Original subtitles

- Look at her going,

it doesn't get fresher than this folks.

- This is how you are making every single soup?

- Grandmother's blender at home

just the way she would've wanted it.

- Hi, I am Tamar.

- Hi, I am Alex. - Bruce.

- And this is Last Looks.

(upbeat jazzy music)

(Kate squealing)

- John.

- John Early and Kate Berlant, zombies.

I believe this one started because you had a zombie mask.

- Previous season, Kerns wanted to see a zombie

and we ended up cutting it,

but the piece had already been bought from RVFX Prosthetics,

so we kept it in storage in hopes

that we would do a season two.

- [Alex] When I was talking to Vanessa

and coming up with the concept for the look,

we really wanted to have these zombies

that could kind of fit in the world

of Very Important People.

This retro eighties, nineties vibe,

which I think is a really fun juxtaposition with zombies

- And this is so beautiful.

The colors together

are insane. - The colors are beautiful.

The artistry is involved.

- You guys hit on like my favorite thing to do with zombies

and that's zombies with jobs.

- [Tamar] When we concepted it,

we were thinking they were eighties office workers

that just so happened to be zombies.

Cut to them on stage,

and they didn't even mention once

that they were zombies.

- Which is brilliant.

- Which was probably the funniest part of their bit.

(Barbara sighing)

- We're here to talk about soup, Diane.

- Right, okay.

- I love how these looks came out,

and it started off with me being very apprehensive about it

because zombies

are very popular. - The market's oversaturated.

There's so many zombies out there.

We wanted to make it our own.

We wanted it where they could look at themselves

and create a character.

- Now Bill, don't get any ideas.

- [Vic] Okay. (Bill laughing)

- [Alex] We had two actors that we were getting through,

so we are teaming up and slapping on the paint work,

Vanessa kept a lot of the skin covered to help us out,

so we had more time to focus on the detailing

and nuances of the face and then going in with the airbrush

and adding detail work and veining

and crazy blush, like she still cares how she looks.

We wanted to take it out of the horror,

but we still wanted those elements.

So we had enlisted Christina Gonzalez as our lens tech

to add the ruddiness to the eyes and

Bruce did a very slam up paint job.

- Done a lot of zombies in my time.

- [Alex] But it was interesting because

we had that green screen issue too,

where you incorporate a lot of green tones

into a zombie paint work.

- [Bruce] That's true. - [Alex] So Bruce had to alter

how he would typically paint a zombie to work for this.

- You know what I'm realizing right now

is that our mouths are off.

- The mouths

are unbelievable. - Like I knew yours was

but mine is like.

- Oh, yours is too.

- It's like over, like, where's your real mouth?

(people laughing)

- [Tamar] I was really blown away at how John and Kate

could kind of move their mouths

and had such great articulation in their facial features.

- The masks are soft foam latex

and they're made to be very, very flexible.

So when it's glued to the actor, it does what they do.

The broader they can play it,

the more it will read through the mask.

- They're monogamous, imagine!

- Yeah, oh,

oh!

- Oh, monogamy!

- So scary.

- Yeah.

- [Tamar] I was so curious,

just to see them come up with these characters together

and they took it in the direction of

a married evangelical couple

that got arrested for something

that we're not really sure of.

- And we do talks and we sell soup.

- Soup?

I

love that.

- We sell soup. - We have a soup line.

- And right when they said that, I was just like, fuck yes.

That is what we're doing.

I like ran up to Ryan Martin, our production designer,

and I was like, what are the chances

that someone could run over to Gelson's

and grab just like a ton of cans of soup?

And he was like, "Very high chances, let's do it."

So as they were getting on set,

we had three PAs sticking stickers

to kind of Greek out the labels.

- These are your soup? - To launch.

Yeah, so they they were always cheddar based.

- Yeah. - Bill's favorite.

- I said to John and Kate, this is our last episode

that we're filming.

As long as you don't break anything,

feel free to go wild with messing it up.

- Let's ignore him.

It's a gazpacho.

Ignore it.

John was trashing the plants, trashes the Webby,

and Vic

gets up,

hurls the blender at the wall.

I don't know if you guys saw that.

- This was the last one, we were packing down.

- So spoiler alert,

they completely trashed the set, soup everywhere.

- [Bruce] Oh my god.

- And then I look over at Ariel,

who's our producer, and Ariel is just like.

- Crying inside.

- Crying inside.

David is just like.

And my face, I'm just like.

And miraculously no rentals were harmed,

and that is a credit to our entire crew

because after we called cut, everyone ran in there

and just like started cleaning the things that were rentals.

- Professional shoot.

- [John] I mean literally.

- Professional crew.

These are like, truly.

- We got a really, really amazing conclusion

to this episode.

I'm excited for you guys to see it.

- I know. - I can't wait to see it.

(jazzy music)

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