All language subtitles for Alain Resnais - Last Year at Marienbad - French with German Subs

Cross corridors
leading in turn to empty rooms,

rooms heavily laden
with a décor from the past.

Silent rooms
where the sound of footsteps

is absorbed by carpets
so heavy, so thick,

that all sound escapes the ear.

As if the ear itself,
as one walks, once again,

along these corridors
and through these rooms,

in this building
that belongs to the past.

This huge, luxurious, baroque
and dismal hotel

where corridor follows corridor.

Silent, deserted corridors
heavily laden

with woodwork and panelling,

with marble, mirrors,
pictures and darkness,

pillars, alcoves
and rows of doorways...

Cross corridors
leading in turn to empty rooms,

rooms heavily laden
with a décor from the past.

Silent rooms,
where the sound of footsteps

is absorbed by carpets so thick

that all sound escapes the ear.

As if the ear itself
were very far from the ground,

far from this empty décor,

far from this ceiling
with its branches and garlands

like classical foliage.

As if the ground were still
sand and gravel

and stone paving
which I crossed once again.

Along these corridors
and through these rooms,

in this building

that belongs to the past,
this huge, luxurious

and baroque hotel

where endless corridors...

Silent rooms where the sound
of footsteps is absorbed

by carpets so heavy, so thick,

that all sound escapes the ear.

As if the ear itself,
as one walks, once again,

along these corridors,

through these rooms
in this building...

Alcoves

and rows of doorways...

Cross corridors
leading in turn to empty rooms,

rooms heavily laden
with a décor from the past.

Silent rooms,
where the sound of footsteps

is absorbed by carpets
so heavy, so thick,

that all sound escapes the ear.

...and stone paving
which I crossed once again...

Along these corridors
and through these rooms,

in this building

that belongs to the past,
this huge, luxurious

and baroque hotel

where corridor follows corridor.

Silent, deserted corridors

heavily laden with woodwork

and panelling,

with marble, mirrors,
pictures and darkness,

pillars, alcoves
and rows of doorways...

Cross corridors that lead in turn
to empty rooms...

With woodwork,
rows of doorways...

Cross corridors
leading in turn to empty rooms,

rooms heavily laden
with a décor from the past.

Silent rooms,
where the sound of footsteps

is absorbed by carpets
so heavy, so thick,

that all sound escapes the ear.

As if the ear itself
were very far from the ground,

far from this empty décor,

far from this ceiling
with its branches and garlands

like classical foliage.

As if the ground were still
sand and gravel

and stone paving
which I crossed once again

on my way to meet you

Between these walls
laden with woodwork,

with pictures
and framed engravings

through which I made my way,

amongst which I was already

waiting for you.

Very far from the setting
where I find myself now,

as you still wait
for someone who will not come.

Someone who may never come

to separate us again,

to take you away from me.

We must wait a little.

A few minutes,
a few seconds no more.

A few seconds,
as if you were still in doubt

about parting
with him and yourself.

As if his fading figure
might even now reappear...

Here where he appeared
to you too vividly,

too fearfully, too hopefully.

Frightened of losing this bond...

This hope no longer has a purpose.

The fear of losing
such a suffocating bond is over.

This story is already over.

In a few seconds,
it will freeze forever.

Into a marble past, like these
statues worked in stone.

Like this very hotel,
filled with emptiness,

these static silent characters

long since dead

standing guard in the corridors
as I made my way towards you.

Between two rows of frozen faces

watching,
forever indifferent faces.

As I came towards you,
in your doubt.

Still watching
the threshold of this garden.

Now,

I am yours.

Don't worry about
what the others think.

You know that...

You pretended only to listen to me.

I'm listening.

You make my role unbearable.

You confine me in a whispering
silence worse than death.

Lower your voice.

These whispers worse than silence.

These days worse than death
that we live through.

Like coffins buried side by side
in a frozen garden.

A reassuringly tidy garden
with clipped hedges,

with geometrical paths
down which we walk together,

day after day,
and almost hand in hand.

It's unbelievable.

I don't quite remember.

It must have been in '28 or '29.

In the summer of '29,
it froze for a week.

A handsome woman.

Too much imagination.

You confine me in a silence
worse than death.

Like these days that we live
through, side by side,

and almost hand in hand.

Our mouths forever apart.

Fingers that never entwine,
eyes that do not see you,

for they are forced
to look away towards these walls

laden with carvings, crystal mirrors,
and outmoded pictures.

Fake cornices.

False doors and deceiving views.

False exits.

Extraordinary!

Not so extraordinary as all that!

He set the whole thing up
himself, you know.

You've been here long?

No. But I've been before.

You like this place?

Not much. We just come here.

My father was to get a post.

A shoe with a broken heel.

From which there is no escape?

From which there is no escape.

Don't you know the story?

Last year it was all we talked of.

Frank told her that her father
had sent him to look after her.

An odd way of doing so!

She realized that later,

when one night
he tried to get into her room,

pretending he wanted
to explain a picture to her.

Having a German passport
doesn't prove much.

But his presence
has no connection.

I suggest a different game.

A game I always win at.

If you can't lose,
it's not a game.

I can lose, but I always win.

Two play.

The cards are laid out like this...

Seven.

Five.

Three.

One.

Each player in turn
picks up cards,

as many as he likes,
but from one row at a time.

The one who picks up the last card
loses.

Will you begin?

You haven't changed.
I feel I left you only yesterday.

What have you been doing?

Nothing. I'm still the same.

Not married?

A pity. It's fun.

I like to be free.

Here?

Why not here?

It's an odd place.

To be free in, you mean?

That, amongst other things.

You're still the same.

You're still the same.

But you hardly seem to remember.

Yet you're familiar
with the setting,

this hand holding
a bunch of grapes.

Behind the hand,
you see the almost living foliage.

In a garden that would be ours.

You've never noticed?

I've never had so good a guide.

"As the compass said to the ship",
goes the proverb.

I can show you a lot more here,
if you wish.

With pleasure.

Has this hotel so many secrets?

So many.

How strange.

Why look at me like that?

You hardly seem to remember me.

I first saw you in the gardens
in Frederiksbad.

You were alone,
apart from the others.

Standing by a balustrade,

resting your hand on it,
your arm half outstretched.

You were half facing
the main avenue.

You did not see me coming.

My footsteps on the gravel
finally drew your attention.

Then you turned your head.

It was not me.

You must be mistaken.

Remember.

We were near a stone statue

on a tall pedestal.

A man and woman in classical dress.

Their pose seemed to represent
something definite.

You asked me who they were.

I said I didn't know.

You tried to guess. I said

they might as well be you and I.

Then you began to laugh.

I love,

I already loved to hear you laugh.

The others had come near us.

Someone named the statue.

He said they were Greek gods
or heroes from mythology.

Either that,
or some allegory or another.

You weren't listening.
You seemed far away.

Your eyes had become solemn
and empty again.

You half turned away to look
at the main avenue again.

And once again
we found ourselves separated.

It's impossible.

What if you played first?

And once again
I made my way alone

along these same corridors,

through these same deserted rooms,

past these pillars
and windowless galleries,

through these same doorways,

making my way at random
in the labyrinth around me.

And once again,

everything was empty and deserted
in this huge hotel.

Empty rooms, corridors,

rooms and doors,

doors and rooms,

empty chairs, deep armchairs,

stairways, steps,

more and more.

Glass empty glasses.

A falling glass,
a glass partition.

A lost letter.

Keys hanging on their rings.

Numbered room keys:
three hundred and nine,

three hundred and seven,
three hundred and five.

Chandeliers and mirrors.

Empty corridors
as far as the eye can see.

Like everything else,
the garden was deserted.

It was last year.
Have I changed so much?

Or are you pretending
not to know me?

One year. Maybe more.

At least you haven't changed.

You've still the same faraway eyes.

The same smile,
the same sudden laugh.

The same way
of putting out your arm

to ward off something in the way,

of raising your hand
to your shoulder.

You're wearing the same perfume.

Remember.

It was in the gardens
in Frederiksbad.

You were standing alone.

You were leaning
on a stone balustrade,

resting your hand on it,
your arm half outstretched.

Looking towards the main avenue.

I came towards you,

but I stopped some way off,
and looked at you.

You were now facing me.

Yet you didn't seem to see me.

I was watching you.
You did not move.

I told you how real you seemed.

You just smiled.

I spoke of the statue.

I told you that the man
wanted to stop the woman.

He must have seen some danger

and was motioning his friend
to stop.

You replied that she was the one
who had seen something.

And that she was pointing out
something breathtaking.

Both explanations were possible.

The couple had left home
and had been walking for days.

They've just come
to the edge of a cliff.

He holds her back,
to keep her from the edge.

While she points to the sea
stretching to the horizon.

Then you asked me their names.

I replied that it didn't matter.

You didn't agree
and started naming them

without much thought.

So I said

they might as well be you and I.

Or just anyone...

Don't name them.
They may have had other adventures.

You're forgetting the dog.
What's he doing?

He's not theirs.
He just happened to run by.

But he's with his mistress.

She's not his mistress.

He's close,
because the pedestal is narrow.

The same couple have no dog
in that other statue.

They're facing now.
Her hand's caressing his lips.

Close to,
you can see she looks away.

I don't want to. It's too far.

Follow me. Please.

Please!

It's impossible.
I've never been to Frederiksbad.

Perhaps it was elsewhere.

In Karlstadt, or Marienbad,

or in Baden-Salsa,

or even in this room.

You followed me here
so I could show you

this picture.

The man's movements are clear

and so is the woman's arm.

But you must be on the other side
to see that the man

wants to stop the woman.

He's seen some danger, probably.

He motions her to stop.

I think I can give you
some more accurate information.

The statue is of Charles III
and his wife.

It's not of the period, of course.

It shows the Oath before the Diet.

The classical costumes
are completely conventional.

You were waiting for me.

No. Why should I be?

I've waited a long time for you.

In your dreams?

You're running away again.

What do you mean?

I don't understand a word.

If it were a dream,
why should you be afraid?

Tell me

how our story continues.

We met again that very afternoon.

By chance, I suppose?

I don't know.

Where was it this time?

Where? That does not matter.

You were with a group of people.

People I hardly knew.
I don't think you did either.

They were talking about
some current event or other.

You probably knew more about it
than I did.

I was watching you.

Your sparkling conversation
seemed forced.

I felt these people
didn't know who you were.

I alone did.

You didn't know yourself.

You kept avoiding my glance.

You were clearly
doing it on purpose.

I waited, I had the time.

I've always thought I've had time.

When your eyes looked my way,
it was as if I didn't exist.

Finally, to make you look,
I spoke,

breaking into the conversation

with some remark

designed to draw your attention.

I've forgotten what it was.

You answered me
in the sudden silence

with irony on what I'd just said.

The others remained silent.

And again I felt no one understood.

Perhaps I was the only one to hear.

Then someone spoke
of the evening's entertainment.

Perhaps it was for the next day.

I forgot what we said next.

You didn't like walking

because of your high heels.

One day, later on I think,

you broke one of your high heels.

You had to take my arm

whilst you took off your shoe.

The heel was severed,
except for a strand of leather.

You looked at it for a moment.

Your foot scarcely touched
the ground,

posed before your other foot
like a dancer's.

I offered to fetch another pair.

You refused.

Then I said I could carry you back.

You just laughed, without replying,
as though...

But that day,
you carried your shoes back.

You walked to the hotel
over the gravel.

I saw you again.

You never seemed to be waiting.

But we met at every turn,

behind every shrub,

at the foot of every statue,

by every fountain.

As though, in all this garden,

there were only you and I.

We talked about anything,

the statues' names,

the shapes of the bushes,

the water in the fountains.

Sometimes we remained silent.

At night especially,
you did not like to talk.

One night I went up to your room.

These walls were always there,

surrounding me.

Even, smooth, glazed walls.

These walls were always there.

The silence, too.

I never heard a voice raised
in this hotel.

Conversations took place
in a vacuum,

as if the words meant nothing.

As though they could have
no meaning.

A sentence would stop in space,

frozen in its flight,

and resume its journey,
there or elsewhere.

It did not matter.

The same conversations,

the same missing voices.

The servants were silent.
The games.

It was a place of rest.

No business was done.
No conspiracies were bred.

No words were spoken
to arouse emotion.

There were signs everywhere:

"Silence... silence."

Yes, I think I remember.

You saw it?

No, but a friend told me.

But you can check
the weather reports.

Let's go to the library.

Do you know what I heard?

This time last year,

it was so cold, the fountains froze.

It must be a mistake.

What do you want?
You know it's impossible.

One night, I went up to your room.

You were alone.

Leave me alone.

It was almost summer.

Yes, you're right.

There couldn't have been any ice.

It's time for the concert.
May I go with you?

Are you going to the concert?

I'll see you at dinner.

This story is already over.

In a few moments, it will freeze

into a marble past.

Like these statues
in this garden in stone.

Like this hotel
with its now empty rooms.

You never seemed
to be waiting for me.

But we met at every turn.

Behind every shrub.

At the foot of every statue.

By every fountain's edge.

As though in all this garden

there were only you and I.

We talked about
the statues' names,

the bushes,
the water in the fountains

and the colour of the sky.

Sometimes we remained silent.

But you always kept
some way away,

as if on the brink

of some dark forbidding place.

Come here.

Come nearer.

Leave me alone, please.

And again these walls,
corridors, doors.

And still more beyond.

In order to reach you,

you don't know the paths I've taken.

Now you are here.

You still try to escape.
But you are here in this garden,

within my reach,

within my sight. You are here.

Who are you?

What's your name?

That doesn't matter.

That doesn't matter.

You're like some phantom

waiting for me to come.

Leave me.

It's already too late.

You asked me not to see you.

But of course we met,

the day after or the next,
or the day after that.

Perhaps it was by accident.

I insisted on your leaving with me.

You said it was impossible,
of course.

But now, you know
it's the only thing left

for you to do.

Yes, perhaps.

I don't know.

But why must it be me?

You were waiting for me.

No, I wasn't.
I was waiting for no one.

Waiting for nothing,
as though you were dead.

It's not true. You're still alive.

You're here. I can see you.

Do you remember?

It's probably not true.

You've already forgotten.

It's not true.

You're leaving. Your door is open.

What do you hope to get from me?

What other life
would you have me live?

I don't mean another life!

It's a question of your life.

Remember.

One evening, the last, I think,

it was almost dark.

A shadowy figure
slowly advanced through the dusk.

Long before I could distinguish
your features,

I knew it was you.

When you recognized me,
you stopped.

We stood there, a few yards apart,

without saying a word.

You were standing before me.

Waiting, perhaps.

Unable to move
either forward or back.

You stood there,

motionless.

Your arms at your sides.

Looking at me.

Your eyes open even wider.

Your lips parted,
as though to speak,

or groan, or cry out.

You are afraid.

You open your mouth a little more.

Your eyes get wider.

You hold your hand forward,
uncertainly, as if waiting,

appealing, or perhaps in defence.

Your fingers tremble.

You are afraid.

Who is it?

Your husband?

He was looking for you,
or maybe passing by.

He was already nearing you.

But you remained rigid,
as if you were not there.

He didn't quite seem
to recognize you.

So he stepped forward.

Something about you escaped him.

One step further.

You looked through him.

He chose to go.

And now, you still stare
into the empty space.

You still see him.

His grey eyes.

His grey shape.

And his smile.

And you're afraid.

You dread his return.

Again I come to your room.

His room was next door,
with a lounge between.

Besides, he'll be
in the card room now.

I had told you I would come.

I found all the doors ajar.

The hall door,
the lounge door and yours.

I just had to push them open

and close them behind me.

You know the rest.

No, I don't. I don't know you!

Nor this mantelpiece
with its mirror.

What mirror? What mantelpiece?

I don't know any more.

It's not true.

Why should you be here otherwise?

What was the mirror like?

There's no mirror
over the mantelpiece.

There's a picture.

A landscape,
a snow scene, I think.

The mirror's over the chest.

There's also a dressing table

and other furniture as well.

What kind of bed?

A big one, probably.

What could you see
from the windows?

I don't know.

I've never been
in any bedroom with you.

You don't want to remember.

Because you're afraid.

Don't you recognize
this photo either?

No, I don't remember.

You know who took it!

You didn't want me to.

You said it would upset you.

That's true. I was right!

I remember this room perfectly.

You were waiting for me.

Yes, there was a mirror
over the chest.

I first saw you in the mirror

when I pushed open the door.

You were sitting
in a sort of négligée.

You were all in white
and wearing this ring.

I'm sure you're making it up.

I've never had
a white dressing gown.

It was someone else.

As you wish.

You lay among white feathers.

Please be quiet. You're mad.

"No, no please!"

It's last year's voice I hear.

You were already afraid.

That night I loved your fear.

I watched you
as you protested a little.

I loved you.

There was something in your eyes.

You were alive.

At first...

do you remember?

No.

You were sincere.

But only you know.

What's wrong?

Nothing.

- Are you tired?
- A little.

It's the sun, all of a sudden.

Let's go back in, if you like?

If you like.

That was the day
I photographed you.

And you asked me
to give you a year.

Perhaps to test me,

perhaps to weary me,
or so you could forget.

But time is unimportant.

I have come back for you now.

It's impossible.

It's impossible.

Of course.

But you know that it is possible.

You know you are ready to leave.

What makes you so sure?

Where would we go?

Anywhere.

We should really separate for ever.

Last year...

You'll leave alone.

And forever we'll be...

Why should we be lonely
and have to wait forever?

It's not true.

But you're afraid.

No!

But now it's too late.

He had just left your room.

You had just had some row with him.

You can see the garden.

You hadn't seen him leave.
That might have calmed you.

Then, you went back to the bed.

Not knowing where to go,

you went back to the bed again
and sat on it.

Then you let yourself fall back.

You went back to the bed,

after a few seconds of indecision,

not knowing what to do,

staring in front of you.

And you went back to the bed.

Listen to me! Try to remember.

Please listen to me!

Yes, there was...

It's true. There was a big mirror.

You didn't dare go near it.

It seemed to frighten you.

You're determined not to believe me.

Where are you?
Where have you gone?

Why try to run away?
It's too late.

It was too late even then.

The door was closed.

No! The door was closed!

What more proof do you want?

I had a photo of you

taken just before you left.

You said the photo
didn't prove a thing.

Anyone could have taken it.

In any garden.

I should have shown you
the feathers.

Your body a sea of feathers.

But bodies and négligées
are all alike.

Hotels, statues,
and gardens are alike.

But for me, this garden was unique.

Every day,

I met you there.

One afternoon,
the next day no doubt,

I told you we're leaving.

No. You weren't laughing.

We'll leave tomorrow
and never return.

No,

that wasn't it.

Yes. We were in your room.

We had already decided to leave.

You had agreed,
somewhat unwillingly.

I was in your room.

From the doorway, you see the bed,

but not the dressing table.

You were probably by the window,

looking down at the garden,
I think.

I'm not quite sure.

I had met him
coming down the stairs.

He'd just left.

Was it another day?

That evening, everything was empty.

The stairs,

the corridors,

the stairs.

I don't remember any more.

I don't remember myself.

I don't remember.

Didn't you hear me knock?

Yes. I told you to come in.

You must have spoken softly.

What's this photograph?

An old one of me.

When was it taken?

I don't know. Last year.

Who took it?

I don't know. Frank, perhaps.

Frank wasn't here last year.

Perhaps it wasn't here.

Perhaps it was in Frederiksbad.

Perhaps someone else took it.

How did you spend the afternoon?

I just read a little.

I looked for you. Were you outside?

No. I was in the green room.

I looked there though.

You'd something to tell me?

You seem worried.

I'm a little tired.

You must rest. Don't forget
that's what we're here for.

Going out?

I may go to the Gun Room.

At this time?

Why not?

Anderson's arriving tomorrow.
We'll have lunch with him,

if you've no other plans.

What other plans?

Till tonight then.

When the door was shut,
you listened for his footsteps.

But you heard none. You didn't
even hear other doors closing.

The way to the Gun Room
was via the terrace

behind the hotel.

But unless you open the window,
you can't see the terrace.

You listened
for his footsteps on the gravel.

With the window closed,
it was impossible to hear.

Besides, there's probably
no gravel just there.

One arm reaching up
to your hair.

An outstretched forefinger
to your lips,

as if to stifle a cry.

Now you're here again.

No, this is not the proper ending.

I need you alive.

Alive, you were every evening

for weeks and for months.

I've never stayed anywhere
for so long.

Yes, I know.

It's all the same to me.

Why don't you want to remember?

You're mad!

I'm tired. Leave me.

This game's absurd.

You must take an odd number.

The one who begins, loses.

Frank used to play last year.

You must take the complement
of seven.

Please begin.

Which one shall I take?

This one.

I've lost, then.

It's not true. You were sincere.

Remember.

For days and days,
night after night...

All bedrooms are the same,
you'll say.

But for me,
that room was different.

There were no doors, no corridors.

Not even the garden.

In the middle of the night,
the hotel slept.

We met each other outside,
as before.

You stopped
when you recognized me.

We stood there in silence.

You stood waiting,

unable to move
either forward or back.

You stood motionless,

your arms by your sides.

You wore a long dark cape.

I think it was black.

Listen to me, for pity's sake.

We can't turn back the past.

Only wait a little longer.

Next year, the same day,
the same time, here.

I'll follow you.

Please. We must wait.

A year's not long.

For me it's nothing.

But listen!

For how long must we put it off?

I've waited too long.

But what do you hope to achieve?

Do you think it's so easy?

I don't know.

Perhaps...

I'm not very brave.

I can't put it off.

A few hours is all I ask.

A few months... a few hours.

A few minutes or a few seconds.

It's as though
you couldn't decide to leave him,

as if it meant
parting with yourself.

As if his shape...

Be quiet. Someone's coming!

Go away, if you love me!

You're feeling faint.

It's nothing.

You're better already.

I'll go upstairs.

Shall I come with you?

No. I'd rather go alone.

I'm going.

And again I made my way
along these corridors,

walking for days and months,

walking for years, towards you.

There can be no rest
within these walls.

I shall leave tonight
and take you with me.

Had this story begun last year

with us waiting for each other,

one year ago,

you couldn't have gone on
living in this setting,

amongst these mirrors and pillars,

surrounded
by these swinging doors,

these giant stairways,

this ever open room.

Where are you, my lost love?

I'm here.

Here with you, in this room.

But already it's no longer true.

Please help me!

You were feeling better.

Yes, now you'll sleep

and wake already to meet Ackerson,

or Paterson,

whom you're supposed
to lunch with.

Don't let me go.

You know it's too late.

Tomorrow I'll be alone.

Your room will be empty.

No!

I'm cold.

You need nothing.

You don't know
what happened just now.

You don't remember.

You're afraid you shocked them.

When this man, who maybe
is your husband, had gone,

this man you may even love,

whom you'll leave tonight
for ever,

you packed your things
and prepared a change of clothes.

We were to leave tonight.

You seemed to want
to give him a chance.

I don't know. I accepted.

He could have come
to take you back.

The hotel was deserted.

Everyone was at the play.

Your fainting gave you
an excuse not to go.

I can't remember the title.

It was due to finish late.

After he'd left you,
lying on your bed

he went to the theatre.

He sat with a group of friends.

If he really wanted to keep you,
he would have to leave before the end.

You were dressed, ready to go.

You sat waiting for him alone

in a lounge adjoining your suite.

You'd asked me
to leave you till midnight.

Were you hoping he would come?

I thought you might
have told him everything

and fixed a time for him to come.

Or perhaps you thought
I might not come myself.

I came at the appointed time.

The grounds of the hotel

were symmetrically arranged,

without trees or flowers,
or plants of any kind.

The gravel,
the stone and the marble

were spread in strict array

in unmysterious shapes.

At first sight, it seemed
impossible to lose your way.

At first sight...

Along these stone paths
and amidst these statues,

where you were already

losing your way for ever

in the still night,

alone with me.