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1
00:00:04,004 --> 00:00:09,705
♪ IN THE HEAT OF THE NIGHT
2
00:00:11,533 --> 00:00:14,840
♪ I'VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:20,020 --> 00:00:24,285
♪ IN THE HEAT OF THE NIGHT
4
00:00:24,328 --> 00:00:27,157
♪ YEAH
5
00:00:27,201 --> 00:00:33,207
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:33,250 --> 00:00:36,471
♪ OH
7
00:00:36,514 --> 00:00:39,952
♪ BUT HOLD ON
8
00:00:39,996 --> 00:00:42,607
♪ IT WON'T BE LONG
9
00:00:42,651 --> 00:00:44,740
♪ JUST YOU BE STRONG
10
00:00:44,783 --> 00:00:47,221
♪ AND IT'LL BE ALL RIGHT
11
00:00:50,528 --> 00:00:54,184
♪ IN THE HEAT OF THE NIGHT
12
00:00:54,228 --> 00:01:01,365
♪ IN THE HEAT
OF THE NIGHT ♪
13
00:01:09,025 --> 00:01:14,378
[MUSIC AND CLAPPING]
14
00:01:14,422 --> 00:01:17,599
♪ I AM WEAK
15
00:01:17,642 --> 00:01:19,775
♪ BUT THOU ART STRONG
16
00:01:19,818 --> 00:01:21,081
YES, YES!
17
00:01:21,124 --> 00:01:22,734
YEAH!
18
00:01:22,778 --> 00:01:26,477
♪ JESUS, KEEP ME
19
00:01:26,521 --> 00:01:29,915
♪ FROM ALL WRONG
20
00:01:29,959 --> 00:01:34,442
♪ OH, I'LL BE SATISFIED
21
00:01:34,485 --> 00:01:38,098
♪ EVERMORE
22
00:01:38,141 --> 00:01:40,230
♪ YES, I'LL WALK
23
00:01:40,274 --> 00:01:42,754
♪ LET ME WALK
24
00:01:42,798 --> 00:01:46,236
♪ CLOSE TO THEE
25
00:01:47,585 --> 00:01:52,199
♪ JUST A CLOSER
WALK WITH THEE ♪
26
00:01:52,242 --> 00:01:55,593
♪ OH, JUST
A CLOSER WALK ♪
27
00:01:55,637 --> 00:01:57,160
♪ GRANT IT, JESUS
28
00:01:57,204 --> 00:01:58,553
♪ GRANT IT, JESUS
29
00:01:58,596 --> 00:02:02,165
♪ HEAR MY PLEA
30
00:02:04,036 --> 00:02:06,909
♪ DAILY WALKING
31
00:02:06,952 --> 00:02:10,347
♪ CLOSE TO THEE
32
00:02:10,391 --> 00:02:12,001
♪ YEAH
33
00:02:12,044 --> 00:02:14,351
♪ LET IT BE
34
00:02:14,395 --> 00:02:15,961
♪ DEAR LORD
35
00:02:16,005 --> 00:02:17,789
♪ LET IT BE
36
00:02:17,833 --> 00:02:19,878
♪ YEAH
37
00:02:19,922 --> 00:02:21,837
♪ LET IT BE
38
00:02:21,880 --> 00:02:23,317
♪ DEAR LORD
39
00:02:23,360 --> 00:02:28,191
♪ LET IT BE
40
00:02:28,235 --> 00:02:30,889
♪ YEAH
41
00:02:34,197 --> 00:02:35,372
YEAH!
42
00:02:35,416 --> 00:02:36,765
YEAH!
43
00:02:37,635 --> 00:02:39,594
AMEN!
44
00:02:41,509 --> 00:02:45,252
DAVID CLARK HAS COME
TO DEDICATE HIS LIFE
45
00:02:45,295 --> 00:02:47,036
TO CHRIST.
46
00:02:47,079 --> 00:02:50,474
TO ACCEPT HIM
AS HIS SAVIOR.
47
00:02:50,518 --> 00:02:52,302
WE ASK YOU
TO WELCOME HIM
48
00:02:52,346 --> 00:02:54,217
INTO YOUR LOVING ARMS,
DEAR LORD.
49
00:02:55,305 --> 00:02:56,915
AMEN.
50
00:02:56,959 --> 00:02:58,352
AMEN.
AMEN.
AMEN.
51
00:02:58,395 --> 00:02:59,396
AMEN?
52
00:02:59,440 --> 00:03:01,442
AMEN!
AMEN!
AMEN!
53
00:03:01,485 --> 00:03:04,140
[PIANO PLAYS]
54
00:03:13,367 --> 00:03:15,107
OOH, GIRL.
55
00:03:15,151 --> 00:03:17,284
YOU SHOULD SING
MORE THAN GOSPEL.
56
00:03:17,327 --> 00:03:20,243
IT'S ABOUT TIME
I GOT YOU IN HERE.
57
00:03:21,549 --> 00:03:23,464
I JUST HAD
THE BEST
IDEA I'VE HAD
58
00:03:23,507 --> 00:03:24,813
SINCE I ASKED
YOU OUT.
59
00:03:24,856 --> 00:03:25,901
IT COULDN'T BE
THAT GOOD.
60
00:03:25,944 --> 00:03:28,469
HOW ABOUT SINGING
AT THE CLUB?
61
00:03:28,512 --> 00:03:29,818
THE ONE YOU'RE
GOING TO MANAGE?
62
00:03:29,861 --> 00:03:32,168
NOW, I GOT
A LITTLE BAND
FOR DANCING.
63
00:03:32,212 --> 00:03:34,649
BUT I WANT TO
TRY SOME SINGERS
IN THERE.
64
00:03:34,692 --> 00:03:37,173
AM I WHAT
YOU'RE LOOKING FOR?
65
00:03:37,217 --> 00:03:39,567
I'M NOT SAYING
YOU WON'T HAVE TO
PRACTICE, NOW.
66
00:03:39,610 --> 00:03:41,917
IT'S NOT LIKE
SINGING IN CHURCH.
67
00:03:41,960 --> 00:03:44,049
BUT DON'T YOU
WANT TO?
68
00:03:44,093 --> 00:03:45,573
PLEASE?
69
00:03:45,616 --> 00:03:50,012
YES, BUT I WONDER
WHAT THE CHIEF
IS GOING TO THINK.
70
00:04:03,155 --> 00:04:05,114
UH, CHIEF FORBES?
71
00:04:05,157 --> 00:04:06,071
MMM.
72
00:04:06,115 --> 00:04:08,465
MRS. JOSEPH
ANDREW ABERCROMBIE
73
00:04:08,509 --> 00:04:09,858
JUST CALLED IN
A COMPLAINT
74
00:04:09,901 --> 00:04:12,426
ABOUT A WILD PARTY
OUT AT THE WATSONS'
PLACE.
75
00:04:12,469 --> 00:04:14,428
IF YOU WANT TO SEND
SOMEBODY OUT THERE...
76
00:04:14,471 --> 00:04:16,517
WELL, SIR, THE TRUTH IS,
77
00:04:16,560 --> 00:04:18,736
IT'S JUST A SMIDGE
OUTSIDE THE CITY LIMITS.
78
00:04:18,780 --> 00:04:20,477
I WAS ABOUT TO CALL
THE SHERIFF'S DEPARTMENT,
79
00:04:20,521 --> 00:04:22,914
BUT I THOUGHT
YOUMIGHT WANT TO.
80
00:04:25,352 --> 00:04:30,052
WELL...CONSIDERING
THE TIME OF NIGHT,
81
00:04:30,095 --> 00:04:32,576
HANDLE THIS
WITHOUT BOTHERING
THE SHERIFF?
82
00:04:32,620 --> 00:04:34,186
YES, SIR. RIGHT ON IT.
83
00:04:34,230 --> 00:04:36,319
CHIEF, I KNOW
YOU'RE HEADED OUT...
84
00:04:36,363 --> 00:04:39,496
LUANN, COME ON IN.
85
00:04:39,540 --> 00:04:41,585
YOU HEARD ABOUT
THE NEW CLUB OPENING UP.
86
00:04:42,325 --> 00:04:43,500
YEAH.
87
00:04:43,544 --> 00:04:45,372
SPARTA'S GOING
TO HAVE ANOTHER BAR.
88
00:04:45,415 --> 00:04:46,721
I DON'T KNOW WHY.
89
00:04:46,764 --> 00:04:48,418
BUT I'M SURE
THEY'RE GOING TO
MAKE LOTS OF MONEY.
90
00:04:48,462 --> 00:04:52,292
I'VE BEEN ASKED TO
SING THERE TWICE A WEEK,
IF THAT'S O.K.
91
00:04:56,644 --> 00:04:58,646
THERE'S ONLY ONE THING
THAT CONCERNS ME--
92
00:04:58,689 --> 00:05:00,082
I'LL WORK IT
AROUND MY SCHEDULE.
93
00:05:00,125 --> 00:05:02,258
I PROMISE
THERE WON'T BE
ANY PROBLEM.
94
00:05:02,302 --> 00:05:06,349
LOOK. THE ONLY THING
THAT CONCERNS ME IS,
95
00:05:06,393 --> 00:05:09,657
I PRIDE MYSELF
ON KNOWING
ALL MY OFFICERS.
96
00:05:09,700 --> 00:05:12,181
AND I DIDN'T EVEN
KNOW YOU COULD SING.
97
00:05:45,432 --> 00:05:46,781
[SIREN]
98
00:05:47,608 --> 00:05:49,523
HEY, HEY!
99
00:05:49,566 --> 00:05:50,915
COME BACK!
HOLD ON!
100
00:05:50,959 --> 00:05:52,656
GET BACK THERE!
101
00:05:53,570 --> 00:05:54,789
GET OVER THERE!
102
00:05:54,832 --> 00:05:56,965
HOLD ON, NOW!
103
00:05:58,183 --> 00:05:59,924
I AIN'T GOING TO CHASE
ONE OF Y'ALL.
104
00:05:59,968 --> 00:06:02,579
AIN'T NOBODY GOING
ANYPLACE JUST YET.
105
00:06:03,101 --> 00:06:04,407
BUBBA.
106
00:06:08,237 --> 00:06:09,804
VITAMINS, HUH?
107
00:06:13,024 --> 00:06:14,809
TURN AROUND.
108
00:06:25,167 --> 00:06:28,170
COME ON, COOK.
SOONER OR LATER,
109
00:06:28,213 --> 00:06:30,215
YOU'RE GOING TO
HAVE TO TELL US
SOMETHING.
110
00:06:32,043 --> 00:06:33,958
WHO'S YOUR SUPPLIER?
111
00:06:36,308 --> 00:06:39,573
SON, WE CAN'T
HELP YOU IF YOU
DON'T HELP US.
112
00:06:39,616 --> 00:06:41,836
TALK TO MY LAWYER.
HE'S PAID FOR THAT.
113
00:06:41,879 --> 00:06:45,230
WE COULD SAVE YOU
COSTLY LEGAL FEES.
114
00:06:45,274 --> 00:06:49,191
HE'S RIGHT. DO SOMETHING
SENSIBLE FOR ONCE
IN YOUR LIFE, HUH?
115
00:06:53,848 --> 00:06:56,416
LET ME GET THIS
STRAIGHT.
116
00:06:56,459 --> 00:06:59,419
YOU NEVER SEEN THESE
BEFORE. YOU DON'T KNOW
WHAT THEY ARE.
117
00:06:59,462 --> 00:07:00,811
THAT'S RIGHT.
118
00:07:01,725 --> 00:07:02,857
HE SAID THE SAME THING
119
00:07:02,900 --> 00:07:04,598
WHEN WE BROUGHT HIM IN
FOR SELLING POT.
120
00:07:04,641 --> 00:07:08,558
HE'S ALWAYS CARRYING
THINGS IN HIS POCKETS
HE'S NEVER SEEN BEFORE.
121
00:07:09,603 --> 00:07:10,778
GET HIM OUT OF HERE.
122
00:07:10,821 --> 00:07:12,388
MY PLEASURE.
123
00:07:21,615 --> 00:07:24,008
THIS IS CHIEF FORBES,
DEBBIE.
124
00:07:28,317 --> 00:07:30,101
YOU USE DRUGS, DEBBIE?
125
00:07:30,145 --> 00:07:34,323
NO. I'VE NEVER
BEEN TO THAT KIND
OF PARTY BEFORE.
126
00:07:34,366 --> 00:07:36,891
THIS GUY
TALKED US INTO IT.
127
00:07:36,934 --> 00:07:38,283
INTO WHAT?
128
00:07:38,327 --> 00:07:40,155
BUYING THAT STUFF.
129
00:07:40,198 --> 00:07:43,201
YOU DIDN'T KNOW
WHAT IT WAS.
130
00:07:43,245 --> 00:07:46,335
SAID THAT IT WOULD
MAKE US FEEL GOOD...
131
00:07:46,378 --> 00:07:48,380
DANCE ALL NIGHT.
132
00:07:48,424 --> 00:07:49,512
HE THE ONLY ONE
SELLING IT?
133
00:07:49,556 --> 00:07:51,993
I ONLY SAW
THAT ONE GUY.
134
00:07:52,950 --> 00:07:54,822
CAN WE GO HOME NOW?
135
00:07:54,865 --> 00:07:57,172
NOT UNTIL AFTER
THE HEARING TOMORROW.
136
00:07:57,215 --> 00:07:58,913
THERE'S G-- AHEM.
137
00:07:58,956 --> 00:08:00,480
THERE'S GOING TO BE
A HEARING?
138
00:08:00,523 --> 00:08:02,438
WAKE UP, GIRL.
139
00:08:03,265 --> 00:08:04,832
THIS IS SERIOUS STUFF.
140
00:08:04,875 --> 00:08:06,224
YOU KNOW
HOW DANGEROUS IT IS,
141
00:08:06,268 --> 00:08:08,749
TAKING SOMETHING
YOU KNOW NOTHING ABOUT?
142
00:08:11,099 --> 00:08:14,537
IT'S HARD TO BELIEVE
YOU'D DO SOMETHING
LIKE THAT.
143
00:08:14,581 --> 00:08:16,452
EVERYBODY WAS DOING IT.
144
00:08:27,637 --> 00:08:29,378
MAN, MAN, MAN.
145
00:08:29,421 --> 00:08:30,814
YEAH.
146
00:08:32,163 --> 00:08:34,122
NO IDENTIFYING MARKS.
147
00:08:35,340 --> 00:08:37,691
THEY'RE HOMEMADE.
MAYBE DESIGNER DRUGS.
148
00:08:37,734 --> 00:08:41,999
YEAH. BUT YOU KNOW,
CHIEF...I REALLY DOUBT
149
00:08:42,043 --> 00:08:43,871
THAT KID COOK'S
IN THIS THING ALONE.
150
00:08:43,914 --> 00:08:45,873
THE BOY DON'T GOT
THE BRAINS FOR IT.
151
00:08:48,266 --> 00:08:50,921
WE GET THOSE LAB RESULTS
TOMORROW MORNING,
152
00:08:50,965 --> 00:08:53,010
WE'LL KNOW WHAT
WE'RE DEALING WITH.
153
00:09:22,649 --> 00:09:24,694
NOT TOO HARD
ON THE EYES, IS SHE?
154
00:09:25,390 --> 00:09:27,044
I DON'T MIND.
155
00:09:49,371 --> 00:09:51,895
SOMETHING TELLS ME
YOU ALREADY CRAZY
ABOUT THE GIRL.
156
00:09:51,939 --> 00:09:54,550
WE ONLY BEEN
DATING A MONTH.
157
00:09:54,594 --> 00:09:56,944
YEAH. I SEEN
THAT LOOK BEFORE.
158
00:09:56,987 --> 00:09:59,381
YOU'RE NOT FOOLING
ANYONE.
159
00:09:59,424 --> 00:10:01,122
HE NEVER COULD.
160
00:10:07,955 --> 00:10:09,739
HEY, TROY.
161
00:10:09,783 --> 00:10:11,654
MY MAN!
162
00:10:13,961 --> 00:10:15,658
THIS HERE'S BRENT SHAW.
163
00:10:17,094 --> 00:10:18,530
SHAW?
164
00:10:18,574 --> 00:10:20,794
WELCOME TO ED RUGER'S
NEW LITTLE CLUB.
165
00:10:21,533 --> 00:10:22,622
THANK YOU.
166
00:10:22,665 --> 00:10:24,275
BE RIGHT WITH YOU.
167
00:10:29,106 --> 00:10:30,586
WHAT THE HELL
YOU DOING?
168
00:10:30,630 --> 00:10:32,544
STOPPING BY TO SEE
AN OLD FRIEND.
169
00:10:32,588 --> 00:10:34,329
WHAT YOU WANT, SHAW?
170
00:10:35,983 --> 00:10:38,463
HEARD YOU'RE HIRING.
171
00:10:38,507 --> 00:10:40,944
THOUGHT YOU MIGHT
COULD USE...
172
00:10:41,728 --> 00:10:43,643
MY MAN HERE.
173
00:10:45,993 --> 00:10:47,821
HE'D MAKE A...
174
00:10:47,864 --> 00:10:49,736
FINE...
175
00:10:49,779 --> 00:10:51,520
BARTENDER?
176
00:10:53,783 --> 00:10:55,698
HE'LL IMPROVE
YOUR BUSINESS.
177
00:10:56,960 --> 00:10:58,396
MINE, TOO.
178
00:10:59,397 --> 00:11:01,008
NO WAY, MAN.
179
00:11:01,051 --> 00:11:03,010
I'M ALL FINISHED
WITH YOUR BUSINESS.
180
00:11:03,053 --> 00:11:05,621
I GAVE IT UP
WHEN I LEFT JACKSON.
181
00:11:07,754 --> 00:11:10,974
WONDER IF
OLD ED RUGER'LL
BELIEVE THAT.
182
00:11:17,894 --> 00:11:20,897
BOY, COULD I TELL
SOME STORIES!
183
00:11:22,420 --> 00:11:23,770
YOU WERE MY BEST DEALER.
184
00:11:23,813 --> 00:11:27,208
MY BEST CUSTOMER, TOO.
THAT WAS YOUR DOWNFALL.
185
00:11:28,252 --> 00:11:30,341
I WARNED YOU ABOUT THAT.
186
00:11:34,041 --> 00:11:35,651
YOU'RE HIRED.
187
00:11:38,175 --> 00:11:39,524
TROY...
188
00:11:40,438 --> 00:11:42,963
WHY DON'T YOU, UH...
189
00:11:44,051 --> 00:11:46,009
TRY A SAMPLE...
190
00:11:46,053 --> 00:11:47,750
OF THE LATEST...
191
00:11:48,533 --> 00:11:50,231
JOY DROPS?
192
00:11:53,321 --> 00:11:55,236
ON THE HOUSE.
193
00:11:56,237 --> 00:11:57,542
NO, THANKS.
194
00:11:57,586 --> 00:11:59,980
KEEP IT STRAIGHT,
OR YOU'RE OUT OF HERE.
195
00:12:02,809 --> 00:12:04,724
LOVE THE PLACE, TROY!
196
00:12:12,644 --> 00:12:14,124
ECSTASY.
197
00:12:14,168 --> 00:12:15,778
MMM.
198
00:12:15,822 --> 00:12:17,084
WELL, UH...
199
00:12:17,127 --> 00:12:21,175
THAT'S QUITE
A NAME TO LIVE
UP TO, ECSTASY.
200
00:12:21,218 --> 00:12:23,264
DOES IT
PRODUCE THAT?
201
00:12:23,307 --> 00:12:25,309
SO THEY SAY.
202
00:12:25,353 --> 00:12:27,137
IT'S THE LATEST CRAZE.
203
00:12:27,181 --> 00:12:30,140
MOSTLY AMONG
COLLEGE KIDS
AND TEENAGERS.
204
00:12:30,184 --> 00:12:31,968
WELL, WHAT IS IN IT?
205
00:12:33,143 --> 00:12:35,102
I FIGURED YOU'D ASK.
206
00:12:36,103 --> 00:12:38,322
IT'S CALLED "MDMA,"
207
00:12:38,366 --> 00:12:39,584
WHICH STANDS FOR...
208
00:12:39,628 --> 00:12:43,066
"METHYLENE DIOXI
METHAMPHETAMINE."
209
00:12:43,850 --> 00:12:45,068
I NEVER HEARD OF IT.
210
00:12:45,112 --> 00:12:48,332
BUT I DID HEAR
AMPHETAMINE IN THERE.
211
00:12:48,376 --> 00:12:51,640
YEAH. IT'S MADE
IN UNDERGROUND LABS.
212
00:12:52,946 --> 00:12:54,599
HOW MUCH IS IT?
213
00:12:54,643 --> 00:12:58,168
IN MEMPHIS,
ABOUT $8.00 A DOSE.
214
00:12:58,212 --> 00:12:59,822
AND CHEAP, RELATIVELY.
215
00:12:59,866 --> 00:13:01,606
AND IT CAN BE LETHAL.
216
00:13:01,650 --> 00:13:03,652
BEING THAT IT'S HOMEMADE,
217
00:13:03,695 --> 00:13:07,656
THESE KIDS HAVE NO IDEA
HOW STRONG A DOSE MAY BE.
218
00:13:07,699 --> 00:13:09,310
WELL, SOMEBODY
OUGHT TO BE TOLD
219
00:13:09,353 --> 00:13:10,877
THAT IN THE STATE
OF MISSISSIPPI,
220
00:13:10,920 --> 00:13:13,314
THIS CARRIES
A $250,000 FINE
221
00:13:13,357 --> 00:13:15,795
AND MAYBE 30 YEARS
IN THE PEN.
222
00:13:16,621 --> 00:13:17,797
YEAH.
223
00:13:17,840 --> 00:13:19,320
JUDGE'LL TELL HIM THAT...
224
00:13:19,363 --> 00:13:21,844
AT THE HEARING,
THEN HE'LL GET OUT
225
00:13:21,888 --> 00:13:24,281
RUN RIGHT BACK
TO HIS HOLE,
226
00:13:24,325 --> 00:13:27,067
JUST LIKE ANY ORDINARY RAT
WHO LOVES HIS HOME.
227
00:13:27,110 --> 00:13:29,373
YEAH. [CHUCKLES]
228
00:13:29,417 --> 00:13:30,853
BUT, UM...
229
00:13:30,897 --> 00:13:35,597
LET'S SEE IF WE
CAN'T FIX A LOCATION
FOR THAT HOME.
230
00:13:35,640 --> 00:13:37,729
YOU KNOW, JUST
TO BE DOING SOMETHING.
231
00:13:38,861 --> 00:13:40,384
YEAH.
232
00:13:44,519 --> 00:13:46,129
GOOD EVENING.
233
00:13:48,218 --> 00:13:50,046
[MUSIC AND SINGING]
234
00:13:51,178 --> 00:13:53,615
♪ I ALWAYS GOT
TOO MUCH TO SAY ♪
235
00:13:55,095 --> 00:13:59,186
♪ NEVER HAD MUCH LUCK
WITH LOVE AND ROMANCE ♪
236
00:13:59,229 --> 00:14:03,538
♪ I GUESS IT'S
ALWAYS BEEN THAT WAY ♪
237
00:14:03,581 --> 00:14:07,759
♪ OH, BUT I'VE BEEN
SERIOUSLY THINKIN' ♪
238
00:14:07,803 --> 00:14:12,721
♪ ABOUT SLIPPIN' ON
THE VELVET GLOVE ♪
239
00:14:12,764 --> 00:14:13,983
♪ I KNOW IT'S STRANGE
240
00:14:14,027 --> 00:14:16,594
♪ BUT MY LUCK'S
ABOUT TO CHANGE ♪
241
00:14:16,638 --> 00:14:21,556
♪ 'CAUSE WHAT I GOT HERE
IS TRUE LOVE ♪
242
00:14:21,599 --> 00:14:23,863
♪ TRUE LOVE,
YOU CAN'T BUY IT ♪
243
00:14:23,906 --> 00:14:25,734
♪ OH, NO
244
00:14:25,777 --> 00:14:29,477
♪ YOU KNOW IT AIN'T
LIKE NOTHIN' ELSE ♪
245
00:14:29,520 --> 00:14:30,826
♪ TRUE LOVE
246
00:14:30,870 --> 00:14:33,524
♪ YOU REALLY
OUGHT TO TRY IT ♪
247
00:14:33,568 --> 00:14:35,787
♪ YOU OWE IT
TO YOURSELF ♪
248
00:14:35,831 --> 00:14:39,922
♪ TO GET YOU
SOME TRUE LOVE ♪
249
00:14:39,966 --> 00:14:42,577
♪ YEAH
250
00:14:42,620 --> 00:14:44,100
HA HA HA.
251
00:14:47,234 --> 00:14:48,931
♪ YOU KNOW,
I WAKE UP ♪
252
00:14:48,975 --> 00:14:51,455
♪ EVERY MORNIN'
253
00:14:51,499 --> 00:14:54,894
♪ IT'S THE FIRST THING
ON MY MIND ♪
254
00:14:56,243 --> 00:15:00,290
♪ THIS IS A PERMANENT
CONDITION ♪
255
00:15:00,334 --> 00:15:03,163
♪ OF THE MOST
SERIOUS KIND ♪
256
00:15:03,206 --> 00:15:07,558
♪ OH, LET ME TELL YOU
SOMETHING, BABY ♪
257
00:15:07,602 --> 00:15:08,777
♪ YEAH
258
00:15:08,820 --> 00:15:11,823
♪ THAT YOU WERE SENT
FROM UP ABOVE ♪
259
00:15:13,260 --> 00:15:14,522
♪ GIVE ME A SIGN
260
00:15:14,565 --> 00:15:18,047
♪ LET'S NOT WASTE
ANY MORE TIME ♪
261
00:15:18,091 --> 00:15:19,483
♪ 'CAUSE WHAT
WE GOT HERE ♪
262
00:15:19,527 --> 00:15:22,530
♪ IS TRUE LOVE
263
00:15:22,573 --> 00:15:26,621
♪ O-O-O-OH, YEAH
264
00:15:26,664 --> 00:15:28,362
HEY.
265
00:15:29,319 --> 00:15:30,668
♪ OH
266
00:15:30,712 --> 00:15:34,716
♪ I CALLED THE MAN
AT THE VIDEO STORE ♪
267
00:15:34,759 --> 00:15:35,978
♪ AND I SAID
268
00:15:36,022 --> 00:15:37,414
♪ CANCEL MY MEMBERSHIP
269
00:15:37,458 --> 00:15:39,677
♪ I WON'T BE
NEEDING IT NO MORE ♪
270
00:15:39,721 --> 00:15:41,592
♪ FOUND SOMEONE ELSE
271
00:15:41,636 --> 00:15:43,681
♪ TO OCCUPY MY NIGHTS
272
00:15:43,725 --> 00:15:45,335
♪ AND BETTER
273
00:15:45,379 --> 00:15:47,120
♪ IT'S JUST THE RIGHT
274
00:15:47,163 --> 00:15:49,470
♪ AMOUNT OF TRUE LOVE
275
00:15:49,513 --> 00:15:51,689
♪ YOU CAN'T BUY IT
276
00:15:51,733 --> 00:15:53,126
CAN'T.
THE OWNER'S...
[INDISTINCT]
277
00:15:53,169 --> 00:15:56,390
♪ YA KNOW IT ISN'T LIKE
NOTHIN' ELSE ♪
278
00:15:57,913 --> 00:15:59,045
♪ TRUE LOVE
279
00:15:59,088 --> 00:16:01,177
♪ YOU REALLY OUGHT
TO TRY IT ♪
280
00:16:01,221 --> 00:16:03,440
♪ YOU OWE IT
TO YOURSELF ♪
281
00:16:03,484 --> 00:16:05,355
♪ TO GET YOU SOME
282
00:16:05,399 --> 00:16:08,576
♪ TRUE LOVE
283
00:16:09,533 --> 00:16:13,189
♪ TRUE LOVE
284
00:16:14,538 --> 00:16:16,758
♪ ONLY WANT
TO USE YOU ♪
285
00:16:16,801 --> 00:16:19,935
♪ ONLY WANT
WHAT WE CAN USE ♪
286
00:16:19,979 --> 00:16:23,634
♪ TRUE LOVE
287
00:16:23,678 --> 00:16:25,158
[APPLAUSE]
288
00:16:25,201 --> 00:16:26,898
YEAH!
[WHISTLING]
289
00:16:31,555 --> 00:16:34,036
THANK YOU, AND
WE'LL BE RIGHT BACK.
290
00:16:34,080 --> 00:16:37,170
[APPLAUSE]
291
00:16:38,867 --> 00:16:41,043
SHE WEARS IT OUT,
DOESN'T SHE?
292
00:16:47,354 --> 00:16:49,617
JUST SETTLE DOWN,
BOY.
293
00:16:49,660 --> 00:16:51,140
YEAH, RIGHT!
294
00:16:51,184 --> 00:16:52,663
SHAW WON'T WANT YOU
HANGING AROUND.
295
00:16:52,707 --> 00:16:55,188
TELL SHAW
I'M IN TROUBLE.
THAT MEANS SO IS HE.
296
00:16:55,231 --> 00:16:57,929
JUST SIT TIGHT
TILL WE HEAR ABOUT
THAT DELIVERY.
297
00:16:57,973 --> 00:16:59,279
WHEN WILL THAT BE?
298
00:16:59,322 --> 00:17:02,456
COUPLE DAYS. SHAW WILL
TAKE CARE OF YOU THEN.
299
00:17:02,499 --> 00:17:03,892
THAT JUDGE
WILL PUT ME AWAY
300
00:17:03,935 --> 00:17:06,808
UNLESS I COME UP
WITH SOMETHING,
AND THAT'S SHAW.
301
00:17:06,851 --> 00:17:09,811
WE'LL GET YOU
OUT OF TOWN
BEFORE THE TRIAL.
302
00:17:09,854 --> 00:17:11,247
WHEN?
303
00:17:12,422 --> 00:17:14,381
JUST BE COOL.
304
00:17:17,558 --> 00:17:19,038
THERE'S BEER
BEHIND THE BAR.
305
00:17:19,081 --> 00:17:20,822
I DON'T WANT YOU
BACK HERE.
306
00:17:23,129 --> 00:17:24,434
YOU'RE THE BOSS.
307
00:17:24,478 --> 00:17:25,957
HA HA HA.
308
00:17:27,002 --> 00:17:28,656
SHEESH.
309
00:17:42,452 --> 00:17:44,367
[KNOCK ON DOOR]
310
00:17:44,411 --> 00:17:46,065
COME ON IN.
311
00:17:51,418 --> 00:17:53,072
YOU WERE GREAT.
312
00:17:53,115 --> 00:17:54,682
YOU MADE ME LOOK GOOD.
313
00:17:54,725 --> 00:17:56,031
THANKS.
314
00:18:00,035 --> 00:18:01,471
ARE YOU SHAKING?
315
00:18:01,515 --> 00:18:02,951
NO.
316
00:18:02,994 --> 00:18:05,649
NO, YOU AIN'T,
BUT YOU'RE NERVOUS
ABOUT SOMETHING.
317
00:18:05,693 --> 00:18:07,390
JUST NERVOUS.
318
00:18:10,263 --> 00:18:11,786
WAIT FOR ME
AFTER THE SHOW?
319
00:18:12,178 --> 00:18:13,353
SURE.
320
00:18:23,145 --> 00:18:25,147
HE SAID THE DELIVERY WILL
BE MADE IN A COUPLE DAYS?
321
00:18:25,191 --> 00:18:28,759
THEY WERE WAITING
TO HEAR. SOUNDED
LIKE A BIG DEAL.
322
00:18:28,803 --> 00:18:32,415
HOW DID SHAW
GET THAT BARTENDER
HIRED SO EASY?
323
00:18:32,459 --> 00:18:34,722
BARTENDER MADE A CALL
WHEN HE CAME BACK
TO THE BAR.
324
00:18:34,765 --> 00:18:37,159
I COULDN'T CATCH IT.
325
00:18:37,203 --> 00:18:40,031
COOK SOUNDED
PRETTY SERIOUS
ABOUT JUMPING BAIL.
326
00:18:40,075 --> 00:18:43,296
I TOLD YOU THE KID
DIDN'T HAVE ANY SENSE.
327
00:18:43,339 --> 00:18:45,124
WELL, WE JUST GOT
OUR LEAD ON SHAW.
328
00:18:47,038 --> 00:18:49,345
ISN'T TOO PRETTY, IS HE?
329
00:18:49,389 --> 00:18:51,173
ACCORDING TO
THE JACKSON PD,
330
00:18:51,217 --> 00:18:52,870
HE'S DONE THREE YEARS
FOR DEALING
331
00:18:52,914 --> 00:18:54,785
AND IS RECENTLY
PAROLED.
332
00:18:56,222 --> 00:18:57,788
YOU SEEN HIM AT THE BAR?
333
00:18:57,832 --> 00:19:01,009
NO, I DON'T THINK SO.
334
00:19:01,052 --> 00:19:03,359
BUT I'LL REMEMBER HIM
IF I DO.
335
00:19:20,637 --> 00:19:23,379
WELL, WELL.
336
00:19:23,423 --> 00:19:26,469
WHAT IS THIS I HEAR
ABOUT YOU DOING
A BILLIE HOLIDAY
337
00:19:26,513 --> 00:19:28,558
OVER AT RUGER'S
NEW LITTLE CLUB?
338
00:19:28,602 --> 00:19:31,779
I'M JUST SINGING A LITTLE.
HELP OUT AN OLD FRIEND.
339
00:19:31,822 --> 00:19:32,997
YEAH.
340
00:19:33,041 --> 00:19:35,130
THAT FELLA TROY DAY.
341
00:19:35,174 --> 00:19:37,045
YOU LIKE HIM?
342
00:19:38,829 --> 00:19:40,135
I KNOW HE LIKES YOU.
343
00:19:40,179 --> 00:19:42,224
HE ACTED
LIKE ALL THE OTHERS
344
00:19:42,268 --> 00:19:43,965
WHEN HE FOUND OUT
I WAS A COP.
345
00:19:44,008 --> 00:19:47,055
MEN DO HAVE
THAT, UH, PROBLEM.
346
00:19:47,098 --> 00:19:50,754
KIND OF DEFLATIN'
TO THE EGO.
347
00:19:50,798 --> 00:19:52,234
YOU GOING TO COME
HEAR ME?
348
00:19:52,278 --> 00:19:55,063
SURE, I GOT A STANDING
RESERVATION OVER THERE.
349
00:19:55,106 --> 00:19:57,065
I'LL MISS MISS DeLONG
NOT BEING THERE.
350
00:19:57,108 --> 00:20:00,286
I'LL BRING HER
WHEN SHE'S BACK
FROM HATTIESBURG.
351
00:20:08,729 --> 00:20:10,818
YEAH. I KNOW.
352
00:20:12,472 --> 00:20:14,909
I DON'T KNOW
WHAT HAPPENED
TO THAT MONEY HE HAD.
353
00:20:14,952 --> 00:20:16,867
YEAH, I KNOW.
354
00:20:16,911 --> 00:20:18,347
RIGHT.
355
00:20:19,696 --> 00:20:20,915
HEY.
356
00:20:20,958 --> 00:20:23,657
YOU'RE EARLY.
357
00:20:23,700 --> 00:20:26,399
IT'S NOT LIKE
SINGING AT THE CHURCH,
YOU KNOW.
358
00:20:26,442 --> 00:20:27,965
I KNOW.
359
00:20:28,879 --> 00:20:29,924
YOU MISSING SOME CASH?
360
00:20:29,967 --> 00:20:31,578
YEAH.
361
00:20:32,579 --> 00:20:34,668
FROM THE BAR.
362
00:20:34,711 --> 00:20:36,104
HOW'D YOU KNOW?
363
00:20:37,018 --> 00:20:39,020
JUST GUESSING.
364
00:20:42,415 --> 00:20:44,460
I THINK THE BARTENDER
MIGHT BE DEALING.
365
00:20:44,504 --> 00:20:47,333
AND IF HE'S DEALING,
HE COULD BE TAKING.
366
00:20:47,376 --> 00:20:51,293
LUANN, I HIRED
A SINGER, NOT A COP.
367
00:20:51,337 --> 00:20:54,340
NO...YOU HIRED A COP
AND ASKED HER TO SING.
368
00:20:54,383 --> 00:20:56,690
I DIDN'T ASK YOU
TO TELL ME THIS STUFF
ABOUT DEALING.
369
00:20:56,733 --> 00:20:57,865
I TOLD YOU TO HELP.
370
00:20:57,908 --> 00:21:00,041
WELL, HELP ME
BY FORGETTING IT!
371
00:21:01,912 --> 00:21:03,958
OOPS.
372
00:21:04,001 --> 00:21:06,308
I--I ALWAYS HAD
LOUSY TIMING.
373
00:21:08,571 --> 00:21:10,094
HAVEN'T I, TROY?
374
00:21:13,097 --> 00:21:15,491
WELL...
375
00:21:15,535 --> 00:21:18,059
AREN'T YOU GONNA
INTRODUCE ME?
376
00:21:22,368 --> 00:21:24,195
BRENT SHAW.
377
00:21:24,239 --> 00:21:26,372
TROY AND I...
378
00:21:26,415 --> 00:21:28,591
GO WAY BACK.
379
00:21:30,767 --> 00:21:31,942
DON'T WE, TROY?
380
00:21:41,952 --> 00:21:44,520
[CLASSICAL MUSIC PLAYS]
381
00:21:46,522 --> 00:21:48,350
[RING]
382
00:21:52,485 --> 00:21:53,747
GILLESPIE HERE.
383
00:21:53,790 --> 00:21:55,705
HEY, BILL,
IT'S HAMPTON.
384
00:21:55,749 --> 00:21:57,228
I THOUGHT YOU LIKE
TO KNOW
385
00:21:57,272 --> 00:22:00,144
THAT DEALER
THE JACKSON POLICE
WERE TALKING ABOUT...
386
00:22:00,188 --> 00:22:02,059
SHOWED UP.
387
00:22:02,103 --> 00:22:04,148
SHAW. IS THAT HIS NAME?
388
00:22:04,192 --> 00:22:06,542
YEAH. BRENT SHAW.
389
00:22:06,586 --> 00:22:08,805
LUANN SPOTTED HIM.
390
00:22:08,849 --> 00:22:10,633
WE'RE GOING
TO WATCH HIM.
391
00:22:10,677 --> 00:22:12,722
THERE'S SOMETHING ELSE,
ISN'T THERE?
392
00:22:13,419 --> 00:22:14,942
YEAH.
393
00:22:14,985 --> 00:22:17,988
LUANN THINKS TROY
MIGHT BE INVOLVED.
394
00:22:18,032 --> 00:22:19,947
SAYS HE AND SHAW
KNOW EACH OTHER--
395
00:22:19,990 --> 00:22:22,515
OLD FRIENDS, APPARENTLY.
396
00:22:22,558 --> 00:22:26,693
BILL, I REALLY DON'T
WANT HER WORKING
THERE ANYMORE.
397
00:22:26,736 --> 00:22:28,434
WELL, I AGREE WITH YOU.
398
00:22:28,477 --> 00:22:31,045
I DON'T THINK
IT'S A GOOD IDEA.
399
00:22:31,088 --> 00:22:33,352
NOW, WHERE IS
THE DEALER COOK?
400
00:22:33,395 --> 00:22:35,615
GOOD QUESTION.
401
00:22:35,658 --> 00:22:38,139
WHEN WE GET SOMETHING,
I'LL LET YOU KNOW.
402
00:22:38,182 --> 00:22:39,619
YEAH. BYE.
403
00:22:50,934 --> 00:22:52,806
[JAZZ MUSIC PLAYS]
404
00:22:57,637 --> 00:22:59,334
[KNOCK ON DOOR]
405
00:23:00,379 --> 00:23:01,641
COME IN.
406
00:23:06,123 --> 00:23:08,212
I DIDN'T THINK
IT WAS POSSIBLE,
407
00:23:08,256 --> 00:23:10,693
BUT THAT FIRST SET
WAS BETTER THAN LAST NIGHT.
408
00:23:12,347 --> 00:23:15,568
HOW'S ABOUT
A LATE SUPPER
AT MY PLACE?
409
00:23:15,611 --> 00:23:17,787
MAMA ALWAYS SAID
A MAN WHO CAN COOK
410
00:23:17,831 --> 00:23:20,616
IS WORTH HIS WEIGHT
IN GOLD.
411
00:23:20,660 --> 00:23:22,444
NO, THANKS, TROY.
412
00:23:25,012 --> 00:23:26,405
LUANN...
413
00:23:27,318 --> 00:23:29,495
I'M SORRY ABOUT BEFORE.
414
00:23:29,538 --> 00:23:30,626
I DIDN'T MEAN TO--
415
00:23:30,670 --> 00:23:33,237
OH, GO AHEAD, TROY.
416
00:23:33,281 --> 00:23:35,283
I KNEW WHAT I WAS DOING
HIRING THAT BARTENDER.
417
00:23:35,326 --> 00:23:37,546
I DIDN'T THINK
I HAD A CHOICE...
418
00:23:37,590 --> 00:23:39,853
BECAUSE OF STUFF
THAT HAPPENED
A LONG TIME AGO.
419
00:23:39,896 --> 00:23:42,159
YOU SHOULD HAVE BEEN
STRAIGHT WITH ME.
420
00:23:42,203 --> 00:23:43,813
ARE YOU NOW?
421
00:23:43,857 --> 00:23:46,381
SURE, LUANN.
I GAVE UP ALL THAT.
422
00:23:46,425 --> 00:23:49,384
I GOT A GOOD JOB.
THINGS ARE DIFFERENT NOW.
423
00:23:53,344 --> 00:23:55,085
I LOVE YOU, LUANN.
424
00:23:57,871 --> 00:23:59,394
I LOVE YOU.
425
00:23:59,438 --> 00:24:00,613
[KNOCK ON DOOR]
426
00:24:00,656 --> 00:24:02,136
YES?
427
00:24:03,659 --> 00:24:04,791
SHERIFF.
428
00:24:04,834 --> 00:24:06,532
HEY THERE.
429
00:24:06,575 --> 00:24:07,968
YOU OUT THERE TONIGHT?
430
00:24:08,011 --> 00:24:10,013
YEAH, I'M OUT THERE.
431
00:24:10,057 --> 00:24:12,494
UH, THE SHOW ISN'T OVER,
I HOPE.
432
00:24:12,538 --> 00:24:14,148
NO, I HAVE ANOTHER SET.
433
00:24:14,191 --> 00:24:15,628
GOOD.
434
00:24:16,455 --> 00:24:18,021
THIS IS, UH,
TROY DAY.
435
00:24:18,065 --> 00:24:21,764
SHERIFF,
LUANN'S TOLD ME
A LOT ABOUT YOU.
436
00:24:22,504 --> 00:24:24,506
GOOD. GOOD.
437
00:24:30,033 --> 00:24:31,339
GOOD TO SEE YOU.
438
00:24:31,382 --> 00:24:32,688
LUANN?
439
00:24:34,821 --> 00:24:36,344
I'LL MAKE IT RIGHT.
440
00:24:37,737 --> 00:24:39,086
I PROMISE YOU.
441
00:24:47,442 --> 00:24:52,229
I KNEW WHEN I KNOCKED
I WAS INTERRUPTING
SOMETHING, BUT, UH...
442
00:24:52,273 --> 00:24:54,797
I JUST HAD A FEELING
I SHOULD.
443
00:25:25,349 --> 00:25:27,134
[TELEVISION PLAYS]
444
00:25:32,835 --> 00:25:34,924
COOK, OPEN UP.
POLICE.
445
00:25:38,972 --> 00:25:40,364
[KNOCK ON DOOR]
446
00:25:40,408 --> 00:25:42,410
DON'T BE STUPID, SON.
OPEN THE DOOR.
447
00:25:48,634 --> 00:25:49,896
COOK.
448
00:25:52,638 --> 00:25:53,856
COOK?
449
00:25:56,467 --> 00:25:58,339
OH, LORDY.
450
00:26:03,910 --> 00:26:06,608
SOMEBODY HAD TO BE
AWFULLY CLOSE
TO MAKE THAT SHOT.
451
00:26:07,304 --> 00:26:09,742
YEAH. CLOSE.
452
00:26:09,785 --> 00:26:11,482
SMALL CALIBER.
453
00:26:11,526 --> 00:26:12,832
PROBABLY A .32.
454
00:27:22,728 --> 00:27:23,859
YEAH?
455
00:27:23,903 --> 00:27:25,774
WHEN IS THE SHOW
GONNA START?
456
00:27:25,818 --> 00:27:27,428
ANY MINUTE.
457
00:27:28,298 --> 00:27:29,473
DRINK O.K.?
458
00:27:29,517 --> 00:27:32,868
STANDARD STUFF.
NOT TOO MUCH KICK.
459
00:27:32,912 --> 00:27:34,957
I GOT SOMETHING
THAT'LL GIVE IT
A REAL KICK.
460
00:27:35,001 --> 00:27:36,916
OH, YEAH?
WHAT'S THAT?
461
00:27:36,959 --> 00:27:38,787
ECSTASY.
462
00:27:39,962 --> 00:27:41,224
10 BUCKS EACH.
463
00:27:41,268 --> 00:27:43,313
[WAITRESS]
TWO SCOTCH
ON THE ROCKS, PLEASE.
464
00:27:44,967 --> 00:27:46,621
DON'T GO AWAY.
465
00:27:59,373 --> 00:28:00,853
THANK YOU,
LADIES AND GENTLEMEN.
466
00:28:00,896 --> 00:28:03,159
AND NOW, WHAT WE'VE
ALL BEEN WAITING FOR,
467
00:28:03,203 --> 00:28:05,988
THE LOVELY LUANN CORBIN.
468
00:28:06,032 --> 00:28:08,382
[APPLAUSE AND CHEERING]
469
00:28:16,825 --> 00:28:18,609
THANK YOU.
470
00:28:18,653 --> 00:28:19,741
WELL, I'M GOING
TO START THIS
471
00:28:19,785 --> 00:28:21,700
A LITTLE DIFFERENT
TONIGHT...
472
00:28:21,743 --> 00:28:23,745
WITH A REQUEST.
473
00:28:23,789 --> 00:28:26,574
I WOULDN'T DO THIS
FOR JUST ANYONE, SO...
474
00:28:27,401 --> 00:28:28,924
HERE GOES.
475
00:28:30,360 --> 00:28:32,232
[PIANO PLAYS]
476
00:28:46,333 --> 00:28:51,077
♪ MAYBE HE'S NOT MUCH
477
00:28:52,992 --> 00:28:56,909
♪ JUST ANOTHER MAN
478
00:28:56,952 --> 00:29:00,695
♪ DOING WHAT HE CAN
479
00:29:02,349 --> 00:29:07,180
♪ BUT WHAT DOES SHE CARE
480
00:29:07,223 --> 00:29:12,533
♪ WHEN A WOMAN
LOVES A MAN? ♪
481
00:29:18,844 --> 00:29:22,543
♪ SHE'LL JUST
STRING ALONG ♪
482
00:29:24,893 --> 00:29:28,070
♪ ALL THROUGH THICK
AND THIN ♪
483
00:29:29,724 --> 00:29:32,596
♪ TILL HIS SHIP COMES IN
484
00:29:35,034 --> 00:29:39,995
♪ IT'S ALWAYS THAT WAY
485
00:29:40,039 --> 00:29:45,305
♪ WHEN A WOMAN
LOVES A MAN ♪
486
00:29:50,136 --> 00:29:53,748
♪ SHE'LL BE THE FIRST ONE
487
00:29:53,792 --> 00:29:56,272
♪ TO PRAISE HIM
488
00:29:56,316 --> 00:30:00,015
♪ WHEN HE'S GOIN' STRONG
489
00:30:00,059 --> 00:30:03,845
♪ THE LAST ONE
TO BLAME HIM ♪
490
00:30:03,889 --> 00:30:07,806
♪ WHEN EVERYTHING'S WRONG
491
00:30:09,764 --> 00:30:14,943
♪ IT'S SUCH A ONE-SIDED
GAME WE PLAY ♪
492
00:30:18,164 --> 00:30:23,473
♪ OH, BUT WOMEN ARE
FUNNY THAT WAY ♪
493
00:30:26,346 --> 00:30:29,436
♪ TELL HER SHE'S A FOOL
494
00:30:31,525 --> 00:30:36,530
♪ SHE'LL SAY,
YES, I KNOW ♪
495
00:30:36,573 --> 00:30:39,141
♪ BUT I LOVE HIM SO
496
00:30:41,578 --> 00:30:44,843
♪ AND THAT'S HOW IT GOES
497
00:30:44,886 --> 00:30:47,149
I'LL CATCH YOU LATER.
498
00:30:47,193 --> 00:30:51,240
♪ WHEN A WOMAN
LOVES A MAN ♪
499
00:30:58,900 --> 00:31:00,510
CAN I GET YOU
A DRINK?
500
00:31:13,045 --> 00:31:19,312
♪ TELL HER SHE'S A FOOL
501
00:31:20,791 --> 00:31:25,405
♪ SHE'LL SAY,
YES, I KNOW... ♪
502
00:31:25,448 --> 00:31:27,624
I WANT TO SEE YOU LATER.
503
00:31:28,495 --> 00:31:29,670
SURE, BOSS.
504
00:31:29,713 --> 00:31:31,411
WHY NOT?
505
00:31:31,454 --> 00:31:35,589
♪ WELL, THAT'S HOW IT GOES
506
00:31:36,895 --> 00:31:38,897
♪ WHEN A WOMAN LOVES...
507
00:31:38,940 --> 00:31:40,855
IT'S HARD TO BELIEVE
508
00:31:40,899 --> 00:31:42,509
ANYBODY THAT COULD
SING LIKE THAT
509
00:31:42,552 --> 00:31:44,163
WOULD WANT TO BE
A COP.
510
00:31:44,206 --> 00:31:45,599
♪ A MAN
511
00:31:45,642 --> 00:31:46,600
WHAT?
512
00:31:46,643 --> 00:31:48,123
THAT'S LUANN CORBIN.
513
00:31:48,167 --> 00:31:50,473
SHE'S A COP
ON THE SPARTA POLICE.
514
00:31:51,474 --> 00:31:53,085
SHE SURE FOOLED ME.
515
00:31:58,133 --> 00:32:01,920
[APPLAUSE]
516
00:32:51,317 --> 00:32:53,014
[DOOR OPENS]
517
00:33:00,152 --> 00:33:02,154
YOU FIRED
YOUR BARTENDER.
518
00:33:03,720 --> 00:33:05,113
THAT WASN'T NICE.
519
00:33:05,157 --> 00:33:09,030
DON'T START
WITH YOUR THREATS.
I'M NOT INTERESTED.
520
00:33:09,074 --> 00:33:12,251
BUT YOU ARE INTERESTED
IN THAT LADY SINGER,
AREN'T YOU?
521
00:33:12,294 --> 00:33:13,426
THAT COP?
522
00:33:13,469 --> 00:33:14,993
SHE'S GOT NOTHING
TO DO WITH THIS.
523
00:33:15,036 --> 00:33:17,996
BUT SHE KNOWS THE SCORE,
DOESN'T SHE, TROY?
524
00:33:19,084 --> 00:33:21,042
GO BACK TO JACKSON, SHAW.
525
00:33:21,912 --> 00:33:24,567
MARKET'S SATURATED.
526
00:33:24,611 --> 00:33:26,917
I LIKE SMALL TOWNS.
527
00:33:26,961 --> 00:33:28,702
I WANT YOU
OUT OF HERE!
528
00:33:29,964 --> 00:33:32,010
THE WAY I SEE IT,
529
00:33:32,053 --> 00:33:35,926
IT DOESN'T MATTER
A WHOLE HELL OF A LOT
WHAT YOU WANT.
530
00:33:36,927 --> 00:33:38,581
JACKSON CALLED.
531
00:33:38,625 --> 00:33:39,713
AND WHAT?
532
00:33:39,756 --> 00:33:41,758
HE'S ON HIS WAY.
533
00:33:42,977 --> 00:33:44,674
WHAT ABOUT HIM?
534
00:33:45,110 --> 00:33:46,807
WELL...
535
00:33:46,850 --> 00:33:48,852
WE CAN'T LEAVE HIM HERE.
536
00:33:52,073 --> 00:33:54,902
HE'S SORT OF A, UH...
537
00:33:54,945 --> 00:33:56,382
PARTNER.
538
00:33:58,297 --> 00:34:04,085
WHAT HIS GIRLFRIEND
LUANN MIGHT CALL
AN ACCOMPLICE.
539
00:34:04,129 --> 00:34:06,479
HA HA HA HA!
540
00:34:12,180 --> 00:34:15,662
WE DIDN'T FIND
ANY PRINTS OF COOK'S.
541
00:34:15,705 --> 00:34:18,273
THE LAB SAYS HE
WAS KILLED WITH A .32.
542
00:34:18,317 --> 00:34:20,319
WELL, TROY COULDN'T
HAVE DONE THAT.
543
00:34:20,362 --> 00:34:22,451
WHAT DID HE SAY?
544
00:34:22,495 --> 00:34:23,800
WELL, HE SEEMED TO SAY
545
00:34:23,844 --> 00:34:26,586
HE'D BEEN BLACKMAILED
INTO HIRING THE BARTENDER.
546
00:34:28,414 --> 00:34:31,678
LUANN, WE MADE
SOME PHONE CALLS.
547
00:34:31,721 --> 00:34:36,030
YOUR FRIEND TROY
WAS ARRESTED A COUPLE
OF YEARS AGO IN JACKSON
548
00:34:36,074 --> 00:34:38,337
PEDDLING DRUGS.
549
00:34:40,165 --> 00:34:42,950
SHAW WAS CAUGHT SELLING
ABOUT THE SAME TIME.
550
00:34:42,993 --> 00:34:45,170
AND NOW HE AND SHAW
ARE TOGETHER.
551
00:34:45,213 --> 00:34:47,433
WELL, HE DOESN'T
WANT TO BE.
552
00:34:47,476 --> 00:34:50,262
HE TOLD ME
HE GAVE ALL THAT UP.
553
00:34:54,483 --> 00:34:56,268
THAT HE'D CHANGED.
554
00:35:18,594 --> 00:35:21,162
SHAW'S WITH
THAT BARTENDER
AND TROY DAY.
555
00:35:21,206 --> 00:35:22,729
WENT INSIDE FOR A WHILE
BUT NOW THEY'RE LEAVING.
556
00:35:22,772 --> 00:35:25,819
THEY'RE GETTING INTO
A BLUE LINCOLN TOWNCAR.
557
00:35:28,604 --> 00:35:30,824
WAIT A MINUTE.
SHAW'S GOT A GUN.
558
00:35:30,867 --> 00:35:32,347
IT'S POINTED
STRAIGHT AT TROY.
559
00:35:32,391 --> 00:35:35,002
I DON'T THINK TROY'S
WITH HIM FROM CHOICE.
560
00:35:53,455 --> 00:35:54,891
WHERE ARE YOU NOW?
561
00:35:54,935 --> 00:35:56,589
I'M HEADING SOUTH.
562
00:35:56,632 --> 00:35:59,069
OLD HIGHWAY 32
CUTS THROUGH
IN A 1/4 MILE.
563
00:35:59,113 --> 00:36:01,463
IT'S MERIDIAN TO THE LEFT
OR JACKSON TO THE RIGHT.
564
00:36:01,507 --> 00:36:04,249
OR THEY COULD GO
STRAIGHT TO THE COUNTY.
565
00:36:05,511 --> 00:36:07,034
LONNIE, COULD YOU
STAY WITH THEM?
566
00:36:07,077 --> 00:36:08,731
SURE. THEY'RE MOVING
PRETTY EASY.
567
00:36:08,775 --> 00:36:13,258
THEY JUST TURNED OUT
AT BROWN RIDGE ROAD.
568
00:36:13,301 --> 00:36:15,434
WELL, THAT'S STRAIGHT
OUT TO THE COUNTY.
569
00:36:20,656 --> 00:36:23,006
PARKER AND I'LL TAKE
A CRUISE DOWN MAPLE.
570
00:36:25,226 --> 00:36:27,750
WELL, CAN I TAKE
LUANN WITH ME?
571
00:36:27,794 --> 00:36:29,274
SURE.
572
00:36:29,317 --> 00:36:31,450
YOU GOING TO TRY
AND CATCH HIM WITH
THE PRODUCT, HUH?
573
00:36:31,493 --> 00:36:34,235
WE'RE GOING TO.
YOU, TOO.
574
00:36:34,279 --> 00:36:35,889
YES, SIR.
575
00:37:30,465 --> 00:37:31,727
ANYTHING HAPPENING?
576
00:37:31,771 --> 00:37:34,382
THERE'S NO SIGN
OF ANYONE ELSE YET.
577
00:38:19,384 --> 00:38:23,997
I'D LIKE EVERYBODY
TO LEAVE HERE STANDING,
INCLUDING THEM.
578
00:38:24,040 --> 00:38:26,304
THAT'S ALWAYS
MY PREFERENCE.
579
00:38:30,133 --> 00:38:32,135
IT'S GOING DOWN.
580
00:38:35,487 --> 00:38:36,705
HE WORKS FOR ME.
581
00:38:36,749 --> 00:38:38,490
GET ON WITH IT.
582
00:38:54,288 --> 00:38:56,725
FINE. PAY HIM.
583
00:39:15,788 --> 00:39:18,747
NOW, Y'ALL, BOYS,
THIS IS THE SHERIFF HERE.
584
00:39:18,791 --> 00:39:20,096
I'M GIVING YOU A CHANCE
585
00:39:20,140 --> 00:39:21,707
TO STEP AWAY
FROM YOUR CARS,
586
00:39:21,750 --> 00:39:23,970
AND THROW DOWN
THOSE WEAPONS.
587
00:40:03,705 --> 00:40:05,968
LUANN, YOU OUT THERE?
588
00:40:08,754 --> 00:40:13,323
YOU STOP 'EM NOW,
OR I'M GOING TO KILL
YOUR BOYFRIEND!
589
00:40:13,367 --> 00:40:16,283
HOLD IT, HOLD IT.
TAKE IT EASY HERE.
590
00:40:19,721 --> 00:40:21,114
[GUNSHOT]
591
00:40:28,121 --> 00:40:30,993
WE NEED AN AMBULANCE
AT THE TRAIN YARD
ON BROWN BRIDGE.
592
00:40:37,347 --> 00:40:39,262
ALL RIGHT,
LET'S GO.
593
00:40:45,094 --> 00:40:47,357
THAT GUN IS
GOING TO COST YOU.
594
00:40:47,401 --> 00:40:49,838
YOU SHOULD'VE
GOT RID OF IT AFTER
YOU KILLED COOK.
595
00:40:55,453 --> 00:40:57,759
I'M SORRY, LUANN.
596
00:40:59,282 --> 00:41:01,589
DON'T FLEX.
DON'T FLEX.
597
00:41:01,633 --> 00:41:03,025
HE'S GOING
TO BE FINE.
598
00:41:03,069 --> 00:41:05,463
I'LL GO GET
THE MEDIKIT.
599
00:41:05,506 --> 00:41:07,465
SHAW HAD THAT GUN
AND I COU---
600
00:41:07,508 --> 00:41:09,684
HUSH. HUSH,
DON'T WASTE YOUR SELF.
601
00:41:11,338 --> 00:41:12,644
YOU'RE GOING
TO BE FINE, TROY.
602
00:41:12,687 --> 00:41:14,602
JUST HOLD ON.
YOU GOTTA HOLD ON.
603
00:41:44,589 --> 00:41:47,243
HOW'S TROY?
604
00:41:47,287 --> 00:41:48,810
HE'LL BE OUT
OF THE HOSPITAL
TOMORROW.
605
00:41:48,854 --> 00:41:51,465
YOU'RE WORRIED ABOUT
THAT HEARING, AREN'T YOU?
606
00:41:51,509 --> 00:41:53,946
SURE, I AM,
607
00:41:53,989 --> 00:41:55,382
'CAUSE OF HIS RECORD.
608
00:41:55,425 --> 00:41:57,689
WELL, YOU COULD SAY
TROY'S ONLY REAL CRIME
609
00:41:57,732 --> 00:41:59,125
WAS HIRING
THAT BARTENDER.
610
00:41:59,168 --> 00:42:00,735
WELL, THAT'S
MORE THAN ENOUGH
611
00:42:00,779 --> 00:42:03,390
TO PUT HIM
IN THE WRONG, PARKER.
612
00:42:03,433 --> 00:42:07,133
HOW WRONG?
I...I COULDN'T SAY.
613
00:42:07,176 --> 00:42:09,439
IT WILL BE
THE D.A.'s CHOICE.
614
00:42:18,971 --> 00:42:20,712
WELL...
615
00:42:22,365 --> 00:42:24,585
I'M GOING TO HELP TROY
ALL I CAN, CHIEF.
616
00:42:24,629 --> 00:42:26,239
I KNOW.
617
00:42:27,632 --> 00:42:29,590
Y'ALL GOING TO STAY
FOR THE SECOND SET?
618
00:42:29,634 --> 00:42:31,026
WOULDN'T MISS IT.
619
00:42:31,070 --> 00:42:32,811
O.K.
620
00:42:38,817 --> 00:42:40,601
LADIES AND GENTLEMEN,
621
00:42:40,645 --> 00:42:42,472
I'M HAPPY TO PRESENT
622
00:42:42,516 --> 00:42:47,869
THE MOST TALENTED,
BEAUTIFUL COP
IN AMERICA--
623
00:42:47,913 --> 00:42:50,611
OUR OWN MISS LUANN CORBIN.
624
00:43:02,580 --> 00:43:06,496
♪ MAYBE HE'S NOT MUCH
625
00:43:09,108 --> 00:43:12,546
♪ JUST ANOTHER MAN
626
00:43:13,416 --> 00:43:16,289
♪ DOING WHAT HE CAN
627
00:43:18,247 --> 00:43:22,600
♪ BUT WHAT DOES SHE CARE
628
00:43:24,123 --> 00:43:29,258
♪ WHEN A WOMAN
LOVES A MAN? ♪
629
00:43:35,743 --> 00:43:39,791
♪ SHE'LL JUST
STRING ALONG ♪
630
00:43:42,228 --> 00:43:46,406
♪ ALL THROUGH
THICK AND THIN ♪
631
00:43:47,407 --> 00:43:49,975
♪ TILL HIS SHIP COMES IN
632
00:43:52,368 --> 00:43:55,720
♪ IT'S ALWAYS THAT WAY
633
00:43:57,156 --> 00:44:02,248
♪ WHEN A WOMAN
LOVES A MAN ♪
634
00:44:07,688 --> 00:44:11,039
♪ SHE'LL BE THE FIRST ONE
635
00:44:11,083 --> 00:44:13,694
♪ TO PRAISE HIM
636
00:44:13,738 --> 00:44:18,438
♪ WHEN HE'S GOIN' STRONG
637
00:44:18,481 --> 00:44:22,398
♪ THE LAST ONE
TO BLAME HIM ♪
638
00:44:22,442 --> 00:44:25,706
♪ WHEN EVERYTHING'S WRONG
639
00:44:27,621 --> 00:44:33,583
♪ IT'S SUCH A ONE-SIDED
GAME WE PLAY ♪
640
00:44:36,021 --> 00:44:41,722
♪ OH, BUT WOMEN ARE
FUNNY THAT WAY ♪
641
00:44:43,289 --> 00:44:47,859
♪ TELL HER SHE'S A FOOL
642
00:44:49,295 --> 00:44:53,908
♪ SHE'LL SAY,
YES, I KNOW ♪
643
00:44:53,952 --> 00:44:57,999
♪ BUT I LOVE HIM SO
644
00:44:59,653 --> 00:45:03,701
♪ WELL, THAT'S HOW IT GOES
645
00:45:05,746 --> 00:45:09,750
♪ WHEN A WOMAN LOVES
646
00:45:12,100 --> 00:45:16,191
♪ A MAN
42552
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