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1
00:00:04,004 --> 00:00:09,705
IN THE HEAT OF THE NIGHT
2
00:00:11,533 --> 00:00:14,840
I'VE GOT TROUBLES
WALL TO WALL
00:00:20,020 --> 00:00:24,285
IN THE HEAT OF THE NIGHT
4
00:00:24,328 --> 00:00:27,157
YEAH
5
00:00:27,201 --> 00:00:33,207
MUST BE AN ENDING
TO IT ALL
6
00:00:33,250 --> 00:00:36,471
OH
7
00:00:36,514 --> 00:00:39,952
BUT HOLD ON
8
00:00:39,996 --> 00:00:42,607
IT WON'T BE LONG
9
00:00:42,651 --> 00:00:44,740
JUST YOU BE STRONG
10
00:00:44,783 --> 00:00:47,221
AND IT'LL BE ALL RIGHT
11
00:00:50,528 --> 00:00:54,184
IN THE HEAT OF THE NIGHT
12
00:00:54,228 --> 00:01:01,365
IN THE HEAT
OF THE NIGHT
13
00:01:07,371 --> 00:01:10,026
[STRING BASS]
14
00:01:11,984 --> 00:01:13,769
I WENT DOWN
15
00:01:13,812 --> 00:01:16,206
TO THE ST. JAMES
INFIRMARY
16
00:01:17,686 --> 00:01:21,994
TO SEE MY BABY THERE
17
00:01:22,038 --> 00:01:26,825
SHE WAS LYING
ON A LONG WHITE TABLE
18
00:01:26,869 --> 00:01:31,874
SO SWEET, SO COOL,
SO FAIR
19
00:01:33,615 --> 00:01:36,444
WENT UP
TO SEE THE DOCTOR
20
00:01:38,533 --> 00:01:41,840
SHE'S VERY LOW,
HE SAID
21
00:01:43,755 --> 00:01:46,584
WENT BACK
TO SEE MY BABY
22
00:01:48,020 --> 00:01:52,068
GREAT GOD! SHE WAS
LYIN' THERE DEAD
23
00:01:52,982 --> 00:01:55,811
LET HER GO,
LET HER GO
24
00:01:55,854 --> 00:01:58,248
GOD BLESS HER
25
00:01:59,162 --> 00:02:02,644
WHEREVER SHE MAY BE
26
00:02:02,687 --> 00:02:08,084
SHE MAY SEARCH
THIS WIDE WORLD OVER
27
00:02:08,128 --> 00:02:12,915
NEVER FIND
ANOTHER MAN LIKE ME
28
00:02:12,958 --> 00:02:15,961
OH, WHEN I DIE
29
00:02:16,005 --> 00:02:18,486
PLEASE BURY ME
30
00:02:18,529 --> 00:02:23,708
IN MY HIGH-TOP
STETSON HAT
31
00:02:23,752 --> 00:02:28,278
PUT A GOLD PIECE
ON MY WATCH CHAIN
32
00:02:28,322 --> 00:02:33,196
SO THEY'LL KNOW
I DIED STANDING PAT
33
00:02:33,240 --> 00:02:37,679
GET SIX GAMBLERS
TO CARRY MY COFFIN
34
00:02:39,159 --> 00:02:43,772
SIX CHORUS GIRLS
TO SING MY SONG
35
00:02:43,815 --> 00:02:48,037
PUT A JAZZ BAND
ON MY TAILGATE
36
00:02:48,080 --> 00:02:53,521
TO RAISE HELL
AS WE GO ALONG
37
00:02:53,564 --> 00:02:58,395
NOW THAT'S THE END
OF MY STORY
38
00:02:58,439 --> 00:03:03,574
LET'S HAVE
ANOTHER ROUND OF BOOZE
39
00:03:03,618 --> 00:03:07,535
AND IF ANYONE
SHOULD ASK YOU
40
00:03:07,578 --> 00:03:09,189
JUST TELL THEM
41
00:03:09,232 --> 00:03:15,717
I'VE GOT THE ST. JAMES
INFIRMARY BLUES
42
00:03:39,915 --> 00:03:41,743
HI, LONNIE. HEY, CHES.
43
00:03:41,786 --> 00:03:43,962
I'D LIKE TO MEET
OUR NEW CHIEF,
HAMPTON FORBES.
44
00:03:44,006 --> 00:03:45,181
HI, CHIEF.
45
00:03:45,225 --> 00:03:46,443
CHES, NICE
TO MEET YOU.
46
00:03:46,487 --> 00:03:48,271
SO YOU'RE
FROM MEMPHIS.
47
00:03:48,315 --> 00:03:49,620
THAT WAS MY LAST ROOST.
48
00:03:49,664 --> 00:03:51,405
NEW ORLEANS, ORIGINALLY.
49
00:03:51,448 --> 00:03:54,625
BIG TOWNS OF MINE
IN THE BAD OLD DAYS.
50
00:03:54,669 --> 00:03:56,279
DON'T YOU MEAN
THE GOOD OLD DAYS?
51
00:03:56,323 --> 00:03:59,195
IF THEY WERE,
I'D STILL BE THERE.
52
00:03:59,239 --> 00:04:01,371
WHAT WAS SO BAD
ABOUT THEM?
53
00:04:01,415 --> 00:04:03,112
EVERYTHING BUT THE MONEY.
54
00:04:03,155 --> 00:04:04,156
HA HA!
55
00:04:04,200 --> 00:04:05,506
HI, CHIEF.
HI, LONNIE.
56
00:04:05,549 --> 00:04:07,116
HEY, AL.
57
00:04:07,159 --> 00:04:10,815
NOT TO INTERRUPT, BUT
YOUR VERY SPECIAL PARTY
JUST ARRIVED.
58
00:04:24,089 --> 00:04:26,091
EXCUSE ME.
59
00:04:26,135 --> 00:04:29,312
CHES, WE'RE GOING
TO HAVE TO TALK TO YOU
BEFORE WE LEAVE.
60
00:04:29,356 --> 00:04:30,531
ARE WE?
61
00:04:30,574 --> 00:04:32,924
ABOUT THE THREATS
YOU'VE BEEN GETTING.
62
00:04:32,968 --> 00:04:34,752
OH.
63
00:04:35,840 --> 00:04:37,320
WHEN YOU'RE READY,
64
00:04:37,364 --> 00:04:39,366
UH, WE'LL ALL HAVE
A CHAT BACKSTAGE, HUH?
65
00:04:39,409 --> 00:04:41,019
O.K.
66
00:04:47,852 --> 00:04:49,898
OH, CHES!
67
00:04:55,556 --> 00:04:56,905
THANK YOU.
68
00:05:02,954 --> 00:05:04,913
WHY DON'T YOU
ASK HIM OVER?
69
00:05:08,656 --> 00:05:10,701
THE GRAND LADY
JUST SUMMONED ME.
70
00:05:10,745 --> 00:05:12,268
I MIGHT BE
A FEW MINUTES.
71
00:05:12,312 --> 00:05:13,922
GO AHEAD.
72
00:05:16,838 --> 00:05:19,231
MY DIARY TELLS ME
IT'S BEEN TWO YEARS.
73
00:05:19,275 --> 00:05:20,885
I'D HAVE
GUESSED THAT.
74
00:05:20,929 --> 00:05:24,324
YOU JUST GET BACK? TODAY. COME.
SIT DOWN.
75
00:05:27,239 --> 00:05:31,069
CHES, DEAR, I WANT TO HEAR
GRAY SUNDAYS IN.
76
00:05:31,113 --> 00:05:32,767
YOU SHALL HEAR IT.
77
00:05:36,553 --> 00:05:38,207
YOU'RE LOOKING WELL.
78
00:05:38,250 --> 00:05:40,340
SO ARE YOU.
79
00:05:40,383 --> 00:05:42,342
YOU LOOK NICE
IN MUFTI.
80
00:05:42,385 --> 00:05:43,952
WELL, THANK YOU.
I'M WEARING THESE
81
00:05:43,995 --> 00:05:47,390
ABOUT HALF THE TIME
THESE DAYS.
82
00:05:47,434 --> 00:05:50,828
WOULD YOU WEAR A TIE
IF I BOUGHT YOU
A NICE SELECTION?
83
00:05:50,872 --> 00:05:52,569
CORDELIA, PLEASE.
84
00:05:52,613 --> 00:05:55,529
AUNT COR, I DON'T
REALLY WEAR TIES MUCH.
85
00:05:55,572 --> 00:05:56,834
MM-HMM.
86
00:05:58,140 --> 00:05:59,402
[APPLAUSE]
87
00:05:59,446 --> 00:06:01,448
WE'RE BACK.
88
00:06:06,235 --> 00:06:08,629
ONCE UPON A TIME,
IN THE CITY OF NEW YORK,
89
00:06:08,672 --> 00:06:10,935
I WAS PLAYING
A LITTLE SKINNY SALOON
90
00:06:10,979 --> 00:06:12,328
WITH BLACK WALLS
91
00:06:12,372 --> 00:06:14,678
OWNED BY SOME BIG FAT MEN
WITH WHITE FACES.
92
00:06:14,722 --> 00:06:17,072
[DRUM ROLL]
93
00:06:17,115 --> 00:06:19,030
TWO FOLKS WHO WERE
CRAZY IN LOVE
94
00:06:19,074 --> 00:06:20,771
USED TO COME
AND SEE ME THERE.
95
00:06:20,815 --> 00:06:25,776
AS A MATTER OF FACT,
ONE WAS FROM RIGHT
AROUND HERE.
96
00:06:25,820 --> 00:06:29,345
THEY USED TO TALK
ABOUT THEIR LITTLE MEETING
PLACE IN THE BIG CITY,
97
00:06:29,389 --> 00:06:33,436
AND FOR THEM, I WROTE
THIS LITTLE SONG.
98
00:06:36,787 --> 00:06:39,877
? WHEN I THINK ABOUT
ROMANTIC MOMENTS ?
99
00:06:39,921 --> 00:06:42,445
? I DON'T CONSIDER
VERY MUCH ?
100
00:06:42,489 --> 00:06:44,360
THE POPULAR PLACES
101
00:06:44,404 --> 00:06:46,231
THOSE WIDE OPEN
SPACES
102
00:06:46,275 --> 00:06:48,495
WITH SUN AND SAND
AND SUCH
103
00:06:48,538 --> 00:06:50,975
I DREAM OF A SMALL
APARTMENT
104
00:06:51,019 --> 00:06:54,501
OUR LITTLE
SEVENTH STORY DEN
105
00:06:54,544 --> 00:06:56,546
WINTER SUNDAYS
IN TOWN
106
00:06:56,590 --> 00:06:58,853
WITH NOBODY AROUND
107
00:06:58,896 --> 00:07:03,031
I WISH WE COULD
LIVE THEM AGAIN
108
00:07:03,074 --> 00:07:09,777
THOSE HAPPY GRAY
SUNDAYS IN
109
00:07:13,302 --> 00:07:18,481
ABOVE THE QUIET CITY
110
00:07:18,525 --> 00:07:23,007
AND JUST WE TWO
111
00:07:23,051 --> 00:07:25,488
ALONE
112
00:07:29,753 --> 00:07:34,845
MORNING PAPERS
SPREAD A-FLURRY
113
00:07:34,889 --> 00:07:40,242
ALL THE WORLD
THAT WE'D REQUIRE
114
00:07:40,285 --> 00:07:44,986
NOTHING EVER
GAVE US WORRY
115
00:07:46,553 --> 00:07:50,861
BUT THE COFFEE
ON THE FIRE
116
00:07:51,645 --> 00:07:55,866
GRAY SUNDAYS IN
117
00:07:57,781 --> 00:08:02,438
A LITTLE MUSIC
PLAYING
118
00:08:02,482 --> 00:08:08,357
SOMETHING
FROM LONG AGO
119
00:08:11,882 --> 00:08:17,758
AND IF RAIN FELL PAST
THE WINDOW
120
00:08:17,801 --> 00:08:21,631
WE NEVER CARED A PIN
121
00:08:22,589 --> 00:08:26,854
THOSE QUIET, HAPPY
122
00:08:26,897 --> 00:08:33,469
GRAY SUNDAYS IN
123
00:08:39,780 --> 00:08:42,522
[APPLAUSE]
124
00:09:03,238 --> 00:09:06,502
IT'S THAT RED CHEVY
RIGHT OVER THERE.
125
00:09:06,546 --> 00:09:09,200
GO TO THE PLANT
AND GET
THE TOW TRUCK.
126
00:09:09,244 --> 00:09:10,637
TOW TRUCK'S
GOT THE NAME
127
00:09:10,680 --> 00:09:12,552
OF YOUR DADDY'S
COMPANY ALL OVER IT.
128
00:09:12,595 --> 00:09:14,641
I'LL HOT-WIRE THE CHEV.
129
00:09:14,684 --> 00:09:16,338
CLU'S RIGHT.
130
00:09:20,603 --> 00:09:22,170
GO.
131
00:09:25,216 --> 00:09:27,479
GENTLEMEN, MEET
MS. ELLEN SHORE,
132
00:09:27,523 --> 00:09:29,133
WHO TOLD YOU ABOUT
SOME THREATS
I'VE BEEN GETTING,
133
00:09:29,177 --> 00:09:31,048
WHICH I DON'T
TAKE SERIOUSLY.
134
00:09:31,092 --> 00:09:34,661
DEAREST DARLING,
LIEUTENANT JAMISON
AND CHIEF FORBES.
135
00:09:34,704 --> 00:09:36,924
EVENING, GENTLEMEN.
136
00:09:36,967 --> 00:09:38,926
THESE ARE WHAT
I WANTED TO SHOW Y'ALL.
137
00:09:38,969 --> 00:09:40,667
YOU SHOULDN'T
HAVE DONE THIS.
138
00:09:40,710 --> 00:09:43,408
I'M OLD ENOUGH
TO KNOW WHEN
I SHOULDN'T
139
00:09:43,452 --> 00:09:45,933
AND SHOULD
DO SOMETHING.
140
00:09:45,976 --> 00:09:48,370
HE MAKES A JOKE
OUT OF EVERYTHING,
141
00:09:48,413 --> 00:09:50,415
AND THIS AIN'T
NO JOKE.
142
00:09:52,592 --> 00:09:54,028
KIND OF HALLOWEENY, HUH?
143
00:09:54,071 --> 00:09:56,770
THE GOBLIN WILL GET YOU,
SO STAY IN YOUR PLACE.
144
00:09:56,813 --> 00:09:59,250
IT ALSO SAYS
THE GOBLIN KILLS.
145
00:10:00,991 --> 00:10:04,473
"THE GOBLIN DON'T LIKE
BLUES, BLUES MAN.
146
00:10:05,605 --> 00:10:07,911
"GOBLIN SAYS
LET'S LOSE THE BLUES.
147
00:10:07,955 --> 00:10:09,870
"THE GOBLIN KILLS."
148
00:10:09,913 --> 00:10:12,089
I'M PUTTING HIS LAUNDRY
IN THE CAR.
149
00:10:12,133 --> 00:10:14,875
OH, GOT SOME
PHONE CALLS, TOO.
150
00:10:14,918 --> 00:10:16,616
ONLY A COUPLE.
151
00:10:16,659 --> 00:10:18,574
MALE OR FEMALE?
152
00:10:18,618 --> 00:10:19,880
IT WAS A GUY.
153
00:10:19,923 --> 00:10:22,404
SOME DUMBBELL
PUTTING ON
A FUNNY VOICE.
154
00:10:22,447 --> 00:10:25,755
WHAT'D THE FUNNY VOICE
SAY, CHES?
155
00:10:25,799 --> 00:10:29,106
HE SAID SHE WON'T
STAY AWAY FROM YOU,
156
00:10:29,150 --> 00:10:31,413
SO YOU STAY AWAY FROM HER.
157
00:10:31,456 --> 00:10:33,458
LEAVE SOON
OR DIE SOON.
158
00:10:33,502 --> 00:10:35,286
THAT'S KID STUFF.
159
00:10:37,724 --> 00:10:39,639
KIDS KILL TOO, CHES.
160
00:10:41,162 --> 00:10:42,946
NOW WHO WAS THE WOMAN
IN THE NOTE,
161
00:10:42,990 --> 00:10:45,862
"SHE WON'T STAY AWAY
FROM YOU?"
162
00:10:45,906 --> 00:10:47,211
WHO IS SHE?
163
00:10:47,255 --> 00:10:50,258
IS SHE YOUR FAN?
164
00:10:50,301 --> 00:10:53,957
WELL, YOU KNOW,
IN THIS BUSINESS,
WE DO GET FANS,
165
00:10:54,001 --> 00:10:55,567
WOMEN FANS,
166
00:10:55,611 --> 00:10:57,787
AND SOMETIMES THEY
CAN GET PRETTY, UH,
167
00:10:57,831 --> 00:11:00,224
HOW CAN I PUT IT?
DEVOTED.
168
00:11:00,268 --> 00:11:02,226
[ENGINE STARTS]
169
00:11:02,270 --> 00:11:04,576
HEY, WHAT ARE YOU DOING
IN THAT CAR?
170
00:11:04,620 --> 00:11:06,448
YOU GET OUT OF IT,
YOU HEAR ME?
171
00:11:06,491 --> 00:11:07,841
JACOB, HEY.
172
00:11:07,884 --> 00:11:11,148
HEY, WHAT ARE YOU DOING
IN THIS CAR? WHAT...
173
00:11:29,732 --> 00:11:31,255
CAN YOU GIVE US
SOME NAMES
174
00:11:31,299 --> 00:11:33,518
OF WOMEN LIKE THAT
IN SPARTA?
175
00:11:33,562 --> 00:11:36,608
I SUPPOSE I COULD,
BUT WHY?
176
00:11:36,652 --> 00:11:39,786
MAYBE SOME
OF THESE WOMEN
HAVE MEN FOLKS.
177
00:11:39,829 --> 00:11:41,962
MAYBE THESE MEN FOLKS
GET MAD AT YOU.
178
00:11:42,005 --> 00:11:44,094
TWO MEN JUST STOLE
CHES'S CAR.
179
00:11:44,138 --> 00:11:45,182
I DON'T KNOW WHAT
THEY DONE,
180
00:11:45,226 --> 00:11:47,141
BUT THE DOORMAN'S
ON THE GROUND.
181
00:12:09,598 --> 00:12:11,252
I'M GOING TO CALL
THE PARAMEDICS.
182
00:12:32,316 --> 00:12:33,753
MR. JACOB OLIN?
183
00:12:36,407 --> 00:12:38,540
THAT'S ME.
184
00:12:38,583 --> 00:12:40,281
I HOPE YOU'RE
NOT IN PAIN.
185
00:12:42,326 --> 00:12:44,328
I AM,
186
00:12:44,372 --> 00:12:47,244
BUT THANKS.
187
00:12:47,288 --> 00:12:50,030
MR. OLIN, YOU THINK
YOU COULD TELL US
SOMETHING?
188
00:12:51,771 --> 00:12:54,904
THEY WAS STARTING
THE CAR,
189
00:12:54,948 --> 00:12:56,688
AND I STARTED YELLING.
190
00:12:57,733 --> 00:12:58,821
BEFORE I KNEW IT,
191
00:12:58,865 --> 00:13:01,563
THEY CROWNED ME
WITH SOMETHING.
192
00:13:01,606 --> 00:13:04,740
IT WAS A WHITE GUY
AND A BLACK GUY.
193
00:13:06,437 --> 00:13:07,830
RECOGNIZE THEM?
194
00:13:10,267 --> 00:13:15,490
I THINK THE BLACK GUY
MIGHT'VE BEEN CLU DEETER.
195
00:13:15,533 --> 00:13:19,102
WORKS AT THE WOODLIN
ENGINEERING PLANT.
196
00:13:22,410 --> 00:13:26,501
WHY GO TO ALL THAT TROUBLE
TO STEAL A FIFTIES CAR?
197
00:13:29,547 --> 00:13:31,941
WE'LL LET YOU KNOW
WHEN WE FIND HIM.
198
00:13:35,510 --> 00:13:37,686
YEAH. HUH?
199
00:13:37,729 --> 00:13:39,557
OH, YOU THINK RED.
200
00:13:39,601 --> 00:13:40,820
ALL RIGHT.
201
00:13:40,863 --> 00:13:42,647
UH, YES, MA'AM.
202
00:13:42,691 --> 00:13:44,432
UH, COULD YOU
HOLD PLEASE?
203
00:13:44,475 --> 00:13:45,737
CHIEF, YOU WANT
TO TAKE A CALL
204
00:13:45,781 --> 00:13:47,087
FROM MS. ELLEN SHORE?
205
00:13:47,130 --> 00:13:48,871
YEAH.
206
00:13:48,915 --> 00:13:50,525
MORNING, MS. SHORE.
207
00:13:51,787 --> 00:13:53,180
NO, MA'AM.
I JUST GOT IN.
208
00:13:53,223 --> 00:13:54,529
EXCUSE ME,
CHIEF FORBES.
209
00:13:54,572 --> 00:13:57,662
WE GOT AN INTERESTING CAR.
210
00:13:57,706 --> 00:13:59,882
UH, HOLD ON
A SEC, PLEASE.
211
00:13:59,926 --> 00:14:01,405
TELL ME.
212
00:14:01,449 --> 00:14:02,929
WELL, SIR,
IT'S AN OLD CAR.
213
00:14:02,972 --> 00:14:05,540
MORE THAN LIKELY
A CHEVY, PROBABLY RED.
214
00:14:05,583 --> 00:14:08,717
IT WENT OVER
THE CLIFF ON ROUTE THREE.
215
00:14:08,760 --> 00:14:12,242
IT BURNED UP, AND
IT'S STILL SMOKING
IN THE RAVINE.
216
00:14:13,461 --> 00:14:15,637
THANK YOU.
217
00:14:15,680 --> 00:14:18,031
WE JUST GOT SOME
INFORMATION, MS. SHORE.
218
00:14:19,162 --> 00:14:20,598
IF I DON'T CALL YOU BACK,
219
00:14:20,642 --> 00:14:22,905
WE'RE STILL LOOKING
AND CHECKING.
220
00:14:28,650 --> 00:14:29,912
WHY YOU WORRYING?
221
00:14:29,956 --> 00:14:32,480
IT'S ONLY AN OLD CAR,
SUGAR PLUM.
222
00:14:32,523 --> 00:14:35,091
YOU TELL THAT
TO THE COPS,
NOT TO ME.
223
00:14:35,135 --> 00:14:37,267
KEEP COOL, PRECIOUS.
224
00:14:37,311 --> 00:14:39,095
YOU'RE NOT SCARED, HUH?
225
00:14:39,139 --> 00:14:41,054
WHAT YOU WANT ME TO SAY?
226
00:14:41,097 --> 00:14:43,970
TELL THAT OLD LADY
NOT TO COME TO
THE CLUB ANYMORE.
227
00:14:44,013 --> 00:14:46,624
I'M SCARED
OF THAT FAMILY.
228
00:14:46,668 --> 00:14:48,931
WHITE AND RICH
IS DANGEROUS,
229
00:14:48,975 --> 00:14:52,630
BUT WHITE, RICH,
AND CRAZY IS DEADLY.
230
00:14:52,674 --> 00:14:55,459
THE WOODLIN FAMILY
DON'T SCARE ME, BABY.
231
00:15:00,551 --> 00:15:03,163
SOMEBODY'S
SCARING YOU, CHES.
232
00:15:03,206 --> 00:15:04,773
I KNOW IT AIN'T ME.
233
00:15:33,541 --> 00:15:34,759
HAMP.
234
00:15:34,803 --> 00:15:36,152
HEY.
235
00:15:36,196 --> 00:15:38,285
MY DEPUTIES PULLED
THAT WRECK
236
00:15:38,328 --> 00:15:39,721
OUT OF THE RAVINE.
237
00:15:39,764 --> 00:15:43,290
BILL, IS THIS CASE
IMPORTANT,
238
00:15:43,333 --> 00:15:45,031
OR IS IT JUST WEIRD?
239
00:15:45,074 --> 00:15:47,337
WEIRD CAN GET DANGEROUS,
240
00:15:47,381 --> 00:15:50,210
AND DANGEROUS
IS IMPORTANT.
241
00:15:50,253 --> 00:15:52,168
CHES COLLINS
IS MAKING BELIEVE
242
00:15:52,212 --> 00:15:55,389
THAT THERE'S NOTHING
TO THIS THING.
243
00:15:55,432 --> 00:15:57,130
AND THIS WOMAN,
ELLEN SHORE--
244
00:15:57,173 --> 00:16:00,263
BY THE WAY, WHO IS SHE?
245
00:16:00,307 --> 00:16:02,352
ELLEN SHORE
AND CHES COLLINS
246
00:16:02,396 --> 00:16:04,876
HAVE BEEN MARRIED TWICE
AND TWICE DIVORCED,
247
00:16:04,920 --> 00:16:06,356
AND NOW,
248
00:16:06,400 --> 00:16:07,836
THEY'RE JUST OLD FRIENDS
249
00:16:07,879 --> 00:16:10,882
TAKING CARE
OF EACH OTHER.
250
00:16:10,926 --> 00:16:14,147
SHE TOLD ME THAT CHES
HAS HAD MANY YOUNG WOMEN
251
00:16:14,190 --> 00:16:16,105
CHASING AFTER HIM
OVER THE YEARS,
252
00:16:16,149 --> 00:16:18,542
AND THERE'S NEVER BEEN
ANY TROUBLE BEFORE.
253
00:16:18,586 --> 00:16:21,241
NO THREATS
AND MANY INVITATIONS--
254
00:16:21,284 --> 00:16:23,983
NOW, THAT'S WHAT I CALL
A PLEASANT LIFE.
255
00:16:26,637 --> 00:16:28,988
SPEAKING OF INVITATIONS.
256
00:16:32,774 --> 00:16:34,645
WHO INVITED WHOM?
257
00:16:34,689 --> 00:16:35,777
WELL, IT DOESN'T MATTER.
258
00:16:35,820 --> 00:16:38,910
THAT'S NOT
A ROMANTIC LUNCH.
259
00:16:38,954 --> 00:16:41,348
THAT'S JUST
AN OLD ACQUAINTANCE.
260
00:16:41,391 --> 00:16:44,394
UH, SOME SAY
IT'S A CONSPIRACY
261
00:16:44,438 --> 00:16:47,571
BECAUSE WHENEVER CHES
WOULD GO AWAY TO PLAY
262
00:16:47,615 --> 00:16:51,619
ONE OF THOSE
TOWNS, LIKE NATCHEZ,
NEW ORLEANS, NEW YORK,
263
00:16:51,662 --> 00:16:57,364
CORDELIA WOODLIN
WOULD TAKE A TRIP
TO SEE HIS SHOW,
264
00:16:57,407 --> 00:17:00,106
BUT SOMEBODY ELSE,
THEY SAY,
265
00:17:00,149 --> 00:17:03,239
WOULD ALSO TAKE A TRIP
TO SEE CORDELIA.
266
00:17:03,283 --> 00:17:05,720
THAT WAS THE BIG AFFAIR.
267
00:17:06,677 --> 00:17:08,679
THIS SOUNDS LIKE
PURE GOSSIP.
268
00:17:08,723 --> 00:17:11,204
MORE LIKE IMPURE.
269
00:17:11,247 --> 00:17:13,423
AND YOU LISTEN TO GOSSIP.
270
00:17:13,467 --> 00:17:15,338
I CAN'T AFFORD NOT TO.
271
00:17:15,382 --> 00:17:18,907
HA HA HA HA!
272
00:17:18,950 --> 00:17:21,518
I WASN'T SURE YOU'D COME
BACK THIS TIME, CORDY.
273
00:17:21,562 --> 00:17:23,999
OH, SOONER OR LATER,
I'LL ALWAYS BE BACK.
274
00:17:25,131 --> 00:17:28,743
I HATE IT,
BUT IT'S MINE--
275
00:17:28,786 --> 00:17:30,919
WHICH I'M GOING TO CALL
MY BOOK, BY THE WAY.
276
00:17:30,962 --> 00:17:33,052
SO I COME BACK.
277
00:17:33,095 --> 00:17:34,575
BACK FROM ATHENS.
278
00:17:34,618 --> 00:17:36,359
BACK FROM LONDON.
279
00:17:37,360 --> 00:17:39,623
EVEN BACK FROM NEW YORK,
280
00:17:40,668 --> 00:17:43,105
WHERE MY HEART
REALLY LIVED,
281
00:17:43,149 --> 00:17:45,151
ALL ALONE,
282
00:17:45,194 --> 00:17:46,848
WAITING FOR ME...
283
00:17:48,110 --> 00:17:50,199
ABOVE THE QUIET CITY.
284
00:17:51,505 --> 00:17:53,115
NONE OF THOSE
EXOTIC PLACES,
285
00:17:53,159 --> 00:17:55,857
NO PART OF ANY OF THEM
IS MINE.
286
00:17:59,252 --> 00:18:00,905
ONLY LITTLE OL' MEAN,
287
00:18:00,949 --> 00:18:05,780
DANGEROUS SPARTA,
MISSISSIPPI, IS MINE.
288
00:18:05,823 --> 00:18:06,998
IT HANGS ON ME
289
00:18:07,042 --> 00:18:09,131
LIKE ONE OF THOSE LEECHES
IN BREWER'S POND.
290
00:18:09,175 --> 00:18:10,611
I CAN'T SHAKE IT LOOSE.
291
00:18:10,654 --> 00:18:12,395
CAN I PUT THAT
IN A SONG?
292
00:18:12,439 --> 00:18:15,790
NO, YOU CAN'T.
I FORBID IT.
293
00:18:15,833 --> 00:18:17,792
YOU'VE EXPOSED ENOUGH
OF MY PRIVATE LIFE
294
00:18:17,835 --> 00:18:20,360
IN YOUR TRASHY SALOONS.
295
00:18:20,403 --> 00:18:22,188
I WANT TO BUY YOU
A NEW CAR.
296
00:18:22,231 --> 00:18:23,798
I KNOW YOU WOULD,
BUT NO.
297
00:18:23,841 --> 00:18:26,801
I KNEW YOU'D SAY NO.
298
00:18:26,844 --> 00:18:30,544
WE BOTH KNOW
EACH OTHER TOO WELL.
299
00:18:30,587 --> 00:18:32,894
OUR FRIENDSHIP
COMES FROM, UH...
300
00:18:32,937 --> 00:18:34,722
A DUMP IN
GREENWICH VILLAGE.
301
00:18:34,765 --> 00:18:36,724
HA HA HA HA.
302
00:18:38,987 --> 00:18:41,120
BUT I WANT JERRY
TO DRIVE YOU HOME
303
00:18:41,163 --> 00:18:42,425
FROM THE CLUB EVERY NIGHT
304
00:18:42,469 --> 00:18:44,035
UNTIL YOU GET YOURSELF
A NEW CAR.
305
00:18:44,079 --> 00:18:45,298
NO, NO.
306
00:18:46,081 --> 00:18:48,039
YOU BEHAVE.
307
00:18:48,083 --> 00:18:51,521
AL RUGER HAS ORDERS TO
FIRE YOU IF YOU DON'T.
308
00:18:54,133 --> 00:18:55,351
HI, AUNTIE.
309
00:18:55,395 --> 00:18:57,484
NICE TO SEE YOU.
310
00:18:57,527 --> 00:18:59,703
RAUL, IS THAT YOU?
311
00:18:59,747 --> 00:19:03,054
FOR HEAVEN SAKE,
YOU SHAVE SOMETHING?
312
00:19:03,098 --> 00:19:05,144
YEAH, MUSTACHE.
313
00:19:06,232 --> 00:19:08,799
DO YOU KNOW
CHES COLLINS?
314
00:19:08,843 --> 00:19:10,627
ANY CHANCE OF
TALKING TO YOU?
315
00:19:10,671 --> 00:19:12,890
ABOUT YOUR
FUTURE AGAIN?
316
00:19:12,934 --> 00:19:14,675
YES, MA'AM.
317
00:19:14,718 --> 00:19:17,547
WILL YOU SAY HELLO
TO MR. COLLINS?
318
00:19:18,287 --> 00:19:20,071
NO, MA'AM.
319
00:19:21,160 --> 00:19:22,770
THEN I AM
NOT INTERESTED
320
00:19:22,813 --> 00:19:24,685
IN YOUR FUTURE, RAUL.
321
00:19:36,436 --> 00:19:39,265
AM I LOOKING AT TROUBLE
IN HIGH SOCIETY?
322
00:19:40,179 --> 00:19:41,789
YEAH.
323
00:19:41,832 --> 00:19:44,139
CORDELIA'S GOT A COUPLE
OF GRAND-NEPHEWS
324
00:19:44,183 --> 00:19:45,575
WHO DISAPPOINTED HER.
325
00:19:45,619 --> 00:19:47,577
WOULD ONE OF THEM BE
A CERTAIN COP
326
00:19:47,621 --> 00:19:50,537
IN MY DEPARTMENT
BY THE NAME OF
LONNIE JAMISON?
327
00:19:50,580 --> 00:19:52,234
BECAUSE HE WON'T
TAKE HER MONEY
328
00:19:52,278 --> 00:19:53,801
AND DO WHAT SHE WANTS.
329
00:19:53,844 --> 00:19:55,455
NOW, THAT ONE THERE,
330
00:19:55,498 --> 00:19:58,371
HE'D TAKE IT ALL
IF HE COULD GET IT
331
00:19:58,414 --> 00:20:00,286
BECAUSE HE'S NO-ACCOUNT,
332
00:20:01,200 --> 00:20:03,332
AND HE'S STUPID,
333
00:20:03,376 --> 00:20:05,291
AND HE'S PROBABLY
TREACHEROUS.
334
00:20:15,170 --> 00:20:17,303
WHAT AM I TALKIN'
TO YOU FOR?
335
00:20:17,346 --> 00:20:19,479
YOU KNOW THEM PEOPLE.
YOU'RE ONE OF THEM.
336
00:20:19,522 --> 00:20:22,873
CAN'T YOU SEE THAT
DRUNK GRANT WOODLIN
DOING THIS?
337
00:20:22,917 --> 00:20:25,354
MAKING WEIRD THREATS? NO.
338
00:20:25,398 --> 00:20:27,008
TRYING TO MAKE
CHES TROUBLE,
339
00:20:27,051 --> 00:20:28,662
SCARE HIM OUT OF TOWN.
340
00:20:28,705 --> 00:20:31,969
I THINK IT'S SOMEONE
THAT'S GOING AROUND
THE LITTLE CLUB,
341
00:20:32,013 --> 00:20:33,275
SOME CUSTOMER.
342
00:20:33,319 --> 00:20:34,929
NO. IT'S WOODLIN.
343
00:20:34,972 --> 00:20:37,279
IT'S HIS DOING, ANYWAY.
344
00:20:37,323 --> 00:20:39,281
THANKS, MS. ELLEN.
345
00:20:39,325 --> 00:20:41,327
WHERE'D YOU SAY
CHES' CAR IS--
346
00:20:41,370 --> 00:20:42,719
POLICE STATION?
347
00:20:42,763 --> 00:20:45,026
NO, IT'S ACROSS THE LOT
FROM THE SHERIFF'S STATION.
348
00:21:04,828 --> 00:21:06,352
[LONNIE]
IT COULDN'T HAVE BEEN
A TYPEWRITER.
349
00:21:06,395 --> 00:21:09,006
GOT TO BE A COMPUTER.
350
00:21:09,050 --> 00:21:10,399
COULD HAVE BEEN
DONE ANYWHERE.
351
00:21:10,443 --> 00:21:12,662
COULD HAVE BEEN DONE
HERE ON OUR COMPUTER.
352
00:21:12,706 --> 00:21:14,882
IF YOU PUT
A PROGRAM IN.
353
00:21:14,925 --> 00:21:17,014
IF WE HAD THE SAME
DISK OR PROGRAM
354
00:21:17,058 --> 00:21:18,494
WITH DIFFERENT STYLES,
SIZES OF TYPE,
355
00:21:18,538 --> 00:21:20,757
WE COULD DO THIS OUTSIDE.
356
00:21:20,801 --> 00:21:22,585
YOU'RE RIGHT. IT COULD
BE DONE ANYWHERE.
357
00:21:32,813 --> 00:21:35,294
BUT THEY WEREN'T
EATING IN ANY OL'
CHAIN RESTAURANT.
358
00:21:35,337 --> 00:21:37,339
THEY WERE AT WILLOW OAKS.
359
00:21:37,383 --> 00:21:40,299
I DON'T GIVE A DAMN
ABOUT THEM, SON.
360
00:21:40,342 --> 00:21:43,432
WHAT DO YOU GIVE
A DAMN ABOUT?
361
00:21:43,476 --> 00:21:45,086
THAT'S A TOUGH QUESTION.
362
00:21:45,129 --> 00:21:46,130
ME?
363
00:21:46,174 --> 00:21:47,958
MAMA? THIS FAMILY?
364
00:21:48,002 --> 00:21:51,353
WHY, ALL OF YOU
FROM TIME TO TIME,
I SUPPOSE.
365
00:21:51,397 --> 00:21:53,660
THAT OLD LADY'S
GOING TO SINK US ALL.
366
00:21:55,662 --> 00:21:56,880
WANT TO KILL HER?
367
00:21:56,924 --> 00:21:59,579
WILL YOU STOP TALKING
LIKE AN INSANE PERSON?
368
00:21:59,622 --> 00:22:01,276
IT'D MAKE MORE SENSE
369
00:22:01,320 --> 00:22:03,191
THAN KILLING
THAT PIANO PLAYER.
370
00:22:03,234 --> 00:22:04,758
HE'S NOT WRITING
HER WILL.
371
00:22:04,801 --> 00:22:06,760
SHE IS.
372
00:22:10,459 --> 00:22:12,418
LAST TIME AUNTIE COR
WAS IN TOWN,
373
00:22:12,461 --> 00:22:15,638
SHE TOLD ME SHE WASN'T
GOING TO LEAVE ME NOTHING.
374
00:22:15,682 --> 00:22:17,379
KNOW WHAT SHE SAYS TODAY?
375
00:22:17,423 --> 00:22:18,989
I DON'T TALK
TO CHES COLLINS,
376
00:22:19,033 --> 00:22:20,382
SHE DON'T TALK TO ME.
377
00:22:20,426 --> 00:22:22,253
RIGHT OUT IN PUBLIC.
378
00:22:22,297 --> 00:22:25,735
NO.ASK CHERRY.
SHE WAS THERE.
379
00:22:25,779 --> 00:22:28,521
CHERRY?
380
00:22:28,564 --> 00:22:31,350
OUR SECRETARY, DADDY,
IN THE RECEPTION ROOM.
381
00:22:33,047 --> 00:22:35,919
OH. THAT'S HER NAME.
382
00:22:35,963 --> 00:22:38,400
WELL, I DON'T NEED
TO CONSULT CHERRY.
383
00:22:38,444 --> 00:22:41,403
I KNOW WHAT CORDELIA
THINKS ABOUT YOU,
384
00:22:41,447 --> 00:22:43,100
ME, AND EVERYBODY.
385
00:22:44,232 --> 00:22:46,321
I CAN'T WORRY ABOUT IT.
386
00:22:48,671 --> 00:22:51,021
IT'S ALL ABOUT THAT
WOMAN, YOU KNOW.
387
00:22:52,762 --> 00:22:55,635
THIS HAPPENED
'CAUSE CHES
IS FRIENDS WITH HER.
388
00:22:55,678 --> 00:22:57,027
MM-HMM.
389
00:22:58,159 --> 00:23:00,422
SHE'S PRETTY FOND
OF CHES, HUH?
390
00:23:00,466 --> 00:23:04,426
OH, THEY WAS ALWAYS
BOTH CRAZY ABOUT
EACH OTHER,
391
00:23:04,470 --> 00:23:06,341
BUT THEY NEVER
DONE NOTHING.
392
00:23:06,385 --> 00:23:08,648
IT WASN'T ABOUT THAT.
393
00:23:08,691 --> 00:23:12,826
SHE JUST WANTED
THE SPARTA BOY
TO BE SOMETHING GREAT,
394
00:23:12,869 --> 00:23:16,743
AND HE LOVED HER BECAUSE
SHE LOVE HIS MUSIC.
395
00:23:17,657 --> 00:23:20,834
SHE LOVE HIM 'CAUSE...
396
00:23:20,877 --> 00:23:24,011
HE TOUCH HER SOUL
SOME WAY I DON'T KNOW.
397
00:23:27,144 --> 00:23:32,236
YOU THINK
HER HUSBAND'S FAMILY
IS AFRAID OF CHES?
398
00:23:32,280 --> 00:23:34,282
SURE THEY IS.
399
00:23:34,325 --> 00:23:36,197
CRAZY FAMILY.
400
00:23:36,240 --> 00:23:37,981
LET ME TELL YOU SOMETHING.
401
00:23:38,025 --> 00:23:39,505
ALL MY LIFE,
402
00:23:39,548 --> 00:23:41,985
THE CRAZIEST PEOPLE
I EVER MET WAS
WHITE PEOPLE.
403
00:23:42,029 --> 00:23:44,248
HA HA HA HA.
404
00:23:46,425 --> 00:23:48,427
JUST SOME REMAINS
OF STUFF.
405
00:23:48,470 --> 00:23:51,081
SOME PAGES IN
THE ADDRESS BOOK
DIDN'T BURN,
406
00:23:51,125 --> 00:23:54,998
AND THE LITTLE COMPACT
COULD MAYBE BE CLEANED UP.
407
00:23:55,042 --> 00:23:57,087
YEAH. WELL...
408
00:23:58,349 --> 00:24:00,482
I'LL CLEAN IT UP.
409
00:24:02,571 --> 00:24:04,486
HE BOUGHT THIS FOR ME
410
00:24:04,530 --> 00:24:06,923
LONG TIME AGO.
411
00:24:08,577 --> 00:24:11,058
SOMEWHERE WAY UP
IN CONNECTICUT.
412
00:24:35,604 --> 00:24:37,824
WELL, WELL, WELL.
413
00:24:37,867 --> 00:24:39,956
HOW COME YOU GET TIME OFF
IN THE AFTERNOON
414
00:24:40,000 --> 00:24:41,567
TO COME AND HAVE TEA?
415
00:24:41,610 --> 00:24:44,483
I SQUEEZED IT IN
BETWEEN AN ASSAULT
AND ROBBERY.
416
00:24:45,353 --> 00:24:46,528
WHAT'S GOING ON, JER?
417
00:24:46,572 --> 00:24:48,487
NOTHING GOOD,
LONNIE BOY.
418
00:24:48,530 --> 00:24:51,664
UH, YOU SEE THAT
CADILLAC THERE?
419
00:24:51,707 --> 00:24:54,928
YEAH. THAT'S DOC CAMERON'S CAR.
420
00:24:54,971 --> 00:24:56,407
WAS IT A HURRY-UP CALL?
421
00:24:56,451 --> 00:25:01,021
NO, IT WAS MORE
OF A COME-AS-SOON-
AS-YOU-CAN CALL.
422
00:25:01,064 --> 00:25:06,069
THE GRAND LADY PASSED
A STIRRING-AROUND NIGHT,
423
00:25:06,113 --> 00:25:07,375
AND MISS DANA--
424
00:25:07,418 --> 00:25:09,420
SHE CALLED THE DOCTOR.
OF COURSE,
425
00:25:09,464 --> 00:25:11,292
GRAND OLD LADY FIRED HER.
426
00:25:11,335 --> 00:25:13,816
IF MY RADIO SQUAWKS,
WILL YOU GET ME?
427
00:25:13,860 --> 00:25:15,601
SURE WILL. THANK YOU.
428
00:25:19,605 --> 00:25:21,694
HEY, DANA. HEY.
429
00:25:21,737 --> 00:25:24,871
I HEAR YOU'RE
UNDER SOME FIRE.
430
00:25:24,914 --> 00:25:26,612
JUST A SMALL BARRAGE--
431
00:25:26,655 --> 00:25:30,398
A FEW FIELD GUNS,
A COUPLE OF TANKS.
432
00:25:30,441 --> 00:25:32,356
WHAT'S WRONG WITH HER?
DO YOU KNOW?
433
00:25:34,141 --> 00:25:35,490
SAME OL' THING--
434
00:25:35,534 --> 00:25:38,362
SHE CAN'T LAST WITHOUT
GOING TO THE HOSPITAL,
435
00:25:38,406 --> 00:25:40,713
LET 'EM DO SURGERY,
436
00:25:40,756 --> 00:25:41,975
DO SOMETHING.
437
00:25:45,152 --> 00:25:47,154
YOU BETTER CHANGE
YOUR ATTITUDE, CORDELIA.
438
00:25:47,197 --> 00:25:49,896
I HAVEN'T CHANGED
MY ATTITUDE IN 40 YEARS.
439
00:25:49,939 --> 00:25:50,940
WHY SHOULD I?
440
00:25:50,984 --> 00:25:53,334
TO HAVE MORE TIME
TO LIVE.
441
00:25:53,377 --> 00:25:56,119
I CAN'T EVEN ENJOY
THE TIME I'VE GOT?
442
00:25:56,163 --> 00:25:58,121
I CAN'T TELL YOU
HOW MUCH
443
00:25:58,165 --> 00:25:59,862
UNTIL I GET A PROBE
INSIDE OF YOU.
444
00:25:59,906 --> 00:26:03,605
YOU AND YOUR PROBES
BETTER KEEP YOUR DISTANCE,
KENNETH CAMERON.
445
00:26:04,998 --> 00:26:07,043
WHERE'S MY POOR
LITTLE OL' DANA?
446
00:26:07,087 --> 00:26:09,480
OUT FRONT, WAITING
TO BE UNFIRED.
447
00:26:10,569 --> 00:26:11,961
COME ON IN, CHILD.
448
00:26:12,005 --> 00:26:13,223
LET ME HUG YOU.
449
00:26:13,267 --> 00:26:14,790
LONNIE'S WITH ME.
450
00:26:14,834 --> 00:26:16,400
WELL, BRING HIM IN.
451
00:26:16,444 --> 00:26:17,967
YES, MA'AM.
452
00:26:19,490 --> 00:26:21,014
LET'S GO IN.
453
00:26:23,582 --> 00:26:24,974
DON'T GIVE ME THAT LOOK.
454
00:26:25,018 --> 00:26:28,108
I'M ILL-TEMPERED
BECAUSE IT GOES
WITH HEART FAILURE.
455
00:26:28,151 --> 00:26:29,631
YOU HAVEN'T HAD
HEART FAILURE.
456
00:26:29,675 --> 00:26:31,502
WELL, HEART ATTACK.
457
00:26:31,546 --> 00:26:33,243
I CAN'T BE SURE,
UNLESS--
458
00:26:33,287 --> 00:26:35,028
UNLESS YOU PROBE ME.
459
00:26:35,071 --> 00:26:37,291
WELL, THAT'S OUT.
NO PROBINGS.
460
00:26:37,334 --> 00:26:39,336
JUST WITH
A TINY CATHETER.
461
00:26:39,380 --> 00:26:41,948
LAST THING I WANT
ANYBODY TO PROBE ME WITH
462
00:26:41,991 --> 00:26:45,168
IS A TINY CATHETER.
463
00:26:45,212 --> 00:26:48,955
OH, I NEED TO BE FREE
OF STRESS, THAT'S ALL.
464
00:26:48,998 --> 00:26:50,565
I NEED OBEDIENCE.
465
00:26:50,609 --> 00:26:53,350
OBEDIENCE TO WHAT,
AUNT COR?
466
00:26:54,090 --> 00:26:55,614
TO MY WISHES.
467
00:26:55,657 --> 00:26:57,267
THEY'RE ONLY IN
THE BEST INTEREST
468
00:26:57,311 --> 00:27:01,054
OF THOSE I CARE FOR.
ISN'T THAT TRUE, KENNETH?
469
00:27:01,097 --> 00:27:02,751
YOU ALWAYS SPEAK
TRULY, CORDELIA.
470
00:27:02,795 --> 00:27:04,797
I MUST GO.
DANA. LIEUTENANT.
471
00:27:04,840 --> 00:27:06,102
AFTERNOON.
472
00:27:06,146 --> 00:27:08,278
DINNER, EARLY, SUNDAY?
473
00:27:08,322 --> 00:27:09,932
YES, CORDELIA.
474
00:27:09,976 --> 00:27:12,021
COCKTAILS AT 5:00.
475
00:27:12,718 --> 00:27:14,110
YOU, TOO. DINNER.
476
00:27:14,154 --> 00:27:15,634
I'M AFRAID
I'M ON DUTY.
477
00:27:15,677 --> 00:27:17,418
I WANT YOU OFF DUTY.
478
00:27:17,461 --> 00:27:19,333
I'LL SEE,
BUT I'M GOING--
479
00:27:19,376 --> 00:27:22,075
IT STARTS AT 5:00
TO WHENEVER.
480
00:27:24,643 --> 00:27:26,383
PLEASE DON'T FIGHT ME.
481
00:27:27,341 --> 00:27:28,777
YES, MA'AM.
482
00:27:31,214 --> 00:27:32,694
DANA.
483
00:27:51,147 --> 00:27:52,714
YOU TWO LOOK
VERY NICE TOGETHER,
484
00:27:52,758 --> 00:27:54,150
YOU KNOW THAT?
485
00:27:55,848 --> 00:27:57,893
ANSWER MY QUESTION.
DO YOU KNOW THAT?
486
00:27:57,937 --> 00:28:00,330
I KNOW DANA
LOOKS VERY NICE,
487
00:28:00,374 --> 00:28:02,028
JUST AS ALWAYS.
488
00:28:03,725 --> 00:28:05,379
I SAID TOGETHER.
489
00:28:06,772 --> 00:28:07,903
NOW, AUNT COR,
490
00:28:07,947 --> 00:28:09,470
THAT'S KIND OF
AN EMBARRASSING QUESTION.
491
00:28:09,513 --> 00:28:10,819
IT CERTAINLY IS.
492
00:28:12,560 --> 00:28:14,997
NOW, RAUL, YOUR COUSIN,
493
00:28:15,041 --> 00:28:17,783
IS DOING THESE TERRIBLE
THINGS TO CHES COLLINS.
494
00:28:17,826 --> 00:28:20,350
NOW, YOU HEAR ME, LONNIE?
DON'T PRETEND IGNORANCE.
495
00:28:20,394 --> 00:28:22,265
I KNOW YOU KNOW
THAT IT'S TRUE.
496
00:28:22,309 --> 00:28:24,920
CORDELIA, IF HE
KNEW IT WAS TRUE,
497
00:28:24,964 --> 00:28:26,617
HE'D HAVE TO ARREST RAUL.
498
00:28:26,661 --> 00:28:29,316
RAUL IS MENTALLY, UH,
499
00:28:29,359 --> 00:28:30,796
HOW SHALL I SAY,
500
00:28:30,839 --> 00:28:33,407
NOT QUITE AS QUICK
AS EVERYBODY ELSE?
501
00:28:33,450 --> 00:28:35,931
STOP HIM DOING
THESE THINGS
502
00:28:35,975 --> 00:28:37,977
WITHOUT GETTING HIM
INTO TROUBLE.
503
00:28:38,020 --> 00:28:40,980
HOW'S A POLICE OFFICER
SUPPOSED TO DO THAT?
504
00:28:41,023 --> 00:28:42,982
I MEAN, IF RAUL'S
BROKEN THE LAW--
505
00:28:43,025 --> 00:28:45,854
I'M TALKING ABOUT
FAMILY TIES AND DUTIES,
506
00:28:45,898 --> 00:28:47,160
NOT ABOUT COP STUFF.
507
00:28:47,203 --> 00:28:50,554
YOU KNOW THE FAMILY TIES
ARE THIN AROUND HERE.
508
00:28:50,598 --> 00:28:52,992
I'LL SAY WHETHER OR NOT
THEY'RE THIN.
509
00:28:53,035 --> 00:28:56,125
THEY'RE AS THIN OR THICK
AS I WANT THEM TO BE.
510
00:28:56,169 --> 00:28:57,997
I'M THE HEAD
OF THIS FAMILY.
511
00:29:02,262 --> 00:29:04,612
DANA, POUR THE TEA,
CHILD, WILL YOU?
512
00:29:17,233 --> 00:29:19,105
I'D RATHER BE HERE
513
00:29:20,454 --> 00:29:22,804
THAN ANY PLACE I KNOW
514
00:29:24,110 --> 00:29:27,722
I'D RATHER BE HERE
515
00:29:27,766 --> 00:29:31,378
THAN ANY PLACE I KNOW
516
00:29:33,380 --> 00:29:35,556
IT'LL TAKE THE SERGEANT
517
00:29:36,513 --> 00:29:38,777
FOR TO MAKE ME GO
518
00:29:41,040 --> 00:29:43,520
COMIN' DOWN TO THE RIVER
519
00:29:44,565 --> 00:29:46,915
THERE'S A REASON WHY
520
00:29:48,134 --> 00:29:51,050
I'M GOIN' DOWN
TO THE RIVER
521
00:29:52,616 --> 00:29:54,705
THERE'S A REASON WHY
522
00:29:56,620 --> 00:29:58,840
'CAUSE THE RIVER'S WET
523
00:29:58,884 --> 00:30:02,975
AND BEALE STREET'S
DONE GONE DRY
524
00:30:48,498 --> 00:30:51,937
CHES! THERE'S SOME GUYS
OUT THERE! WATCH OUT!
525
00:30:53,677 --> 00:30:55,157
AAH!
526
00:31:03,296 --> 00:31:05,559
THEY GET YOU,
SWEET JERRY BOY?
527
00:31:05,602 --> 00:31:08,040
JERRY! JERRY!
528
00:31:43,858 --> 00:31:44,990
LIEUTENANT JAMISON?
529
00:31:45,033 --> 00:31:46,948
YES, MA'AM.
THIS IS SERGEANT CORBIN.
530
00:31:46,992 --> 00:31:48,254
HE'S BEEN EXPECTING YOU,
LIEUTENANT.
531
00:31:48,297 --> 00:31:50,212
GO RIGHT ON IN. THANK YOU.
532
00:31:50,256 --> 00:31:52,301
LIEUTENANT JAMISON
COMING IN, MR. WOODLIN.
533
00:31:53,607 --> 00:31:56,044
I WANT TO SEE
YOUR COMPUTER.
534
00:31:56,088 --> 00:31:57,350
YOU CAN'T.
535
00:32:02,050 --> 00:32:05,924
YES, I CAN.
JUST MOVE ASIDE.
536
00:32:05,967 --> 00:32:07,447
I'M DOING SOME WORK
ON THIS.
537
00:32:07,490 --> 00:32:09,710
WELL, THAT'S O.K.
JUST PRESS "SAVE"
AND MOVE OVER.
538
00:32:09,753 --> 00:32:11,581
DON'T MAKE ME
ASK YOU AGAIN,
539
00:32:11,625 --> 00:32:13,148
OR YOU'RE
IN TROUBLE, GIRL.
540
00:32:26,814 --> 00:32:30,165
WHAT MAKES YOU THINK
THESE TWO BOYS WORK
FOR RAUL
541
00:32:30,209 --> 00:32:32,515
OR WORK FOR THIS COMPANY?
542
00:32:32,559 --> 00:32:33,995
THE BLACK KID,
CLU DEETER,
543
00:32:34,039 --> 00:32:36,128
WAS IDENTIFIED
BY THE CLUB DOORMAN.
544
00:32:36,171 --> 00:32:40,045
THE WHITE KID
I THINK IS HIS FRIEND,
DIDDY FORDE.
545
00:32:40,088 --> 00:32:42,873
WELL, HOW WOULD
I KNOW, LONNIE?
546
00:32:42,917 --> 00:32:44,397
I JUST WANT TO SEE
CLU AND DIDDY.
547
00:32:44,440 --> 00:32:45,702
CAN YOU GET THEM?
548
00:32:47,095 --> 00:32:48,488
[SIGHS]
549
00:32:48,531 --> 00:32:50,272
FORDE AND DEETER.
550
00:32:50,316 --> 00:32:52,405
JUST A MINUTE.
551
00:32:53,014 --> 00:32:54,146
[BUZZ]
552
00:32:54,189 --> 00:32:55,538
YES, SIR?
553
00:32:57,279 --> 00:32:59,151
YES, SIR.
FORDE AND DEETER.
554
00:32:59,194 --> 00:33:00,935
I'LL FIND OUT, SIR.
555
00:33:06,071 --> 00:33:07,855
HI. THIS IS
CHERRY HAYNES
556
00:33:07,898 --> 00:33:10,597
IN MR. WOODLIN'S
OFFICE.
557
00:33:10,640 --> 00:33:12,773
MR. WOODLIN
WOULD LIKE TO SEE
558
00:33:12,816 --> 00:33:15,428
DAVID FORDE
AND ROGER DEETER.
559
00:33:15,471 --> 00:33:17,473
CALL ME WHEN YOU'VE
FOUND THEM, PLEASE.
560
00:33:28,093 --> 00:33:31,096
I DON'T KNOW
WHAT'S GOING ON
AROUND HERE.
561
00:33:31,139 --> 00:33:33,098
I MEAN, I WROTE
THOSE NOTES IN THERE,
562
00:33:33,141 --> 00:33:34,795
BUT I WAS ONLY
FOLLOWING ORDERS.
563
00:33:36,797 --> 00:33:38,842
I THOUGHT IT WAS ALL
SOME KIND OF A JOKE,
564
00:33:38,886 --> 00:33:40,322
THAT'S ALL.
565
00:33:44,892 --> 00:33:47,764
CORDELIA DOESN'T
WANT RAUL TO GET
INTO ANY TROUBLE.
566
00:33:47,808 --> 00:33:51,159
NEITHER DO I,
BUT HE MIGHT HAVE
SET THESE TWO GUYS
567
00:33:51,203 --> 00:33:52,595
TO DOING WHAT THEY DID.
568
00:33:52,639 --> 00:33:55,816
WHAT'S TO BE GAINED
BY DOING A THING
LIKE THAT?
569
00:33:56,599 --> 00:33:58,427
NOTHING AT ALL.
570
00:33:58,471 --> 00:34:02,127
THEN WHY DO YOU THINK
RAUL WOULD DO IT?
571
00:34:02,170 --> 00:34:05,391
FRANKLY, 'CAUSE
HE AIN'T TOO BRIGHT, GRANT.
572
00:34:05,434 --> 00:34:09,003
ALL RIGHT, LONNIE.
I WANT YOU OUT OF HERE.
573
00:34:09,047 --> 00:34:10,787
[CHERRY]
MR. WOODLIN,
PERSONNEL SAYS
574
00:34:10,831 --> 00:34:13,703
FORDE AND DEETER WORK
IN THE MOTOR POOL
IN THE SERVICE BAY
575
00:34:13,747 --> 00:34:16,184
AND THAT NEITHER ONE'S
AT WORK TODAY.
576
00:34:16,228 --> 00:34:18,099
WELL, YOU HEARD THAT.
577
00:34:18,143 --> 00:34:20,188
I WANT CLU
AND DIDDY'S ADDRESSES.
578
00:34:20,232 --> 00:34:21,885
OH, COME ON NOW!
579
00:34:21,929 --> 00:34:23,409
THERE'S AN
OLD-FASHIONED CHARGE
580
00:34:23,452 --> 00:34:25,063
CALLED "OBSTRUCTING JUSTICE."
581
00:34:25,106 --> 00:34:27,543
I'M READY TO ARREST YOU
ON THAT RIGHT NOW.
582
00:34:27,587 --> 00:34:29,980
I'LL MAKE YOU
SORRY FOR THIS.
583
00:34:30,024 --> 00:34:32,070
JUST GET ME
THE ADDRESSES.
584
00:35:26,907 --> 00:35:28,169
MORNING, MISS CORDELIA.
585
00:35:28,213 --> 00:35:29,475
MORNING, SHERIFF.
586
00:35:29,518 --> 00:35:30,650
SOMETHING WRONG?
587
00:35:30,693 --> 00:35:32,695
NO. I'M BRINGING YOU
GOOD NEWS.
588
00:35:32,739 --> 00:35:34,306
YOUR DRIVER
JERRY SHELBY
589
00:35:34,349 --> 00:35:37,047
IS NOT IN
CRITICAL CONDITION.
590
00:35:37,091 --> 00:35:38,527
IN FACT,
HE'S FEELING FINE.
591
00:35:38,571 --> 00:35:39,920
HE'S IN
A VISITING MOOD.
592
00:35:39,963 --> 00:35:42,009
WELL, THAT'S FINE
'CAUSE I'M ON MY WAY
TO VISIT.
593
00:35:42,052 --> 00:35:43,358
GOOD.
594
00:35:43,967 --> 00:35:46,187
UH...
595
00:35:46,231 --> 00:35:48,102
COME SIT DOWN A MOMENT.
596
00:35:53,281 --> 00:35:56,850
HOW LONG YOU FIGURE
TO BE ABOVE GROUND,
BILL GILLESPIE?
597
00:35:59,418 --> 00:36:01,811
WELL...
598
00:36:01,855 --> 00:36:05,206
I THINK I CAN, UH,
STRETCH IT TO 10 YEARS.
599
00:36:05,250 --> 00:36:07,774
OH, WELL, I CAN'T.
600
00:36:07,817 --> 00:36:10,472
I'M TIRED.
601
00:36:10,516 --> 00:36:13,083
YOU KNOW...
WHEN I CLOSE
MY EYES,
602
00:36:13,127 --> 00:36:14,998
YOU COULD DO ME
A FAVOR.
603
00:36:15,042 --> 00:36:19,438
TELL LONNIE JAMISON
HE'LL BE ALL RIGHT.
I'VE SEEN TO THAT.
604
00:36:20,961 --> 00:36:22,876
DON'T YOU WANT TO
TELL HIM THAT YOURSELF?
605
00:36:22,919 --> 00:36:24,921
OH, LORD, NO.
606
00:36:24,965 --> 00:36:27,533
I'D HAVE TO
ANSWER 100 WHYS
AND WHEREFORES,
607
00:36:27,576 --> 00:36:30,057
AND IT ALL
COMES DOWN TO THIS--
608
00:36:30,100 --> 00:36:33,191
I'VE LIVED
A DISTRACTED LIFE,
609
00:36:33,234 --> 00:36:35,758
APART FROM BUSINESS.
610
00:36:35,802 --> 00:36:37,107
A THOUGHTLESS LIFE.
611
00:36:37,151 --> 00:36:38,370
A...
612
00:36:38,413 --> 00:36:41,068
A SELFISH LIFE.
613
00:36:41,111 --> 00:36:43,331
NEVER TRIED TO HELP
HIM AND HIS MAMA.
614
00:36:45,290 --> 00:36:47,117
I SEE
MY LOVELY NIECE NOW
615
00:36:47,161 --> 00:36:49,511
WHEN I, UH...
WHEN I LOOK AT HIM.
616
00:36:52,253 --> 00:36:53,863
TELL HIM? SURE ENOUGH.
617
00:36:53,907 --> 00:36:56,083
WHEN THE TIME COMES.
618
00:36:56,126 --> 00:36:57,519
OH, YES, MA'AM.
619
00:37:13,143 --> 00:37:15,929
EXCUSE ME, CHIEF.
COVEY AND EVERETT
LOST ONE OF THEM.
620
00:37:15,972 --> 00:37:17,974
THEY WANT SOME HELP
DOWN IN PEARBLOSSOM.
621
00:37:20,020 --> 00:37:21,630
TAKE ME DOWN THERE.
622
00:38:19,688 --> 00:38:21,037
DIDDY FORDE!
623
00:38:21,081 --> 00:38:23,344
IT'S THE POLICE.
624
00:38:23,388 --> 00:38:25,128
SON, WE WANT YOU.
625
00:38:32,745 --> 00:38:35,051
IT AIN'T GOING TO
DO YOU ANY GOOD TO RUN!
626
00:38:35,095 --> 00:38:36,401
YOU AIN'T GOING
TO GET ANYWHERE!
627
00:38:47,281 --> 00:38:48,630
COME ON, DIDDY.
628
00:38:48,674 --> 00:38:50,589
DROP YOUR WEAPON
AND COME OUT
WITH YOUR HANDS UP.
629
00:39:02,470 --> 00:39:04,559
DROP IT AND STAND STILL!
630
00:40:14,499 --> 00:40:15,761
NO!
631
00:40:16,936 --> 00:40:18,372
LET IT GO!
632
00:40:21,288 --> 00:40:22,942
WHAT YOU WANT ME FOR?
633
00:40:22,985 --> 00:40:26,424
FOR BEING SUCH
A BAD CHARACTER,
SONNY.
634
00:40:27,729 --> 00:40:30,819
FOR CARRYING
THIS PIECE AROUND,
635
00:40:30,863 --> 00:40:33,474
FOR SHOOTING,
STEALING,
636
00:40:33,518 --> 00:40:34,910
WRECKING CARS.
637
00:40:34,954 --> 00:40:37,609
NOT ME, MAN! NOT ME!
638
00:40:37,652 --> 00:40:39,437
AND FOR BEING A LIAR.
639
00:40:41,047 --> 00:40:43,310
YOU A BIG LIAR.
640
00:40:44,790 --> 00:40:47,706
YOU'RE ALL
THOSE THINGS I SAID,
641
00:40:47,749 --> 00:40:49,925
AND YOU ARE GOING
TO DO A NUMBER
OF HARD YEARS
642
00:40:49,969 --> 00:40:53,929
IN PARCHMAN PRISON.
HUH? UNLESS...
643
00:40:55,322 --> 00:40:57,019
WHAT?
644
00:40:57,672 --> 00:41:00,022
WE FIND OUT
645
00:41:00,066 --> 00:41:03,199
WHO'S BEHIND
ALL THIS CRAZY STUFF
646
00:41:03,243 --> 00:41:05,201
THAT I TRULY HATE A LOT.
647
00:41:06,551 --> 00:41:09,554
I WANT TO MAKE
SOME ARRESTS, SONNY.
648
00:41:10,032 --> 00:41:11,294
HMM?
649
00:41:11,947 --> 00:41:13,558
HMM?
650
00:41:16,604 --> 00:41:18,345
I'M IN A TRANCE
651
00:41:18,388 --> 00:41:20,695
A BEAUTIFUL TRANCE
652
00:41:20,739 --> 00:41:24,569
SINCE I FELL IN LOVE
WITH YOU
653
00:41:24,612 --> 00:41:27,789
I CAN'T BELIEVE
IT HAPPENED TO ME
654
00:41:27,833 --> 00:41:31,532
IT SEEMED TOO GOOD
TO BE TRUE
655
00:41:33,839 --> 00:41:35,623
WAS IT A DREAM?
656
00:41:35,667 --> 00:41:37,625
WAS IT A DREAM?
657
00:41:37,669 --> 00:41:39,888
WE WERE ALONE
658
00:41:39,932 --> 00:41:44,371
AND YOU WERE IN MY ARMS
LAST NIGHT
659
00:41:44,414 --> 00:41:45,851
WAS IT A DREAM?
660
00:41:45,894 --> 00:41:47,548
WAS IT A DREAM?
661
00:41:47,592 --> 00:41:49,985
WE MADE A VOW
662
00:41:50,029 --> 00:41:54,860
BENEATH THE PALE
MOONLIGHT
663
00:41:54,903 --> 00:41:57,297
I NEVER KNEW,
I NEVER THOUGHT
664
00:41:57,340 --> 00:42:00,605
SUCH BLISS AS THIS
COULD FILL ME
665
00:42:00,648 --> 00:42:04,086
WITH A LOVE DIVINE
666
00:42:04,130 --> 00:42:07,133
I'M AFRAID
I'LL WAKE AND FIND
667
00:42:07,176 --> 00:42:11,790
IT WAS ONLY ON MY MIND
668
00:42:11,833 --> 00:42:13,705
WAS IT A DREAM
669
00:42:13,748 --> 00:42:17,926
OR ARE YOU REALLY MINE?
670
00:42:17,970 --> 00:42:20,755
I'M AFRAID
I'LL WAKE AND FIND
671
00:42:20,799 --> 00:42:25,760
IT WAS ONLY ON MY MIND
672
00:42:25,804 --> 00:42:27,806
WAS IT A DREAM
673
00:42:27,849 --> 00:42:30,852
OR ARE YOU REALLY
674
00:42:30,896 --> 00:42:33,725
MINE?
675
00:42:34,290 --> 00:42:37,076
[APPLAUSE]
676
00:42:53,005 --> 00:42:54,049
HI, CHES.
677
00:42:54,093 --> 00:42:55,485
I'M GLAD YOU COULD COME.
678
00:42:55,529 --> 00:42:56,965
OH, YEAH.
679
00:43:07,541 --> 00:43:09,151
WE'LL HAVE SOME FUN.
680
00:43:09,195 --> 00:43:11,023
OH, I'VE HAD
ENOUGH FUN, CHES.
681
00:43:11,066 --> 00:43:14,504
ALL I WANT TO DO
IS REMEMBER
MY FOOLISHNESS.
682
00:43:15,375 --> 00:43:16,855
I'LL HELP YOU.
683
00:43:39,051 --> 00:43:41,880
THOSE HAPPY
684
00:43:41,923 --> 00:43:46,972
GRAY SUNDAYS IN
685
00:43:47,886 --> 00:43:49,365
ABOVE...
686
00:43:49,409 --> 00:43:52,020
I SUPPOSE YOU TAKE
OFFICIAL ORDERS.
687
00:43:52,064 --> 00:43:54,501
YES, MA'AM.
688
00:43:54,544 --> 00:43:56,372
UNOFFICIAL?
689
00:43:56,416 --> 00:43:59,332
NOT TOO OFTEN,
BUT I HAVE ON
OCCASION.
690
00:43:59,375 --> 00:44:02,857
YOUR MAMA WAS THE SAME,
SO WAS YOUR DADDY.
691
00:44:04,076 --> 00:44:06,208
TOO INDEPENDENT, ALWAYS...
692
00:44:07,906 --> 00:44:09,211
SO WAS I.
693
00:44:09,255 --> 00:44:11,692
THAT WE'D REQUIRE
694
00:44:11,736 --> 00:44:16,958
NOTHING EVER
GAVE US WORRY
695
00:44:17,002 --> 00:44:21,920
BUT THE COFFEE
ON THE FIRE
696
00:44:21,963 --> 00:44:25,924
GRAY SUNDAYS IN
697
00:44:27,621 --> 00:44:32,365
A LITTLE
MUSIC'S PLAYING
698
00:44:32,408 --> 00:44:38,066
SOMETHING FROM LONG AGO
699
00:44:40,765 --> 00:44:46,118
AND IF RAIN FELL
PAST THE WINDOW
700
00:44:46,161 --> 00:44:49,687
WE NEVER CARED A PIN
701
00:44:51,166 --> 00:44:53,081
THOSE QUIET
702
00:44:54,387 --> 00:44:55,997
HAPPY
703
00:44:56,041 --> 00:44:58,478
GRAY
704
00:44:59,784 --> 00:45:02,569
SUNDAYS
705
00:45:03,309 --> 00:45:05,572
THOSE QUIET
706
00:45:06,486 --> 00:45:08,183
HAPPY
707
00:45:08,967 --> 00:45:10,838
GRAY
708
00:45:12,187 --> 00:45:14,712
SUNDAYS
709
00:45:14,755 --> 00:45:17,366
IN
47530
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