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These are the user uploaded subtitles that are being translated: 1 00:00:07,311 --> 00:00:14,623 ♪ IN THE HEAT OF THE NIGHT 2 00:00:14,666 --> 00:00:19,323 ♪ I'’VE GOT TROUBLES WALL TO WALL ♪ 3 00:00:24,067 --> 00:00:28,550 ♪ IN THE HEAT OF THE NIGHT 4 00:00:28,593 --> 00:00:31,640 ♪ YEAH 5 00:00:31,683 --> 00:00:32,423 ♪ MUST BE AN ENDING TO IT ALL ♪ 6 00:00:37,820 --> 00:00:41,128 ♪ OH 7 00:00:41,171 --> 00:00:42,564 ♪ BUT HOLD ON 8 00:00:44,609 --> 00:00:45,784 ♪ IT WON'’T BE LONG ♪ 9 00:00:47,395 --> 00:00:49,266 ♪ JUST YOU BE STRONG 10 00:00:49,310 --> 00:00:55,707 ♪ AND IT'’LL BE ALL RIGHT ♪ 11 00:00:55,751 --> 00:00:59,972 ♪ IN THE HEAT OF THE NIGHT 12 00:01:00,016 --> 00:01:06,196 ♪ IN THE HEAT OF THE NIGHT 13 00:01:06,240 --> 00:01:11,201 ♪ OH 14 00:01:23,822 --> 00:01:25,302 BUBBA, WHAT'’S YOUR POSITION? 15 00:01:27,174 --> 00:01:28,958 SAY AGAIN. 16 00:01:29,001 --> 00:01:31,874 PLEASE RESPOND WITH YOUR POSITION, BUBBA. 17 00:01:31,917 --> 00:01:34,006 PARKER, WILL YOU KNOCK OFF THAT MIAMI VICESTUFF? 18 00:01:34,050 --> 00:01:36,661 YOU KNOW WHERE I'’M AT, HAVING LUNCH. 19 00:01:36,705 --> 00:01:42,232 DON'’T SNAP AT ME '’CAUSE YOU'RE TICKED OFF AT YOUR GIRLFRIEND. 20 00:01:42,276 --> 00:01:44,278 YOU DON'’T HAVE TO BROADCAST MY PERSONAL LIFE 21 00:01:44,321 --> 00:01:46,236 TO EVERY LAW ENFORCEMENT VEHICLE 22 00:01:46,280 --> 00:01:47,933 IN THE COUNTY, EITHER. 23 00:01:47,977 --> 00:01:50,327 SHE'’S BEEN CALLING EVERY FIFTEEN MINUTES. 24 00:01:50,371 --> 00:01:53,461 IF YOU SEE A PHONE, PLEASE CALL HER. 25 00:01:53,504 --> 00:01:56,203 PUT THE POOR THING OUT OF HER MISERY. 26 00:01:56,246 --> 00:01:59,119 FOR THAT MATTER, ME, TOO. 27 00:01:59,162 --> 00:02:00,816 HEY, PARKER. 28 00:02:00,859 --> 00:02:01,817 I THINK I JUST SPOTTED MR. BELSON'’S STOLEN TRUCK. 29 00:02:01,860 --> 00:02:11,914 I'’M GOING AFTER HIM. 30 00:02:11,914 --> 00:02:23,839 I'’M GOING AFTER HIM. 31 00:02:23,882 --> 00:02:25,362 [CAR HONKING] 32 00:02:33,327 --> 00:02:34,676 [CAR HONKING] 33 00:02:36,330 --> 00:02:38,723 [CAR HONKING] 34 00:02:41,248 --> 00:02:42,292 [SIREN WAILING] 35 00:03:11,756 --> 00:03:15,064 NO. 36 00:03:15,107 --> 00:03:17,588 HI, BUBBA, REMEMBER ME? 37 00:03:17,632 --> 00:03:21,113 I WAS IN YOUR BIBLE STUDY CLASS LAST SUMMER. 38 00:03:26,771 --> 00:03:29,165 I DON'’T CARE IF HE WAS JUST JOYRIDING. 39 00:03:29,209 --> 00:03:31,123 HE'’S A THIEF, CHIEF GILLESPIE. 40 00:03:31,167 --> 00:03:34,953 TECHNICALLY, HE DID COMMIT A FELONY. 41 00:03:34,997 --> 00:03:38,087 WE'’LL DO WHAT HAS TO BE DONE, 42 00:03:38,130 --> 00:03:39,567 BUT I DON'’T THINK THE KID MEANT HARM. 43 00:03:39,610 --> 00:03:42,265 DIDN'’T YOU EVER GET IN TROUBLE AS A KID? 44 00:03:42,309 --> 00:03:44,093 WHO SHOULD I BLAME, 45 00:03:44,136 --> 00:03:46,704 THE KID OR THE COP WHO HIT HIM? 46 00:03:46,748 --> 00:03:50,665 IF YOU PUT THAT WORD "BLAME" OUT OF MIND, 47 00:03:50,708 --> 00:03:53,320 A FEELING OF PEACE WILL COME OVER YOU. 48 00:04:04,853 --> 00:04:07,290 BUBBA, YOU MUST'’VE BEEN ONE HELL OF A LINEBACKER. 49 00:04:07,334 --> 00:04:10,032 IF YOU'’RE GOING TO SAY WHAT I THINK, DON'’T. 50 00:04:10,075 --> 00:04:13,601 IF YOU HIT QUARTERBACKS LIKE YOU HIT THAT TRUCK... 51 00:04:13,644 --> 00:04:15,994 WHY DON'’T YOU DO SOMETHING USEFUL WITH YOURSELF? 52 00:04:16,038 --> 00:04:18,040 HOLD ON, PLEASE. 53 00:04:18,083 --> 00:04:20,260 BUBBA, LINE ONE. 54 00:04:20,303 --> 00:04:23,219 IT'’S LANEY. PLEASE TALK TO HER. 55 00:04:29,138 --> 00:04:31,488 HELLO, HONEY. 56 00:04:31,532 --> 00:04:33,316 YEAH, I KNOW YOU BEEN CALLING, 57 00:04:33,360 --> 00:04:34,578 BUT I BEEN OUT ON PATROL. 58 00:04:34,622 --> 00:04:37,102 I COULDN'’T GET BACK TO YOU. 59 00:04:37,146 --> 00:04:40,105 YEAH. 60 00:04:40,149 --> 00:04:42,325 I DON'’T THINK NOW'’S THE TIME TO TALK ABOUT THAT. 61 00:04:42,369 --> 00:04:47,330 I'’LL CALL YOU TONIGHT. BYE-BYE. 62 00:04:47,374 --> 00:04:48,592 YEAH, WELL-- 63 00:04:48,636 --> 00:04:49,637 10 YEARS I BEEN WAITING FOR THAT TRUCK. 64 00:04:49,680 --> 00:04:53,118 I FINALLY GOT MY OWN BUSINESS. 65 00:04:53,162 --> 00:04:54,555 NOW, WHAT AM I SUPPOSED TO DO? 66 00:04:54,598 --> 00:04:55,817 THE CITY OF SPARTA'’S GOT INSURANCE 67 00:04:55,860 --> 00:04:58,123 THAT WILL COVER YOUR MESS 68 00:04:58,167 --> 00:05:00,996 AND OUR MESS AS WELL. 69 00:05:01,039 --> 00:05:03,303 THAT MAN'’S A MENACE. 70 00:05:03,346 --> 00:05:05,130 HE SHOULDN'’T BE ALLOWED ON THE STREETS. 71 00:05:05,174 --> 00:05:07,350 MR. BELSON, I'’LL WALK YOU TO YOUR CAR. 72 00:05:07,394 --> 00:05:11,093 GOODBYE, MR. BELSON, SEE YOU SOON. 73 00:05:11,136 --> 00:05:12,790 HOW YOU COMING WITH THAT REPORT? 74 00:05:12,834 --> 00:05:14,226 IT'’S ALMOST DONE. 75 00:05:17,273 --> 00:05:19,928 IT'’S A PITY WHEN YOU TAUGHT THAT KID THE SCRIPTURES 76 00:05:19,971 --> 00:05:22,496 YOU COULDN'’T HAVE PUT IN A WORD SAFE DRIVING. 77 00:05:22,539 --> 00:05:23,671 YEAH. 78 00:05:44,431 --> 00:05:46,563 HONEY, WE CAN TALK ABOUT IT ALL NIGHT 79 00:05:46,607 --> 00:05:48,783 BUT YOU'’VE GOT TO MAKE A DECISION. 80 00:05:48,826 --> 00:05:53,265 IS EVERYTHING ALWAYS SO SIMPLE TO YOU? 81 00:05:53,309 --> 00:05:55,180 MA'’AM, COULD I HAVE ANOTHER DRINK? 82 00:05:55,224 --> 00:05:56,530 I'’LL HAVE ANOTHER ICED TEA. 83 00:05:56,573 --> 00:05:58,923 SWEETEN IT MORE THIS TIME, PLEASE. 84 00:05:58,967 --> 00:05:59,794 BUBBA, IT'’S A TERRIFIC JOB. 85 00:06:02,231 --> 00:06:05,669 IT'’S SOMETHING I'’M REALLY INTERESTED IN. 86 00:06:05,713 --> 00:06:07,192 I CAN MAKE LOTS MORE MONEY THAN IN SPARTA. 87 00:06:07,236 --> 00:06:09,891 IT COSTS MORE TO LIVE IN JACKSON, THOUGHT ABOUT THAT? 88 00:06:12,154 --> 00:06:13,547 I'’VE THOUGHT OF EVERYTHING. 89 00:06:13,590 --> 00:06:18,029 THAT'’S THE PROBLEM. 90 00:06:20,945 --> 00:06:22,686 THERE'’S ONLY ONE THING THAT WILL MAKE ME STAY. 91 00:06:25,472 --> 00:06:29,084 I'’VE TOLD YOU I'M JUST NOT READY TO GET MARRIED. 92 00:06:34,568 --> 00:06:35,699 I'’VE JUST NOT. 93 00:06:35,743 --> 00:06:37,614 DON'’T, TIM! 94 00:06:37,658 --> 00:06:42,097 AUDREY, BABY.GET OUT OF HERE! 95 00:06:42,140 --> 00:06:46,275 BUBBA, PLEASE-- PLEASE LISTEN TO ME. 96 00:06:46,318 --> 00:06:48,190 I'’M NEARLY 30. 97 00:06:48,233 --> 00:06:50,540 WE COULD GO FIVE YEARS 98 00:06:50,584 --> 00:06:52,281 AND YOU STILL MIGHT NOT BE READY. 99 00:06:52,324 --> 00:06:55,415 BY THEN NOBODY ELSE WOULD WANT ME. 100 00:06:55,458 --> 00:06:58,592 LANEY, I'’M SORRY. I--I WISH THAT... 101 00:06:58,635 --> 00:06:59,462 I CAN'’T MAKE ANY-- 102 00:06:59,506 --> 00:07:02,117 FINE. JUST FINE. 103 00:07:02,160 --> 00:07:03,727 I'’M MOVING TO JACKSON. 104 00:07:03,771 --> 00:07:06,904 I GUESS YOU'’RE GOING TO DO WHAT YOU GOT TO DO. 105 00:07:14,695 --> 00:07:17,524 IT ISN'’T HARD TO SEE HOW HARD I'’LL BE MISSED. 106 00:07:26,533 --> 00:07:29,187 I'’LL TAKE A COUPLE EXTRA NAPKINS THERE, PLEASE. 107 00:07:29,231 --> 00:07:30,362 THANK YOU. 108 00:07:40,677 --> 00:07:43,245 HOW DO YOU PLAN TO GO TO LAW SCHOOL IN MARSHALL CITY 109 00:07:43,288 --> 00:07:45,769 AND BE AN OFFICER HERE? 110 00:07:45,813 --> 00:07:49,207 FRIDAYS I'’LL DRIVE ALL NIGHT, 111 00:07:49,251 --> 00:07:50,818 TAKE WEEKEND CLASSES, RETURN SUNDAY. 112 00:07:50,861 --> 00:07:52,297 SLEEP THREE HOURS, COME ON DUTY. 113 00:07:52,341 --> 00:07:53,821 YOU'’LL BE DEAD IN A MONTH. 114 00:07:53,864 --> 00:07:57,172 JAMISON, YOU NEVER SET GOALS. 115 00:07:57,215 --> 00:08:00,001 YOU NEVER PUSH YOURSELF OR TEST THE ODDS. 116 00:08:00,044 --> 00:08:04,005 I TEST THE ODDS WHENEVER I TAKE YOU ON PATROL. 117 00:08:04,048 --> 00:08:05,615 ALL UNITS, ZONE THREE. 118 00:08:05,659 --> 00:08:07,617 AN ASSAULT WITH POSSIBLE RAPE 119 00:08:07,661 --> 00:08:10,533 AT HURLY'’S ROADHOUSE. 120 00:08:10,577 --> 00:08:12,535 ALL ZONE THREE UNITS PLEASE RESPOND. 121 00:08:12,579 --> 00:08:14,276 UNIT 20. WE'’RE ROLLING. 122 00:08:28,595 --> 00:08:29,900 WHAT HAPPENED HERE? 123 00:08:29,944 --> 00:08:32,076 SOME WOMAN GOT RAPED LEAVING THE CLUB. 124 00:08:37,038 --> 00:08:41,390 MA'’AM, YOU WANNA TELL US WHAT HAPPENED? 125 00:08:41,433 --> 00:08:43,131 ANYONE KNOW WHAT HAPPENED? 126 00:08:43,174 --> 00:08:45,220 SHE GOT JUMPED OUT BACK. 127 00:08:45,263 --> 00:08:47,396 I GUESS SHE WAS GOING TO HER CAR. 128 00:08:47,439 --> 00:08:52,314 ANYBODY SEE HIM, WHICH WAY HE WENT? 129 00:08:52,357 --> 00:08:55,535 HE DIDN'’T GO ANYWHERE. 130 00:08:56,623 --> 00:08:59,234 I HIT HIM WITH A ROCK. 131 00:08:59,277 --> 00:09:00,627 I HOPE I KILLED HIM. 132 00:09:08,939 --> 00:09:10,593 ALL RIGHT, LOOK. 133 00:09:10,637 --> 00:09:11,681 THIS IS POLICE BUSINESS. 134 00:09:11,725 --> 00:09:14,162 GO BACK IN THE PLACE. 135 00:09:14,205 --> 00:09:16,120 WHO'’S OUT THERE? 136 00:09:21,778 --> 00:09:23,606 OVER HERE! 137 00:09:28,698 --> 00:09:31,440 OH, MY GOD.BUBBA. 138 00:09:54,681 --> 00:09:57,379 I KNOW THIS IS DIFFICULT, 139 00:09:57,422 --> 00:10:00,643 BUT I HAVE TO ASK IT. 140 00:10:00,687 --> 00:10:04,168 WOULD YOU PLEASE TELL ME 141 00:10:04,212 --> 00:10:07,694 WHAT HAPPENED OUT THERE BEHIND THE ROADHOUSE? 142 00:10:07,737 --> 00:10:10,479 I WAS WALKING TOWARDS MY CAR, 143 00:10:10,522 --> 00:10:15,527 AND I HEARD THIS NOISE BEHIND ME, 144 00:10:15,571 --> 00:10:19,488 AND I TURNED AROUND AND SOMETHING HIT ME IN THE FACE. 145 00:10:24,319 --> 00:10:27,539 WERE YOU KNOCKED UNCONSCIOUS? 146 00:10:27,583 --> 00:10:28,758 I DON'’T KNOW. 147 00:10:28,802 --> 00:10:30,368 I GUESS I MUST HAVE BEEN. 148 00:10:30,412 --> 00:10:31,718 I DON'’T REMEMBER HITTING THE GROUND. 149 00:10:36,244 --> 00:10:40,378 THEN HE STARTED SHOVING MY FACE. 150 00:10:40,422 --> 00:10:41,945 TO THE GRAVEL. 151 00:10:41,989 --> 00:10:43,773 AND, UM, IT WAS LIKE 152 00:10:43,817 --> 00:10:46,384 I DIDN'’T KNOW WHAT WAS HAPPENING. 153 00:10:46,428 --> 00:10:50,214 UM, I JUST COULDN'’T FIGURE IT OUT. 154 00:10:50,258 --> 00:10:53,696 I UNDERSTAND. 155 00:10:53,740 --> 00:10:56,307 YOU TAKE AS MUCH TIME AS YOU NEED. 156 00:10:58,745 --> 00:11:01,225 THEN HE STARTED TEARING MY CLOTHES. 157 00:11:01,269 --> 00:11:07,144 RIPPING AND PULLING. 158 00:11:07,188 --> 00:11:11,235 AND HE LAID ON TOP OF ME. 159 00:11:11,279 --> 00:11:13,673 AND I COULDN'’T BREATHE. 160 00:11:13,716 --> 00:11:16,284 I WANTED TO TELL HIM TO GET OFF, 161 00:11:16,327 --> 00:11:21,376 BUT I JUST COULDN'’T GET ANY AIR INSIDE ME. 162 00:11:21,419 --> 00:11:23,160 I WAS SCARED AND I WAS HURTING. 163 00:11:23,204 --> 00:11:26,729 AND I TRIED TO MOVE HIM, 164 00:11:26,773 --> 00:11:29,340 BUT HE WAS JUST TOO BIG AND HEAVY. 165 00:11:31,038 --> 00:11:36,783 THEN ALL OF A SUDDEN HE LET UP. 166 00:11:36,826 --> 00:11:42,397 AND I GOT THIS ROCK AND I SWUNG IT ROUND AND I HIT HIM. 167 00:11:42,440 --> 00:11:45,095 AS HARD AS I COULD. 168 00:11:45,139 --> 00:11:46,488 AND... 169 00:11:48,055 --> 00:11:48,882 AND HE DROPPED. 170 00:11:52,973 --> 00:11:54,496 I WISH I WOULD'’VE KILLED HIM. 171 00:11:59,457 --> 00:12:02,722 IS IT TRUE? 172 00:12:02,765 --> 00:12:03,897 IS HE ONE OF YOURS? 173 00:12:05,681 --> 00:12:06,813 A COP? 174 00:12:08,162 --> 00:12:08,728 WELL, I WANT YOU TO KNOW 175 00:12:10,599 --> 00:12:13,820 THAT MAKES NO DIFFERENCE TO ME. 176 00:12:13,863 --> 00:12:16,518 I WANT HIM BEHIND BARS! 177 00:12:30,575 --> 00:12:31,359 HEY, CHIEF. 178 00:12:31,402 --> 00:12:32,621 HEY, HOW YOU DOING? 179 00:12:32,664 --> 00:12:33,840 NOT SO HOT. I GOT A SORE HEAD. 180 00:12:33,883 --> 00:12:38,670 WELL, I'’M NOT SURPRISED. 181 00:12:38,714 --> 00:12:41,412 IT SAYS HERE YOU GOT EIGHT STITCHES IN IT. 182 00:12:41,456 --> 00:12:44,589 WHAT HAPPENED ANYWAY? 183 00:12:44,633 --> 00:12:45,808 WELL, I WASN'’T THERE. YOU WERE. 184 00:12:45,852 --> 00:12:47,767 TELL ME. 185 00:12:49,464 --> 00:12:52,684 WELL, IT AIN'’T TOO CLEAR. I... 186 00:12:52,728 --> 00:12:55,339 WHY DON'’T YOU STEP OUTSIDE SO WE CAN TALK? 187 00:12:55,383 --> 00:12:57,733 THIS IS YOURS. 188 00:12:57,777 --> 00:13:00,040 DON'’T LOOK WORRIED. 189 00:13:00,083 --> 00:13:01,041 IF HE STARTS DYING, I'’LL CALL YOU. 190 00:13:01,084 --> 00:13:02,477 NOW, LET'’S HEAR IT. 191 00:13:05,132 --> 00:13:06,263 WELL-- I REMEMBER COMING OUT OF OLD HURLY'’S ROADHOUSE 192 00:13:06,307 --> 00:13:12,748 HEADING DOWN THE ROAD TO MY PICK-UP. 193 00:13:12,792 --> 00:13:14,532 I SEEN THIS MAN WRESTLING WITH THIS WOMAN, 194 00:13:14,576 --> 00:13:18,798 SO I RUN OVER, THREW THE GUY OFF. 195 00:13:18,841 --> 00:13:20,887 THE NEXT THING I KNEW, 196 00:13:20,930 --> 00:13:22,192 DOC PERRY'’S ASKING ME HOW MANY FINGERS HE'’S WAVING. 197 00:13:22,236 --> 00:13:23,803 NOW, WE'’RE TALKING ABOUT RAPE. 198 00:13:25,413 --> 00:13:27,937 YOU SAW A MAN RAPING THAT WOMAN? 199 00:13:27,981 --> 00:13:30,287 THERE'’S PROBABLY TWO OF THEM, 200 00:13:30,331 --> 00:13:31,941 BECAUSE SOMEBODY HIT ME UPSIDE THE HEAD GOOD, 201 00:13:31,985 --> 00:13:34,857 AND IT COULDN'’T HAVE BEEN THE GUY I THREW OFF. 202 00:13:34,901 --> 00:13:36,206 WELL, UH, UH... 203 00:13:38,252 --> 00:13:41,255 WHAT'’S THE MATTER WITH YOU? 204 00:13:41,298 --> 00:13:44,606 I JUST, UH-- HERE'’S VIRGIL. 205 00:13:44,649 --> 00:13:46,913 HEY, BUBBA. HOW YOU DOING? 206 00:13:46,956 --> 00:13:48,610 CONFUSED AS HELL. HOW ABOUT YOU? 207 00:13:48,653 --> 00:13:51,265 UH, ALL RIGHT. 208 00:13:51,308 --> 00:13:54,268 I JUST HAD A TALK WITH THE VICTIM. 209 00:13:54,311 --> 00:13:56,096 YOU MEAN THE WOMAN THAT THE GUY WAS ATTACKING. 210 00:13:56,139 --> 00:13:57,837 YEAH. YEAH. YEAH. THE VICTIM. 211 00:13:59,751 --> 00:14:01,841 SHE, UH, WANTS TO PRESS CHARGES. 212 00:14:01,884 --> 00:14:03,930 WELL, I BET SHE DOES. 213 00:14:03,973 --> 00:14:05,888 AGAINST YOU, BUBBA. 214 00:14:05,932 --> 00:14:06,846 HUH? 215 00:14:09,065 --> 00:14:10,153 SHE SAYS YOU'’RE THE ONE 216 00:14:10,197 --> 00:14:12,112 THAT ALMOST RAPED HER. 217 00:14:12,155 --> 00:14:13,330 SHE MANAGED TO GET HER HANDS ON A ROCK, 218 00:14:13,374 --> 00:14:15,419 HIT YOU UPSIDE THE HEAD 219 00:14:15,463 --> 00:14:17,682 BEFORE YOU SUCCEEDED. 220 00:14:17,726 --> 00:14:21,861 YOU BOYS ARE PULLING MY LEG. 221 00:14:21,904 --> 00:14:26,604 NO, BUBBA, THAT IS WHAT THE WOMAN SAID, 222 00:14:26,648 --> 00:14:30,652 AND SHE DIDN'’T MENTION ANY OTHER MAN OUT THERE. 223 00:14:30,695 --> 00:14:32,610 WELL, THAT'’S... 224 00:14:32,654 --> 00:14:34,134 THAT AIN'’T WHAT HAPPENED. 225 00:14:34,177 --> 00:14:36,092 I MEAN, THAT'’S-- I'D... 226 00:14:36,136 --> 00:14:37,093 WHERE IS THIS WOMAN? WE GOT TO TALK. 227 00:14:37,137 --> 00:14:39,139 STAY THERE. 228 00:14:39,182 --> 00:14:41,184 YOU CAN'’T GO ANYWHERE. 229 00:14:41,228 --> 00:14:42,838 DOC PERRY SAYS YOU'’RE STAYING OVERNIGHT. 230 00:14:42,882 --> 00:14:44,971 I'’M NOT GOING TO SIT HERE 231 00:14:45,014 --> 00:14:47,060 WHILE SOMEBODY'’S SPREADING LIES LIKE THAT. 232 00:14:47,103 --> 00:14:49,671 WE'’RE LOOKING INTO IT. 233 00:14:49,714 --> 00:14:51,238 I'’M SURE THERE'S SOME LOGICAL EXPLANATION. 234 00:14:51,281 --> 00:14:54,328 WE'’LL FIND IT. 235 00:14:54,371 --> 00:14:55,938 YEAH. YOU JUST STAY HERE. 236 00:14:55,982 --> 00:14:57,505 WE'’LL LOOK INTO IT IN THE MORNING. 237 00:14:59,202 --> 00:15:01,770 WHAT IS THIS? 238 00:15:01,813 --> 00:15:04,381 THIS IS A NIGHTIE. PUT THIS NIGHTIE ON. 239 00:15:22,008 --> 00:15:23,531 SO WHAT'’D HE SAY, BUBBA? 240 00:15:23,574 --> 00:15:25,446 HE SUSPENDED ME. 241 00:15:25,489 --> 00:15:27,230 HE DOESN'’T MEAN ANYTHING BY IT. 242 00:15:27,274 --> 00:15:29,841 IT MEANS I'’M ACCUSED OF A FELONY CRIME 243 00:15:29,885 --> 00:15:32,757 AND I CAN'’T WORK. 244 00:15:32,801 --> 00:15:34,063 THEY'’LL GET IT ALL CLEARED UP. 245 00:15:34,107 --> 00:15:36,805 THAT'’S WHAT I HEAR. 246 00:15:36,848 --> 00:15:38,285 "BUBBA, WE'’LL FIX IT UP. 247 00:15:38,328 --> 00:15:40,635 DON'’T GET UPSET, BUBBA." 248 00:15:40,678 --> 00:15:41,679 IT ISN'’T HAPPENING THAT WAY, IS IT? 249 00:15:41,723 --> 00:15:44,073 THAT'’S OK, 'CAUSE... 250 00:15:44,117 --> 00:15:45,727 SOMEBODY'’S SPREADING LIES ABOUT ME, I'’LL CLEAR IT UP MYSELF. 251 00:15:45,770 --> 00:15:49,557 DON'’T DO SOMETHING STUPID, BUBBA! 252 00:15:49,600 --> 00:15:52,125 SO WHAT ARE YOU THINKING? 253 00:16:02,352 --> 00:16:04,920 I CAN'’T FIGURE IT OUT. 254 00:16:04,964 --> 00:16:06,095 THERE'’S BUBBA KNOCKED UNCONSCIOUS THERE WITH A ROCK, 255 00:16:06,139 --> 00:16:10,621 THIS WOMAN SAYS SHE USED ON HIM 256 00:16:10,665 --> 00:16:12,580 TO KEEP HIM FROM RAPING HER. 257 00:16:12,623 --> 00:16:14,495 NOW, I CAN'’T BELIEVE THAT, CAN YOU? 258 00:16:14,538 --> 00:16:15,670 OF COURSE YOU CAN'’T, BUT THEN WHAT HAPPENED? 259 00:16:17,672 --> 00:16:19,935 WHAT HAPPENED? 260 00:16:19,979 --> 00:16:21,589 WHAT'’S GOING ON WITH THIS DEPARTMENT? 261 00:16:21,632 --> 00:16:23,852 CHIEF, IT'’S MR. DISTRICT ATTORNEY DUTTON. 262 00:16:23,895 --> 00:16:27,638 YEAH. YES, SO IT APPEARS, PARKER. THANK YOU. 263 00:16:27,682 --> 00:16:30,511 POLICE OFFICERS ARE RAPING CITIZENS? 264 00:16:30,554 --> 00:16:33,688 IS THAT WHAT'’S HAPPENING HERE? 265 00:16:33,731 --> 00:16:36,908 PARKER, I WANT YOU TO GO AND POST NOTICE ON THE BULLETIN BOARD. 266 00:16:36,952 --> 00:16:40,042 EFFECTIVE IMMEDIATELY, ALL POLICE DEPARTMENTS MEMBERS 267 00:16:40,086 --> 00:16:43,045 ARE TO REFRAIN FROM RAPING WOMEN. 268 00:16:43,089 --> 00:16:46,309 RIGHT ON IT, CHIEF. 269 00:16:46,353 --> 00:16:48,485 I DON'’T SEE THIS AS A JOKE, CHIEF. 270 00:16:48,529 --> 00:16:49,486 ADDRESS ME WITH A JOKE, AND THAT'’S MY RESPONSE. 271 00:16:49,530 --> 00:16:52,750 WHERE IS HE NOW? 272 00:16:54,100 --> 00:16:55,275 YOU GOT HIM LOCKED UP? 273 00:16:55,318 --> 00:16:57,103 BUBBA SKINNER JUST LEFT. 274 00:16:57,146 --> 00:16:59,757 YOU TURNED HIM LOOSE? 275 00:16:59,801 --> 00:17:01,411 JUDGE McCURTAN AT THE COURT TURNED HIM LOOSE. 276 00:17:01,455 --> 00:17:04,501 WHAT'’S KNOWN AS DUE PROCESS OF LAW. 277 00:17:04,545 --> 00:17:05,850 I'’M SURE THEY TAUGHT YOU THAT 278 00:17:05,894 --> 00:17:08,810 BEFORE YOU LEFT LAW SCHOOL. 279 00:17:11,465 --> 00:17:13,206 THERE'’LL BE NO FAVORITISM. 280 00:17:13,249 --> 00:17:14,903 THIS DISEASE MUST BE PURGED FROM THIS DEPARTMENT. 281 00:17:14,946 --> 00:17:18,646 THE BLACK COMMUNITY WILL NOT ACCEPT ANYTHING LESS. 282 00:17:18,689 --> 00:17:20,648 YOU'’VE BECOME AN EXPERT ON THE BLACK COMMUNITY. 283 00:17:20,691 --> 00:17:23,738 I'’M TALKING JUSTICE, MR. TIBBS. 284 00:17:23,781 --> 00:17:26,958 SWIFT JUSTICE. 285 00:17:27,002 --> 00:17:27,611 WHEN I ADDRESS THE LIONS CLUB 286 00:17:29,352 --> 00:17:30,919 IN BRADLEYVILLE NEXT MONTH, 287 00:17:30,962 --> 00:17:32,355 I DON'’T WANT MICROPHONES STUCK INTO MY FACE 288 00:17:32,399 --> 00:17:34,140 AND HAVE TO ADMIT THAT ONE OF SPARTA'’S FINEST 289 00:17:34,183 --> 00:17:37,621 IS A SEX CRIMINAL. 290 00:17:37,665 --> 00:17:39,275 THAT'’S WHY YOU CAME OVER HERE THIS MORNING, 291 00:17:39,319 --> 00:17:42,235 TO PRACTICE YOUR SPEECH BEFORE THE LIONS CLUB. 292 00:17:42,278 --> 00:17:44,933 IT SOUNDED PRETTY GOOD. HOW ABOUT YOU, VIRGIL? 293 00:17:44,976 --> 00:17:46,717 VERY MOVING. 294 00:17:48,763 --> 00:17:52,027 I'’LL SAY THIS DIRECTLY TO YOU, CHIEF. 295 00:17:52,071 --> 00:17:54,943 THE PEOPLE WILL NOT STAND FOR A COVER-UP, 296 00:17:54,986 --> 00:17:57,641 AND THAT MEANS NO EVIDENCE DISAPPEARING 297 00:17:57,685 --> 00:17:59,687 AND NO WITNESSES THAT CAN'’T BE LOCATED. 298 00:17:59,730 --> 00:18:02,690 WITH ALL DUE RESPECT, 299 00:18:05,258 --> 00:18:07,042 I FIND THAT AN INSULTING ORDER. 300 00:18:07,086 --> 00:18:09,697 TAKE IT ANY WAY YOU WANT, 301 00:18:09,740 --> 00:18:15,442 BUT I WANT REPORTS ON MY DESK DAILY. 302 00:18:15,485 --> 00:18:19,968 WHY DO YOU PUT UP WITH THAT MAN? 303 00:18:20,011 --> 00:18:20,969 YOU KNOW WHAT THAT PUTS ME IN MIND? 304 00:18:23,450 --> 00:18:27,367 DON'’T TELL ME ABOUT THE DONKEY AND THE POSSUM. 305 00:18:27,410 --> 00:18:28,542 NO. 306 00:18:30,674 --> 00:18:32,154 I WASN'’T THINKING ABOUT THAT. 307 00:18:32,198 --> 00:18:34,113 WHAT CAME TO MY MIND WAS EARL'’S CREEK. 308 00:18:34,156 --> 00:18:36,637 WHAT HAPPENS WITH EARL'’S CREEK 309 00:18:36,680 --> 00:18:38,639 WHEN THE WATER JUMPS HIS LEVEES 310 00:18:38,682 --> 00:18:42,121 AND FLOODS OUT THE BERRY PATCHES? 311 00:18:42,164 --> 00:18:44,775 I DON'’T KNOW. 312 00:18:44,819 --> 00:18:46,734 NOTHING. 313 00:19:32,301 --> 00:19:34,608 ANYBODY HOME? 314 00:19:34,651 --> 00:19:36,131 MISS MOORE! 315 00:19:39,656 --> 00:19:42,572 WAIT! I JUST WANT TO TALK TO YOU. 316 00:19:47,011 --> 00:19:48,752 GO AWAY! 317 00:19:48,796 --> 00:19:50,232 WAIT! 318 00:19:51,886 --> 00:19:53,104 I JUST WANT TO TALK TO YOU. 319 00:19:53,148 --> 00:19:54,454 I GOT NOTHING TO SAY. 320 00:19:54,497 --> 00:19:56,456 YOU BEEN TELLING LIES. 321 00:19:56,499 --> 00:19:58,501 THEY WEREN'’T LIES. LEAVE ME ALONE. 322 00:19:58,545 --> 00:20:00,895 SHE DON'’T WANT TO TALK TO YOU. 323 00:20:08,903 --> 00:20:10,165 BOYS, GET OUT OF HERE NOW. I'’M A POLICE OFFICER. 324 00:20:10,209 --> 00:20:12,646 NOT NOW. 325 00:20:12,689 --> 00:20:14,082 YOU GOT LAID OFF. 326 00:20:14,125 --> 00:20:15,388 LET ME PUT IT ANOTHER WAY. 327 00:20:15,431 --> 00:20:17,912 I'’M NOT PLAYING. 328 00:20:17,955 --> 00:20:18,869 I'’M DOING SOMETHING THAT NEEDS DOING. 329 00:20:18,913 --> 00:20:20,219 [ALL GRUNTING] 330 00:20:33,319 --> 00:20:34,537 HOLD IT! 331 00:20:34,581 --> 00:20:35,756 DROP IT! 332 00:20:35,799 --> 00:20:37,018 LET HIM GO! 333 00:20:41,327 --> 00:20:45,940 JUST IN THE NEIGHBORHOOD, HUH? 334 00:20:45,983 --> 00:20:48,290 WE FIGURED YOU'’D COME HERE. 335 00:20:48,334 --> 00:20:49,160 WE THOUGHT YOU'’D TRY SOMETHING STUPID. 336 00:20:49,204 --> 00:20:50,945 YEAH, WELL THANKS. 337 00:20:53,991 --> 00:20:55,036 WE CAN'’T FOLLOW YOU AROUND. 338 00:20:57,517 --> 00:20:59,606 USE YOUR HEAD, BUBBA. 339 00:20:59,649 --> 00:21:00,650 LET VIRGIL AND THE CHIEF HANDLE IT. 340 00:21:00,694 --> 00:21:02,304 YES, I COULDN'’T AGREE MORE. 341 00:21:07,570 --> 00:21:10,225 RIGHT. THANK YOU. BYE. 342 00:21:10,269 --> 00:21:13,141 THAT'’S TED MARCUS. 343 00:21:18,973 --> 00:21:20,191 HE SAYS THE BLACK COMMUNITY IS DETERMINED 344 00:21:20,235 --> 00:21:22,890 TO HAVE THE POLICE DO EVERYTHING 345 00:21:22,933 --> 00:21:24,021 TO APPREHEND AUDREY MOORE'’S ATTACKER-- 346 00:21:24,065 --> 00:21:27,329 WHOEVER THAT IS. 347 00:21:27,373 --> 00:21:29,244 THEY'’RE TURNING THIS INTO A RACIAL ISSUE. 348 00:21:29,288 --> 00:21:32,552 TELL ME ABOUT IT.[KNOCK ON DOOR] 349 00:21:32,595 --> 00:21:34,205 AND D.A. DUTTON IS DETERMINED TO USE THIS CASE 350 00:21:34,249 --> 00:21:36,860 TO ADVANCE HIS CAREER. 351 00:21:36,904 --> 00:21:38,601 I MEAN... 352 00:21:38,645 --> 00:21:39,907 HELLO. 353 00:21:42,475 --> 00:21:43,954 REMEMBER ME? I'’M CHARLENE. 354 00:21:43,998 --> 00:21:46,566 I WORK FOR JOANNE AT THE CAFE. 355 00:21:46,609 --> 00:21:48,002 OH, YES, OF COURSE. PLEASE COME IN. HAVE A SEAT. 356 00:21:48,045 --> 00:21:52,180 I GOT TO GET HOME, 357 00:21:52,223 --> 00:21:53,442 BUT THERE'’S SOMETHING I THOUGHT YOU OUGHT TO KNOW. 358 00:21:53,486 --> 00:21:55,749 WOULD YOU LIKE SOME COFFEE? 359 00:21:55,792 --> 00:21:57,620 THANKS, BUT I CAN'’T STAY. 360 00:21:57,664 --> 00:21:59,970 I HEARD ABOUT BUBBA SKINNER. 361 00:22:00,014 --> 00:22:01,494 EVERYBODY'’S TALKING ABOUT IT. 362 00:22:01,537 --> 00:22:03,234 I'’M SO SURE. 363 00:22:04,758 --> 00:22:06,107 MAYBE I SHOULDN'’T TELL YOU THIS 364 00:22:06,150 --> 00:22:08,065 '’CAUSE I PROMISED I WOULDN'’T, 365 00:22:08,109 --> 00:22:09,197 BUT I THOUGHT ABOUT IT, AND IT SEEMED I HAD TO. 366 00:22:09,240 --> 00:22:12,331 ALL RIGHT. WHAT IS IT? 367 00:22:14,202 --> 00:22:17,118 A FRIEND OF MINE, FRANCES WATKINS-- 368 00:22:17,161 --> 00:22:19,425 SHE WORKS OVER AT THE AUTO PARTS STORE-- 369 00:22:19,468 --> 00:22:20,600 SHE GOT RAPED ABOUT THREE WEEKS AGO. 370 00:22:20,643 --> 00:22:23,646 I NEVER SAW A REPORT. 371 00:22:26,040 --> 00:22:28,390 SHE DIDN'’T TELL ANYONE BUT ME. 372 00:22:28,434 --> 00:22:29,609 SHE CAME TO MY HOUSE THAT NIGHT, SCARED TO DEATH. 373 00:22:29,652 --> 00:22:34,614 I LET HER STAY BUT... 374 00:22:34,657 --> 00:22:36,442 SHE WOULDN'’T CALL THE POLICE. 375 00:22:36,485 --> 00:22:38,792 SHE WAS AFRAID FOR THE PUBLICITY. 376 00:22:38,835 --> 00:22:41,447 DID SHE KNOW WHO DID IT? 377 00:22:41,490 --> 00:22:42,448 NO, BUT I WAS THINKING MAYBE IT'’S THE SAME ONE 378 00:22:42,491 --> 00:22:46,582 ATTACKED THAT BLACK WOMAN. 379 00:22:46,626 --> 00:22:47,888 ANOTHER ASSAULT. 380 00:22:47,931 --> 00:22:49,498 I'’M LATE. 381 00:22:51,413 --> 00:22:52,153 I'’VE KNOWN BUBBA MOST OF MY LIFE. 382 00:22:54,503 --> 00:22:56,375 I KNOW HE COULDN'’T HAVE DONE IT. 383 00:22:56,418 --> 00:22:58,986 PLEASE DON'’T TELL FRANCES I TOLD. 384 00:22:59,029 --> 00:23:01,336 SHE'’S AFRAID SHE'’LL LOSE HER JOB, 385 00:23:01,380 --> 00:23:02,337 AND SHE'’S GOT A LITTLE GIRL TO SUPPORT. 386 00:23:02,381 --> 00:23:03,860 I UNDERSTAND. 387 00:23:03,904 --> 00:23:05,296 I GOT TO GO. 388 00:23:05,340 --> 00:23:06,602 ALL RIGHT. 389 00:23:06,646 --> 00:23:07,777 I PROMISE. 390 00:23:08,387 --> 00:23:09,605 WOW. 391 00:23:12,478 --> 00:23:13,957 A REPEATER IN SPARTA. 392 00:23:21,182 --> 00:23:23,097 WHY DIDN'’T YOU REPORT THE RAPE TO THE POLICE? 393 00:23:23,140 --> 00:23:26,622 I JUST DIDN'’T WANT ANY TROUBLE. 394 00:23:28,668 --> 00:23:30,844 PLEASE DON'’T MAKE ANY FUSS ABOUT THIS. 395 00:23:30,887 --> 00:23:33,586 FUSS? YOU WERE RAPED. 396 00:23:33,629 --> 00:23:36,197 ANOTHER WOMAN WAS ATTACKED. 397 00:23:36,240 --> 00:23:37,764 YOU WANT THIS TO HAPPEN TO OTHER PEOPLE? 398 00:23:37,807 --> 00:23:38,939 NO! 399 00:23:38,982 --> 00:23:39,243 I DON'’T KNOW WHAT TO DO. 400 00:23:44,684 --> 00:23:47,600 I GOTTA GET BACK TO WORK. 401 00:23:47,643 --> 00:23:49,210 MR. BLEDSOE DOESN'’T LIKE PERSONAL VISITS. 402 00:23:49,253 --> 00:23:51,604 FORGIVE ME, BUT I CAN HAVE YOU SUBPOENAED 403 00:23:51,647 --> 00:23:52,605 AND FORCED TO GIVE PUBLIC TESTIMONY, 404 00:23:52,648 --> 00:23:55,172 AND I'’LL DO IT, 405 00:23:58,611 --> 00:24:00,482 UNLESS YOU TELL ME WHO IT WAS THAT RAPED YOU, 406 00:24:00,526 --> 00:24:01,744 AND FRANCES, YOU DO KNOW WHO IT WAS, DON'’T YOU? 407 00:24:01,788 --> 00:24:05,052 YES. 408 00:24:06,575 --> 00:24:08,447 GOD FORGIVE ME, I DO. 409 00:24:08,490 --> 00:24:10,187 OK. 410 00:24:10,231 --> 00:24:11,058 IT WAS BUBBA SKINNER. 411 00:24:26,421 --> 00:24:27,378 HEY, CHIEF. WANNA SEE ME? 412 00:24:27,422 --> 00:24:28,771 OH, YEAH. COME ON IN. 413 00:24:28,815 --> 00:24:30,556 THANKS FOR COMING SO FAST. 414 00:24:30,599 --> 00:24:33,559 I WAS COMING OVER ANYWAY 415 00:24:33,602 --> 00:24:36,387 '’CAUSE I THINK I KNOW WHAT HAPPENED TO MISS MOORE. 416 00:24:36,431 --> 00:24:39,390 I WENT TO WHERE SHE SAID SHE WAS ATTACKED. 417 00:24:39,434 --> 00:24:44,613 THE ATTACKER WAS WAITING FOR HER TO COME OUT-- 418 00:24:44,657 --> 00:24:46,049 WHAT? 419 00:24:46,093 --> 00:24:47,311 YOU EVER KNOW A FRANCES WATKINS? 420 00:24:47,355 --> 00:24:50,750 YEAH, SURE. WHY? 421 00:24:50,793 --> 00:24:51,664 SOMEONE YOU DATED? WENT OUT WITH? 422 00:24:51,707 --> 00:24:53,274 GIVE ME A BREAK. 423 00:24:54,405 --> 00:24:56,016 WHAT DO YOU MEAN? 424 00:24:56,059 --> 00:24:57,974 SHE'’S NOT MY TYPE. 425 00:24:58,018 --> 00:24:59,802 UH, BUBBA, WHERE DO YOU KNOW HER FROM? 426 00:24:59,846 --> 00:25:01,195 I GREW UP AROUND HER. 427 00:25:03,327 --> 00:25:04,372 SHE HAD KIND OF A CRUSH ON ME. WHY? 428 00:25:04,415 --> 00:25:06,287 WELL, SHE GOT RAPED. 429 00:25:07,593 --> 00:25:09,116 OH...NO. 430 00:25:11,074 --> 00:25:15,514 VIRGIL FOUND OUT ABOUT IT AND WENT TO QUESTION HER. 431 00:25:15,557 --> 00:25:17,428 YOU KNOW SOMETHING, BET IT WAS THE SAME GUY ATTACKED THEM. 432 00:25:17,472 --> 00:25:19,039 SHE SAID YOU DID IT. 433 00:25:24,261 --> 00:25:25,436 NO. 434 00:25:25,480 --> 00:25:26,437 I NEVER TOUCHED THAT WOMAN. 435 00:25:26,481 --> 00:25:28,788 WELL, BUBBA, 436 00:25:28,831 --> 00:25:30,050 WE HAVE A SIGNED STATEMENT BY HER. 437 00:25:30,093 --> 00:25:31,399 I DON'’T GIVE A DAMN WHAT SHE SIGNED. 438 00:25:34,620 --> 00:25:37,318 SHE SAID ABOUT THREE WEEKS AGO, SHE WAS AT A BAR. 439 00:25:37,361 --> 00:25:42,323 SHE LEFT ABOUT 1:00, GOT HOME, 440 00:25:42,366 --> 00:25:44,499 PAID THE BABYSITTER, WENT TO BED, 441 00:25:44,543 --> 00:25:47,415 HEARD A NOISE DOWNSTAIRS. 442 00:25:47,458 --> 00:25:50,113 YOU WERE THERE, AND YOU RAPED HER. 443 00:25:50,157 --> 00:25:52,594 AND SHE WAITED THREE WEEKS TO REPORT IT? 444 00:25:52,638 --> 00:26:02,256 SHE SAID YOU BEING A POLICEMAN, SHE WAS SCARED TO. 445 00:26:02,299 --> 00:26:04,345 WHAT'’S GOING ON HERE, HUH? 446 00:26:04,388 --> 00:26:06,608 I MEAN, I GET ACCUSED BY ONE LUNATIC, 447 00:26:06,652 --> 00:26:10,830 THEN HE GOES OUT AND FINDS ANOTHER ONE. 448 00:26:10,873 --> 00:26:12,875 YOU'’LL DO ANYTHING TO PROVE YOUR CASE, WON'’T YOU? 449 00:26:12,919 --> 00:26:15,704 BECAUSE THAT FIRST WOMAN WAS BLACK, THAT'’S WHY! 450 00:26:15,748 --> 00:26:18,315 WAIT A MINUTE-- 451 00:26:18,359 --> 00:26:20,013 IT'’S DIFFERENT WHEN YOU GET ACCUSED OF SOMETHING. 452 00:26:20,056 --> 00:26:21,362 YOU'’RE SAYING I LOOKED FOR A VICTIM? 453 00:26:21,405 --> 00:26:24,278 DAMN RIGHT I AM! 454 00:26:24,321 --> 00:26:25,496 SHUT UP, BOTH OF YOU. 455 00:26:25,540 --> 00:26:28,717 NOW SHUT UP! 456 00:26:28,761 --> 00:26:29,675 JUST WAIT HERE FOR ME, VIRGIL. 457 00:26:32,329 --> 00:26:33,592 BUBBA, I WANT TO TALK TO YOU. 458 00:26:34,984 --> 00:26:38,161 COME ON. 459 00:26:38,205 --> 00:26:39,206 GO ON IN THE EVIDENCE ROOM OVER THERE. 460 00:26:47,606 --> 00:26:50,260 YOU BELIEVE WHAT HE'’S TRYING TO DO TO ME? 461 00:26:53,568 --> 00:26:55,309 DON'’T BE SILLY, WILL YOU? 462 00:26:55,352 --> 00:26:59,182 WE'’RE NOT TRYING TO DO ANYTHING, JUST FIND OUT WHAT HAPPENED. 463 00:26:59,226 --> 00:27:00,923 YOU TELL ME WHY HE'’S STICKING UP FOR HER. 464 00:27:00,967 --> 00:27:02,403 STICKING UP FOR HER? 465 00:27:02,446 --> 00:27:05,101 WHAT ARE YOU TALKING ABOUT? 466 00:27:05,145 --> 00:27:06,363 SWEET LORD, GIVE ME SOME PATIENCE. 467 00:27:06,407 --> 00:27:08,278 LISTEN TO ME. NOW, LISTEN TO ME. 468 00:27:08,322 --> 00:27:10,585 WE GOT A MESS HERE. 469 00:27:12,674 --> 00:27:17,810 I GOTTA CLEAN IT UP. 470 00:27:17,853 --> 00:27:19,986 I DON'’T WANT TO, BUT I GOT TO DO IT. 471 00:27:20,029 --> 00:27:21,161 THE WOMAN FILED A FORMAL COMPLAINT. 472 00:27:21,204 --> 00:27:22,597 I GOT TO BOOK YOU. 473 00:27:22,641 --> 00:27:24,512 BOOK ME? 474 00:27:24,555 --> 00:27:26,035 DON'’T JUMP DOWN MY THROAT. 475 00:27:26,079 --> 00:27:28,429 I'’LL BE WITH YOU IN FRONT OF THE JUDGE. 476 00:27:28,472 --> 00:27:31,432 HE'’LL RELEASE YOU ON YOUR OWN RECOGNIZANCE. 477 00:27:31,475 --> 00:27:33,652 OTHERWISE, WE'’RE GOING TO HAVE A SITUATION IN THIS TOWN. 478 00:27:33,695 --> 00:27:36,350 YOU KNOW? 479 00:27:39,309 --> 00:27:42,356 I HEARD FROM YOU IN THERE, 480 00:27:42,399 --> 00:27:44,184 ONLY THE OTHER WAY AROUND. 481 00:27:44,227 --> 00:27:46,142 NOTHING TO WAIT ON IN HERE, COME ON. 482 00:27:57,719 --> 00:27:59,547 PARKER, BOOK SERGEANT SKINNER HERE. 483 00:27:59,590 --> 00:28:03,420 AND THE CHARGE, 484 00:28:05,118 --> 00:28:06,641 YOU CAN COPY OFF THE COMPLAINT. 485 00:28:06,685 --> 00:28:11,820 PHOTOGRAPH HIM, DO ALL THE USUAL THINGS. 486 00:28:11,864 --> 00:28:14,301 WHY ARE YOU SITTING THERE? 487 00:28:14,344 --> 00:28:15,694 GO AND DO IT. 488 00:28:15,737 --> 00:28:17,347 YES, SIR. 489 00:28:23,440 --> 00:28:26,008 BUBBA? 490 00:28:26,052 --> 00:28:27,967 SHH. LET'’S JUST GO DO IT. 491 00:28:44,200 --> 00:28:45,767 IT'’S THE WORST CRIME IMAGINABLE. 492 00:28:57,692 --> 00:28:59,259 HIYA. 493 00:28:59,302 --> 00:29:00,303 I'’M JOINING YOU. 494 00:29:01,348 --> 00:29:02,784 I CAN SEE THAT. 495 00:29:02,828 --> 00:29:03,742 WELL, HELLO. 496 00:29:03,785 --> 00:29:05,439 HI. HOW ARE YOU? 497 00:29:05,482 --> 00:29:07,049 FINE. HOW'’S BUBBA DOING? 498 00:29:07,093 --> 00:29:08,747 BUBBA'’S FINE, FINE. 499 00:29:08,790 --> 00:29:10,444 WANNA HEAR THE SPECIAL? 500 00:29:14,100 --> 00:29:16,363 UH, NO. I DON'’T WANT TO EAT. 501 00:29:16,406 --> 00:29:17,451 I'’M JUST HOUND-DOGGING VIRGIL. 502 00:29:17,494 --> 00:29:20,062 WHAT IS IT WITH VEAL? 503 00:29:20,106 --> 00:29:21,194 EVERY TIME I DO SOMETHING WITH VEAL, NO TAKERS. 504 00:29:21,237 --> 00:29:24,545 LISTEN, WHAT I WANNA TELL YOU 505 00:29:28,810 --> 00:29:31,073 IS, UH, BUBBA DIDN'’T MEAN THAT. 506 00:29:31,117 --> 00:29:33,467 WHEN A PERSON'’S UNDER A LOT OF STRESS, 507 00:29:33,510 --> 00:29:36,513 THEIR REAL SELF COMES OUT. 508 00:29:36,557 --> 00:29:37,688 WE WON'’T SEE AN END TO THAT FOOLISHNESS 509 00:29:39,908 --> 00:29:43,433 TILL WE COLONIZE THE MOON, 510 00:29:43,477 --> 00:29:45,218 UNLESS WE PUT TOO MANY GOOD OL'’ BOYS UP THERE. 511 00:29:45,261 --> 00:29:48,699 THE THING IS, I'’M GETTING IT FROM BOTH SIDES. 512 00:29:48,743 --> 00:29:51,224 IN THE BLACK COMMUNITY I'’M TOO WHITE, 513 00:29:51,267 --> 00:29:54,705 AND IN THE WHITE COMMUNITY, I'’M TOO BLACK. 514 00:29:56,446 --> 00:29:57,621 WELL, IT ISN'’T SO, 515 00:29:59,972 --> 00:30:01,451 SO I WOULDN'’T WASTE MY BREATH ARGUING ABOUT IT. 516 00:30:01,495 --> 00:30:03,845 TROUBLE IS I'’VE SEEN PEOPLE GO TO JAIL 517 00:30:03,889 --> 00:30:06,717 FOR FAR SILLIER THINGS THAN THIS MORE THAN ONCE. 518 00:30:06,761 --> 00:30:09,503 YOU'’RE WORRYING ABOUT BUBBA, AREN'’T YOU? 519 00:30:09,546 --> 00:30:12,680 YES. 520 00:30:12,723 --> 00:30:15,422 LET'’S YOU AND I MAKE SURE HE DOESN'’T GO TO JAIL. 521 00:30:15,465 --> 00:30:17,032 ALL WE CAN DO. 522 00:30:17,076 --> 00:30:18,294 I'’M GOING. 523 00:30:19,905 --> 00:30:20,688 ORDER THE SPECIAL. MAKE HER FEEL GOOD. 524 00:30:20,731 --> 00:30:23,343 WHERE YOU GOING? 525 00:30:25,171 --> 00:30:26,737 OH... 526 00:30:26,781 --> 00:30:28,304 I'’M GOING FISHING. 527 00:30:28,348 --> 00:30:30,089 WHEN YOU'’VE BEEN DOING THIS WORK AS LONG AS I HAVE, 528 00:30:37,139 --> 00:30:38,924 YOU SEE SOME TERRIBLE THINGS, 529 00:30:38,967 --> 00:30:42,449 AWFUL THINGS. 530 00:30:44,625 --> 00:30:46,409 IS SEEING A POLICE OFFICER ABUSE HIS POWER. 531 00:30:46,453 --> 00:30:49,456 THAT MAKES MY BLOOD BOIL. 532 00:30:49,499 --> 00:30:51,153 MY BOSS DON'’T LIKE ME TALKING TO PEOPLE 533 00:30:51,197 --> 00:30:54,113 DURING WORKING HOURS. 534 00:30:54,156 --> 00:30:55,810 THIS JOB'’S AWFUL IMPORTANT TO ME. 535 00:30:55,854 --> 00:30:57,725 I GOT A LITTLE GIRL TO SUPPORT. 536 00:30:57,768 --> 00:31:00,554 I'’LL BE BACK IN AN HOUR. 537 00:31:00,597 --> 00:31:01,772 I'’M NOT GOING TO REST 538 00:31:03,774 --> 00:31:05,951 UNTIL I SEE BUBBA SKINNER IN PRISON WHERE HE BELONGS. 539 00:31:05,994 --> 00:31:10,999 I UNDERSTAND YOU CAN'’T TALK TO ME HERE. 540 00:31:11,043 --> 00:31:13,088 WHAT TIME DO YOU GET OFF WORK, ABOUT 5:00? 541 00:31:13,132 --> 00:31:15,569 YES, SIR. 542 00:31:15,612 --> 00:31:17,440 OK. HERE'’S MY CARD. 543 00:31:17,484 --> 00:31:19,225 COME ON DOWN TO MY OFFICE. 544 00:31:19,268 --> 00:31:21,009 SEE YOU ABOUT 5:15. 545 00:31:21,053 --> 00:31:23,577 BE THERE, YOU HEAR? 546 00:31:23,620 --> 00:31:25,100 WE'’LL PUT THAT OL'’ BOY OUT OF HIS MISERY. 547 00:31:25,144 --> 00:31:33,195 WE'’LL CLEAN THAT OL'’ BOY'S PLOW. 548 00:31:33,239 --> 00:31:35,502 WHO'’S THAT? 549 00:31:35,545 --> 00:31:38,200 DISTRICT ATTORNEY DUTTON. 550 00:31:38,244 --> 00:31:40,159 I TOLD HIM I WAS WORKING AND COULDN'’T TALK. 551 00:31:40,202 --> 00:31:42,117 IF THIS IS UPSETTING YOU, NOBODY CAN MAKE YOU TALK ABOUT IT-- 552 00:31:42,161 --> 00:31:46,817 POLICE, D.A., NOBODY. 553 00:31:46,861 --> 00:31:48,863 YOU GOT YOUR RIGHTS TO PRIVACY. 554 00:31:48,907 --> 00:31:51,474 WHY DID IT HAVE TO HAPPEN TO ME? 555 00:31:51,518 --> 00:31:52,911 CHILD, LIFE IS JUST LIKE THAT SOMETIMES, 556 00:31:52,954 --> 00:31:58,003 BUT I SWEAR, 557 00:31:58,046 --> 00:32:00,179 WHEN SOMETHING LIKE THIS HAPPENS, 558 00:32:00,222 --> 00:32:10,189 IT ALWAYS ENDS UP MAKING YOU A BETTER PERSON. 559 00:32:10,232 --> 00:32:11,233 GOOD AFTERNOON. 560 00:32:11,277 --> 00:32:12,191 I'’M CHIEF GILLESPIE. 561 00:32:17,022 --> 00:32:18,545 YOU'’RE LIKE THE PRESIDENT AROUND HERE, 562 00:32:18,588 --> 00:32:20,895 OR MAYBE THE AYATOLLAH. 563 00:32:20,939 --> 00:32:23,680 IF I WAS LIKE THE AYATOLLAH, 564 00:32:23,724 --> 00:32:26,248 I'’D GET THINGS DONE A LOT QUICKER. 565 00:32:26,292 --> 00:32:27,423 YOU MADE A STATEMENT TO MY CHIEF DETECTIVE TIBBS, 566 00:32:27,467 --> 00:32:34,039 AND I WANT TO ASK YOU ABOUT IT. 567 00:32:34,082 --> 00:32:37,085 MM-HMM. HE WARNED ME YOU MIGHT TRY THIS. 568 00:32:37,129 --> 00:32:39,870 HETOLD YOU. WHO TOLD YOU? 569 00:32:39,914 --> 00:32:42,961 THE DISTRICT ATTORNEY. 570 00:32:43,004 --> 00:32:44,397 SAID YOU'’D TRY TO CHANGE MY MIND. 571 00:32:44,440 --> 00:32:46,834 OH, THE DISTRICT ATTORNEY. 572 00:32:46,877 --> 00:32:49,532 NOW, WHAT DID HE TELL YOU TO SAY? 573 00:32:49,576 --> 00:32:51,839 HE SAYS HE KNOWS THAT WHITE COP'’S GUILTY, 574 00:32:51,882 --> 00:32:53,580 PROMISED ME HE'’LL BE CONVICTED AND SENTENCED TO JAIL. 575 00:32:53,623 --> 00:32:56,844 HE BOTHERING YOU, AUDREY? 576 00:32:56,887 --> 00:32:58,411 WHAT'’S HE DOING HERE? 577 00:32:58,454 --> 00:32:59,716 WHAT'’S THAT GUY DOING? 578 00:32:59,760 --> 00:33:01,240 WHAT I'’M DOING HERE 579 00:33:03,677 --> 00:33:05,548 IS WHAT I'’M SUPPOSED TO BE DOING. WHAT ABOUT YOU? 580 00:33:05,592 --> 00:33:06,506 YOU WANT TO GET THAT REDNECK SERGEANT OFF THE HOOK, RIGHT? 581 00:33:06,549 --> 00:33:10,989 I BELIEVE I WILL. 582 00:33:11,032 --> 00:33:12,860 AND GET SOMEBODY ELSE ON IT. 583 00:33:12,903 --> 00:33:14,949 TELL US IF HE'’S BOTHERING YOU. 584 00:33:16,124 --> 00:33:19,127 YEAH, HE'’S BOTHERING ME. 585 00:33:19,171 --> 00:33:20,868 EVERYBODY'’S BOTHERING ME. 586 00:33:20,911 --> 00:33:22,913 I WISH EVERYBODY WOULD LEAVE ME ALONE. 587 00:33:22,957 --> 00:33:25,699 GIVE ME TIME TO GET BACK TO THE STATION, 588 00:33:25,742 --> 00:33:29,050 AND THEN GET ON YOUR TELEPHONE AND CALL ME. 589 00:33:29,094 --> 00:33:31,357 I DON'’T HAVE A TELEPHONE. 590 00:33:31,400 --> 00:33:33,750 REALLY? 591 00:33:35,752 --> 00:33:37,537 I WOULDN'’T HAVE SAID 592 00:33:37,580 --> 00:33:38,668 THOSE LINES WERE FOR HANGING OUT THE WASH. 593 00:33:38,712 --> 00:33:41,845 I BET YOU MISPLACED IT SOMEPLACE. 594 00:33:41,889 --> 00:33:43,064 MAYBE YOU'’LL FIND IT UNDER THE DAVENPORT OR SOMETHING. 595 00:33:43,108 --> 00:33:46,850 THEN YOU CALL ME... YOU HEAR? 596 00:33:53,553 --> 00:33:55,076 WELL, I HAVEN'’T SEEN YOU IN A WHILE. 597 00:33:55,120 --> 00:33:58,297 YOU EITHER, BEN. 598 00:33:59,776 --> 00:34:02,040 HOW ARE YOU, ANNABELLE? 599 00:34:02,083 --> 00:34:04,390 I SEEN YOU ROAMING AROUND. WHAT'’S YOUR NAME? 600 00:34:08,394 --> 00:34:10,700 NAMES AIN'’T IMPORTANT IN THIS PART OF TOWN. 601 00:34:10,744 --> 00:34:13,529 NEVER HAVE BEEN. 602 00:34:13,573 --> 00:34:14,748 IF YOU DON'’T CARE ABOUT YOUR NAME, 603 00:34:14,791 --> 00:34:16,837 I GUESS I DON'’T EITHER. 604 00:34:16,880 --> 00:34:19,318 MAKE A HOLE THERE, PLEASE. 605 00:34:19,361 --> 00:34:21,842 HOW DO YOU FEEL DOWN HERE BY YOURSELF? 606 00:34:21,885 --> 00:34:24,366 RIGHT AT HOME, RIGHT AT HOME. 607 00:34:24,410 --> 00:34:26,847 YOU'’RE NOT GOING TO GET HIM OFF, CHIEF! 608 00:34:26,890 --> 00:34:28,240 YEAH, WE WANT JUSTICE! 609 00:34:28,283 --> 00:34:30,242 JUSTICE! 610 00:34:30,285 --> 00:34:33,071 D.A. DUTTON SAID HE WAS GUILTY! 611 00:34:33,114 --> 00:34:35,334 YEAH, HE'’S GUILTY, AND YOU KNOW IT! 612 00:34:48,869 --> 00:34:50,827 WE WANT JUSTICE, CHIEF! 613 00:34:50,871 --> 00:34:52,960 I HEREBY ADVISE YOUR CLIENT TO APPEAR AS SCHEDULED-- 614 00:34:53,003 --> 00:34:55,963 WOMAN: HE CAN'’T BE DISTURBED! 615 00:34:56,006 --> 00:34:59,140 CHIEF. 616 00:34:59,184 --> 00:35:00,881 HOW DARE YOU GO DOWN INTO THE BOTTOMS 617 00:35:00,924 --> 00:35:03,144 TELLING THAT WOMAN BUBBA SKINNER'’S GUILTY 618 00:35:03,188 --> 00:35:05,581 AND YOU'’RE GOING TO CONVICT HIM? 619 00:35:05,625 --> 00:35:07,931 SOMEONE HAD TO REASSURE OUR BLACK COMMUNITY 620 00:35:07,975 --> 00:35:10,717 THAT THERE WOULD BE NO WHITEWASH IN SPARTA. 621 00:35:10,760 --> 00:35:12,719 OH, YOU CARE A LOT ABOUT THE BLACK COMMUNITY. 622 00:35:12,762 --> 00:35:16,157 YOU ONLY CARE ABOUT YOUR OWN POLITICAL FUTURE! 623 00:35:16,201 --> 00:35:18,986 TAKE IT EASY. YOU'’RE GETTING OUT OF CONTROL. 624 00:35:19,029 --> 00:35:22,990 YOU LISTEN TO ME. 625 00:35:23,033 --> 00:35:25,993 I WON'’T LET YOU SACRIFICE ONE OF MY FINEST OFFICERS 626 00:35:26,036 --> 00:35:28,430 FOR YOUR POLITICAL AMBITIONS. 627 00:35:28,474 --> 00:35:30,650 THERE ARE MANY WAYS I CAN MESS YOU UP, 628 00:35:30,693 --> 00:35:31,912 AND I WILL, BECAUSE YOU ARE AN UNCONSCIONABLE, 629 00:35:31,955 --> 00:35:35,045 GATOR-FACED OPPORTUNIST. 630 00:35:35,089 --> 00:35:36,482 WHAT DID YOU CALL ME? 631 00:35:38,353 --> 00:35:39,963 I CALLED YOU A GATOR-FACED, 632 00:35:40,007 --> 00:35:42,096 SHOVEL-FOOTED POLITICAL CLIMBER, 633 00:35:42,140 --> 00:35:44,359 AND I'’M GOING TO GET YOU! 634 00:35:44,403 --> 00:35:46,231 HOLD IT RIGHT THERE, GILLESPIE, 635 00:35:46,274 --> 00:35:49,234 BECAUSE YOU ARE IN VIOLATION OF CODE SECTION 97-9-55-- 636 00:35:49,277 --> 00:35:52,280 THREATENING A PROSECUTING ATTORNEY. 637 00:35:52,324 --> 00:35:54,500 I COULD GO TO THE ATTORNEY GENERAL AND HAVE YOU ARRESTED, 638 00:35:54,543 --> 00:35:57,329 AND I WILL UNLESS YOU QUIT THIS INTERFERING. 639 00:35:57,372 --> 00:36:00,941 I DON'’T WANT YOU TALKING TO MY WITNESSES 640 00:36:00,984 --> 00:36:04,379 OR DISCUSSING THIS INVESTIGATION WITH ANYBODY! 641 00:36:04,423 --> 00:36:07,034 DO I MAKE MYSELF CLEAR? 642 00:36:07,077 --> 00:36:08,992 THAT'’S IT! YOU'’RE OFF THIS CASE! 643 00:36:09,036 --> 00:36:10,951 GET OUT! YOU'’RE OFF THIS CASE! 644 00:36:21,048 --> 00:36:22,876 HONEY, COME ON. IT'’S YOUR TURN. 645 00:36:22,919 --> 00:36:24,747 IT'’S WHAT? 646 00:36:25,748 --> 00:36:26,662 [KNOCK ON DOOR] 647 00:36:35,018 --> 00:36:35,976 BUBBA. 648 00:36:38,457 --> 00:36:39,414 MS. TIBBS.COME ON IN. 649 00:36:39,458 --> 00:36:40,807 VIRGIL HERE? 650 00:36:40,850 --> 00:36:42,417 YEAH. 651 00:36:42,461 --> 00:36:44,898 UH, COME ON IN. 652 00:36:44,941 --> 00:36:46,726 BUBBA, MAN, THIS IS A...SURPRISE AND AN HONOR. 653 00:36:46,769 --> 00:36:50,382 YOU'’VE NEVER BEEN TO OUR HOME BEFORE. 654 00:36:50,425 --> 00:36:51,426 AND IT'’S A BEAUTIFUL HOME, TOO. 655 00:36:51,470 --> 00:36:53,863 WELCOME. 656 00:36:53,907 --> 00:36:55,474 I'’LL GET SOME COFFEE. 657 00:36:55,517 --> 00:36:57,302 COULD YOU STAY HERE, MS. TIBBS? 658 00:36:57,345 --> 00:36:58,477 VIRGIL, ALL THIS STUFF THAT'’S BEEN COMING DOWN ON ME 659 00:37:00,957 --> 00:37:04,004 HAS GOT ME ACTING KIND OF SQUIRRELLY. 660 00:37:04,047 --> 00:37:07,529 I GUESS THINGS JUST BUILT... 661 00:37:07,573 --> 00:37:10,706 LOOK, I DIDN'’T MEAN WHAT I SAID. I'’M SORRY. 662 00:37:10,750 --> 00:37:11,620 NO. YOU DON'’T HAVE TO APOLOGIZE TO ME. 663 00:37:13,056 --> 00:37:15,755 IT'’S BEEN ROUGH ON YOU. 664 00:37:17,713 --> 00:37:19,367 IT'’S GOING TO GET ROUGHER. 665 00:37:19,411 --> 00:37:21,413 CHIEF GOT KICKED OFF THE CASE TODAY. 666 00:37:21,456 --> 00:37:23,763 HE WHAT? 667 00:37:23,806 --> 00:37:25,634 YEAH. HE BLEW UP AT DUTTON. 668 00:37:25,678 --> 00:37:26,983 DUTTON CITED SOME CODE SAYING HE CAN'’T BE INVOLVED, 669 00:37:27,027 --> 00:37:28,289 TALK TO WITNESSES, SUSPECTS, NOTHING. 670 00:37:28,333 --> 00:37:31,553 I CAN'’T BELIEVE THAT. 671 00:37:33,425 --> 00:37:35,209 WELL, I GOT TO GET THIS CLEARED UP QUICKLY 672 00:37:35,253 --> 00:37:36,732 BECAUSE THE LONGER IT GOES ON, THE GUILTIER I LOOK. 673 00:37:36,776 --> 00:37:39,909 I GOT A LOT TO DO, I BETTER GET GOING. 674 00:37:42,608 --> 00:37:43,913 MS. TIBBS, THANK YOU FOR ALLOWING ME IN YOUR HOME. 675 00:37:43,957 --> 00:37:45,872 UH, BUBBA, WAIT. 676 00:37:47,134 --> 00:37:50,964 YEAH? 677 00:37:51,007 --> 00:37:53,358 FROM THE HIP, 678 00:37:53,401 --> 00:37:55,229 I BELIEVE YOU. 679 00:37:55,273 --> 00:37:57,318 I WANT TO HELP YOU. 680 00:37:57,362 --> 00:38:00,103 I WANT TO WORK WITH YOU TO FIND OUT 681 00:38:00,147 --> 00:38:01,322 WHAT THIS WHOLE MESS IS ALL ABOUT... 682 00:38:01,366 --> 00:38:02,758 IF YOU WANT. 683 00:38:10,592 --> 00:38:13,334 SHOOT YEAH, I WANT TO. 684 00:38:13,378 --> 00:38:15,031 ALL RIGHT. 685 00:38:15,075 --> 00:38:15,858 ALL RIGHT. 686 00:38:15,902 --> 00:38:17,425 NIGHT. 687 00:38:32,353 --> 00:38:35,269 THINGS SURE SEEM QUIET WITH HIM HOLED UP IN THERE. 688 00:38:35,313 --> 00:38:38,794 YOU MISS HIM YELLING? 689 00:38:38,838 --> 00:38:40,405 NO. I HATE SEEING HIM BACK DOWN FROM DUTTON. 690 00:38:40,448 --> 00:38:43,582 GIVING DUTTON ANY MORE CAUSE 691 00:38:43,625 --> 00:38:45,366 MIGHT MAKE IT HARD ON BUBBA. 692 00:38:45,410 --> 00:38:48,587 DAMN. 693 00:38:48,630 --> 00:38:50,632 WHAT'’S WRONG? 694 00:38:50,676 --> 00:38:52,417 I SENT AUDREY MOORE'’S CLOTHES TO THE CRIME LAB 695 00:38:52,460 --> 00:38:55,855 HOPING TO FIND HAIR, FIBERS, SOMETHING WE CAN USE, 696 00:38:55,898 --> 00:38:58,248 BUT THEY CAME BACK CLEAN. 697 00:38:58,292 --> 00:38:59,685 WHERE DOES THAT LEAVE US? 698 00:38:59,728 --> 00:39:01,121 RIGHT WHERE WE STARTED. 699 00:39:01,164 --> 00:39:02,470 TWO WOMEN ACCUSING BUBBA 700 00:39:04,080 --> 00:39:08,171 AND US WITH NO EVIDENCE TO THE CONTRARY. 701 00:39:08,215 --> 00:39:11,784 HEY, VIRGIL. 702 00:39:11,827 --> 00:39:13,742 I THINK I MIGHT BE ON TO SOMETHING. 703 00:39:13,786 --> 00:39:15,701 TIM SHERMAN. SWEET KNOWS HIM. 704 00:39:15,744 --> 00:39:18,399 HE TRIED TO HIT ME WITH A BASEBALL BAT. 705 00:39:18,443 --> 00:39:20,227 HE WORKS AT THE AUTO PARTS STORE WITH FRANCES WATKINS. 706 00:39:20,270 --> 00:39:23,099 IT GETS BETTER. 707 00:39:23,143 --> 00:39:26,451 GUESS WHO ELSE USED TO WORK THERE. 708 00:39:26,494 --> 00:39:28,670 AUDREY MOORE. 709 00:39:28,714 --> 00:39:30,324 RIGHT, AND THEY HAD A LITTLE SPAT THE NIGHT SHE WAS ATTACKED. 710 00:39:30,368 --> 00:39:31,369 LET'’S GO. 711 00:39:57,133 --> 00:39:58,613 I THOUGHT I MADE IT CLEAR I GOT NOTHING TO SAY. 712 00:40:01,007 --> 00:40:04,750 GIVE US FIVE MINUTES OF YOUR TIME. 713 00:40:04,793 --> 00:40:09,189 MS. MOORE, I KNOW A MAN ATTACKED YOU, 714 00:40:09,232 --> 00:40:11,844 AND I KNOW IT WASN'’T ME. 715 00:40:11,887 --> 00:40:13,672 MAYBE THAT SAME MAN RAPED FRANCES WATKINS, 716 00:40:13,715 --> 00:40:17,980 MEANING THERE'’S SOMEBODY DANGEROUS HERE 717 00:40:18,024 --> 00:40:19,242 WHO COULD AND PROBABLY WILL CONTINUE HURTING WOMEN UNLESS WE STOP HIM. 718 00:40:19,286 --> 00:40:21,288 I'’D THINK YOU'D WANT TO HELP US. 719 00:40:21,331 --> 00:40:23,943 SURE. TAKE THE HEAT OFF OF YOU 720 00:40:23,986 --> 00:40:25,510 BY POINTING THE FINGER AT SOMEBODY ELSE. 721 00:40:25,553 --> 00:40:27,555 WILL YOU STOP IT AND JUST LISTEN? 722 00:40:27,599 --> 00:40:31,037 I KNOW THIS MAN. I BELIEVE HIM. 723 00:40:31,080 --> 00:40:33,605 I KNOW HE'’S INCAPABLE OF DOING WHAT HE'’S BEEN ACCUSED OF. 724 00:40:33,648 --> 00:40:37,565 I PROMISED HIM WE'’D WORK TOGETHER 725 00:40:37,609 --> 00:40:38,914 UNTIL WE DISCOVER WHO THE REAL RAPIST IS. 726 00:40:38,958 --> 00:40:41,264 HELP US, PLEASE? 727 00:40:42,701 --> 00:40:44,659 JUST TRUST US. 728 00:41:01,807 --> 00:41:03,504 EXCUSE ME. 729 00:41:03,548 --> 00:41:04,810 I SAID...EXCUSE ME. 730 00:41:10,598 --> 00:41:12,426 HI. 731 00:41:12,470 --> 00:41:13,558 CAN I HAVE A DRINK? 732 00:41:13,601 --> 00:41:18,214 SURE. 733 00:41:18,258 --> 00:41:20,739 THIS IS A REAL SWITCH. 734 00:41:20,782 --> 00:41:23,263 YOU WOULDN'’T GIVE ME THE TIME OF DAY BEFORE. 735 00:41:23,306 --> 00:41:25,221 I DON'’T MIX BUSINESS WITH PLEASURE. 736 00:41:25,265 --> 00:41:27,920 IT WOULDN'’T HAVE BEEN COOL 737 00:41:27,963 --> 00:41:29,748 FOR YOU TO GROPE ME IN THE BACK ROOM. 738 00:41:29,791 --> 00:41:34,709 THE OTHER NIGHT YOU TOLD ME TO GET LOST. 739 00:41:34,753 --> 00:41:36,232 THAT WAS BEFORE I KNEW HOW MUCH YOU CARED. 740 00:41:36,276 --> 00:41:38,887 MEANING WHAT? 741 00:41:38,931 --> 00:41:41,673 I HAVE THE FEELING 742 00:41:41,716 --> 00:41:43,805 THAT WAS YOU THAT JUMPED ME 743 00:41:43,849 --> 00:41:45,328 IN THE PARKING LOT THAT NIGHT. 744 00:41:45,372 --> 00:41:47,766 IF YOU WANTED ME THAT BAD, 745 00:41:47,809 --> 00:41:49,463 YOU DIDN'’T HAVE TO GET DRASTIC. 746 00:41:49,507 --> 00:41:52,510 JUST LET ME KNOW. 747 00:41:52,553 --> 00:41:55,643 THINK I GOT TO KNOCK SOMEBODY DOWN TO GET WHAT I WANT? 748 00:41:55,687 --> 00:41:58,211 I CAN GET IT ANYPLACE. 749 00:41:58,254 --> 00:41:59,734 NOT FROM ME. 750 00:42:00,866 --> 00:42:02,998 MAYBE YOU GOT REAL FRUSTRATED. 751 00:42:03,042 --> 00:42:06,219 MAYBE YOU DIDN'’T LIKE ME TELLING YOU NO. 752 00:42:06,262 --> 00:42:08,961 I'’M NOT SAYING I MIND. 753 00:42:09,004 --> 00:42:10,353 COME ON, TELL ME THE TRUTH, 754 00:42:12,486 --> 00:42:13,922 AND MAYBE WE COULD WORK SOMETHING OUT. 755 00:42:13,966 --> 00:42:17,970 YEAH? 756 00:42:19,754 --> 00:42:21,887 YEAH. 757 00:42:24,542 --> 00:42:27,545 YOU'’RE SOME WEIRD CHICK, YOU KNOW THAT? 758 00:42:38,817 --> 00:42:41,994 WELL, SO MUCH FOR YOUR BIG IDEA. 759 00:42:42,037 --> 00:42:43,909 IT WASN'’T BIG ENOUGH TO HELP BUBBA OUT, WAS IT? 760 00:42:43,952 --> 00:42:49,610 THANKS ANYWAY. 761 00:42:49,654 --> 00:42:51,438 UH, WE'’LL TAKE YOU HOME IF YOU'’D LIKE. 762 00:42:51,481 --> 00:42:53,788 I'’M NOT GOING ANYWHERE. 763 00:42:53,832 --> 00:42:55,224 I HAVEN'’T BEEN OUT SINCE THIS HAPPENED. 764 00:42:55,268 --> 00:42:57,966 I FEEL LIKE DANCING. 765 00:42:58,010 --> 00:43:00,403 BUBBA, I'’M SO SORRY, MAN, I'’M SO SORRY. 766 00:43:00,447 --> 00:43:01,666 TO HELL WITH IT. 767 00:43:29,694 --> 00:43:31,304 HEY, BABY, YOU REALLY MEAN WHAT YOU SAID? 768 00:43:31,347 --> 00:43:34,220 WHAT? 769 00:43:34,263 --> 00:43:37,484 THAT ALL I HAD TO DO WAS ASK? 770 00:43:37,527 --> 00:43:40,748 YEAH, MAYBE, BUT NOT TONIGHT. 771 00:43:40,792 --> 00:43:43,795 YOU'’RE A REAL LITTLE TEASE, YOU KNOW THAT? 772 00:43:43,838 --> 00:43:45,753 YOU BETTER LET ME GO, OR I'’LL START SCREAMING. 773 00:43:45,797 --> 00:43:48,364 YOU JUST STAY PUT, YOU HEAR ME? 774 00:43:48,408 --> 00:43:50,671 JUST GO HOME, TIM. 775 00:43:50,715 --> 00:43:51,672 GO HOME! 776 00:44:06,644 --> 00:44:08,515 SHUT UP! 777 00:44:08,558 --> 00:44:09,472 I CAN HIT YOU, LIKE LAST TIME, 778 00:44:10,691 --> 00:44:12,345 OR YOU CAN KEEP QUIET. 779 00:44:12,388 --> 00:44:14,042 WHICH WAY DO YOU WANT IT? 780 00:44:14,086 --> 00:44:15,914 PLEASE DON'’T HURT ME. 781 00:44:15,957 --> 00:44:17,219 GET IN THAT CAR. 782 00:44:24,792 --> 00:44:26,359 OH, BUBBA, I THOUGHT YOU LEFT ME. 783 00:44:26,402 --> 00:44:28,840 WE WOULDN'’T LET YOU WALK OUT HERE BY YOURSELF. 784 00:44:28,883 --> 00:44:31,277 THANK YOU, BUBBA. I'’M SORRY. 785 00:44:31,320 --> 00:44:34,846 IT'’S OK. 786 00:44:34,889 --> 00:44:36,282 I'’M SO SORRY.IT'’S OK. 787 00:44:36,325 --> 00:44:38,937 BE REASONABLE, WILL YOU? 788 00:44:38,980 --> 00:44:41,853 YOU GOT YOUR SUSPECT LOCKED UP IN THERE. 789 00:44:41,896 --> 00:44:44,377 YOU GOT YOUR RAPE VICTIMS WAITING TO TESTIFY. 790 00:44:44,420 --> 00:44:48,250 WHAT ABOUT THIS WATKINS WOMAN? 791 00:44:48,294 --> 00:44:49,730 WHY DIDN'’T SHE OWN UP BLEDSOE RAPED HER 792 00:44:49,774 --> 00:44:52,777 INSTEAD OF FINGERING BUBBA SKINNER? 793 00:44:52,820 --> 00:44:54,300 DUTTON, SHE DIDN'’T WANT TO LOSE HER JOB. 794 00:44:54,343 --> 00:44:58,434 SHE'’S A SINGLE MOTHER. NO SKILLS. 795 00:44:58,478 --> 00:45:01,960 SHE WORKED FOR BLEDSOE BECAUSE HE PAID MORE THAN MINIMUM WAGE. 796 00:45:02,003 --> 00:45:04,571 YOU DON'’T THINK THE DEFENSE IS GOING TO LIKE THAT? 797 00:45:04,614 --> 00:45:06,921 PUTTING A PROVEN LIAR ON THE STAND. 798 00:45:06,965 --> 00:45:10,577 YOU GOT EVIDENCE AND A MESS OF BLOOD. 799 00:45:10,620 --> 00:45:12,840 CHARLENE'’S GOT CLOTHES FRANCES WORE WHEN SHE WAS RAPED. 800 00:45:12,884 --> 00:45:16,670 TAKE A BLOOD SAMPLE, 801 00:45:16,714 --> 00:45:19,934 COMPARE IT WITH THE BLOOD SAMPLE FROM BLEDSOE. 802 00:45:19,978 --> 00:45:22,328 MAYBE I DO HAVE A GOOD CASE. 803 00:45:22,371 --> 00:45:25,810 I CAN TELL THE LIONS CLUB 804 00:45:25,853 --> 00:45:27,289 I PUT A RAPIST BEHIND BARS. 805 00:45:27,333 --> 00:45:29,901 THERE YOU GO. 806 00:45:29,944 --> 00:45:31,685 AND I AM CONTINUING IN MY CONSTANT VIGIL 807 00:45:31,729 --> 00:45:34,514 TO PROTECT THE CITIZENS OF SPARTA. 808 00:45:34,557 --> 00:45:37,212 WELL, NOW, SAY THAT SERIOUSLY, MR. DUTTON, 809 00:45:37,256 --> 00:45:39,954 '’CAUSE THAT'S WHAT YOU'’RE DOING. 810 00:45:39,998 --> 00:45:41,477 YOU ALL HAVE A GOOD DAY, HUH? 811 00:45:43,044 --> 00:45:44,176 THANK YOU. SAME TO YOU. 812 00:45:44,219 --> 00:45:48,528 SAME TO YOU, SIR. 813 00:45:48,571 --> 00:45:50,791 WHAT'’S THE MATTER WITH YOU? 814 00:45:50,835 --> 00:45:51,966 YOU'’RE LETTING THAT KNOTHEAD 815 00:45:52,010 --> 00:45:53,359 TAKE CREDIT FOR THIS CASE. 816 00:45:53,402 --> 00:45:54,969 COME ON. 817 00:45:55,013 --> 00:45:59,539 SOMETIMES IT'’S WISER TO LET A MAN FLATTER HIMSELF. 818 00:45:59,582 --> 00:46:01,802 DID I EVER TELL YOU THE STORY 819 00:46:01,846 --> 00:46:03,369 ABOUT THE HANDSOME, CLEVER FOX? 820 00:46:03,412 --> 00:46:05,763 THERE WAS A TIRED OLD ROOSTER. 821 00:46:05,806 --> 00:46:07,895 THE FOX JUMPED IN THE COOP, 822 00:46:07,939 --> 00:46:10,463 WALKED UP TO THAT ROOSTER, 823 00:46:10,506 --> 00:46:13,945 LOOKED AT HIM AND SAID, "YOU'’RE MY DINNER." 824 00:46:13,988 --> 00:46:15,947 THE ROOSTER SAID "I'’VE SEEN ENOUGH. 825 00:46:15,990 --> 00:46:18,732 "GO AHEAD AND EAT ME, 826 00:46:18,776 --> 00:46:20,865 "BUT I GOT TO TELL YOU, 827 00:46:20,908 --> 00:46:22,257 "I'’M SURPRISED AT YOU-- 828 00:46:22,301 --> 00:46:23,737 "CLEVER, HANDSOME GUY LIKE YOU-- 829 00:46:23,781 --> 00:46:25,652 "WASTING HIS APPETITE 830 00:46:25,695 --> 00:46:26,784 ON A MISERABLE CREATURE LIKE ME." 831 00:46:26,827 --> 00:46:29,395 THE FOX DREW BACK. 832 00:46:29,438 --> 00:46:31,658 HE SWELLED UP WITH PRIDE, 833 00:46:31,701 --> 00:46:34,617 LOOKED HIMSELF OVER, 834 00:46:34,661 --> 00:46:36,228 LOOKED AT THE ROOSTER, AND SAID, "BIRD, I BELIEVE YOU'’RE RIGHT." 835 00:46:36,271 --> 00:46:38,447 AND HE LEFT TO FIND HIMSELF ANOTHER DINNER 836 00:46:38,491 --> 00:46:41,320 MORE BEFITTING OF HIS GREAT BEAUTY. 837 00:46:41,363 --> 00:46:45,363 YOU FOLLOW MY DRIFT, BUBBA? 59339

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