.960 align:center line:-3
kind of stumbled into crime,
106
00:05:49.960 --> 00:05:51.960 align:center line:-3
she would understand that.
107
00:05:51.960 --> 00:05:54.160 align:center line:-3
Please, I couldn't kill anyone.
108
00:05:54.160 --> 00:05:56.960 align:center line:-4
I know people who could -
that's why I was trying to get away.
109
00:05:59.960 --> 00:06:02.800 align:center line:-4
It's a sob story.
He's angry, he's violent.
110
00:06:02.800 --> 00:06:05.960 align:center line:-4
No, he's a stupid 19-year-old
who's just ruined his life.
111
00:06:05.960 --> 00:06:08.960 align:center line:-3
I think when Vera was first aired,
112
00:06:08.960 --> 00:06:11.160 align:center line:-4
people weren't that enamoured
of Vera.
113
00:06:11.160 --> 00:06:14.960 align:center line:-4
But they did like Joe Ashworth,
played by David Leon.
114
00:06:14.960 --> 00:06:17.960 align:center line:-4
It's obviously
incredibly flattering.
115
00:06:17.960 --> 00:06:23.960 align:center line:-4
And because he liked Vera
and the team liked Vera,
116
00:06:23.960 --> 00:06:25.960 align:center line:-4
people changed
their mind about her.
117
00:06:27.960 --> 00:06:30.960 align:center line:-4
I just like that fact, she didn't
make any effort to make...
118
00:06:30.960 --> 00:06:33.960 align:center line:-3
to ask you to like her.
119
00:06:33.960 --> 00:06:35.960 align:center line:-4
I think it's lovely that,
as a series,
120
00:06:35.960 --> 00:06:37.960 align:center line:-4
none of the writers
who've worked on Vera
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00:06:37.960 --> 00:06:39.960 align:center line:-4
have ever
kind of over-explained her.
122
00:06:39.960 --> 00:06:41.960 align:center line:-4
And I think Brenda,
as a performer, really loved
123
00:06:41.960 --> 00:06:45.960 align:center line:-4
that there is still mystery
about this character
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that we haven't probed into.
125
00:06:47.960 --> 00:06:49.960 align:center line:-3
I said, I think we're done.
126
00:06:49.960 --> 00:06:54.800 align:center line:-4
For now, pet, but don't go
making any travel plans.
127
00:06:57.960 --> 00:06:59.960 align:center line:-4
Quiet, please, rehearsal.
Rehearsing.
128
00:07:01.960 --> 00:07:03.160 align:center line:-3
Is it Josh's blood?
129
00:07:03.160 --> 00:07:05.960 align:center line:-4
Confirming now, but I've said
we need to know soon as.
130
00:07:09.800 --> 00:07:12.960 align:center line:-4
Today on set is the one person
who truly understands
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00:07:12.960 --> 00:07:15.960 align:center line:-3
the mysteries of DCI Vera Stanhope.
132
00:07:15.960 --> 00:07:19.960 align:center line:-4
First book, The Crow Trap,
came out in 1999,
133
00:07:19.960 --> 00:07:22.960 align:center line:-4
so I've lived with Vera
for a very long time.
134
00:07:27.960 --> 00:07:30.960 align:center line:1
I'm Ann Cleeves,
and I'm a crime writer,
135
00:07:30.960 --> 00:07:35.800 align:center line:1
and I wrote the books on which
the Vera television series is based.
136
00:07:36.960 --> 00:07:41.960 align:center line:1
The book was discovered by
my fairy godmother Elaine Collins,
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00:07:41.960 --> 00:07:45.960 align:center line:-4
who went into an Oxfam shop
in North London
138
00:07:45.960 --> 00:07:48.960 align:center line:-4
to find a book to take on holiday
and picked up The Crow Trap.
139
00:07:54.960 --> 00:07:58.960 align:center line:-4
Elaine happened to be
Books Executive for ITV Studios,
140
00:07:58.960 --> 00:08:03.960 align:center line:-4
and they were looking for a book
with a strong female character.
141
00:08:05.960 --> 00:08:11.960 align:center line:-4
I've always tried to stay true
to Ann's depiction of Vera.
142
00:08:11.960 --> 00:08:13.960 align:center line:-3
She's not dependent on lipstick.
143
00:08:13.960 --> 00:08:19.960 align:center line:-4
There's no romantic involvement
to hamper the story.
144
00:08:19.960 --> 00:08:23.960 align:center line:-4
With Vera,
it just concentrates on the case.
145
00:08:23.960 --> 00:08:26.640 align:center line:-4
My own daughter's next in line,
is she? Come on.
146
00:08:26.640 --> 00:08:28.320 align:center line:-4
Go on, pet.
Come on.
147
00:08:28.320 --> 00:08:31.960 align:center line:-4
Nothing's clean, is it?
Everybody's tainted.
148
00:08:31.960 --> 00:08:34.640 align:center line:-3
Do you know? I'd hate to be you.
149
00:08:34.640 --> 00:08:37.960 align:center line:-4
I'd hate to be trapped in your skin.
You're poison.
150
00:08:40.960 --> 00:08:42.960 align:center line:-3
To ask a female actress
151
00:08:42.960 --> 00:08:47.960 align:center line:-4
to look dishevelled and grumpy
in every scene...
152
00:08:47.960 --> 00:08:49.960 align:center line:-3
it's a tough one, isn't it?
153
00:08:53.960 --> 00:08:57.960 align:center line:-4
She was huge at the time cos she'd
just been nominated for two Oscars -
154
00:08:57.960 --> 00:09:00.960 align:center line:-4
Secrets & Lies
and for Little Voice.
155
00:09:00.960 --> 00:09:02.960 align:center line:-3
So, what am I missing?
156
00:09:02.960 --> 00:09:05.960 align:center line:-4
I can't imagine
Vera being played by anyone else,
157
00:09:05.960 --> 00:09:09.960 align:center line:-4
and that's there
right from those early episodes.
158
00:09:09.960 --> 00:09:14.960 align:center line:-4
If you give her half a good scene,
she'll turn it into 150%.
159
00:09:14.960 --> 00:09:19.800 align:center line:-4
You're a controlling nutjob
who beats his wife.
160
00:09:19.800 --> 00:09:21.960 align:center line:-3
I'm really not.
161
00:09:21.960 --> 00:09:23.000 align:center line:-3
But in the early days,
162
00:09:23.000 --> 00:09:26.960 align:center line:-4
there was one thing about Vera
that bothered Brenda Blethyn...
163
00:09:27.960 --> 00:09:29.960 align:center line:-4
..perfecting
that tricky Geordie accent.
164
00:09:29.960 --> 00:09:33.800 align:center line:-4
And how do we like our women,
Mr Paul?
165
00:09:33.800 --> 00:09:39.960 align:center line:-4
The first day, I came onto the set,
and she listened to my voice...
166
00:09:39.960 --> 00:09:41.320 align:center line:-3
Lovely Geoff.
167
00:09:41.320 --> 00:09:45.640 align:center line:-4
..and thought,
"That's the voice I should have."
168
00:09:45.640 --> 00:09:47.960 align:center line:-4
If I'm struggling over something,
I call on Geoff.
169
00:09:47.960 --> 00:09:49.960 align:center line:-3
Say, "Geoff, how'd you say this?"
170
00:09:49.960 --> 00:09:52.960 align:center line:-4
And that's how
she's picked this voice up.
171
00:09:52.960 --> 00:09:55.960 align:center line:-4
But I don't think,
actually, I ever have cracked it.
172
00:10:06.960 --> 00:10:10.320 align:center line:1
Well, it's the last series of Vera
going to happen here,
173
00:10:10.320 --> 00:10:11.960 align:center line:1
some of the filming.
174
00:10:11.960 --> 00:10:15.320 align:center line:1
So it's very exciting
to see what's going to happen.
175
00:10:15.320 --> 00:10:19.960 align:center line:-4
I've always watched Vera.
It's nice to be filmed here as well.
176
00:10:19.960 --> 00:10:21.960 align:center line:-3
It just a nice feeling.
177
00:10:25.160 --> 00:10:28.960 align:center line:-4
But definitely the walk over there,
the walk up here, "Can I help you?"
178
00:10:28.960 --> 00:10:30.480 align:center line:-3
The dialogue round here.
179
00:10:34.960 --> 00:10:35.960 align:center line:-3
Action.
180
00:10:40.960 --> 00:10:42.960 align:center line:-3
It's always been a great team.
181
00:10:42.960 --> 00:10:44.960 align:center line:-4
It's a great
kind of family environment,
182
00:10:44.960 --> 00:10:47.960 align:center line:-4
and the difference between kind of
the youngest person on the crew
183
00:10:47.960 --> 00:10:50.960 align:center line:-4
and the oldest is probably,
you know, 50 years, I would think.
184
00:10:50.960 --> 00:10:52.960 align:center line:-3
But everybody pulls together,
185
00:10:52.960 --> 00:10:55.960 align:center line:-4
and, you know,
it's a really lovely family.
186
00:10:57.800 --> 00:10:59.960 align:center line:-3
Ready? And rehearsal.
187
00:10:59.960 --> 00:11:01.960 align:center line:-3
And action.
188
00:11:05.960 --> 00:11:07.960 align:center line:-3
And we are just about to do a scene
189
00:11:07.960 --> 00:11:11.960 align:center line:-4
with myself, Brenda
and a character called Freya,
190
00:11:11.960 --> 00:11:15.960 align:center line:-4
where we confront her
about her ex-boyfriend.
191
00:11:15.960 --> 00:11:18.960 align:center line:-4
So, we're gonna track you with
all the farmhouse in the background.
192
00:11:18.960 --> 00:11:19.960 align:center line:-3
So, shall we just practise it?
193
00:11:21.480 --> 00:11:23.000 align:center line:-4
Sorry about that,
it's just it saves time.
194
00:11:23.000 --> 00:11:24.320 align:center line:-3
Yeah, no, it's cool.
195
00:11:30.480 --> 00:11:31.960 align:center line:-3
So, why are you asking about Josh?
196
00:11:31.960 --> 00:11:34.960 align:center line:-4
Oh, we found his body yesterday,
pet.
197
00:11:34.960 --> 00:11:36.640 align:center line:-3
Josh?
198
00:11:36.640 --> 00:11:37.960 align:center line:-3
FROM INSIDE: Boss!
199
00:11:38.960 --> 00:11:40.160 align:center line:-3
Cut.
200
00:11:41.960 --> 00:11:45.960 align:center line:-4
Well done, guys.
I think that you've smashed it.
201
00:11:56.960 --> 00:11:57.960 align:center line:-3
Joe, with me.
202
00:12:00.960 --> 00:12:04.320 align:center line:-4
I suppose
the most important other character,
203
00:12:04.320 --> 00:12:06.800 align:center line:-3
besides Vera, is Joe Ashworth.
204
00:12:06.800 --> 00:12:09.960 align:center line:-4
Can you send someone up there
that's property near Steel Rigg?
205
00:12:09.960 --> 00:12:12.960 align:center line:1
He's always been Vera's conscience
206
00:12:12.960 --> 00:12:16.960 align:center line:1
because he's much more willing
to play by the rules.
207
00:12:17.960 --> 00:12:19.960 align:center line:-3
He's very similar to Vera,
208
00:12:19.960 --> 00:12:22.960 align:center line:-4
whether he would admit that or not
is another matter.
209
00:12:22.960 --> 00:12:25.640 align:center line:-4
PHONE RINGS
Joe's answering service. What?!
210
00:12:25.640 --> 00:12:28.320 align:center line:1
And he's also
a little bit of a loner,
211
00:12:28.320 --> 00:12:30.960 align:center line:1
even though he's a family man.
212
00:12:30.960 --> 00:12:33.960 align:center line:-4
That was your midwife.
You what? And?
213
00:12:33.960 --> 00:12:35.960 align:center line:-3
Your wife's waters just broke.
214
00:12:37.960 --> 00:12:39.960 align:center line:-3
While she drives him nuts,
215
00:12:39.960 --> 00:12:41.960 align:center line:-4
I think he holds her
in the highest respect.
216
00:12:41.960 --> 00:12:45.640 align:center line:1
I think their relationship
does make them better coppers,
217
00:12:45.640 --> 00:12:46.960 align:center line:1
but it's not always welcome.
218
00:12:46.960 --> 00:12:48.960 align:center line:1
Vera is so irascible.
219
00:12:48.960 --> 00:12:52.960 align:center line:1
She is a really strong character.
Are you really gonna take her on?
220
00:12:52.960 --> 00:12:57.960 align:center line:-4
Will you please do as you're told
and go down to the court
221
00:12:57.960 --> 00:12:59.960 align:center line:-3
so I can strike her off my list?!
222
00:12:59.960 --> 00:13:01.960 align:center line:-3
BREATH SHAKES
223
00:13:01.960 --> 00:13:03.960 align:center line:-3
If you're not too busy, love.
224
00:13:06.960 --> 00:13:09.960 align:center line:-4
I think, you know,
the two of them are
225
00:13:09.960 --> 00:13:12.960 align:center line:-4
really like
a surrogate mother and son.
226
00:13:12.960 --> 00:13:16.960 align:center line:1
I think she kind of loves him
and kind of admires him
227
00:13:16.960 --> 00:13:20.960 align:center line:1
in a way that she doesn't
really treat anyone else.
228
00:13:20.960 --> 00:13:22.960 align:center line:-3
Am I the one who's getting doddery?
229
00:13:22.960 --> 00:13:24.960 align:center line:-4
Well, there's no right answer
to that one, is there?
230
00:13:24.960 --> 00:13:27.960 align:center line:-4
I think he, in some respects,
is almost at his...
231
00:13:27.960 --> 00:13:31.960 align:center line:-4
kind of his happiest
when they're together.
232
00:13:31.960 --> 00:13:33.960 align:center line:-4
JILL HALFPENNY:
But that happiness was short-lived.
233
00:13:33.960 --> 00:13:37.640 align:center line:-4
After four years
of solving cases side by side,
234
00:13:37.640 --> 00:13:40.960 align:center line:-4
Joe took a promotion
and left for London.
235
00:13:40.960 --> 00:13:43.960 align:center line:-3
'I was heartbroken when David left.'
236
00:13:43.960 --> 00:13:46.960 align:center line:-4
Oh!
Oh, I couldn't believe he was going.
237
00:13:47.960 --> 00:13:49.960 align:center line:-4
'Brenda and I have always been
very close,
238
00:13:49.960 --> 00:13:51.960 align:center line:-4
'and it was a really difficult
decision for me to make.'
239
00:13:51.960 --> 00:13:54.960 align:center line:-4
Felt at the time that I just needed
a bit of a new challenge.
240
00:13:55.960 --> 00:14:00.960 align:center line:-4
Joe's exit brought us a new face,
Detective Sergeant Aiden Healy,
241
00:14:00.960 --> 00:14:02.480 align:center line:-3
arriving in series five
242
00:14:02.480 --> 00:14:05.800 align:center line:-4
as straight-talking northerner
with a lot to prove.
243
00:14:05.800 --> 00:14:07.960 align:center line:-4
This is DCI Stanhope.
Ma'am, this is DS...
244
00:14:07.960 --> 00:14:09.960 align:center line:-3
I know who you are.
245
00:14:09.960 --> 00:14:11.320 align:center line:-3
Great to meet you.
246
00:14:11.320 --> 00:14:14.960 align:center line:-4
'They're quite different characters,
and, erm,
247
00:14:14.960 --> 00:14:17.960 align:center line:-4
'Vera didn't have much time
for him to start with.'
248
00:14:17.960 --> 00:14:20.960 align:center line:-4
Oh, full of theories, aren't you?
Someone's got to be.
249
00:14:20.960 --> 00:14:23.960 align:center line:-3
'But he grew on her, of course,
250
00:14:23.960 --> 00:14:26.480 align:center line:-4
'cos he turned out
to be a good cop.'
251
00:14:26.480 --> 00:14:29.960 align:center line:-4
For nine years,
DS Aiden was Vera's right-hand man,
252
00:14:29.960 --> 00:14:33.960 align:center line:-4
working alongside her team
of dedicated detectives,
253
00:14:33.960 --> 00:14:36.960 align:center line:-3
pathologists and constables.
254
00:14:39.320 --> 00:14:43.960 align:center line:-4
But for series 13,
there was a tale of the unexpected.
255
00:14:43.960 --> 00:14:47.960 align:center line:-3
Well, look who the cat dragged in.
256
00:14:48.960 --> 00:14:50.320 align:center line:-3
I didn't mean to interrupt.
257
00:14:50.320 --> 00:14:52.320 align:center line:-3
I had the opportunity to come back,
258
00:14:52.320 --> 00:14:54.960 align:center line:-4
and it was a privilege to sort of
be able to come back
259
00:14:54.960 --> 00:14:55.960 align:center line:-3
and finish the show.
260
00:14:55.960 --> 00:14:57.640 align:center line:-3
I thought you might have missed us?
261
00:14:57.640 --> 00:14:59.800 align:center line:-4
Well, I don't know what gave you
that idea.
262
00:14:59.800 --> 00:15:01.960 align:center line:-4
You swan in here in a new coat,
no word of warning.
263
00:15:01.960 --> 00:15:03.960 align:center line:-3
Like I say, I'm just observing.
264
00:15:03.960 --> 00:15:05.960 align:center line:-3
I think in some respects, sometimes,
265
00:15:05.960 --> 00:15:09.960 align:center line:-4
it's nice for a show
to have a new injection of energy.
266
00:15:10.960 --> 00:15:11.960 align:center line:-3
He comes back.
267
00:15:11.960 --> 00:15:15.800 align:center line:-6
He's been on a journey where
he has become much more senior
268
00:15:15.800 --> 00:15:18.960 align:center line:-6
in those intervening years,
so he comes back
269
00:15:18.960 --> 00:15:20.960 align:center line:-3
as much more of an equal.
270
00:15:20.960 --> 00:15:24.960 align:center line:-4
So, that dynamic between the two
of them is really interesting.
271
00:15:24.960 --> 00:15:28.640 align:center line:-4
You thought you were about to spread
your wings without me on your back.
272
00:15:28.640 --> 00:15:31.960 align:center line:-4
Everything useful I learnt
about policing, I learnt from you.
273
00:15:31.960 --> 00:15:34.960 align:center line:-3
Your time will come, Joe. Trust me.
274
00:15:38.160 --> 00:15:41.960 align:center line:-4
One of the timeless features
of this hit detective drama
275
00:15:41.960 --> 00:15:44.160 align:center line:-3
is its beautiful locations,
276
00:15:44.160 --> 00:15:46.960 align:center line:-4
which, true to the novels
that inspired it,
277
00:15:46.960 --> 00:15:49.960 align:center line:-4
have brought the stunning sights
of the North East of England
278
00:15:49.960 --> 00:15:51.960 align:center line:-3
to the world.
279
00:15:51.960 --> 00:15:57.960 align:center line:-4
Well, one of the main characters
in Vera is the landscape.
280
00:15:59.160 --> 00:16:01.960 align:center line:-3
The seascape, the moors,
281
00:16:01.960 --> 00:16:04.160 align:center line:-4
the beautiful,
beautiful countryside.
282
00:16:05.960 --> 00:16:07.960 align:center line:-4
One of the great things
about filming in the North East
283
00:16:07.960 --> 00:16:10.960 align:center line:-4
is that you can be in
a city centre in the morning,
284
00:16:10.960 --> 00:16:12.960 align:center line:-4
and you can be by the coast
in the afternoon.
285
00:16:12.960 --> 00:16:15.960 align:center line:-3
I feel like in some small part,
286
00:16:15.960 --> 00:16:18.960 align:center line:-4
you know, we've kind of played
our part in putting it on the map.
287
00:16:19.960 --> 00:16:22.960 align:center line:-4
And for the curious,
that place on the map
288
00:16:22.960 --> 00:16:25.960 align:center line:-4
is England's most northern county,
Northumberland.
289
00:16:27.480 --> 00:16:29.960 align:center line:-4
All the people that I know
who love Vera
290
00:16:29.960 --> 00:16:31.960 align:center line:-7
love to come
and visit Northumberland,
291
00:16:31.960 --> 00:16:32.960 align:center line:-6
and they've never been before,
292
00:16:32.960 --> 00:16:35.960 align:center line:-7
and it's purely because
it's beautiful.
293
00:16:35.960 --> 00:16:36.960 align:center line:-3
It is really, really lovely.
294
00:16:38.320 --> 00:16:42.960 align:center line:-4
It's really important to know
where Vera the character comes from
295
00:16:42.960 --> 00:16:44.960 align:center line:-4
and who her people are
and what her background is,
296
00:16:44.960 --> 00:16:47.960 align:center line:-4
and I think we learn about that
by the places that we visit.
297
00:16:55.960 --> 00:16:59.960 align:center line:-4
So, we've got Vera's approach
with Joe.
298
00:16:59.960 --> 00:17:02.160 align:center line:-4
Er, she's gonna look
through that window there.
299
00:17:09.960 --> 00:17:12.800 align:center line:-4
It's one
of the most challenging locations
300
00:17:12.800 --> 00:17:14.960 align:center line:-4
from a location-department
perspective.
301
00:17:14.960 --> 00:17:16.960 align:center line:-4
We actually are out in
the middle of nowhere kind of thing.
302
00:17:16.960 --> 00:17:21.960 align:center line:1
It's probably, what, 200 years old
or something, that place.
303
00:17:21.960 --> 00:17:22.960 align:center line:-3
It had to have the isolation,
304
00:17:22.960 --> 00:17:24.960 align:center line:-4
and it had to have
a place of meaning for her.
305
00:17:24.960 --> 00:17:27.960 align:center line:-4
And we just felt
that this was perfect.
306
00:17:27.960 --> 00:17:30.960 align:center line:-6
I'm from the North East,
so it's a huge thing for me
307
00:17:30.960 --> 00:17:34.960 align:center line:-6
to showcase the authenticity
of the North East.
308
00:17:34.960 --> 00:17:36.960 align:center line:-4
It's something which
we go into every script,
309
00:17:36.960 --> 00:17:40.960 align:center line:-4
we go into every meeting,
and that's the basis of what we do.
310
00:17:40.960 --> 00:17:42.960 align:center line:-4
Unfortunately,
it's heavy rain at the moment,
311
00:17:42.960 --> 00:17:45.960 align:center line:-6
and the problem is that the scene
following this
312
00:17:45.960 --> 00:17:48.960 align:center line:-5
is gonna be probably completely dry.
313
00:17:48.960 --> 00:17:50.320 align:center line:-4
MAN: Sarah.
SARAH: Yeah?
314
00:17:50.320 --> 00:17:52.960 align:center line:-4
Come much closer
to the camera, please.
315
00:17:57.480 --> 00:18:00.960 align:center line:-4
With heavy rain, it makes
it difficult for the artists,
316
00:18:00.960 --> 00:18:04.960 align:center line:-4
and all their costumes get wet
and all the rest of it, so, yeah.
317
00:18:04.960 --> 00:18:08.960 align:center line:-5
Luckily, my artist has got a hat on.
318
00:18:08.960 --> 00:18:10.960 align:center line:-5
Otherwise...
319
00:18:11.960 --> 00:18:14.320 align:center line:-5
Day's been saved by the hat, yeah.
320
00:18:14.320 --> 00:18:16.800 align:center line:-4
Keep coming towards camera,
Brenda, please.
321
00:18:17.960 --> 00:18:20.960 align:center line:-3
MAN: Reset. And action.
322
00:18:20.960 --> 00:18:22.960 align:center line:-3
There was a used syringe by him,
323
00:18:22.960 --> 00:18:24.960 align:center line:-4
and the constrictive pupils
and the cyanosis
324
00:18:24.960 --> 00:18:26.800 align:center line:-3
suggest an accidental overdose.
325
00:18:26.800 --> 00:18:28.960 align:center line:-4
Yeah, well,
I want that heroin tested.
326
00:18:28.960 --> 00:18:30.960 align:center line:-4
Course you do.
I'll keep you updated, then.
327
00:18:35.160 --> 00:18:38.000 align:center line:-4
Young lad in care
involved in a murder.
328
00:18:38.000 --> 00:18:39.960 align:center line:-3
Who'd question an overdose?
329
00:18:39.960 --> 00:18:41.960 align:center line:-4
You think we should?
MAN: Cut.
330
00:18:41.960 --> 00:18:43.960 align:center line:-3
MAN: Cut there.
331
00:18:43.960 --> 00:18:46.320 align:center line:-3
CHATTER
332
00:18:52.320 --> 00:18:56.960 align:center line:-4
DCI Vera Stanhope stands with
the greats of British crime drama.
333
00:18:56.960 --> 00:18:59.960 align:center line:-3
Over 14 series in as many years,
334
00:18:59.960 --> 00:19:01.960 align:center line:-4
she's solved 56
complex murder cases,
335
00:19:01.960 --> 00:19:06.640 align:center line:-4
marking her as one of television's
most iconic characters.
336
00:19:07.960 --> 00:19:09.960 align:center line:-3
And that level of criminal behaviour
337
00:19:09.960 --> 00:19:13.960 align:center line:-4
demands a team
of dedicated, ambitious detectives.
338
00:19:21.480 --> 00:19:23.000 align:center line:-3
MAN: Brilliant.
339
00:19:24.960 --> 00:19:28.160 align:center line:1
I play DC Kenny Lockhart -
for 14 years now.
340
00:19:28.160 --> 00:19:30.960 align:center line:-3
HE LAUGHS
341
00:19:30.960 --> 00:19:32.800 align:center line:-3
My god.
342
00:19:32.800 --> 00:19:35.960 align:center line:-4
Do that a lot, do you, Kenny?
Talk out your backside?
343
00:19:35.960 --> 00:19:37.960 align:center line:-3
I learnt from the best, Ma'am.
344
00:19:37.960 --> 00:19:39.960 align:center line:-3
HE LAUGHS
345
00:19:42.480 --> 00:19:43.960 align:center line:-3
Kenny, Jon Morrison, has been in it
346
00:19:43.960 --> 00:19:47.640 align:center line:-4
since the second episode
of series one.
347
00:19:47.640 --> 00:19:49.960 align:center line:-4
What?
Years.
348
00:19:49.960 --> 00:19:54.480 align:center line:-4
He's really just a kind of...
a normal, regular cop, you know.
349
00:19:55.960 --> 00:19:59.960 align:center line:-4
Well, get that printed out for me.
Er, I can't, it's deleted.
350
00:20:00.960 --> 00:20:02.960 align:center line:-3
He was a juvenile at the time.
351
00:20:02.960 --> 00:20:05.960 align:center line:-4
Well, you're good on computers,
Kenny. Un-delete.
352
00:20:05.960 --> 00:20:09.960 align:center line:-4
He is a bit of a whipping boy
for Vera, you know.
353
00:20:09.960 --> 00:20:11.960 align:center line:-3
Put that down, Kenny.
354
00:20:11.960 --> 00:20:14.960 align:center line:-4
This is an incident room,
not a greasy spoon.
355
00:20:16.960 --> 00:20:18.960 align:center line:-3
Well, the first episode I was in,
356
00:20:18.960 --> 00:20:22.960 align:center line:-4
I'd been going behind Vera's back
to her old boss.
357
00:20:22.960 --> 00:20:25.480 align:center line:-4
Kenny's got the reports
from the lab about the intruder
358
00:20:25.480 --> 00:20:26.960 align:center line:-3
at Mantel's property.
359
00:20:26.960 --> 00:20:29.960 align:center line:-4
And what are you, the human shield?
Kenny, out!
360
00:20:29.960 --> 00:20:31.960 align:center line:-4
We do this scene
where she finds out, and she says,
361
00:20:31.960 --> 00:20:33.960 align:center line:-3
"Oh, I feel I want to throw this."
362
00:20:33.960 --> 00:20:35.960 align:center line:-4
And I said, "Ah, go ahead,
throw it at me." Boom.
363
00:20:35.960 --> 00:20:39.480 align:center line:-3
Get out! You're not welcome here!
364
00:20:39.480 --> 00:20:41.960 align:center line:-3
HE LAUGHS
365
00:20:41.960 --> 00:20:43.960 align:center line:-4
She didn't pull any punches,
you know what I mean?
366
00:20:43.960 --> 00:20:45.960 align:center line:-3
And from then on, I thought,
367
00:20:45.960 --> 00:20:48.640 align:center line:-4
"Ah, right, I'm gonna have
to up my game here."
368
00:20:48.640 --> 00:20:49.960 align:center line:-3
HE LAUGHS
369
00:20:49.960 --> 00:20:51.320 align:center line:-3
SHE LAUGHS
370
00:20:51.320 --> 00:20:53.960 align:center line:-4
Although Vera's always
having a pop at him,
371
00:20:53.960 --> 00:20:56.960 align:center line:-4
he's the one that's been on her team
the longest,
372
00:20:56.960 --> 00:20:59.480 align:center line:-3
and he's the one most loyal to her.
373
00:21:00.960 --> 00:21:02.320 align:center line:-3
What are you looking at?
374
00:21:03.960 --> 00:21:06.640 align:center line:-4
Go and get me a large drink
and a psychiatrist.
375
00:21:07.960 --> 00:21:10.960 align:center line:-3
At last, a cry for help.
376
00:21:12.960 --> 00:21:16.960 align:center line:-4
My brother,
a lot of his friends are cops.
377
00:21:16.960 --> 00:21:19.960 align:center line:-3
And they all say Jon Morrison
378
00:21:19.960 --> 00:21:21.960 align:center line:-4
is the most authentic cop
on television.
379
00:21:21.960 --> 00:21:24.960 align:center line:-3
He's just so good. Isn't he good?
380
00:21:24.960 --> 00:21:26.640 align:center line:-3
I love him.
381
00:21:30.800 --> 00:21:31.960 align:center line:-4
Hello.
MAN: Hello.
382
00:21:31.960 --> 00:21:34.960 align:center line:-7
Lovely to see you.
You too.
383
00:21:34.960 --> 00:21:36.960 align:center line:-6
'I play DC Steph Duncan.'
384
00:21:37.960 --> 00:21:39.960 align:center line:-3
Steph, surveillance.
385
00:21:39.960 --> 00:21:42.160 align:center line:-4
Erm, there was no surveillance
near the crime scene, Ma'am.
386
00:21:42.160 --> 00:21:44.640 align:center line:-4
We're still checking
ANPR and speed cameras.
387
00:21:44.640 --> 00:21:47.960 align:center line:-4
Now, Jac would've handed me
a list of any stolen cars by now.
388
00:21:47.960 --> 00:21:50.960 align:center line:-4
Since she's back in fraud,
you need to step up.
389
00:21:50.960 --> 00:21:52.160 align:center line:-3
I'll make sure I'm across it, Ma'am.
390
00:21:52.160 --> 00:21:54.960 align:center line:-3
Aye, as soon as you like.
391
00:21:56.960 --> 00:21:58.960 align:center line:-3
My family were huge fans of Vera,
392
00:21:58.960 --> 00:22:00.960 align:center line:-4
so I would always watch Vera
with my mum.
393
00:22:00.960 --> 00:22:04.960 align:center line:-4
So it was quite a surreal thing
to have an audition for something
394
00:22:04.960 --> 00:22:06.960 align:center line:-4
that I was like,
"Oh, we've watched this for ages."
395
00:22:08.960 --> 00:22:10.960 align:center line:-4
'My first scenes were
in Hexham Market.'
396
00:22:10.960 --> 00:22:13.320 align:center line:-4
You'll have to take that one up
with the boss.
397
00:22:13.320 --> 00:22:16.960 align:center line:-4
Sometimes, you know, when you had
some young actors coming on set,
398
00:22:16.960 --> 00:22:19.960 align:center line:-3
they've only seen Vera on the telly.
399
00:22:19.960 --> 00:22:21.960 align:center line:-4
You know, so they come in,
they're quaking.
400
00:22:21.960 --> 00:22:22.960 align:center line:-3
SHE LAUGHS
401
00:22:22.960 --> 00:22:23.960 align:center line:-3
I mean, you always...
402
00:22:23.960 --> 00:22:25.960 align:center line:-4
there's always this sort of nerves
that come alongside,
403
00:22:25.960 --> 00:22:28.960 align:center line:-4
especially someone like Brenda
that you've watched for so long.
404
00:22:28.960 --> 00:22:29.960 align:center line:-3
Ma'am?
405
00:22:32.960 --> 00:22:35.960 align:center line:-4
Barmaid confirmed
Danny'd had a skinful.
406
00:22:35.960 --> 00:22:39.960 align:center line:-4
And so I make a point
putting them at their ease,
407
00:22:39.960 --> 00:22:43.960 align:center line:-4
crack a joke or do something silly
or do something deliberately wrong
408
00:22:43.960 --> 00:22:46.000 align:center line:-4
so that they know it's OK
to do something wrong.
409
00:22:46.000 --> 00:22:47.960 align:center line:-3
But as soon as you meet her,
410
00:22:47.960 --> 00:22:51.960 align:center line:-4
they just melt away cos she's so
personable, so kind and so lovely.
411
00:22:51.960 --> 00:22:53.800 align:center line:-3
Good work, Steph.
412
00:22:56.960 --> 00:23:00.960 align:center line:-4
One of my favourite episodes
is Little Lazarus.
413
00:23:00.960 --> 00:23:04.960 align:center line:-4
And that was Riley Jones'
first episode.
414
00:23:04.960 --> 00:23:06.640 align:center line:-3
He was a copper in uniform.
415
00:23:06.640 --> 00:23:07.960 align:center line:-3
Ma'am.
416
00:23:11.960 --> 00:23:12.960 align:center line:-3
What's going on?
417
00:23:14.960 --> 00:23:16.480 align:center line:-3
I was on my way home.
418
00:23:17.640 --> 00:23:18.960 align:center line:-3
Blind chance is what it was.
419
00:23:18.960 --> 00:23:21.960 align:center line:-7
I was in one scene,
and it was with Brenda,
420
00:23:21.960 --> 00:23:23.960 align:center line:-6
and it was an amazing experience.
421
00:23:23.960 --> 00:23:26.480 align:center line:-5
Your first time, is it, son?
422
00:23:26.480 --> 00:23:27.960 align:center line:-3
Straight out of uni.
423
00:23:27.960 --> 00:23:29.960 align:center line:-3
He did it so well
424
00:23:29.960 --> 00:23:33.960 align:center line:-4
that we campaigned
to get him a job in CID.
425
00:23:33.960 --> 00:23:35.960 align:center line:-4
But it wasn't until years later
that I found out
426
00:23:35.960 --> 00:23:37.960 align:center line:-4
that Brenda had spoken
to the producers.
427
00:23:37.960 --> 00:23:39.960 align:center line:-3
Who's a good person?
428
00:23:39.960 --> 00:23:42.960 align:center line:-4
And so when we came back
to do series two,
429
00:23:42.960 --> 00:23:44.960 align:center line:-3
erm, he came again.
430
00:23:44.960 --> 00:23:46.960 align:center line:-3
We've met before, Ma'am.
431
00:23:46.960 --> 00:23:49.960 align:center line:-3
Oh, PC Edwards.
432
00:23:49.960 --> 00:23:51.960 align:center line:-4
There's not many people
in her position,
433
00:23:51.960 --> 00:23:53.960 align:center line:-3
I think, that would do that.
434
00:23:53.960 --> 00:23:56.960 align:center line:-3
But later on, he joined CID.
435
00:23:59.960 --> 00:24:01.960 align:center line:-4
And what is this?
VERA LAUGHS
436
00:24:03.960 --> 00:24:04.960 align:center line:-3
It was my dad's.
437
00:24:05.960 --> 00:24:08.320 align:center line:-4
Well, it was either me
or the scrapheap.
438
00:24:09.960 --> 00:24:11.960 align:center line:-4
Oh, it was a devil
to get her started.
439
00:24:11.960 --> 00:24:12.960 align:center line:-3
ENGINE STARTS
440
00:24:12.960 --> 00:24:14.960 align:center line:-3
It's a she, is it?
441
00:24:19.960 --> 00:24:21.960 align:center line:-4
The Landy is a big character
in the show.
442
00:24:21.960 --> 00:24:24.960 align:center line:-3
That Landy is phenomenal.
443
00:24:24.960 --> 00:24:27.960 align:center line:-3
It's sturdy, it's ballsy.
444
00:24:27.960 --> 00:24:31.960 align:center line:-4
It's reliable. It's very much
like Vera in many ways.
445
00:24:35.160 --> 00:24:36.960 align:center line:-3
CLUTCH GRINDS
446
00:24:36.960 --> 00:24:39.960 align:center line:-3
Hey, go easy! It's not a tank!
447
00:24:39.960 --> 00:24:42.960 align:center line:-3
No, she's more of a battle axe.
448
00:24:43.960 --> 00:24:47.640 align:center line:-4
It's a Land Rover Defender,
and it's Brenda's Land Rover.
449
00:24:47.640 --> 00:24:49.960 align:center line:-4
Was converted to automatic
for her.
450
00:24:50.960 --> 00:24:52.800 align:center line:-3
I've put small tyres on
451
00:24:52.800 --> 00:24:54.960 align:center line:-4
so she'll get in and out easier
and a step-on for her.
452
00:24:54.960 --> 00:24:57.960 align:center line:-3
And just maintained it ever since.
453
00:24:57.960 --> 00:24:59.800 align:center line:-3
Looked after her from day one.
454
00:25:03.960 --> 00:25:06.320 align:center line:-4
It didn't ever break down on us
while I was working with it.
455
00:25:07.320 --> 00:25:08.960 align:center line:-3
Brenda loves to drive it.
456
00:25:08.960 --> 00:25:10.960 align:center line:-4
In fact, she drives it better
than anybody else.
457
00:25:13.960 --> 00:25:15.960 align:center line:-4
SHOUTING,
HORN BEEPS
458
00:25:16.960 --> 00:25:17.960 align:center line:-3
Bloody hooligans.
459
00:25:18.960 --> 00:25:21.320 align:center line:1
When you consider
it's a feature-length film,
460
00:25:21.320 --> 00:25:23.960 align:center line:1
we do it in a month,
there's not a lot of time,
461
00:25:23.960 --> 00:25:27.960 align:center line:1
so if there's a shot
of Vera driving along the horizon,
462
00:25:27.960 --> 00:25:29.960 align:center line:-4
I don't really
need to be in the car.
463
00:25:29.960 --> 00:25:31.800 align:center line:-3
You what?
464
00:25:36.960 --> 00:25:38.960 align:center line:-3
I'm Kit, Kit Littlejohn,
465
00:25:38.960 --> 00:25:41.480 align:center line:-6
and I've been a driving double
for Vera,
466
00:25:41.480 --> 00:25:43.960 align:center line:-6
Brenda Blethyn,
for nearly six years now.
467
00:25:43.960 --> 00:25:45.960 align:center line:-3
So it's mainly driving the Landy.
468
00:25:47.960 --> 00:25:50.960 align:center line:-4
If there's a fleeting glance,
they're wearing the same costume,
469
00:25:50.960 --> 00:25:53.960 align:center line:-3
so no-one'll ever question it.
470
00:25:53.960 --> 00:25:55.960 align:center line:-3
That's amazing.
471
00:25:55.960 --> 00:25:56.960 align:center line:-3
When we're out and about,
472
00:25:56.960 --> 00:25:59.480 align:center line:-6
people think that we're the
real deal, sometimes, don't they?
473
00:25:59.480 --> 00:26:02.320 align:center line:-6
Which is quite amusing when they get
a bit closer and realise it's not.
474
00:26:02.320 --> 00:26:04.960 align:center line:-4
Well, it must be nice
to be asked, anyway.
475
00:26:17.960 --> 00:26:19.960 align:center line:-3
MAN: Let's get Kevin ready, please.
476
00:26:23.960 --> 00:26:25.960 align:center line:-3
And action.
477
00:26:26.960 --> 00:26:28.960 align:center line:-4
One of my favourite moments
on the show
478
00:26:28.960 --> 00:26:31.960 align:center line:-4
is when Brenda goes
to visit Creelan.
479
00:26:31.960 --> 00:26:35.960 align:center line:1
She leaps out of the Landy,
and then she gives a broad smile.
480
00:26:35.960 --> 00:26:37.960 align:center line:-3
It's a glorious day.
481
00:26:37.960 --> 00:26:39.960 align:center line:-4
It was really exciting
when Kevin Whately was cast.
482
00:26:39.960 --> 00:26:42.000 align:center line:-6
When Vera first discovers me,
483
00:26:42.000 --> 00:26:44.960 align:center line:-6
I'm out fly fishing,
I'm a retired cop.
484
00:26:44.960 --> 00:26:49.960 align:center line:-4
And frankly, so what
if a tiny forensic element
485
00:26:49.960 --> 00:26:51.160 align:center line:-3
was a little bit flaky?
486
00:26:51.160 --> 00:26:53.160 align:center line:-4
"So what?"
SHE CHUCKLES
487
00:26:54.960 --> 00:26:57.960 align:center line:-3
He's such a familiar, iconic figure
488
00:26:57.960 --> 00:27:00.960 align:center line:-4
having played an inspector himself
in the past.
489
00:27:00.960 --> 00:27:04.960 align:center line:-6
So then the prospect of getting him
and Brenda, you know,
490
00:27:04.960 --> 00:27:06.480 align:center line:-5
so Vera and Inspector Lewis,
491
00:27:06.480 --> 00:27:08.960 align:center line:-4
even though it's not,
and it's a different character.
492
00:27:08.960 --> 00:27:12.960 align:center line:-4
I think that's a bit of a treat
for the audience.
493
00:27:17.960 --> 00:27:19.960 align:center line:-4
536, take one.
Yeah.
494
00:27:25.960 --> 00:27:27.960 align:center line:-3
Camera set and... action.
495
00:27:29.960 --> 00:27:32.960 align:center line:-4
You wanna hope nobody pops up
to comb through all your old cases
496
00:27:32.960 --> 00:27:37.960 align:center line:-4
one of these days, Vera,
accusing you of all sorts.
497
00:27:37.960 --> 00:27:40.960 align:center line:-4
If one of my cases
did wrongly convict someone,
498
00:27:40.960 --> 00:27:44.960 align:center line:-4
I'd want it questioned.
And damn my reputation!
499
00:27:49.960 --> 00:27:52.320 align:center line:-4
Must have been fairly weird
for him to come in
500
00:27:52.320 --> 00:27:54.960 align:center line:-3
to play a guest part in Vera.
501
00:27:54.960 --> 00:27:56.960 align:center line:-4
But I think he's amazing.
He did brilliantly well,
502
00:27:56.960 --> 00:27:59.960 align:center line:-4
and it was wonderful to see
those two playing together.
503
00:28:07.960 --> 00:28:12.960 align:center line:-4
She is an incredibly
phenomenal professional.
504
00:28:12.960 --> 00:28:15.960 align:center line:-5
Her... The interrogation of script,
505
00:28:15.960 --> 00:28:18.960 align:center line:-6
her sort of striving
for authenticity
506
00:28:18.960 --> 00:28:21.960 align:center line:-4
and perfection every day
keeps us all on our toes.
507
00:28:21.960 --> 00:28:24.960 align:center line:1
I have to learn what's gonna
be filmed the following day,
508
00:28:24.960 --> 00:28:26.480 align:center line:1
and it's usually quite a lot.
509
00:28:26.480 --> 00:28:28.960 align:center line:-4
I might spot
some sort of anomaly in it.
510
00:28:30.960 --> 00:28:34.960 align:center line:-4
There was one episode
where the caravan blew up
511
00:28:34.960 --> 00:28:37.800 align:center line:-3
and someone died in the caravan,
512
00:28:37.800 --> 00:28:41.640 align:center line:-4
and they're looking at it,
and they found a brooch of a bird.
513
00:28:41.640 --> 00:28:42.960 align:center line:-3
This it?
514
00:28:44.960 --> 00:28:46.960 align:center line:-3
Yeah, that's a bird.
515
00:28:46.960 --> 00:28:49.960 align:center line:-4
But it was never mentioned
in the script - what bird is it?
516
00:28:49.960 --> 00:28:52.960 align:center line:-4
Cos she would know, and, you know,
it's just things like that.
517
00:28:52.960 --> 00:28:55.960 align:center line:-3
Just detail. I cared about it.
518
00:28:55.960 --> 00:28:58.960 align:center line:-4
In fact, everybody cared about it,
everyone, erm...
519
00:28:58.960 --> 00:29:00.000 align:center line:-3
I think it shows.
520
00:29:01.960 --> 00:29:06.480 align:center line:-4
Yeah, she's 100%, you know,
dedicated to the show
521
00:29:06.480 --> 00:29:09.960 align:center line:-6
and what she's doing,
and, you know, for example,
522
00:29:09.960 --> 00:29:13.960 align:center line:-6
the incident board
in the police station.
523
00:29:13.960 --> 00:29:17.960 align:center line:-4
She takes, like, a forensic interest
in what is on that board.
524
00:29:20.960 --> 00:29:23.960 align:center line:-4
'And we're just doing a scene
in the incident room now.'
525
00:29:23.960 --> 00:29:26.960 align:center line:-6
Brenda likes
when everything's exact,
526
00:29:26.960 --> 00:29:28.160 align:center line:-6
so when she's looking
through her files,
527
00:29:28.160 --> 00:29:29.960 align:center line:-4
she's looking
at a piece of evidence,
528
00:29:29.960 --> 00:29:31.960 align:center line:-3
she can not only read off it,
529
00:29:31.960 --> 00:29:34.960 align:center line:-4
but she understands it
and gets into the character more.
530
00:29:38.960 --> 00:29:41.000 align:center line:-4
The character
is the most important thing.
531
00:29:41.000 --> 00:29:42.960 align:center line:-4
No matter who it is
you're working with,
532
00:29:42.960 --> 00:29:45.000 align:center line:-4
you strive to make it
as real as possible.
533
00:29:45.000 --> 00:29:46.960 align:center line:-3
You're protecting him?
534
00:29:46.960 --> 00:29:48.640 align:center line:-3
No, I'm not.
535
00:29:50.160 --> 00:29:53.480 align:center line:-4
I have a log of his movements
on the day.
536
00:29:54.960 --> 00:29:59.960 align:center line:-4
Oh, there have been so, so many
wonderful actors in Vera.
537
00:29:59.960 --> 00:30:02.960 align:center line:-4
We had the cream
of British talent coming in.
538
00:30:02.960 --> 00:30:04.480 align:center line:-3
George Costigan came in.
539
00:30:05.960 --> 00:30:07.960 align:center line:-3
William Telling?
540
00:30:07.960 --> 00:30:08.960 align:center line:-3
That's me.
541
00:30:08.960 --> 00:30:11.000 align:center line:-4
It's always wonderful
when you get a well-known actor
542
00:30:11.000 --> 00:30:12.960 align:center line:-3
who wants to be in the show.
543
00:30:12.960 --> 00:30:14.960 align:center line:-3
Aye.
544
00:30:16.960 --> 00:30:21.160 align:center line:-4
Jill Halfpenny,
who is very much a local actor,
545
00:30:21.160 --> 00:30:22.960 align:center line:-3
has appeared in one.
546
00:30:22.960 --> 00:30:24.160 align:center line:-3
I'm not sorry I killed her.
547
00:30:25.960 --> 00:30:27.960 align:center line:-3
Sorry I got caught.
548
00:30:28.960 --> 00:30:31.960 align:center line:-4
This show has always looked
to move forward,
549
00:30:31.960 --> 00:30:35.960 align:center line:-4
and has introduced so many
great actors over the years -
550
00:30:35.960 --> 00:30:37.960 align:center line:-3
you know, people like Cush Jumbo.
551
00:30:39.960 --> 00:30:41.960 align:center line:-4
JILL HALFPENNY: Cush's career led
her across the Atlantic
552
00:30:41.960 --> 00:30:44.960 align:center line:-3
to the hit US show The Good Fight.
553
00:30:44.960 --> 00:30:46.960 align:center line:-3
Let's take, erm, Kingsley.
554
00:30:46.960 --> 00:30:48.960 align:center line:-3
Definitely one of the two.
555
00:30:48.960 --> 00:30:53.000 align:center line:-4
Kingsley now, what he's done
in Hollywood, it's amazing.
556
00:30:53.000 --> 00:30:55.960 align:center line:-4
Yeah, I think there's something
very special about Vera
557
00:30:55.960 --> 00:30:57.960 align:center line:-4
in the sense that, you know,
it has given opportunities
558
00:30:57.960 --> 00:31:00.960 align:center line:-3
to so many actors along the way.
559
00:31:00.960 --> 00:31:02.160 align:center line:-3
Jodie Comer being one of them.
560
00:31:02.160 --> 00:31:03.960 align:center line:-3
Yeah. Yeah, I did.
561
00:31:03.960 --> 00:31:05.960 align:center line:-3
As well as Charlie Heaton,
562
00:31:05.960 --> 00:31:08.000 align:center line:-4
now better known
for Stranger Things.
563
00:31:08.000 --> 00:31:09.960 align:center line:-3
That's the lad there.
564
00:31:09.960 --> 00:31:10.960 align:center line:-3
You sure?
565
00:31:10.960 --> 00:31:12.800 align:center line:-3
Yeah.
566
00:31:12.800 --> 00:31:13.960 align:center line:-3
In any actor's career,
567
00:31:13.960 --> 00:31:17.800 align:center line:-4
I think just being
on good shows helps, doesn't it?
568
00:31:20.960 --> 00:31:22.960 align:center line:-3
Nice.
569
00:31:23.960 --> 00:31:27.960 align:center line:-4
Filming this globally popular series
up in the North East of England
570
00:31:27.960 --> 00:31:29.960 align:center line:-3
has, over time, built up
571
00:31:29.960 --> 00:31:32.960 align:center line:-4
a uniquely committed
and close-knit crew.
572
00:31:32.960 --> 00:31:36.960 align:center line:-4
We have an enormous crew,
because it's a big, big show.
573
00:31:36.960 --> 00:31:38.160 align:center line:-3
We're covering a lot of ground.
574
00:31:38.160 --> 00:31:40.960 align:center line:-4
It's the warmest crew
I've ever worked with
575
00:31:40.960 --> 00:31:43.960 align:center line:-4
and the most eager
and the most able,
576
00:31:43.960 --> 00:31:47.320 align:center line:-4
and everybody has earned
their place there.
577
00:31:47.320 --> 00:31:49.960 align:center line:-4
I think it makes
a big difference that
578
00:31:49.960 --> 00:31:52.960 align:center line:-4
a large percentage of the crew
are from the region.
579
00:31:52.960 --> 00:31:57.800 align:center line:1
Everyone brings their A game,
and they're so proud of the region.
580
00:31:57.800 --> 00:32:00.960 align:center line:-4
I'd say 70% of the team
come back year in, year out.
581
00:32:00.960 --> 00:32:02.960 align:center line:-3
Not because of the salary,
582
00:32:02.960 --> 00:32:05.960 align:center line:-4
and, well... and not because of
it's close to home,
583
00:32:05.960 --> 00:32:07.960 align:center line:-3
but it's because they love the show.
584
00:32:09.960 --> 00:32:11.960 align:center line:-4
The wholesome thing
about Vera for me
585
00:32:11.960 --> 00:32:14.960 align:center line:-4
is that it creates a huge amount
of employment, you know,
586
00:32:14.960 --> 00:32:16.960 align:center line:-3
for technicians.
587
00:32:16.960 --> 00:32:19.960 align:center line:-4
There's probably 40, 50 people
in this room -
588
00:32:19.960 --> 00:32:21.800 align:center line:-3
technicians, crowd artists, actors.
589
00:32:21.800 --> 00:32:25.960 align:center line:-4
It's just amazing what Brenda's done
over these 14 years.
590
00:32:27.960 --> 00:32:30.480 align:center line:-6
I'm part of the props department
on Vera.
591
00:32:30.480 --> 00:32:32.960 align:center line:-6
I do the standby, did some dressing.
592
00:32:34.960 --> 00:32:36.960 align:center line:-3
So, there's about 14 years
593
00:32:36.960 --> 00:32:40.960 align:center line:-4
of accumulated lamps
and office stuff,
594
00:32:40.960 --> 00:32:43.160 align:center line:-4
that we've just kept
over the years.
595
00:32:43.160 --> 00:32:45.960 align:center line:-4
It's just something
I've always been passionate about,
596
00:32:45.960 --> 00:32:47.960 align:center line:-3
and I just enjoy the job.
597
00:32:50.960 --> 00:32:52.960 align:center line:-3
OK. Happy to shoot?
598
00:32:52.960 --> 00:32:54.960 align:center line:-3
Jay, explain it's you next time.
599
00:32:54.960 --> 00:32:57.960 align:center line:-3
Paul, we've worked with
600
00:32:57.960 --> 00:33:00.960 align:center line:-4
probably more
than any other director on this,
601
00:33:00.960 --> 00:33:03.960 align:center line:-4
and I just love,
love working with him.
602
00:33:03.960 --> 00:33:05.000 align:center line:-3
I know that's your favourite shot.
603
00:33:05.000 --> 00:33:06.960 align:center line:-3
LAUGHTER
604
00:33:07.960 --> 00:33:12.960 align:center line:-4
I'm one of those people who have
what they call imposter syndrome,
605
00:33:12.960 --> 00:33:16.960 align:center line:-4
and if a director comes in
who I don't know,
606
00:33:16.960 --> 00:33:19.960 align:center line:-3
or I'm not familiar with their work,
607
00:33:19.960 --> 00:33:21.960 align:center line:-4
I straight away think
they know better than me.
608
00:33:23.960 --> 00:33:24.960 align:center line:-3
Can we cut there?
609
00:33:24.960 --> 00:33:26.960 align:center line:-4
Cut, thank you.
Very good indeed, thank you.
610
00:33:26.960 --> 00:33:28.960 align:center line:-3
Let's do one more.
611
00:33:29.960 --> 00:33:33.480 align:center line:-4
I love working with Claire,
but it was tricky the first time.
612
00:33:33.480 --> 00:33:35.960 align:center line:-4
I didn't know if she trusted me
or not, but...
613
00:33:35.960 --> 00:33:37.960 align:center line:-4
and then I soon found out
that she did.
614
00:33:40.960 --> 00:33:42.800 align:center line:-6
I think Vera's brought
an enormous amount
615
00:33:42.800 --> 00:33:44.960 align:center line:-6
to me as a director,
and to the way I work.
616
00:33:44.960 --> 00:33:46.960 align:center line:-4
We're currently working
in Vera's office
617
00:33:46.960 --> 00:33:49.960 align:center line:-4
in the police station,
which always feels like home,
618
00:33:49.960 --> 00:33:52.960 align:center line:-4
and we're filming a scene
with Vera and Kenny.
619
00:33:54.160 --> 00:33:57.960 align:center line:-4
'Brenda works so hard.
She's across all of the scripts
620
00:33:57.960 --> 00:34:01.960 align:center line:-4
'for all of the episodes
all of the time.
621
00:34:01.960 --> 00:34:05.960 align:center line:-4
'She's across the edits for episodes
that have already shot.'
622
00:34:05.960 --> 00:34:08.960 align:center line:-4
She's thinking about
her own character.
623
00:34:09.960 --> 00:34:11.800 align:center line:-3
She might be on a windy clifftop,
624
00:34:11.800 --> 00:34:13.960 align:center line:-4
or she might be blown away
on a beach
625
00:34:13.960 --> 00:34:15.960 align:center line:-3
with her hat flying in the air.
626
00:34:15.960 --> 00:34:20.960 align:center line:-4
Every day is different for her,
but she comes so prepared.
627
00:34:22.960 --> 00:34:25.480 align:center line:-3
'It is a long, gruelling day,
628
00:34:25.480 --> 00:34:28.960 align:center line:-4
'so it's important
for me to be there...
629
00:34:28.960 --> 00:34:31.960 align:center line:-4
'for it to be
a pleasant atmosphere on set.'
630
00:34:31.960 --> 00:34:32.960 align:center line:-3
PHONE RINGS
631
00:34:32.960 --> 00:34:34.800 align:center line:-3
Oh, dear.
632
00:34:34.800 --> 00:34:36.960 align:center line:-4
There's somebody's phone
on the desk.
633
00:34:36.960 --> 00:34:37.960 align:center line:-3
Mine.
634
00:34:37.960 --> 00:34:39.960 align:center line:-3
LAUGHTER
635
00:34:39.960 --> 00:34:42.960 align:center line:-3
'The crew work non-stop.'
636
00:34:42.960 --> 00:34:45.960 align:center line:-4
I have a few bits
where I can sit down
637
00:34:45.960 --> 00:34:47.960 align:center line:-4
while they're setting up
the next scene,
638
00:34:47.960 --> 00:34:50.960 align:center line:-4
but they don't -
they're on the go all the time.
639
00:35:03.960 --> 00:35:06.960 align:center line:-4
WOMAN: Guys, you wanna come
back here and get your stuff,
640
00:35:06.960 --> 00:35:07.960 align:center line:-3
and we'll get you started?
641
00:35:12.960 --> 00:35:15.160 align:center line:1
Well, it's not every day you expect
642
00:35:15.160 --> 00:35:17.960 align:center line:1
150 witches to show up
on the doorstep, you know.
643
00:35:17.960 --> 00:35:19.960 align:center line:1
HE LAUGHS
644
00:35:20.960 --> 00:35:23.160 align:center line:-4
JILL HALFPENNY: This will be
one of the biggest scenes
645
00:35:23.160 --> 00:35:25.480 align:center line:-3
ever filmed by the Vera team.
646
00:35:25.480 --> 00:35:28.160 align:center line:-4
The hair, make-up
and costume departments
647
00:35:28.160 --> 00:35:30.960 align:center line:-4
have just a few hours
to prepare the SAs,
648
00:35:30.960 --> 00:35:33.960 align:center line:-4
better known as supporting artists,
for filming.
649
00:35:33.960 --> 00:35:36.960 align:center line:-6
So, we've got
a big witch hunt today.
650
00:35:36.960 --> 00:35:41.960 align:center line:-5
We've got 150 SAs to get through.
651
00:35:41.960 --> 00:35:46.480 align:center line:-4
50 of them are featured,
and 100 are not featured.
652
00:35:46.480 --> 00:35:49.960 align:center line:-4
This is my last one.
SHE LAUGHS
653
00:35:49.960 --> 00:35:54.960 align:center line:-6
Paul, the director, wanted things
to be quite spooky and dark,
654
00:35:54.960 --> 00:35:57.800 align:center line:-5
but not necessarily too scary.
655
00:35:57.800 --> 00:36:00.960 align:center line:-4
And I think these kind of
do the job really well.
656
00:36:12.960 --> 00:36:16.160 align:center line:-4
It was like nothing I'd seen before
on Vera -
657
00:36:16.160 --> 00:36:19.960 align:center line:1
just hordes of people, erm...
658
00:36:19.960 --> 00:36:21.320 align:center line:1
in the most fantastic costumes.
659
00:36:26.960 --> 00:36:29.960 align:center line:-4
We're looking
for a missing person,
660
00:36:29.960 --> 00:36:33.640 align:center line:-4
and we end up getting caught up
in a witch hunt.
661
00:36:33.640 --> 00:36:36.960 align:center line:-4
We still wanna get that "whoa!"
EXTRAS: Whoa!
662
00:36:36.960 --> 00:36:39.960 align:center line:-4
And we're set.
Action.
663
00:36:39.960 --> 00:36:43.960 align:center line:-4
EXTRAS CHEER,
SHAKE TAMBOURINES
664
00:36:43.960 --> 00:36:46.960 align:center line:-4
DRUMBEAT
WOMAN: You know the rules.
665
00:36:46.960 --> 00:36:50.640 align:center line:-4
All these costumes are gonna make
finding her a nightmare.
666
00:36:50.640 --> 00:36:53.960 align:center line:-4
Now, the witch can be anywhere
within the set area.
667
00:36:53.960 --> 00:36:56.320 align:center line:-3
HORN BEEPING
668
00:36:59.960 --> 00:37:02.960 align:center line:-3
WOMAN: Cut! Cut!
669
00:37:07.960 --> 00:37:11.960 align:center line:-4
It's always kind of very surprising
and satisfying,
670
00:37:11.960 --> 00:37:13.960 align:center line:-4
because you are up
kind of making a show
671
00:37:13.960 --> 00:37:15.960 align:center line:-3
in the North East of England
672
00:37:15.960 --> 00:37:19.960 align:center line:-6
that someone in Sweden or Canada
or New Zealand,
673
00:37:19.960 --> 00:37:21.960 align:center line:-6
you know,
is watching that two years later
674
00:37:21.960 --> 00:37:25.160 align:center line:-6
and feeling such a kind of
strong emotional attachment
675
00:37:25.160 --> 00:37:28.800 align:center line:-4
you know, to the show
and to the characters.
676
00:37:28.800 --> 00:37:31.800 align:center line:-5
DUBBED IN GERMAN:
677
00:37:36.960 --> 00:37:39.960 align:center line:-4
Broadcast in 187 territories
worldwide,
678
00:37:39.960 --> 00:37:41.960 align:center line:-3
Vera is always on,
679
00:37:41.960 --> 00:37:47.160 align:center line:-4
whether you're streaming it on ITVX
in the UK or BritBox in America.
680
00:37:47.160 --> 00:37:50.320 align:center line:1
It's quite thrilling, actually,
to be in something so popular.
681
00:37:50.320 --> 00:37:53.640 align:center line:-5
DUBBED IN FRENCH:
682
00:37:58.960 --> 00:38:01.960 align:center line:1
I think Vera's so popular
throughout the world
683
00:38:01.960 --> 00:38:06.960 align:center line:1
because she is that strong woman
of a certain age.
684
00:38:06.960 --> 00:38:09.960 align:center line:1
So there are strong women
of a certain age
685
00:38:09.960 --> 00:38:12.960 align:center line:1
throughout the world
who are cheering her on,
686
00:38:12.960 --> 00:38:14.960 align:center line:1
because she represents them.
687
00:38:14.960 --> 00:38:16.960 align:center line:-5
DUBBED IN FRENCH:
688
00:38:28.960 --> 00:38:31.960 align:center line:-3
Look - Mairi's hat! She made it.
689
00:38:31.960 --> 00:38:33.960 align:center line:1
Another woodland creature for you.
690
00:38:35.960 --> 00:38:38.960 align:center line:-4
"Oh, don't look at the mess,"
Mairi's screaming.
691
00:38:38.960 --> 00:38:40.960 align:center line:-4
LAUGHTER
We're packing up.
692
00:38:40.960 --> 00:38:43.960 align:center line:-4
We are packing up, so...
It's usually much cleaner than this.
693
00:38:43.960 --> 00:38:45.960 align:center line:-3
Yeah, it's usually... so tidy.
694
00:38:49.960 --> 00:38:54.960 align:center line:-4
So, Vera's coming
to a magnificent end, series 14,
695
00:38:54.960 --> 00:38:56.960 align:center line:-3
and today we're selling off
696
00:38:56.960 --> 00:38:59.960 align:center line:-4
some of the costume
to cast and crew
697
00:38:59.960 --> 00:39:01.960 align:center line:-3
to raise money for a local hospice.
698
00:39:01.960 --> 00:39:03.960 align:center line:-4
And so the cast and crew'll
come through,
699
00:39:03.960 --> 00:39:06.640 align:center line:-4
and they'll bag a bargain,
something glamorous for...
700
00:39:06.640 --> 00:39:08.800 align:center line:-4
for the wrap party.
Maybe the wrap party.
701
00:39:10.960 --> 00:39:14.640 align:center line:-4
Of course, there are a few key items
not for sale.
702
00:39:14.640 --> 00:39:16.960 align:center line:-4
As a character,
Vera's got a allergy to the sun,
703
00:39:16.960 --> 00:39:19.640 align:center line:-4
and that's why she wears
her hat and a coat,
704
00:39:19.640 --> 00:39:20.960 align:center line:-3
and she's covered at all times.
705
00:39:20.960 --> 00:39:21.960 align:center line:-3
Is it working?
706
00:39:21.960 --> 00:39:23.960 align:center line:-3
I should say so, yeah.
707
00:39:23.960 --> 00:39:26.960 align:center line:-4
Don't look there.
Brenda Blethyn's thermal underwear.
708
00:39:26.960 --> 00:39:28.160 align:center line:-3
Don't look at that!
709
00:39:28.160 --> 00:39:32.800 align:center line:-4
The costume design
is very cleverly done,
710
00:39:32.800 --> 00:39:34.960 align:center line:-3
so that everything ends at the hip.
711
00:39:34.960 --> 00:39:37.960 align:center line:-4
So when people would say to me,
"How much padding do you wear?"
712
00:39:37.960 --> 00:39:41.960 align:center line:-4
it's a bit like saying to a lady,
"When's the baby due?"
713
00:39:42.960 --> 00:39:45.960 align:center line:-4
I didn't want to say, "Oh, I don't
actually wear any padding!"
714
00:39:45.960 --> 00:39:48.960 align:center line:-4
That's me
and the clever costume design.
715
00:39:48.960 --> 00:39:52.960 align:center line:-4
I've grown into it now,
over 14 years.
716
00:39:52.960 --> 00:39:55.320 align:center line:-4
So, this is actually
Brenda's favourite Vera blouse.
717
00:39:55.320 --> 00:39:57.960 align:center line:-4
She calls it her Brussels sprout,
because of the pattern.
718
00:39:59.960 --> 00:40:01.960 align:center line:-3
This is a selection of scarves.
719
00:40:01.960 --> 00:40:07.960 align:center line:-4
So, what Brenda tends to do now
is she does one scarf per episode.
720
00:40:07.960 --> 00:40:10.960 align:center line:-4
And the scarf that she's wearing
for her final episode
721
00:40:10.960 --> 00:40:12.960 align:center line:-4
is the scarf she wore
in her first episode.
722
00:40:12.960 --> 00:40:15.960 align:center line:-4
It's a costume book end.
We're quite proud of it.
723
00:40:16.960 --> 00:40:19.000 align:center line:-3
So, along with this blouse...
724
00:40:20.960 --> 00:40:22.960 align:center line:-4
..that'll be
the last Vera costume ever.
725
00:40:32.960 --> 00:40:35.160 align:center line:-4
I always remember reading
that final script
726
00:40:35.160 --> 00:40:39.960 align:center line:-4
and being so interested to know
how it was all gonna play out.
727
00:40:39.960 --> 00:40:43.960 align:center line:-4
It gave us the chance to delve
into Vera's past a little bit,
728
00:40:43.960 --> 00:40:46.960 align:center line:-4
and see a little bit more
of who she is
729
00:40:46.960 --> 00:40:48.800 align:center line:-3
and where she's come from.
730
00:40:52.640 --> 00:40:53.960 align:center line:-3
The case that she's trying to solve,
731
00:40:53.960 --> 00:40:56.800 align:center line:-4
there are echoes
of her own background,
732
00:40:56.800 --> 00:40:58.960 align:center line:-4
which is why she keeps
thinking back.
733
00:41:00.800 --> 00:41:04.960 align:center line:-4
'Her father, he always considered
her to be doing a man's job.'
734
00:41:07.960 --> 00:41:12.320 align:center line:1
We'd never done that before,
going back into Vera as a young girl
735
00:41:12.320 --> 00:41:13.960 align:center line:-3
and seeing her life.
736
00:41:20.960 --> 00:41:22.320 align:center line:-3
You can't join the police.
737
00:41:22.320 --> 00:41:24.640 align:center line:-3
You won't change my mind, Dad.
738
00:41:24.640 --> 00:41:26.960 align:center line:-3
The police is no place for a lass.
739
00:41:26.960 --> 00:41:27.960 align:center line:-4
You're wrong.
Am I?
740
00:41:29.960 --> 00:41:30.960 align:center line:-3
You'd best prove it, then, pet.
741
00:41:35.320 --> 00:41:36.960 align:center line:-3
Cut.
742
00:41:36.960 --> 00:41:38.480 align:center line:-3
I thought that looked great, Brenda.
743
00:41:38.480 --> 00:41:41.000 align:center line:-4
We'll... We'll find out
in the edit, won't we?
744
00:41:43.960 --> 00:41:45.960 align:center line:-4
BRENDA:
'I didn't want Vera killed off,
745
00:41:45.960 --> 00:41:49.960 align:center line:-4
'because I suspected that
she'd be living on in the books.'
746
00:41:52.960 --> 00:41:56.960 align:center line:-3
'She's a sensible woman, Vera.'
747
00:41:56.960 --> 00:42:00.960 align:center line:-4
She knows when it's time
to call it a day,
748
00:42:00.960 --> 00:42:03.960 align:center line:-4
as in the same way
Brenda Blethyn knows
749
00:42:03.960 --> 00:42:06.480 align:center line:-3
when it's time to call it a day.
750
00:42:06.480 --> 00:42:10.480 align:center line:-4
Erm... you just sense
when the time is right.
751
00:42:24.960 --> 00:42:27.480 align:center line:-4
OK, guys,
last day on series 14 of Vera.
752
00:42:27.480 --> 00:42:28.960 align:center line:-3
Last day ever.
753
00:42:29.960 --> 00:42:31.960 align:center line:-3
Shall I leave that photo there?
754
00:42:31.960 --> 00:42:33.960 align:center line:-4
And is this the one
you put first out?
755
00:42:33.960 --> 00:42:35.960 align:center line:-4
Yes, that's what I meant.
Yeah, exactly, yeah.
756
00:42:35.960 --> 00:42:37.800 align:center line:-3
Scene, Mark.
757
00:42:37.800 --> 00:42:40.000 align:center line:-3
Camera set and action.
758
00:42:40.000 --> 00:42:43.320 align:center line:-3
The last day's filming on set,
759
00:42:43.320 --> 00:42:44.960 align:center line:-3
the last three setups we had,
760
00:42:44.960 --> 00:42:49.960 align:center line:-4
I have to say,
I-I felt very emotional.
761
00:42:49.960 --> 00:42:54.960 align:center line:-4
It's her packing up her stuff
and backing out of the office,
762
00:42:54.960 --> 00:42:58.800 align:center line:-4
and, er, I could've cried,
to be honest.
763
00:42:58.800 --> 00:43:00.960 align:center line:-3
I, er... Mm.
764
00:43:00.960 --> 00:43:03.960 align:center line:-4
I think Brenda couldn't talk
for a little while.
765
00:43:03.960 --> 00:43:06.960 align:center line:-4
Oh, I... It's coming back to me.
SHE CHUCKLES
766
00:43:06.960 --> 00:43:08.640 align:center line:-3
Yeah, erm...
767
00:43:14.960 --> 00:43:16.640 align:center line:-4
I don't think it was until, like,
the last day
768
00:43:16.640 --> 00:43:19.960 align:center line:-4
when it was the reality
of this is gonna...
769
00:43:19.960 --> 00:43:21.960 align:center line:-3
by six o'clock, this'll be over.
770
00:43:21.960 --> 00:43:23.960 align:center line:-3
It's just been an absolute pleasure
771
00:43:23.960 --> 00:43:25.800 align:center line:-4
to have been part of the show
for this long.
772
00:43:25.800 --> 00:43:27.960 align:center line:-4
You know, I'm sure people will be
watching the show
773
00:43:27.960 --> 00:43:29.960 align:center line:-3
for many years to come.
774
00:43:29.960 --> 00:43:32.960 align:center line:-4
There's something terribly sad,
also,
775
00:43:32.960 --> 00:43:36.960 align:center line:-4
about this whole thing ending,
because we feel like we know Vera.
776
00:43:36.960 --> 00:43:40.960 align:center line:-4
I'm so happy that we're doing
the show justice it deserves,
777
00:43:40.960 --> 00:43:45.960 align:center line:-4
and I'm very sad,
but a very, very positive feeling
778
00:43:45.960 --> 00:43:48.480 align:center line:-4
that we can all pull down
the shutters tonight
779
00:43:48.480 --> 00:43:52.960 align:center line:-4
and just feel we've done our best
and we've been a wonderful team.
780
00:43:52.960 --> 00:43:55.960 align:center line:-4
It was very sad
that all these people
781
00:43:55.960 --> 00:43:59.960 align:center line:-4
who've lived and worked together
for such a long time
782
00:43:59.960 --> 00:44:01.960 align:center line:-3
won't be seeing each other again.
783
00:44:02.960 --> 00:44:05.960 align:center line:1
'These people are my friends.
They're not colleagues.'
784
00:44:05.960 --> 00:44:08.960 align:center line:-4
I couldn't have asked
for a better 14 years,
785
00:44:08.960 --> 00:44:10.800 align:center line:-3
to be quite honest, you know.
786
00:44:10.800 --> 00:44:13.000 align:center line:-4
I think for as much as anything,
for us all,
787
00:44:13.000 --> 00:44:16.960 align:center line:-4
there's a sense of, like,
having made friends for life.
788
00:44:18.960 --> 00:44:21.960 align:center line:-4
After starting
as a young recruit in the Met,
789
00:44:21.960 --> 00:44:25.960 align:center line:-4
Vera retired from the force
with a new four-legged sidekick,
790
00:44:25.960 --> 00:44:28.960 align:center line:-4
and today on set,
life mirrors fiction,
791
00:44:28.960 --> 00:44:32.960 align:center line:1
as Brenda brings Jack, her own dog,
to this final farewell.
792
00:44:35.960 --> 00:44:38.640 align:center line:-3
Oh, it's so bittersweet.
793
00:44:38.640 --> 00:44:39.960 align:center line:-3
Really, really is,
794
00:44:39.960 --> 00:44:41.960 align:center line:-4
cos I've loved every minute
of this job.
795
00:44:49.000 --> 00:44:51.480 align:center line:-3
Pat? Happy?
796
00:44:52.480 --> 00:44:53.960 align:center line:-3
Jack!
797
00:44:57.960 --> 00:44:59.960 align:center line:-3
Perfect.
798
00:45:00.960 --> 00:45:02.960 align:center line:-3
Brilliant. Well done.
799
00:45:02.960 --> 00:45:06.960 align:center line:-3
APPLAUSE
800
00:45:10.960 --> 00:45:12.480 align:center line:-3
'Mm.
801
00:45:15.160 --> 00:45:16.960 align:center line:-3
'I love Vera.'
802
00:45:17.960 --> 00:45:18.960 align:center line:-3
SHE CHUCKLES
803
00:45:39.960 --> 00:45:41.960 align:center line:-3
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