All language subtitles for El internado S1 E04

-Do you want to marry me? Yes?

-As you leave me standing again, Hector, I will not forgive you.

From Hector, at least two meters.

- Ysi no?

-Buenos d�as.

-I asked Elsa to marry me.

-�Enhorabuena! �Ven aqu�, co�o!

-After ten years, it had to be.

-Tell Elsa that I made you a confession.

Tell him I've been crazy about Amelia for years by secretly wearing him.

-Do you know what Pedro told me?

-What? -This can't get out of here.

-Before the day is out, Amelia knows.

- Mar a! - Puedo enter ?.

I would do anything to help me find some papers.

-You are a child, how can you have a 16-year-old son?

-I had it when I was 13. Nobody had helped me without asking me for anything in return.

Have you found it?

�lv�n!
-�Su�ltame, co�o!

-It has cost you a lot to get here.

Even if it is the last thing you do in your life, you must win the kid.

-Then we will have to make you a worse one, huh, you fucking maid?

-You are as crappy as your father.

-Who are you? You don't know anything about me.

-Just one thing: that you are not like your father.

-Hi Carlos. What do you have? -Check that print, please.

You son of a bitch!

-How are you going to get to the secret island if you don't know where it is?

-I wait for a taxi and ask him.

Are you a taxi? Are you taking me to the secret island?

-Sleep, everything is fine.

-You have to leave this school, it's dangerous.

-�D�nde est� Alfonso?

-The school has decided to dispense with it and period.

-Esteban L., Jos E., Samuel E.,

Francisco H. and Lucas P. -And there is something else.

October 5, 1972. La Laguna Negra Orphanage.

-They're eyes! -Eyes?

- Yesto? This is the well down there, right?

-Why would you put '' The door ''? -Here's the door.

-Well, let's go inside. -Ah!

�Oye!

-�Eh! �Eh!
-�Socorro!

-�Estamos aqu�!
-�Ayuda!

(READ) '' First there was the light ... '' -And then the crimes began.

-I pretended to be Alfonso and sent an e-mail to the journalist,

to this Montoya. -Are you crazy?

They erased Alfonso's email in our noses,

and they can also read yours. Do you want me to tear your eyes out?

-I was in contact with Alfonso, he is the only person I trust.

�Se�or Montoya!

�Ah!

- See you tomorrow, Vicky. -Until tomorrow. Good night.

�Carol?

How strange!

- Puedes come?

-I can not right now. -I need to see you.

-Are you okay? -No, I am not ok.

See you tomorrow where always.

-Lv n, he's dead! -No, hell!

(GlME)

-What happened?

Who are you? -We are friends of Alfonso.

-What friends or friends?

But here the question is: who the hell are you?

-I'm Ricardo Montoya.

Where is Alfonso? -Disappeared a week ago.

-God! I told you!

I told him not to go in there. -What?

-Alfonso is dead.

-This is fucking crazy!

You have to notify the Police. -No!

You can't go to the Police,

you can't talk to anyone. If you do, you are dead.

Alfonso and I have been investigating the disappearance for 20 years ...

... of five orphans from school. I sure found the corpses,

for that they have killed him. -You are a journalist, right?

Why don't you publish what you know? Or better yet, why not report it?

-With what evidence? Tell me.

This,

this they did to me.

-Well, well, well!

-I won't say anything except in the presence of my lawyer.

-Don't be terrific and tell me.

-Let's say that now I understand why he is the Gymnastics teacher.

-Don't ask the elm for pears. -No, it has its little point ...

...Tender. It's fun, it's sweet, it's ...

Well, it hasn't been that bad either. -You're getting caught.

-Well, no, not at all, no, no. This is what has been and is already.

How are you? How was your dinner with Hector?

-Do not make me speak.

-Don't tell me he gave you a stand again.

-Then I got into a taxi and went to the secret island.

I wanted to stay with my parents, but I don't know who brought me ...

... back to my bed. -Paula,

Who are you talking to? -I'm talking with my friend...

... the gnome. -Ah!

-I present it to you? -No.

What I want is for you to get dressed. -No, it's true, the gnome is there.

-Come on, it's very late, it's very late.

-It's true, Marcos, the gnome was under the stairs.

"Yes, yes. Come on, get dressed."

Where is the jacket? The suspenders.

To have.

Is something wrong with your eyes? -I get itchy a lot.

- S ? To have.

That's because you haven't washed them well, Paula.

Now we go to the bathroom, wash our face ...

-I told the gnome that I have a brother, but he doesn't want to ...

... meet you because he is very ugly and he is ashamed to see you.

-Well, tell him not to be ashamed. Come on, come on, run.

-Mar a, write the menu on the board ...

... I'm late with breakfast. Do me that favor. Stew of ...

... chickpeas, sautéed broad beans, fried eggs and flan. Thank you.

-I'm freaking out. Do you think it is true that they watch us?

-What do you think? We found some eyes in formalin and we ...

... they turned the room upside down to take them from us.

-I don't know what happens in this school, but I want to get out of here.

-�Un caf�?
-S�.

-Look, how good! - ''Potage ''?

Hey guys, you guys want a potage? -No, it's in French.

-What good!

-H ctor, you should send Ferm n a week of stables.

No, I'm lying, two. -Ferm n, write the menu in the ...

... blackboard is your responsibility, Maria already has hers.

-Ah! What were you? Come on! This is trampling; not spit. Either,

this is shitting on grammar. -Noiret, do you want us to read ...

... your classmates your exams full of nonsense?

With '' B ''.

-Trees can live longer than people.

-What is that? How ugly! -He's my friend the gnome ...

... and it's very good. -But this is very confusing,

I think we will go on an excursion to the lagoon this afternoon.

(ALL) -Good! -We can see ...

(There is a knock at the door) Good morning, Mariano.

-Mail. -Thanks.

Guys, the mail. (ALL) -Good!

-Patricia,

Mari ngeles,

Evelyn.

- For me there is nothing?

-Well, nothing has arrived today,

But you'll see how your uncles and cousins will write to you the next day.

-I want my parents to write me.

-Tell me, Mariano.

-Paula, if you want, we can read my mom's letter together.

Do not be sad. If my mom sends you a little kiss!

Sight.

(READ) '' A kiss for your little friend Paula. ''

-I want my mom to also send me kisses.

Evelyn, I think my parents are dead, because if not,

they would write to me. -This afternoon we will go ...

... to the forest to be able to see it from the age of the trees, the leaves,

whatever animals there are ... and we can bring something ...

... and we do a mural next day, okay?

-Explain to me what you do by dying with the botafumeiro.

-lv�n, su�ltame.

That was nothing. -You're going to tell me ...

... I didn't see what I saw? -Good morning.

Open the books to page 20, please.

Let's go guys.

Leo. (READ) '' Under the government of the ...

... tsars, imperial Russia ... '' -Is something wrong?

`` ... modernized that looks to the West from the century ... ''

-That we have to find those corpses so that ...

... the journalist uncovers everything. -Do you want to shut up?

'' What characterizes the regime ... '' -Marcos,

we have to go back down to the well. That's the door, you saw it.

-Carolina, hush.

-Yes, but that door is bricked up.

To throw it away we need a pick, a shovel ...

"Well, that's it. Get out a blank piece of paper."

Exam. -What? Without warning?

-Sorry, nobody has studied. -You can't do this to us.

-This is a continuous evaluation, and if you attend in class,

You will know the lesson every day. First question:

social consequences of the Industrial Revolution.

What happens? You have no idea, do you? -No, no.

-¿ And you, Victoria? Either.

I certainly don't know what you think you are at this boarding school for.

Get the six of you to the principal's office immediately.

-But ... -Come on!

And show them yours.

-Everything about Héctor de la Vega.

You were not misguided, keep pulling the thread.

You already know what you have to do.

-Aver, so that I understand. You tell me that you think it's wrong ...

... that Elsa gave you an exam.

(ALL) -Yes. -It has been a punishment,

and an exam cannot be a punishment.

-Besides, it's not fair. -Yeah, yeah.

And what you want is for me to talk to her so she can repeat it to you.

(ALL) -Of course. -Of course.

In other words, you ask me to disavow a teacher. Not better,

to the head of studies. And why? Because it seems wrong ...

... get a test if you get caught talking in class.

Victoria, you have an average of a nine and you, Carolina,

you've never gotten a zero. But the least thing is the exam,

Right? Have you seen the faces?

What did you do last night? Study us, that is clear.

-Nothing. (ALL) -Nothing.

-There's nothing you want to tell me.

: - * - They have killed Alfonso. -Victoria!

-D�jame.
-�Qu�?

-H ctor, it does seem impossible. There's no way to show

but we know he's dead. -You know he's dead,

that is, they have killed him. -H ctor, I swear, seriously.

D�jame, Carolina.

(READ) '' Dear Hector, I send you a big hug from ...

... the heart of the Mayan Empire. You don't know how good I am ...

... sitting down, you were right, I needed to rest.

Say hello to everyone for me. Alfonso. ''

As an excuse to leave a blank exam, I find it despicable.

Victoria, I don't recognize you. You have something else to contribute ...

... to this very interesting meeting?

-You can't go to the Police, you can't talk to anyone.

-No. -Then go study ...

...immediately.

-Aver, esc chenme well,

what we have to do is go to the reading room after class,

we take the picks, the shovels, we go to the well and throw the wall ...

...down. That's the door, he says it very clearly in the drawings.

What happens? -Carol, we're not going.

-How are we not going? Huh?

I do not understand. You guys just saw it now.

We cannot trust Hector or the Police or anyone else.

Why don't you want to come?

-I could give you 17 reasons. But summing up,

so that they do not cut us apart and tear out our eyes and hands.

What do you think of that? -This is amazing.

-�lncre�ble?

I just got a zero and we haven't slept for like three days.

Carolina, I'm here to study and it's hard for me ...

... effort to me and my family. Do you want my scholarship taken away?

-Alfonso is dead. I don't know if you remember, Victoria. Dead!

And someone, who is not sure who the hell he is, who is sending postcards ...

... impersonating him. And are you talking about your scholarship?

-Yes! Because thanks to that scholarship, I will do something interesting in my life,

instead of serving kiwis at my mother's fruit shop.

But of course, it is normal that you do not understand,

because you're a posh girl who doesn't have these kinds of problems.

"Who do you want to impress by being heroic, Carol?"

Because not me anymore.

-Marcos, it seems that we are going to have to go down to the well alone,

because these have cracked.

"I'm sorry, Carol, but imagine something's wrong with me."

I am the only person my sister has in the world.

-Do whatever you want,

whatever they want.

I'm going to the well and I'm going to tear the wall down

And I am going to find the corpses even if I am alone.

-You've come. -Have I ever failed you?

-Yes, last night.

-Well, what was wrong with you? -Well, the usual.

-I don't know what you're complaining about, you're going to marry him, right?

You have already got what you wanted. -No, Pedro,

what I want is much more than signing a paper, it is ...

Well stop feeling lonely

-You never have enough, Elsa, that's the problem.

-Well, what about you? Did you have a good time last night with Amelia?

(R E) -Why? Do you mind?

-No.

-I think you would stay with this one.

This is better.

-No, if I was just dusting them.

-Man, look who we have here.

-The master has told me to come talk to you.

-Wait, I'm low.

Sit down. Do you know why I sent for you?

Because I want you and me to be friends.

And I have been told that you are a little sad, is that true?

�Vaya!

And why are you sad?

-Because it seems to me that my parents are dead.

-You know what, Paula? Sometimes the people who love us the most leave,

but not because they want to leave us, but,

well, because we all have to leave or later.

Do you understand that?

No.

-Where are they going? -They go to heaven,

but it is a beautiful place and a lot of fun.

-Why? Because there are swings, sweets and chocolate.

-Exactly, because there are swings, sweets and chocolate.

-Where is he? -It's far.

Yes, it's far, it's ... Well, beyond the sea.

-I want to go to heaven with my parents.

-Yeah, but I don't think that's a good idea.

-Yes, because then I would leave Marcos alone.

-Of course, you said it, because you would leave Marcos alone.

You are a very brave girl. You know what?

I'm going to give you a gift, here.

I'm going to read you this story, it's beautiful. Do you feel like it?

-Okay, but don't tell Marcos that my parents are dead,

because if not, he will get very sad.

We'd better tell him they're on the secret island, okay?

-Vale.

Robinson.

Robinson was an English sailor,

But his ship was wrecked and he went to live on an island. Do you see it?

-What does it do?

-Well, he's sending a letter in a bottle.

He is throwing her into the sea to reach her destination.

That's Robinson and he lives on an island.

-What did it say in the letter? -Things of older people.

-Eh...
-�Qu�?

-I have an idea.

-Evelyn, wait.

But where are you going? -Good morning.

-Good morning. -The juice.

-Thanks a lot. -You are welcome.

-What imagination have children! Huh?

-Yes, yes. It seems to me that they watch a lot of movies.

-Elsa...
-�Qu�?

No, wait, let me guess: an unforeseen occurred,

it was urgent and you could not warn; as usual.

-Look, if you want I can explain it to you or you can make a mountain out of this.

Do we always have to be on the tightrope?

-No, sorry, we are exactly where you want us to be.

Yes, you tell me that you want to marry me and you tell me this,

And you tell me the other, but the truth is that you never have time for me.

First you are you, your school, your students, you, you and you.

But if even the maid is ahead of me!

�Sabes qu�?
-�Qu�?

-Well, you are an egotist, Hector, and that I feel alone, very alone.

-Elsa, I would very much like to know how to make you happy, but ...

... you are not happy with me.

-I'm not happy with you, Hector, because I don't have you.

-We have talked about it a thousand times, nobody has anybody. I love you.

-That's not enough.

-Mar a, what time did you get up today?

-Wings 05:30, like every day. -Are you done doing everything?

-S�. S�, s�.

This is my break time.

-And it seems good to use your break time to study.

-Well no.

-Well, yes.

Congratulations, I admire you. -Really?

-Of course, it is very good that you want to study at your age.

-At my age. -I mean being older.

- Are you calling me old?

-I better shut up before continuing to screw up.

One thing, I'm going to give you a much more practical manual than that.

If you want, write me something and I will correct it.

-I really would? -Of course.

-Do you need something?

-No, I was helping him with grammar.

-Yeah, with the grammar, huh? -Well, I'm going to class.

-�Qu�?

-Nothing, if Hector is going to give you a hand,

you better you button the button, huh?

-Mister Montoya, I'm Carolina.

Look, we know that the door to the passageways is in the well,

and I'm going to enter. -But are you sure?

-S , s . Always.

(GRlTA)

You have come!

-How am I going to let you go down there alone, Carolina?

Hey, hey! That doesn't mean I have forgiven you, okay?

-Vale.

-Okay,

I go down and you watch.

-Jacinta, am I okay?

-Very good.

(You hear breaking glass)

-What is it? But what do you do? Let's see, carefully.

But what do you do? Watch out. You could have broken your head.

We'll see. Let's see, a question.

Can I know what you are looking for?

-A bottle.

-A bottle for what?

-To send a letter to my parents, who have gone to heaven.

-To heaven. -Yes.

And as the sky is beyond the sea,

that's why I'm going to put the letter in a bottle.

-Like Robinson.

-�Ah!

Let's see, wait. We'll see.

And what do you think of this one, eh? I think it's the prettiest, right?

(BOTH) -Yes.

-Do you think it will get to us?

-I'm sure. -Okay thanks.

-It doesn't surprise me that you are exhausted, this is a tough sport.

Come on, hell, no! The same was Amelia, who left you for the drag.

- Less guasita, eh? What matters is that the bet was won by me.

Aunts are unable to keep a secret.

-Yes, you're right. -Castling.

-I is not...

I am not able to decode them. -You have fought with Elsa again.

-Let me ask you a question, but I want you to be honest,

�vale?
-Vale.

-You have known her your whole life, long before I appeared.

What the hell am I doing wrong?

-Eh ... I think ...

I think Elsa is alone and feels that she doesn't have you.

What happens?

You told me to tell you the truth. -Yes. Yes, yes.

Check.

That is exactly the same thing that she has told me,

in his own words. Have you talked about it?

- What's up, not at all!

-You talked about it, okay.

Well, I know what she thinks.

Would you mind telling me what you think?

-Do you really want me to tell you? -Of course.

-I, what you, I would not lose it.

Checkmate.

-Come on. How slow you are! Huh?

Who remembers what A ^ melia said? Deciduous and leafy trees ...

(ALL) -Perennial. -Very good, huh?

Well, now I'm going to show you what a fern is.

But don't let anyone separate from the rope, huh?

-Well. Well.

Good morning, Sandra. -Hello.

-� YAmelia? �D�nde est�?

"Come on, come on. Now."

-Don't you know what it's called? (ALL) -Gustavo.

-Do you see how good it is? (ALL) -Yes.

(Gasps are heard)

-Do you think the bottle will take a long time to arrive?

(Gasps are heard) Look how beautiful!

(Gasps are heard)

-How, can you tell what these two naughty girls are doing here?

Come with your companions. The last time you let go, huh?

(Gasps are heard)

-�Ay!

Frames! What are you doing here?

"I'm not leaving you alone, Carol." We started in this together

let's finish it together. -You were right before.

You are the only person in the world that your sister has left.

I remind you that down there they tried to kill us.

-I haven't forgotten anything about what happened down there.

Ya ti?

-No.

lv n has come to help me.

-Voucher. Between the three, everything will be faster.

Let's go find those corpses.

-You have been very cute, Ferm n. Although I will practice more ...

... the thing about not leaving the line or they will leave you without recess.

-Very funny. Paula has done it. -Well, very good.

And?

-This I have seen in the forest.

-You're going to have to stop smoking a bit, kid.

-Come on, Jacinta, you've been at this school for more than 20 years.

You know the forest like the back of your hand, you had to see it.

-Well yeah.

On full moon nights we meet this one, the werewolf,

the ghost and I and we had some wines, doesn't it screw you? Pull!

-Ya est .

-Mar a, what does a woman need to be happy?

-How? -That.

-Well, I think I'm not the most suitable person ...

... to answer that, I suppose, why not ...

I have not had many occasions to be happy.

-�Ah, no? �Porqu�?

-There are people who are born with a star and people who are born with a star,

and I'm one of the second. But hey, I'm not asking that much either.

I am satisfied with looking someone in the eye and being able to say ...

...''I love you''. With that, I hit a song in my teeth.

Well, that would be enough for me.

- Only? That they love you doesn't matter?

-lmport, but less. Man if you want to receive

You have to give first, right? -Of course.

-By the way, will you receive it with '' B '' or with '' V ''?

-With whatever you want.

Let's see, a single major mistake.

Subject, verb, predicate.

-�Ah! �Eres tonto?

You want to kill me? -That's your style, isn't it?

Picary chop until you get what you want.

Besides, don't you have a little sister to take care of?

-Look, lv n. -Tell me.

-I just want to pull down this wall and find out the truth.

-What do you think? What am I an asshole?

You've come for my girl and I'm going to tell you one thing:

as long as you don't get it out of your head, I'll rip it off.

-Take it to me if you want, with that you won't get anything.

-Ah, no? -No, because here ...

... the only thing that matters is what she wants.

-And my things? -Ah.

What happens?

Yesa blood?

Qu te pas ? lv n. Lv n! : -O - Quita!

-Too acompa o. -Qu date ah .

Qu�date ah�.

-�Marcos!

-Ferm n, do you have a greaseproof? This is not coming out.

-Wait, take,

try this. -Thanks.

-Of course, if the students studied ...

... half that you, better go.

Mother of God! But ... how did you do this to yourself?

Let me see. It doesn't seem very deep.

-Jacinta, do you want me to heal him?

-Better. Yes, I have a lot to do.

Ferm�n, ay�dame.

-What happened to you? -Nothing. Playing football.

-If your mother were here, you ...

I would scold you. -I don `t believe.

She is dead. Watch out.

-Sorry. No ... I didn't know.

You must miss her a lot. -What does it matter to you?

I have not come to tell you my life. Go on. Ow!

Ow! -Sorry.

-Can I ask you a question?

What do you have to do to make you hate someone?

-Why do you want them to hate you?

With me you will not get it.

-Thanks.

My mother committed suicide.

Look what he loved me.

Do you think I have to miss her?

Sure, as he is the only plumber ...

What a scoundrel! -I don't mind paying you now,

but I want you to fix it. How much do you need?

-600 euros.

How was the new student?

-�Mierda!
-�Qu� alumna?

-The one from: '' Congratulations. I admire you''. -Mar a?

She is a smart girl and a fast learner.

Why shouldn't I help her? -No, it's fine.

The only thing is, let's see if you are going to teach him too much.

"Here comes this, Jacinta?"

What's so weird about me throwing you a cable with grammar?

-Of weird, nothing,

but it is curious to see you there, at the head of the new NGO ...

... Teachings Without Borders. -Look, when you become a witch,

there is no one who follows you. -You do follow me.

You follow me too well. Hector, although not apparent,

I have an age.

-�Co�o!

-Okay. -Oh!

�Ay!

-This is huge. Let's go.

-Marcos, wait for me. -How cold! Leave me a sweatshirt.

Taking. -Take.

How far does this tunnel go?

(A noise is heard) Run!

Aqu�.

Turn off the light!

(Stomping is heard) (CHlSTA)

(GRlTA)

-Lv n! What are you doing here? -Bring reinforcements, Carol.

What do you think? That I was going to leave the two of you here alone ...

... that you did all the work or what?

Upstairs Caye has been watching.

-Yes, watching, but he's scared.

- And Vicky? -He didn't want to come, Carol.

-Come on, Roque.

-What do you think? What was going to put it on a tray with Carol?

-The children have come back delighted from the excursion.

-How have you seen Paula? -Well, I was much more animated.

-Well. - Pobrecilla!

This morning, when the mail arrived and stayed ...

�Huy! � Yesto?

-Who is it? -From Pedro.

-Yes? What does it make you?

(READ) '' Can you continue to make me happy by having dinner with me tonight? ''

-.Qu.mono! No?-

Oh, daughter! You do not know the envy you give me.

-Ok I'm leaving.

Enjoy your dinner. -Thanks.

-What have you given him?

- Yahora qu ? lzquierda dereche?

-Right. - Are you sure?

-Yes. -Well, left.

-No one separates, huh? That this looks like a maze.

What? Can not be. I'm running out of batteries!

-Peaceful.

What is this? -lv n.

-Peaceful. -Be careful.

-S�.

(GRlTAN)

(TOSEN)

-�Vicky?

-Did you think I was going to leave you alone?

I'm sorry, okay?

(A noise is heard)

What is that?

-Evelyn, do you think the bottle will go through the whole sea ...

... and will it reach the sky?

-I sure do. Jacinta said it.

- What if a whale eats the bottle?

-No, because they spit it out. Whales eat fish.

Come on, don't worry. -Okay, see you tomorrow.

-Good night, Paula.

-�Ah!

How nice! Look, Evelyn, my parents have answered me.

-How nice! But what a strange answer!

-Of course, because in heaven there are no pens,

That is why they have sent me a little fish, so that I am not alone.

-What are you going to call it? -I'm going to call it Viemes,

like Robinson's friend. -Voucher. How nice! I want one.

-It will be for two, okay? Taking.

-Do you need help?

-No. No thanks. -Come on, woman,

that if you are friends with my boyfriend, you can also be my friend.

�Vaya!

How good it is that you want to learn!

I see that H cto is right.

No, woman, what, well, you have a lot of work to do,

but surely you are a very persistent woman, with "V".

-I didn't want to bother. -Do not worry.

Yes Hector is a good guy! You already noticed, right?

He always needs someone to save.

Now, well, it has been your turn,

And tomorrow I'll find a flea dog and take care of it too.

Look, you know what?

When Hector loses interest in you, call me.

Yes, because I have much more patience than him and ...

and yours is to spend hours. Come on, months.

So, count on me, okay?

(A camera tape is heard)

-Someone has set this in motion. -Yes, but for what?

-It's the five orphans.

-They are in this same place.

(A noise is heard) -Ah!

-What happened?

-They were killed here.

(There is a door slam) (EVERYONE) -Ah!

-What is it, Maria?

� Yesto?

-Mire, yo ...

... I don't have time to study, I've come to clean and I'll do that.

-What happened? -I don't want to do it, okay?

-Why? -Why not.

You come here for a while and you fill my head with birds,

It makes me believe that I can handle everything, but I can't.

-The problem is not what I believe, but what you believe.

-It seems very good to me, but I have a lot of work like you,

so I don't want to waste any more time.

-Hey, hey! What I do with my time is my problem.

-But what else does it give you? -I know it gives me, because ...

... I do believe in you.

-Mar�a,

Can you help me? -Yes, Jacinta, of course.

-They are going to kill us here, as they were killed.

-It won't open! -It has to be opened!

-�Puta!

-There's nobody, come on. Run! -Run.

-What is it? -I must come back for the movie.

-No. -It's the proof that Montoya was looking for.

-No.

Marcos, come back. -Let's go.

Come on, Carol.

Let's go.

-How! Do you not even want to talk to me?

-I have many things to do. -Yes, you're meeting Amelia.

-Do you mind? -No curiosity.

How beautiful the detail of the flower! How much roll for a powder! No?

-How are you wrong! You don't understand anything, that's your problem

that you don't understand people. -You won't tell me now ...

... that you've fallen in love with Amelia. And be careful with playing with her ...

... because she's a very good girl. -Let's see, you ...?

What the hell have you been doing with me all my life?

Play, manipulate me

use me as a rag. Have you ever, Elsa,

have you thought about what my feelings are?

-But what's this about? -Do you see how you don't understand anything, Elsa?

Do you think I like to betray my best friend, my brother?

What do I do only for sex?

This has to end now, and yes, I'm meeting Amelia,

I like it and I will continue to stay with her.

(LUCK)

-Perd�n.

-What happened? -We have seen some children ...

... in the attic. -What?

-Dead, guys. - Better said, murdered.

-We have to go down again. -Are you crazy?

We are miraculously alive. -Marcos is down ...

... and we can't let him down. They don't see that the one who put us ...

... the trap wanted to kill us? -Who?

-�Joder!

-Who was downstairs? Have you seen his face?

-No, we were escaping. -But you have seen the corpses,

I have heard you. -In a movie. They recorded ...

... the murders of the children. -I suppose you have the movie,

tell me you got it. -Look at them.

-�Eh, eh!

I have it!

You can now publish your report!

-Six, five, seven, eight ... Your fucking mother!

Six five...

(A noise is heard)

(Footsteps are heard)

-Mar�a.

Sorry, but you're fired. -How?

-You heard me perfectly. Pick up your things and go, please.

-Are you sure? Because I think you are not interested.

See if the director finds out that his girlfriend has a mess ...

... with his best friend, you might have a problem.

And someone told me that he doesn't have as much patience as you,

so we better forget it.

By the way, you also count on me for what you need,

�vale?

-�Ah! �Ah!

(The door is heard)

-Hello. -Hello.

-Sign this for me, please.

- Do you know that the telephone in the corridor has broken?

-I've already called, they'll come tomorrow. -All right.

What? - Will I tell you or will you tell me?

-I'm just giving you grammar classes, Jacinta.

You need help and I am a teacher. -Yeah, and I'm the new Miss Spain.

-He has skills and wants to learn. You know what I would give ...

... so that my students would have half as much interest as her?

-I can think of one thing.

You spend the day with Elsa and at night ...

... you get into bed with Maria. Hey! What do you think?

-Very funny, you are seeded. Very funny, a lot.

You know that I would never do that. -Because I know and because I love you ...

...I tell you. Be careful

you are getting into flour and you will come out battered.

�Eh?

(READ) '' Mom and Dad: I'm Paula. Today has been a very sad day,

because the mail has arrived and all the children had letters ...

... except me At first I got angry, but then not,

because now I know that you are in heaven,

that is beyond the sea.

And it has swings, sweets and chocolate.

The director told me, who is very good and very clever,

and he is going to marry the director.

He has also told me that when he is sad, I can cry.

But I don't want to, because my eyes sting and Marcos worries.

Dad, don't eat chocolate because mom laughs at you,

And he says that if you get a michel n, he will go with a young muscle.

Although he says it as a joke, because then he kisses you.

My master also kisses with a teacher,

who has white hair like daddy. ''

- Are you well? -S , s .

'' But he's not beefy and he's not as handsome as he is.

My friend the gnome is not handsome either, but I love him just the same,

because many times, when I'm alone,

He comes with me and is happy because I am not scared. ''

-I have the key to the Geneva safe.

A, B, G, D, E, C.

'' I would like to go to heaven with you,

But I don't want to leave Marcos alone, so I better keep telling him ...

... that you are on a secret island, okay?

I love you very much and I miss you. Paula. ''

-What? -Fuck! This is closed.

-Look closely. -lv n, the padlock is on.

-Remove.

Oh! Anyway, we go in through the other door, come on.

-Hey, Carol. -What is it?

-Who will have put that movie? -I don't know,

it was a trap to kill us. -Come on, we'll find out tomorrow ...

... in Ricardo Montoya's article in the newspaper.

-Let's go. -What is that?

-Oh! -It's the ranger's dog.

Come on, let's go. -Vicky.

-You. -Let's go.

-You shouldn't get so close to Paula.

Be careful.