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PREVIOUSLY ON NIP/TUCK...
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>> I'M AFRAID I'VE NEVER DONE
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THIS BEFORE, PAID FOR SOMEONE.
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>> YOU'RE ONE HOT MAMA.
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I'M SURPRISED YOU TWO
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NEVER WENT FOR IT.
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>> I SORT OF ASSUMED
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THAT YOU WERE STRAIGHT.
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>> I KNOW ABOUT YOUR LITTLE
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TRYST WITH JULIA, DR. TROY.
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>> YOU DON'T WANNA PLAY THIS
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GAME WITH ME. YOU'RE GONNA
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GET YOURSELF HURT.
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>> I'M MRS. FEENEY.
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I'M FROM THE SHELTER
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DRUG REHABILITATION CENTER.
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>> HEH. REHAB.
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>> YOU NEED PROFESSIONAL HELP.
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>> THERE'S BEEN A BED RESERVED
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FOR YOU. YOU'LL BE THERE
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FOR 6 WEEKS.
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>> WHEN I COME BACK, SEAN IS
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GOING TO KNOW EVERYTHING.
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[WATER RUNNING]
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>> WHY AREN'T YOU
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IN YOUR SCRUBS?
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>> [LISPING] AH, IT'TH JUTHT
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ANOTHER TIT JO--OH. THORRY.
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I FORGOT I HAD MY BLEACHING TRAY
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IN. WHAT I WAS TRYING TO SAY
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IS IT'S JUST ANOTHER TIT JOB.
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YOU CAN HANDLE IT. I GOT SALLY
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HERSHBERGER AT, UH, 10:00, I GOT
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A MANICURE AT 11:00, AND I GOT
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A FACIAL AT NOON. THE CAMERA'S
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A CRUEL MISTRESS, MY FRIEND.
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I CAN'T HAVE A HAIR, CUTICLE,
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OR PORE OUT OF PLACE.
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>> I TOLD YOU I'M NOT DOING
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A REALITY SHOW.
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>> FIONA WORKED VERY HARD
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FOR THIS.
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>> BECAUSE YOU PUSHED HER
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RELENTLESSLY. COME ON,
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CHRISTIAN. WE ALREADY HAVE
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ENOUGH EXPOSURE THROUGH
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HEARTS 'N SCALPELS.
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>> HEARTS 'N SCALPELS. DRAMAS
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ARE GOING BY WAY OF SITCOM,
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MY FRIEND, INTO THE SHITTER.
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REALITY IS THE FUTURE. IN FACT,
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REALITY IS THE PRESENT,
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ALL RIGHT? NO OVERPRICED WRITERS
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AND NO ACTORS TO SUCK UP TO.
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>> IT'S EXPLOITATION,
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AND I WON'T BE INVOLVED IN IT.
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THE WHOLE POINT OF THOSE SHOWS
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IS TO MAKE FOOLS OUT OF PEOPLE.
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>> THOSE PEOPLE ARE FOOLS,
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ALL RIGHT? WE'RE DIFFERENT.
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WE'RE DOCTORS, AND WE HAVE
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THE OPPORTUNITY TO SHOW PEOPLE
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HOW WE OPERATE.
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>> YOU MEAN IT'S YOUR CHANCE
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TO BE IN THE SPOTLIGHT.
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>> YEAH, SEAN, THIS IS IMPORTANT
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TO ME, OK? I'M A STAR,
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AND I AM TIRED OF FEELING LIKE
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A SUPPORTING PLAYER. ALL RIGHT?
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LOOK, WE'LL MAKE IT INTERESTING.
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WE'LL--WE'LL MAKE IT CLASSY.
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ALL RIGHT, IT'LL BE
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MUCH MORE PBS THAN VH1.
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>> FINE. GO AHEAD. DO THE SHOW.
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JUST WITHOUT ME.
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>> I CAN'T. LOOK, THEY'RE NOT
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GONNA GREEN LIGHT THE SHOW
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WITHOUT YOU IN IT. THEY THINK
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YOU'RE SOME KIND OF DRAW OR
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SOMETHING. I DON'T KNOW.
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[SCRUBS]
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SEAN...
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PLEASE? LOOK, JUST DO IT FOR ME.
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[SCRUBS]
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>> * AHH,
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MAKE ME
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BEAUTIFUL *
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* MAKE ME
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THE PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT
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LIE *
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>> HI. I'M DR. CHRISTIAN TROY.
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I'M A BOARD-CERTIFIED PLASTIC
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SURGEON, AND THIS SHOW IS
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ABOUT ME AND MY PARTNER AND
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THE FASCINATING WORLD IN WHICH
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WE LIVE AND WORK. HEH.
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>> WHILE THERE ARE A NUMBER
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OF PROGRAMS FOCUSING ON PLASTIC
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SURGERY, HEARTS 'N SCALPELS,
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FOR EXAMPLE, ON WHICH I PLAY
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DR. PETER CASEY...
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ARTERIAL HEMORRHAGE, DOCTOR!
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HE'S GOING INTO SHOCK!
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NONE ANALYZE THE WHYS AND HOWS
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OF THE PROCESS AS MUCH
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AS LOOK FOR THE FAUX DRAMA
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IN THE SITUATION. WE'RE DOING
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THIS PILOT TO REVEL THE TRUTH
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ABOUT PLASTIC SURGERY.
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>> SEAN I HAVE BEEN TOGETHER
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20 YEARS. I'D SAY WE'VE SEEN
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UP TO 40,000 UNDRESSED WOMEN.
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YOU COULD DOUBLE THAT NUMBER
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IF YOU'RE TALKING ABOUT
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MY PERSONAL LIFE. HEH.
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[CAMERA CLICKING]
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EVERY SINGLE ONE OF THEM
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IS SPECIAL. EVERY SINGLE ONE
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OF THEM IS DIFFERENT.
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I THINK YOU COULD GO UP
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TO A DOUBLE-D.
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>> I LIKE THAT.
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>> A "C," "D."
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MAYBE EVEN A DOUBLE-D
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WOULD BE FINE.
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>> HMM. DOUBLE-D
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SOUNDS DELICIOUS.
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>> I THINK YOU SHOULD GO DOWN
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TO A DOUBLE-D, SWEETHEART.
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>> [SIGHS] CAN I GO BIGGER?
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I MEAN, I'VE ALWAYS LOVED
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THE LETTER "H." I EVEN NAMED
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MY CAT HEATHCLIFF.
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[CAT YOWLS]
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>> WE'LL FOCUS ON THE HEALTH
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BENEFITS OF PLASTIC SURGERY,
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WHICH QUITE FRANKLY ALL TOO
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OFTEN ARE BURIED UNDER MEDIA
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SLANDER THAT CLAIMS OUR INDUSTRY
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IS UNNECESSARY AND CATERS ONLY
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TO THE WEALTHY AND VAIN.
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>> YEAH. I THINK EVERYTHING'S
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GONNA CHANGE FOR ME NOW.
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DON'T YOU, DR. McNAMARA?
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LADIES WILL BE LININ' UP TO MEET
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THIS STUD. HA HA HA HA.
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>> WE'LL EXAMINE OUR PATIENTS'
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PSYCHES AND THEIR BODIES,
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ASK THEM WHY THEY WOULD UNDERGO
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A PAINFUL PROCEDURE JUST TO
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HAVE THEIR APPEARANCES ALTERED.
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>> I THINK THE AUDIENCE
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WILL FIND THEIR REASONS
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VERY SYMPATHETIC.
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>> THE DIFFERENCE BETWEEN THIS
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REALITY SHOW AND OTHERS, SIMPLE.
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THE OTHERS DON'T HAVE ME AND
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SEAN, AND IN THE END, THAT'S
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WHAT THIS SHOW IS ALL ABOUT, US.
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AND WE'RE FANTASTIC.
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>> * WHOA, OH, OH, OH,
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DON'T WANT NO SAGGY BOTTOM,
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DON'T WANT NO DROOPY EYES *
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>> * UH-UH *
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>> * I'M LIKE A PIECE OF CANDY,
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GO UP ONE MORE CUP SIZE,
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EVERYBODY WANTS TO LOOK LIKE ME,
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PLASTIC FANTASTIC *
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>> * OWW *
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>> THE MOST IMPORTANT THING
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WE DO EVERY DAY IS FLOSS.
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JUST KIDDING. IT'S ACTUALLY THE
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FIRST TIME WE MEET A CONSULT.
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WE, UH--WE SAY, "TELL ME
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WHAT YOU DON'T LIKE ABOUT
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YOURSELF." IT'S A--IT'S A LINE
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I CAME UP WITH. IT'S KIND OF
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OUR SIGNATURE LINE.
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>> ACTUALLY, I CAME UP WITH IT
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IN MED SCHOOL.
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>> NO, YOU DIDN'T. YOU, UH--I--
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I CAME UP WITH IT, UH, GRUBMAN'S
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FIRST CONSULT. I KNEW THAT SHE
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WAS A WELL OF SELF-HATRED AND,
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UH, SHE'D--SHE'D BE ON THE TABLE
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FOR YEARS.
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>> IT WAS IN WEINTRAUB'S
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SEMINAR. YOU WEREN'T EVEN THERE
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THAT DAY. YOU STAYED IN BED
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WITH A BELLY DANCER.
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[BELLY DANCING MUSIC PLAYS]
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>> [CLEARS THROAT]
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[WOMAN MOANING]
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Both: TELL ME WHAT YOU DON'T
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LIKE ABOUT YOURSELF?
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[RECORD NEEDLE SCRATCHES,
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MUSIC STOPS]
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>> MR. SANDS?
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>> I DON'T LIKE THAT THE WORLD
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WE LIVE IN REWARDS YOUTH
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OVER EXPERIENCE.
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>> YOU SEE, THAT'S WHAT'S
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SO GREAT ABOUT PLASTIC SURGERY.
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WE HAVE ABILITY TO GIVE
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PEOPLE WITH EXPERIENCE
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BACK THEIR YOUTH. HEH.
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>> I'LL NEVER BE 20 AGAIN. I
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KNOW THAT. FRANKLY, I WOULDN'T
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WANT IT. UH, 20-YEARS-OLDS HAVE
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THEIR HEADS UP THEIR ASSES, AND
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THEY STICK THEIR DICKS IN ANY
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MOIST HOLE THEY CAN FIND. EVEN
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AT 40, 45, YOU THINK YOU KNOW
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YOURSELF AND WHAT YOU'RE GOOD
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AT, BUT YOU--YOU REALLY DON'T,
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DO YOU?
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>> THESE TYPES OF PATIENTS ARE
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QUITE COMMON. THEY'RE REALLY
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JUST LOOKING FOR SOMEONE TO TALK
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TO, AND SOMETIMES THE BEST THAT
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WE CAN DO IS LISTEN AND ADVISE
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THEM NOT TO GO UNDER THE KNIFE
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AT ALL.
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BUT YOU ARE HERE TO TALK ABOUT
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GETTING COSMETIC SURGERY,
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AREN'T YOU?
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>> YES, OF COURSE. I WOULD LIKE
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A NECK TIGHTENING
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AND AN EYE-LIFT.
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Sean: MM-HMM.
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Christian: MM-HMM.
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>> MAY I ASK, MR. SANDS,
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WHAT TYPE OF BUSINESS YOU'RE IN?
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I SEE YOU LEFT IT BLANK
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IN YOUR QUESTIONNAIRE.
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>> OH, I'D RATHER NOT DIVULGE
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THAT INFORMATION.
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>> KNOWING YOUR PROFESSION
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CAN BE QUITE HELPFUL IN PLANNING
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YOUR RECOVERY SCHEDULE.
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BLURRED VISION, FOR EXAMPLE,
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IS A COMMON SIDE EFFECT AFTER A
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BLEPHAROPLASTY. UH, AN AIRLINE
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PILOT OR A TRUCK DRIVER--
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>> THAT'S NOT A CONCERN.
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MOST OF MY WORK IS--UH,
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IT'S DONE IN THE DARK.
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>> SO YOU'RE A VAMPIRE. HEH.
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>> NO, SIR. MORE LIKE
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A MARQUIS DE SADE, A CASANOVA,
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A LIBERTINE.
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>> NATURALLY I WAS SHOCKED
256
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WHEN MY PARTNER INFORMED ME
257
00:07:42,095 --> 00:07:43,597
HE BELIEVED OUR CONSULT
258
00:07:43,597 --> 00:07:44,898
WAS A MALE ESCORT.
259
00:07:44,898 --> 00:07:46,066
>> I DON'T LIKE TO JUDGE,
260
00:07:46,066 --> 00:07:49,036
BUT REALLY, OF ALL THE PEOPLE
261
00:07:49,036 --> 00:07:50,170
OUT THERE WE SHOULD BE HELPING,
262
00:07:50,170 --> 00:07:50,971
I'D HAVE TO SAY THAT
263
00:07:50,971 --> 00:07:53,040
A MALE PROSTITUTE IS, UH,
264
00:07:53,040 --> 00:07:54,975
PRETTY FAR DOWN THE LIST.
265
00:07:54,975 --> 00:07:55,976
>> MOST OF THE TIME, I WOULD
266
00:07:55,976 --> 00:07:58,145
HAVE TO AGREE WITH DR. TROY,
267
00:07:58,145 --> 00:07:59,747
BUT THERE WAS SOMETHING ABOUT
268
00:07:59,747 --> 00:08:01,181
THIS PATIENT THAT MAKES HIM
269
00:08:01,181 --> 00:08:03,016
QUITE A UNIQUE CASE, SOMETHING
270
00:08:03,016 --> 00:08:04,051
I DON'T BELIEVE HAS EVER BEEN
271
00:08:04,051 --> 00:08:05,318
ON TELEVISION BEFORE.
272
00:08:05,318 --> 00:08:06,820
>> I DON'T WANT ANY DRUGS IN
273
00:08:06,820 --> 00:08:08,956
MY SYSTEM DURING THE OPERATION.
274
00:08:08,956 --> 00:08:10,658
I'VE BEEN CLEAN FOR 20 YEARS,
275
00:08:10,658 --> 00:08:11,825
AND I'D--I'D LIKE TO KEEP IT
276
00:08:11,825 --> 00:08:12,726
THAT WAY.
277
00:08:12,726 --> 00:08:14,695
>> WE PRACTICE WESTERN MEDICINE,
278
00:08:14,695 --> 00:08:16,964
MR. SANDS. UH, PHARMACOLOGY
279
00:08:16,964 --> 00:08:18,131
IS NECESSARY IN ANESTHESIA.
280
00:08:18,131 --> 00:08:19,132
>> WELL, IT'S NOT A PROBLEM FOR
281
00:08:19,132 --> 00:08:21,001
ME, SEAN. IF HE WANTS TO FEEL
282
00:08:21,001 --> 00:08:23,170
THE PAIN, I SAY WE GO FOR IT.
283
00:08:23,170 --> 00:08:24,605
>> I ASSUME YOU'RE LOOKING
284
00:08:24,605 --> 00:08:25,806
FOR A MORE HOLISTIC,
285
00:08:25,806 --> 00:08:28,275
ALTERNATIVE APPROACH.
286
00:08:28,275 --> 00:08:29,843
>> ACUPUNCTURE.
287
00:08:29,843 --> 00:08:32,045
>> [CHUCKLES] I LOVE ALL THIS
288
00:08:32,045 --> 00:08:33,681
CALIFORNIA, NEW AGE CRAP.
289
00:08:33,681 --> 00:08:34,715
I MEAN, IT'S HILARIOUS TO ME
290
00:08:34,715 --> 00:08:35,583
TO THINK THAT YOU CAN STICK
291
00:08:35,583 --> 00:08:36,984
A NEEDLE IN YOUR HEAD AND THAT
292
00:08:36,984 --> 00:08:38,185
YOUR WHOLE BODY'S GONNA GO NUMB.
293
00:08:38,185 --> 00:08:39,787
YOU KNOW? IT'S--IT'S JUST
294
00:08:39,787 --> 00:08:41,589
A LAWSUIT WAITING TO HAPPEN.
295
00:08:41,589 --> 00:08:42,923
>> IF HE SIGNS A RELEASE AND OUR
296
00:08:42,923 --> 00:08:44,992
STAFF ANESTHESIOLOGIST STANDS BY
297
00:08:44,992 --> 00:08:46,193
READY TO JUMP IN, I THINK IT'S A
298
00:08:46,193 --> 00:08:48,228
TOTALLY VIABLE REQUEST. I MEAN,
299
00:08:48,228 --> 00:08:50,130
MORE AND MORE PEOPLE HAVE BEEN
300
00:08:50,130 --> 00:08:51,832
TURNING TO EASTERN MEDICINE
301
00:08:51,832 --> 00:08:53,233
TO TREAT A NUMBER OF AILMENTS,
302
00:08:53,233 --> 00:08:55,102
AND WE DO KNOW AN ACUPUNCTURIST
303
00:08:55,102 --> 00:08:56,303
WHO STUDIED IN CHINA.
304
00:08:56,303 --> 00:08:57,337
[GONG]
305
00:08:57,337 --> 00:08:58,639
>> WHEN SEAN FIRST ASKED ME
306
00:08:58,706 --> 00:08:59,973
TO TREAT ONE OF HIS PATIENTS,
307
00:08:59,973 --> 00:09:01,141
I MUST ADMIT I WAS QUITE
308
00:09:01,141 --> 00:09:03,777
SURPRISED. I HAVE MY DEGREE
309
00:09:03,777 --> 00:09:05,078
AT THE NANJING UNIVERSITY OF
310
00:09:05,078 --> 00:09:06,346
TRADITIONAL CHINESE MEDICINE,
311
00:09:06,346 --> 00:09:08,115
BUT I'VE ONLY ASSISTED
312
00:09:08,115 --> 00:09:09,249
ON ACUPUNCTURE ANESTHESIA
313
00:09:09,249 --> 00:09:10,884
A FEW TIMES.
314
00:09:10,884 --> 00:09:13,120
>> WHAT? SEAN DIDN'T TELL YOU
315
00:09:13,120 --> 00:09:15,088
SHE'S HIS EX-WIFE'S GIRLFRIEND?
316
00:09:15,088 --> 00:09:16,023
YEAH.
317
00:09:16,023 --> 00:09:18,025
>> I'M NOT SURE WHY MY OPINION
318
00:09:18,025 --> 00:09:21,328
MATTERS, BUT, UM, WELL, I MEAN,
319
00:09:21,394 --> 00:09:22,996
NO. OF--OF COURSE I--
320
00:09:22,996 --> 00:09:25,098
I COMPLETELY TRUST SEAN
321
00:09:25,098 --> 00:09:27,367
AND OLIVIA, YOU KNOW? I--
322
00:09:27,367 --> 00:09:29,136
I FEEL THAT THIS PATIENT'S
323
00:09:29,136 --> 00:09:33,674
IN VERY GOOD HANDS.
324
00:09:33,674 --> 00:09:36,343
[BABY CRYING]
325
00:09:36,343 --> 00:09:37,978
>> UH, I--I THINK I SHOULD
326
00:09:37,978 --> 00:09:39,880
GO AND CHECK ON HIM. I'M GONNA
327
00:09:39,880 --> 00:09:41,348
CHECK ON HIM NOW. OK.
328
00:09:41,348 --> 00:09:45,352
[CONOR CRYING]
329
00:09:45,352 --> 00:09:46,754
>> SHE'S STILL A LITTLE SHY
330
00:09:46,754 --> 00:09:48,656
ABOUT P.D.A. HEH.
331
00:09:48,656 --> 00:09:49,657
>> I'M NOT GONNA TALK ABOUT MY
332
00:09:49,657 --> 00:09:51,158
EX-WIFE AND HER PERSONAL LIFE.
333
00:09:51,158 --> 00:09:52,325
IF YOU HAVE ANY QUESTIONS ABOUT
334
00:09:52,325 --> 00:09:55,028
MEDICINE OR SURGICAL PROCEDURE,
335
00:09:55,095 --> 00:09:56,730
I'M ALL EARS.
336
00:09:56,730 --> 00:09:58,031
PREPARATION IS KEY BEFORE
337
00:09:58,031 --> 00:09:59,232
SURGERY, SO WE'RE DOING
338
00:09:59,232 --> 00:10:00,868
A DRY RUN OF THE ACUPUNCTURE
339
00:10:00,868 --> 00:10:02,369
ANESTHESIA. DR. TROY
340
00:10:02,369 --> 00:10:04,071
HAS VOLUNTEERED TO BE
341
00:10:04,071 --> 00:10:04,938
OUR GUINEA PIG.
342
00:10:04,938 --> 00:10:06,073
>> THERE ARE APPROXIMATELY
343
00:10:06,073 --> 00:10:07,374
20 POINTS THAT CAN TRIGGER
344
00:10:07,374 --> 00:10:09,109
ANALGESIA IN A PATIENT.
345
00:10:09,109 --> 00:10:10,377
AFTER EXAMINING DR. TROY,
346
00:10:10,377 --> 00:10:12,212
I'VE ISOLATED 3, AND ABOUT
347
00:10:12,212 --> 00:10:13,280
A HALF-HOUR BEFORE SURGERY,
348
00:10:13,280 --> 00:10:14,848
WE'LL INSERT NEEDLES INTO
349
00:10:14,848 --> 00:10:16,216
LARGE INTESTINE 4, LIVER 2,
350
00:10:16,216 --> 00:10:17,117
AND HEART 3.
351
00:10:17,117 --> 00:10:18,085
>> WHOA. YOU'RE NOT STICKING
352
00:10:18,085 --> 00:10:19,352
ANY NEEDLES INTO MY HEART.
353
00:10:19,352 --> 00:10:20,253
>> OH, CAN I DO IT?
354
00:10:20,253 --> 00:10:21,088
>> LIZZIE, KEEP YOUR HANDS
355
00:10:21,088 --> 00:10:22,122
OFF ME, ALL RIGHT? I DON'T WANNA
356
00:10:22,122 --> 00:10:24,191
CATCH THAT, UH, RASH FESTERING
357
00:10:24,191 --> 00:10:26,059
ALL OVER YOUR FACE.
358
00:10:26,059 --> 00:10:27,394
>> SURE, CHRISTIAN AND I JOKE
359
00:10:27,394 --> 00:10:28,395
AROUND, BUT WE'VE BEEN WORKING
360
00:10:28,395 --> 00:10:29,997
TOGETHER FOR A LONG TIME.
361
00:10:29,997 --> 00:10:31,832
WE DON'T MEAN IT. WE REALLY
362
00:10:31,832 --> 00:10:34,167
LOVE EACH OTHER, LIKE BILL
363
00:10:34,167 --> 00:10:36,804
AND HILLARY, IKE AND TINA.
364
00:10:36,804 --> 00:10:37,470
[WHACK, WOMAN SCREAMS]
365
00:10:37,470 --> 00:10:38,405
>> HEART 3 IS ON THE INSIDE
366
00:10:38,405 --> 00:10:39,740
OF YOUR ELBOW, CHRISTIAN,
367
00:10:39,740 --> 00:10:40,440
AND THE NEEDLES WILL ONLY
368
00:10:40,440 --> 00:10:41,709
GO IN ABOUT A CENTIMETER.
369
00:10:41,709 --> 00:10:42,943
YOU'LL BARELY FEEL THEM.
370
00:10:42,943 --> 00:10:46,880
Christian: OK.
371
00:10:46,880 --> 00:10:50,718
OHH. YEP. FELT THAT. [CHUCKLES]
372
00:10:50,718 --> 00:10:52,119
>> THESE PEOPLE ARE CRAZY.
373
00:10:52,119 --> 00:10:53,286
THE ONLY REASON I MOVED OUT HERE
374
00:10:53,286 --> 00:10:54,221
WAS BECAUSE THEY THREW
375
00:10:54,221 --> 00:10:55,655
A BUNCH OF MONEY AT ME.
376
00:10:55,723 --> 00:10:56,356
[CASH REGISTER DINGS]
377
00:10:56,356 --> 00:11:00,193
AND THE GOLFING OPPORTUNITIES.
378
00:11:00,193 --> 00:11:03,396
>> OK.
379
00:11:03,396 --> 00:11:05,966
WE'LL SLOWLY TURN IT UP TO 100
380
00:11:05,966 --> 00:11:07,267
HERTZ ON THE CONTINUOUS MODE.
381
00:11:07,267 --> 00:11:08,268
>> WHAT'S THE ELECTRO-STIMULATOR
382
00:11:08,268 --> 00:11:09,336
FOR?
383
00:11:09,336 --> 00:11:11,038
>> IT CALMS THE SHEN, WHICH IS
384
00:11:11,038 --> 00:11:12,072
THE PATIENT'S EMOTIONAL
385
00:11:12,072 --> 00:11:14,007
EXPERIENCE OF THE SURGERY.
386
00:11:14,007 --> 00:11:15,876
>> HEH. THAT'S RIGHT, LIZ.
387
00:11:15,876 --> 00:11:16,509
>> OH, I TOOK A COUPLE OF
388
00:11:16,509 --> 00:11:19,212
NIGHT CLASSES BACK IN MIAMI.
389
00:11:19,212 --> 00:11:20,247
I'LL HAVE THE INTRAVENOUS
390
00:11:20,247 --> 00:11:21,481
ANESTHESIA READY FOR MR. SANDS
391
00:11:21,481 --> 00:11:24,184
IF HE FEELS ANYTHING, BUT I HAVE
392
00:11:24,184 --> 00:11:26,086
THE UTMOST CONFIDENCE IN OLIVIA
393
00:11:26,086 --> 00:11:28,288
AND HER TECHNIQUES.
394
00:11:28,288 --> 00:11:30,824
SHE'S REALLY GREAT.
395
00:11:30,824 --> 00:11:31,892
>> OK. CLOSE YOUR EYES FOR ME,
396
00:11:31,892 --> 00:11:33,827
CHRISTIAN.
397
00:11:33,827 --> 00:11:34,327
>> [SIGHS]
398
00:11:34,327 --> 00:11:35,095
>> CAN YOU FEEL THIS?
399
00:11:35,095 --> 00:11:37,064
>> OF COURSE I CAN. HOW ABOUT
400
00:11:37,064 --> 00:11:38,766
YOU, OLLIE? WHAT DO YOU FEEL
401
00:11:38,766 --> 00:11:39,432
WHEN YOU'RE IN THE SACK
402
00:11:39,432 --> 00:11:40,768
WITH JULIA? CAN YOU FEEL HER
403
00:11:40,768 --> 00:11:42,169
DISAPPOINTMENT WHEN SHE REACHES
404
00:11:42,169 --> 00:11:43,470
DOWN BETWEEN YOUR LEGS AND
405
00:11:43,470 --> 00:11:45,839
COMES UP EMPTY-HANDED?
406
00:11:45,839 --> 00:11:47,240
>> I CAN ASSURE YOU, CHRISTIAN,
407
00:11:47,240 --> 00:11:48,809
THAT WHEN WE ARE UNDULATING
408
00:11:48,809 --> 00:11:49,943
IN THE SHEETS TOGETHER,
409
00:11:49,943 --> 00:11:51,511
THERE ARE NO EMPTY HANDS.
410
00:11:51,511 --> 00:11:53,113
>> HEART RATE IS 60.
411
00:11:53,113 --> 00:11:55,115
>> YOU KNOW, I DON'T THINK
412
00:11:55,115 --> 00:11:56,884
THIS IS WORKING, SEAN. I MEAN,
413
00:11:56,884 --> 00:11:59,452
IT MIGHT MAKE GREAT TV, BUT, UH,
414
00:11:59,452 --> 00:12:00,788
HOW DO YOU OPERATE ON A PATIENT
415
00:12:00,788 --> 00:12:03,056
WHO IS SCREAMING BLOODY MURDER?
416
00:12:03,056 --> 00:12:07,060
RIGHT? HEH. HEH. YOU KNOW,
417
00:12:07,060 --> 00:12:07,995
OLIVIA, IT'S JUST A MATTER
418
00:12:07,995 --> 00:12:09,897
OF TIME BEFORE JULIA GIVES UP
419
00:12:09,897 --> 00:12:11,164
THE GAY GHOST.
420
00:12:11,164 --> 00:12:12,432
>> YOU KNOW, OUR PRIVATE LIFE
421
00:12:12,432 --> 00:12:14,201
IS EXACTLY THAT, PRIVATE.
422
00:12:14,201 --> 00:12:14,902
Christian: MM-HMM.
423
00:12:14,902 --> 00:12:15,903
>> IT'S FOR US TO KNOW AND
424
00:12:15,903 --> 00:12:17,070
FOR YOU TO HAVE MASTURBATORY
425
00:12:17,070 --> 00:12:17,905
FANTASIES ABOUT.
426
00:12:17,905 --> 00:12:18,571
>> HO HO! I THINK SHE'S
427
00:12:18,571 --> 00:12:19,372
TALKING TO YOU, LIZZIE.
428
00:12:19,372 --> 00:12:20,140
>> LAY OFF, CHRISTIAN.
429
00:12:20,140 --> 00:12:21,141
>> OH, YOU'RE THE ONE WHO SAID
430
00:12:21,141 --> 00:12:22,109
SHE WASN'T A CARPET CRUNCHER,
431
00:12:22,109 --> 00:12:23,877
NOT ME.
432
00:12:23,877 --> 00:12:25,112
>> LIZ? YOU DON'T THINK
433
00:12:25,112 --> 00:12:26,980
JULIA'S GAY?
434
00:12:26,980 --> 00:12:30,017
>> UM, I, UM--I--I THINK
435
00:12:30,017 --> 00:12:32,019
THAT PEOPLE CAN FALL IN LOVE
436
00:12:32,019 --> 00:12:35,122
WITH WHOM--WHOMEVER THEY WANT,
437
00:12:35,122 --> 00:12:36,857
AND, UH, I TOTALLY UNDERSTAND
438
00:12:36,857 --> 00:12:39,392
WHY JULIA FELL IN LOVE WITH YOU.
439
00:12:39,392 --> 00:12:40,227
>> PATIENT'S READY,
440
00:12:40,227 --> 00:12:42,930
DR. McNAMARA.
441
00:12:42,930 --> 00:12:44,097
Christian: HMM.
442
00:12:44,097 --> 00:12:45,598
>> I'M GONNA GO GET HER SO THAT
443
00:12:45,598 --> 00:12:47,367
SHE COULD TAKE OUT THE NEEDLES.
444
00:12:47,367 --> 00:12:49,036
>> YEP. GOOD WORK THERE, LIZ,
445
00:12:49,036 --> 00:12:51,004
ALL RIGHT? I REALLY DON'T THINK
446
00:12:51,004 --> 00:12:53,206
THIS IS WORKING.
447
00:13:03,083 --> 00:13:08,822
>> I KNOW. I KNOW. IT'S JUST...
448
00:13:08,889 --> 00:13:09,990
>> YOU KNOW, I'D APPRECIATE IT
449
00:13:09,990 --> 00:13:11,892
IF YOU KEPT IT ON THE SURGERY
450
00:13:11,959 --> 00:13:13,460
AND OUT OF THE BEDROOM. YOU
451
00:13:13,460 --> 00:13:15,028
KNOW? I MEAN, YOU PROMISED ME
452
00:13:15,028 --> 00:13:16,329
THIS SHOW WOULD BE PROFESSIONAL,
453
00:13:16,329 --> 00:13:17,497
NOT EXPLOITATIVE, REMEMBER?
454
00:13:17,497 --> 00:13:18,398
>> JUST TRYING TO SPICE THINGS
455
00:13:18,398 --> 00:13:19,366
UP A LITTLE, ALL RIGHT? YOU KNOW
456
00:13:19,366 --> 00:13:21,234
JULIA'S NOT A LESBIAN. THAT'S
457
00:13:21,234 --> 00:13:22,369
WHY YOU'RE OVERCOMPENSATING
458
00:13:22,369 --> 00:13:23,570
BY HAVING OLIVIA HERE.
459
00:13:23,570 --> 00:13:24,371
>> WELL, YOU KNOW,
460
00:13:24,371 --> 00:13:25,305
I'M TRYING TO BE SUPPORTIVE.
461
00:13:25,305 --> 00:13:26,306
YOU'RE TRYING TO BREAK THEM UP.
462
00:13:26,306 --> 00:13:27,140
>> LOOK, IF YOU WANT TO BE
463
00:13:27,140 --> 00:13:28,641
SUPPORTIVE, ALL RIGHT, THEN TELL
464
00:13:28,641 --> 00:13:29,910
OLIVIA TO TAKE A HIKE,
465
00:13:29,910 --> 00:13:31,011
ALL RIGHT? AND WE'LL GET RID OF
466
00:13:31,011 --> 00:13:32,980
GRANDPA. I'LL HAVE 20 TIT JOBS
467
00:13:32,980 --> 00:13:34,047
IN HERE THAT'LL HAVE MUCH MORE
468
00:13:34,047 --> 00:13:35,315
EYES ON THE TV SCREEN THAN
469
00:13:35,315 --> 00:13:38,418
HIS SAGGY ASS? ALL RIGHT?
470
00:13:38,418 --> 00:13:39,419
OH.
471
00:13:39,419 --> 00:13:44,892
>> RIGHT.
472
00:13:44,892 --> 00:13:45,525
THE RUN-THROUGH WAS
473
00:13:45,525 --> 00:13:48,896
A COMPLETE SUCCESS.
474
00:13:48,896 --> 00:13:50,663
HOW ARE YOU DOING, MR. SANDS?
475
00:13:50,663 --> 00:13:52,432
>> JUST GREAT, THANK YOU.
476
00:13:52,432 --> 00:13:53,333
Olivia: FULLY ANESTHETIZED,
477
00:13:53,333 --> 00:13:54,034
DOCTOR.
478
00:13:54,034 --> 00:13:54,968
Christian: THEN LET'S GET
479
00:13:54,968 --> 00:13:57,370
THIS STARTED. HIT IT, TOOTS.
480
00:13:57,370 --> 00:13:58,271
BECAUSE THE SURGERIES CAN TAKE
481
00:13:58,271 --> 00:14:00,573
UP TO 6, MAYBE EVEN 8 HOURS,
482
00:14:00,573 --> 00:14:02,575
WE HERE AT McNAMARA/TROY HAVE
483
00:14:02,575 --> 00:14:04,611
A TRADITION OF PLAYING MUSIC
484
00:14:04,611 --> 00:14:06,513
TO KEEP US DANCING.
485
00:14:06,513 --> 00:14:08,215
>> 15-BLADE.
486
00:14:08,215 --> 00:14:09,282
>> I'M REALLY GLAD WE'RE DOING
487
00:14:09,282 --> 00:14:10,683
THIS SURGERY, DR. TROY.
488
00:14:10,683 --> 00:14:11,985
>> I ONLY WANNA HEAR YOU SPEAK
489
00:14:11,985 --> 00:14:13,686
IF THERE'S ANY PAIN, MR. SANDS.
490
00:14:13,686 --> 00:14:15,155
>> MY COMPETITION'S GETTING
491
00:14:15,155 --> 00:14:19,092
MORE FEROCIOUS...
492
00:14:19,092 --> 00:14:19,592
YOUNGER.
493
00:14:19,592 --> 00:14:20,527
Christian: WE GONNA HAVE TO SEW
494
00:14:20,527 --> 00:14:22,495
YOUR MOUTH SHUT? GIVE ME A BOVIE
495
00:14:22,495 --> 00:14:25,698
AND A 2-PRONG HOOK.
496
00:14:25,698 --> 00:14:29,937
>> METZ PICKUPS, LINDA.
497
00:14:29,937 --> 00:14:31,972
WHILE DR. TROY LIFTS THE SKIN
498
00:14:31,972 --> 00:14:33,706
AND CAUTERIZES THE BLEEDERS,
499
00:14:33,706 --> 00:14:34,674
I'LL SEPARATE IT FROM
500
00:14:34,674 --> 00:14:36,109
THE MUSCLES.
501
00:14:36,109 --> 00:14:38,345
Mel Torme: * ON A SCALE OF 7,
502
00:14:38,345 --> 00:14:40,213
YOU WOULD GET AN 8... *
503
00:14:40,213 --> 00:14:41,314
>> WHY SO MUCH HOSTILITY,
504
00:14:41,314 --> 00:14:44,484
DR. TROY?
505
00:14:44,484 --> 00:14:47,387
WHAT ARE YOU AFRAID OF?
506
00:14:47,387 --> 00:14:48,421
CERTAIN INFORMATION MIGHT
507
00:14:48,421 --> 00:14:50,157
COME OUT, PERHAPS?
508
00:14:50,157 --> 00:14:50,991
>> * TILL YOU TURN OUT
509
00:14:50,991 --> 00:14:52,325
THE LIGHT,
510
00:14:52,325 --> 00:14:54,161
HE'S PRETTY FUNNY, AND IT
511
00:14:54,161 --> 00:14:58,665
LOOKS LIKE YOU ARE, TOO... *
512
00:14:58,665 --> 00:15:00,033
Liz: WHAT ARE YOU DOING?
513
00:15:00,033 --> 00:15:02,169
>> NEEDLES ARE NOT WORKING.
514
00:15:02,169 --> 00:15:03,203
Olivia: HE'S PERFECTLY SEDATED.
515
00:15:03,203 --> 00:15:04,271
>> I'M THE OPERATING PHYSICIAN.
516
00:15:04,271 --> 00:15:06,006
IT'S MY CALL. IT'S BETTER
517
00:15:06,006 --> 00:15:08,075
TO BE SAFE THAN SORRY.
518
00:15:08,075 --> 00:15:11,678
>> * UNDEFEATABLE YOU,
519
00:15:11,678 --> 00:15:13,313
UNDEFEATABLE YOU *
520
00:15:13,313 --> 00:15:16,516
>> RIGHT, SEAN?
521
00:15:16,516 --> 00:15:18,518
OK.
522
00:15:18,518 --> 00:15:19,486
>> I DON'T KNOW WHAT WHAT WAS
523
00:15:19,486 --> 00:15:21,088
GOING ON BETWEEN DR. TROY AND
524
00:15:21,088 --> 00:15:24,257
MR. SANDS, BUT FOR SOME REASON,
525
00:15:24,257 --> 00:15:25,592
CHRISTIAN HAS A BEE IN HIS
526
00:15:25,592 --> 00:15:26,493
BONNET ABOUT THAT GUY.
527
00:15:26,493 --> 00:15:27,327
[BEE BUZZES, WHACK]
528
00:15:27,327 --> 00:15:29,062
THE PATIENT IS STABLE, DOCTOR.
529
00:15:29,062 --> 00:15:29,762
Sean: MAYBE WE CAN CUT AROUND
530
00:15:29,762 --> 00:15:32,132
THAT LAST PART, YES?
531
00:15:32,132 --> 00:15:33,266
>> HEY, [HORN HONKS]!
532
00:15:33,266 --> 00:15:34,434
Sean: EDEN, THIS IS
533
00:15:34,434 --> 00:15:35,368
A STERILE ZONE.
534
00:15:35,368 --> 00:15:36,303
>> OH, YOU GOT WHAT YOU WANTED,
535
00:15:36,303 --> 00:15:37,104
RIGHT? THEY ATTACKED ME
536
00:15:37,104 --> 00:15:37,604
IN REHAB.
537
00:15:37,604 --> 00:15:38,471
Christian: GET THE HELL OUT
538
00:15:38,471 --> 00:15:39,506
OF HERE, OR YOU'LL GO SOMEPLACE
539
00:15:39,506 --> 00:15:40,673
MUCH WORSE THAN REHAB.
540
00:15:40,673 --> 00:15:42,042
>> YOU ARE A [HONK] LIAR!
541
00:15:42,042 --> 00:15:42,775
YOU PUT THE [HONK] PILLS
542
00:15:42,775 --> 00:15:46,179
IN MY BAG, [DONKEY BRAYS]!
543
00:15:46,179 --> 00:15:47,414
YOU KNOW, YOU JUST WANNA GET RID
544
00:15:47,414 --> 00:15:48,381
OF ME AGAIN BECAUSE YOU DON'T
545
00:15:48,381 --> 00:15:49,716
WANT YOUR LITTLE SECRET OUT.
546
00:15:49,716 --> 00:15:51,018
>> I HAVE NO SECRETS, EDEN.
547
00:15:51,018 --> 00:15:52,119
>> OH. REALLY?
548
00:15:52,119 --> 00:15:53,086
>> SHE'S A DRUG ADDICT AND A
549
00:15:53,086 --> 00:15:54,387
LIAR, AND SHE'LL DO ANYTHING SHE
550
00:15:54,387 --> 00:15:56,023
CAN TO SCORE SOME MORE PILLS.
551
00:15:56,023 --> 00:15:56,756
>> LYING ISN'T GONNA
552
00:15:56,756 --> 00:15:57,690
HELP ANYBODY.
553
00:15:57,690 --> 00:15:59,626
>> WHO'S THE LIAR, SEAN?
554
00:15:59,626 --> 00:16:00,593
YOU WANT ME TO TELL THEM ABOUT
555
00:16:00,593 --> 00:16:01,694
OUR LITTLE MASTURBATION PARTY,
556
00:16:01,694 --> 00:16:04,331
OR THEY KNOW ABOUT THAT, TOO?
557
00:16:04,331 --> 00:16:05,398
>> [GASPS]
558
00:16:05,398 --> 00:16:06,699
>> SHE'S A DRUG ADDICT AND
559
00:16:06,699 --> 00:16:08,801
A LIAR, AND SHE'LL DO ANYTHING--
560
00:16:08,801 --> 00:16:09,702
[SLOW MOTION] ANYTHING--
561
00:16:09,702 --> 00:16:10,570
[NORMAL] ANYTHING TO GET
562
00:16:10,570 --> 00:16:11,271
SOME PILLS.
563
00:16:11,271 --> 00:16:12,239
>> I DON'T GIVE A CRAP ABOUT
564
00:16:12,239 --> 00:16:13,240
THAT LITTLE BITCH EDEN OR ABOUT
565
00:16:13,240 --> 00:16:14,341
JULIA AND LIZ AND OLIVIA AND
566
00:16:14,341 --> 00:16:15,242
THEIR MUFF-DIVING BULLSHIT.
567
00:16:15,242 --> 00:16:16,209
THIS SHOW IS SUPPOSED TO BE
568
00:16:16,209 --> 00:16:20,247
ABOUT ME. ME!
569
00:16:20,247 --> 00:16:22,549
* OWW *
570
00:16:28,788 --> 00:16:29,622
>> HOW DID THIS HAPPEN?
571
00:16:29,622 --> 00:16:30,790
>> HOW DO YOU THINK IT HAPPENED?
572
00:16:30,790 --> 00:16:31,691
THE REAL JUNKIES IN REHAB
573
00:16:31,691 --> 00:16:32,792
ATTACKED ME. OH, AND I'M SURE
574
00:16:32,792 --> 00:16:33,793
YOU'LL ALL BE PROUD TO KNOW THAT
575
00:16:33,793 --> 00:16:34,661
I'M A PACK-A-DAY SMOKER.
576
00:16:34,661 --> 00:16:35,762
GOOD JOB, EVERYONE.
577
00:16:35,762 --> 00:16:36,796
>> I-I'M SORRY. DO WE HAVE TO
578
00:16:36,796 --> 00:16:38,198
HAVE THESE THINGS HERE? I MEAN,
579
00:16:38,198 --> 00:16:39,732
THIS IS A FAMILY MATTER. DO WE
580
00:16:39,732 --> 00:16:41,068
HAVE TO SHARE IT WITH THE WORLD?
581
00:16:41,068 --> 00:16:41,768
>> [WHISPERING] Keep rolling.
582
00:16:41,768 --> 00:16:42,502
Julia: CHRISTIAN?
583
00:16:42,502 --> 00:16:43,370
>> CIGARETTE BURNS, PROBABLY
584
00:16:43,370 --> 00:16:44,437
SECOND-DEGREE. DID A DOCTOR
585
00:16:44,437 --> 00:16:45,505
AT THE CENTER SEE THESE?
586
00:16:45,505 --> 00:16:47,407
>> [SIGHS] THEY DON'T CARE.
587
00:16:47,407 --> 00:16:49,142
ALL THEY DO IS CASH YOUR CHECK.
588
00:16:49,142 --> 00:16:49,842
>> SO YOU RAN AWAY BEFORE
589
00:16:49,842 --> 00:16:50,743
YOU EVEN GOT THE TREATMENT
590
00:16:50,743 --> 00:16:51,744
YOU NEEDED, RIGHT?
591
00:16:51,744 --> 00:16:53,313
>> THAT'S WHY I'M HERE,
592
00:16:53,313 --> 00:16:54,081
[BOING] HEAD.
593
00:16:54,081 --> 00:16:54,847
>> OH, OLIVIA, WHY DON'T YOU
594
00:16:54,847 --> 00:16:55,848
JUST, UH, STICK SOME NEEDLES
595
00:16:55,848 --> 00:16:56,816
IN HER, SEND HER ON HER WAY?
596
00:16:56,816 --> 00:16:57,717
>> GO TO HELL, CHRISTIAN.
597
00:16:57,717 --> 00:16:59,219
>> YOU JUST WANNA GET RID OF ME
598
00:16:59,219 --> 00:17:00,387
AGAIN, BECAUSE YOU DON'T WANT
599
00:17:00,387 --> 00:17:01,488
YOUR LITTLE SECRET OUT.
600
00:17:01,488 --> 00:17:02,689
>> I HAVE NO SECRETS, EDEN.
601
00:17:02,689 --> 00:17:04,157
>> OH. REALLY? SO THEN I GUESS
602
00:17:04,157 --> 00:17:05,092
SEAN KNOWS THAT YOU ALREADY
603
00:17:05,092 --> 00:17:10,197
[SQUEAL] JULIA.
604
00:17:10,197 --> 00:17:11,698
>> UM, 20 YEARS AGO.
605
00:17:11,698 --> 00:17:12,865
WE ALL KNOW.
606
00:17:12,865 --> 00:17:14,367
>> HEH. NO, SEAN.
607
00:17:14,367 --> 00:17:17,204
LIKE A MONTH AGO.
608
00:17:17,204 --> 00:17:20,373
>> [SIGHS] HEH.
609
00:17:20,373 --> 00:17:21,274
>> LYING ISN'T GONNA
610
00:17:21,274 --> 00:17:22,209
HELP ANYBODY.
611
00:17:22,209 --> 00:17:24,244
>> WHO'S THE LIAR, SEAN? WANT ME
612
00:17:24,244 --> 00:17:25,145
TO TELL THEM ABOUT OUR LITTLE
613
00:17:25,145 --> 00:17:26,513
MASTURBATION PARTY, OR DO THEY
614
00:17:26,513 --> 00:17:29,482
KNOW ABOUT THAT, TOO?
615
00:17:29,482 --> 00:17:30,183
>> [GASPS]
616
00:17:30,183 --> 00:17:31,484
>> WHAT I BELIEVE EDEN LORD WAS
617
00:17:31,484 --> 00:17:32,852
REFERRING TO IS AN EXAM I GAVE
618
00:17:32,852 --> 00:17:35,188
HER AFTER A PREVIOUS OPERATION.
619
00:17:35,188 --> 00:17:36,689
ANOTHER FEMALE WAS PRESENT.
620
00:17:36,689 --> 00:17:38,558
IT WAS COMPLETELY CLINICAL
621
00:17:38,558 --> 00:17:39,659
IN NATURE.
622
00:17:39,659 --> 00:17:41,128
>> MY MEDICAL OPINION,
623
00:17:41,128 --> 00:17:41,728
THE LITTLE BITCH BELONGS
624
00:17:41,728 --> 00:17:43,196
IN AN INSTITUTION.
625
00:17:43,196 --> 00:17:45,732
>> I--SOMEWHERE DEEP DOWN,
626
00:17:45,732 --> 00:17:48,901
I KNOW THAT EDEN'S A GOOD KID.
627
00:17:48,901 --> 00:17:52,839
I--I JUST HAVE NO IDEA WHY SHE
628
00:17:52,839 --> 00:17:57,177
HATES ME SO MUCH. I'M SORRY. UM,
629
00:17:57,177 --> 00:17:59,212
CAN WE S--JUST STOP A MINUTE.
630
00:17:59,212 --> 00:18:03,550
I--I--UM, THIS CAMERA BUSINESS
631
00:18:03,550 --> 00:18:07,587
IS REALLY INTRUSIVE. CAN I--
632
00:18:07,587 --> 00:18:11,324
UM, I SIGNED THE RELEASE FORM.
633
00:18:11,324 --> 00:18:14,427
OK.
634
00:18:36,316 --> 00:18:38,618
>> LIZ.
635
00:18:38,618 --> 00:18:39,952
>> HEY. HI.
636
00:18:39,952 --> 00:18:42,289
>> DO YOU, UM, HAVE A MOMENT?
637
00:18:42,289 --> 00:18:44,791
>> YEAH. SURE. WHAT?
638
00:18:44,791 --> 00:18:47,327
>> WELL, YOU KNOW, I KNOW THAT
639
00:18:47,327 --> 00:18:48,728
IT'S NOT EASY, YOU KNOW, BEING
640
00:18:48,728 --> 00:18:51,598
IN A NEW CITY, FINDING SOMEONE.
641
00:18:51,598 --> 00:18:52,532
>> UH, YEAH. WELL, YOU TELL ME
642
00:18:52,532 --> 00:18:54,467
ABOUT IT, HUH? YOU DON'T KNOW
643
00:18:54,467 --> 00:18:55,268
HOW LUCKY YOU ARE
644
00:18:55,268 --> 00:18:56,969
YOU FOUND OLIVIA.
645
00:18:56,969 --> 00:19:00,540
>> YOU MEAN BEFORE YOU DID? NO,
646
00:19:00,540 --> 00:19:02,842
EXCUSE ME. CAN YOU STOP TAPING
647
00:19:02,842 --> 00:19:05,312
ME, PLEASE? NO, I'M SERIOUS.
648
00:19:05,312 --> 00:19:07,447
NO, STOP TAPING ME NOW,
649
00:19:07,447 --> 00:19:09,516
OR I'M GONNA JUST LEAVE. AM I--
650
00:19:09,516 --> 00:19:11,684
AM I MAKING MYSELF CLEAR?
651
00:19:11,751 --> 00:19:14,887
AHH! I'VE WATCHED YOU, LIZ. YOU
652
00:19:14,887 --> 00:19:16,389
CAN'T KEEP YOUR EYES OFF HER.
653
00:19:16,389 --> 00:19:17,924
>> WE'RE FRIENDS, JULIA.
654
00:19:17,924 --> 00:19:19,259
YOU MIGHT NOT HAVE GOTTEN THAT
655
00:19:19,259 --> 00:19:21,228
HANDBOOK YET, BUT 2 LESBIANS
656
00:19:21,228 --> 00:19:23,463
CAN BE JUST FRIENDS.
657
00:19:23,463 --> 00:19:25,332
>> WELL, THEN, I HOPE THAT YOU
658
00:19:25,332 --> 00:19:27,300
AND I CAN BE FRIENDS AND, UH,
659
00:19:27,300 --> 00:19:28,801
YOU CAN RESPECT OUR BOUNDARIES.
660
00:19:28,801 --> 00:19:30,437
>> AND MAYBE YOU WANNA TALK
661
00:19:30,437 --> 00:19:32,272
TO YOUR GIRLFRIEND ABOUT THAT
662
00:19:32,272 --> 00:19:34,374
INSTEAD OF ME.
663
00:19:34,374 --> 00:19:39,646
>> [SIGHS]
664
00:19:39,646 --> 00:19:40,480
>> DO THEY KNOW ABOUT THE
665
00:19:40,480 --> 00:19:43,015
OVERHEAD CAMERAS I HAD PUT IN?
666
00:19:43,015 --> 00:19:45,385
UH, I DON'T THINK SO. BUT IT'S
667
00:19:45,385 --> 00:19:47,620
PRETTY SEXY STUFF, RIGHT?
668
00:19:47,620 --> 00:19:48,988
3 LESBIANS FIGHTING OVER
669
00:19:48,988 --> 00:19:51,791
THEIR TURF IS RATINGS GOLD.
670
00:19:51,791 --> 00:19:52,925
[PLASTIC FANTASTIC THEME PLAYS]
671
00:19:52,925 --> 00:19:54,561
>> * OWW *
672
00:19:54,561 --> 00:19:55,562
>> THIS CREAM WILL HELP
673
00:19:55,562 --> 00:19:57,764
YOUR SCARS HEAL FASTER.
674
00:19:57,764 --> 00:19:59,499
[CAMERA WHIRRING]
675
00:19:59,499 --> 00:20:00,967
>> WHY ARE YOU DOING THIS? DON'T
676
00:20:00,967 --> 00:20:01,901
YOU HATE ME LIKE EVERYBODY ELSE?
677
00:20:01,901 --> 00:20:02,969
>> I'M DOING THIS BECAUSE I'M
678
00:20:02,969 --> 00:20:08,375
A DOCTOR. THIS IS WHAT I DO.
679
00:20:08,375 --> 00:20:12,345
NOW, YOU'LL NEED SOME SURGERY.
680
00:20:12,345 --> 00:20:12,979
>> SHIT. ARE THEY ARE THEY
681
00:20:12,979 --> 00:20:14,614
GONNA SCAR?
682
00:20:14,614 --> 00:20:16,783
>> NOT IF I'M YOUR SURGEON.
683
00:20:23,656 --> 00:20:24,824
>> SEAN.
684
00:20:24,824 --> 00:20:27,660
>> HMM?
685
00:20:27,660 --> 00:20:30,397
>> I LIED EARLIER. JULIA AND
686
00:20:30,397 --> 00:20:33,333
CHRISTIAN DIDN'T SLEEP TOGETHER.
687
00:20:33,333 --> 00:20:35,735
I JUST--I WAS SO ANGRY,
688
00:20:35,735 --> 00:20:41,007
I HAD TO SAY SOMETHING.
689
00:20:41,007 --> 00:20:43,776
[GLOVES SNAP OFF]
690
00:20:43,776 --> 00:20:44,711
>> [SIGHS] I'LL SEE YOU IN
691
00:20:44,711 --> 00:20:47,013
A FEW DAYS, OK? WE'LL SCHEDULE
692
00:20:47,013 --> 00:20:48,348
SOME TIME IN THE O.R. FOR
693
00:20:48,348 --> 00:20:50,717
YOUR GRAFTS, AND AFTERWARDS,
694
00:20:50,717 --> 00:20:51,784
THIS WHOLE THING CAN JUST
695
00:20:51,784 --> 00:20:53,953
BE FORGOTTEN.
696
00:20:59,892 --> 00:21:01,060
>> I DON'T GIVE A CRAP ABOUT
697
00:21:01,060 --> 00:21:02,595
THAT LITTLE BITCH EDEN OR ABOUT
698
00:21:02,662 --> 00:21:03,730
JULIA AND LIZ AND OLIVIA AND
699
00:21:03,730 --> 00:21:04,864
THEIR MUFF-DIVING BULLSHIT.
700
00:21:04,864 --> 00:21:05,798
THIS SHOW IS SUPPOSED TO BE
701
00:21:05,798 --> 00:21:07,400
ABOUT ME. ME!
702
00:21:07,400 --> 00:21:08,668
>> OK, WHY DON'T YOU JUST GO DO
703
00:21:08,668 --> 00:21:09,669
SOMETHING GLAMOROUS, YOU KNOW,
704
00:21:09,669 --> 00:21:11,538
LIKE GO SHOPPING ON RODEO DRIVE.
705
00:21:11,538 --> 00:21:12,339
PEOPLE EAT THAT SHIT UP.
706
00:21:12,339 --> 00:21:12,972
>> THAT'S RIDICULOUS.
707
00:21:12,972 --> 00:21:13,973
I SEE THAT SHIT ALL THE TIME.
708
00:21:13,973 --> 00:21:16,108
>> OH. OK, GO HAVE LUNCH
709
00:21:16,108 --> 00:21:17,577
AT FRED SEGAL. OK, THAT PLACE IS
710
00:21:17,577 --> 00:21:19,346
JUST CRAWLING WITH CELEBRITIES.
711
00:21:19,346 --> 00:21:20,347
I JUST SAW JASON PRIESTLEY
712
00:21:20,347 --> 00:21:21,113
HAVING A NOSH THERE LAST WEEK.
713
00:21:21,113 --> 00:21:21,814
THAT'S GOOD.
714
00:21:21,814 --> 00:21:22,749
>> YOU CAME HERE WITH NO CONTACT
715
00:21:22,749 --> 00:21:23,783
EXCEPT FOR ME, RIGHT? I GOT YOU
716
00:21:23,783 --> 00:21:24,817
THIS JOB, AND THAT'S THE BEST
717
00:21:24,817 --> 00:21:26,686
YOU CAN COME UP WITH? WHERE'S
718
00:21:26,686 --> 00:21:27,954
FIONA? GET FIONA ON THE PHONE?
719
00:21:27,954 --> 00:21:29,589
>> SHE'S UNAVAIL, CHRISTIAN, OK?
720
00:21:29,589 --> 00:21:30,790
SEAN PENN JUST GOT BACK FROM
721
00:21:30,790 --> 00:21:31,758
IRAQ. SHE'S GOT DAMAGE CONTROL
722
00:21:31,758 --> 00:21:32,459
TO DO.
723
00:21:32,459 --> 00:21:33,092
>> THEN YOU BETTER COME UP
724
00:21:33,092 --> 00:21:34,060
WITH SOMETHING FAST, BLISS,
725
00:21:34,060 --> 00:21:35,027
ALL RIGHT? I AM SICK OF HEARING
726
00:21:35,027 --> 00:21:36,095
ABOUT THIS HEARTS 'N SCALPELS
727
00:21:36,095 --> 00:21:37,964
BULLSHIT. THIS IS MY SHOW.
728
00:21:37,964 --> 00:21:39,499
>> I KNOW. I KNOW, OK? I WILL
729
00:21:39,499 --> 00:21:42,001
THINK OF SOMETHING. I PROMISE.
730
00:21:42,001 --> 00:21:42,802
[BEEP]
731
00:21:42,802 --> 00:21:43,803
WHEN I FOUND OUT MY FIRST
732
00:21:43,803 --> 00:21:45,137
ASSIGNMENT AS A LOS ANGELES
733
00:21:45,137 --> 00:21:46,806
P.R. QUEEN WAS TO WORK ON
734
00:21:46,806 --> 00:21:48,975
THE LAUNCH OF A REALITY SHOW,
735
00:21:48,975 --> 00:21:51,444
WELL, I WAS BESIDE MYSELF.
736
00:21:51,444 --> 00:21:52,645
SEE, HERE'S THE THING.
737
00:21:52,645 --> 00:21:53,145
[BEEP]
738
00:21:53,145 --> 00:21:54,981
REALITY SHOWS ARE MY JAM, OK?
739
00:21:54,981 --> 00:21:57,750
CHARM SCHOOL, PROJECT RUNWAY,
740
00:21:57,750 --> 00:21:59,151
HEY PAULA-- THE ONE WHERE THEY
741
00:21:59,151 --> 00:22:00,653
SPEND EVERY EPISODE CONVINCING
742
00:22:00,653 --> 00:22:01,721
US THAT PAULA ABDUL'S
743
00:22:01,721 --> 00:22:02,889
JUST TIRED.
744
00:22:02,889 --> 00:22:03,590
[BEEP]
745
00:22:03,590 --> 00:22:05,157
WELL, I WATCH EVERY ONE, OK?
746
00:22:05,157 --> 00:22:08,127
I'M JUST OBSESSED. SO SUDDENLY
747
00:22:08,127 --> 00:22:09,529
IT CAME TO ME.
748
00:22:09,529 --> 00:22:10,029
[BEEP]
749
00:22:10,029 --> 00:22:10,997
WHO BETTER TO GIVE CHRISTIAN
750
00:22:10,997 --> 00:22:11,931
ADVICE ON HOW TO NAVIGATE
751
00:22:11,931 --> 00:22:13,900
A REALITY SHOW THAN THE BIGGEST
752
00:22:13,900 --> 00:22:17,136
STAR IN REALITY TV RIGHT NOW?
753
00:22:17,136 --> 00:22:18,070
OH, THAT'S RIGHT.
754
00:22:18,137 --> 00:22:21,441
MS. NEW YORK HERSELF.
755
00:22:21,441 --> 00:22:22,809
I'M SITTING NEXT TO NEW YORK.
756
00:22:22,809 --> 00:22:23,643
[APPLAUSE]
757
00:22:23,710 --> 00:22:24,977
SHE'S HUGE.
758
00:22:24,977 --> 00:22:26,946
>> THAT'S RIGHT, HONEY. I AM
759
00:22:26,946 --> 00:22:28,881
BIG, AND I'LL SAVE YOUR ASS FROM
760
00:22:28,881 --> 00:22:30,783
CANCELLATION, BECAUSE I KNOW
761
00:22:30,783 --> 00:22:32,585
HOW THIS GENRE WORKS.
762
00:22:32,585 --> 00:22:34,454
>> MM-HMM. AND AFTER WE
763
00:22:34,454 --> 00:22:35,955
EXPLAINED TO CHRISTIAN ABOUT
764
00:22:35,955 --> 00:22:37,490
THE WHOLE NEW YORK PHENOMENON,
765
00:22:37,490 --> 00:22:38,558
HE REALLY SEEMED TO GET WITH
766
00:22:38,558 --> 00:22:40,427
THE PROGRAM. NEW YORK GAVE IT TO
767
00:22:40,427 --> 00:22:43,095
HIM STRAIGHT. I LOVE NEW YORK.
768
00:22:43,095 --> 00:22:44,196
>> I'M JUST GONNA CUT
769
00:22:44,196 --> 00:22:44,997
TO THE CHASE AND GIVE IT
770
00:22:44,997 --> 00:22:45,698
TO YOU STRAIGHT.
771
00:22:45,698 --> 00:22:46,198
>> OK.
772
00:22:46,198 --> 00:22:47,033
>> YOU NEED TO BE WAY MORE
773
00:22:47,033 --> 00:22:47,967
INTERESTING, HOMEBOY.
774
00:22:47,967 --> 00:22:48,668
>> INTERESTING?
775
00:22:48,668 --> 00:22:49,569
>> LIKE, SERIOUSLY. YES.
776
00:22:49,569 --> 00:22:50,069
>> INTERESTING?
777
00:22:50,069 --> 00:22:51,003
>> YES.
778
00:22:51,003 --> 00:22:52,705
>> SEE--[LAUGHS] COME IN.
779
00:22:52,705 --> 00:22:54,441
COME IN. INTERESTING?
780
00:22:54,441 --> 00:22:55,141
>> INTERESTING.
781
00:22:55,141 --> 00:22:57,109
>> I AM INTERESTING, ALL RIGHT?
782
00:22:57,109 --> 00:22:58,578
>> IF YOU WANT THIS SHOW TO GO,
783
00:22:58,578 --> 00:22:59,712
YOU ARE GOING TO HAVE TO
784
00:22:59,712 --> 00:23:01,448
CREATE CONFLICT, BE THE CENTER
785
00:23:01,448 --> 00:23:02,482
OF CONTROVERSY.
786
00:23:02,482 --> 00:23:03,182
>> CONTROVERSY, CONFLICT. OH,
787
00:23:03,182 --> 00:23:04,083
WHAT DO YOU MEAN, SO EVERYBODY
788
00:23:04,083 --> 00:23:04,917
CAN HATE ME? IS THAT WHAT
789
00:23:04,917 --> 00:23:05,752
YOU'RE TALKING ABOUT?
790
00:23:05,752 --> 00:23:06,453
>> YOU KNOW WHAT?
791
00:23:06,453 --> 00:23:07,620
EVERYBODY IS NOT GONNA HATE YOU.
792
00:23:07,620 --> 00:23:09,989
JUST DON'T TAKE RESPONSIBILITY.
793
00:23:09,989 --> 00:23:11,223
>> [SIGHS]
794
00:23:11,223 --> 00:23:12,792
>> DENY, DENY, DENY.
795
00:23:12,792 --> 00:23:13,526
>> DENY, DENY, DENY.
796
00:23:13,526 --> 00:23:14,461
>> AND THEN JUST MOVE ON TO THE
797
00:23:14,461 --> 00:23:16,095
NEXT THING. IT'S SIMPLE AS THAT.
798
00:23:16,095 --> 00:23:16,796
>> DENY?
799
00:23:16,796 --> 00:23:17,630
>> YEAH. I THINK THAT WHAT
800
00:23:17,630 --> 00:23:18,831
NEW YORK IS SAYING, CHRISTIAN,
801
00:23:18,831 --> 00:23:20,132
IS THAT PEOPLE HAVE VERY SHORT
802
00:23:20,132 --> 00:23:21,668
ATTENTION SPANS, SO YOU JUST
803
00:23:21,668 --> 00:23:22,835
NEED TO LISTEN TO NEW YORK,
804
00:23:22,835 --> 00:23:23,670
'CAUSE NEW YORK KNOWS
805
00:23:23,670 --> 00:23:27,707
WHAT'S GOIN' ON, OK?
806
00:23:27,707 --> 00:23:32,211
New York: YOU FEELIN' IT?
807
00:23:32,211 --> 00:23:34,113
>> [CLEARS THROAT]
808
00:23:40,052 --> 00:23:41,488
COULD YOU GUYS, UH, JUST GIVE ME
809
00:23:41,488 --> 00:23:43,756
A SECOND HERE? OK? HEH HEH.
810
00:23:58,638 --> 00:24:02,441
BYE.
811
00:24:02,509 --> 00:24:06,178
I CARE ABOUT JULIA, AND I DON'T
812
00:24:06,178 --> 00:24:12,585
WANNA SEE HER GET HURT.
813
00:24:12,585 --> 00:24:13,686
>> YOU KNOW, I SHOULD NEVER
814
00:24:13,686 --> 00:24:14,186
HAVE LET...
815
00:24:14,186 --> 00:24:15,287
Christian: WHAT'S GOIN' ON HERE?
816
00:24:15,287 --> 00:24:16,589
>> OLIVIA ANYWHERE NEAR YOU.
817
00:24:16,589 --> 00:24:17,690
YOU ARE A BITTER, DRIED-UP--
818
00:24:17,690 --> 00:24:18,658
>> WHAT IS--WHAT?
819
00:24:18,658 --> 00:24:19,592
>> PLEASE!
820
00:24:19,592 --> 00:24:22,094
>> * PLASTIC FANTASTIC *
821
00:24:24,163 --> 00:24:25,665
>> * WHOA, OH,
822
00:24:25,665 --> 00:24:27,734
PLASTIC FANTASTIC *
823
00:24:27,734 --> 00:24:29,869
>> HOW WE FEELING, MR. SANDS?
824
00:24:29,869 --> 00:24:31,203
>> I THOUGHT YOU HAD FORGOTTEN
825
00:24:31,203 --> 00:24:33,039
ABOUT ME, DR. TROY. OR DID YOU
826
00:24:33,105 --> 00:24:34,707
STAY AWAY ON PURPOSE?
827
00:24:34,707 --> 00:24:35,575
>> I HEARD YOU ASKED FOR
828
00:24:35,575 --> 00:24:37,043
SOME MORPHINE. WHAT HAPPENED?
829
00:24:37,043 --> 00:24:39,546
ACUPUNCTURE NOT THE ANSWER YOU
830
00:24:39,546 --> 00:24:41,213
THOUGHT IT WOULD BE? THERE ARE
831
00:24:41,213 --> 00:24:42,782
SOME SIDE EFFECTS TO MORPHINE.
832
00:24:42,782 --> 00:24:44,817
THEY INCLUDE HALLUCINATIONS,
833
00:24:44,817 --> 00:24:46,185
DELUSIONS OF GRANDEUR.
834
00:24:46,185 --> 00:24:47,754
>> THIS IS NOT A HEALTHY
835
00:24:47,754 --> 00:24:49,822
ENVIRONMENT. THE PEACE AND QUIET
836
00:24:49,822 --> 00:24:51,658
THAT ACUPUNCTURE REQUIRES FOR
837
00:24:51,658 --> 00:24:53,660
SUCCESS ARE NONEXISTENT HERE.
838
00:24:53,660 --> 00:24:55,161
>> KEEP SAYING THAT, MR. SANDS.
839
00:24:55,161 --> 00:24:57,129
>> IF I DEVELOP AN ADDICTION
840
00:24:57,129 --> 00:24:58,197
TO THESE PAINKILLERS,
841
00:24:58,197 --> 00:24:59,298
I'LL BE SAYING LOTS OF THINGS
842
00:24:59,298 --> 00:25:03,135
TO MY LAWYER.
843
00:25:03,135 --> 00:25:04,336
>> TO BE FAIR, YOU DID REQUEST
844
00:25:04,336 --> 00:25:06,238
A SERVICE THAT OUR ACUPUNCTURIST
845
00:25:06,238 --> 00:25:08,708
COULDN'T PROVIDE. WE'VE DECIDED
846
00:25:08,708 --> 00:25:13,880
TO EAT THE COSTS. YOUR PROCEDURE
847
00:25:13,880 --> 00:25:15,915
IS FREE OF CHARGE.
848
00:25:15,915 --> 00:25:18,084
>> THAT SEEMS FAIR.
849
00:25:26,959 --> 00:25:32,732
MARVELOUS. I COULD BE 44 AGAIN,
850
00:25:32,732 --> 00:25:34,133
DON'T YOU THINK?
851
00:25:34,133 --> 00:25:36,002
>> 45 AT THE MOST.
852
00:25:36,002 --> 00:25:37,670
>> REMOVE THE WRINKLES, NOT THE
853
00:25:37,670 --> 00:25:40,106
WISDOM. YOU AND YOUR PARTNER
854
00:25:40,106 --> 00:25:41,708
HAVE DONE A VERY GOOD JOB.
855
00:25:41,708 --> 00:25:44,777
THIS PUTS ME BACK ON THE GAME.
856
00:25:44,777 --> 00:25:45,377
WILL I BE SEEING YOU
857
00:25:45,377 --> 00:25:46,913
ON THE PLAYING FIELD?
858
00:25:46,913 --> 00:25:47,914
>> THE ONLY PLAYING FIELD I HAVE
859
00:25:47,914 --> 00:25:48,948
IS THAT SURGICAL TABLE
860
00:25:48,948 --> 00:25:50,249
BACK IN THERE.
861
00:25:50,249 --> 00:25:52,118
>> LET'S KEEP IT THAT WAY.
862
00:25:52,118 --> 00:25:54,186
THIS TOWN ISN'T BIG ENOUGH
863
00:25:54,186 --> 00:25:56,756
FOR THE BOTH OF US.
864
00:25:56,756 --> 00:25:58,791
>> HEH. DOESN'T HE LOOK
865
00:25:58,791 --> 00:26:02,128
FANTASTIC? PATIENT SATISFACTION
866
00:26:02,128 --> 00:26:03,095
IS A PRIORITY HERE
867
00:26:03,095 --> 00:26:06,332
AT McNAMARA/TROY. TELL ME,
868
00:26:06,332 --> 00:26:11,237
ARE YOU SATISFIED, MR. SANDS?
869
00:26:11,237 --> 00:26:14,741
>> VERY.
870
00:26:14,807 --> 00:26:17,009
AS IT TURNS OUT, DR. TROY
871
00:26:17,009 --> 00:26:19,178
IS AN EXCELLENT DOCTOR.
872
00:26:19,178 --> 00:26:20,913
HE'S NOT WHO I THOUGHT HE'D BE.
873
00:26:20,980 --> 00:26:22,815
ACTUALLY I COULD PROBABLY
874
00:26:22,815 --> 00:26:25,417
SEND HIM SOME WORK. ON SECOND
875
00:26:25,417 --> 00:26:28,020
THOUGHTS, MAYBE NOT. HE DOESN'T
876
00:26:28,020 --> 00:26:29,789
REALLY SEEM TO NEED ANY HELP,
877
00:26:29,789 --> 00:26:31,123
NOW, DOES HE?
878
00:26:31,123 --> 00:26:32,024
>> WHILE EDEN LORD WAS NOT
879
00:26:32,024 --> 00:26:33,292
ORIGINALLY SCHEDULED TO BE A
880
00:26:33,292 --> 00:26:35,361
PATIENT, SHE DOES NEED OUR HELP.
881
00:26:35,361 --> 00:26:37,129
HER FOREARMS WERE BADLY SCARRED
882
00:26:37,129 --> 00:26:38,698
IN AN ACCIDENT, SO WE'RE GONNA
883
00:26:38,698 --> 00:26:40,733
GRAFT SOME SKIN FROM THE BACK OF
884
00:26:40,733 --> 00:26:43,135
HER THIGHS AND SEW IT ONTO HER
885
00:26:43,135 --> 00:26:44,336
FOREARMS. HERE YOU CAN SEE WHAT
886
00:26:44,336 --> 00:26:47,039
I'M TALKING ABOUT. WE PICK AN
887
00:26:47,039 --> 00:26:50,042
AREA OF UNAFFECTED SKIN, SHAVE
888
00:26:50,042 --> 00:26:51,778
IT OFF, AND THEN ROLL IT THROUGH
889
00:26:51,778 --> 00:26:54,013
THIS MACHINE HERE, WHICH CREATES
890
00:26:54,013 --> 00:26:55,915
A MESHLIKE QUALITY, ALLOWING THE
891
00:26:55,915 --> 00:26:58,050
SKIN TO EXPAND WHEN SUTURED
892
00:26:58,050 --> 00:26:59,318
TO THE AFFECTED AREA--
893
00:26:59,318 --> 00:27:05,692
>> WHERE ARE YOU?! LIZ! LIZ!
894
00:27:05,692 --> 00:27:08,260
SHE'S IN HERE--GODDAMN IT.
895
00:27:08,260 --> 00:27:12,098
[GASPS] OLIVIA, GODDAMN IT,
896
00:27:12,098 --> 00:27:13,432
HOW COULD YOU?
897
00:27:13,432 --> 00:27:14,366
>> WHAT ARE YOU TALKING ABOUT?
898
00:27:14,366 --> 00:27:15,067
WHAT'S WRONG?
899
00:27:15,067 --> 00:27:16,068
>> AND OF ALL THE PEOPLE THAT
900
00:27:16,068 --> 00:27:18,270
YOU HAD TO CHOOSE, LIZ AND HERE?
901
00:27:18,270 --> 00:27:19,205
>> SLOW DOWN, JULIA.
902
00:27:19,205 --> 00:27:20,039
>> WHAT, WERE YOU HOPING--
903
00:27:20,039 --> 00:27:20,907
>> YOU DON'T KNOW WHAT
904
00:27:20,907 --> 00:27:21,808
YOU'RE TALKING ABOUT.
905
00:27:21,808 --> 00:27:23,209
>> OH, DON'T EVEN, YOU KNOW?
906
00:27:23,209 --> 00:27:25,011
YOU KNOW, I SHOULD NEVER
907
00:27:25,011 --> 00:27:25,712
HAVE LET...
908
00:27:25,712 --> 00:27:26,813
Christian: WHAT'S GOIN' ON HERE?
909
00:27:26,813 --> 00:27:27,980
>> OLIVIA ANYWHERE NEAR YOU.
910
00:27:27,980 --> 00:27:29,381
YOU ARE A BITTER, DRIED-UP--
911
00:27:29,381 --> 00:27:30,082
>> WHAT IS--WHAT?
912
00:27:30,082 --> 00:27:30,983
>> PLEASE!
913
00:27:30,983 --> 00:27:32,251
>> NO! YOU LOOKED ME IN THE
914
00:27:32,251 --> 00:27:33,085
FACE, AND YOU TOLD ME THAT
915
00:27:33,085 --> 00:27:34,954
"LESBIANS COULD BE FRIENDS."
916
00:27:34,954 --> 00:27:36,823
I MEAN, I JUST CAN'T BELIEVE
917
00:27:36,823 --> 00:27:37,890
THAT I FELL FOR IT.
918
00:27:37,890 --> 00:27:40,159
>> OK, WHO TOLD YOU WHAT?
919
00:27:40,159 --> 00:27:40,927
>> I--
920
00:27:40,927 --> 00:27:41,861
>> YOU WEREN'T EVEN THERE,
921
00:27:41,861 --> 00:27:43,362
CHRISTIAN! COME ON. GET IN HERE.
922
00:27:43,362 --> 00:27:44,096
>> JUST GET OFF ME.
923
00:27:44,096 --> 00:27:44,797
>> GET IN.
924
00:27:44,797 --> 00:27:45,431
>> WHOA, WHOA, WHOA, WHOA!
925
00:27:45,431 --> 00:27:46,198
WASN'T EVEN THERE
926
00:27:46,198 --> 00:27:47,133
TO SEE WHAT, LIZ?
927
00:27:47,133 --> 00:27:48,267
>> IT'S NOT--IT'S NOT HER FAULT.
928
00:27:48,267 --> 00:27:49,235
DON'T BLAME OLIVIA. IT--
929
00:27:49,235 --> 00:27:50,069
THOSE WERE MY LIPS.
930
00:27:50,069 --> 00:27:51,070
>> YOU DON'T NEED TO DEFEND ME,
931
00:27:51,070 --> 00:27:54,140
LIZ. I KISSED HER, OK? I WAS
932
00:27:54,140 --> 00:27:56,142
HURT AND CONFUSED AND IN NEED
933
00:27:56,142 --> 00:27:57,376
OF SOME KIND OF COMFORT.
934
00:27:57,376 --> 00:27:59,211
LOOK, I SCREWED UP, OK?
935
00:27:59,211 --> 00:28:00,880
I SCREWED UP, BUT SO HAVE YOU.
936
00:28:00,880 --> 00:28:02,381
>> NO. LOOK, I'M SORRY, BUT YOU
937
00:28:02,381 --> 00:28:04,183
KNOW, WHEN I TOLD YOU ABOUT
938
00:28:04,183 --> 00:28:05,818
THE INDISCRETIONS THAT I'VE HAD
939
00:28:05,818 --> 00:28:06,919
SINCE WE'VE BEEN TOGETHER--
940
00:28:06,919 --> 00:28:08,487
YOU KNOW, I KNOW I'M NOT
941
00:28:08,487 --> 00:28:10,156
PERFECT, BUT I THOUGHT YOU
942
00:28:10,156 --> 00:28:11,457
UNDERSTOOD. I TRUSTED YOU.
943
00:28:11,457 --> 00:28:12,759
I WISH YOU'D TRUSTED ME.
944
00:28:12,759 --> 00:28:14,994
>> WHAT--WHAT INDISCRETIONS?
945
00:28:14,994 --> 00:28:15,862
>> LISTEN, LIZ, LIZ, LIZ,
946
00:28:15,862 --> 00:28:16,796
DON'T INTERRUPT PEOPLE
947
00:28:16,796 --> 00:28:17,964
WHEN THEY'RE TRYING TO MAKE
948
00:28:17,964 --> 00:28:19,198
A RECONCILIATION, ALL RIGHT?
949
00:28:19,198 --> 00:28:20,166
>> NOTHING MORE. IT MEANT
950
00:28:20,166 --> 00:28:22,234
NOTHING. GOD, YOU HAVE BEEN
951
00:28:22,234 --> 00:28:24,136
SO UNAVAILABLE TO ME LATELY. I--
952
00:28:24,136 --> 00:28:25,237
I DON'T KNOW IF IT'S THE CAMERAS
953
00:28:25,237 --> 00:28:27,173
OR--OR WHAT, BUT SOMETIMES
954
00:28:27,173 --> 00:28:28,107
WHEN I'M WITH YOU, I HAVE
955
00:28:28,107 --> 00:28:29,175
NEVER FELT MORE ALONE.
956
00:28:29,175 --> 00:28:30,276
>> LOOK, I JUST--CAN WE--
957
00:28:30,276 --> 00:28:31,143
NOT HERE. PLEASE.
958
00:28:31,143 --> 00:28:32,178
>> OK, OK. TURN IT OFF.
959
00:28:32,178 --> 00:28:34,480
THE SHOW'S OVER. TURN IT OFF.
960
00:28:35,081 --> 00:28:35,915
>> GOD, YOU HAVE BEEN SO
961
00:28:35,915 --> 00:28:37,283
UNAVAILABLE TO ME LATELY. I--
962
00:28:37,283 --> 00:28:38,384
I DON'T KNOW IF IT'S THE CAMERAS
963
00:28:38,384 --> 00:28:40,552
OR--OR WHAT, BUT SOMETIMES WHEN
964
00:28:40,552 --> 00:28:41,487
I'M WITH YOU, I HAVE NEVER
965
00:28:41,487 --> 00:28:42,488
FELT MORE ALONE.
966
00:28:42,488 --> 00:28:43,389
>> LOOK, I JUST--CAN WE--
967
00:28:43,389 --> 00:28:44,456
NOT HERE. PLEASE.
968
00:28:44,456 --> 00:28:45,457
>> OK, OK. TURN IT OFF.
969
00:28:45,457 --> 00:28:48,427
THE SHOW'S OVER. TURN IT OFF.
970
00:28:48,427 --> 00:28:51,197
THIS IS THE CUT THEY WANNA AIR?
971
00:28:51,197 --> 00:28:53,499
>> MM-HMM. THE PRODUCERS LOVE
972
00:28:53,499 --> 00:28:54,533
IT. THEY WON'T CHANGE A FRAME
973
00:28:54,533 --> 00:28:56,903
AND WON'T CONSIDER ANY EDITS.
974
00:28:56,903 --> 00:28:57,804
WE'RE SCREWED.
975
00:28:57,804 --> 00:28:59,105
>> I KNEW WE SHOULDN'T DO THIS.
976
00:28:59,105 --> 00:29:01,007
I DID THIS FOR YOU. YOU FIX IT.
977
00:29:01,007 --> 00:29:02,008
>> OH, COME ON. LIKE YOU DON'T
978
00:29:02,008 --> 00:29:03,375
LOVE BEING MR. FAMOUS PLASTIC
979
00:29:03,375 --> 00:29:05,577
SURGEON. THERE'S A CAMERA AROUND
980
00:29:05,577 --> 00:29:06,478
THESE DAYS, YOU'RE LIKE A
981
00:29:06,478 --> 00:29:08,347
HEAT-SEEKING MISSILE. I WOULDN'T
982
00:29:08,347 --> 00:29:09,882
BE SURPRISED IF I TURN ON
983
00:29:09,882 --> 00:29:10,817
THE TV NEXT YEAR AND FIND YOU
984
00:29:10,817 --> 00:29:11,984
ON CELEBRITY FIT CLUB.
985
00:29:11,984 --> 00:29:13,485
>> I AM NOT FAT. I'M IN
986
00:29:13,485 --> 00:29:14,887
TERRIFIC SHAPE, AND I DON'T NEED
987
00:29:14,887 --> 00:29:16,522
TO GO ON THAT SHOW! I HAVE
988
00:29:16,522 --> 00:29:17,523
STANDARDS, YOU IDIOT!
989
00:29:17,523 --> 00:29:18,524
>> ALL RIGHT, ALL RIGHT.
990
00:29:18,524 --> 00:29:21,293
I'M SORRY, OK? I THOUGHT
991
00:29:21,293 --> 00:29:22,962
GETTING THAT TV SHOW WOULD EVEN
992
00:29:22,962 --> 00:29:23,930
THE PLAYING FIELD. I'M SORRY
993
00:29:23,930 --> 00:29:25,197
THAT I SINGLE-HANDEDLY DESTROYED
994
00:29:25,197 --> 00:29:30,903
OUR REPUTATION.
995
00:29:30,903 --> 00:29:32,271
>> WELL, NOBODY MADE ME SIGN THE
996
00:29:32,271 --> 00:29:36,275
CONSENT FORM. I ADMIT IT. I LIKE
997
00:29:36,275 --> 00:29:38,277
GETTING ATTENTION. AFTER YEARS
998
00:29:38,277 --> 00:29:39,545
IN YOUR SHADOW, I LIKED BEING
999
00:29:39,545 --> 00:29:43,582
IN THE LIMELIGHT. I'VE BECOME
1000
00:29:43,582 --> 00:29:47,519
DEEPLY SUPERFICIAL, HAVEN'T I?
1001
00:29:47,519 --> 00:29:50,957
I'VE GONE HOLLYWOOD.
1002
00:29:50,957 --> 00:29:52,024
WHAT ARE WE GONNA DO NOW?
1003
00:29:52,024 --> 00:29:52,624
>> WE HAVE TO MOVE BACK
1004
00:29:52,624 --> 00:29:53,559
TO MIAMI.
1005
00:29:53,559 --> 00:29:54,560
>> THEY HAVE CABLE TELEVISION
1006
00:29:54,560 --> 00:29:55,962
IN MIAMI, TOO.
1007
00:29:55,962 --> 00:29:56,628
>> THEN WE CAN'T SHOOT
1008
00:29:56,628 --> 00:29:57,529
ANY MORE EPISODES.
1009
00:29:57,529 --> 00:29:59,198
>> WE'RE CONTRACTED TO DO 13.
1010
00:29:59,198 --> 00:30:01,467
>> WELL, THEN, WE'RE SCREWED.
1011
00:30:01,467 --> 00:30:05,271
>> THERE'S ONLY ONE THING TO DO.
1012
00:30:05,271 --> 00:30:08,908
>> YOU'RE RIGHT. WE GOTTA HANG
1013
00:30:08,908 --> 00:30:10,977
FIONA AND THAT DUMB-ASS
1014
00:30:10,977 --> 00:30:12,411
BLISS BERGER BY THEIR PRESS-ON
1015
00:30:12,411 --> 00:30:16,048
FINGERNAILS. HEH.
1016
00:30:16,048 --> 00:30:17,884
>> I DON'T KNOW WHAT TO SAY.
1017
00:30:17,884 --> 00:30:18,617
>> THEN LET ME HELP. CRAWL BACK
1018
00:30:18,617 --> 00:30:19,886
TO FIONA AND TELL HER
1019
00:30:19,886 --> 00:30:21,020
THAT YOU'VE BOTH BEEN FIRED
1020
00:30:21,020 --> 00:30:22,254
BY McNAMARA/TROY.
1021
00:30:22,254 --> 00:30:23,389
>> THE SHOW IS A COMPLETE
1022
00:30:23,389 --> 00:30:24,590
EMBARRASSMENT. IT'S NOT ABOUT
1023
00:30:24,590 --> 00:30:26,458
DOCTORS. IT'S ABOUT 2 SEX-CRAZED
1024
00:30:26,458 --> 00:30:28,294
LUNATICS AND THEIR CRAZY FAMILY.
1025
00:30:28,294 --> 00:30:29,161
>> IF PEOPLE WANT TO WATCH
1026
00:30:29,161 --> 00:30:30,329
A CHEESY SOAP, THEY CAN WATCH
1027
00:30:30,329 --> 00:30:34,000
HEARTS 'N SCALPELS.
1028
00:30:34,000 --> 00:30:35,134
>> YOU HID CAMERAS
1029
00:30:35,134 --> 00:30:36,135
WITHOUT OUR CONSENT.
1030
00:30:36,135 --> 00:30:37,636
>> SORRY, BUT WATCHING YOU GUYS
1031
00:30:37,636 --> 00:30:38,504
INTERACT WHEN YOU THINK
1032
00:30:38,504 --> 00:30:39,906
NO ONE'S WATCHING IS WHERE
1033
00:30:39,906 --> 00:30:40,973
ALL THE ACTION IS.
1034
00:30:40,973 --> 00:30:42,141
>> WELL, DURING SURGERY, FINE,
1035
00:30:42,141 --> 00:30:43,309
BUT NOT WITH OUR WIVES AND
1036
00:30:43,309 --> 00:30:44,944
CHILDREN AND FRIENDS. THIS SHOW
1037
00:30:44,944 --> 00:30:46,645
WILL HURT PEOPLE IN OUR LIVES.
1038
00:30:46,645 --> 00:30:47,646
>> AND WE HAVE TO DO 12 MORE OF
1039
00:30:47,646 --> 00:30:49,015
THESE THINGS BECAUSE WE SIGNED
1040
00:30:49,015 --> 00:30:50,249
THAT CONSENT FORM. YOU DIDN'T
1041
00:30:50,249 --> 00:30:53,019
PROTECT US. YOU SCREWED US.
1042
00:30:53,019 --> 00:30:54,220
>> SO YOU WOULDN'T AGREE
1043
00:30:54,220 --> 00:30:55,354
TO ANY MORE RESHOOTS,
1044
00:30:55,354 --> 00:30:56,288
THAT SORT OF THING?
1045
00:30:56,288 --> 00:30:57,123
>> NO.
1046
00:30:57,123 --> 00:30:58,357
>> NO.
1047
00:30:58,357 --> 00:31:00,592
>> WELL, THEN, FINE. HEY, GOOD
1048
00:31:00,592 --> 00:31:02,661
NEWS. THE SHOW'S NOT HAPPENING.
1049
00:31:02,661 --> 00:31:03,662
I HOPE YOU'RE HAPPY. YOU KNOW,
1050
00:31:03,662 --> 00:31:05,364
YOU COULD HAVE BECOME HUGE STARS
1051
00:31:05,364 --> 00:31:06,632
FROM THIS.
1052
00:31:06,632 --> 00:31:08,434
>> WAIT A MINUTE. YOU GOT US
1053
00:31:08,434 --> 00:31:09,335
OUT OF IT?
1054
00:31:09,335 --> 00:31:10,970
>> I DIDN'T HAVE TO. THE NETWORK
1055
00:31:10,970 --> 00:31:11,670
TESTED THE SHOW THIS MORNING.
1056
00:31:11,670 --> 00:31:12,404
>> WHOA, WHOA, WHOA.
1057
00:31:12,404 --> 00:31:13,639
WAIT A SECOND. THE NETWORK
1058
00:31:13,639 --> 00:31:16,943
TESTED US? HOW HIGH'D WE SCORE?
1059
00:31:16,943 --> 00:31:18,277
BET YOU WE SCORED HUGE.
1060
00:31:18,277 --> 00:31:19,611
>> ACTUALLY, KILLER, IT WAS JUST
1061
00:31:19,611 --> 00:31:22,414
THE OPPOSITE. LET'S HAVE A LOOK.
1062
00:31:22,414 --> 00:31:24,951
THE TEST AUDIENCE RATED YOU LOW
1063
00:31:24,951 --> 00:31:26,986
ON THE LIKABILITY SCALE, UH,
1064
00:31:26,986 --> 00:31:29,455
A 2 ON A 1-TO-10 SCALE. AND THEY
1065
00:31:29,455 --> 00:31:30,722
THOUGHT THE TONE OF THE SHOW
1066
00:31:30,722 --> 00:31:33,025
WAS, AND I QUOTE, "PUSHING
1067
00:31:33,025 --> 00:31:35,527
CREDIBILITY." SAID ONE TESTER,
1068
00:31:35,527 --> 00:31:38,364
A MRS. LOIS GENE, "THIS SHOW
1069
00:31:38,364 --> 00:31:39,698
JUMPED THE SHARK 5 MINUTES
1070
00:31:39,698 --> 00:31:43,002
INTO THE PILOT." END QUOTE.
1071
00:31:43,002 --> 00:31:44,636
THE, UH, LESBIANS TESTED HIGH,
1072
00:31:44,636 --> 00:31:46,138
THOUGH. THEY ALWAYS DO.
1073
00:31:46,138 --> 00:31:47,273
GUYS FIND THAT HOT.
1074
00:31:47,273 --> 00:31:50,209
>> WHAT? THIS IS BULLSHIT.
1075
00:31:50,209 --> 00:31:52,078
WE'RE HOT! YOU TELL HER, SEAN.
1076
00:31:52,078 --> 00:31:54,546
>> SO WE'RE NOT PICKED UP?
1077
00:31:54,546 --> 00:31:55,982
>> NOPE. THE SHOW'S NOT
1078
00:31:55,982 --> 00:31:57,483
HAPPENING, ESPECIALLY WITHOUT
1079
00:31:57,483 --> 00:31:59,451
RESHOOTS, SO THANKS FOR KILLIN'
1080
00:31:59,451 --> 00:32:01,187
MY BABY. I APPRECIATE IT.
1081
00:32:01,187 --> 00:32:04,056
OH, AND, UH, BY THE WAY, BOYS,
1082
00:32:04,056 --> 00:32:05,724
BEFORE YOU CONSIDER FIRING
1083
00:32:05,724 --> 00:32:08,327
MYSELF AND MS. McNEIL, I SUGGEST
1084
00:32:08,327 --> 00:32:10,096
YOU WAIT A BEAT. IF THIS REPORT
1085
00:32:10,096 --> 00:32:11,730
GETS LEAKED TO THE BLOGGERS--AND
1086
00:32:11,730 --> 00:32:13,565
IT WILL--YOU'LL NEED SOMEBODY
1087
00:32:13,565 --> 00:32:19,105
AROUND TO DO DAMAGE CONTROL.
1088
00:32:19,105 --> 00:32:24,743
>> [SIGHS]
1089
00:32:24,743 --> 00:32:26,712
I THOUGHT WE WERE KINDA CUTE.
1090
00:32:26,712 --> 00:32:29,148
>> WELL, ME, TOO.
1091
00:32:29,148 --> 00:32:30,249
>> [SIGHS] HOW MUCH YOU THINK
1092
00:32:30,249 --> 00:32:34,553
IT COSTS FOR RESHOOTS?
1093
00:32:34,553 --> 00:32:35,487
Julia: BUT YOU KNOW, WHEN I TOLD
1094
00:32:35,487 --> 00:32:36,555
YOU ABOUT THE INDISCRETIONS
1095
00:32:36,555 --> 00:32:37,523
THAT I'VE HAD SINCE WE'VE
1096
00:32:37,523 --> 00:32:39,758
BEEN TOGETHER--YOU KNOW, I--
1097
00:32:39,758 --> 00:32:41,060
I KNOW I'M NOT PERFECT--
1098
00:32:41,060 --> 00:32:42,594
WHEN I TOLD YOU ABOUT
1099
00:32:42,594 --> 00:32:43,762
THE INDISCRETIONS THAT I'VE HAD
1100
00:32:43,762 --> 00:32:45,797
SINCE WE'VE BEEN TOGETHER--YOU
1101
00:32:45,797 --> 00:32:47,233
KNOW, I--I KNOW I'M NOT PERFECT,
1102
00:32:47,233 --> 00:32:49,168
BUT I THOUGHT YOU UNDERSTOOD.
1103
00:32:49,168 --> 00:32:50,236
WHEN I TOLD YOU ABOUT
1104
00:32:50,236 --> 00:32:51,603
THE INDISCRETIONS THAT I'VE HAD
1105
00:32:51,603 --> 00:32:53,039
SINCE WE'VE BEEN TOGETHER--
1106
00:32:53,039 --> 00:32:54,473
YOU KNOW, I--I KNOW I'M NOT
1107
00:32:54,473 --> 00:32:56,075
PERFECT, BUT I THOUGHT
1108
00:32:56,075 --> 00:32:57,409
YOU UNDERSTOOD. I TRUSTED YOU.
1109
00:32:57,409 --> 00:32:59,611
I WISH YOU'D TRUSTED ME.
1110
00:32:59,611 --> 00:33:01,680
[GRINDING]
1111
00:33:07,386 --> 00:33:09,121
>> WHAT I DON'T GET IS HOW
1112
00:33:09,121 --> 00:33:10,722
YOU KNEW ABOUT OLIVIA AND ME,
1113
00:33:10,722 --> 00:33:12,158
AND YOU WERE NOWHERE AROUND
1114
00:33:12,158 --> 00:33:13,292
WHEN WE KISSED.
1115
00:33:13,292 --> 00:33:14,326
>> MAYBE A LITTLE BIRDIE TOLD
1116
00:33:14,326 --> 00:33:16,595
ME. MAYBE I HAVE A HIDDEN CAMERA
1117
00:33:16,595 --> 00:33:18,330
OF MY OWN.
1118
00:33:18,330 --> 00:33:19,265
>> OH, YEAH?
1119
00:33:19,265 --> 00:33:20,799
WHERE DID IT HAPPEN?
1120
00:33:20,799 --> 00:33:22,801
>> IN THE LADIES' BATHROOM.
1121
00:33:22,801 --> 00:33:24,136
>> OH, YOU HAVE A HIDDEN CAMERA
1122
00:33:24,136 --> 00:33:25,604
IN THE LADIES' BATHROOM.
1123
00:33:25,604 --> 00:33:26,405
>> HOW ELSE WOULD I KNOW
1124
00:33:26,405 --> 00:33:30,709
YOU HAVE STRETCH MARKS?
1125
00:33:30,709 --> 00:33:32,511
LOOK, I ADMIT I WAS SHOCKED
1126
00:33:32,511 --> 00:33:33,445
TO FIND OUT THAT OLIVIA KISSED
1127
00:33:33,445 --> 00:33:34,346
YOU FIRST, AND I WAS EVEN MORE
1128
00:33:34,346 --> 00:33:36,182
PISSED THAT THEY DIDN'T CAPTURE
1129
00:33:36,182 --> 00:33:37,183
MY REACTION ON CAMERA, BECAUSE I
1130
00:33:37,183 --> 00:33:38,084
THINK IT WOULD HAVE MADE FOR
1131
00:33:38,084 --> 00:33:39,585
BRILLIANT TELEVISION. BUT I'M
1132
00:33:39,585 --> 00:33:41,820
NOT SURPRISED THAT OLIVIA MADE
1133
00:33:41,820 --> 00:33:43,255
THE FIRST MOVE, BECAUSE DESPITE
1134
00:33:43,255 --> 00:33:44,656
YOUR FLAWS--AND YOU HAVE MANY--
1135
00:33:44,656 --> 00:33:46,725
TRUST ME, YOU ARE STILL A VERY
1136
00:33:46,725 --> 00:33:51,163
CUTE LITTLE CUPCAKE. OH, I AM
1137
00:33:51,163 --> 00:33:52,331
SO HAPPY THOSE CAMERAS AREN'T
1138
00:33:52,331 --> 00:33:53,865
AROUND ANYMORE. AREN'T YOU?
1139
00:33:53,865 --> 00:33:55,667
WE CAN FINALLY GET LIFE
1140
00:33:55,667 --> 00:33:57,869
AROUND HERE BACK TO NORMAL.
1141
00:33:57,869 --> 00:33:59,571
AND IN THE SPIRIT OF NORMALCY,
1142
00:33:59,571 --> 00:34:01,240
I THINK YOU SHOULD INSULT ME.
1143
00:34:01,240 --> 00:34:03,542
>> OH, NO, NO, NO. NO, I AM DONE
1144
00:34:03,542 --> 00:34:05,111
WITH NAME-CALLING, CHRISTIAN.
1145
00:34:05,111 --> 00:34:06,278
>> OH, COME ON, LIZZIE. I JUST
1146
00:34:06,278 --> 00:34:07,313
APOLOGIZED. YOU CAN'T STILL BE
1147
00:34:07,313 --> 00:34:08,680
MAD AT ME. BESIDES, YOU'RE THE
1148
00:34:08,680 --> 00:34:09,748
ONE WHO KEPT LYING ABOUT YOUR
1149
00:34:09,748 --> 00:34:12,651
CRUSH ON MISS MUFFIN MUNCHER.
1150
00:34:12,651 --> 00:34:13,785
>> YOU KNOW, CHRISTIAN,
1151
00:34:13,785 --> 00:34:14,820
SOMETIMES YOU HAVE TO LIE TO
1152
00:34:14,820 --> 00:34:16,588
PROTECT OTHER PEOPLE'S FEELINGS.
1153
00:34:16,588 --> 00:34:18,324
YOU KNOW I DON'T THINK JULIA'S
1154
00:34:18,324 --> 00:34:20,159
A LESBIAN, BUT THERE'S NO REASON
1155
00:34:20,159 --> 00:34:24,563
OLIVIA HAS TO KNOW THAT.
1156
00:34:24,563 --> 00:34:26,898
>> YOU'RE RIGHT. I GUESS
1157
00:34:26,898 --> 00:34:28,167
SHE WOULD HAVE FIGURED IT OUT
1158
00:34:28,167 --> 00:34:28,834
ON HER OWN.
1159
00:34:28,834 --> 00:34:30,202
>> YOU KNOW, IN A PERFECT WORLD,
1160
00:34:30,202 --> 00:34:32,171
YOU'D BE WITH JULIA, AND I WOULD
1161
00:34:32,171 --> 00:34:33,539
RIDE OFF INTO THE SUNSET WITH
1162
00:34:33,539 --> 00:34:35,641
OLIVIA, BUT MAYBE THAT'S NOT THE
1163
00:34:35,641 --> 00:34:41,447
WAY IT'S MEANT TO HAPPEN, HUH?
1164
00:34:41,447 --> 00:34:47,486
[TELEPHONE RINGING]
1165
00:34:47,486 --> 00:34:49,521
>> HOW ARE THE ARMS?
1166
00:34:49,521 --> 00:34:50,889
>> [SIGHS] THEY ITCH LIKE HELL,
1167
00:34:50,889 --> 00:34:54,626
SEAN.
1168
00:34:54,626 --> 00:34:57,296
>> ALL RIGHT. LET'S, UH,
1169
00:34:57,296 --> 00:34:59,431
GIVE THE GRAFT SOME AIR.
1170
00:35:07,306 --> 00:35:09,675
HEY, EASY, EASY. YOU'LL RIP
1171
00:35:09,675 --> 00:35:13,245
YOUR STITCHES. THEY LOOK LIKE
1172
00:35:13,245 --> 00:35:14,346
THEY'RE HEALING WELL. YOU JUST
1173
00:35:14,346 --> 00:35:17,416
CAN'T SCRATCH LIKE THAT.
1174
00:35:23,289 --> 00:35:24,490
>> WHAT AM I GONNA DO?
1175
00:35:24,490 --> 00:35:25,291
MY MOM SAYS I HAVE TO GO
1176
00:35:25,291 --> 00:35:27,359
TO PUBLIC SCHOOL NOW.
1177
00:35:27,359 --> 00:35:28,727
>> I THINK THAT COULD
1178
00:35:28,727 --> 00:35:31,563
BE GOOD FOR YOU.
1179
00:35:31,563 --> 00:35:33,199
>> ARE YOU INSANE? I DON'T
1180
00:35:33,199 --> 00:35:33,932
BELONG IN PUBLIC SCHOOL.
1181
00:35:33,932 --> 00:35:36,302
I WON'T SURVIVE.
1182
00:35:36,302 --> 00:35:41,673
>> WHERE DO YOU BELONG, THEN?
1183
00:35:41,673 --> 00:35:48,247
>> NOWHERE, I GUESS.
1184
00:35:48,247 --> 00:35:52,618
OR MAYBE WITH YOU.
1185
00:35:52,618 --> 00:35:53,685
YOU'RE THE ONLY ONE WHO'S EVEN
1186
00:35:53,685 --> 00:35:56,222
PRETENDED TO BE NICE TO ME.
1187
00:35:56,222 --> 00:35:56,922
PRETTY MUCH EVERYONE ELSE
1188
00:35:56,922 --> 00:36:02,361
WANTS ME TO GO TO HELL.
1189
00:36:02,361 --> 00:36:06,265
>> YOU NEED TO GET SOME REST.
1190
00:36:06,265 --> 00:36:09,235
>> WAIT.
1191
00:36:09,235 --> 00:36:11,237
WILL YOU STAY WITH ME,
1192
00:36:11,237 --> 00:36:15,774
JUST FOR A LITTLE WHILE?
1193
00:36:15,774 --> 00:36:18,310
>> MAYBE FOR A MOMENT.
1194
00:37:06,024 --> 00:37:07,526
[CRICKETS CHIRPING]
1195
00:37:07,526 --> 00:37:09,695
[DOOR OPENS]
1196
00:37:16,568 --> 00:37:17,636
>> SO IS THIS IT?
1197
00:37:17,636 --> 00:37:18,637
YOU'RE MOVING OUT?
1198
00:37:18,637 --> 00:37:19,905
>> IS THAT WHAT YOU WANT?
1199
00:37:19,905 --> 00:37:21,773
>> OF COURSE NOT. I WANT TO BE
1200
00:37:21,773 --> 00:37:24,743
WITH YOU, BUT FIRST YOU NEED
1201
00:37:24,743 --> 00:37:26,612
TO REALIZE THAT WHO YOU ARE
1202
00:37:26,612 --> 00:37:28,680
AND WHAT YOU ARE IS NOTHING
1203
00:37:28,680 --> 00:37:31,650
TO BE ASHAMED OF.
1204
00:37:31,650 --> 00:37:34,786
>> THEN WHY AM I SO SCARED?
1205
00:37:34,786 --> 00:37:38,324
>> [SIGHS] BECAUSE--
1206
00:37:38,324 --> 00:37:40,459
I DON'T KNOW. YOU'VE ONLY KNOWN
1207
00:37:40,459 --> 00:37:42,928
ONE THING YOUR WHOLE LIFE.
1208
00:37:42,928 --> 00:37:44,796
CHANGE IS HARD.
1209
00:37:44,796 --> 00:37:47,633
>> YEAH. BUT IT'S NOT THAT.
1210
00:37:47,633 --> 00:37:49,735
I LOVE BEING WITH YOU. IT--
1211
00:37:49,735 --> 00:37:51,670
IT'S JUST...
1212
00:37:51,670 --> 00:37:52,604
>> YOU FEEL JUDGED
1213
00:37:52,604 --> 00:37:58,677
FOR BEING A LESBIAN IN PUBLIC.
1214
00:37:58,677 --> 00:38:00,011
WHY DO YOU THINK SO MANY OF US
1215
00:38:00,011 --> 00:38:03,014
ARE STILL IN THE CLOSET?
1216
00:38:03,014 --> 00:38:06,752
IT TAKES A STRONG INDIVIDUAL
1217
00:38:06,752 --> 00:38:09,688
TO BE GAY IN THIS WORLD, JULIA,
1218
00:38:09,688 --> 00:38:14,760
A STRONG PERSONALITY.
1219
00:38:14,760 --> 00:38:18,597
YOU'RE VERY STRONG. IT'S ONE
1220
00:38:18,597 --> 00:38:19,398
OF THE BIGGEST REASONS
1221
00:38:19,398 --> 00:38:22,768
I FELL IN LOVE WITH YOU.
1222
00:38:22,768 --> 00:38:26,972
>> I DON'T FEEL STRONG AT ALL.
1223
00:38:26,972 --> 00:38:33,712
>> TRUST ME. YOU ARE.
1224
00:38:33,712 --> 00:38:36,482
>> HEH. IT'S JUST SO MUCH EASIER
1225
00:38:36,482 --> 00:38:39,117
WHEN WE'RE ALONE.
1226
00:38:39,117 --> 00:38:40,786
>> WELL, THE CAMERAS
1227
00:38:40,786 --> 00:38:42,053
HAVE ALL GONE.
1228
00:38:42,053 --> 00:38:47,859
>> [LAUGHS]
1229
00:38:47,859 --> 00:38:51,797
PROMISE ME SOMETHING.
1230
00:38:51,797 --> 00:38:55,567
IF I'M EVER NOT BEING AS OPEN
1231
00:38:55,567 --> 00:38:58,937
AS I SHOULD BE, LET ME KNOW
1232
00:38:58,937 --> 00:39:00,906
ABOUT IT FIRST BEFORE YOU'D
1233
00:39:00,906 --> 00:39:05,411
RUN TO LIZ.
1234
00:39:05,411 --> 00:39:09,448
>> I DO PROMISE, BUT YOU NEED
1235
00:39:09,448 --> 00:39:11,082
TO GIVE ME THE SAME RESPECT AND
1236
00:39:11,082 --> 00:39:13,785
STAY OUT OF CHRISTIAN'S BED.
1237
00:39:40,679 --> 00:39:47,453
>> [SIGHS]
1238
00:39:47,453 --> 00:39:52,090
[SIGHS]
1239
00:39:52,090 --> 00:39:53,792
>> WHEN EDEN BURST INTO THE
1240
00:39:53,792 --> 00:39:56,194
SURGERY SUITE THAT DAY, DO YOU
1241
00:39:56,194 --> 00:39:57,929
BELIEVE ANYTHING SHE SAID?
1242
00:39:57,929 --> 00:39:58,864
>> OF COURSE NOT. STUPID LITTLE
1243
00:39:58,864 --> 00:40:01,099
BITCH'LL SAY ANYTHING.
1244
00:40:01,099 --> 00:40:02,601
>> SO YOU DIDN'T PUT THOSE PILLS
1245
00:40:02,601 --> 00:40:03,902
IN HER BAG?
1246
00:40:03,902 --> 00:40:08,907
>> WHAT? NO, OF COURSE I DIDN'T.
1247
00:40:08,907 --> 00:40:10,175
>> SHE TOLD ME SHE LIED ABOUT
1248
00:40:10,175 --> 00:40:11,477
YOU AND JULIA SLEEPING TOGETHER
1249
00:40:11,477 --> 00:40:16,882
AGAIN.
1250
00:40:16,882 --> 00:40:17,916
>> I WONDER WHY SHE FINALLY
1251
00:40:17,916 --> 00:40:20,886
ADMITTED SHE LIED?
1252
00:40:20,886 --> 00:40:24,823
>> GUILT, I GUESS. MAYBE SHE
1253
00:40:24,823 --> 00:40:26,157
FELT LIKE TOO MUCH DAMAGE
1254
00:40:26,157 --> 00:40:28,827
HAD BEEN DONE AND IT WAS TIME
1255
00:40:28,827 --> 00:40:32,998
TO STOP HURTING PEOPLE.
1256
00:40:32,998 --> 00:40:35,433
>> MAYBE.
81411
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