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These are the user uploaded subtitles that are being translated: 1 00:00:04,004 --> 00:00:09,705 IN THE HEAT OF THE NIGHT 2 00:00:11,533 --> 00:00:14,840 I'VE GOT TROUBLES WALL TO WALL 3 00:00:20,020 --> 00:00:24,285 IN THE HEAT OF THE NIGHT 4 00:00:24,328 --> 00:00:27,157 YEAH 5 00:00:27,201 --> 00:00:33,207 MUST BE AN ENDING TO IT ALL 6 00:00:33,250 --> 00:00:36,471 OH 7 00:00:36,514 --> 00:00:39,952 BUT HOLD ON 8 00:00:39,996 --> 00:00:42,607 IT WON'T BE LONG 9 00:00:42,651 --> 00:00:44,740 JUST YOU BE STRONG 10 00:00:44,783 --> 00:00:47,221 AND IT'LL BE ALL RIGHT 11 00:00:50,528 --> 00:00:54,184 IN THE HEAT OF THE NIGHT 12 00:00:54,228 --> 00:01:01,365 IN THE HEAT OF THE NIGHT 13 00:02:11,000 --> 00:02:12,262 YOU AIN'T SUPPOSED TO BE HERE. 14 00:02:12,306 --> 00:02:14,873 YOU'LL GET IN TROUBLE IF MY BOSS CATCHES YOU. 15 00:02:14,917 --> 00:02:16,614 I AIN'T DOING NOTHING. 16 00:02:16,658 --> 00:02:18,529 JUST LOOKING AROUND. 17 00:02:20,183 --> 00:02:22,185 HEY, LOOK AT THIS. 18 00:02:22,229 --> 00:02:24,753 CAN I KEEP IT? 19 00:02:24,796 --> 00:02:27,059 GO AHEAD. I WAS THROWING IT AWAY. 20 00:02:28,409 --> 00:02:30,324 REAL PRETTY STICK. 21 00:02:30,367 --> 00:02:31,499 THAT AIN'T NO STICK. 22 00:02:31,542 --> 00:02:33,065 IT'S GOT WHITTLING ON IT. 23 00:02:34,458 --> 00:02:35,981 HEY! 24 00:02:36,025 --> 00:02:38,027 HEY, KID! HEY! 25 00:02:38,070 --> 00:02:39,985 I TOLD YOU TO STAY OFF THIS PROPERTY. 26 00:02:40,029 --> 00:02:41,204 NOW GET GOING. 27 00:02:41,248 --> 00:02:42,814 I'M JUST DIGGING LIKE Y'ALL. 28 00:02:42,858 --> 00:02:44,686 GIVE ME WHAT YOU GOT IN YOUR HAND. 29 00:02:45,252 --> 00:02:46,078 HEY! 30 00:02:46,122 --> 00:02:47,776 GET GOING, LITTLE SISTER. 31 00:02:47,819 --> 00:02:49,647 YOU'LL GET YOUR BUTT WHIPPED. 32 00:02:49,691 --> 00:02:52,868 I'LL PUT YOU IN THE COUNTY JAIL FOR TRESPASSING. 33 00:03:00,397 --> 00:03:02,051 HEY! 34 00:03:10,973 --> 00:03:12,322 EXCUSE ME. 35 00:03:15,456 --> 00:03:16,500 WHAT'S GOING ON HERE? 36 00:03:16,544 --> 00:03:18,502 OH, NOTHING, OFFICER. NOTHING. 37 00:03:18,546 --> 00:03:20,504 NOTHING? 38 00:03:20,548 --> 00:03:22,202 A GROWN MAN CHASING A LITTLE GIRL... 39 00:03:22,245 --> 00:03:23,507 THAT DON'T LOOK LIKE NOTHING. 40 00:03:23,551 --> 00:03:24,769 THAT LOOKS LIKE SOMETHING. 41 00:03:24,813 --> 00:03:26,554 I'M FRANK DAVENPORT. 42 00:03:26,597 --> 00:03:28,077 I OWN THIS PROPERTY. 43 00:03:28,120 --> 00:03:29,600 THE KID'S BEEN HANGING AROUND. 44 00:03:29,644 --> 00:03:31,036 SHE COULD GET HURT. 45 00:03:33,256 --> 00:03:34,779 WHY DO YOU WANT TO PLAY HERE, SWEETHEART? 46 00:03:34,823 --> 00:03:36,781 I'M TREASURE HUNTING. 47 00:03:36,825 --> 00:03:39,436 I GOT IT FROM THAT MAN OVER THERE. 48 00:03:39,480 --> 00:03:41,612 WHAT'S YOUR NAME? LOUISA. 49 00:03:41,656 --> 00:03:42,700 LOUISA, 50 00:03:42,744 --> 00:03:44,702 THAT'S A PRETTY NAME. 51 00:03:44,746 --> 00:03:46,356 COME HERE. 52 00:03:46,400 --> 00:03:48,967 NOW, LOUISA, THIS HERE'S PRIVATE PROPERTY. 53 00:03:49,011 --> 00:03:50,186 YOU CAN'T PLAY HERE. 54 00:03:50,230 --> 00:03:51,796 GIVE THE MAN BACK HIS STICK, 55 00:03:51,840 --> 00:03:54,408 AND OFFICER COVEY AND I WILL TAKE YOU HOME. 56 00:03:54,451 --> 00:03:58,542 SHE CAN KEEP THE THING. I CAN SEE NOW IT AIN'T WORTH NOTHING. 57 00:03:58,586 --> 00:04:02,720 ALL RIGHT. WELL, YOU CAN'T PLAY HERE ANYMORE. 58 00:04:02,764 --> 00:04:04,461 I JUST DON'T WANT HER AROUND. 59 00:04:05,375 --> 00:04:06,898 LET'S TAKE YOU HOME. 60 00:04:09,118 --> 00:04:10,162 LISTEN, DALE. 61 00:04:10,206 --> 00:04:12,034 ANY KID GETS HURT HERE, I'LL GET SUED. 62 00:04:12,077 --> 00:04:14,863 I SEE A KID HERE, AND YOU'RE FIRED. 63 00:04:22,610 --> 00:04:24,394 I THINK WE'VE COVERED EVERYTHING. 64 00:04:26,178 --> 00:04:28,137 DO I GET MY ANNEX? 65 00:04:28,180 --> 00:04:30,226 THE BUILDING BUDGET IS FULL, CHIEF FORBES. 66 00:04:30,270 --> 00:04:33,098 WELL, SO IS MY EVIDENCE ROOM. 67 00:04:33,142 --> 00:04:34,709 WELL, THEN YOU'RE JUST GOING TO HAVE TO RENT YOURSELF 68 00:04:34,752 --> 00:04:35,927 SOME WAREHOUSE SPACE. 69 00:04:35,971 --> 00:04:37,146 DO YOU KNOW HOW MUCH THAT COSTS? 70 00:04:37,189 --> 00:04:38,930 NO, I DON'T. 71 00:04:38,974 --> 00:04:42,673 CAPTAIN SKINNER, PULL THOSE WAREHOUSE ESTIMATES 72 00:04:42,717 --> 00:04:44,458 FOR MISS DeLONG, WILL YOU, PLEASE? 73 00:04:44,501 --> 00:04:46,024 SURE ENOUGH. 74 00:04:47,417 --> 00:04:49,941 AND NOT A DOLLAR DIFFERENCE BETWEEN THEM. 75 00:04:51,203 --> 00:04:52,509 THANKS. 76 00:04:54,119 --> 00:04:55,251 HEY, LIEUTENANT. 77 00:04:55,295 --> 00:04:56,600 YEAH, KEN. 78 00:04:56,644 --> 00:04:58,167 WHAT DO YOU MAKE OF FRANK DAVENPORT? 79 00:04:58,210 --> 00:04:59,995 THE REAL ESTATE DEVELOPER? 80 00:05:00,038 --> 00:05:01,431 KIND OF ARROGANT AND MEAN. 81 00:05:01,475 --> 00:05:02,998 HE WAS CHASING THIS LITTLE GIRL. 82 00:05:03,041 --> 00:05:04,347 I HAD TO PULL OVER AND STOP HIM. 83 00:05:04,391 --> 00:05:05,914 LITTLE GIRL? HOW LITTLE? 84 00:05:05,957 --> 00:05:07,611 ABOUT 12. WHY? 85 00:05:07,655 --> 00:05:10,179 HE'S KIND OF DIRTY, TOO. 86 00:05:10,222 --> 00:05:11,485 HE CAN'T KEEP HER OFF HIS PROPERTY 87 00:05:11,528 --> 00:05:13,356 BECAUSE SHE THINKS THEY GOT A TREASURE. 88 00:05:13,400 --> 00:05:14,705 SHE WAS CLUTCHING THIS STICK 89 00:05:14,749 --> 00:05:16,316 LIKE IT WAS MADE OF GOLD. 90 00:05:18,274 --> 00:05:20,450 DID YOU GET A GOOD LOOK AT THE STICK? 91 00:05:20,494 --> 00:05:23,279 IT WAS DARK AND HAD CARVING ON IT. 92 00:05:23,323 --> 00:05:24,933 WHAT DID THE CARVING LOOK LIKE? 93 00:05:24,976 --> 00:05:28,458 SOMEBODY TOOK A KNIFE AND CARVED ON IT. 94 00:05:28,502 --> 00:05:30,155 WHY? DO YOU THINK IT'S VALUABLE? 95 00:05:30,634 --> 00:05:31,548 MAYBE. 96 00:05:31,592 --> 00:05:33,376 DAVENPORT THOUGHT IT WAS JUNK. 97 00:05:33,420 --> 00:05:35,204 OH, HE WOULD. 98 00:05:41,776 --> 00:05:46,520 ? LET MY PEOPLE GO 99 00:05:49,436 --> 00:05:52,613 ? GO DOWN 100 00:05:53,353 --> 00:05:56,094 ? MOSES 101 00:05:56,747 --> 00:05:59,968 ? WAY DOWN 102 00:06:00,882 --> 00:06:05,452 ? IN EGYPTLAND 103 00:06:06,191 --> 00:06:09,543 ? TELL OLE 104 00:06:09,586 --> 00:06:12,546 ? PHARAOH-- 105 00:06:12,589 --> 00:06:15,679 [HIP-HOP MUSIC PLAYS] 106 00:06:15,723 --> 00:06:17,420 I THOUGHT IT WAS AGREED 107 00:06:17,464 --> 00:06:19,248 THAT THE MAN WHO WAS LISTENING INTENTLY 108 00:06:19,291 --> 00:06:21,642 HAD TO BE ASKED. 109 00:06:21,685 --> 00:06:24,384 SORRY, BUT I HATE THAT STUFF. 110 00:06:24,427 --> 00:06:26,603 IT'S EMBARRASSING. 111 00:06:26,647 --> 00:06:27,996 WELL, THAT IS THE FIRST TIME 112 00:06:28,039 --> 00:06:29,563 I'VE EVER HEARD A SPIRITUAL 113 00:06:29,606 --> 00:06:31,434 DESCRIBED AS EMBARRASSING. 114 00:06:31,478 --> 00:06:32,914 WELL, IT'S POOR PEOPLE MUSIC. 115 00:06:32,957 --> 00:06:35,569 NO ONE WANTS TO REMIND THEMSELVES OF THAT. 116 00:06:35,612 --> 00:06:38,441 LISTEN. POOR PEOPLE MAKE RICH MUSIC, 117 00:06:38,485 --> 00:06:41,183 AND THAT HAPPENED TO BE MARIAN ANDERSON. 118 00:06:41,226 --> 00:06:43,272 THAT'S THE FIRST BLACK ARTIST 119 00:06:43,315 --> 00:06:47,015 EVER TO PERFORM AT THE METROPOLITAN OPERA. 120 00:06:47,058 --> 00:06:49,539 YOU LIKE OPERA. I DON'T.[TELEPHONE RINGS] 121 00:06:49,583 --> 00:06:50,540 WELL, ALL RIGHT, THEN. 122 00:06:50,584 --> 00:06:51,585 IT'S THE FIRST BLACK ARTIST 123 00:06:51,628 --> 00:06:54,805 EVER TO SING AT THE WHITE HOUSE. 124 00:06:54,849 --> 00:06:58,026 COOL, BUT I CAN'T GET INTO THAT MUSIC. 125 00:06:58,069 --> 00:07:00,071 SHERIFF GILLESPIE'S HOUSE. 126 00:07:00,811 --> 00:07:02,552 OH, HI, MISS DeLONG. 127 00:07:03,510 --> 00:07:05,076 YEAH, HE'S HERE. 128 00:07:06,643 --> 00:07:08,166 O.K. 129 00:07:09,254 --> 00:07:10,908 WELL, YOU, TOO, MA'AM. 130 00:07:11,605 --> 00:07:12,997 BYE. 131 00:07:14,303 --> 00:07:15,870 WELL, WHAT DID SHE SAY? 132 00:07:15,913 --> 00:07:17,524 YOU'RE SUPPOSED TO MEET HER 133 00:07:17,567 --> 00:07:19,526 AT THE OAK HILL CONSTRUCTION SITE. 134 00:07:20,396 --> 00:07:21,615 OH, LORD! 135 00:07:21,658 --> 00:07:24,879 WHY HAST THOU DEPRIVED ME OF MY MEMORY? 136 00:07:31,494 --> 00:07:33,496 YOU KNOW, THE HISTORICAL SOCIETY RECORDS SHOW 137 00:07:33,540 --> 00:07:36,107 THERE WAS A PLANTATION HOUSE OUT HERE SOMEWHERE. 138 00:07:36,151 --> 00:07:38,153 THAT WAS UNTIL SHERMAN'S TROOPS 139 00:07:38,196 --> 00:07:39,894 BURNED IT AFTER VICKSBURG. 140 00:07:39,937 --> 00:07:41,591 THERE WERE SLAVE QUARTERS, TOO. 141 00:07:43,245 --> 00:07:45,377 WHERE CAN WE FIND FRANK DAVENPORT? 142 00:07:45,421 --> 00:07:46,422 WHO WANTS HIM? 143 00:07:46,466 --> 00:07:48,337 I'M COUNCILWOMAN HARRIET DeLONG, 144 00:07:48,380 --> 00:07:51,514 AND THIS IS PROFESSOR HUDSON FROM SPARTA COLLEGE. 145 00:07:51,558 --> 00:07:53,298 OVER THERE. 146 00:07:53,342 --> 00:07:54,952 THAT TRAILER, SEE? 147 00:07:58,216 --> 00:08:00,784 YOU MEN DUG UP ANYTHING UNUSUAL AROUND HERE? 148 00:08:05,049 --> 00:08:06,877 YOU BETTER CHECK WITH THE BOSS. 149 00:08:08,444 --> 00:08:11,926 I'VE BEEN FINDING THINGS FOR A COUPLE OF DAYS NOW. 150 00:08:11,969 --> 00:08:13,275 WOULD YOU SHOW ME WHERE? 151 00:08:13,318 --> 00:08:15,320 SURE. COME ON. 152 00:08:24,591 --> 00:08:26,549 NOW, WE DUG THIS 153 00:08:26,593 --> 00:08:28,595 TO LAY PIPE INTO. 154 00:08:28,638 --> 00:08:29,944 IT'S TO BRING WATER 155 00:08:29,987 --> 00:08:31,467 OVER TO WHERE THE TENNIS COURTS ARE. 156 00:08:31,511 --> 00:08:32,599 TENNIS COURTS? 157 00:08:32,642 --> 00:08:34,296 SURE. THERE'S GOING TO BE 24 OF THEM. 158 00:08:34,339 --> 00:08:36,385 DAVENPORT'S GOT BIG PLANS. 159 00:08:36,428 --> 00:08:38,822 I FOUND A REAL FANCY STICK IN HERE. 160 00:08:38,866 --> 00:08:43,871 IT HAD SNAKES CRAWLING UP THE SIDE OF IT. 161 00:08:43,914 --> 00:08:45,829 SOUNDS LIKE AFRICAN MOTIF. 162 00:08:45,873 --> 00:08:47,875 THAT COULD BE A CHIEF'S STAFF. 163 00:08:53,663 --> 00:08:56,274 WELL, I'M SORRY IF I'M LATE. 164 00:08:56,318 --> 00:08:57,754 YOU'RE JUST IN TIME. 165 00:08:57,798 --> 00:08:59,539 DAVENPORT AND HIS MEN MAY BE PLOWING UP 166 00:08:59,582 --> 00:09:01,453 ALL SORTS OF VALUABLE REMAINS. 167 00:09:01,497 --> 00:09:03,107 REALLY? 168 00:09:03,151 --> 00:09:06,458 THAT'S EXACTLY WHAT I THINK THEY'RE DOING. 169 00:09:06,502 --> 00:09:07,982 I'M GOING TO TAKE THESE FRAGMENTS 170 00:09:08,025 --> 00:09:09,505 AND FIND OUT WHAT THEY ARE. 171 00:09:09,549 --> 00:09:12,377 ILL YOU COME WITH ME AND TALK TO THE BOSS? 172 00:09:12,421 --> 00:09:13,857 WELL... 173 00:09:13,901 --> 00:09:17,905 SURE HE WILL. COME ON, BILL. 174 00:09:17,948 --> 00:09:19,471 HEY, WHAT ARE YOU DOING? 175 00:09:19,515 --> 00:09:21,604 DON'T GIVE ME ONE OF THOSE THINGS ON MY NECK. 176 00:09:22,779 --> 00:09:25,869 NOW, MR. DAVENPORT... 177 00:09:25,913 --> 00:09:29,046 OH. EXCUSE US FOR DISTURBING YOU. 178 00:09:29,090 --> 00:09:31,353 OH, SHERIFF GILLESPIE, MISS DeLONG. 179 00:09:31,396 --> 00:09:34,182 THIS IS A SURPRISE. 180 00:09:34,225 --> 00:09:35,705 AND YOU ARE... 181 00:09:35,749 --> 00:09:36,924 DAN HUDSON. 182 00:09:36,967 --> 00:09:39,448 I TEACH ANTHROPOLOGY AT THE COLLEGE. 183 00:09:39,491 --> 00:09:42,494 I'M USED TO CITY OFFICIALS VISITING, 184 00:09:42,538 --> 00:09:45,628 BUT I NEVER HAD A PROFESSOR COME OUT HERE BEFORE. 185 00:09:45,672 --> 00:09:48,762 HI, MISS DeLONG. YOU DON'T REMEMBER ME. 186 00:09:48,805 --> 00:09:51,591 I'M CINDY JENK. MY FATHER'S GUS JENK. 187 00:09:51,634 --> 00:09:53,636 HE SCREENED YOUR BACK PORCH. 188 00:09:53,680 --> 00:09:56,770 OH, YEAH. YES. HI. 189 00:09:59,511 --> 00:10:01,949 UH, MR. DAVENPORT, 190 00:10:01,992 --> 00:10:05,866 ARE YOU AWARE OF WHAT YOUR MEN MIGHT BE DIGGING UP? 191 00:10:05,909 --> 00:10:08,346 I KNOW CONSTRUCTION CREWS ARE ALWAYS DIGGING UP JUNK-- 192 00:10:08,390 --> 00:10:11,132 ARROWHEADS, OLD TOOLS AND SUCH. 193 00:10:11,175 --> 00:10:13,395 WELL, SOME OF THIS MAY NOT BE JUNK. 194 00:10:13,438 --> 00:10:15,484 IT MAY BE ARCHEOLOGICAL REMAINS. 195 00:10:15,527 --> 00:10:18,618 YOU'RE PLANNING A HUGE PROJECT HERE, AREN'T YOU? 196 00:10:18,661 --> 00:10:21,621 A WHOLE RESIDENTIAL VILLAGE. 197 00:10:21,664 --> 00:10:23,492 AND WE WANT TO ENSURE THAT NOTHING IMPORTANT 198 00:10:23,535 --> 00:10:26,538 IS LOST OR DESTROYED IN THE PROCESS. 199 00:10:26,582 --> 00:10:30,107 MISS DeLONG, I HAVE A LOT OF CONSTRUCTION GOING ON. 200 00:10:30,151 --> 00:10:32,457 I CAN'T SHARE YOUR INTEREST. 201 00:10:35,156 --> 00:10:36,418 BILL? 202 00:10:36,461 --> 00:10:38,986 YES. WELL, DAVENPORT, 203 00:10:39,029 --> 00:10:41,728 I'M SURE YOU WOULDN'T MIND A FEW PROFESSIONALS 204 00:10:41,771 --> 00:10:42,903 COMING ON THE SITE HERE 205 00:10:42,946 --> 00:10:44,861 AND DOING A LITTLE POKING AROUND. 206 00:10:44,905 --> 00:10:46,254 NO WAY, GILLESPIE. 207 00:10:46,297 --> 00:10:47,908 NO WAY. 208 00:10:47,951 --> 00:10:49,736 NO POKING AROUND. 209 00:10:49,779 --> 00:10:51,172 IF YOU LIKE, MISS DeLONG, 210 00:10:51,215 --> 00:10:54,175 I COULD HAVE MY MEN PUT ASIDE ANYTHING THEY FIND. 211 00:10:54,218 --> 00:10:56,003 NO. THAT'D BE USELESS. 212 00:10:56,046 --> 00:10:58,005 ONCE YOUR MEN MOVE ANYTHING, 213 00:10:58,048 --> 00:11:00,747 ITS INFORMATIONAL VALUE IS DESTROYED. 214 00:11:00,790 --> 00:11:05,229 I CAN'T DO MORE. I WON'T DO MORE. 215 00:11:06,100 --> 00:11:08,668 I CAN'T LOSE A DAY... 216 00:11:09,451 --> 00:11:10,757 AN HOUR... 217 00:11:11,583 --> 00:11:13,150 OR A MINUTE. 218 00:11:37,392 --> 00:11:39,699 WHAT IS HE DOING WITH THAT CHILD? 219 00:11:47,619 --> 00:11:50,753 WELL, LOUISA. 220 00:11:50,797 --> 00:11:54,148 DON'T YOU HAVE SCHOOL TODAY? 221 00:11:54,191 --> 00:11:57,151 MY MAMA SAID GIVE THIS BACK TO THE COPS. 222 00:11:57,847 --> 00:11:59,196 LET ME SEE THAT. 223 00:12:00,458 --> 00:12:01,851 I'LL TELL YOU WHAT. 224 00:12:01,895 --> 00:12:03,244 LET'S TAKE THIS INSIDE 225 00:12:03,287 --> 00:12:04,636 AND SHOW IT TO MY NEW CHIEF. 226 00:12:04,680 --> 00:12:06,203 WHO THE CHIEF? 227 00:12:06,247 --> 00:12:07,857 THAT'S MY BOSS, CHIEF FORBES. 228 00:12:07,901 --> 00:12:09,293 HE'S A REAL NICE MAN, 229 00:12:09,337 --> 00:12:11,121 AND HE'D LOVE TO SEE THIS THING. 230 00:12:11,165 --> 00:12:13,558 COME ON. LET'S GO INSIDE. 231 00:12:13,602 --> 00:12:16,518 WE CAN'T REALLY EXPECT THE CITY COUNCIL 232 00:12:16,561 --> 00:12:17,649 TO GIVE US MORE MONEY 233 00:12:17,693 --> 00:12:19,913 WHEN THEY CAN'T GET IT FROM THE TOWN. 234 00:12:19,956 --> 00:12:22,132 DOESN'T LOOK LIKE A POOR TOWN TO ME. 235 00:12:23,046 --> 00:12:25,048 THE BOTTOMS LOOK PRETTY POOR 236 00:12:25,092 --> 00:12:26,658 AND SOME OF THE MIDSECTIONS ALONG THE TRACKS, 237 00:12:26,702 --> 00:12:28,791 BUT OTHERWISE THINGS LOOK PRETTY GOOD. 238 00:12:28,835 --> 00:12:30,445 HAVE YOU SEEN ALL THE STORES CLOSED 239 00:12:30,488 --> 00:12:32,142 ON THE SOUTH AND WEST SIDE? 240 00:12:32,186 --> 00:12:35,842 UNEMPLOYMENT'S BIG. SPARTA'S REALLY HURTING. 241 00:12:35,885 --> 00:12:38,235 I GOT TO RUN. TALK TO YOU LATER. 242 00:12:38,279 --> 00:12:39,584 CHIEF. 243 00:12:39,628 --> 00:12:41,108 LATER. 244 00:12:42,500 --> 00:12:44,502 CHIEF FORBES, I GOT A LITTLE LADY HERE 245 00:12:44,546 --> 00:12:46,330 WHO NEEDS TO TALK TO YOU. 246 00:12:46,374 --> 00:12:48,115 COME ON IN, LITTLE MISS. 247 00:12:49,203 --> 00:12:50,813 WHAT YOU GOT THERE IN YOUR HANDS? 248 00:12:50,857 --> 00:12:52,510 IT'S FOR Y'ALL-- 249 00:12:52,554 --> 00:12:54,512 A WALKING STICK FROM OLD TIMES. 250 00:12:54,556 --> 00:12:56,210 MY MAMA SAYS SLAVE TIMES. 251 00:12:56,253 --> 00:12:58,908 MISS DeLONG WILL BE THRILLED TO SEE THAT. 252 00:12:58,952 --> 00:13:01,215 YOU GOING TO LEAVE THIS WITH US? 253 00:13:01,258 --> 00:13:04,435 IF YOU TAKE CARE OF IT. 254 00:13:04,479 --> 00:13:06,437 I PROMISE WE'LL TAKE CARE OF IT. 255 00:13:06,481 --> 00:13:08,962 UH, LOUISA, DON'T YOU HAVE SCHOOL? 256 00:13:09,005 --> 00:13:10,180 I'LL TAKE YOU. 257 00:13:10,224 --> 00:13:12,835 UH-UH. PEOPLE SEE ME THERE WITH Y'ALL, 258 00:13:12,879 --> 00:13:14,968 THEY THINK I'M IN TROUBLE. 259 00:13:15,011 --> 00:13:17,187 I CAN WALK. BYE. 260 00:13:17,231 --> 00:13:19,233 BYE, LOUISA. 261 00:13:19,276 --> 00:13:21,322 BYE-BYE. 262 00:13:21,365 --> 00:13:22,758 YOU KNOW, THE CONTRACTOR'S AFRAID 263 00:13:22,802 --> 00:13:24,934 THAT THING IS GOING TO STOP THE WORK. 264 00:13:24,978 --> 00:13:26,153 REALLY? 265 00:13:26,196 --> 00:13:28,938 WE HAVE AN ANTHROPOLOGY LAB HERE IN SPARTA? 266 00:13:30,722 --> 00:13:33,421 NO. PEOPLE DON'T CARE ABOUT THAT STUFF, CHIEF. 267 00:13:37,904 --> 00:13:38,818 COME ON. 268 00:13:38,861 --> 00:13:40,820 I'M COMING. 269 00:13:40,863 --> 00:13:44,301 I DON'T KNOW IF HIRING YOU WAS SUCH A GOOD IDEA. 270 00:13:44,345 --> 00:13:46,216 YOU'RE ALWAYS PULLING ME OUT OF THE OFFICE. 271 00:13:46,260 --> 00:13:47,870 YOU DON'T NEED TO BE THERE. 272 00:13:47,914 --> 00:13:49,567 EVERYBODY ELSE DOES THE WORK. 273 00:13:49,611 --> 00:13:52,483 ALL YOU DO IS SIT AROUND AND YELL. 274 00:13:56,444 --> 00:13:57,837 DALE! 275 00:13:58,838 --> 00:14:00,578 GET OVER HERE. 276 00:14:02,537 --> 00:14:03,799 YES, SIR, MR. DAVENPORT. 277 00:14:03,843 --> 00:14:05,409 I'VE BEEN TOLD YOU WERE TALKING 278 00:14:05,453 --> 00:14:07,281 TO THAT BLACK POLITICIAN AND HER FRIENDS TODAY. 279 00:14:07,324 --> 00:14:09,152 THEY ASKED ME TO HELP THEM. 280 00:14:10,371 --> 00:14:13,200 YOU'RE STUPID, BOY... 281 00:14:13,243 --> 00:14:14,897 AND YOU'RE FIRED, TOO. 282 00:14:14,941 --> 00:14:17,769 FIRED? WHAT DID I DO WRONG? 283 00:14:17,813 --> 00:14:19,336 I NEED THIS JOB. 284 00:14:19,380 --> 00:14:20,424 YOU SHOULD HAVE THOUGHT OF THAT. 285 00:14:20,468 --> 00:14:21,904 EVERYBODY COULD LOSE HIS JOB 286 00:14:21,948 --> 00:14:23,558 WHILE THEY SNOOP AROUND. 287 00:14:23,601 --> 00:14:25,255 YOU CAUSED MEN TO BE THROWED OUT OF WORK. 288 00:14:25,299 --> 00:14:27,954 YOU BETTER FIND A JOB IN ANOTHER TOWN. 289 00:14:35,875 --> 00:14:37,354 COME ON. I NEED A LITTLE HELP HERE. 290 00:14:37,398 --> 00:14:38,921 DON'T STAND THERE LOOKING AT THE WORK. 291 00:14:38,965 --> 00:14:42,272 WHAT WORK? I'VE JUST BEEN FIRED. 292 00:14:42,316 --> 00:14:43,795 WHY? 293 00:14:43,839 --> 00:14:46,276 ASK DAVENPORT. 294 00:14:46,320 --> 00:14:47,843 I HOPE A WHOLE ARMY OF PROFESSORS 295 00:14:47,887 --> 00:14:51,020 COME UP HERE AND CLOSE THIS DOWN FOREVER. 296 00:15:00,682 --> 00:15:02,814 "THE STAFF DATES FROM THE MID 1800s 297 00:15:02,858 --> 00:15:04,773 "AND DISPLAYS A TYPICAL 298 00:15:04,816 --> 00:15:06,383 "WEST AFRICAN MOTIF. 299 00:15:06,427 --> 00:15:08,211 "IT WAS PROBABLY MADE 300 00:15:08,255 --> 00:15:09,734 "BY SLAVE CRAFTSMEN. 301 00:15:09,778 --> 00:15:11,171 "THE FRAGMENTS OF POTTERY 302 00:15:11,214 --> 00:15:12,912 "ARE ALSO MADE BY SLAVES." 303 00:15:12,955 --> 00:15:14,957 WHY SHOULD THIS INTEREST THE COURT? 304 00:15:15,001 --> 00:15:19,440 WELL, IT'S SUPPOSED TO BE VALUABLE HISTORIC REMAINS, JUDGE. 305 00:15:19,483 --> 00:15:20,789 WELL, GILLESPIE, 306 00:15:20,832 --> 00:15:23,357 YOU AND I ARE VALUABLE HISTORIC REMAINS. 307 00:15:23,400 --> 00:15:25,141 NOBODY'S STOPPING WORK FOR US. 308 00:15:27,100 --> 00:15:31,365 YOUR HONOR, MATERIAL EVIDENCE OF SLAVERY IS RARE. 309 00:15:31,408 --> 00:15:33,236 BY LAW, I CAN ONLY STOP CONSTRUCTION 310 00:15:33,280 --> 00:15:37,110 FOR RELIGIOUS SITES AND BURIAL GROUNDS. 311 00:15:37,153 --> 00:15:40,461 WELL, WE KNOW THERE WAS A LARGE SLAVE COMMUNITY AT THAT PLANTATION. 312 00:15:40,504 --> 00:15:42,245 THERE HAD TO BE BURIAL GROUNDS. 313 00:15:45,248 --> 00:15:46,510 I'LL ALLOW THAT. 314 00:15:46,554 --> 00:15:48,034 GOOD. GOOD. 315 00:15:48,077 --> 00:15:49,644 YOU HAVE THREE DAYS. 316 00:15:49,687 --> 00:15:51,037 THANK YOU, JUDGE. 317 00:15:51,080 --> 00:15:52,125 YES. 318 00:15:52,168 --> 00:15:53,474 THANK YOU VERY MUCH, YOUR HONOR. 319 00:15:53,517 --> 00:15:54,997 ENJOY YOURSELF. 320 00:16:02,744 --> 00:16:05,965 YOU DID SOME LIVELY TALKING THERE. 321 00:16:06,008 --> 00:16:07,096 I MEANT TO TELL YOU. 322 00:16:07,140 --> 00:16:08,532 I POKED MY NOSE IN SOMEPLACE 323 00:16:08,576 --> 00:16:09,446 WHERE I PROBABLY SHOULDN'T, 324 00:16:09,490 --> 00:16:10,926 BUT I DID IT ANYWAY. 325 00:16:10,970 --> 00:16:13,537 AFTER I SAW DAVENPORT FOOLING WITH THAT CHILD, 326 00:16:13,581 --> 00:16:14,930 I CALLED HER DADDY. 327 00:16:14,974 --> 00:16:17,411 I ASKED HIM IF HE KNEW ALL THAT WAS GOING ON. 328 00:16:18,194 --> 00:16:20,327 AND WHAT DID HE SAY? 329 00:16:20,370 --> 00:16:21,763 HE SAID HE KNEW SHE WAS WORKING 330 00:16:21,806 --> 00:16:23,939 AS DAVENPORT'S SECRETARY. 331 00:16:25,985 --> 00:16:27,421 WELL, THERE YOU GO. 332 00:16:27,464 --> 00:16:29,510 I DON'T THINK THERE WAS ANY HARM IN CALLING HIM UP. 333 00:16:29,553 --> 00:16:32,643 MAYBE MORE PEOPLE SHOULD TAKE THAT KIND OF INTEREST. 334 00:16:32,687 --> 00:16:36,821 SURE CAN'T DO THE RIGHT THING FOR EVERYBODY, CAN YOU? 335 00:16:36,865 --> 00:16:39,520 LIFE IS LIVING WITH FIGHTS AND BATTLES 336 00:16:39,563 --> 00:16:40,738 AND BATTLES AND FIGHTS. 337 00:16:40,782 --> 00:16:42,349 IT MAKES YOU PUNCHY. 338 00:17:00,497 --> 00:17:03,065 LUANN, WHY DON'T YOU HELP THE PROFESSOR GET STARTED 339 00:17:03,109 --> 00:17:05,067 WHILE I BREAK THE BAD NEWS TO DAVENPORT. 340 00:17:05,111 --> 00:17:07,156 WHAT YOU DOING HERE WITH THE POLICE? 341 00:17:08,375 --> 00:17:09,985 YOU A FOOL. 342 00:17:14,381 --> 00:17:17,297 ONLY AUTHORIZED PERSONNEL ARE ALLOWED HERE. 343 00:17:17,340 --> 00:17:19,212 WELL, I THINK A COURT ORDER 344 00:17:19,255 --> 00:17:21,040 IS KIND OF AUTHORIZED, DON'T YOU? 345 00:17:32,834 --> 00:17:34,140 WHAT'S GOING ON, BUBBA? 346 00:17:34,183 --> 00:17:36,533 WE'RE GOING TO SHUT YOU DOWN-- THREE DAYS. 347 00:17:36,577 --> 00:17:38,970 AND WHO HAVE I GOT TO THANK FOR THIS, 348 00:17:39,014 --> 00:17:41,016 MISS HARRIET DeLONG? 349 00:17:41,060 --> 00:17:43,584 NO, DAVENPORT. IT'S A JUDGE'S ORDER. 350 00:17:46,456 --> 00:17:48,719 SO WHY DON'T YOU JUST ROUND YOUR MEN UP HERE... 351 00:17:49,938 --> 00:17:51,592 AND, SHOOT, SEND THEM HOME? 352 00:17:53,811 --> 00:17:55,857 O.K., ANDY, BLUE BUCKET. 353 00:17:55,900 --> 00:17:59,252 TODD, CAREFUL WITH THE INSTRUMENTS. 354 00:17:59,295 --> 00:18:01,210 THIS IS THE SPOT UP HERE? 355 00:18:11,655 --> 00:18:13,266 WHAT'S THAT IDIOT DOING? 356 00:18:13,309 --> 00:18:14,789 HELPING THEM OUT. 357 00:18:14,832 --> 00:18:15,877 HE GOT FIRED, SO HE'S TRYING 358 00:18:15,920 --> 00:18:17,879 TO PUT THE REST OF US OUT OF WORK. 359 00:18:21,230 --> 00:18:23,754 O.K., NOW. LISTEN UP. QUIET. 360 00:18:23,798 --> 00:18:26,496 O.K. THIS IS ONE LOCATION 361 00:18:26,540 --> 00:18:28,150 WE'RE SURE OF. 362 00:18:28,194 --> 00:18:30,761 SO LET'S START SETTING UP. 363 00:18:30,805 --> 00:18:35,026 WE'LL MAP IT AND MAKE A GRID LATER. 364 00:18:35,070 --> 00:18:36,898 O.K., DALE, YOU'RE GOING TO HAVE TO BE 365 00:18:36,941 --> 00:18:38,726 AS SPECIFIC AS POSSIBLE. 366 00:18:38,769 --> 00:18:42,599 EXACTLY HOW WERE THOSE OBJECTS YOU FOUND LYING? 367 00:18:42,643 --> 00:18:45,124 WHAT FACE WAS SHOWING? 368 00:18:57,310 --> 00:19:00,313 I SAID GET OFF THAT MACHINE! 369 00:19:09,887 --> 00:19:11,367 CUT IT! 370 00:19:17,808 --> 00:19:19,027 GET OFF OF THERE! 371 00:19:19,070 --> 00:19:20,463 GO! 372 00:19:24,598 --> 00:19:26,077 NOW, YOU LOOK HERE. 373 00:19:26,121 --> 00:19:27,427 WHEN AN OFFICER SAYS FOR YOU TO STOP, 374 00:19:27,470 --> 00:19:29,255 YOU STOP! YOU GOT THAT? 375 00:19:32,083 --> 00:19:32,997 GO ON. 376 00:19:33,041 --> 00:19:34,651 GET OUT OF HERE. 377 00:19:34,695 --> 00:19:36,131 GET OUT OF HERE BEFORE YOU'RE TEMPTED 378 00:19:36,175 --> 00:19:37,350 TO MAKE SOME MORE TROUBLE. 379 00:19:37,393 --> 00:19:39,613 GO ON! GO ON! 380 00:19:57,935 --> 00:19:59,589 WELL, I'M NOT SURPRISED. 381 00:19:59,633 --> 00:20:02,113 I WAS IN THAT OFFICE FOR OVER 30 YEARS. 382 00:20:02,157 --> 00:20:04,246 YOU'LL PROBABLY BE FINDING OTHER THINGS 383 00:20:04,290 --> 00:20:06,248 AS TIME GOES BY. 384 00:20:06,292 --> 00:20:07,641 THANKS FOR BRINGING THESE. 385 00:20:07,684 --> 00:20:08,816 OH, THAT'S ALL RIGHT. 386 00:20:08,859 --> 00:20:11,558 GAVE ME AN EXCUSE TO COME SEE YOUR SETUP. 387 00:20:11,601 --> 00:20:13,734 WELL, IT'S KIND OF LIKE ME, YOU KNOW. 388 00:20:13,777 --> 00:20:15,910 IT'S OLD ON THE OUTSIDE 389 00:20:15,953 --> 00:20:17,912 AND REMODELED ON THE INSIDE... 390 00:20:17,955 --> 00:20:20,567 I TRUST. 391 00:20:20,610 --> 00:20:24,353 SHERIFF GILLESPIE, I SURE NEED TO TALK TO YOU. 392 00:20:24,397 --> 00:20:26,181 YOU'RE GOING TO HAVE TO EXCUSE ME. 393 00:20:26,225 --> 00:20:28,096 I REALLY DON'T CARE MUCH FOR THIS MAN. 394 00:20:28,139 --> 00:20:30,751 WELL, WELL, HOW ARE YOU DOING? 395 00:20:30,794 --> 00:20:32,927 HELLO, SHERIFF. 396 00:20:32,970 --> 00:20:35,756 I KNOW THAT YOU AND... 397 00:20:35,799 --> 00:20:39,194 WELL, WOULD YOU TALK TO HARRIET DeLONG FOR ME? 398 00:20:39,238 --> 00:20:40,369 THE SITUATION AT MY PLACE 399 00:20:40,413 --> 00:20:42,763 IS COSTING MY PARTNERS AND ME A FORTUNE. 400 00:20:46,680 --> 00:20:47,985 WELL, WHAT IS IT 401 00:20:48,029 --> 00:20:49,944 YOU WANT ME TO SAY TO HER? 402 00:20:49,987 --> 00:20:52,686 WELL, I DON'T KNOW. 403 00:20:52,729 --> 00:20:54,340 I DON'T UNDERSTAND IT. 404 00:20:54,383 --> 00:20:57,691 WHEN ARE BLACK PEOPLE GOING TO STOP LOOKING TO THE PAST? 405 00:20:57,734 --> 00:20:59,170 I'M PROVIDING A FUTURE. 406 00:20:59,214 --> 00:21:02,565 I'M CREATING JOBS AND MONEY IN THIS TOWN. 407 00:21:02,609 --> 00:21:05,089 WELL, WHAT I DON'T UNDERSTAND, DAVENPORT, 408 00:21:05,133 --> 00:21:09,006 IS WHY Y'ALL CAN'T DO THE TWO THINGS AT THE SAME TIME. 409 00:21:09,050 --> 00:21:10,660 WELL, COSTS, GILLESPIE. 410 00:21:10,704 --> 00:21:12,575 COSTS. 411 00:21:12,619 --> 00:21:14,534 LONNIE JAMISON, WERE YOU GOING TO DRIVE WAY 412 00:21:14,577 --> 00:21:16,057 WITHOUT SAYING HI? 413 00:21:16,100 --> 00:21:17,841 I'M SORRY, CINDY. HOW ARE YOU DOING? 414 00:21:17,885 --> 00:21:19,408 FINE. YOU? 415 00:21:19,452 --> 00:21:20,627 HOW'S SCHOOL? 416 00:21:20,670 --> 00:21:21,715 I FINISHED SCHOOL. 417 00:21:21,758 --> 00:21:23,630 I JUST SAW YOU THERE A WEEK AGO. 418 00:21:23,673 --> 00:21:27,155 I GRADUATED MYSELF. GET IT? 419 00:21:27,198 --> 00:21:28,548 YEAH, I RECKON. 420 00:21:28,591 --> 00:21:30,027 I ALREADY GOT A JOB. 421 00:21:30,071 --> 00:21:31,768 I'M WORKING FOR DAVENPORT. 422 00:21:31,812 --> 00:21:33,509 HE'S MY BOYFRIEND, TOO. 423 00:21:33,553 --> 00:21:36,730 WHAT'S YOUR DADDY GOING TO THINK ABOUT THAT? 424 00:21:36,773 --> 00:21:39,167 HE DOESN'T WANT ME TO DATE ANYBODY. 425 00:21:39,210 --> 00:21:41,212 HE'S A WEIRDO. IT DON'T MATTER WHAT HE THINKS. 426 00:21:41,256 --> 00:21:43,650 WELL, WHY ARE YOU TELLING ME THIS, CINDY? 427 00:21:43,693 --> 00:21:45,304 BECAUSE IT'S FUN TELLING YOU, 428 00:21:45,347 --> 00:21:47,306 WATCHING YOU GET MAD. 429 00:22:00,536 --> 00:22:02,538 HEARD THE TOWN PUT YOU OUT OF WORK 430 00:22:02,582 --> 00:22:04,801 SO THEY COULD DIG UP OLD CROCK. 431 00:22:04,845 --> 00:22:08,065 NO. MY BOSS FIRED ME 432 00:22:08,109 --> 00:22:09,023 FOR FINDING THAT STUFF 433 00:22:09,066 --> 00:22:10,329 IN THE FIRST PLACE, MAN. 434 00:22:10,372 --> 00:22:12,287 I HEARD DIFFERENT. 435 00:22:12,331 --> 00:22:15,377 I HEARD YOU MADE TROUBLE IN THE FIRST PLACE. 436 00:22:15,421 --> 00:22:16,813 THE COUNCILWOMAN ASKED ME 437 00:22:16,857 --> 00:22:18,641 IF I FOUND ANYTHING. 438 00:22:18,685 --> 00:22:21,644 WHAT WAS I SUPPOSED TO DO, LIE TO HER? 439 00:22:21,688 --> 00:22:23,211 YEAH, THAT'S RIGHT. 440 00:22:23,254 --> 00:22:25,735 WHATEVER YOU FOUND, YOU SHOULD HAVE THROWED AWAY. 441 00:22:25,779 --> 00:22:28,869 WHAT I DID WAS RIGHT, 442 00:22:28,912 --> 00:22:30,261 AND WHAT I FOUND-- 443 00:22:30,305 --> 00:22:31,524 KEEP IT TO YOURSELF, KID. 444 00:22:31,567 --> 00:22:33,874 CAN'T YOU SEE THAT NOBODY WANTS TO HEAR THAT? 445 00:23:07,342 --> 00:23:09,779 YOU EVER HEAR OF WORKER'S SOLIDARITY? 446 00:23:09,823 --> 00:23:11,346 THIS IS FOR DAVENPORT 447 00:23:11,390 --> 00:23:13,043 AND THE REST OF US. 448 00:23:30,409 --> 00:23:34,021 PERSONALLY, I DO BETTER STAYING OUT OF COMMUNITY STUFF. 449 00:23:34,064 --> 00:23:35,501 STAYING ALOOF? 450 00:23:35,544 --> 00:23:37,328 I HOPE NOT... 451 00:23:37,372 --> 00:23:39,330 BUT APART. 452 00:23:39,374 --> 00:23:42,464 IF PEOPLE SEE ME AS JUST A DOCTOR, 453 00:23:42,508 --> 00:23:46,250 THEN THEY COME TO ME WITH MORE CONFIDENCE, NOT LESS. 454 00:23:46,294 --> 00:23:48,601 THEY DON'T SEE ME MAKING SOCIAL MISTAKES-- 455 00:23:48,644 --> 00:23:51,517 SAYING SILLY THINGS AND LOSING MY COOL. 456 00:23:51,560 --> 00:23:54,345 THEN THEY NEVER SEE YOU AS A HUMAN BEING. 457 00:23:54,389 --> 00:23:57,131 BUT I DON'T THINK THEY WANT TO. 458 00:23:57,174 --> 00:24:00,047 THEY WANT TO SEE A DOCTOR, NOT A NEIGHBOR. 459 00:24:01,396 --> 00:24:04,834 AND WHAT KIND OF COP DO THEY WANT TO SEE? 460 00:24:04,878 --> 00:24:07,533 MOSTLY THEY DON'T WANT TO SEE ANY KIND OF COP. 461 00:24:07,576 --> 00:24:09,796 EXCUSE ME. ARE YOU THE POLICE CHIEF? 462 00:24:09,839 --> 00:24:11,754 THAT'S RIGHT. 463 00:24:11,798 --> 00:24:13,190 I'M GUS JENK. 464 00:24:13,234 --> 00:24:15,279 HOW DO YOU GO ABOUT PROTECTING A MINOR GIRL CHILD 465 00:24:15,323 --> 00:24:17,673 FROM THE ADVANCES OF AN OLDER MAN? 466 00:24:20,241 --> 00:24:21,938 YOU WANT TO COME BY MY OFFICE IN THE MORNING? 467 00:24:21,982 --> 00:24:25,115 NO. I'D LIKE A SHORT ANSWER RIGHT NOW, PLEASE. 468 00:24:26,073 --> 00:24:28,858 O.K. YOU GET A COURT ORDER 469 00:24:28,902 --> 00:24:31,382 TELLING THE MAN TO STAY AWAY FROM THE GIRL. 470 00:24:31,426 --> 00:24:33,080 IF THE MAN DOESN'T OBEY THE ORDER, 471 00:24:33,123 --> 00:24:34,777 HE CAN BE ARRESTED, JAILED. 472 00:24:34,821 --> 00:24:36,257 UH-HUH. 473 00:24:37,954 --> 00:24:39,521 YOU WANT TO SIT DOWN, MR. JENK? 474 00:24:39,565 --> 00:24:43,177 NO. I DON'T WANT TO SPOIL YOUR EVENING. 475 00:24:43,220 --> 00:24:44,483 MR. JENK, 476 00:24:45,396 --> 00:24:46,789 IS THE GIRL YOUR DAUGHTER? 477 00:24:48,574 --> 00:24:51,272 YES. I'M SORRY TO SAY SHE IS MY DAUGHTER. 478 00:24:52,578 --> 00:24:54,101 WHEN WAS THE FIRST TIME 479 00:24:54,144 --> 00:24:55,798 SHE COMPLAINED ABOUT THIS MAN? 480 00:24:55,842 --> 00:24:58,322 SHE AIN'T EXACTLY COMPLAINED. SHE'S STUPID. 481 00:24:59,759 --> 00:25:01,630 WELL, HI, GUS. HOW YOU DOING? 482 00:25:01,674 --> 00:25:03,545 BILL. 483 00:25:03,589 --> 00:25:05,765 COULD BE DOING A LOT BETTER. 484 00:25:05,808 --> 00:25:06,896 EVENING, MISS DeLONG. 485 00:25:06,940 --> 00:25:08,724 I WANT TO THANK YOU FOR YOUR PHONE CALL, 486 00:25:08,768 --> 00:25:10,552 TAKING AN INTEREST IN MY CHILD. 487 00:25:10,596 --> 00:25:13,076 THE LAW CAN'T HELP ME. 488 00:25:13,120 --> 00:25:15,035 THE LAW CAN AND WILL HELP. 489 00:25:15,078 --> 00:25:17,516 NOT IN ANY WAY THAT WOULD HELP ME. 490 00:25:23,652 --> 00:25:25,436 Y'ALL KNOW GUS, CHIEF? 491 00:25:25,480 --> 00:25:26,568 [BILL] WELL. 492 00:25:26,612 --> 00:25:27,874 QUITE WELL. 493 00:25:27,917 --> 00:25:29,484 HE'S THE FATHER OF THE GIRL WE SAW 494 00:25:29,528 --> 00:25:32,487 MUNCHING ON FRANK DAVENPORT'S NECK. 495 00:25:34,794 --> 00:25:36,752 OH, I SEE. 496 00:25:36,796 --> 00:25:38,928 THE GIRL WAS NOT AN UNWILLING PARTNER. 497 00:25:38,972 --> 00:25:42,584 SHE'S ABOUT AS UNWILLING AS SALOME WAS. 498 00:25:46,893 --> 00:25:48,459 [TELEPHONE RINGS] 499 00:25:49,504 --> 00:25:50,853 [DEE] SPARTA POLICE DEPARTMENT. 500 00:25:50,897 --> 00:25:52,072 YES, SIR. 501 00:25:52,115 --> 00:25:53,595 WHAT'S THE ADDRESS? 502 00:25:55,554 --> 00:25:57,599 IS THAT YOUR HOME? 503 00:25:57,643 --> 00:25:58,731 ALL RIGHT, SIR. 504 00:25:58,774 --> 00:26:00,559 WE'LL SEND SOMEONE OUT THERE RIGHT AWAY. 505 00:26:02,604 --> 00:26:04,040 THERE'S A MAN DISTURBING THE PEACE 506 00:26:04,084 --> 00:26:06,521 OUT AT 114 LAUREL ROAD. 507 00:26:06,565 --> 00:26:09,089 GET OUT HERE, DAVENPORT! 508 00:26:09,132 --> 00:26:10,743 YOU WANT A PIECE OF ME? 509 00:26:10,786 --> 00:26:12,658 THEN FIGHT ME YOURSELF! 510 00:26:13,397 --> 00:26:14,834 COME ON! 511 00:26:16,836 --> 00:26:18,054 FIGHT ME YOURSELF! 512 00:26:18,098 --> 00:26:19,969 SHOW ME HOW TOUGH YOU ARE! 513 00:26:20,753 --> 00:26:21,841 I'M RIGHT HERE, MAN! 514 00:26:21,884 --> 00:26:23,190 HEY! 515 00:26:26,019 --> 00:26:27,063 WHAT'S YOUR NAME, SON? 516 00:26:27,107 --> 00:26:28,935 DALE. 517 00:26:28,978 --> 00:26:30,327 WHAT HAPPENED TO YOUR FACE? 518 00:26:31,459 --> 00:26:34,288 TWO GUYS JUMPED ME OUTSIDE A BAR. 519 00:26:34,331 --> 00:26:36,638 THEY WERE DAVENPORT'S MEN. 520 00:26:36,682 --> 00:26:38,292 WELL, YOU'RE GOING TO HAVE TO SETTLE DOWN 521 00:26:38,335 --> 00:26:40,642 'CAUSE I CAN'T LET YOU KEEP DOING THIS. 522 00:26:40,686 --> 00:26:42,209 IT WAS HIS MEN. 523 00:26:42,252 --> 00:26:43,645 THEY TOLD ME THEY WAS WHUPPING ME 524 00:26:43,689 --> 00:26:46,866 BECAUSE I WASN'T LOYAL TO HIM. 525 00:26:48,737 --> 00:26:50,696 AND WHO WERE THESE MEN? 526 00:26:50,739 --> 00:26:52,001 I DON'T KNOW. 527 00:26:52,045 --> 00:26:53,960 THEY BAGGED MY FACE BEFORE THEY STARTED ON ME. 528 00:26:54,003 --> 00:26:55,483 SO YOU NEVER SAW THEM. 529 00:27:08,801 --> 00:27:10,803 HAVE YOU GONE OUT OF YOUR HEAD? 530 00:27:10,846 --> 00:27:12,718 WHAT ARE YOU DOING SCREAMING THREATS AT ME? 531 00:27:12,761 --> 00:27:14,023 WHOA! NO. 532 00:27:14,067 --> 00:27:17,070 GET OFF ME! I GOT SOMETHING TO SETTLE. 533 00:27:17,113 --> 00:27:18,419 IT AIN'T YOUR BUSINESS. 534 00:27:18,462 --> 00:27:20,900 THE WAY YOU'RE GOING ABOUT IT IS MY BUSINESS. 535 00:27:23,729 --> 00:27:26,688 DAVENPORT, THIS FELLA SAID YOUR MEN BEAT HIM UP. 536 00:27:26,732 --> 00:27:27,776 HE'S A LIAR. 537 00:27:27,820 --> 00:27:29,473 THE GUYS NAMED YOU! 538 00:27:29,517 --> 00:27:30,649 WHATCHA KNOW ABOUT IT? 539 00:27:30,692 --> 00:27:32,651 NOTHING. I CAN'T BE HELD RESPONSIBLE 540 00:27:32,694 --> 00:27:35,479 EVERY TIME SOMEBODY MENTIONS MY NAME. 541 00:27:35,523 --> 00:27:37,133 I BEEN HOME ALL NIGHT. 542 00:27:38,613 --> 00:27:39,919 THIS AIN'T GOING TO GET SETTLED NOW, 543 00:27:39,962 --> 00:27:41,311 AND YOU NEED A DOCTOR. 544 00:27:41,355 --> 00:27:42,835 [BUBBA] LOOK, OFFICER EVERETT'S RIGHT. 545 00:27:42,878 --> 00:27:46,055 AND AFTER THAT, WE'LL GO HUNTING FOR WITNESSES. O.K.? 546 00:27:46,099 --> 00:27:48,014 THERE WERE NO WITNESSES. 547 00:27:48,884 --> 00:27:50,625 HE SET IT UP THAT WAY. 548 00:27:52,148 --> 00:27:54,281 I AIN'T GOING TO HAVE TO TAKE YOU IN, AM I? 549 00:27:54,324 --> 00:27:56,109 NO. I'LL LEAVE. 550 00:27:56,152 --> 00:27:58,241 LET US TAKE YOU TO THE HOSPITAL. 551 00:27:58,285 --> 00:28:00,853 I'LL TAKE CARE OF MYSELF. 552 00:28:00,896 --> 00:28:03,290 AND LATER... 553 00:28:03,333 --> 00:28:06,119 I'M GOING TO TAKE CARE OF YOU, TOO, DAVENPORT. 554 00:28:06,162 --> 00:28:07,686 YOU COWARD. 555 00:28:45,419 --> 00:28:47,769 CINDY, HURRY UP! 556 00:28:51,991 --> 00:28:53,470 HURRY UP, CINDY! 557 00:28:54,297 --> 00:28:56,082 [HONK HONK HONK] 558 00:28:59,650 --> 00:29:01,478 CINDY! 559 00:29:01,522 --> 00:29:03,132 CINDY, WILL YOU HURRY UP? 560 00:29:03,176 --> 00:29:06,483 CINDY, YOU'RE GOING TO MAKE ME LATE AGAIN. 561 00:29:06,527 --> 00:29:08,181 I'M SORRY. 562 00:29:30,029 --> 00:29:32,988 PROFESSOR HUDSON HAS FOUND LOTS OF ARTIFACTS. 563 00:29:33,032 --> 00:29:34,642 HE JUST NEEDS MORE TIME. 564 00:29:34,685 --> 00:29:37,514 I'M AGAINST ASKING FOR AN EXTENSION. 565 00:29:37,558 --> 00:29:39,647 THE FIRST ORDER WAS TO LOOK FOR A BURIAL GROUND. 566 00:29:39,690 --> 00:29:42,084 WE COULDN'T FIND ONE. 567 00:29:42,128 --> 00:29:44,826 SO WE HAVE TO DESIGNATE THE AREA HISTORICALLY SIGNIFICANT. 568 00:29:44,870 --> 00:29:47,524 THAT WOULD GIVE US 180 DAYS TO EXCAVATE. 569 00:29:47,568 --> 00:29:49,396 I'M WORRIED DAVENPORT MIGHT ABANDON THE PROJECT 570 00:29:49,439 --> 00:29:51,441 IF HE GETS MORE OPPOSITION. 571 00:29:51,485 --> 00:29:52,834 IF WE SET THIS PRECEDENT, 572 00:29:52,878 --> 00:29:56,185 IT COULD DISCOURAGE BUSINESSES FROM COMING HERE. 573 00:29:56,229 --> 00:29:57,447 I SAY NO. 574 00:29:57,491 --> 00:29:59,710 I'VE HEARD THIS ARGUMENT. 575 00:29:59,754 --> 00:30:01,800 I SYMPATHIZE WITH THE BUILDER, 576 00:30:01,843 --> 00:30:04,280 BUT BUSINESS VALUES CAN'T BE OUR ONLY CONSIDERATION. 577 00:30:04,324 --> 00:30:06,369 THERE'S ALSO HISTORICAL VALUE. 578 00:30:06,413 --> 00:30:07,675 THERE'S CULTURAL VALUE. 579 00:30:07,718 --> 00:30:10,547 I'VE HEARD THESE ARGUMENTS. I MOVE TO VOTE. 580 00:30:10,591 --> 00:30:12,158 SECOND. 581 00:30:26,868 --> 00:30:27,826 DIDN'T GO TOO WELL? 582 00:30:27,869 --> 00:30:28,827 THEY VOTED AGAINST IT. 583 00:30:28,870 --> 00:30:30,872 THEY START BULLDOZING TOMORROW. 584 00:30:30,916 --> 00:30:32,569 OH, I'M SORRY, HARRIET. 585 00:30:32,613 --> 00:30:33,875 CAN YOU BELIEVE IT? 586 00:30:33,919 --> 00:30:35,790 YES. FRANKLY, I CAN. 587 00:30:35,834 --> 00:30:37,879 TIMES ARE HARD. PEOPLE WANT TO WORK. 588 00:30:37,923 --> 00:30:39,446 THE COUNCIL KNOWS THAT. 589 00:30:39,489 --> 00:30:42,579 BUT THEY SHOULD KNOW LIFE IS MADE OF MANY ELEMENTS. 590 00:30:42,623 --> 00:30:44,320 WORK IS JUST ONE OF THEM. 591 00:30:44,364 --> 00:30:45,974 YOU COULD BE WRONG. 592 00:30:46,018 --> 00:30:50,544 MAYBE, BUT THAT IS THE WAY I FEEL. 593 00:30:50,587 --> 00:30:54,896 WELL, I'VE JUST BEEN WAITING HERE TO FIND OUT 594 00:30:54,940 --> 00:30:56,332 ABOUT DINNER. 595 00:30:56,376 --> 00:30:58,421 I'M SORRY, BILL. I CAN'T. 596 00:30:58,465 --> 00:31:00,032 I GOT TO GET US SOME MORE TIME. 597 00:31:00,075 --> 00:31:02,861 I'M GOING TO FAX EVERY HISTORICAL COMMITTEE 598 00:31:02,904 --> 00:31:05,211 AND BLACK CIVIC GROUP I KNOW. 599 00:31:05,254 --> 00:31:07,300 CAN'T YOU TRY ONE MORE TIME 600 00:31:07,343 --> 00:31:10,390 TO REACH SOME KIND OF COMPROMISE WITH DAVENPORT? 601 00:31:10,433 --> 00:31:12,044 HE WON'T COMPROMISE. 602 00:31:12,087 --> 00:31:15,351 AND I HAVE TO DO WHAT I HAVE TO DO. 603 00:31:15,395 --> 00:31:18,746 BILL, I DIDN'T LEARN ANY BLACK HISTORY 604 00:31:18,789 --> 00:31:20,617 UNTIL I GOT TO COLLEGE 605 00:31:20,661 --> 00:31:22,663 BECAUSE IT WASN'T CONSIDERED IMPORTANT. 606 00:31:22,706 --> 00:31:24,447 IT'S 25 YEARS LATER, 607 00:31:24,491 --> 00:31:26,972 AND IT'S STILL NOT CONSIDERED IMPORTANT. 608 00:31:28,190 --> 00:31:29,931 I'LL TALK TO YOU LATER. 609 00:31:43,336 --> 00:31:45,294 YEAH, I'LL CALL YOU BACK IN A LITTLE WHILE. 610 00:31:57,611 --> 00:31:59,265 EXCAVATION WITH A SPOON. 611 00:31:59,308 --> 00:32:01,789 THIS IS GOING TO TAKE A WHILE. 612 00:32:01,832 --> 00:32:04,009 LOOKING FOR TINY FRAGMENTS... 613 00:32:05,749 --> 00:32:07,926 NO COMMENT, ALL RIGHT? 614 00:32:10,450 --> 00:32:11,886 HEY, BILL. 615 00:32:11,930 --> 00:32:13,192 WELL. 616 00:32:14,236 --> 00:32:16,760 ALL IS SERENE, I TRUST. 617 00:32:16,804 --> 00:32:18,806 YEAH, I'M HAPPY TO SAY. 618 00:32:22,244 --> 00:32:23,767 HEY, THAT LOOKS LIKE A LOT OF FUN, 619 00:32:23,811 --> 00:32:25,639 DON'T IT, BOBBY? 620 00:32:25,682 --> 00:32:27,989 LOOKS BORING. 621 00:32:28,033 --> 00:32:32,385 LISTEN, THERE'S A STORY BEHIND EVERY LITTLE PIECE THEY FIND. 622 00:32:32,428 --> 00:32:33,516 THE INTERESTING PART IS LATER 623 00:32:33,560 --> 00:32:36,998 WHEN THEY TELL US WHAT IT ALL MEANS. 624 00:32:37,042 --> 00:32:39,087 LET ME SEE. OH, THAT'S GREAT. 625 00:32:39,131 --> 00:32:40,784 THANK YOU. 626 00:32:46,921 --> 00:32:50,055 HEY, GUYS, THESE ARE FURNACE CLAMPS. 627 00:32:51,273 --> 00:32:53,580 EARLIER WE FOUND CANDLE MOLDS AND LADLES. 628 00:32:53,623 --> 00:32:55,582 THEY'RE ALL MADE BY SLAVES. 629 00:32:55,625 --> 00:32:59,020 SEE, PLANTATIONS HAD TO BE AS SELF-SUFFICIENT AS POSSIBLE, 630 00:32:59,064 --> 00:33:02,502 AND IT TOOK A LOT OF HIGHLY SKILLED PEOPLE TO RUN ONE. 631 00:33:16,472 --> 00:33:17,734 YEAH, WHAT DO YOU WANT? 632 00:33:17,778 --> 00:33:18,953 WHERE'S DAVENPORT? 633 00:33:18,997 --> 00:33:20,520 AIN'T HERE. WHERE IS HE? 634 00:33:20,563 --> 00:33:21,956 I DON'T KNOW. 635 00:33:22,000 --> 00:33:25,568 TELL ME OR I'LL BREAK EVERY BONE IN YOUR FACE. 636 00:33:25,612 --> 00:33:27,396 I THINK HE WENT HOME. 637 00:33:28,876 --> 00:33:31,357 BETTER NOT BOTHER HIM. HE'S WITH HIS GIRL. 638 00:33:31,400 --> 00:33:34,012 HE'D SOON KILL YOU AS LOOK AT YOU. 639 00:33:34,055 --> 00:33:36,101 [STARTS ENGINE] 640 00:33:58,210 --> 00:33:59,863 [DOORBELL] 641 00:34:00,951 --> 00:34:02,388 IS THAT THE DOORBELL? 642 00:34:02,431 --> 00:34:04,433 YES. THAT'S BECAUSE YOU TOOK THE PHONE OFF THE HOOK. 643 00:34:04,477 --> 00:34:08,089 I TOLD YOU SOMEONE WANTS YOU REAL BAD. 644 00:34:08,133 --> 00:34:09,786 IF THAT'S DALE AGAIN, 645 00:34:09,830 --> 00:34:12,441 HE'S GOING TO GET HIS BUTT KICKED. 646 00:34:12,485 --> 00:34:14,226 SHOULD I PUT THE PHONE BACK ON THE HOOK? 647 00:34:14,269 --> 00:34:16,445 THROW THE PHONE OUT THE WINDOW. 648 00:34:21,581 --> 00:34:23,626 [DING-DONG, DING-DONG] 649 00:34:33,767 --> 00:34:35,812 OH, MY GOD. 650 00:34:35,856 --> 00:34:38,206 THIS IS SUCH AN IGNORANT THING TO DO. 651 00:34:38,250 --> 00:34:41,340 I WANT MY DAUGHTER. 652 00:34:41,383 --> 00:34:43,559 THIS IS IN SUCH BAD TASTE. 653 00:34:43,603 --> 00:34:45,909 GET CINDY. 654 00:34:45,953 --> 00:34:47,650 SHE DOESN'T WANT TO SEE YOU, DAD. 655 00:34:47,694 --> 00:34:50,262 SHE FINDS YOU DISGUSTING. 656 00:34:50,305 --> 00:34:52,699 I COME TO TAKE HER HOME. 657 00:34:53,569 --> 00:34:55,267 WHY? 658 00:34:55,310 --> 00:34:57,095 WHAT DO YOU WANT TO DO WITH HER? 659 00:35:04,798 --> 00:35:06,887 AAH! 660 00:35:38,745 --> 00:35:41,530 PARAMEDICS ARE WORKING ON MR. DAVENPORT NOW, CHIEF. 661 00:35:57,111 --> 00:36:00,419 REALLY LOOKS LIKE HE WAS ENTERTAINING COMPANY. 662 00:36:00,462 --> 00:36:02,508 LONNIE THINKS HE KNOWS WHO IT IS. 663 00:36:02,551 --> 00:36:04,162 GIRL NAMED CINDY JENK. 664 00:36:04,205 --> 00:36:05,685 UNDERAGE GIRL? 665 00:36:05,728 --> 00:36:06,947 JUST TURNED 17. 666 00:36:06,990 --> 00:36:08,775 I THINK HER FATHER GUS DID IT. 667 00:36:08,818 --> 00:36:10,168 I SAW HIM LOOKING FOR DAVENPORT. 668 00:36:10,211 --> 00:36:11,473 I SHOULD'VE STOPPED HIM. 669 00:36:11,517 --> 00:36:14,346 BUT THAT KID DALE MIGHT'VE DONE IT. 670 00:36:14,389 --> 00:36:17,262 HE THREATENED DAVENPORT IN FRONT OF ME. 671 00:36:17,305 --> 00:36:18,698 DALE'S NOT THE TYPE. 672 00:36:18,741 --> 00:36:20,308 IS GUS JENK THE TYPE? 673 00:36:20,352 --> 00:36:23,093 OH, YEAH. HE IS THE TYPE DELUXE. 674 00:36:25,487 --> 00:36:28,490 LET'S PICK UP GUS JENK, AND LET'S PICK UP DALE, TOO. 675 00:36:28,534 --> 00:36:30,492 YES, SIR. YES, SIR. 676 00:37:01,567 --> 00:37:02,872 WHAT'S UP? 677 00:37:02,916 --> 00:37:04,787 DALE, YOU GOT TO COME DOWN TO THE STATION. 678 00:37:04,831 --> 00:37:06,224 WHY? 679 00:37:06,267 --> 00:37:08,051 WHAT TIME IS IT? 680 00:37:08,095 --> 00:37:10,053 YOUR BOSS HAS BEEN SHOT. GET SOME CLOTHES ON. 681 00:37:10,097 --> 00:37:11,446 COVEY, STAY WITH HIM. 682 00:37:11,490 --> 00:37:13,970 GO AHEAD. I'M RIGHT WITH YOU. 683 00:37:24,633 --> 00:37:26,287 GUS JENK! 684 00:37:37,385 --> 00:37:38,908 POLICE, JENK. 685 00:38:10,244 --> 00:38:11,463 HEY, YOU FIND ANYTHING? 686 00:38:11,506 --> 00:38:13,334 NOTHING HERE. 687 00:38:13,378 --> 00:38:15,423 PARKER, YOU THERE? 688 00:38:15,467 --> 00:38:16,729 GO AHEAD, BUBBA. 689 00:38:16,772 --> 00:38:20,036 OLD GUS AIN'T HERE. BETTER PUT OUT AN APB. 690 00:38:22,735 --> 00:38:24,780 YOU MAKE ANY CALLS FROM HOME? 691 00:38:24,824 --> 00:38:26,608 NO. WHY? 692 00:38:26,652 --> 00:38:29,263 MAYBE YOU GOT AN ALIBI. 693 00:38:29,307 --> 00:38:31,352 I HOPE YOU HAVE. 694 00:38:31,396 --> 00:38:33,746 HOW CAN I SHOOT ANYBODY WHEN I WAS ASLEEP? 695 00:38:35,095 --> 00:38:36,749 EVERYBODY WANTS TO BELIEVE YOU, DALE, 696 00:38:36,792 --> 00:38:40,274 BUT A POLICE OFFICER SAW YOU GOING AFTER DAVENPORT. 697 00:38:47,107 --> 00:38:50,153 WE PICKED UP YOUR APB ON JENK. 698 00:38:50,197 --> 00:38:53,983 I'VE GOT A COUPLE OF CARS PATROLLING THE COUNTY LINE. 699 00:38:54,027 --> 00:38:57,247 THAT BOY DALE DEFINITELY DIDN'T DO IT. 700 00:38:57,291 --> 00:38:58,988 NOW WHERE'D Y'ALL PICK HIM UP? 701 00:38:59,032 --> 00:39:01,382 HE WAS AT HOME. COVEY AND I GOT HIM. 702 00:39:01,426 --> 00:39:04,559 DALE LIVES ON THE OTHER SIDE OF TOWN FROM DAVENPORT. 703 00:39:04,603 --> 00:39:08,389 I CHECKED HIS CAR. HIS ENGINE WAS COLD. 704 00:39:08,433 --> 00:39:10,043 COULD HE HAVE GOTTEN THERE ANY OTHER WAY? 705 00:39:10,086 --> 00:39:12,785 SURE. I JUST THINK HE'S INNOCENT. 706 00:39:12,828 --> 00:39:15,048 HE'S REAL INNOCENT, CHIEF. 707 00:39:16,615 --> 00:39:18,225 ALL RIGHT. 708 00:39:18,268 --> 00:39:20,488 THE MAN I WANT TO SEE NOW IS GUS JENK. 709 00:39:20,532 --> 00:39:23,752 DR. LANGLEY, EXTENSION 22, PLEASE. 710 00:39:47,776 --> 00:39:49,822 EVEN IF DAVENPORT COMES TO, 711 00:39:49,865 --> 00:39:51,563 HE ISN'T GOING TO BE ABLE TO TALK TO YOU. 712 00:39:51,606 --> 00:39:54,043 I JUST FEEL I OUGHT TO BE HERE. 713 00:39:56,524 --> 00:39:58,221 WHERE'S CINDY JENK? 714 00:39:59,962 --> 00:40:01,442 THE FACT THAT SHE ISN'T HERE 715 00:40:01,486 --> 00:40:05,315 MAKES US THINK SHE MUST BE WITH HER DADDY, 716 00:40:05,359 --> 00:40:07,405 THOUGH NOT BY CHOICE. 717 00:40:08,884 --> 00:40:10,930 BOY, WHEN DAVENPORT RECOVERS, 718 00:40:10,973 --> 00:40:13,236 I'M GOING TO TRY VERY HARD TO NEGOTIATE WITH HIM 719 00:40:13,280 --> 00:40:15,500 LIKE YOU SUGGESTED. 720 00:40:15,543 --> 00:40:17,240 MISS DeLONG? 721 00:40:17,850 --> 00:40:19,286 YES. 722 00:40:19,329 --> 00:40:22,245 I'M SORRY. THE PATIENT DIDN'T MAKE IT. 723 00:40:23,116 --> 00:40:24,509 THANK YOU. 724 00:40:53,276 --> 00:40:54,452 COME ON. 725 00:40:54,495 --> 00:40:56,366 I DON'T WANT TO. PLEASE LEAVE ME HERE. 726 00:40:56,410 --> 00:40:58,020 LEAVE ME ALONE. 727 00:40:58,064 --> 00:41:00,196 I'LL LEAVE YOU HERE WITH A BULLET IN YOUR HEAD! 728 00:41:00,240 --> 00:41:01,807 NOW, COME ON! 729 00:41:03,548 --> 00:41:05,158 YOU'RE SURE IT'S NOT A HUSBAND AND WIFE? 730 00:41:05,201 --> 00:41:07,377 NO. FATHER AND DAUGHTER. 731 00:41:07,421 --> 00:41:09,728 AND JUST LIKE THAT DESCRIPTION Y'ALL PUT OUT. 732 00:41:09,771 --> 00:41:10,903 WHAT KIND OF CAR? 733 00:41:10,946 --> 00:41:13,949 PONTIAC SEDAN, MAROON, NOT TOO OLD. 734 00:41:13,993 --> 00:41:15,690 YOU GO OUT FRONT. I'LL COVER THE BACK. 735 00:41:15,734 --> 00:41:17,518 THANK YOU. 736 00:41:17,562 --> 00:41:18,737 STOP THAT. 737 00:41:18,780 --> 00:41:19,738 GET YOUR HANDS OFF. 738 00:41:19,781 --> 00:41:21,130 I'M SICK OF YOUR HANDS ON ME. 739 00:41:21,174 --> 00:41:22,871 SHUT UP. JUST GET IN THIS CAR. 740 00:41:30,139 --> 00:41:31,837 YOU'RE GETTING IN THERE. 741 00:41:31,880 --> 00:41:33,578 OH! 742 00:41:35,493 --> 00:41:37,320 HE KILLED MY BOYFRIEND! HE SHOT HIM DEAD! 743 00:41:37,364 --> 00:41:38,887 HE WAS GOING TO KILL ME, TOO! 744 00:41:38,931 --> 00:41:40,193 SHE DON'T MEAN THAT. 745 00:41:40,236 --> 00:41:42,891 I MEAN IT! YOU'RE A KILLER. 746 00:42:10,963 --> 00:42:12,530 [RINGS DOORBELL] 747 00:42:14,575 --> 00:42:15,881 HI. 748 00:42:17,360 --> 00:42:18,405 I DIDN'T GET FISH 749 00:42:18,448 --> 00:42:19,624 'CAUSE YOU SAID YOU'D GET IT. 750 00:42:19,667 --> 00:42:21,147 WELL, I DIDN'T. 751 00:42:21,190 --> 00:42:22,627 BOBBY BOUGHT BEEF. 752 00:42:22,670 --> 00:42:24,367 HE GOT SOME EXCELLENT GROUND ROUND 753 00:42:24,411 --> 00:42:26,805 WITH A TOUCH OF SAUSAGE BLENDED IN. 754 00:42:26,848 --> 00:42:28,197 WHY NO FISH? 755 00:42:28,241 --> 00:42:29,372 WE EAT SO MUCH FISH 756 00:42:29,416 --> 00:42:31,157 I THINK I'M GROWING A FIN. 757 00:42:32,332 --> 00:42:34,421 I BOUGHT SOME ROLLS FOR BURGERS, 758 00:42:34,464 --> 00:42:37,642 AND I BOUGHT SOME BEAUTIFUL MEXICAN CHILIES FOR GARNISH. 759 00:42:37,685 --> 00:42:39,557 [HIP-HOP MUSIC PLAYS] 760 00:42:42,821 --> 00:42:45,606 WHAT IS THE MATTER? 761 00:42:45,650 --> 00:42:47,216 I CAN'T STOP THINKING ABOUT 762 00:42:47,260 --> 00:42:49,741 HOW I SET THAT MAN UP TO BE KILLED. 763 00:42:54,659 --> 00:42:56,530 YOU DIDN'T SET THE MAN UP. 764 00:42:56,574 --> 00:42:58,358 YOU DIDN'T WANT THAT TO HAPPEN. 765 00:42:58,401 --> 00:43:00,055 NO, I DIDN'T. 766 00:43:00,099 --> 00:43:03,058 ALL YOU WANTED WAS TO WARN A WIDOW MAN 767 00:43:03,102 --> 00:43:06,366 ABOUT WHAT HIS UNDERAGE DAUGHTER WAS DOING. 768 00:43:06,409 --> 00:43:08,498 I SHOULD HAVE DONE THAT MYSELF. 769 00:43:08,542 --> 00:43:10,326 YOU DID THE RIGHT THING. 770 00:43:10,370 --> 00:43:11,719 AND YOU HAD NO WAY OF KNOWING 771 00:43:11,763 --> 00:43:14,679 WHAT KIND OF MAN GUS JENK WAS. 772 00:43:18,726 --> 00:43:21,468 WELL, LET'S HAVE NO MORE ABOUT THIS NOW. 773 00:43:22,600 --> 00:43:23,949 WHAT ABOUT THE DIGS? 774 00:43:23,992 --> 00:43:26,038 WHAT'S THE NEWS FROM THERE? 775 00:43:27,430 --> 00:43:28,997 THE NEWS IS, 776 00:43:29,041 --> 00:43:30,738 DAVENPORT'S PARTNERS ARE GOING AHEAD WITH THE SUBDIVISION, 777 00:43:30,782 --> 00:43:33,523 AND THEY'LL LET US KEEP DIGGING AT THE SAME TIME. 778 00:43:33,567 --> 00:43:34,699 SO I'M HAPPY. 779 00:43:34,742 --> 00:43:37,310 I DIDN'T WANT SPARTA TO LOSE THOSE JOBS. 780 00:43:37,353 --> 00:43:39,617 I'M CHEF. SOMEBODY SET THE TABLE. 781 00:43:39,660 --> 00:43:41,140 THAT'S ME. WHO'S CLEANING UP? 782 00:43:41,183 --> 00:43:42,620 MISS STELLA DOES THE WASHING 783 00:43:42,663 --> 00:43:44,056 WHEN SHE COMES IN THE EVENING. 784 00:43:45,884 --> 00:43:48,582 CAN WE HAVE SOME DIFFERENT MUSIC MAYBE? 785 00:43:48,626 --> 00:43:51,629 YEAH, YEAH. BUT LET THIS ONE PLAY OUT. 786 00:43:52,847 --> 00:43:55,371 WHEN DID YOU GET INTO RAP? 787 00:43:55,415 --> 00:43:57,765 I AM NOT INTO RAP. 788 00:43:57,809 --> 00:44:00,594 I HATE RAP. 789 00:44:00,638 --> 00:44:02,248 BUT IF I'M EVER GOING TO GET THIS GUY 790 00:44:02,291 --> 00:44:04,729 TO LISTEN TO DON GIOVANNI, 791 00:44:04,772 --> 00:44:07,427 I'LL HAVE TO LISTEN TO A LITTLE SALT-n-PEPA, 792 00:44:07,470 --> 00:44:09,690 A LITTLE ICE CUBE. 793 00:44:09,734 --> 00:44:12,388 WHAT'S THAT BUNCH YOU WERE LISTENING TO THIS MORNING? 794 00:44:12,998 --> 00:44:14,129 PUBLIC ENEMY. 795 00:44:14,173 --> 00:44:15,696 PUBLIC ENEMY! 796 00:44:15,740 --> 00:44:19,787 OH. HOW APPROPRIATE IN THE HOME OF A POLICE OFFICER. 797 00:44:19,831 --> 00:44:21,746 THERE YOU GO. 54459

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