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I like the story a lot.

I like what it said.

And I like the morality of it.

I always say, "Okay, Clint,

"are you ready to retire this year?"

He says, "No, are you?"

I say, "No."

I'm waiting for the phone call

where Clint says he's hanging up to spurs.

That's never gonna happen.

In the world of cinema,

there are a few names
as enduring and iconic

as Clint Eastwood.

Mr. Eastwood,
how you doing tonight?

He's a truly, truly gifted
professional filmmaker.

No matter how successful he gets,

he's a wonderful human being.

He's one of those
characters that you just go,

you walk away after
talking to Clint and go,

and you feel kind of
better about humanity.

His career
spans over six decades.

And his journey from a struggling actor

to a Hollywood legend

is nothing short of remarkable.

Who has been more
influential towards film,

towards independent actors and filmmakers

making their own mark to
people having integrity

and making strong stands and
supporting their country.

I mean this man embodies
all of those things.

Clint
Eastwood, nicknamed Samson

was born on May 31st, 1930
in San Francisco, California.

October 29th, 1929,

black Tuesday.

The New York Stock Exchange is in a panic.

Frantic investors have scrambled

to unload their stocks at any price

everyone wants to sell.

No one wants to buy.

Suddenly, even the most
guilt edged securities

are practically valueless.

The stock market crash has come

and the Great Depression has begun.

Son of Ruth Wood
and Clinton Eastwood, Sr.

He was raised in a working class family

during the Great Depression.

The young Eastwood's modest beginnings

shape the strong work ethic and resilience

that would define his life.

The family had relocated three times

in order for work to be found.

Finally, they settled
in Piedmont, California

where their quality of living
would significantly improve.

As each member of the
family would find work.

Clint found education a chore,

opting to avoid studying
altogether in order to have fun.

On multiple occasions, he was
punished due to infractions

and even kicked out of Piedmont High

for writing obscenities on
the athletic school board

and burning an effigy on the lawn.

Aces of the comedy field

in 1921 is Ben Turpin.

That's Irene Rich poorly
exiting from the scene.

Nazimova who apparently
left her half of home.

Bacon 28, the talkies gonna
affirm a different Hollywood.

Production methods of
equipment are revolutionized,

fundamental with soundproof booths,

ironically nicknamed ice box.

The 1930s would be known

as the start of Hollywood's Golden Age.

Huge studios were established

in order to capture grandiose narratives.

And for an average of 27
cents, a theater ticket

movies would serve as a vacation

from the harsh reality
of the financial crisis.

Created by Ken Murray.

The four Marx Brothers are invited

to put their footprints

in the four court of
Grauman's Chinese Theater.

From left to right,
Turpin guess who presents

the male acting award.

Sonja Henie makes a speedy
debut in, "One in a Million."

And Byron Power jr, becomes
the newest dramatic sensation.

On the ground,

all along a highly fluid battle line,

vicious fighting continued

between the Red Invaders
and the UN defenders.

For every
prisoner taken on Bacio,

we would find hundreds of
thousands of fanatical Japanese

between Tara and Tokyo,

who were ready to fight to the death.

The 1950s
had Eastwood participate

in the military during the Korean War.

After basic training, Eastwood
became a swimming instructor

at Fort Ord, California.

After his military service,
he moved to Los Angeles,

where he met a photographer
called Chuck Hill.

Upon noticing Eastwood's stunning features

and demeanor, he recommended
the ex-army man go into acting

regardless of his non-existent experience.

Before long Eastwood was
working with Universal Pictures

on a $75 a week contract,

taking acting classes to
prepare him for the camera.

Unfortunately, the aspiring
actor was starting to lose hope.

Jobs had started to dry up.

However, one day on a
fluke, he met Rex Reed

whilst drinking coffee
in Universal's cafeteria.

Rex offered Eastwood a screen test

for an upcoming CBS TV show.

As though it was meant to be,
Eastwood accepted the offer

and his career would begin.

California
bankers were among the first

to recognize the enormous possibilities

of the motion picture industry,

and it was they who supplied the capital,

which to a large extent made possible

the now historic development of the movies

at the new art form.

Another English girl
has already made a name

for herself in TV westerns,

Hazel Court of "Dick and the Duchess."

Have you
had fun making westerns?

Yes. I made my first about
month ago called "Bonanza."

And well, through the style
I got up on the horse,

and the horse took off with
me way off into the mountains,

and they told me, the wranglers said that,

"Oh, riding a western
horse is just the same

"as riding an English horse."

But of course it isn't.

And I was doing everything wrong,

and suddenly the horse took off at me

and I yelled like mad screamed,
which I shouldn't have done

because the Indians screamed

to make the horses go faster, you see.

And it ran away with you?

Oh way out into the mountains.

Think I grew up in
the thirties and forties

and westerns were, every kid
wanted to be in the Western

and every kid wanted to
pack a gun and ride a horse.

So as a kid, I liked it very much.

But you know, there was no
television in those days.

So everything, movies were followed much,

you know, closer.

Did you
have the B Western stars?

Did you have any favorite guys?

Any guys you liked?

You know, I liked anything.

When people think back in your own life,

you think back in an experience

like being in the army or something.

You think of only the good times.

You don't think of all the lousy times.

Eastwood's
early acting career

was characterized by small roles in films

and television series.

His breakthrough came
when he landed the role

of Rowdy Yates in the
popular TV series "Rawhide."

This role introduced
him to a wide audience

and set the stage for his
journey into Hollywood stardom.

The show ran for eight seasons,

and the name Clint Eastwood
was gaining popularity.

It was in the 1960s that Eastwood achieved

international fame through a series

of iconic spaghetti westerns
directed by Sergio Leone.

These films, including
"A Fistful of Dollars,"

or "A Few Dollars More."

And "The Good, the Bad, and the Ugly"

showcased Eastwood as
the stoic and mysterious

man with no name.

His strong silent persona

punctuated by the infamous Cigarillo,

became an enduring
symbol of the Wild West.

I'd Forgotten how I felt about it.

Somebody said
that they missed this.

You may not remember this.

It's the old station from
"Gone With the Wind."

It's come in handy again
this time in a TV series.

And that, as they say, seems to be the way

the cookie crumbles in
Hollywood these days.

At 20th Century Fox Studios Tom asked

film producer Jerry Wald

whether Hollywood was now
the TV capital of the world.

No, I think that's quite wrong.

I think they'll be making
television films here,

but you'll find that
Hollywood will always remain

in the position of manufacturing anywhere

from 200 to 300 films,
feature films a year.

They're making television pictures here,

but television pictures
are mainly half hour films

and they're really, television
has become the assembly line.

Television erased the beat pictures

and beat pictures are
now seen on television.

In fact, we have a joke in Hollywood

that if you wanna see a television

where you'll see all the films

that you've been trying
to avoid in the theaters.

That is the appeal.

I don't know, it's
pure escapism, I think.

Escape to a different time
in history and fantasy

kind of deals and the day

when the law and order was all
built about the individual.

How well he took care of himself.

Yeah. Yeah.

So I think that's a fantasy
that we don't have anymore.

And you can't have in
no organized society.

Yeah.

The spaghetti westerns

became prevalent in cinema

standing, the test of time.

Their traits would go on to be homaged

in many films to come.

There's a very haunting quality

that he puts on top of the
classic American Western,

like "High Noon" and things like that.

With the way he uses music

and the way he uses,
it just gives it a more

sense of longing.

If you shoot me, you won't
see a cent of that money.

From the final showdown in,

"The Good, the Bad and the Ugly,"

we see three conflicting
ideals come together.

The tension rises with the
beautifully executed sound design

and back and forth cuts,
closeups on the actor's eyes

and their weaponry, coining
the term cowboy shot.

As the camera is positioned after holsters

awaiting the inevitable climax.

Eastwood's onscreen
presence commanded power.

When the audience hears.

Get three coffins ready

Huh

In, "A Fist Full of Dollars."

We prepare ourselves for a masterclass

in visual storytelling reminiscent

of the late Akira Kurosawa's works.

Eastwood is outnumbered,
and yet with ease,

he controls the scene from
the pacing to the emotion.

With ease, the opposition is dispatched.

Sergio Leone saw something
in Clint Eastwood

that was truly unique.

He had this natural charisma and presence

that was perfect for the Western genre.

Their collaboration
forever changed the course

of both their careers.

I think it was the appeal.

I don't know, it's
pure escapism I think,

escape to a different time in history

and fantasy kind of deals.

And in the day when the law and order

was all built about the individual,

how well he took care of himself.

So I think that's a fantasy
that we don't have anymore,

and we can have it in
an organized society.

Asked me if I wanted to go to Italy

and make a western a
remake of a Japanese film.

And I said, "No, I really don't."

I said, "I'm doing a Western now

"and it's on TV every week."

I said "And we have a little hiatus

"and I'd just like to have a few days off

"go fishing or something."

I read the script, they
asked me to read the script

as a favor to the head of
William Morris involved.

And I read it and I said,
"Hey, this is Yojimbo."

I remember that I was a big
fan of Curtis Olive Yojimbo,"

and I thought, at the time I saw that,

I thought, "That would
make a great westerner,

"but nobody would have a nerve
enough to do it physically."

Because it was so kind of wild.

I've never been to Spain.

And we did a lot of it in Spain,

I went over there and it
was a very small picture.

It was made for 200,000.

I did the other two
pictures there every year.

And by that time, Sergio had more money

to put in production.

I made those which were fantasy lessons.

I mean, they were more operative lessons.

Yeah, yeah.

But very stylized.

And Sergio was great for picking faces.

Yeah. Yeah.

Just looking at things
a little different,

working with a European
director in Switzerland.

Were you
surprised that those Italian films

took off the way they did?

Yeah. I didn't even
know they were there.

I did those and they came
out and they stylized it.

I didn't know it was gonna be a hit.

It was made under the title
of "El Magnifico Extranjero."

Huh.

And so I didn't think about it.

And I'd read Variety and they would say,

"Westerns are out in Italy," and all this.

So I said, "Oh, well, I
make one and they're out."

And then all of a sudden
they started printing it

"A Fist Full of Dollars."

I had no idea it was the one I was in.

Oh, you didn't know.

Yeah. So it was a hit picture

and all of a sudden one day,

somebody put in their
star in Clint Eastwood,

and I'd never seen that before.

Except on television.

And I thought, "This couldn't be the one."

Yeah. It turned out to be the one.

While Eastwood was making

a name for himself in
the spaghetti westerns,

he took on another iconic
role in the early 1970s

that of Detective Harry
Callahan in "Dirty Harry."

The character was a departure
from his Western persona,

but still embodied the
strong morally ambiguous hero

that audiences love.

The film series was a massive success

and solidified Eastwood status
as a Hollywood superstar.

During this time, it was confirmed

that Eastwood was the highest
paid actor in the world.

One of the most famous
lines in cinematic history.

Do I feel lucky?

Well, do you punk?

Became
synonymous with Clint Eastwood

and "Dirty Harry."

Go ahead.

Make my day.

The film industry
was at an all time high.

The 1970s provided the
world with new directors

set on encapsulating the human condition,

such as the rise of Martin Scorsese,

Kubrick, Spielberg, Franc Ford Coppola

and many more.

Eastwood's acting prowess

extended beyond his tough guy roles.

As his career evolved, he
ventured into a variety of genres

proving his versatility as an actor.

Films like "The Bridges of Madison County"

showcased his dramatic depth

while, "Every Which Way But Loose"

and its sequel demonstrated
his comedic chops.

It's no joke,

it's Eastwood like you've
never seen him before.

And a new film called

♪ Every which way but loose ♪

♪ You turn me ♪

♪ Every which way but Loose ♪

♪ Inside the fires burning me ♪

♪ In my mind ♪

♪ You just keep turning me ♪

There can't be too many guys

driving around this valley with an ape.

I didn't do anything anymore.

I've worked for many years.

I guess there must be
several thousand movies

that I've worked on.

The first image you have of
many of your favorite films

is probably a Bill Gold creation.

I have to analyze the problem.

What is the movie about?

What is the story about?

What is it trying to say?

Whatever this style of the movie is,

what kind of an audience
I want to appeal to.

So they get some sort of an inkling

about what the film is gonna
represent, should look like.

We knew it was this, handcuffed couple

and the barricade of police.

I'll usually read a script,

or I'll go and see footage of the movie.

I would try to decide
what would be the most

marketable thing to say about this movie

and to project it into a piece of art.

Now, this is what we did for the poster

for "Bridges of Madison County."

The photographer on the set

took this shot of Clint

with his little baby.

He loved the lighting and he loved the

embrace quality of it.

So I said, "Gee, maybe we
can do something like that."

We got Meryl Streep to come down

and she brought with her
one of her assistants,

and he held her in the right position.

We put it together and photoshopped.

I think when I first started
out in the Dollar films,

people were saying, critics
at that time were saying,

"Well, who's this upstart?

"What's he doing in this?

"What's the idea?

"How dare these Italians
make a American Western film?

"And who's his television
actor hanging out?"

And then when I started directing films,

people were going, "We're not sure

"we accept him as an actor.

"What's he doing now,
he's gonna direct films?"

But I think what happens is

with the advent of cinema schools,

which they never had when I started out,

at least not in the way
they have them today.

Everyone, including reviewers of stuff,

have come up with much more knowledge

and much more history of films.

So I think nowadays,

people are approaching
it a lot differently.

And a lot of current
reviewers have grown up more

with some have dated in my films

or first dates or whatever, you know,

some certain formative
periods in their life.

So I'm not an upstart to them.

I'm somebody who's been there
for 'em for a long time.

Clint Eastwood's transition

from actor to director was a
pivotal moment in his career.

He made his directorial debut
with "Play Misty For Me"

in 1971 and never look back.

Being completely smothered by somebody.

There's no escaping passion.

There's no escaping speed.

There's no escape from terror.

You will change the locks hm?

So nobody asks you.

Eastwood's directorial style

was marked by a minimalist approach,

emphasizing strong storytelling
and character development.

To him, the art was everything.

From his on screen presence,

Eastwood made a successful
foray into political elections.

Eastwood served as the
mayor of Carmel-by-the-Sea,

a small town in California
from 1986 to 1988.

During his tenure, he focused on improving

the city's infrastructure and made efforts

to reduce local government regulations.

Some fear
the system encourages

celebrity mayors like Clint Eastwood,

former mayor of Carmel in California.

He says and I think
you have to believe that

his only ambition is for Carmel

and really can't imagine
this tiny little place

in springboard, with anybody in college.

I think more people live on my block.

Now, why
does entertainment industry

go for politics?

Is it an ego thing you know of?

Well, they get a lot of ego satisfaction

in the entertainment business itself.

I think to some degree
it's that given the nature

of modern politics in the States,

the skills are somewhat similar.

It's getting up and giving the same speech

to a thousand rubber
chicken circuit dinners

and being convincing and
being sincere on television.

Political aspirations for Carmel.

And I did a two year term as mayor,

opted not to run for election again.

So because I felt that
somebody else should do it,

that I think there's something unhealthy

about people who get in politics for life.

I think they get very much in a rut,

and I'm much for a term limitation.

Over the years,

Eastwood directed a series
of critically acclaimed films

with a release of "Unforgiven" in 1992.

Not only had Clint
nominated for best actor,

but also won him the
Oscar for Best Director.

You've only
done two westerns in 20 years.

What made you decide to
crack and do it again?

Just a good story. I like this one

and I've been saving it to do now.

Who knows if and when we
do another Western again,

'cause sometimes you
don't find good material.

It's just a great Americana.

We've been raised on 'em.

- Congratulations.
- Thank you.

Thank you.

Congratulations.

Thank you.

A lot of people said

that when the "Unforgiven" was made,

it was sort of homage to
the westerns of the past.

How do you feel about the fact

that they don't make very
many westerns anymore?

And how do you feel the westerns

have fit into our film Heritage?

Well, I don't know if it
was a homage to the past,

maybe an homage to the future of westerns,

but it sort of de mythological them.

And that was intended.

But that doesn't mean
I wanna really stop 'em

because I think they're a
truly great American art form.

And I'd like to wish anybody
who takes 'em on great luck

and possibly if they can get a scripts

as good as David Webb
Peoples had written for me,

then they'll be equally as
successful and have a great time.

A triple
nominee in the leading actor

and directing categories.

And as producer of the best
picture nominee "Unforgiven"

Clint Eastwood.

How did that come to you?

Well, it was a given
to me as a sample script

for David People's work,
this was back in 1980.

And it was given to me as a sample,

they said, "This guy's
a wonderful writer."

And I was looking for a wonderful
writer on another project.

I started reading it and I liked it,

and I said, "Boy, this is wonderful."

Well, somebody else is doing it.

And I said, "Okay, we'll figure the writer

"for something else then."

And it turns out that
the script was available.

And so I bought it.

And Warners bought it on my behalf.

I slipped it in a drawer.

I said, "This would be a
great last Western for me."

And I'd done quite a few
westerns up to that point.

I said, this would be a great last one

because of the nature of the story

and the, you know,

the heartedness of the man and everything.

And then all of a sudden,

about 10 years later,

I woke up and said,
"Jesus, I've still got that

"in the drawer."

So I took it out of the
drawer and reread it

and liked it even more.

What are
you feeling right now?

Are you excited or is
this just another accolade

from Hollywood?

No, I'm excited because
we can forget about this

and go on to something else.

I mean, like, back to work.

Every director I've ever worked for

has been an inspiration.

And Sergio going to Europe
gave me another look,

another outlook at our
own genre of the West,

which we'd previously only looked at

through the eyes of John Ford and Hawks

and Anthony Mann and John Sturgis

and all these wonderful directors.

I like the story a lot.

I like what it said,

I like the morality of it,

and I have done as well as
I've seen it over many years.

And a lot of stories that
didn't have much morality,

but they did have a lot of
just entertainment values.

It's very much a
grownup's western, I think

if youngsters who are only interested

in a movie to the shoot 'em ups

might find it a little meandering

in that it is slow to build.

It's a real sort of visually
lyrical LJ's sort of western.

In 2004, Eastwood
starred in and directed

"Million Dollar Baby"

a film that earned him
accolades and awards,

including the Academy
Award for Best Director.

This marked a turning point in his career

as he was now recognized not
only as a talented actor,

but also as a formidable director.

It's a little tricky. I
started doing it in 1970

with a "Play Misty."

And the only reason I did it then

is that was the only
way I could get the job

is directing, is to be in the film.

So I went ahead and did it,

and I just got used to it over the years.

I've done several films
without being in it,

and it's much easier and
it's much more pleasant.

And I'll probably end up
doing that more in the future.

But in the case of "Unforgiven,"

I like the script very much.

I purchased it

and it's very hard to turn it over

to somebody else's concept

after you've invested that
much time and effort in it.

Being an
accomplished jazz musician.

Eastwood found himself
writing his own score

for "Mystic River."

A 2003 release, shortly followed

by the critically acclaimed
"Letters from Iwo Jima"

and "Grand Torino."

Picture turned out to be a success.

So I figured maybe this
would be good to quit on top,

unlike most people who sort
of drift down to the end

or like a price fighter who
fights one too many fights

or something.

But then "Gran Torino" came along.

It seemed like an interesting part.

It was from a man my age, I
forget it wasn't stretching

that much, so I decided to, yeah,

I'll go ahead and have a shot.

I'm still say that, I mean,

I might do 10 rolls if some
10 rolls great roles came up,

but I don't know how many
great roles there are

for a guy who's 38.

And so you just don't know.

So you just, you just never say never.

He allows me as an actor

to bring out my character very much

and he allows me to take the time

to kind of just live
the impulse of the role

I play Spider in "Gran Torino."

So did
you learn a lot from him?

He's certainly a legend.

Yeah. One of the main thing I learned

is how to hold a gun straight ahead.

So, you know, that's one of the main thing

that he taught me how to hold a gun.

Because I keep tilting it, but he's like,

"Hold it straight, firm."

But besides that, you
know, a lot of patience

and a lot of just leadership.

And I mean like surrounding
yourself with him.

He's a really wise man

and you just surrounded
by a guy like that.

It's a big impact in my life. So.

I had always planned when
I started directing in 1970

that after a few years,

I'd get tired of looking
at myself on the screen

and say, "Well, okay,
let's not do that anymore."

But I just continued on,

every once in a while something pops up

and I'm not saying it won't happen again,

but probably odds get less

as you set yourself for the roles

that fit your age group.

Acting is an ensemble art form.

And so that's what it's all about,

is interacting with other people

and making scenes come to life

like they would in real life

as near to real life as possible.

And that's the whole deal.

So it's very nice.

It was Clint sort of
quite obsessive about that.

I mean, it looks so you go
into that world, that period.

So totally.

I think what he was saying.

He vaguely remembered his mom
and it was more the thirties,

but that she had a similar green dress.

So I think he had some kind of,

so it wasn't as much a duty to that time.

It was really a love and an interest.

And he grew up in Los Angeles

and it was more the
history of Los Angeles.

And I think he, you
know, everybody was kind

of curious about that time.

It's a very interesting
time in Los Angeles.

And even forgetting the corruption,

just the detail of the twenties

and what the twenties were like

for people in the red car and the.

But it was, you know, he has a
great team and so it's Clint,

but it's also the art director and the DP

and everybody who just
did their job so well.

Clint Eastwood's
impact on the world of cinema

extends far beyond his own work.

He has inspired countless
filmmakers and actors

with his dedication to storytelling

and his ability to craft
compelling narratives,

actors and directors around the globe

would speak highly of
this versatile superstar.

Do you think this movie

has particular relevance today

with, we were about to inaugurate

the first African American president?

Could be, and it also
relates to the economy

and the depressed state
of the automobile industry

and the retirees and
people learning things

and tolerance about your neighbor

and all kinds of different things.

You
didn't write this film,

they didn't write it
for you, but they said

nobody else really could
have played that role.

How do you feel about
the writer saying that?

Oh, I agree with him.

Now you must
be very privileged to play,

probably the unofficial
first lady of South Africa

at that time, it was an incredible part.

She kind of was for a bit, wasn't she?

Yeah. Before Grace Machel
came on to the scene. Yeah.

And she's, I kind of think of
her a bit like a bossy sister

who's kind of going, "No,
no, come on, come on.

"This is what we're supposed to be doing.

"We're supposed to be doing policy,

"we're supposed to be
doing health and education

"and housing and employment

"and HIV/Aids and stuff like that."

And suddenly Mandela is doing rugby,

you know, rugby, what's that for?

Because she doesn't get that
he's got the political nice

to use the vehicle of rugby as a way

of bringing the country together.

Because the Spring books was seen as

the Whites Africana team.

Rugby wasn't a sport that was
paid by a lot of Black kids.

It wasn't seen as anything to do

with Black South Africans.

So for Mandela to decide that
he was gonna use the rugby

as a way of saying, "No,
this is our team, actually,

"it's not a White team,
it's a South African team.

"We are all South Africans now.

"That's what democracy means.

"We're all South Africans.

"So I'm gonna wear the green on gold

"and we're gonna support this team."

It's fantastic.

But then to go on and
win the Rugby World Cup,

the first time of asking

it's just kind of, it's like a benediction

sort of going, "Yes. A
Nation that is together

"is the way forward."

Morgan Freeman, I've followed his career

for many, many years.

I remember my son when, who's now 41,

I remember when he was just a little kid.

And we would sit there and we would watch

the electric company together.

And here was this big tall rangy guy,

and he danced, he sang,

he read poems, he did everything.

And then later on, as the years went by,

I watched "Street Smart,"

where he was the meanest guy on the planet

and then turned around
and then all of a sudden

he's the nicest guy on the planet

in the "Driving Miss Daisy."

And he's just,

he's just had such a wonderful career.

And unfortunately in the early nineties,

I got to ride along with him.

He rode along with me,
both and "Unforgiven,"

and then later on in the
"Million Dollar Baby."

And I'll tell you something,

there's nobody better
to ride along with you.

And we just did "Invictus" together

where he played the
President of South Africa,

Nelson Mandela.

And he's played presidents before, though.

He played president of the United States,

and he's played God.

He's played everything.

I don't know, there's really
not much you could say

about someone who can
play all those roles.

You hear him in voiceovers and everything

because he has probably got
one of the smoothest deliveries

of anybody on the planet.

He's one of our greatest actors.

Always has been, always probably will be.

And so I'd like to introduce my friend

and somebody I have great regard for,

and that's Morgan Freeman.

Beyond his
contributions to cinema,

Clint Eastwood is also known
for his philanthropic efforts.

He has been actively involved
in several charitable causes,

including veteran support
and disaster relief.

His commitment to the Boys
and Girls Clubs of America

also provided the youth
with extracurricular

activities after school.

Beyond working as a board director

for the California State
Parks Foundation in 2001,

Eastwood continued his endeavors

supporting environmental
conservation projects.

It was noticeable that Eastwood
derive from his passions

and embedded them into his storytelling

with a strong love for aviation.

Eastwood worked with American
sweetheart, Tom Hanks

on "Sully: Miracle on the Hudson,"

a beloved film by many
due to the inspiration

of events which took
place in January, 2009.

"Miracle on the Hudson."

And that was kind of a
good omen in a bad period.

And it happened 102nd type of takeoff.

We lost thrust in both engines.

Boss. Thank you.

There you go.

- There you go.
- How about that?

I think it's fabulous.

- That's fabulous.
- Fantastic.

- You take it.
- Alright. Yes, sir.

- I'm just gonna step back.
- All right.

That's the longest Clint Eastwood

has talked to an actor in over 40 films.

Eastwood would
keep true to his ability

to build tension in cinema

by taking what he had learned on camera,

he would craft masterful sequences

in order to raise the stakes

and in turn, the audience's heartbeat.

"American Sniper" in 2016

featured a sequence many
deemed to be nerve wracking

as Bradley Cooper's character, Chris Kyle

aims down his scope.

We are left in fear as a child

picks up their former comrades, RPG.

The audience feels every
moment of the scene,

the sheer intensity that a
young life might be lost.

Luckily, no shot is fired.

My whole philosophy in
the filmmaking has been

surround yourself with the best people

and let 'em make it look good.

And that's all there is to it, really.

Everybody wants some secret

as far as how to direct films,

and that's just to make sure
you've got the right people

around you and everything
else kind of follows suit.

Howard, I've always thought of you

as a small, weak and gutless man,

but you know, there's
no reason to be rude.

You owe me, Mike.

You gave me your word.

And that used to mean something.

As Clint Eastwood

enters his ninth decade of life,

he continues to work in the film industry.

His recent projects such as "The Mule"

and "Cry Macho," prove
that age is no barrier

to his passion for storytelling.

I'm thrilled he's still working.

I'm glad that he keeps, you
know, learning and expanding

and keeps wanting to
tell stories and do this.

I mean, I think, you know, if he retired,

he would probably drop dead

because you know, those
people that like retire

and a week later it's like all over.

It's so much ingrained in him

and he is so passionate about it

that I want him to work forever

because I think it'll
keep him lively and young.

Being that he's an actor,

he kind sets it up so
it happens by itself.

It's the best way of doing it.

I mean, okay, we're doing this,

and you are gonna come over here,

let's just see what happens.

How he likes to work
as an actor sets it up

for other actors to have
that same experience.

You know, I guess that
would be the best way.

And you know, the movie was
shot in Atlanta in the summer,

so it was very, very hot.

And his stamina was incredible.

I mean, it was kind of
close through it, you know,

no special treatment, you know.

Lunch break, go eat with
the crew, go back to work.

Yeah. Incredible. Truly.

It's funny, it's edgy.
He's hilarious in it.

And he makes you feel
so much in this movie

and it's gonna tug at everybody's strings.

Despite
his incredible journey

and numerous achievements,

Clint Eastwood remains humble.

A true testament to his character.

In the world of cinema, Clint Eastwood

is not just a legendary
actor and director.

He is an enduring symbol of resilience,

versatility and determination.

His iconic roles, both in
front and behind the lens,

have solidified him as a
powerhouse of the arts.

His efforts towards humanitarianism

have been nothing short of exceptional,

leaving no doubt that his
legacy will live forever.

Age is, I've sort of
planned on not working

at this particular time in life,

but nobody can plan on
what they're gonna do

when you reach my age of 49,

39, whatever Jack Benny was.

I just feel that I am
enjoying work as more now

than I ever have or
just as much certainly.

And I'm at an age where I
can take on more challenges

than I have in the past because-

He's one of those
characters that you just go,

you walk away after
talking to Clint and go

and you feel kind of
better about humanity.

He's a gentleman

I guess there's things to learn from him

and maybe he's looking to learn how to,

you know, deliver a line, who
knows it's his next facet.

Also at this age, you could forget more.

But I'm trying to avoid that.

And I just enjoy it.

I enjoy the process and
I enjoy making films

from behind the camera equally

as to that of being in front of the camera

on all those years.

But I just enjoy it. That's all.

I've been lucky enough
to work in a profession

that I have really liked.

And so I figured I'll just continue

until somebody hits me over
the head and says, "Get out."

But Matt,
you always look very handy

when you're perhaps in Europe.

There are no aliens or
asteroids in Clint's films

over the last half century.

From "Bird" to "Unforgiven,"
to "Mystic River,"

to "Million Dollar Baby,"
to "Flags of our Fathers"

and "Letters of Iwo Jima" to "J. Edgar."

He's accumulated a body of work

that has left an indelible
imprint on our culture.

It is perfectly fitting that
we are honoring Clint Eastwood

here tonight in an art
museum for his many things,

an actor, a filmmaker, a producer,

a composer, but chiefly
and most undeniably,

he is a true artist.