All language subtitles for lipstick.jungle.s01e07.720p.web.h264-skyfire_track3_[eng]

EXCUSE ME,
I'M SO SORRY TO INTERRUPT.

(man)
MEGAN IS ONE OF MY MOST PROMISING GRAD STUDENTS

WHEN SHE GETS AT LEAST
TWO HOURS SLEEP AT NIGHT.

YOU KNOW, YOU ARE
ONE LUCKY WOMAN.

YOU KNOW THAT,
RIGHT?

WHAT DO YOU KNOW EXACTLY ABOUT
THIS NEW INVESTOR OF YOURS?

I KNOW HIS CHECKS CLEAR.

(Kirby)
HOW LONG ARE YOU GONNA BE AWAY?

NOT LONG.

NOT LONG IS STILL TOO LONG.

WHY DON'T YOU COME WITH ME?

HE DIDN'T BUY
YOUR COMPANY.

HOW DO YOU KNOW?
BECAUSE I DID.

SELL MY COMPANY.
JUST SELL VICTORY FORD.

I WILL...IN TIME.

REALLY? 'CAUSE I'M THINKIN'

9:00 A.M. TOMORROW MORNING
WORKS FOR ME.

SO WHAT BRINGS YOU
TO SCOTLAND?

WORK. HOW 'BOUT YOU?

A BEAUTIFUL WOMAN.

IN FACT, I'M WAITING
FOR HER NOW.

HI.
HEY.

YES. I'M A TERRIBLE PERSON.
IS THAT WHAT YOU WANNA HEAR?

I FOUND OUT
YOU LIED TO ME ALL THIS TIME,

CHEATING ON YOUR HUSBAND.

SO I'M SORRY I'M NOT THROWING
MY ARMS AROUND YOU IN SUPPORT.

ALL RIGHT, MOTHER SUPERIOR,
YOU MADE YOUR POINT.

THANK GOD
YOU'RE NOT A MOTHER.

WHAT KIND OF VALUES

WOULD THOSE POOR KIDS
BE GROWING UP WITH?

THE THING I SAID TO YOU
IN THE HOTEL...

MAYBE YOU CAN FORGET IT.

TELL ME HOW.

[telephone rings]

[upbeat music plays]

[telephone ringing]

* *

WE SHOULD HAVE LUNCH
MORE OFTEN.

MM. MAYBE NEXT TIME YOU'LL
EVEN GIVE ME SOMETHING TO EAT.

[telephone rings]

MM. DON'T GET IT.

[ringing]
HEY, COME ON.

I HAVE TO.

IT'S THE OFFICE.

STOP IT.

STOP. I CANNOT
TAKE ANOTHER SHOWER.

I'M PRUNING.

HEY, MARVA, WHAT'S UP?

HEY, MAYBELLINE
WANTS TO MOVE UP THE CALL

FOR NEXT YEAR'S AD BUDGET.

AND KELLY AND CHRIS PARKER
INVITED YOU TO THEIR HOTEL

TO WATCH THE KNICKS GAME.

REALLY?

I GUESS IT'S A THANK-YOU
FOR PUTTING THEM ON THE COVER.

THAT'S REALLY SWEET
OF THEM.

DO I HAVE TO BRING THE BEER
AND BUFFALO WINGS?

NO,
THEY'RE SERVING MEXICAN,

I CAN'T READ
THE COCKTAIL DU JOUR,

BECAUSE THE MAIL BOY
DRIBBLED IT TO MY DESK.

WHAT, THE INVITATION'S
ON A BASKETBALL?

UH-HUH.

ALL RIGHT, WELL, TELL THEM
I'LL TRY AND STOP BY.

CHARLES MIGHT LIKE
A PARTY LIKE THAT

'CAUSE, YOU KNOW, HE DOESN'T
LIKE TO TALK TO ANYBODY.

ALL RIGHT...
I GOTTA GO.

YOU ARE SO BAD.

[upbeat music]

* *

[elevator bell dings]

[ding]

THAT'S JUST CREEPY.

DO WE HAVE A SCRIPT
FOR LOSING JACK?

IT'S COMING.
CAN I GET A HARD DATE?

THE LINE PRODUCER WANTS TO PULL
THE PRODUCTION TRIGGER.

WE CAN'T START SPENDING
MONEY ON A MOVIE

WHEN THERE'S NO SCRIPT.

LORRAINE LIPPMAN
IS DOING THE REWRITE.

WITH WHAT,
A QUILL?

SALVADOR,
SHE COMES WITH AN OSCAR,

AND MERYL STREEP
REQUESTED HER.

AND I'M GUESSING SHE
DOESN'T PLAY BAD COP

WITH HER FAVORITE WRITER.

PROBABLY NOT,
BUT IF SHE DOES,

IT'S WITH AN IMPECCABLE
IRISH ACCENT.

TAYLOR'S TEACHER CALLED.

HE NEEDS TO RESCHEDULE
THE CONFERENCE.

WELL, MOVE WHATEVER
YOU HAVE TO.

YOU WANNA PAWN IT OFF
ON YOUR HUSBAND,

OR IS HE STILL
OUT OF TOWN?

I DON'T PAWN THINGS OFF
ON MY HUSBAND, I DELEGATE.

THIS IS ME DELEGATING.
GO DO SOMETHING.

ALL RIGHT.

SO YOU'LL SHOOT
OUR OSCAR-WINNING WRITER

A KICK-IN-THE-ASS
EMAIL, RIGHT?

E-MAIL? SHE'S OLD-SCHOOL.
SHE DOESN'T HAVE A COMPUTER.

WHAT?
OR VOICEMAIL.

HER AGENT CONTACTS HER

THROUGH AN ANSWERING
MACHINE OR TOM-TOM.

SOUNDS LIKE YOU MAY BE PAYING
MERYL'S FAVORITE WRITER

A SOCIAL CALL.

YOU MAKE IT SOUND LIKE
A MAFIA HIT.

WELL, DON'T BREAK
HER KNUCKLES.

SHE NEEDS THOSE.

IF YOU'RE GONNA CALL
A STAFF MEETING,

YOU GIVE A GIRL A LITTLE
NOTICE--AM I RIGHT?

YOU DON'T JUST CALL AND SAY,
"I'M SENDING A CAR."

MR. BENNETT DOESN'T SEEM
TO BE ALL THAT CONCERNED

WITH THE INCONVENIENCES
OF OTHERS.

BUT HE'S YOUR BOSS.

WELL, I BET HE DOESN'T
CALL THESE LITTLE STAFF MEETINGS

WITH THE OTHER COMPANIES
THAT HE OWNS.

IF YOU CALLED ME
TO A STAFF MEETING,

I'D BE OBLIGED TO GO,
WOULDN'T I?

IT'S NOT THE SAME THING.

JOE'S JUST TRYING TO SHOW ME
THAT HE'S IN CONTROL.

WELL, WITH ALL DUE RESPECT,
ISN'T HE?

I THINK BY NOT GOING, YOU'D
BE SENDING THE WRONG MESSAGE.

YOU ARE A SMART
AND TALENTED BUSINESSWOMAN.

YOUR ONLY CHOICE IS TO GO
AND BE TOUGH

AND STICK TO YOUR GUNS.

SO IN OTHER WORDS,
I'M A PROFESSIONAL,

SO ACT LIKE IT?

YOU KIDDING?

YOU'RE A PROFESSIONAL
PROFESSIONAL.

[telephone rings]

VICTORY FORD STUDIO.

HE'S HERE.

MISS FORD.

WELCOME.

YOU BETTER WAIT FOR ME
UPSTAIRS.

CHAMPAGNE, CHOCOLATE?

I THOUGHT YOU WERE
SENDING A CAR

TO BRING US
TO A STAFF MEETING.

I ASSURE YOU,

I HAVE EVERY INTENTION
OF DISCUSSING BUSINESS.

AS SOON AS WE GET
TO MILAN... WHAT?

THE FASHION CAPITAL
OF THE WORLD.

IF YOU THINK THAT I CAN
BE WON OVER BY CHOCOLATE...

I HAD THEM FLOWN IN
FROM GENEVA.

HAZELNUT TRUFFLES.

THOSE ARE YOUR FAVORITE,
AREN'T THEY?

WHY CAN'T YOU JUST ADMIT
THAT YOU MISSED ME?

BECAUSE, JOE,
I ALREADY TOLD YOU;

AS LONG AS YOU'RE MY BOSS,

THERE'S NO POINT IN DISCUSSING
A ROMANTIC RELATIONSHIP.

THAT LEAVES US IN A BIT
OF A PICKLE, DOESN'T IT?

AND PICKLES AND TRUFFLES--
MM. NOT SEXY.

YOU KNOW WHAT?

EITHER SELL MY COMPANY

OR CALL ME WHEN YOU'RE READY
TO HAVE A NORMAL MEETING

IN A REAL OFFICE
ON THIS CONTINENT.

COME ON, ISN'T THIS
BETTER BREAK-UP THERAPY

THAN SITTING AT HOME
AND WATCHING OLD MOVIES

AND HAVING A THREE-WAY
WITH BEN & JERRY?

YEAH, BUT YOU KNOW
WHO WOULD REALLY ENJOY THIS?

WENDY. COME ON, SHE USED
TO PLAY VARSITY BASKETBALL.

AT LEAST I THINK SHE DID.
LET'S CALL HER.

COME ON.
I KNOW THAT YOU MEAN WELL--

(Kelly)
HEY, LADIES, HOW ARE YOU ENJOYING THE GAME?

GREAT. VERY, VERY GOOD.

LISTEN, THIS IS
KELLY AND PARKS.

THESE BEAUTIFUL FACES

ARE GONNA GRACE
THE COVER OF BONFIRE.

AND THIS IS MY VERY
TALENTED FRIEND VICTORY FORD.

OH, WE KNOW WHO YOU ARE.
WE'RE BIG FANS.

THISIS GORGEOUS!

OH, THANK YOU.

HEY, LOOK, WE'RE DRY.
YOU WANNA GET A DRINK?

YEAH, GO, GO, GO.

I GOTTA FIND CHARLES
BEFORE HE DIVORCES ME

FOR TALKING WORK
AT THE GAME,

OR JUST TALKING AT ALL
DURING A GAME.

OKAY.

OKAY, HAVE FUN.
BYE-BYE.

HEY. HEY.

THESE PEOPLE DON'T EVEN KNOW
WHAT GAME'S GOING ON.

AND I THOUGHT THAT THIS
WAS ONE BUSINESS PERK

THAT YOU WOULD
ACTUALLY ENJOY.

OH!
OH!

I'M SORRY!

IT'S ALL RIGHT.

I'LL JUST CATCH THE HIGHLIGHTS
WHEN WE GET HOME.

YEAH, AS SOON AS WE GET
BACK FROM THE AFTER-PARTY.

OH, NO, PLEASE.

IT'S GONNA BE
A SMALL GROUP.

THEY'RE GONNA BE
ON MY COVER.

I JUST SPENT 20 MINUTES TALKIN'
TO WHAT'S-HIS-NAME, PARKS.

BY THE WAY, IS HE A VERB
OR IS HE PLURAL?

HONEY, YOU GO
TO THE PARTY, ALL RIGHT?

I'M TIRED.
I'M GONNA GO HOME, OKAY?

YOU SURE?
MM-HMM.

HAVE A GOOD TIME,
ALL RIGHT?

MM-HMM.
OKAY.

HAIR STYLIST
DID NOT MAKE YOU WEAR MACRAME.

PARKS,
AM I EXAGGERATING?

SHE LOOKED LIKE SHE SHOULD BE
HANGING FROM A CEILING

HOLDING A FERN.

WE JUST DID NOT
CONNECT.

WELL, I WOULD IMAGINE
THAT THERE'S A DOZEN STYLISTS

WHO WOULD KILL
TO DO YOU GUYS.

ARE YOU ONE
OF THEM?

SERIOUSLY?

I DO NOT JOKE ABOUT
CRITICALLY IMPORTANT MATTERS

LIKE MY LOOKS.

WILL YOU DO US FOR
THE COVER SHOOT?

I KNOW IT SOUNDS LIKE
SHE'S ASKING, BUT SHE'S NOT.

YOU DON'T REALLY
HAVE A CHOICE.

WELL, I'D BE HONORED.

GREAT. SO THAT GIVES US
THE EXCUSE

TO HANG OUT TOGETHER.

WHY DON'T WE START
WITH THE AFTER-PARTY?

VICTORY CAN RIDE WITH US.

GREAT.

CHEERS.
CHEERS.

[soulful singing]

[ringing]

(Kirby)
THIS BEATS THE HELL OUT OF AN AFTER-PARTY, RIGHT?

[telephone ringing]

[ringing]

DON'T YOU EVER
STOP?

[inaudible]

I'M ON MY WAY.

WHAT HAPPENED?

HEY--

WHERE ARE MY SHOES?

NICO.

HEY.

WHERE ARE MY SHOES?
WHERE ARE MY SHOES?

WHAT HAPPENED?

KIRBY, JUST HELP ME
FIND MY SHOES! GOD!

[muttering under breath]

DAMN IT, WHERE IS
MY OTHER SHOE?

IT'S RIGHT HERE.

HEY, YOU'RE SCARING ME.
WHAT HAPPENED?

GIVE IT TO ME!

YOU'RE FREAKING ME OUT.
HEY--

LET GO OF ME.
I GOTTA GO.

TALK TO ME!
NICO, WHAT HAPPENED!

NICO!

MY HUSBAND
HAD A HEART ATTACK!

[door slams]

* READ MY LIPS *

* BE *

* ALL THAT YOU CAN BE *

* MAKE A DIFFERENCE *

* GIVE YOUR DREAMS TO ME *

* NO TIME FOR SLEEPING *

* THERE'S TOO MUCH TO DO *

* DON'T YOU FORGET THAT *

* WE DO WHAT WE WANT TO DO *

* LET'S GET NUTS,
LET'S MAKE SOME MONEY *

* OOH *

* TAKE YOUR SHARE, HONEY *

* LET'S FREAK OUT *

* OOH, OOH *

* WORK THE SUNSHINE *

* READ MY LIPS * *

(Wendy)
SAL, I'M HERE. I'LL GET THE SCRIPT.

BUT I'VE GOTTA GO.

I'VE GOT TAYLOR
ON THE OTHER LINE. [beep]

OKAY, HI, HONEY.
ALL RIGHT.

THIS IS THE LAST TIME.

ON MONDAY,
HE ATE THROUGH ONE APPLE.

ON TUESDAY, HE ATE
THROUGH TWO PEARS.

ON WEDNESDAY--

HONEY, MAMA'S GOTTA GO,
OKAY?

BRUSH YOUR TEETH
AND GO TO BED.

PLEASE TELL ME THAT WASN'T
A BUSINESS CALL.

[chuckles]
YOU MUST BE LORRAINE.

WENDY HEALY.

IT IS SUCH A PLEASURE
TO MEET YOU.

HEELS.
INTERESTING CHOICE.

COME IN.

THANK YOU.

WE'RE SO EXCITED
ABOUT YOUR SCRIPT.

I CAN'T WAIT TO READ IT,

ESPECIALLY SINCE WE START
SHOOTING TWO WEEKS FROM MONDAY.

I MADE MY WORLD-FAMOUS

CHICKEN CURRY.

OH, I REALLY--
I CAN'T STAY.

I SAY WORLD-FAMOUS.
OKAY, IT'S HYPERBOLE.

ALTHOUGH JEREMY IRONS
LOVES IT,

AND HE HAPPENS TO BE
FROM ENGLAND, SO...

I REALLY CAN'T STAY.

ONE SCOOP OR TWO?

ONE.

WOW, I FEEL SO BAD

THAT YOU WENT TO
ALL THIS TROUBLE.

TROUBLE?
OH, PLEASE.

WHAT ELSE
HAVE I GOT TO DO?

YOU KNOW, IT'S FUNNY
YOU SHOULD MENTION THAT.

WE'RE ALL VERY, VERY
ANXIOUS TO READ THE SCRIPT.

AND SINCE HUGH GRANT
STARTS ANOTHER FILM

ON THE HEELS OF THIS ONE,

WE CAN'T PUSH THE DATE,
OR WE LOSE HIM.

YOU DO UNDERSTAND.

OH, I GET IT.
BUT FIRST THINGS FIRST.

RED, WHITE, OR CLEAR?

CLEAR.

(woman)
VENTILATION THERAPIST, PICK UP 3145.

PICK UP 3145.
VENTILATION THERAPIST,

EXCUSE ME, I'M LOOKING
FOR MY HUSBAND CHARLES--

CHARLES STERN.

"RYAN, STENTON, STERN."

HERE. WE'VE LEFT SEVERAL
MESSAGES FOR YOU.

DOCTOR, THIS IS
MR. STERN'S WIFE.

I'M DR. ZESS.
COME WITH ME.

WE TRIED CALLING YOU
A FEW TIMES.

I KNOW, I WAS--
HOW--HOW IS HE?

HE'S IN STABLE CONDITION.

YOUR HUSBAND SUFFERED
A HEART ATTACK.

TECHNICALLY SPEAKING,
A MYOCARDIAL INFARCTION

DUE TO LEFT
VENTRICULAR FIBRILLATION.

HOW BAD IS IT?
WE DON'T KNOW YET.

WE NEED TO RUN SOME TESTS
TO DETERMINE

THE EXTENT OF THE DAMAGE
TO THE HEART TISSUE, IF ANY.

I'VE ORDERED AN EKG,
CAT SCAN, AND CARDIAC PANEL.

WE'LL KNOW A LOT MORE
IN THE MORNING.

HE'S RIGHT THROUGH HERE.
COME ON.

OH, MY GOD, CHARLES.

HEY.

HEY.

THERE YA ARE.
DID YOU HAVE FUN TONIGHT?

[Dr. Zes loudly]
HOW ARE YOU FEELING MR. STERN?

CLEARLY, HE THINKS I'M THE ONE
LOSING HIS HEARING

WHILE SOME POOR DEAF SCHMUCK
DOWN THE HALL'S

HOOKED UP
TO A HEART MONITOR.

I KEEP TELLING HIM
I'M FINE,

BUT, UH,
I'M GETTING THE IMPRESSION

THAT'S THE WRONG ANSWER.

[click]

WE'RE JUST GONNA HAVE
TO BORROW HIM

FOR A COUPLE MORE HOURS.

IF YOU WANNA WAIT OUTSIDE,
THAT'D BE GREAT.

I'LL BE RIGHT THERE,
OKAY?

(Victory)
OKAY, ONE MORE DRINK, BUT THEN THAT IS IT.

OH, PLEASE, THE NIGHT
IS STILL A PUPPY!

TO OUR NEW BUSINESS
RELATIONSHIP.

AH, OF ALL THE BOSSES
THAT I HAVE HAD RECENTLY,

YOU TWO ARE DEFINITELY
MY FAVORITE ONES.

ALL RIGHT. OH.

[cell phone rings]

OH. OOPS.

HANG ON.

NIKO? HI.

WHAT'S WRONG?

I-I'LL BE--
I'LL BE RIGHT THERE.

(Lorraine)
OH, AND THAT'S ME AND HUSBAND NUMBER TWO

ON LOCATION IN NICARAGUA.

DULL AS DISHWATER,
BUT A GREAT BODY.

SANDINISTAS
HELD UP PRODUCTION.

I WROTE A NOVEL,

AND HE SNORTED COKED
OFF A VILLAGE GIRL'S ASS.

WHEW. OKAY.
BACK TO THE SCRIPT.

SO WHAT HAVE YOU DONE
WITH THE MOVIE'S LOVE STORY?

OH, I AM SO TEMPTED
TO TELL YOU,

BUT I THINK IT WOULD
BE BETTER

IF YOU READ IT
FOR YOURSELF.

I'LL READ IT TONIGHT.

YOU'RE THE HEAD
OF THE STUDIO.

I CAN'T EXACTLY GET AWAY
WITH KEEPING IT FROM YOU,

NOW, CAN I?

YOU HAVE HAD QUITE A LIFE.

THANK YOU FOR SHARING IT
WITH ME.

JUST GOOD FORTUNE.

AND, AS MY MOTHER USED TO SAY,

WHEN FORTUNE KNOCKS,
OFFER HER A CHAIR.

GOOD NIGHT.

GOOD NIGHT.

[under breath]
DAMN IT!

WHAT'D YOU STEAL?

CAN YOU BELIEVE IT?
I LEFT WITHOUT THE SCRIPT.

LOOK, DON'T WORRY.

I JUST HAVE ONE OR TWO
MORE SCENES TO TWEAK,

AND THEN IT WILL
BE PERFECT.

I WOULD FEEL A LOT BETTER
IF I HAD SOME PAGES.

YOU KNOW, I'M A GREAT
SOUNDING BOARD

IF YOU WANNA RUN
SOMETHING BY ME.

OKAY! I WILL.
GOOD NIGHT.

YOU HAVE UNTIL
TOMORROW AFTERNOON,

BUT THAT IS IT.

NICO.

OKAY.

TELL ME.

THEY'RE RUNNING
SOME TESTS.

OKAY, WELL,
HE'S GONNA BE OKAY.

HE HAS TO BE.

I'M NOT SO SURE.

SWEETIE.

I KNOW THAT THINGS
ARE CRAZY SCARY RIGHT NOW,

BUT WE'RE GONNA BE
ON THE OTHER SIDE OF THIS

PRETTY SOON.

OKAY, DO YOU WANT
SOME COFFEE OR SOMETHING?

I CAN GO
GET US SOMETHING.

VIC, VIC.

UM...

I WASN'T WITH HIM.

CHARLES.
I WASN'T WITH HIM.

HE TRIED CALLING ME,

AND THE HOSPITAL
CALLED SEVERAL TIMES.

AND I WAS WITH KIRBY.

I JUST KEPT THINKING,
"WHAT IF CHARLES--

"WHAT IF CHARLES
HADN'T BEEN ABLE

"TO CALL THE AMBULANCE

AND HE ENDED UP DYING ALONE,
AND I WAS WITH KIRBY?"

OKAY, STOP IT.

DON'T DO THAT.

WHO CARES
WHAT YOU DIDN'T DO,

COULD HAVE DONE,

OR SHOULDA DONE?

IT'S WHAT YOU DO NOW

AND FROM NOW ON

THAT REALLY MATTERS.

[footsteps approaching]

[softly]
THANK YOU.

BOTTOM LINE, WE'RE READY TO GO
AS SOON AS WE HAVE A SCRIPT.

NOW WE DO HAVE A SCRIPT,
RIGHT?

ON ITS WAY, I GAVE HER
ONE MORE DAY TO FINISH.

IT'LL BE FINE.
TRUST ME.

DO WE START PRODUCTION
OR NOT?

BECAUSE THE TRAIN NEEDS
TO LEAVE THE STATION BY...NOW.

IF IT DOESN'T,
WE LOSE HUGH GRANT, THE CREW,

A MILLION DOLLAR TAX CREDIT
FOR SHOOTING IN CALGARY.

I GET IT.
WE LOSE EVERYTHING.

THANK YOU, JOSH.

SO WHAT DO YOU THINK?
DO WE GO FOR IT?

IT WERE UP TO ME, I WOULD HAVE
FIRED LORRAINE LIPPMAN, OKAY?

MERYL OR NO MERYL.
OSCAR OR NO OSCAR.

HAVEN'T YOU LEARNED?

THE MOST TALENTED ONES
ARE ALWAYS THE MOST DIFFICULT.

FIGURING OUT
HOW TO HOLD THEIR HAND

WITHOUT SQUEEZING TOO TIGHT,
THAT'S OUR JOB.

YES OR NO, WENDY?

AND JUST SO YOU KNOW,
YOU CAN'T UNCRACK THIS EGG.

WHAT THE HELL,
PULL THE TRIGGER.

CRACK THE EGG.

LEAVE THE STATION.

THAT MEANS WE GO.

[all murmuring]

I'M SORRY.

I WOULD HAVE GOTTEN
THESE BOOKS TO YOU SOONER

BUT WITH MY FRIEND
AT THE HOSPITAL--

OH, STOP.
DON'T EVEN THINK ABOUT IT.

WE'VE GOT
PLENTY OF TIME.

SORRY YOU HAVE TO DEAL
WITH OUR PHOTO SHOOT CRAP.

OH, PLEASE.
I COULD USE A DISTRACTION.

SO HOW WAS THE REST
OF THE PARTY LAST NIGHT?

WAS IT FUN?

WOULDA BEEN MORE FUN
IF YOU'D BEEN THERE.

YOUR NEW CRUSH
WAS ASKING AFTER YOU.

OH, GOD, NO.
IT WAS HARDLY A CRUSH, PLEASE.

WHAT'S THE MATTER,
NOT YOUR TYPE?

I DON'T KNOW.

I THINK IT'D BE A LOT
OF PRESSURE DATING A BEATLE.

[cell phone rings]

UM, THIS'LL JUST
TAKE A MINUTE.

SORRY.

I'M WITH CLIENTS RIGHT NOW.

SO IS THERE
SOMETHING SPECIFIC YOU NEED?

WOW, ALL BUSINESS.

FAIR ENOUGH.

WHAT ARE WE DOING
ABOUT BOOTS?

WEAREN'T DOING ANYTHING.

HEY, UM, PARKS,
WHY DON'T YOU GUYS

JUST GO START
TRYING THINGS ON BACK THERE,

AND, UM,
THE RACKS ARE MARKED.

AND THEN I'LL BE IN
IN A MINUTE.

OKAY.

I READ SOMEWHERE THAT BOOTS
ARE GONNA BE VERY BIG THIS FALL.

THE GUY WITH A CLOSET FULL
OF IDENTICAL BLACK SUITS

IS NOW TRACKING
FASHION TRENDS.

I'M SORRY, I NEED TO GET BACK
TO MY CLIENTS.

LOVE THE FOCUS.
WHO ARE THEY?

I DON'T THINK
IT'S ANY OF YOUR BUSINESS.

YOU'RE MEETING CLIENTS.
I THINK I DESERVE TO KNOW.

JOE, YOU MAY OWN MY COMPANY,
BUT YOU DON'T OWN ME.

YOU'RE RIGHT.

BUT YOU THINK IT'S FAIR
TO BE USING BUSINESS HOURS

FOR YOUR SIDE PROJECTS?

I DON'T KNOW.

WHY DON'T YOU TELL ME
WHAT MY HOURS ARE?

BETTER YET, WHY DON'T
I START PUNCHING A TIME CLOCK?

THAT CAN BE ARRANGED.

ELLEN, LET'S GET VICTORY
A TIME CLOCK.

YOU KNOW WHAT,
LET ME DO MY WORK,

AND YOU...
GO BUY A COUNTRY.

[chuckles]

I'M SORRY ABOUT THAT.

WHERE DID KELLY GO?

OUT FOR SMOKES.

UGH, WHY DO THEY ALWAYS

CUT MEN'S DRESS TROUSERS

FOR BASKETBALL PLAYERS?

WISH FULFILLMENT.

YOU KNOW,
MOST GUYS WISH

THEY WERE BIGGER
THAN THEY ARE.

I DON'T.

[chuckles]

SO DID YOU ALWAYS KNOW

THAT YOU WANTED
TO BE A HOCKEY PLAYER?

DIDN'T YOU KNOW YOU ALWAYS
WANTED TO BE A FASHION DESIGNER?

WHEN I WAS FIVE,
I HAD MY MOTHER

RE-STITCH MY BABY BLANKET
TO MATCH MY BEDDING.

I SLEPT IN MY BED
WITH MY HOCKEY STICK

UNTIL I WAS TEN.

WELL, THIS LOOKS LIKE A 34.

DOES THAT SOUND RIGHT?

MMM.

PERFECT.

WHAT DO YOU THINK?

(Nico)
WHY WOULD YOU ORDER CHICKEN STEW

IN A HOSPITAL?

THAT'S CRAZY.

THERE'S ONLY TWO CHOICES
FOR CARDIAC PATIENTS--

LOW FAT STEW
OR CARDBOARD.

JEEZ, THIS BED IS HARD.

YOU'RE SO GROUCHY.

I LIKE IT.

MEANS YOU'RE GETTING
YOUR FIGHT BACK.

THIS THING IS STUCK
ON A CHANNEL

THAT KEEPS
SHOWING A PROGRAM

CALLED HEY PAULA.

SHOULDA JUST LET ME DIE.

DON'T SAY THAT.
IT'S NOT FUNNY.

DON'T GO SOFT ON ME, NICKY,

OR I REALLY WILL
THINK I'M DYING.

ALL RIGHT, LOOK,
I'M GONNA GO GET YOU

THE TIMES
AND THE NEW YORKER,

AND I'LL CALL COLUMBIA
AND ASK PATTY

TO SEND OVER
WHATEVER WORK YOU NEED.

THERE'S ONE NICE THING
ABOUT BEING HERE.

GETTING TO BE WITH YOU.

ALONE TOGETHER.

FEELS LIKE IT'S BEEN A WHILE,
HUH?

YEAH.

ALL RIGHT,
I WILL BE BACK.

I PROMISE.

I LOVE YOU.

I LOVE YOU.

OHH, OKAY, ONE WORD:
WOW.

OR, UM,

DOUBLE WOW.

GOD MIGHT NOT
HAVE MADE THEM,

BUT THIS DRESS
MAKES ME LOVE THEM EVEN MORE.

OH, HONEY, YOU'RE
REALLY WORRIED, AREN'T YOU?

YOU'VE GOTTA
STAY POSITIVE.

NO, YOU'RE RIGHT.
THANK YOU.

AND NICO DID SAY
THAT CHARLES

WOULD PROBABLY BE ABLE
TO COME HOME TOMORROW.

SO I DON'T EVEN KNOW
WHY I'M SO WORRIED.

BECAUSE YOU'RE
A GOOD FRIEND.

HMM, I FEEL
LIKE PRINCESS DI.

OH, THANKS, VIC.

I REALLY DO VALUE
OUR FRIENDSHIP.

PARKS AND I BOTH DO.

YEAH, HE--
YEAH, HE, UM--

I GOT THAT FROM HIM.

UH-OH.

DID HE MAKE A PASS
AT YOU?

MAYBE I JUST MISUNDERSTOOD.

WELL, LET ME TAKE
A DIFFERENT APPROACH.

MORE DIRECT,
SO THERE'S NO CONFUSION.

I KNOW.
JOSH!

BEFORE YOU SAY A WORD,
PLEASE TELL ME

THAT YOU ARE
PRINTING OUT COPIES

OR LORRAINE LIPPMAN'S SCRIPT.

NO, SORRY, LORRAINE LIPPMAN'S
COMPLETELY M.I.A.

WHAT, NO ONE'S
HEARD FROM HER?

I'VE BEEN TRYING HER
ALL DAY.

HER ANSWERING MACHINE
IS FULL.

IT JUST KEEPS GOING,
"PLEASE TRY AGAIN, GOOD-BYE."

OH, GREAT.

SHE'S PROBABLY
GOT CALLER I.D.

AND WILL NOT
PICK UP THE PHONE.

THAT WOMAN DOES NOT HAVE
CALLER I.D.

I HIGHLY DOUBT SHE EVEN
HAS RUNNING WATER.

DO YOU WANT ME
TO CALL THE POLICE?

'CAUSE I READ
ABOUT THIS WOMAN

WHO HAD, LIKE, A TERRARIUM
GROWING ON HER FLESH

'CAUSE SHE DIED AND NO ONE
FOUND HER FOR DAYS AND DAYS.

OKAY, STOP.

(Lorraine)
YEAH?

LORRAINE.

IT'S WENDY HEALY.

OH, I'M GLAD YOU CALLED.

DO YOU THINK
MERYL'S CHARACTER

WOULD DRIVE A HONDA
OR, SAY, A FORD?

I DON'T KNOW.

LOOK, IT PROBABLY
DEPENDS ON HER INCOME.

NOW LISTEN, WAIT,
WHERE IS THE SCRIPT, LORRAINE?

OH, YOU'RE RIGHT.

SHE'D PROBABLY WANT
TO BE SEEN IN A BMW.

THANK YOU.

NO, WAIT, OH!
JOSH!

OH, MY GOD, IT'S LIKE
TRYING TO GET MADDIE

TO FINISH
HER ENGLISH HOMEWORK.

OH, PLEASE REMIND ME

NOT TO FORGET TO GET HER
A COPY OF TWELFTH NIGHT.

DON'T FORGET TO GET HER
A COPY OF TWELFTH NIGHT.

OH, AND SHANE
WAS JUST ON THE PHONE.

WHAT, WHY DIDN'T YOU
INTERRUPT ME?

YOU KNOW I'VE BEEN TRYING
TO REACH HIM.

HE DOESN'T GET A SIGNAL
UP THERE.

ANYWAYS, SO HE SAYS

HE'S GONNA BE AN EXTRA DAY.

WOW, YOU JUST
SPREAD SUNSHINE.

AND YOU'RE LATE
TO MEET VICTORY.

(Wendy)
I DON'T KNOW, I THINK IT MAY HAVE

PUT EVERYTHING
INTO PERSPECTIVE FOR HER.

I KNOW,
SHE FEELS SO GUILTY.

BUT MAYBE THIS IS GONNA
BRING 'EM CLOSER TOGETHER.

GOD, I HOPE SO.

AND I DO THINK THAT I WAS
TOO HARD ON HER ABOUT KIRBY.

YOU THINK?

WELL, HE WAS
OBVIOUSLY GIVING HER

SOMETHING IN HER LIFE
THAT SHE WAS MISSING.

MM-HMM, GREAT SEX
WITH A 25-YEAR-OLD.

BEING ADORED.

THERE'S A LOT
TO BE SAID FOR THAT.

OH, KEEP TALKING AND I MAY
TAKE KELLY AND PARKS UP

ON THEIR OFFERS.

I GO FROM DATING A BILLIONAIRE
TO DATING A COUPLE.

IS THAT A STEP UP
OR A STEP DOWN?

I'D SAY A STEP OUT.

YOU KNOW WHAT THEY SAY,

WHEN FORTUNE KNOCKS
OFFER HER A CHAIR.

WHAT IS THAT CODE FOR?

HAS SOMEONE OFFERED YOU A CHAIR
THAT I DON'T KNOW ABOUT?

NOW YOU KNOW ME
BETTER THAN THAT.

I'VE PLAYED IT
WAY TOO SAFE MY WHOLE LIFE

TO REPORT
GIRL ON GIRL ACTION.

EXCEPT FOR THAT
MINI-GIRL CRUSH FRESHMAN YEAR.

KATIYA.
SHE WAS FROM PRAGUE.

[laughing]
OHH.

SO THIS KATIYA CHICK
WAS PRETTY HOT, HUH?

PRAGUE?

(over PA)
DR. FRIEDMAN TO PEDS FLEX UNIT.

DR. FRIEDMAN
TO PEDS FLEX UNIT.

MISS REILLY.
HI.

I'M ONE OF
PROFESSOR STERN'S STUDENTS.

WE MET A FEW WEEKS AGO
OVER AT THE DINER.

OH, RIGHT, RIGHT.

UM, I WAS JUST UP
AT HIS OFFICE,

AND PATTY WAS GONNA
BRING HIS THINGS DOWN.

SO I VOLUNTEERED.

CAN I SEE HIM?

IT'S FAMILY ONLY
RIGHT NOW.

WE'RE NOT GONNA LOSE HIM,
ARE WE?

NO, HE'S DOING BETTER.

OH, THANK GOD.

OKAY.

WHAT WAS YOUR NAME AGAIN,

SO I CAN GIVE CHARLES
YOUR REGARDS?

IT'S MEGAN ALBRIGHT.

I'LL, UM--

I'LL TELL CHARLES
YOU STOPPED BY.

PLEASE.

IT WAS GOOD
TO SEE YOU AGAIN.

YEAH, YOU TOO.

THANK YOU.

(Wendy)
"THANKS FOR EVERYTHING."

IT CAN MEAN
MANY DIFFERENT THINGS, OKAY?

MAYBE HE GAVE HER
AN EXTENSION.

BA-DA-BUM.
FUNNY.

OKAY, STOP IT.

THAT IS NOT WHAT I MEANT.

SHE'S PROBABLY JUST A STUDENT

WITH A HARMLESS CRUSH
ON HER PROFESSOR.

I WAS JUST A STUDENT
WITH A HARMLESS CRUSH

ON MY PROFESSOR,
AND I ENDED UP MARRYING HIM.

THAT IS TRUE.

CAN WE JUST DROP IT?
LOOK, NEW TOPIC.

UH...I HATE HOSPITALS.

OH, ME TOO.
YOU GUYS PROMISE ME ONE THING--

IF I'M EVER INCAPACITATED,
ONE OF YOU WILL BE MY PLUCKER.

I'M AFRAID TO ASK.

WELL, YOU'RE IN A COMA.

NOT A LOT
OF GROOMING HAPPENS.

WHAT, WITH TRYING
TO SAVE YOUR LIFE AND ALL.

I'M JUST SAYING
I DON'T WANNA WAKE UP

LOOKING LIME TOM SELLECK.

SO I GIVE
YOU BOTH PERMISSION

TO PLUCK, BLEACH, WAX,
WHATEVER NECESSARY.

IS THAT LIKE
POWER OF ATTORNEY?

YEAH, IT'S POWER OF PLUCKING.

HEY, WHAT?

ALL RIGHT, LOOK.
LOOK, JUST LOOK.

I SAW IT.
WHAT?

IT SAYS, "MISS YOU."

IS HE SLEEPING
WITH THIS GIRL?

MAYBE I STARTED CHEATING

'CAUSE HE WAS CHEATING,
AND I--

NICO, NICO, STOP.

MAYBE, MAYBE NOT.

THE REAL QUESTION IS

WHAT ARE YOU PREPARED
TO DO ABOUT IT?

[whispered]
HEY.

HEY.

[indistinct]

NO.
NO?

HOW DO YOU DO SOMETHING
THAT'S SUPPOSED TO BE A SECRET?

HELLO?

OH, UH, HI.

I JUST USED THE CARD KEY
THAT YOU LEFT.

I HOPE THAT'S OKAY.

SURE. SURE.

COME ON IN.

WE WERE JUST
TALKING ABOUT YOU.

OH, I THOUGHT I FELT
MY EARS BURNING.

JUST YOUR EARS?

THANK YOU.

YOU'RE JUST PLAYING
SOME DOMINOES?

I SEE OLD GUYS PLAYING THAT
IN THE PARK.

YEAH, WELL, THIS IS CALLED
"MEXICAN TRAIN."

WE PLAYED IT ONCE
AT PENELOPE'S,

BUT I THINK
WE GOT IT ALL WRONG.

I DON'T THINK YOU CAN
GET DOMINOES WRONG.

ISN'T SHE SWEET?

LIKE BLUEBERRY PIE.

SO I THINK
WE SHOULD PROBABLY

GO OVER THE WARDROBE CHOICES
FOR TOMORROW.

SURE.
YOU'RE THE BOSS AFTER ALL.

HEY, UM,
WE'VE ACTUALLY

GOT A FAVOR
TO ASK YOU.

MM-HMM?

IT'S ACTUALLY MORE FOR KELLY
THAN FOR ME.

OKAY, SURE, SURE.
ANYTHING.

I WAS WONDERING
IF, UM,

IF YOU WOULD COME DOWN
TO THE SHOOT WITH ME TOMORROW.

I MEAN, I KNOW YOU'VE
ALREADY DONE SO MUCH.

AND YOU'RE PROBABLY
REALLY BUSY, BUT--

THE BONFIRE SHOOT.
MM-HMM.

[chuckles]

YES, OF COURSE.

WELL, BEFORE WE FORGET

WHAT DOES EVERYONE WANT
FOR BREAKFAST?

YOU ARE STAYING?

LORRAINE, IT'S WONDERFUL.

I DON'T UNDERSTAND
WHAT THE PROBLEM IS.

WHY HAVEN'T YOU FINISHED
WRITING THE LAST FEW SCENES?

BECAUSE I AM TOO OLD
OR TOO TIRED.

HOW COULD YOU BE TIRED?

OR OLD?
YOU ARE NOT OLD.

AND YOU'RE NOT
A GOOD ENOUGH LIAR

TO GET AWAY WITH THAT.

DON'T PLAY POKER.

AND IF YOU DO,
LET ME PLAY.

I COULD USE THE CASH.

I DON'T UNDERSTAND

WHAT ANY OF THIS
HAS TO DO WITH THE SCRIPT.

SWEETHEART,
I AM YESTERDAY'S NEWS.

THERE'S A VERY,
VERY GOOD CHANCE

THAT THIS IS
THE LAST THING

I WILL EVER BE HIRED
TO WRITE.

I DOUBT THAT.

FACE FACTS, WHEN I TYPE,
"FADE OUT. THE END."

I FADE OUT.
THE END.

I MIGHT AS WELL
HAVE AN EXPIRATION DATE

STAMPED ON ME,
BECAUSE THAT IS HOW I FEEL.

LET ME TELL YOU
WHAT I TELL MY KIDS--

TO THE DIFFERENCE
BETWEEN FACT AND FEELING.

YOU MAY FEEL IT'S OVER,
BUT THE FACT IS LIFE IS SHORT.

TALENT IS UNDENIABLE.

YOU KEEP PUTTING
YOUR TALENT ON THE PAGE,

AND NO ONE'S GONNA
GIVE A DAMN WHO WROTE IT,

OR HOW OLD YOU ARE,
OR WHAT YOU LOOK LIKE.

THAT'S VERY ELOQUENT.

BUT DON'T BE SO NAIVE.

THIS IS
A YOUTH-OBSESSED BUSINESS.

THERE ISN'T
A WRITER OVER 40

WHO ISN'T SCARED TO DEATH
THAT A 20-YEAR-OLD

IS GONNA TAKE HIS JOB.

WELL, YOU KNOW WHAT?

NOT TODAY.

WHAT?

PUTTING MY MONEY
WHERE MY MOUTH IS.

"BLIND SCRIPT DEAL

UPON COMPLETION OF SCRIPT."

YOU ARE VERY BRAVE,
MISS HEALY.

NOW YOU HAVE NO EXCUSE.

COME ON.

LET'S DO THIS.

I'LL TYPE.

OH, YOU TYPE.

[cell phone rings]

OH, GOODNESS.
I'M SORRY, LET ME JUST--

GIVE ME TWO SECONDS,
OKAY?

MADDIE?

HONEY.

Y-YES.
I KNOW, I KNOW.

OKAY, LOOK,
ALL RIGHT.

TAYLOR WILL
FALL BACK ASLEEP.

JUST PUT SOME MUSIC ON
AND RUB HIS BACK.

MRS. ROSS
IS ON HER WAY.

I'M GONNA
BE LATE TONIGHT.

HONEY,

LET ME.

WHAT ARE YOU DOING?

WHAT?
YOU'RE DOING IT AGAIN.

YOU DO THIS EVERY TIME.
YOU ALWAYS HOG THE GIRL.

WAIT.
"THE GIRL"?

YOU GUYS
HAVE DONE THIS BEFORE?

YEAH.

IT'S SUPPOSED TO HELP
WITH THE RELATIONSHIP.

DON'T YOU PUT THIS
ON ME.

LOOK, SWEETIE, I DON'T THINK
IT'S GONNA WORK TONIGHT.

I THINK
MAYBE YOU SHOULD GO.

WHAT? NO.

LOOK, IF ANYBODY
SHOULD BE GOING, IT'S YOU.

VICTORY, COME HERE.

WHAT?

NO, NO.
JUST STOP.

AS MUCH AS I LIKE
BEING FOUGHT OVER,

I AM GOING TO GO.

THANKS.

LOOK, I'M SORRY.

I DID NOT WANT IT
TO BE LIKE THIS.

ME NEITHER.

HERE YOU GO.

THANK YOU.

SORRY, I WISH
I HAD MORE TO OFFER

THAN OLD CHINESE FOOD.

NO, I'M NOT HUNGRY,
REALLY.

YEAH, OF COURSE.

THIS IS, UM--

THIS IS SO, UM--

WHAT'S GOING ON?

I THINK CHARLES
MIGHT BE HAVING AN AFFAIR.

OKAY.

LIKE, SO--

SO MAYBE THIS
IS THE UNIVERSE'S WAY

OF TELLING YOU YOU DON'T
HAVE TO FEEL GUILTY ANYMORE.

YOU KNOW?

KINDA GIVING US
A FREE PASS.

IF THAT'S STILL
WHAT YOU WANT.

I JUST--I--

I JUST WANT
MY MARRIAGE BACK.

I'M SORRY.

TA-DA.

I DID IT.

WHAT?

IT'S DONE?

AND IT'S GOOD.

AND I NEVER SAY THAT
ABOUT MY WORK.

OH, CAN YOU COME OVER

EVERY TIME
I NEED TO WRITE?

HELL, WHY DON'T
YOU JUST MOVE IN?

HOW GREAT
WOULD THAT BE, HUH?

HAVE YOU AROUND
ALL THE TIME.

GET SOME REST.

OH, YOU GO HOME.

I CAN'T.

I'VE GOT TWO QUICK STOPS
TO MAKE.

BUT THEN...

I'M TURNING THIS
INTO PRODUCTION.

YOU ARE AMAZING.

BACK AT YA.

THANK YOU.

[phone ringing]

[phone ringing]

HELLO?

YOU'RE SLEEPING.

NO, I'M AWAKE.

WHAT'S GOING ON?

I OWE YOU AN APOLOGY

FOR YESTERDAY.

I WAS A LITTLE--

PETULANT?
INDIGNANT?

HUMORLESS?

WOW, EASY, BOY.

IT'S ALL RIGHT.

YOU'RE STILL
MY FAVORITE EMPLOYEE.

I WANT YOU BACK
IN MY LIFE.

I DON'T WANNA
WALK AROUND HURT,

AND ANGRY,

AND JUST SOMEONE I'M NOT.

AND IT DOESN'T MEAN
THAT I DON'T WANNA

DISCUSS RAINCOATS WITH YOU.

I DO IF YOU'RE--

IF YOU'RE OPEN TO IT.

CAN I JUST COME OVER?

LIKE NOW?

WHO IS IT?

LISTEN, CAN WE TALK ABOUT THIS
IN A COUPLE HOURS?

OH, GOD, YOU, UM--

YOU'RE NOT ALONE,
ARE YOU?

I MEAN, JUST--
DON'T ANSWER THAT.

I'LL CALL YOU BACK,
ALL RIGHT?

YEAH, LATER.

OR NOT,
OR WHATEVER.

ONE SUGAR.

THANKS.

ARE YOU STILL WEARING
THE SAME CLOTHES AS YESTERDAY?

YOU WOULD NOTICE.

I JUST SPENT
MY FIRST ALL-NIGHTER

SINCE COLLEGE.

YOU KNOW WHAT, IT'S
A LOT EASIER WHEN YOU'RE 20.

YEAH.

WHAT ISN'T?

HOW'S HE DOING?

HE'S GOOD.

I BROUGHT HIM BREAKFAST
THIS MORNING.

FAT-FREE,
CHOLESTEROL-FREE.

FLAVOR-FREE.

POOR CHARLES.

I BROKE IT OFF
WITH KIRBY.

ARE YOU OKAY?

NO, NOT REALLY.

I KNOW IT'S THE RIGHT DECISION
IN MY HEART.

IT'S JUST--

I MISSED YOU.

ME TOO.

[somber piano music]

* *

[door opens]

HAVE YOU BEEN
TO BED YET?

NO.

GOD, I'M GLAD YOU'RE HERE.

ROUGH NIGHT?

YEAH. YEAH.

AND THEN NO,
AND THEN--

AND THEN YES AGAIN,
AND THEN--

GOD, WHATEVER.
I'M HUNGRY.

HOW 'BOUT
WE PLAY HOOKY TODAY?

THAT'S THE BEST IDEA
I'VE HEARD ALL WEEK.

YOU JUST SIT.

I'LL MAKE YOU
SOME BREAKFAST.

[acoustic guitar ballad]

* *