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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,134 --> 00:00:08,747 ♪ IN THE HEAT OF THE NIGHT 2 00:00:11,968 --> 00:00:17,321 ♪ I'’VE GOT TROUBLES WALL TO WALL ♪ 3 00:00:20,324 --> 00:00:24,763 ♪ IN THE HEAT OF THE NIGHT 4 00:00:24,807 --> 00:00:27,679 ♪ YEAH 5 00:00:27,723 --> 00:00:33,294 ♪ MUST BE AN ENDING TO IT ALL ♪ 6 00:00:33,337 --> 00:00:36,819 ♪ OH 7 00:00:36,862 --> 00:00:40,127 ♪ BUT HOLD ON 8 00:00:40,170 --> 00:00:42,868 ♪ IT WON'’T BE LONG ♪ 9 00:00:42,912 --> 00:00:44,914 ♪ JUST YOU BE STRONG 10 00:00:44,957 --> 00:00:50,311 ♪ AND IT'’LL BE ALL RIGHT ♪ 11 00:00:50,354 --> 00:00:54,750 ♪ IN THE HEAT OF THE NIGHT ♪ 12 00:00:54,793 --> 00:01:00,625 ♪ IN THE HEAT OF THE NIGHT. 13 00:01:17,947 --> 00:01:19,079 HEY! 14 00:01:21,603 --> 00:01:23,822 WHAT YOU DOING DOWN THERE? 15 00:01:23,866 --> 00:01:25,998 YOU CAN'’T FISH HERE. THIS IS OUR LAND. 16 00:01:28,914 --> 00:01:32,875 SINCE WHEN DID THE COUNTY SELL YOU THIS LAND? 17 00:01:32,918 --> 00:01:35,312 SORRY, LONNIE. DIDN'’T KNOW YOU WAS DOWN THERE. 18 00:01:35,356 --> 00:01:37,836 I KNOW WHERE YOUR LAND STARTS, HANK MUELLER. 19 00:01:37,880 --> 00:01:42,406 RIGHT THERE WHERE YOUR BOAT'’S TIED UP. 20 00:01:42,450 --> 00:01:44,930 IF THAT WHITE FACE DOWN THERE 21 00:01:44,974 --> 00:01:48,151 BELONGS TO LONNIE JAMISON... 22 00:01:48,195 --> 00:01:49,761 YOUR BAD MANNERS 23 00:01:49,805 --> 00:01:52,329 DON'’T SURPRISE ME NONE. 24 00:01:52,373 --> 00:01:53,852 AIN'’T-- 25 00:01:53,896 --> 00:01:56,899 AIN'’T IMPROVED ANY SINCE YOU WAS A CHILD. 26 00:01:56,942 --> 00:01:59,728 PAPAW, DON'’T GET YOURSELF EXCITED OVER NOTHING. 27 00:01:59,771 --> 00:02:03,601 THAT LINE'’S THE PLACE WHERE MY LAND STARTS. 28 00:02:03,645 --> 00:02:06,082 SEE YOU DON'’T CROSS IT! 29 00:02:06,126 --> 00:02:07,475 UH... 30 00:02:07,518 --> 00:02:09,085 LET--LET'’S GET OUT OF HERE, LONNIE. 31 00:02:18,007 --> 00:02:20,183 LET'’S GO. 32 00:02:29,236 --> 00:02:31,934 WHAT ARE YOU THINKING ABOUT? 33 00:02:31,977 --> 00:02:34,719 OH. THAT MAN-- MUELLER. 34 00:02:34,763 --> 00:02:36,982 YOU AREN'’T STILL BOTHERED BY THAT OLD FOOL? 35 00:02:37,026 --> 00:02:40,551 NO, IT'’S NOT THAT. IT'’S JUST, UH... 36 00:02:40,595 --> 00:02:42,162 I HEARD THE NAME BEFORE. 37 00:02:42,205 --> 00:02:43,206 WHAT, MUELLER? 38 00:02:43,250 --> 00:02:44,947 YEP. 39 00:02:44,990 --> 00:02:48,080 HE AND HIS GRANDSON ARE THE ONLY MUELLERS LEFT IN SPARTA. 40 00:02:48,124 --> 00:02:50,605 I GUESS THE FAMILY WENT WAY BACK, THOUGH. 41 00:02:50,648 --> 00:02:52,215 YOU KNOW THEM? 42 00:02:52,259 --> 00:02:55,044 JUST TO SAY HELLO TO, WHICH IS ENOUGH FOR ME. 43 00:02:55,087 --> 00:02:58,047 NAME BOTHERS ME. A LOT. 44 00:02:59,353 --> 00:03:01,964 THERE'’S A STORY BEHIND IT. 45 00:03:02,007 --> 00:03:03,052 WELL? 46 00:03:03,095 --> 00:03:04,488 STORY I DON'’T WANT TO TELL. 47 00:03:04,532 --> 00:03:05,620 SOMEBODY ELSE CAN TELL IT BETTER. 48 00:03:11,191 --> 00:03:14,019 [BLUES PIANO PLAYS] 49 00:03:18,763 --> 00:03:21,113 ♪ SOME GENTLEMEN OF MEANS ♪ 50 00:03:21,157 --> 00:03:24,247 ♪ PLAYIN'’ STUD DOWN IN NEW ORLEANS ♪ 51 00:03:24,291 --> 00:03:26,641 ♪ LOST A HAND THAT WAS FLUSHIN'’ IN DIAMONDS ♪ 52 00:03:26,684 --> 00:03:29,731 ♪ TO THREE DEUCES AND TWO QUEENS ♪ 53 00:03:29,774 --> 00:03:33,169 ♪ WITH THE CAR IN THE POT, FRIENDS ♪ 54 00:03:33,213 --> 00:03:35,998 ♪ THAT'’S HOW LOUIS SWEET GOT, FRIENDS ♪ 55 00:03:36,041 --> 00:03:38,000 ♪ HIS FINE NEW PACKARD 56 00:03:38,043 --> 00:03:39,741 ♪ HA HA HA HA HA 57 00:03:39,784 --> 00:03:42,352 ♪ HA HA HA HA HA HA HA ♪ 58 00:03:42,396 --> 00:03:44,136 ♪ ONE MORNIN'’ WE ALL READ ♪ 59 00:03:44,180 --> 00:03:46,965 ♪ IN THE PAPER WHAT DEL MUELLER SAID ♪ 60 00:03:47,009 --> 00:03:50,752 ♪ THREE OUT-OF-TOWN NEGROES DONE STOLE A CAR ♪ 61 00:03:50,795 --> 00:03:53,015 ♪ AND SHOT THE OWNER DEAD 62 00:03:53,058 --> 00:03:56,279 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 63 00:03:56,323 --> 00:03:59,064 ♪ BECAUSE ONLY I, FRIENDS 64 00:03:59,108 --> 00:04:01,153 ♪ WITNESSED THE ACTION 65 00:04:01,197 --> 00:04:02,677 ♪ HA HA HA HA 66 00:04:02,720 --> 00:04:04,287 ♪ HA HA HA HA HA HA HA ♪ 67 00:04:04,331 --> 00:04:07,986 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 68 00:04:08,030 --> 00:04:11,294 ♪ BECAUSE ONLY I, FRIENDS ♪ 69 00:04:11,338 --> 00:04:15,429 ♪ WITNESSED THE ACTION 70 00:04:15,472 --> 00:04:18,301 ♪ OH-OHH. 71 00:04:25,569 --> 00:04:27,179 Y'’ALL ARE VERY KIND. 72 00:04:27,223 --> 00:04:28,572 I'’LL BE BACK. 73 00:04:28,616 --> 00:04:30,400 YOU HEARD. MUELLER. 74 00:04:30,444 --> 00:04:32,228 YEAH, BUT, WILLSON, THAT DOESN'’T PROVE A THING. 75 00:04:32,272 --> 00:04:35,100 I KNOW. I KNOW. 76 00:04:35,144 --> 00:04:37,277 WELCOME BACK, YOUNG WILLSON SWEET. HOW YOU DOING? 77 00:04:37,320 --> 00:04:39,322 FINE. THIS HERE'’S LONNIE JAMISON. 78 00:04:39,366 --> 00:04:41,237 HEY, MAN.NICE TO MEET YOU. 79 00:04:41,281 --> 00:04:43,500 THAT LAST SONG-- ABOUT BEING THERE 80 00:04:43,544 --> 00:04:45,372 WHEN LOUIS SWEET WAS SHOT-- 81 00:04:45,415 --> 00:04:46,721 DID YOU WRITE THAT? 82 00:04:46,764 --> 00:04:49,985 NO. AND DON'’T NEVER SAY I DID. 83 00:04:50,028 --> 00:04:51,203 SOMEBODY MIGHT COME '’ROUND HERE 84 00:04:51,247 --> 00:04:53,771 AND TRY TO SHUT MY MOUTH. 85 00:04:53,815 --> 00:04:55,338 YOU KNOW WHO WROTE IT? 86 00:04:55,382 --> 00:04:57,166 I BETTER NOT KNOW, RIGHT? 87 00:04:57,209 --> 00:04:58,472 WHAT DO YOU THINK? 88 00:04:58,515 --> 00:05:00,822 DON'’T KNOW IF I SHOULD SAY. 89 00:05:00,865 --> 00:05:02,519 DON'’T WANT TO NOT BE POLITE. 90 00:05:02,563 --> 00:05:05,609 DON'’T MIND ME, SON. SAY WHAT'’S ON YOUR MIND. 91 00:05:05,653 --> 00:05:07,742 WELL, SIR... 92 00:05:07,785 --> 00:05:09,831 THERE'’S NO DOUBT IN MY MIND... 93 00:05:09,874 --> 00:05:12,616 NOT FROM THE WAY YOU SANG THAT SONG. 94 00:05:12,660 --> 00:05:14,575 IT'’S YOURS. 95 00:05:14,618 --> 00:05:15,880 IT'’S TRUE... 96 00:05:15,924 --> 00:05:17,317 AND YOU WERE THERE. 97 00:05:35,073 --> 00:05:36,597 MIGHT AS WELL FORGET IT, 98 00:05:36,640 --> 00:05:38,033 YOU'’VE BEEN AT IT 20 MINUTES 99 00:05:38,076 --> 00:05:40,644 THAT THING'’S STILL FLASHING 12:00. 100 00:05:40,688 --> 00:05:42,951 THANKS ETTA. I CAN SEE THAT. 101 00:05:42,994 --> 00:05:47,347 IT'’S BEEN FLASHING 12:00 EVER SINCE THAT THUNDERSHOWER LAST DECEMBER. 102 00:05:47,390 --> 00:05:50,045 WELL IF ANYBODY ELSE WOULD LIKE TO TRY THIS, THEY'’RE WELCOME TO. 103 00:05:50,088 --> 00:05:52,395 [KNOCK KNOCK] 104 00:05:52,439 --> 00:05:54,571 I'’LL STICK TO DOING WHAT I'’M GOOD AT. 105 00:05:56,094 --> 00:05:57,661 [KNOCKING] 106 00:05:59,576 --> 00:06:01,926 IT'’S HALF PAST 10. 107 00:06:01,970 --> 00:06:04,407 SORRY, MRS. KIBBEE. IS VIRGIL UP? 108 00:06:04,451 --> 00:06:05,974 COME ON IN, SWEET. 109 00:06:06,017 --> 00:06:07,279 COME AHEAD IN. 110 00:06:07,323 --> 00:06:08,542 THANK YOU, MA'’AM. 111 00:06:10,239 --> 00:06:13,024 SWEET. SOMETHING WRONG? 112 00:06:13,068 --> 00:06:14,635 UH. WHAT A QUESTION. 113 00:06:14,678 --> 00:06:16,114 MAYBE HE'’S HERE BECAUSE SOMETHING'’S RIGHT. 114 00:06:16,158 --> 00:06:17,681 I HOPE SO. 115 00:06:17,725 --> 00:06:19,248 THAT AIN'’T IT. THERE'’S SOMETHING WRONG. 116 00:06:19,291 --> 00:06:20,815 COULD BE BOTH. 117 00:06:20,858 --> 00:06:23,383 WELL, ANYTHING... IT'’S GOT TO BE DIFFERENT. 118 00:06:23,426 --> 00:06:25,123 WELL, IT'’S DEFINITELY THAT. 119 00:06:25,167 --> 00:06:26,995 IT'’S GOT TO DO WITH WHAT HAPPENED TO MY GRANDFATHER, 120 00:06:27,038 --> 00:06:29,084 WHICH I THINK EVERYBODY KNOWS. 121 00:06:29,127 --> 00:06:30,520 [ETTA] HE WAS MURDERED. 122 00:06:30,564 --> 00:06:33,044 I DIDN'’T KNOW. WHEN DID THIS HAPPEN? 123 00:06:33,088 --> 00:06:36,004 IN 1948. I REMEMBER. 124 00:06:36,047 --> 00:06:38,963 HE TOLD MY FATHER HE WAS GOING TO DRIVE TO ILLINOIS 125 00:06:39,007 --> 00:06:40,878 AND VOTE FOR HARRY TRUMAN. 126 00:06:40,922 --> 00:06:42,140 NEVER GOT THERE. 127 00:06:42,184 --> 00:06:44,186 HE WAS MISSING-- HIM AND HIS CAR. 128 00:06:44,229 --> 00:06:46,101 SO HE NEVER CAME BACK? 129 00:06:46,144 --> 00:06:48,538 HOW COULD HE? HE WAS MURDERED. 130 00:06:48,582 --> 00:06:51,802 WELL, THEY NEVER FOUND THE BODY OR THE CAR. 131 00:06:51,846 --> 00:06:56,241 LOUIS SWEET LIKED TO PROVOKE THE WHITE FOLK. 132 00:06:56,285 --> 00:07:00,115 HE WAS SHOWING OFF HIS NEW CAR HE BROUGHT BACK FROM NEW ORLEANS. 133 00:07:00,158 --> 00:07:01,464 SO THEY KILLED HIM. 134 00:07:01,508 --> 00:07:03,466 HE WAS ALSO THE FIRST BLACK MAN 135 00:07:03,510 --> 00:07:06,513 TO SIT AT THE COUNTER OF BUCK'’S DINER. 136 00:07:06,556 --> 00:07:08,645 UH-OH. WHAT HAPPENED TO HIM? 137 00:07:08,689 --> 00:07:11,126 THEY SURE DIDN'’T SERVE HIM. 138 00:07:11,169 --> 00:07:13,041 BUCK AND TWO OF THE YOUNG SHERIFF'’S DEPUTIES 139 00:07:13,084 --> 00:07:15,260 CARRIED HIM OUT. 140 00:07:15,304 --> 00:07:17,262 THERE WAS SOMETHING IN LOUIS 141 00:07:17,306 --> 00:07:19,743 THAT JUST DROVE HIM TO DO THESE THINGS. 142 00:07:19,787 --> 00:07:22,833 YEAH. HE WANTED HIS RIGHTS VERY BADLY. 143 00:07:22,877 --> 00:07:25,140 DID YOU JUST HEAR SOMETHING ABOUT HIM? 144 00:07:25,183 --> 00:07:26,750 MAY HAVE MET A MAN WHO SAW THE MURDER. 145 00:07:37,369 --> 00:07:40,285 SO MAYBE WE OUGHT TO REOPEN THE MURDER CASE. 146 00:07:40,329 --> 00:07:42,853 IF REOPEN IS THE RIGHT WORD. 147 00:07:42,897 --> 00:07:45,421 DID THEY EVER OPEN IT? I THINK NOT. 148 00:07:45,465 --> 00:07:47,510 HOW DO I GET STARTED, CHIEF? 149 00:07:47,554 --> 00:07:50,034 WELL, YOU'’D HAVE TO GO INTO THE FILES. 150 00:07:51,819 --> 00:07:53,473 I BELIEVE THE NEWSPAPER SAID 151 00:07:53,516 --> 00:07:56,519 THAT YOUR PAPAW JUST DISAPPEARED FROM TOWN. 152 00:07:56,563 --> 00:07:58,434 WELL, LET'’S FIND THAT STORY. 153 00:07:58,478 --> 00:08:00,044 YEAH. 154 00:08:00,088 --> 00:08:03,395 NOW, THIS FELLA, THIS BLUESMAN, UH... 155 00:08:03,439 --> 00:08:05,049 HIS REAL NAME IS CHESH COLLINS. 156 00:08:05,093 --> 00:08:06,877 THAT'’S THE NAME I KNOW HIM BY. 157 00:08:06,921 --> 00:08:11,186 HE USED TO PLAY PIANO YEARS AGO AT THE OLD McGUFFY HOUSE. 158 00:08:11,229 --> 00:08:15,103 THIS SONG OF HIS--AT LEAST THE SONG HE SINGS... 159 00:08:15,146 --> 00:08:18,149 SUPPOSEDLY, HE-- OR WHOEVER WROTE THE SONG-- 160 00:08:18,193 --> 00:08:19,890 ACTUALLY WITNESSED THE EVENT. 161 00:08:19,934 --> 00:08:22,371 UH, SAW THE MURDER? 162 00:08:22,414 --> 00:08:24,416 I'’M SORRY, THAT'S JUST WHAT MY FAMILY ALWAYS CALLED IT. 163 00:08:24,460 --> 00:08:26,201 YEAH, YEAH. ALL THE BLACK FOLKS AROUND TOWN 164 00:08:26,244 --> 00:08:28,290 WHO REMEMBER IT CALL IT THAT, TOO. 165 00:08:28,333 --> 00:08:31,728 THERE'’S A LOT OF WHITE PEOPLE CALLED IT THAT. 166 00:08:31,772 --> 00:08:35,036 NOW, IT WAS 40-ODD YEARS AGO. 167 00:08:35,079 --> 00:08:38,126 THE MURDERER-- IF IT WAS A MURDER-- 168 00:08:38,169 --> 00:08:41,477 UH, HE'’S PROBABLY IN THE GROUND BY NOW. 169 00:08:41,521 --> 00:08:42,913 AND IF HE ISN'’T? 170 00:08:42,957 --> 00:08:45,525 THEN HE'’S GOT ONE FOOT IN THE GROUND. 171 00:08:45,568 --> 00:08:47,701 YOU DON'’T MIND IF I TAKE A LOOK INTO THIS, DO YOU? 172 00:08:47,744 --> 00:08:51,705 NO. NOT AT ALL. GO AHEAD. 173 00:08:51,748 --> 00:08:54,751 JUST DON'’T WASTE TOO MUCH TIME ON IT. 174 00:08:54,795 --> 00:08:57,493 THE OLD POLICE FILE'’S IN THE BASEMENT OVER AT CITY HALL. 175 00:08:57,537 --> 00:08:58,886 VIRGIL KNOWS WHERE THEY ARE. 176 00:08:58,929 --> 00:09:00,583 WHY DON'’T YOU TAKE HIM OVER THERE? 177 00:09:00,627 --> 00:09:03,978 YEAH. SURE. SURE THING. COME ON. 178 00:09:04,021 --> 00:09:05,414 THANK YOU, CHIEF. 179 00:09:09,592 --> 00:09:12,508 MAN: THIS WHOLE ROOM IS STORED POLICE FILES. 180 00:09:12,552 --> 00:09:14,118 NOW, LET'’S SEE... 181 00:09:14,162 --> 00:09:17,078 1951... 182 00:09:17,121 --> 00:09:18,166 '’50... 183 00:09:18,209 --> 00:09:19,646 '’49... 184 00:09:19,689 --> 00:09:21,952 THIS IS 1948. 185 00:09:23,084 --> 00:09:25,652 LET'’S SEE, NOW... 186 00:09:25,695 --> 00:09:27,871 SLATER... 187 00:09:27,915 --> 00:09:29,220 SPELLMAN... 188 00:09:29,264 --> 00:09:30,613 STROUD... 189 00:09:30,657 --> 00:09:32,746 HERE WE GO. 190 00:09:32,789 --> 00:09:35,357 LOUIS SWEET. 191 00:09:35,400 --> 00:09:38,186 NOW, LET'’S SEE... 192 00:09:38,229 --> 00:09:40,231 OH, YOU SEE THIS STAMP?MM-HMM. 193 00:09:40,275 --> 00:09:41,929 THIS MEANS THAT THE ORIGINAL REPORT 194 00:09:41,972 --> 00:09:45,106 WAS MADE TO THE SHERIFF'’S PATROL. 195 00:09:45,149 --> 00:09:46,498 HERE YOU GO. 196 00:09:46,542 --> 00:09:48,109 THANK YOU.THANK YOU. 197 00:09:50,111 --> 00:09:51,634 WELL..."LOUIS HAMPTON SWEET." 198 00:09:51,678 --> 00:09:53,941 THIS WON'’T TAKE LONG. 199 00:09:53,984 --> 00:09:55,029 LET'’S SEE... 200 00:09:55,072 --> 00:09:56,770 UH, MISSING PERSONS. 201 00:09:56,813 --> 00:09:57,988 POSSIBLE MURDER. 202 00:09:58,032 --> 00:10:00,121 WITNESS REPORTS. 203 00:10:01,513 --> 00:10:04,908 UH... NO SUSPECTS. 204 00:10:04,952 --> 00:10:06,649 "POSSIBLE MOTIVE-- THEFT OF AUTOMOBILE." 205 00:10:06,693 --> 00:10:10,000 ACCORDING TO THIS, A WITNESS REPORTS SEEING THREE BLACK MEN 206 00:10:10,044 --> 00:10:14,265 FOLLOW LOUIS SWEET'’S CAR INTO THE WOODS AT ALLINTON FARM. 207 00:10:14,309 --> 00:10:16,050 THEY WERE DRIVING A TRUCK. 208 00:10:16,093 --> 00:10:18,530 SAY WHO THE WITNESS WAS? 209 00:10:18,574 --> 00:10:20,445 DELBERT MUELLER. 210 00:10:20,489 --> 00:10:22,926 THAT'’S THE OLD MAN THAT YELLED AT ME THE OTHER DAY. 211 00:10:22,970 --> 00:10:25,799 HE'’S ALSO THE ONLY OTHER NAME IN THE BLUESMAN'’S SONG. 212 00:10:25,842 --> 00:10:27,017 SO WE KNOW NOTHING NEW? 213 00:10:27,061 --> 00:10:29,063 NO. 214 00:10:29,106 --> 00:10:32,632 WELL, LET'’S GO FIND SOMETHING NEW. 215 00:11:20,636 --> 00:11:21,855 BROUGHT REINFORCEMENTS, HUH? 216 00:11:21,898 --> 00:11:23,726 THIS IS DETECTIVE TIBBS. 217 00:11:23,770 --> 00:11:26,076 I KNEW YOUR MAMA WELL. 218 00:11:26,120 --> 00:11:28,557 SHE HAD THE FINEST CATERING BUSINESS THIS PART OF THE STATE. 219 00:11:28,600 --> 00:11:29,863 YES, SHE DID. 220 00:11:29,906 --> 00:11:31,995 SHE TOOK CARE OF ALL THE FINE PEOPLE, 221 00:11:32,039 --> 00:11:35,085 ALL THE FINE, BIG PARTIES. EVERYBODY. 222 00:11:35,129 --> 00:11:38,045 USED TO CALL ME UP A LOT TO COME DOWN AND PLAY THE PIANO. 223 00:11:38,088 --> 00:11:39,263 OH, I REMEMBER YOU. 224 00:11:39,307 --> 00:11:40,743 SURE, YOU DO. 225 00:11:45,226 --> 00:11:48,185 I WANTED TO ASK YOU... ABOUT THE SONG... 226 00:11:48,229 --> 00:11:49,534 THE SWEET BLUES? 227 00:11:49,578 --> 00:11:52,494 YOU MEAN THE BAD SWEET BLUES. 228 00:11:52,537 --> 00:11:55,453 YEAH. THE MAN WHO WROTE IT-- IS HE STILL LIVING? 229 00:11:55,497 --> 00:11:58,587 SURE IS. YOU'’RE LOOKING AT HIM. 230 00:11:58,630 --> 00:12:00,894 WELL, WHY DIDN'’T YOU TELL ME? 231 00:12:00,937 --> 00:12:02,156 DIDN'’T WANT TO. 232 00:12:02,199 --> 00:12:03,723 WELL, WHY'’D YOU LIE? 233 00:12:03,766 --> 00:12:06,116 MAN, I FELT LIKE LYING. 234 00:12:06,160 --> 00:12:09,206 SOME DAYS I JUST LIE ALL DAY LONG, AND... 235 00:12:09,250 --> 00:12:12,209 SOME DAYS, JUST LIKE GEORGE WASHINGTON, 236 00:12:12,253 --> 00:12:14,734 I CANNOT TELL A LIE. 237 00:12:24,395 --> 00:12:25,570 HOW ABOUT TODAY? 238 00:12:25,614 --> 00:12:28,660 OH, TODAY IS A MIXED ONE. 239 00:12:28,704 --> 00:12:31,098 I CAN DO BOTH. DEPENDIN'’. 240 00:12:33,622 --> 00:12:34,797 IS THE SONG TRUE? 241 00:12:36,843 --> 00:12:38,409 WELL, YOU KNOW... 242 00:12:38,453 --> 00:12:40,977 A SONG'’S A FUNNY THING. 243 00:12:41,021 --> 00:12:44,372 YOU KIND OF HAVE TO JUDGE IT FOR YOURSELF. 244 00:12:44,415 --> 00:12:45,765 NOW, THIS YOUNG MAN HERE AND HIS PAL, 245 00:12:45,808 --> 00:12:48,289 THEY FOUND IT TRUE. 246 00:12:48,332 --> 00:12:49,464 MAYBE YOU WOULDN'’T. 247 00:12:53,729 --> 00:12:56,297 YOU SAW LOUIS SWEET KILLED. 248 00:12:58,081 --> 00:13:00,257 YOU CAN SAY WHO KILLED HIM. 249 00:13:00,301 --> 00:13:03,652 SO CAN THE OLD MAN-- DELBERT MUELLER. 250 00:13:11,355 --> 00:13:13,227 CHESH... 251 00:13:13,270 --> 00:13:14,968 YOU WANT SOME MONEY? 252 00:13:15,011 --> 00:13:16,578 IS THAT IT? 253 00:13:32,724 --> 00:13:34,378 NO NO NO, LET HIM GO. 254 00:13:37,251 --> 00:13:38,861 I MADE A MISTAKE. 255 00:13:40,428 --> 00:13:41,908 DAMN. 256 00:13:45,607 --> 00:13:47,304 SOMEBODY SHOULD QUESTION THE MAN. 257 00:13:47,348 --> 00:13:49,567 WHAT YOU EXPECT TO GET FROM DEL MUELLER-- 258 00:13:49,611 --> 00:13:51,656 A CONFESSION? 259 00:13:51,700 --> 00:13:53,310 DON'’T KNOW, CHIEF, 260 00:13:53,354 --> 00:13:56,313 BUT THE MAN WAS A VERY ACTIVE RACIST IN HIS YOUNG DAYS. 261 00:13:56,357 --> 00:13:59,926 IN HIS YOUNG DAYS. THAT'’S KIND OF A SMART PIECE BACK. 262 00:13:59,969 --> 00:14:01,623 A GOOD 60 YEARS AGO. 263 00:14:01,666 --> 00:14:04,191 I SUPPOSE Y'’ALL STILL TALKING ABOUT DEL MUELLER? 264 00:14:04,234 --> 00:14:06,541 YOU KNOW, HE'’S DYING OVER AT THE HOSPITAL. 265 00:14:06,584 --> 00:14:07,890 HE IS? 266 00:14:07,934 --> 00:14:09,500 YEAH, CHIEF. THAT'’S WHAT I HEARD. 267 00:14:09,544 --> 00:14:13,461 HIS ARTERIES ARE CLOSING MINUTE BY MINUTE. 268 00:14:13,504 --> 00:14:15,506 CAN WE AT LEAST HAVE A WORD WITH THE MAN? 269 00:14:15,550 --> 00:14:17,726 OH, NOT YOU. 270 00:14:17,769 --> 00:14:20,120 I DON'’T MEAN NOTHING BY THAT. 271 00:14:20,163 --> 00:14:23,079 WHAT I'’M SAYING IS, UM... 272 00:14:23,123 --> 00:14:26,039 VIRGIL, YOU REMEMBER HOW I WAS WHEN WE FIRST MET? 273 00:14:26,082 --> 00:14:27,867 OH, LORD! 274 00:14:27,910 --> 00:14:32,654 MM-HMM. WELL, MULTIPLY THAT BY, SAY... OH, 10,000. 275 00:14:32,697 --> 00:14:34,612 THAT'’S DEL MUELLER. 276 00:14:34,656 --> 00:14:36,266 THAT'’S RIGHT. 277 00:14:37,615 --> 00:14:39,356 O.K. UH... 278 00:14:39,400 --> 00:14:41,054 BUT YOU KNOW THE MAN, DON'’T YOU? 279 00:14:41,097 --> 00:14:42,490 SURE. PLAYED BALL WITH HANK MUELLER. 280 00:14:42,533 --> 00:14:45,580 I CAN TALK TO HIM TONIGHT, MAYBE TOMORROW, 281 00:14:45,623 --> 00:14:48,452 BUT RIGHT NOW I'’M TIED UP WITH THAT ROBBER AT THE MALL. 282 00:14:48,496 --> 00:14:49,627 YEAH. GO AHEAD, BUBBA. 283 00:14:52,065 --> 00:14:54,371 WAIT A MINUTE. 284 00:14:54,415 --> 00:14:57,897 NOW, YOU ALSO ENJOY THE PRIVILEGE OF KNOWING THE MUELLERS. 285 00:14:58,985 --> 00:15:00,160 OH, WELL, UH... 286 00:15:00,203 --> 00:15:01,509 THAT'’S RIGHT, DETECTIVE. 287 00:15:01,552 --> 00:15:03,380 CHIEF KNEW THEM BETTER THAN ANYBODY. 288 00:15:19,179 --> 00:15:21,790 DELBERT. 289 00:15:26,229 --> 00:15:27,622 DEL? 290 00:15:31,408 --> 00:15:33,497 WHO--WHO IS IT? 291 00:15:33,541 --> 00:15:36,848 IT'’S BILL GILLESPIE. 292 00:15:36,892 --> 00:15:38,154 WHO? 293 00:15:38,198 --> 00:15:41,331 CHIEF GILLESPIE. SPARTA POLICE, DEL. 294 00:15:42,637 --> 00:15:44,595 UH... I KNOW HIM. 295 00:15:49,035 --> 00:15:50,688 THAT HIM? 296 00:15:50,732 --> 00:15:52,516 YES, IT IS, DEL. 297 00:15:52,560 --> 00:15:55,215 WHAT YOU WANT? 298 00:15:56,607 --> 00:15:58,914 I WANT TO ASK YOU A FEW QUESTIONS 299 00:15:58,958 --> 00:16:02,309 ABOUT A POLICE CASE. GOES WAY BACK. 300 00:16:02,352 --> 00:16:03,963 43 YEARS AGO. 301 00:16:05,921 --> 00:16:09,142 GO AHEAD. GO AHEAD. 302 00:16:10,665 --> 00:16:15,191 A BLACK MAN DRIVING A PACKARD CAR DISAPPEARED. 303 00:16:15,235 --> 00:16:17,628 NOW, MAYBE HE WAS MURDERED. 304 00:16:17,672 --> 00:16:20,718 HIS ONLY REMAINING RELATIVE IS ONE OF MY YOUNG OFFICERS. 305 00:16:20,762 --> 00:16:22,677 S-SWEET. 306 00:16:25,288 --> 00:16:27,638 LOUIS... SWEET. 307 00:16:29,640 --> 00:16:31,947 THAT'’S RIGHT. 308 00:16:31,991 --> 00:16:34,471 THE REPORT SAYS THAT, UH, 309 00:16:34,515 --> 00:16:36,299 YOU SAW THREE BLACK MEN 310 00:16:36,343 --> 00:16:39,085 FOLLOW LOUIS SWEET INTO THE WOODS. 311 00:16:40,434 --> 00:16:44,046 NOW, THAT... AIN'’T TRUE. 312 00:16:44,090 --> 00:16:46,266 YOU MEAN YOU DIDN'’T SEE THAT? 313 00:16:46,309 --> 00:16:50,879 I SEEN THE WHOLE THING. 314 00:16:50,922 --> 00:16:52,750 THAT AIN'’T WHAT HAPPENED. 315 00:16:55,362 --> 00:16:57,755 THEN WHAT DID HAPPEN? 316 00:16:57,799 --> 00:17:02,021 THAT'’S... BETWEEN ME AND MY MAKER. 317 00:17:02,064 --> 00:17:04,632 DID YOU SEE THE MAN KILLED? 318 00:17:05,763 --> 00:17:07,896 I SAID I DID. 319 00:17:10,116 --> 00:17:12,988 THAT'’S ALL I'M... GOING TO SAY. 320 00:17:16,209 --> 00:17:20,822 NOW, DEL, THIS IS NOT AN OFFICIAL INVESTIGATION. 321 00:17:20,865 --> 00:17:25,392 GET OUT... GILLESPIE, AND... LET ME REST. 322 00:17:44,541 --> 00:17:47,196 DR. PERRY SAYS HE CAN GO AT ANY MINUTE. 323 00:17:47,240 --> 00:17:52,723 WELL, HE WON'’T SAY WHAT HE REALLY KNOWS. 324 00:17:52,767 --> 00:17:54,203 YOU'’D THINK HE WOULD... 325 00:17:54,247 --> 00:17:55,639 COMING TO THE END LIKE THAT. 326 00:17:55,683 --> 00:17:58,207 DOES HE KNOW HE'’S COMING TO THE END? 327 00:17:58,251 --> 00:17:59,817 I DON'’T KNOW. 328 00:17:59,861 --> 00:18:01,428 WELL, WE CAN HARDLY GO TO THE MAN AND SAY, 329 00:18:01,471 --> 00:18:04,735 "MR. MUELLER, YOU'’RE COMING TO THE END. FESS UP." 330 00:18:08,870 --> 00:18:10,263 NO. 331 00:18:10,306 --> 00:18:11,829 UH... 332 00:18:11,873 --> 00:18:14,745 W-WHO TOOK MUELLER'’S STATEMENT LONG AGO? 333 00:18:16,660 --> 00:18:19,315 IT WAS A DEPUTY, ACCORDING TO THIS. UM... 334 00:18:19,359 --> 00:18:21,317 NATE BEDFORD. 335 00:18:21,361 --> 00:18:23,189 OH, NATHAN BEDFORD. 336 00:18:23,232 --> 00:18:24,712 WELL, HE BECAME THE SHERIFF. 337 00:18:24,755 --> 00:18:26,975 HE RETIRED ON THE JOB. 338 00:18:27,018 --> 00:18:29,978 SHOULD I TALK TO HIM? 339 00:18:30,021 --> 00:18:32,459 WELL... HE'’S STILL LIVING. HE'’S PRETTY HEALTHY. 340 00:18:32,502 --> 00:18:35,897 SOUND MIND. I SUPPOSE YOU COULD TALK TO HIM. 341 00:18:35,940 --> 00:18:38,856 I'’LL SEND JAMISON WITH YOU. 342 00:18:38,900 --> 00:18:40,815 WHY? 343 00:18:40,858 --> 00:18:42,599 B-BECAUSE HE'’S WHITE? 344 00:18:42,643 --> 00:18:43,861 LIKE BEDFORD? 345 00:18:45,776 --> 00:18:49,345 I SUPPOSE SO. 346 00:18:49,389 --> 00:18:50,999 CAN'’T HURT. 347 00:18:56,265 --> 00:18:58,441 I WANT YOU TO LET DEL ALONE. 348 00:18:58,485 --> 00:19:02,053 OH, ALBA, THIS IS SERGEANT SWEET I WAS TELLING YOU ABOUT. 349 00:19:02,097 --> 00:19:04,621 THIS IS DETECTIVE TIBBS. 350 00:19:04,665 --> 00:19:05,970 THESE ARE THE TWO OFFICERS 351 00:19:06,014 --> 00:19:07,668 THAT ARE CONDUCTING THIS INQUIRY. 352 00:19:07,711 --> 00:19:09,626 HE CAN'’T TELL YOU NOTHING. 353 00:19:09,670 --> 00:19:13,064 WELL, NOW, ALBA, HE SAYS HE CAN. 354 00:19:13,108 --> 00:19:16,764 WELL, EVEN IF HE CAN, I WOULDN'’T LET HIM. 355 00:19:16,807 --> 00:19:20,376 I'’M REAL SORRY TO HEAR THAT, MA'’AM. 356 00:19:20,420 --> 00:19:22,465 HE DON'’T HAVE MUCH LONGER, 357 00:19:22,509 --> 00:19:24,511 AND WE'’D JUST AS SOON YOU LEFT HIM ALONE. 358 00:19:24,554 --> 00:19:26,991 HE'’S GOT THE RIGHT TO DIE IN PEACE. 359 00:19:27,035 --> 00:19:28,384 EVERYBODY HAS. 360 00:19:28,428 --> 00:19:30,212 EVEN MY GRANDFATHER WHO MADE PEOPLE MAD 361 00:19:30,256 --> 00:19:31,779 BY SHOWING OFF HIS NEW, FANCY CAR-- 362 00:19:31,822 --> 00:19:33,737 HE HAD THAT RIGHT. 363 00:19:33,781 --> 00:19:35,739 THE LIVING GOT A RIGHT TO LIVE IN PEACE-- 364 00:19:35,783 --> 00:19:37,959 I RECKON YOU AGREE TO THAT. 365 00:19:38,002 --> 00:19:39,265 MM-HM, YES, MA'’AM. 366 00:19:39,308 --> 00:19:41,702 AND LOUIS SWEET, HE HAD THAT RIGHT, TOO. 367 00:19:41,745 --> 00:19:44,618 WELL, SO DO I, AND I'’M STILL HERE, 368 00:19:44,661 --> 00:19:47,316 AND I NEVER KILLED NOBODY. 369 00:19:47,360 --> 00:19:49,405 I DIDN'’T EVEN THINK ABOUT KILLING NOBODY! 370 00:19:49,449 --> 00:19:52,234 AND I DON'’T CARE WHAT KIND OF CAR Y'’ALL DRIVE AROUND IN. 371 00:19:52,278 --> 00:19:53,888 I NEVER DID! 372 00:19:53,931 --> 00:19:56,543 I NEVER DID! 373 00:20:09,512 --> 00:20:12,559 PEOPLE MUST'’VE LAUGHED AT THAT STORY-- EVEN BACK THEN. 374 00:20:12,602 --> 00:20:15,605 WHY WOULD THREE BLACK MEN WANNA KILL LOUIS SWEET? 375 00:20:15,649 --> 00:20:17,128 WELL, IT COULD'’VE BEEN A ROBBERY. 376 00:20:17,172 --> 00:20:19,435 AFTER ALL, ALL MURDERS IN THE OLD SOUTH 377 00:20:19,479 --> 00:20:21,307 WEREN'’T RACIALLY MOTIVATED, YOU KNOW. 378 00:20:21,350 --> 00:20:24,832 THAT ONE WAS. AND IT WAS ROBBERY, TOO. 379 00:20:24,875 --> 00:20:28,357 JUST LIKE A WHOLE LOT OF THOSE LYNCHINGS. 380 00:20:28,401 --> 00:20:31,752 WELL, ALL WE HAVE IS A BLUESMAN'’S SONG. 381 00:20:31,795 --> 00:20:33,144 WHAT WILL YOU DO NEXT? 382 00:20:33,188 --> 00:20:35,103 FINISH THIS DESSERT. 383 00:20:35,146 --> 00:20:37,236 MM-HMM. 384 00:20:41,675 --> 00:20:43,938 I'’M SORRY, HONEY. I KNOW THIS IS SERIOUS, 385 00:20:43,981 --> 00:20:45,461 AND I SHOULDN'’T BE TRIVIAL ABOUT IT, 386 00:20:45,505 --> 00:20:48,464 BUT THE CHIEF ALREADY SAID THERE IS NOTHING WE CAN DO. 387 00:20:48,508 --> 00:20:51,424 THAT'’S WHAT HE TOLD HARRIET DeLONG WHEN HER SISTER WAS KILLED. 388 00:20:51,467 --> 00:20:53,034 ALTHEA-- 389 00:20:53,077 --> 00:20:55,210 CAN'’T GET V.J. TRENDELL. NO SENSE IN TRYING. 390 00:20:55,254 --> 00:20:56,820 AND HE WAS RIGHT. 391 00:20:56,864 --> 00:20:59,693 BUT THE LORD TOOK CARE OF V.J. IN THAT PLANE CRASH. 392 00:20:59,736 --> 00:21:01,825 THERE WAS NOTHIN'’ ELSE WE COULD'’VE DONE. 393 00:21:01,869 --> 00:21:04,306 AND THE DEVIL TOOK CARE OF THE REST. 394 00:21:04,350 --> 00:21:07,135 HONEY, ALL I'’M ASKING YOU IS TO KEEP ON TRYING. 395 00:21:07,178 --> 00:21:09,485 IF YOU DON'’T WANT TO KEEP THE HEAT 396 00:21:09,529 --> 00:21:11,182 ON THIS OLD MUELLER CHARACTER, 397 00:21:11,226 --> 00:21:14,011 WHY DON'’T YOU START WORKING ON THE PIANO PLAYER? 398 00:21:14,055 --> 00:21:16,057 I CAN'’T BELIEVE THAT PEOPLE CAN JUST SAY TO YOU, 399 00:21:16,100 --> 00:21:17,188 "I WON'’T TALK." 400 00:21:17,232 --> 00:21:18,451 THEY HAVE THE RIGHT. 401 00:21:18,494 --> 00:21:20,061 CAN'’T CHOKE IT OUT OF '’EM? 402 00:21:20,104 --> 00:21:23,020 WE DO NOT HAVE THAT RIGHT. 403 00:21:23,064 --> 00:21:26,197 BESIDES, I'’M NOT QUITE FINISHED WITH CHESH COLLINS, YOU KNOW. 404 00:21:26,241 --> 00:21:28,852 CHESH COLLINS IS NO GOOD. 405 00:21:28,896 --> 00:21:32,160 CHESH COLLINS LIVED WITH THREE WOMEN AT THE SAME TIME. 406 00:21:32,203 --> 00:21:37,165 YOU KNOW, I THINK I JUST HAVE TO APPROACH HIM THE RIGHT WAY. 407 00:21:37,208 --> 00:21:39,733 HE'’S A PROUD MAN, AND I THINK HE'’S HONEST. 408 00:21:39,776 --> 00:21:42,257 HE AIN'’T GOT NO PRIDE. 409 00:21:42,301 --> 00:21:46,870 AND HE'’S THE BIGGEST LIAR IN THE STATE OF MISSISSIPPI. 410 00:21:46,914 --> 00:21:49,177 AND THAT, MY DEAR WIFE, 411 00:21:49,220 --> 00:21:53,529 IS A DISTINCT AND DISTURBING POSSIBILITY. 412 00:22:20,034 --> 00:22:21,470 THROW THE BALL, PAPAW. 413 00:22:21,514 --> 00:22:22,819 ALL RIGHT, HERE WE GO. 414 00:22:22,863 --> 00:22:23,994 KEEP YOUR EYE ON THE BALL. 415 00:22:24,038 --> 00:22:25,387 OH, YOU DIDN'’T... 416 00:22:25,431 --> 00:22:27,824 CHUCK IT BACK HERE. CHUCK IT HERE. 417 00:22:27,868 --> 00:22:30,087 OH, WELL, IT... 418 00:22:30,131 --> 00:22:33,613 WELL, STAY HERE, AND I'’LL GO FETCH IT. 419 00:22:33,656 --> 00:22:36,442 WILLSON... YOU WANT TO DO THIS? 420 00:22:36,485 --> 00:22:39,270 PAPAW! 421 00:22:39,314 --> 00:22:40,489 YEAH. 422 00:22:40,533 --> 00:22:42,926 YEAH. 423 00:23:04,252 --> 00:23:05,775 OH. AFTERNOON, GENTLEMEN. 424 00:23:05,819 --> 00:23:07,473 AFTERNOON, SHERIFF BEDFORD. 425 00:23:07,516 --> 00:23:09,997 DON'’T KNOW IF YOU'LL REMEMBER ME-- LONNIE JAMISON? 426 00:23:10,040 --> 00:23:12,695 NO, SON, I DON'’T RIGHTLY DO. 427 00:23:12,739 --> 00:23:14,218 LONNIE, IS IT? 428 00:23:14,262 --> 00:23:16,743 YES. THIS HERE'’S SERGEANT SWEET. 429 00:23:16,786 --> 00:23:18,222 OH. NICE TO MEET YOU. 430 00:23:18,266 --> 00:23:21,095 THANK YOU, SIR. 431 00:23:21,138 --> 00:23:23,489 IF YOU GENTLEMEN COME HERE FOR A LITTLE ADVICE, 432 00:23:23,532 --> 00:23:25,055 ALL I CAN TELL YOU IS, 433 00:23:25,099 --> 00:23:26,448 DON'’T STAY ON THE JOB TOO LONG. 434 00:23:26,492 --> 00:23:28,407 WHAT'’S TOO LONG? 435 00:23:28,450 --> 00:23:31,061 WELL, BEYOND RETIREMENT. THAT'’S TOO LONG. 436 00:23:32,802 --> 00:23:34,543 Y'’ALL HAVE YOUR OWN FAMILY? 437 00:23:34,587 --> 00:23:36,415 NO, SIR.NOT YET. 438 00:23:36,458 --> 00:23:38,329 WELL, GET YOURSELF SOME, 439 00:23:38,373 --> 00:23:41,507 AND THEN, UH, RETIRE WHEN YOU'’RE SUPPOSED TO. 440 00:23:41,550 --> 00:23:42,812 OH, YES, SIR. 441 00:23:46,425 --> 00:23:47,817 WELL, LET'’S NOT JUST STAND HERE. 442 00:23:47,861 --> 00:23:50,211 COME UP ON THE PORCH HERE. COME ON. 443 00:23:55,434 --> 00:23:58,393 UH, DANNY, HERE. TAKE YOUR BALL, SWEETIE. 444 00:23:58,437 --> 00:24:00,351 GO ON AROUND THE HOUSE AND PLAY WITH IT. 445 00:24:00,395 --> 00:24:01,875 COME ON UP. 446 00:24:05,400 --> 00:24:07,228 SIT DOWN. SIT DOWN THERE. 447 00:24:07,271 --> 00:24:11,493 MAKE YOURSELF COMFORTABLE. 448 00:24:11,537 --> 00:24:13,364 WHAT CAN I DO FOR YOU GENTLEMEN? 449 00:24:13,408 --> 00:24:16,280 WELL, SIR, THOUGHT YOU MIGHT BE ABLE TO HELP US 450 00:24:16,324 --> 00:24:18,500 CLEAR UP SOMETHING THAT HAPPENED A WHILE BACK. 451 00:24:18,544 --> 00:24:20,981 WELL, I CAN TRY. 452 00:24:21,024 --> 00:24:22,199 UM... 453 00:24:22,243 --> 00:24:24,506 MY GRANDFATHER-- LOUIS SWEET-- 454 00:24:24,550 --> 00:24:27,640 WAS KILLED HERE IN SPARTA. 455 00:24:27,683 --> 00:24:29,206 KILLED HOW? 456 00:24:29,250 --> 00:24:32,079 WELL, POLICE FILE CONFIRMED A NEWSPAPER REPORT 457 00:24:32,122 --> 00:24:35,125 THAT THREE BLACK MEN FOLLOWED HIM INTO THE WOODS. 458 00:24:36,344 --> 00:24:37,519 WELL... WHAT WOODS? 459 00:24:37,563 --> 00:24:39,913 FOLLOWED HOW, ON FOOT OR WHAT? 460 00:24:39,956 --> 00:24:42,263 THE FILE IN THE REPORT DIDN'’T SAY. 461 00:24:42,306 --> 00:24:44,570 DIDN'’T TELL US NOTHING. THAT'’S WHAT WAS PECULIAR. 462 00:24:44,613 --> 00:24:46,180 WELL, I WAS IN THE SHERIFF'’S DEPARTMENT 463 00:24:46,223 --> 00:24:49,357 FROM 1945 TO '’75. 464 00:24:49,400 --> 00:24:52,273 THIS IS 1948. 465 00:24:52,316 --> 00:24:55,058 A WHITE MAN THREATENED HIM ABOUT A FANCY NEW CAR? 466 00:24:55,102 --> 00:24:57,365 THE STORY CAME DOWN TO ME THROUGH MY FAMILY. 467 00:24:57,408 --> 00:24:59,498 THEY'’RE ALL GONE NOW. 468 00:24:59,541 --> 00:25:01,282 THE WAY IT WENT WAS THAT THESE MEN 469 00:25:01,325 --> 00:25:03,893 STOPPED THE CAR IN ALLINTON WOODS, 470 00:25:03,937 --> 00:25:05,678 KILLED HIM, AND TOOK THE CAR. 471 00:25:07,723 --> 00:25:10,247 WELL, WHAT MEN? 472 00:25:10,291 --> 00:25:12,249 WELL, THE STORY MIGHT'’VE HAD SOME NAMES IN IT, 473 00:25:12,293 --> 00:25:13,947 BUT I CAN'’T REMEMBER. 474 00:25:13,990 --> 00:25:17,211 I SEE. WELL, I... 475 00:25:17,254 --> 00:25:19,735 I JU--I JUST AIN'’T GOT NO MEMORY OF IT. 476 00:25:19,779 --> 00:25:22,695 THE STATEMENT TO THE PAPER WAS MADE MY DELBERT MUELLER. 477 00:25:22,738 --> 00:25:23,913 WELL. 478 00:25:23,957 --> 00:25:26,263 WELL, THERE YOU GO. 479 00:25:26,307 --> 00:25:29,571 NOW HE SAYS THE STORY HE TOLD WASN'’T TRUE. 480 00:25:29,615 --> 00:25:32,356 LORDY, LORDY, LORDY. 481 00:25:32,400 --> 00:25:35,359 UH, OLD DEL MUELLER, IS HE STILL ALIVE? 482 00:25:35,403 --> 00:25:37,927 YEAH. 483 00:25:37,971 --> 00:25:39,581 WELL, I, UH... 484 00:25:39,625 --> 00:25:42,628 GEE, I--I WISH I COULD TELL YOU GENTLEMEN SOMETHING, 485 00:25:42,671 --> 00:25:46,457 BUT I SUPPOSE I'’VE GONE SILLY LIKE OLD DEL. 486 00:25:46,501 --> 00:25:47,981 [CHUCKLES] 487 00:25:50,331 --> 00:25:52,376 WELL, THANKS FOR YOUR HELP, SHERIFF. 488 00:25:58,469 --> 00:26:01,429 OH, GENTLEMEN? 489 00:26:01,472 --> 00:26:04,388 DON'’T FORGET WHAT I SAID ABOUT RETIRING. 490 00:26:04,432 --> 00:26:05,607 OH, YES, SIR. 491 00:26:05,651 --> 00:26:07,348 YES, SIR. 492 00:26:31,372 --> 00:26:33,940 YEAH, IT'’S JAMISON HERE FOR THE CHIEF. 493 00:26:33,983 --> 00:26:36,029 UH, YES. ALL RIGHT. THANK YOU. 494 00:26:36,072 --> 00:26:38,335 YES, YES, YES? 495 00:26:38,379 --> 00:26:39,423 WHERE ARE YOU? 496 00:26:39,467 --> 00:26:41,077 WE'’RE OUTSIDE OF HIS HOUSE. 497 00:26:41,121 --> 00:26:42,513 YOU JUST GOING IN? 498 00:26:42,557 --> 00:26:45,212 NO. WE'’VE ALREADY SPOKEN TO THE MAN, CHIEF. 499 00:26:45,255 --> 00:26:47,170 AND? 500 00:26:47,214 --> 00:26:49,651 WELL, HE'’S A NICE MAN, BUT HE'’S LYING. 501 00:26:49,695 --> 00:26:50,826 NO. 502 00:26:50,870 --> 00:26:52,915 YEAH. WE BOTH THINK THE SAME THING. 503 00:26:52,959 --> 00:26:54,438 HOLD ON. 504 00:26:56,745 --> 00:26:59,487 MAYBE WE'’RE WRONG, CHIEF. MAYBE YOU COULD HELP US FIND OUT. 505 00:27:02,708 --> 00:27:04,231 WELL, WHAT DO YOU WANT ME TO DO? 506 00:27:04,274 --> 00:27:06,276 COULD YOU POSSIBLY TALK TO THE MAN? 507 00:27:06,320 --> 00:27:07,930 I HATE TO BOTHER YOU WITH THIS, BUT... 508 00:27:10,019 --> 00:27:11,586 WELL, IT'’S NOT BOTHERING ME, SWEET, 509 00:27:11,630 --> 00:27:15,155 BUT IT'’S KIND OF LIKE FISHING IN A RAIN BARREL. 510 00:27:15,198 --> 00:27:17,200 PEOPLE MIGHT WONDER ABOUT YOU. 511 00:27:17,244 --> 00:27:19,072 IF YOU TALK TO THE MAN AND BELIEVE WHAT HE SAYS, 512 00:27:19,115 --> 00:27:21,204 I'’LL FORGET THE WHOLE THING. 513 00:27:21,248 --> 00:27:24,033 JUST HAVE A CHAT. I'’LL FOLLOW YOUR JUDGMENT. 514 00:27:27,341 --> 00:27:30,126 ALL RIGHT, I'’LL TALK TO HIM TODAY 515 00:27:30,170 --> 00:27:32,738 IN ABOUT AN HOUR ON MY WAY HOME. 516 00:27:32,781 --> 00:27:34,827 WELL, HE'’S HOME NOW. 517 00:27:34,870 --> 00:27:38,918 I DON'’T NEED TO GO ALL THE WAY OUT THERE, SWEET. 518 00:27:38,961 --> 00:27:41,703 I KNOW WHERE I CAN FIND NATE BEDFORD HERE. 519 00:27:41,747 --> 00:27:45,359 LEGION PARK. ALMOST ANY EVENING ABOUT 5:00. 520 00:28:06,075 --> 00:28:08,730 IT'’S TEN MINUTES AFTER FIVE. 521 00:28:08,774 --> 00:28:11,341 WHY WOULD BEDFORD EVEN COME HERE, ANYWAY? 522 00:28:11,385 --> 00:28:12,952 TO SIT. 523 00:28:12,995 --> 00:28:15,476 ALONE. 524 00:28:15,519 --> 00:28:17,565 YEAH, I HEARD THE CHIEF. 525 00:28:17,608 --> 00:28:19,393 BUT WHY? 526 00:28:19,436 --> 00:28:23,310 PEOPLE DO THAT. MY MAMA USED TO SIT AT THE DEPOT. 527 00:28:23,353 --> 00:28:25,834 WHY? 528 00:28:25,878 --> 00:28:28,532 IT'’S THE LAST PLACE SHE EVER SAW MY DADDY. 529 00:28:28,576 --> 00:28:30,709 HE WAS HEADED FOR FORT BLISS, TEXAS. 530 00:28:33,624 --> 00:28:34,887 LOOK THERE. 531 00:29:33,249 --> 00:29:35,643 HI. 532 00:29:35,686 --> 00:29:37,253 WELL. 533 00:29:37,297 --> 00:29:40,039 BILL GILLESPIE. HOW ARE YOU? 534 00:29:40,082 --> 00:29:42,693 SAME OLD STORY. WELL BUT WORRIED. 535 00:29:42,737 --> 00:29:47,611 WELL, THEY GOT PILLS FOR THAT. I'’M ON THEM. 536 00:29:47,655 --> 00:29:49,439 I'’LL TRY SOME. GIVE ME A BUNCH. 537 00:29:49,483 --> 00:29:52,399 A BUNCH IS $10. GET YOUR OWN. 538 00:29:55,489 --> 00:29:57,665 I WANT TO ASK YOU ABOUT SOMEBODY. 539 00:29:57,708 --> 00:29:59,275 GO AHEAD. 540 00:29:59,319 --> 00:30:00,320 DEL MUELLER. 541 00:30:02,670 --> 00:30:06,935 DID HE EVER KILL ANYBODY? I MEAN, WAS HE UP TO IT? 542 00:30:08,023 --> 00:30:09,459 WELL, LONG... 543 00:30:09,503 --> 00:30:12,375 LONG TIME AGO HE WAS. I-- 544 00:30:12,419 --> 00:30:13,855 HE PROBABLY DID. 545 00:30:13,899 --> 00:30:14,943 WHO DID HE KILL? 546 00:30:18,729 --> 00:30:20,209 I THINK HE KILLED SEVERAL PEOPLE. 547 00:30:20,253 --> 00:30:23,865 I THINK... HE WAS THAT KIND OF GUY. 548 00:30:30,263 --> 00:30:33,135 UH, BLACK PEOPLE? 549 00:30:33,179 --> 00:30:36,269 YEAH... AND A COUPLE OF WHITE PEOPLE, TOO. 550 00:30:38,358 --> 00:30:40,360 BILL... 551 00:30:40,403 --> 00:30:43,537 DEL MUELLER WAS THE DEVIL'’S OWN. 552 00:30:43,580 --> 00:30:45,234 AND THAT'’S A FACT. 553 00:30:45,278 --> 00:30:48,020 YOU KNOW WHY I'’M ASKING THIS, DON'’T YOU? 554 00:30:48,063 --> 00:30:49,978 SURE, I DO. 555 00:30:50,022 --> 00:30:53,155 SAME REASON THOSE YOUNG MEN OF YOURS 556 00:30:53,199 --> 00:30:56,332 CAME OVER TO SPEAK TO ME. 557 00:30:56,376 --> 00:30:58,073 YOU ALL READ IN THE NEWSPAPER 558 00:30:58,117 --> 00:31:00,902 WHERE MUELLER REPORTED A PROBABLE KILLING TO ME 559 00:31:00,946 --> 00:31:03,078 43 YEARS AGO. 560 00:31:03,122 --> 00:31:06,081 WAS HE TELLING THE TRUTH? '’CAUSE HE TOLD ME HE LIED. 561 00:31:12,609 --> 00:31:16,135 THE ONLY TESTIMONY THAT COULD COUNT HERE, BILL, 562 00:31:16,178 --> 00:31:20,139 IS THE DEAD MAN'’S REMAINS... 563 00:31:20,182 --> 00:31:23,272 IF SCIENCE COULD CAUSE THOSE REMAINS TO SPEAK. 564 00:31:25,448 --> 00:31:28,364 WELL, UH... 565 00:31:28,408 --> 00:31:31,541 UH, NATE, WE-- WE WEREN'’T FIXING TO PROSECUTE, 566 00:31:31,585 --> 00:31:33,108 YOU KNOW, IN THE ORDINARY SENSE. 567 00:31:33,152 --> 00:31:34,240 IT'’S JUST THAT, UH... 568 00:31:36,329 --> 00:31:38,418 LISTEN. 569 00:31:38,461 --> 00:31:42,335 IS IT TRUE THAT GREAT THOUGHTS COME IN SMALL BOOKS? 570 00:31:42,378 --> 00:31:45,164 YEAH. 571 00:31:45,207 --> 00:31:46,426 AND IN THIS LITTLE BOOK 572 00:31:46,469 --> 00:31:48,645 IS THE GREATEST THOUGHT OF ALL. 573 00:31:48,689 --> 00:31:50,256 THERE'’S NO OTHER THOUGHT 574 00:31:50,299 --> 00:31:53,737 THAT CAN GIVE YOU SUCH COMPLETE... COMFORT. 575 00:31:56,088 --> 00:31:57,741 UH, CAN I TELL YOU WHAT IT IS? 576 00:31:57,785 --> 00:31:59,004 YOU CERTAINLY CAN. 577 00:31:59,047 --> 00:32:01,963 IF YOU WANT FORGIVENESS, 578 00:32:02,007 --> 00:32:05,314 ALL YOU NEED TO DO IS ASK FOR IT... 579 00:32:05,358 --> 00:32:07,882 BELIEVING IN HIM WHO ALONE CAN GIVE IT. 580 00:32:22,375 --> 00:32:24,464 ♪ ONE MORNIN'’ WE ALL READ ♪ 581 00:32:24,507 --> 00:32:27,206 ♪ IN THE PAPER WHAT DEL MUELLER SAID ♪ 582 00:32:27,249 --> 00:32:30,600 ♪ THREE OUT-OF-TOWN NEGROES DONE STOLE A CAR ♪ 583 00:32:30,644 --> 00:32:32,863 ♪ AND SHOT THE OWNER DEAD 584 00:32:32,907 --> 00:32:36,432 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 585 00:32:36,476 --> 00:32:38,869 ♪ BECAUSE ONLY I, FRIENDS 586 00:32:38,913 --> 00:32:40,523 ♪ WITNESSED THE ACTION 587 00:32:40,567 --> 00:32:42,177 ♪ HA HA HA HA 588 00:32:42,221 --> 00:32:44,005 ♪ HA HA HA HA HA HA HA ♪ 589 00:32:44,049 --> 00:32:46,703 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 590 00:32:46,747 --> 00:32:49,706 ♪ BECAUSE ONLY I, FRIENDS ♪ 591 00:32:49,750 --> 00:32:53,797 ♪ WITNESSED THE ACTION 592 00:32:53,841 --> 00:32:58,672 ♪ WHOA. 593 00:33:02,937 --> 00:33:05,200 DOES CHESH COLLINS KNOW YOU GOT THAT? 594 00:33:05,244 --> 00:33:06,549 NO, SIR. 595 00:33:06,593 --> 00:33:09,074 WELL, ALL HE SAYS 596 00:33:09,117 --> 00:33:11,163 IS THAT HE KNOWS SOMETHING, 597 00:33:11,206 --> 00:33:13,078 BUT, UH, HE DOESN'’T SAY WHAT HE KNOWS. 598 00:33:13,121 --> 00:33:15,210 HE ALSO SAYS HE WAS A WITNESS. 599 00:33:15,254 --> 00:33:18,170 BUT TO WHAT? HE DOESN'’T SAY. 600 00:33:18,213 --> 00:33:20,128 SO WHAT ARE YOU TELLING US? 601 00:33:20,172 --> 00:33:22,565 THAT'’S IT, IT'S OVER? CASE CLOSED? 602 00:33:22,609 --> 00:33:24,567 NO, NOT YET. 603 00:33:26,874 --> 00:33:28,397 IT DEPENDS ON WHAT I HEAR TONIGHT. 604 00:33:31,139 --> 00:33:35,056 AND SO GET YOUR CIVVIES ON AND STAND BY. 605 00:33:52,508 --> 00:33:54,945 ♪ YOU SEE A PRETTY BROWN 606 00:33:54,989 --> 00:33:57,383 ♪ AND BEAUTIFUL GOWNS 607 00:33:57,426 --> 00:34:00,038 ♪ YOU SEE TAILOR-MADES 608 00:34:00,081 --> 00:34:02,257 ♪ AND HAND-ME-DOWNS 609 00:34:02,301 --> 00:34:04,868 ♪ YOU SEE HONEST MEN 610 00:34:04,912 --> 00:34:06,131 ♪ AND PICKPOCKETS SKILLED 611 00:34:06,174 --> 00:34:07,523 ♪ YOU'’LL FIND THAT ♪ 612 00:34:07,567 --> 00:34:09,264 ♪ IT NEVER CLOSES 613 00:34:09,308 --> 00:34:11,223 ♪ TILL SOMEBODY GETS KILLED ♪ 614 00:34:11,266 --> 00:34:15,140 ♪ I'’D RATHER BE HERE ♪ 615 00:34:15,183 --> 00:34:19,970 ♪ THAN ANYPLACE I KNOW 616 00:34:20,014 --> 00:34:23,365 ♪ I'’D RATHER BE HERE ♪ 617 00:34:23,409 --> 00:34:25,280 ♪ THAN ANYPLACE... 618 00:34:25,324 --> 00:34:27,717 WAITRESS--NOW, WHAT DO YOU ALL WANT TO RISK HERE? 619 00:34:27,761 --> 00:34:30,633 I'’D LIKE A GINGER ALE, PLEASE. 620 00:34:30,677 --> 00:34:33,288 A PLAIN GINGER ALE-- GIVE ME THE SAME AGAIN. VIRGIL? 621 00:34:33,332 --> 00:34:35,421 I'’LL HAVE WHAT SHE'’S HAVING. 622 00:34:35,464 --> 00:34:37,640 RIGHT AWAY. 623 00:34:37,684 --> 00:34:39,425 WELL, LISTEN, 624 00:34:39,468 --> 00:34:41,296 I THINK I'’M GOING TO GET THIS THING STARTED. 625 00:34:41,340 --> 00:34:45,779 ♪ THERE'’S A DARN GOOD REASON WHY ♪ 626 00:34:45,822 --> 00:34:48,173 ♪ GOIN'’ TO THE RIVER ♪ 627 00:34:48,216 --> 00:34:51,437 ♪ THERE'’S A REASON WHY ♪ 628 00:34:53,482 --> 00:34:55,310 ♪ '’CAUSE THE RIVER'S WET ♪ 629 00:34:55,354 --> 00:35:00,620 ♪ AND BEES'’ FEET'S DONE GONE DRY. ♪ 630 00:35:06,495 --> 00:35:08,193 SAW YOUR PARTY ARRIVE. 631 00:35:08,236 --> 00:35:09,672 FIRST ROUND'’S ON ME. 632 00:35:09,716 --> 00:35:11,761 THANK YOU VERY MUCH.YOU'’RE WELCOME. 633 00:35:11,805 --> 00:35:13,154 THANK YOU, CHESH. 634 00:35:13,198 --> 00:35:15,591 LISTEN. WE CAN'’T STAY LONG. 635 00:35:15,635 --> 00:35:17,245 WE'’RE ALL CITY EMPLOYEES. 636 00:35:17,289 --> 00:35:19,508 WE HAVE TO BE EARLY RISERS. 637 00:35:19,552 --> 00:35:22,511 HOW MUCH OF THE SONG YOU WANT TO HEAR? 638 00:35:22,555 --> 00:35:26,254 IS THERE A VERSE YOU USUALLY DON'’T PLAY? 639 00:35:26,298 --> 00:35:27,734 YEAH, THERE IS. 640 00:35:27,777 --> 00:35:30,476 WELL, THAT'’S THE ONE I WANT TO HEAR. 641 00:35:30,519 --> 00:35:33,043 IN FACT, THAT'’S THE ONE I MUST HEAR, 642 00:35:33,087 --> 00:35:36,221 BUT, LISTEN, I WANT TO HEAR IT ALL. 643 00:35:36,264 --> 00:35:38,136 MAKE YOURSELF COMFORTABLE. 644 00:35:45,099 --> 00:35:47,406 ♪ 645 00:35:50,365 --> 00:35:53,455 ♪ THE BAD, BAD SWEET BLUES 646 00:35:53,499 --> 00:35:56,502 ♪ THE LYNCHIN'’ OF LOUIS SWEET BLUES ♪ 647 00:35:56,545 --> 00:35:58,634 ♪ CAN NEVER BE SUNG BY A BLUESMAN ♪ 648 00:35:58,678 --> 00:36:01,898 ♪ WHO'’S GOT SOMETHING GOOD TO LOSE ♪ 649 00:36:01,942 --> 00:36:04,814 ♪ LIKE FOR INSTANCE HIS LIFE, FRIENDS ♪ 650 00:36:04,858 --> 00:36:07,556 ♪ BUT WHEN I LOOK AT LIFE, FRIENDS ♪ 651 00:36:07,600 --> 00:36:09,558 ♪ I DON'’T SEE NOTHIN' ♪ 652 00:36:09,602 --> 00:36:11,430 ♪ HA HA HA HA 653 00:36:11,473 --> 00:36:15,216 ♪ HA HA HA HA HA HA HA ♪ 654 00:36:15,260 --> 00:36:17,349 ♪ THIS RUN-DOWN SORRY PLACE ♪ 655 00:36:17,392 --> 00:36:20,352 ♪ THIS 5 1/2 FOOT OF SPACE 656 00:36:20,395 --> 00:36:23,355 ♪ GOING TO BE WHERE YOUR WEARY OLD BLUESMAN ♪ 657 00:36:23,398 --> 00:36:26,140 ♪ WILL FINALLY QUIT THE RACE ♪ 658 00:36:26,184 --> 00:36:29,143 ♪ BUT YOUNG LOUIS SWEET, FRIENDS ♪ 659 00:36:29,187 --> 00:36:32,277 ♪ HAD A CLASSY DEFEAT, FRIENDS ♪ 660 00:36:32,320 --> 00:36:33,713 ♪ DRIVIN'’ A PACKARD ♪ 661 00:36:33,756 --> 00:36:35,497 ♪ HA HA HA HA 662 00:36:35,541 --> 00:36:38,065 ♪ HA HA HA HA HA HA HA ♪ 663 00:36:38,108 --> 00:36:40,894 ♪ YOUNG LOUIS SWEET, FRIENDS ♪ 664 00:36:40,937 --> 00:36:44,376 ♪ HAD A CLASSY DEFEAT, FRIENDS ♪ 665 00:36:44,419 --> 00:36:46,334 ♪ DRIVIN'’ A PACKARD ♪ 666 00:36:46,378 --> 00:36:48,118 ♪ HA HA HA HA 667 00:36:48,162 --> 00:36:50,730 ♪ HA HA HA HA HA HA HA ♪ 668 00:36:50,773 --> 00:36:53,298 ♪ SOME GENTLEMAN OF MEANS 669 00:36:53,341 --> 00:36:55,909 ♪ PLAYIN'’ STUD DOWN IN NEW ORLEANS ♪ 670 00:36:55,952 --> 00:36:59,608 ♪ LOST A HAND THAT WAS FLUSHIN'’ IN DIAMONDS ♪ 671 00:36:59,652 --> 00:37:02,481 ♪ TO THREE DEUCES AND TWO QUEENS ♪ 672 00:37:02,524 --> 00:37:04,265 ♪ WITH THE CAR IN THE POT, FRIENDS ♪ 673 00:37:04,309 --> 00:37:07,355 ♪ THAT'’S HOW LOUIS SWEET GOT, FRIENDS ♪ 674 00:37:07,399 --> 00:37:09,270 ♪ HIS FINE NEW PACKARD 675 00:37:09,314 --> 00:37:10,532 ♪ HA HA HA HA 676 00:37:10,576 --> 00:37:14,101 ♪ HA HA HA HA HA HA HA ♪ 677 00:37:14,144 --> 00:37:16,277 ♪ BACK IN OLD SPARTA TOWN 678 00:37:16,321 --> 00:37:18,888 ♪ HE DROVE THROUGH THE PARK AND THEN DOWN ♪ 679 00:37:18,932 --> 00:37:21,848 ♪ TO PEARBLOSSOM STREET IN THE BOTTOMS ♪ 680 00:37:21,891 --> 00:37:24,459 ♪ WHERE THE FINE CHICKS HUNG AROUND ♪ 681 00:37:24,503 --> 00:37:27,680 ♪ TOOK '’EM FROM THERE, FRIENDS ♪ 682 00:37:27,723 --> 00:37:30,465 ♪ BACK UP TO THE SQUARE, FRIENDS ♪ 683 00:37:30,509 --> 00:37:32,293 ♪ IN HIS NEW PACKARD 684 00:37:32,337 --> 00:37:34,121 ♪ HA HA HA HA 685 00:37:34,164 --> 00:37:36,819 ♪ HA HA HA HA HA HA HA ♪ 686 00:37:36,863 --> 00:37:38,256 ♪ BRAVE LOUIE 687 00:37:38,299 --> 00:37:39,431 ♪ BUT I FEAR 688 00:37:39,474 --> 00:37:42,085 ♪ 1948 WASN'’T NO YEAR ♪ 689 00:37:42,129 --> 00:37:45,088 ♪ FOR A HIGH-TALKIN'’, GAMBLIN'’ BLACK DUDE ♪ 690 00:37:45,132 --> 00:37:48,004 ♪ TO JIVE AND JOKE AND JEER ♪ 691 00:37:48,048 --> 00:37:50,572 ♪ AT WARNINGS HE'’S GOT, FRIENDS ♪ 692 00:37:50,616 --> 00:37:53,183 ♪ THAT HE JUST BETTER NOT, FRIENDS ♪ 693 00:37:53,227 --> 00:37:55,229 ♪ GO '’ROUND IN THAT PACKARD ♪ 694 00:37:55,273 --> 00:37:57,100 ♪ HA HA HA HA 695 00:37:57,144 --> 00:37:59,668 ♪ HA HA HA HA HA HA HA ♪ 696 00:37:59,712 --> 00:38:01,714 ♪ ONE MORNIN'’ WE ALL READ ♪ 697 00:38:01,757 --> 00:38:04,760 ♪ IN THE PAPER WHAT DEL MUELLER SAID ♪ 698 00:38:04,804 --> 00:38:08,329 ♪ THREE OUT-OF-TOWN NEGROES DONE STOLE A CAR ♪ 699 00:38:08,373 --> 00:38:10,549 ♪ AND SHOT THE OWNER DEAD 700 00:38:10,592 --> 00:38:13,378 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 701 00:38:13,421 --> 00:38:16,206 ♪ BECAUSE ONLY I, FRIENDS 702 00:38:16,250 --> 00:38:17,860 ♪ WITNESSED THE ACTION 703 00:38:17,904 --> 00:38:19,340 ♪ HA HA HA HA 704 00:38:19,384 --> 00:38:21,777 ♪ HA HA HA HA HA HA HA ♪ 705 00:38:21,821 --> 00:38:24,389 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 706 00:38:24,432 --> 00:38:27,305 ♪ BECAUSE ONLY I, FRIENDS 707 00:38:27,348 --> 00:38:30,308 ♪ WITNESSED THE ACTION 708 00:38:31,396 --> 00:38:35,748 ♪ WHOA 709 00:38:53,592 --> 00:38:56,159 THAT WAS WONDERFUL, CHESH, BUT, UH, 710 00:38:56,203 --> 00:38:58,466 YOU STILL COME UP ONE VERSE LIGHT, DIDN'’T YA? 711 00:38:58,510 --> 00:39:01,600 THAT LAST VERSE HAS SOME NAMES IN IT. 712 00:39:01,643 --> 00:39:04,690 MAYBE FIRST YOU OUGHTA HEAR THE STORY WITHOUT THE MUSIC. 713 00:39:04,733 --> 00:39:06,300 I'’D LIKE TO HEAR IT. 714 00:39:06,344 --> 00:39:07,519 HOW OLD WERE YOU BACK THEN? 715 00:39:07,562 --> 00:39:09,651 I CAN'’T SAY, MA'AM. 716 00:39:09,695 --> 00:39:12,262 I DON'’T EVEN KNOW HOW OLD I AM NOW. 717 00:39:12,306 --> 00:39:16,528 I WAS A KID, AND I WAS SCARED. 718 00:39:16,571 --> 00:39:20,314 IT WAS NOVEMBER 1, 1948, 719 00:39:20,358 --> 00:39:22,403 THE EVENING OF THE DAY 720 00:39:22,447 --> 00:39:25,711 LOUIS SWEET DROVE THAT PACKARD '’ROUND THE SQUARE. 721 00:39:25,754 --> 00:39:28,148 I DIDN'’T SEE THAT. 722 00:39:28,191 --> 00:39:31,107 WHAT I SAW WAS IN THE WOODS AT ALLINGTON'’S FARM. 723 00:40:30,515 --> 00:40:34,693 YOU CAN IMAGINE WHAT YOUR GRANDPA LOUIE MUST HAVE FELT, 724 00:40:34,736 --> 00:40:39,437 THINKING HE COULD MAYBE HELP THIS TURKEY BLOCKING THE ROAD. 725 00:40:39,480 --> 00:40:41,917 THEN HE SAW WHAT IT WAS ALL ABOUT-- 726 00:40:41,961 --> 00:40:44,267 THE END OF HIS LIFE. 727 00:40:44,311 --> 00:40:46,531 WHO, UH... 728 00:40:46,574 --> 00:40:48,402 WHO WAS THIS TURKEY? 729 00:40:48,446 --> 00:40:49,490 WHO WERE THEY ALL, CHESH? 730 00:40:53,407 --> 00:40:56,454 YOU GONNA TELL US? 731 00:40:58,804 --> 00:41:00,414 WERE THEY BLACK GUYS? 732 00:41:03,243 --> 00:41:06,246 ♪ J. BOYD'’S IN THE GROUND ♪ 733 00:41:06,289 --> 00:41:09,771 ♪ HIS PALS ARE STILL LIVIN'’ IN TOWN ♪ 734 00:41:09,815 --> 00:41:12,426 ♪ THE COLORS OF ALL THEIR FACES ♪ 735 00:41:12,470 --> 00:41:15,473 ♪ ARE THE WHITEST KIND AROUND ♪ 736 00:41:15,516 --> 00:41:19,172 ♪ NATHAN BEDFORD WAS ONE, FRIENDS ♪ 737 00:41:19,215 --> 00:41:23,742 ♪ AND THE MAN WITH THE GUN, FRIENDS ♪ 738 00:41:23,785 --> 00:41:27,789 ♪ DELBERT MUELLER... 739 00:42:03,085 --> 00:42:05,523 CHIEF, I SUPPOSE YOU'’RE GONNA SAY I'’M GUILTY 740 00:42:05,566 --> 00:42:08,438 OF SOME KIND OF BAD CRIME MYSELF, 741 00:42:08,482 --> 00:42:10,832 NOT TELLING THE LAW ABOUT THIS UNTIL NOW. 742 00:42:10,876 --> 00:42:13,487 NO, CHESH. 743 00:42:13,531 --> 00:42:15,576 AFTER ALL, IT'’S STILL JUST A SONG. 744 00:42:15,620 --> 00:42:17,491 NOW YOU GOT NAMES. 745 00:42:17,535 --> 00:42:20,059 IT'’S REAL. 746 00:42:20,102 --> 00:42:21,539 AND, VIRGIL, 747 00:42:21,582 --> 00:42:23,018 YOU DIDN'’T HAVE TO GIVE ME NO MONEY. 748 00:42:25,194 --> 00:42:27,414 I'’M REAL SORRY ABOUT THAT. 749 00:42:27,457 --> 00:42:29,459 WHAT DID THEY DO WITH MY GRANDFATHER? 750 00:42:29,503 --> 00:42:31,592 THEY BURIED HIM... 751 00:42:31,636 --> 00:42:33,072 OVER IN ALLINTON'’S WOODS. 752 00:42:33,115 --> 00:42:34,508 THEY'’RE GONE. 753 00:42:34,552 --> 00:42:36,641 EVERYTHING GOES... 754 00:42:36,684 --> 00:42:38,730 EXCEPT THE EARTH. 755 00:43:03,058 --> 00:43:05,147 THERE IT IS. 756 00:43:05,191 --> 00:43:07,628 RIGHT OVER THERE, UNDER THAT SWING SET. 757 00:43:11,197 --> 00:43:15,549 YOU MEAN YOU'’VE BEEN KEEPING YOUR EYE ON THAT SPOT 758 00:43:15,593 --> 00:43:19,074 OVER ALL THE CHANGES AND OVER ALL THE YEARS? 759 00:43:19,118 --> 00:43:21,163 KIND OF. 760 00:43:21,207 --> 00:43:23,557 AND I AIN'’T THE ONLY ONE. 761 00:43:33,045 --> 00:43:35,656 O.K., SWEET. 762 00:43:35,700 --> 00:43:37,310 GO AHEAD. 763 00:44:14,390 --> 00:44:16,871 WELL, YOUNG SWEET. 764 00:44:16,915 --> 00:44:19,221 WHAT CAN I DO FOR YOU? 765 00:44:19,265 --> 00:44:21,354 THOUGHT YOU MIGHT LIKE TO SEE THIS PHOTO. 766 00:44:26,402 --> 00:44:29,449 THAT'’S ME-- AT MY GRANDDADDY'’S GRAVE. 767 00:44:32,104 --> 00:44:34,497 I'’M GLAD I KNOW ABOUT THAT PLACE... 768 00:44:34,541 --> 00:44:35,934 FINALLY. 769 00:44:37,762 --> 00:44:39,720 I'’M GONNA BE GOING UP THERE EVERY ONCE IN A WHILE. 770 00:44:39,764 --> 00:44:41,722 MAYBE I'’LL SEE YOU THERE. 771 00:44:41,766 --> 00:44:44,246 YOU WANT TO PRAY? 772 00:44:44,290 --> 00:44:46,248 I'’LL PRAY WITH YOU. 773 00:44:49,730 --> 00:44:51,079 KEEP THE PICTURE. 774 00:45:23,764 --> 00:45:25,548 WELL, SWEET, IT'’S UP TO YOU. 775 00:45:27,594 --> 00:45:29,248 IF YOU WANT TO HAVE HIS BODY EXHUMED, 776 00:45:29,291 --> 00:45:31,032 I CAN START THE PROCESS. 777 00:45:33,469 --> 00:45:35,950 IT'’S A LONG, LONG PROCESS. 778 00:45:35,994 --> 00:45:37,952 OH, NO DOUBT ABOUT THAT. 779 00:45:40,781 --> 00:45:42,740 JUST TO FIND OUT IF HE'’S HERE. 780 00:45:51,009 --> 00:45:52,314 I ALREADY KNOW HE'’S HERE. 781 00:45:57,493 --> 00:45:58,843 AND THEN WHAT? 782 00:46:00,975 --> 00:46:02,803 BURY HIM AGAIN? 783 00:46:04,326 --> 00:46:05,850 WHY? 784 00:46:08,330 --> 00:46:09,897 COULDN'’T BE IN A NICER PLACE. 785 00:46:09,941 --> 00:46:17,035 I THINK YOU'’RE RIGHT. 786 00:46:17,078 --> 00:46:19,385 I SURE WISH HE COULD'’VE SEEN ALL THIS. 787 00:46:21,822 --> 00:46:23,389 I MEAN, UH... 788 00:46:24,956 --> 00:46:28,133 THINGS ARE BETTER, AREN'’T THEY, CHIEF? 789 00:46:29,743 --> 00:46:31,179 THEY'’RE NOT GREAT... 790 00:46:35,096 --> 00:46:37,795 BUT THEY'’RE BETTER. RIGHT? 791 00:46:37,838 --> 00:46:40,623 YES, SON, THEY'’RE BETTER. 792 00:46:40,667 --> 00:46:43,191 A WHOLE LOT BETTER. 793 00:46:43,235 --> 00:46:45,541 ♪ ONE MORNIN'’ WE ALL READ ♪ 794 00:46:45,585 --> 00:46:48,327 ♪ IN THE PAPER WHAT DEL MUELLER SAID ♪ 795 00:46:48,370 --> 00:46:51,460 ♪ THREE OUT-OF-TOWN NEGROES DONE STOLE A CAR ♪ 796 00:46:51,504 --> 00:46:53,680 ♪ AND SHOT THE OWNER DEAD 797 00:46:53,723 --> 00:46:56,944 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 798 00:46:56,988 --> 00:46:59,729 ♪ BECAUSE ONLY I, FRIENDS 799 00:46:59,773 --> 00:47:01,601 ♪ WITNESSED THE ACTION 800 00:47:01,644 --> 00:47:02,863 ♪ HA HA HA HA 801 00:47:02,907 --> 00:47:04,996 ♪ HA HA HA HA HA HA HA ♪ 802 00:47:05,039 --> 00:47:07,737 ♪ I CAN SWEAR IT'’S A LIE, FRIENDS ♪ 803 00:47:07,781 --> 00:47:10,784 ♪ BECAUSE ONLY I, FRIENDS 804 00:47:10,828 --> 00:47:15,006 ♪ WITNESSED THE ACTION 805 00:47:15,049 --> 00:47:19,445 ♪ WHOA. 806 00:47:19,488 --> 00:47:25,364 [APPLAUSE] 56677

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