All language subtitles for El internado S1 E06

-Do you want to marry me? Yes?

-Have I ever failed you? -Yes, last night.

-That you are not happy with me. -Because I do not have you.

-I love you. -That's not enough.

Amelia is an excellent teacher,

but he has made a very serious mistake.

She should resign and if not, she has to be fired.

-At this moment, the idea of sharing my life with you ...

... I find it very difficult. Sorry. I'm truly sorry.

-You have to do a transplant and you don't want to go to the hospital,

because you want to let die. -What's wrong with you?

-I have been writing to my daughter for 20 children to forgive me;

20 years that I try to get to know my grandchildren ...

... and their mother told them I'm dead.

-Are you going to die, Jacinta?

-Jacinta is not going to die, because right now ...

... we are going to take her to the hospital and they will cure her.

-That boy you're looking for ... -He's my son.

If your mother were here, she would scold you.

-What does it matter to you?

-lv�n.
-Su�ltame, co�o.

-Do you love your son?

-I invest thousands of euros in this school. Doesn't that tell you anything?

-No, it doesn't tell me anything.

-You see, you stop doing the gross.

-S�, mam�, s�.

-Have you heard? Mom called me.

Sounds good, huh? Which sounds good?

-You, every time you feel happy, come into my arms.

-I have told my friend the gnome that I have a brother,

but he doesn't want to meet you because he's so ugly ...

... and is ashamed to be seen.

-�Paula!

-I have a very bad horse. Bad horse.

-Hide the body. Don't even think about discussing this with anyone.

-Have you made this drawing so beautiful?

-Yes. -Who is it?

-He's my friend the gnome.

-You shouldn't get so close to Paula. Be careful.

-�Eh! �Eh!
-�Socorro!

-We are here.

-The world does not end with her. -Mine.

-What I have to do is take Paula and go out for legs ...

... of this shitty place.

-Why don't you do it? -For you.

-When you came to this school, you behaved like an adult.

You were worried about your sister. Do you know what? That made you great.

-Don't tell Marcos that my parents are dead ...

... because if not, he will be very sad.

-But where is Alfonso?

-The school has decided to dispense with it and period.

-I pretended to be Alfonso and sent an email to the journalist,

to this Montoya. -But are you crazy?

-�Ah!

-Who the hell are you? -I'm Ricardo Montoya.

-First there was the light and then the crimes began.

-It's the five orphans. They were killed here.

(GRlTAN)

-I have it. You can now publish your report.

-I've seen a corpse. I was shattered.

-Ricardo Montoya.

- Isn't this the journalist who worked at La Gaceta?

-Can not be. Ricardo Montoya. -Aver, he's dead.

-You have to get out of boarding school right away, hear me?

You are in danger. They are going to try to kill you.

-Victory. Victoria, open your eyes.

Victoria, m�rame.

-If only we found the entrance to the passageways ...

We are going to enter the passageways. -What? You are crazy.

-Let's go inside now, to find those corpses.

-If this is Ricardo Montoya,

Who the hell is the guy we've been with these days?

What happens? -That they have locked us up.

-They have locked us up. Very good. But who?

- Yyo qu s ?

-� Yporqu�?

"I hope they didn't find the door to the passageways."

-Carol. We have to fucking warn them. We have to get out.

-I'm going to find something to leverage, huh?

-Carol, where are you going? -Look for the corpses.

-We have to wait for Marcos and lv n.

-This is no way to get rid of it. -Yes, man.

-He's got inside. -But how is it not going to do anyway?

Well hit a stone. Something has to open the chimney.

-�Roque, Cayetano!

A lighter. -But what is this?

-A torch. Don't you see it?

Let's go.

-Let's see. Manage maintenance and laundry.

Supervise the cleaners.

Make them accounts of the expenses, pay the suppliers ...

-Meet me every morning at seven o'clock,

to review the tasks of the day.

-Already. And tomorrow is Santa Isabel's dinner.

-Yes. -Well, what a mess.

-I'm sorry, but it is a tradition in this school: students,

Teachers and the rest of the staff have dinner together one night a year.

-Yeah, and then everyone to their own thing again, right?

-No, then I'll stay as a cook,

Jacinta as a Physical Education teacher and you,

What do you want to stay?

-Well, I don't know if I'll be up to Jacinta's height,

but I will try.

-Quiet, you're going to do very well.

Well, I'm going, tonight I have to make it round.

If you need anything, call me. -Yes, thanks.

-As something happens to Carolina. I shit on the ...

Yes est .

-Lets go to the library.

I think I already know how that door opens.

-�Qu�?
-H�ctor.

-María, are you okay? I just heard noises.

-Yes, all good, Hector. I have dropped some books.

-Okay, I'll leave you alone.

-But what happens? Why are you hiding?

- Better not ask.

-If you've done something wrong ... what have you done?

-Nothing. Skip the curfew.

Qu pasa? Te vas a chivar?

Thank you.

-Aver, but where are we going? This looks like a maze.

We are lost.

"I don't know, Vicky, but we'll have to get somewhere."

Let no one separate.

-These are the same passages you entered through the well.

-I think so.

-�V�monos!

Ah! -What is that?

-I don't know, but I don't care. Let's go the other way.

�Por aqu�!

Aqu�, aqu�.

-�Eh!
-�Qu�?

-It's Alfonso.

-And the five orphans.

(Laughter is heard)

-Thank you for standing up for me in front of Evelyn's mother.

I did not expect.

-Everyone deserves a second chance.

-Chao.

- No? Enter a rato, go.

Come on, and we forget all this and start from scratch.

-But this is absurd, Elsa. You will remain the same.

I am going to remain the same.

-No, but we have been together for ten years!

Are we going to throw them away? Please...

Please, I can't imagine living without you anymore.

Please...

-Am also costs me a lot, but we have to give ourselves some time,

Huh? We are going to give it to us.

-�Pobre Alfonso!

"Yes, Carol, but we have to get out of here."

-Waiting.

-Come on, Carol, let's go. Come on, let's go.

-Quiet, it's me, Montoya. -What a scare!

-We found them. Alfonso is there, dead.

-Why are you here? Where did it come from?

-I've come to get you out of here, okay?

-�Corred!

(Phone rings)

-�S�?

-Where is your head? You have left the stove on.

-What? -The curtains are on fire.

-But ... I'm coming right away!

Voucher. I haven't left a stove on, have I?

-Ah! That? Depending on how you look at it. -Very funny.

Come on, to split. I'm going to bed.

-Have a wine, come on, I've worked it out.

Likewise I have not been seeded, but I have made an effort.

-Come on, Ferm n, see you tomorrow.

-Mar a, what do I have to do to make you stay with me for a while?

-I'm a little tired.

-�Ser� imb�cil!

It is that these days I have noticed that you are very pretty,

you have a very happy smile ...

I thought it was because of me.

-But what smiley? What nonsense!

-How! Have you turned red? -No, I haven't turned red.

-Yes. -No.

-Yes, I notice those things.

And what is clear is that it is not by me.

Can you tell who is the lucky one?

-Nobody. What nonsense! -Come on, Maria.

Who is it? I know there is someone.

-Not at all, but not at all. You are very wrong.

-Since you give me pumpkins, at least tell me who it is.

We are friends, right?

-It is something that is not right,

It can not be.

I have to try to get it out of my head.

-Hey, have you heard that one nail removes another nail?

Love me for whatever you want.

-Well, come on, but I'm going to bed right away,

that tomorrow we have a lot of work.

-�Poraqu�!
-�Vamos!

-Are you okay? -Yes. Let's go.

-Close that. Close that.

-We have found them, Alfonso and the five orphans.

-There was Montoya. I don't know if I'm dead or wounded now.

-�Qu� hac�is aqu�?

It's after 10 o'clock.

I want to see you in your rooms immediately.

�Ya!

And each to his own.

(Knock on the door)

-Paula! What are you doing here?

-Do you want to meet my friend the gnome?

-Have you seen it?

-Yes, it's in my room. It has a pupa.

-Ah! Has it been damaged?

-Do you cure the pupa? It has a lot of blood.

-Okay, let's meet your friend the gnome.

-Okay, but don't make noise.

-OK thanks. -You are welcome.

-Voucher. -If you want juices, there you have them.

-Now we can't keep sleeping.

-Look, I'm sorry, but I'm going to call my mother ...

... and get me out of here.

-This is going to end.

We have the photos of the crimes. We can stop.

-I do not understand anything.

There's something down there that's killing people.

Possibly, Ricardo Montoya is already dead.

-What I don't understand is where the corridors entered her ...

... and why he had a gun.

-That man was not Ricardo Montoya.

-What? -Sight.

The man who appeared dead in La Laguna.

That was Ricardo Montoya.

-Now I know I don't understand anything.

-You sent an e-mail to Montoya,

haci ndote market porAlfonso, no? -S .

-Okay, well, the real Montoya replied, quoting ...

... with Alfonso in the cemetery, but surely the phony,

the one with the metal hand, he also read it.

-Of course, because they have access to the school network. Because.

-So when the real Montoya came to the cemetery,

believing that he was going to meet Alfonso ...

-The fake Montoya, who was waiting for him, took it from him.

When he met us, he pretended to be the journalist.

-Who the hell are you? -I'm Ricardo Montoya.

-I wanted to find out what we knew about what was happening at school.

-Then, we gave the movie with the dead children to the murderer.

-Yporeso did not appear in the newspapers.

-They put a suicide note at the real Montoya's house.

Afterwards, they kept trying to kill us.

First, to Vicky, because she discovered the entrance to the passageways.

-And then everyone, setting a trap for us to get out of here.

'' You are in danger. They are going to try to kill you. ''

-And we will meet him. -But what do you say?

"Call me as soon as you are out."

-That's why, when I called the fake Montoya to tell him that we were ...

... to enter the corridors, I entered through another site. Come kill us.

-They locked me up in Alfonso's room.

-What is it? -They have locked us up.

-He couldn't have done that.

There must be someone, inside the school,

that watches us all the time.

-Yes, but none of this explains who it was that ...

... he put that movie on us in the corridors;

and what was the thing that attacked Montoya and was chasing us.

-He got scared, that's why he left.

He doesn't like older men.

-Paulita, has the gnome hurt you?

-He is not my friend.

He has a very big wound and I have to help him.

-But you won't be able to help him.

-But he's going to die and I don't want him to die.

-Look, you have to promise me one thing.

-�Qu�?

-That you're not going to go out to the forest to look for him.

-Jo, but it has a pupa.

-Paulita, if you promise me, I promise you I'll help the gnome, okay?

-Vale.

-Hala! Come on, go wash up and have breakfast

that you are going to arrive late to class.

It's me. Confirmed, they go after the girl.

Aj . Send me all the facts about the case right now.

No, I need them now.

-lv n, your father wants to take you to eat.

Apparently he has something important to tell you.

-How are you, lv n? How are those studies going?

-Everything's fine.

-It's been a long time since you and I have talked.

-Already. What is that so important? -Come on, don't make that face.

Look, I'm going to take you to a barbecue nearby and ...

... we are going to put on our boots. What do you say to me?

-Better than the shitty pottage they put here.

-Fuck, who do you think is watching us inside the school?

-No idea, but I still can't sleep.

-We already have the photos of the corpses. We have evidence.

-Every time we've had evidence, they have been taken from us.

First, the eyes in formaldehyde; then the movie.

-I am not going to separate from him for a second.

We will send all the photos to all the newspapers.

-You can put the mails. -From the mobile.

- Does it seem serious to you to send the photos of the crimes ...

... from mobile? They will not ignore us.

-You have to send them by mail.

-Let's go. ld sit down.

Aver, before we start, announcements: I remind you that ...

... tonight the traditional Santa Isabel dinner is celebrated.

-What's that dinner about?

-The students, the teachers and the service sat down ...

... all together for once. It has its grace.

-Novoa Pazos, they are waiting for you in the director's office.

Cayetano Montero, go out and urgently call your parents.

Miss Leal, is that a cell phone there you have?

Don't try to hide it.

He knows perfectly well that it is forbidden to have them in class.

Bring it here right now.

Vamos. ''Time flies''.

-Yeah, yeah. -I'm waiting.

Thank you. Ah! And since she's up, she doesn't sit down.

Take the chalk and decline on the blackboard:

soldier.

-Hello. -Come in, sit down.

How is everything? How are the classes going?

-Well. -Well.

-What is it?

-I have received some papers from your lawyer, a power of attorney for lawsuits.

We have to start processing the death of your parents.

I have already signed it as your legal guardian.

You just need to sign it.

-I am not going to sign anything. -Why?

-Well, because there is no death to process, Hector.

My parents have disappeared and no one has seen their bodies.

-And they may never do, but that doesn't change the fact ...

... that your parents have died.

-Look, my parents knew that area like the back of their hand.

It is an archipelago with many islands.

Right now they could be in any of them.

-Marcos, yes reasonable. The rescue planes would have seen them.

-Or not. It is not that easy.

-Your sister, with five years, has already assumed it.

She knows that your parents have died.

-I don `t believe.

What have you told him? -That they're in heaven.

�Eh!

-Mr De la Vega,

I have to take the boy with me for a couple of days on a family matter.

I guess there won't be a problem, right?

-It is not good that I lose class, but if there is no other remedy.

-It is. Tonight I'm coming for him.

(A cell phone rings)

-lv n, how about your father? -Well well.

- Are you sure? -Yes, yes, very good.

Hey! Don't you know what I'm going to do this summer?

I'm going on a sailboat with my old man.

(CHlSTA)

And look what he's given me.

Let's go to study.

-What does your father want? -What?

-Come on, lv n. He invited you to eat.

He tells you that he is going to spend the holidays with you.

It gives you money. I will want something in return.

-Do you have to want something to be with me?

He is my father. -Because. We know him.

-Already. -It's very strange what he's doing.

-Yes? How weird?

-Do not be angry.

I just want to help you.

-What is it, what do you feel sorry for?

-I don't want them to hurt you. -Do you want to shut up, please?

-Look, leave me alone and don't go where they don't call you.

-As you like,

But if you need something, I'll be there.

-Hello. -Hello.

-What a beautiful drawing! -Look, this is me,

This is you and this is the gnome.

He has a wound. I was going to put it with the photos of dad and mom.

Do you remember? This is me when I turn three.

Look mom how pretty.

What was the most beautiful in the world?

-S�.

You look a lot like her. -That's what Daddy said.

-Paula,

Hector told me you've been talking about daddy and mommy.

-Marcos, are we not going to come back, will you see dad and mom?

-Do you know what I do?

Every night, every night when I go to bed

I close my eyes and I remember them.

Yas , although everyone tells me that I will not see them again,

I see them in my dreams.

-But don't be sad.

Do you want us to see the two of you together the photos of dad and mom?

-Vale.

-I'm still here, yes.

Hey, we have the judgment won. My ex is going to eat her, she demands.

You make sure the press doesn't come, huh?

As it is published that they accuse me of mistreatment, they creak me.

-Yes, yes.

I already told you that I cheated on the boy easily.

Yes, he has seen things, but the kid will say what I want;

for the account that brings you. Ok, yeah, let's talk.

-Come on, don't screw me. But what the hell do you have to think about?

Elsa and you have known each other forever.

Ok, she's a bit of a witch and you're a bit on the inside,

but you already know that. You're freaking out about the wedding. Normal.

-Can be.

-You really, you eat your head too much.

She loves you, you love her.

Well that's it, stop fooling around and fix yourselves at once.

-Things are not so easy. No.

There is something that is not as it should be.

- El qu ? To have.

-I don't know, I ... I no longer have illusion.

-�Desde cu�ndo?

You asked him to marry you only three days ago.

So you were excited. Not now. What has changed?

Because nothing has changed.

�O s�?

You won't tell me you've met someone.

-Nerd.

-H�ctor, m�rame.

Who is it? -There's nobody, damn it.

No, the problem is me. Just me.

-Give me another envelope.

The more we send, the better,

the more likely it is to be published.

(TlRAUNATAZA)

-But hey, man, what's wrong with you?

-I'm really sorry.

-Since you have spoken with your father, you are for grapes.

Have they taken your pay or what? -No. They separate.

-Ah! I fell, sorry, I did not know.

-No, if nothing happens.

I'm up to the hat to hear them argue.

- What about your mother? -Huh?

-That if you've talked to your mother.

-�Para qu�?

-How is he? -Also, Camilo has my cell phone.

-Well, take Carol's, but call her.

-What do I say? How is he and stuff, huh?

-How are the guys!

Always pretending they're never fucked.

-And if not, look at lv n.

Rather dead than admit he's done shit.

Hey, what does he tell you?

-Nothing. It is not like before.

Since when do you care so much about lv n?

-�Am�?

Well...

Since ever.

-Really? -Yes.

-But you never said anything to me.

-Is your boyfriend. What do you want me to tell you?

-I mean, all this time,

You were cast by lv n and I without knowing.

-Look, lv n is great. -Ah!

-So don't make him suffer.

-I don't want to make him suffer, but I'm a mess.

-That's a lie. We already know each other. You don't have any trouble.

You know perfectly who you want to be with

what happens is that you don't dare.

-Pap�, oye,

One thing, I don't know if I'm going to be able to go to trial.

I have an exam and ...

Yes, it is that ... it is very important.

I can not miss.

Okay. Take it easy, don't be angry.

That I'm not going to fail you, okay?

Come on, yeah, I'm going to go.

Yes, the exam now ... when it comes, I'll get it back.

(The doorbell rings)

-lv�n. �lv�n!
-�Qu�? �Qu�?

-For.

-But why do you always have to be behind me?

Leave me alone, fuck. -He was your father, right?

-�C�mo?

-lv n, don't let me force you to do something you don't want.

-But what does it matter to you? What do you know?

-He wants you to testify in court. I have found out by chance.

Don't do it, lv n.

-But who do you think you are, my mother?

I'm going to do whatever I want, whatever comes out of my eggs.

Do you ever get tired of sticking your nose where they don't call you?

-Your father may not be behaving well with you.

-How is he not being nice to me?

-Hey! What is happening here? Maria, are you okay?

-S�, s�.

I got dizzy and lv n held me down.

-Go to class right now.

Maria, what is happening here? -Nothing.

-I've been thinking about what you told me,

what you were here for me.

-Carol, I think ... -Let me finish.

And I want you to know that I do too.

That for me it would not be the same without you.

I'm going to break up with lv n. -Do not do that.

-Why? What happens?

You told me ...

Have you changed your mind?

-No, I haven't changed ... -Then, I don't understand.

-Can not be.

Look, Carol, I'm not going to stay long at this school.

As soon as I can, I'm going to take my sister and ...

... I'm going to leave here with her.

Please don't look at me like that.

This should not have happened.

I don't want it to happen. Sorry.

-Already. You don't have to make any more excuses.

I already got it.

I don't bother you anymore.

-But hey, when have you done this to yourself?

-At recess. I have fallen. - How did you not tell me before?

Aver, let's go to the curarte.

-Ah! It stings.

-But well, if this is nothing, and less for a brave like you.

Aver, if I don't cure it, it can get infected.

- What happens if it gets infected?

-Well, the wound gets worse and it is more difficult to heal it.

-�Ah!

-You see. This is it. Didn't anything hurt you?

You two, let's see. Sergio, Daniel ...

-What are you doing? -We have to go heal the gnome.

If not, the wound will become infected.

-Are you going to escape to the forest again?

-Yes, because if not, it will get worse and then,

it is more difficult to cure it.

-Hey, forgive me for the grab from before, okay?

- I forgive you.

lv n, one thing,

Are you going to declare?

-But what's wrong with you?

Do you have any special fixation with me?

Stop getting into my life now. -I just want to help you.

-Well, don't help me. Has someone asked you to help me? No.

-lv�n.
-�Qu�? �Qu�?

-I saw your father beat you the other day.

And I'm sure it wasn't the first day, was it?

You cannot testify in their favor.

You have to tell the truth in court.

If not, I'll keep doing it to you and other women.

You can end all this.

-Ya.

-And the third grade grades.

� Yesto?

How nice and outgoing this girl is! No?

And how well she gets along with men!

Look, I'm already tired of being the bad guy, you know?

But I think you should take action.

-Hey, the postman is already leaving. -Let's go.

-Come.

-Let's go.

-Wait. Sir, wait.

-Very good. Good morning

-The nightmare is over. -It's over. It's over.

-lv n, your father. -Hi, beautiful, nice to see you.

How was your mom? -Well well.

-Are you ready?

-Can we talk for a moment?

-Ok I'm leaving. See you later.

-Bye. What happens?

-I know that the trial is very important to you,

but I don't want to.

I do not want to lie.

-But you're not going to lie.

Look, son, truth and lies are very relative.

Well it's true, I once laid my hand on that woman,

but she wanted it. He was always prodding me.

-Ya. Yo Yyo qu ?

Were you also looking for it?

-People change.

What do you want, put me in jail?

I am your father. That is not done to a father.

Please...

Go to your things.

-Mar a, come in. Close the door.

Sit down, please.

What I have to ask you is very difficult for me,

but I have to ask you.

-What happened? I have done something wrong.

I already know that Jacinta's position is a bit too big for me,

but I am trying. -It's not that.

I've seen Ivan Noiret leave your room twice.

What kind of relationship do you have with that boy?

-None. We get along well.

-lv n is a minor, Maria.

-One moment.

I am not thinking that lv and I ...?

But what kind of person do I think I am?

-I'm sorry, but as director of this school, my obligation ...

... is knowing what is happening. Are you going to tell me?

-Of course.

What happens is that a boy and I get along well. Point.

In my contract, it doesn't say anything about ...

... I can't relate to the students.

-Sorry, but yesterday, unintentionally,

I heard how you told Ferm n that you have someone in your head.

And you also told him that it was something that was not right.

-You still don't know who he was talking about, right?

-One plus three. (THE TWO) -Four.

-Five plus one. (THE TWO) -Six.

-Three plus four. Seven.

-Have you seen Carol? -No, why? What happens?

-No s�. D�melo t�.

I was crying. He says he will not go to the Santa Isabel dinner.

I can't find her anywhere. -Have you looked in the attic?

-Oh! No. -Stop. Wait, I'm coming.

Go to the shower, now I'm coming to make you pretty for dinner.

-But it's for the best, man. When your parents separate,

double the pasta, double the gifts, double the holidays ...

-Yes, well, but it's also a stick.

-A stick of what? -Fuck, that they are your parents.

It would hurt me. Hey, but if you're happy, I'm happy.

And what was it? That they fought a lot and that, right?

-No, my mother has hooked up with my father's brother.

-�Ah!

- Yahora qu co o hago yo?

-Well upstairs, man, upstairs.

Come on, after all, everything is in the family.

You don't lose a uncle, you win a father.

Okay, I shut up. Look, you know what we're going to do?

Right now we're going to the pantry and spilling some beers. Are you coming?

-No, I can not.

-Come on, let's go. Today we need them. Come on.

-Very nice, huh? At dinner time, all together,

but when it comes to working,

I do not see the director or the head of studies.

-Hey, I'd better stay in case the gnome comes looking for you.

-You're a coward. -Is not true.

What happens is that I am not very friendly with the gnome. You are her friend.

-Okay, but don't tell anyone.

-Come on, come on, time is running out on us.

- Will you sign me here, beautiful?

Well come on, until next week.

-Bye. -How does this weigh! No?

-Are you going to come down for dinner? Everyone is downstairs.

-What would it have been like?

If you didn't have a sister to take care of;

if you weren't going to leave here;

if your parents hadn't disappeared;

if i weren't with lv n.

What would it have been like?

Do you know what makes me sadder?

Think about the kisses that we are not going to give each other,

in the things that we are not going to say.

�Qu� tonter�a! �No?

How can you miss something that never happened?

-Sorry.

-Me too.

Vete.

Vete.

-Se or Noiret. - S ?

-You...

you do not treat your child well.

-�Qu�?

-Don't make him lie ...

... or force you to testify at that trial.

And above all, do not put your hand on him again.

-What does it say? But who the hell are you?

-Someone who knows things.

Like for example, that you bought that child.

And I can prove it. You better follow my advice.

Good evening, Mr. Noiret.

- Have you seen Carol?

-No.

-�Gnomo?

Gnome, d nde est s?

�Gnomo!

Light again?

-But well, what are you doing here?

-Carol.

-Yes, Jacinta, we already have dinner ready.

Relax, the building has not fallen on us yet.

S�.

Come on, what a life you have to be giving to the nurses.

Come on, calm down, yes.

Take care, huh? I'll call you tomorrow. A kiss.

Vale.

-How is he? -Well, everything went well.

-Hey! Come on, woman, it won't be that bad either.

Give it time. He's a little nervous about the wedding, nothing more.

-No. No, I'm losing him. I know.

-Don't be tragic to me, woman.

Like you've never had a crisis!

-This is not the same. He has no illusion and ...

Ow! I don't know if I'm going to be able to bear it.

-Of course I do, woman. How can you not bear it?

You are a very strong woman. Don't tell me nonsense, please.

Besides, I'm sure he ... -Pedro, I'm pregnant.

-AND,

Whose is it?

-�Gnomo? �Gnomo! �D�nde est�s?

Gnome.

Gnome? Hello.

Are you not going by taxi today? -Not today.

-Have you seen the gnome? -Come with me, Paula.

-I have to find my friend the gnome to heal him.

-I'll take you. Come.

-Come on, come on, we're late.

You dropped this. -What? Ah!

-Let's go.

-Carol, this is a drawing that my sister has made for me.

This is her, this is me and this is her friend the gnome.

-When did your sister give you this?

-This morning, why?

-This ... -What's wrong with you, Carol?

-This man, or whatever, was the one we saw in the corridors,

the one who attacked Montoya. -What?

-Your sister has painted the wound on her leg.

He has seen him after Montoya shot him.

-Where are we going? I'll heal your pupa and we'll come back, huh?

If not, I'm going to miss the Santa Isabel party.

And I want to go, because my teacher says it is very funny ...

... and we have to get pretty.

My friend Evelyn is going to wear a red dress ...

... that his mother gave him.

-�Evelyn! �Evelyn!
�D�nde est� Paula?

-Now it comes. -Yes, but where is he?

-I can not tell you.

-He hasn't gone to the forest, has he? -Acuraral gnome.

`` And we are going to paint our lips and eyes ...

... like older girls.

Marcos won't let me, but since today is a party, I'm sure I won't laugh.

Hey, gnome, why don't you come to the party with me?

That way you won't be alone all the time.

There, everyone has friends like me and Evelyn;

or like Marcos, who has a lot of friends.

Although I think that the one who falls the best is Carolina.

I think it's his girlfriend.

But don't tell him I told you, because then he gets mad.

I don't understand why when the grown-ups become boyfriends,

Are you ashamed to say it, are you? ''

-Chocolate cake!

And if you come, I'll show you the mural we've made with the sign.

There is going to be a lot of food and you can eat whatever you want.

And you can sit with the grown-ups.

I'm going to sit with Marcos, with Evelyn and with you, okay? ''

-Elsa, do you want to sit down?

- Is there a lot missing?

We are already very far from school and it is very dark.

Volvemos ya?

Are you mad at me?

-Paula.

-�Paula!
-�Paula!

- Paula!
- Paula!

-That toast, that toast. I also want to.

-Hey, precisely today, I think you should not leave alone.

Why don't you go and sit with Elsa?

-No, Pedro, no. It's improvements . This is over.

-You can not be serious.

-I have never been so serious.

Hey then, I think you should know something, bro.

Elsa is pregnant.

-He just called it the Civil Guard.

They have found the body of a student in the forest.